#there was only the first two seasons out at that point so i would have definitely been influenced oh my god

[crescenthistory]

Can you do like, an animagus!reader x regulus were reader is like, kinda sick and ill and all the time she sneezes, she turns into her animagus form????? I BEG YOUUU It would be so perfect. I love your writing and only do if you are comfortable with it. THANK YOUUU (english is not my first lenguage, so sorry about the mistekess)

this was a lovely sweetheart idea, thank you<3 big hugs!

Words: 1.8k

Warnings: not proofread, fem!reader, common cold, reader is a bit miserable, whipped!regulus, bsf!remus who feels somewhat guilty

Note: this is of course the same cat!animagus!reader that we have followed for a while

"For all the possible cons I went over before deciding to become an animagus," you drawled haughtily. "This was not something I thought to fear."

Regulus camouflaged his laughter with a soft cooing sound, petting your hair from where you were laid on his chest in your dorm room. The position could not be comfortable for you, you were practically laying on your back, with your head angled to the side to be on top of him, but it was how it had to be right now. That was to account for two things: your difficulty breathing through your cold, and the fact that you at any point could shift into your cat form, Whiskers.

"To be fair, I don't think this would be warned about in any literature." Regulus defended your past self's decision.

"You can be damn sure it wasn't." Your words would be more menacing if it wasn't for the high-pitched croak in your voice.

You had been sick before, many a time actually, including after becoming an animagus three years ago. Yet, this bout of seasonal cold for you seemed to be more sneeze-heavy than ever before, and you developed an awful side-effect to it.

For whatever reason, each time you sneezed, your startled body took it as a signal to shift you into your animagus form. Effectively draining your already limited energy and annoying you to no end. You hated it. Regulus put on his best frown in solidarity -- but would be lying if he said he didn't find the ordeal somewhat endearing. Even more so when you huffed yourself hoarse from irritation.

Considering that your illegal animagus status was not something you should be advertising, you and Regulus huddled into your dorm together to ride it out. Which, he noted, probably was good for you anyway, so that you could get better faster.

You had not appreciated it when he pointed it out to you.

"Just a bit more, amour, and then you'll be back to normal," Regulus said, hoping his tone was reassuring despite the slight laugh behind it.

"Easy for you to say," you grumbled, but, to his great pleasure, you burrowed your nose further into his chest.

“Just because I am able to see the humour in this situation already does not mean your ailment is not wounding me.” He was aware he was laying it on a bit thick, even more so when he kissed the crown of your head, but it might just be needed. Before you could have a chance to quip back and irritate your sore throat further, he asked, “Do you want anything, hm? More tea or healing potion?”

You seemed to think about it longer than usual, and he was unsure whether it was due to your feverish sluggishness, or a reluctance to answer. When you concluded with a weak, “No, I don’t think so, lovely,” followed by a rough cough, he decided on the latter.

“You shouldn’t lie to your carer, love,” he chided gently.

You tilted your head upwards so that he could see you were narrowing your eyes at him. Even your glare had lost its bite when your eyes were this foggy. “Y’re not my carer, Reggie. Don’t be dramatic.”

“Sorry, amour, you know it’s a genetic condition.” He preened at the sound of your weak laughter and then immediately switched up when he saw your subsequent frown. “Are you sure you don’t want any more tea? Honey?”

“No need to call me honey,” you tried to joke. He was momentarily ashamed of you, and waited for you to answer his actual question. “I do want more tea,” you eventually relented. “But I don’t want you to get it for me.”

His heart took on a softness he had not known it capable of prior to you, one that still somewhat unsettled him. “I want to help you,” he murmured into your hair.

“That’s not it. I just… I don’t want you to go.” Even as you said it, you hugged him closer.

He tilted his head at you in confusion. “I won’t be long.”

“That’s not it,” you whined into him. “I don’t like turning into,” – cough break – “, I don’t like turning without warning like that. Don’t wanna do it alone.”

Regulus thought he might break his ribs from how violently his heart doubled in size. “Oh, lovely girl.” He pressed one, two, three kisses to your head. “We’ll find a work around, okay?”

Without waiting for a response, he grabbed his wand from your bedside table and quietly accio’d some pen and paper to hover in the air before him. It took little to no effort for him to get the pen to write a short message on the piece of paper and have it be folded over into a small faux aeroplane, but the way you looked at him in awe, one would have thought he completed some impressive curse break. 

“Are you not a witch?” he asked, small tug on the corner of his lips as he watched the aeroplane fly out through the crack in the door. "Is this impressive to you?"

“Rude.” You didn’t need him to explain his jab at your fascination with his magic. “You know I love watching you.”

He just hummed into you, pulling you closer by the waist. “I’ve alerted Remus; I know he gets your tea right every time.”

You opened your mouth to speak, likely to coo at Regulus for growing soft, but then you stopped halfway through. The tension in your shoulders alerted him to what was about to happen and the sigh he breathed could almost be classified as a snort. Enough for you to throw him one last glare while in the middle of the ah-ah-ah part of your sneeze before finally atchoo your way through it.

Regulus imagined a plop sound as the girl laying half on top of him within a second shrunk and grew white-and-grey fur, landing comfortably in the middle of his chest. Whiskers made a soft hissing sound at no one in particular before letting your head drop with a sad thump.

“Oh my sweet girl,” Regulus murmured as he brought one hand up to rest on your middle as a form of weighted blanket – you said it helped last time – and the other to scratch lovingly at your head.

You did not bother turning back to your human form, instead letting the sneeze cycle decide which form you remain in to save on some energy. Regulus had a theory that you heal quicker as a cat anyway, so he figured it didn’t hurt to leave you to it.

The biggest downside of being Whiskers with your cold is that purring hurt your scratchy throat even further – an instinct that was hard to fight as a feline, especially when Regulus gave you scratches in all the right places (he would know). Perhaps he should be kind and leave you be.

You both knew that wouldn’t happen.

There were three soft raps to your dorm room, causing both of your heads to snap up towards it as Remus carefully stepped through it with a rueful smile. “Are we alive in here?” he asked teasingly, smile spreading once he saw your form curled up on Regulus. “Oh, hi Whiskers.”

“Still switching back and forth,” Regulus explained. A fairly obvious statement, but he had learned to never underestimate how much explanation your little friend group needs, though Lupin was the better of the bunch.

“I see that,” Remus cooed, reaching out to pet over your nose carefully with his index finger. “How are we planning on drinking this tea then, kitten?”

You pretended to bite at his finger, either for his comment or his use of the term kitten. Regulus would support you in it.

“She’ll be forced back into human form anytime now,” he began to explain, at the same time as you took a deep breath in and tensed. His eyes moved immediately from the Gryffindor boy to land on you. 

Remus had the wits to step backwards with the tea just before you let out another loud sneeze, distinctively feline-like. Just like that Regulus had his regular girlfriend back in his arms.

You immediately rolled off him to the side and groaned loudly and oh so hoarsely. “I hate everything.”

“Sorry ‘bout that lovely,” Remus said somewhat guilty as he came back to the bedside, sitting down beside you to hand you your tea, which you accepted shakily. 

You furrowed your brows at him. “What are you sorry for?” you said with poorly hidden accusation, having sniffed out Remus’ poor self image before he could explain himself. When he just shrugged you waved a trembling finger in his face. “No such apologies will be allowed around here, Mr. Blame Himself. I believe the phrase for my actions is that I fucked around and found out.”

Regulus was not proud when the snort he let out was almost identical to Remus’.

“Yeah, you’re a good friend, even if you’re not always the brightest,” Remus teased as he got up, easily dodging your weak swat.

You were about to reply when you suddenly thrust your tea cup into Regulus’ unexpecting arms, spilling some onto your sleeve in the process. Barely a second later, you sneezed yourself into a cat again.

This time your hiss was much more prominent and prompted a second sneeze that brought you right back to yourself, falling back onto the bed with a deep sigh.

“Feel better, both of you,” Remus said through a soft smile before stepping out and leaving you both to it.

“Oh, amour,” Regulus whispered before pressing a quick kiss to the side of your head. “Okay, drink this and then we’ll try something else.”

Too tired to give him any semblance of a sassy remark or even question his ideas, you quickly gulped down the tea, closing your eyes at the sensation. Regulus could not fight the urge to close the small distance and press a butterfly-light kiss to your eyelid.

He took the cup from you, empty apart from the slight tea dust on the bottom, sitting it on the bedside table. Wordlessly, he helped guide you into a lying position, head propped up by several pillows.

“This might help lessen the sneezes or better yet help you fall asleep,” he murmured as he arranged everything so it would be neatly ready. “If not, it will at the very least be nice.”

With a final peck to your lips and a sneaky smile, Regulus turned into his own animagus form, Shadow, and climbed carefully on top of your chest. There, he curled up so that he was perfectly positioned over the top of your chest, one paw laying protectively over your heart.

You sighed, absentmindedly scratching his head with the tips of your fingers. 

Regulus deemed his mission successful when your breaths started evening out. And, looking up at you and your pouty lips and perfect nose, he deemed that his life was quite nice as well.

[deathbxnny]

Hi I would like to request a part 2 of my previous request for the jinx x fem reader with abandonment issues

"I'm sorry you lost your way home." | Jinx x Reader

(Previous part)

I decided to combine these two, so thank you to the anons and their requests!! I hope you'll like this!<33

(I'm sorry in advance-)

Content: Heavy angst, abandonment issues, heavy spoilers for season 2 act 3, hurt/no comfort, established romantic relationships, death, sfw

Reader was asked to be afab in one of the requests. However, no pronouns are mentioned in the post!

((Not proofread))

The first person to visit you after her disappearance was Vi. The sister you had heard so much about, yet never anything good. But it all melted away at her words.

Your ears were ringing, and for a moment, you wondered if you had perhaps heard her wrong. "... Jinx said that she was going to help someone out before she left with Isha. And... And she swore they'd be back. So don't you lie to me-" You took a deep breath when you stumbled back against the doorway, nearly sliding down the rough wood in terror. Oh, how you wished the ground would open up to swallow you whole.

Vi gave you an unreadable look, her hand hesitantly reaching out to grab you, but she refrained at the last second. You meant the world to Jinx. She had asked her to find you just before... "I'm sorry. But what I'm saying is the truth, I-... They are both dead. There is no doubt about it. I saw it with my own eyes both times and... I can't get the images out of my head." Sweat dripped down your forehead as you only barely heard Vi speak to you.

Life was just becoming good for you... so why did this have to happen?

You both had just recently taken in Isha a while ago and were basically treating her as your child. You saw the way she healed Jinx and made her feel more alive. It meant the world to you to see her that way. And for a while, you perhaps even foolishly believed that things would go well now.

You thought about running away together before, in the darkness of your room, as Isha napped in your arms. You remembered turning to her and whispering, "Let's run away. Let's leave on one of the skyship and go somewhere far away... just the three of us." And you saw it in her gentle gaze, the way she considered it... but it meant nothing in the face of a war she had to fight in.

Looking back on it, you should've maybe seen the signs and listened to the uneasy feeling in your gut when the both of them left for a special mission she refused to tell you about. It was for your own safety she'd say and who were you to intervene or deny her orders? She was always so much more intelligent and stronger than you. You just blindly trusted her. You believed she'd return soon just as she's promised... but she never did.

Neither of them did.

It was radio silence for the longest time. And you hadn't moved an inch from the small apartment Jinx considered to be her second hideout with you and your kid. Not when the war broke out, not when there was a call for arms, not when you peeked out for the barricaded windows at the creepy, white machines that slinked right past your hiding space.

And now you wonder, in the haze of uncertainty and panic, if the balloon you had momentarily seen soar through the sky was her after all. Had the denial misled you into a false sense of foolish security? Did you really, fully believe she'd be back for you? That she'd bring Isha home safely and run away at last? Yes. Yes, you did. You believed it... but received a charred part of one of her bombs in return. A confirmation that it was truly over for the family and future you had built together for the shortest amount of time.

"... leave. Please leave. I can't bare looking at you." You gasped out in-between heaving breaths, unable to stand Vi's presence any longer. Everyone was making you feel sick. What's the point of being a savior if you die? What's the point of seeing a hero if you leave behind what you love the most to suffer in agony?

You had waited so long at this wooden door to your once warm home for their return. For her return. Yet all you were greeted with was the one thing that was left of her. A sister she did still love deep down more than life itself. You, however, could only feel rage.

"Wait. She told me to loom out for you. I can't-" "-I said leave! If it wasn't for you, then we could have left and been happy!" You yelled out, suddenly not caring about hurting anyone's feelings anymore. And god did it hurt. It hurt so much. Because Vi still had a piece of her in her. But it wasn't enough. Nothing would be enough in her and Isha's absence.

Slamming the door into Vi's face and locking it for good measure, you finally fall to your knees and clutch the last, charred thing you had of her to your chest, sobbing. You drowned out Vi's yells and bangs against the door whilst you did so, deciding that if you were in agony, then she didn't deserve any consolation either.

Your worst nightmare had come to fruition, just as the last skyship of the day flew into the sky and left its past behind.

[eloquentlytired]

odysseus. sfw.

logan howlett x fem goddess reader

note: this is basically a circe x odysseus!au but also not moving according to the actual story. I've alternated the ending too. I've always wanted to write logan in such a theme/au so I'm happy that I did. it's short but still feeling satisfied. I also blame Madeline Miller for her amazing writing, just finished reading circe and I cried AGAIN. first tsoa and now circe.

warnings 4 this ?? bittersweet, hurt to comfort, reader is just a girl that's thousands of centuries old, logan is a worn out warrior, he'll never introduce himself in the story btw

“I heard my men came this way, my goddess. I mean no harm or to intrude but to only ask your assistance to find them.” His voice was soothing but raspy. His shoulders sunburned but prideful. Age was evidently catching up to him but he remained as handsome as other mortal men you'd witnessed before, although not plenty. You wondered if he would be any different but then you remembered the nature of all men before him and you mentally shook your head. He was just another pig to be.

You welcomed him to your home and offered him the best hospitality like you did to all of your guests. He ate as he spoke to you about a distant home he was missing, then his wife, and for a while you wondered if having a wife would make him less of a monster. But the men before him surely would have wives too, or loved ones, and if not most of them then some of them. Yet they had still been pigs.

He could sense your hesitation and you could sense his. At some point you noticed that he had not touched his wine — clever man he was. It was the wine that would cause him harm and he somehow knew. He kept twisting the full goblet in his hand without ever drinking from it, his mouth occupied by mere words of his trips and his suffering.

“You have not touched your wine.” You told him and his eyes glinted as he looked at you. He definitely knew.

“My goddess, if you'd allow me to speak honestly.” He said and you offered him a firm nod. You were fearless and he clearly liked that by the way he smiled at you. “My men. You have done something to them,isn't that right?”

A sly smile adored your features and to your surprise his own never disappeared.

“I let them in,fed them and cared for them. Yet they wished to steal from me.” You responded while circling him like a predator. That's what you were — and those stupid men were your prey.

“I have spoiled them. They're all idiots whose judgement has been clouded by the endless war.” The handsome man explained as he stroked his beard, his eyes following your every move. He turned with you as you circled him; as if this was a game. Perhaps it was.

“They are idiots and to that we may agree.” His smile grew at your words and he tilted his head slightly.

“I don't wish to fight you, my goddess. I see no reason to. Do you?” His goblet remained in his hand, untouched and filled to the brim. Despite him toying around with it, the wine never spilled from the cup.

“You knew about the wine.” You suddenly told him.

“And you know about the flower.” He shot back and the two of you exchanged glances longer than any season of time. Your face beamed with energy and warmth while your eyes moved like a prying serpent. His, on the other hand, were cautious but delightful to look at.

“Hermes gave it to you, did he not? And yet you haven't used it against me.” The man's next actions surprised you as he grabbed his satchel and threw it on the stoned floor. The roots of the flower, which was meant to go against you, were visible within the satchel.

You stared at the stranger in disbelief but he smiled again. Almost laughed.

“Like I said, respectful goddess, I see no reason to fight you. It's just not within reason to do so.” His words surprised you even more, how smooth of a talker he was but also how intelligent. Bards would die for this type of inspiration while others would sacrifice whatever for even half of his sentence’s worth. “My men are stupid but they mean no harm. The Trojan war has corrupted their minds but also I, their captain, have failed to properly teach them manners. They're young.” He took a step forward but you didn't cower. He appreciated that.

“Get to your point, mortal.” You said while raising your chin with pride, challenging him with your gaze.

He grinned and his teeth showed. “All I ask is to get my men back. In return, I will offer whatever I can to you.”

You thought about the events unfolded ever since your birth. How little you knew for your age; so old you'd forgotten it yourself. You were the daughter of a Titan, not newborn divinity. You knew what mistakes were better than anyone and you had learned, one way or another, to distinguish good from bad. This man was neither.

And then the agreement was made.

His men were back to their original humane forms and dined happily downstairs, finally at ease. You let them for the sake of the man that had charmed you with his words and brains.

“Our agreement.” That familiar raspy voice called out to you and you turned around, staring at his form on the doorway. He was leaning against it like he'd been here before but it didn't insult you.

He approached you slowly, one step after the other. His face hovered closely over yours as he spoke again. “One kiss.” The man repeated what you'd requested of him that night but before he could complete his pay, you stopped him.

He froze upon feeling your fingers upon his lips and his eyes stared at you — more worried than feared.

“I changed my mind.” You whispered as your fingers caressed his lips, chapped and rough. The man remained still as he listened. “I ,once, turned a girl into a monster for supposedly taking away a man I loved. I don't want to do the action which I punished someone for.”

The man nodded then smiled. “I have not met a woman wiser than you,my lady.”

His words brought a smile to your face, one that wasn't sly or contained hidden meanings. It was simply an act of delight.

“All this just to see her?” You couldn't help but ask, referring to his wife.

“Yes.” He answered with pride, and most importantly love, in his eyes. You dragged your fingers from his lips to his cheek and he leaned into your touch willingly.

“I don't know what that's like. To have a husband that actually loves you. All the men around me were never good to their wives.” You told him and something swirled in his orbs — rage.

“Then they were fools.” He whispered. “Even bigger fools for not treasuring you.”

You buried your face into his neck and he let you. His touch was warm and gentle, one arm hugging your waist while the other cradled the back of your head. The touch was so careful, almost fatherly, and you could not remember the last time someone had treated you so gently. So kindly.

You cried in his arms as he held you until the moonlight shed its final moments.

“I will need a few days to fix our ship—”

“Stay.” You cut him off. “As long as you need."

He nodded while tightening his arms around your smaller frame, his large hand still cradling the back of your head as if trying to ease the thoughts that weighed it down.

No matter what, you would help him and the others get home.

[d1xonss]

Hi there! I was wondering if i could get some straight Daryl Dixon smut where fem!reader is asking him to choke her for the first time? If not it’s totally okay! love your writing! <3

Something New

✧ Pairing : Daryl Dixon x Reader

✧ Era : Season 2

✧ Pronouns : she/her

✧ Genre : ⚠️ Smut (18+)

✧ Word Count : 1.6k

AN ~ Oooh I don’t think I’ve ever done any kind of smut like this before, but I’m happy to try! And let’s preface this first before anything else; no I don’t think Daryl would realistically feel comfortable choking someone. He strikes me as the type of man that doesn’t want to harm you in any way during something so intimate, even if you asked for it. However, I think early seasons Daryl would definitely be a little rougher during sex which is why I planned for the season 2 era. But the moral of the story is this is just for fun, and I tried to keep it as accurate as possible.

Hope you enjoy! xoxox

It had been a rough couple of days. Between getting stranded on the highway, losing Sophia, and Carl getting shot, it was safe to say that the group had seen better days. The recent events had taken a toll on all of you, the stress beginning to build up to the point of no return. And it was no surprise to you seeing Daryl was the one who was taking it the hardest. 

He was constantly tense and rigid, a permanent scowl on his face while nothing seemed to be going the way it was supposed to. Though luckily for him, you knew just the way to relieve some of that…tension.

Your gasps and moans could be heard by no one near as Daryl had taken it upon himself to move your shared tent far away from the others to get some distance. At first you were weary of the idea, but now you thought it just might’ve been the best one he’s ever had. Considering the filthy sounds he was pulling from you, it would be mortifying to face the others the following morning.

The small tent was pitch black, the only thing you were able to see were the soft outlines of the different shapes around you, along with feeling Daryl’s hot pants on the back of your neck as he continuously pounded into you. The sound of your wetness with every thrust filled the small space, almost suffocating as the sleeping bag beneath you was providing little to no comfort from the harsh ground beneath you. But with your legs tangled together and the feel of his dick hitting your hilt over and over again, the feel of tiny rocks below was far from your mind.

“Oh, fuck.” you whimpered, desperately grabbing and gripping at his arms that were wrapped around you as his pace was rough and determined. Your pussy was throbbing, the feel of his hips slapping against your ass was growing more urgent as you felt your wetness begin to run down your leg.

He grunted from behind you, feeling your walls clench around him, “That’s right, fuckin take it.” he growled into your ear, the next thing you felt were his teeth teasingly biting the shell.

You threw your head back in ecstasy, your toes curling all while trying to patch his pace with your own movements. But let’s face it, you were growing tired. And he had more stamina than the two of you combined. He could’ve kept this up all night if he wanted to just to torture you a bit more than he already was, having slowed down multiple times right when he felt you were about to come.

His large, rough hands then moved from your hips up to your breasts, giving them a generous squeeze before teasing your nipples just enough to get you to squirm even more. Gently pinching and pulling them to hear more of those delicious sounds. You cried out almost in agony with how much he was teasing you, the feeling both pleasurable and miserable. But Daryl couldn’t lie, he loved it. Hearing you like this, so aching and hungry for him drove him absolutely crazy.

Your bodies were sheen in a thin layer of sweat, the desire and lust growing even thicker with every plunge of his hips or bites at your skin. You wanted to feel him everywhere. Which is why your hand impulsively reached for his, tugging it toward your throat in a sex drunk kind of state. Though Daryl however quickly snapped out of it when his mind processed your actions, his movements stopping completely which only caused you to whine a bit in protest as you thought he only did it to tease you again. But what you couldn’t see was his expression was quite serious. Never in a million years had he even considered what you had silently asked him to do.

“What the hell are ya doin?” he asked, his tone rough with desire yet still somehow soft when it came to speaking to you.

His words brought you out of your daze, your eyes widening a little at what you had unconsciously done in a fit of impatience and longing. You had never outright admitted that you had a kind of kink, a fantasy perhaps of him wrapping his strong hands around your throat. But now that your secret was basically exposed, you felt extremely embarrassed, silently thankful that the tent was dark enough to where you couldn’t see his face. Although you could sense the tension resurfacing, the tension you so desperately tried to take away from him, was suddenly back within an instant.

“Sorry…” you huffed quietly as you tried to catch your breath, “Heat of the moment.”

Daryl was silent for what seemed like ages, leaving you thinking you had ruined the entire moment as you didn’t have a clue at what was going on in his head. But surprisingly enough, it wasn't what you had anticipated.

The idea of choking, spanking, or any kind of harmful thing really had never before crossed his mind despite how rough he could be at times. He never wished to intentionally hurt you, especially after the trust you had built up over the weeks of knowing one another. You were important to him, even though he had never been brave enough to admit that out loud, you were still quite literally the only person that mattered to him now. But seeing as clearly you weren’t opposed to the idea of exploring something new, he figured...maybe he could get behind it. 

His face leaned down toward your ear again from behind, “You tell me if it’s too much…ya hear me?” he said almost sternly to show you how serious he was about this.

Your brows furrowed in confusion, opening your mouth to question him, but you didn’t get the chance before his hand came up to gently squeeze at your neck. Your eyes widened, a surprised whimper escaping your lungs while his hips slowly began to buck up into you again, picking up right where he had left off.

The tightness he held around your throat immediately sent you back to that blissful haze, feeling your limbs begin to tingle as he continued to send shockwaves of pleasure up your spine. You moaned loudly when he squeezed a bit tighter, testing the waters with how much you could take. But it didn’t hurt at all surprisingly, like he somehow knew exactly what he was doing though he had never tried this before in his life. It was almost concerningly perfect, and you were in heaven.

“God, you sound so pretty.” he breathed, his pace increasing as he began to manhandle you, “You really like this, don’t you?” he asked almost teasingly.

But you couldn’t bring yourself to hear the tone of his voice, only managing to focus on how good it felt as you nodded your head frantically. Silently begging him to let you finish this time.

He choked you a bit harder when you didn’t respond, “Come on girl…tell me how good it feels.” he groaned.

You panted heavily while simultaneously swallowing to try and lubricate your dry throat, “Feels good- feels so good.” you stuttered pathetically.

Daryl hummed in approval as he heard your response, leaning his head down to kiss and lick at the skin of your shoulder while his free hand moved down to rub circles on your clit. A sharp gasp was pulled from you as you arched your back into him, your vision growing almost spotty at the amount of sensations he was giving you. Your legs began to twitch and he could feel your walls clenching around him even more intensely as you neared your orgasm again. But instead of slowing down, he finally continued to draw it out.

Your moans and whines grew louder and louder as you felt the knot in your stomach tighten, his hand over your throat only making your brain feel more fuzzy. You almost couldn’t control the sounds you were making anymore as you finally came, crying out his name in the state of bliss you had craved so much. It was like for a moment you saw stars, feeling as if your soul left your body for a moment as his fingers continued to work on your sensitive clit. The feeling of your tight walls consuming him left him not far behind as he quickly managed to pull out of you, before spilling himself onto your back with a low groan of pleasure.

It took minutes for the two of you to finally come down from your high, catching your ragged breaths while your bodies felt almost too limp to even attempt to move. But eventually, his hand retracted back from your neck as he slowly sat up a bit, leaving a tender kiss on the back of your head to express what he couldn’t with words.

“We…we need to do that again.” you breathed quietly, slumping onto your back from exhaustion.

He couldn’t help but chuckle at your silent request, shaking his head though you couldn’t see, “Let’s wait a few hours at least…don’t wanna kill ya.” he said lightheartedly.

You huffed softly, “I think you already did. I feel like I can’t move my legs.”

His eyes glanced down, his hand coming up to run along your hip before traveling down your thigh, “How bout a massage then, hm?”

It’s funny, you thought. One minute he was saying the dirtiest things, fucking you until you forgot your own name. And then the next, he was sweetly suggesting a massage after his own doings. But then again, you would never complain. Perhaps after this, he would be more keen to trying new things…

~ Thanks for reading!

[genericpuff]

Looking back on it, Rachel really should have called Lore Olympus something else. It really doesn't seem to want to focus on 'lore' or 'olympus' and would rather be a romance with her self insert and celebrity crush. So many plot points and characters got thrown away for her two characters. It reminds me of Twilight having interesting background characters (Rosalie deserved better) and an interesting supernatural world. Yet Stephanie just focused on the dry ass romance of Edward and Bella.

I mean, the title totally worked in the beginning, the comic just lost the plot after its first season and became more like what you're describing, a weird May December romance about a girl who's only empowered enough to wait until marriage with the first guy she ever crushed on before having sex 💀

And yeah true that, a lot of fantasy dark romances like Twilight suffer from the issue of getting too hyperfocused on the main couple doing stuff and not paying enough attention to the actually interesting stuff going on around them. Though I will say, in Twilight's case, a lot of the "interesting stuff" was grossly misrepresented from Indigenous tribes and beliefs so... maybe it's for the best Stephanie didn't expand too much on it all in the end LMAO

Of course, the same can be said for LO, there were some really interesting plot hooks happening around H x P, but by the time S2 rolled around, all of those hooks got shoved under the bed until it was time to hastily wrap them up for those of us who were waiting to see them resolved. I think the Hera and Echo plotline was one of the worst culprits for that, you can tell in S2 she had an idea for some kind of "double agent" story with Echo where Echo would slowly come around to Hera's side and have to choose between her and the job Zeus clearly hired her for (to spy on Hera) - but then it just wound up skipping all that so we could watch Hades and Persephone play golf with diamonds, go shopping, and fuck around in the Underworld, until Rachel had to suddenly wrap up the entire Hera x Echo story in the most rushed, confusing way possible just a handful of episodes before the end.

LO had a lot of interesting concepts and ideas especially with the added benefit of it being based off myths that many readers were already familiar with, but unfortunately they were in the hands of a terrible writer working for a terrible company that didn't provide her with the resources she needed and could have really benefited from to tell a better story. It clearly needed a more involved editing process, more drafts to work through and scrap and work through again, more time to really plan out the full skeleton of the story, but what we got instead was more like a rushed first draft that spent more time on the bland uninteresting DDLG couple because they were clearly the easiest things Rachel could write about - fantasy shipping scenarios of them talking romantically to each other, making out, and having sex, boom, plot 🥴

[askinkiskarma]

I have a lot of thoughts about arcane and rather than dealing with them on my own i thought i would try to write them out and see how other people feel and maybe have a conversation about it, because the beauty of art is sharing it and seeing it through your own eyes, as well as others’ - the beauty of art is its ability to ignite and spark a conversation… a change.

Arcane is very important to me, because of what it represents - humanity, in all its aspects and kaleidoscopic facets, in all its glory and in all its misery. What made it unique is how inherently relatable and universal the feelings and experiences the characters go through and how inherently human their problems are at their core, and whilst they were able to keep a lot of those sentiments in season 2, I feel by act iii they forsook a lot of what made arcane special.

Very rambly thoughts ahead, I do apologise, and please tell me yours, I would love to speak about it and process it.

To me arcane was always about class struggles, about oppression, about what happens to the oppressed when they are pushed to the brink, about how that affects a person’s journey and their fates, and putting faces to those struggles on both sides of the equation - vi, an orphaned child who was forced to grow up too quickly and parentified to the point she felt like she had no value outside of being a protector; jinx - a brilliant mind who fell victim to trauma because there was no one able to help her outgrow it or deal with it; silco - a man who has seen the oppression first hand and chose to fight it regardless of the sacrifice it took. I could keep going and going but Arcane was a phenomenal display of character and morality, and an almost perfect attempt at the shades of grey that make most of us who we are. No character was without flaw, and no character was unjustified in their actions in their own minds and due to their own particular set of circumstances.

I think most of the gripes I have with season 2 stem from two overarching themes: time and ambition. But before I go into this, let me praise it for a bit because despite all my grievances, I still think it is the best animated piece of art of all time and I still think it's better than 99% of anything I've ever been invested in. Although almost redundant to even talk about, I want to shine a light onto the animation. I have to give so much credit to every single person involved in bringing this series to life, because it is a spectacle from the first frame to the last, and the amount of talent, effort and passion it took to do this can never be put into words.

I will bring up things I loved about it as I'm talking what I didn't, because they are very much entrenched. My biggest complain about season 2 is that, the fact that it was only one season. I believe everything they've set out to achieve and every plot point they introduced could have been properly addressed and done justice in in one more season, and therefore, none of the problems I'm about to go into would have ever been an issue.

Imagine this: season 2 starts exactly as it did, with the first three episodes dealing with the aftermath of jinx's actions and the loss that drives Piltover into deplorable reactions, with Caitlyn and Ambessa at the helm, descending into fascism, Cait driven by blind rage and the prejudice she's been fed her entire life without an active effort into trying to overcome it, Ambessa driven by ambition and desperate attempts to one-up the Black Rose organisation. However, the season progresses differently - to me, this conflict and its consequences should have been what this season was about.

Simple yet deeply impactful, tackling the themes they set up in the last season, tackling the intricacies of what would lead the characters into their actions - for Cait, expanding on the way grief, fear and guilt makes you regress back to your most ignorant, primal, selfish self; for Vi, the way a lifetime of being told she's responsible for everything and everyone and her unbridled desire for love and family made her abandon her core principles and join the people she hates in order to kill the monster she thinks she's responsible for creating; for Ambessa, the way her deeply embedded and deeply repressed fear of the Black Rose coupled with the Noxian belief in strength and sacrifice and war made her give up one her core beliefs that warriors are forged through blood sweat and tears and not through magic and reach out to Singed, therefore becoming an almost caricature of herself etc etc etc.

That coupled with the overarching conflict between Piltover and Zaun, how Piltover's actions are the breaking point for Zaun, as well as the personal conflicts between Jinx and Vi, Mel and Ambessa, Vi and Cait, potentially Jayce and Cait once Jayce realises Cait has become someone she would have absolutely despised just a few weeks ago, would have made for a compelling and powerful season that kept to much of the themes of the first season and could have been the stepping stones for a larger conflict that could have been introduced but not expanded in this season - Viktor and the Hexcore, the bigger battle between humanity vs the arcane, the Black Rose and their involvement in everything.

Season 2 would introduce Isha as a positive role model for Jinx and a way that Jinx would be able to be rescued from the nothingness her life had become - Isha could have been a symbol for Zaun, and the reason Jinx would decide to become the face of the revolution for Zaun independence. Season 2 could have ended with the Jinx and Vander moment in the prison, or with her reaching out for Vi after her KO in the pits. Season 3 then could have dealt with everything else, and been a great way to introduce other characters and other conflicts (Mel and the Black Rose), which I assume will be part of the next series about runeterra.

I think this season and what it was trying to achieve was great, but its biggest downfall was that in its ambition, it fell short of what made it great. Because whilst the fighting and the animations and the moments we did get with the characters were great, there wasn't enough time to make them justified or fleshed out, and in that, we lost the essence of what people loved the most about Arcane - the eye to detail, the accuracy in character writing and portrayal.

I loved seeing Cait and Vi together and I loved seeing them get into conflict - I did not, however, love that Caitlyn went from being a dictator to redeeming herself in basically one episode with no consequences for her actions. Vi should have been mad, she should have been furious, she should have held her accountable and she didn't. I wanted them to have a much earned sex scene, but not in a prison, which overlooks the insane amount of trauma Vi has suffered in Stillwater and how insensitive doing it there comes across as.

I loved seeing Jinx and Vi reunited - but for a story that started and was always at its core a story about two sisters, there was not nearly enough done to explore their very complicated and tumultuous relationship and bring it to a satisfying conclusion. Not one scene in which they talked about their issues, where they opened up about the past, where they resolved anything before Jinx eventually died, and then, not even one scene of Vi mourning her or what her death represents to the overarching story or to Zaun.

I loved seeing Jinx get better, and her character was actually the highlight of the show for me this season, but a lot of it felt rushed and not properly explored - by the beginning of act 2 she seemed basically perfectly sane, and even after losing Isha, she seemed perfectly in charge of her emotions and was able to surrender herself and make perfectly rational decisions, which doesn't seem in line with all we know about jinx. Not to mention Isha was never mentioned once in the whole of act 3, and neither did Jinx becoming a symbol for Zaun amount to absolutely anything in the end.

I hated how much like the fandom, and the characters themselves, the writers seem to overlook Vi completely. She got the short end of the stick at literally every turn and I thought she would have gotten a semblance of justice in the end, but she didn’t. She forsake everything she knew and believed in because Jinx needed to be killed - Jinx was actually better and fixed herself without any of her involvement, so she betrayed herself for nothing. She finally opens up to Cait and cries in front of her, begging her not to change because she’s already lost everything - Cait betrays her like 5 minutes later and attacks her, abandoning her, then comes back like nothing happened and Vi doesn’t give a shit and forgives her immediately. Finally gets Vander and Jinx back? Loses them both again in the span of a few days. SHE EVEN FUCKING GOT A BAD ENDING IN THE HAPPY ALTERNATE UNIVERSE WHERE EVERYONE ELSE WAS HAPPY LIKE WTF. I could keep going and going about Vi and all the ways she was done wrong but I’d be here forever so let’s move on but #justiceforvi

I liked the Jayce and Viktor conflict and I actually believe everything they've done with that they handled well, since it was basically the main plot of the season, and I loved the way ekko's storyline intertwined with theirs, but this could have been handled even better in a season dedicated to it, and I wish it hadn't come at the expense of Jinx, Vi, Cait and the conflict between Zaun and Piltover. Watching this show felt a little bit like watching season 1 of game of thrones and then halfway through season 2 we're actually in season 8 and the white walkers are here and nobody cares about the iron throne anymore and everything that happened we're supposed to forget about and focus on jon snow vs the night king and it's so confusing cause I kinda cared about Ned Stark and who killed Jon Arryn and i’m kinda still mad that Cersei killed Lady and I’m still curious about Bran and his visions and Varys and the importance of choosing a leader who cares about the small folks and and and ???

This is such a long post and I’m very sorry and I’m writing it on my phone so it might not even make sense but I needed to get some of it out because this has taken over my life.

I probably will have more thoughts as I’m processing this more but for now pls tell me i’m not alone and pls tell me your thoughts 🤍

[ninamodaffari]

concept artist waxing poetic about the machine herald redesign under spoiler cuts

genuinely I know a lot of people aren't a fan of the redesign b/c it is a departure from his lol form, but as a concept artist I FUCKING LOVE THIS DESIGN. I think his LoL form, as fun and awesome as it is (i do love it too!) would have looked out of place in the show. from what we've seen, the arcane, it's corruption, is almost this...celestial cosmic horror? and so his new design reflects that

i know the term 'biblically accurate angel' is overused here but that is the first thing that came to mind. not only with the halo formed of runes (and stars) but the face - *his* face being split in two, eyes closed. a schism, as he's always been. humanity vs 'progress', creation and destruction, life and death. it looks as if his new head, his 'eyes' are emerging from a shell of his former self, the eyes are located higher, almost as if he's 'seeing through his mind's eye'. his crown is formed of gilded, twisted gold, almost like demonic horns but contrasted against the halo? fallen angel vibes for sure.

(also ha ha, he cut through the door in the same shape as his new head)

but seriously. he's terrifying and beautiful. awful. pure, terrible grace and beauty and ascension and so not viktor. the complete opposite of what we've seen, and yet so terribly fitting.

also, relating back to the tarot card we saw in season 1, viktor as the magician...

'The Magician has one hand pointing to the sky and one hand pointing to the ground. '

'The wand held by The Magician is an illustration of his balanced pose. The wand is two identical poles joined together to form a perfect union.'

'Red is the color of passion and energy. It is the lifeblood that drives The Magician to create. The red robe roots The Magician in their emotion and reminds the reader to be passionate about whatever project they are trying to manifest.'

'Above The Magician’s head hovers the infinity symbol. Like a halo, the infinity symbol represents The Magician’s wisdom and holiness. '

i'm just saying. so much fucking thought went into this. I adore the design, I think it's extremely fitting and something I can only dream of coming up with.

[eponymous-rose]

Some (many) thoughts on Arcane s2 while it's still fresh in my mind:

(tw: discussion of fictional depictions of suicide)

I'm gonna do some nitpicking here, but only because I really did like it overall - I think for me s1 was a solid 10/10 and this season was an 8.5/10, so I'm certainly looking forward to rewatching it! The animation was a big step up from s1's incredible work, the music was great, the performances were fantastic. I do think the overall writing/story fell down a bit, though.

It's weird, because my go-to when character arcs feel rushed is to want more episodes, but I don't think that necessarily would have solved my issues with this season.

Cait turned on Ambessa on a dime - we love to see it, but I think we maybe needed a few more overt hints of her discomfort with her position, maybe a sense of wrongness in their adoptive relationship and some parallels with Jinx & Silco given what Vi says early on ("why are you the one acting like her?"). Ambessa believes her daughter to be lost, and Cait has lost a mother - they were certainly playing on that substitution, but the eventual turn, while fun, felt a bit quick and unearned. I saw someone joke about the word "Cupcake" flipping Cait back like a sleeper agent, but that's kinda how abrupt things felt.

I think Mel's plot largely hung together okay, although it was pretty disconnected from everyone except Ambessa - would've loved to have seen some acknowledgement that Cait was filling her shoes as Daughter for a while there.

Isha was sweet and I liked the parallels with the Powder-Vi relationship (LOVED Jinx running with the pink chalk and Isha with the blue), but I think the sacrifice metaphor got a little muddled. The parallels with Powder charging in and killing everyone around her, versus Isha charging in and saving everyone but herself felt a little forced and I struggled to see how they served the greater narrative. The whole point of Powder's failure was a messy combination of bad luck, overcompensating for what she perceived as a lack of confidence in her, etc. Isha had Jinx's confidence on her side, I guess, and now of course we have the foreshadowing of Jinx dying to save someone else, which she's been trying to do since Act II.

Suicide was a pretty heavy concept throughout the first season. We had the parallels of Jayce and Viktor, we had the little-remarked-upon moment where Viktor hesitates before cutting the wire on Jinx's bomb. I actually think this season did pretty well with those two (although I'll talk about a couple things that irked me below), but the concept that we can't escape the things that we've done and we instead have to find salvation in those around us felt kind of contrary to Jinx's finally finding a way to die for her sister. I don't know that Jinx's story was necessarily supposed to feel satisfying or complete, but without another season there's not much to dig through there.

And that brings up the main reason I don't think more episodes would have resolved my quibbles with this season: it was pretty prone to overexplaining. To me, one of the most exceptional things about that first season was how little it explained. You had these gorgeous, evocative flashes of Vander trying to kill Silco, Silco stabbing him and fleeing into the night, and that's all we needed! That's it! We didn't need to know the specifics, we didn't need more backstory than that - the whole point of the season was that these kids are trying to make their own stories, and these guys have set the stage and are in the process of bowing out. Much as I loved the glimpses this season into the past generation's adventures, it felt like it was pinning something down that was more effectively left to the imagination.

There were also some weird fumbles with discussions of disability, especially in that last episode. I loved so much of what season one did with it - the older generation of Zaunites almost all had some form of disability due to the way they'd been systematically poisoned and their constant exposure to danger, and that was a really in-your-face way to challenge the early "why can't we all get along" stuff. And so much of Viktor's and Jayce's arcs are tied in with the sense of time running out and how Heimerdinger's long-term goals are incompatible with helping the people suffering right now. But instead we get this weird "you didn't like your imperfections so you tried to eliminate all imperfections", which doesn't quite ring true.

We just fundamentally didn't get to a resolution that I think was heavily implied, especially in Act II. "No one in power is innocent" is a great, raw line, but we didn't really see it play out. Instead, we have everyone stopping from othering each other in order to band together against an even bigger Other. As a side note, I don't think that Sevika's ending is meant to be a positive thing - we see from the skeptical looks of others that she's got a long road ahead. The revolution we saw coming just sort of fizzled out, and I think it's still on the horizon, which makes things feel incomplete.

There were also a lot of notes that repeated instead of echoing or harmonizing. We had variations on the theme of Vander dying three different times. We had Vi being unable to kill her sister several times. The repetition felt a bit like it was filling time instead of moving things forward the way s1's plot kept pushing.

This season is also the first time I felt the hand of League of Legends Canon shoving the plot into place. We knew Vi was heading for that enforcer uniform, but after the initial conflict it sometimes felt more like we just unlocked a new skin for the character. The Vander-as-Warwick stuff was kind of silly and out of left field, although it was executed pretty well and certainly pulled at the ol' heartstrings. Ekko getting his time abilities was fun and impacted the final fight, but I feel like we were missing something there as well that I'm having a harder time putting my finger on. Some of Viktor's lines felt designed to make the League players in the audience go "HE SAID THE THING". And I hate the feeling of setting up the Next Installment in the Cinematic Universe, probably just because I'm exhausted with Marvel stuff - I'd love for an adaptation like this to be able to really and truly stand on its own.

Overall, it just felt less like the characters were driving the story and more like they were ticking off boxes, which is just something that any good finale has to contend with one way or another.

Anyway, that's a lot of nitpicking. Fundamentally, this felt almost like it was a really strong fic that did a surprisingly good job of wrapping everything up and was stunningly put together in places... but still lacked the spark of the original.

Stuff I loved: Vi/Cait getting a pretty strong arc and certainly the first lesbian sex scene I've ever seen in a TV-14 cartoon. Animation and score was stunning. I did love the what-if of episode 7 - something I've been waiting for them to acknowledge is that literally everything that happens in the show follows from that one break-in during episode one. I actually think Vi and Jinx's reunion and reconciliation felt earned.

I'm curious how I'll feel on subsequent rewatches - the first time I watched s1, I remember being blown away but not in a "this is the best thing ever" way, and it wasn't until the second time that it really clicked for me.

[vidavalor]

Ok,Since the Good Omens Finale is only going to be 90 minutes,I have a feeling we might not get a flashback sequence.

Hi there, @rougeside4 💕 I made an apple pie, if you want some. 😊Allow me to offer a different take? I wouldn't worry about this. There will be flashbacks. It's not the show without them.

Short thing on why we're definitely getting flashbacks and on which ones we can maybe see as being very likely still in The Finale.

The secret sauce of Good Omens, imho, is that the real juice of the story is actually always in the flashbacks. The flashbacks that we see are not random; they're always written to support the story in the present. There's a point to why it is these flashbacks we are seeing-- and when and in what order we are seeing them--when Crowley and Aziraphale have been on Earth for over 6,000 years and we could see any of their adventures. They're designed to inform our understanding of the story in the present. The real beating heart of the story is in the scenes set in the past and the story in the present would lack... *searches for words* emotional resonance? thematic weight? general, dramatic oomph? all of these?... if they were to cut the past. Put more plainly: it would suck 😂, and they're smart enough not to do that.

I think some of the most exciting parts of The Finale are actually going to be the flashbacks, just like how they were always the biggest treats in S1 and S2. In the way that they roll those out to us, piece by piece, they're changing our understanding of what we're watching in the present. The meaning of the story in the present is driven by the flashbacks in the past to a point that you cannot have one without the other.

Good Omens is actually driving all of its suspense and anticipation through the story in the past and that's what makes its non-linear storytelling clever. After all, right now, most people know this thing has a happy ending and aren't worried about that, right? We know Crowley and Aziraphale will get back together and be fine and no one is stressing over that. (And if you are... really? Guys. Honestly?! It's called Good Omens. It's a romance. It's a sweet, cuddly show. It's going to be fine. 💕)

So, what are we curious about, if not where it's going in the present?

1941, Part 3, right? Whether or not there's an ancient times vavoom coming our way? What the deal is with Jane Austen and/or 1650? Whether or not we might be surprised with a flashback that hasn't already been set up earlier in the story and what that might be?

Our biggest questions in the story aren't about what will happen in the future but about what we might get to see that has already happened in the past.

There is actually no conceivable way to do The Finale without flashbacks because the entire story is built towards having at least a couple of essential ones happen in its end game. I would not be surprised if at least somewhere around a third of The Finale is set in the past. Are there ones that we would have had with a full season that will be cut? Yes, but, are there also ones, though, that are too essential to cut because the entire story for two seasons has been building towards eventually revealing them to the audience in the final part of the story? Oh, yeah. 😉

Guaranteed: 1941, Part 3. There is no chance that they cut this-- none. They have built the ending of this trilogy of flashbacks to support the ending of the story in the present so it has to happen. It doesn't need to be an entire minisode in length. Part 2 really did all the heavy-lifting with plot and themes here, and Part 1 was a single, brilliant, not terribly long scene. If Amazon reduced The Finale to 15 minutes long, I think the show would still find a way to put 1941, Part 3 in there. The first two parts were so pivotal to the themes and parallels of the story in the present and it's the only flashback that we keep getting installments of throughout the story so its Part 3 is going somewhere massive. If there's one flashback that's in The Finale, it's this one.

Extremely, extremely likely: the ancient times vavoom to which they have been building in clues and hints for two seasons that is going to flip the entire show on its head by going back to The Flood. It would parallel and add extra weight to all the conflicts we have in the story in The Finale that were set into motion by the end of S2-- the kiss, one of them leaving/them being separated, the threat of an apocalyptic-like event, etc.. It would, in almost no time at all, complete the narrative magic trick of the show by turning it inside out for the audience.

The show that shows everything backwards has been sitting on the real first kiss the entire time and saving it until the end game of the story and that end game is The Finale so expect that angel and that demon to be sheltering under a canopy from a rainstorm in the very long ago days and break the internet in the process.

If I were them, I'd even open The Finale with this flashback, just because of how much it's going to pull the rug out from under The Final 15. After all, the first two seasons opened with a canopy-and-rain-themed scene, did they not? Just one wing at a time, though... no under a canopy together yet. No gazing into each other's eyes and vavooming. That bit of the beginning of their story has always been going to be shown to us in the end of the story. It could well be the, well, beginning of the end of that story by opening The Finale. We'll have to see. Either way, it's in there.

It's also worth mentioning that both of these above flashbacks would be going back to eras we've already visited in the story so no time would need to be devoted to setting up the scenes. That would seem to make them easier to not cut, in addition to how narratively important they are.

Going To Be In There In Someway, Somehow: A flashback that sets up the South Downs Cottage ending, which is suspected to be the Jane Austen flashback because of her living in real life in the South Downs around the years that it was mentioned in S2 that Crowley and Aziraphale knew her.

When this was set up for S3 back in S2, the Jane Austen story felt juicy enough to potentially be a whole minisode in length. Maybe especially since it's probably how they are going to be build a history of the cottage between Crowley and Aziraphale to help give emotional weight to them going to live there in the present at the end of the story. I've no idea what this looks like with a shortened run time. They might abbreviate or maybe it was never even that long in the first place? They might do something different in its place? It's hard to say, since we don't know, but they've got to do something to set up the cottage, so...

Whatever this winds up being, though, we're now up to three flashbacks that have to happen because of how they connect to the story in the present in The Finale. These are three, non-negotiable ones, basically-- and we are obviously only looking at ones that we can see having been set up already.

There is also the fact that there's usually a surprise flashback that wasn't set up but which is crucial to the story, like the Job minisode was in S2. It fits in perfectly, retrospectively, but we were intentionally not really given enough in S1 to see it coming in S2 so that there was something unpredictable for us to enjoy. I'm not expecting anything as long as Job again but there could still be a scene more 1.03 Cold Open in length that we don't even know is essential at this point because we aren't meant to know at this point but, much like we did with Bildad 😊, we will see as vital to everything once we see it.

Including that as a possibility, we're now up to four flashback scenes that seem unlikely to be chopped from The Finale. What I just described, give or take and depending on the length of 1941, Part 3, is probably collectively getting within shouting distance of the run time of the 1.03 Cold Open-- and that's going really bare bones and only talking about the scenes that seem too story-essential to consider cutting. There's also one more that might meet that criteria...

Could Go Either Way: 1650. If this has nothing to do with Agnes Nutter, it's probably gone. If it's how Agnes has an appearance in the end of the story to pull stuff together, they'll probably find a way to put it in there because... Agnes. 😊

No one knows what this thing is supposed to be about but we do know that it was set up in S2 for S3 and, between Aziraphale mentioning it, the historical ties to eccles cakes to this era, the fact that it could potentially show a Whickber Street in early development and, most importantly, that it's set five years before Agnes Nutter died, whatever this thing is? It's intriguing. We don't know how long it was meant to be but if it's something that was minisode-length but could be reworked to be shorter-- or if just was always short in length-- it's probably still in there.

It's very possible to have many, quality scenes that hop throughout time in a very short period of time. The 1.03 Cold Open is about 23 minutes long and jam-packed with goodness. I have no idea if they're going to sprinkle flashbacks in throughout The Finale or if they're going to do a flashback sequence like 1.03/Ineffable Bureaucracy again but I do think that at least a third of The Finale-- so, roughly 30 minutes of it, give or take-- are likely flashbacks.

We are going into this movie a lot closer to the end of the story in the present than I think it may appear to some at this point. All the set up work to get the characters into place to overthrow The Metatron in The Finale was already done in S2. It's not going to take 90 minutes for Aziraphale to be in trouble, Crowley and Ineffable Bureaucracy to find out and rally the troops, everyone to challenge The Metatron, expose him as a fraud, and kill the threat of Armageddon by overthrowing Heaven and setting it up to be democratized. That's pretty much what everyone knows needs to happen in The Finale and what is likely going to be the main story in the present in S3.

We know what is going to happen because we know it has a happy ending and we know that we need the Armageddon threat gone for the South Downs Cottage happy ending to occur. We know the only answer is that they've got to overthrow The Metatron. Whether you think the plot is Supreme Archangel Aziraphale or whether you're like me and think the plot is that Aziraphale is in mid-fall as of the end of S2 and that's the thing that triggers the other characters to come together against Heaven, the end result is still going to be the same: The Metatron's gotta go and everyone's got to come together to make that happen if we're getting the happy ending we already know we're getting.

We are all sitting here knowing pretty much exactly what the story in the present is going to be in The Finale and that's because the story has set it up so that we do. Yes, there's going to be joy in watching that unfold but a story designed like a magic trick has to have suspense and give the audience a sense of anticipation. We feel that from this story and from where are we getting that?

The past. The flashbacks.

Everyone knows what the end of this story in the present is but no one knows for sure where, say, 1941 is going, or what new things about Crowley and Aziraphale the past will show us in The Finale. Every new thing we see in the past? Changes our view of the present. That's what makes the story clever. It's also what makes it enjoyable. They cannot cut flashbacks because they'd be cutting the most interesting parts of the story and what makes Good Omens the quirky, unique bird it is.

The present and the past are so interwoven in the story that I'm pretty sure that it is impossible to do Good Omens without flashbacks. The only question going into The Finale is which ones they're going to surprise and delight us with. Don't lose faith or sleep over it-- at minimum, we'll see Crowley's 1941 hat again and that, truly, is all any of us really need to survive.

[stelly38]

I've been meaning to share this and finally got 'round to it. Occasionally, I write some review/recommendations for a group I'm in. This was my five cents on Rivals.

Rivals is pretty much everything the press said it would be, and then some, although it doesn’t start out that way. The first two episodes are slow and light on content as characters are introduced and plot points are set. But hang with it—the story really picks up from the third episode, when everything begins falling into place.

I’d been looking forward to this series mostly because it stars the deliciously hairy and handsome Aidan Turner, delightful in the role of Declan O’Hara, hard-hitting journalist and TV presenter fresh off his job with the BBC. He’s lured into indie TV by Lord Tony Baddingham, played by the always-entertaining David Tennant, who is terribly, wonderfully evil in his role as the director of Corinium Television, the biggest company in Rutshire County, where the story takes place. The other main character, Rupert Campbell Black, (Alex Hassell), is a filthy-old-money-rich and famous ex-Olympian, cad, and MP, as well as the Most Handsome Man in all of England™. Lord Tony has hatched a plan to ruin Rupert (the two are sworn enemies) by inviting him to be interviewed live on Declan’s new talk show. Intrepid journalist that he is, Declan has unearthed the dirtiest dirt on Campbell-Black, and he’s just itching to smear him in an effort to keep him from sniffing around Taggie, his beautiful, too-young-for-Rupert daughter.

Add to this mix Declan’s flirtatious and frustrated wife, Maud (Victoria Smurfit), as well as a cast of other colorful, endearing characters, all tangentially connected to Corinium, and the stage is set for all sorts of accurate-for-the-era shenanigans, some of which may be shocking to viewers who weren’t around for this decade. Think British Dallas or Dynasty with nudity and sex, backstabbing and adultery and corruption, and a much better sense of humor. There is full-frontal nudity (Alex Hassell), and many, many pairs of breasts, so be prepared for that.

David Tennant has the bitchiest and best lines, and I laughed good and long at those zingers. Tony is a truly detestable character, but it is difficult to hate him, because David is so wonderful. My favorite scene (barring any naked Aidan Turner) in all eight episodes is when Lord Tony throws an epic tantrum. I’ll leave it there. (FYI, the final episode ends abruptly on a cliffhanger, as the series only goes about halfway through the novel by Jilly Cooper.)

Speaking of Mr. Turner, we get to see quite a bit of him (just not that bit), as well as a huge, ridiculous mustache à la Hal Linden in Barney Miller. The mustache is so big, it kind of makes up for the bit of Turner we don’t get to see… a girl can dream, right? Turner, as Declan, appears mostly naked in the kitchen while getting ready for work; in the tub, scrubbing up; and in various rooms of his home, satisfying his wife. I shed a tear of horny gratitude that television producers have finally refrained from touching Turner’s chest hair, save to comb it, perhaps—those lucky, lucky set groomers.

In a nutshell, the show is a snapshot of 1980s English society folk, framed around the power struggles within the independent television industry. It’s good, silly fun—trash—in a word, that is well aware it’s trash. In fact, it wears that badge with pride. While actual trash has zero value, Rivals manages to sprinkle some sharp and insightful social critique in among all the teased hair, orgies, blue mascara, and insane parties of Rutshire County.

Here’s hoping for a second season.

[azaharinflames]

Maybe no one posted any goodbye posts about Lou after the breakup because they know the plan is to bring Tommy back in 8b? (trying to be positive/probably delusional)

I feel like the first 8 episodes had so much potential for good plots, but none of it happened in a way that made sense for the main characters.

Don't know if they've just given up because they know it's the last season or if they've already know they're getting s9, so they're just doing the bare minimum to finish this season.

Hi, Nonnie! Thanks for the ask

I will say, in my mind, there are two creatures: one that lives with you in Delulu land, one that tries to be more cynical to not be disappointed in the long run - I'd rather be pleasantly surprised, you know? I went into 704 with that mindset and came out pleasantly surprised, so. Want a repeat of that lol.

The thing for me is that, if this were to be the last season and they knew about it beforehand... wouldn't that be a reason to make everything feel rounded up? And in a way it does feel like some of the characters are headed that way, but to have Buck back at the start? That doesn't make full sense to me. The frustrating part about this season for me is all the constant missed potential - and not only with BuckTommy.

Lastly - I do agree with you, which is why I say I sometimes love to live in Delulu land. I'm renting a property there, it's nice. Almost entirely furnished.

But yeah, lol. Making a post with Lou in the way they're doing with Calum would signify a close end, which the break up was not. And I definitely think 911 doesn't want to close on that door yet. Even from a business point of view, it would be such a bad idea to close on it, you know? So I think that argument holds a lot of weight.

We're at a point of - we'll see what happens, because there is still half a season left, and lots of things up in the air. It's just hard to trust 911 to do well because of how bad they've been dealing with... well, everything, since the start of the season.

My inbox is always open to rant, vent, or to discuss!

Take care <3

[sticcmann]

i compiled my season 2 thoughts

its just not that good! its really not that good! Compared to season 1 of arcane, it really is a downgrade, which is such a shame. It's too much crammed into one and I have some other points.

In no particular order, first I'd like to talk about the recontextualization of the relationships between Silco, Jinx, Vi and Vander. The Felicia bits were UNNEEDED!!! Silco adopting Jinx because he projected onto her and Vander adopting those kids because he realized his failures was so beautiful. The fact that Vander and Silco were their godfathers already does a great disservice to Claggor and Mylo.

The letter doesn’t make sense at all either. The way Vander says “there’s worse things than enforcers out there” does not say “yeah I kind of want that guy back” (+ Benzo being mad at Silco too) and so the good timeline au also doesn’t make sense. The two concepts of “oo yeah this guy is bad I don’t want to associate with him anymore” and “oo yeah what I did to this guy is bad” can coexist in Vander’s head seeing as he says that he can’t forgive himself for drowning Silco. Maybe I’m just reading too into it and Vander is alarmed about Silco because he’s hearing rumours of his uprising or something. The whole woman died I’m angry and this is our big drama thing is just not a good explanation still.

Second, the sidelining of the oppression storyline. That was easily the most compelling theme for me in season 1, and the fact that it’s resolved by a banding together to defeat the real enemy plot is lazy and frankly disappointing. I’m sure others can give a better take on this with more problems but I’m not qualified enough.

Third. Jinx’s self sacrifice. Jinx was such a good representation of mental illness, and it pained me to see her go. The arc leading to her death does not make sense! Was Isha’s death for nothing? Jinx learning to appreciate life and healing from her trauma only for her to never get the satisfying conclusion of a happy life is cruel. My personal opinion is that she was written off to eliminate problems for Caitvi.

Lastly, did not like how Ekko saved the day with the saving the day machine. Cheap.

Now for some personal takes which you can ignore:

Viktor’s new design sucks and they should have given him cybernetic shit for more robot. I like the cyborg mage a lot. Also he didn’t get to be evil long enough.

Warwicks design also sucks and they should give him the wolf head but I hear rumours they will so I won’t dwell on it.

Not enough dictator Caitlyn! She got redeemed too easily. Also caitvi happened too fast frfr like dude they had domestic violence? And gas? And the almost killing a child thing? And the jinx imprisonment thing? Jinx was literally about to end it all and these two are going at it in jail.

Ambessa is a weak villain. That’s it

Tl dr

Silco Vander and Felicia bits are not great

Sidelined oppression

Sidelined Jinx’s arc

Time Machine deus ex machina is not great

Viktor and Warwick look like ass but that’s just my opinion

Bad caitvi resolution

Ambessa is not interesting

Now I can only hope that they don’t mess up on the Noxus spin-off, because I’m really looking forward to that! Mel interacting with the hardened politicians of that region would be so interesting to see. Swain is one of my major favourites and I wonder what they’ll do with him.

[gwenyundreiko]

I need to scream about Arcane S2 (spoilers for the whole season)

Alright, it's been 2 days since I've watched the end of Arcane, and I'm still in a bad mood over it, so I am going to scream into the void about it, and hopefully it will allow me to move on.

I do not like the second season of Arcane.

Season 1 ? Absolute banger, still love it. I love it even more after recently watching it a second time in preparation for season 2.

Season 2 though ? ... I will not go into the details (because I feel like I would need to rewatch it again to be more accurate, and I don't want to do that), so I am just going to write about how I feel about it now that it is over.

Season 2 has left me deeply unsatisfied, to say the least. I think this feeling comes from the fact that most characters' arcs look like they were either cut short, or didn't really go anywhere. This makes the entire story feel pointless; an undeniable marvel of aesthetics and animation put in service of nothing.

I could talk about a lot of the main cast, but I'll only talk about Vi, her relationship with Caitlyn, and the Zaun vs Pilltover theme.

First off : Vi, the character who fought tooth and nails for those she loved and always tried to do the right thing. Accepting responsibility for everyone who looked up to her... and got nothing for it in the end but pain. From the start of the serie, she is set up to be one of the protagonists, along with her sister and Caitlyn. Yet the story feels pervert in the way it insists to both :make Vi suffer without giving her any sort of confort or moment to express her feelings ; and make all of her actions be pointless.

In episode 8, when she says "I always make the wrong choice and lose everyone", we have to admit that from a narrative point of view, she is absolutely right. For the first time, Vi is self pitying. She's shown as vulnerable, doubtful, almost sounding like she's giving up by saying that all she ever does is useless or worse. This is incredibly out of character for her, and yet the story proves her right. Nothing she does matters in any meaningful way. She doesn't even contribute to the final battle : she gets stranded in the defence of the artillery tower (which turned out not to be a key asset in the battle), then go 1v2 Warwick with Jinx, and Jinx ends up sacrificing herself to kill it, but only AFTER the battle is over and all the narrative tension has calmed down. (Sidenote : yes yes I know it is hinted that Jinx is still alive, but still. Let's agree that it's in bad taste for a suicidal character's triumphant moment to be a reckless act of self sacrifice, independently of the outcome.)

Vi gets mistreated throughout the whole storry and gets nothing in the end despite her bravery and efforts. No matter how hard she fought, she still ends up separated from her sister and she still loses Vander. The only thing she gets in the end is a girlfriend with whom she basically had no tender moment since their breakup, making Vi feel like a rescue dog at Caitlyn's house, but let's talk about her relationship with Caitlyn in more depth.

I'll say this first : I love the sex scene. It's tender and passionate. It's a bit awkward, but in such a relatable way that it only makes the moment sweeter. It does an excellent job at showing us how the characters feel about each other. Taken on its own, it's perfect. Two people that love each other so much they just need to have each other right here, right now... I just wish their relationship around it was more fleshed out.

From what we get to see on screen, they get a really messy break up in episode 3, and then never interact again until crossing paths at the commune. In the meantime, Caitlyn has allied herself with Ambessa, declared martial law on Zaun and is oppressing it with the full extent of her legitimate violence... but upon seeing Vi again, she instantly switches side to go against Ambessa with a rushed plan.

We get absolutely no other insight into their emotions or thoughts at this moment. No scene to show that despite their conflicts and standing on opposite sides, there is still tenderness and affection between the two of them that could hint at them getting back together. Instead, Vi calls her a petname once, and it's done, no further convincing needed. (Sidenote again : this makes Caitlyn look impulsive and irrational, when everything that comes before shows us that she is smart, collected and patient. Here, she instantly abandons everything she was previously fighting for, even at the risk of putting her entire city in danger. This includes abandonning her vandetta against Jinx, which is the reason why they split up in the first place, but this isn't adressed between Vi and Cait ever again either.)

After that, Vi holds her accountable for her actions for the time of 1 dialogue.

Then they barely interact again until the jailcell scene. Hell, once the battle starts, I don't think the two of them interact AT ALL until the epilogue.

The lack of substance in the portrayal of their relationship makes this sweet and tender sex scene feel like a spur of the moment thing. An almost self-destructive action from Vi trying to scrape at any possible source of confort after being cut out by her sister. A good thing happening for the wrong reasons. (Mind you, a hate sex scene would have worked wonders in my opinion, but that's not what we got.)

So yeah, given all of that, I'm struggling to see how Vi ending up with Caitlyn is supposed to be a meaningful and happy resolution to her story, when this relationship is barely shown on screen during season 2.

Finally, let's talk about the Zaun vs Piltover situation : it goes nowhere.

An entire 5 acts showing us that Piltover treats Zaun like shit, turning it into a ghetto and leaving it to rot in its own misery . The promo campaign for season 2 teased us a revolution... and in the end, we barely see any change. The way the story resolves implies that now that Zaun and Pilltover have triumphed over a shared ennemy, they grieve together and make peace because they have learned that war comes at too high a cost, and Zaun gets to be represented by ONE councilor.

I'm sorry but either the show tried something and missed, or the show was just incredibly shallow from the beginning. This conflict was set up from the first second of the show by having the main characters be orphaned by cops in a popular uprising which only looks more and more justified as we learn more about Zaun. That is to say that Topside doesn't care about Zaunites. From what we can tell, Heimerdinger has been leading the city for 300 years, and he discovers just now that Zaun has problems ?? Piltover prides itself for being the city of progress and equality, while exploiting the misery of the people that are LITERRALY BENEATH THEM. It's the final shot of THE FIRST SCENE IN THE SHOW, the topside people are sitting ON TOP of Zaun, reaping the benefits while throwing their wastes at them.

I think there's no better illustration for how Piltover considers Zaun than the scene where Jayce announces to the Council that Silco has demanded independance. All the councilors lose their shit. They are OUTRAGED by the demand. Clearly, Piltover considers Zaun its property. People to exploit, whose need and misery they can ignore, and ultimately, a problem to be solved through the police by having them arrested/beaten up/killed.

So either the show was indeed trying to tell a story about class struggle and oppression, and failed to deliver a satisfying conclusion; or the show was only interested in the appearance and flavor of class struggle only as a vessel for the cliché of "the cycle of violence". Which hmm, yeah it's 2024. I don't think anyone needs me to write an entire section about the necessity of fighting for human rights and resisting oppression.

I could have talked about how pitfighter Vi was 60% of the promo for Season 2, and yet was done and gone in a minute, which was also what we got with the promo, or how a French animation studio decided to call an independant, pacifist and egalitarian community " The Commune" (if you know you know); I could have also talked about Jinx's character, and how the show portrays her self healing from her devouring guilt, but I'll stop rambling here. I hate that I have wrote this, because I don't want to spread negativity. I'd rather spend this kind of energy on things I love.

The thing is, I really really wish I enjoyed Arcane season 2, because season 1 means a lot to me. Vi's character awakened something in me. It is representation I never knew I needed and it changed me. I know this sounds silly. It's only a fictionnal story after all, but it helped me grow into a better and more hopeful person. In the end, I just feel like season 2 went too far too fast, and left me behind to try and pick up the pieces of my expectations. If you've made it this far, I sincerely thank you, and I hope you have a beautiful rest of the day.

[pinkcowzz]

ahhh so. warning. will be talking about arcane s2 spoilers below the cut. i have. so! many. thoughts.

i've seen a few takes that s2 felt very rushed to some people, and like. yeah? i can get that. but also. not really.

there was A Lot of ground to cover so it moved very quickly but the pacing actually made a lot of sense to me. i think that this show has never attempted to tell each characters story in the fullest. like, to me, that's what makes the world building so good. you are only witnessing part of the story. there is only so much of each character that we, the viewers are allowed to see.

yes there was a lot introduced in the final act, yes some of it made zero sense. but, to me at least, it makes it so much more realistic and immersive.

the final act is war time. shit happens fast. decisions are made and acted upon almost immediately. there isn't time to mourn and there isn't time to grieve. if you stop, you will die so you must keep marching forward.

we don't get to see what signed is up to, we don't get to understand the complexities between mel and her mother, we don't get time to break down how the arcane is changing we just have to know that something is happening and it will affect us so we must do something to react.

moving on, i really wanna talk about jayce and viktor first because. their final discussion, had me ill. i'm honestly really glad that they are never officially established in the show, because it makes their bond that much stronger to me.

the first season, we see how their studies connected them and propelled them forward. in jayces case, it pushes him into politics. in viktors, deeper into the arcane. they had to set everything else aside *cough cough their morals and personal relationships(sky & each other)* in order to achieve what they wanted to achieve.

in the second season, we see how that was their demise. for viktor, the creators did an amazing job showing us this with the scene between him and sky.

'i'll miss our talks'

'no you won't'

like holy shit? in those two lines, we see how viktor has fundamentally changed. his goals, his objectives, they got lost somewhere. in the first season, we do see how much viktor enjoys discussing his ideals and thoughts, its what drives him to go and find jayce in the first place.

and as for jayce, he's icarus. he flew too close to the sun and he, in a lot of ways, is the beginning of the end. while ekko and heimerdinger were building their way out of the alt time line, he was witnessing the destruction his invention brought about.

and don't even get me started on them calling each other their partner during their entire last talk. like wtf im ILL.

okay! onto jinx! (and isha and vi) i have. heard a lot of complaints about how one- her death was for shock value and two- that isha's death was glossed over and i whole-heartily disagree.

i think first off, jinx isn't dead. there a lot of people out there who can put the details together more precisely than i care to tbh, but my biggest reason is the airship we see at the end. these creators LOVE their foreshadowing and i mean LOVE (think viktor showing off the invention and shooting that gun to how that gun is later used). i think it's literally the first episode that powder says she wants to ride in one and ur telling me the last episode we get a shot of one flying away? yeah no. my girl is alive and breaking the cycle.

speaking of breaking the cycle, vi would never be able to move on with her life if jinx is still around. she would never be able to grow, to be willing to work on her relationship with cait, would never be able to escape the guilt, etc etc. that's like, a big point that i think a lot of people are missing.

for vi, jinx is everything. and she should be. she is the only family she has left. and had she not walked away from her, there is NO TELLING what would've happened to the two of them.

jinx's 'death' was for the both of them. they can move on now, they are free to allow the shit show that was their childhood be in the past. like hello?????? did y'all not listen to the conversation that she had with ekko in the alt time line? you need to let go of some things to be able to move onto the next and it sucks and it hurts and its shitty but the world will keep spinning.

and the only way that jinx was able to come to this conclusion is because she lost isha. had isha still been around, she would have had to stick around zaun and piltover. but also. i need y'all to realize that jinx is used to losing people, she is used to grief, it is a close friend to her.

and i think, thematically too, vi not moving to the other ledge is SO IMPORTANT. she CAN'T let vander go. that was her father, that man raised her, she couldn't let him go. are y'all connecting the dots? like! hello! do you see?

vi has never been one to let someone she loves go lightly. the entire first season she is grappling with this idea that her sister changed, that she moved on and allowed herself to let her past (kinda) go. it doesn't make sense to her. she allows caitlyn back so easily because it terrifies her to lose someone in her life.

that is who she is in her core.

and that is why jinx makes the decision for her. it's her way of saying, 'i see you, i understand you and i will make the hard call for you because i love you'

so yeah, like i said. a lot of thoughts. im so excited to see wtf is going on in noxus in the future show and am so intrigued by whatever the fuck is going on with mel.

also. maybe it's just me. but i love an open ending. i think being able to talk about the what if's and the maybe is so much fun. not everything has to be wrapped up with a bow on top. again, we, the viewers, only get a small insight into the world the characters live in. this show could go on for ages if we followed them all the way through their lives. this was never meant to be that type of show. go watch friends or smthn if you want a formulaic story that will clean every lose end up for you.

we follow these characters through a formative moment in their life, what happens next is up to them. (and psst. that's what fan fiction is for)

[thegothicchangeling]

I made a compilation of Ambessa being a horrible parent on tiktok and someone left several comments defending her from that label and now I'm really upset so please indulge my rant.

First of all, I know Ambessa is a complex character. I know she's gone through a lot of trauma to make her how she is. She didn't deserve what happened to her, but Mel didn't deserve her trauma either.

Ambessa definitely loved her daughter, but she also resented her. Those things can be true at the same time. I think she resents Mel for being merciful, for being an affair baby, for being a mage. All things that are not her fault. Now that I've gotten those statements out of the way, let me walk you through every way Ambessa failed her daughter.

We all know how fucked up it is that she murdered a child in front of Mel, but I've never seen anyone talk about how she turned away first, letting her think she wouldn't go through with it. She was just trying to be cruel.

I've also never heard anyone discuss that when she says "perhaps she could be my daughter", its in response to Mel saying that the new ruler would need to be molded. The narrative literally tells you that Ambessa is a manipulative mother.

When she arrives in Piltover, the first thing she does is gaslight Mel about her banishment. Then when she's called out on it, she tries to smooth it over with a compliment and by throwing her arm around Mel, who of course knows exactly what she's doing.

Then when she's confronted on the fact that she banished her own child, she says it was because Mel weakened her. I will admit her care is more evident here, but even then she used Mel's pain as leverage to get her to vote for war by offering to let her come home.

In season 2 act 3, it's more of the same. But it's also worse.

Ambessa is obviously glad that Mel's alive, but she doesn't even hug her. I understand she has trouble showing affection, but still

And then she hits Mel. I don't care what you say, it's never okay to hit your kid. And honestly, I stand by Mel for what she said to her mom about letting Kino die.

Mel is the only one in the whole show who ever refers to her brother by name, and that seems intentional. Her flashback indicates that she looked up to him, and her time in the occulorum with Leblanc's illusion shows that the two had an emotionally open relationship and showed each other physical affection. Ambessa may have constantly kept Mel guessing how she felt about her, but she always knew Kino loved her. And now he's gone, and he's not coming back.

And then Ambessa says he was all the sweetness in her heart, basically admitting that Mel was none of it! She says she let him die to protect her! Why would she do that when it seems Kino was the favorite? Why would she do that when he, the oldest, would have been the de facto heir? Because Mel is a weapon. That's why she has to be protected. Because she's valuable to Ambessa's ambition.

And yet, she never told Mel she was a mage. She only sent her away. Away from her home, away from Kino's love, away from everything she knew.

Also, Ambessa talks shit about mages even though Mel IS one. That shit made me fume.

Mel begs her not to go through with her plans. She offers to go back to Noxus with her and help avenge Kino, but Ambessa won't listen. She won't even listen when Mel stops the execution and points out that her ambition has cost her Rictus and Kino. Instead, she has her soldiers turn their weapons on her own daughter. I doubt they would have killed her, but it's still a massive betrayal.

And her last words, though they are of pride, are devastating: "You are the wolf."

The very thing Mel fought not to become. The very thing she had to become to defeat her mother.

[fluentmoviequoter]

The Love We Share

Requested Here by @bradleybeachbabe!🤍

Pairing: Jim Street x fem!wife!reader

Summary: You and your husband spend your first wedding anniversary in Bali.

Warnings: fluff on fluff | Word Count: 1.5k+ words

Picture from Pinterest

Masterlist Directory | Jim Street Masterlist | Request Info\Fandom List

Your alarm goes off before the sun rises. As you reach off your warm bed to turn it off, you can hear the wind blowing outside the window. California is experiencing unprecedented amounts of rain, dropping temperatures, and gusty winds that seem to make it twenty degrees colder than it truly is.

Rolling over again, you smile as your husband stirs beside you. Your first wedding anniversary is in two days, and your anniversary vacation begins in a few hours. Laying your hand gently on Jim’s shoulder, you shake him softly.

“Street, baby, time to get up,” you whisper.

He sighs, moving closer to you in his sleep. Shaking him a bit harder, you repeat that it’s time to wake up, but he only murmurs that he loves you and gets closer.

“Jim,” you say. “Our plane takes off in thirty minutes.”

Street sits up straight, prepared to throw the blankets on the floor to make your flight. He frowns as he notices you’re still in your sleeping clothes, and the drapes are pulled over the dark windows.

“You lied to me on our anniversary week?” he pouts.

“You weren’t listening. I just needed to get you up so we can enjoy the amazing, perfect trip you planned,” you defend, moving closer to Street with each word.

Street kisses you, sighing as he cups your chin in his hand. You laugh against him before you pull away and exit your shared bed. You do need to get moving, or your sweet, loving husband will get his way, and you will miss your flight.

“Oh, it feels amazing!” you exclaim, spreading your arms as you walk out of the airport and into Bali.

“I don’t even mind the humidity,” Street adds, watching you with a smile as you tilt your face up toward the sky. “It’s fifty and cloudy at home right now.”

Street wraps his arms around your waist, and you turn in his arms to hug him. “Thank you for making this the best anniversary ever,” you tell him.

“It’s out first, you don’t have anything to compare it to,” he points out.

“No… but you just set my expectations pretty high for next year.”

Street sighs but can’t hide his happy smile before he kisses your forehead. “Head to the AirBnB, then see some sights?”

“Sounds perfect. Thank you, Jim.”

The bungalow on the water that Jim rented is perfect. It’s quiet, private, comfortable, and has a view that makes you question returning to California. With your arms around Street, you watch the lush green plants pass by as he steers the rental’s motorized scooter toward a place he promised you would love. He reaches a small clearing and twists to offer his hand as you climb off the seat. As he swings his leg over, he watches you spin slowly and marvel at the trees. You’ve changed out of your traveling clothes into a loose tank top and cotton shorts and pulled your hair back. Street notices the frizz around your temples and knows he has been proven wrong. On your wedding day, he decided he’d never love anything more than he loved you in that moment. After a year of sickness and health, watching you enjoy time with him in a place so different from home, he realizes he will love you like he did a year ago. You will continue growing together, changing, and falling more in love as your relationship and feelings adapt through the seasons of your life.

A zipping sound draws your attention higher in the trees, and your jaw drops as you watch two people fly by on ziplines. Street takes your hand and leads you to the small stand with Dewi’s Lines painted on the plywood front.

“Hello,” Street greets, falling into easy conversation with Dewi despite the minor language barrier.

He draws you from the trees to sign a waiver before lowering to one knee. Street helps you into your harness, tugging the different connection points to ensure your safety. He wraps his hand around the rope running across your upper chest and pulls as hard as he can, laughing as you fall into his arms.

“I’m going to beat you in the zipline race for that,” you promise, smiling as you hold your hands against Street’s chest, feeling the steady beat of his heart beneath your right hand.

“No way,” he argues. “I’m trained for this kind of thing.”

You reach the top of the stairs and listen to the instructors’ tips, and then clip your helmet strap beneath your chin and hold the handlebar tightly. It’s a zipline that you sit in to enjoy the view rather than focus on holding yourself up. As you push off, Street yells once in excitement, and you smile as you watch him. Shifting your weight slightly, you move ahead of him and laugh as Street calls, “I watched a change in you! It’s like you never had wings!”

As you walk through the bright green grass to return your harnesses, you hold Street’s hand and watch his profile. You love Street more than anything, and the time and thought he put into your anniversary trip proves what you already know: that Jim Street loves with everything he has in him. You are the luckiest woman in the world to be receiving his love.

“I think we should find some good food, walk to the beach and watch the sunset,” Street suggests, unhooking your harness with gentle touches.

“I love you,” you reply.

Street looks up from the buckle against your hip and smiles. “I love you,” he repeats. “But that wasn’t really an answer.”

You roll your eyes even as you agree to a sunset picnic with your best friend. Even on the other side of the world, you are as crazy about Street in Indonesia as in Los Angeles, and you never want to be parted from him from this day forward.

The day before your anniversary is spent visiting the Sacred Monkey Forest Sanctuary, watching locals surf, and exploring the Campuhan Ridge Walk with Street’s fingers interlaced with yours. When Street suggested you go somewhere where you could go outside, spend quality time together, and do new things for your anniversary trip, you immediately agreed. Someday, you might prefer the slower pace of a cruise or staying inside to watch the snow fall in the mountains. At this point in your life and relationship, you feel closer to Street with every breath of fresh air you take.

You and Street sleep in the morning of your anniversary, yet he has breakfast in bed when you rise. He kisses your temple, smiling as he remembers your reaction when he pushed his ocean-soaked fingers through your frizzy tendrils yesterday. The water had been cool, but your surprised shriek quickly turned to a contented hum as Street kissed you on the sand of Nusa Penida.

“One year,” you muse softly. “Already.”

“Many more to go,” Street promises, tracing his finger along the back of your hand. “Up for a dip at the Tegenungan Waterfall?”

You smile and wait for him to continue, then ask, “Is that all?”

“It’s our anniversary, I thought we’d just go with the tide, or whatever they say here.”

“What do they say in the LBC?” you tease.

Street drops his head to your shoulder and sighs like you’ve wounded him. One kiss to his hair later, he’s up and smiling again, and you shake your head at his dramatics. His loveable dramatics.

Your eyes close, and your body relaxes as you float in the water at the waterfall's base. The water ripples softly as Street moves to your side. His arms move carefully, reverently against your skin as he pulls you against him. You open your eyes as you loop your arm around the back of Street’s neck.

“I’m never planning anything ever again,” you say. “You’re very good at this.”

“It’s easier when you love someone, knowing what they like, crave, need,” he points out.

“You,” you whisper. Street furrows his brows, and you trace your wet hand along his neck as you explain, “You are what I like, love, need, crave, all of it.”

“Well, if you’re going to use up the romantic speeches, then it’s only fair I get to plan the quality time.”

“It’s almost like you’re my better half.”

Street lets your legs drift down slowly. You stand in the shallow water and bring your other arm over Street’s shoulders as his arms settle on your bare waist. At this moment, with the trees swaying gently, the waterfall cascading down, and no one around, you don’t have to say you love Street. He feels it in how you touch and kiss him and shows you the same. It’s the best vacation you’ve ever had, a vacation to remember, but it would have been just as perfect in your bed with the Santa Ana winds howling outside because it isn’t about the trip, it’s about the man and the love you’re celebrating.