#theme: kind

[bixels]

End-of-Splatoon thoughts.

Thinking about how since the very start, Splatoon has had a feature where players can draw and post artwork and spot them as graffiti on walls or billboards. Or how the weapons have always been paint brushes and rollers and ballpoint pens. Since its inception, Splatoon has been dedicated to engaging its players with the act of creation and creative expression, showing them how their art can build communities and (literally) change the world.

Thinking about finding golden human-made music discs buried underground for thousands of years, and a grand finale music festival. About the Voyager Golden Records. About those human handprints etched into concrete in Alterna. Did those human artists know it would end like this? First a fiery death and then, eventually, a worldwide celebration of music to represent our shared past, present, and future. Did they know that their songs, insignificant in the face of extinction, would one day become the solution that will save the next dominant life-form from the same fate?

Thinking about how eerily similar the Octarian domes are to Alterna. About how close Inklings and Octolings were to repeating the same mistakes as humans. But their doomed fates were undone not by some miracle technology or military power or a rocket, but by music.

Thinking about how humans wiped themselves out with war, and our parting gifts were liquid crystals that somehow paired with the DNA of primeval inklings and somehow infused them with our memories and culture and a Song. And 12,000 years in the future, that same Song will end a war.

Thinking about how art and music and punk culture and rock & roll and friendly competition and petty arguments and water guns aren’t uniquely human concepts, but the fundamental qualities of intelligent life. An inheritable spirit that can cross evolutionary bounds.

Thinking about the theme of Splatoon, that art and music and fun will not die with the human race. That every piece of art we create is a seed we sow for future generations to reap. That our legacy is ingrained into the crust of the earth. That long after we’re gone, the oceans will remember, and they’ll pick up where we left off.

Thinking about how Splatoon says that the essence of humanity –– the thing that will outlive us –– isn't war or prejudice or destruction or greed, it's a song.

[vampiremogai]

[Image description from alt text: The first image is a rectangular flag with 6 equally-sized horizontal lines. colors in order from top to bottom are pink, orange, white, light pink, purple, and dark purple. in the top left of the flag is a dark purple vampire symbol.

The second image is a rectangular flag with 6 equally-sized horizontal lines. colors in order from top to bottom are pink, orange, white, light pink, purple, and dark purple. End description.]

Saccharine Vampire

(pt: Saccharine Vampire /end pt)

Saccharine Vampire; a term for vampires who present non-traditionally, are laid back, cute/cutesy, & kind, & hunt in a non-traditional way!

etymology; saccharine, vampire!

for @scythely!

symbol from here (link)!

tagging; @radiomogai!

[kathaynesart]

REPLICA PLAYLIST

MUSIC UNDER CUT

I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).

Replica Main Theme - “Die for You” by Grabbitz Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon Shanghai - "Icarus" by Madeon Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP Book 2 Trailer - "Sea Dragon" by Covet 7 Years Later - "Iron" by Woodkid Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia Omega's Theme - "Touch" by Daft Punk Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes Spear - "Monsters" by Tommee Profitt Final Protocol - "The Kraken" by Katie Dey Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills

I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.

I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!

[strawberryfemm]

to you it’s perverted gross sex. to me it’s being creative, working through traumas and baggage, healing my inner child, playing, practicing intense vulnerability, finding even more ways to fall in love with my partner, finding more ways to fall in love with myself, learning confidence & how to ask for what i want, care work, emotional release, relaxing, community building, theater, dance, writing, problem solving, therapy, radical honestly, and so much more. and also it’s gross perverted sex.

[heartorbit]

figure skating set right now please. thanks

[knightofleo]

Angela Orosco Silent Hill 2

[freuleinanna]

The Fall of the House of Usher is many things and I'm making a conscious choice to not scream about every single one of them rn, but what left me staring at a wall in tears is just... kindness. Death was kind. She gave every choice, every reason to stop. She would take these kids anyway but she also regretted having to take them like that. She cared when nobody else would, even though they kept making the wrong choices.

She's never cruel for cruelty's sake. She wasn't cruel to Lenore. She just sent a child to sleep as lovingly as she could, with kind words and kinder touch.

And I don't even know how to express the absolute heartbreak with blinding warmth among the cracks, when Death herself kneels before one man, worst man, honest man, who refused her offer – and thanks him with such respect.

Mike Flanagan, you fucking did it again. Carla Gugino, you... I don't even have words for you. That's a whole-ass masterpiece of human soul, meaning, and searching right there.

Kiss Death with kindness in the end

And when she parts

You part as friends

[lucidloving]

Hayao Miyazaki // Rainer Maria Rilke, "Letters to a Young Poet" // @mounaks

[ocean-returns]

You couldn't do a straightforward Human Nature plot set in the 12th Doctor era bc if 12 got fobwatched Clara would immediately steal his identity. Missy would also steal his identity. Absolutely insane Doctorfication possibilities.

Also, 12's forgotten memories canonically manifest as songs AND he's faceblind, so he wouldn't even have a dramatic dream journal full of half-remembered portraits, he'd just be hanging out in his university office shredding guitar solos while Bill (who he just met) is like "Wow, sick riff Professor Smith!" and he's like "Thanks, it's called I Dreamt I Rode a Dinosaur."

[sansculottides]

pisses me off to no end when people on reddit or whatever complain that the show wouldve been better off without the tuunbaq.....did we watch the same show? the tuunbaq is everything, it held everything together. the tuunbaq is the main transformative element of the terror. the tuunbaq elevates the text beyond mere historical fact and lets it say something about the expedition's broader context of imperialism. it hunted the british men who were trampling on its home as a mere stopover, a side casualty, to finding the northwest passage (for, you know, "trade with china" after britain beat china into submission after the imperialist opium war). silna couldnt complete a proper ritual with it because of the british men - just as british colonizers have historically intruded and disrupted the practice of indigenous culture. and in the end the tuunbaq dies, after all the injuries it's taken from the british over the course of 10 episodes and finally chokes to death on the worst of them. because there's no escaping the reality of colonial history, and there is especially no fantastical escape for the colonizer. there's no proper way for us to move forward otherwise.

good historical fiction doesnt have to limit itself to accuracy - it needs empathy to draw out meanings in history using literary craft. thats what the tuunbaq means to me.... if you wanted a straight depiction of historical record, just go watch a documentary.. TUUNBAQ DENIERS DNI

[art-soboro]

wearing thin

[crescentfool]

reunion 🌸

[egophiliac]

oh, uh, this...this isn't Silver's backstory after all.

[valtsv]

This is a bit of an odd question but if you did drag what would your name be?

robin graves (robbing graves) or barry dalive (buried alive)

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[platin-amide]

Pokemon Scarlet/Violet + The Hidden Treasure of Area Zero A journey worth treasuring.