#there may or may not end up being a follow up to this

[dogsplayingpoker]

Ok weird it wasn't letting me reblog this properly. Anways hiiiii

I did read it (over a year ago when i reblogged this) and that isn't what I said, or my criticism of his point and, overall, the neo-liberal ancient-contemporary comparative perspective that Devereaux is routinely writing these articles in. It would be silly to be fully Pro-Rome, sure, but I'm not really accusing him of that persay. I do still think his general perspective is a silly and factually inaccurate one and disagree with it, so I therefor disagree with the arguments he makes starting from this perspective. In particular, I think that no matter how much he claims to actively be against it, Devereaux and the many historians that follow his same playbook end up: 1. romanticizing (I previously said "admiring," which may have been where we got mixed up) Rome by claiming it was a ghastly horrific slave state (true) while also being unable to help from looking to "the good parts" with a kind of breathless nostalgia, and here, overtly for guidance. This is of course a pretty common issue for classicists, unfortunately, including professors of mine that I've generally really respected. Usually the "good parts" = freedom of religion in occupied territories, civil rights afforded to slaves (+the way that pre-Race slavery functioned differently in general), and exactly what Devereaux says in the title of the article, i.e. their "Notion of authority" being likened, often, to a gentle but firm father figure who knows whats best for his children. It is absolutely hilarious to me how often historians, even ones that claim to have left-wing values, can believe in the noble pater familias rule of the romans with a smile and a tear in their eye. Does anyone else here remember 'the white man's burden'? Did anyone see that weird tucker carlson speech where he talks about daddy coming to spank the disobedient little girl that (assumably?) was supposed to be the Biden government? Anyways. Writers try to isolate only that there was religious self determination (in occupied territories of an expansionist empire), that they Ruled the horrible violent imperial war machine Fairly, and then don't even hide the fumble when they get to the slavery part, proudly saying YEAH, they were ENSLAVED, sure, and that's BAD, BUT........ This all ties into issue two, or the underlying issue:

2. Devereaux is a liberal American historian that is either unable to appreciate the full context of the country he lives in OR is actively obfuscating it AND/OR accepts it and thinks its just peachy outside of a few stubborn issues like police brutality and the like which he thinks can be handled in a vacuum by throwing enough good old fashioned liberal values at them. He fails to view issues from a systemic lens and therefor thinks anything he doesn't like is a weird flaw coming from some outside source. In that article (and I can't find this specific article again on Foreign Policy to pull examples from, I'm sorry) he was trying to 'learn from rome' for the sake of America. Even if he's saying Rome was a heavily flawed society, he is saying our empire can still learn a good thing from their empire. I disagree with that. I disagree with the empires staying empires in the first place, or that empires are things worth saving, or that they're even possible to save. My argument is also that we should actually definitely not look to Ancient Rome for advice on law enforcement, or indeed any of our policies point blank period. I personally think this kind of Rome-USA compare and contrast exercise is always fnny because the writer also never seems to reckon with how much we already, fundamentally, ARE Rome-- in all the worst ways, and in the ways he's claiming we can 'learn' from them. We already have. We've been romanticizing and following in their footsteps very intentionally the whole time, just as others were inspired to follow in ours in a horrific timeline of gore and human atrocities. Devereaux, per his website, is really into classical liberalism, liberal democracies, private property, free-market capitalism, and John Locke. (https://acoup.blog/2024/07/05/collections-the-philosophy-of-liberty-on-liberalism/). We simply have really different perspectives on politics that also inform how we view and would choose to write about things as historians.

I think this quote from that blog post on liberalism is especially funny in context: "And of course Cicero himself never fully absorbs the implications of his philosophy: a wealthy Roman slave-holder, it never occurs to Cicero that perhaps he daily violates the natural law by keeping people in bondage." Devereaux himself never fully absorbs the implications of his philosophy: a white well-to-do professor in an elite seat within American Academia, it never occurs to Devereaux that perhaps he daily violates the individual freedoms of liberalism by rationalizing and hiding away the dark parts of a fundamentally unjust empire relying on the slave labor of prisoners, the indentured servitude of sweatshop workers worldwide, the slaughter and subjugation of millions of in the global south and the underclasses within the empire itself, and the theft and hoarding of the world's resources. But okay. Cicero bad, John Locke good. Got it. My argument would of course be that they are both bad, both equally ignoring the reality of the society they lived in and their places within it. Devereaux is starting his argument from an already catastrophically flawed point of view that forces him to look past things like 'context' whenever it becomes inconvenient. He has to say in the post multiple times that like yeah, sure, Locke's view of who counted as a "person" worthy of having things like "rights" was, um...narrower than ours today, but he was still correct because I like him (and it's totally different from how other people cited, like Cicero, were incorrect hypocrites). Ignore the slavery and colonialism, same old same old, it is still correct and not at all laughable to claim that the United States was a nation formed on a defining principle of inalienable freedoms for every single person. He mentions that those things were obviously bad but doesn't see them as truly conflicting, more as growing pains. He even says the founding father's misogyny and racism (towards the enslaved specifically: indigenous people, and therefore the ACTUAL founding principles of the US colonial empire, go completely unmentioned) "[...] represented betrayals of the principles that otherwise document: the crime was common, the hypocrisy was special." American exceptionalism who? Obviously if he was saying we should instate a more 1:1 ancient roman government that would also be ridiculous. But my point is that he's asking the wrong questions about the society we have and what's wrong with it in the first place. He is often wrong about Rome and near-universally wrong about America.

Despite Sparta’s reputation for superior fighting, Spartan armies were as likely to lose battles as to win them, especially against peer opponents such as other Greek city-states. Sparta defeated Athens in the Peloponnesian War—but only by accepting Persian money to do it, reopening the door to Persian influence in the Aegean, which Greek victories at Plataea and Salamis nearly a century early had closed. Famous Spartan victories at Plataea and Mantinea were matched by consequential defeats at Pylos, Arginusae, and ultimately Leuctra. That last defeat at Leuctra, delivered by Thebes a mere 33 years after Sparta’s triumph over Athens, broke the back of Spartan power permanently, reducing Sparta to the status of a second-class power from which it never recovered. Sparta was one of the largest Greek city-states in the classical period, yet it struggled to achieve meaningful political objectives; the result of Spartan arms abroad was mostly failure. Sparta was particularly poor at logistics; while Athens could maintain armies across the Eastern Mediterranean, Sparta repeatedly struggled to keep an army in the field even within Greece. Indeed, Sparta spent the entirety of the initial phase of the Peloponnesian War, the Archidamian War (431-421 B.C.), failing to solve the basic logistical problem of operating long term in Attica, less than 150 miles overland from Sparta and just a few days on foot from the nearest friendly major port and market, Corinth. The Spartans were at best tactically and strategically uncreative. Tactically, Sparta employed the phalanx, a close-order shield and spear formation. But while elements of the hoplite phalanx are often presented in popular culture as uniquely Spartan, the formation and its equipment were common among the Greeks from at least the early fifth century, if not earlier. And beyond the phalanx, the Spartans were not innovators, slow to experiment with new tactics, combined arms, and naval operations. Instead, Spartan leaders consistently tried to solve their military problems with pitched hoplite battles. Spartan efforts to compel friendship by hoplite battle were particularly unsuccessful, as with the failed Spartan efforts to compel Corinth to rejoin the Spartan-led Peloponnesian League by force during the Corinthian War. Sparta’s military mediocrity seems inexplicable given the city-state’s popular reputation as a highly militarized society, but modern scholarship has shown that this, too, is mostly a mirage. The agoge, Sparta’s rearing system for citizen boys, frequently represented in popular culture as akin to an intense military bootcamp, in fact included no arms training or military drills��and was primarily designed to instill obedience and conformity rather than skill at arms or tactics. In order to instill that obedience, the older boys were encouraged to police the younger boys with violence, with the result that even in adulthood Spartan citizens were liable to settle disputes with their fists, a tendency that predictably made them poor diplomats. But while Sparta’s military performance was merely mediocre, no better or worse than its Greek neighbors, Spartan politics makes it an exceptionally bad example for citizens or soldiers in a modern free society. Modern scholars continue to debate the degree to which ancient Sparta exercised a unique tyranny of the state over the lives of individual Spartan citizens. However, the Spartan citizenry represented only a tiny minority of people in Sparta, likely never more than 15 percent, including women of citizen status (who could not vote or hold office). Instead, the vast majority of people in Sparta, between 65 and 85 percent, were enslaved helots. (The remainder of the population was confined to Sparta’s bewildering array of noncitizen underclasses.) The figure is staggering, far higher than any other ancient Mediterranean state or, for instance, the antebellum American South, rightly termed a slave society with a third of its people enslaved.

[russo-woso]

Hello , may i request arsenal/lionesses x teen reader who introduces her partner to her big sisters and the players are like not being able to accept that their baby teammate is growing and also giving a shovel talk to her partner and also telling them embarrassing stories of the reader... Just a cute fluffy blurb .

Thank you

Introduction || Arsenal x reader

“Hey everyone.” You said, appearing at the end of the table, a woman around the same age as you standing next to you, her hand around your waist.

“Y/N!” The team cheered, some of them getting up to hug you.

“This is Emma, Emma this is my team.” You introduced, Emma shaking hands with everyone.

You’d been dating Emma for around three months now and you thought it was time to finally introduce her to your ‘big sisters’.

You were only eighteen so it was a big thing to introduce her to the team.

You glared at Leah as Emma went to shake her hand.

Leah was like the big protective sister you never had.

Leah caught your eye, seeing the glare on your face before smiling up at Emma, shaking her hand.

“Nice to meet you, Emma.” Leah said

You mouthed a quick ‘thank you’ to her, before taking you and Emma took your seats, Emma in your left and alessia on your right.

“So, Emma, what do you do? Work wise.” Alessia asked, trying to start a conversation.

“I work part time for a small cafe around the corner from Colney. Hence how we met.” Emma responded with a smile.

“You said part time, you at uni?” Leah questioned, a serious tone evident in her voice.

“Yeah, I go to uni. I’m studying English to become an English teacher.”

“And you make sure you have to for our girl?” Leah asked, using the nickname the team had given you.

“Of course. I’ll always have time for her.” Emma said, connecting your hands under the table.

“Good. Emma, can we have a little chat?” Leah said, Emma tensing up at the idea.

“Le, no, she’s fine.”

“It’s okay, babe. We can have a chat.” Emma said, kissing your cheek and following Leah to the bar.

“You seem nice, Emma, but I just wanna set some ground rules. Y/N’s our girl. She joined Arsenal when she was sixteen. She was young and naive but she captured our hearts and became our little sister. So on behalf of the whole team, I’m telling you that if you ever break her heart, I’ll make your life miserable, deal?”

“Deal. I would never want to hurt Y/N. I really really like her.” Emma told Leah, heart eyes visible in her eyes as she looked at you.

“I can tell. And she does too. Which scares me, because I still see her as this sixteen year old that joined the team. I feel like I have to protect her.” Leah explained, Emma nodding along, understanding Leah’s words.

“I understand, Leah. I promise though, I’ll never hurt her.”

“I know you won’t, kid. You seem like a good one.” Leah patted her back, a genuine smile on her face. “Come on then.”

Emma sat back down at the table, squeezing your hand.

“Did she threaten to kill you if you hurt me?” You sighed, Emma grinning at Leah.

“Something like that.”

“Leah!” You exclaimed

“Right now more shouting. Time for stories! Emma, did you know that when Y/N first joined…” Katie began, your head dropping in embarrassment knowing exactly what she was gonna say.

“Here we go.”

[lvis44]

Talk To Me // LH44

Lewis Hamilton x Reader

Warnings: SMUT 18+ (Minors DNI), Angst, Mostly unestablished relationship, Unprotected Sex (wrap it before you tap it), Alcohol, Not edited

Word Count: 9.6k+

Summary: It's hard to know what someone else is thinking when you don't let them into your own thoughts, but Lewis will certainly show you exactly what's on his mind If you let him.

Notes: Lmao so my poll was pointless, here's all of it all at once! My little fingers were flying tonight! Some fluff, some angst, some smut, followed by some more fluff, just what we all love. I don't have much to say about this one other than ENJOY! I'll be working on a one shot based on that stupid little gladiator fit, the outfit did nothing for me but THE ARMS AND THE FACE??? best believe we need a lil something based on that. Love y'all!!!

I am not a professional writer and all of this is a work of fiction and is strictly for fun. Enjoy! xxx

“I’m so sorry I have to cut this short hun.” Lewis said as he wiped his mouth across the table, his eyes truly apologetic.

“I’m just glad I got to see you for a few minutes while you were here.” You said softly, your heeled foot brushing his calf under the table, your words coming out much shyer than your actions.

It wasn’t that you and Lewis were new to each other, far from it. You had met him at the beginning of his season and now here he was, just a few weeks away from moving to Ferrari. Every break he had he’d made time to see you, yet he’d been a perfect gentleman the entire time. Yes, the pet names were laid on in excess and the touches had begun to linger a few months ago but you were becoming restless for more. You really couldn’t blame yourself when he had the audacity to sit across the table from you looking so incredible, being so sweet every time he suggested you get together. Yes, you may have turned him down at first but this was getting ridiculous, there's no way you two were not on the same page.

“I don’t want to cut anything short, I wish I could stay, I really do,” He paused as he reached forward to grab your hand, “but I have a red carpet in like two days and I have to meet with Eric.”

“Mmm,kay” you huffed out infantly.

“Nah, don’t do that, I’ll see you before I head out, I promise.” He smirked at your attitude, squeezing your hand.

“So you don’t have any time for a pretty girl in between dinner and Eric?” You asked, attempting to layer the sultry and lust in your voice as you let your foot wander higher.

“Y/N.” His voice came out strained but stern, his strong hand grabbing your leg, “I cut it close by even getting dinner with you tonight, just couldn’t stay away.”

“So it sounds like I win over Eric.” You giggled, leaning forward on the table, your calf still in his strong palm.

“Don’t do this to me,” He groaned, “Listen I can leave the tab open, just don’t go home with anyone unless you’re calling me.”

“What if I call you in like 10 minutes?” you giggled again, his hand snaking up your calf despite how composed he was trying to stay.

“Y/N.” He warned, his voice low but his hand never ceasing its exploration.

“Well you go have fun with business things I guess, I’ll be here enjoying the atmosphere and free drinks, as long as I end my night with you.” You told him with a laugh as he stood up, dropping your leg abruptly, no amusement to be shown on his face.

“Not so sure you know what you just asked for baby girl, enjoy the drinks, I’ll send you a car.” Lewis whispered, bent down so only you could hear, making your stomach flip, finishing with a kiss to your cheek.

You watched as his muscular body moved away, staring at him intently as he told the host something while looking directly at you. Through the rest of the evening you enjoyed free drinks while sat with the best view, you listened as the dinner atmosphere turned into a club yet no one disrupted you unless they were refilling your drink. You were happily buzzed and seconds later your phone was buzzing just as much as you were.

“I couldn’t just send a car…” His sultry British accent came over the speaker.

“Are you saying you’re outside to pick me up sir?” You teased him.

“Of course baby, c’mon before I hire someone to drag you out.” He chuckled

“She came in with Lewis Hamilton but he didn't leave with her”

“Heard he's been seeing some woman on the east side.”

“He can't even convince us he likes his car, why would he like her”

The laughter of the girls that were probably too young to be there anyway stuck in your chest. A 15 year olds opinion didn’t matter right? But then again they see the tabloids and you avoid them…

By the time you’re out of the restaurant and into Lewis' car you find yourself in a foul mood, your happy buzz turning into a sad drunk imagining everything he could have done in the last few hours.

“You okay love?” He asks as you plop into the passenger seat, not even waiting for him to see you and open it up for you.

“Mmmm.” You humm, still stupidly in your head.

“Y/N, what’s going on? I’m so sorry I had to leave but-” Lewis starts his argument as he pulls onto the freeway.

“You do whatever you want, Lewis.” You say sharply,

“Woah, where did that come from?” Lewis asks, sharp but inquisitive.

“I should have known you were too good for me, my lew was just a fucking phase. All the damn teenagers in the restaurant knew it… you went and got fucked by someone else, I get it, i made you wait, you’re you, you’re a playboy and I guess-” You try to rant before his hand is against your mouth

“What the fuck are you talking about?” He asks, finally letting your mouth free with a look of pure confusion.

“What am I talking about? Where the hell did you go tonight? What are all those girls talking about?” You ask him sharply.

“Y/N, I went and saw Eric, I told you that. And are you talking about the teenage girls trying to get drinks at the bar?” His voice is firm before turning to further confusion.

“Yes Lewis, I am, they had lots to say as I left.” You try to keep your voice firm but it ends up sounding childish as you slump into your seat, crossing your arms across your chest.

“Y/N, those girls are like 15 years old and probably drunk for the first time in their lives, they were trying to drunkenly flirt with me when I left as if that isn’t a damn felony. Why the hell are you listening to anything they have to say?” His voice is incredulous, unable to process that the night has taken them to this point.

“Well you’re not denying a word they said right now, are you?” You throw back at him.

“I honestly didn’t think I had to!” He exclaims, still in disbelief.

You let out a scoff, turning to look out the window.

“Y/N, c’mon, I had a meeting with Eric, one that I was late to so I could make time to see you, I’m here to pick you up so I can spend more time with YOU. Why the hell would I be off with someone else?” His voice is firm but still holds a faint questioning tone.

“I don’t know, I’m evidently not good enough for you, I don’t even know how or why I caught your attention in the first place. I don’t even know what the hell it is that we’re doing. You haven’t even kissed me Lewis! I constantly feel like an idiot, I sit here wanting you to fuck me and the most I get out of you is you calling me ‘baby’.” You let all of your thoughts come out, against your better judgment, slumping against your seat with a huff.

He is quiet for a moment, stunned to silence. He is struggling between keeping his eyes on the road and staring at you in utter disbelief, a look you would see if you had the guts to steal a glance at him.

“I- I honestly don’t even know where to start…” He says quietly, trailing off.

“You know I’m right, that's why you don't know what to say.” You state as if it's a fact, a sassy quip in your tone as you shrug your shoulders, a sassiness that only comes out after some drinks.

He so badly wants to laugh, not only at your unusual sassiness but at just how ungodly wrong you are, but he knows that he can’t, that he shouldn’t, it would only make everything worse. Instead he does his best to stay firm.

“Sweetheart, no, you couldn’t be further from right. I adore you, I’m just…” He sighs, trying to find the way to explain his feelings without sending you further over the edge, “I’m trying to be a gentleman here, I’m trying to do things a little different than I normally would. I’m out of practice with this whole romance thing and I know that you were skeptical of it at first too. I don’t want to rush you, I just love being around you.”

You scowl at being called out, knowing he’s right, you were very skeptical when you first met him, not convinced that being anything other than an acquaintance of a man of his caliber was a smart idea. You don’t dwell on it though, the liquor in your brain deciding to latch on to something else, ‘he just loves being around you’, there it is, you’re friends.

“So you’re not attracted to me?” You almost whine, if you were sober you would be embarrassed at how it came out but you can’t find it in you to care right now.

“Where the hell did you get that?” He asks, this time he can’t hold back the chuckle.

“You literally just said that you just love being around me.” You point out, still clearly not understanding much of what he said.

“Yes, and I do, how does that translate to me not being attracted to you?” He questions, a small smirk on his face as he notices that your mood is switching slightly from angry to bratty.

“You said JUST, meaning that’s all you want.” You challenge him, reading far too much into his words.

“Y/N, I also said I’m trying to be a gentleman with you and not rush you because of your feelings and boundaries.” He says calmly as he keeps his eyes on the road, trying not to get irritated with the beautiful tipsy woman next to him.

“Well how long were you planning on being a gentleman because I’ve been wanting you to fuck me for about six months now.” You say boldly.

His eyes go wide as he chokes on his own spit, not used to you being so blatant. The two of you flirt, things have gotten suggestive between you two more often than not, but you so boldly admitting something like that is new territory for him. He has to take a moment to gather himself before speaking.

“I- I didn’t know that,” He admits, his voice low, “I honestly thought you had just barely warmed up to the idea of us being more than friends.”

“What about my foot on your crotch tonight seemed like I still wanted to be just your friend?” You laugh in disbelief, slightly unsure if you are bad at putting yourself out there or if he is that bad at reading signs.

“Well yeah, tonight was pretty clear what you wanted, and to be honest I was going to give you exactly that after my meeting, it’s why I picked you up! I’ve been going crazy trying to go slow!” He exclaims.

“Was?” You question quickly.

“What?” He asks, blinking in confusion.

“You said was.” You point out.

“Oh jeez, not this again Y/N.” He huffs, ready for you to be mad at him for a whole new reason.

“No no no, you said ‘was going to give you exactly that’. You don’t want to fuck me anymore?” You pout as you question him.

He once again has to take a moment to gather himself, still unsure how to handle your unabashedness. 

“No, I do! In the future, yes, and I will if you’ll let me, but you got in this car ready to cut my head off or at the very least never speak to me again, I kinda thought that the flirty mood from dinner had gone out the window.” He tries to explain as you near his house. With the argument he hadn’t even taken a moment to consider that maybe he should be dropping you at yours instead.

“So not tonight?” You huff.

“No Y/N, probably not tonight.” He says quietly, a hint of disappointment lingering in his words as he pulls into his driveway.

“Why are we here then?” You ask, unsure of what to do now.

“Just come inside for a bit, you can sleep in the guestroom if you want or I can call you a car later if you really want, but I don’t think this conversation is really done.” He coaxes you, undoing his seatbelt and turning to look at you.

“I feel like I’ve made my points.” You shrug, staying firmly seated in your spot.

This time he truly can’t help but laugh at you, getting out of the car and making his way to your door.

“Well maybe I haven’t made all of mine.” He says as he stands in the doorframe, his hand extended to help you out of the car.

You don’t say anything, choosing to stare straight ahead as the brattiness really sets in.

“Y/N, if you don’t get out of the car on your own I won’t hesitate to pick you up myself, c’mon.” His voice is slightly teasing but you can hear how serious he is.

Finally you sigh in defeat, grabbing his hand to step out of the car. You hate that the second you feel his skin on yours your whole body warms. Tingles go down your spine and everything feels just right, you’re meant to be holding his hand, you’re meant to be so much more than just friends, but right now you’re mad at him, so you do your best to shake it off. You’re confident that you played it cool but he could see the feelings from a mile away, the same warmth enveloping him the moment you placed your smaller hand in his. He would normally tease you, but right now he knows not to muddy the waters, he needs you to actually listen to him when he gets you inside. You snatch your hand back from him once you are standing, watching awkwardly as he grabs your purse and closes the car door before gesturing for you to head towards his house. You feel like a lost puppy, obeying his commands but you can’t help it, your bratty mood only has so much strength. When you get inside you feel out of place, despite having been there many times. You can’t explain exactly why you feel so bizarre about it, maybe it’s that you’re finally sobering up and starting to realize that you still have many doubts, maybe it’s that you’re sobering up and realizing exactly what you accused him of in the car, maybe it’s that you’re sobering up and really becoming aware that you blatantly told the man you wanted him to fuck you, regardless of what it is you would rather not be sober right now. The tension hanging in the air as he puts his jacket away is weighing on you like a heavy snow, you want him to put you out of your misery and break the silence but he doesn’t. Instead he just moves towards the kitchen, leaving you to follow him aimlessly. He grabs a glass from the cupboard as you wander over to his wine cooler, ready to make your selection for the talk you're about to have. Before you can even take in the selections you feel his hands on your waist, guiding you away and toward the kitchen island.

“Nope, I think you’ve had enough, sit.” He says firmly in your ear as he just about places you on a bar stool.

You don’t say anything, just watch as he makes his way back to the other side of the island, filling the glass he’d just taken out with water before he’s sliding it in your direction.

“I’m not thirsty.” You say, staring at the glass in front of you.

“You wanted wine about 20 seconds ago.” He deadpans, calling you out with a raise of his eyebrow.

“You know damn well that's not why I wanted the wine.” You shoot back at him, “You said you had points to make, go ahead.” You prompt him, wanting to get this over with as quickly as possible.

He sighs, his shoulders slumping as he shakes his head and a look of amusement creeps its way onto his face. He takes a moment, just staring at you, taking you in and you start to feel uncomfortable under the scrutiny.

“Y/N, I don’t know what else to do.” He admits, sounding defeated.

You don’t respond verbally, furrowing your brow in confusion as you cock your head.

“I know we got to a… I guess a better place, back in the car, but I still don’t think you actually get it.” His voice is quiet, he sounds vulnerable.

This is unusual for you, you’re not used to Lewis being anything other than charming and cocky, to see him look defeated, vulnerable, it makes your stomach twist.

“I don’t get what?” You ask quietly, suddenly feeling slightly guilty.

“Hun, I try so hard. I don’t have enough time, and I know that, and I’m sorry for that, but I do my very best to see you as much as I physically can. When I’m away I try to not let a day go by where I don’t at least text you much less call you. I do stupid things with my schedule if it means I get to spend a few extra minutes with you. We’ve talked about things far deeper and greater than anything I’ve ever told my closest friends. I try to make every time I see you special because I know I’m not around for the casual moments and I have to be honest, most of that I’m not even doing for you. I’m doing it for myself because you are one of the most incredible women that I’ve ever met and I would kick myself if I let you fall through my fingers, yet here I am and it seems like I’ve done just that.” His eyes bore into yours as his words flow out freely, clearly unashamed about his feelings.

“I know you try hard, I never said you didn’t.” You say quietly, feeling almost like a child getting reprimanded after a tantrum.

“I know you didn’t say it, but I can’t help but feel it when you get in my car after a good night and immediately make it very clear that you don’t trust me.” He says firmly, his gaze never leaving yours.

“I do trust you.” You say, your voice barely above a whisper.

“Then why are you listening to drunk kids in a bar gossiping about things they know nothing about? Why don’t you tell me what you want with me? Things like the fact that apparently you’ve wanted to fuck me for the last six months? Why didn’t you tell me you were starting to maybe feel differently about this whole relationship after making it very clear that I didn’t have a shot?” His questions pour out in a way that makes your stomach knot, knowing he’s right to question all of it.

“I was drunk.” You answer meekly, hoping answering one question will be enough.

He lets out a dry laugh, “Okay, we’ll write that one off. What about the rest of it, Y/N?”

“It scares the shit out of me.” You admit so quietly you’re not sure he can hear as you stare at the glass of water in front of you.

“Admitting it to me or being with me?” He questions, his voice much softer now.

“All of it.” You say, feeling tears forming in your lash line.

“Explain it to me hun, because from where I am, we have a pretty amazing thing here if we just lean into it.” He says, so softly it could make you burst.

“I spend every day questioning not only why but hell if you’re even attracted to me. I know you have a billion other options so I don’t understand why you keep coming back, I’m afraid I’m just fun for you but then I think about it and I realize I’m not even your fun! We’re in wildly different worlds and I don’t even know how anything would ever work. I worry that you won’t be able to actually commit to anything. I worry that I’m the only one here feeling like this and I’m terrified of looking stupid and I’m terrified of losing the little bit of you that I have.” You rant, your tears now slipping past your lashes.

His face immediately softens when he sees your tears, quickly stepping around the island to get closer to you. He grabs the back of your chair, turning you to face him.

“Y/N, baby, I need to remind you that the very day we met, I point blank asked you out and you turned me down,” He starts quietly, taking your face in his hands to wipe away your tears as they fall, “I argued that we seemed like a good match and you had the audacity to agree with me but told me that you wanted a man that wasn’t fucking around, wouldn’t toss you to the side when he got busy. You told me that a romance with me sounded dangerous and that wasn’t what you were looking for but I couldn’t let you slip away like that so I asked you to let me prove that I could be that for you.”

You both laugh gently, remembering the first encounter that started all of this.

“I’ve been here trying to prove it to you, trying to be the perfect gentleman that you deserve, trying not to rush you, waiting for you to tell me you were ready. You didn’t say anything until tonight. And no, I’m not an idiot, I saw you starting to flirt more openly with me, I noticed you opening up about things, things becoming more intimate, but I swore I wouldn’t cross that line until the day you told me I could. If it’s just the logistics of it, that’s something we can work out, we’re both pretty smart people, I just need you to be honest with me.” He smiles softly at you, stroking your cheek with his thumb.

“Please kiss me.” You whimper, if your brain wasn’t processing all his words at a thousand miles an hour in the moment you may have cared about how you sounded, but after his speech all you wanted was his lips on yours.

“Is that your official way of telling me I can cross the line? That you’ll actually consider this?” He asks, his face closer to yours but still needing that final confirmation.

“God yes Lewis, I want you, I want to be yours, I want you to be mine, I’m sorry.” You say quickly, grabbing his arms in an attempt to get him closer.

“No need to apologize, beautiful girl.” The words leave his lips softly before they press against yours.

The second you feel his warm lips and their gentle touch, you melt. You feel complete the second he’s kissed you, unsure why you fought it for so long. His grip on your face is steady, grounding, everything you need. He pulls away much too quickly for your liking, keeping the kiss sweet, too PG for what you’re craving desperately. You chase his lips making him release a giggle that only causes you to pout.

“So you approve, huh?” He teases you, his hands coming down to rest on your waist.

“Oh shush, acting like you didn’t love it too.” You say, your pout morphing into a smirk that you can’t contain.

“I didn’t say I didn’t.” He says, leaning back into your lips.

This time he’s slightly less hesitant, his lips moving against yours gently. You can tell he’s holding back still but you're just too pleased to care, only causing excitement of what's to come when he’s less restrained.

“You know, two hours ago you were ready to rail me and now you’re being almost shy with the kisses.” You laugh at him when you finally pull away for air.

“Ssshhh, I’m just getting used to the territory.” He teases you, placing another peck to your lips.

“About that whole you picking me up to bring me back here and ya know…” You trail off, hoping he gets the hint of where you’d like the evening to go.

He lets out a sigh, pinching your hip before speaking, “I know, but not tonight. Just feel like we need to take a second.”

You pout at him again to which he just chuckles, pecking your pout sweetly.

“You’re the one who wanted to take it slow.” He points out.

“You’re the one who told me I was supposed to get laid tonight.” You throw back at him.

“Well you were the one with her foot on my cock.” He says, his eyebrows raised.

You gulp, the word tumbling from his mouth making your stomach coil in a much different way than earlier in the night.

“I-” You start, all the sudden feeling shy.

“Hmmm, cats got your tongue?” He jests.

“Well you were all ready to fuck me tonight but you wouldn’t even kiss me without explicit consent.” You blurt out, trying to call him on his contradiction.

“Fair point, but you were driving me to a new level of insanity at dinner tonight and I thought I was getting the message loud and clear.” He says calmly, leaning back in to kiss you again.

You silently pray that maybe just maybe he’s going back on his word as his lips move against yours, that maybe he’s changed his mind and you’ll end up in his bed tonight, but much to your dismay he pulls away once again despite your attempts to lock him into you with your arms around his neck.

“I could get used to finally being allowed to kiss you.” He smirks.

“You could be doing a whole lot more than that, but no, you’re keeping up the whole stupid gentleman thing.” You say, irritation seeping through your words.

“You told me you wanted a gentleman.” He throws back with an eyebrow cocked, amusement clear on his face.

“Well you proved that part, I want the rest now.” You almost whine, locking your legs around his waist, trying to pull him in. You find yourself annoyed for the first time by how strong he is when he doesn't move, never before being anything other than pleased by the godlike muscles under his skin.

He simply laughs at you, noticing that you're still a tiny bit tipsy, more unrestrained than usual.

“Alright, well you’ve already become a koala, how about I carry you to bed.” He chuckles, finally moving closer to you, only to pick you up.

You feel weightless and safe in his arms, quickly deciding you would let him carry you anywhere forever, a fact that you apparently accidentally state out loud in your still slightly inebriated state.

“Oh yeah? Well you let me know where you want to be carried and I’ve got you babe.” He simply chuckles as he walks toward the guest room, finding your admission endearing. All you can do is hide your blushing face in the crook of his neck.

When he finally plops you down on the mattress of the guest room you manage to pull him down into a kiss once again, one of his hands finding your waist as the other props him up above you. His lips move slower against yours this time, becoming slightly more explorative as you feel his tongue brush against your bottom lip. You open your mouth, welcoming him eagerly, the taste of him on your tongue is intoxicating. You take one last chance at what you’ve been dying for for months, moving your hand down from his neck to slip beneath the button down that is draped over his skin. You take your time to explore the solid ridges of muscle bulging beneath soft skin, you can imagine every tattoo that your hand brushes against but you wish nothing more than to actually see them. You can’t help but moan into his mouth when you feel his grip on your waist tighten as you touch him. The sound does something to him, you can feel his whole body tense beneath your touch as you make your way to his back, raking your nails lightly down the skin.

“Please Lew, want you so bad.” You whisper against his lips.

He pulls away from you with such urgency that you're convinced he’s about to say no again. He stands tall next to you, staring at you for a moment, just taking in the sight before him. You're laid on his guest bed, your hair strewn against the pillows with your short cocktail dress riding up your thighs. He pauses for a moment, closing his eyes, you wish for nothing more than to know what he’s thinking at that moment.

“Fucking hell,” He sighs and you begin to accept defeat, “yeah, okay, yeah, I can’t act like I’m not dying here anymore, but not here.”

You feel giddy the moment you hear his words, not processing what he meant by ‘not here’ until you're being scooped up bridal style, taking you by surprise.

“Lewis, we were in a bed.” You laugh, leaning in to place soft kisses against his neck that have him faltering in his steps.

“Yeah we were, but mine is much better and if this is happening you’re staying with me for the night.” He states as calmly as he can despite the tension flowing through his body.

It's a short walk before you’re once again being placed on a bed and you have to admit he was right, his bed is much better. You whine when you feel him move away making him laugh at just how needy you are.

“Patience baby girl, gotta find a light so I can see just how amazing you look when I make you cum.” His voice is teasing but serious, making your body flood with anticipation.

Within seconds he’s flicked on a warm light, a lamp by the side of his bed, just enough so you can see him as he stands next to you finishing undoing the last few buttons of his shirt. Your mouth goes dry when he shrugs it down his shoulders and you become nervous at how you might react to seeing him fully naked. It’s not that you haven’t seen Lewis shirtless before, it’s the knowledge that now you get to touch him, you know that his skin will very soon be pressed against yours, and it's driving you insane. You reach out toward him, your hand finding the skin just above his pants before he grabs your wrist.

“What did I just say Y/N?” He says lowly as he moves over you once again, “patience.”

“Been waiting so long Lewis, I don’t have any left.” You whine, your hips bucking up towards him when he presses a kiss just below your ear.

“Mmmm,” He hums through a chuckle before his voice turns thoughtful, “how do you think i feel? Been waiting a hell of a lot longer sweet girl. I gotta savour this.”

His lips tracing your neck are teasing, just enough contact to make you squirm but not enough to satisfy the carnal need brewing inside of you. His hands feel larger than ever before as they trace over your body, groping you in spots you never knew would emit such a reaction from you. He hasn't even taken off your dress yet and he has you a whimpering mess, your hands grasping onto his bare torso. You can feel the smirk of satisfaction on his face as he kisses down your throat, his hands finally reaching for the straps of your dress.

“Do you step in or is there a zipper?” He suddenly asks, taking you by surprise as he pulls away for a moment.

“Huh?” You shake your head, trying your best to come out of the absolute daze he had just put you in.

“Your dress.” He clarifies, not that it helps you any.

“Yeah? What about it?” You ask again, eager to have his lips on you again and still not fully back in your brain.

He smiles, laughing lightly as he shakes his head, “Your dress, did you just step into it or is there a zipper I need to find. It’s so pretty, don’t wanna ruin it.” His hands are massaging your hips as he speaks, not doing much to help you actually process his question.

“Um, there’s a zipper on the side, why did you-” Your question is cut off by his lips on yours once again.

“I’m in fashion baby, I’m familiar.” He mumbles against your lips as his fingers find the zipper, gracefully undoing it before his hands are back at the straps of the dress. Once again he pauses, “You absolutely sure?”

“Positive Lewis, I want this so much.” You tell him, trying to keep your voice firm so he has no further need to question you and delay what you're so desperately seeking.

The moment he hears the words leave your lips he’s back in action, his hands lowering the straps of your dress and pushing it down your body. You become very aware of the fact that you chose to go without a bra for the dress when you see his wide eyes staring at your chest. You almost feel shy but the way he’s looking at you takes any hesitation away. Once he’s taken in his view, he’s leaning down, peppering kisses across your whole chest. You can’t help but moan his name at the feeling of his lips on your skin, your grip on the back of his neck tightening. You almost explode when you feel his warm mouth wrap around your sensitive bud, his thumb brushing gently, teasingly over the other. You aren’t sure how you will be able to actually take it when you get to what you are dying for. You are writhing beneath him, spurring him on with every little whimper he pulls out of you.

“God, the little sounds you make, fucking music.” He murmurs against your skin as his kisses begin to trail lower, making his way down your abdomen.

When he finally reaches your hip you think you truly lose your mind. The one and only thought you can muster is ‘Lewis’. He takes his time, kissing across your pelvic bone, moving lower and kissing down the tops of your thighs. Finally he begins his ascent back up, nibbling on your inner thighs as he does, this tongue tracing circles against your skin that you have a desperate need to feel elsewhere, somewhere he’s been neglecting so far. Finally his fingers hook into the band of your thong, a lacey one you chose specifically for tonight, hoping this would happen finally. He hesitates for a moment, his eyes flicking to yours for a final confirmation.

“Please.” You breath out, lifting your hips to help him remove the tiny piece of fabric.

“Fuck Y/N” He says, just as breathless as you as he takes in the sight before him. He’s looking at you with the same admiration that he had when he took your dress off.

His thumb brushes gently against your folds, enough to make you shiver and moan but not nearly enough to satisfy the desire deep in your bones. You move your hips closer to him, earning a faint chuckle but thankfully he takes the queue, parting you open for himself so he can admire the aching bundle of nerves he’s dying to pull into his mouth. He strokes against you gently, just a few flicks before his thumb is trailing down to your opening, swiping up the wetness that is pooling.

“You’re making a mess, baby.” He tells you, his voice smug.

“Well, do something about it.” You snap back at him, your brattiness coming back with full force.

“Yes ma’am.” He laughs, giving you a playful salute that makes you want to slap him.

All your annoyance however is washed away in an instant when his lips finally suction around your mound, shocking you in a way you didn't know was possible. A loud moan leaves your mouth against your will, your hands moving to grab his bedsheets in an attempt to ground yourself. He groans against you, his tongue flicking in the perfect pattern, the combination sending you onto another planet.

“Oh fuck.” You squeal when he grabs your legs and puts them over his shoulders, diving in deeper and closer than he was before.

His mouth trails down, his nose still bumping against your clit as his tongue prods at your entrance, tasting every bit of you he can. His hands are tight on your hips, keeping you in place to pleasure you exactly how he wants. You can feel your stomach tightening, it’s embarrassingly quick you fear, but then he’s slipping a finger into you, his lips latching around your nerves.

“C’mon baby, I can feel it coming, give it to me.” He mumbles against you, the vibrations going through your spine.

You moan loudly, feeling the tension in your body rise. You’re a writhing mess, no longer able to be anchored by the arm draped across your stomach with little purpose. Just when you think you’re about to hit your peak you feel a second finger slip inside you, the pair hooking in the perfect motion that makes you crumble. You’re shaking as you moan loudly, your vision becoming blurry and your ears ringing as you come undone. His fingers never stop their torment, working you through it to ride out the high. When you finally come back into yourself Lewis is kissing along your thighs and leaving soft kisses to your overly sensitive core, his tongue dipping into you every now and again with a smirk.

“That feel okay?” He asks you when he finally sees you watching him, his tone dripping with the ever cocky ego of his.

“Oh shut up.” You giggle, pushing at his head as you burrow your head into the pillow next to you.

“Hey, c’mon now, don’t try to hide from me.” His voice is much closer than it was before and when you turn your head he’s directly above you, hovering over your face with a blissful smile that makes your heart clench.

“Don’t go getting too big of an ego, I needed a good fuck.” You giggle before his lips come down to meet yours.

“Mmmm, well first of all, just so you know, you taste divine and you look immaculate when you come,” He begins, mumbling against your lips before he trails down to your neck, “second of all, you haven’t gotten the good fuck yet darling,” With that he pulls away to look you dead in the eyes, “think you can handle that? Dying to know how incredible you feel.”

Within seconds you’ve gone from content mush to a horny animal again. You don’t know how your brain let you forget about the best part, you needed to feel him.

“Yes, oh my god please.” You breathe out, bordering on begging but you couldn’t care less in the world in that moment.

Your hands begin to move blindly, trying to find his belt buckle but just fumbling with nothing as you get distracted kissing him once again. He smiles, a genuine kind smile as he pulls away from you, sitting back on his heels to undo his pants himself. There’s something about the genuine happiness on his face that makes your heart clench and your stomach flip. He doesn’t just want a quick fuck, he wants you, he’s happy that its you. It’s not the cocky grin of a man who sweet talked some chick into his bed, it’s the genuine smile of a man who finally has the girl he’s been pining over for a year in front of him and finally on the same page. You’re only left to dwell on how much this means to him, to the both of you, for a mere moment, because soon he is lowering his pants and you catch your first proper glimpse of the prominent bulge threatening to burst his boxer briefs. You can’t hide your reaction, your eyes going wide when you see the size of it. You want to slap yourself, you should have known, you should have been prepared. Not only does the man exude ‘big dick energy’ in every thing that he does and says, he is usually sporting a bulge on the day to day without being hard. He clocks your reaction, a warm chuckle reverberating through his chest.

“Still sure about this?” He asks, his voice soft, catching on to your genuine hesitation.

“Can I see it?” You ask and immediately want to take it back, you feel like a teenager afraid of seeing a dick for the first time.

He laughs softly, kicking off his pants fully before leaning down to kiss you again.

“Of course, you can see it, touch it, measure it, inspect it however you want before you decide.” His words are punctuated by kisses, carrying a teasing lilt with every one.

“Stop, it’s just, your ego obviously doesn’t need it, but it looks bigger than what I’m used to.” You whine, your voice becoming shy as you attempt to dodge his kisses in embarrassment.

“Hey, hey, it’s okay,” The tease has left his tone, his voice soft and serious now, “we only do whatever you can handle, okay?”

You finally look back at him, embarrassed by your shock. The beautiful brown eyes that you meet hold nothing but sincerity, helping your nerves immensely.

“We’ll go slow, yeah?” He prompts, squeezing your thigh.

You nod, wanting desperately to connect with him that intimately. It’s been a desire burning within you for so long now you can't fathom possibly backing out, you know he’ll take care of you.

“You wanna touch it first?” He asks, his voice sincere but still causing you to laugh, making him join in with you, “Hey, I’m serious, maybe it’ll help.” You can hear the seriousness in his voice behind his giggles.

“Okay, yeah, actually that might help.” You admit, your laughter finally quieting down.

When he rids himself of his boxers you almost go through the same shock again. Firstly because of just how large he is, he’s longer than anyone else you've ever seen and so girthy you’re not sure you will be able to wrap your hand around him. Secondly because there he is, naked in all his glory, his strong thighs proudly showing muscles you could never dream of having, his beautiful torso adorned with intricate images and abs that have made you drool since the first time you saw him without a shirt.Your desire for the man in front of you quickly overtakes any hesitation you’d previously had, quickly sitting up to grab him and pull him towards you, crashing your lips against his. He moans into your mouth as your tongue dances across his. You take all your lust and turn it into gumption, reaching down and gently brushing your hand along his cock. His grip on you tightens and an almost pained whimper leaves his mouth as you do so. You take that as a good sign, reaching in between your own legs to get your fingers wet before wrapping your hand properly around his cock, stroking him gently. A groan leaves his throat as he forcefully pulls his lips away from you.

“There’s no way you just did what I think you did, is there?” He asks you, his eyes blown out, crazed with lust and disbelief.

You just giggle, swiping your thumb over his leaking tip, leaning in again to catch his lip. He lets you stroke him for only a moment before he’s pulling away and grabbing your wrist.

“It feels amazing babe, but if you keep doing that I’m going to cum.” He tells you earnestly, his forehead resting against yours as he breathes heavily.

“Well I kinda thought that was the point of this whole thing.” You giggle at him, knowing exactly what he wants but enjoying getting to tease him if only for a moment.

“The point,” He begins, pushing you down to the bed by your hips so he is hovering over you again, “is that I would rather be inside you when I do.” His words are muffled against your skin as he kisses down your neck, your brain short circuiting.

“Please.” You breathe out for what feels like the hundredth time of the night.

“I got you.” He murmurs, your legs locking around his waist.

You feel his bulbous head trailing through your folds, collecting your wetness. You almost feel as if it must be a dream, there's no way you finally got this lucky. Then you feel the slightest bit of pressure at your opening, he's not even inside you yet and you gasp.

“It’s okay, I’ve got you, we’ll go slow, you just keep telling me how you feel, okay?” He whispers in your ear.

You nod and the second he’s sure you want it you feel him pushing forward, the stretch stinging and feeling like too much yet also feeling absolutely perfect. He only thrusts about a quarter of the way in before he’s pausing.

“How you feelin’ baby girl?” His voice is soothing but you can hear the strain as he asks the question. You need him to keep going, the momentary pain melting into ultimate satisfaction.

“More, oh my god, please.” You moan out.

He finally continues, pushing into you with such care it makes your heart burst. The way he’s handling you makes it evident that this isn’t just a fuck for him, it’s a coupling, He cares more about being close to you and your pleasure than he does the rest of it. When you feel his pelvis meet your clit you clench every muscle in your body, feeling fuller than ever before. He lets out a deep groan, dropping his head into the crook of your neck.

“You let me know when I can move sweetie, but you gotta relax for me. Okay?” You can hear the tension in his voice muffled against your neck, his lips moving against your skin.

You let out a breath, working through the overwhelming feeling of being so full of the man you care so deeply about, your body finally relaxing.

“Please move Lew, I need it.” You whimper out, your nails digging into his shoulders.

“That's my girl.” He says softly, his face just above yours with a soft smile as he begins to thrust.

Within moments he has found a pace that has your toes curling and your nails raking down his back. He is hitting every single spot you need him to, stretching you to the limit in the best way possible, working you to your peak in a shockingly quick manner. He’s not rough, he’s not fast, his movements are slow and languid. If he’s not staring directly into your eyes while he whispers sweet and filthy words to you, his lips are on yours as you swallow each other's moans. You’ve never been happier to have a vocal lover than Lewis, you can tell he is loving every single second, that he is overwhelmed with how good he feels. He’s not holding back a single moan, grunt, or groan and it’s only spurring on your pleasure. He sounds so good, looks so good, and feels so fucking good. You’ve never felt quite this all consumed by a man before, he is all that exists in the moment. He is leaning down on his forearms, his large biceps caging you in and it's all you can do not to lean over and bite them. His voice is in your ear when his tongue isn’t in your mouth, his heavy cock is splitting you in two with every perfectly aimed slow deliberate thrust, his pelvis is dragging across your clit giving you every ounce of pleasure you could ever need.You can already feel your toes clenching and your walls beginning to lock him in as you brace yourself in his shoulders.

“God, you feel fucking perfect, fucking made for me. My girl, all mine, huh?” His voice is rough as he talks to you, his forehead resting against yours, his eyes boring into yours.

You can only nod, tears slipping down your face as even moans refuse to escape your throat.

“That’s it baby, just feel it. Taking it like such a good girl.”

The tone of his voice and the dirty words tumbling from his lips have your stomach clenching, you know you’re almost there and so does he. His slow and steady pattern speeds up every so slightly, still keeping the same intimacy but increasing the obscene pleasure running through your body as his hand snakes down to properly rub at your clit.

“Let go for me Y/N, cum all over my cock, I’m right here, I’ve got you, lemme feel it.” His voice is strained but soothing as he talks you to your release.

Within seconds you let out a guttural moan, your whole body tensing as you feel the coil snap. The only word that can leave your mouth is his name, a chant of ‘Lewis’ leaving your tongue as your mind goes blank. You can faintly feel his thrusts falter before his own groan is matching yours, his head falling to your shoulder as thick ropes of cum lace your walls. You have no idea how long it is that you lay there on his bed completely limp. You have a faint memory of the whimper that left your lips when he finally pulled out of you. You know there was a moment of panic when you saw him begin to walk away but you were so blissed out that you ended up focusing on how good his ass looked. What you don’t know is how long it’s been since he left or how long you’ve been laying there, now all you can think about is how badly you want him back next to you. You try to move to sit up but quickly realize the best you can do is prop yourself up on your elbows. As you struggle, Lewis comes back into the room, holding a wet cloth and a glass of water, a smile across his face as he takes in the sight before him.

“You’ve been gone for forever.” You whine, unaware if it's even true or not, doing your best not to admire the fact that he is still stark naked in front of you.

“I’ve been gone for maybe two minutes,” He laughs, making his way towards you, “honestly didn’t even think you would notice, you seemed pretty content off in some bliss land.”

“Hey, that’s technically your fault.” You weakly argue, falling back onto the bed.

“A fault I will happily take,” He smirks, leaning down toward you and pressing his lips against yours, “again, and again, and again, and again.” Each declaration is sealed with a kiss, making you giggle and very weakly try to push him away.

He finally moves away from his assault of kisses, placing the water on the night stand next to you and moving to part your thighs which immediately makes you protest.

“Lew, it was amazing but I can’t.” You whine, squirming away from him.

“Baby,” He laughs, trying to stay sweet but far too amused by your sex drunk mood, “I wasn’t trying anything, I swear, just wanna clean you up because I think a shower is pretty far from your reality right now.”

“Oh.” You mutter, not used to any of your partners ever taking the time to take care of you afterwards. It was usually you realizing a little while later that you had to make sure you peed at the very least.

Lewis however makes sure to take extra care with you, one hand massaging your thigh as the other wipes the warm cloth against your skin. He does smirk when he reaches your core and sees you flinch the slightest bit, but even with your reaction he stays sweet and careful, caressing you in what can only be described as a loving manner. When he’s done, he throws the cloth carelessly onto the floor, something you would have thought would drive him insane, knowing he’s a tidy control freak. Instead of worrying about it, he runs his hands up your sides, kneading at your flesh in a way that somehow feels intimate but not sexual.

“Do you want to sleep like this? Or do you want some clothes?” He asks gently, placing a kiss to your stomach that once again manages to not feel suggestive somehow.

You can feel yourself getting shy. You know the answer he wants but you really want at least a t-shirt, something about sleeping naked has always made you feel weird. You hesitate for a moment, your answer apparently written all over your face because he just smiles and places another kiss against your skin before getting up and heading towards his closet.

“T-shirt or sweatshirt?” He calls out from within the closet, not an ounce of bother in his tone.

“Sweatshirt?” You answer, unsure of yourself.

“Boxers, shorts, or sweatpants?” He calls out again, unphased by your request.

“Is boxers weird?” You ask, still unsure.

“Nope!” He says, emerging from the closet, now wearing a pair of sweatpants low on his hips, his hand full of a stack of clothing for you.

“I’m sorry.” You mutter as you sit up to take the clothing from him.

“Arms up,” He says, the sweatshirt above your head ready to dress you, making you giggle, “and why are you sorry for wanting to be comfy while you sleep?” His voice is muffled through the thick fabric of the sweatshirt that he places over your head.

“I’m sure you would have rathered, I said naked.” You admit as your head pops out the neck hole making him laugh.

“Sweetie, you’re in my bed, that’s all I need. Want you to be comfortable.” He says sincerely, a soft smile on his face as he leans down to place a kiss on your forehead. “Besides I’ve always been kinda convinced that monsters will grab me if I have a foot out from under my blanket so I can’t blame you for wanting to sleep in something.”

You can’t help but let out a genuine laugh at that, knowing that that was one of your childhood fears yet it still follows one of the most fearless men you know.

“Alright, ya gotta scooch this beautiful bum.” His instructions come out soft with a soft pat to your ass as he slides the boxers up your legs.

Everything about the moment feels so loving and playful, it’s hard to imagine that this man that is saying bum and telling you he’s afraid of monsters under the bed was making you see stars and become delirious mere minutes ago. This was a feeling you could definitely get used to. Once you were dressed, Lewis was prying the blankets out from under you, attempting to make room for himself in the bed, laughing at your lack of movement.

“Okay, first note to self, she’s a damn bed hog.” He said playfully once you were both in the sheets, his arm wrapping around you in an attempt to pull you as close as possible.

“Hey, you can’t possibly already be making a cons list, you wore me down like three hours ago.” You argue, half serious, as he maneuvers you so you’re laying against his chest as he hikes your leg up over his hips.

“Not a cons list, just a things to remember list.” He assures you softly, pressing a kiss to the top of your head.

“Okay, I suppose I can live with that.” You huff playfully into his chest, your fingers tracing patterns along his pecs.

He hums in satisfaction, evidently enjoying your soft touch on his skin as you cuddle further into him.

“Hey Lewis.” You grab his attention, your voice muffled with your cheek smushed into his chest.

“Yeah baby?” His voice is tired as he massages the back of your head, his other hand tracing soothing patterns on your back underneath his stolen sweatshirt.

“We’re gonna make this work, right?” You ask him, your voice timid but needing to hear the confirmation before you can let yourself fall into a peaceful sleep.

“I’m going to do everything in my damn power Love, would never forgive myself for letting you slip away” He tells you seriously even though you can tell he’s beginning to drift off.

That’s all you needed to hear. You let yourself nestle even further into him than you thought was possible, beyond happy that you finally admitted that this was your man. Nothing could ever be perfect, and while your reservations may still have some validity, nothing was better than this beautiful man underneath you and you were prepared to fight like hell to keep him.

[yaseraphine]

pick a card 3 - something you need to hear right now.

Last day where the Sun is in Scorpio. First day where the Sun enters Sagittarius.

The month of November is always a tough month for everyone. This pick a card is aimed to give some guidance through these dark times. Scorpio energy can be sometimes overwhelmingly intense and gloomy, but it holds great power. Use this energy to die peacefully, and shed your old skin. Like a phoenix, we will all rise from our ashes.

Words of encouragement, healing messages and a tiny bit of reality checks are what this reading will bring you. Hope it resonates.

Pile 1 

The World, 2 of Wands, Knight of Wands, Page of Swords, 10 of Swords (Rx), Queen of Pentacles (Rx?)

Top of the deck : 8 of Cups

Bottom of the deck : 2 of Swords

Life path 7 / Life path 11

“You don’t drown by falling in the water, you drown by staying there.”

“Do what makes you fucking happy”

additional quote : “Do what makes your soul shine <3”

Right off the bat, there is a sense of urgency in walking away from something and making a firm decision. I think you have been in denial about something in your life, avoiding it by trying to live a “normal life”. You’ve been focusing on your day to day tasks as a distraction but something has been at the back of your mind for a while now. And when I say for a while, I mean at least two years, or one year. It is something that you have, overtime, subconsciously suppressed because at the time this thing, career, job, creative endeavor,.. was important to you, but you did not have (or thought you didn’t have) enough knowledge and resources to take methodical practical steps towards it. I am picking up that this might have been something that happened slightly before or during the pandemic (2019/2020). The World fell out of the deck, and this card indicates the completion of a cycle, an ending. After it, the 2 of Wands fell, which indicates future planning, progress, decision and discovery. I feel like the message you need to hear is that now is the perfect time to start this project of yours, or at least plan the practical actions you need to take over the course of the next few months to accomplish it. Don’t overthink over certain details and possible technical issues. There is a fire inside of you that you consistently turned off, thinking and hoping that the embers would eventually die out. The problem you are currently facing is that they never did. You might have an Aries North node. Being assertive and independent doesn’t come easy to you. Starting projects and following your instincts without second guessing yourself is hard. You tried to manage your truest and deepest desires but I feel like this past year, the desire to let it all out, probably influenced by the Lunar nodes being in the sign of Aries and Libra, urging you to just go for it, intensified to the point of suffocation. 

Your spirit guides are urging you to take this leap of faith, to walk confidently towards that goal like The Fool, without worrying if you run the risk of falling from a ravine in the process.

They’re telling you to start slow, to take a step by step approach while still keeping a strong mindset. You will come out victorious only if you’re able to keep pushing through the obstacles. What awaits you is a slow and steady marathon and growth. You can do it !

Oracle cards from the Green With Oracle pulled for you : 

16 - Memory / Rosemary => Leo energy

“Deeper levels of connection with people, concepts and plans are all areas that Rosemary works with. You are reminded to ensure you are in touch with your inner wisdom, paying heed to the past, and have cleared what needs to be released. Listen to your intuition as it is calling to you at present, but be wary of gossip or becoming tactless or too forceful.”

5 - Grounding / Potato => Virgo energy

“Explore the deepest, innermost areas of yourself and situations, as potatoes indicate energies that are calling you to look again at what you may have once missed and will help to bring stability. If you are looking for an answer, try pulling back a little to let things settle on their own first. Challenges at the moment may include ignorance, self-centeredness and forgetfulness, so make sure you are compassionate and focused.

You are called to use all the knowledge you acquired overtime to finally take action. You’re currently ending a cycle. You have enough wisdom to make a plan that will lead you closer and closer to tangible success. Trust your intuition and inner guidance. Don’t make rash decisions, but be decisive.

Just realized these two cards have the same message in the guide book ! This is a crazy coincidence. I used it many times and never paid attention. I didn’t even know two cards could have the same message. This is crazy lol.  Let me share the quote with you : 

 “When the world wearies and society fails to satisfy, there is always the garden”

Pile 2 

2 of cups, 3 of Pentacles, Queen of Wands, Ace of Wands, The Star, 2 of Swords, Page of Pentacles 10 of Pentacles

“The same light you see in others is shining within you too.”

(there are a lot of references to light, stars,shining,;. throughout the reading. Are you drawn to space ? or the galaxy ? You’re probably a huge astrology, and/or astronomy nerd. You are probably also a huge dreamer. Maybe drawn to the idea of being a starseed. You might have strong aquarius placements, or a populated 11th house. Pluto finally going in Aquarius this week is going to grant you so much luck and recognition ! You are about to step into your power for the next 20 years. Like a rocket, you are about to fly towards the stars. Are you ready for the take off ?  

“Don’t let the ugliness of others kill the beauty in you”

Something you need to hear is that you are about to be blessed by the universe ! Shooting Star by XG just started playing !

“Babe, if I give it my all, will it pay off?

Workin' overtime, no days off

All these shootin' stars in the dark (Yeah)

All these shootin' stars in the dark, make a wish (Yeah)

Takin' off from the ground, it's amazin'

So outta this world, I'm in space

Now I'm goin' up, headin' to the stars

Wouldn't trade it out for another life, no

Yeah, we ridin', ridin', ridin' on up (Woo)

So shinin', shinin', shinin' for sure

Ooh, ah, I'm lookin' so lavish (Shinin', shinin', yeah)

Ooh, ah, put in work like it's a habit (I'm lookin' so lavish)

It's a big move, every day's like a dream

Makin' big moves as I should 'cause I'm a queen (Ooh)

Ooh, ah, I'm lookin' so lavish

Ooh, ah, yeah, I bet you can't imagine (Oh yeah)”

You are shining on your way towards the stars. You are currently in your Queen of Wands and Ace of Wands energy, (Million Dollar Baby just started playing, you’re really sure of yourself and goal oriented right now).

You are bursting with confidence and assertiveness. You are determined towards your goals. You are in a “work hard, play hard” type of energy. If it’s not currently happening, you are about to have a huge burst of popularity on whatever you’re currently working on. Could be any project, a youtube channel, a business : there are a few people that are well respected in the industry you're aiming for that are eyeing you right now and that are about to offer you a contract/ a deal/ a collaboration. They have been probably on a hunt for someone like you for a while now and they were probably starting to lose hope until they came across your page/work/profile. They see you as a Star, you’re unique and like The Star in the tarot, you represent hope and faith to them/to their business/ association/school/company. They see your raw potential and they are going to help you refine it. 

Right now, you’re probably more focused on your work/ career/ school and nurturing your friendships, going out. You’re basically active in your social circles and this is benefiting you a lot ! 

An additional message you need to know is that you’re attracting a soulmate! It’s not necessarily a romantic soulmate, could be a friendship, a mentor.. Whatever the nature of this relationship is, it is going to fill you up with even more joy and hope! Your spirit guides are so proud of you and of all the work you have been putting in lately. Even though it was hard, you stayed patient and worked diligently towards your goals and desired reality. You did a lot of shadow work, tried your best to let go of the limiting beliefs that were holding you back. The Universe wants to tell you they are about to reward you.

Oracle card from the Green With Oracle pulled for you : 

40 - Positivity / Marigold : Leo energy (again you are shining and radiating confidence! Your solar plexus chakra and sacral chakra might be in overdrive currently! You are the main character in the play that is your life.)

 “A better understanding is indicated and a reason to be more optimistic about outcomes and the roads to get there. There are opportunities for nurturing encounters and a general aura of happiness pervades. Marigolds help us focus on the positive aspects of even the most difficult events. Your inner child may need to come out for a play, and be sure to take creative invitations. Be wary of not having all the facts and of emotional blockages.”

Pile 3

TW : this pile is a bit sad and angsty.

Before I pulled any cards for you, I already felt your energy overlapping in Pile 2’s reading. Your energy was really intense, deep and melancholic. Sad songs started playing, which completely contradicted pile 2’s energy (which was overwhelmingly positive). You are probably going through a really tough period right now and your soul is desperately crying for help, praying for a hand to come and save you. You have been having really painful realizations regarding your past, especially your childhood. You’ve recently realized that the child inside of you was buried alive. You’ve recently realized that you lost your essence. While growing up, you accommodated to the world around you, what people expected of you, what was “normal”, what was acceptable. By bowing down to other people’s expectations, you let your true self die slowly. You’ve been on autopilot for a while now, completely numb and empty. There is a bit of mirroring between this pile and pile 1 of suppressing one's authentic self and desires. 

Right now, you feel that your heart has been almost rotting inside. You lost all of your passion and your spark of life. But, don’t worry, what you need to hear now is that this painful realization is what is going to set you free. It is the first step towards a really deeply healing period where you are going to reconnect with your inner child. I heard : “The truth will set you free, but first, it will piss you off”. Did you read my last reading by any chance ? I am getting the energy that you chose pile 2 and 3, both or just one, or that you would resonate with those two piles for some reason. Don’t hesitate to check it out, you might find some comforting messages I heard ! 

Now, let me pull some cards for you. I don’t know why, but I felt drawn to use different decks than the ones I used for the first two piles. So, your pile will have different messages (no message from the Green Witch oracle for you)

 [took a little break before going to your pile. You probably need to slow down on your day to day tasks. I know it’s really hard in the productivity obsessed capitalist world we live in, and it is a huge privilege to be able to have enough time and energy to spiritually reconnect with ourselves, but this is what your spirit guides are urging you to do. You’ve got this.]

For you, I used the Occult Tarot and the Heavenly Bodies Astrology deck.

I only pulled 2 cards, one per deck (it was supposed to be like that but more cards sneaked in while shuffling haha) I feel like you need just a simple check up.

Cardinal - Instigation, Bravery and A pioneering spirit => your lost spark and childlike innocence will soon be reignited by a deep healing period. A new beginning is coming for you, but it will take some hibernating time before it comes. 

Sagittarius - Optimism, Exploration and Freedom

Trine - Angelic Support, Harmony and Perfect Flow

Reconnect to your higher self and spiritual side. Disconnect from the direct, yet understandable, dissatisfaction you feel towards life. Your embers that were slowly dying will relive, just trust the process, enter the deepest parts of yourself and keep exploring with positivity : your angels will guide you. There is a team of spirit guides and angels that are proud of your progress. Even if you don’t see it, they do and they want to tell you : There is light at the end of the tunnel, keep on walking.

The Hermit and the Ace of Swords :  The truth about your past came out, now is the time to meditate on those realizations and integrate them. Alchemize the pain in wisdom. You are about to come out stronger than ever. Isolate yourself, or at least try to keep your peace and have a lot of alone time (without completely stopping socializing altogether, humans are social creatures: connecting with people is important for our wellbeing) to ponder, analyze, decrypt, all the patterns that you’ve been repeating. Reconnect with your inner child, look at photos of yourself when you were younger, delve deep into your childhood and childhood wounds. Maybe try to find what your attachment style is, anything that stems from your childhood that has been making you stuck in a rut these past years. Maybe, if you can, try to heal the relationship you had with your parents/parent or primary caregiver. Try to understand the nature of you guys’ relationship to see how it affects your self worth now. You've got this, trust me.

here is a link to my ko-fi !

[muletia]

guys,,, let me cook......obsessed!orion

what if optimus’ infatuation with you bypasses his memory loss? he may not remember your name or what you look like, or even that you exist, but he feels that something is wrong—that his spark is so... empty as if it’s searching for something, or someone, to fill it. he feels that someone is missing from his life, that he longs for someone, but he has no idea who. combined with the disorientation and panic caused by suddenly finding himself in an entirely unfamiliar place, it creates a true cocktail of terror.

in this au, the autobots take in optimus with amnesia, not the decepticons. ratchet tries to explain who he is, why he’s there, and what their mission is, but orion can’t bring himself to believe it. what’s more, he keeps looking around the base, closely observing every member of his team, as if he’s searching for someone specific. then he meets fowler and the kids, and he’s instantly fascinated by them. they seem very... familiar to him, as if he’s encountered members of their species before. and when someone mentions that the autobots have another human ally, orion is overjoyed. he desperately wants to meet them, so ratchet calls you.

orion can’t understand why you are so important to him, but you complete his spark. he feels the need to be around you 24/7. while optimus might have restrained himself in his fixation, orion doesn’t. he follows you around like a puppy, refusing to leave your side even for a second. and when you tell him that you’ll have to leave him because you need to go to work? oh god, you’ve never seen such a terrified and panicked being in your life. he’s absolutely desperate to go to work with you or at least drive you there, and explaining to him that it’s not a good idea, that he must remain hidden, and that you can’t spend the whole day in the base is incredibly, incredibly difficult.

i can totally imagine a situation where a lovesick orion is so unbearable at the base that ratchet ends up begging you to take time off work until they find a way to retrieve his memory.

i need to write a longer fic about this...

[retroaria]

♡ "All the little things..."

⟡ itoshi rin | oliver aiku | michael kaiser ⟡

summary: gn!reader, things that they’d look for/love in a partner! pure fluff! (i do describe something as ‘sexy’ but it really isn't that serious)

˗ˏˋ written for arias 1.5k follower event! ˎˊ˗

he’d never admit it, but rin would want a partner who can take him down a few notches. someone to calm his nerves and balance out his animosity. he can come to you at the end of every match and immediately release all tension and frustration. but also, someone to ground him and his ego a bit off the field. someone who can remind him to take things slowly and relax when he can and should.

he’s secretly very attracted to kindness. it’s a weird thing to be secretive about but rin is a weird guy what can i say. it makes his heart flutter to see you treating others with such grace, it even tugs a small smile at the corners of his lips which he quickly tries to pull back down into his usual blank expression.

rin tends to be a more private person himself, and he likes others that can keep their peace in that same way. he wouldn’t want to tell the whole world about your relationship, not because he wants to keep you a secret, but because he feels like you’re relationship is even more special the more it exists only to serve the two of you. he likes the idea of having you all to himself.

as a runner up for sassiest man of the year (lost to kaiser lol), oliver tends to find that same snappiness attractive in other people as well. he loves someone who can speak their mind and be confident about it, someone who can stand their ground and not let themselves be belittled. he thinks it’s hot, sexy even.

he likes people that are more outgoing then he is. while oliver doesn’t usually shy away from any fun, he can tend to back out of things because he feels it may be “too much” or an over exertion. he wants someone who can push him out of his comfort zone and get him to try new things that he wouldn’t have otherwise done on his own.

out of the whole cast, oliver is probably one of the most comfortable in his own masculinity methinks. he loves doing self-care and other beautification rituals (lol) with you! would let you do his eyebrows, dye his hair, make him smell like a strawberry shortcake; he fucking loves it. “Can’t turn down a bit of TLC and relaxation” he’d say. he totally does call a lot of it “goop” and “slime” or “sticky stuff” and can only remember to categorize it by color. “Babe, come feel my face, that pink goopy stuff made it so soft.~”

similar to mr. aiku, kaiser also loves a bit of sass in his partners, in a more subtle way though. sarcasm and brutally honest humor make him wanna bark like a dog. he loves it. he’s like the girl in a romance manga that falls in love with the cold and stoic upperclassmen. wants to break your hard exterior, but also wants to be the only person who ever could.

he loves being on the receiving end of ‘acts of service’. if that’s your love language, he’s all for it. he already thanks you just for putting up with him on a daily basis - considers that an act of service lol. making him food or planning a date for him would make his heart swell to the point of explosion.

physical and emotional intimacy need to be a huge priority for him. similarly to how rin likes things to just be between him and his partner, kaiser also needs certain things to be private, though he's more than happy to let the whole world know you're the person he loves. as long as he gets to have those quiet tender moments with you, wrapped in each others arms, he's a happy boy.

dividers: @cafekitsune vv cute :3 | header by me !!

@bllk-tv

[on-a-lucky-tide]

As Nik basked in the late afternoon sun, his fingers tapping against the misty glass of his dry martini, he decided he'd finally made it.

This was the life he had been searching for up in the clouds for so many years. The picturesque coast of Durrës stretched out in the background, the sound of the waves lapping up the beach, the smell of the water and the heat, the heat of the sun soaking into his skin.

Their break was long overdue and Nik had leapt at the chance to take John away when he had bemoaned being forced on leave by his superiors. Nik had always wanted to bring John to Albania; beautiful country, beautiful people.

While Nik tanned himself on the beach with a good book, skin turning a deeper brown under the glisten of sweat and sun oil, John had spent the afternoon nosing around the ocean floor with a snorkel. Nik had long since given up trying to impose his own brand of relaxation on his captain, as much as he would like to lean over and kiss the freckles as they appeared on John's skin as they basked and napped together. Instead, it was better to let him frolic, expending his limitless energy and curiosity in a way that left him soft and relaxed in the evenings as they wandered the city in search of good beer and good music.

Nik glanced over at the water just in time to see a pair of flippers appear above the surface as John decided to take a closer look at something on the sea floor. By the end of the week, he would have catalogued every shell, fish and bit of coral in the Adriatic, Nik was certain.

He glanced at his phone screen. It was getting late and they needed to head back to the hotel to clean up before their dinner reservation. It was a roof top bar that served authentic Albanian cuisine, recommended by a contact he had in the local gun running circles. When the food was good enough to front for money laundering, it was always worth a visit. John didn't need to know that part. Nik just liked watching John eat food that didn't come directly out of a foil packet, sometimes not even reheated.

Nik dropped his feet from the lounger to the sand and rolled to his feet with a groan, snagging his singlet from the backrest before heading towards the surf to call his semi-aquatic fiancé back to shore. "John!"

Moments later, a head popped up only a few metres out, and Nik gestured John in with his free hand. There was a flurry of movement as John took off his flippers and then found his feet. When John's broad shoulders emerged from the water and he began to wade through the shallows, his snorkel dangling from one hand while the other pushed his wet hair back over his head, Nik was grateful he hadn't decided to eat the olive from his Martini moments before. He would have choked on it.

The seawater ran the length of John's body, streaming over his full chest and toned stomach, with its whirls of dark body hair damp against freckled skin, his swim shorts slung low on his hips but sat high on his thighs, leaving all that glorious definition on show for Nik's hungry gaze. And the way he filled out the front of those blue pineapple shorts was--

"Nik, time to head in?"

Nik's entire head was full of the most salacious, indecent thoughts. But he had to stay strong. Must resist. Chertov ad. John bent down to pick up his towel and the bag for his snorkel, and Nik wanted to walk over and sink his teeth in, because while John's thigh strap usually did a good job of accentuating what was on offer, the shorts left absolutely nothing to the imagination. Oh, to get his mouth on John's chest and between those--

"Nik?" John sounded amused.

"Oh, uh," Nik swallowed. He followed John's eyeline down to his own crotch and realised his trunks did very little to disguise precisely what John's Pussy Galore moment had done to him. "Da. Preparation for dinner may take longer than planned."

John walked over and slid the backs of his fingers over the soft skin left exposed by the hitch of his shirt over his belly, crooked grin and blue eyes full of mischief. "Ya filthy old man."

"Da..." Nik said, deflating. His toes curled in the warm sand as John kissed him, and he slipped a hand around the curve of John's backside to draw him close, squeezing with a soft hum of appreciation.

They were going to be late for their dinner reservation.

beach episode

[velvet4510]

Why Magneto’s Storyline in X-Men: Apocalypse is The Worst (it’s not just Cherik)

Ok I just need to vent because this has been chewing away at my brain for far too long.

Cherik is far from the only reason why Erik’s family plotline in X-Men: Apocalypse is some of the stupidest, sloppiest, and most character-ruining pieces of writing I’ve ever seen. Haters may say “oh you’re just upset because he married someone who wasn’t Charles.” But, like, aside from the fact that the original timeline already established that Erik’s top priority was always the fight for mutantkind and he had no interest in settling down - whether that had anything to do with his feelings for Charles or not - the problems with the Apocalypse writing go WAY beyond just him & Charles:

Erik would never abandon his cause at this point. By the end of DOFP, Erik has just been imprisoned for a full 10 years thanks to the JFK situation. Meaning he has spent a full decade being forcibly inactive in the fight for mutants. And he just learned that all of his fears about humans and mutants came to pass in the future to the level where a time-traveler had to be sent to change the past. And he was so set on averting that future that he tried to kill his friend and the sister of the man he loved, and then made a whole speech on international TV begging for the mutants of the world to fight alongside him. This is the POLAR OPPOSITE of a man who would feel like settling down and walking away from the fight within the next decade. The Sentinels being cancelled did NOT make mutant life easy overnight; Stryker was still up to no good, and there is no way that there weren’t others like him doing the same. Yes, Raven’s actions made a very positive difference, but I think we have enough brain cells to agree that this did not mean things for mutants immediately became sunshine and rainbows to the level where Erik - the most (understandably) paranoid character in the X-Men series - would even consider taking a break, let alone giving up the fight permanently. Knowing what he did about the possibilities of the future would’ve made the Erik we know double down on his commitment to his cause and follow up on his actions in Washington.

Magda is a human. At this point, Erik hates humans. Again, he has just been imprisoned by humans for 10 years for trying to save a mutant, and he just learned that in the future, humans would’ve wiped out mutants, exactly as he feared. Everything that happened in DOFP would only further inflame his already-passionate hatred of humans. He is not in the mental state to even begin to consider Charles’ philosophy and give a human a chance at a relationship, let alone marry a human.

The family lives in Poland. The country where Auschwitz is. The country where Erik and his family and people was imprisoned, tortured, and executed. The country where Erik had to watch Shaw kill his mother. Basically the LAST country in the freaking WORLD that Erik would want to ever see again, let alone spend the rest of his life in. Erik is fluent in multiple languages - he is shown to easily converse in French and Spanish in First Class - and has been all over the world thanks to his Nazi hunting, so if he really needed to flee the U.S., there were a hundred other countries he could’ve gone to and blended into (Canada, France, Mexico, anywhere in South America, heck, he even could’ve discovered Genosha during this time). But in the original timeline, he didn’t leave the U.S. at all despite being a national fugitive after escaping his plastic prison, and he never did get caught again, so….

Erik’s first meeting with Magda is completely OOC for him. Erik mentions that he told Magda who he was the first night they met and he trusted her then. EXCUSE ME??? Erik Lehnsherr does not trust strangers. Erik Lehnsherr does not tell the complete truth about himself and his past to just anyone; look at how deeply Charles had to probe before Erik opened up to him. This stupid line was obviously shoehorned in just to make their relationship seem like perfect soulmates and thus ensure it is doubly tragic when she gets thrown in the fridge 5 minutes later (more on that in a sec). Obviously the intention is for the audience to go “aww, he instantly trusted her, she instantly accepted him, this is true love…” Give me a break. You’re really telling me that Magda met this stranger one night, found out he was none other than the international fugitive who apparently killed the U.S. president and just tried to kill another president on live TV, and went “oh, no problem, honey, let’s make a baby and live the cottagecore dream!” That’s some BS if I’ve ever heard it, and I’m convinced the writers subconsciously knew it; there’s a reason that is revealed in a throwaway line rather than shown onscreen, because then nobody would’ve bought it.

Fridging. Magda and Nina exist in the movie for one reason and one reason only: To get brutally killed and give Erik even more grief and trauma so that he’ll seek revenge on the entire world, aka do what the plot demands of him, aka have the same journey as he did in First Class (more on that in a sec). That’s all. Neither of them are any more than one-dimensional plot devices. They are not characters at all. Magda isn’t even named in the actual movie (he doesn’t even say her name when she dies) - it’s so obvious they didn’t even know what her name would be when they made the movie. This is textbook fridging, and one of the worst examples of it of all time. It’s all the worse considering that Erik never met Magda in the original pre-DOFP timeline, meaning Magda originally most likely lived a long happy life and died old in bed. But now, she gets fridged just because the writers didn’t know what more to do with Erik. It’s misogyny of the highest level.

Erik wouldn’t risk starting a young family at this moment in his life. Erik was a Holocaust prisoner, his people were massacred, his mom was shot when he couldn’t move the coin, and then Charles was shot when Erik accidentally deflected a bullet into him, and then every member of his Brotherhood save Raven were captured and killed. Not only is this more than enough grief for one character to have, but the man wouldn’t dare risk having a new family of his own when everyone he’s ever loved has gotten hurt (largely because of him), and when he’s an international fugitive. That is no time to risk being selfish, and he would know. He would’ve been the first to realize that a potential wife and daughter would also end up killed, and so he’d avoid that altogether. In fact, he wouldn’t even consider it, because, as mentioned, he wouldn’t leave his cause behind. You know, if he was actually in character.

A parenthood story for Erik was already set up. DOFP already hinted at Erik being a father, with Peter’s comment about his mom. So if the writers wanted to show Erik as a father, and to include Magda, they already had a solution that would seamlessly flow from the previous film - make Erik and Peter’s relationship one of the centerpieces of the story, and let Magda be Peter’s mom! (You know, like she is in the comics!)

It doesn’t contribute anything new to Erik’s character development. From a screenwriting POV, this is unforgivable. May I remind you that Erik’s entire storyline in First Class revolved around grief and trauma for the loss of his family and people, especially his mom, and seeking revenge for it. Giving him a wife and daughter just so they can get killed too adds absolutely NOTHING to his character development. It’s merely retreading everything that already happened in his arc: he loses his family and goes on a roaring rampage of revenge. Completely superfluous, right down to Charles insisting that there’s good in him beyond the pain. The redundancy becomes apparent even in the dialogue, where Charles literally says “I told you since I first met you there’s good in you too.” The script itself can’t help but point out that all of this has happened before and literally nothing new has been added to Erik’s character arc.

See? It’s not just because of Cherik. Erik’s story in X-Men: Apocalypse is an atrocity in basic screenwriting and character development, on every level. And I will never accept it.

(Please tell me I’m not the only one who feels this way…)

[ffjj5]

Its been a while Jikookers, but let me tell you why...

Just a warning this post will talk about grief and death, so if you aren't in a place to want to read that right now please scroll past 💜

On October 11th my world changed and I am still working out how to be in it without my best friend. I have never felt loss and pain like I do right now but I am surrounded by amazing friends and family who will help me work this shit out. My beautiful friend of 20+ years died after a very short time in Neuro ICU following a burst brain aneurysm. No warning, just walking home from lunch with a friend on the 3rd October and she collapsed in the street, she never regained consciousness and died peacefully surrounded by her siblings, children and mum 8 days later on 11th October.

It's the little things I am struggling with, the coffee dates on my days off, the messages she would send just to say 'love you' and ask how your day was, the random phone calls because she was putting off gardening or housework, the messages to say have lovely trip the day before or after you went as she always got the date wrong, but she never forgot the important dates and would spend her last pound to get you a card to celebrate.

One of the reasons for me posting on here is because I want to recognise how being part of this fandom and being a Jikooker has had a profound impact on my grieving during this time. In life some people come along and impact on your life in a way they may never understand because you can't find the right words to tell them, but even from thousands of miles away their words bring you strength and comfort, a hug in the form of a voice message. Part of me working through this shitty grieving process has been to just say what is in my head into my phone and send the message to this person, with no expectation of a reply or words of wisdom, but she has never let me down. Even if its just to say 'keep going, it will get better', she has never allowed me to feel unheard.

So @dgtn please stand up and accept your virtual hug, until I can give you one in person 😊

A week ago we had a ceremony and celebration of life for my friend and it was beautiful, the sun shone, we cried, we laughed ( she loved to laugh and was always making us laugh) and I started on the next part of my grief journey, to learn to live without her but never forgetting her.

Everyday is a new day and some are harder than others, work is either a blessing of a distraction, or a curse, as my ability to deal with stress and the stupidity and pettiness of the general public is better some day then others. My work colleagues have been beyond amazing and the love and support they have given me has been beyond anything I could imagine. But I know my friend would be shouting at me to live my life now as it is too damn short and can be gone in an instant, so that is what I am doing. Next year is busy, first K-pop concert (Ateez, don't get me started on how excited I am), West end theatre show, and the icing on the cake is a trip to Niagara falls and NYC in March! Not to mention the impending BTS concert when that pesky military service is over for all our guys.

Music is an important part of my life and BTS' music has helped me massively, I have cried to it, I have sung my heart out to it, and I have sat in silence and just listened to it and taken comfort from their lyrics.

One song which has seen me do all three is Zero o clock, so what better way for me to sign off than with this...

[scoriarose]

What horrors has she seen?!?

she screamin Cinder '24 0.1 Cal Flame Eryx colubrinus

[jamiepaige]

Constant Companions Closeup #11: MACHINE LOVE

(also on bandcamp and spotify!)

Welcome back to the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was the title track, My Darling, My Companion, which means today is the final track on the album - a song about the truths that lay in hiding within artifice, and a computer falling in love - Machine Love!

Before we get started on this particularly long closeup - I'll be doing a follow-up post after this one, answering various miscellaneous questions I've gotten over the course of writing these! If you've got anything you wanna hear more from me about, album-related or otherwise, feel free to reply to this post or send me an ask! It may very well end up part of the bonus closeup :~)

---

Let's circle back to the very first track, Dyad.

In that track's closeup, I mentioned the main sonic touchstones of this release relative to my previous ones being guitars and vocal synths. The whole guitar rock thing I think I've gone into detail enough about, what with all the inspirations I've rattled off in other posts, but there likely is still a burning question for some long-time listeners.

Why vocal synths? Why am I not singing on like half of this album? I thought you were a singer, Jamie Paige, so what is this Hatsune Miku robot Vocaloid crap?

Truth be told, the Vocaloid scene and community has always been a massive source of inspiration for me. So much of my favorite music ever, music that inspires me or touches my heart or makes me go apeshit, has been sung by synthesized vocalists in a language I don't even speak. I grew up with it, and it's grown up with me - music just as intricate, mind-boggling, twisted, fun, and ridiculously creative is being put out every single day by vocal synth producers, and nowadays it's coming from English speaking musicians in droves!

Before this year began, I'd made at least one major contribution to the culture, but in spite of my genuine adoration of everything vocal synth related, I felt like I was just looking in from the other side. Caught between worlds, existing outside of any communities, simply gesturing vaguely towards what I wanted to do.

But I wanted more! I wanted to make the same kinds of things that stirred my heart and made me want to write! I wanted to sing with those same voices! I wanted it to be true - to be like you!

---

I won't lie to you and tell you Kasane Teto has always been my favorite vocal synth. That title used to go to GUMI, and in general, I wasn't particularly attached to any UTAU voicebanks as a younger vocal synth fan. (Nowadays, I genuinely open up OpenUTAU just as much as SynthV because I've fallen deeply in love with Adachi Rei, but that's a story for my next album.) Obviously, I knew of Teto, and found her presence in things like Triple Baka delightful, but for the most part, she was mostly something of an oddity, a wayward piece of vocal synth history that had her Fans like any other.

However, there was one Teto song I've been inexplicably attached to since the moment I first heard it - Song of the Eared Robot, by nwp8861. I was introduced via this particular cover, which I love, but I quickly gravitated to the original. Something about the warbly, childish nature of her very first voicebank, the ambitiously orchestrated and unabashedly digital instrumental, the lyrics referencing fundamental frequencies and Markov chains and compiling code all just spoke to me!

That song stuck with me, laying in a part of my heart that had been collecting dust, all the way to April of 2023.

Now, yes, Teto wasn't always my favorite, and I had other vocal synths I was attached to, but I don't live under a rock, and I still understood how monumental the announcement of Kasane Teto's Synth V voicebank was - to the point that I interrupted a call full of FFXIV-playing friends who knew barely anything about vocal synths and gave them an impromptu TED talk because I was so excited.

(An excerpt of a summary of that night's events, written the morning after. i was up my own ass a little bit but in my defense Kasane Teto had just been announced for Synthesizer V)

I was watching, in real time, a dream made manifest. It's literally one of the Bits with Teto! That she'd be a Vocaloid one day too! And here she was, on the fan favorite engine, sounding genuinely fucking incredible. Especially in hindsight, it's such a beautiful and perfect twist of fate for her.

I saw myself in her. A weird little outcast, explosively reborn and thrust straight into a community's open arms with love. I wanted it to be true - To be like that, too.

It didn't fully hit until later, hearing another cover of a song I'd almost forgotten.

Machine Love, my love letter to the entire world of unbridled creativity and artistry surrounding vocal synths filtered through one sentimental little song, was fully written by the start of May, maybe 4 days after I had gotten my hands on Teto SV and long before a certain compilation album was even a glint in my eye.

If you haven't heard DAEMON/DOLL yet, you really, really, really should go listen to it - yes, I mastered this album, many of my friends and collaborators are featured, and I have two entire songs on it, but I genuinely mean it when I say I believe it's some of the best fucking music that's come out this year in general. In many respects, it also feels like a companion (hah) to Constant Companions.

I had finished writing Machine Love by this point, but it was working on this album in its entirety - discovering artists like Anh Duy, Eggtan, and beat_shobon through it, and hearing everyone in top form making this twin-drilled chimera fucker sing her heart out - that not only made me confident in my decision to go down this artistic path, but that made me fall completely in love with Kasane Teto. And honestly, how could I not? She feels like a microcosm of everything that makes vocal synths so special, this community of creatives all leaving their marks and touchstones along the trail of a great big shared folk mythos. Yeah, maybe the folk hero we're all collectively mythologizing is an anime girl, but yknow maybe Odysseus could take some branding cues from hatsune miku idfk

Basically, even if he says he wants to kill me, I owe fucking everything to rice for inviting me to work on DAEMON/DOLL.

---

On that note, my vision for Machine Love's MV was pretty clear from the beginning.

the actual factual setup for the above shot, which was done entirely in-camera with my laptop, a tv, and two video files manually synced using VLC

The fundamental idea was always there - live-action shots of animation playing back on various screens, edited together to feel somewhat seamless. However, I really struggled with what exactly was going to be on said screens for a while; Big commissions were very far out of my budget, but I knew this song needed something grandiose.

Ultimately, what I arrived at was exactly the kind of scrappy, DIY bullshit it was always meant to be.

I asked my Twitter mutuals for help. And spent a couple months in Final Cut Pro and Apple Motion hell turning all the Teto art I got into a bunch of tiny little mini MVs, some of them parodying real vocal synth MVs, some of simply just evocative of vocal synth MVs, all of them painstakingly edited by yours truly and filmed with the help of some friends over the next couple months across two states and many more cities just to be painstakingly edited and synced up again by yours truly.

THE NEXT MV I DO WILL BE SMALLER IN SCOPE

---

And with that, I believe that's the album!

There's a reason it ends with Machine Love, and not with the title track. I do think that in some respects My Darling, My Companion would have made a better closer, but that song only really resolves one of the thematic strands running through the album.

There isn't really a definitive answer to the specific question "Baby, do you know what you wanna hear?", but it evokes a theme running through the entire album - wanting something, knowing that you want something, and simply needing to find the courage to do it or say it or be it. My Darling, My Companion is in many ways a declaration of intent, an acceptance of what needs to happen, but Machine Love, to me, is that action being done. The words being said!

And now, if I may give this a somewhat selfish tint - with the explosive response my works from this album have gotten, my contributions to things like DAEMON/DOLL and Flavor Foley, the collaborations I've done and that I still have in the pipeline, the friends I've made and the community I've found a spot for myself in, and the newfound voices that I can lay my heart bare with -

Well, shit, I know what I wanna hear, and I've gotten to hear it. I'm a vocaloP. It's real!

Thank you all so goddamn much for reading and listening. I'll see you back here either tomorrow or Monday for the bonus AMA post thing!! Make art and be gay, motherfuckers.

❤️💚

[olderthannetfic]

One I guess my life philosophies is that stupid people deserve clear and accurate information.

On the lesser end of the scale, this is things like how instructions for assembling a chair should be written such that a person is is not very bright can follow them, and when someone asks an incredibly obvious and stupid question in good faith they should get a real answer, not a mean joke.

Being nice to people instead of getting mad at them when they're being dumb makes the world a better place, and if instructions are clear to everyone right away it saves everyone some trouble down the road

On the more serious end of the scale, racist movements and the alt right take advantage of people who don't think things through and sweep them up to spout horrible things they don't fully understand, and this can only be combatted by making concepts like "racism is bad" and "trans people are just trying to live their lives" clear and acessible to people who aren't going to think hard enough to come to these conclusions on their own and who find college freshman level social justice 101 too dense to get through. They deserve resources at their own level, and mockery and "if you don't already get it you may as well be on the other side, dumbass" will only drive them to the other side (even if the dumbass part is true).

Which is a long way of saying that I'm very much in favour of AO3's propsed change to the underage tag.

People who are too stupid to realise on their own that it's for underage sex deserve that extra clarity. We can mock them behind closed doors for being too stupid to read the explanation staring them in the face, but in the end they deserve to have the information presented in a format that they can understand. And helping them helps the rest of us, because if it's explained in a way that stupid people can figure out on their own, we won't have to keep explaining it.

Be nice to the dumbasses. Everybody wins.

--

[dilf-docs]

Hello! I love what you write it’s amazing! ✨

Can I request an Eddie Brock one where the reader is her neighbor and they are pretty close and she’s in love with him but he’s still obsessed with Anne, and one day she sees him really sad (about Anne) and invites him to see her band and she starts playing (The one- The Warning) and idk something interesting happens:0

Take A Chance On Me

eddie brock x younger fem!reader

summary: being in a relationship with eddie is a bliss! except for when he mourns his ex relationship with anne, which unfortunately, seems to be pretty much all the time. in the middle of all that sulking, you come up with an idea. will you be able to make him choose you this time?

warnings: 18+ (minors dni), age gap, smut, situationship lol, so angst!!, sunshine!reader x grumpy!eddie (he's still mopping around), hurt/comfort, exhibition kink, fingering, oral (f. receiving), p. in v., riding, creampie, you can tell i've been listening to ABBA ijbol, no venom :(

word count: 4,394 words

side note: hi, tysm for requesting! since this request is very specific lol but has similar themes to my previous eddie work i decided to make it as a follow-up in the neighbours au; not a series yet but it was an interesting idea to add to their dynamic!!! hope you like it <3 in case you wanna read the previous part for context as to where this two are it's here

Ever since that night, your relationship with Eddie has grown. Hell, you may say you're a day away from being official any time.

And there are time's when you're so sure of it, like when he stops by your apartment and kisses you like there's no one else in the world; to later make you come hard with the lights off (hey! you gotta start a tradition or two).

But there are other times when you knock on his door and he doesn't open, only for you to use your spare key, finding the room scented with empty bottles, your neighbor mumbling something like Anne through his sad pouty lips.

Yes, Anne. A name that makes you seethe like it burns; a ghost that haunts the spaces of silence where Eddie seems to doubt what the hell is he doing: why is he there―with you.

Your heart feels heavy, and it feels sort of pathetic that it's his hurting what hurts you the most. In the end, things are like this: you love helping people, your empathy may be infinite and you're sure you've never loved anyone like you love Eddie Brock before.

So it's this combination of things that makes you take the following decision, hoping to make him pass the page, so whenever he gets drunk again, all his lips will ever whisper is your name over and over again; that his sadness belongs to him, and not the only person that seems to be keeping you away from your happy ending, even if they don't know about it.

To Eddie, you're the sweetest thing in the world. Nobody kisses like you do, hugs with the tightness you do, loves as much as you do, fucks as good as you do or bakes killer cookies like yours.

That list does nothing but grow, as he is constantly mesmerized by every new little thing he learns about you: your favorite movies, the new recipes you try (he's more than happy to beta taste them for you), the way you sing (you do have a good voice that made him squirm at the other secret talent you had) and your kindness, which has done more hurt than good lately: because Eddie can't fathom the idea of you, taking care of him during his sad drunken mopping nights, while listening to everything about Anne on repeat.

He knows it hurts you, that he's starting to create creaks in your relationship, the hope slowly fading away from your eyes each passing day, doubts creeping up your smile, erasing that shiny beautiful light of yours; it's the only thing stopping him from calling you his girlfriend, and still, he can't stop.

It's like a vice at this point, and he wonders if he'll ever sober out of it.

So today he knocks on your door, hoping to set things straight even if a part of his heart still beats for Anne. It may be selfish, but after you came in his life, he can't imagine it without you.

But when you open up, he's at loss for words.

"Why are you wearing that?"

You scoff. "Hope it's not an offense, judging by your tone"

His eyes roam over your body, and even if you tend to be more on the confident side, you can't help but feel shy. After all, he's never seen you like this before: all glam.

It's a jacket, well his jacket, a small black top and black very short shorts. You surely are playing the part tonight, switching your usual pink and sunflower bubbly style to something more... rock.

"Why?" is all he asks, and you feel obligued to answer. Besides, you were going to knock on his door after getting out, not expecting he did it first. The surprise is ruined, but his incredulous eyes suffice for now.

"So, my friend has this band" you explain, "and they just got sick. The thing is, they had a gig today in a bar where they're regulars, so naturally, cancelling at last minute is not an option"

"And?" you love how oblivious he can be sometimes.

"And, I found a replacement" his face remains blank, so you sigh a little dissapointed but deliver with chirp, "me!"

"You?"

You roll your eyes, "is there a problem?"

"No!" he corrects hastily, "I'm just surprised, that's all. I know you like to sing, and have a good voice! But there's a huge gap between that and well, playing in a gig"

"I know, but I used to have a band when I was in highschool; I'm used to this things"

His mouth falls a bit, and maybe his head starts to cloud with ideas of your clashing new style and angel like voice; or maybe it's you wearing his jacket, a garment of his for you to bear in public: a first. It's a bit stupid and too daydream-ish for his liking, so he blurts:

"I didn't know that"

Your laugh is so light, it feels like wind blowing across a field.

"Oh, Eddie baby" he blushes at the pet name and endearing tone, your voice dropping like it does whenever you want something he's more than willing to give you, "there's a lot you don't know about me"

In the end, you convinced Eddie to join you, who, if you're being honest, didn't need that much convincing.

He was sold just with the idea of seeing you sing, which intrigued him. There's a huge difference in your drunk karaoke nights that annoyed your neighbors and playing live in a gig. Eddie wants to see what you have to offer, and as for you? Well, this is your plan: your plan to make him forget about Anne once and for all.

It may be silly and immature but hey, you're young! It's okay to be wrong and possessive sometimes, and your friend just did you the favor of faking an illness to give you a spot to shine and put that voice of yours to use, that's a bit rusty since your highschool days. So, no pressure! Your potential boyfriend is on the crowd and ruining this would cost your kind friend their job. Good thing your optimism doesn't seem to expire, because Lord! Your hands are trembling and sweaty when you hold a microphone again for the first time in a little more than a decade.

"Hey" you exit out of the curtain, and the dim lights now bright up a little, directing themselves towards you, "good evening"

You hear a bit of muffled voices that sound confused, asking for your friend, and you can tell the crowd are regulars. Yikes.

"I'm here on behalf of Isha. They're sick, so I'm covering just for tonight" you decide to go for a little jokey joke to light up the otherwise judgemental room, that seems to be testing you―like they know all your weak spots; smell your nerves. "So don't like me too much, as I'm a one time thing"

Eddie laughs, but covers it with a cough when he realizes the room is awfully quiet.

"Okay, uh, for tonight's set, I've got a few things prepared" you fumble a bit with the papers where the lyrics are (you've always liked to be a bit old fashioned), like you're clumsy and it's your first time, not reflecting the fact that this idea has been simmering for a while―every song rehearsed and planned. "Songs, I mean, I've got a few songs prepared"

You start with something smooth, which makes people divert their attention back to whatever they were doing. To you, that's a bit dissapointing, but as long as they don't judge and Eddie keeps his eyes on you, you think you can make it.

But what where you really thinking? Being optimistic means you're often let down, as your pink bright ideas end up crushed by the real gray world. And you can handle it―as you're no weak, but resorting to singing a song that feels oddly specific about the situationship you're currently living in hopes of making Eddie forget his ex fiancée and get whooped by your mesmerizing voice is actually kind of crazy!

But yeah, now you're nearing the end of the set list and almost everyone's eyes are on you. Of course, Eddie is the most attentive, taking every word that pours out of your melodic mouth like if he's thirsty, and your voice is the only thing that can help him. He never leaves your silhouette, and it may be you dreaming, but there's something like guilt and love behind his eyes; torn. Yeah, you do feel like you're dreaming, and it's been so long since you felt this alive; you kind of forgot how happy singing made you.

As the crowd is engaged, you find it fitting to make a pause and announce the next song. You know your voice comes out as shaky, but hope people think it's about tiredness and not nerves. Why are you nervous, thought? People love you! It's because this is the final part of your plan: singing this song you used to be obssesed long ago, but now seems to perfectly sum up those raw, angry and vulnerable feelings fo yours you're simply not used to; they say music helps us put a name to that we can't, and that has never been more true.

"For the next song, well, our last song" a few booing echos in the crowd, and you can't believe you made it this far. Maybe Isha did lost their job, "it's called The One, by The Warning. Hope you enjoy"

Eddie's had such a blast tonight, he hasn't noticed the past of time, completely lost when you announce the last song. Among other things he's forgotten, is the fact he was supposed to talk today with you about the future of your relationship.

It's kind of your fault: how can he remain focused with such display in front of him?

The band begins playing, and soon, your voice fills the air:

I'll do anything to make it happen

Tell me your secrets, what are you hiding?

Some people sing along the lyrics, while others just listen attentively. You make it to a part of the song that sounds like:

Can you explain to me what's this feeling?Love it or hate it, it's never leaving. Want to believe, that you feel it too.

Oh, Eddie feels nauseous. The lyrics hit a bit too close to home, and he fills called out in the room of oblivious people.

He can hear your vocals breaking a bit, as raw as he's never heard before. He feels so bad, he's about to make the most ridiculous thing of his life and jump onto the stage to hug you, but he can't interrupt you. So he sits there, palms sweaty and nerves tense.

He's been dumb, but like, really dumb. Of course you know it: how can you not? He swears every morning after, his hangover unbearable, your kindness hurts more than his headache―because there's pain behind your eyes, and he knows you remember more what happened than he did. He feels undeserving of your compassion and all the care you give him, even if you know Eddie's still hung up on Anne.

There is no reason to even doubt it. Please, understand that I am not lying. My heart is true, it beats for you.

How can you still love him? Still root for him? How can you give him your heart knowing a part of his still beats for Anne?

Fantasizing that something might happen, always wishing that I was the one.

He feels torn, because he knows it's you he wants to be with. You're the reason his days have been brighter ever since he lost everything, the reason he smiles whenever his door knocks and why he isn't alone in this sulking anymore. So he hates the fact that he can't heal faster and move on, because that's all that's really stopping him from just being him and you.

Give me something I can feel, I'm too afraid to ask. What is it I need to change, for you to love me back?

He's done mourning but he knows grief doesn't pass in the blink of an eye. But he's sure of it already.

Say that you will really never hurt or leave me. Say it and it will come true. Hold me like you really love me: tell me that you do.

Those three words he's been holding back: afraid of feeling too much in such little time; afraid of thinking he would ever feel his heart beat for anyone else, the confession dripping from his eyes but not past through his sealed mouth.

And I know that I'm not the one on your mind. But still, I will be the one.

The song ends before he's registered, and amid the applauses, you leave the stage, almost running behind the courtain. The band bids goodbye and Eddie finds himself leaving his table and moving onto where the small improvised dressing room is.

He's done pondering. You will be the one.

You didn't plan to rush backstage like that, but tears started to burn in your eyes and it was getting harder to contain them infront of the crowd.

They loved your show, but you feel empty, even if a little relieved. There was a pressure before and now it's gone, but there's a thing that hasn't gone: the doubt.

You wonder if Eddie understood the words you feel like a coward for not voicing, the feelings that threaten to spill like a hot cauldron, the rage burning your throat when he talks about her, like she's all there is in his mind. Then comes the sadness; you can't help but wonder if he will ever choose you.

Tonight, perhaps, is the day all those what-if's will be answered, and their possible answers won't hunt you anymore.

It's like he read your mind, because there's a knock in your door and it's like you have memorized a bit too much of Eddie: the traces of his face―with wrinkles that mark the gaps in your relationship, the loud way in which he eats, the sounds he makes when he rides his bike, especially those when you wrap your arms around his; even the way his knuckles call for you through the door.

You clear your throat, trying to hide your broken voice. "Come in"

Eddie's face pops up, and all you can offer him is a weak smile. "Did you like the show?"

He tries to measure what he's about to say, because he doesn't know where to start, but the glow in his eyes betrays him, so he excitedly says: "It was great! I didn't know you had that in you, baby"

Even the pet name doesn't make the smile reach your eyes. Oh, he's screwed up for sure.

"Thanks" you mutter, small. You hate feeling like this: the last time you did, you were still in middle school. Your kindness was taken for weakness, and you promised yourself you would never let your heart be taken and used again. Yet here you are, hope planting a seed inside of you that's grown into a rose with thorns that pierce your sweet heart whenever it beats for Eddie. But you can't stop: the roots are too deep in you, and you can't find yourself to kill the flower that's bloomed out of this one-sided love.

"Listen, y/n" oh, he's serious. No petname or nothing. Maybe he's finally opened his eyes and realise this fooling-around-thing you've got going on isn't going nowhere; that your new isn't as exciting as it was before, and his heart will never be yours. You'll never be the one.

"Y-yes?" you can't fake it. Your voice cracks, so you avoid looking at him, "tell me, Eddie".

He shouldn't start with that, seeing the way your face fell and body shakes, even though you're sitting.

"Fuck. Baby, no" he coos, getting closer and dropping on his knees, forcing you to look at him by taking your face softly by the chin, "look at me".

When you meet his eyes and they're already glossy, he feels like he deserves a higher punishment than what any physical one could ever accomplish.

"No, no. Shit, I'm sorry" he tries wiping your tears with his thumb, but you keep on crying more. "Ah, fuck"

"Are you done with me?" you ask on a shaky whisper.

Funny saying that when you weren't even a thing. But you can't help and yearn for it; said what first came onto your mind.

"No!" he corrects, so quick and loud it startles you. "What made you think that?"

"The song-" you start blabbering, "No, I'm sorry Eddie, it's my fault. I shouldn't put on a show that's m-more like a tantrum if we're being honest. We're adults and we can talk, for God's sake! That was so immature of me. Let's just forget this and- I don't even know what to do or what to say, just, spare me from walking out or taking the elevator at the same time I do because it's just gonna be so embarrasing- please, if you're gonna break up with me, do it quick-"

He didn't want to, but he feels the need to interrupt your little rant by now.

"Y/n, stop" you feel even more embarrased now. You start to drift a little and begin considering to move out of the country and change your name. "Who said anything about breaking up?"

Ah, you feel stupid. Stupid, but hey! How can you not come to that conclusion? It's both of yours fault.

"Y-you didn't" you whisper, "but-" you try to reason yet the anger and embarrasment is a bit too much.

"I didn't yet I can understand why you'd feel that way" he sighs, "but let me explain, please"

With a nod, you motion him to continue.

"I'm the only one who should be saying sorry. You did nothing wrong, baby; in fact, your little solution to talk out your feelings surprised me a lot. In a good way! You know I love your voice. But anyways, as I was saying, I'm sorry about everything. It's just... it's not fair to you: you've been nothing but sweet, loving and the best girl I've met ever. I feel like I don't deserve you, and after tonight, if you choose not to stay with me, I'll get it. You're worth of much more than a sad, older and bitter nobody" he ends his sad little man speech, and you can't help it but leave your sit and wrap your arms around him, burying your face on his shoulder as you whisper lovingly on his ear:

"I know, Eddie" you stroke his hair gently, "but I'm not leaving you. Never"

He lets himself sink into your embrace, the perfume and sweat such an intoxicating smell, he's drowning in your scent already.

"Good" his voice turns husky, dropping an octave. The hard on his jeans doesn't go unnoticed, "because I wanted to give my rockstar a reward"

You laugh, and he feels better seeing you smile.

"Seriously, Eddie? How can you go from vulnerable to horny?"

"Both are states of vulnerable!" he defends, "besides, tell me that you don't want it" he motions for you to stand against the dresser, your back against the mirror, goosebumps in your skin when it touches the cool surface.

Eddie grips the flesh of exposed skin your shorts show, leaving a trail of kisses against the bare tights. He pulls them off, and you gasp out a contained moan.

"Someone c-could find us, Eddie"

He growls, his head in between your legs, the panties blocking him from your pulsating cunt. "Let them" he pronounces it so deliciously, you find it hard to resist the panic of being found; Isha will kill you if they found out, but hey, the plan was to get back with Eddie so in the end, it worked, right? Can't get mad at that.

The panties come off with a yank, and you can barely ask if he locked the door before his tongue gives the exposed dripping folds a generous lick. You arch your back at the pleasure that runs through you.

"Mpmh, Eddie" you groan, feeling his slow but steady movements. Your breathe comes out ragged, more when he uses his thumb to caresses the sensible zone with fast circles, making you cum with a cry, yet it muffles inside his mouth that captures your lips in a kiss.

You can taste yourself in his lips, but let him devour your mouth.

"Want more?" Eddie groans against your mouth, his fingers going inside you, softly touching the entrance. You moan against his lips, moving your hips greedily in response.

"Yes" you moan out, making him chuckle.

"Seems I'm not the only horny one here, baby" he mocks, "are you that needy?"

You huff out, annoyed at the accusation.

"Don't worry, you and I both know we love to help each other out" his voice is soft, "besides, it's been a stressful day for us, hasn't it. Let me make you feel better, baby"

His hand travels inside you, his middle and forefinger sliding lazily into you. You tense up, feeling him touch your clit, his fingertips stroking over sensitive tissues. He can see the mirror fogging, and if he didn't have his head in between your legs, he'd probably see his face full of your juices.

"Shit" his voice comes out of his chest, sounding rather gutural and animalistic. "God, how wet you feel, baby"

You mewl. But it's not enough, his fingers falling short: you need to feel all of him. Now.

"Eddie" you beg in need, "please".

"Please what?"

Your hands travel to his pants, undoing his jeans. His large palm stops you before you can reach his underwear.

"Say your words, baby" he taunts, and you hate the way your neediness leaks from in between your tights.

"Just... I need you, Eddie"

He gets rid of the jeans by himself, and you stroke his member covered by the fabric. You get rid of it too, and the next thing is your mouth saying: "I want to ride you"

Even in his haze, he reacts a bit, looking around the room.

"There" you point the chair you were sitting previously on.

He sits down, obeying without a word. You come close, gripping his member firmly in your hand. You pump from the bottom to the top, making him roll his eyes and throw his body back from the pleasure.

His eyes go blank as you sit over his dick, already leaking with pre-cum. Eddie grabs you by the hips, the veins on his arms more notorious, some tattoos popping up like they are 3D.

"You're beautiful" he mutters, and you feel like giving him a reward: so you grab his dick with your hand as his grip gets tighter.

He presses his tip against your fold, side to side, like if he was painting your tight walls with his juices.

He pushes the first centimeter inside, and as soon as you stretch out for him, he starts thrusting, getting a whimper out of you.

"Fuck" he curses, deep inside you. His body shakes, and you feel every single vibration provoked by the friction. You feel dizzy as you go up and down, the rhythm delicious. He keeps moving, his hips doing a circle, all to feel more of you.

"You feel so good, baby" he praises, in ecstasy. You keep moving up and down, covering his long. You bite back a moan, "might end up helping me more than I was going to help you"

He's fucking you silly, and your mind goes blank, so after the thrusts and his confession from before, you dizzy out:

"Everything is for you, Eddie; just for you. You're the only one who can make me feel like this"

"How does it feel?" he asks in a whisper against your ear, his thrusting getting sloppier.

"Feels so good"

"As good as you feel" he moans out, his breathe whistling through his gritted teeth. Your ads bounces against his tights, the sound of skin clapping in the tiny room a very obscene echo. "C'mon, baby. Make me cum"

You tighten with the plea: tights, stomach and ass. Your core is swollen, burning with each new thrust. Eddie keeps you tight as profound as his strong arms can; there'll be a bruise tomorrow.

He pushes all his length inside, keeping you open so he can bury himself deep in you, with strong thrusts against your shaky cunt. His jawline tenses, painfully close to his orgasm.

Your voice comes out muffled, "Harder".

It's funny how no one has even checked the room. No knock, nothing. You suppose they all went out their way when they saw you about to burst in tears, to give you space, a space you're pretty thankful for now.

"You're mine" he rests his forehead against yours, "say it"

His hips shake as you pronounce, "only yours, Eddie"

You can't contain it any longer. There's relief after the intense orgasm that shakes every bone in your body, overestimulation when you feel him cum inside of you, thick shots painting your swollen walls.

You let yourself fall into his arms, the chair creaking with all the weight. Sweat glistens as you try to get your breathe back, your heart beating so fast you fear you'll have a heart attack.

"Tell you a secret?" you hum tiredly against his shoulder, resting your head in it as his long thick fingers comb through your damp hair. You can't believe your plan made it this far, but since you're still in the haze, you can only nod and hum.

He gets closer to you, his hot breathe tickling your ear.

"You're the one, y/n" your heart beats even faster, and you hide your face against his hot skin so he doesn't see the new tears that are forming in your eyes: they're happy tears. "I love you"

Is this is a signal to sing and not voice out your problems? Who knows, maybe next time, if you sing Money Money Money by ABBA, you won't be so broke.

[chanranghaeys]

👼 a regular korean citizen

pairing: idol!active duty!jeonghan x gn!reader word count: 817 genre: fluff, slice of life rating: pg tags: sleepy couple, morning musings, mainly an imagine of sorts, reader is tired bc of work, mentions of active korean military duty are NOT accurate and i do not claim their accuracy so please bear with my descriptions i rly did just make them up as i went warnings: none request from my love, tara (@diamonddaze01)! “one waking up before the other, so they make up their side of the bed and can’t help but tuck in their sleeping lover as they do so” with jeonghan pls and thank u i miss my husband a/n: thank u lovely tara! i indeed got out of the dreaded writing slump. and it’s my first time writing jeonghan so i hope i did him justice for u!

. ݁₊ ⊹ . ݁˖ . ݁ masterlist . ݁₊ ⊹ . ݁˖ . ݁

✎﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏

Jeonghan distinctly remembers going to sleep on his own with no one else on the bed. It was a pleasant surprise for him to see you on the other side when he rolled over.

If there was anything he enjoyed most about being an active member of the Korean military, it was that he was not subject to the grueling demands of an idol’s schedule. He could just be a regular Korean citizen—something he hasn’t had the luxury to experience in about a decade.

He couldn’t say the same for you, though, who also worked in the entertainment industry with hours just as long as his used to be. It was evident in the way you were sprawled over the bed, caring less about how you looked and how you ended up sleeping. Your neck was in such an awkward position compared to your body that Jeonghan was so sure you’d wake up with a stiff neck, and he would not allow that.

He knew you were as much of a light sleeper as he was. And as much as he wanted to caress your face or smooth down your hair, he shouldn’t for fear of waking you up from a much-deserved slumber.

But he wasn’t Yoon Jeonghan, part-time troublemaker, for nothing. And he missed you, as he did every day, so what other reason could there be to justify him not holding the love of his life as dearly as he wanted to?

You must’ve been absolutely drained because you didn’t even react at the gentlest of his touches. Jeonghan smiled and continued his soft strokes on your head. A forehead kiss did merit the slightest reaction from you—an automatic one where you seemed to involuntarily lean into the touch of his lips making contact on your skin.

He smirked. If only you could see it and how much it gave away how smug he felt to see you still craving for his touch. He checked the time from the standard military watch on his hand—5:37 am. It was time for him to get up.

He checked his phone, tapping into your work calendar to see your schedule. You still had a few hours of sleep left before your shoot scheduled for 1 pm. That was good, he thought, you need all the rest before another chaotic variety show shoot until whatever ungodly hour of the night.

The military discipline easily merged with Jeonghan’s idol discipline. It may not be the same for all fellow idols on active duty, but others have mentioned how similar both were. It was the implicit and discrete need for order and organization that both disciplines shared. It made sure everything was clean-cut and picture-perfect for idols on screen, and that everyone followed uniform standards with a code of conduct for active soldiers to learn.

Jeonghan was used to it. And such disciplines included even the simplest task of making the bed. He fluffed his pillow, he fixed the sheets he messed up on his side with a military tuck—and you didn’t even budge. You were out cold.

Jeonghan huffed a sigh, running his hands through his short-cropped hair—something he was still getting used to. “Aigoo-yaaaaa” was all he said with all the endearment in his heart.

He shuffled over to your side and, as gently as he could, fixed your sleeping position to avoid that impending stiff neck of yours. He also fixed the clothes already riding up in places because of how haphazardly you put them on. Thankfully, you remembered to remove your makeup before going to sleep this time. He was almost late for duty the last time he stayed to carefully remove it for you while you slept.

Carefully, he fluffed up your pillow and fixed the sheets as much as possible. He opened up the blanket and let it rest on your sleeping figure. He so badly wanted to engulf you in a warm embrace, but he loved tucking you in and seeing your relaxed expression just as much.

He left one final parting gift: a kiss on your cheek. Okay, maybe more than one gift—another kiss, a light brush of his lips on yours.

Jeonghan’s military enlistment allowed him to be a regular Korean citizen. That just gave him more opportunities to spend time with you and treat you the way a regular Korean citizen would. It was a welcome break for your relationship if it meant he could love you without all of the lights and cameras and judgmental eyes in the way.

Walking from the bedroom to the kitchen, he checked his phone once again and opened the calendar app. Peering at the time block for 7 pm later, he made sure his schedule and yours was a free time block. He couldn’t wait to share the wild stories about him and his fellow military men that would have to wait until tonight.

✎﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏

post a/n: still accepting requests for my little drabble request game! all you gotta do is shoot an ask <3

post post a/n: svt won TWO daesangs at mama 2024 today!! HUHU i am proud of my bois (∩˃o˂∩)♡

[blessedarethebinarybreakers]

I’m a transfem Christian, and sometimes I worry that I’m twisting Christianity to suit my politics and views rather than the reverse. I was raised as a Southern Baptist and left for the Episcopal Church, with the conservatism of the former church being a large reason for my departure. I really don’t want to have to chose between either being able to transition and being a good Christian, but I’m so worried that I’ll have to make that choice.

Hey there, I am so sorry for the delay in responding to this. I don't for a second believe you are "twisting" Christianity to suit your views by living into your true self:

Jesus tells us that we can know a thing by its fruit — if the fruit is good, the tree is good; if the fruit is bad, the tree is bad (Luke 6:43-45; Matthew 7:15-20).

What are the fruits of transition? Joy, community, reconnection with your own body? Life?

What are the fruits of the things preached by ultra conservative churches? Hatred, fear of difference, violence? Deportation instead of love of stranger, judgment instead of mercy, control via terror instead of liberation through God's love?

Near the end of this webpage of mine about a liberatory framework for reading scripture, I address the accusation that queer Christians are just "reading into" the Bible what we want to see. To sum it up, I agree that all people bring our biases to the text — heck, the biblical authors brought their own biases to the text!

“The truth is, you can bend Scripture to say just about anything you want it to say. You can bend it until it breaks. For those who count the Bible as sacred, interpretation is not a matter of whether to pick and choose, but how to pick and choose. We’re all selective. We all wrestle with how to interpret and apply the Bible in our lives. We all go to the text looking for something, and we all have a tendency to find it." - Rachel Held Evans

Many theologians say that when we accept both our own biases and the biases of the people who wrote, edited, and compiled the books of the Bible, the best way to determine what is Divine in scripture is to follow The Rule of Love:

"Any interpretation of scripture is wrong that shows indifference or contempt for any individual or group inside or outside the church. All right interpretations reflect the love of God...for all kinds of people everywhere, everyone included and no one excluded.”

- Shirley Guthrie

The webpage offers more details about this way of reading the Bible, if you are interested. But at the end of the day, the main thing I hope you can come to believe not only in your head but in your heart and your body is that you are beloved. That God created you exactly as you are with purpose and delight. That you have vital gifts to share with the world that the Body of Christ is not whole without.

If you need further assurance through theology, I invite you to check out Austen Hartke's Transgender and Christian YouTube series.

You may also find Rev. Nicole Garcia's story encouraging; she's a trans pastor who once said that she has experienced two vocations in life: one to ordained ministry, and one to being a woman.

God is calling you, too. I pray that you can feel Their presence and love in your life -- even when it's hard to believe in it yourself. <3

(For more, I have a trans tag and an affirmation tag and trans women tag and also an FAQ you might like to peruse through)

[tinylongwing]

Vide Noir's dual narrative structure

All right, here it is, me making good on at least one of my meta threats. Lord Huron's album Vide Noir can be interpreted as an album with two parallel, contrasting narratives - that of the lead protagonist Buck Vernon, as well as that of Johnnie Redmayne.

Disclaimer: this is an interpretation I think is pretty sound and well-reasoned, but I make no claim to any of this being proven canon information.

---

For those unfamiliar or who need a reminder, the primary narrative is this: the year is 1967, and we start near the end of Buck's journey, as he awakens from being black-brained (Lost in Time and Space). Having just suffered an overdose on the drug vide noir, his memories are slow to return to him, but return they do - his fiancee, Leigh/Lee Green (from here on Leigh but both spellings have been used), left him without a word one night, and he decided to follow, heading west to Los Angeles from their home town of Detroit, Michigan. He's been struggling to find her, checking every bar in the city in case she was booked to sing at one as her move was the result of her chasing her dream of becoming a singer. He doesn't remember a lot about himself, really, after that overdose, but he remembers her, and his love for her makes him desperate to find her.

We're then taken back to the night he left to find her (Never Ever) and his journey is mostly linear from there - he meets a fortune teller, Lady Moonbeam, who tells him that pursuing Leigh will end in his ruin, but he refuses to accept her advice and pushes on (Ancient Names I & II). He laments that he's been some kind of fuckup, that maybe he chased Leigh away through his own behavior, but that he still loves her and begs for her to return (Wait By the River). At some point around here he also learns of the drug vide noir and contemplates using it himself for clues.

(Note that unlike in the movie, in the album, nothing suggests that Buck suffered from a murder attempt by Z'Oiseau's henchmen but that instead he may have overdosed himself in an attempt to find Lee. However, there's plenty of reason to suspect that the film is the canon interpretation here anyway and the henchmen kidnapping Buck just doesn't make for a song I guess.)

One way or another, he winds up black-brained, where some deep existential truths of the universe are revealed to him (Secret of Life - namely that everyone and everything dies in the end, and that a human life is brief, fleeting, and ultimately meaningless within the context of the universe as a whole). He somehow reawakens rather than dying (Back from the Edge) and, again, understands that nothing he does will ever matter, has never mattered*, but that *even though* he's suffered greatly already on this quest, he's still committed to trying to find Leigh, pitting himself against that careless universe (The Balancer's Eye).

So he keeps searching (When the Night is Over) until he finds a clue, or a helping hand of some sort, that leads him on the right path to his beloved Leigh (Moonbeam). We get one more reminder of the forces at work here - vide noir is some awful stuff, it nearly killed him, Leigh herself is hooked on it now, it shows you terrible truths and nightmares beyond human comprehension (Vide Noir) - and when all is said and done, as Buck thinks he's about to "rescue" Leigh from her fate and bring her back to his fantasy of a perfect happy life together, she rejects him. He came all this way through time and space, and she doesn't love him at all in the end (Emerald Star).

---

I consider this the primary narrative here because it makes use of all the songs on the album, it has a clear start and ending and a mostly linear structure, and the album basically serves as a soundtrack to Buck's fool's errand. The film agrees - every scene is centered around his journey, after all. But we have context from Lord Huron's other albums, as well as the lyrics and musical stylings of multiple songs on Vide Noir, that show us that Buck isn't necessarily the only narrator on this album. Strange Trails, of course, came out three years prior, and features songs by multiple fictional bands performing songs which serve as narration for a diverse cast of characters. Unlike on Strange Trails, where each track has a writer or band specifically named and assigned to it as well as a character narrative, Vide Noir does not give us such conclusive information, but we can still put clues together to understand at least some of who the in-universe performers might be on Vide Noir.

Most likely, multiple of these songs are by the Buck Vernon Band - this is pretty obvious. Buck's semi-autobiographical music is all over Strange Trails, usually referencing a girl he loves, sometimes referencing that the girl left him, often giving her different names, all starting with L (Fool For Love's "Lily", and "Louisa").

But the other band that we can easily identify as performers on Vide Noir are the Phantom Riders. For those who need an introduction, this is the band composed of four members of the World Enders gang, with Dale Redmayne at the helm as lead writer. They were seen previously on Strange Trails as well, with banger surf/rockabilly hits like Hurricane, Until the Night Turns, and The World Ender. As a storytelling tool, they are primarily brought in to tell us about the man-turned-undead horror entity known as The World Ender himself, and then otherwise mostly we get their songs about Dale's brother Johnnie Redmayne, who is introduced to us in Strange Trails as a fun-loving and presumably fairly young guy, a thrillseeker and hedonist, who lives for the moment as if the world could end any day. The Buck Vernon Band jumps in between some of these songs with an interjection to tell us that wait, Johnnie is dead, or was, but he got back up. In Dead Man's Hand, Buck speculates that Johnnie could have been murdered or may have killed himself, accidentally or intentionally, upon first seeing him. It's in Vide Noir that we actually learn more about the circumstances of Johnnie's death.

Before we get to that, let's first identify which Vide Noir songs are by the Phantom Riders. This isn't all that hard to do. Any song that references The World Ender is presumably theirs - that gives us Secret of Life right away ("I sit alone in the dark, and I try to remember the words you spoke when you summoned the Ender"). This is reinforced in the Alive From Whispering Pines webseries, episode 423 - Secret of Life, when played, shows a skeleton prop the band has jokingly referred to as Cobb Avery on their social media posts in the past, and after the song ends in this episode, the tune continues in a slowed and distorted fashion through a clip of a WBUB movie version of Dead Man's Hand showing Johnnie rising from the pavement when Buck is about to bury him.

Ancient Names Parts I and II are presumably written by the same band as a two-part song. In the Vide Noir film, the Phantom Riders are performing Part II in the underground club. Additionally, in Alive From Whispering Pines episode 426, after Tubbs Tarbell is done reminiscing about the band and their nihilism, Ancient Names Part II is the next song covered - and often in this series, the structure of the segments between songs are intentional and related to either the song they precede or the song they follow, so it's likely that the placement of the Phantom Riders' appearance followed by a track they're associated with is meant to help confirm them as the performers. In addition, Ancient Names Part I references a fortune teller, and we know from the film that the fortune teller in question, Lady Moonbeam, is associated with the World Enders and knows the Redmaynes.

The last track on Vide Noir that is most likely theirs is the title track, Vide Noir. We have two points of evidence for this - one lyrical ("Many evils have I enjoyed, prowling the night raising hell with the boys" which feels like a pretty direct reference to the World Enders' nighttime violence) and one musical - the main melody of Vide Noir is identical to that of Ancient Names (and Fortune Teller's Theme, actually). In Strange Trails, using the same melody for multiple songs was an easy way to tie Frankie Lou's songs together, and here we can see that it ties two Phantom Riders tracks together directly, indicating that not only are they both by the same band, but that Vide Noir is a followup to Ancient Names part I, in which our fortune teller did warn us things would go very, very wrong.

(And besides all of that, the Phantom Riders tracks on Vide Noir all tend to be similar in musical style - psychedelia-flavored garage rock with a heavy bass line, in contrast to other songs on the album.)

With those songs identified, we should also be aware of just how much Lord Huron seem to love their dual narratives. In Strange Trails, we have a really concrete example of this with The Night We Met. This song was in-universe written by Frankie Lou, presumably about her doomed relationship with Z'Oiseau and how much she wishes she had never met him to begin with (as she echoes in her dialogue in the Vide Noir film when speaking to Buck in her dressing room). However, the music video for this song shows not Frankie and Z'Oiseau, but instead Buck, driving west, while reflecting on his own failure to keep Leigh, wishing he could go back in time and fix things, and meanwhile kind of hallucinating her as he goes. In the album Long Lost, we get another dual narrative in I Lied, which is performed by Donny and Midge but is also sung by Leigh in Vide Noir, foreshadowing her breakup with and lack of love for Buck. There are certainly other dual narratives in both of those albums to be found as well - so what we should keep in mind here is that often, songs can be written and performed by a character or band in order to narrate for themselves or someone close to them, but that just as in our real-world movie soundtracks or our favorite character playlists on spotify, those songs can be applied to other characters in different (but somewhat similar) situations than the ones they were written for.

So! We have four Phantom Riders tracks on Vide Noir, all of which were presumably not written originally in-universe about Buck Vernon, because why would they be, Buck and the World Enders only briefly cross paths and at the very least we know that Ancient Names Part II was written well before he ever met them. Instead, it makes the most sense if like the bulk of the Phantom Riders songs, these tracks serve Johnnie's narration instead.

---

If that's the case, what does that give us? Winding around and through Buck's journey is this second storyline. Johnnie Redmayne, having used and enjoyed vide noir himself abundantly ("I had a vision tonight that the world was ending" as one probable example), decides it's time to get his hands on bulk quantities so as to get the Enders in on controlling the flow of the drug in LA rather than letting Z'Oiseau maintain a monopoly, thereby also increasing revenue for the members of the gang.

It's Moonbeam who warns him to knock it off first. We know, thanks to the film, that he'd spoken to her at some point about his plans to investigate the source of the drug at Tobey's arcade and try to get his hands on some to sell. Whatever his exact plan was, in Ancient Names Part 1, Moonbeam warns him that pursuing this is going to get him killed. Vide noir isn't just a drug, it's something extremely dangerous, tied to dangerous people, and he needs to get away from "her" (and note that frequently throughout music history, drugs have been personified as a "her" or an unnamed lover, whether for poetic reasons or to evade censorship that might come from talking directly about drug use - and Cursed, off Strange Trails, is one more in-universe example, where "her" refers both to Leigh Green and to drug use, specifically vide noir).

Immediately afterward, Ancient Names Part 2, in addition to serving as a very classic sort of World Enders nihilism anthem, can easily be interpreted as Johnnie saying "fuck that, I do what I want, you only live one life anyway and even if it kills me, I want to make my mark before I go out." Death is something hypothetical - sure, it'll get him some day, it gets everyone, and maybe Moonbeam is even right, but he isn't going to let her warning stop him.

On Strange Trails, Buck and Johnnie cross paths at Dead Man's Hand. On this album they only cross thematically, and the pivotal moment of intersection might be Secret of Life. This song may be the point at which Buck learns some forbidden secrets revealed by taking vide noir as discussed above, but its lyrics speak a lot more specifically to Johnnie's experience, implying some connection between him, vide noir, and the World Ender.

It may be that as we see with Buck in the film, perhaps Johnnie too has suffered the effects of being black-brained prior to taking it due to the time and space-bending effects of the drug (notice, for example, in Strange Trails we get Johnnie's story in a scrambled chronological order) and here he's confronted with the harsh truths of what those past visions of his possible future mean for him: he has been set on a path that is no longer avoidable due to his eventual future overdose. So perhaps it's at this point that he acknowledges that he is going to die sooner rather than later and that his life and death will not have meant anything to the greater cosmos, but this information, which was new to Buck, is not something Johnnie fears. Johnnie is hardly new to this point of view. He's seen past echoes of the knowledge imparted by vide noir throughout his life, both in his future visions of the end of the world (again see Until The Night Turns) and in the knowledge passed on through other World Enders, including their own motto ("The fair, the brave, the good must die", or in Secret of Life here, "The darkness comes for all of us").

(As an aside, there's still a lot to unravel with Secret of Life that I haven't touched on here. It's a fascinating song with some really mysterious lyrics. I've speculated at length in the LH discord about some additional interpretations this song could yield but won't veer off topic here.)

And yet despite what looks like a very certain and dire end, Johnnie maintains hope that perhaps he, too, will live past this. Because if Cobb Avery did, why can't he? This is part of the gang's core mythos - their founder is a dead man. He clawed his way back out of the grave for revenge, they thought it was just so fucking cool that he was unkillable that they had to join him, and together they dismantled the Winthrop Corporation, one murder at a time. When the police finally caught up to him, they lynched him - but the noose did nothing, for he was already dead, and now in the form of a skeleton, he called the gang to his side (see Strange Trails: The World Ender comic book). In the ensuing chaos, he flees, the gang heads west and relocates to east Los Angeles, and in the time contemporary with the events of Vide Noir, he is still present among them but this appears to be unknown to the public (Daily Trails prop, by Kim Berens, used in both Vide Noir and Alive From Whispering Pines where it was modified to Ten years later).

Whether The World Ender is readily visible to and known by most members of the gang at this point is unknown, but we know that those who were black-brained can see him (in the film, Buck sees him approaching, bumps into him, plunges into a hallucination of his own future, and when he comes too, the Ender is gone). Given the Secret of Life lyrics, it's reasonable to guess that Johnnie at least can see the World Ender just fine and one way or another, in speaking with him and in conjunction with consuming vide noir, has learned enough secret knowledge to make some kind of choice - and this is what later enables him, too, to drag his way back to the world of the living.

Fate catches up to Johnnie and as we learn in the film, his death was at the hands of Z'Oiseau's henchmen for trying to gain access to dealing in vide noir. Like Buck, he is black-brained - forced to swallow enough of the drug to kill him. And so the track Vide Noir opens with the Fortune Teller's Theme previously heard in Ancient Names Part 1, and that tune is woven through the track - Moonbeam's "I warned you, I told you so" to both of these fools who disregarded her advice. Although, again, the lyrics are clearly meant primarily to narrate for Johnnie - "Many evils have I enjoyed, prowling the night raising hell with the boys, getting high on a pure black void" sounds a lot more like what Johnnie gets up to than Buck. We are given a glimpse of his last words and final thoughts as life slips away and his consciousness is sent straight to the final edge of the cosmos.

---

So ultimately, this is what we're left with:

Vide Noir is an album that tells the story of Buck Vernon, whose fiancee has left him. His journey culminates in a near-brush with death, in finding Leigh, and in learning that she does not love him and that he's nothing, his life is worth nothing more than dust and that none of it mattered or will ever matter, that once he eventually dies he will vanish and be forgotten in time.

Vide Noir also tells the story of Johnnie Redmayne, who for once tries to do something that isn't just for his own hedonistic pleasure but that might actually help bring in money to support his friends and family, but he's too headstrong and impulsive to listen to the warnings he's given, and is killed in the attempt.

One lives who probably shouldn't have and comes out at rock bottom and now has to work out how to move on from here, and one dies a nihilist who should presumably just accept the inevitability of death, but has the knowledge and absolute stubborn determination to enable his eventual return, following in the footsteps of Cobb Avery.

And what happens to both of them afterward? Well, we don't know. Hopefully some day (SOON?? BEN PLEASE) we'll get the opportunity to find out!