#there isn't any character I necessarily dislike

[naamahdarling]

You should see it. It isn't worth the risk of not seeing it if it's something that you might even remotely enjoy. Especially based on what one person says, no matter how much you admire or trust them.

He can dislike it, but if the unicorn had been buddy-movie grateful, disney-movie emotional, it would have been a very different, very shallow, MUCH worse movie. Like just, really really bad.

She's not bitchy or catty or cruel, she literally does not understand humans or their drive or their big emotions. She doesn't feel love, she doesn't feel regret. She doesn't have ambition, she doesn't desire or benefit from change. She barely wants anything. She's complete by herself. She is content.

She can't be ungrateful unless you expect what is essentially a...a kind of immortal spirit, a place, a forest in the shape of a creature, to be in any way at all human. She can't be a deity, that's an extremely human concept, but she is not a normal living thing in any regard whatsoever.

The entire point of the movie is change, and truth. Front to back, it is change and truth, and the destruction of illusions, and surviving it, and the toll that takes, and the gifts it can bring. It's full of tremendous and intense, unthinkable, incomprehensible, destructive, renewing, life-altering change. And also truth, and the unraveling of illusions, which are everywhere in the narrative, and are almost always dangerous, or hiding something that is.

The unicorn unravels everything around her by being the catalyst for change, and it is incredibly destructive. Things come apart around her. It leads to good things, usually, but it breaks everything first.

She changes on the road, she learns to care about humans enough to help them, to save their lives, and that is very much an expression of gratitude.

She just doesn't care about the wizard questing for greatness. It is irrelevant. Glory is useless. And she's right.

She doesn't experience a fundamental alteration of her nature until she is forcibly changed against her will to survive, and it is not a positive change. It ruins her. It is a tremendous trauma that leaves her empty and broken, and eventually, partly and unnaturally human. She keeps losing what she was, and it is tragic and painful to watch. Why would she be grateful for that? She wishes she had died.

She finally develops something like love, but only after she has forgotten much of what she was. Then she desperately grasps onto it as something to replace what she lost.

Her encroaching humanity is killing what she was (her first response to being human was absolute visceral terror at having a mortal, and thus actively dying, body) a trauma response that allows her to survive, to hide. An illusion.

Love is an attempt to make peace with it all, and it is beautiful enough, but also empty. You are never meant to cheer for it. Only feel for them both. It's a sticking point for some people that the romance isn't done well. It isn't meant to feel right. They leaned on it a little hard in the movie, the book does it better, but it was a "kids' movie" (it isn't) so that was a little inevitable.

Change destroys everything, and it breaks everything.

At the end, when she changes back, who is it she appears to, to acknowledge what happened? And who is it she visits and touches and loves and says goodbye to? She is grateful.

The movie/book does exactly what it set out to do, and I have to say that I don't necessarily trust the judgment of people who dismiss it out of hand.

Yes, I saw it young, in the theater, so I imprinted, but it has been a radically different movie at different parts of my life. I've identified with every character in different phases of my life, so it has had the depth to stand up to easily over a hundred viewings by a half dozen versions of myself. I know people have their issues with the style of animation which, whatever, I think it's gorgeous and I also don't consider that a reason to dismiss an otherwise good movie or show (I really dislike the animation style of Gravity Falls, actually, it bores the crap out of me, but that isn't the point). But the story itself is not like anything else I've ever seen.

If you get it, you get it. If you don't, you don't. But wanting her to be grateful and kind is...really super duper extremely not the point, and would actually be antithetical to it and ruin the story as it is. And it's missing the ways she expresses those things. If that's what you take away, that she is somehow morally deficient, you literally did not understand it, or you haven't seen it, or you have a take so radically divergent from mine I am probably incapable of understanding it.

It is so, so good.

Following the author of The Last Unicorn on Facebook is the only thing that makes being on that site worthwhile.

(source)

[danganronpa96]

who is your most favorite and least favorite character in dr 69 and dr 96 and why? And when we will see deadly life for ch. 5?

I'm going to answer this one now for the time-sensitive question becoming completely null and void very soon. Chapter 5 Deadly life will be posted tomorrow! If you want time specifics, we aim to have it out around 9PM GMT (that went for the daily, and hopefully will go for the trial as well).

Now, for the first question. I'd say my favourite character in DR69 has to be Miku, but Teto comes a close second to the point both are basically on the same pedestal lol. Look I'm a big vocaloid head, and I'm still very not so normal for MM!Miku sometimes

My least favourite, which is probably obvious to some, is Peter. I don't like le Family Man, and while I can appreciate his character in the early seasons, there's not much else positive I can say about that fella (still it was fun writing some of his jokes in the fic)

For DR96, my favourite is Hayasaka. Why? Maybe this image will help you:

But apply this to almost 3 years because that pathetic silly rabbit soaking wet cat of a man hasn't left my head and I hate it (affectionate)

Least favourite, however? Now that's a little hard since I do like everyone in this cast. Still, I guess I'll have to go for Walter? As in, I like everyone a little more than I do him. He's still funne though. But also he's a fucked up bastard in BreBa and no he isn't a sigma he's literally just some guy (who built a meth empire)

[angorwhosebabyisthis]

tfw you keep trying to write up a concise Introduction of a Complex and Interesting Concept You Think About a Lot, getting distracted by an infodumping derail about The Breadth of the Subject, and running out of steam and having to start over ashdndmfb

[plumipal]

AAAAAOMG UR TWST OC IS SO ADORABLE?? i'm absolutely in love with eden sm (+ his design?? the star eyes and the wings are my favorite,, i wanna smooch all his tattoos!) and i hope it's okay to ask a few questions about him... (I KNOW U SAID IT WAS OKAY BUT I JUST WANTED TO MAKE SURE 😭 i'm genuinely interested in knowing more!)

1) does he have anyone in the twst cast that he tolerates/likes? i know he's part of the whole harem thing but is there anyone he doesn't necessarily mind being around (or even sharing with the prefect?)

2) do grim and eden have a good relationship? i would assume so since they're living both with one another but do they just get along with each other for the prefect's sake or are they actually best buds? (๑ > ᴗ < ๑)

(little dumb idea but i think it would be so cute if the prefect treated the two as if they were all like a little family! eden and prefect being the two parents and grim their rambunctious kid lmao,, i would imagine the others not being so happy about it (っ‘ω`c))

3) is he okay with physical affection/pda? is he totally chill about it or would he rather shy about the whole thing? is he open to having the prefect touch his wings or his tattoos?

4) oooo any funfacts that you have about the new ramshackle resident?? just in general really if that's okay with u ofc!! ☆

aa okay that's it!! i hope my questions weren't annoying or anything! (っ‘ω`c)

Had to get one of those wheels ive seen going around where you put the oc and how they feel about the character and how the characters feel back about them, but with a twist lol (most of them are haters).

The ones he are most tolerant with are grim, ace, deuce, jack and kalim. Only one he could possible share with would either be kalim, jack or deuce, because of how he sorta is annoyed by ace.

Of course cant forget how he feels about you :) he thinks you are very very very special and he loves you a lot <3

He likes grim a lot, seeing as grim isn't one of the students that is oh so annoying. He warms up to the monster, seeing how gently you take care of grim, wanting to do the same. It feels, domestic, in his opinion.

Grim likes Eden a lot too, he has never belittled him, he has always made sure to feed grim along with Eden being very warm (and therefore very nice to sleep on). In grims opinion, he thinks you should go with Eden, cuz he is a good candidate for marriage (grim has been bribed with love, affection, and tuna).

He takes good care of the cat son, making sure he is healthy and happy.

Now onto pda. Eden are only okay with you touching the wings, the tattoo and the core, being as they are quite sensitive. The scar is still off limits, but maybe if you make him warm up to you even more you might be able to-

He loves when you help him with his wings, it's one of the best feelings out there. Fo mind that only you (and grim) can touch the wings, anyone else is off limits, ESPECIALLY ROOK HE IS FORBIDDEN TO TOUCH THEM.

Eden facts!! He has lil "ear-holes" like birds, just behind the feathers. Be careful around that part when you help him with his feathers, otherwise you might have a pouty and angry Eden on tour hands.

His eyes also glow in the dark! It's the scariest during the nightly snack runs down to the kitchen, seeing him suddenly stare at you, but you slowly get used to it!

You don't know where the extra eyes sometimes come from tho...

Also some general facts about Eden!

Dorm: Ramshackle

Birthday: 1/1

Age: ???

Height: 185cm

Fav subject: alchemy

Hobby: cleaning in ramshackle, birdwatching

Likes: you

Dislikes: Loud noises, blond 3rd year hunters named rook hunt, people trying to grab onto his wings that aren't you

Fav food: he don't need to eat to gain sustenance, bur he likes mashed potatoes with gravy

Least fav food: soup, any soup, he hates it

Btw if anyone were to write for Eden I would explode it would mean the world to me

[ginnyluna]

I've been thinking about Reyna lately. Specifically, about her romantic interests. Like, how she was supposedly in love with Jason before the swap, but did nothing when he disappeared, and then developped a crush on Percy in like three days. I know i'm not the only one thinking it's a bit weird and out of character for her, and i had a thought on that.

Headcanon alert: Maybe becoming Praetor isn't just about leading the legion. Why are there always two praetors, a boy and a girl? What if New Rome expects their praetors to get together, after their service? You gotta understand, yes there are many citizens in New Rome, but the thing is, there are very few actual demigods, those people are almost all legacies, several generations after an actual demigod, and almost none of them have any real power anymore. Maybe New Rome needs to insure they keep having powerful warriors to fufill their leadership positions. What better way to insure that than artificially putting two of their most powerful warriors together?

It's not necessarily obvious, more like an unwritten rule, but when two praetors are chosen, they know it comes with expectations. Praetors are good at meeting expectations, after all. And New Rome's senators are there to remind them of those expectations. To make things easier, when picking their next two praetors, sometimes, the Senate chooses two teens who are already a couple, if both are powerful enough. Sometimes, they may pass over a potential praetor if they explicitly refuse to be a part of this kind of engagement, or if their parents want to protect them from that. And sometimes, the Senate picks two powerful orphans, one who spent his entire life following the rules and trying to meet expectations, and one who just lost her family and would do anything to belong to a new one - bonus points if one is an extremely rare son of Jupiter, they'll definitly want to insure that this specific genetic will be passed on to the next generation.

So. I don't think Reyna was ever in love with either Jason or Percy (at least, to me, it really didnt' feel like it when reading her pov chapters). I think maybe she was just expected to be, so of course she tried to be. Reyna has always been a rule-follower, after all, she always does what is expected of her, she understands the hierarchy's needs. And maybe she longs for a family of her own, too, and Jason is a really good guy, it would be a really good match, so if that's what the legion expects of her, why not go for it.

Edit: more under the cut

Also, it would kinda explain Reyna's reactions, i think? Even though she's not in love with Jason, she still likes him, they're friends, and they have both unexplicitly agreed to this match when they accepted the role of praetors. So when Venus tells her that Jason will never end up with her, Reyna just... doesn't get it? Why wouldn't they end up together, that's part of the deal, right? Why would Jason change his mind? Reyna probably already knows he's not in love with her like she's not in love with him, but that's never been a problem for her, and it wasn't gonna be a problem for him either when he took the praetor badge, so what changed? Does he actually dislikes her that much?

So yeah, she's a bit hurt by that. She thought they had an agreement (unspoken, prehaps, but still, for her it was quite clear).

But then Jason vanishes. No one really knows what to do, they don't even know what happened, did he leave? was he kidnapped? is he dead? Of course Reyna is worried, he was her friend, but she has an entire camp to run, all by herself now. She also thinks, that's what Venus meant after all, doesn't matter if he's dead or if he left willingly, he'll never be a part of her family, the family she's been longing for. Reyna probably thinks she's cursed to be alone now, the forever-alone single praetor, what a depressing thought. But then comes Percy.

Percy is powerful. He's another very rare demigod. He's brave, strong-willed, a natural leader - all important qualities for a potential praetor. So when he succeeds his quest, brings back the golden eagle and saves Camp Jupiter, of course he is chosen to replace Jason. Reyna thinks, is this her second chance? Percy is also handsome, funny and kind, he would be just as good match as Jason.

But when Percy agrees to become praetor, he has absolutly no idea what expectations comes with it - it's not like anyone ever takes time to explain, everybody just usually knows about it, it's tradition and what not. So when he tells Reyna he already has a girlfriend, of course she's disappointed, her hopes for family and a sense of belonging are shattered, again.

My point is, what Reyna had for Jason and Percy, it was never about love. It was mostly about rationalizing New Rome's expectations, and a little about wanting to belong, to be a part of a family of her own.

[writers-potion]

Don't Fear Criticism

Creating homosexual characters can feel like planting an active grenade in the middle of your story. You start to fear bad reception of your work - even before you start!

But really, there is no need to worry. The fact that you're concerned only proves that you care.

You probably won't get it the first time.

You probably will get some criticism.

Only remember that it's perfectly normal to make mistakes. After you punch out your draft, have beta readers who are part of the community and incorporate their feedback.

No Diversity Shopping

Yes, diversity is important, but it's no checklist where you need to list all possible sexual orientations and have at least one character for each.

First of all, it would be quite impossible.

Second, that is likely to make all of them underdeveloped and stereotypical.

Check if you really need the character in your plot.

If they turn out to be homosexual, let them run their own course and shape their path. If your story's theme is related to the character's sexuality, think about the message you want to convey.

Quality over quantity, always.

Go Beyond Sexuality

Your characters exist, and they happen to be homosexual, not the other way around. This doesn't mean that it won't be an important, or that you should downplay their sexuality.

Strike a balance by showing readers their hobbies, interests, likes and dislikes, relationships with their family and friends, etc. The more holistic they are, readers are going to be convinced that you have an actual character, not a scarecrow holding up the #diversity tag.

How do their sexuality play into their broader narrative?

Develop a Backstory

Every homosexual character must have thought about their orientation and identity, with a process of how they came to recognize their sexuality.

Whether you're character is a confused teenage girl, or a middle-aged gentleman with a stable relationship, think about what brought them here.

Backstories don't have to be tragic. They can have supportive parents and find escapism in online communities who accept them for who they are.

There isn't just one "gay life". Get creative.

Normalization is Important

Sometimes, your story world will not accept homosexual people as normal. That's okay!

However, there is a difference between other character treating them unfairly and you as an author normalizing homophobia in your narrative.

Word choice and tone would play a key role.

When a likeable character is homophobic, avoid normalizing it by making it a flaw. Show that your conservative medieval village is narrow-minded when they treat them as outcasts.

Homophobes may not necessarily be the evil guys.

It's enough to state (clearly) that it's wrong.

Make Use of Tropes

Stereotypes aren't just an issue with gay characters, but when used successfully, have created wonderful retellings and spinoffs that are refreshing.

You can purposefully overplay stereotypes to show how silly they are. Deconstructing stereotypes can add humor to your narrative.

You can also use them to explore the expectations that readers have for those kinds of characters. The Gay Best Friend might be a trope, but you can get them to go deeper than the typical sidekick to realize their true potential as a cast member.

Religion and Homosexuality

In the real world, religion and homosexuality are often presented on far opposites of politics, and that makes me sad. Homosexual characters are free to be religious, find peace, support and mindfulness through any religion of their choice.

Vise versa, deeply religious characters can have wonderful relationships with homosexual characters.

It all comes down to how your characters interpret religion and homosexuality in light of those religious values. Though I'm an atheist, I believe all religions have the ability to embrace diversity at their core.

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[battlekidx2]

Alastor Theory

Okay, I'm gonna throw my hat into the ring when it come to who has Alastor on a leash and I'm not gonna say Lilith.

I think Eve might also be an option for being the one that owns Alastor's soul.

I think the Lilith connection is a bit too obvious and Lilith hates being forced into subservience canonically within the show, so it would be weird if she chained another soul to do her bidding. And Eve is easily the character that would have the most issues with the Morningstar family, heaven, and hell. She was made out of Adam's rib and given the apple by Lilith and Lucifer. She's been a pawn in other people's plans since the beginning. She's the one blamed for original sin and it's clear she's not in heaven. She was the scapegoat while Adam got off relatively Scott free.

She has so many reasons to want to get back at everyone and what better way to gradually gain a foothold without drawing attention to herself than enlisting the services of a sinner in hell?

It’s said that Alastor immediately started taking out overlords that had been dominant for centuries the moment he stepped foot in hell. There has to be a reason for that. It feels too calculated to be a coincidence.

Plus Lilith’s disappearance coinciding with the Alastor's isn’t necessarily a factor against this theory because it can be explained as Eve essentially throwing Alastor into a battle with Lilith where Alastor was injured and had to take time to recover.

His reaction when Zestial said people thought he had been struck down by holy arms was a bit telling to me. The way he took that moment to look away and collect himself to brush it off read as Zestial hitting too close to the mark.

He's super touchy about why he was gone for 7 years and we've seen that Alastor's berserk button is his pride and he dislikes his strength being questioned. He absolutely would not want to admit he was gone because he was recovering.

That comment seemed too pointed by the writers to be completely written off.

Maybe in this battle Eve got Lilith's soul. If she doesn’t why would Lilith be gone from Charlie’s life for seven years? Why wouldn't she return around the same time as Alastor? She seemed to really care about Charlie. Charlie still tries to call her and she doesn’t seem to hold any resentment toward Lilith, so I think there would have to be a reason beyond nebulous plans that's keeping her away.

Alastor also clearly does not have a good relationship to whoever has his soul, so I kind of imagine if it was Lilith he would be a bit more hostile towards Charlie or it would show a bit more in the moments where he was alone or when Charlie isn't looking. (Alastor is the only character this show is truly subtle with)

I just wanted to put my opinion out there because I've seen so many Lilith owns Alastor's soul theories out there and I wanted to offer a different angle.

[mari-lair]

Let's talk about Akane's overprotection of Aoi and the dangers of not properly setting up a narrative tone.

We are told that Akane stalks Aoi because guys have been trying to force her into a relationship for years, so he protects her by beating up anyone who approaches. Nene and Kou are understandably horrified by this.

But in the very next page, Aidairo hit us with this tone switch:

What Akane is saying is contradictory to the violent and possessive narrative that was shown during his introduction, to this yandere role he played the entire chapter, but the manga is trying to convey that we should take him seriously here. Even the lighting and composition are the ones used when characters are vulnerable and Aidairo wants to show that what they feel is real.

It's strange...

Being possessive is never framed as something that leaves other characters in awe, just compare Akane's melancholic and peaceful gaze to the creepy tone used when Kou and Hanako have their "you are possessive" moment.

Both Kou and Hanako hate that part of themselves, Kou even rejects it, but it's still clear the rejection doesn't make him any less possessive. Both want to be dependable, they want to be the only choice, no one else is acceptable. It's a selfish feeling. Being 'the most important person' is more important than the joy of the person they want to help (Kou's wish is Mitsuba needing him, instead of Mitsuba happy as a human. Hanako wants to be the one to save Nene, the idea of Nene being saved by someone else does not satisfy him even if it would make her happy and safe)

So this isn't a "Akane is lying to himself" or a "he is delusional" case.

The narrative, which had presented Akane as a yandere, wants us to believe that "I will protect Ao-chan... Even if she never looks my way" is not only what Akane believes to be true, but also something admirable. A sentiment Nene craves directed her way, claiming to be 'a little jealous' of Aoi, despite calling Akane scary a single page ago.

Let's rewind to see how we got here.

Akane and Aoi's stories suffer from being mostly given to us in gags for a good chunk of the manga, as they are not very relevant in the early arcs, but the crumbs come together after their confrontation in chapter 69.

Why is Akane stalking Aoi? Because he worries about her. Not about someone stealing her necessarily, but about her being hurt or forced into situations she is uncomfortable with.

They are very codependent. They have been for years.

We can see Akane being shocked at the sight of people bullying Aoi since they were kids, it isn't just 'boys who want to date her' that makes her uncomfortable. Jealous girls do too.

Even when Aoi is left alone, using clothes completely out of her cutesy style to attract less attention, and just living her life, she is still harassed.

Aoi's life is a nightmare, it straight up sucks. She hates that, and when Akane notices this discomfort, he hates that too.

He is far more protective than possessive, he doesn't care when people are touchy with Aoi as long as she welcomes the touch: Take Nene as an example.

Akane never touches Aoi at the start of the manga but Nene does, a lot. He never think "Nene is touching my Ao-chan! Unforguivable". "Maybe Ao-chan likes Nene more than me is not far!" or anything of sorts

Even when Aidairo uses the same over-the-top/creepy gag humor I personally find excessive, and Aoi straight up flirts with Nene, Akane's only thoughts about it are the usual "I love her so much"

When he does show dislike for Nene it's never because she is of value to Aoi. It's because of how dismissive Nene can be, not taking Aoi's safety seriously and easily excusing Hanako's actions.

We only see him be aggressive with Nene when Hanako possesses her and makes Aoi uncomfortable.

The problem here is the framing, the comedy focus. It's hard to take it seriously.

Everything about Akane's intro chapter is hard to take seriously. We are told he is "Hard working. Reliable. What a nice and sweet person."

But we aren't shown these honorable qualities much, not explicitly at least. The big panels, the main focus, is on his gag.

And his main joke is that he loves excessively, even for this school standard where everyone is weird (like Nene writing a self-ship fanfic with Teru) so he needs to be over the top, his behavior has to stand out!

How do they try to achieve this? Yandere jokes.

It is overplayed, they spend pages on it. WHOLE PAGES on it.

It is an old narrative trick to present a twist character as a comic relief to lower suspicion, to keep the more important characterization for after a reveal when they are oficially important, but framing all his actions as comedic and devoid of dept to make his reveal as No.1 more unexpected leaves him in a strange position: Akane is intended to be written as a protector but framed as a joke, to the point his introduction become the satire of a protector.

When he is revealed as the clock keeper and allowed to be given more focus, Aidairo try to explain his behavior and show signs of him being a genuinely caring and kind person, as the first part of his intro had promised.

But it's to late.

His crazy actions and anger issues is in most people's minds, a few lines can't erase pages and pages of his introduction as a yandere like archetype, so it's easy for first impression bias to come into play and interpret all his actions as a simple "He is obsessive." instead of trying to find dept or nuance to the established dependence he has on Aoi.

When we are shown that above wanting to date her, he just wants her to be safe and happy, it does not become clear. The reader needs to pay a lot of attention to small moments like these:

Which a casual reader likely won't. Most are reading for the toilet trio at this point in the manga.

This fumble on his character introduction makes it hard to know what should and shouldn't be taken seriously. Aidairo discarded the yandere narrative relatively quick (we haven't seen Akane's bat in ages) but this gag about being happy as long as Aoi is happy turned out to be important:

It was used to further contrast Aoi's and Akane's mentality on their big arc, and highlight how much nearly losing Aoi affected him.

So the only way we can tell what joke to take seriously cause it will be used to build up his character and what isn't important is hindsight.

I did not care about Aoi and Akane's relationship when I first read the manga, i went 'oh cool!' on their conflict, cause that was very well done, but since their characters were not well introduced, I did not notice a lot of the ideas being shown to me.

Akane is a sweet boy. That's his core, his consistency. Even with Aoi, being kind is the priority over being with her.

Let's compare him with Hanako, who is an openly possessive character, and see how they approach their love interests when they don't know if their love interest likes them back yet, and they aren't reduced to a gag (so we'll dismiss Akane being 'a yandere with a bat', and Hanako's joke of him being a tactless pervert, like peaking under Nene's skirt when her time was frozen)

(so pre-chapter 86 to Hanako and pre-chap 69 to Akane)

Hanako traps Nene, he will cling to her anytime he can, he cares about Nene and loves her dearly, he even says he "loves everything about her" but he is greedy for her attention, he is selfish, always trying to make her focus on him out of everyone in the room and keeping her in his hold, out of others reach. His unsubtle possessive nature is a charm of his, makes for an interesting character.

Akane has a different vibe to it. He doesn't have many serious moments with Aoi before their spotlight arc, unfortunately, but when he does, he focuses on reassuring her (even when her time is frozen and she can't hear him) and avoids touching her at best he can. He has known her for more than 10 years, but he doesn't act as if she belongs to him.

I am not saying Akane is not possessive of her, he is. But he tends to be more worried about her than anything.

Using hanako as the trademark of possessiveness again, check out these two scenes:

At the start of the manga Kou likes Nene, and Akane is under the impression Teru like Aoi, so both scenes follow the basic premise of "A know B has a crush on their crush, and they get possessive over a possible romantic rival being too close."

Hanako doesn't say anything, but his message is clear "She is mine."

Akane explicitly says he doesn't like Teru near Aoi but he doesn't try to remove Aoi from Teru or try to do anything violent. Why would he? Aoi is in no danger, nor is she uncomfortable, so he changes focus to the person who is troubled, awkwardly reassuring Teru that his distress is, in his personal opinion, stupid, so "chill bro".

He wasn't like that with Teru before.

He was so determined to stop the wedding he even rejected hanging out with Aoi, crying tears of blood and asking for her forgiveness in his mind but prioritizing not making her get together with Teru above her joy.

Is that because of his development? Yes! A big part is. Notice the way he treats his mental image as reality? That was his biggest flaw, he imposed his views on Aoi (the view being "everyone is stupid in love with Teru" in this case), and assumed what he believes is a universal truth, doing exactly what Aoi accused him of: Not seeing her, just an idea of her.

But the reason he went so crazy and determined, it's because Akane saw Teru as someone dangerous. Someone who would use Aoi. Hurt her. He believes he is protecting Aoi from the big bad president. A view that makes sense when we take into consideration both Aoi's history of being forced into relationships, and when we go back to their interaction.

Look at this and tell me this isn't a threat:

Teru acts as if he barely remembers her name, she is just 'that cute girl', mostly a tool for him to use against Akane.

When his view of Teru changes to someone kinder who genuinely cares about Aoi as a person, he no longer enters protective mode.

He is still bothered about the idea of Aoi being with someone else, he does noooot look pleased even with his fairy tale vision of a happy couple, but the way he treats this possible 'rivalry of love' when he does believe Teru loves her is so different from his "Don't get close to her!! I will NOT allow it!!" approach.

There is no insecure overthinking. No aggression. He is playful about it. He even teases Teru.

He just wants to focus on rescuing Aoi. A 'rivalry' isn't important. He needs her to be safe.

These two parts of Akane have been juggling for a long while.

But now, character focus is the priority, and I am thankful the damage is being undone, that Aidairo let Akane's love take up whole pages instead of small panels buried under pages of jokes.

Their codependence, no matter how many issues it has, and how it can sabotage them, is based on so much care for each other.

It's a shame I only believe Akane was sincere when he said he'll always be there to protect Aoi regardless if he 'gets to be with her', because of what we see later in the manga, not because of what had been set up in his intro.

[danwhobrowses]

I'm not sure how much good this vent will do, I'm not even sure I want to post this vent after my last one, but I'm writing it just so it's out of my head and into words because it seems once again fandom has chosen to send vitriol Ashton Greymoore's way.

What for? They talked to a 'specter' of the primordial titan within them, through their connection to the earth, the natural flow of creation and destruction. They ask what will happen to the world, it responds that it'll endure, they ask what of the people, it responds that the strong will survive and the weak will be remade into something stronger, to which Ashton replies they think they understand. To fandom this means that Ashton is becoming a fascist, that they have a 'Make Exandria Great Again' attitude for wanting the Primordials back, that they need to be beaten up or 'get what's coming to them' in order to change their mind, and I can only sit here and stew and wonder if this hate is really well-founded? Ashton is among my favourite characters in C3, I get frustrated by them at times too but if I think about it a big percentage of my frustrations is more towards people disliking them than me disliking things they do, or Matt setting up scenarios that doesn't do them any favours towards the fandom that hates them. Some of these are knee-jerk reactions of course, but for others it does feel like they have it out for Ashton, and I don't wanna engage with that, which makes it quite lonely when most of the fandom hones in on it.

For the most part I can understand how the whole 'the weak will be remade' bit can be taken badly; it's definitely iffy, but every other plan we have is also very iffy. The Release Predathos option literally involves unleashing an entity that wants to genocide the gods, the Maintain Status Quo option ('option' the status quo imo is impossible, in my mind the Gods can stay but the dynamic will still have to change) maintains a relationship where the gods pick and choose who they feel deserves help, using their power to covet more power, strongarm and demand loyalty, and overall choose fellow gods over mortals when the chips are down and not owning up to it. We should also remember that entities can speak in riddles, 'remade into something stronger' doesn't necessarily mean death; it could mean to adapt and grow, to become strong enough to bear and overcome it as many of the PCs of Critical Role have done with their hardships and trauma. It's worth reminding that the sad truth is that people will die whatever outcome happens - the aim is always to lessen the amount but if the Gods leave it's a power vacuum, if we linger too long it's a Calamity, and if the Gods stay it's a holy war on a more wild and less organized scale - and that Ashton isn't saying they approve of such death, merely that they think they understand. The commune doesn't tell Ashton which way to go; it only tells them that the world will endure, there will be change and it will change people, trees will still grow, the wind will still blow, the waves will still flow along the coasts of the sea, and people will survive. I know the interpretation can differ from people thanks to Matt's patented vague or riddle-mounted choices in phrase, but I also think if it was the Wildmother who told Orym or some other follower that 'nature is a cycle, everything must adapt to change or else it'll die - this world will change, but it will also survive' nobody would be calling Orym a fascist, people would accept it because the Wildmother's domain is nature, and nature is not always kind.

While we're mentioning Orym - and because this is gonna come off as critical I must preface that I like and enjoy All of the Hells, that's not changed - I also gotta call it out here because it does very much feel like the people who hate Ashton hate them for the reasons they love Orym. Both are stubborn, they're diligent in their personal code, they care deeply for their friends and would give their whole being just to keep them safe, they believe in the Hells' power and greatness more than each member does and more than they believe in their own, but Ashton gets the hate mainly because these fans agree more with Orym on the god stuff. What confuses me though is how these same haters can despise Ashton for being consistent but love Braius, the literal Devil Worshipper who secretly is on board with the Chase Away plan only so he can help the Devil rule the world, the compulsive liar. Where's Braius' scrutiny? A world under Asmodeus will be a far worse 'survival of the fittest' scenario, why does Braius get a pass in all this stuff huh? Because he's funny? Seems people ignore the whole morality talk when they're discussing Braius' dedication to Exandrian Satan.

I find it irksome too that even the group seem to criticize Ashton reaching out to Primordials too - as if that wasn't what we wanted them and Fearne to do anyway. They don't dislike the gods simply because they're a 'great entity', it's because they're a great entity that holds power and doesn't use it equally or fairly; they pick and choose who to help, a lot of the time in Ashton's experience for their own self-service, but they won't prioritize mortals over another god no matter who cruel or heinous the god is being, and the following of these gods are so intertwined with politics that most religious motivation also ends up being political. Ashton has no connection to the gods, they reached out and got nothing, an Angel looked at them and made them feel like nothing, but they do have a connection to the Primordials; from the Earth Golem to the Titan Empress they're literally a vessel of, they experienced something significant in their connection to the Earth, so I don't like how that they're almost mocked for having it. In addition, Ashton's behaviour during this commune differs because of that connection, but also because the titans are a natural flow; they don't demand or test or politic or prejudice, and despite being a Great Entity in its own right it never made sure Ashton felt small for their own satisfaction, they asked a question and got an answer, it's the same reason Ashton has disdain for most political leaders but likes and respects Keyleth, Allura, Kima, Pike, and (eventually) Percy despite also being people in power. To call on Orym and the Wildmother as an example again; Orym's an Air Ashari, the Ashari are guardians of the Elemental Planes - made from the Primordials - not tied to a god, but nobody criticizes his connection to the Wildmother despite both not being a follower and his culture being more tethered to Primordials and their descendants. I'm not saying it's all correct for Ashton to want things to go back to how Primordials ruled, but we must remind ourselves also that we only know a story written by victors when it comes to the Schism - a story which could very easily have been altered and edited to make it feel more justified for the Primes and mortals to actively genocide all the Primordials, the native species and creators of this world, and desecrate their remains to make weapons, soul anchors, and cities - the specter didn't say 'fuck em, all mortals should die' after all, if they believe mortals would survive then they must be at the least tolerant of mortal existence. Why is it okay for god followers to say they wanna keep the world with the gods they have a connection to (and I'm not saying they aren't) but Ashton is out of line for wanting to have a world which has something active that they also have a connection to? It seems rather unfair to allow one side to have and the other to have not, picking and choosing because our audience's bias has spent more time with the gods, Ashton wanting something they can connect to doesn't feel all wrong either, the Eidolons still exist with faint worship hiding away so they're not smited by the gods, why can't faith exist so they're not in hiding? I sincerely doubt the Punk Rock that is Ashton is asking for the Primordials to fill the Gods' roles the same way the Gods have been running things either, they want to break the throne remember? There needs to be a balance in ideals and practice of course, and in an ideal world there could even be a more fluid and all-inclusive Exandria where gods and Eidolons live harmoniously with mortals without hierarchy and class systems, I think Ashton could happily live with something like that, they did say the world needs 'a little chaos' to call back to Matt hinting that the current world doesn't have enough.

Which leads us to those wishing violence upon Ashton - and I really don't like that. People who say 'hitting them over the head is the only language they understand' seem to misinterpret Ashton as if everyone around them have been on their hands and knees begging Ashton to reconsider and them ignoring valid points and pulling a Leroy Jenkins. In reality, nobody is actually talking to Ashton about it, a lot of the frustration with Bells Hells right now is that they aren't talking to each other, even about the end goal! Ashton has valid reasons for their thinking, so being violent isn't gonna change their mind; undermining, dehumanizing and trying to effectively bully anyone let alone someone with chronic pain and low self worth will never truly convince them to your way of thinking. All people understand the language of violence, but that language is not used justly, those who truly wish violence upon Ashton don't want it in hopes it'll force Ashton to change their mind, they want it for their own satisfaction of seeing them in pain; so they can further push them away from the rest of the group and go 'that guy's not one of us', make it so the people Ashton calls family after a lifetime of loneliness, confusion and abandonment - the people they promised they won't abandon, and have kept true on that promise even at their lowest - make them feel small and worthless, and force them into box where they can't be themselves, and I hate that people would want to treat them that way. Ashton IS capable of listening; they've stepped back and trusted the other Hells to do their own thing even when it's ridiculous like staging a play where they pretend to be Ludinus to trick Unseelie emissaries into thinking that he attacked them, they listened to the gods even when they didn't have to like they promised they would and despite it being very personal they held themselves back for the benefit of the group, and if the group talked to them calmly where they were all allowed to healthily discuss the pros and cons, the ideals and compromises, and the risk and reward of all plans that have been proposed then they would listen, and they would try - you don't need to slice bread with a broadsword.

Will Ashton 'get what's coming to them'? Maybe, but what is that exactly? We only assume to know the full vision of what Ashton wants to act on. All of Bells Hells are gonna face the consequences of the choice they make on Ruidus - when they finally make one that is - in and out of the world they live in, so won't that apply to everyone? So what for Ashton? do people want Fractures 2.0? Does everything Ashton wants in life have to blow up violently in their face? Family, Closure, their best friend's safety, why does 'what's coming to them' have to be something aggressive and harmful? People change through positive reinforcement and good experiences too! Caduceus Clay would remind you that it's love that makes people. Don't mistake this rant as me wanting Ashton to be exactly as they are now, I too want to see growth from Ashton and we ARE seeing it happen; I see it in small instances where they think twice about rash actions and try not to fly off the handle, when they sit just to listen or understand or to defuse tension, and that when they're going somewhere or doing something they let the group know in advance, those who think Ashton hasn't changed since ep. 1 aren't paying close attention, but that doesn't mean that they don't still have more ground to cover. I believe that Ashton grows the most through kindness; when they're treated like a person and not a blunt instrument or a nuisance, and I hope what's 'coming' for Ashton isn't rejection, bitterness, and isolation, but acceptance, empathy, and for someone - if you know me you'd know who I'd want it to be - to convince them that they are worthy of living, that they're special not because of their powers or blood or because they have died and been put back together again (honestly, it does irk me a little that both Keyleth and Imogen chose that for titles and to brag to the Matron, I know it isn't intended this way but sometimes it feels like saying 'your best defining quality is that you've died a lot') but because while they have every reason to hate everything they still chose to be kind to those who deserve kindness, they have a good heart and they mean well. Are they perfect? No! They're in their 20s very few people irl have their lives together at even twice that age, but I want them to have good things in their life; things that help them feel happy and safe and like they can still feel comfortable in their own skin without having to appear more 'palatable' for people who've already decided that they don't like them. I want them to know that they've always deserved to live and they still deserve it now, I want that not just for Ashton but for all the Hells, and hopefully they'll all live to have it.

And most of all I want the people who hate them to be wrong about Ashton Greymoore, and I want Taliesin to prove them wrong.

[jarimaa]

hey, i was just wondering what are your thoughts on the final chapter of jjk…

The End

This is gonna be a little detailed. I am gonna first give a short answer and what I liked and disliked, then a little more detailed one. This is about ending as a whole.

I remember I did quite some research during my college time on post modernism and existentialism because i had to write an essay (it isn't about that) but I will be referring to what I researched here and there, when put forth my points.

Short answer- I am content with the ending. I am also surprised since this is the first time gege wrote a full manga for the first time, but he still managed to give an ending better than most. And any gripe that still remains, I will not hold it against the author cause the story and characters aren't real, Gege is.

Yuji, Sukuna, and Gojo's character have some of the best conclusions within the story (unpopular opinion probably 😮‍💨). The way they were written and the consistency with regards to their characterization was amazing.

As for what I am conflicted about, well, it's Megumi's character. I don't know how to say it, I liked it his conclusion, but I wish there was more introspection to how he reached there. But alternatively, I talked with a moot of mine, and they think the lack of introspection from Megumi is quite in-character. He decided to live for others once again (i.e., he didn't address his problems at all) and he is finding peace and comfort in the cage he is stuck at, it's such simple decision from his part, cause he is very clueless about his own psychology, and this is the beauty of it, that we as readers know what caused him to make that decision-according to my moot. I highlighted this one, cause this interpretation stood out the most. I also talked with other people, who seem to hold dislike for the lack of introspection from Megumi's end. While I am still conflicted, maybe I will address in some other posts or not at all, idk, but right now, I haven't formed my opinion on it. But I am satisfied, to say the least, conclusion itself isn't bad for me.

Detail:-

I like that it's more about evolving and coexistence rather than breaking the cycle or one conclusive solution. Regardless of Sukuna's or Yuji's existence, the curses will always continue to exist. It's humans' negative emotions that create curses in the first place. If the negative emotions of humans can't cease to exist, then curses won't either. Jujutsu Kaisen in a way rejects the idea that life can just have a start, middle, and end, or that one single truth/solution can provide closure. Maybe things can get worse in the future, maybe things can get better, that's up to you to decide, in that particular sense, it's open-ended.

You may ask what was even the point then? Well, let me offer a perspective, although it's just my interpretation, you don't have to agree to it...

When characters within a story accept a belief, perspective, or solution as the only truth, it can lead to their failure, especially if that belief oversimplifies a complex reality. But, one character who comes to understand the complexity can find a way to coexist with the chaos or ambiguity, though not necessarily "fixing" things.

In narratives such as these, the answer isn’t just a rejection of truth but a recognition of multiplicity, the presence of multiple perspectives, interpretations, or meanings within a single work or the idea that one truth or solution cannot account for the full stretch of experience. The character who realises the absence of a single "fix" often ends up navigating the challenges in a more nuanced way. They may not succeed in traditional terms, but they endure by accepting life’s complexity.

Many characters within JJK try to find some single "fix" to the system or the problem of curses and cursed energy and each of them had very flawed solution which we see failing--Yuki/Kenjaku/Geto were all extremists in that sense, one of my friend mentioned this in twt, Yuki wanted to completely break away from CE but also she didn't have any concrete plan, and Kenjaku who wanted to optimise it, but never really knew what merger could do, himself. Even Geto knew that killing all non-sorcorers is not possible.

Sukuna/Gojo-- both their ideals were extremely flawed. Many people have written amazing analysis on this, so i won't go in detail. But we see in the story how strength was the reason for both their solitude and which led them to path of their own death. But Sukuna perfected what Gojo didn't, sukuna completely threw away his humanity and was content living as a curse. A hollow human, who only ever cares about strength, he deemed love worthless, like Gojo deemed love to be the most twisted curse. However, gojo still wanted connections at the end of the day, and this kept him a little more humane than sukuna, who became a monster who clung to life wanting to stay at the pinnacle.

I liked that in the end Gojo realised that Yuji and other should follow their own path rather than just following his goals (although he would've like that) and I am glad they didn't follow his footsteps.

This conversation between sukuna and mahito just added so much to their characters.

Sukuna is the man who perfected his ego. He discarded his humanity till his last breath. Sukuna says he was an unwanted child (maybe cause he ate his twin in his mothers womb, someone on twt pointed out that this is similar to biological condition called "fetus in fetu") and he internalised this all and lived his whole life as a curse, only ever caring about his pleasures and displeasure and being the pinnacle. But even a perfected ego gets humbled in death, and the same happened with him. He acknowledges that he could have taken a different route, and if there is a next time, it would be nice to walk on a different path. Beautiful, honestly.

Now, Mahito is the literal manifestation of humans' hatred for others. He is a true curse, and he wasn't able to reconcile with his humanity after death because, unlike sukuna, he has none, he is not human. He is the manifestation of the same cycle of human hatred, he didn't change, he is the only one left sulking like a child. As I mentioned before, if the negative emotions of humans can't cease to exist, then curses like mahito won't either.

You could then say - well, then nothing changed?

I mean, is it really nothing? Tengen is no more, and this is the curse user Yuji, Megumi, and Nobara caught, and what happened to him?

Earlier, he probably would have been executed, but now Yuji offered him a chance to change.

Yuji turns out to be the person who learns to coexist. He is, for me, the best written character within the story with the best conclusion.

Now, let's just say that doesn't mean anything, nothing changed at all, there was no point...

However, the idea that "nothing changed" often misses the deeper layers of such narratives, which are less about external change and more about internal realizations, the acceptance of ambiguity and even the rejection of simplistic resolutions.

The "point" is not necessarily achieving change or a clear resolution, but rather witnessing the struggle itself. How characters navigate or accept a chaotic/indifferent universe.

There are two examples I can think of, first one being, Camus' "The Myth of Sisyphus", Sisyphus endlessly pushes a boulder up a hill, only for it to roll back down, its completely futile, yet the "point" is his perseverance. The second one is "Waiting for Godot" by Beckett, nothing really appears to happen in the story, and characters seem stuck in a cycle of waiting for this supposed person calles Gadot. However, the "point" is in the waiting itself. It's a reflection on the human condition, the search for meaning, and how we deal with uncertainty and the passage of time.

Thus, the point of such narratives is not in "what changed" but how we live with things not changing, how we adapt, or re-contextualise meaning of things when the world resists easy solutions or "fix its". It's reflectimg on the messiness of real life, where change is often slow, subtle, or non-existent, and simple answers are rarely seen.

So it's up to you to decide what you wanna make of this ending. Personally, I am very, very content.

(Again, this is my interpretation, I could be completely off charts, and I don't mind, maybe I will change my mind after thinking about it again, or maybe not, but one thing remains, that I throughly enjoyed all 4 years I was reading this manga. Peace✌️)

[nilboxes]

I didn't know who to say this too but i was about to explode thinking about this and you are one of the few people in hsr fandom that i trust to understand ratio so my apologies to be dumping this on you all of a sudden but... I think Ratio's technique is so interesting in a way and speaks more about him than people give it credit for. Like...creating a fake version of himself that aggros the enemy is already very meta of how hsr fandom tends to see him, esp with the number of people that started hating him after that "betrayal" scene in 2.1 xD And it makes me wonder about his voiceline where he says something like "im fine with showing my true self if it helps me teach students/cures patients but i find that doing so is counterproductive most of the time"...wdym "true self" sir...and why are your character details completely devoid of any details from your own pov...and why do you get so evasive when anyone tries to ask about your past (going by that one interview when someone asked him what he was like as a child and he's just like "what a silly question, i was a normal boy")...it seems to me the princess is hiding something...

Thank you for your ask OP! It's really interesting to think about your question, and I'm humbled by your trust! I hope whatever I cook can satisfy you in some way. It's going to be a bit long!!

Let's start by saying I do operate under the belief that we know a lot about Dr Ratio and at the same time we only know what he wants us to know, which I find incredibly interesting to his character.

It can go many different ways. A lot of people use this mysteriousness to hint at the following:

1. something sinister (I am not necessarily saying you are doing this)

2. suggesting that he is more than who he is, like he may be more than who he presents to be (may or may not be evil in alignment but just more)

3. he really just thinks divulging further personal information about him is pointless and he values his privacy as an individual rather than a prominent figure

Let me now unpack the most wrongest [sic] take, number 1, which I find to be antithetical to his character, because Dr Ratio has always been aligned with doing good. He isn't your typical good person, but he is morally pushing for good (eradication of ignorance, people finding and reaching their potential etc), and he rather he reminds me of a very stern but nonetheless kind educator who genuinely demands good be brought into the world through one's aptitude and ability (just like himself) and not relying on others to solve problems for you

Number 2 is a little tricky, since we cannot really confirm nor deny that Ratio is no longer truly following Nous after he realizes he will never be acknowledged, he may be aligned to another Aeon or none entirely! I personally dislike the Mythus/Fictionologist take, because again it is antithetical to who he is as a character. Fictionologists will rewrite history and twists facts in order to create the possibility of uncovering more, but this is akin to something called accelerationism, which is in plain words to incite chaos (bad) in the slim chances that from the chaos a great good might emerge/ be produced/discovered etc, a practice and ideology I feel Dr Ratio as he is characterized now would be extremely against. Now I do subscribe to the fact that Dr Ratio may not be following an Aeon at all or we aren't privy to who they are yet, but this is a possibility that there is a facet to Dr Ratio we have not seen yet and will down the line so...

Number 3 is where I am at now, I really, genuinely think Dr Ratio just thinks of himself as some guy who was gifted with the equivalent of 8 genius brains but it isn't anything exceptional. From how he acts, he feels like some guy who had a rather normal childhood (if not really lonely, which I talk about in my twitter thread here) and grew up to be exceptional except in all the ways he wanted/was taught to want/thought he might want.

So I operate on several headcanons about Ratio just genuinely being so smart in a planet that is presumably the remnants of the civilization in the Laurel Wreath Galaxy where a Philosopher King/Philosopher Union was mentioned. This headcanon is heavily colored by this excellent theory a fellow fan made and I have to admit I can scarcely distinguish between mine and theirs while I turn him around in my brain so do give them/their thread a read too when you can, but I do also subscribe to how Ratio must have been exceptional in a civilization that prizes scholarship and enlightenment.

Knowing this, I presume he grew up with a lot of expectations placed upon him, particularly that of gaining the gaze or glance of Nous and ascending as a genius society member or more! That is a lot to place on an individual, especially someone like Ratio who is very much hinted to have grown up very fast due to his vast knowledge and while it's a stretch to say he was forced into growing up fast, because he def wasn't, he was nevertheless seemingly not really given much opportunities to be a child, as the push for him to start university very early could suggest that his aptitude and potential were so valued that it overridden any other needs he may have. If we wanted to ask about his childhood, he would have very dull things to say too, so to speak. I imagine it wasn't eventful at all, but filled with just studies.

Where am I going with this about his statues? They are called Mold of Idolatry! Idolatry meaning the extreme adoration or love of someone. That Dr Ratio makes the statues of himself never seems like the narcissistic sort, that would imply he holds himself in an extremely high regard to the detriment of others, but Dr Ratio isn't narcissistic, he would be a vastly different character if he was. The key to narcissism is that there is a great need, to the point of detriment, for admiration.

Now, look over to how Dr Ratio presents himself to us in his 1.6 quests. He wears his plaster head as not to be recognized by others, to remain incognito if you will, and is content to sit at the sidelines nudging things along in the background rather than swoop in and take the credit as the hero when Duke Inferno was trying to wreak havoc on the Space Station. His heroic deeds are never realized by the people he saved from being spaced, that is not an action of a narcissistic man who would gloat about saving other people. No, he sees his job is done and he walks away without fanfare, without even so much as seeking a thank you from the people he saved. That's one of the clearest and most well-thought of character introductions/demonstrations in the game and a solid proof that he isn't a narcissist (again self-centeredness is different!)

With that in mind, what does the statue imply?

Dr Ratio operates by redirecting attention not to himself so he can freely move in the background. That it looks like him in funny poses speaks to a silliness I feel he never really gets a chance to let loose too often, so his "art" is his outlet. That it directs enemies to attack that instead of him, I can't help but feel like there's a sense of "look at this 'image of me' others have built up, pour your love/expectations/wants/aspirations (and the extreme opposite of that maybe?) to that likeness of me instead, and let me be free from that to be who I could be without all of that baggage"

tl;dr -- it's not that deep but it is?? I feel like Ratio just wants to be left alone to do his thing and that's what the Mold of Idolatry represents.

I hope that satisfies you, anon! Thank you for your question, since I do have more insights to Dr Ratio now. I think I'll also find a way to condense this into a Twitter thread sometime.

[cannellee]

TOKYO REVENGERS OMEGAVERSE ★

୨୧ alpha! kokonoi x omega!gacha game addict

— his reaction to his omega being a huge fan of gacha games.

my masterlist : ☆

I lost the initial ask which didn't let me edit my draft, I had to erase it to start it over. luckily I didn't write that much so it wasn't a big loss!

btw sorry for the extremely looong pause😭 I just was too lazy to pick up any of my work and with holidays + christmas I was even more unmotivated to do anything😭😭

kokonoi doesn't necessarily dislike you spending that much time (and money) on gacha games, but he also doesn't particularly like it.

of course when he learns you're a huge fan he comes along with you, trying his best to understand what's the appeal and what got you so addicted.

still, he's unsure and sceptical. he might probably ruin your entire mood by mentioning how much of a waste of time they are.

but that's just at first!

despite his initial disinterest, kokonoi starts to warm up to the whole concept upon seeing his omega so thrilled by the games. he observes your features and actions every time you successfully win an item, and thinks that your enthusiasm is adorable.

of course, kokonoi being an alpha, he becomes very cautious and alert towards both you and your environment, especially if it seems potentially unsafe.

he's watching you and making sure people keep their distance while you do your thing. he would always make sure you feel comfortable and secure during your game session. he sees just how much joy it brings you and kokonoi doesn't want anything disturbing the strange satisfaction you get out of playing those.

while protective, he still respects your independence and won't act overbearing nor overly restrictive.

his soothing presence is very beneficial, whenever you get frustrated at your game, he offers you great support and a calming presence. you're very thankful for that.

he'll try playing too, just because you asked! he might act a bit annoyed but trust me he's really amused by you and often even challenges you. he suggests bets, making the both of you compete between each other. kokonoi loves how excited you are to prove him wrong and that no, he won't pull the rare characters before you and that your experience in the field surpasses his so called "alpha luck".

he also loves to tease you and whenever you pull a male character, he'll act like it's the end of the world that you give him more attention than to your oh so perfect and loving alpha.

he'll call you his lucky charm each time he wins because he loves the blush it provokes on your cheeks. he jokingly pinches them and kisses your nose. his omega is the cutest!

more than anything, kokonoi is extremely thoughtful. he wants to surprise you and make his little omega smile. he often gifts you gifts related to your favourite gacha games, spending as much money as necessary to get you this rare in-game item you've been wanting.

kokonoi might also use his wealth to literally create a whole space dedicated to you and your interests. this way, having exclusive gaming places ensures him that you're at all time in a comfortable environment, while literally owning the place and erasing every limit you might have in a normal arcade.

you might even have a room of your own where you can rest and nest, right beside your favourite games! it would be all warm and cozy, specifically designed to your liking. kokonoi isn't keen on letting you sleep here rather than at his place, but he's reassured to know that at least you're somewhere made by him and safe enough.

now if kokonoi's part of bonten, he could make use of his incredible position to influence the gaming community and offer his sweet omega unique opportunities of her choice! you'll have access to exlusive previews and beta tests, private events and rare gifts!

he absolutely adores seeing you going crazy over gacha games that he doesn't even hesitate using his status to make you happy. his omega deserves the best! you can also expect him to collaborate with or finance game developers to create a content you'll 100% love because it's solely based on your very own interests and omega needs.

for example, he would personalize these machines, filling them with plushies you absolutely love, about your favourite characters (which were also previously scented by him), extremely rare figurines created especially for you, other cute decorations... you're basically living the dream and kokonoi isn't subtle about his adoration for you.

he'll spoil you to no end and he's shameless about it. you're his omega, his money is yours and he'll spend it without a care in the world for you. he's happy enough by just scenting you and smelling you let out your satisfied and soft pheromones!

[cillyscribbles]

i promised cats metaposting 2 bagpipe boogaloo and i am a bitch of my word here we go

cats 1998: the rum tum tugger + these hands are rated G for grizabella

(theory wank under cut call that catracter development)

(theory wank about munkustrap & grizabella here for those uninitiated)

RIGHT SO unfortunately this one is no longer semi-coherent overanalysis of microexpression but a full descent into conspiratorial madness, so please remain aware of the fact that this is a tangent missing textual support at the best of times. it's entirely possible and even likely that rum tum tugger is genuinely just a bitch to grizabella because that's who he is as a person and doesn't like what she smells like or something idfk. anyway.

welcome to my red string board of why rum tum tugger actually doesn't dislike her for no reason and totally has depth and yeah we're poor little meow meowing a white boy with more hubris than eyeliner, classic essay genre on tumblr, at least he's a catboy this time and the hubris-eyeliner ratio is actually a close call.

anyway, for any of my theorizing to make sense, here are the two headcanons it's all based on:

grizabella is an (ex-)wife of old deuteronomy and the mother of rum tum tugger (and munkustrap if you're so inclined)

grizabella left the jellicle cats at some point when rum tum tugger was a kitten or otherwise a very young cat

and honestly the rest just flows from the mommy issues to be honest. there's a load of alternate explanations and theories and headcanons and mine's by no means the right one necessarily, but i do have to admit the family angst it allows for is balls to the walls insane because it just. it fits what we see on screen so well!

look at this clown i love him. he ONLY does the puff-up at grizabella. and even though that supports my theorizing it's also honestly a bit of a loss i think. it's such an evocative cat-thing. i want him to do that when something jumpscares him lmao. i NEED him to do that at old deuteronomy jokingly and get cuffed on the back of the head by munkustrap for being a professional youngest child. anyway

don't get me wrong, the fact that tugger has a grudge against grizabella isn't anything special, most older cats do; hell, some of them deliberately walk past her Judgementally (bombalurina, notably) or shake their head at her in disapproval (jennyanydots), but it's so pointedly constant and so pointedly Pointed with tugger that it draws my eye. every time she appears, he has to clearly and explicitly broadcast his displeasure with the fact that she's daring to breathe at them.

like, she's not In His Way or anything here. he doesn't have to walk past her if he doesn't want to. he doesn't have to look at her; plenty of other cats pretend she doesn't exist when she looks at them. but not only does he do all those things, he explicitly looks at her and puffs his coat up again. he's walking at a fairly brisk pace toward her and actually slows down to do it. it's such a deliberately mean thing to do it's stuck between really extra and really petty. exactly the same with the jellicle choice scene.

my man's being so petty this should be constituted as bullying lmao. look at that! nobody likes you still! sucks to be you i guess! like. this man would be pouncival doing the fake pranks and scratching her if he was a kitten. he's just, constantly upping his level of mean to her. in the first scene he at least has the decency to walk out in the opposite direction of her.

a really professional youngest child. again, all that ^ is fairly grounded thought on character performance i think if you don't really connect it to anything, but i'm connecting it to abandonment issues for maximum ouch lmao.

so, bear with me for a moment: for whatever reason, grizabella leaves the jellicles, including her husband and kid(s). (if you're a fan of the theory about macavity being the third brother to munkustrap and tugger, i mean, she might've just left with him because he was her kid. i dunno.) and you're tugger. Baby tugger, even. you don't understand why she'd leave you. was it you? were you too much? were you not enough? of course not, but you're a little cat with a lot of pride and all the makings of a Petty Little Bastard in you, so you say fuck all that. i'm not too much; i'm actually more than enough. i'm the best! and i'll make damn sure you never forget it!

i feel like if you include munkustrap in that too it gets to be a really interesting dynamic. tugger's mean and angry and going out of his way to show it, and munkustrap is just kind of. "can we not do this" about it. really seems like he'd rather be somewhere else, but, i mean, welcome to The Unpleasant Shit being his job. professional eldest sibling.

she approaches him and he actively goes absolutely not oh look at that what a nice corner i'll just go stand over there. meanwhile tugger's determined to be all OH! OH LOOK WHO'S HERE!!!! WELCOME HOME CHEATER!!!!!! about it. like i already made a post about this so i won't get into it again but i really don't think munkustrap is all that mad at her, which gives tugger's attitude some nice contrast.

continuing with dynamics for a moment, i feel like tugger either has real Attuned Parental Figure Senses or is surprisingly perceptive for his character? this isn't necessarily connected with the point before, but i mean, he stops his whole entire number MID-DANCE MOVE to point out grizabella. he does do it with great flow though you must admit.

he loves attention!! that's established!! whether or not he's up for it at All Times we can have a discussion about (he really just dips out after his number to recharge for a good while lol) but he's here having the time of his life, BOOM one whiff of grizz and he's tearing down the party decorations, that's it, everyone go home.

i'd attribute it to him just Really Having That Big of a grudge if he didn't also kinda sorta activate his Deuteronomy Detect power during the lad's arrival LMAO.

look at that! he beats munkustrap to it! admittedly i can't see the rest of the stage so it might be that all the other cats already saw it and he's just pointing old deuteronomy out to munkustrap as the latter's too busy looking the other way. but it's still a funky way to get in character traits besides Mean & A Whore!

ok and another notable thing, and to me something really interesting, it that tugger never does end up touching grizabella, even though he has the choice to.

after she's first accepted back via touch from victoria, the cats sort of line up to show their affections too. it's a really nice scene in my opinion, you get the sense that all those cats really are happy to be able to take back an old friend and i'm all for it. but the cherry is that tugger is being Really Interestingly Acted here - he leads cassandra closer so she can reach out to grizabella, but tugger himself stays behind with this sort of blank expression over him. even those cats i mentioned before - jennyanydots and bombalurina - get the moment to hold grizabella's hands and smile and encourage her on. tugger doesn't do that.

grizabella doesn't touch every cat, granted, but even those she doesn't touch are reaching out to her, which is pretty much as good as. they all do enough of that sort of implied gesture throughout the musical that it shows it's affection and acceptance all the same whether or not physical contact is made, like for example old deuteronomy's greeting and the moments before the jellicle choice; the first one's posed similarly to grizabella's return, everyone's trying to touch old deuteronomy, but they're perfectly fine with sort of just reaching out and being reached out to (note mr mistoffelees and bombalurina). in the second one it's even sillier because both munkustrap and old deuteronomy could clear the like 10cm of distance between them, but the reaching and willingness is more than enough for that mutual understanding to come between them. basically intent > result (side note: this is not a good rule for life outside of the cats musical).

tugger doesn't reach out. doesn't try to get any closer than he already got and stays in the shadow behind the rest, just watching her go for a bit before he dips again.

with the way he's squashed behind asparagus jr here i can't tell if he's bowing or nodding or what, but i think it'd be really funny if he was just trying to make himself shrink a little. like hanging his head nope i'm not here don't look at me goodbye. so completely contradictory to his usual vibe it's hilarious.

it is interesting to think about though, in my opinion, that he spends pretty much the rest of the musical in the shadow and separated from the other celebrating cats. he climbs up onto the chest and stays on that platform for the rest of the show while the other cats are being directed by munkustrap to follow and then surround old deuteronomy.

it's interesting - he may be positioned above the other cats physically, but it makes him feel sort of separated if you know what i mean. there's usually this pretty clear separation between munkustrap and the other cats when they're on screen, they might crouch when he stands and reach out to him when he's talking, but this time munkustrap is just down there calling upon the vibes with the other cats, and only makes his way up to old deuteronomy's right after grizabella's gone and it's time for the closing number. rum tum tugger straight up bounces as they're going to the russel hotel LMAO.

he does hype her up as she's going up, which is also really cute. he's off to the side so the other cats aren't really looking at him, but even as old deuteronomy shows her the rest of them, grizabella's eyes linger on tugger's wee rockstar schtick and it just kind of melts me.

anyway. man may be conflicted but he's happy mum gets a retry whether anyone likes it or not. and i think that's nice. :)

[bluarlequinno]

I'm going mad actually

Born from twitter discourse, here’s my analysis on the fandom’s interpretation of Heathmael, one because it's all over my feed which ... Ugh, but secondly, the fact that none of the sides state all things clearly and it just ends up being a bunch of misconception regarding the ship.

Let it be said that, in all honesty, I find this drama really annoying because I genuinely do dislike the ship overall in retrospect, buuuut to contextualize, this was all born from the post "ship so ass you have to mischaracterize the characters for it to work" and somebody mentioned Heathmael. And obviously a lot of people found that baffling, but is it true?

I feel it's a big... depends, because when they are shipped the overwhelming majority of people who ship them mischaracterize them to the point where it's very obvious that they don't ship them because they find their narrative foil appealing or that they comprehend why their relationship (narratively speaking) works or why are they written the way they are. Or if they value Ishmael as a character more than they value eye candy and a male character they can insert onto.

Rather you will normally find the typical characterization of “haters to lovers” that pushes this tsundere agenda in Ishmael which forcefully feminizes her and characterizes Heathcliff as some type of bad boy which lmao wtf.

This ship is extremely debated, compared to other straight ships in the fandom, and even though it's objectively a decent straight ship narratively speaking, most of the people who ship it are well... I hope it comes through which specific people I'm talking about.

People who frame it as Ishmael finally puts down that "bitch" attitude to warm up to Heathcliff which is just... Not only extremely stupid, but is clearly ooc for both Ishmael and Heathcliff, and Heathcliff can finally find an alternative of Catherine framing Ishmael as something Heathcliff gets.

They project their own desires on Heathcliff and treat Ishmael like the woman in the straight relationship that just ends up with this ass dynamic that enforces all that is wrong with traditional straight relationships which is a big disservice to what is actually going on with their relationship in canon.

Not only because it misses the point entirely and makes the environment around the ship extremely dislikeable and impossible for people to even like because of it, but also because it hurts to watch these two characters who individually are so much more and so deep and interesting be reduced to this dynamic that butchers them.

But in essence, their dynamic, if interpreted correctly and without any of the brain rot bullshit they are normally shipped on behalf of, is actually really really compelling, does it mean it's shippy? I feel that it just really... depends. I feel that I could only ship it if it's this very specific version I've analyzed in my head and that is not a traditional view on shipping, and is in a very thin line between platonic and leaning on angsty that overall is more a character analysis than actual shipping, but all in all not necessarily with them falling in love.

Which makes it really hard for me to enjoy it and I would need for them to be tackled with extreme sensibility and consideration of both of them to be able to work, but all in all I feel is both valid why people dislike it and even ones who say it is kinda bad, after all it is mostly filled with fics and fanart that clearly put in evidence just what kind of people who engage in their ship actually are which well makes some people who appreciate their characters not like it. If you ship them and aren't like this well (if the shoe doesn't fit… don't put that shoe on then).

But, I suppose it's also valid to ship them. I mean as much as I hate to admit it, it's not like there isn't anything between them in the game.

But I also feel however that even if you dislike it, it isn't really a bad ship, nor is it inconceivable, after all they are narrative foils and they end up a little better after because of each other.

However I wanna discuss that, it is important to note that a lot of the reasons I dislike the ship, is because of this inexistent triangle they do between Heathcliff, Catherine and Ishmael which is just... So petty and stupid.

To make Ishmael's and Heathcliff's relationship look better they frame Catherine and therefore her own relationship with Heathcliff in such a negative “she was toxic and abusive to Heathcliff” kinda light that just is stupid, because not only does it overly villainize Catherine while sanctifying Heathcliff when is clear both were the problem (in their relationship, not regarding the abuse Heathcliff's went through), but it also disregards Heathcliff's feelings and makes it seem as though Catherine didn't love Heathcliff which is objectively not true, both of them loved each other so much that they had no idea how to resolve it because of their upbringings, not to mention they were both literal teenagers living on a toxic household isolated and with clear ideologies that influenced them, but also Catherine lived with the guilt of Heathcliff's pain, the reason she even does what she does in Heathcliff's canto is because she feels that she cannot do anything else to make up for Heathcliff's suffering than to erase herself. Heathcliff and Catherine's souls are made from the same after all. Heathcliff loved Catherine and still as of now up to date on the story, is still in love with Catherine, his whole arc is that he now has the self confidence, self esteem and maturity to confront his feelings and his needs with Catherine without putting himself down. He is still looking for her to be able to "who guessed it" TALK. He is learning to express and find his own feelings as valid and as worth it as any other person, leaving behind his inferiority complex. Like how he admits out loud that he sees the sinners as family.

Heathcliff is more emotionally mature than people give him credit for, and he never hated Ishmael. Heathcliff hated himself and hated to see someone he saw himself reflected on sink down harder because he expected Ishmael to be better than him, and if Ishmael can't be, then what does that mean for himself?

He helps Ishmael because he is an emotionally empathic person who understands that Ishmael needed someone who would just listen, and it worked. He didn't save Ishmael nor did he become the reason Ishmael outgrew her own trauma.

If there's anything I learned from Revolutionary girl utena is that you cannot save anybody all you can do is lend a hand.

Heathcliff is a man who wears his heart and his intentions on his sleeve, now that his relationship with Ishmael is of a mutual understanding and appreciation he wouldn't be in denial if there were deeper feelings, but there aren't, he helps Ishmael just how he realizes when other of the sinners are having a bad time, or when he accommodates for others because he realizes what they are going through.

Look how in the new Canto Heathcliff is constantly speaking up on behalf of Don Quixote because he understands her and empathizes with her enough to be one to speak up when another sinner says something negative about her.

But back to the point , does this mean that I'm saying it can't mean it could be interpreted as shipping? I feel that is just whatever, obviously it can. I'm no authority, I just feel that it's not intrinsically romantic and is not fair for it to be pushed to be so.

But I feel it was really important for me to clarify because if there's anything that I dislike is putting two female characters against each other for a man especially Ishmael who I mean... Would definitely not fight for a man in the romantic sense. Let alone with another woman 🙄. She fights for things she thinks are worth her time, don't diss my girl like that, don't make this something it's not. Ishmael is not that type of girl.

But I think it is really important to acknowledge this because Heathcliff doesn't nor did he project Catherine on Ishmael, the narrative never parallels them and in Heathcliff's canto Ishmael never is framed to be in any way similar to Catherine, because it isn't there, because Heathcliff doesn't see Catherine in Ishmael because people often don't realize that Heathcliff wasn't like Ishmael, who as smart as she was, was an emotional wreck, Heathcliff was pretty aware of what he wanted to do arriving at Wuthering Heights, so for Heathcliff it's more a thing of, I don't want you if you aren't Catherine why you dare compare to her, nobody could be for me what she was. Heathcliff saw himself in Ishmael, which is very different.

And it is really important to acknowledge that because after his Canto Heathcliff still doesn't show nor say nor do anything to showcase that now his relationship with Ishmael is more meaningful that his with Catherine. Because those two relationships are different.

With this I'm not saying you can't ship them, just that you can't ignore Heathcliff's and Catherine's relationship and how It is actually framed as.

Because it isn't fair for Ishmael to be treated as the second option, it isn't fair that she's framed as what Heathcliff settles for because his relationship with Catherine didn't work and people really do frame it like that, but if you don't frame it like that than you have to acknowledge that Heathcliff wouldn't choose Ishmael over Catherine. At least not now, and Ishmael will not just jump into a relationship regardless, she spent years with Queequeg and it is something that for Ishmael just isn't easy.

But Ishmael isn't Heathcliff's anything, Ishmael canonly doesn't have any feelings for Heathcliff and if you are gonna ship them I think is important to at least acknowledge all of this so you don't end up doing that stupid thing of putting Ishmael as the other option of Heathcliff and therefore treating Ishmael as Heathcliff's instead of an individual character brought closer to another individual character.

I also believe that a reason why, at least for me personally, Heathmael conflicts me so much is because, since Heathcliff and Ishmael are hostile in the begging, and Ishmael is a female character, shipping her with Heathcliff is almost basically an indicator of people treating Ishmael pretty misogynistically and just kinda really UHM.. it's hard for me to explain it on fully, but it's just this vision of that stereotypical men and women bicker so it means they most like each other and that Ishmael should learn to like Heathcliff because she's just so uptight and hysterical which not even Heathcliff feels at all about Ishmael so it annoys me that a lot of male shippers project that on Heathcliff to build this very specific idea of Ishmael that is so far from the truth and pains me to see given how much I love Ishmael. It's pretty ironic given how literally her whole anger in part is that nobody takes her anger seriously and her worries seriously because she's too paranoid and yeah...

Does this make sense? I hope so

Now I do wanna tackle the elephant in the room, because I feel it is also a bias I have and I think talking about it could open to more fans discussing it, but... I feel like the simple fact that it is a straight ship does make people hate it, I wouldn't say I hate Heathmael, but I do admit that the fact it's straight does kinda not make me like it as much as I would if it was sapphic, but in my defense I feel at least personally that it's more to do with my relationship with Ishmael's character than the fact it's straight in general, because as far as straight ships go, Rodion x Gregor is absolutely adorable, Meursault x Donqui can be cute and I do admit that Faust x Yi Sang has its charm, but I feel that Ishmael reads as a lesbian to a lot of the fans and tbh I feel like the lenses and proofs on the game aren't like invisible and that her relationship with Queequeg and what it means for Ishmael is too important as well.

I know bisexuality is also a thing obviously, but I feel with Ishmael specifically there is something about her and being a lesbian that there isn't in any other of the females sinners, I'm being genuine I think Ishmael is probably the only sinner I fully see as a lesbian (well maybe Outis too) and it is something that resonates with my reading of her character too much to fully be able to enjoy Heathmael, at least in the "they actually fall in love kind of way".

Honestly I feel this might sprout some controversy, but I feel like I wanted to say something about them, specifically because Ishmael and Heathcliff individually to me are extremely good characters and the discourse is annoying, but also because I feel things are never fully stated ever and it leaves me feelings unsatisfied. I have been pondering about it for a long while.

Also I feel I should also talk more about Ishmael's side in this story, but ironically speaking Heathmael is harder for me to read because of Heathcliff and his misinterpretation, both of him and his relationship with Catherine overall.

Ishmael also to a certain extent, I feel people don't understand her a lot, or they purposefully ignore canon portrayal because she's a female character and is more exposed to THAT kind of treatment by fandom (at least that very specific side of people). But I think for Ishmael I'd just make a whole separate analysis post.

[darklinaforever]

The antis Cat King and Catwin obviously live in a parallel universe ?

Yes, the Cat King flirted with Edwin and offered to sleep with him. But when Edwin refused, he offered him another task. He never tried to coerce Edwin in any way, although he continued to flirt with him. That's the whole principle of the Cat King. He proposed to Edwin. Edwin said no. The Cat King agrees.

Because after all, isn't he a fair and consensual Cat King ?!

Flirting with someone, again, does not necessarily mean sexual harassment or coercion (as the antis love to claim, the worst going so far as to try to make people believe that the Cat King is a potential rapist).

Especially when the person actually enjoys said flirting.

Whether people liked it or not, but Edwin liked the Cat King and was attracted to him. He was not traumatized by him. He's not afraid of him. He appreciated all the flirting and interest that was shown in him (Edwin's body language in the presence of the Cat King indicates all this). And the Cat King didn't force him to do anything at all. He didn't even try. The complete opposite of the behavior of a predator and a sexual harasser.

And the Cat King being visibly strongly linked to desires, and more particularly Edwin's desires in the logic of the scenario, something tells me that he must have felt feel that Edwin liked him. The Cat King was essentially content to flirt with someone he liked and who he felt liked in return.

Also, that he had him watched ? (or stalker, as this person likes to say) Well he literally gave him a task / punishment to accomplish in his own town. Logically, he therefore keeps an eye on Edwin.

This comment literally comes from the post where I was full of the way in which the Cat King could be represented in the fanfiction dedicated to Edwin & Charles, namely as a potential aggressor (something which he is not shown to be in the show, and even less in the words of the writers and actors) :

Again, it's totally fine to not like the Cat King. Maybe this character didn't click for you and that's fine.

But stop making him out to be someone he's not, just to give yourself a morally high ground to dislike him.

On the other hand, if you are one of those who feel attacked by the character of the Cat King through his behavior with Edwin, that is your right.

But just remember that your personal feelings are not necessarily the reality of the character, and that everyone can have a wrong interpretation when it comes to fiction, even you. And this, no matter how noble you think you are in denouncing the behavior that seems inappropriate to you from the Cat King.

And above all, remember that Edwin does not experience his relationship with the Cat King as any kind of aggression or harassment whatsoever.

Don't project your own feelings of discomfort onto Edwin, who clearly enjoyed his time with the Cat King.

That's all for me.

For those interested,I have tons of posts about the Cat King and Catwin on my tumblr. Simply enter the name of the ship in my search bar !

[hollowed-theory-hall]

ok so i’ve noticed you saying that, generally, fics tend not to preserve harry’s feats, strengths or talents from the books (apart from quidditch and expelliarmus, that is🥲) and they definitely don’t give him the time and space needed to grow into them — barely even acknowledging them as it is.

well, two things to say regarding this:

i think it says a lot about your talent and capabilities as a writer, if, in order to portray one of the characters as intelligent, strong, innovative, downright intimidating, you feel the need to downplay strengths and reduce the other character to the barest minimum. sure, tom/voldemort is an impressive and very complex character, who requires a lot of time and sweat in order to be adequately developed. he is a demanding presence, he catches the reader’s attention and then holds it while still being on page, but. that does not mean in any way that such a character cannot coexist with another, as equally impressive, presence — this being harry, obviously. there is absolutely no need to strip harry bare of his own merits and power, portray him as a skeleton of what he is actually supposed to be, in order to enhance voldemort. as seen in the books, there’s plenty of moments when harry outsmarted voldemort, or, at the very least, held up his own against him. he isn’t meek, or shy, or stupid. i hate that. i hate dumbing harry down so so much, because you do not need to do this just to show the greatness of lord voldemort. it’s already obvious from the books, which also show the cleverness and magical capabilities harry possesses. they are two sides of the same coin — literal parallels of what each of them could’ve turned into, given different choices and maybe different circumstances. they can bounce off each other so well, highlight the similarities and also the stark differences between them — what makes them tick, what makes them get along better than any other two characters, what makes them want to blast each other off the face of the earth. they are such an effervescent pair specifically because more often than not they can play on an even field — voldemort sees and treats harry as an equal and harry meets the requirements needed to hold that place.

anyway, rambling aside, there actually is a fanfic that seems pretty close to what i believe canon harry would turn into, given certain circumstances, and it definitely portrays all of his traits: cleverness, ambition, impulsiveness, manipulation, his dire need of mental privacy, but also emotional closeness (while being emotionally constipated himself). it’s called draw me after you on ao3, by ToAStranger. not sure whether you’ve already read it, but it’s so so worth it. at first i thought harry’s magical capabilities had been slightly exaggerated, but after really thinking about it, and then reading some of your posts about him, i realised that no, they really aren’t. OH AND!!! what you said about magic working differently for harry??? THIS FIC ACTUALLY TACKLES THIS IS SUCH AN AMAZING WAY IT LEFT ME SQUEALING!! indeed, it shows how much more intuitive magic is for harry. i think even voldemort acknowledges this at one point: how certain things simply shouldn’t work like that, but they just… do. and harry always explains his point of view. there’s more often than not a how provided, for the reader to really understand how different v and harry’s thought process is and how that impacts the way their magic works.

Thank you! I'm glad you enjoyed reading my posts about my favorite boy, Harry!

I agree that I personally really dislike it when Harry's abilities and skills are downplayed. Like, he's up there as one of the most magically powerful characters in the books. Like, the only reason some fans don't see him this way is that Harry is the narrator — he has ridiculously low self-esteem and he isn't aware of his own abilities.

Now, I don't think everyone who writes Harry as meek is necessarily doing it to show Voldemort as more powerful. I think a lot of it comes down to a sort of fantasy that appeals to some people. Like, I'm sure some are the result of a writing problem, some are an honest misunderstanding of character, and some are the result of a conscious decision due to personal taste. I personally hate it when Harry is meek and weak because I like him to be capable. I like it when he has his talents and skills because I love competence. I tend to write as many characters as I can as competent because I like writing competent characters (heroes and villains alike. It's the same reason I don't like it when Voldemort is written as insane because of his Horcruxes. Because, I don't think he is insane, just obsessed). That's my taste in reading/writing, but everyone could write whatever they want.

As for the fic, I don't think I've read it, so I can't really say anything about it. I have a rule about not reading fic when I'm in the middle of writing fic (because then I stop writing), but I'll see if I can check it out at some point (I do love it when Harry's unique outlook on magic is acknowledged).