#there’s like 5 different art styles here

[green-crocs12]

high school au but with obkk because i have brain rot of them and it hurts

[skunkes]

something silly and badly formatted

[peachfruitcake]

well gosh

[mothmp3]

You want STARS?

[sockpai]

I just think he’s neat.

I made a version with and w/o the sweat because I couldn’t decide which one I preferred

[arcadian-vampire]

Nervous giggles

Even more nervous giggles

There are so many professional paintings here, so many technically advanced, highly impressive works, and I'm just like [slaps some crayons down] y- yeehaw,,

I'm keeping the Escape Motions site Exciting. keeping it Interesting and Ridiculously Colorful

[definitely-hulu]

So ngl I've been procrastinating a lot and I've seen a bunch of those likes motivation posts and stuff and even though my blog ain't that popular, thought I'd try. Pls help me @totally-peacock-i-swear

At 25 notes, I'll start completing my math homework the day it's assigned (we get one everyday but they're due on Wednesdays)

At 50 notes, I'll draw in my sketchbook at least once a week (rn it's like once a month)

At 100 notes, I'll start working with my watercolor pencils and charcoal pencils (mostly supplies I hardly use, especially paints)

At 200 notes, I'll experiment with different art styles (realism, minimal, etc)

At 500 notes, I'll clean my room.

At 1,000 notes, I'll finish reading The Blood of Olympus by Rick Riordan (I abandoned it like 4-5 years ago)

At 1,500 notes, I'll CLEAN my room (and maybe closet)

At 2,000 notes, I'll write to chapter 10 in my book (25 if this gets over 25,000 (get it, 25k for chapter 25))

At 5,000 notes, I'll read 10 pages+ of whatever book I'm reading before going to bed (instead of watching yt, idk why this isn't in here sooner but oh well)

At 10,000 notes, I'll clean my OLD room!! (Basically I just took what I wanted for my new room and left the other one as a wasteland)

At 15,000 notes, I'll start a YouTube channel for all the videos I've wanted to do (mostly gameplay or bloxburg building, even featuring my voice, idk I've just been thinking it'd be cool to do that, recently)

[nefastnefertiti]

WHY CHAPTER 431 OF MY HERO ACADEMIA SCREAMS CENSORSHIP

First let's start by the "afterword", the note Horikoshi left after 430 and before the extras, chapter 431.

Original japanese for those who understand.

The best traslation I found and most people are agreeing with.

Key sentences are:

1.The real final chapter is 429, 430 is more like a curtain call.

2. PS: For chapter 431, I turn off the cameras and free the characters from their dramas.

This note being left after 430 and before the extras is so important. . The clarification of "the real final chapter is 429" and 430 is the curtain call is screaming: the show has ended here. This is further stated by "i turn the cameras off" by the man who use to refer himself as the camera man, I leave you with an example.

(They're talking about Vol 37 cover)

And back to point number 2: "and free the characters from their dramas", which could perfectly be understood as "the characters are no longer tied to their previous plots and drama" no longer connected to the main story.

It may seem like a reach until here, we're just trying to convince ourselves that's not canon, right? They´re delusions, right?

The problem is how far away everything about 431 antagonizes the whole story, the characters doesn't feel like themselves, they even regress back all their development, the drawing style looks totally different and there are many irregularities that call for our attention.

Dabi, 431 and by Horikoshi

Toga and Ochaco in 431:

Toga and Ochaco by Horikoshi:

All Might's signature for Katsuki (Horikoshi would never mess this up):

Kirishima with 6 fingers lol, Horikoshi loves drawing hands, he would never.

Katsuki's odd teeth what the fuck. (His hand looks good to me)

Ochaco and Shoto just look, weird. It's clearly not Horikoshi's art style.

And this awful background (center) was the main giveaway.

Horikoshi's backgrounds are so professional:

At this point I'm getting tired since the difference is astounding, don't believe me, just check the manga.

I don't think Horikoshi would've allowed those mistakes had he have a role in the making, maybe he did, there's no saying about that, but clearly if he did his involvement was very low.

Character's development wise now.

Seriously? "Deku"? And Katsuki complaining for picking him up. He cried his eyes out when Izuku lost his quirk and now he's back at season 1?

Izuku would never in a million years turn down that offer. And if he did, it would never be like this, so devoid of emotion and empathy.

430 showed us an Izuku aiming for his dreams again and at 431 this Izuku ¿? It's okay with being a teacher? Ok. And if that's not the problem, why he outright rejects Katsuki out of nowhere? When their rivalry was one of the main points of the plots for 430 chapters and now just um over? Without justification? Ok.

Ok.

Now specifically about that ship canonization and bkdk.

Horikoshi has been doing this for 10 years. The choices he took the whole manga were incredibly intentional, all those romantic tropes given to bkdk, his interviews, all stand in direct opposition to what happened in this last chapter.

I, myself, don't know much about Jump but what I've heard is they end lot of shonens with the same heterosexual formula. I don't think all of this is a coincidence.

Something really important that needs to be adressed to is what happened back in June (I think), when suddenly MHA announced it was ending in 5 chapters could've something to do with this. The manga was suddenly rushed to its ends with unsatisfying resolutions and as if that was not enough, one month later (at most) the same happened to JJK and all of this came accompanied by a switch of one of the heads of Jump.

About 431 again though.

I was just thinking what would I do if I was pressured to write something that ruins the biggest project of my life and goes against everything I was hoping for? Refuse. Tell them to write it themselves. If I can't do anything to stop it and it'll be there, alright, but I WON'T DO IT.

And I think this could be Horikoshi's case.

I've never seen a shonen manga come so close to implying his male protagonist and his male deuteragonist are in love before. Yes, it was not EXPLICIT but it was so fucking clear if you knew how to read, all the way up to 430. All those cliches tropes he gave them, he knew, we know.

I thought I'll die trying to explaineverything that seems wrong with this with nothing to back me up but the fact that he added that note is clear for me. I'm surprised they allowed him to publish it, I thought we wouldn't even have that.

PS:

It's interesting this being posted the same day 431 comes out. Also "heroaca is pretty dark, huh?"

I'll not go into this anyways because it's kind of a reach but the conclusion is: I think it's a "soft" censorship and Horikoshi did his best to relay his message given what he had.

Thanks for reading!

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[mybelovedvi]

nsfw. tattooist!vi x f!reader. cw: pwp, dom!vi, fingering (r!receiving), secondhand embarrassment, masochism, dacryphilia if you squint, squirting, unprofessional conduct, bad hygiene practices. wc: 1.7k

the bell on top of the door jingles with your entrance. the parlour smells like a mix of cedarwood, vanilla and antiseptics- just what you'd expect from an antique-looking tattoo studio. the guy at the front desk looks up and smiles.

"hey there, name's ekko. got an appointment today?"

"hi! no i haven't, just saw a 'walk-ins welcome' sign outside. is that okay?" you give a small grin, a little jittery from your impulsive decision.

"that's absolutely fine. take a seat and fill this out f'me." he nods before ducking up some stairs. heavy rock plays softly over the speakers and you begin going through the few pages of personal and medical info.

after a couple minutes, you hear footsteps heading your way. you stand with the clipboard and see a woman with dark pink hair, about 5"8, in cargos and a tank walking towards you.

"hey doll, i'm vi. i'll be tattooing you today."

hell, is it just you or is it getting hotter in here?

"hey, thanks for squeezing me in. here, i've filled out the forms," you extend the clipboard to vi and she gives it a once-over.

"did you have a design in mind?" she queries.

"no... i kind of came in here impulsively, wanted to try something new, y'know?" you shy away from her gaze and fiddle with your fingers. her eyes are fixated on you, every movement of your body.

"you're alright, cherry. why don't you come on back and we'll figure something out together?"

you nod but question the nickname. "cherry?"

"you've got a cherry charm on your bag, your phone too. i'm assuming you like 'em?" vi says as if it's the most obvious thing in the world. you look down and back up at her, giggling a little.

"oh, yeah, they're my favourite."

"good to know. c'mon, follow me,"

you follow vi up the stairs, to a smaller studio than the one below. seems like this is her private workplace, nothing in the room but the bed, a swivel chair, a trolley with some equipment, a couch, and a shelf displaying artworks and vinyls.

"why don't you look through this book and see if there's anything you like? i'm happy to draw somethin' up for you too," vi says, manspreading on the couch and giving the space next to her a pat. you sit and and flip through the book. her works are intricate, displaying a variety of art styles in both colour and black-and-white. your eyes are caught by a beautiful design, a little larger than what you wanted for your first tattoo, but beautiful and unique nonetheless.

"i love this one, i'd like to get this tatted if that's okay?" you turn the large folder towards vi, only to find her eyes already trained on your face.

"mhm, that's one of my favourites, let me print it out for you. where did you want it?" vi stands and heads over to her trolley.

"i'm not sure... this will be my first tattoo, so where does it hurt the least?" you question.

"your first? damn, usually i'd recommend something a bit smaller, but you can handle it, right?" vi smirks at you whilst tapping on her ipad. "as for placement, i'd say your arms would hurt the least. upper back if you're feeling adventurous. or... your outer hips." she trails off a little.

"hm, okay. i think the design might be too big for my arms, and i don't really want it on my back. let's go with my hips?" as you're busy considering the placement of your tattoo and how much pain you might (will) be in, you fail to notice the tips of vi's ears turning pink.

"sure thing, cherry. i'm ready when you are." vi's got the design printed out, a few sheets of paper of different sizes in her hand. you look at her, all thoughts gone for a second as you wait for further instructions. she looks back at you, wondering why you're not taking off your shorts so she can stick the stencil on you.

"um...?"

vi lets out a breathy laugh. "i know i should probably take you out to dinner before i ask this, but mind pulling your shorts down? so i can put the stencil on?"

your face flushes red as you realise that's what you were supposed to do, but also is she flirting with you? or is that how she is with all her clients?

"oh sorry! here, sorry!" you scramble to take your shorts off, not giving vi a second to turn around to give you some privacy. as you stand in the middle of her little studio, only in your baby tee and lace panties, both your faces grow redder- you because of embarrassment, and her because she didn't expect you to take your shorts off.

"sorry! okay, you can put the stencil on now, sorry,"

"stop apologising cherry, nothin' to be sorry for," vi shakes her head and laughs again, before kneeling before you and getting everything in order. she looks up.

"left or right, doll?"

"uhm! right, please..." you trip over your own words a little as you try to look anywhere but her light blue eyes through her lashes.

"alright, let's see..." with a gloved hand, she rubs cream over your hips, the coolness nearly sending a shiver through your legs. she sticks the stencil on smoothly and pats it down. "have a look in the mirror. you happy with that?" you turn towards the floor length mirror leaning against the opposite wall.

"it's perfect, thank you." you smile.

"amazing. let's get you on the bed and get started, yeah?" vi steps away to get a new pair of gloves as you lie down sideways "ready, cherry?" you nod. she's positioned against your lower back, but can you see her in the mirror getting her equipment ready.

"'let me know if it's too much, alright?" she applies more cream to the stenciled area before tattooing the first line through your flesh.

half and hour later, you're beginning to wish you'd gone with a smaller design. vi's not even halfway done and your thighs are already shaking a little with the pain, tears threatening to spill onto the pillow your head rests on.

"how're we doing, doll?" vi asks as she continues, right hand tracing the stenciled lines, her left gripping the flesh around your arched back. what's adding to the pain of the needles is vi changing her grip on you every few minutes, making heat pull around your core. each time her hands move closer to your clothed pussy, it sends a shudder through your whole body.

"yup, good!" you lie a little too enthusiastically. in the mirror, vi raises a brow and lifts the gun off your skin.

"you sure? i can see you're shakin' a little,"

"yup, no i'm good. please keep going," your almost-pleading voice nearly sucks all the air out of vi's lungs. she shakes her head in an attempt to concentrate on her work, and not on the way you're shaking, ass unconsciously pushing back into her chest; not your doe watery eyes and quivering lips in the mirror.

"if you're sure," vi resumes and you shake even harder. tears finally roll down your face, pooling near your ears, staining the pillow. the uncontrollable twitch in your thighs intensify and you attempt to get away from the needle by scootching back or wiggling your hips, making vi graze her forearm too close to your cunt in the process.

"you're gonna have to stop doing that, princess," vi grits, the nickname almost makes you gasp, the pain in your hips and the pressure in your core becoming too much.

"sorr- mmgh!" your slick spills out, soaking through your panties and coating your inner thighs. this doesn't go unnoticed by vi, who audibly sucks in a breath, turns off the gun and sets it aside.

"'m- 'm sorry vi," you whine in your aroused daze, still flush against her chest.

"doll..." vi pauses. "you're fine. let me clean you up, yeah?"

"wh- what?" you shift to look at her with widened teary eyes.

"i said, let me clean you up."

shivering, you feel a gloved hand inch up your inner thighs and stop at your soaked panties.

"tell me princess, what's got you so worked up?" her finger drags up and down your clothed slit, sending jolts of electricity through your flesh. you feel more of your juices seep out, and you know vi can feel it too.

"are you nervous?" she pulls your panties to the side, exposing you to the cold air.

"is it me?" vi pinches your clit. your back arches with a high-pitched whimper.

"or... do you just like writhing in pain?" without warning, two fingers dip inside you causing you to scootch up the bed and thighs clamp down on her hand.

"i wouldn't do that if i were you," vi whispers in your ear. her strong fingers dip in and out of you wildly, coming all the way out before slamming into you again. you wail and mewl as fat drops of tears stream down your face, babbling nonsense into the tear-stained pillow.

"y'look so pretty crying f'me, baby," with her free hand, vi grips your chin with an almost bruising force and lift your head to the direction of the mirror. "look at you, lookin' so fucked out when we just started."

she lets go and your upper body falls limp on the bed as she continues her assault on your pussy, fingers hitting that gummy spot over and over as you chant her name amongst a string of curses.

"fuck, fuck- vi! shit-" you throw your head back with a moan. feeling like your whole body is on fire, your core tightens.

"you can take another, can't you, doll?" vi purrs as she flips you on your back, her hot breath against your collarbone.

"wha-" the addition of a third finger nearly sends you screaming into oblivion. her thumb circles your clit whilst her other hand presses on your lower belly, making your thighs quiver and your lower back arch off the bed. everything is foggy, your eyes clouded with tears, your head filled with nothing but vi, vi, vi-

"too much! it's, mmf- too much vi!" you cry. it feels too good, you know you're going to come at any second, the rope in your stomach threatening to snap as you look up at the gorgeous woman hovering over you, panting and groaning as if she was fucking herself.

"shh, i know you can take it, cherry. you enjoying yourself?" vi asks, and when you respond with nothing but moans and incoherent blabbering, she slaps the side of your hip- the freshly tattooed side.

you come hard. with a scream, your eyes roll and your back comes completely off the bed. you're squirming, writhing, shaking in vi's hold as her fingers continue pumping in and out of you, fucking you through your orgasm. when you come down, she doesn't stop. not when you're full on sobbing, trying to push her hands away, clawing at her forearms, drawing blood and leaving crescent-shaped indents on her fair skin. a foreign feeling builds inside your bladder, and you scramble to free yourself from vi's grasp.

"shit! vi- ah! g'na, 'm g'na pee!"

"shh, just let it go princess," vi hushes and you become undone once again, her watching as your head is thrown back, milky cum leaking and clear liquids gushing out from your pussy, coating your thighs, her forearms and the bed.

"fuck, that's so hot," vi pull her fingers out of you, who's still a quivering and panting mess beneath her. you watch as she slurps up every last drop of your juices before she takes off her nitrile gloves with a snap! and drops it into the trash.

“you reckon you can keep going, princess?”

[harmoonix]

Backcountry

(Random Astrology Observations)

🎶: Virgo Moons/Virgo Placements are the maiden, the M symbol in their zodiac sign ♍, indicates the circular nature of karma, love these placements so much 💞

🎶: Capricorn Jupiter/Jupiter in the 10th house or at Cap Degrees 10° 22° grants the native with luck in their careers/jobs

🎶: Midheaven in Leo Degrees 5°, 17°, 29° makes the native to be in the spotlight from a young age, they can get all attention and to be seen as someone very confident

🎶: Venus in Air Signs and Air houses (3rd, 7th, 11th houses) tend to flirt a lot, if they don't flirt they will definitely wait for a good opportunity to do it

🎶: Cancer/Capricorn/Moon/Saturn in the 4th house will love to live a traditional life style, they may also keep in touch with their traditions

🎶: Pisces Moon/Moon in the 12th house are so powerful in their subconscious world, most of these natives can have dreams as a form of signs to warn them about things happening in their lives

🎶: Don't argue with me but Saturn/Capricorn/Scorpio and even Pluto in the 12th house can be indicators of having an difficult/harsh/rough father, and is not your fault in case you have it 💞💞💞

🎶: 8th house ruler in the 12th house or vice versa is extremely karmic, basically you have periods of rebirth after rebirth and evolution I guess in a past life you couldn't expand or evolve that much

🎶: Scorpio/Pluto/Venus in the 3rd house can make the conversation more spicy when you talk with them, like you know talking about a random subject and they throw something spicy into the conversation

🎶: Aries Risings, they have a perfect chart in form of having every sign in their homes and everything can work perfectly at times, of course depends on the placement of planets but your house placements are ✨✨ chef kiss

🎶: Venus in Earth signs have 2 specific love languages (or even more who knows) most earth Venus signs I know love words of affirmation and quality time and I love that about them 💞

🎶: In my ascendant persona chart I have Venus conjunct the ascendant and one specific thing about this placement is that it gives you time to love yourself 💞 is healing

🎶: Mercury aspecting Neptune is an artistic placement, the native is blessed at any types of arts, like design, painting, etc.. they may love music too

🎶: I may not be that much into the draconic chart but I realized some people have a different draconic chart?? and I got soo confused because my draconic chart literally looks like my vedic chart but at different degrees, i checked my sister's draconic chart and is totally different from her vedic chart...

🎶: Saturn in the 2nd house/Saturn in Taurus, there is some sort of anxiety about their worth and value here, both at money and their self worth, they are so worthy but don't realize that 😕

🎶: Moon in Taurus Degrees 2°, 14°, 26°, the native might have a soft inner child, kind, generous, can be very passionate about their dreams and can be sacrificial at times

🎶: Those with Saturn - Jupiter aspects (especially conjunction very rarely find in a chart) can attract succes in the later ages of their lives, succes can be at any type like in love life, maybe in career or something else

🎶: Ascendant at 6°, 18° (Virgo Degrees), They are peaceful and loved natives, Princess Diana had these degrees on the ascendant and she was seen as holy/pure, exactly as Virgo's definition

🎶: Cancer in the 7th house/Moon in the 7th house/Jupiter in Cancer/Jupiter in the 7th house (if you like or are attracted by men) those placements really give the type of husband is who very attached to you/can be a mamas boy and definitely clingy

🎶: Ascendant at 9°, 21° degrees are wild spirits, they are the most outgoing people you will met, definitely that one person who knows how to enjoy life 100%, blessed

🎶: Capricorn Moons/Capricorn Risings are not always cold as some people say, most of the times they want to protect themselves from people and to not get hurt again

🎶: 11° or 23° degrees on the Midheaven indicates someone who may work a lot in online and maybe being successful/known in online

🎶: Jupiter in the 3rd/9th house axis, might be the most curious placement for this planet. Jupiter explores a lot in these houses, makes the native very talkative and open-minded (Also you're really blessed if you have Jupiter in the 9th house)

🎶: Moon in Gemini/Moon in the 3rd house, these natives always have the best advices when it comes to conversations and socializing, they may also talk a lot about their hobbies or things that make them happy

🎶: Mars in Leo/Sagittarius/Gemini/Libra makes the native to be a chaser or to be chased when they're in love especially at flirting

🎶: Midhaven in Libra Degrees 7°, 19° these natives can be known for their beauty or fashion style/maybe for their talents or maybe they can work in a artistic field

🎶: Asteroid Kalisto 204 aspecting Venus bless the native with a lot of love, beauty, passion and talents, is something about their eyes or their voice

🎶: Asteroid Bacchus 2063 aspecting Juno, the native desires a very sensual/sexual relationship, very lusty, maybe even kinky when they're in a relationship

🎶: Asteroid Sirene 1009 in the 1st/6th house the native has this hypnotic energy in their everyday life, their mood might change from time to time

🎶: 11th house placements are very loyal towards their friendships, for them their friends can be their everything

🎶: Pluto or Saturn in the 4th house, native might have an intense family - life/household, may grew with strict parents and strict rules

🎶: Saturn in the 5th/6th/9th houses natives really need to enjoy life A LOT WAYYY more, these native can often get into a depressive state, go out and dance 🩰 🪩, have fun with your friends, maybe connecting with people

🎶: Uranus in Pisces/12th house is full of physic energy, they can have a a very tied relationship with their own subconscious soul & mind

🎶: Juno in the 11th house or Aquarius can happen a lot for people to always ship/pair them with someone, this energy manifests as people crushing over your friendships (If you have Juno at Aquarius Degrees 11°, 23° too)

🌳 - Do you like to go in the backcountry/in the nature/forest?? Especially if you live in areas with forests around, I love that!! I find these things relaxing/healing !! Take care at bears y'all if you live in a country with a high population of bears!!🐻🌳

Hope you have a good time!!🐻 Watch out for bears and be blessed with light today!❤️❤️

All the best,harmoonix ❤️❤️

[thatsthat24]

Sanderstober 2024

SANDERSTOBER IS HERE! Once again, my friends and I are creating art prompts for you all to try your hand at for every day of this month, if you'd like! Try one, try some, try all! If you miss a day but still want to do a prompt from a day you missed, please go ahead! This is all just for fun. If you'd like to share your creations, you can use #Sanderstober2024. I'd love to see! Hope you enjoy them! 🍁

October 1: Always gotta start out this day with the traditional prompt! take a character from media or OC and draw how they look on September 30th vs. how they look on October 1st!

October 2: Create a sheet ghost, but featuring the pattern of a sheet/blanket you own or maybe used to own when you were younger. - This idea came from my friend, Andrea!

October 3: A quick Google search of “keyblade designs” (the weapon from Kingdom Hearts) would show you how the weapon changes based off the property the character goes to! Design a keyblade based around any piece of media, as if the main character from Kingdom Hearts traveled there… - This idea came from my friend, Rene!

October 4: There’s a lot of fast food and cereal mascots out there… I think you know where I’m going with this. Take any of those mascots and turn them into a MONSTER or KILLER.

October 5: This one’s a play off a prompt from last year AND it’s a writing prompt! Take any famous character from a horror film, and create a nursery rhyme about them. You can make it completely innocent, or, like many nursery rhymes, remain dark but disguised in pretty language.

October 6: Take your favorite animal… and dress it as your dream profession. - This idea came from my friend, Talyn!

October 7: Take one of your favorite movies and reimagine if it had been marketed as a different genre (e.g. Hellraiser as a family comedy, Goodfellas as a romance, etc.) - This idea came from my friend, Joan!

October 8: Turning things into Pokemon tends to be a favorite prompt of mine, and this year, the category is… fast food! Take any fast food of your choice, create a Pokemon, and name it!

October 9: Take any foreign animation cartoon and draw them in the style of a western animation! - This idea from my friend, Dominic!

October 10: Definitely a sucker for fall fashion and aesthetic, so take any character or group of characters from one of your favorite pieces of content and give them a fall aesthetic makeover.

October 11: Crows collect shiny things… what things might the nest of a crow contain from one of your favorite fictional universes? - This idea came from my friend, Lev!

October 12: Take any color and ONLY use that color in order to depict a Halloween, horror movie, or fall scene.

October 13: A very expressionistic vibe for this prompt: draw the aura which you hope to be walking in during fall or Halloween. - This idea came from my friend, Valerie!

October 14: There’s LOTS of new words and sayings out there (skibidi, rizz, Ohio, ick, etc.). Google some, you’ll learn a couple new ones. I want you to create a Halloween monster/creature/cryptid based off one of these new words, as if they were the names of the creatures themself (Oh my gosh… it’s the legendary Los Angeles Ick…)

October 15: Sure, people are scared of Halloween monsters… but are there things that would be scary to those monsters? Get creative and depict some things/scenarios that would be terrifying to a typical Halloween creature! - This idea came from my friend, Jackie!

October 16: Those new horror-fied versions of fast food/cereal monsters from October 4 need weapons… take a meal or the cereal from the brand you got your mascot from, and create a weapon inspired by it!

October 17: There has been lots of theorizing in the fields of science on how the human body may evolve in order to either perform modern tasks better or survive… SO, imagine up a human evolution that has adapted to survive some environment (fire, spider bites, rejection), or one that has adapted to perform a certain task (tennis, gaming, folding clothes). - This idea comes from my friend, Joan!

October 18: So, Toy Story 5 has been announced… draw the next toy that’s gonna be introduced as a character in it.

October 19: Returning to an annual favorite of mine… take any character(s) from a piece of media and depict them in the style of a Tim Burton character.

October 20: As a play off of Dominic’s suggestion from an earlier day, take any western animation’s characters and depict them in the style of a foreign animation!

October 21: Taking inspiration from the movie, Hocus Pocus, take any character from a piece of media and depict them riding what *they* would probably bewitch into a broomstick if they had to in a pinch!

October 22: They’re giving your favorite background character a spin-off series. What does the poster for it look like? - This idea is from my friend, Dominic!

October 23: Ok… that monster/killer mascot you made on October 4th? The movie has to have a setting. Maybe an appropriate building? Maybe an entire town… Depict that setting…

October24: Take a character from your favorite movie/tv show and depict them as if they were a character in a fighting game like Smash Bros. or Street Fighter! What does their special/ultimate move look like? - This idea came from my friend, David!

October 25: Take any fun/special memory from your life and create a children’s book cover inspired by it. - This idea came from my friend, Stephanie!

October 26: Take your favorite classic Halloween monster and use them as inspiration for a new species of insect… - This idea came from my friend, Dahlia!

October 27: This feels like a classic for any time of year: take any favorite piece of media and cast the Sanders Sides in it.

October 28: [Any of your favorite pieces of media] … and Zombies

October 29: Think of a very important key object from one of your favorite movies or tv shows that the protagonist(s) finds. Now imagine they never stumbled upon it. What would it look like 100 years later? What else may have happened to it if the protagonist never found it? - This idea came from my friend, Chantz!

October 30: Now… we combine the ideas together to make the ultimate new Halloween villain! Take your creations from October 4th, 8th, 16th, and 23rd, and place them all together to create a scene of them terrorizing the main protagonists!

October 31: And, as a classic end-of-the-month tradition, today’s prompt is about celebrating the reason for the season, Halloween! Imagine if Halloween was like New Year’s Eve for Halloween creatures/characters. What would they look like, dressed all fancy for the occasion and celebrating?

Got the list fully completed! Looking forward to whatever you all create! 

[jadenvargen]

If I want to study someone's art or style, how do I do that? Like where do you even start when looking at an illustration that they made 😭thank you!!!

Here’s stuff i think about. i don’t do that many style studies, so idunno how helpful it is! pls sound in tha comments if anyone has tips:) 

Pinpoint what stuff you like, and focus on that. Focus on technique rather than exact replication, for example ( just first thing comes to mind) if you like rostov’s disco elysium cover art and want to study it, don’t just repaint the image, find what’s key in the style. looseness, maybe? then, instead of copying the image with your technique, try to apply the same looseness. (feat. shitty 5 min sketch plz dont judge example of how i normally approax paintings, versus a study. ALSO not to say u CANT do this it's just how i would study, myself. )

That being said, don’t force yourself to make art decisions that feel unnatural to you. a lot of the time artists make decisions based on their weaknesses as well as strengths. I do very shaky, hatchy lineart because my hands are very shaky. I focus on painting what I* feel is important and fun. 

Instead of copying a style from a picture, look at a variety of pictures and find technique. For example a lot of people redrawing a screenshot in “sailor moon style” or “ghibli style” will draw… let’s say, an old man, looking like a usagi because that’s the screenshot they looked at, instead of watching what stylistic choices for example takeuchi made when stylizing an old man. So the “studies” end up homogenous. I personally find it unproductive to replicate a painting for purposes of study, but like focusing on individual elements. say you like egon schiele, replicating whole paintings at a time IMO isn't gonna do much, but maybe you can set out on a series where you sketch copy his hands or feet from different paintings, and then try stylizing your own hands the same way? Or maybe your fave artist draws moonlight like a blue stream, or a red one? Try applying only that light to your paintings.

You could also color pick or look at the colors they make and paint whatever you want with those same colors, to understand how they work together and what can be done with them.

Also, if you can, look at their influences! Everyone learns art by seeing others art. Chances are they saw art they liked and picked from there what elements they enjoyed. Looking at the inspiration can help make some of the techniques more obvious.

Basically focus less on copying(not that copying is bad- but not always helpful for studying), and more on what you like. If you find what you like, you can work from there and try to think about your own art from the same perspective.

IDK if this helps as i said, feel free to add onto^_^

[dannymayevent]

Dannymay 2024

Welcome back to Dannymay! We sincerely apologize for the delay this year, as we're releasing this just a day before the event is due to start. Life's been a bit hectic for all of us, but we're here now and ready to get this event started for you!

If you aren't aware, Dannymay is a yearly event where creators are given a daily prompt and are free to run with it! Any and all art is allowed; fanfiction, fanart, music, poetry, and anything else will be welcomed!

Feel free to complete as many or as few prompts as you'd like, and remember to have fun! When you're done, post your creations to Tumblr with the #Dannymay2024 tag so we can see it!

Like last year, we'll be compiling an ao3 collection under the tag Dannymay 2024, and we'll fire up the Dannymay discord for another year - the link is in our FAQ!

Full text prompt list and AU explanations are below the cut

Insect

2. Wish

3. Invisible

4. Wander

5. Nails

6. Immortal AU: What if Danny/Halfas couldn't die?

7. Mind Control

8. Style Challenge: A unique prompt to kick off the second week! Take the characters and draw them in the style of a different piece of media, or experiment with your own style and see what you can make!

9. Hunger

10. Mausoleum

11. Mutation

12. Time Travel

13. D&D AU: Drop the characters into the world of Dungeons & Dragons, or imagine them playing the game!

14. Light

15. Field Trip

16. Glowing Veins

17. Equilibrium

18. Revenge

19. Iron

20. Pitch AU: What if the show had aired as presented in the Pitch Bible, where Danny is a human with an owl named Spooky, rides a motorcycle, and has a psychic connection with Sam? For more information, the Bible has been uploaded to the Internet Archive

21. Funeral

22. Song Lyric: Just one week left! Take a line from a song you like and use that as inspiration!

23. Reflection

24. Electricity

25. Games

26. Shoes

27. Zombie AU: What if the ghosts were zombies, or what if canon Amity Park were to face a zombie apocalypse?

28. Healing

29. Fireworks

30. Goodbye

31. Free Day: You made it, thanks for participating in the event! For the last day, create anything you'd like!

[taylorswiftstyle]

MTV Video Music Awards | September 11, 2024

Monse Fall/Winter 2024 custom

For Future Reference Vintage 'Omega Chain' - no longer available

Rainbow K Jewelry ‘Diamond Horn Earring’ - € 7215.00 Ali Weiss Jewelry ‘Baby Pave Hoop With 2 Diamond Drop’ - $375.00 Grown Brilliance ‘Emerald and Heart Lab Grown Diamond Two Stone Stud Earrings’ - $1,895.00

Lizzie Mandler Jewelry ‘Pave Knife Edge Bracelet’ - $13,665.00 Mateo New York ‘Carabiner Bracelet’ - $300.00 Mateo New York ‘Lock Link Bracelet’ - $350.00 Rainbow K Jewelry ‘Diamond Horn Bangle’ - €18,575.00

Ali Weiss Jewelry ‘Thin Gold Band With 5 Diamonds’ - $650.00 Jade Ruzzo ‘Tennessee Drop Ring in Demantoid Garnet’ - $5,600.00 Retrouvai ‘Platinum Magna Ring’ - price upon request Grown Brilliance‘Marquise Lab Grown Diamond Eternity Band’ - $2,190.00

A brief moment of pride for me because I happened to predict a different look from this exact same collection for the MTV VMAs. I'll take the win! Taylor changed partway through the show, shedding her tartan Dior look for a party look that was easier for her to dance in but still retained a high shine award show appeal. While Taylor's look is obviously custom, the tapestry alien print and buckle detail are clear riffs from the Monse FW2024 runway. This was a fun and flirty mid-show change that reminded me of her strategy at the 2022 MTV EMAs. Though for that award show, there was a clearer throughline between both her looks as they were by the same designer - David Koma. Here, there isn't as obvious a connect between the two aesthetics. Although perhaps it's the notion of translating older notions of art into surreal, modern takes. With Dior, an ode to the secret messages Mary Queen of Scots embroidered in her clothes and with this Monse look, reimagining the antique tapestry to feature futuristic visions of alien invasion. Which feels very "Down Bad" in imagery.

For her second look of the evening, Taylor swapped out her singular pair of Lorraine Schwartz earrings (a go-to jeweler for her red carpet looks) and tapped into one of her style pillars: indie designers.

The mix of metals feels very Taylor - she often swaps between gold and silver and looks equally great in both, lucky her. Though I did most appreciate the silver tying in to the buckle detail on her Monse dress.

Of all her jewels, the piece that most caught my eye is Jade Ruzzo's ‘Tennessee’ ring. I spoke to the designer and she described the Tennessee as her “signature” collection, inspired by her late father who was a drummer. “I designed the Tennessee ring, the first piece from the collection, while in Tennessee,” she told me. “Tennessee has a heart and soul that I felt I could literally hear a beat to - it felt like it moved.” Jade translated the kinetic energy she felt in the city into a hand bezel ring with hanging gemstones that create a subtle movement - “as if [the stones] are dancing on each piece.” She added, “I wanted the movement to be subtle enough that it felt Iike soft steady music throughout the day.“ What an appropriate thing for Taylor, who calls Tennessee her home, to wear.

Photo by John Shearer via Getty Images