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rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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ckret2 · 3 days ago

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Above: Bill showing off the messed up things he can make the Nightmare Realm do.

Below: Bill literally an hour later.

Here, have a fic. In which the gods try to figure out what to do about the new omnicidal chaos god who would rather destroy reality than politely exit Dimension Zero so they can arrest him for burning down multiple dimensions.

This is part 7 of a ???9-ish??? part plot about the Axolotl meeting this friendly harmless innocent little triangle in the wake of the Euclidean Massacre and then getting repeatedly slapped in the face with all the atrocities Bill's committed. If you want to read and/or look at the pretty art on the other parts, here's one, two, three, four, five, and six.

####

There was fresh fear amongst the many gods crowded around the site where Dimension 2 Delta had once stood.

The perimeter around Dimension Zero's turbulent border had pulled back dramatically, leaving a barren no man's land between the police cordon and the triangle's territory.

The fires in the 1D and 2D universes, for a moment so close to doused, had returned with a vengeance—and by the sound of some chatter amongst the Apocalyptic Threat Task Force agents, they suspected it was a literal vengeance. The storm cloud heading the ATTF operations had needed to personally visit the burning dimensions again—see which previously contained fires had reignited or jumped their firelines, and see which new fires had broken out so that it could redistribute the available firefighting forces appropriately.

The Time Giant had gone along to inspect the damage and figure out which dimensions could be repaired—provided they ever stopped the fires—and which would ultimately needed to be rebuilt.

And anyone who wasn't actively engaged in trying to control the fires was still trying to process the newest crisis: the leader of the mortals who'd fallen into Dimension Zero wasn't a fellow mortal victim, but an out-of-control new god with the power to move and burn entire universes who didn't seem to understand that he was about to destroy all of reality, himself included.

VENDOR had finally run out of excuses to avoid the media, and was now reluctantly holding an impromptu press conference with the reporters on the scene—and THEY looked so miserable the Axolotl nearly felt bad for THEM. He overheard THEM blurt out, probably far louder than intended, "I will not be remembered as the god who was in charge of the emergency response efforts that got the entire multiverse destroyed!" and he wondered whether VENDOR remembered either that THEY weren't in charge or that, if the multiverse were destroyed, THEY wouldn't be remembered at all. No one would be.

From the conversations he overheard, the Axolotl got the impression that no one, even the most senior ATTF agents on the scene, had ever dealt with a threat to the multiverse this dire. No one knew what to do about the triangle—least of all the Axolotl, who was only here because everybody still hadn't realized that he wasn't supposed to be.

So while everyone else was arguing, privately panicking, or actually doing something useful, he was floating at the cordon holding people away from Dimension Zero.

####

There were a few stars and rocky bodies on the wrong side of the cordon. The triangle's sun—the star that had once shone down on his 2D world before it burned down (before he burned it down)—was still out there. Once again, it was falling toward Dimension Zero.

He glanced around to see if anyone was watching, then swooped under the cordon, scooped up the sun, and carried it back to the safe zone. He opened a portal to his tank, slid the star inside, then shook out his forefeet and inspected the burns on the soft skin. He'd been playing with a lot of fire today.

"Axolotl!"

The Axolotl looked up. He wasn't surprised by the familiar sight of his Oracle's soul emerging from the aether—she'd already come by once to but he was frustrated by it. One more person he had to protect in this mess.

"Something happened—"

"I know." He quickly curled around her, doing his best to shield her from the other gods in case any of the nearby arguments escalated—or the triangle decided to lash out at the third dimension again. "You shouldn't be here now. It isn't safe."

Of course, she ignored him. She wouldn't be the kind of person he picked as one of his Oracles if she weren't the kind of person who ignored gods' warnings. "Our seers heard the whole sky scream in pain, and then saw a vast eye—"

"Over there." He lifted his tail out of the way just enough to let her see the border of Dimension Zero.

No matter where you looked at Dimension Zero, that golden fleck of light seemed to twinkle in the center of your field of vision. The Oracle squinted. "The little flat yellow creature?"

"He was bigger earlier."

"What happened?"

"A showdown with the cops."

The Oracle paused as she tried to reconcile that with the seers' apocalyptic vision. "Who won?"

"He did."

"Good." And she wouldn't have been the kind of person the Axolotl picked for his Oracles if she didn't say that, either.

On most days, he'd agree with her. But after seeing what the triangle could do—knowing what he would do... The cops weren't the answer, but he had to be stopped somehow.

(He could feel the triangle's eye on them. Was he listening to them now?)

"He's shaped like a triangle. Is he connected to the blind seer's final vision?"

The seer who'd seen the sky burn and collapse into a blinding triangular light. "He is. He's the last survivor of the first dimension to burn. His people called him the Magister Mentium; he was a seer to his people, too."It tore the Axolotl's heart to say more than that—but he wouldn't mislead his Oracle. "Somehow, he started the fire."

Before the Oracle could ask him how, a faint voice yelled, "Hey!"

They turned toward Dimension Zero. The triangle was on the border, looking straight at them. He shouted again, "Hey! You with the pink freak!"

"What?"

"How many fingers do you have!"

She gave her four arms a puzzled look. "Twenty!"

"Wow!" The triangle sounded genuinely impressed. "What do you use 'em all for?!"

"Normal finger things?" She asked, "Why's your hat so skinny?"

"What hat?"

She paused. "Never mind!" She turned back to the Axolotl and whispered, "Is the hat part of his body?"

"I don't think so. He didn't have it the last time I saw him."

She kept trying to look at the triangle until the Axolotl curled around her to stop her staring. "That's the seer who's destroying universes?"

He wanted to make excuses for the triangle. He wanted to defend him. "Yes."

She was silent a moment before asking the question she'd really come for: "Is my world in danger?"

"Not yet. Not directly. But... if he isn't stopped, it eventually will be," the Axolotl said. "He's fallen into the center of the multiverse and is trying to build a kingdom there. If he fails, it will collapse and kill him; but if he succeeds, it will destabilize and kill all of reality."

"Wh—?!" She gave him a look of disbelief. "But—that doesn't make any sense! He loses either way!"

"I know."

"So why is he endangering everyone for nothing?!"

"I don't know."

"I'm going to find out."

"Wait—!"

The Oracle's astral projection could be very slippery when she wanted; she was already past the Axolotl and flying toward Dimension Zero. "Hey! Magister Mentium! I want a word with you!"

"Don't cross the border between dimensions!" The Axolotl clutched the police tape in both forefeet as he watched.

After five minutes of shouting and death threats, the Oracle flew back to the Axolotl.

"I think he's stupid," she said.

He smiled sadly. "I fear it's something much worse than that."

He had the skin-crawling feeling that the triangle was staring at him. He forced himself not to turn and find out for sure.

####

The Time Giant was the first to return from the frontlines of the fire. She joined the Axolotl next to the police tape, muttered something about needing to pick up some "stuff" from "a couple centuries ago," snapped out a length of time tape, and returned three seconds later in a different shirt with sleeves rolled up and carrying a folding table, a bundle of blueprints, and an energy drink. She unfolded the table in the void, spread out her blueprints on it, chugged her drink, hunched over the table, and ignored the rest of the universe.

The Oracle gazed up at the Time Giant and instantly fell in love. The Axolotl politely pretended he didn't notice.

VENDOR was the second to float over—slumped forward, lights dim, looking like THEY were returning from a war zone rather than a press conference. Heaving a weary sigh, THEY positioned THEMSELF next to the cordon with the Axolotl and Time Giant; which was the point at which the Axolotl realized he'd accidentally formed a club of people who didn't want to be in charge of this mess but were. "Any change?"

The Time Giant grunted distractedly. The Axolotl said, "No." The Oracle said, "I accidentally taught the triangle an obscene gesture."

VENDOR turned toward Dimension Zero.

The triangle sprouted two extra arms and gleefully pantomimed something filthy.

VENDOR turned away from Dimension Zero and sighed even more heavily.

When the storm cloud drifted over, VENDOR said, "Go away unless you have good news." The arrogance had drained out of THEIR voice; what little pomposity THEY had left was a thin mask over exhausted fear. (The Axolotl could sympathize; he felt the same dread weighing low in the pit of his stomach.)

Before the storm cloud had left to check on the other dimensions, it had still been hailing in fear; by now, it had whipped itself up into a furious blizzard. It had to stay back from the group to keep from freezing them too, and even at that frost still crept across VENDOR's glass and the Axolotl had to shield the Oracle from the cold. "Well," it said stiffly, trying to rein in its rage and sounding even colder as a consequence.. "Almost all the new fires have already been contained. I'll say one thing for that—" It paused as it mentally glided over what was no doubt a long and creative list of insults, "—guy; at least he's making an effort to be more careful of where he kicks the neighboring dimensions so the damage doesn't spread as fast." It sighed a chilly, angry gust of wind. "Unfortunately, he's gotten more aggressive about kidnapping mortals from other dimensions. He's narrowed his focus, but he's kicking ten times harder."

"That wasn't very good good news," VENDOR whined.

"Sorry. Fresh out," the cloud said. "Fact is, if we don't stop him, we're toast."

Nobody was surprised by that. VENDOR asked, "How much time do we have?" THEY turned to the Time Giant.

While VENDOR had gotten pathetic and the cloud was seething with barely-restrained rage, the Time Giant had only grown more stoic. Her face was set in a stony mask; her jaw was tight enough that she could bite an airplane clean in half. Since she'd come back, she hadn't glanced up from the stack of blueprints she'd retrieved.

It took her a moment to realize the question was directed toward her. She jerked her head up as if ready to snap at whoever had interrupted her; but caught herself as she processed the question. "Uhh, pffff..." She squinted toward the horizon of time, face scrunched up to expose her teeth. "If we get the fires put out? Few years. Couple decades at the outside. Reckon it's more than enough time to jury rig something that'll keep reality propped up while we get in a construction crew to set up a new Big Bang, no problem."

The Axolotl whispered reassuringly to the Oracle, "A couple of decades to us is over a thousand of your people's generations."

"A couple of decades," VENDOR muttered, voice rough, a few stray moons rattling around behind THEIR product dispenser door. "This multiverse was built to last an eternity. To think it could be destabilized enough to collapse within a couple of decades, all because of one..." THEY fell silent. They could all feel the steady staring eye watching them from deep within Dimension Zero.

The cloud said, "And if he doesn't let us stop all the fires?"

She pursed her lips, brows knit tightly. "If the fires keep spreading and that triangle keeps destabilizing things, the whole thing could collapse in a week tops."

"That's still a few years for your people," the Axolotl told the Oracle optimistically.

She swatted his paw. "Aren't you powerful enough to, just—stop him? You're gods." They must have seemed undefeatable to her—living beings the size of mountains and vast world-moving machines and forces of nature. That was how the gods always looked to mortals.

But unfortunately, when you got right down to it, they weren't much more than weirdly big people.

VENDOR muttered, "Well, I don't have the authority to call in the kind of reinforcements that can take that thing down." (More cautious now that THEY realized this wasn't a threat THEY could effortlessly crush in THEIR gears, weren't THEY.)

The cloud said, "The Apocalyptic Threat Task Force can make that a call that in any situation that poses a credible threat to multiversal safety and security, but..." It asked the Axolotl and Time Giant, "Just how strong do you think he is?"

"Could be omnipotent," the Time Giant said. "Wouldn't be surprised."

The Axolotl reluctantly nodded in agreement. "He doesn't understand what he's doing yet, but he's already manipulating the fabric of reality with his bare hands."

VENDOR made a tiny noise like a malfunctioning motor at that.

Grimly, the cloud said, "I could put in a call to HQ. We have a few higher dimensional types on call. Creator gods and the like. They're probably the only ones who'd stand a chance against an omnipotent god that can make a whole universe do a barrel roll. But if we aren't sure we could win the fight, and fast..."

The assembled group of gods cast a nervous look at the gaping hole into Dimension Zero.

The triangle, smaller than one of the Axolotl's fingertips, stared back from the border. He solemnly spread his arms wide. "You wanna go? Come at me."

They did not want to go. They turned away.

"Bad idea," the Time Giant said. "If the laws of physics are unstable, even the strongest god wouldn't have an advantage. It'd be like putting the fastest sprinter in the multiverse on a racetrack without gravity. And since he's the one running the physics, he could practically hand himself a win."

"And on top of that, any fight down there risks knocking the multiverse down," the cloud said. "It's too dangerous. We can't risk attacking him."

"We'll just have to hope he doesn't attack us first," VENDOR muttered.

The Axolotl's stomach flipped. He knew something they didn't. "Actually, I... don't think he can."

All attention was on him. VENDOR said, "Please tell me you have some actual good news."

"I don't know." He wasn't sure whether it would make any difference. All he knew was that he felt like he was betraying the triangle. He lowered his voice to what for him passed as a whisper. "But, I think... I think his power is limited to the borders of his realm." As he said it, he knew he was telling the truth. Some beings got like that when they were old enough; they could just feel when something was right. "He can't impact anything that isn't touching his dimension. He's essentially harmless to the rest of the multiverse. The only real threat is... well." He gestured helplessly at the frothing chaos. "The fact that the dimension is like that."

Voice hushed, the cloud said slowly, "Hold on. So... he's trapped in the crawlspace beneath reality."

"No—he's trapped in the 'dream realm' he's built inside the crawlspace. He can drag the realm out with him, but... we saw what happens when he does that." They'd all heard how existence had howled in pain. They'd seen how even the triangle had been scared enough to stop.

"So we have no hope of fighting him in his bunker—but if we drag him across the threshold... the fight's over." THEY turned to the two cops THEY'd been leading around all day.

The crab and burning wheels tried very had to look like they hadn't noticed the conversation at all.

VENDOR and the cloud exchanged a frustrated glance. Sarcastically, the cloud muttered, "Yeah. Easy."

The Axolotl said, "I'm not even sure we can drag him out of his bunker. I don't know if he won't leave, or physically can't leave—just that his power stops at his borders."

VENDOR sighed, "So we're back where we started."

The Time Giant smacked her mess of blueprints, making the other gods start. "No we aren't! If his influence can't spread outside his dimension, then I've got a fix." She held up a thick binder. "It's a fiddly chrono-construction technique to shore up brittle dimensions. It can work as a stopgap measure to stop him from destabilizing any more dimensions." She looked at VENDOR. "It'll make a lot of extra work for the urban planning committee."

VENDOR's lights flickered off. The Axolotl could see the numbers on THEIR digital display as THEY slowly counted to ten. Then THEY turned their lights back on and said, with an air of forced calm, "All right. I don't think there is any getting out of this without extra work. Tell me the idea."

"Right now, all our dimensions are connected adjacent to each other—corner to corner and edge to edge. It's simple that way. But, if we restructure the dimensions parallel to each other, we can use the pressure of the outside dimensions to press in on the crawlspace and keep its contents in place. It's gonna be a mess. Forget about the Dimension 1, Dimension 2, Dimension 3 system we have right now; by the end of this we're gonna have Dimension 143 and Dimension M and Dimension 6.5 and Dimension -17 and imaginary number dimensions and quadratic dimensions..." She shrugged helplessly. "But if we can't get this bozo out, it might be our only option."

"Parallel universes? It sounds ridiculous." VENDOR let out a low moan of pain, "We'll have to restructure the whole multiverse."

"Yup. Probably."

"Everything's so nice and tidy now. A perfectly arranged planned community. Nice, straight, gridlike dimensions..."

"Parallel dimensions do have some potential benefits over adjacent dimensions," the Time Giant offered comfortingly. "Easier interdimensional travel—"

VENDOR grumbled, "Oh, I know, I know, Municipalitron's been pushing to experiment with parallel dimensions for the past two hundred billion years. He won't shut up about how it would benefit mass transit."

The cloud said, "All I care about is the multiverse surviving long enough to worry about mass transit."

The time giant said, "The biggest downside is that once we've completely closed up the crawlspace, when that dimension he's set up inevitably collapses, there's no easy way to get back all that energy and dark matter. If we ever decide to rip open a rift big enough to drain it out, it could take trillions of years if we don't want the flood to destroy the receiving universe. We might never clear out the rubble. But on the other hand, if it's sealed up well enough, it won't matter if the ruins are left to rot."

"What about the hostages?" the Axolotl asked. "Won't that trap everyone inside?"

"We'll have to leave manhole covers and maintenance shafts, obviously. Until the fabric of reality's finished unraveling, we'll have a chance to get them out," the Time Giant said. "Even that 'Magister' can leave if he decides to surrender himself. Assuming he's willing to leave his construction project behind."

If he could leave it.

VENDOR let a heavy whoosh out THEIR vents. "Balls. Very well, submit your proposal to the committee. I'll vouch for it. But I won't like it." THEY muttered, "Municipalitron's never going to let me live this down."

The storm aimed its sunbeam at the Time Giant. "Can't start construction as long as he's still starting fires and picking fights, though—can we? Unless you can build new dimensions on top of an active inferno?"

"N—Hold on." She squinted toward the future to check. "Nope. Though once I get down a fireproof foundation, we won't need to worry about it anymore. Got a trick called timeline splitting: you reformat a dimension so that the timelines fork infinitely, any time a choice is made. If he tries to burn 'em, they split: one timeline he burned and one he didn't. He'll just add more timelines and thicken the foundation every time he tries to attack the neighbors."

Horrified, VENDOR said, "I've been trying to pass an ordinance to ban timeline splitting for an eon."

"Has it passed yet?" the storm asked.

"No!"

"Great. Then that's our plan," the storm said. "We just need somebody to talk him down long enough to put out the fires and get the fireproof foundation in place." Its sunbeam turned toward the Time Giant. "Maybe if someone explains the stakes to him—?"

She shook her head, expression flat. "I'm a civil engineer, not a hostage negotiator. If he didn't get it the first time I laid it out to him, he ain't gonna get it the second time."

VENDOR asked the cloud, "Isn't the Apocalyptic Threat Task Force trained in talking down apocalyptic threats?"

"Yes, but no," the storm cloud said.

"What does that mean! Just... go up to that thing"—THEY tilted toward Dimension Zero—"and keep him calm."

"Are you kidding? I'm not suicidal!"

"This is your job, you're an apoc cop!"

"Apoc agent!" It raised its voice, "And talking down threats is not my speciality! I was sent because we thought this was a structural issue, not an actively malevolent entity!"

"Hey!" the triangle shouted. "Who are you calling malevolent?! Hey! Hey! Look me in the eye and say that again, I'll kick your base! I'm the most benevolent entity you've ever met!"

They wordlessly avoided eye contact with the triangle, scooted another solar system farther away from Dimension Zero, and lowered their voices again.

The storm cloud asked VENDOR, "Shouldn't this be your department? We're dealing with the possible genesis of a new god, and his first act was destroying a dimension and destabilizing reality. Sounds like politics to me."

Delicately, the Axolotl said, "I don't think THEY're the best choice."

"I'm certainly not. I handle the urban planning committee's budgeting," VENDOR said. "I deal with accountants, not terrorists! The only reason I'm here is to provide planets for those flat refugees, and I am sick of being at every humanitarian crisis in the multiverse just because I vend planets—"

The Axolotl had taken all of VENDOR that he could. He rounded on THEM, snarling, "Why are you even in politics, if it's not to help mortals? Is that not why you accepted the title of 'god'?" He flared his gills and his eyes glowed in rage. "Because it's why I did! I wish there was more I could do to help! And you, you can do more than anyone, and you're complaining about it?!"

VENDOR jerked back from the Axolotl. For a moment, the whole group was stunned silent. The Axolotl's eyes stopped glowing. He had to fight the urge to shrink back self-consciously from their staring. His Oracle patted his side comfortingly.

And then VENDOR's lights brightened. "You know how to talk to mortals like that. This triangle is just like the omnicidal monsters you represent every day." THEIR camera whirred as THEY sized him up. "If you want to help more, then why don't you?"

Ah. The Axolotl paused to swallow his anger.

He glanced down at his Oracle, who had been hiding in his shadow as she took notes and attempted to surreptitiously ogle the Time Giant. He said, "I think..."

She nodded. "I'll wake up." And then she faded out as her spirit sank back down to a lower plane.

The Axolotl tried to avoid looking at VENDOR—how could someone without a face look so smug?—and focused on the Time Giant. "What do you need me to get him to do?"

####

Biologically there was really no such thing as a god, in the same way that botanically there is really no such thing as a vegetable. Tomatoes are fruits; spinach is a leaf; carrots are roots; broccoli is an unfinished flower. The word "vegetable" just indicates the cultural role a plant performs in the kitchen.

The word "god" indicated the cultural role an entity performed in cosmology: a god was anything that people considered powerful enough to be worth worshiping.

A trillion trillion priests and philosophers and theologians and politicians had attempted to pin down a firm definition—but any definition was only ever valid to the worshipers who agreed it was right. The simple truth was that a being who had created a universe could be called a god, and a particularly impressive tree could be called a god, and a con artist who used clever stage magic to convince people he could teleport and raise the dead could be called a god, and there was nothing, absolutely nothing, to prove than any one of them "really" was or wasn't a god, no trait that universally separated the false gods from the true. If other gods thought you were a god, or if enough mortals worshiped you that the other gods had to bow to public pressure, that meant you were a god.

Different beings honored with the title "god" handled it in different ways. Some, unsurprisingly, developed a god complex. Some picked up debilitating scrupulosity in an effort to be perfect enough to be worthy of their people's worship, and their people developed scrupulosity in an effort to live up to their god's perfect example, and so it went in a vicious cycle until somebody finally got therapy. Some printed their titles on the party invitation flyers they tossed out on busy streets. For the Axolotl's part, he thought it was a useful designation to help with networking, but mostly it was a pain that meant he was put up on a pedestal for doing his job.

The Axolotl was a god of justice. Not the god of justice, but one. He held dominion over an abstract concept; over millions and billions of years, his words and decisions slowly, inexorably altered the idea of "justice" on a multiversal scale. Mercy, retribution, punishment, rehabilitation, equity, equality, fairness, and righteousness were like multicolored clays he could twist, squish, sculpt, and blend in his wet little salamandrine grip, permanently altering what those ideas meant to the mortals they affected.

Which was to say: he was a lawyer.

He was also known as a god of rebirth. Which was to say: he specialized in afterlife law. Before going into law he'd only been a psychopomp, but after having to escort too many despairing souls to afterlives he felt were too severe for their sins, he'd decided he wanted a say in where he took his souls. For a while, he helped clients get their charges reduced so they were eligible for a higher-tier reincarnation, or got their purgatorial sentences reduced. Though for a long time he'd steered away from damnation cases. He didn't always win—and those ones were too depressing to lose.

And then he'd thought he should be doing more. It wasn't enough for him to help his clients get the best option available under the system to which they were subjected; he wanted to change the system. He'd started pursuing bigger cases.

Now, he had a reputation.

For the past few centuries, he'd been working on a damnation case. He was defending a supervillain who'd developed a weapon that could slice open the fabric of spacetime so severely it could rip clean into another dimension—a mortal who'd committed an interdimensional crime against reality. The villain had died in the jurisdiction of an afterlife that had legalized eternal damnation.

Case law had long established that, unless other arrangements had been made premortem, the dead were to be sent to—in order—the afterlife of their birth, their death, or their choice, provided that the afterlife in question accepted them; and that they would be judged and sentenced by that afterlife's laws.

But if this villain had been extradited to his home world, the heaviest sentence he could have faced was a thousand years purgatory with an option for early reincarnation for good behavior after a hundred years.

So the jurisdiction he'd died in had summoned up some bureaucratic red tape to dismiss his native afterlife's extradition request, and he'd been sentenced where he'd died. Crimes against reality were often handled differently from regular sins; and the gods of vengeance in the domain where he'd died would love to see the courts declare that the gods who'd brought down a criminal against reality could call dibs on punishing him, rather than hand him back to his motherland. They hoped they would get away with it just for lack of anyone protesting the move. After all, everyone involved would much prefer that a mortal wicked enough to damage spacetime and obliterate multiple populated planets receive eternal punishment.

Everyone involved except the Axolotl.

Taking this case hadn't made him many friends. He didn't care; he had his principles. Let an interplanetary supervillain be dragged away to a foreign afterlife just so that he can be forced into damnation, and next it'll be a planetary dictator; let a dictator be dragged away, and next it'll be a murderer; and next it'll be a burglar; and next it'll be a jaywalker that a psychopomp has a personal grudge against. If the Axolotl could establish that even the most undeserving mortal imaginable still deserved the right to be sentenced in his home afterlife, then he could ensure that everyone less evil received the same right.

If he had anything to say about it, in two or three trillion years he'd see eternal punishment outlawed completely; but untilthen, he was not going to sit idly by and let this flagrant abuse of interdimensional law become the new meaning of justice! He would get that supervillain out of eternal damnation, personally escort him to his native afterlife, and see him reincarnated on his own home world; and mark his words, he would rain so much bureaucratic hell on the judges and psychopomps that had let this abuse of justice take place—he would wreak such vengeance upon the vengeance gods who had tried to claim his client—that no god would dare keep a soul from its rightful afterlife ever again, or he wasn't the Axolotl!

All of which was to say:

Yes, unfortunately. This triangle was like the omnicidal monsters he represented every day.

And so he was appointed hostage negotiator.

####

(Thanks for reading!! If the art lured you in and this is the first chapter you read, this is part 7 of a probably-9-part fic about the Axolotl in the immediate aftermath of the Euclidean Massacre. I'll be posting one chapter a week, Fridays 5pm CST, so stick around if you wanna watch the Axolotl almost fucking die.

It's ALSO chapter 61 Part Seven of an ongoing post-canon post-TBOB very-reluctantly-human Bill fic. So if you wanna read more of me writing Bill, check it out. If you're not sold on the idea of a human Bill fic, I've also got a one-shot about normal triangle Bill escaping the Theraprism if you wanna read that.

If this is NOT your first time here and you already knew all of the above: okay THIS is now probably the least cosmic-horrifying chapter of this arc. Which is a necessary interlude, because NEXT CHAPTER is the big climax woohoo!

Even if not much horrifying happens this chapter, I like the worldbuilding in it. The section on what being a god of justice means to the Axolotl was one of the first things I wrote for this arc.)

#(Dimension Zero doesn't actually look like in the art above btw.)#('Then why did you draw it like that?' because it was way easier than figuring out how to draw it accurately and i'm on a deadline.)#(the weirdmageddon imagery would make it instantly recognizable—)#(—and save me from figuring out how to draw a surface that simultaneously looks spherical while being too vast to see its curvature)#the axolotl #gravity falls axolotl #bill cipher #gravity falls #gravity falls fic #gravity falls fanart #fanart #my art #my writing #bill goldilocks cipher #(this chapter is barely edited because i couldn't be assed lmao)

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lucid-jester · 3 days ago

Text

I think part of the problem (or at the very least one of many, many reasons) is that directors and executives no longer know how VFX work. They think VFX is like a magic wand and can do whatever they want it to, but they don't understand the work that goes into it.

I am by no means an expert, I just happen to watch a hell of a lot of behind-the-scenes videos of movies because I like to know how they work. But if you look at how the directors and producers act in older movies, movies like LOTR or The Abyss or Terminator, they are quite literally looking over the shoulder of the VFX workers. Sure, maybe a director won't know everything about what goes into the digital effects, but they at the very least can see the struggle that goes into it.

A lot of CGI and VFX these days can be done remotely, and because the technology has advanced so far, it's a lot easier for the higher-ups to believe everything can be fixed in post in a very short time frame because they have no idea how it works. They're a lot more disconnected from that particular aspect of movie-making than they were in the past, so they don't realize that raw footage has to be good enough for the VFX artists to work with.

The reason effects in movies like The Abyss or Terminator or Lord of the Rings still hold up so well is that the shots in the movies were planned ahead of time to work with whatever visual effect they wanted to add in later. This was absolutely necessary, because they had to literally invent technology to get the effect they were looking for. And their software was a lot slower and harder to work with than what we have now. Because of that, the raw footage had to be as perfect as possible to make it easier to add in digital elements.

Now I'm not a director or a VFX artist, but I think one of the reasons execs think they can get away with poor raw footage and insanely short time frames is that they think CGI and VFX are easy. But they aren't. They still take time, and having shitty footage means "fixing it in post" can only go so far.

OMG. Somebody said it out loud.

Disney is absolutely not the only studio doing this though.

It seems to have become standard practice across movies and series everywhere.

Anything that doesn't do it is like a breath of sunlight and fresh air inside a dank musty cave.

It's part of the 'fix it in post-production' epidemic sweeping through the studios. Fix it in post is often used as a time/money-saving measure - and is absolutely part of the same mess that the WGA is fighting against currently.

Rather than fixing things on-set - audio, lighting, something in-frame that shouldn't be, etc. (which is all handled by unionized crew) - they leave it for the CG folks (not unionized) to edit later.

(on ridiculously tight schedules that leave them scrambling, cutting corners, and working inhumane hours)

See also: that part where scripts aren't finished, because the studio won't fully staff the writers room, and won't pay to have writers on-set for day-of-filming script questions and fixes (which could resolve issues such as 'what kind of lighting do we need here?')

Anyway, all this shit we, as audiences, keep complaining about - bad lighting, bad sound, wonky visual effects, over-usage of not-great CGI, stilted acting on green-screen sets, scripts that seem not-quite-finished, costumes that look like they're cheap and flimsy, terrible hair and makeup, films and series that aren't as polished as they could be...

Plus the complaints we have about streaming services and their shenanigans...

All of that is enmeshed in the extreme capitalism that has taken over everything, including entertainment, to the point that studios are abusing their workforce and churning out material that - at best just doesn't live up to its potential - at worst, is just unwatchable shit.

#movies #AGAIN this is obviously only one element of the shitty looking movie problem #but it goes to show how important it is that you know your shit if you want to be in charge of anything

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mirohlayo · 14 hours ago

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F1 DRIVERS AND YOU (their crush)

KISSING THEIR CHEEKS

( include piastri, norris, leclerc, sainz, hamilton, russel, verstappen & ricciardo )

warning : none just fluff

note : little nod to max's 4th championship win, congrats to him, sooo proud !!

─ OSCAR PIASTRI

I know for sure boy was blushing so so hard. But it's absolutely adorable and cute. Oscar is very patient with you, and even though he dreams of being able to touch you in a more than friendly way, of being able to at least have the right to a little kiss, he restrains himself and tries not to act under his impulses. . However, when you decided to quickly kiss him on the cheek, out of nowhere, he actually felt himself melting from the inside. His cheeks have never blushed so much, and his heart has never beaten so quickly.

─ LANDO NORRIS

Ugh, you guys can barely hold eye contact, but he's already so in love. So mad in love even. Despite the fact that you are still shy, especially him, that you struggle to make eye contact without blushing afterwards, Lando can't help but ask for more. Just a little extra. So, when he walked you to your doorstep, he immediately asked you if he could have even a mini kiss. Your lips naturally landed on his cheek, brushing against it, almost like a ghost kiss. And when you pulled back oh... He was already touching the place where your lips rested, cheeks as pink as yours.

─ CHARLES LECLERC

This was absolutely surprising to Charles. But he would love to be able to feel that feeling again. When your lips pressed naturally against his cheek, your hands framing his face perfectly. He didn't move for at least a good two minutes, trying to figure out what just happened. If it was real. He was so shocked that he didn't see you lean in again to place another sweet kiss. He blinked a few times, and you could only giggle silently. Oh, it was the best day of his without a doubt. And if he could live it again, he wouldn't hesitate for a single second before saying yes.

─ CARLOS SAINZ

He only had eyes for you. And he loved seeing you smile, and making you happy. So from time to time he spoils you, and although you don't like it when he buys so many things for you, you always end up thanking him warmly because after all, it's adorable. You always hugged him, hugging him a little tighter each time, but this time it was different. You wanted a change from hugs, so with a surge of courage and love you gently kissed his cheek to thank him. He was dizzy, almost on the verge of passing out. He couldn't hold back a shy smile, and above all he couldn't settle for a hug from now on.

─ LEWIS HAMILTON

He waited there patiently, sitting in a corner of the garage before getting in his car. You were a few feet away from him, watching the mechanics adjust the final modifications to the car. He couldn't help but admire you. And stare at your lips. God, he would give anything to be able to feel them against his skin. And as he was about to get in the car, he stopped when he felt your arm rest on his forearm. And without knowing how, your lips crashed onto his cheek in a quick kiss. His best smile appeared on his face, as he tried to hide his blush by putting on his helmet. Finally, his wish came true, right?

─ GEORGE RUSSEL

He can't stop replaying the scene in his head. He already found you so perfect, so beautiful and incredibly intelligent. It wasn't just a crush anymore, it was George, a simp for you. But already his heart was speeding up just by looking at you, he really thought it was going to stop beating when you gently kissed him on his cheeks. It was pure, sweet and... terribly affectionate. He tried to appear as normal as possible, but inside he was a mess. His whole body was telling him to kiss you and tell you everything he has in his heart right now. And he's sure that day will come soon, because there's no way another day will pass without a kiss from you.

─ MAX VERSTAPPEN

As the race draws to a close, Max is finally a 4th time F1 world champion. And getting out of his car, as he proudly waves his arm to greet the crowd, only one thing is on his mind. You, you and only you. So it was natural that he found you among the crowd, looking at you as if only you existed in the world. His hair was still damp, his face still covered in drops of sweat, but that absolutely didn't stop you from pressing your soft lips against his cheek, for a long time. Passionately. And oh, that sweet gesture was better than any championship. His eyes spoke for themselves.

─ DANIEL RICCIARDIO

He will never, ever stop teasing you about the kiss you gave him. Quite simply because he loves seeing you smile and laugh, but above all because he secretly wants you to repeat this gesture over and over again, for eternity. Honestly, you wouldn't even have to ask him for permission as he will already be ready to receive another kiss from you on the cheek. It was by far the most beautiful experience of his life, and oh, his heart always asks for more when he sees you. So, he hopes to feel your lips on his skin again, even if it costs him to tease you all day long.

#f1 imagine #f1 x reader #f1 fanfic #oscar piastri x reader #lando norris x reader #charles leclerc x reader #carlos sainz x reader #lewis hamilton x reader #george russel x reader #max verstappen x reader #daniel riccardo x reader

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cuntdevil · 2 days ago

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★ NEVER BE ENOUGH !

the fan fiction he writes for you will never be enough, and neither is the week he's been gifted to meet you. it will never be enough until he has you in his hold.

( fic demographics. ) jujutsu kaisen, kamo choso, dark content & sexually mature | minors, ageless & blank blogs : do not interact & 17k words !

╰┈➤ fanboy/fan fic writer!kamo choso & actress!reader, choso has a tumblr account, parasocial relationship, obsessive!kamo choso, stalking, nonconsensual photo taking, mentions of masturbation, sexual fantasies, fingering, oral (female receiving), unprotected sex, overstimulation, creampie, etc.

( author's note. ) i enjoyed writing this piece so much, even though i was a bit nervy !! i hope you lot enjoy as well !! much love, baebies. mwah !

They say people that write fan fiction are weird. That they’re stuck in a world that will never become a reality. That they’re obsessed with fiction instead of focusing on the authentic. And, in a way, it’s true. They have an imagination that brings them to wonders and they hope to escape the real world. They spend hours on end trying to perfect scenes, hyper-fixating on one specific idea that came to them at the whee hours in the middle of the night that they just had to bring to life to alleviate the constant badgering inside of their mind. They give people a gift, something free to read in their spare time, for nothing in exchange except for a like, reblog and a comment to share their feelings.

Choso, he doesn’t feel ashamed when he admits that he indulges in fan fiction to his friends. Why should he? It is, after all, a form of creativity. However, the teasing becomes annoying and it’s all they can talk about for weeks on end, so instead, he keeps it to himself because he just can’t be bothered. But, to say he’s ashamed? No, that’s something he’ll never be.

Why should he be when he can fabricate an entire universe inside of his mind? Why should he be when he can beckon thousands of people to read his work and garner a following that tells him that he’s not alone — that there are people who enjoy his work and what he can create with the right pairings of words and phrases? Why should he be when he has mutuals that write alongside him, doing what they love to do?

Call him an extremist all they want, but if other men can create their dream characters in their fantasy footballs and have entire plotlines to how they came to the top, what’s so different from it? He should be able to love something so much that he needed to create his own world(s) of it. Even if they all revolve around you.

If anyone were to scroll through his masterlists, they'd see that over one hundred of them had your name in it. Didn’t matter if it was a specific character you played or if it revolved around the real you, it was a consistent list that let his readers know that he was irrevocably in love with you. It was concerning until they saw a different name not tied down to you, clicking on the link as their previous remarks were quickly forgotten.

He had first come to know of you through a sit-com, Big House. A child actress with the cutest of eyes. You had called all the attention on you as viewers loved you the moment you were introduced, rating going higher and the television series going for a total of eight seasons. It was a long-running show during the time that it ended, but Choso soon learned that all the episodes he had been watching at the time were reruns and weren’t current. It had disappointed him as he, too, saw your appeal to the mass.

He had next seen you on another show aimed for kids and families, once again, compiling high ratings for television companies as you had many side projects of modeling, acting in different franchises, and even dabbling in a short-term music career (It was an inside joke to fandom that your singing career remains unmentioned). However, Choso didn’t feel inclined to write until you starred in Us Against the World.

For the first time, you were the main star of the show, finally showing the world your true capabilities and leaving everyone enamored by your performance. It worked especially well in your favor as previously, you were tied to a huge controversy that tarnished your name, being labeled as Hollywood’s Supreme Diva, after freshly turning eighteen and paparazzi weren’t so nice.

The countdown to your eighteenth birthday had been a disaster as preying men had been looking forward to the big one-eight and the media entertained it— sexualizing your transition from child to adulthood. You had already started rebelling at sixteen, photo-ops have proof of you smoking and participating in underage drinking. Mothers ridiculed you, fathers fantasized about you. It was so disgusting in Choso’s eyes, his thick pieces on Tumblr being proof of it.

When the day had come and you wanted to celebrate despite the media constantly being up your ass, paparazzi were bombarding you the moment you slipped outside of a Casino, reaching for you in attempts to ask you invading questions. You had your bodyguards with you, but one managed to sneak through the cracks, reaching straight for your breasts. There were two infamous shots taken back then— one of you being groped and the next one you punching said paparazzi square in the jaw.

Your father made you take self-defense classes, and you knew you could throw a punch. It was evident on the sleazy man’s face that you could, too, but in efforts to keep his dignity intact. He spit out the blood and said, “You punch like a little bitch!”

That was the title of the articles that came out the very next day, alongside (Your Name) has become the Supreme Diva of Hollywood. You seemed to have vanished after that night as people went on and on about your disrespectful nature, like you should’ve just let the man grope you. And people didn’t ignore your absence for a while, further articles being published and claiming that you were embarrassed about the way you lashed out.

You had stayed away from the media for two to three years until you were offered a role to play the lead in a zombie television show called Us Against the World. The director had contacted you herself, explaining who she saw you as, Beatrice Martin, and how she thought you were well suited for the character, seeing everything that you went through. You had gotten so comfortable with the silence and seclusion from the world of fame that you were about to say no, but instead, your mouth had said “yes” and further promised that you were willing to at least audition for the role.

Choso had set a reminder on his calendars of when the show would first be televised, locking himself up in the room with food and drinks as he was perched on his bed. The opening scene began with you and from that moment forth, he was hooked on the television show and you. Shortly afterwards, he had found himself immersed into the world of fandom, learning more about it and that people wrote fics based on the characters and different forms of media they enjoyed. From Wattpad to Quotev to Fanfiction.net, Choso indulged in many websites and apps. However, he felt a calling when he found Tumblr— the shitty site holding him bound by his arms and legs— the url handle kamoso becoming an account that many people look forward to clicking.

—

You thought you were done with acting. You wanted to be, but now that you’re back under the limelight and more in control about your image, you manage to endure the brunt of the lifestyle. The worst has passed, after all.

You’ve fallen back in love with the art of being someone else, finding comfort in the fake as you flash faux smiles and scream in agony on the camera as your significant other on screen gets ripped apart by the undead, fake blood pouring from the contraption connected to the fake arm. However, under the circumstances you’re under, you can’t stop and mourn, calling more attention to yourself under the herd of zombies hurdling your way. You have to be selfish and think for yourself, trying not to look back at the hungry mob nibbling on your dying lover.

You run until the scene is called to a close, halting your movements as you pant. Hands landing on your knees as you hunch over and throw your head back. And when your co-star, Geto Suguru, touches your shoulder, you immediately reach to hug him, groaning as you tighten your hold around him and him doing the same. Everyone crowds together in this moment of goodbye because outside of flashbacks and cameos, this will be the last of consistently seeing him.

And while this is all fake, some of it feels real as you will mourn the loss of another consistent cast member, soon to be replaced by someone else come episodes or seasons later. However, you’ll enjoy the video essays and the threads online people will create the moment the episode will drop— crazy conspiracy theories being said as fans stay completely in denial to the loss of another founding character. Or, people lowkey glad that they’re gone, sharing their thoughts on why they hated Geto’s character. Whatever it will be, you’ll use some of your spare time to giggle at it and message him later on that day.

Because, outside of the bad that has come out of achieving your dreams, you really have come to enjoy the good that comes out of it. Like the contest that you’re participating in, the television company, ABC Channel, you’re currently working under partnering with ‘The Aspiring’ to host a contest, inviting a few fans to meet with any of the participating cast members of whatever show under ABC for a week. As explained to you, the contestants will submit an entry following the prompt: If you were to rewrite one episode, which one would it be, and why?

You had found the prompt interesting when the news of a contest was announced during one of the meetings when Us Against the World was ready to start filming for the new season, opting yourself to be one of the stars who were willing to participate. It had brought a lot of shocked faces as you haven’t really shown interest in much fan interactions minus occasional hellos you’d give when someone recognized you. You had kept yourself reserved much to the media’s dismay as they were quick to write off that you had returned back to your old ways, but genuine fans were always quick to defend you, seeing you as what you are— human. Nonetheless, you received support from your fellow co-stars and staff, happy that you’re opening yourself up a bit more.

The contest has yet to be announced, but you’re anticipating it as you also had the chance to be involved in who won for your show. It would be an opening of opportunities for the winner, a possible chance to network if they had true potential. You were always grateful that someone saw yours and you wanted to be the next person to shine the light onto someone else. You could hear your father’s voice inside your head at times, questioning you for your naivety and how you could take a risk like this. You can hear the deep, angered grumble of his voice chastising you. “How can you be so stupid? Why would you take a chance like this?”

Once upon a time, you’d let his every word dictate you. You hadn’t much choice as he was your parent and you were a minor, but you let his words become your Bible and had lost yourself along the way. While you had deterred yourself away for a while— hence the columns of you drinking and smoking— you had always let him put his foot on your neck in deciding who you were to be otherwise. It got worse when you had turned eighteen and you had let him put a halt in your acting career, wanting you out of the limelight for good. You had wanted a break, but never wanted to detach yourself entirely. When Us Against the World was offered to you, you and your father had a huge falling out about it and you haven’t seen him since.

He’s called, and you have, but neither of you have made the effort to see one another. And, honestly? You like it that way. You want to shine without the moon standing in your way. Everyday, you’re a little closer to doing just so.

—

theaspiring and abchannel

Want to meet one of your favorite stars? You’re just in luck! The Aspiring and ABC are collaborating together to give dedicated fans a chance to spend a week with one of their favorite stars. All you have to answer is: If you were to rewrite one episode from your favorite ABC series, which would it be, and why?

Put your imagination to use as we’re accepting a variety of submissions. However, please adhere to our rules and guidelines when submitting. Click the link below for more information and faqs. We can’t wait to see your submission!

www.theaspiring.com/abc-x-the-aspiring-contest

Choso’s heart begins to race, reading the post caption, checking the account legitimacy only to see that both accounts are verified. When he clicks on the hyperlink, it sends him straight to the official website. He has to pinch himself in order to convince his mind that this is real— that this opportunity is an actuality and there’s a possibility that he can win.

He throws his phone at the far corner of the bed, too close to the edge but never falling. On his nightstand, he immediately reaches for his laptop, an idea already in mind as he spends the rest of the day writing. He typically finds himself like this when he writes, caged up inside of his bedroom as neglecting his health in order to finish a fic. The many times he had to tell himself that this wasn’t serious— fan fiction isn’t serious— and that he shouldn’t ruin his health because of it. However, he just gets so captivated by it, putting all of his focus on it and not eating or drinking or showering the entire day. His fingers would only move as his eyes got dry from looking at the screen for hours on end, but he couldn’t bring himself to stop as his mind would only go and go and go. If he didn’t get it down now, he was in fear that all of his ideas would evaporate in that very moment and they’d get lost in the abyss of forgotten epiphanies.

Right now is the same as the last time he looked at the clock, it was only ten in the morning. When he’s finally done, it’s eight at night and the word count reads over 20k words long. He’s developed a migraine by now, finally shutting the laptop as the document automatically saves. The moment his feet hit the floor, it tingles and he has to limp his way to his bedroom door. He rolls his head back, his vision getting funny as he opens the door. He’s starting to feel the quick repercussions of his actions as his stomach growls and he starts feeling nauseous. He has to force himself to muster up the strength, fixing a small bowl of oatmeal to take away the pain and jump in the shower right after.

The heat of the water is relaxing, the piping hot touch cracking every aching muscle in his body as he relaxes. The eucalyptus body wash infiltrates the steamy air, its strong scent lulling him to sleep that he nearly slips and calls it quits. Somewhere along the way, the clip holding his hair up has slipped out, his hair falling in front of his face haphazardly. The white towel wrapped around his waist threatens to fall as he takes careful steps, excess water dripping in his path. In the comfort of his bedroom once again, he pulls on a baggy t-shirt and pajama pants as he jumps back into bed. His laptop lays next to him as he’s momentarily coaxed to get back on it, but the exhaustion running rampant through him takes control and knocks him out before he could truly contemplate what was happening.

The next day, when he’s wide awake, he works on the document again. He proofreads it, correcting all of his mistakes and making sure that everything makes sense. The document name, Never Be Enough. He had always wanted to write a fix-it fic for one of the most tragic episodes in the entire series, where your character— Beatrice— had finally reunited with your father after being departed for months because of the apocalypse. It was the main plot to the series for majority of the time as every time that you were close, some heavy obstacle would fall into place, distancing the both of you before either of you knew. It aggravated him, the writing of the show that he remembered wanting to drop it at some point. However, he braved it through.

When the episode finally came where Beatrice was finally reunited with her dad, he was ripped away from her. Literally torn apart from her in a stampede of zombies that managed to make it through the barricade surrounding the small colony of survivors. Your band of friends that helped you get there had to get you away as you watched in pain, the last part of your old life all gone. The episode was called Never Be Enough, and gosh, while he hated it, it fit so perfectly. Because no matter how much you have fought to get there, it all felt like it was never enough. Choso had to question if it was his emotions that made him believe that the show writers were just crappy at their job and if in actuality, they were geniuses.

After the season was left on that cliffhanger, it made Choso go into a silent rage inside of his mind as he could only think about how it ended and the possibility of your character arc being ruined before it even got the chance to get better. He had written some possibilities of a better ending, but never decided on it until yesterday. Twenty thousand words he had to look over, and if he’s being honest with himself, it still doesn’t feel like enough. But while there wasn’t a word limit of written entries for the contest, he didn’t want to test said limits and kept most of the piece where it was at. When he was finished, he formatted the first page how it was asked of him.

Alternative Ending to Us Against the World, Season Two: Episode 11

Never Be Enough by Kamo Choso.

Top Three Picks for 1 Week Celebrity Meet: Your Name, Geto Suguru, and Nobara Kugisaki.

He wrote a small page on why he thought the episode needed to be written before he transitioned onto the work itself, making sure that it flowed together before overlooking the entire document again. When he was finally satisfied, he downloaded the document— Never_Be_Enough_KCH.docx— and logged into his account for The Aspiring. He hated this feeling, this piercing pressure of anxiety in his chest. It happened whenever he posted a new fic and now it was happening with this, too, but this? This was much worse.

He felt like he could barely breathe, slowly dragging the file with his cursor and watching it load. When he read 100%, he hovered over the ‘Submit’ button and squirmed in his gaming chair, the seat swiveling as he turned from side to side. Closing his eyes, he just had to do it. The sound of the right click echoing through the room before he opened his eyes again and watched the screen load. Then, virtual confetti blowing across the screen as ‘Successful!’ reads across the laptop. He lets out the breath he was holding, his reddened face losing its color as he shuts the screen and jumps onto his bed.

Pulling his phone from his pocket, he clicks open the Tumblr app, opening up a new post page and types out: ‘I think I just made the worst mistake yet. I’ll tell you guys later if I’m a fool or not.’

—

You never realized how reviewing competition submission could be so tiring. Days and days of watching, viewing and reading what people had to say. While it had been fun at the beginning, it quickly became tedious and exhausting after day three. From your checklist, you marked off those you found no interest in and checked off people who had lots of potential.

Each submission was sorted by the contestants’ top choices, where you seemed to have the majority of it for Us Against the World. Thankfully, any submission that had shown red flags were immediately removed before your viewing, but it was still a heavy amount that you had to go through. Your body ached and your vision started to blur as you read over another paragraph before groaning. You shut your phone screen off and drop the device right next to you on the couch and get up.

When you stood up, you stretched and sauntered straight to the kitchen, opening the fridge and pulling out a tupperware of leftovers. When you look at the time, it’s only twelve in the afternoon. A yawn draws from your lips, eyes squinting shut as the hum of the microwave sounds in the small luxury apartment. You stretch once more, arms rising above your head as your shirt joins you for the ride, your belly button peeking from underneath. Three chimes before you’re opening the microwave door and pulling out the orange chicken and lo mein, stabbing a fork in it and blowing on the spoonful of food.

You turn on the television the moment you return back to the couch, taking a moment to unwind and watch something that isn’t so of substance. Somewhere in between, you fall asleep, food halfway finished and nearly falling from your grasp. Your head leans crooked as you sleep sitting up, your head resting simultaneously on the wall and the leather as you’re tilting over. Ever so slowly do you move until you hit that slippery slope, falling down so fast that you jump awake in fright and your fork finally falls from the tupperware, clinking against the marble floor.

“Shit,” you curse, never meaning to fall asleep. Glancing at the clock, more time has passed more than you expected, making you curse one more time as you go in search of your phone. It loads back to the last submission, which you quickly click out of and find something else. It takes time getting back in the groove of things, but when you do, you find yourself with certainly more energy than you did before, managing to skim through most of them.

You spend the remainder of your day cooped up back on the couch before you’re clicking on what you note will be the last submission for the night. The document name, Never_Be_Enough_KCH.docx, when you click on it, it takes some time to load. The three dots spinning around in a circle before the front page loads.

When you start scrolling, you gasp. “Damn…”

Over twenty thousand words to read. Wow, you think. They practically wrote a novel. You started debating on if you should really end your night with this. If you did, you won’t go to bed until midnight, and you have a busy schedule tomorrow. It wouldn’t be worth it. However, you manage to convince yourself to read the first paragraph at most, reading why they believed that episode should’ve been remade. In fact, they went on a miniature rant on why they believed the entire first couple of seasons should have been rewritten. It made you laugh as it heavily intrigued you, leading you to scroll further and read through it more.

One thousand words became two, and five thousand became ten. The words were written so seamlessly that when you stopped to glance at the time, you no longer cared, wanting to know what happened next. It was as if you weren’t an actress, but a fan of the series itself, immersed so deeply into the plot as you started tearing up at some points, laughing at the next. It felt amazing to be well invested in something. When it was finally over and you could no longer scroll, you felt a missing piece within your heart as you felt like it was too short and there should be more.

Pushing yourself to sit up on the couch, you wiped away the tears on your face. “Fuck,” you couldn’t help but laugh at yourself. You didn’t think coming into this, you’d get so emotional, but this person? You scroll back to the beginning of the document, reading their name. This person, Kamo Choso, really outdid themself. On your list, you highlight his name. You don’t care if you didn’t finish the majority of entries, you go to message your manager, downloading the file as you send it to her. You even go the extra mile to messaging your coworkers, your text reading along the lines of: This one is definitely worth the read. I think I’ve already found my winner.

—

In two months time, Choso receives an email from The Aspiring. He doesn’t open it immediately. Instead, he waits until the next day at midnight when he’s finally remembering it. With short breaths and his chest rising and falling, his thumb hovers over the notification as the subject line reads— Your Submission Results are in . . .

And gosh, Choso really has to work on his pessimistic views because when he finally clicks on the email, he immediately thinks he’s lost the competition, dread coursing through his body as he’s preparing himself for disappointment. However, the words of We’re Sorry never show up and instead . . .

Congratulations, Choso! We were very impressed with your submission as you’ve managed to keep us on the edge of our seats for your entry. We’re ecstatic to say that you’ve won a chance to meet your number one pick, Your Name. They have a very special note to further congratulate you.

“Congratulations, Choso! I wanted to personally say that I really enjoyed every ounce and every minute that I got to read your submission. It was really immersive and I have to say, you have a special way with words. Thank you so much for the time you spent writing it because I know it was a lot. Can’t wait to meet you in person!” — Your Name.

Choso went to sleep as a more happy and optimistic man.

DAY ONE

Airplanes have never been Choso’s thing. He doesn’t travel much, but when he does, he tries to avoid them if he can. He doesn’t have a fear of them, but he finds them so uncomfortable. The entire process of having to check in and then going through his packed bags to take out electronics and whatever TSA asks of him. It’s a tiring process that he’d just like to avoid altogether. However, for you and a paid flight, he’s willing to go through the hassle. He just has to make sure he has enough stuff to help him survive the trip over. It’ll be about a seven hour flight, after all.

Scheduled to board the plane at twelve-fifteen, he should arrive around eight-fifteen. However, due to the different time zones, it’ll be somewhere around five when they land. It’s the one thing that Choso dreads when traveling as a whole, the change of time always messing with his mind and making him an absolute grumpy mess as he tries to get accustomed to it all. But, then again, he tells himself, it’s for you and it’s an all expenses covered trip. He shouldn’t complain at all.

When he boards the flight and it’s finally ready for take off, the first thing he pulls out is his iPad and the keyboard installment to go with it, pulling up offline documents he made sure to have saved up to his current progress. He spends the majority of the time on the plane hopping from one document to the next as it helped ease him during the turbulence and ongoing ruckus that would happen from time-to-time.

Black headphones that drown out the rest of the world, when his iPad dies and his portable charger is already in use, he spends the next hour fast asleep with Lofi hip hop playing in his ears until he’s being nudged awake. One, two, three times he is nudged because he’s finally awake. A raspy ‘hm?’ that leaves his lips before his dark eyelashes flutter open. His aisle is completely empty when he looks around, only a flight attendant standing in front of him. “Sir, the plane has landed and everyone’s left.”

“Huh?” he hums before he realizes what she’s said. “Oh!”

Face heating up as he abruptly stands, nearly falling over, he rushes to the overhead storage to pull out his carry on luggage. He leads himself out of the plane, never making eye contact with the rest of the attendants as he shuffles with his carry on. Checking the time, it’s thirty minutes past five and the vehicle waiting for him will be here around six. He thanks the simplicity of domestic flights as he doesn’t have to go through the heavy hassle of further checks, making a beeline towards the exits as people crowd the outside, either waiting for their ride or taking their luggage out of the trunk.

Choso passes the time with music playing in his ears and his eyes glued to the phone, reblogging posts and reading through his TBR list on Tumblr. When the clock ticks closer to six, he’s shutting his phone off and keeps his eyes out for his designated ride, anticipation running through him whenever a vehicle comes close. It has his anxiety racing as his fingers twitch to the jagged birthmark etched across the bridge of nose, the dark line probably annoyed with his habit.

When his ride did come, it was more than he expected. A black limousine parking in front of Terminal D, just as they had explicitly told him. People were selfish as the vehicle tried to turn into the front, honking their horns in hopes to get past. However, the stubborn chauffeur stayed in place as shortly, people made space for him. When he finally parked, the chauffeur hopped out of the front seat as he quickly averted his attention to Choso. The dark birthmark being the indicator of his identity as he approached him. “Kamo Choso, am I right?”

Choso nods, eyes widening as he realizes that the limousine was, in fact, for him. He shouldn’t have expected anything less, but he didn’t suspect it to be just like the media portrayed it. “Uhm, yeah,” he verbally responds. “That’s me.”

“Great,” the chauffeur smiles curtly. “I’m Haibara. I just need to see some ID and we’ll be on our way.”

Pulling out his passport, Haibara takes a picture of it, his fingers swiping and clicking away before guiding Choso over to the vehicle. As the man holds the door open for him, Haibara already having thrown his luggage in the trunk, Choso takes a step inside as he observes in awe. Next to his seat, a basket of goodies that waited for him as well as a few refreshments. When Haibara finally hops into the front seat, he looks through the rear view mirror. “_____ bought you a basket full of snacks for you to enjoy on the ride down. She expected that you’d be a bit peckish after the long flight. I hope they’re to your liking.”

“Oh,” Choso hums, grabbing the basket as Haibara starts the engine, pulling out of the space. “That was nice of her.”

The comment was more to himself, and thankfully, Haibara didn’t comment on it as he simply nodded in agreement as his eyes became glued to the road. The only time he did talk was to ask if Choso wanted to change the radio, and showed him how to do so if and when he felt like he needed to. Other than that, the ride to the hotel was silent. The traffic was heavy where it nearly took an hour to arrive. Choso had finished two bags of chips since the ride, about to pick up another one when Haibara spoke once more.

“I forgot to mention this earlier, but there’ll be a welcome dinner later tonight,” he informs Choso. “Once we arrive, you can freshen up and in an hour’s time, you’ll meet me back at the entrance of the hotel.”

Just as he says that does he pulls up in front of the hotel, parking the limousine right in front of the double doors. Exiting the vehicle, Choso grabs the small basket of snacks along with him as Haibara helps him with his luggage, signaling for the bell boy to assist Choso. The building exterior itself is large, a beautiful sight to see, but the inside is a thousand times better. It’s unfortunate that Choso didn’t get much time to marvel in it as Haibara nudges him forward as the bell boy nearly leaves him behind.

“You’ll have plenty of time to look around later,” Haibara chuckles as he helps Choso check in at the front. Right as he’s about to temporarily depart, he gives Choso a curt nod. “I’ll see you in a few.”

Choso doesn’t know if he prepared himself well enough. What was he supposed to do when he finally met you? It never felt real to him until this very moment, where he finds himself in the small confines of his hotel room and he’s opening his suitcase. Did I even pack anything decent enough to meet them? What am I even supposed to wear? Is it fancy? “Fuck,” he curses, flinging the cover of the suitcase over it as he stands up. A shower… A shower is what he needs.

When it’s the time that Haibara instructed Choso to meet him, Choso is two minutes late. He hopes the brunette wouldn’t chastise him for it, but then again, the man didn’t seem like the type. If anything, he’d probably sweep it under the rug as it was just two minutes.

So said, so done. Instead of the limousine, Haibara’s now standing in front of a black Lexus, legs crossed as his hands are stuffed inside his pockets. He has that habitual smile on his face as his eyes crease as he says, “You’re right on time.”

It makes Choso want to snort as Haibara holds the door open for him and hops inside. The drive is much shorter than the trip from the airport down to the hotel, arriving in just under twenty minutes. Haibara bids him a nice farewell as he instructs Choso what to do when he gets inside.

He can already feel it, the sweaty palms and the damp under arms of his short-sleeved button up. He’s starting to shiver already as well. Each breath he takes is getting shorter and shorter and he’s trying to stop himself from experiencing a panic attack when the doors automatically open for him and there’s a sweet woman standing right at the front.

“Welcome to Mahogany,” she smiles kindly. “Do you have a reservation?”

“Uh, yeah,” Choso breathes. “I—I’m here for the welcoming dinner. My name’s Kamo Choso.”

She nods her head, receiving a clipboard as she reads through it. When she spots his name, her eyes light up as she leads him around back. That’s where he spots her, where it took him no time at all. Everyone’s seated together at a table that has to fit around twenty at least. It’s overwhelming.

It’s not just you, but it’s Geto Suguru, Kugisaki Nobara, Itadori Yuuji, Gojo Satoru… It’s some of the cast that he’s only ever been able to meet in person. It has him stopping in his tracks just a few steps away from everyone, where the hostess walks ahead of him, unaware that he’s stopped. He wants to turn around and tell Haibara to come back, but he’s probably driven off and he never did get his number. Would he have even given it to me? He asks himself.

“Here’s your—” the waitress stops her in tracks when it comes to her realization that Choso hadn’t followed along, head spinning around to see that he’s a few tables down. It calls for more attention, much to his dismay as the chatter dies down and almost everyone’s peering their head to see their new guest.

Choso wants to die, face heating up as his hand raises to scratch at his birthmark. It’s the same person that’s caused this reaction to speak up. Your eyes elated as you push back your chair, coming to stand. “Choso!”

Your eyes meet your smile. They sparkle as you extend your arms out to him. Dressed in an orange dress, it compliments you well as the top hugs your upper frame before flowing at the skirt. It's simple, but perfect for the occasion as you have an ivory-toned shall to go with it. “I've been so excited to finally meet you in person. You have no idea how much I loved your entry. I read every single word of it and I even went back and read it two more times when I had the chance.”

You speak to him so easily. How do you do it? “You— You actually read it?”

“Yeah,” you chirp, guiding him to his seat next to you. “We all got a chance to read through the majority, if not all, the entries, and chose our favorites. Oh! By the way, let me greet you to everyone here—”

Slowly does his anxiety dissipate with every passing second as he takes a seat next to you. You take time to introduce the winning contestants who’re also here and your co-stars. His heart still races, however, beating rapidly across his chest that it feels like it’ll implode. You’re more beautiful than you appear on screen. Your hair combed into one as your voluminous strands dance upwards like a crown. Curls that glide alongside your forehead with tendrils right at your temples. Your makeup matches the warmth of your orange dress, a slightly orange-tinted blush that works well for your warm undertones. You’re a beauty made to be marveled over, someone who deserves to be painted, your picture hanging in one of the finest of museums.

Eyes glued to you the majority of dinner, he can feel it deep within himself. He’s in love.

DAY TWO

A blessing that comes with acting is the impact that you have over people’s lives. Seeing how being an inspiration has truly framed a person’s life as they build a positive outlook on their dreams, thus chasing after them. The stories they share, or how they’ve found comfort in your shows. It all warms your heart when their genuinity outshines and sparks joy within you.

You don’t want to hold yourself on a high pedestal, but you can read it all over Choso. The adoration he has for you, it was evident in his entry and it was evident at the welcome dinner last night. Standing starstruck as he gawked over the celebrities that sat around the table, but eyes ultimately meeting yours as they glossed and shined over in a thin veil of tears. You remember first being that way when you hit the limelight. It felt incredible meeting your admirations, but it could also be embarrassing.

It was cute how Choso was flustered and completely enamored once you broke that thick coat of awe, pulling him in for conversation as many of them complimented him for the work he put in before boasting about their winners themselves. In your eyes, the dinner was a tremendous success and you could only anticipate what today was going to be like as well as the rest of the week.

As your makeup is being done for the current episode filming, there’s three light knocks on the door. You shout, “It’s open!”

One of the personal assistants opens the door, pushing his head inside as they make eye contact with you. “Ma’am, Choso has arrived. Do you want me to send him in?”

You don’t hesitate to respond with a ‘yes.’ Nodding your head, you smile. “Send him in.”

It isn’t long before the door’s shut that it’s opened once again as the same personal assistant leads Choso inside the trailer. Instead of the black button and black denim jeans he had on yesterday, Choso has on a white t-shirt and a pair of black sweats as he stands inside the trailer, hands shoved in his pants as he stands awkwardly. Your makeup artist gives him a polite smile as she does the last touch-ups before giving you the go ahead.

“She’s all yours now,” she chuckles, before gathering up the belongings and giving the two of you alone time. Choso still can’t believe how your eyes continue to match your smile, portraying genuine happiness as you beckon him to take a look around.

“It’s not really much,” you shrug. “Just what I need to survive when filming hours drain me and I don’t have the time and energy to head back to my apartment.” Choso’s eyes travel, taking in the small exterior. It feels so homely as a bed is fixed to the far left corner as a few furniture pieces stand, holding a clutter of your belongings. Somehow, you’ve managed to make the space feel so real and cozy. “But, this isn’t the exciting part—” You cut the tour of your trailer short, pushing open the door and climbing down the steps. “—C’mon, the set where we actually film is much better.”

You walk a few paces before Choso catches up to you. When he finally exits, you could’ve sworn you saw a glimpse of something shimmering as his hands went stuffed back into his pocket, but you ignored it, figuring it was just the reflection of the light. Quickly, your mind ventured to the task at hand as you led the way down the set.

“We have two options for you guys,” you say, constantly glancing back at Choso to make sure he’s caught up with your quick steps. “Because the new season hasn’t aired and we don’t want to spoil things for you, we’ve got your chauffeurs on standby. You’ve got Haibara and I know he’s willing to bring you anywhere you want, he’s being paid a bit extra for it.

“Or, if you don’t mind a bit of spoilers and want to see more of the action,” you turn around, walking backwards as you wiggle your eyebrows. “You get to watch us film. Which one is it?”

“Who wouldn’t want to see you guys film?” Choso scoffs, his answer evident. He didn’t come all the way here just for a simple break from his everyday life. No, he wanted to experience the life that you lived as an actress.

You snort. “That’s what I thought, but the rest of the guests wanted to stay behind. They said they didn’t want to be spoiled at all, which I can respect, but—”

“I think it’s a waste of a day,” Choso shrugs. “To finally get the chance to see what happens right before your eyes, and to miss out on that opportunity because you don’t want to be spoiled. Knowing about one episode won’t kill me.”

His candor sparks interest in you as you nod your head, processing his words. “What do you do for work, Choso?”

“I work from home as an IT,” Choso says.

“What?” you guffaw. “You wrote a twenty-thousand word entry and you’re only working in IT? That’s a waste of talent.”

“I’m hoping to find something better at some point,” he tilts his head. “I don’t plan on staying in the field for too long. Though, I am good with computers.”

“Sorry,” you apologize, not initially aware about how your statement sounded. “I didn’t mean for what I said to come off so hard, but you definitely have some talent and I don’t want you to leave it to rot. We need a lot of writers within this industry. We need to keep the ideas flowing.”

Choso didn’t come here to network his way into a better life. He always felt like writing was a hobby that he had come to develop over the years after indulging himself in fandom culture. He loved writing, but also feared it. Feared the ideas inside of his head and how people would perceive his ideas. How people just couldn’t see past the wrongs of a character, never being able to tell past fiction and reality anymore— it scared him. However, he did dream of them coming to life. This was his opportunity to do so, but he didn’t want it to seem like that’s why he submitted his fic. He wanted it to garner attention, but only to win.

“No,” he shakes his head. “I understand what you meant. I guess… I never really thought of myself as becoming a writer. Like, yeah, the idea came to my mind, but I was always afraid.”

“I know this is easier said than done,” you stop, your tone getting serious as your voice drops low. “Especially coming from me who’s been working in the industry for the majority of my life, but fear is one of the biggest things to hold you back in life. It’s the one thing that the majority of people let control them. I let it control me for part of mine.”

One thing your father instilled in you was fear. The moment you stepped into the limelight, he wanted you to take certain precautions. Fame could be detrimental to a person and having seen the many scandals through limitless magazines and news stations, he didn’t want you to fall victim to Hollywood. Limited interviews, chaperoned events— he did what a father was supposed to. He kept you safe, but his love knew no bounds and it started to hover.

When footage of you smoking at sixteen was released, you were under lock and key as you could only go to set and straight back home with him. He kept you under his immediate scrutiny that had you rigid and stunted for it all. “Do you want to die?”

He would fill your mind with these drastic fears, always thinking of the worst. “Do you know what nicotine could do to you? It could ruin your lungs and give you cancer, then you’ll die!”

As an adolescent, you wanted to live vicariously and do what other kids your age did. You didn’t want to lose your childhood because of all these rules as a child actress. Why couldn’t you have both? So, you’d roll your eyes and when your father would least expect it, you’d sneak again, in hopes that this time you wouldn’t get caught.

Then, you turned eighteen and it seemed like all of your father’s fears were right. People were so quick to taint your image because of the boundaries you had set over your own body. It was as if you had no autonomy, no right in what you had to say over yourself as people labeled you all sorts of names— prudish bitch, whore, slut. Whatever name in the book that they could throw at you.

Finally did you cage yourself in, locking yourself away from the outside world because it had gotten to you. Your father would always look at you in a certain way afterwards, his eyes twinkling as if to say, I told you so.

Choso can’t help but wonder where that pretty little head of yours has gone, watching you silently as your mind drifts off as you let out a sigh. “My advice is to let that fear go and take what you want by the handle. You have real potential in you, and if you can find your way to make what you love your living, I say go for it. Especially when you have someone under your belt who you can take advantage of.”

You throw him a wink with your last sentence, the corner of your lips curving upwards before leading him to set. “Now, let’s go before I get yelled at for being late.”

You are an experience. That’s what Choso tells himself at the end of the day when he’s back inside of his hotel room, your golden bracelet in hand as he’s underneath the thick comforters as the air conditioner runs icy cold. It glimmers underneath the moonlight as he runs his thumb over it, heavy eyelids that taunt him, telling him to go to sleep.

And while he soon succumbs to it, you’re an anxious mess rummaging through your belongings as you can’t find the sentimental piece anywhere. You’ve shot text messages out, asking anyone if they’ve seen it, but to no avail. Your mind wanders back to this morning— Choso. That quick glimmer before his hands were shoved in his pocket, but as quick as the thought came, you were twice as fast to dismiss it.

That voice of your father comes back to mind, him calling you a naive little girl before accepting the role as Beatrice Martin. It comes back to haunt you, questioning why you’re so quick to dismiss a stranger. And you know that deep down, your father is right. You’re still that naive, optimistic little girl.

DAY THREE

A habit you had developed over the years was fiddling with your bracelet. The thin gold chain dangling on your wrist as you twisted it around in efforts to keep you comfortable. Now that it’s gone, the habit you had worked to stop has returned, but this time in search of the same piece of jewelry. Scratching at your wrist while you still keep a smile on your face. You look out the window, your eyes transfixed with nothing as the moving vehicle blurs everything. Haibara glances back at you, worry etched in his mind, but he’s already asked you if you were fine once. He knows that he’ll push the limit if he asks again.

So, when he’s in front of the hotel, he keeps on that bright smile as he parks the vehicle, “We’re here, ma’am.”

His smile falters when you don’t correct him for using the term ma’am, lips quivering as you climb out and walk past, only muttering out a weak, “thank you.”

Get yourself together, you chastise yourself. It’s just a bracelet. Just breathe.

It’s like a switch goes off inside of you when Choso appears, cutting out your worries as your legs move towards him. You force yourself not to worry, your eyes twinging in faux happiness as your voice gets chirpy, a few octaves higher than normal when you greet him and pull him in for a hug. “I hope you’re ready for the day!”

“Uhhh, yeah,” Choso fiddles with the sleeves of his shirt. “I think I am. Still not sure about being filmed, but I think I’ll get used to it.”

“If you’re still having second thoughts, I can talk to the camera crew and work something out,” you say. “We can keep the footage to a minimum.”

“No, no, no!” Choso shakes his head. “I don’t want to be a bother.”

“You won’t,” you say, pulling out your phone from your purse. “I’ll message them right now and see if—”

Choso immediately reaches out for you, grabbing your wrist tightly to stop you. It was a subconscious movement on his behalf, not aware of what he was doing before it’s too late. It catches him by surprise as it does you. And he hates how you’re looking at him, eyes widened as you pull yourself out of his grasp, Haibara about to intervene. “I—I am— I’m so sorry. I just… It’s fine if they record. I’m sorry.”

“You’re fine,” you breathe, voice low as it cracks towards the end. “It’s fine.” It sounds like you’re more so trying to convince yourself that. “Let’s just get going before we’re late.”

The tension in the car eased the moment the two of you were led out, the period of silence being a heavy relief as you hopped out of your side and let out a deep breath. You have your hair out today, letting your curls free in the unrelenting wind that blows it out of the perfectly curated shape it was in. You have to hold your hair up in order for the stray strands to twirl its way into your eyes, careful on your feet in the heels you’re wearing today. The skirt of your floral maxi dress blows through the wind as your hand casts a shadow over your face. Oh, how Choso wishes he could have captured the moment on camera at just how pretty you are, feeling like he never says it enough. You make him feel inadequate how you manage to always shine bright.

“Whew,” you huff. “It’s windy today.”

Your heels click when you’re faced with Choso. “The camera men are ready. You’re good to head on in, now?”

When Choso nods, you smile and hold out your hand for him. He stares at it for a few seconds before understanding what the simple gesture means. His heart beat skyrockets when he fixes his hand into yours, fingers intermingling with each other’s as you take the lead. He, however, holds open the door for you, trying to fix the erratic pace within his chest as he enters the establishment with you. You lean into him, your grip tightening. “Don’t worry about anything. Try not to focus on the cameras too much and just look at me. It’ll be a bit easier that way.”

Listening to your advice had put him at ease for the majority of the time as the two of you had started the day with brunch, simple conversations that ran smoothly. All throughout, you kept close proximity to him as the two of you ventured through California on two feet, bringing him around shops he found interest in and other places.

Choso feels at such an ease that he forgets all about the camera crew that’s trailing around the two of them, following their every move. With your fingers intertwined with his, it set him at ease that he got lost in a train of thought. You had to nudge him back to reality for his eyes to flicker back on you as he let out a, “hm?”

“You didn’t hear a word I said,” you laugh.

“I’m sorry,” his face heats up. You shake your head, fanning it off.

“Don’t worry about it,” you sigh. “I was just telling you that there’s this spot that’s really pretty. If you ever decide to move here and bring your partner, this is a good place to go to.”

“Okay,” Choso nods. The sun is starting to set as the two of you are brought to this spot deep within the park. It’s secluded around this time as the sky starts to darken. You bring him over to a bench, bending down to adjust the straps of your heels. Taking them off momentarily, you stretch out your feet as you exhale. “If I had any common sense, I would’ve worn sneakers.”

“At least you know for next time,” Choso shrugs.

“Yeah,” you say, pursing out your lips. There’s a comfortable silence shared between the two of you as the heat of day simmers down to a calming cool. It’s tranquil as you shut your eyes for a moment, taking it all in. Except, Choso, however. He’s staring off into space before he blurts out, “Y’know, I’ve never been in a relationship.”

It takes you out of your trance, your head tilting as you look at him in curiosity. “Yeah?”

“Yeah,” he nods. “Sorry, that was random, but I was just thinking about it and I’m grateful that my first one is with someone I deeply admire, even if it’s not real.”

“Can I ask why?” you hum. “Why haven't you been out on a date before?”

Choso squirms, eyes diverting away from yours. “I can’t give you a specific answer, but I would say that deep down, it’s my fears controlling me— yet again.”

You nudge him. “We got to work on that. You’re a handsome guy. I’m pretty sure that someone would love to be with you.”

“Yeah, but what if we only end up hurting each other?”

“I’m afraid that’s part of life,” you sigh. “Sometimes people hurt other people, whether we mean to do it intentionally or not. It’s a good thing that you recognize that now, so when you actually find that someone, you make that conscious effort.”

“What if I never find that someone?” Choso asks. “What if I never find someone who makes me happy?”

“Then you find happiness within yourself.” Your eyes sparkle as the wind picks up, blowing your hair into your face. The cameras pan in on the both of you, noticing how Choso’s eyes are glued to you in such longing. Brown eyes that are hyper-fixated on you. His eyebrows crinkle together in amazement at how you always seem to say the right things. “How do you do that? How do you always know what to say?”

You shake your head, your bottom lip juts out. “I don’t always know, but… some of it’s just recycled advice.”

Your laugh is contagious, bringing him to laughter at your statement as you stand up. Shortly afterwards, the camera men start to pack up their stuff, bidding you their farewells as they leave ahead of the two of you. You’re both still sitting on the bench despite the nipping cold that bites at your skin. The conversation continues as you start to tell Choso the worst dates you’ve been on in efforts to not make him feel so down about his lack of experience.

When it gets too dark, you call Haibara to meet you at the park. With thirty minutes left to spare as the two of you start walking down the trail again, you begin to grow more curious about the boy. “You’ve had your first kiss before, right?”

“Yeah,” Choso scoffs. “I’m not completely fearful of relationships.”

You throw your hands up in defense. “I was just wondering—” Nudging him, you give him a sly smile. “—But look at you. The playboy.”

“I’m not a player, just… they never turned into dates.”

“Because of you or them?”

He has to take a moment to ponder on it. “A bit of both.”

“Mmm,” you shake your head in disagreement. “I think it’s a bit more you.”

His squirming is your answer, your laughter filling the silent air as you both stand in the parking lot now. You find another bench to sit on, Choso joins you as another wave of silence crosses by. Your eyes are on him dangerously as they squint over at him. There’s barely any cars parked, only the park ranger vehicle across the street, so you’re not fearful of any possible paparazzi. Still, you try to look through the green tufts of bushes and trees, trying to check any spot they could be hiding before you lean closer to Choso. “Let me kiss you.”

Eyes widening, his body stiffens up completely at your suggestion. “What?”

“Let me show you what it’ll feel like when someone you care about truly kisses you,” you suggest. Your head tilts to the side as you start to sway. His pupils turn to hearts, brightening up at the proposition as he faintly nods. An ‘okay’ falling from his lips before he’s inching closer instinctively. You’re meeting him halfway, noses touching before the lips. Your breath against each other the only semblance of heat provided as you look into his eyes. They’re glossy as they flicker from yours to your lips. Before you could have any second thoughts, Choso takes the opportunity.

Crashing into you, his teeth clash with yours and you have to push him back to gain more control, physically telling him to ease down a bit. His body tenses as you inch closer to him, pulling him forth and getting him to relax. He gains more confidence, a hand coming to pull at your waist in a need. You instigate it further with the swipe of your tongue, deepening the kiss much further than anticipated. Both arms snaked around your waist, your chest is pressed against Choso’s as a hum vibrates off his chest.

It should’ve signaled you to detach yourself, but no. What does, however, are the bright headlights of the dark vehicle pulling in and the steady hum of the engine as Haibara parks in front of the two of you. Pulling away, you stare into Choso’s dilated pupils, seeing how his chest rises and falls. Silently, you stand up. “We should go.”

You can feel Haibara’s curious eyes on you, the both of you, as he holds the door open for the two of you. The car ride is silent the moment you step in it. Choso’s mindsets ablaze, a course of fire lighting up the path in his brain as he taps his feet against the vehicle’s floor. You, however, remain indifferent as you look through the window, for once, not needing to feel for your gold bracelet.

DAY FOUR

It’s very important to be able to differentiate fiction from reality. Choso feels that it’s true when it comes to fan fiction. The many times people have come into his inbox to complain about the content he rights for and the morality of the characters or how he made his reader to be. Hate messages made to bring him down and deter him from writing fan fiction, but he never gave in. They went on and on for days, even weeks, about the choices he made the reader take and it grew exhausting. Were they truly watching the same television show after all? The entire premise was about morally gray characters and the bullshit decisions they made, and suffering the consequences after it. Why did the reader need to be someone standing on moral high grounds during the apocalypse?

‘Oh, I would never do that as a reader.’ ‘Oh, you mischaracterized me here in this fic. I’m not a bitch in real life.’ ‘Are we watching the same show because Yamaza would NEVER!!’

He had endured it all. But, personally, his favorites were the one telling him to commit suicide. He’d run to his mutuals quickly to make fun of those who hid behind anons, chatting together in their private discord servers about them and their hypocrisies. Then, he’d run back on Tumblr to delete them because he’s gotten so used to the nasty climate that he no longer addresses things that aren’t detrimental. Unfortunately for them, they’re not one of them.

There’s a media literacy crisis, where people don’t understand the plot devices of antagonists and their purposes. And if they do, it’s because a conventionally attractive actor or actress plays them in the film. Truthfully, however, they don’t understand. They believe the moment something is conveyed in darkness and negativity is the creator saying that they endorse those actions, reading or watching something purely for the enjoyment without really and truly dissecting what they’ve just consumed. That’s why it’s so easy for Choso to dismiss people like that who try to question his moral standing. He knows what he stands for. He knows that he’s a good person. He doesn’t need a stranger online to dictate whether or not he is.

However, he finds his mind slowly deteriorating, mixing up what’s real and what’s fake when it comes to you. You were wrong for kissing him. How could you fill his mind up with these false illusions, showing him how someone who cared about him would kiss him? Were you insinuating that you did— that, in actuality, you wanted more? You after all did let things escalate, having him pull you closer, deepening the kiss along with it.

You had confused the poor boy, infiltrating his mind with ideas as he started to yearn for more. He started to desire you in a way that seemed to exceed what was already there for you, lighting a forest fire that you alone could not contain.

Choso wasn’t just gifted with the written word. He was also exceptional with a computer. He liked to call himself tech savvy, a hacker sounded too juvenile in his opinion. His position paid him a decent amount and it led him to live comfortably, so he never complains. He can take off many days and not have to worry about his bills, but he preferred working on a steady schedule. It was easy to jump from one monitor to the next anyway, making writing fan fiction and assuring that websites ran smoothly was a simple thing he could multitask within hours of the day.

However, he had to admit that he never utilized his skill to the full potential. Not until now, where he felt like it was a dire need to. Finding your location just as simple as a quick google search, quickly climbing out of bed to throw on some joggers and a hoodie. He didn’t think Haibara would agree with his choices, so he wasted thirty dollars on a trip, hopping out of the car and standing outside of the gated community. Checking his phone, he skimmed through the pictures and screenshots, typing in the code before the sidegate opened and he was led in.

He kept his head down as much as he could, peeking up at the buildings to count down the numbers. It took some time where he nearly took the wrong turn, but it seemed to be a blessing in disguise when he finally did find your exact location. Ten o’ clock at night, the moon shines down on him as he tries to find a concealed spot to stand in. A light is on, letting him know that you’re awake as he follows the shine of it.

He can’t get a clear view of you, blinds that block the way as well as your white sheer curtains. However, they’re not securely shut, where if stands off to the side, he can get a clear vision of you. With your phone in hand, you’re oblivious to the pair of lurking eyes that stand outdoors. Your gaze fixated on the small screen in front of you as you checked your calendar for tomorrow. Halfway into the week, tomorrow there are still some plans fixed for Choso and the other winners as it’ll be game day. Another day filled with cameras on you as they video the experience. The day after, it will be the day before the last, a farewell dinner hosted for the contestants’ goodbyes. The last day, their goodbye remarks as they have it to themselves for the most part. They can make last minute trips if needs be before their designated drivers are assigned to drop them off back at the airport.

You set your phone down on the dresser next to you as you stand at the door of your bedroom. A yawn drags out of you as you stretch, pushing your chest forward as you raise your hand up wide. You know what would calm you down and get you ready for bed— a steaming, hot shower. You pull off your top from over your head, revealing your simple black bra from underneath as you aim for the laundry basket, the shirt landing inside perfectly.

You weren’t ever much of a clean freak, especially when you were constantly on the go. You find your towel resting on your dresser near the window, reaching to get it when you see something in the corner of your eye. Was that a flash? You fix yourself to get lower, trying to see if your eyesight was playing games with you as you shift the curtain to the side, peaking through the blinds.

Cursing to himself, Choso feels caught as he ducks down, pulling the hoodie over his head as he crawls on his knees. Getting out of your eye line, he squirms as he feels a tightness in his pants. Subconsciously, his hands go to hold his length, palming at it through the soft material before the coast is clear and you’re no longer suspicious. Unfortunately, when you’re leaving your room and heading to the shower, the glass is blurred and there’s no way he could get a clear shot from there. So, he calls it a night.

It’s fine anyway, because when he’s back in his hotel room, ridding himself of his joggers and hoodie, cock hard and prominent in his hand, he’s got the perfect shot of you to get himself off to. He squeezes, hissing as his hips arch from the bed. Tip leaking of precum as he decides to himself that you’d look prettier naked.

DAY FIVE

There’s heavy tension in the air. Something so suffocating that the sharpest knife wouldn’t be able to slice through it. Though, you just believe that it’s your anxiety eating at you during this time of year. It is habitual of it to hit you now. Unlike the dresses you’ve been typically sporting on the events with Choso, today you’ve decided to keep it simple with a pair of jeans and a graphic t-shirt. Your hair combed in one and perfectly gelled back, the only thing seemingly out of place are the tendrils that hang in front of your ears.

Part of you think it’s the growing exhaustion that’s been making you feel like shit lately. You figure with the way you’ve yawned for the third time in thirty minutes as your back slouches in your seat, the greasy pizza half eaten as your eyes are so close to shutting. It’s the deep chuckle of Sukuna that livens you back up, him sitting on your left as he leans forward. “Are you sure it’s right that you fall asleep next to me? You might wake up as a brand new person.”

Nudging him in his rib cage, he barely moves a muscle under all of that muscle. He smiles, revealing his sharp canines. You glare up at him, not faltering to his piercing crimson eyes. “You wouldn’t dare.”

“Someone always says that before they all looked fucked up,” he booms in laughter before playfully pushing at your shoulder. You know he only means it in love and jest. “Wake up. You’re the last person I expected falling asleep at festivities. You’re stealing my job.”

“I know,” you groan, straightening your posture as you rub the sleep out of your eyes. “I think I need a break.”

“Don’t we fuckin’ all,” Geto agrees, chiming into the conversation. “But we’ve got a long way to go, so suck it up.”

And you try to for the most part, ordering a few drinks to get your blood pumping and the night to go on even faster. It’s a nice evening that you get to spend with your colleagues and their contestants, dragging along Choso to whichever game seems the most interesting before scoring a shitload of tickets. You impress him with how tactical and intricate you are, eyeballing the machines as your tongue sticks out as you try to drop the ball at the right moment. You’re a very competitive person, he’s come to learn, pushing him out the way when he misses a shot before showing him how it's done. You become so lively as the neon lights flash around the dark ceilings, bouncing off the walls and onto you. Those few drinks really worked.

You throw yourself in Choso’s arms, winning yet again another game as tickets start rolling out. You had made a bet with Sukuna and his partner that you and Choso could gain more tickets than them and you’d be damned if you lost to that jackass. You loved Sukuna, but he’d constantly tease you for your loss. This time, you wanted to be the one to do it.

“Yuh,” you grunt, voice rasping towards the end. “We’re so beating their asses!”

You try to pull away from Choso’s grasp, but he holds onto you tightly, seemingly refusing to let go. It nearly reminds you of the short incident with your phone and how he was so eager to snatch it from your grasp. It alarms you, eyes widening as you push at his chest. “Choso, let go.”

He falls from his trance, glossy eyes that die down its euphoria as he lets you go. Tensing up like he did last time and immediately becoming apologetic, “Shit, I—I’m sorry.”

You’re really hoping you didn’t lead him astray with that kiss. Taking a step back, you give him a side glance before turning on your heel. “Yeah, I’m gonna go get a drink. I’ll be right back.”

Heading to the food station, you spot Geto sitting down on a stool next to the counter. One arm over the filthy marble top, his back is turned towards you as he has a slushie in the next hand. You grab a seat next to him, the scraping of it alarming the man as he looks back. “Oh, hey! Are you having fun yet?”

“Yeah,” you hum with uncertainty. It’s his key detection that something’s wrong. Eyebrows furrowing, he’s shaking his head and you’re grateful you ran into him of all people. You’ve been needing to voice out your concerns. “No, you’re not. What’s up?”

He spins around his chair, his entire body facing you. Before he could let you speak, he’s already belting out your main concern. “Is it— what’s his name… Choso?”

“How’d you know?” The look that Geto gives you makes your stomach drop, grimacing as you slouch forward and silently groan.

“If I’m being honest, (Your Name),” he starts. “His entry was the start of it. I get it some fans are really dedicated to their works and what they commit to, but if you read over his entry, it was highly fixated on you.

You exhale. You had taken notice of that, but like everything else about Choso, you had decided to ignore it, paying so much attention to everything else and impressed with his dedication that you didn’t once find it alarming.

“Not only that, but… Just an hour ago before we went back to the arcade, did you not notice how he was staring down Sukuna?” Geto continues to point out. “I don’t blame you if you didn’t. You were about to fall asleep, but he was giving him murder eyes.”

Geto wanted to say more, but he didn’t want you to feel like you were dumb for not noticing the signs from earlier. “But, what did you want to talk about?”

You were kind of hesitant, not wanting to feel like a complete fool for not mentioning it earlier, but better now than never, right? “You’re right. He is kind of… off?”

You console in Geto, mentioning how Choso tried snatching your phone away from you and just a couple of minutes ago, where he wouldn’t let you go. You noted your missing bracelet and how you couldn’t find it, telling Geto that you suspected it to be him, but still holding your doubts. “You are a messy person,” he noted.

Your mind flashes to last night, but you thought you were pushing it too far now. There wasn’t any way that he could know your location. You didn’t want to mention the kiss because you can already see your faults in that. You didn’t need to be told that that was a stupid decision, you’re already starting to pay for your poor choices. “I don’t know, Sug… It was like, he was in this state and he wasn’t aware of what he was doing until after.”

“Or,” Geto butts in, pointing a finger out in suggestion. “He does know and he’s trying to play it off.”

You nod. That is a possibility, you think. “But, I’ll see—”

“Speaking of the devil,” Geto comes to a stand, eyes fixed behind him before another voice speaks and calls out your name, “(Your Name), is everything all right?”

You notice it now. Turning to Choso and watching how his eyes would flicker to Geto, a darkness possessing him. You stammered on your words, trying to find the best possible excuse you could make. “I, um— Sorry, I saw Geto and…”

“Sorry, man,” Geto smiles, intervening as he steps forward. His eyes crinkle like a sly fox as he looks Choso up and down. “I didn’t mean to hog (Your Name). We just started talking and lost track of time.”

Choso’s body relaxes in understanding, but there’s still that sliver of doubt inside him as Geto walks past. Choso turns to look back, and Geto’s still looking back at him as he walks away before his eyes flicker over to you. He thought Choso wouldn’t notice it, but he saw the subtle nod. Immediately raising his suspicions, Choso’s glued to you for the rest of the night. When your phone buzzes, you’re too scared to pull it out until you’re in the comfort of your home. A message from Geto: If push comes to shove, you know I have your back, (Your Name). Only two more days left. Hopefully nothing happens.

His words give you a sliver of relief, but you should’ve remained cautious, a pair of brown eyes lurking through your bedroom window.

DAY SIX

You wake up feeling much better the next morning, the day running smoothly on set as the majority of your scenes run smoothly. You’ve paid no mind to Choso despite his constant eye on you, never seeming bored or tiresome of watching you all day and following you like a lost puppy. Sleeping has given you some clarity in what’s led you here, dissecting his actions when you woke up in the morning and coming to terms with your ignorance and your naivety. As much as legal action crossed your mind, you don’t have any substantial evidence to detain him, only his weird behavior to speak on verbatim.

Nonetheless, it becomes easier throughout the day as your schedule is busy, never getting much alone time with him, minus small breaks and your lunch period. It isn’t until the day gets darker and the set is being cleared do you worry more, as the farewell dinner is in a couple of hours. In a tight-fitted silk dress, the royal blue looks perfect against your skin tone as you walk down the steps from your front door, the white shawl draped over you, providing you warmth as it grows chilly. The silver clutch in your hand sparkles as you reach inside of it to check the time. Haibara should be here any minute now.

And just like clockwork do you see the bright headlights shine as he turns the corner. When he parks the car, you don’t give him a second to jump out, rushing to pull open the door handle and jump inside with a giggle. He grunts as he lets go of his, slapping the dashboard. “Ah, darn! I forgot to switch the locks before I parked.”

“You’re getting slow, Yu,” you smile. “I couldn’t wait any longer. You had me standing in the cold.”

“You could’ve always waited inside,” he remarks snidely, putting the car in reverse before pulling off. Haibara puts on a station that he knows you like, and you immediately start humming along to the music as he’s fixated on the road ahead of him. As your mind drifts off, you begin to wonder. “Yu?” his humming being your indicator to continue. “What’d you think about Choso? You enjoyed chauffeuring him around?”

Haibara hums, hesitant on his response as he looks through the rearview mirror. He’s seen a few of your exchanges with Choso, and they were all enough to set an unease within his stomach. Of the couple years that he’s been working with you, he’s come to learn that you’re really down-to-earth and sweet. With someone who’s grown up in the limelight, he first believed that he would get the exact opposite of that.

He’s had his fair share in the media, and you still withheld some things from it in regards to your father after returning back to the big screen. There were still some things that you were working through and that was fine. What he’s come to learn about you, though, is that you were still trying to hold onto some semblance of living an ordinary life. You took on this opportunity to help a fan, yes, to open up their horizons and have them utilize you as a connection to pursue any dream they had. However, you had crossed a line.

Watching you kiss Choso, it set a weird feeling in his stomach, but he also believed that you knew what you were doing— whatever that was. Keeping his eyes on the road, Haibara let out a heavy sigh. “He’s…”

“Be honest, Haibara,” you tilt your head, looking at him through the mirror. He exhales, staring back at the road. He clenches the steering wheel tightly as he shrugs, “I’ll just say that I’ll be glad when it’s only you I have to chauffeur in two days.”

At the dinner, you cling onto the shall, your feet tapping on the floor as everyone’s waiting for their entrees. Reaching for your glass, you twirl the straw with your tongue, sipping on your strawberry banana smoothie. You’ve barely spoken to Choso, feeling his eyes graze you the entire evening at your silence. It’s stifling.

“Are you ready to head back?” you try to ease the air around you.

Choso tilts his head. “I’m having mixed feelings. It’s a nice environment here, but I miss the comfort of my bed.”

You nod, continuing to sip your drink. Choso’s piercing brown eyes watching the way your lips pucker around the plastic. You retract almost immediately, clearing your throat. “How long is your flight back?”

“Around seven hours, I believe,” Choso contemplates. “So, it’ll be a long while.”

“Hopefully, you have some things to occupy your time,” you chuckle. “I know I need a few things to keep myself from getting antsy on long flights.”

“Don’t worry,” Choso smirks. “I got a few things that’ll surely keep me busy.”

With the tone of his voice, you’re not sure what he means by it. Maybe he’s just being playful or he knows something you don’t. You can’t quite determine if it’s your paranoia feeling this way, but you fall silent once more until the waitress comes back with a few extra hands as she sets down everyone’s plate. Reaching for your knife and fork, the back of Choso’s hand grazes the back of yours and you subconsciously stiffen up, but you choose to ignore it as you start to slice through your steak.

Chatter starts up, livening the tables as your eyes brighten up as everyone enjoys their time. You’re in a heavy fit of laughter from a joke Nobara told everyone. Your face heats up as a fork in another spoonful of food in your mouth when you feel a hand against your thigh. You choke on your food, spitting it on your plate and calling for attention. Everyone’s eyes are on you now as Geto has his eyes on you first before they flicker to Choso. “Are you okay, (Your Name)?”

You nod, not wanting to draw too much attention as you nudge away Choso’s hand before they can travel any higher. Your heart starts racing as you try to control your breathing, your eyes watering. “Y–Yeah, I—” you clear out your throat again. “—I’m fine. Just, food nearly went down the wrong pipe.”

“Are you sure—”

“She said she’s fine,” Choso butts in, his hand returning to its spot on your thigh, aiming higher as his grip tightens. You clench your legs together, throwing him a look.

“I don’t need you to speak for me,” you frown, your hand reaching for his wrist and dragging it away, the action more apparent to everyone now. Sukuna intervenes now.

“Hey,” he throws a threatening glare at Choso. “I don’t know what you think you’re doing, but I suggest it stops now if you want to get back home safely.”

The two men have a stare off, Choso clenching his jaw as he doesn’t want to back down. A vein stands prominent on his forehead, his face heating up as his stance comes to falter, breaking eye contact with Sukuna first. He knows who to pick his battles with, and Sukuna isn’t one of them. Shoulders falling, he pushes himself from out of the seat as the legs scrape loudly against the floor.

“Sorry,” he mutters, but trudging out of the restaurant.

Choso calls for Haibara earlier than expected, alarming the man when he pulls up in front of the restaurant to see Choso sitting down on a bench, clutching onto himself as his eyes wander before spotting him. He could only jump to conclusions and say something happened. He could feel the thickening tension in the air as Choso hurried inside, pulling at the door handle before Haibara could shut it himself.

Curiosity piqued Haibara as he hopped into the driver’s seat and glanced through the rearview mirror. A soft hum leaving his lips as he tries to decipher whether or not it’s a smart choice to ask. “So, how was dinner?”

He watches him, constantly glancing through the rearview mirror and the road. Choso looks in his direction before averting eye contact. The man shrugs as his head hits the window. “Nothing special. Didn’t feel like being there anymore.”

Something told Haibara that was all he was going to get from him, but surely, you had much more to say. When Haibara arrived in front of the hotel, he didn’t even bother to hop out the front seat as Choso was already clutching onto the door handle, jumping out of the vehicle before it could even fully stop. Haibara didn’t feel guilty when he couldn’t say, Have a good night.

Inwardly, Choso was fuming. He wanted to do something more. He wanted to say more, but Sukuna was a hulking man that would have his ass handed to him in a matter of seconds. The moment he entered his hotel room, he was pacing around it. Stepping over his suitcases and clothes that still lay across the room haphazardly, he clenches his fists, nails digging into the palm of his hands. How could you embarrass me like this? How could you let them embarrass me like that? Did all of this just mean nothing to you?

Whenever Choso didn’t know what to do with his overwhelming feelings, he tended to write. Like clockwork, his body moved for his carry on bag, unzipping it to reach for the device as he pushed away a pile on the bed. He squinted through the bright screen as he opened up a new document and cracked his knuckles. His chest felt tight as he started breathing heavily, and before he could think about exactly what he wanted to write about, his fingers padded away on the keyboard.

DAY SEVEN

You hadn’t seen Choso after last night’s event, and you were grateful for it. There was supposed to be a send-off that you would attend, but after hearing about the mishap, you had been given the okay to miss out on it. You had decided to go to set early instead, practicing your lines despite having them all memorized as you were cooped up inside your trailer.

In the small couch, your head pulls to the side as you lean against your hand. You let out a sigh as you’re coming to grow accustomed to the missing piece of jewelry. Instead, you start gnawing on the pendant around your neck as your legs are hiked up on the couch as you hold the stack of papers. Comfortable in your spot, the buzz of a phone alarms you out of your concentration as you reach to pick it up. An unknown number pops on the screen and your face drops when you read the short overview of the message:

It’s Choso. And before you think about blocking me, I have one more thing for you to read, then you can go ahead and never hear from me again.

You should really do it, go and block him. Your finger hovering over the three dots as you search for the five-letter word. However, another buzz vibrates through your hand as another notification from him pops up— a document labeled ChosoYN.docx. And against your better judgment, you tap out of the options and click on it. And against your better judgment, you read through all three pages.

In another life, you would be mine and you would be happy with me. Oh, those days would be glorious ones as my pale skin would traverse up your golden. In the silky sheets of our king-sized bed, your body would lay pliant as your short nightgown would rise up above your hips. The sun would kiss your beautiful skin, but not as tender as I would.

My tongue would drag over you, my spit painting over you with liquid diamonds and only accentuating your beauty. My love, you’re a marvelous living statue that the world doesn’t deserve, only I do.

You’d call me your husband, my hands pulling at your hips to meet me closer. Goosebumps rising against your skin, you look so pretty when you first wake up that I have no choice but to have you. Ten digits that run down the expanse of you, teasing in all the right places as I am so close to your sweetness. Your cunt my forever prize that no one else can indulge in. You’re pretty in the laced pink panties I had bought for you, a gift to signify my undying love, to soon be ridden of as I pull it down your thighs.

You’d drip for me, an endless ocean that I’d thankfully drown in as the center of said underwear is stained in your love. Your love for me. You look at me with those pretty eyes, silently begging for more before the soft plea falls from your lips itself. “Please…” you’d say with sultry, plump lips that’d be wetted and I have no other choice but to dip down and give you a sweet kiss. Tongues dancing together, the fervor we share is too much yet never enough. Your back arching off the bed, covered breasts pressing into my chest as your erect nipples poke through the thin fabric.

Your glossy eyes shut as you indulge yourself into me, your moans singing in a beautiful melody that the birds could never rival. And I could only burst in pride, being the only man that can make you feel this way. Arms wrapped around your body, holding onto your hips with a secure grip, only you could make a man ever so needy. In only the thin fabric of my loose boxers, my erection presses against you, alleviating only some of the friction you’re hoping to feel. My tip leaks with pre, staining the dark pair of underwear as I continue to press into you so shamelessly.

I leave you with your lips swollen, nibbling on the bottom lip before completely retracting myself from you, your eyes dilated in a heavy lust-blown haven that I could swim in. I can only pepper more on your skin as you giggle, arms wrapping around my neck before I feel the painful press of your nails digging into my skin. And again, “Choso, please…”

I could never truly depart from you for every second of the way, my lips making an invisible path down from your lips to your neck, sucking on that sweet spot that has you mewling in milliseconds. So high-pitched they are as you grow ever so needy when I leave, your tender breasts getting more love as I adore on them. And truly, I adore them, pulling down the straps of your dress and them falling out one by one. Pretty dark nipples that point right at me, calling my name so gently that I salivate. My tongue lulls out as I lean forward, taking each of your breasts into my mouth. Your back is arching off the bed as you only feel euphoria. You pull me closer, nails digging deeper and daring to break skin. I’d love you to, I’d love to have your marks shown off as a sign of your possession over me. There’s no shame in immense love.

But, lower and lower I go, kissing at your tummy, licking into your navel before that delectable cunt shines like a treasure. It glistens like porcelain as the sun continues to watch us in all of our glory. It’s the finest piece of China that I sometimes regret ruining, but never regret loving. A teasing thumb presses down on your clit, eliciting a whine from your lips and a twitch from your legs in attempts to trap me there.

“You just love to tease me, don’t you?” you say in a needy breath, eyes hooded as you peer down at me. “Gosh, Choso…”

“You’ll get what you want soon enough,” I respond. “Don’t I always?”

“Mphm,” you hum. “After your torture, yes.”

You always know how to make me laugh, a breathy chuckle leaving my lips before I press down on that fat pleasure point. Hips rising from the bed, I have to use one arm to hold you down, pressing my weight down to hold one of your legs from moving as the other kicks out. Rubbing tandem circles in you, I watch from below in how you writhe and moan for me, and only me. Your slick leaks from your honey hole, painting you forever in a gloss as I have you like this.

Oh, how I delve in this— the sweet torture you love to complain about. How I love to slowly take care of you, giving every ounce of your body the love and care it truly needs to survive. I put you in a haze that leaves your eyes shutting and your head twisting and turning as your stomach churns for more, never truly satisfied. But you will be, you’ll always be when you’re with me. Dipping past your clit, my thumb runs through your folds, making your juices bubble as I make it dance around.

Your hands reach down to tangle inside of my hair and then caressing my face to pull me out of paradise to bring me to heaven. A silent yet forceful coax as your fingers tangle in my dark hair in efforts to get more. My impatient angel you are. That I am, too, however. My cock stirring inside my underwear as I press myself into the bed, an exhale leaving me as I finally hear your pleas and dip forward.

My lips pucker, a wet and chaste kiss against your clit as one finger dives inside of you. A stretch sweet, but not addicting like my cock’s as my digit enters you, warmed by your honeyed walls. You only make it worse. Me rutting into the bed, making me feel like I’m back in more youthful years. Your moans are more drawn out through the air, humming out in pleasure as your eyes shut in careless bliss as your fingers still are still knotted inside my hair. They pull me closer to you as I suckle on the tender nub that has you singing out my name in a lustful symphony.

My digits thrust in a languid dance that conjures up these addicting sounds, gathering your slick in a gluttonous effort to take what’s rightfully mine from you. With the swipe of my tongue, I can taste it and the vibrations of my satisfaction run deep through your body as I press my fingers further inside. They bottom out, curling inside as your hips buck upwards. They twist and contort in the right directions, having you grind upwards in attempts for more. And I give and give, picking up the pace as I only want to take and take.

I feel everything that’s you. Nose burrowing inside of your curled bush, inhaling your raw scent that only makes me crave you more ferociously. Fingers that are sopping wet as your juices drip down to my wrists and stain the warm yellow beneath us. Your wetness can be heard, the sound of your pussy loud inside of your shared bedroom alongside your whimpers and wanton moans. Head thrown back as those butterflies control your body, flying down to your stomach. Your legs twitch as your cunt pulsates around my digits, your voice squeaking as you gasp. “Choso! ‘M about’ta cum!”

“Go on, pretty girl,” my voice reverberated against you. “Give me what’s mine.”

Fingers leaving you to hold onto your legs, pulling you closer to my face, my tongue dips inside of your heat as it drags your orgasm out of you. You’re calling my name out as your fingers press into my scalp as I hum in between your legs, your thighs tensing up as your milky cum paints my tongue. Your essence is an elixir, rejuvenating me back to life as I clean you up, making your cunt sparkle the moment I drag myself away. A thin web of spit breaking once I sit up.

It’s apparent now. My heavy need for you as I’m on my knees against the bed. You blink away the haze, chest rising and falling as your beautiful pupils finally look up at me. An exhausted smile beaming from your face as they beckon me over. I fall to you, taking your lips in mine again. You can taste yourself, taste just how good you are as your love for me is written all over it.

Together, we hum in a dire need for more as your hips leave the bed and meet my erection. Devious little fingers of yours that dip to cup at my hardened cock, palming at my covered length like a little minx and causing me to grind into your hand. You giggle when I pull away, knowing exactly what you’re doing, knowing that I’m putty in your hands. Oh, how you have full control over me.

And I let you.

I let you take out my cock, revealing it to the cold touch of the air. Massively hard inside of your hand as you run the palm of it down the undersides, it still leaks the translucent mess of precum. You stop to hold it at the base, your thumb running down the thick vein that runs down it. “You love to withhold what you want from me. Doesn’t it in pain you?”

“It never pains me to please you first.” I hold no shame in my undying devotion for you, my twinkling brown pupils that swallow you up in the very moment before my lips are back on yours once more. Grinding into your hand, it’s nearly pathetic how quickly a moan falls from me. My eyes shutting as I bite down on your bottom lip, my high-pitched whimpers rivaling yours. Your knees point to the ceiling before caging me in, legs wrapping around the expanse of my waist as you grip my length. A delicious squeeze to it before my reddened tip touches your clit. You get on me so much for withholding what’s rightfully yours, but ultimately doing the same to me as you press my length in between your folds. Your hips rolling when I pull away from you, a string of saliva follows before the band breaks. You look down, in between your legs to watch how your pussy coats my cock, feeling how I twitch against you as you only have me yearning for more.

“Is this your payback?” is my question before I spot that sparkle in your eyes. You shrug. “Something like that.”

Finally, the tip of my length kisses your entrance, your hips arching upwards as I meet you in the middle. We sing together in harmony, moaning as I sheath myself inside of you, my hips stilling for moments before they retract. I’ve set the tone, a beautiful melody as skin slaps against skin and our breathy sounds course the room. The drill of my cock is enough to make you a delirious mess, filling the morning air with your pleasure as your pussy continues to gush out for me in a copious splendor.

My name is a mantra, summoning something deep within me that coaxes my orgasm, but our bodies, intertwined as one move in sync as I feel how your cunt pulsates around my length. Your legs twitch, flexing and contracting before you’re rasping out my name. “Choso, I’m—”

I’ve said it before and I’ll say it once more. “C’mon, give me what’s mine.”

I am completely still inside of you when my release becomes overbearing, spurting my cum deep inside of your womb as your walls try to fight back. Your eyes squint shut as your mouth falls into a perfect ‘O.’ You milk me completely while simultaneously painting my length in your milk white honey. Like a bee, I’ve come to pollinate, hoping that you’ll bear my children as I come down from my high yet never leaving your sweetness.

And when I do, I kiss one last time for the moment before pulling away. My eyes continue to shine with my everlasting adoration for you. “I love you.”

You feel ashamed with yourself when you clench your thighs, arousal pooling in your underwear as you close out. Finally, you block him (The document is well saved on your phone).

( author's note. ) thank you so much for taking the time to read this. it's my first time writing for choso, so please tell me how i did in the comments or reblogs !