#the-howling-wind

[azurityarts]

11 and 16? Love your work btw!

(Thank you! <3)

11. Do you listen to anything while drawing?

I literally cannot draw without music LOL- it's a little bad sometimes cause I'll get distracted by a song and kinda boogie for a bit before remembering that "oh yeah I'm supposed to be drawing", but my workflow would be exponentially slower without something to listen to. When it comes to specifics though, I tend to listen to whatever matches what I'm working on in terms of mood! Music is an emotional amplifier for me, so it's also useful in that it guides me towards the moods and feelings I want to evoke while drawing!

16. How do you motivate yourself to draw?

Just sorta comes and goes for me! Sometimes random inspiration strikes from outside sources, other times I just really get in a mood to draw! ^^;; If I need to get myself into the art mood though, I generally try to find good music that matches what I want/need to make.

[everyframeapainting20]

Miyazaki’s visual storytelling thrives on a sense of flatness that doesn’t diminish but rather enriches his worlds. By compressing the layers of his compositions—merging the foreground’s details, middle ground’s action, and background’s context—he crafts images that feel like living illustrations. Take the Warawara swarming with dishes in "The Boy and the Heron" or the jubilant feast scene in "Spirited Away" : both are packed with vibrant details, yet the visual plane feels collapsed, like a tableau unfolding all at once. This "flatness" isn't a flaw but a deliberate technique, pulling us into the frame as if we’re unrolling a scroll of visual wonder. It’s not depth that Miyazaki aims for—it’s a sheer density of storytelling in every frame, a reminder that 2D animation’s strength lies in its ability to immerse without imitating.

[simplysparrow14]

I truly feel like The Boy and The Heron is Miyazaki’s apology letter to his son Goro.

Not in a “your my precious son and I love you so much, here a movie to make you for my failures” kind of way

but in a “I’ve built this incredible empire and legacy that’s given magic to millions of people, and in that time you’ve lived in that same world, and so naturally it’s expected that you’d take it over in my place, but I know that you’ll never succeed me or that you’ll be able to recreate the magic. This magical world will die with me, this company will die with me, and that’s okay. You don’t have to be me.”

[azertyrobaz]

風の谷のナウシカ (Nausicaä of the Valley of the Wind), 1984

天空の城ラピュタ (Castle in the Sky), 1986

となりのトトロ (My Neighbor Totoro), 1988

千と千尋の神隠し (Spirited Away), 2001

ハウルの動く城 (Howl's Moving Castle), 2004

崖の上のポニョ (Ponyo), 2008

風立ちぬ (The Wind Rises), 2013

君たちはどう生きるか (The Boy and the Heron), 2023

[illcamp]

Ghibli x Zelda collection, available for print!

[ghiblin]

The Secret World of Arriety (2010) Howl's Moving Castle (2004) Kiki's Delivery Service (1989) Ponyo on the Cliff by the Sea (2008) The Wind Rises (2013) When Marnie Was There (2014) My Neighbor Totoro (1988)

[elizabugz]

[yumenosworld]

oh, to experience a ghibli hug

[fisherrprince]

big fan of @therenobee’s design/model, completely unbiased

[extraordinary-heroes]

Studio Ghibli Posters by Bill Mudron

[swantranslations]

Miyazaki's Retirement Declarations (chronologically)

Translated from last week's NHK documentary on the production of The Boy and The Heron (more under cut). I saw people posting a screencap of this and I just couldn't contain myself. THIS HAS BEEN GOING ON WAY LONGER THAN I IMAGINED LMFAO

This is from the NHK programme "Professional - Their Working Philosophy" (プロフェッショナル 仕事の流儀) a few days ago (16/12/2023). The episode investigates the production process of The Boy and the Huron, and how the late Takahata Isao influenced the movie.

(It was confirmed within the documentary that Mahito = Miyazaki, Great Uncle = Takahata Isao, The Heron = Suzuki Toshio, Kiriko = Yasuda Michiyo)

The documentary is currently available on the NHK Streaming Service (Location Limited). If you have your own ways of watching and you know Japanese, I would definitely recommend the episode as it gives a lot of much-needed context to The Boy and The Heron. Personally, I haven't found a way to watch it yet, so all I know about the documentary are hearsay I saw on Japanese twitter.

Original screencap:

Also, at the very end of the episode, Miyazaki was shown working on a Naucicaa piece without any explanation, which led to many people speculating whether he could be working on a sequel for Naucicaa of the Valley of the Wind.

What do yall think? Do you think he's going to finally retire or release yet another animated film in a few years? I would love to see Naucicaa 2 but I also feel like he really needs to... yknow, chillax a bit and stuff. He deserves a long ass vacation.

[volleypearlfan]

A movie for every year I've been alive

[yu-huuuu]

Characters who would never tire of boosting your self-esteem, who would adore you even with your 'fatties' and 'stretch marks' even though you think they are ugly and would remind you how much they love you every chance they get:

geto suguru, itadori yuji, jason todd, damian wayne, bruce wayne, clark kent, diana prince, itachi uchiha, naruto uzumaki, shisui uchiha, sesshomaru, inuyasha, howl jenkins pendragon, jirô horikoshi, shoto todoroki, izuku midoriya,

Oh, any character you think fits into the soft category 🤭…

[fakerobotrealblog]

Providing a deep analysis of all Studio Ghibli films would be an extensive undertaking, considering the studio's rich and diverse catalog. However, I can highlight key themes and elements that are often present in their films.

1. **Spirited Away (2001):** Explores identity, environmentalism, and the spirit world. The bathhouse setting is a metaphor for societal structures.

2. **My Neighbor Totoro (1988):** Focuses on the innocence of childhood, the connection to nature, and the acceptance of mystery.

3. **Princess Mononoke (1997):** Tackles environmentalism, the clash between industrialization and nature, and the complexity of human relationships with the environment.

4. **Howl's Moving Castle (2004):** Examines themes of war, love, and transformation, set against a backdrop of magical realism.

5. **Grave of the Fireflies (1988):** A powerful anti-war film exploring the impact of conflict on two siblings during World War II.

6. **Kiki's Delivery Service (1989):** Focuses on self-discovery, independence, and the challenges of growing up.

7. **The Wind Rises (2013):** Tells the story of an aeronautical engineer against the backdrop of historical events, reflecting on creativity, passion, and the moral implications of invention.

8. **Porco Rosso (1992):** Explores themes of identity, war, and redemption through the tale of a World War I flying ace transformed into a pig.

9. **Castle in the Sky (1986):** Features an adventurous tale with themes of environmentalism and the consequences of human greed.

10. **Whisper of the Heart (1995):** Focuses on adolescence, dreams, and self-discovery, emphasizing the importance of pursuing one's passions.

These brief insights into a selection of Studio Ghibli films highlight their exploration of diverse themes, including environmentalism, identity, and the human connection with nature. Each film is a unique artistic expression that often combines fantasy with deep, thought-provoking narratives.

[ghiblimedia]

𝐒𝐨𝐦𝐞 𝐆𝐡𝐢𝐛𝐥𝐢 𝐠𝐚𝐥𝐬 ♥︎