#there are only a few artist in that part of the fandom I don't need an art thief drama. I guess I will shut up and look away ��

[doodlingwren]

It's 2024 can we please stop saying it's normal to trace or copying an entire drawing and pretending it's 100% your work? Just bc you changed the character or added clothes on a base you found on pinterest it doesn't mean you created original art

[haliteatiger]

Happy Werewolf Wednesday, ya'll! We're serving up a big pot of tea tonight so get those cups ready!

Special thanks to Blackbackedjackal and King for their help in putting this together, editing, and especially to Jackal for being so supportive and encouraging. I'm very much not normally the type to do call-out posts, but people need to be aware of Dogblud, as she has hurt, not only myself, but quite a few others as well, and seems to have somehow gotten away with behaving like this for 20-odd years. I'm of the mind she shouldn't be allowed to do so any more, hence this post.

TL;DR - Beware of Dogblud, aka Ashryn, aka DogofBlud, aka ThatDogMagic. Very, very long post under the cut.

With everything happening with DogBlud and Blackbackedjackal's studio, I felt emboldened to come forward with my own experiences with her. This is something I've been carrying around since it happened roughly 2 years ago. It was one of the main reasons that put me off drawing werewolves, my own characters, or engaging any more in the fandom. I've hinted at it a few times but I've never had the energy to come forward and deal with the fall out. I wanted to move on with the rest of my life because IRL was more important than online drama. And I knew her behavior would come back to bite her sooner or later, regardless of what I did. 

It's been very validating to see that I was right.

It was around the time that Blud and I became friends that I was feeling a bit burnt out on werewolves. I'd been trying to pull together my own werewolf-related project for something close to 12 years. The past 4 years had also been pretty draining on me creatively and socially, as it had for a lot of artists with regards to the pandemic. I also had some IRL things I was dealing with: mainly with my marriage and transitioning between medications to manage my anxiety + bipolar.

Unfortunately, I didn't have the foresight to screenshot everything at the time. I do have logs from back when we roleplayed together. There are several conversations in them but because they were saved as text documents, they're pretty dubious in terms of solid evidence. 

It would have been better if I had taken screenshots as it was happening, rather than just saving the logs. With what I *do* have, however, I feel as though it may be enough to make the point that I'm trying to make, and to exhibit how horrible things got.

I'll provide some context.

I had talked with Blud on and off over the years, and we had always gotten along. We had a lot in common and after we had started talking more, our friendship eventually grew into a collaborative project. We were going to combine our stories and write a comic based on it. We had a lot of discussions on how Blud was reticent to do this in the beginning and how she wanted a contract to be made up so that in the event that something *did* happen, we could both walk away feeling like it was handled fairly.

Honestly, I should have listened to the first alarm that went off in my brain, when, in an act of ominous foreboding she said something along the lines of don't be so sure, it could happen. It was in response to me being like "we're getting along so well and share so much of a bond right now. I can't fathom that being a problem!" 

The contract never materialized. It was something we had decided to do *after* we had put together something of a prototype project to see how well we worked together. It made complete sense to me at the time as we were both eager to focus on the fun parts of writing and drawing together.

It was decided that I would be the lead artist (doing coloring and final lines) while Blud would do everything else (which was inking, layouts, and the majority of the writing). The both of us felt that she had more experience in those areas. I also believed that she had a better knack for it as well. I had felt that she had a better understanding of story structure than myself. And I thought that Blud had felt the same way about my art. That I had the experience to take point on that. 

Since I had collaborated with other artists and writers before, I attempted to approach the project with the same sort of professionalism I always do. Especially the projects that I genuinely thought stood a chance of being published in the future. We had started out trying to get a feel for each other's flows and rhythms. I had expected Blud to try and meet me in the middle of where our processes would potentially differ from one another, so that we could develop a fairly smooth workflow.

I had also expected, according to our discussions on the matter, that we would value each other's opinions on things and take them into consideration. We had such good synchronicity already.

In the beginning, there wasn't any unusual behavior that caught my attention. Blud was a bit uncomfortable with trying out new things but I did my best to accommodate her so that our project could move forward without too much turbulence. She had also mentioned to me before that she was autistic, and since my husband is also autistic, I knew how difficult it could be when it came to adapting to new routines. But when it was time for her to deliver the first set of layouts, it wasn't at all what I expected.

What I had expected was something with margins, clearly marked boxes, and figures that I could do rough lines over. I also expected notes that confirmed what we had discussed earlier about the project; that way I knew what she wanted or if there would be any changes. She took offense to this, feeling like I was violating our agreement. Though Blud did try to give me space with regards to the actual art, and while she would offer criticisms here and there, I trusted her opinion as an artist and as a friend. But apparently that didn't go both ways. In fact, Blud seemed to be offended that I expected more from her.

Blud agreed to concede. She suddenly seemed fine with the changes that I had asked for after seeing the layouts. I guess she was feeling overstimulated by the change and I might have been applying too much of a critical tone to her responses to begin with. I have had to deal with rejection sensitivity throughout my life and it's certainly prompted me to approach what people say to me online with a bit of scrutiny (sometimes too much).

And while I was mildly annoyed, although admittedly I was more concerned with Blud's overall reaction to my asking for clarification about several things in the layouts, I let it go. But it seemed like there was a problem. The majority of my ideas were either rejected or outright overridden with Blud convincing me that my faulty memory had made me unable to remember what we had agreed upon. Or that I might have been misremembering in my own favor.

There was one time where we were discussing a monster's design. Blud had already decided to settle on one design that she had come up with, even as I continued to offer other suggestions. The story was to take place in my setting, so I was under the impression that I got to decide what kind of creatures should populate it. The conversation ended somewhat ambiguously. I had assumed that we'd come to a solid conclusion later. 

I came back the next day and it turned out that we were using her design because that was what we had decided on. "Don't you remember? You really need to do something about that faulty memory of yours, Tek. I can't be doing this for you all the time."

At which point, Blud would go back and meticulously scour the conversation until she managed to find a set of lines that would make it seem as though I had 100% agreed. Even when I tried to explain that I had meant something else, she took it as an affront on her inability to understand nuances due to her autism.

I admit that my memory isn't that greatest at times, but I've never had anyone complain about it before. And none of my friends have ever minded providing reminders to me if I did misremember something incorrectly. We all forget stuff at times, right? It's *still* something that I'm self-conscious about because (like a lot of people with ADHD) my memory seems selective at times. This was, apparently, a problem that I needed to manage. 

And even as I'm remembering these incidents to the best of my ability, I've already spent so much time recounting all of this to friends. I feel confident in my recollection. There are some details that may overlap or become entwined with other things, but it all basically tells the same story. Especially in conjunction with what's been said by others. You're free to take it as hearsay since I do not have screenshots to back this up.

I will mention (since I've been told it's something that Blud has taken particular interest in) that at one point, I did have a crush on her. I was having some problems IRL, and it was nice to have someone whom I felt actually understood me. I also felt like I saw a lot of myself in her. I think that, at one point, I did describe her as the kind of "girlfriend" I would want. Blud seemed to indicate the feeling was mutual.

Between our collaborative partnership and all of the details we shared about our lives, it did feel like an intimate relationship at times. I had no intentions of pursuing it. We were not compatible in our romantic and sexual identities, and I had no intention of leaving my current partner for her.

I had begun to notice red flags, even if I wasn't ready to accept them yet.

I've had experience with abusive relationships in the past but they were in person, and not online. I knew what to look out for and yet I was being willfully ignorant about our friendship. I wanted to give Blud the benefit of the doubt. I wanted the project to work *so* badly that I was willing to work with her increasing demands as the months went by.

I had no idea that those demands would change into, quite literal, temper tantrums. It would then trigger my fawning response which was due to an abusive family situation that I had dealt with before I moved to Canada. The tactic was this: concede to someone until there was a time that they either understood reason or I had the chance to use it against them if necessary.

I started to take screenshots. I wish that I had taken a lot more of them so that everyone could get a better idea of what was happening. I did go back and manage to record the majority of the first outburst. It was the first inkling I had that Blud wasn't playing with a full deck of cards. I knew that that would be one of the first conversations that she would promptly delete. And consequently, I was right.

This assortment of screenshots will exhibit the first serious confrontation that Blud had with me. I am absolutely *not* proud of how I handled this. I was literally panicking at the time and doing whatever I could to get her to calm down. Because I have a temper that can look similar to this in person, I knew that I had to wait until the post-tantrum clarity would hit Blud. I tried my best to not lose my own temper in turn but looking back, I feel that I came off as sounding too timid.

I didn't want to ruin this project.

I wanted to make a comic with an individual that I admired and respected as a fellow artist. And, with me not knowing how to respond, my main priority was to not make things any worse than they already were.

Below is the conversation in its entirety:

I had taken this screenshot on my phone after I had stepped away to compose myself. Blud had handled the confrontation and criticism with a reasonable amount of apprehension. But what had not occurred to me was that I could have said something that would remind her of past experiences with a roleplaying group.

It was something that had evidently scarred Blud for life.

I took away the wrong things from what she had told me, choosing to focus on the aspects of the "betrayal" that had appeared to bother her the most. And in hindsight, I did not see the correlation. I was genuinely apologetic that I had hurt her feelings.

But I *will* critique Blud for her poor handling of the situation. Whether or not I had hurt her feelings, no one is entitled to act like this or claim that this is what attempting to resolve a problem should look like.

I wasn't sure on how to initially respond to Blud. It had been ages since I'd had to deal with someone flying off the handle like that.

The following screenshots are where the conversation picked up, after she had already deleted the above message:

We had weathered the "storm" and after Blud calmed down, she was ready to communicate. There was a part of me that was genuinely sincere when I apologized to her. I did mean it when I said that I had no intentions of hurting her and that I hadn't considered how my statement would sound to her.

I had hoped that this had been a stress response due to factors outside of our collaboration. And especially when I took into account how she had interacted with me in the past. I knew that Blud had a lot going on IRL, and that she had already put a considerable amount of energy into this project.

I had taken her meltdown more personally than she could perceive that I would, because this was something that was acceptable to her. She had a "condition" that would absolve her of these abhorrent meltdowns and I needed to get used to them if we were going to continue working on that project together.

I was shaking the entire time we were typing in the chat.

I was sincere in my responses. I really did want to work things out with Blud and give her the benefit of the doubt. I could have been taking the things that she said too personally or maybe I had been reading too much into the situation. Was there a chance that I could have been misreading her outburst? I tried my best to keep an open mind though I was still somewhat baffled by the fact that she would have meltdowns as often as she did.

I confided in my husband and some other friends about the situation. They were also bewildered by Blud's actions.

By this point, I was struggling with the reality that this collaboration was most likely *not* going to work out but I still wanted to try. I still cared about Blud. We would still hang out together and talk about things like music, our characters, or our stories.

While I did have the foresight to go back and screenshot this section, I wasn't fast enough to get screenshots of everything else that I will be going over. Blud *did* admit to going back and deleting certain exchanges due to a mixture of shame; not wanting to look at them when she would scroll through our conversations. 

In retrospect, it was very telling.

And even after that meltdown, I still enjoyed the friendship that I had with her. I kept my guard up but I was willing to make compromises on her behalf if it resulted in better communication between the two of us. Blud made me promise to immediately tell her if I had a problem with something. I also agreed to keep notes of our conversations.

It worked for the most part.

In the end though, it became apparent that Blud wasn't willing to do the same for me (even after we had an extended conversation about it). I then realized that I had been tasked with basically *managing* her autism for her. I was already busy with my supposedly "bad memory" at the time; and Blud was more than ready to scroll back up through our conversations to cherry-pick a line or two of text to remind me of what was said earlier.

Because, for her, circumstances couldn't ever change. If they did, it would mean that Blud had lost control of the situation and that she was in the wrong. She could *not* be in the wrong. 

And if she was in the wrong? It would take solid evidence, three witnesses, and a court of law to prove it.

She had two other major meltdowns after this. I managed to step away from communicating with her through one of them and I don't remember the other meltdown lasting very long. She immediately deleted the texts of both of those instances before I could take screenshots of them.

It seemed like I could do nothing right when it came to Blud, no matter the lengths I would go to accommodate her. I knew that it was a common tactic used by abusers. I finally accepted that our partnership wasn't going to work out and I began thinking about an exit strategy. The final straw was when she began to expect me to be at her beck and call.

I had promised that I would be there for her, within reason, and I was willing to offer reassurances whenever she would ask me for them. The promise had been made back when we had first started to talk to one another with more frequency, before Blud had shown me her true colors. I would end up completely underestimating just how badly she would need reassurance.

To be frank, I underestimated a lot about Blud in the beginning.

I would end up mentioning that I enjoyed my space in several different conversations with her. That there was a chance that I might be offline for several days so I could take care of things IRL and recharge my social batteries. I'm somewhat of a recluse. And an adult who enjoys things that aren't online.

She said that it was fine.

I became incredibly anxious when I would talk to Blud, especially after her somewhat abrupt change in personality.

I then attempted to put my foot down about boundaries and this is what she had to say:

I decided to walk away for a bit and I came back after I had had some time to think things over. This wasn't healthy for either of us. I wrote a couple of sentences to say goodbye to Blud before I blocked her. I knew that my actions would probably infuriate her. She had told me in the past that she *hated* not being able to have the final word... which she was able to do through email:

“And I'm not letting you pretend you have control over the situation, or the high ground. You distinctly have neither. But since you're determined to stick to your 'principles' on this, I've decided to make it easier for you.”

She thought that she was absolved of all sins just because I had said that I would stand by her at her worst. And at the time that I said that, I had no idea that her worst would be her trying everything possible to protect her boundaries while stomping all over mine. It didn't matter what she said or how often she would apologize when I would confront her. She kept doing it.

I admit that I wasn't perfect in this situation either.

There were times when I was condescending, critical, or downright mean when I talked to Blud because that was the way I had felt when she was talking to me. I soon realized that it didn't matter either way. I could have been using the friendliest tone imaginable and she still would have perceived it as either mocking or dismissive on my end. There were even a few times where I would preface my explanations with an advisory “please know that I am not attacking you and try to read this in an understanding tone,”etc. I would then post an explanation I had spent hours picking at to ensure that there was no way she could misinterpret the intent. Even so, she still read the majority of what I said as criticism and would take it to heart.

I never expected Blud to do something that made her uncomfortable; nor did I expect her to overextend herself when it came to our project. I would go out of my way to make sure everything was fine when we would talk about it. I only expected mutual respect in return.

When we would get into discussions (arguments), she would never attempt to understand my point of view or let me explain myself. It would have made it about me when it should have been about Blud and her needs. She sometimes would agree to come to a compromise about something, but only if I would admit that I was in the wrong.

I know that if Blud was to look at these screenshots, she'd be incredulous that I'm trying to distract from the horrible things that *I* did. And those horrible things that I did? I tried my best to work with her.

It wasn't just her poor teamwork that bothered me. It was her attitude and the lack of respect that she showed me. She would never ask me to clarify something that I said; always assuming that it was a criticism against her. I can only speculate that Blud did not want to hear about how any of this was her fault, like in the email she sent me.

I don't know if I was actually her friend at any point. Friends make efforts to understand one another. Ideally, they’d want their friendships to continue, and they would want everyone to be getting along and having fun. She seemed to actively defy that.

I would argue that things like this don't just happen in a vacuum. There's almost always a reason for such things, but it's honestly a mystery to me as to where this vitriol comes from. I don't know why Blud sees monsters in every word, especially if they come from a  "friend". 

I've seen her viscously mock herself during meltdowns; it seems like she hates herself and expects everyone else to hate her too. I think that she wants it to be the truth, so that it validates the feelings she has about herself. The behavior patterns that I'd been exposed to are consistent with the idea that Blud is seeking confirmation about the personal assumptions she has about herself. It's what makes her so volatile to those around her. Yet, she refuses to break the cycle.

I hope that she can make that choice in the future but at this point, I'm not holding my breath.

[susiekern]

6. the one with the dm

a/n: hi so I'm dumb and forgot to add the small text part to chapter 4 so if anyone's interested, check it out! it's not really that important so it doesn't change much if you don't

warnings: swearing

word count: 755 (but with quite few texts that I don't count in)

lyrics from: Rain - Sleep Token

masterlist

previous | next

For the past month, you’ve only seen Megumi during your regular meetings on the rooftop or passing him in the corridor. When asked about it, he simply said he spends most of the days at the studio, recording music for some artist who hired him as a guitarist for their new album. Between the rooftop and corridor, the only signs he was still alive were a few messages and sounds of him practicing behind your wall. Sounds that you got used to and started to enjoy. At least for the most part.

“Sorry for the noise, guys, he’s just wrapping it up.” You say to your viewers and focus back on choosing the game for tonight’s stream. “Should we do that card trading sim? It looked fun when we played the demo.”

With the game chosen and in the process of installing, you fill the time answering the chat and drinking your coffee.

zeyde_: hot neighbor back at it

sammie: is hot neighbor actually hot, tho

y/nsmarshmalow: she never confirmed, no?

sammie: Y/N IS HE HOTTT?

“Well, I can’t say he’s bad-looking. Depends how you define hot.” Shrugging, you smile a little. They’d flip if they knew.

sammie: okay miss avoiding the answer.

eleffa32: am I flipping, or is that the same sound from Yuji’s stream

rooney_: hot neighbor reveal pls pls pls

sammie: @/eleffa32 no literally, my bf is watching his stream next to me and IT’S THE SAME

eleffa32: stfu are you guys living together?

plumbobo: YUJI X Y/N CONFIRMED?!

You almost spit your coffee all over the desk reading this, and you don’t know whether you should laugh or cry. Not again.

“Yuji and y/n neighbors confirmed, guys; the hot one you like so much is his roommate. Chill out.” Deciding to laugh, you inform the chat and wipe the coffee from your chin. A few moments later, your game is ready to be turned on, and miraculously, Megumi stops playing right when you click on it. Typing a quick thanks to him, you tune back into the stream for the next three hours. The game turns out to be a nice one, perfect for a calm Sunday evening. You decide to slowly finish the night when Nobara texts you that she’s going back home with food for the both of you, so you go through the last few questions.

sammie: y/nnn, have you heard that new song The Fallen released yesterday???

“Yes, I’ve listened to it like twenty times already!”

When you woke up on Saturday, the last thing you expected was a notification about your beloved band releasing a new song. There was no forecast about it on their social media, not even one post; it just randomly showed up on Spotify, and the fandom went crazy. Was it planned? Leaked? Does this mean the new album is coming soon?

“It’s amazing, like everything they released. I swear, Zenin was chosen by gods to be the scribe, because how could a mortal human write something as good as their lyrics? There’s this part, ‘I know what I am, the mouth of the wolf, the eyes of the lamb.’ I got chills hearing it, seriously. I would do anything to talk to this man about his lyrical genius.” You sigh and lean back in the chair, reading messages from your followers who express their opinions on the song. There’s a knock on the door, and Kugisaki peeks into your room.

“I got dinner, you nerd.” She says and comes closer, waving to the camera.

rooney_: NOBARA HIIII

eleffa32: omg hi queen

zeyde_: QUICK QUESTION

zeyde_: IS THE HOT NEIGHBOR ACTUALLY HOT???

“Hi, guys! Eh, I would say he’s okay. Not my type.” She shakes her head and leans on your chair back. “Sorry for busting in, but I need to feed this one, since she won’t do it herself.”

“You’ve heard the boss. Thank you for joining me tonight, and I’ll see you on Tuesday!” You smile and wave to the camera before turning off the stream. Nobara goes to the kitchen to prep the food, and you stay back to turn off your setup. Soon you’re both splayed on the couch, eating the takeout of her choice and paying half-mind to some rom-com she turned on the TV. Finishing your meal, you put the bowl on the coffee table and grab your phone for the first time since finishing the stream. There are a few notifications, but only two catch your eye. Texts from Yuji and a DM on Instagram.

tag list (lmk if you wanna be added!): @nytylie @fresa-luna @syrooo @zaranobiyuyu @jvpit3rr @pandabiene5115

[evilbihan]

A guide to writing Tomáš

This is a Bi-Han centric blog, but I really want to talk about the mischaracterization of Tomáš too because it irks me to no end and I believe he deserves better. Not to mention that most of his mischaracterization usually comes at Bi-Han's expense as well.

Tomáš is not the sad, broken, overly sensitive crybaby the fandom likes to portray him as. Every time I see yet another version of the same fanart where poor Tomáš is bawling his eyes out and running into Kuai Liang's arms because Bi-Han was being "mean" to him, I immediately unfollow the artist. Tomáš is a grown man, it's disgusting how the fandom keeps babying him. Not to mention it's getting boring and on top of that, it's completely wrong characterization of both Bi-Han and Tomáš. In the scene where Bi-Han snaps at him, Tomáš barely even bats an eyelash. He looks confused and annoyed if anything, not heartbroken, and he certainly doesn't break down in tears either. Tomáš literally chose to talk back to Bi-Han, he's not afraid to say what he thinks, which is proven by the fact that he even confronts Liu Kang for letting his family die. Tomáš is courageous and he stands up for himself. This man watched his entire family get murdered in front of him and chose not to let it haunt him. ("Their ghosts no longer haunt me.") Of all three Lin Kuei brothers, he's the one with the highest emotional maturity, choosing not to let emotions cloud his judgement, unlike Kuai Liang (blind anger/hatred) and Bi-Han (frustration). Tomáš is so much stronger than people give him credit for. He's not some damsel in distress that needs saving and he definitely doesn't need Kuai Liang to defend him, especially not from Bi-Han who respected Tomáš and his skills enough to let him join them for important missions when he had everyone else in the Lin Kuei at his disposal. It's awful how some fans deliberately paint Tomáš as weak and Bi-Han as cruel, so they can make Kuai Liang look better.

A lot of the traits that define Tomáš are usually taken away from him in fanfics and fanart and given to Kuai Liang instead. Tomáš is the loyal, brave and kind brother who wants peace above all else, who wants his brothers to reconcil, who is truly selfless and respectful, even towards some of his foes. Believe it or not, Tomáš is not the "soft" brother. He chooses to be kind and fans mistake it for weakness. Despite being angry at Bi-Han, Tomáš doesn't want vengeance against him. He wants his brothers to stop fighting, for Earthrealm's sake and because they're family. Tomáš might be the youngest of the brothers but he's wiser than them. He has seen enough death and bloodshed to know no one will come out of this war as a winner.

Tomáš used to idolize Bi-Han, not Kuai Liang. Bi-Han, who is known to be cold and ruthless. As I said before in another post I made, Tomáš is no less ruthless than his brothers. He is not sweet and innocent. Just like Bi-Han and Kuai Liang, he was trained to be a lethal and stealthy warrior. Even before joining the Lin Kuei, Tomáš was a hunter. He grew up in a family of hunters. Listen to his taunts at the end of each round and the way he giggles while performing one of his fatalities. Tomáš enjoys hunting, he enjoys the thrill of it.

There is no part of the story or any intros that indicate that Kuai Liang and Tomáš were ever close before their falling out with Bi-Han, but it is said that Tomáš used to admire Bi-Han. I don't know why the fandom made up the wholesome bond between Kuai Liang and Tomáš because of that one scene in which Kuai Liang conveniently tells Smoke that they're brothers because he needed him on his side. Kuai Liang doesn't even bother interrupting when Bi-Han reprimands Tomáš. He even questions Smoke's resolve. What brought them both closer are a few shared ideals, such as the wish to honor their father's legacy and continue their duty of protecting Earthrealm. Kuai Liang is now the only family Smoke has left, which is why he's doing everything he can to prove worthy of his trust. He calls himself the Shirai Ryu's second in command, he's the one who recruits Hanzo, he's supportive of everything Kuai Liang does and never contradicts him despite having different opinions than his brother, possibly out of fear of losing his family yet again.

Tomáš is a very curious and open-minded person. Unlike Bi-Han and Kuai Liang who are both equally disgusted by the idea of fame and stardom, Smoke seems eager to play a part in one of Johnny's movies when Johnny suggests giving him a role in a film he made. He's also the one reaching out to others to try and bond with them, to make friends. He tells Raiden that he wants to visit Fengjian, he asks other characters questions about themselves etc.

Tomáš is without a doubt traumatized from what he's seen and been through. Similar to Bi-Han in the previous timeline, Smoke is concerned that he's tainted by evil due to his nightmares about the Enenra. Ashrah reassures him that her kriss can't sense any evil, but there's a chance he might still become corrupted.

I hope this makes sense and will help writers and artists out there to portray Tomáš more accurately in their works. Too many people in the fandom have a wrong idea of who this character is.

[tunatober]

🌊TUNA-TOBER🌊 PROMPT CHALLENGE 2024

Hello friends! Are you looking for a prompt challenge for 2024, but don't really feel the desire to stick to only one genre? Does your sole feel betta suited to taking on a prompt challenge that provides options for kink, fluff, AND angst? Or, are you just looking to see what delicious fics or art might spawn from some of the gill-iant minds of a few writers and artists on tumblr? Whale, here's your chance!

(fine, I'll put away the puns, just know I did it on porpoise)

Started by the Murdock's Tuna Team discord server, the Tuna-Tober Prompt Challenge is a unique fic/art challenge, in which for every day in October, you are provided one of three prompts: a kink prompt, a fluff prompt, and a whump/angst prompt. Like many other 'Tober prompt challenges, it isn't mandatory to complete all the prompts. You're free to choose as you please! Do one! Do ten! Do one a day! Do them all! Mix and swap as needed! The Tuna-Tober Prompt Challenge is meant to stir your creativity, not fill you with stress. There also is no fandom or character requirement, so chase that muse where She leads you. In addition to our three prompts for each day of October, there are also four sets of backup prompts, just in case you hit a day where you just ain't feeling the three that were provided.

This blog isn't just for the rules, however. It'll also be reblogging any Tuna-Tober fics or art that our lovely team of writers and artists complete so we can keep them all in one place! If you'd like to read those fics, all you have to do is give us a follow. And if you really don't want to miss anything, feel free to set us for notifications!

If you're taking part in Tuna-Tober, either as a writer or an artist, please remember to tag your fic or art: Tuna-Tober 2024. That way I can find your fics or art to reblog. If you only post on AO3, you can also make a post here on tumblr linking to it (remember to tag it), and I can reblog that. Once I have the time, I'll set up a collection on AO3 that'll gather up any fics or art we have there, too! ❤️

Without further ado, our prompts!

Day 1: Falling Asleep In A Hospital Room ⚜ Reading To Each Other ⚜ Somnophilia

Day 2: “Why? Why do you love me?” ⚜ Flower Crowns ⚜ Mutual Masturbation

Day 3: Broken ⚜ “I feel real when i’m with you.” ⚜ Role Reversal

Day 4: “This isn’t you.” ⚜ “Are you blushing?” ⚜ Sixty-Nine

Day 5: Self-Loathing ⚜ Watergun Fight ⚜ Begging

Day 6: "Shh, I've got you now. I'm here." ⚜ Love Bites ⚜ “Spread your legs for me.”

Day 7: Nightmare ⚜ Honest Apology ⚜ Nothing Underneath

Day 8: Shaking ⚜ “You can sleep here tonight.” ⚜ Overstimulation

Day 9: Anxiety ⚜ “You don’t need to do that.” “I want to.” ⚜ “Open your mouth.”

Day 10: "I'm not good enough." ⚜ A Hug That Lasts A Little Too Long ⚜ Strap-on/Pegging

Day 11: Tears ⚜ “I’d be lost without you.” ⚜ Breast Worship

Day 12: "I did it for you.” ⚜ “You remembered?” ⚜ Deep-Throating

Day 13: Loneliness ⚜ Playful Kiss ⚜ “Beg me for it.”

Day 14: "Please look at me." ⚜ Sleep Talking ⚜ Accidental Stimulation

Day 15: Hiding An Injury ⚜ “Are you jealous?” ⚜ Threesome

Day 16: Exhaustion ⚜ Accidental Kiss ⚜ Against A Window

Day 17: "I'm not leaving you." ⚜ Tickling ⚜ “Touch yourself for me.”

Day 18: Scars ⚜ Pillow Fort ⚜ “I’m so proud of you, you’re taking me so well.”

Day 19: Touch starved ⚜ “I’ll always be there for you.” ⚜ Gags

Day 20: "Who did this to you?" ⚜ There Was Only One Bed ⚜ “You were made for me, weren’t you?”

Day 21: Fainting/Collapsing ⚜ Flustered ⚜ “Was that an order?”

Day 22: "You haven't done anything wrong." ⚜ Breathless Kiss ⚜ Aphrodisiacs

Day 23: Father ⚜ “If you won’t take care of yourself, I will.” ⚜ Toys

Day 24: Drugged ⚜ Drunken Confession ⚜ “Shh, do you want them to hear us?”

Day 25: "What's Wrong?" ⚜ Playing With Their Hair ⚜ “Did I say you could do that?”

Day 26: "You're not fine." ⚜ “Shut up and kiss me.” ⚜ Under The Desk

Day 27: Near Death Experience ⚜ Overheard Confession ⚜ “Let me see what that pretty mouth can do.”

Day 28: Chronic Pain ⚜ Sharing An Umbrella ⚜ Hair Pulling

Day 29: "Talk to me, please." ⚜ Forehead Kiss ⚜ Restraints

Day 30: Healing ⚜ Road Trip ⚜ “Take it off. Slowly.”

Day 31: "Why wasn't I enough?" ⚜ Blanket Hog ⚜ Stockings/Thigh Highs

🌊Tuna-Tober🌊 Backup Prompts:

Bound/Chained ⚜ Moving In Together ⚜ Almost Getting Caught

"Take me instead." ⚜ “I’m in love with you, and that scares me.” ⚜ High Heels

Insomnia ⚜ Adopting A Pet ⚜ Scent Marking

"You're not alone." ⚜ Playing A Game Together ⚜ Ass Worship

[larryisinlove]

I completely agree with this post by @apparentlybychance and what I write below is from my perspective. My understanding comes from the perspective of someone who studied marketing since 2019, is a community manager and currently works in a marketing agency. 

You are not compelled to take everything I say as the real and only way to look at it, this is my opinion and I respect others as well.

It's clear that Louis needs a new marketing team, as the current one doesn't seem to be doing its job properly or, worse, doesn't even seem to understand what they're doing. Their attempts to divert attention to topics such as his "fatherhood" or sexuality are way too obvious, while his music is poorly promoted. Many fans try to fill that gap by promoting his music organically, but it doesn't have much impact as we are not an enormous fandom and it's not our responsibility either. Moreover, the fan base shrinks with every failed "strategy", which generates disinterest, anger and abandonment of the fandom. This is also reflected in the organisation and promotion of their shows and music releases. 

The worrying thing is that this mismanagement is not new; it has been going on since the beginning of his solo career. Some justify this by saying that Louis prefers to be an underground/indie artist and be left alone with the usual fans, but that makes no sense, that's just a justification for the bad actions of his team. No artist seeks to stagnate or limit his growth. To advocate without questioning every decision of an artist's background doesn't mean being a "bad fan", and it is important to understand that questioning the strategy is not attacking the artist. 

It is frustrating to see that many fans believe that Louis doesn't really want to grow as an artist, which, again, makes no sense. The problem is the lack of planning and analysis on the part of his team, who act without foreseeing the long-term consequences. I don't understand this image they want to give him, because as a fan for years, this is not the Louis I grew up with. Maybe he's trying to distance himself from One Direction and avoid the mainstream stuff, which is admirable, but this kinda rude and distant image doesn't seem to align with his original (and real) essence. 

Those of us who work in marketing and communication have a different, more analytical and technical vision, which allows us to detect patterns and strategies (or the lack of them). This is not a justification to invalidate other opinions in any way, but to offer an informed perspective. With Louis, it is clear that there is no clear strategy. His team seems to improvise, as if every decision is made without a long-term plan, simply reacting in the moment.

The resurgence of the babygate stuff a few days ago is another example of this lack of planning. From the outset it seems to have been an idea launched without considering the consequences and, now that it has grown out of control, they don't know how to handle it or shut it down for good. This only creates more chaos as the years go by. The exposure of the child has been contradictory from the beginning: How can you justify wanting to protect his privacy when he was initially exposed so much by his whole family, from pregnancy onwards, and then included in the documentary "All of These Voices"? Nothing has any coherence if you analyse it at all.

As for the blocking on Twitter, it is hard to believe that Louis has blocked so many accounts without it being known beforehand. It's an absurd and ineffective tactic to manage the narrative of his public image. I agree with the post that "Louis and his team are no different. They like to use subtle tactics like blocking, following, unfollowing or general interactions on their social accounts (mainly X) to manage the narrative of their public image" as this is part of a strategy that has been carried over from One Direction, like when he tweeted "I am in fact straight" or "Larry is the biggest load of bullshit I've ever heard".

Or Another example we can name is this 2012 interaction with Rebecca Ferguson, where she expresses the overexploitation she was receiving and "Louis" replies "Success is impossible without proper hard work". That contradictory image does not fit with the Louis that many of us fans have known and followed for years. Why would an artist seek to lose fans and, therefore, limit his growth?

Over time, all this has made their actions feel fake and automated. As a fan, one ends up questioning and analysing every action from another perspective, as nothing seems genuine or truthful. His "Hope everyone is doing alright" tweets seem scripted and even programmed, lacking that closeness that used to exist. While we know that artists' social media accounts are controlled, the fan/artist connection remains crucial to maintaining public support and loyalty. When repetitive patterns and bad strategies accumulate, the authenticity of the artist is lost, turning him into a kind of "robot" with no control over his actions, which can end up damaging his image and damaging the relationship with his fans, often without him being fully aware of it. 

From a music marketing perspective, there are several key aspects that Louis' team seems to ignore. An effective marketing team should focus on  research and investigation of the audience, clearly identifying the artist's target audience, considering factors such as age, interests and content consumption platforms. The lack of consistent branding is evident, as Louis' public image doesn't appear to align with his musical and personal essence, leading to confusion.

A well-planned release strategy should include a pre-launch campaign with teasers, interviews and strategic collaborations, something that seems to be absent in most of his projects. In addition, multi-channel promotion is essential, using social media, interviews, streaming playlists and specialised press, without relying exclusively on fandom. A competent team should also focus on authentic storytelling, creating an emotional and genuine narrative to connect with the audience, rather than resorting to polemical tactics that distort his image.

Fan growth and retention is another key aspect. Good marketing seeks to expand the fan base while maintaining the interest of the current, as opposed to what appears to be happening. Finally, long-term planning is essential, with measurable goals and clear direction, rather than reactive and inconsistent decisions.

In conclusion, Louis' team is not managing his career professionally or effectively. Successful marketing requires planning, analysis and authenticity. His fans deserve a clear and respectful narrative, and he deserves a team that will really promote his music and his career. I hope that for LT3 we have a good promotion, that his team starts to get things right because I don't want his career to continue to suffer consequences from this, besides from his image to be ruined by the mismanagement of those working with him.

[roo-bastmoon]

Things needing immediate attention in MUSE era...

We have GOT to diversify streaming platforms. Last year as a present to myself I went ahead and purchased a premium family bundle (for 6 email accounts each) for YouTube/YT Music, Pandora, and Spotify--plus a premium Apple account hooked up to Stationhead, and I currently have free trials going for Tidal, Qobuz, and Amazon. Premium streams are essential for charts.

Every day I make clicking through playlists on all these platforms as part of my routine: before breakfast, at lunch, and before bed at a minimum.

We also need to be very diligent about voting. Once I sat myself down and took the time to download the apps, set up accounts, and watch a few YouTube tutorials about how to do it, it's actually pretty easy and usually only a once or twice a day sort of thing.

Then there are the polls that have unlimited voting. That is a numbers game, a war of attrition. So while I wait for my lunch to heat up? I vote. Stuck in a waiting room for an appointment? Voting. On the phone with someone who is just gabbing away? Uh huh, mm mhm, but clickity click, I'm voting the whole time. I aim to hit that Vote button about 100 times a day. All told, takes less than 5 minutes.

Also our boy just posted on Insta after 126 days of silence. Please interact with the story and show him the love!

All in all, I think we really need to get into a routine where we fire on all cylinders. Streaming parties, funding parties, outreach & hype parties... We are hyper-focused on Spotify and YouTube videos and that stuff is absolutely important, but it leaves too many gains on the table. Let's use every tool in the box, okay?

Finally, I want to wrap up this post with gratitude:

I know I encourage you guys a lot to push yourselves and work hard, and I don't mean to come off as your taskmaster, but rather as a cheerleader.

We took a mostly Korean song with an insultingly low level of promo, plus no ads, no playlisting, no radio, only one version, with less than a full week to chart, which dropped during a major US holiday -- and it's very likely it will land on the Hot 100. That is...outstanding.

If nothing else, Jimin will see that he's loved and appreciated and we have his back. Whatever the assholes online try to say about vpn and bots and other bullshit, it was your blood, sweat, and tears that gave Jimin his well-deserved seat at an otherwise unwelcoming industry table. I'm so grateful to you and to this community for that.

We all know that Jimin is organic, authentic, and uniquely talented, and therefore isn't even in competition with anyone else. But we can still get him some good wins. What we do for him, we do out of love--not obligation or bragging rights. His music and his artistry are a source of JOY!

WE ARE OFFICIALLY IN OUR MUSE ERA!

We have two weeks to study up and get premium accounts and gather all our energy to support a whole album. How lucky we are to be so well fed and loved.

FIGHTING!

[obsessedobsesser]

Are you into fanfiction? Have you written any, or do you have any favorites that you would recommend?

It may be safe to say that I have an addiction to Good Omens fan fic.

There's of course the fandom favourites (Slow Show, Factory Settings, Shotgun Wedding, Rough Enough For Love, Or Be Nice, One Night In Bangor, etc, etc) which I recommend to everyone as they are beloved by the fandom for a reason.

But, here are 10 that I've come across that others may not know of:

'Thus saith the Lord' by TheManicMagician (Teen And Up).

I read this fic on my way home from Florida sitting in an airport because our flight was delayed. I was so engrossed with it that I missed all the commotion of someone being taken off the previous flight on a stretcher. It does deal with hurt Crowley though and mind controlled Aziraphale. 10/10 would read again.

2. 'Would I Lie to You?' by FeralTuxedo & TawnyOwl95 (Explicit)

The boys are rival team captains for a show 'Don't Lie to Me" - which is based on the real life show 'Would I Lie To You?'. Lots of bicker flirting in this one. I'm a huge fan of FeralTuxedo and TawnyOwl and they do not disappoint with this fic. I devoured this.

3. 'Talk about the weather' by nightbloomingcereus (Mature)

Aziraphale is a meteorologist and Crowley is a YouTube storm chaser. I didn't know I needed this fic in my life until I read it. It's funny and heartwarming and believe me when I say that you'll fall in love with the story and the characters.

4. 'Honey, You'll Survive' by HotCrossPigeon (Teen and Up)

Look, sometimes I just like to see Crowley hurt and being taken care of by Aziraphale. This scratches that itch. The writing is so good and they capture the characters really well.

5. 'The Sandford Flower Show' by Mussimm (Explicit)

I am literally so shocked I do not see this fic pop up as often as it should. The plot in this is GENIUS. IT IS SO GOD DAMN GOOD. Crowley takes Aziraphale to a flower show and they meet Mephistopheles, a fallen seraph. Because our boys are idiots, shenanigans ensue. Seriously. Go read this.

6. 'Trial & Error' by fellshish (Explicit)

Crowley is on trial for temping an Angel (Aziraphale). I just read this one about a month and a half ago and I honestly can't get it out of my mind. The writing is hilarious and keeps you enraptured throughout it all. I also really adore how fellshish writes Crowley and Aziraphale. Their other fic The Loophole, or, How to Convince a Demon God Exists in Three Easy Steps is also amazing :)

7. 'The Shared Desk Dilemma' by MissUnderstoodLyrics (Explicit)

Crowley and Aziraphale are both teachers at Eden University who are forced to share a desk. A prank war ensues. As you can expect, this is a enemies to lovers fic and who doesn't love one of those?

8. 'Big Name Feelings' and 'And They Were Streamers' by ghostrat (Explicit / Mature)

BNF just finished a few days ago and it's such a cute fic. It's a fandom au where Crowley is a fic writer and Aziraphale is an artist. ATWS - as it says on the tin, the boys are streamers and live together. I absolute adore anything written by ghostrat.

9. 'how do we turn on the light?' by moonyinpisces (Explicit)

Honestly, I just know that this will be up there on my list with Factory Settings once it's finished (mainly because it already is). It's SO GOOD. It takes place after S2 and the second coming is happening. I really don't want to even give much away because I want everyone to read this. Everything about it is GENIUS.

10. 'Sit Tight, Take Hold' by nieded (Explicit)

I legit just finished this fic on Sunday but it has moved up to my must read list for anyone who is looking for GO fan fiction. The boys are Formula 1 drivers and the drama in this is *chef kiss*. For context, this fic is 150K words. I finished this fic in 2 days. It really is THAT good. It's also part of a series called #RAINBOWROAD so once you finish this fic, there is more to read!

This is only the tip of the iceberg of my ever growing list of GO fics.

Thanks for the ask :)

[desmon1995]

WE Stan You: How the Bizzies show the dangers of Stan culture.

The Bizzies and their portrayal of truly cemented to me that the dreaded nice guy era has finally been trenched even though it took musical theater eons to do so.

In the first part of We got You they basically spend most of the song seemingly fening to be allies of women (caricatures of the male feminist) only for Joon in Korean to give the game away that they actively see to devastate the Warriors in the worst way possible

We Got You reprise is probably the most unhinged song in the entire album because Rembrandt slowly pieces together that the Bizzies have a three layered lock and have completely cornered the Warriors and specifically have put Cowgirl in a very dangerous situation since one of them was getting incredibly intimate with her just a few minutes ago before they all pull out their knives.

What I think kind of gets me is that for a psychotic as they act they still keep saying things like " WHO HURT YOU and WHY'D YOU KIll CYRUS".

That's kind of when it hit me that these boys are not just supposed to be representations of the toxic nice guy trope but they're essentially.. a critique of Stan culture as well and specifically Korean / Japanese idol culture.

I don't think I have to tell you how bad Idol fans can be but specifically when it comes to email idols male fans are incredibly possessive of them in a very perverted way to the point that they view the idols as basically goddesses to satisfy their needs and less so a human being.

Joon keeps claiming that the Warriors killed their hope which is very much what the toxic Idol fan would say which are typically called unicorns because they view idols as pure and unobtainable and if they happen to stray from those boundaries they'll get incredibly violent.

The boys aren't allies they're just obsessed with Cyrus for all the wrong reasons and now that she's gone they're effectively taking matters and said their own hands to brutally murder the perceived perpetrators.

The fact that they essentially Lord the Warriors into their house, treated them decent way, even got frisky with the, only for them to try to slice their throats shows that they don't really view women as anything more than just objects to project things onto.

They massively project everything and even when the Warriors manage to escape they keep screaming come back and NOOOOOOOOO.

I should also note that unlike the other songs, We got you was partially written by Helen Park, a Korean Broadway artist that is known I believe for Six and being in kpop the musical which of course deals with Stan Culture on a daily basis.

The Bizzes would be funny if their type wasn't so common all throughout not only idle culture but in various fandoms.

[sjelaine]

"Louisrock" July 7, 2024

I had a friend who lives in Turku where Ruisrock is held, so as soon as I saw that Louis would play it (back in November,) I contacted my friend to see if she would be home - she said yes!  I bought an early bird ticket to the festival and had my lodging all set, so then I just needed an airplane ticket from California to Helsinki and a rental car.  I then found out another friend (from the same fandom as my Turku friend) was going to Ruisrock as well, to see Käärijä, who as it happens was playing on the same stage as Louis but 2 hours ahead of him, so I had a friend to go to the concert with me!  Normally I have to see Louis by my lonesome because none of my friends are in the 1D fandom, but it's okay because Louies are the nicest friendliest people out there and I am never short of new friends to scream all the words to Louis' songs with at the concerts.  IMO this is the very best thing about being a Louie -- all the other Louies!

We got to the festival site two hours before doors opened so we would be sure to be toward the front.  All the festival signs were in Finnish and my friend is Swedish and I'm American, so we had to rely on the locals to translate for us.  I'm old and slow so I wasn't able to run when the time came, but by the time I got through the gates and located the line for Louis' show, I was only about 50 people back.  The festival was INCREDIBLY well organized, clearing out each stage area after each performance so the people who had lined up for a specific artist could have a good chance of getting a good spot.  And thanks so their expertise in handling crowds, I was able to maintain my position in line without having to run and thus got a spot at barricade!  Thank you Ruisrock organizers and security *thumbs up*

I will mention that while waiting in line for 6 hours we were comfortable and there was a breeze and no rain.  We also got to listen to Blind Channel and Käärijä's shows which were pretty hard-hitting and all in Finnish - the best part about that was all the Finns surrounding us joining in to yell the lyrics and pogo along to their favorite songs.  The energy was amazing and I'm sure the other foreigners in line with me were appreciating the Finnish love of live music as I was.  Don't forget we also got the Oli walk-by which was funny because he acted as though he was just passing us to get to the food stalls, but then he came back a few minutes later with no food and acting just as nonchalantly, so clearly he was there to check us out and report back.  You go, Oli!  Be sure to tell Louis what in idiot he is if he thinks we're not going to show up.  Faith in the Fans, maybe?

Back to barricade: I had a spot right next to the staircase Louis would use to come off stage for Silver Tongues, and I took quite a few videos and photos although most of the songs are partial recordings and the pictures are basic iphone quality, but here's a link to all of my files in a Google folder.  Please enjoy!  Do with these as you wish :-)

Some observations I made while enjoying my 7th Louis show was that Joshua would run to a certain side of the stage, Louis would catch sight of him, and then he would head to that side of the stage... so it was almost like Joshua was calling the shots of where Louis should "pose."  It also clued me in to start recording whenever Joshua came to our side because I knew Louis would follow - I got some great shots of Louis looking our way which I choose to believe were him looking at ME ;-)  I also noticed that Steve would put a drumstick in his mouth to adjust something on his set mid-song, which I hadn't noticed before.  And of course Michael and Matt were always heading to the center stage to join Steve in "getting down" which was fun to see.  It would be great to see Louis playing the guitar and jamming with them, but then it would be harder for him to interact with the fans...

One of my favorite live show elements is the Baba O'Reilly mash up in WDBHG so I was very happy that Louis walked over and pointed my way when he sang it - so excited in fact, that my video suffered accordingly, but oh well.  I didn't get lucky with him coming to our side of the barricade but hopefully at some show in the future I will.  Faith in the Future!

Thank you for coming to my TED talk.  Love you guys -

[olderthannetfic]

I don't even think this is the type of thing you would normally get Asks about, but at this point I genuinely can't think of anyone better to come to and ask for their opinion.

I don't know if any of your followers have seen this situation as it's been occurring, but this massively popular mobile game that's been blowing up recently (called Love and Deep Space) has incurred a lot of drama and discourse as of a few days ago.

So LADS is an otome game, with a visibly femme/female protagonist who romances the male love interests. And a few days ago, the dev team behind LADS introduced this rule to all of their official groups and servers like Facebook and Discord: "Absolutely no BL materials are allowed to be posted or discussed in official spaces"

So, naturally, quite a few people are upset about what is basically a "no gays allowed" rule being forced onto the fandom. Because the "no BL" rules includes the posting of ANY queer content with "official" #LADS tags. Which for platforms like Twitter is absolutely unreasonable. They're stating that fanart of M/M ships can't be posted with any tags for the source material? It's ridiculous.

There's been people trying to defend it, saying things like "oh it's because of CN censorship laws" despite the fact that LADS isn't a CN game and the company isn't a CN company. Or "they only banned queer stuff in their official Discord and official Facebook group and for the official LADS tags on socmed!" even though that is still censorship and erasure of queer content (and somehow the fact that it's officially sanctioned makes it okay?)

But the worst part is the fact that there’s been an EXPLOSION of aggressive homophobia within the fanbase. It's as if all the cishet women who play the game were just waiting for their chance to go mask off, because the second those "no BL" rules were put in place the rampant harrassment and bullying started. People are getting attacked for M/M ship fanart, people are getting attacked for having male self-inserts or male MC or OC designs, and several artists have already been harrassed into deleting all of their artwork and leaving the fandom.

There's now a LOUD number of fans screeching that otome games "are only for girls" and that anyone even slightly queer or masc-leaning "doesn't belong in otome fandoms" and "needs to go play something else"

I've seen baseless accusations that "men want to force us to play as a gay male MC!" and "gay men are demanding that LADS turn the female MC male!" when absolutely no one anywhere has ever said anything close to that.

I have tried telling these fans that queer people, including queer men, have ALWAYS played otome games, that gay men and queer people have ALWAYS been a part of the otome community from the very beginning, but anyone who deviates even slightly from the new majority of "no gay shit allowed, otome is for straight women only and everyone else kys" gets immediately shouted down and harrassed/attacked. I know a lot of people have deleted the game and have stopped playing because of both the official "no gays" rule and also the extremely toxic and homophobic fanbase.

I was wondering if you knew about any resources (blogs, articles, anything) talking about the history of queer people playing otome/dating sim games, or even if you happen to know anything anecdotal about it yourself. Because we've ALWAYS been here, otome games have never been JUST for cishet women. I'm also just wondering what your/your followers' thoughts are about this whole mess in general.

--

Oof. I don't play many games of that sort, so I don't know a ton about their history, but there has often been pointless beef between the more self inserty types and the more m/m shipping types.

I don't think you need evidence that people besides cishet women consume media X. It should be self-evident from being a human who lives in the world. These people are denying it because they don't want it to be true, not because they do or don't have evidence.

"LOL, you're a homophobe in 2024? Criiiinge!" is the only appropriate type of response to these idiots. Facts won't help.

[buddiebeginz]

If they are keeping Lou around for any part of season 8 the show has to put an end to the cameo nonsense. Some of the Buck/Oliver takes that are starting to make the rounds are next level insane. I saw one scolding Oliver for making Lou do all the promoting of the ship. Another post said the writers needed to up Buck's game because he's not at the level of commitment yet that Tommy is being written (wtf when were these episodes). And yet another post scolding Oliver for promoting Buddie and Buck for continuing to spend time with Eddie.

They are taking these PAID (you paid him to say this shit) videos and making them canon. No part of anything he's saying is canon. Firstly, he wouldn't be allowed to tell them any actual canon facts and secondly Oliver/Buck is the character/actor the show gives a shit about. He's encouraging this nonsense and it's gross. Him promoting himself is fine, it's low-key cringe given the fact the other half of the ship is silent but you do you, babe. Oliver's silence is what's pissing his fans off. Seriously tell me you're new to Captain Starks ways without telling me you're new. He promotes no ship but the Buddie ship, canon or not. These people are here for Lou. When he goes, happy for him to take them with him.

I'm not sure why they keep letting him do those cameos especially after he pissed people off when he said T*mmy being homophobic and racist to Hen and Chim was just teasing. He also talked about people recognizing him in Thailand in the AH interview and did this fake stereotypical asian accent. 🤦‍♀️He really needs a better agent and some media training because they'd for sure tell him to knock that shit off.

I could see the cameos being fun to do a few times when he first came back to the show even to garner excitement about B/T and T*mmy but the fact that he's done so many now and has even raised the price just makes him look desperate for attention. And like you said he gives all these headcanons about T*mmy in his videos that his obsessive fans have taken for absolute fact. We would never hear the end of it if Buddie fandom was paying Ryan for videos like that.

I agree with you that a majority of B/T stans are here first and foremost for T*mmy and Lou not Buck and Oliver. I still can't believe that a lot of them used to be Buddie shippers. I think everyone should be able to ship what they want including multishipping but I don't get how some of them dropped a ship they were seemingly invested in for years for the nothing that is B/T.

That part of fandom also loves to call us delusional and say we're seeing only what we want to see but a lot of times we're just pointing out what's actually happening. Like in the recent episode T*mmy was being a downer to Buck's enthusiasm (which has basically become the norm for them). The camera also paned to Eddie after Buck got his award not T*mmy. Buck chose to run off to Eddie's after work not to T*mmy's. These are things the show is literally showing us not just stuff we're imagining.

It's similar with Oliver. They can come up with all the reasons in the world why he's never promoted B/T through this entire season but it doesn't matter because he still hasn't and likely won't. I've seen them say Oliver doesn't post anything about B/T or Lou to avoid dealing with the hate or to not upset Buddie fans or to protect Lou. The thing is though Oliver has left social media before when he's had issues and could again if he wanted to. He's also been dealing with homophobic comments since Buck came out but he's never shied away from talking about Buck coming out and has even addressed the hate on his insta.

Oliver liked a couple of B/T pieces of art when the story first happened but I think that was more to support the bi Buck storyline and the artists than anything else. Multiple times during this season he's liked Buddie art (including a tattoo which he commented on three times) he's also posted Buddie related and Ryan stuff on his stories. If he wanted to show support to Lou or B/T he could easily post on his stories where people can't comment. B/T stans can think what they want but it's clear Oliver doesn't promote any of that because he's rooting for Buddie harder than anyone. I think he knows B/T isn't going to be around forever and he's trying not to lead people on about it as he's said in the past he hates to do that.

I really hope we can get rid of T*mmy at the end of s7 although knowing Tim he'll probably keep him for added drama until s8. Unfortunately even when B/T ends I expect those fans to do a lot of complaining because they've concocted this whole idea in their head that T*mmy is Buck's endgame soulmate. They even want T*mmy to be added on as main character and get a begins episode. So I fully expect some of them to riot when he inevitably gets the ax. The rest will probably run back to Buddie the minute it becomes canon and try to pretend they never left. Jokes on them though because a lot of Buddie shippers have blocked them for how awful they've been this season especially towards Eddie.

[yggdraseed]

An Incomplete Analysis of the Sukunadome

I stress the point that this is an inherently incomplete analysis. It's getting late, I'm tired and unhappy, and… well, the fight isn't over yet, so there's no way this analysis could be complete even if I felt like it. However, it's on my mind, and I feel the need to start exerting myself more on these things. Sometimes sweat is the better medicine. I know this is a long one and doesn’t have any pictures, but if we all support each other, we’ll get through it together.

Full disclosure, I wish more people had gotten filtered by this fight and just stopped talking about Jujutsu Kaisen by now. Like yeah, I think it's great different people see things in different ways, but let's all be honest with ourselves here, most of the people criticizing this fight are not doing so with any sort of literary or artistic perspective or good faith. Most of it is Gojo fans who are still crying, seething, vomiting, pissing, and shitting over the fact that the character they attached their ego to didn't win Jujutsu Kaisen like they wanted. If this describes you, well, this post will probably do you some good, but I'm confident nobody who takes the stance that Gojo should have won would have the space in their mind for what I'm about to say about Sukunadome.

Because that's what I'm calling it. "The Sukuna Cycle" was maybe a little funny for a week or two, but like most memes about this series, it wasn't really based on the story so much as it was on an agenda. Kusakabe was part of the fight since Yuji and Higuruma entered, and up until Miguel, we knew all the combatants who would be tagging in were there. We knew Yuta was off dealing with Kenjaku and would return, we knew Maki was in play, and there really weren't a lot of switches. Just Choso leaving and coming back, Ui Ui retrieving Higuruma's and Gojo's corpses, and… you know, actually, I think that's it. Sure isn't as much as the "Sukuna Cycle" memes made it out to be, huh?

Okay, if you haven't noticed yet, I'm a big JJK fan and a big JJK fandom hater. I think JJK has the worst Western internet fanbase I've seen in a long time, with only a few oases scattered across the internet where you can find intelligent life. Like it's insane what kind of bullshit a person can convince themselves of.

However, I'm not analyzing JJK's fanbase, I'm analyzing JJK. Someday we'll litigate whether or not Lobotomy Kaisen was really funny enough to justify how badly it ruined this fanbase's ability to objectively, productively engage with with one of the most competently written and culturally impactful manga to come out this century. Today is not that day.

So Sukuna's got four arms and knows how to use them. He's got four eyes and so much sass one mouth wasn't enough for the amount of trash he's got to talk to the youths of today. Just on a basic level, having four arms would be such an insignificant power in any other Shonen as to almost be a joke. Yet with how jujutsu sorcery functions as a power system and how adept Sukuna is at using every possible advantage at his disposal - even going so far as to take what probably should be disadvantages and twist them to work for him - having the ability to make hand seals while fighting hand-to-hand, and being able to chant without interrupting his breathing, are inseparable from Sukuna's godlike fighting ability. I love how something seemingly so mundane is such a huge x factor for Sukuna.

We continually see how Sukuna is a complex, but fundamentally vile antagonist. He has a very rich, detailed view of the world, but one that fundamentally reduces every other human being to be his playthings and food. It's just that Sukuna says, "Don't like it? Then get stronger." It's a very Social Darwinist, late stage capitalist view to be coming from the Heian Era, and I think that maybe it's intentional. Shitty people are shitty in mostly the same ways, it's just they find new things to be shitty about or to use to be shitty with.

Like if that were all it is, it'd make Sukuna so effective as a villain to hate and would slot so nicely into Jujutsu Kaisen's overarching social and political commentary. Cruelty within suffering, selfishness as a strength and a weakness, the unfairness of how the strength to pursue one's agency is unevenly distributed and how the haves don’t realize how easily they could have instead been have-nots, it's all there.

But there’s this inherent charisma to Sukuna that I think is intentional. He has this noblesse oblige where he’s so inherently aware of his greatness that he doesn’t have a problem with giving credit where credit is due. Like he talks all the trash when he’s fighting Jogo, but where Gojo’s insults come across as puerile and blunt, Sukuna’s always displaying this wit to him. And when the battle’s over, he acknowledges that even though Jogo wasn’t as strong as him, he was stronger than most and could have gone even further if he hadn’t held himself back. He starts off belittling Gojo in their fight, but by the end, he expresses a profound respect and gratitude towards Gojo. Like it’s a very warped form of those sentiments, but I think it’s sincere. Even with Ishigori, when Sukuna fails to cut him the first time, he just acknowledges it was disrespectful to hold back and that he’ll give it full force the next strike.

Something to keep in mind is that everything Megumi warned Yuji about when it comes to ancient sorcerers applies to Sukuna as well. They’re not treated as uniformly, unambiguously evil anymore than anyone else in JJK is, and are acknowledged as having fundamentally different world views about violence and the value of human life. Kashimo, for instance, seems to value his life only because he’s able to risk his life and lay it on the line. They’re people from an era where children died so young that parents often gave them numbered names so as to not get too attached until they’d see if their kids actually were going to make it or not. If you didn’t give your whole life over to a goal, you probably wouldn’t achieve it. Whereas modern sorcerers, modern people, have all these complex and sometimes contradictory views and needs, ancient sorcerers show a tendency to shave everything away except their one singular conviction because that was what you had to do in an era of much shorter life expectancies and peril on all sides. You’d be very lucky to accomplish one life goal, let alone as many as people of today set out to achieve: graduating high school, graduating college, getting a job, starting a family, and hopefully having one or two passions on the side. Fundamentally different worldviews from fundamentally different periods of history.

And Sukuna is no different. His goal is simple: partake in the many colors and flavors of humanity through mortal combat in the arena of sorcery. Sukuna’s love for sorcery runs deep. He’s always curious about different cursed techniques, even ones that are pedestrian to a sorcerer of his level, like Nanako’s smartphone-based technique. He reminds me of a quote from Baki: “Someone who works hard can never beat someone who enjoys himself.” Sukuna has clearly put forth great effort to master sorcery, but clearly doesn’t see it as work. He sees it as just doing what he enjoys and is good at.

Unfortunately for everyone else, he enjoys killing and is extremely good at it. Sukuna is the ultimate ethical heat death of the “live for yourself, cherish your own agency, don’t let yourself be controlled” mindset that is the ideological starting point of JJK. It’s a very dark, extreme interpretation of Buddhist non-attachment, where even compassion is an attachment to ultimately shed. Sukuna lives perfectly freely, including being free from guilt or compassion.

Naturally, there’s an exception. All things seem to have exceptions. In Sukuna’s case, that would be Uraume. I’ve been fascinated by their dynamic since we first learned of Uraume’s allegiance to Sukuna during Shibuya and I still can’t wait to know more. Suffice to say, Sukuna dotes on Uraume, forgiving their mistakes and seeming to enjoy their company not just because of their service to him, but because their existence makes him happy. I’m reminded of Power in Chainsaw Man, how she was seemingly incapable of empathy or mercy until she met Meowy.

Honestly, Sukuna reminds me a lot of a lot of characters in Chainsaw Man. People who are trying to climb from this state of misery, of struggling just to meet basic desires, and learning to be human. Yet Sukuna is so strong he never needed to learn to be human. He never needed to cooperate with others to survive — or at least, doesn’t seem to believe he did — and so he never saw the value in it. And so he’s basically brute forced his way around having to undergo an arc like Denji’s, and has instead ended up a hedonistic black hole devising all these complicated philosophical arguments to justify what is, really, a very simplistic, predatory desire to only satisfy his basic material wants and creative interests and nothing else for anyone else.

But like, it’s not that simple. If you give to others, you get something immaterial in return. I can’t quantity it or define it, but I’m sure most of you know what I mean. The happiness that comes from taking care of others’ needs, and the deeper levels beyond that happiness. Like I do believe that’s the subtext behind Binding Vows as metaphor: that you almost never give without getting in return. You might not get the same thing back, in the same form, but being changed by the act of putting the needs and wants of others before your own even temporarily still is part of the exchange. It’s part of becoming complete as a human being.

Sukuna has defied that exchange and broken the cycle, and I don’t think it’s inherently for his own benefit. There are some thing about being human that you don’t just get to opt out of, no matter how much you claim you’re more than or less than human. Even if Sukuna doesn’t think he’s lost something of value, he has. And that something of value is inherent to the whole point of this final battle.

Jujutsu Kaisen is basically working on two big problems. There are lots of ideas at play in the series, but there are two fundamental problems for which every fiight, every character arc, every turn of the gears consitutes part of the calculus to solve one or both of those problems.

The first problem, a thematic and philosophical one: “How do you love and fight for something when you know you’re going to die?”

The second problem, a metatextual one: “Is there any artistic and social value left in the Shonen formula as it stands in the modern day?”

And this fight is, ultimately, where GeGe is showing their work. It’s where Yuji has to defeat Sukuna, if not in terms of out-boxing him, then in terms of prevailing over his beliefs about humanity and the world as a whole.

GeGe has stripped Yuji of everything that is supposed to determine the worth of a Shonen protagonist’s victory. He’s not fighting alone, he didn’t go off and train all by himself, he trained with a lot of powerful, smart people who helped him. And Yuji is arguably not even the most important participant in the fight. So why should we care if Yuji wins?

The answer is so simple it’s easy to lose track of it. Yuji is risking his life to rescue someone, his friend, from being exploited, and to save the people of Japan from being exploited. Even after everything that’s happened, Yuji plants his fucking feet and takes a stance that no, shithead, there is such a thing as the right thing. Maybe it isn’t obvious all the time, and it sure as hell isn’t always easy to know what it is, but he knows now with certainty what it isn’t: to exploit others or to destroy yourself. We can find our answers somewhere in-between.

Sometimes we can’t resolve our problems with a tidy solution that makes everyone happy and sometimes we have to carve a piece of ourselves out and give to something we won’t be sure to see the fruition of, but that’s just life. It doesn’t mean we have to throw away all hope for things to get better. Even if the world won’t become utopian, it can still become better, no matter how many nihilists hide their own inequities behind assertions that there is no point.

Nihilism is not a solution to the problems of life, it is the choice to run away and hide. To give into nihilism is to give up the fight even while other people are still fighting all around you.

So that’s the fucking point of the Sukunadome. Nobara already said it better than anyone else has before she made Mahito look like the bitch he was and always will be: “Sometimes you need to fight even when you know you can’t win.” Because you won’t always win and you won’t escape death, nor will you know what lies beyond death. However, you can still live according to your principles and fight for the things you see as meaningful even if other people don’t.

That is why so many characters have come and gone from the fight. All gave some, some gave all. Nobody is truly useless — even if Miwa self-deprecatingly jokes about being useless, she still was the one thing standing between Maki and Malevolent Shrine’s eviscerating hellscape. Even Amai’s sweets-conjuring joke technique saved Hana from a would-be fatal fall and helped to supply sugar to the brains of people using reverse cursed technique in Shoko’s triage. Larue couldn’t do much, but they caught Sukuna’s eye at the perfect time for Yuji to land a Black Flash, and that means something. It all means something.

Given how deeply GeGe clearly respects Hunter X Hunter, I want to end off by citing one of the quotes in Hunter X Hunter that has been the most impactful for me and I suspect has been about as impactful on GeGe: “It seems small things… infinitesimally small things… are needed to build the entire universe. The size of a thing has nothing to do with its power.” We always seem to direct our senses to the superlatives. The largest, the oldest, the loudest, the things that hit the hardest. But while it would be wrong to throw those out, we often lose sight of how many little, important things there are in the midst of those huge, important things.

Seeing someone’s smile when you remembered something they said that showed you were listening to them. The feeling of a warm breeze on a summer morning. The smell of honeysuckle on your walk home. Waking up to rain on a Sunday. The taste of watermelon. Getting married. Having your heart broken. Songs that make you smile, songs that make you cry — songs that do both, and songs that make you feel things you can’t describe. When you’re always looking to those immense, monolithic things, always comparing your seemingly small, seemingley meaningless life to them, you lose sight of just how meaningful all of it is.

Just because it doesn’t have cosmic, absolute meaning doesn’t make it meaningless. Every little thing that means something to you is worthy of being cherished. The people around you, the things that bring you happiness, even if that happiness is going to ebb and flow. It’s all worth fighting for and living for. It just takes bravery and conviction to keep fighting and keep living with authenticity and love. And if there’s an artistic value, a greater meaning to Shonen, now and always, it’s the unerring, unabashed belief that there’s a reason to aim high and not give up.

Because sometimes, life hurts. But if it’s just pain, Yuji Itadori will never stop. We’ll see what I have to amend, reconsider, or elaborate on when the fight is finished. I hope this gave some of you a new way to look at it.

[imsiriuslyreading]

there's this weird little thing that happens when you're in a fandom community like this, I'm learning. occasionally, people make odd assumptions about you, particularly if you're someone who puts your face on your socials (hello its me I'm the silly sod who did that), and no matter what your actions or your words do, its secured in their mind that that's the truth and that's how it is. which is like, fair, obviously. but its like, unnerving? i don't know how else to explain that.

there's also this phenomenon where people get close really quickly, more quickly than in other spaces I've been in, and I'm not sure why that happens. maybe it's because when we're getting to know someone, it's born out of a love and passion for this shared hobby/obsession we have. and I'll be so real, when you meet through fanfiction, there are certain parts of you that are just on display from the get go by the nature of sharing what you read and write. so its pretty hard to hide some of the dark and scary parts of yourself after that's already been out there on display. perhaps that's how people get so close so quickly. as a result, when fallouts happen or there's disagreements, or you start to realise that hey, actually, this person I thought was *this* way actually isn't and I'm not sure I like who they really are. which is natural, obviously, but like when it happens here, it sort of hits harder, because you still share this space and so many people with that person, so it gets so tricky to navigate.

i'm still trying to figure that out, I think. there have been a few occasions over the last few weeks that have made me want to step away from fandom, to take a break and just go back to reading my favourite stories about my favourite werewolf and his punky lil husband on my own. but then I get a message from a fandom friend or a fandom stranger and its so kind and so lovely that I'm reminded that mostly, it's very positive and good-natured here. and every single day I find new writers to frantically inhale all of their works, or artists to obsess over. i see something and it makes me want to take a photo and send it to someone because it reminded me of their fic or a thought they shared on here or tiktok or whatever. or I'll see the people in my group chat come together and help one of our friends when they need it the very most, only for the favour to be returned in a couple of weeks.

for every disappointment I've found, there have been 10 instances of positivity and beauty and I think that's definitely something worth holding on to.

anyway this ramble is just me reminding myself to touch grass occasionally, to remember that people who have miserable things to say about me don't actually know all that much about me at all, and that this fandom has been the key to figuring out parts of myself I would've stayed utterly ignorant to without it. it's also been a complete safe haven to hide away from all of the scary parts of the world right now.

that being said, october as a marauders fan is a fucking horror show, I am on my knees screaming and begging for happy edits, fics and art because some of you are just far too talented at this whole sad boi thing. help.

[thirdnap]

Hello,

Here is the life update of my past 4 years.

I began this blog many years ago in 2012 when I was only 14 years old, and I then slowly gained the courage to start posting art at 17 when I joined the K fandom. It's wild to think that I am now 25!

I was never quite consistent in posting since I only shared my art here whenever I felt like it, but it slowed down ever so gradually to basically 1 post a year for Yata’s birthday. This blog helped me with my fear of showing my art to others as I was incredibly embarrassed of my work for a really long time.

I soon moved to the USA from my homeland and attended animation school for 1 year, and then studied illustration and visual development for 4 years and I managed to accomplish many things I never could have imagined. I graduated with honors this past May, was selected by the faculty and head of department as my major’s trustee scholar, completed my 84-page art book thesis, got a few pieces into the Society of Illustrators, and my school even shot a mini docu-film about me, my art and my life where I got to share my upbringing. Art school was very demanding and at times tough but I managed to get a lot out of it :)

In July of this year, I moved to California from Florida and I’m much happier than I’ve ever been. I come from a very small country so I never expected to get this far in the art world. I drew Yata for fun in my bedroom whenever I wanted to and now I’m in LA breaking into the animation industry (receiving my first credit too!)

the drawings I share here are a very very small part of the illustrations I make weekly. I wish I could share them with everyone as I’m very proud of them but I enjoy separating my fandom life from my real life a little too much! Surprisingly I am working as a background artist at the moment despite never drawing backgrounds in this blog lol. I think many of you would be surprised at how different my work is from irl!!

It hasn’t always been great, so I don't want to make it seem like it's been all perfect. I’ve had many hard times too and at the moment I am extremely homesick since I haven't returned home in a long time but I think these are needed sacrifices.

However, I'm excited for 2024. I'm looking forward to growing as an artist and my goal is to continue to have fun with art as much as I have right now. I think I’m lucky to have a great support system including my best friend @fuurais who has been by my side for 10+ years and I managed to convert into a K artist too <3

Thank you for the support, for the kind messages, and for the excitement every time I post. I am always happy when I think of this blog and the friends I made. I unironically think about Yata every day as he is past being my comfort character tbh. I am currently writing this with full-on orange hair that I've had for a few years now lol.

I don’t think I’ll be as active as I was at 17 but I will try to not ghost this blog completely. There are a lot of things I haven’t drawn yet that I really want to do and I'd love to share those drawings with everyone.

Lots of love -

Tael <3

[fushiglow]

Hello glow!!! Thank you for another lovely satosugu work! :)

I absolutely love how real and tangible your writing is - seeing them start with different states of being turned on and building together really paints such a lovely picture of what intimacy is without the expectation of a perfect start-stop :) 3 cheers to realistic sexual dynamics!

Also, I think that your link at the end of your post goes to Violent Delights instead - but maybe that's just an issue on my end!

Thank you so much for this lovely feedback (and the heads up about the link), I can't tell you how much your words cheered me on Friday! They came at a time I really needed to hear them so, if you don't mind, I'm going to use this ask as an opportunity to say a few things about my writing and why I do what I do — no obligation to respond!

Quite honestly, I have been feeling a little anxious about how I'm perceived as a writer recently. When Over the Threshold started gathering some steam in January, I only had five published works on AO3 posted over the course of six months. By the end of August, I'll have 18 published works for Jujutsu Kaisen, 16 of which will be complete. I have never been this productive in a fandom before!

A lot of the reason for that is because I'm finally learning how to work with my AuDHD brain. I love writing, I really do, and I'm constantly excited by the possibilities that reside within my brain. I have more ideas than I have time or hands to write them, but I want to explore as many of those ideas as possible. In the past, I would have forced myself to stick to the thing that I was "supposed" to write, rather than following the burst of inspiration and writing the thing that I "wanted" to write. To no one's surprise, that usually meant I ended up writing nothing at all.

I'm someone who seeks out challenges, and all the fics I've published in 2024 have been experimental in some way. Come Get Your Honey was a challenge in extended metaphor. Balance was a challenge in seamlessly blending two very different universes. Mailman AU was a challenge in format. Violent Delights was a challenge in pushing myself to new and uncomfortable places. Thunder was a challenge in encapsulating an entire world and history within a single motif without ever actually seeing that world and history.

I'm really proud of every single one of those works, as well as the speed I've written them at. I've published 92k words on AO3 already this year and written far more, so I feel like I can no longer justifiably call myself a slow writer. However, all the works mentioned above have artistic merit in the more traditional sense — i.e. they're not smut.

At the time of writing this, three of my five most recent works contain sexual content with varying degrees of explicitness, and it's hard to escape that pervasive (and flawed) idea that smut is "less serious" as a form of writing. Even writing smut in the first place has been a slow process of overcoming some of my own biases. However, sex is part of the spectrum of human experiences, and it's also deeply political. Whenever I explore it in my writing, you can be sure that I always have that at the forefront of my mind. That's why these works, too, have represented something new and challenging and exciting for me.

Discreet Delivery was the first piece containing explicit sexual content that I ever shared publicly and, with how rife top/bottom discourse is in this fandom (most of which is based on heteronormative ideals that I vehemently disagree with), I really wanted to make a statement straight out of the gate. I'm very proud of how I managed to weave a switch/vers narrative into a oneshot, and the feedback on it was wonderful.

Headroom, however, presented a very different kind of challenge. It was extremely difficult to write, because it doesn't follow the beats of a traditional sex scene. There's no satisfaction for Satoru nor for the readers, and that made it tricky to keep it engaging. I was also very nervous about showing a different side of these beloved AU characters and establishing a new dynamic between them while incorporating some of the broader themes from Over the Threshold.

Finally, Tell Me I'm Pretty was pure subversion, writing Suguru in particular in a way I've never seen before to challenge expectations about "roles" in sex. It meant I had no blueprint to work from, but I'm not interested in reproducing the same dynamics I've read a thousand times. However, that also means that I felt very anxious about how people would receive this fic — especially on GeGo Day.

The truth is, everything I write I write for myself first and foremost (even if it's writing something to make my friends happy!), but it's hard to keep sight of that when you're blessed with an engaged audience. This is a huge reason why updates to Over the Threshold take time. This fic is deeply important and deeply personal to me, but its growing popularity adds a pressure that I don't want to influence my writing. I feel a constant underlying need to outdo myself with every new fic and chapter I post, but that's unrealistic and unachievable.

Obviously, I want readers to enjoy what I write, but I know the moment I start making choices for other people is the moment my writing suffers. That's the main reason why I'm reluctant to put anything behind a paywall, even if I feel frustrated with the way fanfics are casually consumed on the internet. Readers occasionally make demands of me without any respect for my time and effort and creative vision, and sometimes I look at what I've written and think, "Am I really going to give that away for free?". However, asking for anything beyond tips would change the game for me. Enjoying my writing is far more valuable to me, at least at this point in time.

All of this is to say: I really loved writing Tell Me I'm Pretty. I had a blast with it — until it came time to post, at which point I suddenly felt full of self-doubt. For you to appear in my inbox and tell me that you appreciated the realism of the intimacy in this fic? I couldn't have asked for anything more, thank you so much ♥️

TL;DR, I write for myself, but god, it's the best feeling in the world when readers resonate with my writing. I can't tell you how much I appreciate you taking the time to let me know. I love you all to the moon and back!