#their development from volume 1

[cometblaster2070]

this scene is so personal to me it genuinely makes me DIE inside like genuinely everything about it.

from weiss's reaction and her expression and just the sheer, utter pain written all across her face as she's once again painfully reminded of what happened back in atlas, as she's once again reminded of all the things that previously went wrong.

and GOD, the look on ruby's face. poor ruby, who is also thinking about the ruins that they've left back home, who sees how horribly weiss is hurting and wishes for nothing more than to take that pain away, but can do nothing more than gently lead her away.

there's something about the expressions of guilt and shame and just pure hurt on both of their faces; the way you can immediately tell how weiss is very vividly remembering what happened back in V8 and how ruby is trying so so hard to NOT think about that and only focus on weiss right now and make sure that weiss is okay.

also i'm just a sucker for how soft they are with each other. ruby's hand on weiss's back and the way she's gently holding her hand and leading her away??? goodbye i am unwell you can pry them out of my cold dead hands.

[backpackingspace]

Wait going off the idea that Athena keeps things from her favorite people:

What does diomedes give her?

[expanding-our-channel-lineup]

Why RVR School of Photography is Your Gateway to a Thriving Photography Career

Introduction: Photography as a Career There is a huge market gap and in this gap the art of photography career has come up from being just a hobby to a fully fledged profession. Apart from media and advertisements, photography career  now have a significant opportunity in fashion and social media also. At the RVR school of photography, we focus on the development of such skills and taking enthusiastic photographers as our students, we convert them into professionals. Our students have already worked with TCS, Wipro, Times amongst others. This speaks volumes of our training and the changing perception of the employers towards our students.

1. The Growing Demand for Professional Photographers

It became quite apparent that there is an increased need for photographers not only for social functions or individual projects but rather for the e-commerce, media and fashion industries. As marketing experts seek to impress customers with great product photography, storytelling, and other visual elements, skilled photographers are in high demand. Demand for photographers has exploded virtually with the advent of the digital age. At the RVR school of photography, we take the students through the necessary training, which will encourage  them to built their photography career with all the needs to succeed as photographers in the current market situation.

2. Why Choose RVR School of Photography?

At RVR, we don’t only teach photography; we build photography career. This is what makes us unique:

Comprehensive Curriculum: In our courses, we start with the basics of photography and proceed to advanced editing, lighting, and image processing.

Industry Trained Faculty: Our teachers have more than just teaching as they have been active photographers themselves and know what it means to be in the profession.

Practice: Theory is not enough for us. The program has lots of practical sessions for the learners to further their skills and techniques.

Career Counselling and Job Placement: RVR pays particular attention to all students. Many of our students have received jobs in the companies that qualified them.

3. Courses Offered at RVR School of Photography

Our programs target all  photographers to buit there photography career  at all levels. That’s new photographers who want to acquire basic skills and professional ones who wish to perfect their skills.

 Beginner Photography Course: Photography course for beginners covers the fundamentals how to hold and use a camera, basic light, composition, and how to take pictures. This is an appropriate course for everyone who has never taken a photograph; hence, this course provides a good base.

Advanced Photography Course: In our Advanced Course, some students are equipped with more advanced skills in low-light techniques, portrait photography, and image retouching so that they will be able to manage more difficult work and high quality tools.

Specialized Photography Courses: We have organized specialized courses, such as Fashion Photography, Landscape Photography, and Wedding Photography that let the students develop much interest in the specific field of their choice.

Editing and Post-Production: Our courses on editing and post-production concentrate on industry-recognized tools such as Adobe Photoshop, Adobe Lightroom, and other similar programs. In this digital age, editing techniques are indispensable in content creation, and our students are well trained in those techniques.

RVR School: Paving the Way to Photography Excellence and Shaping the Future of Creative TalentBy Simran

4. Photography Career: Gain Real-World Experience and Build a Stunning Portfolio

In the same mindset, it is quite safe to say that a photographer’s portfolio is their visual CV, one of the most vital components needed to utilize their expertise and up to clients and or employers. At RVR School of Photography, we believe having an impressive portfolio is of utmost importance especially when starting a career as a photographer. 

Students of RVR have opportunities to participate in real product photoshoots, fashion editorials, etc, which are supervised by the instructors. These projects not only sharpen their practical skills but also prepare students to work in the real world where they have to please people, and complete the tasks given to them on time.

Such projects are led by instructors who are experienced practitioners in the industry and have mentored the students themselves through projects. They help the students with their feedback and how to use techniques that will help the students create an artistic identity that is uniquely theirs.

Also we encourage active learning through portfolios and conduct regular practice in fine al placement where students are given constructive feedback on their work. Feedback always highlights where the student is strong and where the student has room for growth so that the end product is always balance and professional.

5. RVR School of Photography Alumni Success Stories

Our students have to achieve great milestones by getting jobs in well-known companies such as TCS, WIPRO, TIMES, et cetera. These milestones achieved by some of our students bring glory to our school and prove that the training we provide has immense value in the field.

Some of our alumni who have been successful are:

Ravi Sharma: Worked with times as a corporate photographer and covered events of the high management.

Sneha Kapoor: Worked in the TCS marketing team and was involved in the creation of visuals for the campaigns.

Arjun Mehta: Worked as a fashion photographer in Wipro showcasing their apparel lines in the most appealing way.

These stories inspire our students and demonstrate the quality of training they receive at RVR.

6. Photography Career Skills You’ll Master at RVR School of Photography

The skills our students achieve go beyond the basics:

Mastering Composition: Composing a frame that tells a story with a thousand visual elements.

Lighting Techniques: Using natural and artificial lighting for accentuation and photography.

Editing Mastery: Students’ skills with tools such as Adobe Photoshop, Light room, and others.

Client Management: How to handle clients and their expectations and how to put them to fruition.

7. photography Career Paths After Completing a Photography Course

A degree from RVR School of Photography helps in getting various types of jobs:

Corporate Photographer: Photograph brand images, teams, events.

Fashion Photographer: Work with Brands, models, and designers.

Freelance Photographer: Own Photography business.

Media Photographer: Creative visual images for stories for newspapers, magazines.

With our guidance, students can tailor their skills to the path that suits them best.

8. How RVR School of Photography Supports Your photography Career

We don’t stop with the coursework only, it doesn’t end there. We help them to bulit their photography career:

Placements: With a reach over leading employers like TCS, Wipro and Times. We place students at the best jobs available. TCS, Wipro and Times

Networking Events: We provide events to the students where they meet potential employers and industry leaders (Photography).

Career Counseling: Counseling for photography career selection, for portfolio development, for interview skills etc.

9. Why Photography is a Lucrative Career Choice

Modern-day photography has reached unbelievable heights and most people have accepted it as an industry that encompasses numerous photography career opportunities. Photography career is self-employment, creativity and self actualization all in one package.

Consistently Develops:There is no industry today that does not have specialization in photography career. Companies reach out to professional photographers in other sectors such as marketing, advertising, content creation and social media. The same expertise is requested for events such as weddings, business meetings or product launches. It creates a continuous search for new talented professionals in detail work and creative design.

Different photography Career Opportunities:Several professional paths are available even when one has selected the field of phototgraphy. People of all skills and preferences: travel, fashion, wildlife, food, event and much more can all find their field in photography. Freelancers have freedom to select jobs, individuals focusing on photography career in occupations have a fixed salary and constant work.

Financial Stability and Growth:Would you consider photography career as an art or a business? For any professional photographer, it’s both. On the one hand, established photographers can offer a large range of services as well as find themselves to have long-term relationships with their clients. For instance, wedding photographers have good returns in each event during the busy season. On the other hand, commercial photographers working for top companies can receive good commissions on their projects as well.

Freelance Freedom:If you are one of those people that does not like having a boss, freelancing enables you to live a different lifestyle. A photographer who works on a one-off basis gets to select what project to work on, when to work, and how to sell themselves. This path of employment also means you can work with brands from a different country which means other markets always exist.

10. How to Apply to RVR School of Photography

Do you want to begin your photography career? The application to RVR is straightforward and needs no additional stress:

Look at our Site:  RVR SCHOOL OF PHOTOGRAPHY

Select the Desired Course: Review the courses we offer and select the course you want.

Utilize the Application to Apply: Complete the provided form with the required information.

Meet Our Team For An Interview: Here we evaluate your interest in pursuing photography career and your vision.

Our admissions team is here to help you through each step.

Conclusion: Start Your Photography Career with RVR School of Photography

Photography is not simply a play of light and chemistry, but rather a story, an imagination, and a moment that strikes the heart of many. A photography career is endless since it can either be an exploration of artistic vision or a stable and rewarding profession. RVR School of Photography offers world-class training that combines sound theoretical knowledge with practical experience to make sure our students are industry-ready from day one.

Our professional mentorship builds students’ technical abilities and the assurance that they can succeed in a competitive marketplace. We help them create a solid portfolio, which is the foundation of every successful Registrant photographer, and we prepare them for different photography career paths from freelancing to working with renowned companies.

Whether you aspire to be a fashion photographer, specialize in stunning landscapes, or focus on corporate and media photography, RVR School of Photography is the best starting point. Our graduates speak volumes about the quality of education we offer, as many have attained outstanding milestones in their photography career.

Keep your passion for photography as a hobby, or let it change your life. RVR School of Photography provides tailored mentoring, world-class infrastructure, and an energetic learning environment to help you make creative dreams a successful photography career.

So what are you waiting for? Take action today, and allow us to guide you in unlocking your potential and creating an enjoyable career in photography. Become a student at RVR School of Photography, and see your passion become a successful professio

[alteredphoenix]

Considering doing a (very rudimentary) write-up of Kagurabachi volume 1 once the next chapter drops. Probably just a little dive into the world's technology, bits of worldbuilding, and character study.

[luna-azzurra]

Writing a romance scene between friends-turned-lovers

1. Build Tension and Chemistry:

Start by creating a strong foundation of emotional connection and chemistry between the characters. Show the reader why these friends are perfect for each other.

2. Use Inner Monologue:

Reveal the characters' inner thoughts and feelings. Allow readers to see their internal struggle and realization that their friendship has transformed into something more.

3. Subtle Gestures and Glances:

Describe subtle physical cues such as lingering touches, longing glances, or an accidental brush of hands. These small actions can speak volumes about the characters' growing attraction.

4. Dialogue:

Develop natural and engaging dialogue that reflects the characters' personalities. Use humor, vulnerability, and sincerity in their conversations to convey the depth of their emotions.

5. Setting and Mood:

Choose an appropriate setting that complements the romantic mood. Consider factors like lighting, ambiance, and the time of day to enhance the atmosphere.

6. Build Anticipation:

Slowly escalate the tension and anticipation as the characters become aware of their changing feelings. Tease the readers by delaying the moment of confession or physical intimacy.

7. Show Vulnerability:

Let your characters open up to each other, sharing their fears and insecurities. Vulnerability can be a powerful tool in a romance scene, making the characters relatable and endearing.

8. Physical Descriptions:

Provide sensory details when describing the characters' physical appearances. Highlight what makes each character attractive in the eyes of the other.

9. Create Realistic Obstacles:

Introduce obstacles or doubts that challenge the characters' path from friendship to romance. Overcoming these obstacles can make the relationship feel more genuine.

10. Build to the Climax:

Slowly build the scene to its climax, whether it's a passionate kiss, a confession of love, or another significant moment. Make it emotionally charged and meaningful.

11. Emotional Impact:

Ensure that the scene evokes a strong emotional response from the readers. Let them feel the characters' joy, relief, and excitement as the friendship evolves into romance.

12. Aftermath:

Show the aftermath of the romantic scene. How do the characters feel afterward? What changes in their relationship? What are their hopes and fears for the future?

13. Consistency:

Maintain consistency with the characters' personalities and the development of their relationship. Ensure that their actions and words align with their established traits and the progression of their bond.

[teaandspite]

The Great Goodreads Diss List (Part 1)

Context: For many years now, I have been collecting funny lines from Goodreads reviews to share with my coworkers. (I do collection development, reader's advisory, and weeding at a public library, so I read a LOT of reviews)

Are some of these, perhaps, rather mean? Yes, but they are also very funny, and come from a place of honest frustration. In the tradition of Bargepole threads and lists everywhere, names and titles have been censored.

"First, I want to say that I understand how hard it is to write a book and how amazing it is when it is actually published. Congrats to the author for that accomplishment. That said--"

"Warning: This review will be lengthy due to pure hatred."

"I found myself feeling really, really annoyed with the world that this book is allowed to exist. We live in a universe where the passenger pigeon is extinct but this book goes along merrily being read by unsuspecting lovers of words and ideas and stories? It just seems like too much, you know?"

"Don't do it. Don't spring the cash for the hardcover. Instead, eat an entire bag of Twizzlers, spend some money you don't have at a high-end department store, look up on Facebook the shady college boyfriend that made you cry, research the current value of your home or 401K and then read all about how the big hedge fund managers are faring during the economic crisis. You'll feel about the same stomach pain if you waste your time reading this book."

"This wretched novel begins with the mugging of an old lady and it appears I may be in the process of repeating that loathsome crime as [author] was 78 when she wrote it. It is not nice to put the boot into such a poor defenseless old creature lying there with only a damehood, a Booker Prize and a few million quid. It’s a nasty job but somebody has to do it."

"I think this is the way dead people would write, if they could."

"I am considering setting up SPABB: Society for the Protection of Accurate Book Blurb. This blurb appears to have been written by someone from the publishers who met [the author] the night before, got very drunk, lost his notes and then constructed something in a fug of hangover the next morning."

"I congratulate [the author] on the early half of his book, which was thoroughly fun and made me laugh and think. I congratulate [the author] on the second half of his book, for finishing it. It reads like that was difficult."

"…a woman whose taste in contemporary literature has roughly the same batting average as a pitcher in the National League."

"The author is a pompous windbag."

"Recommends it for: No one. Recommended to me by: A friend who apparently wished to cause me great suffering."

"Makes me wonder: is it possible to obtain similes at a volume discount?"

"The repeated phrases made me want to mail a thesaurus to the author."

"I'm disappointed in myself for finishing this book."

"if the author described [character's] eyes as "obsidian" one more time I was tempted to write her and ask if her thesaurus broke."

"They say that an infinite number of monkeys with an infinite number of typewriters would, if given infinite time, eventually produce the complete works of William Shakespeare. [This book], on the other hand, would probably take the average monkey just under two hours."

"I can't imagine what the author had to do to get this nadir of Western literature printed on innocent trees, but he does seem to know a LOT about being well-connected in New York."

"This book is so bad it is almost worth reading just to make you appreciate the other books you are reading."

"Reads like it was written by a brilliant author, the night before it was due."

"raises interesting questions, like: can a book be so bad as to constitute an act of terrorism"

"has this author ever spoken to a human woman"

"This acorn has fallen so far from the tree that it can’t even see the forest."

"I’m guessing they are touted as ‘beach reads’ because no one will care if they get dropped into the ocean."

"This book begins with all the energy of a hand vacuum near the end of its battery life, and the pace doesn't quicken much from there."

"At least everybody’s eyes stayed the same color this time around.”

Part 2

Part 3

[shi0n]

even just looking at volume 1. none of these parts of his personality were clearly conveyed in the anime, making shions decision to help nezumi and his bizarre lack of regret much less meaningful 💔 they erased his hater moments

hate how some no.6 animanga fans see shion as a perfect angel and reduce him to his most blatant and basic traits.. need to spread anti-shion propaganda. tomorrow.

[angelacostumery]

let's make some sleeves!

don't worry i'll put it below the cut, no one should be confronted with the horrors of drafting them on their dashboard without giving prior consent.

those first few photos are of the final mockup and the final sleeves. the first mockup was more to gauge length and the final width I wanted the cuff to have, so it looked like this.

I wanted this to have a specific lantern shape with limited gathers because this fabric is thicc so I sewed a 1/2" dart at each of the marked points, taking the bottom edge in by 11" in the process.

I ended up shortening it a lot just above where the darts ended, which left me with this.

I knew it would be easier to have a single seam going horizontally than sewing a dozen darts into each one, so I was prepared for this development. I probably could have drafted something much closer to this from the start but I wouldn't want to seem too competant.

I took out a lot of volume on my next mockup and settled on something very similar to what you see above.

then they were cut out from faille, the seam was covered with 1/2" horsehair braid to give them a bit more body.

now, for the velvet layer, I didn't want a visible seam. It sort of ruins the flow of the fabric's pattern AND the fabric's pattern runs in vertical stripes which don't lend themselves well to the curves of the sleeves.

so instead I fussy cut out pieces and overlapped them until they formed the correct shape without any obvious breaks.

It was only after I got these pinned and partially sewn that I realized I forgot to add the gold overlay beneath them and had to re-do it all.

I kept trying to machine-baste together the edges and the sleeves were like "no."

the faille folded over the seam point after I finished since the overlay was like 1/4" too short in some spots, because I didn't baste all the layers together before cutting them out and sewing them together (like I usually do).

I ended up doing it by hand, all but two of the "short spots" will be hidden in seams and the others were patched with additional appliques.

I sewed the appliques to the fabric below the horizontal seam, but this created issues with the drape when I attempted to carry it further up, so the layers are independent above that seam point, save for the top edge where they are basted/eventually seamed onto the bodice..

these will be finished with matching cuffs and cotton lining.

the bottom edges were gathered from 22" down to 19" prior to the underarm seam being done up, so most of the shaping comes from the piecing, not the gathers.

(the top edge is gathered a similar amount at the armscye.)

When going to baste together the top edges I decided to shorten the lining by about an inch at the center and tapering down to nothing at the underarm. This forces the fashion layer to puff out a little bit more.

Then they were sewn on and probably some other stuff happened that I forgot. Anyway, voila!

[hedgehog-moss]

I finally planted my garden last week! We had a couple of days of sun which gave me hope, but it's once again raining every day. Thoughts and prayers for my tomato plants, but I couldn't keep everyone in the greenhouse forever, I had to make room for other plants.

(In the fourth picture above you can see what's inside the hügelkultur mound—it's a pile of branches + llama manure + compost + potting soil. One thing I find great about it is how well it retains moisture! Well it's not a problem this year so far but during heat waves I water these plants a lot less than non-mound plants.)

In the greenhouse my seedlings have been struggling due to lack of sun. Impossible to get courgette plants so I had to buy a few from the young couple in town who recently started a plant nursery—they didn't have many either, and I had to share with the mayor who also came looking for courgette plants because slugs devoured all of his.

He must have seen on my face that I thought my plants didn't stand a chance if slugs don't even respect municipal authority, because he kindly advised me to place crowns of bedstraw (see above) around my plants to protect them. I didn't dare to ask "If it works so well why do you have no courgette plants left?" I just said thank you, and then spent an entire evening last week weaving this sticky weed into crowns and whatsapping photos of my art to the mayor, who always replied "More! More! It needs to be thicker! Like a doughnut!"

Meanwhile 1 leek in the greenhouse suddenly grew a lot thicker while the other 3 remained skinny and fearful-looking and I'm not sure why. They share a pot, so maybe it's like vanishing twin syndrome. My bell pepper seeds had the same asynchronous development issue—one pot is just now starting to have timid seedlings while the other (right next to it) already contains a grown-up plant with baby peppers:

By far my happiest greenhouse plants are the potatoes and lettuce. They shot up so fast! I've been eating a lot of lettuce lately but I can't keep up with how quickly they grow in this cold, rainy spring. And I haven't had any slug raids in the greenhouse so that's great.

My greenhouse squash, onions and pickles are still tiny and not worth a photo (harsh, but this post already has too many photos). My strawberries in the aquaponic towers are beautiful despite the lack of sun and I've been getting mini-harvests of 2-3 strawberries a day for two weeks! They're done now, but I started more seeds so maybe I can get a second round at the end of the month.

Three more things:

1. Morille helped a lot as I was planting the garden. She kept an eye on my gardening tools so no one would steal them, and sometimes used them as cheek-scratchers. At one point I put one of my beautiful bedstraw crowns around her neck so she looked like Philip III of Spain in that painting where he wears a big ruff, but tragically she ran away in outrage before I could take a picture, and when she returned she'd got rid of her collar.

2. At the cow parade the other day there was a lady at the market who sold jars of homemade pesto sauce made from all kinds of different plants, and it opened up my mind to entirely new pesto horizons!! I always make the traditional kind with basil, but I have plants that grow much faster than basil, like my rocket, so I tried making pesto with 1/3 basil 2/3 rocket (plus garlic, olive oil, parmesan, cashews) and it was so good! I have to explore all of her recipes now, like plantain or nettle or sage pesto...

3. There's a monster in the greenhouse. It appeared practically overnight and is quickly claiming more and more territory. Unlike last year it's not a parsley monster—it's my lemon balm. One day it was growing in its vertical tower, luxuriant but tidy, like a normal plant, and the next it had quintupled in volume and was threatening to swallow the nearest planter. Look at the tiny tomato plants, they look terrified of it!

I urgently need to fight back against this giant mélisse (as we call lemon balm) but I've been really busy and I keep putting it off, and then remembering anxiously at 11pm that I still have this creature to take care of, which is ironic seeing as lemon balm is supposed to relieve stress and anxiety. This is the exact opposite of why I planted you. Anyway if you never hear from me again after this post it's because I finally engaged in battle against this year's vegetal menace, and lost.

[stnkiconverse]

Anybody of your choice with a reader who likes to randomly bite for no reason

-👽

How about everyone?

Creepypastas x Reader who likes to bite

Ticci Toby

1. Playful Bites:

- You have a habit of playfully nipping at Toby’s arms or shoulders when you’re feeling particularly affectionate. He always laughs and pretends to be offended, but secretly he loves it.

- Toby's tics might make him a bit jumpy at first, but he quickly gets used to your playful bites and even starts looking forward to them.

2. Affectionate Gestures:

- Toby enjoys the unique way you show affection. Your bites are never harsh, and they make him feel special and adored in your own quirky way.

- Sometimes, Toby will bite you back, though he's always gentle, mimicking your playful nibbles with a grin on his face.

3. Comfort and Calming:

- When Toby is stressed or anxious, you gently bite or kiss his knuckles or the back of his hand. The familiar sensation helps ground him and brings him a sense of comfort.

4. Inside Jokes:

- The two of you develop a series of inside jokes about your biting habits. Toby will often tease you about being a “little vampire” (GIRL YOURE MY FAVORITE, sorry, its a kpop reference) or “his personal piranha,” always with a playful glint in his eyes.

- You respond by pretending to bare your teeth and growl, which never fails to make Toby laugh.

5. Public Reactions:

- In public, your biting habits can sometimes catch others off guard. Toby finds it amusing when people react, but he also loves how unique and unapologetically yourself you are.

- Toby has been known to protectively explain to others that it’s just your way of showing affection, ensuring no one misunderstands or disrespects you for it.

Ben Drowned

1. Playful Mischief:

- Ben finds your biting habit absolutely adorable and matches it with his own playful nature. He often encourages you by pretending to run away or daring you to catch him.

- Your playful bites often lead to laughter-filled chases and impromptu tickle fights, making your relationship feel light-hearted and fun.

2. Virtual Bites:

- When Ben is in his digital form, you tease him by pretending to bite your screen, which makes him laugh and play along, sometimes glitching the screen as if he’s been “bitten.”

- He occasionally sends you silly gifs of biting or nibbling, keeping your playful dynamic alive even when he’s not physically present.

3. Casual Bites:

- Ben loves to watch you while you’re focused on something, waiting for the perfect moment to lean in and “surprise bite” you. It’s his way of keeping things spontaneous and exciting.

- Your biting habit often catches Ben off guard in the best way. Whether it’s a gentle nip on his ear or a playful bite on his arm, he loves the unpredictability of it.

4. Protective Instincts:

- Despite his mischievous nature, Ben is very protective of you. If anyone ever mocks your biting habit, he’s quick to shut them down, making it clear that he loves you just the way you are.

- Your biting habit becomes a form of affectionate reassurance for Ben, reminding him that you’re always there and that your bond is strong.

Eyeless Jack

1. Calming Times:

- Your gentle bites become a calming thing for Jack. When he’s stressed from his medical tasks or haunted by memories of his past, your affectionate nibbles or gentle kisses help ground him.

- Jack appreciates the intimacy of your bites. They remind him that he’s not alone and that someone cares deeply for him, despite his monstrous appearance.

2. Quiet Affection:

- Jack isn’t one for grand displays of affection, but your bites fit perfectly with his understated nature. A soft bite on his shoulder while he’s reading or a gentle nip on his hand while you’re walking together speaks volumes to him.

- Your biting habit becomes a silent way to communicate your love, something Jack deeply values and reciprocates in his own quiet manner.

3. Medical Curiosity:

- Jack is curious about the physiological reasons behind your biting habit. When he asked you about it, you answered with “I just like doing it”, leading to him finding it fascinating and endearing.

- Sometimes, Jack will gently bite you back (bcs of his teeth), experimenting with different ways to reciprocate your affection while ensuring he's always gentle and caring.

4. Shared Solitude:

- The two of you often spend time in abandoned places, enjoying the solitude. Your biting habit fits well with these quiet moments, adding a layer of comfort and intimacy to your explorations.

- Jack finds your bites reassuring, a reminder that even in the quietest, most desolate places, he has someone who understands and accepts him.

5. Late-Night Conversations:

- During your late-night conversations, you often kiss/nibble Jack’s hand or arm when he says something particularly insightful or touching. It’s your way of showing appreciation and connection without interrupting the flow of conversation.

- Jack has a dry sense of humor and occasionally teases you about your biting, calling you his “little predator” (which you send glares his way when he does so)with a rare, affectionate smile.

Jeff The Killer

1. Playful Defiance:

- Jeff is initially taken aback by your biting habit but quickly grows to enjoy it. Your playful defiance matches his chaotic energy, and he finds it both amusing and endearing.

- Your bites often lead to mock battles, with Jeff pretending to be “attacked” and dramatically retaliating with tickles or playful wrestling.

2. Boundary Testing:

- Jeff likes to push boundaries, and your biting habit becomes a game of who can surprise the other first. He’ll sneak up on you and pretend to bite you back, always keeping things lively and unpredictable.

- Despite his rough exterior, Jeff appreciates the unique way you show affection. It adds a sense of normalcy and connection in his otherwise tumultuous life.

3. Affection Amidst Chaos:

- In the midst of Jeff’s chaotic world, your biting habit becomes a source of stability. It’s a small, constant reminder that there’s something tender and real amidst all the violence and madness.

- Jeff might not say it outright, but your bites make him feel cared for in a way he hasn't experienced before. It's a comforting contrast to his usual interactions.

4. Protective Reactions:

- Jeff is fiercely protective of you, especially because of your biting habit. If anyone mocks or misunderstands it, he’s quick to defend you with his usual brashness.

- Your bites are a reminder to Jeff that he has someone who sees beyond his violent tendencies, someone who cares for the person he is underneath.

5. Unexpected Softness:

- Over time, Jeff becomes surprisingly soft when it comes to you. Your bites are the only form of physical contact he doesn’t recoil from, and he even starts to look forward to them.

- Jeff might occasionally let his guard down and return your bites, albeit clumsily, showing a rare moment of vulnerability and affection.

Jane The Killer

1. Soft Moments:

- Jane is initially wary of your biting habit, but she soon realizes it’s your way of showing affection. Over time, she grows to appreciate it, especially during quiet moments when you’re alone together.

- Your bites become a way to break through her emotional guard, reminding her that it's okay to feel and express love.

2. Tender Affection:

- Despite her tough exterior, Jane has a soft spot for you. Your gentle nibbles on her hand or shoulder are a reminder of the gentler side of life, something she often misses in her dark world.

- Jane reciprocates in her own way, sometimes brushing her fingers lightly across your skin or giving you a soft kiss in return.

3. Silent Communication:

- Your biting becomes a form of silent communication between you two. A gentle nip on her ear or arm tells Jane you’re there for her without needing words, which she finds comforting.

- In tense situations, a quick bite can calm Jane down, helping her focus and reminding her she’s not alone.

4. Protective Nature:

- Jane is highly protective of you, especially when she notices others reacting to your biting habit. She’s quick to defend your unique way of showing affection, ensuring no one misunderstands or disrespects you.

- Your bites become a symbol of trust and safety, reinforcing the bond between you two in a world full of danger and deception.

5. Shared Solitude:

- The two of you often enjoy moments of solitude, where your biting habit fits perfectly. It’s a small, intimate act that brings comfort and closeness without needing to say much.

- Jane finds these moments soothing, a rare respite from her usual life of constant vigilance and danger.

Nina The Killer

1. Playful Affection:

- Nina loves your biting habit. It matches her nature, and she often initiates playful bite-fights, laughing as you both try to outdo each other.

- Your bites become a regular part of your interactions, a fun and affectionate way to express your feelings.

2. Cute Moments:

-She often teases you about being her “little biter” and encourages you to keep it up.

- Nina might respond with her own playful nibbles, turning it into a game that keeps both of you entertained and connected.

3. Mutual Protection:

- Nina is fiercely protective of you, especially because of your unique way of showing affection. She admires how unapologetically yourself you are and makes sure no one mocks or misunderstands your biting habit.

- Your bites remind Nina that she has someone who truly understands and accepts her, which is rare in her chaotic life.

4. Shared Excitement:

- Your biting habit fits perfectly with Nina’s love for excitement. It becomes a part of your shared adventures, adding an element of spontaneity and fun.

- Nina often initiates playful challenges, daring you to bite her in unexpected moments, making your relationship dynamic and full of surprises.

5. Comforting Presence:

- Despite her tough exterior, Nina finds your bites comforting. They remind her that she’s not alone and that someone genuinely cares for her.

- Your biting habit becomes a way to bring Nina back to reality when she's feeling overwhelmed, grounding her with a simple, affectionate act.

Homicidal Liu

1. Gentle Affection:

- Liu is initially surprised by your biting habit but quickly grows to appreciate it. Your gentle nibbles on his hand or arm are a welcome reminder of affection in his otherwise tumultuous life.

- He finds your bites soothing, a way to ground himself when he’s struggling with his internal conflicts.

2. Grounding Presence:

- Your bites become a grounding presence for Liu, especially during moments when he’s mentally battling with Sully or dealing with his PTSD. They remind him of your unwavering support and love.

- Liu appreciates how your bites help him stay connected to reality, offering a sense of stability amidst his emotional turmoil.

3. Silent Understanding:

- The two of you develop a silent understanding through your bites. A gentle nip on his shoulder or arm tells Liu that you’re there for him without needing words, which he finds comforting.

- In moments of distress, your bites become a way to reassure Liu that he’s not alone and that you’re always there to support him.

4. Protective Instincts:

- Liu is highly protective of you, especially because of your biting habit. He ensures no one mocks or misunderstands it, making it clear that it’s a special part of your relationship.

- Your bites symbolize trust and safety for Liu, reinforcing the bond between you two in a world full of danger and betrayal.

5. Shared Solitude:

- The two of you often enjoy moments of quiet solitude, where your biting habit fits perfectly. It’s a small, intimate act that brings comfort and closeness without needing to say much.

- Liu finds these moments calming, a rare respite from his usual life of constant vigilance and danger. Your bites become a reminder of the love and trust you share, something he cherishes deeply.

Hope this was good enough!!

[ahaura]

(Dec. 1)

Article: Recruiters Drop Elbit Systems after Palestine Action Campaign

After weeks of action, the sole recruiters for the British operations of Israel’s largest weapons company, Elbit Systems, have confirmed via email to Palestine Action that they ended their association with Elbit on the evening of the 29th November. For two months, activists in the Palestine Action network had disrupted iO Associates at their premises across the country, to impede their ability to recruit roles for Israel’s war machine. 

iO Associates recruited the likes of engineers, software developers, and finance staff for positions across the sites of the British branch of Israel’s largest weapons company, Elbit Systems. Elbit are the largest supplier to the occupation military, providing the vast majorities of its drones, munitions, surveillance gear, and parts for its tanks, jets, and precision missiles. From Britain specifically, they manufacture parts for Israel’s killer drones, along with weapons sights, tank parts, and more, exporting these technologies to Israel in great volume yearly. This is the nature of the business that IO was Associates with, and were IO Associates biggest client.

In response to their facilitation of Elbit’s criminal activities, iO’s offices were stormed and occupied in Manchester on the 1st September, and again on the 7th October. Activists painted iO offices red on October 9th in London, Reading, and Manchester. They were forced to vacate their Manchester offices from the 11th October, after the premises were also stormed by the Youth Front For Palestine, and then finally targeted in Edinburgh twice, on the 11th and 17th October. After being forced to vacate their offices, having their online presence tarnished, and (as confirmed to us by former employees) losing their staff who resigned in opposition to their arms trade partnership, iO Associates have finally cut ties with Israel’s weapons trade. 

This is part of an expansive strategy by Palestine Action, by disrupting the suppliers and facilitators of Elbit’s presence in Britain. It has seen Elbit’s accountants (Edwards), haulage providers (Kuehne + Nagel), landlords (JLL) and many other complicit companies targeted, alongside the hundreds of actions at Elbit sites themselves, continuing to resist the presence of Elbit warmongers in Britain, and constantly reminding those associated with them that they have blood on their hands.

As a result of iO Associates dropping Elbit Systems, the recruiters have been removed as a target of Palestine Action’s campaign. All targets who still facilitate Israel’s weapons trade are listed on elbitsites.uk

[sky-is-the-limit]

Meddle About (Part 1)

P: Captain Price x F!Reader

Summary: You meet a handsome stranger at a pub and begin a beautiful friendship. Though you start developing feelings for the older man, he doesn't seem to reciprocate. That is, until you flirt with someone else to test the waters.

NSFW part 2 here.

WC: 2.3k words

CW: Nothing other than some angst (light), age difference and jealousy.

Notes: The age of the Reader is mentioned only because I feel uncomfortable writing about an age difference where X person is under the age of 23-25.

@glitterypirateduck

You stumbled into the pub, your heart heavy and your mind clouded with the weight of your breakup. The air was thick with the aroma of alcohol and the sound of muted conversations. You sought solace in the dimly lit corner, choosing a table far from prying eyes, hoping to drown your sorrows alone.

As you sat there, lost in your own misery, your gaze wandered aimlessly to the booth next to yours until it landed on him, the older man sitting alone, his presence almost ghostly in the shadows. He seemed lost in his own thoughts, drinking a glass of whiskey with a distant look in his eyes.

At first, you paid him no mind, too consumed by your own despair to acknowledge anyone else's existence. But then, just as the ache in your chest threatened to overwhelm you completely, a notification on your phone pushed you over the edge. It was a message from your ex, a cruel reminder to pick up your things from his apartment.

With a choked sob, you buried your face in your hands, tears streaming down your cheeks to the thought. And then, as if sensing your despair, the older man's voice cut through the haze of your misery.

"Are you alright, love?" He asked, his words gentle and filled with genuine concern.

Startled, you lifted your head to look at him, your vision blurred by tears. His face came into focus, and you found yourself momentarily captivated by the sight of blue eyes, the ruggedness of his features softened by a hint of kindness. He extended a napkin towards you, a silent offering to wipe away your tears.

For a moment, you hesitated, unsure of whether to trust this stranger even with such an innocent gesture. But something in his demeanor, the warmth in his gaze, made you lower your defenses.

And so, with a shaky breath, you accepted, allowing the soft material to soak up whatever was left of your relationship.

As the night dragged on, the heaviness in your heart began to ease, replaced by a sense of relief as you found comfort in conversation with the stranger. He didn't speak much, but his attentive listening spoke volumes.

You found yourself pouring out your heart to him, recounting the details of your breakup, the betrayal, the lies, the countless nights spent crying yourself to sleep, wondering what you had done to deserve such treatment.

Were you ruining his night out? Was he growing tired of your rambling? Was he secretly wishing for an escape from your company?

Your overthinking vanished every time you looked into his eyes, finding nothing but genuine interest and compassion staring back at you.

The hours slipped away and the pub grew quieter, you realized that this stranger had become more than just a sympathetic ear. And though you couldn't quite put it into words, you knew that his presence had brought you a sense of peace that you hadn't felt in a long time.

As the night progressed, you learned that he was a military man, a Captain stationed at a base just twenty minutes away. His hesitance to get into the specifics of his job only added to the air of mystery surrounding him but you respected his boundaries, content to learn other parts of his personality. It wasn't like you'd understand much of the military life anyway.

In between sips of beer, you discovered common ground in unexpected places. He spoke passionately about his love for football, declaring his support to Liverpool with pride and that sparked playful banter between the two of you, given your loyalty to Manchester United. And then there was his love for 70s rock music, a good old Sunday roast and his German Shepherd named Bucky.

Everything he uttered seemed to captivate you. But it wasn't just his words that kept you staring in awe. It was the way he carried himself, the undeniable aura of strength and confidence that followed him.

His strong, masculine features were impossible to ignore. The full beard that hugged his face and trailed down to his neck, the small charming beauty mark on his nose, his ocean blue shaded eyes.. There was no force im the world that could tear your gaze away from him.

Despite being seated, he seemed to tower over most in the room, his tall frame accentuated by his broad shoulders and defined physique with thighs barely fitting under the table.

Each time your eyes met, you felt a rush of excitement, a flutter in your chest that you couldn't quite explain.

He definitely noticed, there was no doubt about it. You caught him watching you, a slight smirk playing at the corner of his lips but he never made a point of it. It was as if he welcomed your attention, basking in the way you were taking him in yet never crossing the line between polite conversation and flirting.

Around two after midnight, the pub began to empty out, leaving only you and the interesting stranger as the sole costumers.

Stepping outside, the chill of the rain hit you both, shimmering under the moonlight as it landed on the darkened street below and he wasted no time in offering you his coat.

You protested but he insisted, draping it over your head as you both dashed towards your car. The rain poured down relentlessly, soaking him through and yet he seemed unaffected, almost as if he enjoyed the feeling of the water against his skin or perhaps in a way to make the night last a little bit longer.

As you turned the ignition, a sudden realization struck you. In the midst of the conversation, you had forgotten the most basic of exchanges. Names.

"Hey!" You called out over the drumming rain, "I never asked for your name."

"John Price." Came his simple reply, accompanied by a a small smile.

You reciprocated with your own name, something so simple suddenly feeling intimate, important. After saying your goodnights, you closed the door and began to drive away, the rain beginning to taper off.

But then, a nagging thought tugged at your brain. His coat still laid draped over your shoulders. Without giving it a second thought, you turned the car around and rolled down the window, calling out into the night.

"Hey, John! I still have your coat!"

He turned, his silhouette illuminated by the fading streetlights, and yelled back, "Bring it back here tomorrow, same time."

With a smile tugging at your lips, you nodded in agreement. That night, as you drifted off to sleep, the thoughts of your recent breakup seemed distant and insignificant. Instead, your mind was filled with the memory of the handsome Captain and the promise of tomorrow.

/////

As the days turned into weeks, and the weeks into months, your meetings with John at the pub became a tradition. Every Wednesday and Saturday, like clockwork, you would find yourselves drawn back to that familiar corner booth, where the outside world faded away and it was just the two of you, lost in conversation.

Your advances were subtle yet unmistakable, a brush of your hand against his, a playful flirtation laced with innuendo. And though John never shut you down, his demeanor remained restrained, as if he was holding himself back from crossing an invisible boundary.

He never pushed for more, never crossed the line into something deeper, leaving you to wonder if the attraction was one sided.

It was both frustrating and endearing at first, what had started as a playful game of cat and mouse had morphed into something deeper, more profound and the anticipation of seeing him, of sharing those precious hours together, became the highlight of your week.

You found yourself drawn to him in ways you couldn't fully comprehend. It was borderline obsessive how you tended to every detail, choosing the perfect outfit and spending hours grooming yourself to ensure you looked your best for him.

While his eyes traced the curves of your body with hunger, his hands always remained glued at his sides. Always a good conversation, a walk to your car and a goodnight to leave you awake at night, going through every scenario possible.

It was maddening, the way he welcomed your touches and flirtatious banter without ever making a move of his own.

Perhaps, if he was to turn you down outright, to reject your advances and put an end to the torture, it would be easier to accept. You could move on, content in the knowledge that you had tried and failed. But John never did that.

And so, that particular night, you swore, it would be different.

////

Another Saturday night unfolded and you found yourself once again nestled in the comfort of your favorite booth at the pub, opposite of John.

Dressed in figure hugging black dress that accentuated every curve, you couldn't help but feel confident and ready for what you were about to do. The neckline dipped low, offering a glimpse of your cleavage while the bold red lipstick painted your intentions clear for all to see.

Taking a moment to gather your courage, you lifted your glass to your lips, the sweet aroma of your fruity cocktail easing your nerves. After taking a sip, with a playful smile, you turned to John, nudging the glass towards him.

"Wanna try my drink?" You asked, your voice laced with a hint of playfulness.

You knew all too well that John was a man of simple tastes, his preference for whiskey never changing. Your intentions weren't supposed to change that, anyway.

John's gaze lingered on the glass for a few seconds and returned to yours, a small smile playing at his lips.

''I don't think I'm gonna enjoy drinking that one, love.'' He replied with a chuckle as he took another sip of his usual choice.

That was your moment.

With a coy smile, you took another sip from your cocktail, savoring the fruity sweetness that danced on your tongue and then, with a boldness you hadn't known you possessed, you placed your hand on John's thigh, the touch of your fingertips freezing him into place.

"You don't have to drink it to enjoy the taste." You replied, your words dripping with innuendo whilst you took in his unusually tensed reaction.

Without waiting for John's response, you leaned in, the anticipation coursing through your veins like wildfire.

Your heart pounded loudly against your chest as you pressed your lips against his, the taste of whiskey and strawberries mingling together the more you took his bottom lip between your own. There was a hesitance in the way your mouth moved, your tongue grazing his own as you awaited for him to deepen it.

Feeling the warmth of John's palms resting on your shoulders, you couldn't help but anticipate his next move, to reciprocate the kiss and finally make you his.

But to your surprise, instead of drawing you closer, John gently pushed you back, disconnecting your lips with a tender touch that almost felt like betrayal. His eyes remained closed, his expression unreadable as if he was still lingering on the taste of your kiss, contemplating what he was about to do next.

Feeling the weight of John's eyes piercing through you, you couldn't bring yourself to meet them, the sting of embarrassment and disappointment burning hot against your cheeks.

You felt exposed, vulnerable in a way you had never felt before. As his hands left your shoulders and came to rest on the table, you could sense the tension in the air, thick and suffocating.

And then, finally, his voice broke the silence, "Y/N, I can't." He said, his tone filled with a mixture of pity and regret.

"Even if I want-" He started to say, but then abruptly stopped, as if his own thoughts had betrayed him.

You wanted to scream, to cry out in frustration and anger, but all you could do was sit there, confused and curious to the thought of him finishing that sentence.

Summoning every ounce of courage you had, you took in a deep breath and with trembling hands, you finally raised your face to look at him.

All you managed, was a one word question coming out as a barely audible whisper, ''Why?''

His hesitation, his struggle to articulate his thoughts only grated against your nerves but you sat there patient, waiting for him to state a good enough reason that would match with his last sentence.

"You're so young and I-" John began but his words only added to your ticking bomb. His excuse felt like a slap in the face, and before he could finish, you cut him off, your voice dripping with disbelief.

"Young? Is that it?!" You exclaimed, the anger in your voice palpable. "I'm 25 for fuck's sake!"

In that moment, what he said, the implication of his excuse became painfully clear. It wasn't about age. It was about fear, about his own insecurities. But you refused to be dismissed so easily.

"Younger, then." He persisted, correcting himself, his tone tinged with frustration. "You should be out there flirting with guys your own age, not messed up middle-aged men that you meet at a shady pub."

How dare he, you thought, how dare he belittle your choices, your feelings like that?

Your eyes widened in disbelief at what he was saying, the anger bubbling up inside you threatening to boil over. How could he be so blind, so oblivious to the depth of your feelings?

"Guys my age, huh?!" You retorted sarcastically, raising the volume of your voice just enough to make him look back into your eyes.

But instead of backing down, John simply nodded to your question. And then, as if to salt to your wound, his eyes trailed around the pub, landing on two young guys ordering a drink at the bar.

"Someone like him, not me.'' His tone devoid of self-pity or insecurity.

It was as if he was protecting you, shielding you from the potential pain that could come from being with someone like him.

His words only added more fuel to your fire that was threatening to consume you whole and so you stood up from your seat, straightening your dress with a determined flick of your wrist. Every fiber of your being screamed with frustration, but you refused to let it win.

"You know what, maybe you are right." You said to John, your voice tinged with bitterness.

Trailing your gaze towards the blonde guy at the bar, who seemed more interested in his reflection on his front camera than anything else, you saw an opportunity.

With a calculated move, you turned back to John, his eyes awaiting your next move. With a forced smile, you continued, "Maybe I should take my chances with a younger guy."

Without another word, you turned on your heel, grabbing your purse and made your way towards the bar. As you approached the blonde guy, you could feel John's eyes boring into your back but you tried your hardest not to take a peak.

Instead you sat down next to the new stranger, who finally put his phone down and turned his attention towards you, giving you a warm smile before introducing himself with a simple, ''Hey.''

Glancing back at John for a brief moment, you noticed an unfamiliar look in his eyes. A mixture of possessiveness and jealousy that sent shivers down your spine.

With his jaw clenched and posture tense, John seemed poised to stand up. But you refused to let his sudden change dictate your actions and so maintaining the same fake smile as before, you turned back to the blonde guy.

"Hey, there." You replied, your tone light and casual as you greeted him back.

It was time for you to finally be the cat and it was only a matter of seconds before the mouse came running back to your claws.

[etinceelle]

"Throughout RWBY's development, almost nothing has gone to waste. Sketches, designs, and concepts are all created in the service of a master story plan - one which will inevitably bring about an end to the RWBY saga.

"We have a road map for the entiere show", says Shawcross. "Volume 1 is where it starts, and there's a volume in the future where it ends. Every year we look at that to decide how far we're going to get this year."

The plan provides worldbuilding consistence and storytelling structure, but it also aplies constant pressure to the gas pedal. Every new episode brings Ruby, Weiss, Blake, Yang, and the rest of RWBY's cast ever closer to a final accounting of their fates.

"We want to make sure we're telling a complete story with RWBY," says Burns. "And a complete story has an end.""

Let's hope this story can end properly ❤️🤍🖤💛

(From the last pages of the RWBY artbook, "The World of RWBY - Official companion)

[igotanidea]

Despite everything: Damian Wayne x reader

part 1 : Family rules

part 2: A moment of weakness

***

Damian Wayne was not the one to get scared easily.

Of course not. He was Robin, after all, fighting crime alongside Batman nearly every night, beating the shit out of the villains that dreaded at the sound of his name (as for the last part, that was more like something he wanted to believe rather than truth).

But when across the school corridor he noticed Y/N, with her face flushed (prettily though he quickly discarded that thought), eyes gleaming and walking towards him like an enraged bull, he shuddered involuntarily. His older brother(s) had enough experience with girls to give him countless advice on the girls, but there was only one Damian actually listened to.

Do not mess with a girl. Furious woman is more dangerous than all Gotham’s criminals combined.

And as for now, it seemed like he was going to experience that first-handed.

Or not-

Given the fact that before she could reach him, the school principal appeared out of thin air grabbing her shoulder and guiding Y/N towards his office, not giving her the slightest chance to slap Damian’s face or tear all his hair out. All she was capable of doing, evading the watchful gaze of the most important school official was send him a murderous glance, to which he responded with a vengeful smirk and a shrug of shoulders enraging her even more.

“Mr. Wayne!” the principal turned around following the girl’s gaze and spotting his second least favorite student. From the get go he knew Y/N Y/L/N and Damian Wayne would be giving him constant headaches and causing troubles. Maybe it was a mistake on his part to accept them to the same class. “You’ll come with us as well.”

“I refuse to be in the same school as this *** let alone the same room!”

“Miss Y/L/N! Control your language or I’ll put you in detention!” the head teacher tried to put the situation to order, failing spectacularly as nearly every student was now recording the event.

“Exactly, Y/N. I don’t understand the sudden rage of emotions in you, you are acting so irrational and erratic.” Damian smirked, once again feeling the need to take control over the situation. “you need to calm down.”

“You little prick!” now she almost threw herself at him, not caring about the comments or making a scene. He was going to pay for everything he did.

“ENOUGH!” the principal yelled. In his own opinion, the tone and volume of voice made the glass in the windows shake but in reality no one cared about the outburst. The corridor  did not go quiet as expected, students did not put down their phones and Damian and Y/N did not freeze in the middle of their respective movements with shock written all over their faces. The principal sighed in the sense of ignominious failure. ‘You.” He pointed at Y/N “and you” he gave Damian a look “with me. Now. And I don’t want to hear a word.” He hissed.

“Couldn’t you have just asked?” Y/N raised an eyebrow

“Really, Sir, given your position, you should have developed better self-control.”

They exchanged glances (that were calm and friendly at first before quickly giving way to the hateful and threatening ones) and followed the principal to his den, officially known as study.

If only they knew what was going on inside each other head.

If only she knew, that under all that pose and cold exterior he was actually feeling a little guilty of getting her into this mess and getting the sudden urge to become even colder to not let her get burned even more due to becoming too attached. All because he didn’t regret the kiss they shared and actually wanted more.

If only he knew that below all that enragement, she actually felt like crying her heart out letting out all the unfairness and showing how hurt she felt because of what he did (allegedly), begging for an explanation like a broken, pathetic child.  All because she didn’t regret the kiss they shared and actually wanted more.

***

“This is simply outrageous behavior! Gotham Academy has always pride itself of raising its student in the understanding of social norms and rules of decency. And you two have now put that reputation to harm.”

“Harm?” she scoffed “this is Gotham’s school. What kind of reputation are we talking about here? Last week, we had to evacuate the classrooms because of the sudden leak of fear gas.” She put the fingers in the air mocking the quote that was used in an official statement “we have zero reputation.”

“Well- um…”

“Yes, precisely. And what kind of indecency do you have in your mind, sir?” Damian smirked “this was all a pose for the press, just to gather the attention to my father’s event. Besides, are you suggesting that it was more than just a kiss, prey tell something forbidden amongst teenagers?”he mocked.

“Well- um…”

“I cannot quite comprehend why exactly are we here.” She continued, crossing arms over her chest and leaning back on the chair with a daring face expression “Do you, Wayne?”

“Not in the slightest Y/L/N.”

“You two are-“

“We are what exactly?”

“Well… um-“

“Not to be mean but I think there’s nothing you can accuse as of” she smirked, feeling the surge of victory.

“Your behavior actually make me think it’s kind of convenient to you to bring attention to your two students, isn’t it. Sir?” Damian made the same action as Y/N and neither of them realized how similar it made them look.

“So, what kind of punishment will you impose upon us? Breaking wheel?”

“Don’t be stupid, y/l/n. I’m sure it’ll be nothing less than cangue.”

“Maybe gag to stop the flow of those meaningless words out of your mouth.”

“I’ll suggest burning on the pile for you witch.”

“Asshole.”

“Dumbass.”

They both smirked again their faces full of vengeance and then their eyes landed back on the face of the principal who seemed distressed and kind of desperate, not sure how to get out of this situation while keeping his face.

“So, sir?” she smiled innocently “what shall we expect as a punishment?”

“Do not keep us in the dark sir, we will gladly submit. Just try to think what my father might do if he finds out? Stop funding the school maybe?”

“Oh my God, you had to use the wealth argument! Low blow Wayne!” she rolled her eyes “maybe my father will stop organizing the students’ internship then huh?”

“I thought you were going bankrupt?” he mocked

“Will you shut up! Take your money and choke on them!”

They both rose from their feet standing mere inches from one another, threating to wage a war if the other did as much as blink in the wrong way.

“I hate you!”

“I hate you more!”

“You arrogant, selfish, ignorant, conceited prick!”

“You reckless, emotional, distracting, competitive freak!”

“GET THE HELL OUT OF MY FACE!” the principal finally reached the limits of his patience towards those two. It was impossible to fight two students, who were this dead set on making his life a living hell. And the truth was, that he couldn’t actually hold the kiss and the press against them. He had no legal or factual ground to interfere with students’ private life and if he did, either Y/N and Damian or worse – their fathers – or the worst -their lawyers would gladly remind him of that.

All there was left, was to hope that Wayne and F/L/N would have a talk with both of them respectively about fraternizing with the enemy.

“Get back to class. I can’t stand your faces, but I swear if something like that happens again –”

They were gone before the principal could even finish the sentence, showing him exactly how little respect he held in the school.

***

“that was fun.” She laughed wholeheartedly, for a second forgetting about all the negative feelings she was holding towards him after all the press incident and actually send him such a bright smile that made his legs tremble a little bit.

“I guess we played him well enough, huh?”

“I don’t think he was the only one who got played here.” she muttered picking up the pace not wanting to see, hear or think about Damian. All she wished was to go back to how things were before the gala, the photos, the press.

But he didn’t let her, grabbing her arm and spinning her around so she was facing him again.

“Let me go…” she said, but it came out weaker than expected

“I didn’t do it Y/L/N. I didn’t leak the photos.”

“Are you explaining yourself to me now?”

“You wish.”

“Then just let be me!” her voice echoed through the empty corridor and the door to the right creaked slightly. However before the teacher could spot the source of the noice Damian dragged her to the empty classroom putting a hand to her mouth.

“Will you shut up?!”

“Get your dirty hands of me!” she barely stopped herself from biting his hand.

“You are insane.”

“Huh! You think you’re normal with all that snooty, all-mighty behavior? We’re seventeen! We’re teenagers!”

“And that exclude restraints? Look-” he sighed running fingers through his hair. “You’re mad because now the whole school is abuzz with rumors, I get it, but I’m a part of it too. And I’m telling you I didn’t leak those photos! Think rationally – why would I want to be on tongues? Especially given the fact that it was you I kissed.”

The way he said it, like some sort of insult made her heart break. Not because she cared about Damian Wayne, obviously, but because he actually joined talking shit about her.

“I guess we both made a mistake then.” She hissed “we should get back to class.”

“No, wait! I didn’t mean it like that!” Damian muttered looking down, quite ashamed that even after years of leaving the League of Assassins’ and being raised by his father he still couldn’t quite comprehend basic human interactions sometimes.

“Then how?” she looked into his eyes.

And there it was again. The same wave of emotions he felt at the gala when he was holding her to his chest. The same feelings that coursed through his body when he kissed her away from the main event. He couldn’t quite decipher what it was, but that little voice inside his head (that sounded awfully like Grayson’s) was screaming at him to clear this thing out. To not let her go feeling like he just dismissed her, having zero regards towards her.

And it was weird. And right.

Weirdly right.

With heart almost beating out of his chest, feeling the air almost crackle with electricity, breath heavy and mind fogged he leaned slightly forward, not being fully in control of his actions. Forgetting the fact that they were in school and that they were supposed to be enemies. They were hostile for long enough and he was done.

For the first time in his young life he actually wanted someone to like him for him. Not because he was family (even if adopted), a relative of sort or a useful sidekick vigilante.

For the first time he felt the need to be needed as a human being, as a boy. He wanted her to give him that smile she did a few minutes ago when they left the principal’s office. He wanted to see her eyes shine the way they did at the gala, to feel her hug him and hold him as if she was feeling safe with him.

Despite everything.

So he leaned forward.

Slowly, hesitantly, not sure what to expect but ready for everything, gauging her reaction. Giving her time and space to back out, to run away, to call him names – unlike the way he was behaving in his Robin uniform.

She was not a villain.

She was –

Someone important.

And when she met him halfway, he melted.

Grabbing her tighter and letting the whole world disappear, focusing solely on that warmth he lacked through his entire life. Her scent, her hair tickling his face, her hand on his cheek.

So good. So right. So nice.

So terrifying.

Damian Wayne was --

***

--in love.

part 4: New rules

@gabriiiiiiii @6000-fandoms @jinviktor @atadoddinnit @celestair

[byoldervine]

The Trick To Writing Filler

(TL;DR at the bottom)

Filler is when you spend a chapter padding the length of your story between plot-related events. Filler chapters have little to no impact on the overarching plot and can be self-contained, and thus in TV shows filler episodes are often reran the most as people unfamiliar with the show can casually watch without being confused without the knowledge of prior plot beats

So with the chapter being largely self-contained and acting outside of the plot, what do you use to make the filler chapter engaging? I’m going to use filler episodes from Avatar: The Last Airbender to provide examples

1. Worldbuilding. Zuko Alone depicts Zuko’s travels taking him through an Earth Kingdom village and becoming acquainted to the family that allows him to stay with them, especially their young son. He learns about what the Fire Nation’s impact on this village has been; destroyed houses, families torn apart, constant robbery and other abuses of power and injustices. And even after Zuko defends the villagers and his new friend, he’s venomously cast out from the village by even the little boy because he outed himself as a firebender. This episode explored the impact of the war on the people of the Earth Kingdom, the victims of war that have no involvement in it and no way of defending themselves from it

2. Character exploration. In The Beach, we learn more about Mai, Ty Lee, Azula and Zuko and how their own traumas and personal upbringings have impacted their personalities. For Zuko this is part of a turning point for him, but for the girls it’s more to understand why they are the people we’ve gotten to know over the seasons, especially Ty Lee and Mai. The episode also serves to showcase how Azula and Zuko are so out of place being just normal teenagers; Azula has no idea how to talk to her peers and no identity outside being Princess Azula of the Fire Nation, while Zuko’s hotheadedness and jealousy issues lead him to lash out and be far too confrontational and controlling for his own good. This episode isn’t really used to develop these characters, or at least not the girls, but instead explains and showcases their behaviours and the reasons behind them

3. Character development. Going back to The Beach, Zuko does indeed receive development rather than just character exploration like the girls do; he comes to understand that he’s not just angry at the world or angry in general, but angry with himself. This is a notable turning point for Zuko’s redemption arc, because he now understands fully that he truly regrets betraying Iroh and sacrificing his new start in life in favour of returning to the Fire Nation. He might not yet be fully decided on turning his back on Ozai, but without this moment I don’t know if he’d have gotten there, or at least not as quickly as he did

4. Relationship development. Sokka’s Master has a C plot of Aang, Katara and Toph all being rather bored and lost without Sokka’s presence. The A plot exploring Sokka’s feelings of inadequacy and uselessness in comparison to such powerful and formidable bending masters being contrasted with the Gaang unable to function without him already speaks volumes about their dynamics, but looking deeper into the C plot also shows how much value Sokka really does bring to the team; structure, planning, humour, a quick wit, strategic moves. The Gaang always supported Sokka and never seemed to view him as expendable outside of the occasional teasing, but having it acknowledged so clearly and plainly that they can feel a little aimless and flat without Sokka and being so delighted when he returns really shows us the kind of value Sokka brings to this team and brings us and the characters to further appreciate it

5. Downtime. The Ember Island Players depicts the characters taking a break to watch a comedic play based on their wacky adventures, only to be largely underwhelmed and displeased by how they’re portrayed. There are no stakes to this episode and barely any plot, just the Gaang taking a breather as they react to a bad play. This chance to relax and watch something inconsequential is just as important to the viewers as we’ve got the show’s finale in the next four episodes, which will be very plot-driven and intense. The Ember Island Players also has the additional viewer bonus of recapping the events of the show right before it all ends, giving the viewers time to reflect on the journey they’ve gone on with these characters. In order for the stakes to feel high and the tension to rise, there has to be downtime where there are low stakes and low tension; if things are intense all the time, the moments that are supposed to feel super intense will just feel average in comparison. Resetting that intensity right before such a big event while still acknowledging the looming threat coming soon will feel like the calm before the storm and allow your audience to soak it all up like the characters are

Wow, did I just go through all that without talking about Tales of Ba Sing Se? I’ll save that for another post if people are interested in more

TL;DR - filler provides a moment to breathe, reset the intensity levels the audience are experiencing and take a chance to step away from the external conflict (the overarching plot) in favour of worldbuilding and the characters within your setting. Small moments can amount to something big, and can help make large scale decisions or plot twists feel more build-up and in-character

[dresshistorynerd]

The Real Cost of the Fashion Industry

Atacama Desert, in Alto Hospicio, Iquique, Chile. (source)

The textile industry is destroying the world. The industry is wasting massive amounts of energy and materials, and polluting the air, the ground and the water supplies. It overwhelmingly exploits it's labour and extracts wealth from colonized countries, especially in Asia. I assume we all broadly understand this, but I think it's useful to have it all laid out in front of you to see the big picture, the core issues causing this destruction and find ways how to effectively move forward.

The concerning trend behind this ever-increasing devastation are shortening of trend cycles, lowering clothing prices and massive amount of wasted products. Still in year 2000 it was common for fashion brands to have two collections per year, while now e.g. Zara produces 24 collections and H&M produces 12-16 collections per year. Clothing prices have fallen (at leas in EU) 30% from 1996 to 2018 when adjusted to inflation, which has contributed to the 40% increase in clothing consumption per person between 1996 and 2012 (in EU). (source) As the revenue made by the clothing industry keep rising - from 2017 to 2021 they doubled (source) - falling prices can only be achieved with increasing worker exploitation and decreasing quality. I think the 36% degrees times clothing are used in average during the last 15 years (source) is a clear indication on the continuing drop in quality of clothing. Clothing production doubled between 2000 and 2015, while 30% of the clothes produced per year are never sold and are often burned instead (source), presumably to prevent the returns from falling due to oversupply.

These all factors are driving people to overconsume. While people in EU keep buying more clothes, they haven't used up to 50% of the clothes in their wardrobe for over a year (source). This overconsumption is only made much worse by the new type of hyper fast fashion companies like SHEIN and Temu, which are using addictive psychological tactics developed by social media companies (source 1, source 2). They are cranking up all those concerning trends I mentioned above.

Under the cut I will go through the statistics of the most significant effects of the industry on environment and people. I will warn you it will be bleak. This is not just a fast fashion problem, basically the whole industry is engaging in destructive practices leading to this damage. Clothing is one of those things that would be actually relatively easy to make without massive environmental and human cost, so while that makes the current state of the industry even more heinous, it also means there's hope and it's possible to fix things. In the end, I will be giving some suggestions for actions we could be doing right now to unfuck this mess.

Carbon emissions

The textile industry is responsible for roughly 10% of the global CO2 emissions, more than aviation and shipping industry combined. This is due to the massive supply chains and energy intensive production methods of fabrics. Most of it can be contributed to the fashion sector since around 60% of all the textile production is clothing. Polyester, a synthetic fiber made from oil which accounts for more than half of the fibers used in the textile industry, produces double the amount of carbon emissions than cotton, accounting for very large proportions of all the emissions by the industry. (source 1, source 2)

Worker exploitation

Majority of the textiles are produced in Asia. Some of the worst working conditions are in Bangladesh, one of the most important garment producers, and Pakistan. Here's an excerpt from EU Parliament's briefing document from 2014 after the catastrophic Rana Plaza disaster:

The customers of garment producers are most often global brands looking for low prices and tight production timeframes. They also make changes to product design, product volume, and production timeframes, and place last-minute orders without accepting increased costs or adjustments to delivery dates. The stresses of such policies usually fall on factory workers.

The wage exploitation is bleak. According to the 2015 documentary The True Cost less than 2% of all garment factory workers earned a living wage (source). Hourly wages are so low and the daily quotas so high, garment workers are often forced through conditions or threats and demand to work extra hours, which regularly leads to 10-12 hour work days (source) and at worst 16 hour workdays (source), often without days off. Sometimes factories won't compensate for extra hours, breaching regulations (source).

Long working hours, repetitive work, lack of breaks and high pressure leads to increased risks of injuries and accidents. Small and even major injuries are extremely common in the industry. A study in three factories in India found that 70% of the workers suffered from musculosceletal symptoms (source). Another qualitative study of female garment workers and factory doctors in Dhaka found that long hours led to eye strain, headaches, fatigue and weight loss in addition to muscular and back pains. According to the doctors interviewed, weight loss was common because the workers work such long hours without breaks, they didn't have enough time to eat properly. (source) Another study in 8 factories in India found that minor injuries were extremely common and caused by unergonomic work stations, poor organization in the work place and lack of safety gear, guidelines and training (source). Safety precautions too are often overlooked to cut corners, which periodically leads to factory accidents, like in 2023 lack of fire exists and fire extinguishers, and goods stacked beyond capacity led to a factory fire in Pakistan which injured dozens of workers (source) or like in 2022 dangerous factory site led to one dead worker and 9 injured workers (source).

Rana Plaza collapse in 2013 is the worst industrial accident in recent history. The factory building did not have proper permits and the factory owner blatantly ignored signs of danger (other businesses abandoned the building a day before the collapse), which led to deaths of 1 134 workers and injuries to 2 500 workers. The factory had or were at the time working for orders of at least Prada, Versace, Primark, Walmart, Zara, H&M, C&A, Mango, Benetton, the Children's Place, El Corte Inglés, Joe Fresh, Carrefour, Auchan, KiK, Loblaw, Bonmarche and Matalan. None of the brands were held legally accountable for the unsafe working conditions which they profited off of. Only 9 of the brands attended a meeting to agree on compensation for the victim's families. Walmart, Carrefour, Auchan, Mango and KiK refused to sight the agreement, it was only signed by Primark, Loblaw, Bonmarche and El Corte Ingles. The compension these companies provided was laughable though. Primemark demanded DNA evidence that they are relatives of one of the victims from these struggling families who had lost their often sole breadwinner for a meager sum of 200 USD (which doesn't even count for two months of living wage in Bangladesh (source)). This obviously proved to be extremely difficult for most families even though US government agreed to donate DNA kits. This is often said to be a turning point in working conditions in the industry, at least in Bangladesh, but while there's more oversight now, as we have seen, there's clearly still massive issues. (source 1, source 2)

One last major concern of working conditions in the industry I will mention is the Xinjiang raw cotton production, which is likely produced mainly with forced labour from Uighur concentration camps, aka slave labour of a suspected genocide. 90% of China's raw cotton production comes from Xinjiang (source). China is the second largest cotton producer in the world, after India, accounting 20% of the yearly global cotton production (source).

Pollution

Synthetic dyes, which synthetic fibers require, are the main cause of water pollution caused by the textile industry, which is estimated to account for 20% of global clean water pollution (source). This water pollution by the textile industry is suspected of causing a lot of health issues like digestive issues in the short term, and allergies, dermatitis, skin inflammation, tumors and human mutations in the long term. Toxins also effect fish and aquatic bacteria. Azo dyes, one of the major pollutants, can cause detrimental effects to aquatic ecosystems by decreasing photosynthetic activity of algae. Synthetic dyes and heavy metals also cause large amounts of soil pollution. Large amounts of heavy metals in soil, which occurs around factories that don't take proper environmental procautions, can cause anaemia, kidney failure, and cortical edoem in humans. That also causes changes in soil texture, decrease in soil microbial diversity and plant health, and changes in genetic structure of organisms growing in the soil. Textile factory waste water has been used for irrigation in Turkey, where other sources of water have been lacking, causing significant damage to the soil. (source)

Rayon produced through viscose process causes significant carbon disulphide and hydrogen sulphide pollution to the environment. CS2 causes cardiovascular, psychiatric, neuropsychological, endocrinal and reproductive disorders. Abortion rates among workers and their partners exposed to CS2 are reported to be significantly higher than in control groups. Many times higher amounts of sick days are reported for workers in spinning rooms of viscose fiber factories. China and India are largest producers of CS2 pollution, accounting respectively 65.74% and 11,11% of the global pollution, since they are also the major viscose producers. Emission of CS2 has increased significantly in India from 26.8 Gg in 2001 to 78.32 Gg in 2020. (source)

Waste

The textile industry is estimated to produce around 92 million tons of textile waste per year. As said before around 30% of the production is never sold and with shortening lifespans used the amount of used clothing that goes to waster is only increasing. This waste is large burned or thrown into landfills in poor countries. (source) H&M was accused in 2017 by investigative journalists of burning up to 12 tonnes of clothes per year themselves, including usable clothing, which they denied claiming they donated clothing they couldn't sell to charity instead (source). Most of the clothing donated to charity though is burned or dumbed to landfills (source).

Most of the waste clothing from rich countries like European countries, US, Australia and Canada are shipped to Chile (source) or African countries, mostly Ghana, but also Burkina Faso and Côte d'Ivoire (source). There's major second-hand fashion industries in these places, but most of the charity clothing is dumbed to landfills, because they are in such bad condition or the quality is too poor. Burning and filling landfills with synthetic fabrics with synthetic dyes causes major air, water and soil pollution. The second-hand clothing industry also suppresses any local clothing production as donated clothing is inherently more competitive than anything else, making these places economically reliant on dumbed clothing, which is destroying their environment and health, and prevents them from creating a more sustainable economy that would befit them more locally. This is not an accident, but required part of the clothing industry. Overproduction let's these companies tap on every new trend quickly, while not letting clothing the prices in rich countries drop so low it would hurt their profits. Production is cheaper than missing a trend.

Micro- and nanoplastics

There is massive amounts of micro- and nanoplastics in all of our environment. It's in our food, drinking water, even sea salt (source). Washing synthetic textiles accounts for roughly 35% of all microplastics released to the environment. It's estimated that it has caused 14 million tonnes of microplastics to accumulate into the bottom of the ocean. (source)

Microplastics build up into the intestines of animals (including humans), and have shown to probably cause cause DNA damage and altered organism behavior in aquatic fauna. Microplastics also contain a lot of the usual pollutants from textile industry like synthetic dyes and heavy metals, which absorb in higher quantities to tissues of animals through microplastics in the intestines. Studies have shown that the adverse effect are higher the longer the microplastics stay in the organism. The effects cause major risks to aquatic biodiversity. (source) The health effects of microplastics to humans are not well known, but studies have shown that they could have adverse effects on digestive, respiratory, endocrine, reproductive and immune systems. (source)

Microplastics degrade in the environment even further to nanoplastics. Nanoplastic being even smaller are found to enter blood circulation, get inside cells and cross the blood-brain barrier. In fishes they have been found to cause neurological damage. Nanoplastics are also in the air, and humans frequently breath them in. Study in office buildings found higher concentration of nanoplastics in indoor air than outdoor air. Inside the nanoplastics are likely caused mostly by synthetic household textiles, and outdoors mostly by car tires. (source) An association between nanoplastics and mitochondrial damage in human respiratory cells was found in a recent study. (source)

Micro and nano plastics are also extremely hard to remove from the environment, making it even more important that we reduce the amount of microplastics we produce as fast as possible.

What can we do?

This is a question that deserves it's own essays and articles written about it, but I will leave you with some action points. Reading about these very bleak realities can easily lead to overwhelming apathy, but we need to channel these horrors into actions. Whatever you do, do not fall into apathy. We don't have the luxury for that, we need to act. These are industry wide problems, that simply cannot be fixed by consumerism. Do not trust any clothing companies, even those who market themselves as ethical and responsible, always assume they are lying. Most of them are, even the so called "good ones". We need legislation. We cannot allow the industry to regulate itself, they will always take the easy way out and lie to their graves. I will for sure write more in dept about what we can do, but for now here's some actions to take, both political and individual ones.

Political actions

Let's start with political actions, since they will be the much more important ones. While we are trying to dismantle capitalism and neocolonialism (the roots of these issues), here's some things that we could do right now. These will be policies that we should be doing everywhere in the world, but especially rich countries, where most of the clothing consumption is taking place. Vote, speak to others, write to your representative, write opinion pieces to your local papers, engage with democracy.

Higher requirements of transparency. Right now product transparency in clothing is laughably low. In EU only the material make up and the origin country of the final product are required to be disclosed. Everything else is up to the company. Mandatory transparency is the only way we can force any positive changes in the production. The minimum of transparency should be: origin countries of the fibers and textiles in the product itself; mandatory reports of the lifecycle emissions; mandatory reports of whole chain of production. Right now the clothing companies make their chain of production intentionally complex, so they have plausible deniability when inevitably they are caught violating environmental or worker protection laws (source). They intentionally don't want to be able to track down their production chain. Forcing them to do so anyway would make it very expensive for them to keep up this unnecessarily complex production chain. These laws are most effective when put in place in large economies like EU or US.

Restrictions on the use of synthetic fibers. Honestly I think they should be banned entirely, since the amount of microplastics in our environment is already extremely distressing and the other environmental effects of synthetic fibers are also massive, but I know there are functions for which they are not easily replaced (though I think they can be replaces in those too, but that's a subject of another post), so we should start with restrictions. I'm not sure how they should be specifically made, I'm not a law expert, but they shouldn't be used in everyday textiles, where there are very easy and obvious other options.

Banning viscose. There are much better options for viscose method that don't cause massive health issues and environmental destruction where ever it's made, like Lyocell. There is absolutely no reason why viscose should be allowed to be sold anywhere.

Governmental support for local production by local businesses. Most of the issues could be much more easily solved and monitored if most clothing were not produced by massive global conglomerations, but rather by local businesses that produce locally. All clothing are made by hand, so centralizing production doesn't even give it advantage in effectiveness (only more profits for the few). Producing locally would make it much more easier to enforce regulations and it would reduce production chains, making production more effective, leaving more profits into the hands of the workers and reducing emissions from transportation. When the production is done by local businesses, the profits would stay in the producing country and they could be taxed and utilized to help the local communities. This would be helpful to do in both exploited and exploiter countries. When done in rich countries who exploit poorer ones, it would reduce the demand for exploitation. In poor countries this is not as easily done, since poor means they don't have money to give around, but maybe this could be a good cause to put some reparations from colonizers and global corporations, which they should pay.

Preventing strategic accounting between subsidiaries and parent companies. Corporate law is obviously not my area of expertise, but I know that allowing corporations to move around the accounting of profits and losses between subsidiaries and parent companies in roughly 1980s, was a major factor in creating this modern global capitalist system, where corporations can very easily manipulate their accounting to utilize tax heavens and avoid taxes where they actually operate, which is how they are upholding this terrible system and extracting the profits from the production countries. How specifically this would be done I can't tell because again I know shit about corporate law, so experts of that field should plan the specifics. Overall this would help deal with a lot of other problems than just the fashion industry. Again for it to be effective a large economic area like EU or US should do this.

Holding companies accountable for their whole chain of production. These companies should be dragged to court and made to answer for the crimes they are profiting of off. We should put fear back into them. This is possible. Victims of child slavery are already doing this for chocolate companies. If it's already not how law works everywhere, the laws should be changed so that the companies are responsible even if they didn't know, because it's their responsibility to find out and make sure they know. They should have been held accountable for the Rana Plaza disaster. Maybe they still could be. Sue the mother fuckers. They should be afraid of us.

Individual actions

I will stress that the previous section is much more important and that there's no need to feel guilty for individual actions. This is not the fault of the average consumer. Still we do need to change our relationship to fashion and consumption. While it's not our fault, one of the ways this system is perpetuated, is by the consumerist propaganda by fashion industry. And it is easier to change our own habits than to change the industry, even if our own habits have little impact. So these are quite easy things we all could do as we are trying to do bigger change to gain some sense of control and keep us from falling to apathy.

Consume less. Better consumption will not save us, since consumption itself is the problem. We consume too much clothing. Don't make impulse purchases. Consider carefully weather you actually need something or if you really really want it. Even only buying second-hand still fuels the industry, so while it's better than buying new, it's still better to not buy.

Take proper care of your clothing. Learn how to properly wash your clothing. There's a lot of internet resources for that. Never wash your wool textiles in washing machine, even if the textile's official instructions allow it. Instead air them regularly, rinse them in cool water if they still smell after airing and wash stains with water or small amount of (wool) detergent. Never use fabric softener! It damages the fabrics, prevents them from properly getting clean and is environmentally damaging. Instead use laundry vinegar for making textiles softer or removing bad smells. (You can easily make laundry vinegar yourself too from white vinegar and water (and essential oils, if you want to add a scent to it) which is much cheaper.) Learn how to take care of your leather products. Most leather can be kept in very good condition for a very long time by occasional waxing with beeswax.

Use the services of dressmakers and shoemakers. Take your broken clothing or clothing which doesn't fit anymore to your local dressmaker and ask them if they can do something about it. Take your broken and worn leather products to your local shoemaker too. Usually it doesn't cost much to get something fixed or refitted and these expert usually have ways to fix things you couldn't even think of. So even if the situation with your clothing or accessory seems desperate, still show it to the dressmaker or shoemaker.

If it's extremely cheap, don't buy it. Remember that every clothing is handmade. Only a small fraction of the cost of the clothing will be paying the wages of the person who made it with their hands. If a shirt costs 5 euros (c. 5,39 USD), it's sewer was only payed mere cents for sewing it. I'm not a quick sewer and it takes me roughly 1-2 hours to cut, prepare and sew a simple shirt, so I'm guessing it would take around half an hour to do all that for a factory worker on a crunch, at the very least 15 minutes. So the hourly pay would still be ridiculously low. However, as I said before, the fact that the workers in clothing factories get criminally low pay is not the fault of the consumer, so if you need a clothing item, and you don't have money to buy anything else than something very cheep, don't feel guilty. And anyway expensive clothing in no way necessarily means reasonable pay or ethical working conditions, cheep clothing just guarantee them.

Learn to recognize higher quality. In addition to exploitation, low price also means low quality, but again high price doesn't guarantee high quality. High quality allows you to buy less, so even if it's not as cheep as low quality, if you can afford it, when you need it, it will be cheaper in long run, and allows you to consume less. Check the materials. Natural fibers are your friends. Do not buy plastic, if it's possible to avoid. Avoid household textiles from synthetic fibers. Avoid textiles with small amounts of spandex to give it stretch, it will shorten the lifespan of the clothing significantly as the spandex quickly wears down and the clothing looses it's shape. Also avoid clothing with rubber bands. They also loose their elasticity very quickly. In some types of clothing (sport wear, underwear) these are basically impossible to avoid, but in many other cases it's entirely possible.

Buy from artisans and local producers, if you can. As said better consumption won't fix this, but supporting artisans and your local producers could help keep them afloat, which in small ways helps create an alternative to the exploitative global corporations. With artisans especially you know the money goes to the one who did the labour and buying locally means less middlemen to take their cut. More generally buy rather from businesses that are located to the same country where the production is, even if it's not local to you. A local business doesn't necessarily produce locally.

Develop your own taste. If you care about fashion and style, it's easy to fall victim to the fashion industry's marketing and trend cycles. That's why I think it's important to develop your personal sense of style and preferences. Pay attention at what type of clothes are comfortable to you. Go through your wardrobe and track for a while which clothing you use most and which least. Understanding your own preferences helps you avoid impulse buying.

Consider learning basics of sewing. Not everyone has the time or interest for this, but if you in anyway might have a bit of both, I suggest learning some very simple and basic mending and reattaching a button.

Further reading on this blog: How to see through the greenwashing propaganda of the fashion industry - Case study 1: Shein

Bibliography

Academic sources

An overview of the contribution of the textiles sector to climate change, 2022, L. F. Walter et al., Frontiers in Environmental Science

How common are aches and pains among garment factory workers? A work-related musculoskeletal disorder assessment study in three factories of south 24 Parganas district, West Bengal, 2021, Arkaprovo Pal et al., J Family Med Prim Care

Sewing shirts with injured fingers and tears: exploring the experience of female garment workers health problems in Bangladesh, 2019, Akhter, S., Rutherford, S. & Chu, C., BMC Int Health Hum Rights

Occupation Related Accidents in Selected Garment Industries in Bangalore City, 2006, Calvin, Sam & Joseph, Bobby, Indian Journal of Community Medicine

A Review on Textile and Clothing Industry Impacts on The Environment, 2022, Nur Farzanah Binti Norarmi et al., International Journal of Academic Research in Business and Social Sciences

Carbon disulphide and hydrogen sulphide emissions from viscose fibre manufacturing industry: A case study in India, 2022, Deepanjan Majumdar et al., Atmospheric Environment: X

Microplastics Pollution: A Brief Review of Its Source and Abundance in Different Aquatic Ecosystems, 2023, Asifa Ashrafy et al., Journal of Hazardous Materials Advances

Health Effects of Microplastic Exposures: Current Issues and Perspectives in South Korea, 2023, Yongjin Lee et al., Yonsei Medical Journal

Nanoplastics and Human Health: Hazard Identification and Biointerface, 2022, Hanpeng Lai, Xing Liu, and Man Qu, Nanomaterials

Other sources

The impact of textile production and waste on the environment (infographics), 2020, EU

Chile’s desert dumping ground for fast fashion leftovers, 2021, AlJazeera

Fashion - Worldwide, 2022 (updated 2024), Statista

Fashion Industry Waste Statistics & Facts 2023, James Evans, Sustainable Ninja (magazine)

Everything You Need to Know About Waste in the Fashion Industry, 2024, Solene Rauturier, Good on You (magazine)

Textiles and the environment, 2022, Nikolina Šajn, European Parliamentary Research Service

Help! I'm addicted to secondhand shopping apps, 2023, Alice Crossley, Cosmopolitan

Addictive, absurdly cheap and controversial: the rise of China’s Temu app, 2023, Helen Davidson, Guardian

Workers' conditions in the textile and clothing sector: just an Asian affair? - Issues at stake after the Rana Plaza tragedy, 2014, Enrico D'Ambrogio, European Parliamentary Research Service

State of The Industry: Lowest Wages to Living Wages, The Lowest Wage Challenge (Industry affiliated campaign)

Fast Fashion Getting Faster: A Look at the Unethical Labor Practices Sustaining a Growing Industry, 2021, Emma Ross, International Law and Policy Brief (George Washington University Law School)

Dozens injured in Pakistan garment factory collapse and fire, 2023, Hannah Abdulla, Just Style (news media)

India: Multiple factory accidents raise concerns over health & safety in the garment industry, campaigners call for freedom of association in factories to ‘stave off’ accidents, 2022, Jasmin Malik Chua, Business & Human Rights Resource Center

Minimum Wage Level for Garment Workers in the World, 2020, Sheng Lu, FASH455 Global Apparel & Textile Trade and Sourcing (University of Delaware)

Rana Plaza collapse, Wikipedia

Buyers’ compensation for Rana Plaza victims far from reality, 2013, Ibrahim Hossain Ovi, Dhaka Tribune (news media)

World cotton production statistics, updated 2024, The World Counts

Dead white man’s clothes, 2021, Linton Besser, ABC News