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rxttenfish · 6 months ago

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Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

#all the care guide says is 'biomass'#monster prom #asks #vanillabeenflower #this is. so long i am so sorry.#and its still not my entire thoughts because i have so many thoughts #this is an unedited ramble tbh and im very sorry for that #i have more complaints like #how fucking snide and condescending the narration is to its own characters #which it already had but gets even worse in the later games #which is why despite loving aaravi i dont want to play moncamp at all #where a character says they like something or feel something and the narration has to be so. sarcastic about it?#like how i mentioned about how it feels like how its looking down on them as people #instead of whats probably the intended read which is #more jokingly calling them dumb in an affectionate way like how you might do with friends #and ofc theres the whole miranda rant #i hate what theyve done with the merkingdom and i HATE adrien as a concept i wont lie #just. cool. this female character is too stupid to count as a lore character. we obviously need a MALE character to fill in instead #we cant just have miranda talk about this or center any of the other female characters #and how they feel about this and whats going on for them #no we need to make up a new man to talk to instead #im. im still really bitter about it i wont lie.#like i said i could go on and get way more specific about it #i just feel like any and all emotional weight to this has died and the characters are more and more obviously actors on a stage #for your own self gratification rather than their own people living their own lives #this is so bitter and i really shouldnt put this in the main tag #i am so sorry everyone who will see my rant. but my peace must be made.#dont worry im already asking myself if im just making all this shit up myself #what if some of us liked that the characters were so mean to the player and had no qualms about aggressively rejecting us #because it gave some illusion of them being able to make their own choices and decisions in what they wanted

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ohitslen · 2 years ago

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Rewatching Stampede because yes I have better things to do but also seeing Nai playing “Duet” by himself sounding the same way it did when Vash played with him, he really must have invested a lot of time into pulling that off and it just makes my gut roll in a certain way that I’m just-

#(this time on Spanish because I will consume this in as many languages as I am able to grasp)#it’s so SAD??? everybody and their moms knows how Nai’s love for Vash issss particular #but at some point early on many traumas ago; he genuinely just loved his brother for who he was #yeah I’ve read whole essays and character studies about how ‘twisted’ for a lack of a better word rn Nai’s love is #but we really need to think back at the time in where it was just that #pure love towards his little brother whom he treasured so much and then we all know shit just went from bad to worse #thinking about them in a very normal and casual way (I’m going insane)#I could talk about them for hours despite my knowledge being lacking but hey it’s still fun #gosh I love this series so much im going to implode #lenssi rambles #trigun #vash the stampede #millions knives #nai saverem #THAT IS A TAG AND IM CRYING AT THE SURNAME UEHEHEBWGHHHHG #vash saverem #trigun stampede

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triglycercule · 2 months ago

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i am severely upset at the sexyman polls for this year. yeah its absolutely because im biased and not a single one of the mtt won. but killer vs error is still going on you say!!! NO,,,,, killer's lost,,,,, its 70 error 30 killerISH so yeah,,,,, none of the mtt MADE!!!! IT!!!! and with the boom in killer content these past few months i wasSO FUCKING SURE that he'd like AT LEAST get higher up. nope. because of ERROR. listen i like him. he was my og bias when i first joined this fandom. i was an error fanatic. but bro,,,,, bro,,,,,,,,, killer,,,,, lost,,,,,, AND FUCKING HORROR AND DUST LOST TOO!!!! LIKE WHAY. WHAT. PUTTING HORROT AGAINST ERROR AND DUST AGAINST CROSS!!!! THEYRE LITERALLY BOTH THE TWO GUYS THAT (1/2 of them) WON LAAT YEAR!!!! OF COURSE THEYRE GONNA BEAT THE SHIT OUT OF THE MTT!!!!! this is very upseting im really sad imMAD. but no point in being a sore loser.... mtt won in my HEART 🧡

dust laughing at both horror and killer for getting the shit beaten out of them by error and then they bring up the fact that he lost to CROSS. this is the second time someone in the mtt lost to cross (theyre all making out in the loser's room) (mtt poly real btw)

#sexyman polls but instead its all just mtt and peoples' aus and varients #i COULD NOT be able to vote. it would be hell for me WHO WOULD I CHOOSE #i CAN'T choose dude i literally wouldn't be able to at all #do i vote for og mtt my pookies??? or jk mtt my besties???? or mst my children????? WHO DO I VOTE FOR #i think i would be biased to the murder swap trio. i haven't mad any content for them at all but like #i spent my TIME and EFFORT into them. and they are cool ngl i really like their concepts #too bad swapinverse isnt seeing the light of day until goddamn 2026 or something because i cant be bothered to make content of it #oops! savior mania paranoia you guys are JUST FOR ME. just me only! nobody else gets to see you guys #or literally anyone else in swapinverse.... i love swapinverse.#they need to make the tag limit like 60 or something i have too many thoughts #quite a few too many times on my posts have i hit the limit and then had to choose #my tags trembling in fear as i pick and choose which to delete in order to make space for the fandom tags #tricule rant #i still have more tags time toRAMBLE!!! i love the idea of dust and horror having opposite ish souls #like dust's soul is PACKED with magic. like crackling and sparking and glowing purple with just how much he has in there bc of his LV stuff #i dont believe in the idea that dust suffers physically from LV or whatever because like. when has that EVER happened #its a cool idea though and i get to pick and choose which headcanons i believe in as god of these fictional characters and creations #anyways OBVIOUSLY horror's soul is dim and shriveled and looks like a fucking dead leaf. because lack of food lack of magic #even though he very clearly DOES have a lot of magic and shows it multiple times in horrortale.....#ok triglycercule you keep contradicting yourself. stop it. BUT THERES TOO MANY MTT HCS OUT THERE!!! AND SOME OF THIS IS CANON!!!!!#god the mttverse is gonna kill me one day too many interpretations TOO MANY CHOICES #anyways i just like that soul idea bc of the contrast. dust too much magic horror not enough. horrordust real #and then killer pulls up with his yn main character ass unique soul with stages #the GET OUT sound effect plays. anyways they all love eachothers souls and unique differences in them #everyday im reminded of the fact that killer is a little. just an EENSY bit more of a special character that horror or dust #he has too much shit going on someone assassinate him. preferably two fellas with names starting with H and D alternatively M #i love coming up with various sayings to kill/shut myself up. someone sedate me #i just remembered this dream where i say to my friend i hope ___ gets into a sticky situation #and then ___ goes into a bathroom comes out and then someone else says ___ WHY ARE YOU ALL STICKY #it was so funny i laughed myself awake. it was SO funny. i saw this person in school today

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motherforthefamicom · 3 months ago

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i need to get back into making lps customs so badddd

#a mutual on th just uploaded one he made of her fursona and its the cutest fucking thing ever oh my god #ITS BEEN WAY TOO LONG SINCE I MADE ONE IVE HAD SO MANY IDEAS PILING UP OVER THE YEARS #i know i shouldnt paint in my room but its kinda the only place id be able to haha #whatever ill figure things out #currently wokring on an animation attack for my sister. its one of those like carameldansen draw overs with . all of her characters #idk how ill finish this in time i havent even finished the first two and its been over an hour #inquisitivewaltz.txt #TUMBLR DELETED LIKE HALF MY TAGS WTF…?#im not bothering retyping them oh well

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edenfire · 5 months ago

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🌸💙 Persona 3 Ferris Wheel 💙🌸

my ferris wheels finally arrived, so I'm super excited to have them up in my shop!!🥰💗💞

> my shop <

#persona 3 #p3 #persona 3 reload #im sorry im not tagging all those characters;;#theres so many;;;;#(after doing my quality check I discovered that a good amount of my ferris wheels arrived broken #so I'm in the process of getting them replaced🥺💞#that said I'll hopefully be able to add more to my listings soon! so try not to fret too much if you miss out on the first round of sales💗)#technically speaking the issue is that some of the ferris wheels arent fitting in their base #so i might be able to fix it myself #but its going to be a lengthy process for sure #so hopefully i can get them replaced asap🥺🙏#as of right now i think i only have one left thats ready to go #so check it out if its something youd like♡♡♡#edenfire shop #merch #my merch

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oathofkaslana · 4 months ago

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will i ever be free......

#undescribed #i hate farming talent domains so much im always running out of talent mats :''#which means i use my sundays to do them (the sumeru one i need + the liyue one i need + the fontaine ones)#but i need so many weapon mats i dont know if im gonna be able to do my runs for talent mats and that makes me nervous bc im so so low #on this one particular sumeru mat #bc like all my sumeru characters use it :'''#gameplay tag #also yes some of those weapons are some i dont have im planning ahead ok

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seiwas · 1 year ago

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ari i'm going to share some of my favourite lines from this but i apologise in advance if i end up copy pasting like 80% of the things you wrote 😭 i had so much to say with each passing paragraph i swear

ari your writing in this is impeccable, the vivid imagery you inject into it all. you go from specific to broad and it's so... how... like your brain!! i swear!!

the colour red flooding his subconscious. that cold, cold sensation — a jarring shift, chilling and ruthless, going from everything to nothing. tiptoeing the line between life and death.

another thing i noticed about your writing is that you use a symbolism and carry it through as a theme to the rest of the sentence and that's!! also!! just so big brain... it's so beautiful and so so satisfying when you catch it

clinging to the weak flutter of his heart, a dying butterfly. clawing his way up to the skies.

now on to...everything else. honestly ari i don't think i've seen a lot of fics recounting this moment of gojo specifically (or maybe i just avoid it because it makes me sad) but for some reason, the way you've written this doesn't make it sad at all. the sky motif you weave through gojo's dying moments is peaceful if anything and i like the message that that conveys, that dying for gojo isn't scary, it isn't bad, it's... peaceful and maybe even comforting in all the blue that he sees.

gojo doesn’t think he has it in him to feel fear, anymore.

when you say that line i think about the many reasons for it: how maybe being the strongest makes him that way, or maybe just that he's become a bit desensitised to it all.

then you bring us to the airport. the afterlife. another place i haven't really seen other fics explore yet, and you tie everything so neatly, so beautifully.

gojo feels young, too, he realizes — the weight on his shoulders a little less heavy, the familiar black of his sunglasses obscuring his vision. but he can still see the flicker of suguru’s cursed energy clear as day. as if he never left.

feigning a mild displeasure, gojo makes a face. he hears himself speak, but his mind and six eyes continue to spin in circles, trying to comprehend the sight in front of him. trying to make it understandable, figure out what’s going on.

your introduction of suguru will always ache for me. the callback to his six eyes and how it will never comprehend how real suguru feels despite him being gone—like a part of him will always live so long as satoru exists, wherever he goes.

suguru is there, right next to him, and he’s speaking. breathing. like something out of a dream, the kind that always haunts gojo in his sleep.

another thing i truly admire about your writing is your characterisation, not just through dialogue and descriptions but also through actions. you get them so well, it's crazy. the mannerisms and interactions you write for them are insanely accurate (at least to me) and i can truly see satoru and suguru (and anyone else) doing or saying whatever it is you make them do or say.

the white haired boy stretches his limbs out and huffs, pretending the sight in front of him doesn't send a tremor running through his very soul.

but what i love most about all this, is your take on satoru. you touch on so many parts of him that i love exploring and adoring, one of them being the things he values—what truly makes him happy? if he could live a life made from his own decisions, what would it look like?

the sight in front of his eyes is perfect, he thinks. absolutely perfect. a glimmer of spring, one he never quite managed to forget. a vibrant flicker of blue, one he thought he’d lost forever.

...

with a sigh, gojo stretches idly, smiling a little to himself. his joints don’t ache, his head isn’t buzzing with fatigue, and his heart feels lighter than it's been in recent memory.

“now i’m hoping this isn’t a dream,” he hears himself mutter, allowing his eyes to flutter shut at last. he can still see suguru’s cursed energy, and everyone else’s. he isn’t alone. what a nice thought.

i think it's so nice that you've given him this moment of rest, even when we know it won't last. the way you've dug deep into him to reach for the parts that humanise him—that allow him to want things for himself.

and i love this line:

him, and suguru, in the corner of an airport too precious for words. that one decisive slice of heaven.

that one decisive slice of heaven is such a pretty line, ari. the ache i felt in this line was the perfect preview to the heartwrenching yet heartwarming dialogue that ensued between suguru and satoru.

however you crafted this dialogue between them, the set-up, the scene building, the conversation itself—i was completely immersed, ari, i had to remind myself that this isn't canon (though i hope it could be). there are so many layers to it and so many reasons why i love it (that i'll try to explain as i go on but just know that i don't think anything can fully capture what i felt reading it).

i like the role you've established for suguru in satoru's life—almost like his voice of reason, maybe even a moral compass; and you emphasise it so much in lines like this:

suguru opens his mouth, and speaks, and his voice has a finality to it that fills gojo with a mellow kind of dread.

as if suguru is the bearer of bad news because he's the only one who can deliver it gently; in a way that will make satoru listen. i like how you make him firm yet kind, doing what's necessary but in ways that aren't cruel (like ripping the band-aid off for satoru).

“they’re no match for him,” he continues, unperturbed. “all of them are going to die. every single one.”

suguru leans back in his chair, still looking straight into gojo’s eyes. seeing through him, gaze filled with a certain sharpness. a little cruel, but there’s a kindness there, too. as if he’s simply ripping the band-aid off, trying to make it as painless as possible.

...

“.. damn,” he grins, weakly. leaning back in his chair, slumping against the soft leather. “couldn’t you have kept indulging me for just a bit longer?”

suguru smiles. a soft thing, in the flicker of the light. a little too good to be true. “sorry,” he chimes. “but the plane is leaving soon.”

and the banter you included in their conversation was amazing ari, i really felt the fondness they have for eachother through it. the held back smiles, the playful bickering, how much suguru believes in satoru and knows him, to a point that i think might even be better than how he knows himself.

”haah.” a heavy exhale, fatigued. gojo slumps even further into his seat, squeezing his eyes shut. running a hand through the soft strands of his hair. ”oh, gimme a break. and here i thought i could finally relax for once.”

a chuckle flows from suguru’s lips, amused. ”you aren’t the type to go down like that,” he murmurs. ”c’mon, satoru. there are still things you need to do.”

”how?” gojo scoffs. ”i’m split in half. and i’m too exhausted to use my reverse cursed technique.”

”eh,” suguru shrugs. ”you’ll manage.”

gojo shoots him a dubious look. ”you’re acting like it’s a papercut,” he huffs, crossing his arms. ”my guts are on the fuckin’ pavement.”

”oh, quit your complaining already," suguru rolls his eyes, and shoots him an accusatory glance. "i died with a hole through my chest. at least your heart is still intact.”

the white haired boy gapes at him, offended. ”i wanted to make it painless for you!”

”well, it hurt like a bitch. so thanks for that.”

gojo pouts, fighting back a smile. he thinks suguru must be doing the same. and it’s juvenile, a little twisted — but then again, weren’t they always?

suguru cocks his head. beckoning gojo into taking action. ”you’ve still got some fight left in you,” he says, and there’s a fondness to it. ”you always do.”

...

”get up, satoru.”

there's also a line i really liked because i found it so pretty: placebos; memories ghosting his subconscious. & the way you used symbolism again to carry through a sentence: the words taste salty, on his tongue. an ocean breeze. a whisper. ”we could just stay like this.”

another thing i really liked was how you included a lil bit of the whole god theme when it comes to him. not that he has a complex, but more of the flipside of it—how do you make a god human? and i love exploring that about him. when you talk about that gap, and the solitude that comes with it. you write his yearning for love, for connection without fully saying it and i love it ari! i love seeing gojo through a lens that he can truly never escape wanting very human things.

”you want me to go back,” he hears himself say, somewhat bitter. ”you want me to go back, and then what? there’s nothing i can do. i’m not the strongest, anymore.”

...

”there’s always been a gap between you and everyone else. that’s what you said, before. aren’t you tired of it?”

gojo closes his eyes.

that’s right. that aching gap. the solitude that comes with absolute strength — a weight he’s borne all his life. doomed never to connect with others, never to be understood. doomed to always live in the sky, far away from the earth and the ocean.

...

suguru’s voice fills his mind. the flicker of his cursed energy is gentle, like an ocean wave rolling in right before the sun sets. ”you said it yourself, satoru.” gojo can hear the smile in his voice. ”you love everyone.”

love. it always comes down to that, doesn't it? the greatest curse of them all.

(but he could never bring himself to fully throw it away.)

you also manage to say the unsaid, that i think maybe a lot of us might feel when it comes to gojo. that even he knows himself. i think he really is so important that no matter how unfortunate it may seem to drag him away from this rest, people still need him. and it speaks so much to who he is that he still chooses to be that person; that he still heeds that call even when he might not want to anymore.

not just that — the world itself is waiting on him. waiting for him to pass on, so it can crumble away. waiting for him to make it, so he can stitch it back together.

and you deliver this absolutely heart-crushing line that cements how important suguru is to satoru, like i mentioned, the only person he might listen to:

”i’ll listen to you,” he elaborates, tapping the edge of his chair, absentmindedly. eyes shining with a glimmer of something tender. ”so… it has to be you.”

serious scenes with satoru are tricky, i feel, because his character is naturally a lot joyful and teasing, a bit annoying and playful, but you manage to balance it so well while still retaining the kind of humor he does. you have such a skill, ari, really!! i'm stuck in awe!!

”so much for finally getting a vacation,” he huffs, frowning as he casts a jealous glance at his best friend. ”you dead people have it easy, you know that?”

suguru’s still smiling, but he’s not getting up from his seat. the pa system sounds, again. a little louder this time.

suguru stays right where he is. young, dead. smiling. the same smile he wore when gojo killed him, framed by the setting sun. the same kind of sunset that’s beginning to form outside the translucent windows of the airport, nostalgic and sweet, dyeing the clouds in a soft pinkish hue.

i also love the little changes in their physicalities!! what that represents to the passing of the scene!! and i think it's so healing to see them interact this way knowing full well that we didn't get to see that in the manga (suguru being kenjaku and everything).

over his shoulder, he looks back at suguru. the boy has a hand raised, and his grin is playful, brimming with warmth. except he’s no longer a boy — now he’s wearing traditional robes, hair much longer, face a little more hardened. but that grin is still the same as ever. gojo thinks he looks almost proud.

”go get ’em, satoru.”

gojo blinks.

the grin that breaks out across his lips, then, is wide. bright, brimming with youth, lighting up every corner of his face. almost overwhelmingly sweet. it envelops his very being, as he stands there, clad in his black compression shirt and baggy pants. hair a little less messy than it was in high school, face a little more hardened — but he hopes his grin, at least, looks the same as ever.

and then!! you add this little reference too: ”—, — —.” + the literary and real world tales that you parallel to akin his story to a legend, or a tragic hero. ugh! i love it: (buddha left the royal life behind him at 29 years of age, he recalls. and then he sought out enlightenment.)

and this line:

twelve years of living in the sky, and now his feet meet the ground, at last.

i love it so much because it ties in his story so beautifully. your take on what could happen is honestly so cool and so big-brained to me—a binding vow. like. wow. taking away what is most valuable to become the most powerful, just for this moment, and to bring him back down from all of it.

a part of me wonders if this is punishment or a reward, and i think that's what makes your storytelling so wonderful, ari! leaving room for the double-meaning of it, just ugh! perfection.

thank you so much for writing this ari, it was truly. truly. beautiful.

oh my destiny, how far you have sprung now ; satoru gojo

synopsis; satoru gojo chooses north.

word count; 5.2k

contents; satoru gojo, canon divergence, HEAVY jjk spoilers (for chapter 236!! but also kinda 237), fix-it fic, me coping w/ the manga for 5k words straight, canon-typical violence and death, implied stsg, probably non-canon compliant use of binding vows (but do i care? no), gojo satoru lives.

a/n; yeaaa this is literally just me coping <3 needed to write this for my mental health. he’s fine guys trust me

the experience is not altogether unfamiliar, on its own.

he’s felt it before. even now, he can still vividly recall it; a girl he failed to protect, a boy he failed to save. a man with a scar on his bottom lip.

that sickening numbness, as he lied in a pool of his own blood. sticking to his hair and tattered clothes, the colour red flooding his subconscious. that cold, cold sensation — a jarring shift, chilling and ruthless, going from everything to nothing. tiptoeing the line between life and death.

emptiness. sinking deeper into the abyss, that all-enveloping darkness. that awful feeling of pure helplessness.

he could never forget it.

back then, though, gojo is certain he didn’t feel this way. all he could think about twelve years ago was survival — clinging to the weak flutter of his heart, a dying butterfly. clawing his way up to the skies. anything to escape that harrowing sensation, a kind of desperation all humans feel in the face of certain death, spurring him on. but now —

he almost welcomes it. nearly content in its approach. it should frighten him, but it doesn’t.

through half-lidded eyes, vision blurred by sweat and blood and dust, gojo watches the sky.

it's beautiful, he thinks. as beautiful as ever. peaceful, unchanging, soothing in an eerie kind of way. that clear blue, fading a little at the corners as his muddled mind grows just a little darker, a little more fatigued. he can barely gather the strength to keep his eyelids open.

yet he keeps his gaze on that endless sky, as if it’s all he’s ever known.

with every passing second, the world grows just a little more blurry. pale dots spread around the corners of his vision, like grains of stardust in an ever-expanding cosmos, clouding his senses. there’s a buzzing in his head that won’t go away. everything looks as if it's spinning, and he can barely tell left from right, north from south. everything is growing darker, so fast that it’s alarming, and gojo can’t seem to even think clearly.

but he can still see that blue, blue sky. bluer than he ever remembers it being. even as snow begins to fall, descending upon shinjuku as if bidding him farewell. the sky takes on a gray hue, but that shade of blue is still all gojo can see, as he takes shallow breaths and half-heartedly attempts to remain conscious. willing himself not to give in just yet, choking on his own blood.

and it's an odd feeling, really. one he never thought he'd meet again, but here it is, it's back — and it's all-consuming. beckoning him into a place he’s never been before. the unknown.

it's not scary. gojo doesn’t think he has it in him to feel fear, anymore. but it's a strange sensation, as death kisses its way up his neck, sending shivers down his spine; as the numbness spreads, devouring him whole.

it’s unknown. thoroughly and wholly. and that unknown is overwhelming, all-encompassing, it’s all he can see before him, it's —

ah.

gojo takes a deep breath. the air burns his lungs.

everything's ending, isn't it?

it would be so easy. to simply close his eyes, let them flutter shut as that all-encompassing sensation takes him down to earth. to allow himself to simply rest, for a moment. wouldn’t that be nice?

it would be so easy.

gojo watches the sky. it's all he can do.

the numbness keeps spreading throughout every cell of his body. he can barely feel the blood trickling down his chin, or the harsh bite of the winter cold, his skin buzzing with ache. he can't feel his arms or his legs, and he knows exactly why. everything in the world is closing in on him and god, he just feels so fucking tired.

ah. ah. more darkness. more numbness.

everything and nothing, all at once. slipping away into oblivion. the snow keeps falling but he can't see anything, can't hear anything, can't feel anything, anything at all.

nothing. nothing. less than nothing.

— and then, suddenly, an airport.

"yo."

gojo blinks.

a boy. a boy with black hair, tied into a small bun. a dead boy. his best friend.

suguru stands before him, and he looks exactly the same as gojo remembers. young, bright, with those awkward bangs still hanging over his face. grinning boyishly, and greeting him with youthful cheer.

but he doesn’t succeed. because it’s impossible to understand. and, really, that’s answer enough.

huh.

so this is what the afterlife is like?

he inhales through his nose, basking in the clear air, and it doesn’t burn his lungs. his chest feels lighter than it’s been in years.

that seems a little too good to be true.

"you’re kidding me. this sucks.”

suguru makes a kind of face like he’s pouting, plopping down in the seat right next to gojo’s. the white haired boy stretches his limbs out and huffs, pretending the sight in front of him doesn't send a tremor running through his very soul.

suguru continues to speak and gojo continues to listen, all while observing the scenery in front of him.

the airport looks familiar. through the glass windows he can see a glimmer of the blue sky, and a plane waiting to take flight into the clouds. the air smells of summer and jet fuel and new beginnings. it’s pleasantly cool, a light breeze caressing his skin and coaxing a hum from the confines of his throat.

(he remembers this airport. remembers having his arms full of vending machine snacks, trailing after suguru as he dealt with all the annoying technicalities. amanai was there, too, watching a plane soar up into the sky with childlike wonder. a little anxious, as she boarded the plane to okinawa, and then back to tokyo.

her first and last flight.)

suguru is there, right next to him, and he’s speaking. breathing. like something out of a dream, the kind that always haunts gojo in his sleep.

he breathes in, and then out.

suguru is there. and not just him – nanami and haibara are, too. all young, all dead. all somehow breathing; he sees them inhale and he sees them exhale. he hears them speak and it’s like nothing ever changed.

they speak of regrets, of south and of north. nanami doesn’t seem to regret a single thing, and gojo is glad. even yaga is there, he notices belatedly. even amanai, and her maid, and a certain man with a scar on his bottom lip. everyone all together again.

the airport buzzes with warmth. nostalgia, as suguru’s laughter rings in his ears. and gojo grins, in tandem, bright and childlike. wallowing in the tender atmosphere.

the sight in front of his eyes is perfect, he thinks. absolutely perfect. a glimmer of spring, one he never quite managed to forget. a vibrant flicker of blue, one he thought he’d lost forever.

his one and only blue spring of youth, right in front of his all-seeing eyes.

a little too good to be true.

with a sigh, gojo stretches idly, smiling a little to himself. his joints don’t ache, his head isn’t buzzing with fatigue, and his heart feels lighter than it's been in recent memory.

and it’s strange, gojo thinks. it really is. he’s dead. sukuna killed him. he’s dead, his remains are lying somewhere in the streets of shinjuku, and that should bother him. he should be punching the floor and screaming, cursing sukuna’s name with every fiber of his being — it should frighten him, the realization that everything has ended.

but it doesn’t.

gojo isn’t afraid. and he isn’t upset, either. he bears no grudge against anyone, just like that day twelve years ago.

he’s with suguru, now, and his juniors. his old teacher. the people he cares for are with him, and the airport smells so nice. everyone is young, and happy, and none of them will ever have to kill or be killed again.

calling it anything less than heaven would be doing it a disservice.

gojo smiles, exhaling a relieved breath. one he hadn’t realized he’d been holding til now, stuck in the back of his throat for the past decade. a tiny thought makes it to the forefront of his brain, like a spring breeze flitting in through an open window.

like this, he thinks, i could die with no regrets.

“— except that’s not true.” a voice proclaims. “is it?”

gojo opens his eyes.

suguru looks at him. everything goes silent. everyone else has already gone blurry, a little faded, as if they aren’t what’s really important. as if the entire world has narrowed down to just this; him, and suguru, in the corner of an airport too precious for words. that one decisive slice of heaven.

suguru opens his mouth, and speaks, and his voice has a finality to it that fills gojo with a mellow kind of dread.

they look into each other’s eyes, and both know what’s coming.

“the students are outclassed.” suguru rests his chin on the heel of his palm. ”you said it yourself — sukuna wasn’t giving it his all when he fought you. he still has more than a couple cards up his sleeve, doesn’t he? like his incarnation.”

gojo listens to suguru speak, not saying a word.

“they’re no match for him,” he continues, unperturbed. “all of them are going to die. every single one.”

he clicks his tongue.

“and you still haven’t buried my body, either.”

a moment passes. then two.

gojo smiles to himself, rueful. a little saddened.

“.. damn,” he grins, weakly. leaning back in his chair, slumping against the soft leather. “couldn’t you have kept indulging me for just a bit longer?”

suguru smiles. a soft thing, in the flicker of the light. a little too good to be true. “sorry,” he chimes. “but the plane is leaving soon.”

as if on cue, the pa system sounds.

flight to okinawa; departing in nineteen minutes.

“it hasn’t left, yet,” suguru hums, and it sounds like an inevitability. ringing in gojo’s ears. “you know what that means, don’t you?”

he does. he does, but it still hurts. gojo looks into suguru’s eyes, and sees himself reflected in them — young, transparent. blue. fading, but not quite faded. not quite dead.

and maybe it’s to be expected. maybe he was just trying to delude himself into believing the alternative, into believing that an afterlife as sweet as this could really be waiting for him. maybe it was naive, a childish fantasy.

but still —

a chuckle flows from suguru’s lips, amused. ”you aren’t the type to go down like that,” he murmurs. ”c’mon, satoru. there are still things you need to do.”

”how?” gojo scoffs. ”i’m split in half. and i’m too exhausted to use my reverse cursed technique.”

”eh,” suguru shrugs. ”you’ll manage.”

gojo shoots him a dubious look. ”you’re acting like it’s a papercut,” he huffs, crossing his arms. ”my guts are on the fuckin’ pavement.”

”oh, quit your complaining already," suguru rolls his eyes, and shoots him an accusatory glance. "i died with a hole through my chest. at least your heart is still intact.”

the white haired boy gapes at him, offended. ”i wanted to make it painless for you!”

”well, it hurt like a bitch. so thanks for that.”

gojo pouts, fighting back a smile. he thinks suguru must be doing the same. and it’s juvenile, a little twisted — but then again, weren’t they always?

suguru cocks his head. beckoning gojo into taking action. ”you’ve still got some fight left in you,” he says, and there’s a fondness to it. ”you always do.”

”get up, satoru.”

silence. unbroken, unperturbed. if he focuses enough, he thinks he can hear the distant buzzing of cicadas, the crinkling of soda cans. the whistling of the wind. placebos; memories ghosting his subconscious.

it’s quiet, for a while. gojo stares into space, blinking slowly. then he parts his lips.

”suguru.”

the boy in question turns towards him. but gojo looks up, instead — eyes set on the roof, like he’s trying to see beyond it. into the comfort of the blue sky.

suguru hums, a cue for him to follow. and gojo closes his eyes.

”i think… i might be tired.”

silence. no one says a thing.

”i think i’d prefer to stay here,” he admits, a forlorn look in his eyes. tapping his fingers on his knee. ”in the past, like this.”

the scent of jet fuel and summer lies heavy in the air. gojo inhales it, greedy. as if savouring it. trying to make it a part of his being, filling his lungs with sweet nostalgia so it never goes away.

”we could just stay here. together,” he muses, barely above a whisper. there’s a kind of longing to the tilt of his voice, something soft. ”couldn’t we? never moving forward, or back.”

the words taste salty, on his tongue. an ocean breeze. a whisper. ”we could just stay like this.”

suguru’s gaze trails from satoru, down to his lap. his bangs follow the slow movement, silky strands falling over his eye. the chuckle that drifts from his lips doesn’t have much humour to it.

”haha… you’ve never been the type to stay in one place for too long, satoru.”

gojo clenches his fist.

”you want me to go back,” he hears himself say, somewhat bitter. ”you want me to go back, and then what? there’s nothing i can do. i’m not the strongest, anymore.”

”you are.” suguru’s voice is firm, decisive. ”you can still win. you know exactly what you need to do. there’s only one way to get out of this.”

gojo sighs. one hand in his hair, tousling it. mildly frustrated. ”… it’s risky.”

”you’re bleeding out.”

”if i do this — i won’t ever be the same.” gojo turns to look at suguru. ”i sure as hell won’t be the strongest, anymore.”

”and would that be such a bad thing?”

silence. the two boys look at each other — one dead and one half-alive, both connected to the other. for eternity. suguru’s eyes are full of understanding, as they look into the blue of satoru’s.

”there’s always been a gap between you and everyone else. that’s what you said, before. aren’t you tired of it?”

gojo closes his eyes.

the title of the strongest. a cross he alone had to bear.

(did he ever really want it? or was he just resigned to it, conditioned from the very beginning?)

the feeling of isolation that’s been haunting him for decades seeps into his skin. the cruel knowledge that no one will ever truly know him; even worse, the knowledge that it’s all for the best. you can admire a flower, and help it bloom, but you can’t ask it to understand you.

such a cruel curse to be born with.

love. it always comes down to that, doesn't it? the greatest curse of them all.

(but he could never bring himself to fully throw it away.)

”there are still people waiting for you, out there,” suguru reminds him. and gojo knows that he’s right.

he still hasn’t buried suguru’s body. that thing is still inside his head, doing god knows what. and his students — they must be fighting sukuna, right now. if he’s lucky, no one’s dead yet. if he’s lucky. then there’s shoko, of course. and ijichi, everyone else from the school.

not just that — the world itself is waiting on him. waiting for him to pass on, so it can crumble away. waiting for him to make it, so he can stitch it back together.

dying isn’t a luxury satoru gojo can afford. he knows that, he does, but —

dammit.

”suguru,” he starts, hesitant. voice more feeble than he ever remembers it sounding. ”what… should i do, from here on out?” a pause. uncertain. ”where should i go?”

suguru raises a single eyebrow, tilting his head. ”do you really need me to tell you that?” he asks, a little teasing. gojo’s reply is instantaneous.

”i do.”

the airport falls silent, again.

”i’ll listen to you,” he elaborates, tapping the edge of his chair, absentmindedly. eyes shining with a glimmer of something tender. ”so… it has to be you.”

suguru inhales, softly. breathing out in a meek chuckle, with a soft shake of his head. ”well, in that case…”

a smile. he meets gojo’s gaze. ”then i think you should go north.”

gojo looks into his eyes. a moment passes, slow, detached from space and time. their eyes meet, and in suguru’s eyes, gojo sees a reflection of their youth.

what a shame.

”alrighty, then.”

placing his palms on his knees, gojo gets up from his seat. stretching his arms with a soft groan. a sigh flows from his lips, drifting out into the clear air.

”so much for finally getting a vacation,” he huffs, frowning as he casts a jealous glance at his best friend. ”you dead people have it easy, you know that?”

suguru’s still smiling, but he’s not getting up from his seat. the pa system sounds, again. a little louder this time.

flight to okinawa; departing in six minutes.

a deep breath. air flows into his lungs, and then back out; soaking up the summer air he knows he’ll never quite get a taste of again.

it’s breathtaking.

”will i see you?” gojo asks, before he can stop himself. eyes still stuck to the setting sun. ”when everything ends.”

…

suguru chuckles, again. rueful. gojo thinks it sounds just a bit meek, a little like he’s holding back tears. ”maybe,” he breathes, shrugging halfheartedly. not meeting his eyes. ”who knows?”

it’s not the answer gojo wants to hear. but he’ll take what he can get.

and finally, suguru gets up. slowly, methodically. elegant, in the way he moves, the way he brushes non-existent dust off his baggy pants. smiling, hair swaying softly with the breeze. gojo finds his gaze, and that smile shifts into a lazy grin. one so distinctly suguru that it can’t possibly be just a figment of his imagination.

”don’t find out too soon,” he quips, teasingly. ”alright?”

a slap. gojo doesn’t see it coming, and it knocks him forward — he stumbles slightly, lanky legs moving clumsily, sunglasses falling off at the impact. his back stings, a little.

”go get ’em, satoru.”

gojo blinks.

he turns his back on suguru, and puffs out his chest. trying to hide the sappy smile still lingering on his lips, the glassiness of his eyes. his voice comes out loud, cheery, echoing throughout the airport — but still somehow so tender.

”roger that!”

gojo looks ahead. the airport is blurred, a little hazy, but a bright light shines farther up ahead. a beacon for him to follow, one that blinds him if he looks at it for too long. blue, white, golden — the colours of the sky. beckoning him forward, to a familiar place.

he takes one step north.

”ah, satoru. one more thing.”

the sound of suguru’s voice stops him in his tracks. ”hm?” gojo turns on his heel, white hair tousled by the soft breeze. a little confused. ”what is it now?”

suguru grins. the whole airport smells like spring.

”—, — —.”

��

one long, tender moment passes by. gojo doesn’t even breathe, mouth falling open slightly, in a way that must look comical to the man in front of him.

the airport glimmers like a marble in the sun. transparent, blurred, but still somehow so real. suguru’s words echo in his mind.

then gojo laughs, the sound bubbling up from his throat like seafoam on a scorching summer day. hearty and deep, coaxed out from the very bottom of his gut — genuine. a little breathless. he can’t wipe away the grin on his face, wouldn’t do it even if he could. his blue eyes crinkle, as he looks at suguru, showing off his dimples and teeth.

”so corny,” he teases. suguru rolls his eyes.

”hey, don’t blame me. this is your imagination.”

a huff slips from his lips. ”yeah, yeah…” gojo waves him off. then he meets his eyes, again, still grinning boyishly. ”i’ll hold you to that, okay?”

”got it,” suguru chirps. ”good luck out there, satoru.”

”pssh. who do you think you’re talking to?”

the men exchange smiles, one final time. funny, how that’s always how their story ends; with a heartfelt smile. even if it’s coated in blood, or nothing more than a figment of their imagination.

then gojo turns around, again, and takes a step forward. not looking back this time. trusting suguru to still be there, watching over him. like always.

the bright light at the end of the airport glimmers, tantalizing, mesmerizing. suguru is right — there’s only one way to get out of this. only one way to make it back alive.

and it’s risky. very much so. it’s a gamble, the greatest one gojo’s ever made, even worse than that time twelve years ago with the reverse cursed technique.

it’s a gamble, all or nothing.

binding vows are dangerous, fickle things. built on equivalent exchange. give something and get something, of equal value. sacrifice and gain.

gojo’s thought about it, before. a morbid curiosity.

what could he possibly gain by offering the greatest treasure of the jujutsu world?

he lifts one hand up, to caress his face. lingering over the skin of his eyelids, now closed. but he can still see the cursed energy around him. burned into his retinas.

the six eyes. the blessing of sight.

a blessing. a blessing he never once asked for, one he was simply born with. born with all this power, doomed to live above the rest. all for a pair of eyes that never seem to see the things that really matter.

and, really, it’s a gamble.

gojo takes a deep breath, and then one large step forward.

(buddha left the royal life behind him at 29 years of age, he recalls. and then he sought out enlightenment.)

the light comes closer, and closer. lotus flowers bless his path. he takes seven steps forward, and his path blooms out before him; one flower blooming by his feet for every step he takes. seven steps north.

i’ll give you everything, he speaks to the someone watching the world. a god, a natural order, himself — it doesn’t really matter. i’ll give you all six.

in exchange —

the light is close, now. so close he can almost touch it. it burns his skin, but he doesn’t falter. he doesn’t look away, eyes seeing through the blindness and reaching out for something. something alive.

don’t let me die, he bargains. give me enough of it to kill him.

i still have things i need to do.

one more step, out of the airport —

(and satoru gojo makes a sacrifice.)

a binding vow is made.

the six eyes dissipate, like vapour drifting off into the darkness of a never-ending cosmos.

when gojo opens his eyes, he’s met with a cold, gray sky.

the world shifts on its axis before him.

everything looks different. he can’t see, but he can, it’s just not the same as before. it’s naked, and raw, and surface-level. not enough to sink his teeth into.

he can still see cursed energy, feel the flicker of it all around him, but it’s hazy. it’s not clear enough, not enough for him to get a good grasp on — like the world lost its saturation. like everything got tilted slightly to the left. an eerie feeling that something isn’t as it should be.

and wow, okay. this is new.

but gojo parts his lips, weakly, and breathes in — and the air tastes the same as ever. cold, crispy. it fills his lungs and he exhales it through his nose. a human act. a breath of life.

i’m still alive.

it’s an odd feeling, like someone took a heavy weight off his shoulders. like someone stripped him of everything that makes him him. an strange sensation, heavy, entirely impossible to ignore. however —

the gain after the loss hits him almost immediately, embracing him with a burst of cursed energy so violently overwhelming that his sight becomes entirely irrelevant. it devours his very being.

everything becomes a blur.

— i’ll give you everything.

so, in exchange…

give me enough cursed energy to go on a good rampage.

the cursed energy within him spikes, so sudden and violent that gojo fears his skin might break open. buzzing like flies inside his veins, a vibrant burst of life, every colour in the universe. all the power one can expect from willingly casting away the greatest jewel of the jujutsu world.

gojo moves his fingers. he can feel them, finally — all limbs intact. positive cursed energy flows from his brain, no longer exhausted beyond comprehension. enough, more than enough to give him access to every possibility within his soul.

belatedly, he realizes that his sight isn’t the only thing that’s been weakened. the control he’s grown so used to having over his cursed energy is dwindling, and fast; that firm grip seems to have left with the six eyes, replaced by a set of shaky hands. gojo has experience, and for now, it’s enough. but he still has to concentrate to contain the nearly overwhelming flicker of his cursed energy, stinging his skin as if it can’t fully be contained by his body anymore. prickling his veins. it feels a little like trying to keep water from running through the gaps between your fingers.

and he feels naked, in a way, suddenly living without something that defines his very being. a little hollowed out. a little wrong, like someone reached a hand through his ribs and pulled out his heart.

but damn, does it feel good.

his cursed energy output is all-encompassing. his mind feels more clear than he ever remembers it being, and it’s like the world is at his fingertips. something similar to what he felt twelve years ago, but still so different.

it isn’t ascension, not even close. quite the opposite. but that feeling of freedom is still so abundant. it’s all he can see before him; endless possibilities.

twelve years ago, satoru gojo faced a certain man, and rose to the skies. he will never, ever forget it. that flicker of eternal solitude, the burst of overwhelming euphoria. that sense of everything being just right.

twelve years of living in the sky, and now his feet meet the ground, at last.

everything feels different. everything looks different. things won’t be the same, ever again — but maybe, suguru was right. maybe that’s not such an awful thing.

to be reborn. to be given a choice.

gojo opens his eyes, and finally takes in all the sights before him. everything happens in a blur, so fast he can barely catch up — his body acts before his mind, and suddenly he’s face to face with sukuna.

not megumi, but sukuna. fully incarnated.

and he looks displeased. almost frustrated.

”how?”

the look of pure shock on his face is more satisfying than gojo could ever put into words; the satisfaction of seeing a king fall to his knees.

somewhere in the background, he thinks he hears a cacophony of voices, awfully familiar in a way that has warmth blooming in his chest. the students, he assumes — voices of shock, and something he tentatively recognizes as relief. but he doesn’t have the time to let his guard down, just yet.

(no matter how much he’d like to look back at them and give them a self-assured peace sign, bask in their smiling faces.)

instead, he answers sukuna. ”a binding vow,” he grins, and he thinks he must look a little manic, gesturing towards his eyes with his thumb. ”gave these puppies away. didn’t expect that, did’ya?”

sukuna looks at him, for a second.

then he laughs, loud and ugly, grotesque. taunting. he looks at gojo with something that almost resembles pity, something bordering on disappointment.

”pathetic,” he spits, all teeth. ”what good is living if it’s not at the top?”

gojo simply smiles.

he recalls that one question. eleven years ago, somewhere close to the ruins of the very street he’s standing in now. the question that flipped his entire world upside down.

(are you the strongest because you’re satoru gojo? or are you satoru gojo because you’re the strongest?)

a grin breaks out across his lips. his cursed energy pulsates inside his veins, eager to be let loose, and he takes on a fighting stance. parting his lips to speak, unsure of whose question he’s answering.

”well, we’re about to find out.”

the sky is gray. even so, all he can see is that familiar shade of blue, as clear as ever. even without the six eyes.

gojo smiles.

just keep watching, suguru.

this time, i definitely won’t lose.

#everyone please read this #sincerely from the bottom of my heart #ari i tried to queue this the first time and i had sooo much to say about it both tags and comments but i think tumblr ate it #im rlly sorry if im not able to say the same things i did but im gonna try my hardest too!!#it's not an x reader and might be more gojo centric than anything + satosugu but it's such an interesting perspective #i havent really seen fics written from this pov yet (maybe i also just avoid them bc im afraid of gettng sad) but #there are so many things about gojo's position; his character; how he feels; who he is deep down and his wants that are touched on here #some of my absolute favourite things to explore when it comes to him #and ari writes everything so beautifully with imagery and motifs and themes #and references to literary pieces and stories existing around us today #the satosugu dialogue is truly heartwrenching while simultaneously healing #and it feels so real #ari how could u not tell me u were in the jjk writers room all this time #i swear and the take on what happens later on. how he lives. its so interesting im just wow #must read #ari this was beautiful #jjk #satoru #hurt/comfort

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ravengards-rogue · 8 months ago

Text

WHAT SET YOU FREE, BROUGHT YOU TO ME BABY.

rdr2 men + short blurbs about their favorite sex positions.

ft. arthur morgan, john marston, javier escuella, and charles smith.

✧ tags : SPOILER HEAVY, fem + afab!reader, unprotected sex, light angst (in the horny post is crazy im sorry fdkjjkds), very gendered language, javier says one thing in spanish (thank u @nanamimizz), a little sprinkle of plot with each (and some canon divergency), john co-parents w abigail, otherwise just horny. 18+

✧ wc : about 1.4-8k each (6.3k total)

✧ a/n : sorry for making a multi character post for the cowboy game its cooking me to death. my john bias is showing rip. title is from rebel yell by billy idol but i listen to the bvb cover

sorry about charles and javiers but if i edit this anymore im going to level an entire city using hollow purple technique. please rb if you enjoyed i worked kind of hard on whatever this is.

sorry for . the THIRD repost of this i promise i wont after this. its just really bugging me. PLEASE

.𖥔 ݁ ˖˚☽˚｡⋆ ARTHUR MORGAN + PRONE BONE ;

It’s an odd feelin’ for Arthur.

Wanting something, he means. Wanting anything as much as he wants you. He’s lived a less than quiet life up until now. And he ain’t the brightest, certainly, but living this kind of life teaches you many lessons. One of them being, it’s better not to covet anything. Coveting something you’re not entitled to, well—it’ll lead you places you wouldn’t want to go with a gun.

Arthur has made the mistake of coveting love before, dreamed of a future so completely out of his reach he almost convinced himself it was possible. Dreamed of it so foolishly he’d even go visit a woman he very well ought to forget. It’s his problem, his burden to bear - always desiring outcomes unsuited to him.

He’s just that sort of man he reckons. But he learned his lesson. He tries (tried?) to stay away from it after that. Tried not to pine too much for normalcy when such hopes had failed him twice. The loss of his child completely on his account and the loss of his love at the same fate.

So, wanting you - well, he feels like the world's dullest fool. Really. How is it that Arthur had fallen in love with someone again? It had all just happened so quickly. You were another woman he’d saved from the O’Driscolls, though it wasn’t like you were no damsel. A lot of those men were dead by the time they arrived. That sort of perseverance would stick with you while you traveled together. Much like Sadie, you didn’t take well to housework - you liked to earn your keep. Though you’re not nearly so trigger happy.

You’re quiet, thoughtful, well-read. Plus you’re good at making money. That’s why Dutch don't complain about you joining them, he figures.

(Arthur tries not to pry into it too much at first, but he eventually learns that you’re gambling. Which is how you’re able to make such a fast turn around. A prim little lady like you makes for a fine poker player, and you love to play men out of their money. He thinks it’s one of the funniest and most interesting things about you. He can’t help but love you a little more for it. )

When the feelings in him start to stir, Arthur tries to overlook it. Arthur convinces himself, time and time again - that there’s no way he’ll grow more tender about you. Eventually, it’ll die down. You’re a decent woman is all, a kind one - who’s easy for him to love and even easier for him to confide in. In your time together, you often come to Arthur and you always seem to have some profound wisdom he is so sorely lacking. Someone easy to love, who does not expect much from Arthur at all. It’s only natural a lonely, covetous man like him would start to dream about you. He tells himself, it will pass eventually. Should he simply let it run by him, it will pass. But Arthurs a fool, you’ll remember.

Of course, by the time he understood all that - he already loved you enough that he couldn’t bear it. It was already too late and it wasn’t going to change any time soon. Especially not while everything changed around him.

So, Arthur is undoubtedly a fool, but he’s lucky. He felt divinely blessed when you’d returned his feelings for him so politely. A coy little smile on your face, a laugh like you thought he was silly for being doubtful. Arthur tried to explain himself but you wouldn’t hear a word of it. Maybe that’s another thing he loves so much about you. There’s nothing he ever needs to explain.

In any case, all Arthur seems to do lately is want you. Wants you when it’s inconvenient. Wants you before he wants liquor or a cigarette or some other vice. Any time anything goes wrong, you’re the first thing his mind can conjure up for relief. That pretty smile and that self-assured way of living. It’s hard to get time alone in camp. And Arthur is a man in love, so any touch could be enough to set him on fire. Last week you hugged his waist a little before giving him a kiss goodbye and he had to listen to you laugh yourself into a fit as he waited for…little Arthur to settle down.

He don’t get many chances to be with you. Lay with you in that way that grown folk in love do. Though, if the two of you book it somewhere for a few days - the camp knows better not to ask where you’ve been. But it’s not often you get to really be together, where it’s peaceful to do that. Someone’s always hounding one of you to do something.

Arthur is a lucky man though, like he said. Today he had time. Today he’s alone with you in a beat up little saloon and today he gets to do as he likes. He gets to be greedy. And it’s an odd feeling for him, really, to want something so bad he disregards everything else in the world for a little while.

Feeling you, though - absolves the guilt for wanting. He’d be stupid to want you any less desperately.

Arthur’s favorite way to have you is on your stomach. Laid flat, just barely pushed up against him as he fucks you deep. You’ll fuck like rabbits for a little while and Arthur will wear you out just like this, maneuvering you until you’re pinned all underneath his weight. You lose any fight you might have, too exhausted to worry yourself with pleasing him - and when you’re like that, you let Arthur take care of you.

(He really ain’t talented at much, but he’s good with his hands. Being dexterous is part of being a talented shot. When Arthur has the time to spread you sweet in his lap and make you cum all over his fingers, he does so for as long as he can. At least until you beg him so sweetly otherwise. The same hands, soiled with gunsmoke, look so good so deep in you. At least in his eyes.)

Wet and pliable and helpless. Arthur loves you like that. He knows, he knows you’re anything but - but he’d be damned to pretend this don’t feel best. Tight, wet cunt so welcoming from all the pleasure he’s ripped out of you. Your bodies pressed together, your heartbeat pulsing through your skin. All sticky, honeyed need and animal desire as Arthur lets all of him sink on top of you. His heavy, lumbering form crushing you in - trapping you somewhere you can’t run from him. The curve of your spine pushed against his chest, ticklish.

Every inch of his body that so wholly wants for you, Arthur aches to make you feel. Burn it in you lest anything happens that risks your forgetting.

He can feel his hips meet your ass, backside squished against him - desperate for deeper friction. Whining. You’re whining to him so pretty, a pillow pushed underneath you to give friction to needy clit.

Arthur can feel how much you want more. Maybe Arthur is greedy, but he likes that look much better on you. Your pussy is sucking him in so tight, silken walls pulsing with every shallow little measured thrust. Arthur lets his arm wrap around your neck, your face pressing into his bicep. You moan again and he laughs.

“Arthur,” Your words come out in a messy slur. He lets his scruffy face press against your neck, a kiss behind your ear. He wants to kiss you all over. There’s not enough hours in the day. “Oh, god, Arthur,”

“Still feels good, then, I’m guessin’,”

“Shut up,” You huff and press your cheek into his arm. He doesn’t bother stifling his laugh. “Still feels…big. Stretchin’ me out—hicc—so much,”

You really don’t try to rile him up - but you do a damn good job of it anyway. He groans, grunts as he pulls back and pistons himself in you. A gesture half-way between a kiss and the warning shot of a gun. The sound of skin hitting skin echoes, noisy and vulgar. Arthur don’t pay it much mind. He laughs against your shoulder.

“One of these days, that moutha’ yours is gonna get me in real trouble.”

You giggle back at him

“What kinda trouble is that now?”

Even from your side glance, you’ve got that lovely little smile on you. Fuckdrunk and ingratiating, like you know he’s wrapped so tight around your fingers. And he is, like nothing else in the world could have him. A wave of possession curls up over Arthur, makes him press more of himself into you. Onto you. Another deep push of his cock, sliding against the tenderest parts of you. Staking some silent desire in you. He wants and wants and wants, and hopes that whatevers above him can forgive him for making the same mistake thrice.

“Dunno,” Arthur comments, teeth grazing your shoulder and kissing the indentations “Got our whole lives together to find out, I reckon.”

“I’ll hold you to it, Mister.”

Arthur laughs. “Hope you do, Miss.”

.𖥔 ݁ ˖˚☽˚｡⋆ JOHN MARSTON + COWGIRL ;

John doesn’t say that he loves you lightly.

Hardly a thing he says can be said that way. Could never afford too. In an alternate universe where nothing goes wrong in his life, maybe - but he has a hard time picturing what the hell that’d look like. A version of himself so untainted, without all of the violence and blood and gunsmoke? Foreign. John can’t picture it worth a damn.

Who John is without a deadbeat father and a dead Ma is somewhere far beyond his reach. Ain’t nothing about his life, at any point, lighthearted.

On top of all that mess, he’s got a boy at age four with a woman he ain’t married too. And that relationship is always on rocky waters, even though John’s decided to do right by his own flesh and blood sometime ago. Most things in the world he should feel good about he doesn’t, and most things he should understand render him clueless. He’s a mess on multiple accounts, and he still doesn’t know how exactly he’s meant to approach this life of his. He knows what he should do, but nothing about how to do it.

John doesn’t come to love you easily ‘cause he wouldn’t know easy love if it hit him in his face. Quickly and painfully, but not easily.

Your return to the gang was an odd one. You were an old presence and your disappearance was an even older story. John thought he’d never gonna see you again for sure. You’d been a part of the gang back long before all of the nonsense that took place in Blackwater and you left about the time Arthur’s boy died. John don’t remember why you left exactly. He thinks it was a fight with Hosea, of all things.

Dutch weren't too happy about it neither, but Dutch back then didn’t make a show.

So you left, and John buried every feeling he ever harbored. You found all them again up in Colter, where you’d been living out your days lately. According to you, in the middle of riding, you thought you’d heard Arthur. So, somewhat recklessly, you went chasing him. Didn’t matter if he was just something your mind conjured. According to you, if it was him, it was at least worth checking to make sure. You’d reunited with Arthur and after some tears, he rode with you back to camp.

Upon your return, the gang welcomed you with open arms.

You’d done a lot in your time alone.You spent most of that time just like that, a ghost wanderin’ the planes. You weren’t gonna stay with ‘em, but Arthur insisted and Hosea did too. That wasn’t enough to compel, so John was last to chip in. You should stay, at least until Valentine.

(Silently he thought, you should stay so John can trace memories of you. It was so long ago, he should’ve forgotten all of it. You were a year older than John and always on his ass but easy for him to talk to. Didn’t fuss over his failures. You just barely grew into your womanhood when you set your sights on running away. You wanted more than this life, and John never really forgave you for it. His first heartbreak, maybe - but it’s all too blurry for that.

You understood him though better than anyone, and one day you were gone. Nothing’s really the same.)

You changed tremendously and not at all. He missed you. God, did he ever. Missed you a long time. Didn’t realize how much until you came back and everything in him felt right again. Your return stirred up old feelings and everyone noticed. He wasn’t trying to keep it a secret, but he really wasn’t trying to fall back into anything with you. Not how he did.

Just like you did back then, you read John like an open book. And just like he did back then, he loved you all too helplessly for it. It was just all too easy again, to be with you.

You stayed out of the way at first, for the sake of his family.

But, John ain’t a half-decent man even when he’s trying to be. So he set himself on being with you. It wasn’t easy - most things with him aren’t as you’ll see. Having you around again straightened what was left of his common sense, at least. He told Abigail before telling you. He figured you wouldn’t even reply unless that was all out of the way. That turned out as well as you’d expect.

It was settled between the two of you thereafter. He’s lucky she didn’t toss him into the street.

Everything works out in a way. As best they can between broken people. You make peace with each other. His boy loves you like a third parent (you’re better with him than John is). Abigail commends you for straightening out such a worthless man though she’s a little melancholy. John just tries to stay out of the way. You’ll be together in the end. There’s a plan with the five of you.

But until it all falls apart, he doesn’t get all that much time with you.

There’s moments like tonight, though. Rare ones. Together out robbin’, cooped out some place in the woods where no one is around. A place so shaded by nightfall that John can absolve himself of every sin he’s ever committed in his life and pray at the altar between your hips. John is convinced he might find worship like he’s always hearing about there whenever he touches you, the marred skin of his hands and knuckles reading the scripture of your body with careful precision.

You might turn him into a literate man yet.

John glances up at you. Only the light of the fire and the moonlight there to accompany as he watches you over him. You’re beautiful. John couldn’t picture a single thing more perfect in his life.

Your hands against his bare chest, nails digging into the flesh as you lean forward. Your palm dug into the dirt, John finds his own hands rested at your hips. John looks at you awe-struck, cock twitching at the mere sight. His heart settles in his throat, but he’s calm all at the same time. With you, he forgets. All of it. The worst of himself.

Bare naked and so close, he watches your face as you strain. You feel soft. Every inch of you in comparison to him is. A bead of sweat slides down the valley of your breasts. John cranes his neck up to catch it with his tongue, licking a stripe up to your neck - letting his teeth sink into the space between your jaw and neck. You want to make it last and John doesn’t blame you. It’s so rare you get to have each other so unrestrained. John can feel all the ways you want him, can see it in your face - all pinched with need. You’re holding yourself back, trying to get it to last as long as the night will allow. It’s cute in a way.

It’s different than how he’s used to seein’ you, all cocky or otherwise. You’re needy like this. Just needy. His stomach turns with lust, jolting through him like a strike of lightning. His cock twitches against your folds, sliding against them. Pure admiration watching the sticky mess of his pre-cum and your own arousal mix together and smear on your mound. You make a soft noise in the back of your throat, faint and tender as you fall forward just a little. John laughs against your neck.

“Darlin’,” He says with a huff. Not malice. Something akin to bliss, where he can rarely afford it “Have I done something to piss you off today?”

You pick yourself up and look down at him and frown. John kisses the corner of your mouth, resisting some crude desire to fuck up into you.

“Just,” You grunt as the tip of his cock passes over your throbbing clit, your whole body wracking to a shiver. John looks awed. “Pent up. Goddamn it,”

John figures it out quickly after that. It’s this part of it he likes. The proximity. The closeness. Feeling the tremble in your hands as they struggle to keep up right, muscles strained in your forearms. Being able to hold you, to keep the pace or let you take the lead. The clear view of your face as pleasure travels up through your spine and melts into you. He grabs your hips, the fat dimpling underneath his fingers as he moves you along. He can’t wait. You don’t bother to protest seeing John can’t seem to bear it anymore. You collapse into his chest, your tits pushed flat against his pecs.

His cock throbs near painfully, sliding against your soft cunt before finding himself lined with you. He thinks to himself that it’s this he was looking for, as he tucks your face against his neck and lets his tip stretch you out slowly. Such a vice like grip, stretching - resisting him like your whole body can’t anticipate the sensation of fullness. You gasp against his throat.

“John,”

What a sweet sound from your mouth, even sweeter as he bucks himself up. Keeps you steady and lets his cock stretch you full, feel you deep. “That’s right, my angel. Didn’t think you’d remember my name when you’re all worked up like this.”

“You’re,” You gasp and John thrusts, thrusts hard until he’s buried to the hilt. You shudder, walls pulsing around him as he bottoms out and John laughs like the terrible man he is. He fucks you again, over and over - a wicked little smile watching “Awful. Just awful, John Marston,”

“Ain’t that the truth,” He hums against your mouth as his hand snakes between your bodies, thumb rubbing against your clit. “Wonder what kinda woman that makes you,”

“A foolish one,”

John laughs.

“I sure do love you for it,”

.𖥔 ݁ ˖˚☽˚｡⋆JAVIER ESCUELLA + SIDEWAYS ;

Javier hasn’t thought about much other than surviving.

It’s been like that. Been like that for a while, probably much longer than he cares to admit. He’s sure any sane man would suffer the same plight if they lead the same life. Anything but survival is little more than a pipe-dream, so Javier tries not to go for anything too strongly. In that aspect he’s like many of the members of the gang he’s in, perhaps that’s why he sticks to them. There’s that phrase Hosea’s always saying - that misery loves company. Javier will take any decent company he can get. He’s desperate for it just like he’s desperate for most things - inwardly, silently.

Some of that desperation may be symptomatic of who he is. After he killed a man in a crime of passion for a woman he loved and ran from a government who would sooner exile him than change, Javier decided to not dream anymore. Every revolutionary who dreams too hopefully pays the price in blood.

(Javier thinks there’s probably nothing in the world as true as this. A form of gospel. He remembers the first dream he ever had after his uncle passed. Not a nightmare but a dream. He remembers the exact feeling of waking up, cold and confused. What is a dream, except a memento of survivor's guilt that loyal people cling onto fruitlessly. When hope starts to feel like a debt he’s going to waste his life paying back, Javier loses sight of everything. The beginning of the end in some way.)

His mind doesn’t occupy itself with anything bigger than that. Since Dutch found him starving, there was never a desire to try and live off aspirations. He pays his penance with loyalty and honor. Practices some form of humility and tries, not too desperately, to carve a place for him to fit. All without drawing too much attention or caring too much. If you ignore the bleeding in his fingers, his penchant for knives over guns, and his refusal to talk too long about the place he comes from - it’s nearly believable that none of it matters.

Except loyalty. All Javier honors is that. It’s the only thing he has some part in choosing, so he choses it every time. Living like that didn’t make any difference to him. He was surrounded by mostly decent people. He didn’t hate the life he was living.

It wasn’t important. It didn’t matter. His directionless-ness, his floating. Hadn’t since he joined the gang. At least not to anyone but him. He didn’t know what he’s meant to do or if he was meant to proceed with this forever. He was (is) loyal to Dutch. To the gang.

He hadn’t thought much about what comes after.

And it didn’t matter until he met you

He’d sworn off love after seeing where it got him, at least until he could love more dispassionately. When the women bring you back from their outing from Valentine and beg Dutch to let you stay, Javier doesn’t think much of it all. He thinks you’re pretty, if it counts for anything. But he doesn’t let himself linger on you too long.

But that’s the sequence with you two, really. The whole time. He doesn’t linger until he does. It doesn't matter until it does. He doesn’t think about you until it’s all he can think about.

You go for him first. And it’s in little, unimportant ways that might not mean shit to you but mean a whole lot to him. You have some kind of tenderness about you that you wear deep, runs through your blood like love ran through his once long ago. Some softness he can’t really measure with his own. It’s not that that gets him. It’s that sometimes you look at Javier like he's … someone you want to see. He forgot what that was like all together. It felt foreign to him the first time it happened. Seeing how you light up when Javier is around.

You wanted to see him. You noticed that he’s gone. If he sang by the campfire - you’d sit by him and listen. If he was out in the trees keeping guard, he’d hear the soft call of your voice to Grimshaw ask Where’s Javier? And sometimes the girls will make fun of you - but you wouldn’t deny anything they said. It’s so small and ordinary. He would’ve never considered himself simple before meeting you. Nothing is simple. Nothing.

(But then, Javier thinks of the kinds of songs he sings and the way he takes care of himself and the clothes he wears and maybe Javier has some kind of affinity for preciousness that explains all of it.)

When Javier confesses his feelings for you - he finds the affair to be like most things between you. Ordinary love, not really between outlaws but people. It’s up against a tree while you share a drink and he’s looking at the curve of your mouth and the plum color Karen’s so kindly put on you. And his head fills with kissing you so he does. A breathless confession between alcohol stains and the feeling of your hands curled in the lapels of his suit.

From there, Javier is your lover. He’s not interested in the business of secrets, but he tries not to let it show too much. Not that he doesn’t want to. He wants to show you off more than anything - at least some part of him does. But the other part wants to keep you away from prying eyes, keep his love for you only where the both of you can see. If he could keep that pretty lovestruck face you make all to himself forever he would.

When he gets a chance to whisk you away from everything, Javier jumps at the chance. Not often, but Javier makes time for you. Makes time to indulge in love he thought he’d never find again.

That’s why he’s here with you in the middle of nowhere, a ghost town where no one knows you.. A reserved room with a bed and lowlights all to yourselves.

Javier can’t keep his hands to himself and he doubts you expect him too.

For Javier, this sense of proximity is what intoxicates him most. The warmth of your bare skin in the slivers of yourself exposed. Javier is fond of finding you like this after a long day of horse riding. Of sneaking touches to your waist as you push back against him to sleep, only to find his desire for you - laid clearly. He likes hearing you whimper feeling his length poke against your back, the embarrassment when it dawns on you that he wants you after all. Always surprised, even though Javier tells you it so often. Whispers it along your neck and shoulders whenever you’re at camp together.

You like the feeling of his hands so Javier always starts with them. He squeezes your hips. Planes his palms over your chest before squeezing your chest, pushing the fat between his fingers. You like the way they look when they grope you, his chin resting against your shoulder as you spoon. In the lowlights of a cheap hotel - Javier gets the perfect view of your silhouette. Your body is sensitive over the fabric of your gown, heat prickling through you.

Javier who is always so gentle with you, rouses so deep listening to your whining as he explores your body. The suffocating closeness of a single bed intoxicates him.

“Javier,” Your voice is sweet and thin. Plays in Javier’s head like music and makes his mouth curl up into a catlike grin as you push back on him. You look slightly over your shoulder, lips pushed into a pout. “Please,”

He tugs at the fabric of your nightgown. The top half pulls haphazard underneath your tits, nipples perky and sensitive to touch while the skirt pools at your waist. What gets Javier like this is the desperation. Wanting so much but not being able to look too long. A way for you to mirror him, it’s a matter of possession. In some stupid way. Bunching your clothes up, pushing the fabric of your panties to one side, letting his arm wrap around your waist to touch and tease. All of these are imprints of his longing, tucked faithful into your side as he whispers sweet nothings into your skin.

His cock twitches as it pushes past your folds with finality, your hands curling up at your sides. You whimper softly, let your cheek rest against the sheets as Javier takes you on your side. Terribly close, you fuss as you feel him slide every inch into you slow, your hands reaching back for purchase. It’s the fit of you against him so perfect, the silent strokes of intimacy, the hush-hush giggles between the sheets that Javier loves most about fucking you like this. Too enamored with you to look too closely, he lets his eyes flutter closed. He could get drunk just being in your space.

He carves out space for himself inside of you, feels your cunt accommodate for him like it loves him. A feverishness breaks out as his forehead rests on the space between your shoulders, an uncharacteristic whiny quality in his words.

“Ser mío,” Javier says - as a reflection of what he really wants, to belong only to you. “Belong to me.”

Darling as you always are, you nod softly.

“All yours, Javier,” You whimper, finding his hand. “Forever,”

.𖥔 ݁ ˖˚☽˚｡⋆ CHARLES SMITH + MATING PRESS ;

Wandering.

He’s been doing it his whole life. Not something he’s proud of. Or ashamed of either, really. Just how things have gone for him until now. Charles doesn’t think his life has been any better or any worse than anyone else's. At least not when he weighs it with the same kind of pragmatism he does most things. It’s been a hard life, and a miserable one in so many ways. Still, it’s not something Charles is too keen to dwell on.

There’s just something thematic about loss in Charles' life in a way he finds completely unpleasant. It’s more constant than anything. Loss of his home, loss of his mother, loss of his father in an attempt to find what’s best for him. It’s some overarching message that hangs over his head like a shadow. Everywhere he goes, trying to rectify his own solitude seems to come back to him. It doesn’t help that it’s an unfair world to start with, and would’ve been if he had just been black or just been native. But Charles is both, and has lived a life that reflects that specific injustice thoroughly.

There’s not really anything Charles can do about it, at its baseline. When he left his father, the name of the game had simply been survival. He was well-equipped enough for that at least. But after survival comes trying to live and trying to live isn’t something so simple. Jumping in and out of gangs who thought they could get away with slighting him or generally being surrounded by unpleasant people. Trying to find something in pages of book and scripture, or in the way water ripples when it rains.

He’s never felt any one way towards the gang. Even when he joined them all the way back in the Grizzlies. Lost in the cold, they’d crossed paths as Charles was out hunting. A lot of it feels like a blur. Of all the folks he’s met in his travels though, Dutch treats him fair and the rest of them (or most of them) are decent, honest folk. Charles stays in the Van Der Linde gang for such simple reasons as trying to stay alive and be somewhere that isn’t actively hostile towards him. He’s a good gunman, and a better fighter. The inner workings of gang politics and forging connection isn’t at the forefront of his mind, with the exception of the kindest few.

The Van Der Linde gang is just a place where he can figure out what his purpose is meant to be, even if he doesn’t find it there. He’s never expecting anything to come out from his loyalties to it.

Of all the things Charles expects of his life in the Van Der Linde gang, love is at the very bottom of the list.

Maybe it’s about time he stops being surprised by these things happening to him one or way another.

You were a member of the gang far before him, and someone Charles took to quickly. You’d joined the gang not too long after John from what Arthur tells him. Though the brunette speaks about you more fondly than he does his brother. A problem child at the start, according to Arthur - always getting into all sorts of trouble. Something you seemingly feel embarrassed about now and refuse to bring up. Charles has a hard time picturing it having only known you as you are.

The woman you’ve grown into is someone else completely, and Charles sees that in you all the time. Compassionate like Hosea but charismatic like Dutch, and clever. And you’re beautiful, too, though Charles feels a little shallow admitting that’s part of what drew you into him.

It wasn’t Charles that approached you first. You were the one who spoke to him, as often as you thought necessary but never in a way he found invasive. He doesn’t know what it is exactly about you that charms him near instantly. You’re enigmatic to a fault. It’s like you always know exactly what to say and exactly when to say it. Even more than that, you’re a terribly pleasant person to be around. Subtly warm and free of assumptions. When Charles talks to you about anything, you listen without making him feel like it’s any sort of burden to you. You don’t pry, don’t make missteps. Treat him fair, and then some.

It’s unbearably simple, just how quickly and how easily he comes to adore you. And, in some ways, Charles knows better than to believe that his purpose is loving someone. There’s more to it than that, surely - after everything.

But then, he’ll watch you do something. Watch you do some kind of menial work that he could do for you instead. Thinks of skinning animals for new clothes and chopping wood and rubbing the soap off of you and all of a sudden it makes him feel anchored. Everything he could do for you. You anchor Charles easily, with a wispy smile. Make him want to find purpose in life with you. He never wants to be somewhere you’re not.

He confesses it to you just like that, and like you do with most things - you accept and reciprocate without making too much of a fuss.

For Charles, making love is an extension of wanting to ground himself in you. A distant siren song - the intersection of lust and bone deep adoration. Like most things, you’re the one to approach first every time. A soft hand on his forearm, a whisper that you want him. It’s with ease that he draws you away. Drags from you camp during nightfall with his horse and blankets and picks a spot with the perfect view of the stars.

Charles watches you under the glow of moonlight, his vision adjusting to you easily. Naked underneath him, laid on your back with your legs folded at your knees - heaving deep breaths. He can see the sweat beading down your skin, your chest rising and falling - and the perfect view of your pussy. His hands and mouth are wet as you breathe out. He finds himself smiling at you, his own erection pressed against your thigh, pre-cum leaking out in a mesmerized haze.

You lift your hands up and he leans down, surprised as you wrap them around his neck and pull him closer to you. Your mouths meet like that, and Charles laughs against your lips as you kiss him so eagerly. You blink at him, pretty. You’re always prettier than he remembers you being the last time he looks.

“Charles,” You frown at him. “It’s impolite to keep a lady waiting,”

He kisses the corner of your mouth. “Sorry, my love. I don’t want to hurt you,”

“Well, I’m fine with it,” You repeat, almost petulant. Charles frowns. “‘Sides, it ain’t my first time taking you, you know?”

“Well, I’m not fine with it.”

You pout, looking at him all endeared. Charles couldn’t help but love you even if he tried. “You ain’t gonna hurt me. C’mon. Please?”

“Please, what?”

You look at him aghast before breaking out into a faux-scandalized giggle. “Now you—please fuck me. Pretty, please.”

Charles feels something tickling against his spine hearing you say it. He couldn’t imagine getting sick of you in his whole life. “Yeah, that’s good to hear.”

You make an indignant noise but it’s silenced quickly as Charles positions himself against your entrance. He has plenty of discipline when it comes to matters like these, but right now - he feels like he’s going to lose his mind. Not nearly enough patience to wait. He lets his hands go up underneath your knees just to have something to hold onto.

You make a little gasp as the tip of his cock pushes into you. Your walls are so soft, likely after all the orgasms he’d given you prior. You stop him in a shocked gasp, and Charles immediately readies himself to pull out. As if sensing his hesitance, you shake your head.

“Charles,” You gasp, the words caught in your throat and hoarse “Deep. Want it deep,”

His abdomen tightens, cocking twitching hard at your words. He agrees silently to your desires.

When it comes to sex, there’s very little Charles dislikes.

But this is his favorite. He’s simple but no other position lets him see you so close. He likes the way your eyes widen as he pushes up underneath your knees and folds you underneath his weight. How you look pinned down under him, the perfect view of your eyes rolling back into your head and the proximity from your face to his. He lets his cock stretch you out slowly, throbbing each time your nails dig desperately into arms trying to keep your composure. Fuck you feel so tight like that. Soft pussy, dripping and sticky. You suck him in relentlessly, and Charles groans as he bottoms out. You take every inch of him so well. So perfect like the rest of you.

Your eyes flutter open as he stays there, buried in you in complete bliss. You’re dazed.

“Kiss?”

Surprise followed by adoration, he abides by your request easily. Overwhelmed with it as he presses a chaste peck to your mouth, he laughs. “As many as you want.”

Anything you want, Charles thinks, he would give to you.

.𖥔 ݁ ˖˚☽˚｡⋆

#arthur morgan x reader #john marston x reader #javier escuella x reader #charles smith x reader #rdr2 x reader #rogues love letters #red dead redemption 2 x reader #THIS IS THE LAST TIME. THE LAST FUCKING TIME !!!!!!!!!!!!!!

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