#theatre show

[freshsqueezeprod]

the Everything, Always clowns

(Friendless, Childless, Tasteless, Balloonless)

Photos taken by Jack Stone

[atomic-chronoscaph]

Joe Flaherty and John Candy - Monster Chiller Horror Theatre: Dr. Tongue's 3D House of Cats (SCTV, 1978)

[whoareyoueventhough]

Shoutout to my tragic theatre kids. My girls born to play Elle Woods who have dark hair. My people destined to be Misha Bachinski who are 5'2". My people who should be analyzing newsies choreo who have face blindness. My Cats fanatics with no flexibility. My girls made to be a Veronica but are forced to be a Martha. Female Audrey II s. Male Janet Weiss's. The wrong range for the right role. You are meant for this character but they weren't designed for you and there's nothing you can do

[richie-shitlips]

I've seen posts doing this before, but I wanted to make my own. Shout out to everyone in theatre who will never get the roles they want. To the trans women whose roles written for them are always given to cis people. To the trans men who will never get cast as the leading man because their voices are too high. To the white girls born for The Book of Mormon. To the Black girls born to play Elle Woods. Altos and non-belters born to play Lydia Deetz. Adults who never got their chance in Annie or Oliver! Women who want to play Hades. Men who want to play Persephone. Actually disabled actors who likely won't even be Crutchie or Ricky Potts, let alone anyone else. The Leading Player who doesn't have the range in either direction. Jane Doe who isn't a soprano. Adolfo Pirelli who can't do accents. Anyone whose dream roles are from shows where the rights aren't released. I love all of you. Don't let the directors tell you no. You got this <3

[littledemo0n]

⚠️DEADPOOL&WOLVERINE SPOILERS⚠️

Never have i ever wanted to bingewatch Fox's X-Men movies more than in that moment right there...

[theatreism]

JEREMY JORDAN timeline (broadway, off-broadway & west end)

[personinthepalace]

Hiroki Suzuki as Loid Forger in SPY x FAMILY Musical (2023)

[psqqa]

yes, yes i know edgeworth’s big wet eyes and loser boy personality have captivated us all, but listen. listen.

phoenix wright

phoenix “genuinely unable to reconcile the girl on the stand with the girl he dated for eight months, a cognitive dissonance so profound it’s ultimately explained by them being literally two different people, but which he first sits with for five years and does not talk about at any point to anyone” wright

phoenix “don’t mention that name to me. i don’t want to talk about it. i don’t want to think about it. i am just going to keep myself in this state of perpetual crisis mode focus on other people’s problems until eventually i die and get to hang out with mia on the astral plane and never have to deal with any of these emotions ever again” wright

phoenix “overnight loses his career and reputation and sense of identity while gaining an adopted, probably pretty traumatized eight-year-old daughter, and rather than leaning on his friends for help, or getting therapy, or taking any time to process any of this, he *checks notes* spends seven years dedicating all his free time and energy to investigating the weird fucking circumstances around it and maintains a friendship with the guy he suspects was behind it all” wright

phoenix "runs across a burning bridge and falls through it, half a day after the game establishes that he is terrified of heights, because his friend is on the other side of that bridge" wright

phoenix “i sure felt surprised. maybe i had my poker face on” wright

phoenix “looking back on it that was actually a pretty dark period in my life” wright

phoenix “don’t ask me how i got started. i don’t remember” wright

phoenix “only you stood still, your eyes calmly watching” wright

phoenix “sometimes, life just sucks” wright

just

phoenix wright

crunchiest man in the world

and all i wanna do is chew and chew and chew on him

[freshsqueezeprod]

how nice and calm :)

Gif taken from Everything, Always: The Memorial

[brotherconstant]

detail i didn't catch until i giffed this scene: louis noticing his unhealed self-inflicted bite wound from earlier that night (with jonah) and quickly moving his wrist out of lestat's sight.

[thewhizzyhead]

how genderbending the warriors (2024) is done not for the sole sake of "bad-assery"

okay here we go feminist ramble time for our newest chick on the block: warriors. now i'll be honest, prior to listening to the album, when i first heard that the warriors main girls were originally dudes in the movie and the novel, i thought that the decision for the genderbending, in lmm's perspective, were from the following: 1.) girl power move in like a very basic meaning of the word "bad-ass" 2.) simply a twist on a cult movie about big gang bros loved by the film bros, and 3.) a way to have the schuyler sisters back together gjfkdfldf

but when i read more about warriors and its development and how lmm took inspiration from the gamergate controversies of 2014-2015 aka among the peak of gamerbro misogyny campaigns, that's when i realized that Oh Shit Is Serious - because adapting a story about a group being framed and targeted and harassed for something they are accused of doing without any substantial proof other than a man screaming "THE WARRIORS SHOT CYYYYRUUS" with 21st century misogyny campaigns in mind makes the theme of fighting back a lot more complicated and a lot more resonant, going beyond just marketing a cast you can call "badass"

take the hurricanes' quiet girls, for example. the hurricanes (concept album version) is the only gang that lets the warriors off the hook and with a stern warning: quiet girls don't make it home. here, the hurricanes berate the warriors for not saying shit or attempting to defend themselves from accusations they know well aren't true. THIS MESSAGE IN PARTICULAR is what stays and influences ajax, fox, and swan til the very end of their stories.

literally one song after this does ajax show how easily she resonated with the hurricanes' lesson by finally sticking with her gut and actually choosing to fight back against both the baseball furies AND against the sleazy undercover cop. the latter encounter is one of the instances that really solidifies the recontextualization of the story because in the OG movie, ajax (a dude) WAS the sleazy fuck up harassing a woman in a park - and now with the literal character switch, ajax goes from being just a rebellious gangbro dude bro into someone whose want to fight is warranted. such a want to fight is seen in fox seeing as fox is the first to comment on the quiet girls scene and that, in the concept album, she is the one that instigates the rumble against the police in union square - saying that she is sick of being afraid of them and their 'fuckin powder blue' colors (also notice how she is the only warrior that really does say fuck the cops i think that's cool BUT I'LL TALK ABOUT FOX MORE NEXT TIME)

to a less obvious extent, swan also gets the receiving end of this recurring theme - by the album's finale, the usually violence-averse caution-first interim leader becomes a lot fiercer in protecting her crew. but perhaps among what i consider to be the biggest recontextualized change in the feminist sense is MERCY and her motivations to join the warriors in the first place. according to the wiki, her attraction to swan and the warriors and um seeing the orphans as wimps is what led her to switch sides BUT IN THE CONCEPT ALBUM, mercy's motivation to become a warrior is deepened, rooted in admiration rather than attraction - wanting to be like those women who hold their head up high. and again, we see this in Sick of Runnin' when she takes part in the rumble, finding her bravery within their ranks as they fight back. here, mercy becomes less of a swan tagalong and more of someone that wants what the warriors have: pride.

of course now that i type this out i realize that warriors is not based solely on the feminist rhetoric as with their theme of hope amidst adversity, the story is more intersectional and rooted in community struggle and wanting for more than that. but nonetheless, i genuinely believe that the twt filmbros arguments on why the genders should not have been changed in the first place just for "woke" points is kinda like,,,very shortsighted because not only does the narrative of women narrowly escaping unwarranted accusations actually fucking fit, but the act of learning to fight back amidst all odds - be it that of disbelieving, predatory men or the power of oppressive pigs - stays resonant for women yesterday, today, and the days to come.

ultimately, warriors (2024) is not solely a tale of female badassery - rather, it is a tale of the need for such "female badassery" in the face of past and present realities, which is why it somehow fucking worked.

[disappointingcabbage]

Fellas, is it gay to live inside another man forever with Satan himself by my side?

[dearest-lady-disdain]

happy september 19th aka the talk like a pirate day to all those who celebrate. my father was a tailor. in leeds. as was his father. and his father’s father. time was, if a man on the avendale road asked where he could find the finest clothes in northern england, he was pointed towards the shop of a man named rackha-

[baugettetaylorsversion]

RIP Luke Castellan, he would’ve loved Newsies.

[helpallthenamesaretaken]

friendly reminder that normal is a myth. everyone has issues they're dealing with. and there's a place you need to go, where you belong. where the things that make you different, are the things that make you special. special like your father, yes percy you are special. like food the colour blue, all the things that make you you, are the things that will make you strong. so be strong 🫶🫶