#their headlines are so misleading

[oifaaa]

Ive been laughing at this screen rant headline for like a minute bc if you’ve read the robin lives series you know the line "finally gets the ending he deserves" isn't a compliment and then it ends with "hardcore fans thought they'd never see" Which very much reads as "You thought jasons characterization in the comics couldn't get any worse think again dipshit we've reached whole new levels of bullshit youd never even dream we'd reach"

[palmtreepalmtree]

Do I even want to click that news link? is a game that I play every day on ye old tumblr blob

[syn4k]

July 7th, 2023

[Image ID in alt text.]

Google has recently updated its Privacy Policy. There is a new section in it that reads as follows:

[Image ID in alt text.]

This is... incredibly vague. What counts as "publicly available information"?

According to this article, which dug a little deeper into the paragraph, search engines were already using the information on public pages to improve search results. This is nothing new, and in fact is how search engines work. With the update to the policy, the same information can now be used to feed to Google's machine learning models.

It is still unclear what falls under the category of "publicly available information," but it's implied to be anything picked up from a search engine. This means that as of right now, all of your private documents and other media stored on Google Drive are safe from data scrapers.

TL;DR: Google is using data from search results to improve their machine learning models (or A.I). As far as I can tell, this does not include documents or media stored on Google Drive.

If you want to unpublish your works that are currently publicly on the Internet, 256gb thumb drives are sold both online and in many large chain stores for around $20 USD. You can also save the files and back them up to an online file hosting service, although I don't have any recommendations right now because I just woke up.

Also please do not take this post as the gospel truth this is mother fucking Tumblr please please please go check several sources on your own I just wanted to give people the basic run down of what's going on

[batfall-a]

𝙶𝚀   𝙸𝚂𝚂𝚄𝙴   2  /   ?   𝚆𝙸𝙽𝚃𝙴𝚁  𝙴𝙳𝙸𝚃𝙸𝙾𝙽 *click to zoom

[milomilesmib]

Okay but with the OF/horror creator, they easily could've just put "creator" or "horror creator" or hell better yet her fucking name??? Idk if this is just me but her OF is kind of irrelevant in this context. Like if someone sold both cream cheese and cherries why would you make the headline "cherry seller is being begged for cream cheese" rather than "cream cheese seller is being begged for cream cheese" like it just makes more sense? With the headline they put, if you don't know her, it sounds like they're begging someone to create something she has no experience in creating but no she's both an OF creator and a horror creator so why??? Would they bring up the OF in a headline about horror games???

Twitter LGBTs are so sanitized it’s embarrassing

[thelonelyjew]

Pride banned Jews?!?

So it's that time of year again that I see people circulating stuff that is completely fabricated about what they imagine happened at Chicago Dyke March in 2017.

First, Dyke March is not Pride. It is not meant to be apolitical or single-issue. It is explicitly anti-imperialist, anticapitalist, and, yes, antizionist. It's not the big mainstream pride Parade that has corporate sponsors (and ads for gay tourism in Israel), it's a small radical grassroots demonstration.

Ok now that that's out of the way, they did not "ban Jews". I was there. They did not "ban Jewish symbols". They did not ask anyone to leave because of their Jewish pride flag.

What actually happened was three women who turned out to be employed by Israeli pinkwashing operation A Wider Bridge participated in the march with a rainbow flag that featured a blue star of david in the center. I remember seeing it and disliking it bc it gave me Zionist vibes but neither I nor anyone else bothered them about it.

After the march there was a cookout in the park. The women were asked to leave by a Jewish member of the Dyke March Collective after several hours of hanging out at the cookout because they were harassing other marchgoers.

Immediately publications like Forward, Tablet, JTA, as well as more mainstream publications started running stories making wild untrue claims which you can still read if you Google it because none of these were ever corrected or retracted. It's clear that these AWB agents had press releases pre-written and ready to fire as soon as they managed to provoke any reaction that they could spin into a controversy.

The photos that ran along with these headlines were also misleading. One of them showed a photo of a rainbow flag with a white star in the center. The star on the flag I saw was blue, and the shade of the star has specific political connotations. Showing a different flag with the politically significant color removed is extremely misleading. The one that was carried in the march (and which, again, wasn't banned!) looked like this:

Another banner image, this one in a New York Times article, showed a young woman with dark curly hair holding a sign that says "this is who we are". She was clearly chosen to feature because of her stereotypically Jewish features. The article implies that she is one of the supposedly banned Jews. This is false. You know how I know? Bc that was the friend I was there with that day! She does not identify as Jewish, she looks like that bc she is Italian, and she had no idea she was being photographed!

I had a hat decorated with red and black stars of David, and the following year a bunch of us wore Workers Circle sashes with Yiddish text (which uses the Hebrew alphabet) as well. No one who wasn't employed by a Zionist organization was asked to leave or even questioned about anything related to Zionism or Jewish identity.

I'm resigning myself to the fact that this is going to get dug up and passed around every year and people will believe what they want to believe, but if you hear claims that some queer group "banned Jews" or something similar, please look at the source for the information and if possible try to talk to actual Jewish people who participate in the community events being discussed. And if you hear this about Chicago Dyke March in specific, please correct people. I feel like I'm going insane when this many people are insisting that what I saw and experienced wasn't real and pointing to the barrage of misleading articles as what I should believe over my own experiences.

[dragonmama76]

Eddie and Steve had a will they/wont they going on for years while Eddie did the whole famous rockstar thing. And now he’s on a break. Two platinum records with Corroded Coffin behind him, Eddie can finally concentrate on Steve. And the miracle is that Steve never resented Eddie for focusing on his career. That wasn’t a problem for him. He waited (sometimes patiently and sometimes not) until it was his turn, and when they got together, it was just as incredible as both had expected it would be.

So you can’t blame Eddie for writing his first solo album all about Steve. He’s done hiding in the closet for his career, so it’s he/him pronouns and filthy imagery. Shockingly it sells like you wouldn’t believe. In fact, he’s getting picked up in markets he never reached before. And when he gets the numbers for radio stations, he’s killing it on stations totally unfamiliar to him. But he’s still completely wrapped up in Steve so he’s not paying a lot of attention and he lets his manager take care of everything.

The mystery is revealed the day they get a package from Wayne. It contains clippings from newspapers and magazines, and a note that just says, “Something you want to tell me, boy?” All the headlines are some variation of “Former Satanist Eddie Munson Releases Worship Album quietly signaling his conversion to Christianity”

Eddie is furious and Steve has to watch him throw a tantrum yelling and screaming. When he eventually calms down Steve reminds Eddie that doing zero press and releasing songs like, “On My Knees in Worship” and “He is my Sunrise and my Salvation” might in fact be a little misleading.

They spend the rest of the night giggling about all the good Christians listening to songs about their sex life.

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.

[bluelockmaniac]

𝐑𝐔𝐌𝐎𝐔𝐑'𝐒 𝐑𝐄𝐍𝐃𝐄𝐙𝐕𝐎𝐔𝐒

୨ৎ ft. itoshi sae x actress!reader (fem)

synopsis. when football star itoshi sae randomly names you as his celebrity crush, the internet goes wild with rumours. what happens when you decide to make a surprise appearance during his next interview?

notes. thanks anon for the suggestion ! the editing process took quite a while bc i had to search for so many synonyms and celebrity-dazzling-type of vocabulary, and just a bit of research & idioms, lol (like tell me why i didn't know what filmography was??).

word count. 1.7k

𝐓𝐇𝐄 first thing that grated on sae’s nerves was the endless string of interviews he had to endure after every victory. the second were the interviewers, who seemed to lack any sense of boundaries or respect of privacy all together. but the third and perhaps most exasperating thing sae loathed were the questions– particularly those who left him completely clueless.

how on earth was he supposed to provide this nosy interviewer with the name of his celebrity crush when he didn't even have one?

besides, sae’s social awareness was practically nonexistent. his mind was consumed by football– matches, practice sessions, training drills, and occasionally, thoughts of his brother. naming a celebrity was as foreign to him as the idea of reconciling with rin.

he had tried to dodge the infuriating question, really. but his attempt was thwarted by the exaggerated glare of his manager, whose expression screamed ‘make. up. any. name’.

the older itoshi sighed, eyeing the lady who had posed the stupid, intrusive question from the side. to the untrained eye, it might have appeared that he was merely stalling, which, in truth, he sort of was. but on the inside, he was actually scrambling to conjure up any random name.

then, as if the goddess of luck intervened, a blurry image of you materialized in his mind. he recalled catching a glimpse of you while riding in his personal chauffeur-driven car.

your recognizable face had adorned a massive, wide billboard advertisement. you looked too striking– too gorgeous– to forget. you were holding a rose perfume bottle next to your shoulder, smiling with such infectious brightness. luckily, his eyes had happened to drift to the bottom left corner, where your name was elegantly inscribed in cursive.

y/n l/n.

anyone familiar with the entertainment industry would no doubt recognize your name immediately. you were a standout actress in hollywood, notably known for your phenomenal acting skills and breathtaking beauty. your filmography– the number of movies you've starred in– was extensive, and your trophy shelf in your large mansion was filled to the brim with numerous awards.

“itoshi-san?” the interviewer prompted again, her pesky voice cutting through his trance as she set her coffee mug on the table. she repeated her question, “there's nothing to be embarrassed about, haha– we’ve all had celebrity crushes at some point. who’s yours?”

sae scoffed lightly, leaning back onto the couch and propping his elbow on the armrest. he hid his face behind his hand, attempting to mask his discomfort.

“y/n.” he muttered, his voice laced with forced nonchalance.

the words slipped from his lips with shame. he knew this embarrassing revelation would literally dominate the headlines by nightfall, and he could hardly brace himself. he actually felt a teeny bit of guilt for dragging you into the main focus of the public’s attention alongside him. by tomorrow morning, his phone would be buzzing with notifications about this becoming the top trending topic on social media.

heck, he could already envision the misleading headlines in the tabloids:

alleged hidden affair: football prodigy itoshi sae and actress y/n l/n rumored to be in secret relationship– what’s really going on?

the interviewer let out an exaggerated gasp, her hands flying to her mouth as she exchanged a gleeful look with the cameraman.

“d-did you get that on tape? this will certainly make the headlines!”

she turned back to sae, who was still averting his gaze awkwardly. “j-just to be sure, itoshi-san… you’re talking about y/n l/n, correct?”

sae mumbled something inaudible under his breath before finally meeting her eyes, realizing it’s better to save face than to prolong his embarrassment live on camera.

“yes, her,” he replied with a shrug, rolling his eyes. he seriously had no idea who you were, what you did, or why you were famous. “she's cute, i guess.”

the interviewer beamed, leaning in enthusiastically. “—absolutely, her beauty is nothing short of enchanting! which of her shows or movies did you enjoy the most?”

so you were an actress, he thought, narrowing his eyes at the woman. he had absolutely no clue about any of your work. resorting to his typical bluntness, he retorted,

“none of your business. shut up.” he turned his head towards his manager, who looked as if he was about to cry literal tears of joy. “this interview is over. let's go.”

a few weeks had passed, and just as sae had predicted, rumours of a secret affair between him and you had exploded across the internet. yet, they remained just that– rumours. neither of you had addressed them… perhaps because there was no need to.

sae had just secured another effortless victory and was now being chauffeured to the interview venue. as he passed the familiar billboard, his eyes wandered, searching for your eyes, only to find that your advertisement had been replaced by some no-name, cheap milk brand’s.

—

as usual, he handled the post-match questions with ease. they were always the same, tedious inquiries: “how do you feel about your performance today?”, “could you describe the pivotal moments in today's match?”, “how did teamwork play a role in the game?”, “one fan asked…”, and so on.

however, this time, the midfielder felt slightly uneasy— the camera crew seemed larger, with cameras on every angle of the room. the interviewer, the same lady from before, appeared unusually excited. her voice was squeaker and she fiddled faintly as she spoke.

finally, she asked the final question regarding the opposition team’s strategies and approaches.

“hmph. we barely broke a sweat today; their game plan was so weak and predictable it was almost laughable. we could have won with our eyes closed.”

she nodded, almost dismissively, as if she couldn’t wait to wrap up the interview and get to the next part of the show.

“incredible, exactly what we’d expect from japan’s prodigious player! now, for all our online viewers, get ready to tune into GoalTalk’s special event! tonight, we're thrilled to welcome a very special guest who will be joining us…”

sae quirked an eyebrow, his curiosity piqued as he watched the crew reposition the numerous cameras to focus on the entrance door, though a few lenses remained trained on him.

“... y/n l/n!”

you stepped onto the platform as soon as your name was announced, waving to the countless cameras flashing blinding lights in your direction. you were dressed in a long, flowing burgundy gown that accentuated your curves perfectly. you exuded elegance; the very epitome of grace.

sae's eyes widened in surprise, tracking your movements as you made your way to the seat beside him.

“fucking bullshit, you’ve got to be kidding me…” he groaned, throwing his head back against the couch’s backrest, his adam’s apple bobbing. 

you let out a soft giggle, settling beside him so that your thighs brushed against his. with a gentle tap on his shoulder, you flashed a practiced smile as he turned to look at you. 

“it’s such an honour to finally meet you, itoshi! i’m actually a huge fan, so you could imagine my excitement when you mentioned i was your celebrity crush in your recent interview.”

he cringed inwardly, having heard similar compliments from noisy fangirls countless times before. besides, you were a renowned actress; for all he knew, your cheerful expressions and excitement could be part of a well-rehearsed facade.

“ah. thanks, i guess,” he shrugged, clicking his tongue before adding nonchalantly, “...you’re a good actress.”

“oh, thank you! i appreciate it.” you leaned in slightly, your smile widening, “hey, you know, i wouldn't mind giving you my number. we could maybe… figure things out?~”

“what–” his leg began to bounce subtly. perhaps it was the effect of being an actress who had participated in a multitude of romance movies and shows– such flirtatious comments tend to slip naturally from your lips.

“you wouldn’t mind, would you? you’re single, right?” you pressed, propping your chin on his shoulder. 

fuck. your face was so close– so close he could understand why people called you stunning. you were infinitely more beautiful than the artificial, edited image on the billboard. your sweet scent of exotic fruit, reminiscent of a hot summer day on the beach, wafted to his nose. his eyes wandered to your cherry-stained, glossed lips, feeling a strange, inexplicable magnetic pull.

but he sighed defeatedly, feeling his manager’s intense yet pleased gaze boring into him. “i guess. don’t expect anything, though,” he dismissed, reaching up to ruffle his reddish hair. everything was alright. he just needed to get through this interview.

little did either of you know– or perhaps you had a vague idea– that social media was already ablaze with an endless amount of comments from hundreds of thousands of fans from both sides, shipping you two together.

you nudged him playfully with your elbow and turned your head, winking at the cameras as you slyly slipped your hand into his. “i’m getting his number, sorry girls.”

he felt his breath catch in his throat, his fingers remaining numb in your grasp. but suddenly, a strange surge of boldness overwhelmed his usually rational senses– he was already doomed, anyway, so why seem like a lame pushover? his hand reciprocated your grip, intertwining his fingers with yours as he leaned in slightly. his lips brushed over your ear as he whispered a few, short words, eyeing one camera directly with a subtle smirk.

you felt your cheeks bloom with warmth at his words. all the cameras in the venue captured the sight of your eyes widening in surprise and the visceral nodding of your head to whatever he had just said.

his words would remain a secret to the public however, even as the internet flooded with speculations and questions, triggered by a sensational headline featuring a photo of the two of you together:

𝑯𝑶𝑻 𝑵𝑬𝑾 𝑷𝑨𝑰𝑹? 𝑱𝑨𝑷𝑨𝑵’𝑺 𝑭𝑶𝑶𝑻𝑩𝑨𝑳𝑳 𝑺𝑻𝑨𝑹 𝑰𝑻𝑶𝑺𝑯𝑰 𝑺𝑨𝑬 𝑨𝑵𝑫 𝑨𝑪𝑻𝑹𝑬𝑺𝑺 𝒀/𝑵 𝑳/𝑵 𝑺𝑷𝑶𝑻𝑻𝑬𝑫 𝑳𝑬𝑨𝑽𝑰𝑵𝑮 𝑯𝑶𝑻𝑬𝑳 𝑻𝑶𝑮𝑬𝑻𝑯𝑬𝑹, 𝑯𝑨𝑵𝑫 𝑰𝑵 𝑯𝑨𝑵𝑫!

© 2024 bluelockmaniac — do not repost, copy, translate, modify, etc my work on any platform !

[claratyler]

the thing we need to understand is that the pope is not at all pro-lgbt rights in anyway. Does he oppose violenece/hate as a blanket sort of core belief? Yes, so this includes violence and hate towards a queer person. But that doesnt mean he believesthat being queer is something to be celebrated, let alone acceptable.

Does he say any gay person can join in the mass? Yes, as a blanket sort of core belief because christianity is supposed to be for everyone, and nobody, regardless of their moral failings (such as being queer, which IS regarded as a moral failing), should be turned away from participating in the holy rituals or getting close to God.

The thing you need to understand about modern day catholics is that many of them will look you in the face and say "Being gay is not a bad thing. We all have temptations we have to stay clear off. It's not the fact that you have this inclination that defines you, it's whether you choose to engage by thought and/or action instead of actively suppressing it that we look down upon." And then they'll tell you in a way they think is kind and helpful that they know a person who can help with treating that.

"The pope now accepts trans people!" Are you sure. Are you really sure

How do you think this is going to fare in reality when the parameters for this "acceptance" are "pastoral prudence" and "public scandal" and "educational disorientation".

Also, on gay people:

This is literally what i was saying: A gay person who represses their inclinations is what they mean by leading a life that conforms to the faith. Thats why a gay person in a gay relationship/marriage (which btw gay marriage is not existent in the roman catholic church, the very notion is a contradiction in their eyes) could not be eligible.

And why do i know allthis and why am i ranting about this? Because #CatholicUniTrauma and im tired of people misunderstanding how fucked up the entire catholic church is because of misleading headlines or quotes taken out of context. The pope is not woke. Seriously.

quoted article: The New York Times' "Vatican Says Transgender People Can Be Baptized and Become Godparents" by Jason Horowitz, Elisabetta Povoledo, and Ruth Graham. Published Nov 9 2023 (tumblr wont let me paste the link for some reason)

[annieisyourfavourite]

[ID: a screenshot of an article from the New York Times titled: "Breaking News / Eli Lilly said it would cut the price of insulin, capping the monthly out-of-pocket cost of the lifesaving drug at $35." The sub header reads, "It comes after years of mounting criticism from Americans who have said the drug should be more accessible."

This article was posted on Wednesday, March 1, 2023, at 8:50 AM ET.

End ID]

[variousqueerthings]

i do think that specifically david tennant being very openly supportive of the trans community has had an interesting effect -- because usually im kinda like "it is nice to know that people whose work i enjoy don't want me dead" and that's kinda my level of (at this point) quite cynical engagement with what a celebrity or artist does or does not think about transness, because these days it feels like it's almost fashionable for well-known (or post-well-known) people to come out of the wordwork and say what they think about trans people, which can get very stressful in its own way (the amount of headlines that try to be misleading or just plain don't say and so you're just like "ok i guess this week i have to find out if [spins wheel] thinks i deserve rights")

but david tennant has a different feeling to it. and to be fair, there are plenty of people with skin in the game, who absolutely deserve to and ought to speak out on behalf of their children/partners/community/friends/family/etc. and im always happy to see these people speak, and dt is included in that list as well

but david tennant is veeery specific in this here country of terf island, in which the labour party will openly state that it will allow certain book writers to affect their policies on trans people, and that's partly because of the effect above in which "having opinions on trans rights seems to be a celebrity game that keeps you relevant, which includes ex prime minister tony blair making his opinion known (hint, it wasn't a good one)" but also because david tennant is known as a national icon to rival that of whatsherface

he was the main actor on doctor who, in the top three, if not very top of british broadcasting iconography that exists. he's one of this generation's most famous shakespearian actors, the other thing that this country-as-culture is most proud of. he's a mainstay in children's film and tv, a standout in modern british crime drama (broadchurch, des), and that's not mentioning things like jessica jones, good omens, and star wars

this guy has no social media, and some of the biggest cultural capital in the uk today -- labour i believe it was made a twitter joke about him ousting the current prime minister as the doctor ahead of this week's election, because that's an iconic scene from doctor who

which means that when he openly calls transphobes whingy and asks them to shut up, there's a bit of a ripple... i mean what are you gonna do, get angry with the doctor? from doctor who??? the man who played a definitive hamlet????? the man who's just done rave reviewed performances of macbeth???? scrooge mcduck????????? this man who occasionally guests on cbeebies???????????

said prime minister and his party and hosts of transphobes go absolutely crazy every time he makes an appearance wearing new trans ally apparel, as if a. he sees any of that and b. it's a dignified response to a man saying, in essence, "i would like my kid to be safe and happy"

david tennant constantly making these statements, again and again, is a powerful voice in the modern fight for trans rights in the UK, in some ways unfortunately, because you wish trans people could have been heard before it got to this state and that it wasn't about being famous, but to be fair, he's also making that point again and again

it kind of feels like the first time in a long time that there's been proper pushback against transphobia in this country from a perspective that the transphobes can't dismiss so easily -- they can try but like. again, one side is a bunch of raving nonsense-spouters on a joke website who mostly belong to a party that's about to get decidedly ousted from the political scene, the other is beloved national icon and star of stage and screen, mr david tennant

of course, it doesn't hurt that the three main actors of harry potter and everyone else who's majorly involved in doctor who, past and present, is also supportive of trans rights, which maybe there's a separate point to be made about the strangeness of a mainstream tv show becoming a cultural battleground for peoples opinions on equal rights, especially now with ncuti gatwa at the helm, because i think some of what ive seen in relation to dw is more extreme than any piece of cultural media ive been alive to witness bigoted reactions to (including star trek), and ncuti gatwa as a black queer man is taking a hell of a lot of flack that is racist and homophobic

but labour... if you're inviting random artists to give you opinions on trans rights, david tennant is right there, and you know he'd make sure to bring along trans rights activists and professionals to get the space in the room they ought to have had all along

[kaijutegu]

aaaaaaaaaa

AAAAAAAAAAAAAAAAAAA

so the headline's a little misleading- Schoenbrunn Zoo in Vienna were the actual first captive breeding, they had a clutch in 2023. But this is the first North American facility and the second facility overall to hatch out crocodile tegus, which are an incredible species. They have laterally flattened tails and can swim just so fast, you have no idea. They're extremely rare in captivity, so the fact that there's even one facility breeding them, let alone two, is extremely cool and impressive.

also they're cute af, just look at them. They go through an even more dramatic color change than baby tegus do- in a few years, they'll look like this:

[genericpuff]

Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

[txttletale]

Can I ask you what you think of this?

https://www.theguardian.com/technology/article/2024/jul/02/google-ai-emissions

https://www.npr.org/2024/09/20/nx-s1-5120581/three-mile-island-nuclear-power-plant-microsoft-ai

https://x.com/tsarnick/status/1842401670225125539?s=46

I’ve been reading a lot lately on how energy consuming ai actually isn’t, but then I see stuff like this and I get confused?

the two real sources that you've linked are using topical headlines for clicks--you will note that they both actually only describe power usage of datacenters. the percentage of any given datacenter that is used for AI is not publicly divulged but sources from google suggested a while ago that it's 10% or so. if you snapped your fingers and made LLM technology disappear overnight, microsoft and google would still be constantly expanding their datacenter capacity because they operate two of the biggest cloud systems in the world--there is a very misleading trick in these headlines where they say 'microsoft uses one morbillion kwh to power AI' and then you read it and they're just opening a datacenter.

now you might argue that constantly opening datacenters with huge power costs is still not good regardless of why, but that's a symptom of an economic system that demands endlessly climbing growth and profits, not of AI being scary and evil. if nobody had ever invented LLMs these tech companies would still be trying to make crypto or the metaverse happen and if nobody had invented those things they'd be making up some new solution in search of a problem to sell to anyone gullible enough to buy it--hell, they'd probably still be on Google Glass.

the last thing you linked is the CEO of google talking--& do you think perhaps there might be a vested interested for the CEO of a company who's put billions into LLMs to spread the message that the demand for LLMs is going to stay high and keep climbing forever and ever? not worth taking any more seriously than when elon musk says ai is going to make ready player one real or whatever

[mybrainisalibrary]

Gee what a totally not-misleading headline:

But wait!

If you actually read the article they include this (emphasis mine):

"In the wake of the law's passage in Texas, more babies died before their first birthday, likely due to birth defects or genetic problems that wouldn't have allowed them to live, the study found. These pregnancies would typically have been terminated by abortion, according to researchers. The Texas heartbeat law does not provide exceptions for pregnancies involving such conditions. Mothers are legally obligated to carry these babies to birth under state law."

So these are babies that otherwise would have been killed in the womb. But since they were allowed to die peacefully and with dignity after birth, suddenly they count as infants 🙄