#themes part 2

[befuddledcinnamonroll]

Themes in Pit Babe (or why the racing omegaverse show is deeper than you think) - Part 2

Part 1 here. Let's keep this thought train rolling.

Part 2: Self-Worth & Relationships

To start, a few notes about self-worth.

We're all deeply familiar with the common refrains around finding your own sense of self-worth without relying on others. Think of the whole RuPaul "If you can't love yourself, how in the hell you gonna love somebody else?" kind of thing.

Which on the surface is a fine message, and absolutely it is a good thing to put time into self-reflection and finding value in your inherent self.

But of course this is real life, and as lovely as it would be to be able to catchphrase ourselves to that perfect place, it is much more nuanced than that.

For one, many of us who have fairly solid senses of self-worth (and I do include myself in that category) will still have days where we wake up and feel like a completely horrible unlovable mess of a person. This is called being a human. It's normal to have ebbs and flows, and peaks and valleys. We're on a journey, y'all, and when it comes to growth and self-actualization, no one makes it all the way to the end.

For two, humans are social creatures, and we cannot help but be influenced by who is around us in our lives. You can have the strongest sense of self-worth in the world, but you end up surrounded by people who treat you like shit all the time - it's gonna have an impact.

And, of course, we have to also acknowledge the impact of being part of marginalized communities, and how insecurities around worthiness can become very internalized by the constant reinforcement of bias and oppression.

All of that to say, who is in your life can be deeply important when it comes to self-worth. You shouldn't be seeking a relationship with someone just to feel like you matter, but the person/people you are around should absolutely make you feel like you do.

Ok, let's get back to Pit Babe!

Pete/Way/Kenta

Ha, no, I don't actually think we'll get a throuple here, but I do find the dynamics really interesting. Both Way & Kenta are characters I would identify as having some of the poorest self-worth in the show, to the extent that they have long been incapable of making their own decisions, and primarily follow orders from Tony.

Way seems to do it more out of despair that Tony's will cannot be defied, while Kenta is heart-breakingly still in a place of needing Tony's approval.

And then we have Pete. Who apparently has a bit of a sad pathetic man addiction. But like I said before, the key to Pete is empathy. He knows their pain.

I'm going to write more later about the critical role Pete plays in the show's theme around self-determination, but for now, I just want to point out how vital he is in showing up for both Way & Kenta, and telling them they matter, and the choices they make matter too.

They've done shitty things, and other characters are rightfully furious and distrustful of them. Pete is the one who said, "you still have value as a human being, don't let Tony define you". He knows what it's like to walk out of your abuser's house and determine a new way to find value and purpose. He's key to Way leaving his place of grief and despair and working to rebuild a path to Babe's trust again. And when Kenta gains the confidence to defy Tony next episode (it's being foreshadowed pretty hard), it'll be because of Pete as well.

Sometimes when we cannot see the value in ourselves, it can mean the world for someone to take our hand and speak it out loud for us.

Alan/Jeff

Ah, my sweet, sweet secondary couple. I love these two. Jeff may have a special ability that is considered valuable, but it's also made him feel utterly unlovable. And then he meets this man, who loves taking underdogs under his wing and giving them chances. And this man is being so kind and so sweet. And even when he learns the truth, learns that loving someone like Jeff comes with more than the usual hardship and challenges, he doesn't hesitate for a single second.

This is part of why I think the age gap works so well here, because this kind of optimism in someone younger might come across as naive. But Alan is not naive. He's experienced, and he knows that someone like Jeff is not going to cross his path ever again. He is going to love Jeff unconditionally, and we can already see the inner shine coming out for our poor vision-addled boy.

Everyone has their flaws, and dark sides. But we are still worthy of loving.

Sonic/North

You thought I wasn't going to give a section to our delightful, one-brain-celled, won't-admit-they-are-a-couple couple?

These boys may be uncomplicated, but their existence as a unit is a big part of what makes them such lovely examples of self-worth. Not all of us are lucky enough to find that person who fits with us like a puzzle piece, but these two have. They may vastly underestimate their importance to each other (see Sonic's face when North jumps in to take hits for him), but the consistency they have in their relationship, and the care they show for each other, gives them such a solid ground for being their authentic little idiot selves.

Never underestimate the value of having a person who you can be your authentic silly weird self with.

Charlie/Babe

And of course, we have the beating heart of our show. Though on the surface he comes across as too-cool-for-school, Babe so deeply needs to feel loved. He is achingly desperate for it.

It's all well and good to tell Babe that he should love himself. That he should feel fine and worthy as he is. But his external success is not enough. He needs intimacy, and trust, and someone to baby the hell out of him. To make him feel like he's worth loving.

But between his own fears, founded by his father's abandonment and his childhood in a cold and neglectful house, and Way's constant reinforcement that he couldn't trust anyone, he was trapped.

And then Charlie shows up. A man who sees no value in himself, but sees the world in Babe. Can you imagine what that experience was like for Babe? To be in a world of ice and have a being of warmth & comfort come and wrap him up in his arms?

As for Charlie, he's doesn't seem to be in a place yet where he truly understands how much he has become Babe's world. But I expect he will get there. He's tenacious and committed. He just needs to realize that others see the value in him that he sees in them.

Self-worth doesn't mean acting strong all the time. We deserve sweetness & softness and having someone we can be a scared babygirl around.

The X-Hunter Crew

Oh, no way am I just talking about romantic relationships here. I love romance, don't get me wrong, but there's plenty of folks who can live quite well and happily without romantic relationships. Romance is put on a pedestal in our society, but it really shouldn't be. Platonic relationships, on the other hand, are incredibly vital, and I wish they were given more status in our world.

And this is what makes the entire crew so important. It's not just about the individuals, or the couples - it's about all of them, as a unit. Call them a team, call them a family, whatever you like.

Because Babe may need someone like Charlie in his life, but he definitely needs the X-Hunter crew. I firmly believe the care he has been given by Alan (and even Way to an extent, when he was in supportive friend mode) is what made him even able to take those first steps with Charlie.

And the family remains critical after he thinks Charlie is dead - the care and love the team give him is vital to him being able to continue functioning. Alan, North, & Sonic give him physical touch and comfort, make sure he's eating, and literally pick him up off the floor when he can't go on.

Just like Sonic & North give each other a stable place to stand, this is what the entire X-Hunter family is able to do for each other. Despite an unfortunate tendency to miss when Jeff gets kidnapped, overall, they look out for each other. Everyone has their place, and knows they're important to the team.

Self-worth is never going to be just about the individual, or the group, but the interweaving of the two. Strong self-worth can help us feel more connected to others, but our connections to others can make us feel more worthy.

A couple of additional thoughts:

Dean let his insecurity override his sense of inherent self-worth. Alan wants to help Dean do better, to push him to grow and develop. And yes, you can debate the sense of putting Charlie into the race, Alan is definitely not perfect. But also denying someone an opportunity is not inherently bad, or a sign of lack of love or trust. Challenge is where growth happens, and people who genuinely want the best for us understand this.

Instead of turning to his family and being vulnerable about how deeply hurt he was, Dean turned away. He let his insecurity and narrow focus on self-worth through racing achievement override everything else. He didn't remotely consider what anyone else might be feeling. He didn't think about what his actions would cost the family long-term. At any point, prior to attempted murder, if he had come to Alan, there would have been compassion. But he pushed it to the point where there was no turning back.

Contrast that with Kim, who knows he has value regardless of whether he wins races, or how he gets treated by his racing crew. He has enough self-worth to not making everything in his life about himself. Which is why he was able to fit in instantly with the X-Hunter team. He's willing to come in, find his place in their little family puzzle, and commit to being there for everyone else just as much as they will be there for him (once we've all moved past their well-intentioned, but failed rescue attempt).

Relationships are essential, but can't magically fix us - we still have to put in the work.

[pockethep]

Asa and guilt have been VERY prevalent in Part 2 thus far and when I heard Asa and Yoru talking about guilt earlier, I assumed Yoru would use Asa's survivors guilt and guilt over CSM 167 as a way to make some very powerful weapons.

I also thought the strength of a weapon being proportional to the guilt felt about making said weapon was a limitation/adjustment from Asa hosting Yoru, rather than hybridizing like Denji.

But THIS is why the gun and tank weapons are more powerful. Chainsaw man has always been about family and how people use familial bonds for self fulfillment. Yoru killed her own children for the chance to strike Pochita down. Yoru deciding that that slim chance she could win or even turn the battle in her favor is worth the very lives of her children, children who she sees and uses as an extension of herself.

The guilt of such an action is unparalleled.

Even the act of tying motherhood to war, sacrificing your body and life to raise someone and therefore owning said child is GENIUS.

Fujimoto cooked.

[gladiatorcunt]

summary: feyd rautha x emperor’s afab oldest child!reader

cw: feet stuff, piss kink, implied eventual knifeplay/blood play, cannabalism, arranged marriage, feyd being so weird but reader lowkey loves it, facesitting but the kind where feyd would beg you to break his neck, spanking/mild painplay, very likely ooc feyd since i haven’t seen part 2 yet, use of “princes” and “wife”, wedding hunt and black cum hcs taken from @valeskafics , reader doesn’t really know what’s going on but they’re vibing

wc: 1.4k

block & move on if uncomfortable !!

do not repost, translate, or give ai my work

kinktober masterlist

Collapsing in relief has never been more appealing. You finally have a moment of respite after vigorous and exhausting wedding festivities, and you need to collect yourself. This marriage to the Na-Baron Feyd Rautha Harkonnen was only brought to your attention a week before it would take place.

Surprisingly, you didn’t really mind the man himself. It was just so sudden, is all. During any visits with his family, you had to be mindful of how you reacted to his cocky displays of ruthlessness and violence. Your father would have your head if he saw how tight you squeezed your thighs together or how much you panicked at the thought of leaving a puddle on your throne. Feyd always marked his departure with a cliche kiss to the back of your hand and a hissed promise that you couldn’t make out.

He would protect you at the very least if he didn’t love you. You’re not even sure that you love him, but this shameful crush could grow into something untamable if you lose your footing. Something… unbecoming of a member of the royal family. You wonder if it already has.

The wedding was as grand as could be, glittering decorations and finery followed by archaic rituals to please your in-laws. The Wedding Hunt in particular sent your heartbeat into overdrive, but the satisfaction on your betrothed’s face when he caught his “prize” was intoxicating. Feyd Rautha kisses like he kills, you were quick to discover, fiercely and uncaring of any blood that might be shed.

You’re brought out of your reminiscing by your now husband closing the door to your room behind him. You only have another day with your family before you’re to leave for Giedi Prime. There has hardly been time to get to know the man you will lie beside for the rest of your life, until now.

“Wife.” He bluntly greets you, awkwardly nodding his head in an effort to maintain his “tough” image. You won’t tease him about the barest hint of blush on his cheekbones, but you treasure it nonetheless.

You humor him, “Husband.” Your nod mirrors his and you take a seat at the long table in the middle of the room after Feyd pulls a chair out for you.

This was the next part of the ritual, where the newly married couple must eat a meal that one partner made for the other. It sounds simple enough that you don’t think anything of it.

Feyd makes a gesture and your food is placed before you by one of your family’s servants. They look a bit queasy and green in the face but they’re gone before you can ask if they’re alright.

“I hope you like it, princess.” Feyd says with a barely there smirk, pointing to the… pie in front of you. “I cut down many people for it.”

You raise an eyebrow at that but bring your knife to take a slice of the pie anyway. Upon lifting the piece onto your plate, you notice eyeballs, flesh, tongues, and some sort of black liquid running throughout the filling. You freeze in place, not even meeting your husband’s eyes. One blue eye seems to twitch and the black substance makes a sick sound as you move it around with your fork.

“The other men who your father considered, my concubines….. I actually can’t tell you which of them are in that slice, but they are all there.” He whispers in your ear, having gotten up from his position opposite you to feed you himself.

You respect the ritual despite your urge to throw up, so you swallow what he gives you. He grins, swiping a thumb down to your throat to feel the food travel. He squeezes your cheeks when you’re done, and you open your mouth to show him that you ate it all.

“That’s my princess.” He condescendingly croons, bending down to run his tongue all over your face before standing up and pushing you to lie flat on the cold table. “But I'm afraid that it’s time for me to have my meal.”

Your elaborate wedding gown is slashed to shreds, the cool tip of his blade moving down your flesh until it reaches your lace covered mound. He taps the hilt of his weapon on your hood and unceremoniously tosses it on the floor.

You didn’t expect the reveal of your wedding night attire to be under such unorthodox circumstances, but can you say you expected any of this?

“A worthy bride with a body to match, thank you for this gift, your highness”. He says in a half joking manner, grinning with too many teeth as he runs his hands along the delicate material. He toys with the idea of cutting this little number to pieces too, but your holes are left conveniently exposed. Maybe he’s fallen too in love with it, he’s been in love with you since you met years ago anyway.

The lingerie is a custom designed piece littered with straps and sheer fabric that leave nothing to the imagination. Your tits are accentuated by a seashell-like pattern bra and there’s even a little black bow above your pussy. The frilly strips of material wrapped around your thighs do nothing to keep your curves contained and the tiny tulle skirt frames your ass beautifully.

Your husband drinks in the sight of you before pulling your ankles to rest on his shoulders. You watch in arousal and shock as he broadly licks the sole of your right foot. He groans unabashedly, nuzzling at your heel and then dipping his tongue in the spaces between your toes. You wiggle at the ticklish feeling but you don’t kick him away.

He really gets into it when he starts sucking your toes, bobbing his head and making sure you’re watching as curls his tongue around each one. His eyes roll back in pleasure once he reaches the last toe on your other foot, and drool trickles down your leg when he’s done getting acquainted with the taste of it. He presses a kiss to the top of each toe but then the weird softness is ruined by the bite he adorns your ankle with.

Feyd’s mouth makes a slick popping sound as he pulls away from your feet. You’re at a loss for words when he proceeds to lie down on the table beside you. He gropes your breast quickly and leans over to give you a surprisingly chaste peck. The look on his face is a smug one but his eyes say something unknown to you, soft and obsessive all at once. It’s as if he knows something you don’t.

“Now sit on my face, claim your new throne, princess.”

You don’t know how long he keeps you hostage there, your cunt soaking him as he devours you to the bone. He doesn’t let you become too relaxed, nipping your clit as he sees fit and clawing the skin of your ass. Eventually your gut aches and though at first you think you’re about to cum already, the second heartbeat in your clit feels different. You come to a horrifying realization that you need to relieve yourself.

“H-husband, what the fuck- I… I need to pee.” You’d rather be dead than doing what you are and saying what you are, but nature calls.

“Yes, that’s it.” He growls and digs his nails into your ass, jigging the globes in his hands before sharply slapping them. “Piss all over my face, get me wet with it like a good wife.”

The shriek you let out when you do just that is abhorrent. Your legs shake as you spray hot pee on your husband’s skin, the gold mixing with the white of your simultaneous orgasm as it drips down his body. You try to move off of Feyd but he tightens his grip on your ass and yanks you back down. The sensation of a hungry mouth desperately sucking the fluids from you drives you wild.

“You have…… fuck- y-you have to stop, hah- i’m going to break.” You sob.

He chuckles into your piss covered pussy and then pulls away to speak, “Then break, a wife of House Harkonnen doesn’t need to be put together.”

You think you hear him say something about using his blade on your body later, but that might just be your own perverted idea.

[kikker-oma]

Art for Chapter 1 of "Travel Through the Darkness" by @mariasparrow ! (Also happy late birthday🎉)

Hope you like it❤️

[poorly-drawn-mdzs]

Assisting Acquaintance Acquired.

[First] Prev <–-> Next

[knightofleo]

Angela Orosco Silent Hill 2

[journey-to-the-attic]

the new nightmare is cool but i think not putting them in hanfu was an missed opportunity

(+ long hair version that i wasn't as sure about)

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[avastyetwats]

Memorable (and favorite) moments of Captain James Flint cursing part 2. Part 1.

[siren-of-agony]

Answers to "please stop"

No.

I can't.

I won't.

I don't want to.

I don't know how.

I will soon.

But then how will you learn?

We're almost done.

It's almost over.

Ask me again!

Oh well, if you're asking that politely…

Fine. For now.

Only once I've come up with something more fun.

Only once you've come up with something more fun.

Or what?

I know you can go a little bit longer.

You know I won't.

I love it when you beg.

I hate it when you beg.

I'm so bored by your begging.

Not until you're too weak to ask me to.

But I don't have anything better to do.

I wish I could.

Alright! See? All you had to do was ask nicely.

I'm not doing anything.

What, exactly?

Just once more, I promise!

Just once more, I promise! (🤞)

You're doing this to yourself.

You wanted this.

You want this.

You know you made me do this.

Are you ready to give me what I want, then?

I will once you give in.

What will you give me in return?

Why should I?

You know there is only one way to end this.

You know there is only one way this will end.

(Answers to "it hurts")

[lunamond]

I love how Dune references Greek mythology in the name of its main characters.

When we initially meet the Atreides family, in both the original book and the new movies, they look like this very honourable, very stereotypical "good" fantasy family. We are seemingly meant to root for them like the Starks in A Song of Ice and Fire.

They visually appear much nicer and likeable than the Harkonnens whose entire aesthetic just screams evil. The Harkonnens are portrayed as violent and impulsive. They only wear black. They look inhuman. They are even shown to be cannibals.

However, the name Atreides is already a tip-off that they are just as fucked up as the Harkonnens. Because Atreides means House of Atreus, from whom the Atreides claim to be descendants.

This means they are the descendants of Tantalos, who served his own son to the gods.

Of his grandson Atreus, who was killed by his nephew born of an incestuous relationship.

Of Agamemnon, who sacrificed his own daughter Iphigenia to the gods to go fight in the Trojan war.

Of Clytemnestra, who killed her husband in revenge for her daughter's death.

And of Orestes, who in turn killed his mother to avenge his father.

So, despite their pretty faces and their nice clothes and luscious hair, the Atreides are ultimately the same as the Harkonnens (Leto and the Baron refer to each other as cousin, Jessica and Paul are literally direct descendants of the Baron).

So, even though on first impression the Atreides might look heroic, but with just a glance under the surface and you can already tell that they are as rotten to the core as the Harkonnens. They're just nicer to look at, and therefore, they dupe you into believing that they are the good guys.

[teamsasukes]

the chunin exams arc was so interesting for how it portrayed sakura's potential and how people in her life influenced it. kakashi lying about the team-based enrollment criteria because he thinks sakura would be likely to sign up only to appease sasuke, and being genuinely surprised when she shows up anyway. naruto being completely oblivious when sakura was upset preceding the exams and also after she cut her hair in the forest of death. naruto literally dreaming about saving sakura from enemies, being the hero to her damsel-in-distress. sakura moulding herself into a perfectly feminine lady because that's what society demanded and what she thought sasuke would want. versus sasuke calling her out for focusing too much on romance instead of her skills like she should be doing. sasuke picking up that she was upset because she felt inadequate and reminding her of what she was best at -- maybe even better than him -- and never begrudging her for it. ino hacking into her mind because she was sure, not a single doubt in her mind, that sakura would know the answers to the impossible questions on the written exam. ino and sasuke both stepping in to save her during her fight with the sound nin, but only after being spurred on by the brutal beating she took. ino and sasuke getting frustrated with naruto when he commented on how her haircut looked because it made sakura trivialize her experience and offer a fake explanation about women being fickle. the flashbacks revealing to us that ino affirmed that she would one day bloom into a beautiful flower. ino and sasuke serving as a catalyst for sakura to get stronger before pt 1 and pt 2 respectively. idk do you see what i'm seeing

[buwheal]

Hey Spamton! What’s the best spot in the town for a view? Place I am from has a sea nearby. Looks pretty nice, though with time you get used to it

[wyvernity]

wip posting just to get something out there, and it's def a mixed bag!! the only thing more inconsistent than my posting schedule is my art style RIP

[shiveringsoldier]

Lawrence of Arabia (1962) dir. David Lean

[starliteonearth]

I feel like a lot of people miss the larger discussion the show is having about superheroes in relationships, specifically with regular people, and reduce things to a ship war of who is better for Mark and who he should end up with, for whatever reasons you don't like Amber or Eve.

But if you've noticed, especially with episode 3, regular people being in relationships with superheroes generally don't go too well, in this world Kirkman has created. Olga with Red Rush, the man at the support group who was with Green Ghost, even Debbie & Nolan to an extent. Those relationships, and the problems they talk about, are foreshadowing, a preview of what's most likely next for Mark & Amber.

There is an equal possibility that they could work through these issues and have good long relationship (like Superman & Lois), they don't have to end badly. But they will end, sooner or later, and that's where Eve eventually comes in. Kirkman puts Mark & Eve (Superman & Wonder Woman for the comparison) together for a reason. There's a specific thematic purpose behind them, particularly pertaining to the question of "What would you have after 500 years?" As the story goes on and the years pass, this theme becomes clearer. It's just at the moment, the time scope of the show feels very now and present but if they intend to adapt the entire story, it will encompass a very long time. And then, well, it's not too hard to put it together.