#the writing for this show has been phenomenal

[pedrosgrogu]

Born Too Late - Chapter 5

pairing/au: neighbor!joel x reader // no outbreak

Warnings: MDNI!!! SMUT (2 chapters in a row :0.. So much for slow burn), age gap, no use of y/n, i think thats it fr, dirty talk, unprotected p in v (be smart yall, wrap it up). thats it i think, lemme know if i missed something :) 

Summary: Sarah's conference is this week and seeing Joel is not on your list of things you want to do. Then he invites you over to talk. You need to set the boundary now, what could go wrong? (1.6k+)

a/n: i tried to write a lil more than usual bc i feel bad about inconsistent posting. (shoutout no personal life bc work/school) hopefully with winter break i can post a couple times a week. also trying to figure out how to make a taglist so if you want to be notified of new chapters, lmk!! If you have any suggestions, give em to a girl. i love to see/hear feedback :) <3

Yet again, you’re avoiding Joel like the plague. You have an unknown amount of missed calls from him. You also have conferences today. This means you have to see him, and you feel like you could throw up. He’s your last one at 5:30 p.m. The day goes by slowly, and you have lunch duty so you don’t have time to finish planning your conference notes. After lunch is the worst part of the day. Kids are tired and barely give a shit, but you have a couple good ones that you try to focus on. Sarah being one of them. The 2:30 bell rings and by 2:40 your class is empty. Conferences start at 3:30 so you finish your notes and try to eat your lunch but that sinking feeling is still there. 

By 5:15, you’ve talked to so many parents that they’re all starting to blur. You’re exhausted and would rather be quite literally anywhere else by now. You gather Sarah's notes and sit them on the table, one stack in front of you and a copy of your stack in front of where Joel will sit. Sarah really enjoys a select few books from your classroom library so you sit them on her desk for her in case she's with Joel. 

Before you see him, you smell him. The air in your classroom fills with hints of cedarwood and lavender. You look up and Sarah is already at her desk looking at the books. You stand to greet Joel. “Good Evening Mr. Miller” you reach to shake his hand but he doesn't move, he is staring right through you. “Sweet girl, you don't have to call me that.” He says, still staring. You smile and invite him to sit. “So” you start “Sarah is doing phenomenal, she loves to read and write, and is always very engaged. I pulled a few samples of her writings from the last couple weeks so you could read them. They’re the first sheets inside your fold-” “Babygirl” he says gruffly “I know my daughter, and she has excelled and exceeded every year. I'm here for you. Why have you been avoiding me?” You look at him, wide eyed. Half wanting to laugh and half wanting to cry. Your door is open and anyone could walk by and hear him, Sarah could hear him. “Joel I promise I'm not trying to avoid you” you say quietly, lying straight through your teeth. And he knows it. You stand up and walk to close the door and can feel his eyes burning through you. “I just dont think-” “I've called you more times than I can count, and you aint returned a single one. Shit baby, your bra is still on my bedroom floor. Taunting me every night.” You can feel the warmth begin to rise on your face, and between your legs. “Mr.Miller, now is not the time or the place for this conversation. If we could please get back to Sarah.” He looks at you, deadpan. “Alright, come to my house tomorrow night at 8. Sarah will be with her mom for the weekend.” Internally, you groan. Externally, “Yes sir”. You watch him stir in his chair at your words, repositioning himself. 

The rest of the conference goes well, Sarah reads some of her writings to her dad, and shows him her favorite books. He asks her so many questions about her work and she is extremely detailed in every answer. He seems like a great dad, and it puts him in a different light for you. Now he isn't only hot, and great at sex, and great at aftercare, but he's a good dad. You are so fucked. 

Friday comes and goes, yet again you're exhausted. You take a steaming shower when you get home. Shaving your legs, just because. NOT for Joel. Once out of the shower, you change into a pair of blue biker shorts and an oversized Texans crewneck. You throw your hair up in a bun and make yourself some coffee. Hoping the coffee will help combat the sleepiness, you throw yourself onto the couch and turn on some Grey's Anatomy reruns, and begin to drift into a nap. You try to fight it, but it's inevitable. 

You wake up to your phone ringing. You check the time. 8:17. “Shit” you grumble. You flip your phone open without even checking the caller ID. “Hello?” you say, groggily. “There's my sweet girl.” He says, pausing briefly. “You’re late. Better get here fast, dinners gonna be cold.” And before you can get a word out, Joel hangs up. “Fuck fuck FUCK.” You say, frustratedly. This has gone too far, and god forbid your work gets wind of this disaster. You’d be screwed. You throw your shoes on and walk next door. 

Joel opens the door right as you walk up the steps. The smells instantly take you back to that morning. You still remember how he felt inside you, how his lips felt on yours, how his hand fit around your neck so perfectly how- “You gonna come in or you just gon’ stand there?” Joel snaps you out of your trance. You follow him the rest of the way in, kicking your shoes off at the door this time. “I made spaghetti with garlic bread. Stuck it in the oven to stay warm since you tried to stand me up.” He says, grinning. “Joel look” you start, “I really appreciate this, and I really had a” “Sit down and eat. We can talk after.” He says, pulling a chair out. He walks around to the fridge, opening the door. You can't stop staring at him. His shoulders so broad, and biceps borderline busting out of his shirt. You’re in a trance. “Red or white?” he says, but you don't hear him. You’re too busy eye fucking him, completely forgetting that the only reason you’re here is to end this before it starts. He turns around and sees you still looking straight through him, undressing him with your eyes. He grins a devilish grin and you snap back to reality. “Huh? Sorry I was-” “No need to explain, I asked if you wanted red or white wine?” he says, grinning “Oh.. ummm.. White please!” He sits the glass next to you, along with your plate of food. 

Dinner goes well, you talk about Sarah and how great of a student she is. You realize Joel could go on and on about her, because he does. Before you know it, its 10:00 and you're fighting sleep again. But this conversation needs to happen. You gather the plates and wine glasses and begin doing the dishes. “Darlin’ don't worry about those. I can do them in the morning.” “Joel, we need to talk.” You say, hoping it doesn't come off too harsh. You turn the sink off and dry your hands. “Joel, I had a lot of fun a few weeks ago. But I don’t think-” he cuts you off. “Why’re you thinkin’ baby? Thinkin’ don’t never lead to nothin’ good.” He says, wrapping his hands around your waist. As much as you don’t want to, you lean into his grip. “Joel, please.” you almost moan. “I don’t want to get in trouble at work, it's a huge ethical misconduct if the school were to ever find out, especially since Sarah is in my class.” He’s kissing up your neck, and you aren't doing anything to stop him. “I just want to taste you, just one more time.” He groans into your ear, nibbling on the tip. “This has to be the last time.” you think to yourself.

You don't fight it, you give in. And you enjoy every second of it. Joel picks you up and lays you on the table. The same table you just had dinner on. Your shorts are thrown across the room and your sweatshirt is being used as back support. He’s devouring every inch of your body. Leaving bite marks in unseen places. You hear his belt hit the floor and watch his shirt peel off of his body. You moan at the sight. He lines himself up with your aching cunt. “What was all that earlier about you gettin’ in trouble at work?” he says, comically. “Joel, please not-” and before you can squeak the rest of your sentence out, he's ramming his cock inside you. Over and over. “What's wrong baby? Can’t speak?” he says, laughing. Hes fucking you so hard that the goddamn table is moving. “I need something more stable.” He grunts, picking you up and throwing you on the island, his cock never leaving inside of you. He rubs vigorous circles around your clit, watching your eyes roll into the back of your head. “Dont. Stop. Joel.” You manage to say in between breaths. “I don’t ever plan to babygirl.” He says, rubbing faster. Your release is on the horizon. Everythings gone white and all you can focus on is the sound of skin slapping skin. Your back arches and you scream with pleasure. “Let it out babygirl, cum for me.” Just as you begin to come down, you feel Joel's cock tense up inside you, and he falls to your ear, moaning. He pulls out and you moan gutteraly. You feel the warmth of his seed dripping  Yet again, he disappears and reappears with a warm washcloth. Cleaning and kissing every inch of your body. 

You get cleaned up and dressed. Joel puts on a pair of sweatpants, no shirt. You could go for round 2 but 2 times is 2 too many. You begin to put your shoes on. “Darlin’, why don't you stay the night?” You instantly get nauseous, and feel tears? Maybe? You barely know this guy, what the fuck? “Joel, I told you. This cannot happen. Not again.” You say, trembling. “We can-” You cut him off. “No more Joel.” and you open the door and walk out. Leaving him just as quickly as you found him.

Masterlist - Chapter 4

[bluespring864]

Tags by @crossedcourt <3

I will now run with them and write an essay because I am always insane about Novandy ;-)

Specifically I want to talk about the "yes i've beaten you on every surface" part. Because I've had a few messages and seen a few comments to the effect of "Wait, they are starting a partnership at the Australian Open of all places?! How many times did Novak beat Andy there?" To which the answer is: Andy lost four of his five Australian Open finals to Novak, three of them rather badly (two in straight sets, one with a fourth set bagel) and he also very narrowly lost probably the most epic match they ever played - according to both of them - which was the Australian Open semifinal in 2012.

While this would be devastating and a cause for animosity for many tennis players I need you to understand that THEY ARE NOT LIKE THAT. At their first meeting at an under-14 tournament, Les Petits As in France in 2001, which concidentally was Novak's first international tournament ever, Andy destroyed him 6-0, 6-1 (Novak: "You gave me one game!") and they still laugh about it to this day. If and when they do press for this new coaching partnership, expect this to come up a few times.

It has always felt to me like their modus operandi was: us against the world (Novak: “Sometimes we catch up for dinner. It’s good to see somebody you grew up with doing so well in professional tennis and it’s great to show to people that top-five players, who are big rivals on the court, can be really good friends as well.”) And it never really changed, even when Novak took a commanding 24-11 lead in the H2H over the years (I am only counting matches played and leaving out the fucking tragic walkover from Andy that prevented their last meeting from happening), after it briefly almost evened out in 2012/2013.

This attitude, of course, is rather impressive from Andy, who could very well be bitter about how differently their careers have gone, considering that they are such similar players who were born only one week apart and that there was definitely much more hype around Andy at the start of their careers (Novak said when they were both 18 and played doubles at, you've guessed it, the Australian Open, that he would and wouldn't like to be like Andy because on the one hand Andy had much more support than him at the time, on the other hand he had the crushing weight of expectations to contend with).

But instead of being bitter, for the last few years of his career you could hear Mr. Murray say things like: “It would be amazing to see him do it [win the 23d Grand Slam] on Sunday. I will be supporting him. And I hope he can do it. Because it is incredible what he has done.” or plainly "I'm happy for him, he deserves it." Or even: "After Wimbledon [2023], everyone was saying it was a changing of the guard, but it wasn't for me." Oh it wasn't for you? You are defensive over the man who has beaten you more than any other in your career being written off too early?

Even during that crazy year of 2016, when they were the two frontrunners in the rankings by miles and Andy was chasing the number one spot, what did he say after losing the only French Open final he ever played? Well, he started it off with "This is his day today. What he’s achieved the last 12 months is phenomenal." and not only told the audience they had been extremely lucky to see Novak make history once again, but also ended with: "I’m proud to have been a part of today."

Us. Against. The. World.

So that's Andy, but what about Novak? Well, not to be outdone he will mention Andy in almost every interview, even when he was very much not asked about him. He will remember the 2013 Wimbledon final which he lost in straight sets to Andy as "a historic, special moment that I cherish" and, on court at the ATP Finals 2016, after his own second half of the year had been rather dismal, he also explained to the crowd that they were part of history that day and that "It was an honour to be on the court and to be a part of the big occasion. Andy is definitely number one of the world. He is the best player. He deserved to win."

If asked about the best matches he has played with Andy he will readily mention the 2012 London Olympics semifinal. We all know how important the Olympics have always been to Novak (if you didn't before 2024, you certainly know now) and this was a semifinal loss at his beloved Olympics in straight sets. Let that sink in.

When Andy retired this year, Novak explained: “He will inspire many generations to come. He inspires me, and we are about the same age." He, who has just finished his career outside of the top 100 and in a doubles match because his body wouldn't even let him play singles anymore, inspires you, who has achieved more than any other in this sport? That's really lovely, Novak. Oh, and by the way, how about Andy becoming world No. 1 and ending Novak's longest stint at No. 1 in his career? Novak's post at the time: "I am really happy to be in the same era with you."

Us. Against. The. World.

So, to make a very long story short: If I was surprised about the coaching news yesterday it was because they actually went for it, not because it seemed outlandish to me in any way. As you can see, it makes perfect sense. I am really glad we are getting another chapter of this story which - according to Novak - is "A script, a long story. A romance, I’ll call it." after we previously were treated to - according to Andy - "Rivals, doubles partners, friends and lovers?" By the way, he still has that Instagram post pinned. Anyway, before I digress, let me conclude this by saying:

You thought their story was over? Think again.

[kassandras-one-braincell]

Ranting into the void about Act 3 because I loved it, but episode 9 needed to be two episodes.

Ekko's arc and involvement in the finale was flawless. Phenomenal. Episode 7 was some of the best cinema I've ever had the pleasure of watching, and definitely the best execution of time travel I've ever seen. The 4 seconds limit was a lovely nod to the game.

I was not expecting Heimerdinger to die. Didn't think that was an option. Rip Donger :(

Jayce and Viktor's entire journey was fucking incredible. The whole Glorious Evolution trajectory was so good, but the war against the Evolved needed to span over two episodes. Going from plotting to conclusion in a single episode wasn't the right call. But beginning to end, Jayce has remained one of my favourites, and his conclusion felt right.

I'm overjoyed that Mel got a full arc, and there's no doubt that Riot's next show (if there will be one) will heavily involve Noxus. She's so beautiful. I'm gay. My only complaint is that the Black Rose's involvement felt a bit hasty, and I personally might have struggled to follow the end and Ambessa's death if I didn't have good knowledge of LoL lore and the Vision's intentions. Nonetheless, I'd be ecstatic if Mel made an appearance in any future developments.

Loved the Orianna cameo in the end, especially since she's the only living remnant of the Glorious Evolution. And honestly, I'm fine with Singed's war crimes having a lack of consequence. He played both sides with selfish intent, loyal to his daughter and nobody else.

Sevika being used quite heavily in the marketing of the final act, only to have about 20 seconds of screentime, was unfortunate. Especially since her character is a metaphor for Zaun. If the last act was a bit more fleshed-out, and if she rallied a few more people to beat up the Evolved (maybe with some of the chem barons' henchmen), her arc would have been more opaque. But hey, 4th arm's the charm. Her getting a seat on the council was necessary for a future of a joint city-state.

Maddie betraying Caitlyn wasn't much of a surprise, but it was satisfying to watch unfurl. I thought her proximity to Caitlyn beyond being sexual partners was a bit off. Mel deflecting her bullet was amazing.

Caitlyn was a consistently interesting character. Her leadership skills and flaws made her a joy to watch. The ending with her at the Kiramman computer-like thingy was lovely, because it hinted that Jinx never really died along with the outro shot of the blimp. I just wish the evolution of her relationship with Vi went a bit smoother. Them fucking in the middle of a prison cell after a suicidal Jinx disappeared in front of Vi felt like lazy writing/fan-service, honestly, and I say this as a lesbian. I would have loved a bit more humanity.

Don't have much to say about Vi. Really glad she finally, after how many years, got a short moment to grieve Vander and Powder. But another episode was needed. She got lost in the sauce, which is my only major grievance about the show, because everything began with her and Powder.

Jinx, comparatively, got a satisfying ending. Powder got something of a rebirth, and the hints that she slipped away into the ventilation system and escaped Piltover/Zaun on a blimp gave her justice. Ekko doing all he could to stop her from killing herself wouldn't have achieved much if her arc concluded with her death. Her cutting her hair to resemble Vi's weird mullet nearly made me throw up from joy and sadness. She was the perfect tragedy.

Overall, I'm happy with the conclusion, except for how Vi's character was handled. The show as a whole maintains its status as the best fucking thing I've ever watched. I really hope that if Riot does decide to expand their cinematic universe into another show, they learn from their pacing errors with the Arcane finale. Because Piltover and Zaun are tiny regions in a massive universe, and they got this masterpiece in their honour. Noxus has so much potential. I think the crow at the end and the Black Rose's intertwinement is hinting at this quite heavily. Fingers crossed.

[amos-reviews]

I just finished ep 7 and I need ep 8 NOW. A lot of exposition at the start but these boys have me feral for how the relationship is progressing.

I love that they are both aware that there is something growing between them, something that they are on the precipice of acknowledging, and yet both are cautiously waiting for them both to be ready. Tian is still fearful and hesitant to take that step, of allowing himself to give in to what he wants. And Wang has realised he needs to be patient with Tian, reassure him that he will be by his side, that Wang can be the home and stability that Tian so desperately needs.

My favourite moment has to be Wang and Tian sitting by the river after Wang’s dad proposes to Tian’s mum. The event leads Wang to ask the million dollar question that is currently hangs between them - will Tian be upset about them becoming real brothers if Tian’s mum marries Wang’s dad? Neither of them can answer that honestly yet, because they know the answer will change everything.

I love how Wang has settled on Family as a way to describe their bond. They truly have become a family to each other as they learn to connect and understand each other. It doesn’t diminish their bond, and would be true whether they stay “brothers” or if they become romantic with each other. Everything is still in the air between them, understood but not acknowledged.

I am so excited for ep 8.

[rapidhighway]

my love for him is stronger than any other force in the universe

[eremin0109]

As fitting as the ending was, I think I would've loved an alternate scenario where instead of loading the entire pistol into him, Dong soo would've been successful in putting Do young behind the bars again, for life this time, giving us a full circle moment of Do young ending up right where he was at the start of the drama.

[nerdynikki94]

Honestly? Did I want more from DTAMHD? Yes, I did. I wanted something signifying actual progression for Dennis' character (even just a crumb of genuine growth) , and I sincerely don't think we got that. However... we did get a fascinating insight into the process of his mind. Dennis' level of self-denial is so ironic and profound. He can't acknowledge the inevitability that he's middle-aged.

(I swear this episode honestly has given me an alt hc, that the show is based in his mind; because logistically, a man of his lifestyle and malnourishment could not commit the feats he is constantly sailing through. TGGB & DTAMHD... back-to-back? What happened to his hand? Did he even sprain it? Or is he just the most dramatic brat in the gang - clearly the latter.)

It is important to note that he didn’t fix the actual problem. He momentarily masked the symptoms, but ignore long-term help with blood pressure medicine is not going to fix the issue, nor is it going to protect him from fucking keeling over in a stressful situation (when he's not in a contained and quiet Doctor's exam room) and his blood pressure spikes.

I'm honestly a little jaded at this point (16 Fucking Seasons of crumbs, y'all), but if one were to continue 'trusting the structure' this episode conveyed a lot.

The B Plot: The pressure cooker. The metaphor parallels the building pressure Dennis quick-tempered bouts of rage. So, to toss out a little 'cat-in-the-wall' conjecture here: The pressure cooker is Dennis, but we all saw him eat that bloody diamond in the end and we all heard Mac's speech about coal turning into diamonds under massive pressure. Dennis' experience is a theory of pressure, he daydreams it all in the span of a minute or so. He's roleplaying with hypothetical obstacles. There's no risk. Maybe Dennis, isn't the pressure cooker, but the coal.

If I were to try and take anything hopeful out of this episode, it would be the way the narrative is showing us that this episode acknowledged that Dennis isn't ready yet. It's not his turn to break. It's going to take real, substantial pressure to get that diamond.

It was a hell of a misdirect (and honestly a little bit of a slap in the face), but if these characters live in the real world, where people are bound by the laws of mortality, then Dennis should have his time.

Genuinely, who fucking knows?

I'm not hating on the episode. We all know this is the trashy dick joke sitcom. I just thought that if Mac & Charlie could have moments of genuine heartbreak, culminating in deep catharsis, that maybe Dennis could have that too.... but no.

Can't wait to see the sunny dudebros miss the point & proclaim Dennis Reynolds - SA victim, traumatized individual with an emotionally tumultuous personality disorder - the new Andrew Tate.

I'm sorry, but yeah. I'm a little miffed. It was all a dream, and everything goes Dennis' way. Y'all I'm fucking tired. This was a great episode for Glenn, but a fucking frustrating episode for Dennis. I may have wanted a little macden, but all I cared about was seeing Dennis face the limitations of his mortality, to see that he's failing his body and his brain. He didn't have to actually take the medicine (I wouldn't expect him to), but Goddammit, everything seems to work out in his delusional favor. So, of course he's going to continue being delusional, and probably only change for the worse.

I'll say it: I wanted a broken Dennis, and we did not get that. He didn't even crack, the unbearble and apparently now canonical Golden God. That episode's title was intended to tease sunnyblr.

Excuse the plethora of tags. I just kept getting more irritated.

[lenalvthor]

hey i have a fucking bone to pick with sapphic fandoms

like, i get it okay. i've been on tumblr since 2011, i was in the trenches during the bury your gays nightmare, i grew up on buffy, i watched the 100, i've been through the furious and devastating queerbaits, and i've watched helplessly as the boom of proper progress with sapphic rep has burned and disappeared with the faults of the industry as it is rn and the resurgence of bury your gays in the form of tv cancellations

i even did a fucking guest lecture for a film & tv university course a couple years ago on all of this

we joke about the fact that queer (specifically sapphic) fans flock to any show with the barest hint of rep in it because we're so starved for it, and we talk about the fact that if nothing else, that proves that there's a market and an audience and it usually creates a huge wave of viewership and attention for the show

but i need to fucking point out: acting as though a show exists for the sole purpose of the sapphic relationship you've started watching it for is fucking detrimental to how you'll perceive the show, how it'll get talked about in fandom spaces and then beyond that (bc the line between fandom spaces and wider online discussion of media is a lot thinner than it was ten years ago) and isn't actually going to do any good for sapphic rep! like, at all! because guess what! unless you're watching a show where the entire storyline revolves around romance, this couple you're watching for ISN'T going to be the centre of the story! it's a part of it! and there's such a weird fucking entitled toxicity to how fans act around brilliant storytelling and worldbuilding and writing and characters throwing tantrums about not getting more screentime for the relationship they like because they don't actually care about any other part of the story. and the thing about people who watch something solely for a ship rather than the wider story it exists in, is that a lot of the time, you'll fundamentally misinterpret the characters and their dynamic because you're not taking any of the wider context of the world and story into account at all.

and yes, of course i'm talking about agatha all along in the immediacy. because we knew a long, long time ago that billy maximoff was gonna be an integral part of this story, long before we knew anything about what the vibe of this show was gonna be, long before anyone even had the tiniest whisper of rio's existence. the same way wandavision was monica rambeau's origin story even though the show was wanda's, we suspected that agatha all along would be billy's/wiccan's origin story even if the show focused on agatha. and you know fucking what. that's good fucking storytelling. this show is smart, it's funny, it's curious, it's campy, it's queer, and it's ensemble. that's always been the point. agatha and rio were a delightfully unexpected part of it that added such delicious tension and phenomenal sapphic rep, but you know what else! the point of that dynamic is to flesh out agatha's character! this show isn't about agatha and rio! it's about agatha and billy, who they are, how their pasts and their magic are connected, their traumas and their power and how the road shapes their futures! rio is a part of exploring agatha's past, and it's phenomenal, but i am so fucking bewildered by the ridiculousness of people's reactions to billy now having a bigger part in the story and there being less focus on agatha and rio. you do know that you write scenes and characters and stories in a way that makes sense right? that because of the nature of this show, even if we don't get more than a handful agatha and rio scenes for the rest of the episodes, they're both still sapphic characters, this is still wonderful sapphic rep, and this show is still very, very queer?

like, it's obviously not fair that we have to beg for scraps to have queer shows to watch. but that doesn't mean that any of us get to do such a fucking disservice to the people who make amazing shows and fight to put sapphic rep in them within the contexts of the stories they're telling by whining that it's not enough. what we're getting with agatha all along, what kathryn han and aubrey plaza and jac schaeffer have said with such grace and nuance and intrigue and depth about agatha and rio's relationship, is so fucking rare! and it's nestled within a story that's got so much other intricate storytelling that makes agatha and rio richer characters when you actually pay some fucking attention and care about who they are outside of their sexual tension!

and i'm saying this because this is an issue i see with So many other shows, where the worth of a show gets boiled down to fandoms wanting content of their ship and nothing else and then poisoning the conversation and reception around what else it is that show is doing with its story. idk get some fucking media literacy, grow up and respect artists and creatives.

[magicalmanhattanproject]

man im just like. thinking about egg signs and how they've evolved over the course of the qsmp and how the qsmp has evolved over the course of the qsmp and just feeling so much love and affection for every part of the project. i dont have any grand overarching point with this just. like. here's a history of egg comms bc of the kind of person that i am

so wayyyy back ten months ago now at the start of the short and sweet egg event that was planned to last maybe a month at most, the eggs had their own custom, decorated signs!

[ID: Leo with a pink sign with an egg on the bottom corner that reads "hello" in all caps. Her nametag reads Leonardo. End ID]

They were extremely simple, single word signs. There was hello, hola, story, feed, sleep, and maybe one or two more and each was its own separate sign. The eggs could only communicate the most basic needs in words and everything else was through minecraft body language or just hoping their parents guessed right.

But obviously, there was a lot more that parents wanted to hear from their children. I'm not sure who was actually first, but the earliest departure from this system I know about is BadBoyHalo giving Dapper a simple oak sign so he could name his pet slime. (Screenshot from @/lxrd-ren)

[ID: Dapper wearing a diver's helmet standing next to a tiny slime in a boat with an oak sign reading "Bouncy (slmecicle but better)" End ID]

Parents quickly realized how much more convenient this was and pretty soon every single egg had stacks of signs to communicate with.

The next innovation came from Vegetta, who was the resident mod knower at the time. He knew about colored canvas signs and gave Leo signs in her favorite color purple because he loved her and gave her everything she wanted.

[ID: Leo's bed in her room under some Fooligetta fanart with a purple sign reading "<3" End ID]

Colored signs obviously had a lot of advantages. Being able to tell at a glance which egg placed which sign was a huge step forward in eggs being able to have long, complicated conversations as well as leaving obvious marks of their personality everywhere they went. It took a little while for them to be standard for every egg though. Bobby never stopped using oak signs even after Richas and Pomme both showed up with colored signs.

[ID: Two signs reading from right to left a red Pomme sign reading "we already started working on a guillotine factory" and a dark grey Dapper sign reading "thats the most french u have said so far pomme" End ID]

And this was the system for a while! And it worked pretty well for most people! The biggest struggle most people had was egg signs not being translated, but streamers adjusted to that by reading signs out loud so the translators would pick up on them. This also lead to adorable and fascinating dynamics like Richas swearing in signs he wrote for Bad and then warning Bad not to read them out. There was also the genuinely phenomenal development of Leolingo where Leo writes only in Spanish to Foolish because it's easier for her to write and he takes his time to puzzle his way through it and learn in a way that's super cool to watch someone else do onscreen.

Then Tubbo joined the server. And Tubbo himself had no problems at all with the system, but he is dyslexic and he casually mentioned offhand that it was getting kind of annoying to read signs after a ten hour long stream and the admin team Fucking Cooked.

Within 24 hours, they had TTS working on the signs. Within 48 hours, it was working on books too. I can't remember how long it took to get translation working, but it was definitely under a week.

And this opened up a whole new world of possibilities for the entire QSMP. The admin team has been on top of capitalizing on it for story purposes, but also just allowing the egg admins to speak in their native languages to everyone whenever they want has been so enriching for everyone involved. Leolingo is awesome but Foolish has been learning Spanish insanely fast and his process is a lot slower and more frustrating than most people can do in front of an audience of thousands of people without feeling discouraged. That's also one language. We've had everything from Foolish being able to check his work a bit more faster to Phil insisting on his eggs taking a day to speak to him in their native languages to Ramón writing a book for Fit in Cantonese, a language we haven't even seen on the server in any other context!

And all of it is fully understood and fully communicated! Sometimes the translators mess up but no one expects them to be perfect and people ask for clarification if the translator says something that doesn't sound right. It's not only a massive step forward in communication technology, but it's a great demonstration of how to use it and when you can and can't rely on it.

And finally, the most recent innovation! One of BBH's viewers sent him a dono saying they had trouble reading certain signs because they were too low-contrast. Bad, Richas, and Pomme just. Took it upon themselves to fix the problem right there and then. Based on One (1) bringing up their own personal struggle, those three came up with new signs that innovate tremendously on the originals.

[ID: Two separate images of the before and after. The first is the egg signs in their original colors with the corresponding egg's name written on them to demonstrate the font color and the second is in the new, higher contrast colors with the same text. The new signs also have custom decorations for each egg. The second picture also has two signs from Pomme in all caps that read "Send all the love to Richas he spent a whole night making this he's the best <3" End ID]

There are three main innovations visible in the above pictures

1: Obviously, the colors are higher contrast. The signs with white text have darker colors and the signs with black text have lighter colors.

2: The colors themselves are lower saturation. Richas said this made it easier for him personally to read them so he corrected that way, but that's open to change if it causes difficulties for more people than it helps

3: The decorations are for accessibility reasons! People with various different forms of colorblindness will find different sets of colors easier or harder to distinguish, but any of them can look at the decorations and use them to identify whose sign is whose instead.

But! Those innovations are not why I made this post! It's these ones!

[ID: The backs of the new signs when placed on the ground. Most visible are Chayanne's with vines and a hardcore heart, Sunny's with shining sunglasses, and Pomme's with an apple and the Eiffel Tower. End ID]

Richas added distinguishing marks to the backs of the signs too! This is something that Bad brought up specifically as something he wanted because it was hard for him to tell who was talking when he was using TTS from behind signs and couldn't see the colors at all.

We went from custom egg signs (a hotbar or so of words and nothing else to communicate with) through a long journey of expanding communication and expanding who we're bringing along on the communication and how easily they can join in and we've circled all the way back around to custom egg signs (they can say anything they want in any language they want and anyone will know it's them saying it from any angle)

and i guess i have enough feelings abotu that to write All This about it

[asidian]

Alright. It is time. Buckle up.

Why you should be watching Dead Boy Detectives: the targeted-specifically-at my-readers edition.

Meet the leads, our two ghost boys:

Edwin Payne: Fussy, repressed intellectual type from the Edwardian era. Exceedingly gay for his partner and best friend. Tortured in hell for seventy years on a technicality because he was ritually sacrificed as a prank gone wrong. Endearingly awful at people and dealing with emotions or his own wants.

Charles Rowland: Impulsive, people-pleasing wildcard from the 80s. Heart eyes 24/7 at his best friend but has zero self-awareness. Badly abused by his asshole of a father. Beaten to death because he saved a kid from bullies. Endearingly awful at sorting his own emotions or talking about his problems.

Some highlights:

/slaps hood you can fit so much trauma in these two

Both leads get sobbing breakdowns that happen on screen. The actors are incredible at crying

Both leads get much-needed hugs

The absolute devotion between the two of them. The shared history that lives in their dialogue and how they work together like people who have been each other's Most Important Person for literal decades

I mean, I'm talking in-canon Orpheus and Eurydice reference level of devotion here

The protective way Charles puts himself physically between Edwin and damn near every threat in the show

They're just fun together. Their interactions and banter and how they work as a team is a delight

Their shared plot arc literally involves them learning to talk to each other and communicate more so that they can be there for one another about their respective issues

The symbolism. God. They are metaphorically and literally one another's light in the darkness

But what about stuff that isn't the main duo? Just wait, there's more:

This show is unabashedly, unapologetically queer. It's there in the text and the subtext. The whole show lives and breathes it

So many good, complex, well-written female characters. The Bechdel test gets blown straight out of the water in episode one and they never look back. Headstrong amnesiac psychic learning to be a better person! Quirky meta commentary matchmaker! Cynical lesbian butcher! Delightfully sadistic witch! They are all amazing.

[audience voice] But I'm here for the hurt/comfort. How can I whump ghosts? Worry not, my friends. Canon has you covered. Not only are there ways, there are ways that happen on-screen. The hurt/comfort and rescue are also on-screen. Yes, it is amazing

Absolute chaos, really cool supernatural cases and creatures, a surprising amount of humor, charming writing, and a cast that absolutely nails it on the acting and chemistry

There is an extremely suggestive trickster type who is also the king of cats. He's a cat in human form. He hits on Edwin nonstop. Charles gets blisteringly jealous

All of the leads have well-thought-through, fully developed, emotional character arcs. They're all messy and flawed and sometimes lash out in their pain, but at turns can be incredibly supportive and kind and loyal

A character who is a crow who is also a boy, who is tortured by his witch/creator and also is crushing hard on one of the leads

There are so many incredible details in the setting, costume choices, prop decisions, etc. that you only catch after you know what it's laying the groundwork for. The level of care that went into this show is phenomenal

It's only eight episodes. The time investment barrier to entry could not possibly be lower

Anyway, tl;dr, if any of this sounds appealing to you, you should give this show a watch.

Dead Boy Detectives is well worth your time. It's easily my favorite show in years.

[ibrithir-was-here]

How the heck is there not more talk about Tanith Lee??

Like my gosh, the woman wrote, according to her wiki, 90 books, over 300 short stories, two World Fantasy Awards, and was the first woman to win the British Fantasy Award/Augus Derleth Award and wrote for tv shows.

Like, it's not like she just wrote a heck ton but wasn't very good! She was clearly very good she won awards, and i've read a swath of her stuff across different genres and really enjoyed most of it. I mean that even if not each one has been my cup of tea I can at least appreciate the skill and quite a lot I have truly enjoyed. She's got great prose and style and imagination. Not everything obviously was a banger, but they've all been at least well written, which is harder to come by in writing than you might think.

But nobody ever seems to talk about her?? And I feel like the fantasy crowd on here would really enjoy her stuff. The woman has done stuff in pretty much every genre from what I can see, but I never see her listed on fantasy authors like Clive Barker or Diana Wynne Jones or Neil Gaiman or Terry Pratchett or Diane Duane even though she was writing at the same time and has a similar sort of '80s Doing Cool Stuff with Fantasy vibe' I feel like people who like those authors would enjoy though she's very much her own style of author.

Anyway this was really just me putting out a rant that such a prolific and talented author seems to have fallen by the wayside and I think it's really a shame

Heck she even did a witch-queen fighting againt vampire Snow White a whole decade before Neil Gaiman did his phenomenal Snow Glass Apples and it's also excellent, give a look here:

[residentflamingo]

Twice Members’ Favorite Places to Kiss You

Twice x fem! reader

Genre: fluff!!

Warnings: so sweet you’ll get a toothache <3

A/N: I have so many good drafts I want to share with you guys, but my motivation has been at 0% because school has been kicking me in the ass 💀✌️ But lately I have been getting a lot better, so more works are expected to come soon! Which also means I will be opening back up my requests box :D Someone did request me to write something a long time ago, and I’ve been steadily working on it over time. It’s got about 3,000 words on it, so as long as my lazy ass doesn’t put it off to writing it, that draft will be coming out soon as well. Thank you to all of you lovely people who have been patient, and also the ones that have been liking my posts. You guys are phenomenal and I love and appreciate all of you ❤️

Nayeon

Lips ♡

A very standard one, but well suitable for her

She loves how soft and plump your lips are

Like Sana, Nayeon is a very affectionate person

So after she’s had a loooong day at the studio, all she wants to do is give you some repetitive and silly kisses that end up in slow and passionate ones

(Sometimes she’ll even bite your lip if she’s feeling a little bit frisky that night…)

“Oh my gosh I missed you so much Y/N. You won’t believe how many new dance routines they made us learn today.”

Her favorite kinds of kisses are good luck kisses and goodnight kisses <3

(And the passionate ones of course ;)

Nayeon loves how sweet it feels to be able to show her love through a kiss, and be able to feel your soft lips in the process

Kissing your lips make her feel grounded, and wanting nothing more than to spend every moment of every day with you

Jeongyeon

Forehead ♡

Very domestic and homey feeling for her

Her kisses are always very sentimental and sweet

She doesn’t kiss as often as other people, which makes the wait worth it every time

“Here honey, you go lay down and rest. I can do the rest of the laundry for you.”

Always kisses you randomly and making sure it catches you off guard

She loves seeing you all flustered and shy <3

Kissing you on the forehead reminds her of being married to you someday, and just being able to protect you from harm

You are everything to her, and she never wants you to feel anything less than that

And if you’re shorter than her, then it’s an even better reason for her to kiss you on the forehead <3

Will also give you the biggest kiss when she comes home from work 🥺

“I missed you so much honey, what have you been up to?”

Momo

Tummy ♡

When you had previously told her about being insecure about your tummy, you never thought she would take it so seriously

But oh boy how wrong you were

It instantly became Momo's favorite place to kiss you

Momo made sure to always remember it so she could prove your insecurities wrong

She loves how soft and chunky your tummy is, and just can't ever get enough of it

Also loves how much you giggle when she kisses you

If you ever have those days where you're not feeling too great, she will start giving you kisses there first and make sure you feel so loved and beautiful

“You are so beautiful Y/N. Don’t you ever forget it.”

“Your stretch marks are not ugly at all honey I promise. They make you look even more gorgeous.”

She will sometimes leave hickies and bite marks there too, but only when she’s in the mood and you give her permission

If you are also pregnant, she will not hesitate to smother your tummy in kisses then too <3

It would be almost impossible for her to keep her hands off of you

Her end goal is to always make you feel loved, and to remind you that you are the most beautiful woman she has ever set her eyes on

Sana

Dimples ♡

We all know Sana is a very affectionate person. So choosing her favorite spot to kiss you would be impossible right?

Nope not at all for her.

The first thing that had drawn her to you was your radiant smile

But the deal breaker was the dimples that came along with it

She just couldn’t get enough of them

Once you guys had been dating for about 3-4 months, you both had gotten very comfortable with each other and started being all lovey dovey and such

That was when you noticed how much she loved to kiss your dimples

Any chance she could get, she made sure to kiss you in that same spot

It never failed to make you blush every time, and that’s part of the reason why she would constantly kiss you there

She also loves how well they compliment your face, and how adorable they make you look

“Y/N have I ever told you how much I love your dimples? They make you look so cute!” *pinches your cheeks*

Jihyo

Cheeks ♡

She doesn’t mind kissing on the lips. She loves it actually, but she just enjoys kissing your cheeks even more

Jihyo’s kisses are the most genuine ones you will ever feel in your entire life

Sometimes it’s hard for her to say how much she loves you outloud, so she’ll express it through her kisses

When you’re having a bad day and come home tired, she’ll wrap her arms around you and give soft pecks on your cheeks

Or when Jihyo has to leave for early morning dance practice, she’ll slowly wake you up by peppering your face with kisses too

It’s just a super sweet gesture for her, and your puffy cheeks are too cute for her to not kiss anyways

She loves the way you blush when she randomly walks up to you and kisses you

Jihyo adores you so much, even if it’s hard for her to say outloud sometimes

When she does, she makes sure it meaningful, and at the perfect time

“I love you so much Y/N. Even if I don’t say it outloud that much, I really do. You’re my world, and I never want you to feel any lesser than that.”

Mina

Nose ♡–-

When you confessed to her that you hated the shape/size of your nose, she made it one of her top priorities to make you feel less insecure about it

Her shy persona may keep her from expressing a lot of things, but it didn’t stop her from showing her affection for you

You were used to her always giving you warm hugs, and very soft kisses on the lips

But when she added your nose to the agenda, it was game over for you

She loves to kiss your nose when you look super cute, and she can’t handle it

Or when you’re doing something sweet for her like washing the dishes, or doing her laundry. She’ll always find a way to pay you back with affection

“Thank you so much baby. You’re so sweet.”

Over time your insecurities had slowly gone away after receiving so much love and support from her, making your nose the very very least of your worries

Having someone like her in your life made you realize that looks weren’t every thing, and that you never have to worry about when you’re with her

“Honey your nose is so cold. *kisses your nose* Here let me kiss it some more so it will feel warmer...”

Dahyun

Hands/ fingers ♡

Dahyun is very loving and sweet

She loves to hold your hand when you two are walking around Seoul together, or just cuddling on the couch

She loves the intimacy it brings between you two

If she doesn't express her love with words at the moment, she will express it with actions

She'll bring your hand up to her lip and pepper your knuckles, fingers, and whatever else with kisses

Something else that she would never admit, is how she loves the softness of your hands

It reminds her of when she was little, and she would hold her mother’s hand

Dahyun wants you to feel loved and adored by her at all times, even if it’s not verbally

When you guys are at restaurants, she will have no shame holding your hand from across the table and kissing it

“Dahyun be careful. People might see us.”

She’ll just laugh and say, “Let them. Nothing will ever stop me from expressing my love for you darling.”

Chaeyoung

Jawline/Neck ♡

We all know Chaeyoung is a big romantic

And can sometimes be a bit flirty with it too

So it’s no surprise that her favorite place to kiss you, would be the most intimate and steamy

Even though it is her favorite spot to kiss you, she doesn’t really kiss there very often

But when she does, she makes sure to go all out

She loves how intimate it is, and loves hearing/ seeing your reaction every time she kisses in that area

Most definitely will leave hickies too, so be aware when she starts going to town down there

“You like it when I kiss you like this baby?”

You can just already see her smirking while saying that…

She loves riling you up and making you melt from her touch <3

Tzuyu

Ears ♡

Tzuyu is a one-of-a-kind woman, and the sweetest one you have ever met

When you guys first started dating you it stayed at the awkward stage for a little bit longer than most couples

But when she started warming up to you, her affection towards you became even greater

It started with little kisses on the nose, then on the cheek, lips, she eventually progressed to your ears

You thought it was weird at first, but you eventually grew to love it

Tzuyu loves to hug you from behind because of the height difference, and she’ll often whisper in your ear how much she loves you

Sometimes she’ll nibble a little bit too after kissing it, but not very often

If you have slightly larger size ears, she would tease you about it every now and then

But not enough to where you would feel insecure

She just thinks your ears are super cute, and make you even more loveable

"I love you so much Y/N... Don't ever change. You are perfect just the way you are."

[vxperorchist]

Sitting on their lap! (Tighnari, Cyno, and Wriothesley x Gn! Reader)

Scenario: Sitting on their lap.

Genre: Fluff! (Cynos is a little spicy and Wriothesleys contains a sex joke 🌝)

I get these ideas from things I love doing with my own boyfriend and then just displaying them onto characters. Fun fact I'm 5'5 and my boyfriend is 6'2 so I'm going to include a height difference for Wriothesley because why not??

Tighnari

People make Tighnari out to be weaker then he is, however being a forest ranger has actually made him out to be a lot stronger than people make him out to be.

He actually suggested you sat on his lap. He had been working for a while, countless files scattered on his desk which was in your shared house in Ghandarva ville.

You came in his office and wrapped your arms around him as he was in his chair, kissing his exposed neck. "You almost done?" You asked him, hands rubbing his arms. "No, not really." He admitted. He grabbed your arm gently from in front of you and guided you to in front of him. You sat on his lap sideways, hands around his neck and looking down at the work in front of him.

You couldn't help but feel bad, he was practically drowning in work. He supported your back with one arm, and the other continued writing.

As he was writing, he buried his chin into your shoulder, supporting his head. He was tired. So tired.

You really appreciated the quiet moments you had with him like this. He was frequently busy, and as much as he tried to display his love, he'd get busy with something else. You understood what he was dealing with, and didn't take it personally. He showed he loved you in different ways, and different didn't equal bad.

He was a phenomenal lover, and he was so appreciative of your understanding after a hard day. He started welcoming your presence more when he was working at his desk. He often misses the smell of you as he is doing his work, therefore when you're sitting on his lap it brings him motivation to keep doing what he's doing.

Sometimes you'll fall asleep on him, he'll keep you in his lap until he's done, gently stroking your back to keep you peacefully asleep. Once he's done he'll pick you up and carry you to your shared bed, resting your head on him, a feeling he found the most comforting in all of Teyvat.

He became very fond of you sitting on his lap when the two of you were alone, whether it be at his desk or on the couch, he loved the feeling of your pressure being released onto him. He loved having your physical presence there, with him.

Cyno

Unlike Tighnari, he didn't do much work at a desk at all. He was constantly on the move, with very little downtime. That downtime he did get was spent with you however.

Your first time sitting on his lap took place when the two of you were making out. It had started on the couch with a few playful kisses, then turned heated into a makeout session. He pulled you on top of him, with you straddling him and his arms wrapped around your lower waist.

I won't continue on from there, but since then he has loved the idea of you sitting on his lap anytime you get. (Also one of his favorite ways to make out 🤭)

He also adores it when you sit on his lap facing him, resting your head on his shoulder with your face buried in his neck. He loves the way you bite at his neck gently when you want his attention.

Bonus points if you're tired, and fall asleep like that. He's all for either keeping you like that, or laying you down on top of him.

Cyno is also notoriously strong, therefore if he wants you on his lap, he can put you on his lap. Whether that means moving your legs where he wants them, that being on either side of his, or picking you up and placing you where he wants you.

His strength had always managed to impress, and he didn't hesitate to display it when it came to getting what he wanted. That being you of course.

He enjoyed it just as much as you did, he didn't get many intimate moments with you, and this happened to drive him crazy in many different ways.

Wriothesley

Wriothesley is incredibly touchy. in public, private, anywhere. He LOVES you sitting on his lap. Whether it be to kiss you, hold you, or simply groan about his day.

In the fortress when you're visiting, you're always able to sprawl out on his lap on his large chair. He'll keep you there if you fall asleep too. He'll throw a blanket on you for added comfort.

Wriothesleys strength is far from unnoticeable. Wriothesley is known for his raw strength, and he can keep you on his lap for hours without any complaints.

He's also freakishly tall, and makes a great pillow when it comes to sleeping on his lap. With a simple lean into his chest, you can be asleep within a few minutes.

When he notices you in his presence and he's sitting down, he's immediately either opening his arms, spreading his legs a little, or patting his lap to signal you to come sit.

He'll ask "What're you waiting for?" As you should know the drill is sitting on his lap by now. He took pride in it, and he wouldn't move you from his lap whenever someone came into his office with an inquiry.

He wants to be your designated chair. (Y'all think he's into you riding his face?)

ANYWAYS. He's a total enthusiast of you never sitting in a chair that doesn't consist of his legs. He loves to tightly wrap his arms around your waist, and to talk about everything you didn't understand.

[pedanticat]

While the breakup was inevitable (especially if you read the comics), I think the show handled it phenomenally with it being even better than how it was done in the comics. Steven Yeun and Zazie Beetz absolutely killed it in this scene with you really being able to hear the heartbreak in both of their voices as Mark and Amber realize that for as much as they love each other, they can't make this relationship work. Then you have the "I can't live in your world, I want to, but I can't." which👏👏👏. That is some absolute peak writing. I haven't consumed many stories that actually treat the breakup as a heartbreaking moment for both characters involved since it's usually just treated as a minor obstacle to prevent the main romance from happening sooner. While I'm fine with that in some cases, I feel like it's a disservice when the main character's temporary love interest is a genuinely interesting and fun character who has a good rapport with them. In that same regard, it has been a nice change of pace to see characters who do care for each other attempt to make things work and talk about the issues before accepting that what they have just isn't going to work.

It's also a good commentary on the nature of superhero/civilian relationships since while someone like Debbie was able to handle the stress of it, Amber isn't able to do so. And that doesn't make her weak or a pushover, it makes her human because not everyone is built to handle that kind of life and it's totally understandable.

[fuckyeahgoodomens]

Michael Ralph, the Good Omens Production Designer, interview for Movieweb :), summer 2023

Question: What is your reaction to your fan's positivity?

Michael Ralph: It's unbelievable. To see your work reflected in the eyes of people that love it is incredibly complimentary and it feels on, you know, you're honoured by having that response .It's rare that you get to experience it. You know, I think that we were involved recently in a fans' view of the set where all the fans who'd been involved in a competition were able to walk around the set. It's extraordinary. And I got hugs and people in tears. And it is an overwhelming experience to stand in that street and be in that bookshop when you didn't think, even though you knew, but you didn't quite know it really existed as a place that you could walk around in is quite phenomenal.

Question: Do you see locations as extensions of characters?

Michael Ralph: My feeling is that we would all, if possible, choose to live where we believe and within an environment that we believe suits us, doesn't suit anyone else. It's a fingerprint thing. It's like, where are you most comfortable? Where are you most comfortable to read or to write or to watch a programme or where do you feel the most secure?That bookshop is an anchor point visually for the show and always has been an anchor point since day one. And it is where you feel most secure. It's where the door closed, you feel safe within it. And what emanates or resonates with that bookshop, not only from the character and the position or who Aziraphale is, is that everybody that walks into that bookshop feels the same thing. Everyone that walks in that bookshop, I've said it before, just want to live upstairs and drink red wine and read books all day and they feel comfortable and they feel nostalgic and it creates a sense of security and protection. And I think that if you can create that sort of sentimentality in something that you're walking around in, it must transcend the lens. And it obviously does because people feel it all the time and they want to go there and sit around in the corner and feel comfortable. So I think that from character point of view, I started really emotionally from Aziraphale. And Neil, whenever I've thought of a great idea that I tell Neil about and he tells me how amazing it might be or how fantastic or inspired it was, I suddenly start to realise it's probably in the book or it's probably in the script between the lines. What stimulates my apophenia, what stimulates my vision and my emotional motivation to design anything is what I can see in the page. So if he has written something so universally empathetic to an audience, then I'm seeing the same thing you are, in my variation, but it really is the same warp or the same sentimentality as I said, or any of those things. So if I can find how to get my fingernails under the edge of that, how I can actually depict it, then I know that it's going to work. And that's obviously... and you can believe in it then, and you can say it with all honesty, rather than impersonate your love for something or say something because your ego tells you you should, or produce something that's a duplicate of something you saw once in Italy. This is something you've got to feel that's specific to the project and specific to the written word, you know.

Question: Do you have the freedom to do what you want?

Michael Ralph: I must admit, reading the book the first time, it was difficult to get my head around how it was going to be depicted. You've got to be very careful that you don't impersonate what you've seen before, you don't copy and then call it original when it's not, because that's sort of like a cop out. You really, honestly have to live with it 24 hours a day, even while you're asleep, and search and search and search and search to find what it is that gets your fingernails under it, to find out what it is you really believe in. And it sounds so ethereal, but it's absolutely true. If you can get that, if you can openly find that, and you've got to feel that, if you can get that, then you're absolutely on something you can invest in and then something you can produce. Because then it's not something that's duplicated. All the furniture, literally all the furniture, all of the dressing on the walls, all of the bookshelves are all built but Bronwyn, a set decorator, will buy me a lot of brown furniture that she finds as really interesting furniture. Furniture that's got spindles and handcarved pieces and reliefs in it. And she gets me stuff that she believes goes with the character of the place. And then I'll break it open. This is what construction. I love working with construction with, because I'll break it open, cut it down, reattach it, and I'll remake wholewalls and bookshelves, like in the magic shop that none of it existed until we put together loads of stuff the set decorator found, that Bronwyn found. And then all that stuff ends up having a profile of the period, or echoes to you, little visual trip hazards of the period, of size and weight. But it isn't really anything you've ever seen before. It's not from a higher shop. It's not from a piece of furniture you bought, just plunk there. Because the camera sees things differently. And we have to lift all that up and make it bigger and larger in scale to punctuate the vision. So all of that is... there's all sorts of theories, I could go on forever, you know. I was saying to Bronwyn today that I think I've been working all my life on trying to raise my intellect, to be able to incorporate a vocabulary to explain what it is I do creatively. I'm not there yet.

Question: Is there something you'd like to explore in the future?

Michael Ralph: And it's funny you should say that, because that process, from what I've explained to you, doesn't originate with me. So you need to get that book or that source material, and someone has to say, you're the guide for this, I'd love to see what you see. And then it's like this massive submerge, you submerge into it. And then it's a journey, a journey that you embrace and it reveals things that I could guess maybe 15-20 things I'd like to do on Season Three, but it's not scripted. So what is that? You know, I've got imaginary things that I will adopt because I know that they've got weight or purpose that will work for Season Three. But I need to see what Neil shows me, you know, what Neil teaches and tells me, and then once I've seen that, I can run with it. He's such a wonderful appreciator of what you achieve. He's never questioned anything I've done, ever. And it's been hundreds of things, hundreds of sets and ideas. And no matter how crazy what it is, I might end up drawing the craziest things first. But he still loves them, you know. And it feels like it probably was there already between the lines. And all I've done is pick up on it. You got to really get into it to mime what it is that affects you and what moves you. What it is you love about something. You can watch a show and read a book and not love it. You don't know why you didn't love it, it's unequatable, but you just didn't connect. But what we're trying to do with everything we do cinematically is to connect, is to somehow get through the equation. So you feel it. And I got a feeling that's why Good Omens works so well. Because of the amount of love and emotion that people put into it and amount of faith people have in what they're doing, because it's only done out of joy and it's only done for the goodness of that wonderful story that is developed and matured, within it, between the characters. And because of that, you can do nothing but sprinkle magic on it all the time.

[nanowrimo]

How to Use Meal Scenes to Develop Characters, Relationships, and Your World

Worldbuilding can sound complicated, but why not make it a little more simple by focusing on food? It may be the domestic touch you need! NaNo Participant Lacey Pfalz talks about using meal scenes to develop your world and your characters.

There’s one thing that remains a universal human truth: we love food! While our perspectives on food might differ, people all across the globe gather together during mealtimes — and thus, mealtimes are made memorable.

Meal scenes can also help your story in a few key ways, especially if it’s fantasy, science fiction or historical fiction.

Meal Scenes for Worldbuilding

If we’re using food for worldbuilding purposes, does that mean we can say we’re worldcooking?

Just kidding! Worldbuilding, especially in historical fiction, science fiction, and fantasy, is an integral part of what you must do as a writer (In truth, it’s also important for writers from other genres, but we’re specializing in these three today).

Meal scenes can be an important part of the worldbuilding process. Food is intrinsically tied to a culture or a country, or even a small region. That’s why it’s important, when building your own world, to take time to figure out the bare minimum of what your characters will be eating.

Let’s do an example. Your world is fantasy, your kingdom set beside a wide river. Perhaps your capital city, where much of the action is located, is surrounded by wetland.

If this is the case, what types of food would likely grow there? Seafood, fished from the large river, might be your characters’ staple proteins, while rice might grow better than another grain because of your kingdom’s wetlands. Fruit, perhaps even coconuts, might be the sweet stuff your main character loves to devour.

Remember that your world directly affects what types of food your characters will be having: is there coffee in space? What about in Byzantine Turkey or your new riverside kingdom?

Shannon Chakraborty does a phenomenal job with this in her fantasy series The Daevabad Trilogy, which is set in the eighteenth century across the Middle East. Her first book, The City of Brass, is especially good at showcasing the often-fragrant dishes of the various cultures across this region of the world (some copies of the book even have a short list of recipes from the book that foodies can try whipping up for themselves).

While her book is set within the fantastical world of the Djinn, her food is based upon recipes that have been preserved for centuries.

There’s one small reminder with all of this: it’s important not to get too caught up in describing each dish so much that you end up taking the focus away from the characters in a meal scene. Meal scenes can be breaks from fast action, but they should also continue the plot.

Meal Scenes for Developing Characters & Relationships

Character development can be hard, especially if you have a handful of characters that you love! But in order to make your readers love them too, you have to show them interacting with the world around them.

That guy we love to hate? Maybe he’s a loner who has grown up eating by himself. Having him forced to sit and eat with a group of people who have known each other for years might be an awkward moment for him, but it helps readers to learn more about his own worldview — and it might just help get him out of his shell, or at least off the love-to-hate list.

Besides helping you develop a single character, writing meal scenes with some of your characters can also help readers learn more about the relationship between your characters.

Let’s say you have your main character, MC. MC leans over and steals a French fry from her best friend. There’s no issue, right? That’s because they like each other, and the best friend has likely eaten with MC before, and knows she enjoys stealing food from other people’s plates.

But when MC tries it again, this time with the guy sitting next to her, he whacks her hand to stop her from stealing. This sparks an argument that seems, at least to everyone else watching it, pointless, but readers will know from the rest of the story that they’re the enemies-to-lovers trope. This argument is just one of many before they finally acknowledge their feelings towards one another.

See how that worked? A meal scene wasn’t useless; it pulled the story along by giving readers another taste of the enemies-to-lovers trope that so many enjoy reading.

If you need a more visible example of how this can play out, try watching a movie like Pride & Prejudice, (the book is amazing, but I’m suggesting the movie as a visual aid). The movie does a great job showcasing just how different the members of the Bennet family are individually, how they act around each other, and how they act around company.

There’s often little action in meal scenes, so they’re not meant to be overused. The plot should also still be there — take the cringey proposal scene between Mr. Collins and Elizabeth in Pride & Prejudice, for example, which follows directly after a meal when the rest of her family abandons her. In this case, the plot (and Mr. Collins’ advances) ruin her meal.

Perhaps your meal scene is the much-needed respite in between battling fierce aliens for planet Earth, or the first time your main character’s enemy-to-lover has entered her home. Either way, meal scenes are an important way to immerse your readers in what kind of world they’re imagining as well as showcasing how your characters act and — more importantly — how they act around each other.

Lacey Pfalz is a travel journalist by day, hopeful author by night. She belongs to the class of graduates she dubs the Class of COVID-19, having graduated with a double major in history and writing at Wisconsin Lutheran College in 2020. Her writing passions include fantasy, science fiction and historical fiction (with a little bit of romance, of course!). As someone with a physical disability, it’s her dream to write a fantasy series featuring a main character like her. Header Image by Jack Sparrow