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nysus-temple · 1 year ago

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Uuuuhhh can I save this for a thesis? Because holy shit.

Odysseus was afraid the entire year on Aeaea in the Odyssey.

Content warnings: Rape, Sexual Coercion, Sexual assault, Sex Work, power dynamics, this will also be long as fuck as I talk too much. This is NOT a "Circe the Goddess Hate Post". I call her out but that's it. I tried to keep this neutral but still making a point (Let me know if I gotta put more)

Lots of lovely folks on here have written great essays on what Calypso did to Odysseus as it's soooo blatantly obvious there. It literally states how he cried every day and how he flinched from Calypso, very straightforward on how he was explicitly raped.

But I've noticed that a lot of people are always iffy about Circe's situation (understandably so, it's not so in your face.) She's usually always mentioned in the "Odysseus never cheated! He was raped!" posts but then the evidence is only ever given against Calypso, and then mentioning how you can't say no or disobey the orders of an immortal and how it was in exchange for freeing his men.

WHICH IS ALL CORRECT!!! But!!!

There ARE immortal/mortal couples who genuinely love each other. Dionysus and Ariadne, and Eros and Psyche are examples. Apollo and Hyacinthus. It's true that Psyche becomes immortal eventually and in some versions, both Hyacinthus and Ariadne do too (depending on versions). But even while mortal themselves, their immortal lovers still remained respectful and loving towards them and definitely doted on them. There are definitely power dynamics at play here but there's some nuance.

Odysseus and Circe's relationship, however, is very different. We all know he slept with her at the very least once. And that was in exchange for his men being returned to humans. That was the only time it was explicitly stated. With Calypso, it tells you every night he was enchanted and slept beside her. It was the narrator speaking but Odysseus is the narrator now and it's his story. If you think he lied, this probably won't change your mind anyway.

But even if it was a one-time thing, (which isn't the only interpretation and I will have points that talk about others) then why did he stay a year? What was he doing?

I'm doing a deep dive into the year he spent on Aeaea based on evidence in Book 10 and then the beginning of Book 12. Step by step, and honestly I'm writing this for Tumblr, not as a thesis so I will be a bit more casual but still using sources. To me, it's very obvious that he was uncomfortable throughout the text simply based on the language that is used. But it's very subtle and not an outright statement of "He's been crying every day."

BTW, just so we're clear, this is not a "Circe is the root of all evil, etc." type of post.

This isn't meant to villainize her. She's an immortal being and in mythology that changes things. Everybody is morally gray. I genuinely think if we were to ask her feelings on it, she'd probably be like "Oh, yeah! Turned his men into pigs! Strange little man he was." I don't think she gave a flying fuck.

I just simply get pissed tf off when people think Odysseus was fine. It honestly disturbs me how often I'll go on other websites YouTube and see everyone call him a whore and a womanizer. It's sexism at its finest because 1.) "MaN AlwAyS wAnTs sEx" and 2.) women can't rape/coerce. THIS IS SIMPLY TO LOOK INTO HIS FEELINGS ABOUT IT.

This is also only for Homer's Odyssey, using different translations. If you want to discuss this, (I'd be happy to! Just be nice!) DON'T BRING UP ANY OTHER WORKS.

With all that out of the way, come yell with me 🤗

I've read multiple translations, as I know there's going to be bias depending on who's translating. And having done so, each one has basically the same situations described the same so that's nice for consistency. Also, there are some parts in the story that are vague and that we'll never have answers to.

Odysseus first simply sees the smoke from her chimney and then sends his men in, after drawing lots Eurylochus leads half of the men to check out the house. I mentioned here vaguely how the 2 immortals he sleeps with are both introduced while singing and weaving, which could be seen as an enchantment (which to me is most likely. They both possess magic and are goddesses). So I'm just gonna move past that. Just take a peek and come back or just know that enchantment was likely.

Next, I'll see people often joke on Tumblr about how

"Odysseus says that Polites is his best friend yet only mentions him once!"

I think Odysseus mentions his best friend, the one to jubilantly go in first, to show WHY he would go through with this. How much these comrades mean to him. That's his best friend, and there are approximately 20 others who are now pigs as well. Could you knowingly leave one of your best friends to live a life like that knowing you could've done something?

[...]Circe—and deep inside they heard her singing, lifting her spellbinding voice as she glided back and forth at her great immortal loom, her enchanting web a shimmering glory only goddesses can weave. Polites, captain of armies, took command, the closest, most devoted man I had: ‘Friends, there’s someone inside, plying a great loom, and how she sings—enthralling! The whole house is echoing to her song. Goddess or woman—let’s call out to her now!’ So he urged and the men called out and hailed her. She opened her gleaming doors at once and stepped forth, inviting them all in, and in they went, all innocence.

(Fagles, Book 10)

In the Odyssey, it's never mentioned why she turns people into animals. I think they were turned into pigs because, throughout the Iliad and Odyssey, Odysseus is often associated with boars. His men are associated with him, therefore: 🐖 Piggy. From what we know, the lads were just eating her food. With how much Xenia and hospitality are a large part of the story, they probably thought they were safe. They were GUESTS. This is especially welcome after the Cyclops and the Laestrygonians. And it literally says "All innocence". They were simply naive.

Then Eurylochus runs back, so terrified that he couldn't speak at first. He then begs Odysseus to just leave the men behind. Odysseus has shown that he does TRY to save his men when it is truly not reckless to do so.

But I shot back, ‘Eurylochus, stay right here, eating, drinking, safe by the black ship. I must be off. Necessity drives me on.’

(Fagles, Book 10)

Then the famous warning from Hermes. I've seen folks bring this up when talking about this. YES, he is literally commanded by Hermes to not refuse her if he wants his men back in basically every translation. It sounds like Circe was warned as well. When? We don't know, but it sounds like Hermes didn't pick "sides" here.

Strange that he was still like, "Sleep with each other" to both, because he could've been like, "Circe, there's this guy named Odysseus. When he comes to this island, change his men back." But who knows, maybe it was Circe's idea from the beginning and Hermes went along with it. Just food for thought.

Now here’s your plan of action, step by step. The moment Circe strikes with her long thin wand, you draw your sharp sword sheathed at your hip and rush her fast as if to run her through! She’ll cower in fear and coax you to her bed— but don’t refuse the goddess’ bed, not then, not if she’s to release your friends and treat you well yourself. But have her swear the binding oath of the blessed gods she’ll never plot some new intrigue to harm you, once you lie there naked— never unman you, strip away your courage!’

(Fagles, Book 10)

But that doesn't explain why he was there for a year afterward! Nor if he himself was okay with it, which is what I'm trying to delve into as he wasn't.

Also the knife thing? She's still immortal. It was meant to startle her. Her dad is Helios. Odysseus would've been toast, literally.

Also note this exchange wasn't a "Yippee! Hermes says I'm going to get laid!".

...just approaching the halls of Circe, my heart a heaving storm at every step, paused at her doors, the nymph with lovely braids— I stood and shouted to her there. She heard my voice, she opened the gleaming doors at once and stepped forth, inviting me in, and in I went, all anguish now …

(Fagles, Book 10)

Another translation by Ian Johnston, (they all say the same thing essentially but trying to make a point.)

I continued on to Circe’s home. As I moved on, my heart was turning over many gloomy thoughts. After I had walked up to the gateway of fair-haired Circe’s house, I just stood there and gave a shout. The goddess heard my voice. She came out at once, opened her bright doors, and invited me inside. I entered, heart full of misgivings.

HE👏WAS👏SCARED! The tone is solemn and suspenseful. He was just told that without Hermes' help with the root, he wouldn't be able to survive and bring back his men. Circe was dangerous.

He made her swear not to harm him.

Straightaway she began to swear the oath that I required—never, she’d never do me harm—and when she’d finished, then, at last, I mounted Circe’s gorgeous bed …

(Fagles, Book 10)

Please note that she NEVER promised that to his men. His comrades did NOT have moli in their systems. He had no way of truly ensuring their safety in any way from Circe.

He then refuses to eat until they get turned back. I don't think Circe is "Evil" so maybe it slipped her mind. Or yes, she could've thought, "Hey, I got what I wanted. He's handsome enough. Homer never shuts up about how hot this guy is He hasn't brought up the pigs yet. I'll just let this play out. Maybe HE forgot. I don't have to do anything." We don't know. But Odysseus probably felt like he got deceived. Funny as that's what he tends to do.

"Hey, I did my part of the deal. I slept with you. Now do yours."

She pressed me to eat. I had no taste for food. I just sat there, mind wandering, far away … lost in grim forebodings. As soon as Circe saw me, huddled, not touching my food, immersed in sorrow, she sidled near with a coaxing, winged word: ‘Odysseus, why just sit there, struck dumb, eating your heart out, not touching food or drink? Suspect me of still more treachery? Nothing to fear. Haven’t I just sworn my solemn, binding oath?’

So she asked, but I protested, ‘Circe— how could any man in his right mind endure the taste of food and drink before he’d freed his comrades-in-arms and looked them in the eyes? If you, you really want me to eat and drink, set them free, all my beloved comrades— let me feast my eyes.’ So I demanded.

(Fagles, Book 10)

He doesn't trust her despite what she had told him that he should when they sleep together. He has figured out that while she will not hurt him, his men were not a part of that oath, the men he was trying to protect in the first place.

She is then moved by how they rejoice when they see one another again. While turning people into animals for funsies isn't cool and coercion is fucked up, I think she comes to see this group as not quite friends but I think she did find them entertaining in a way.

This is very strange but I've seen some folks say that since Odysseus was pissed at Eurylochus for still not believing him about Circe is proof that "Oh he was trying to defend her!". Which??? Uh, Eurylochus was literally questioning his leadership as a whole. Calling him reckless and shit. He is captain and he's the King, he can't let that shit slide. The text literally says "Mutinous". Also if I had to sleep with someone I did not want to especially if it was to save my friends and I got called names afterward I'd get fucking pissed too.

Only Eurylochus tried to hold my shipmates back, his mutinous outburst aimed at one and all: ‘Poor fools, where are we running now? Why are we tempting fate?— why stumble blindly down to Circe’s halls? She’ll turn us all into pigs or wolves or lions made to guard that palace of hers—by force, I tell you— just as the Cyclops trapped our comrades in his lair with hotheaded Odysseus right beside them all— thanks to this man’s rashness they died too!

They stay a year. Again it's never stated that Odysseus slept with her that whole time. You could interpret that. (Honestly, I feel Circe would get bored with him? She's a goddess, she's got more important matters than mortal men. And she definitely doesn't love him.)

His men DO have to bring it up that "Odysseus has forgotten his native land." Maybe they thought they could sneak out without her knowing??? I am fucking REACHING but hold on as Telemachus did because he knew Nestor would well, be Nestor and try to coax him with "Have a meal with us! Let me tell you about how badass I used to be in my youth." But to sneak away from a goddess? Without her permission? That won't end too well. Aeolus in the beginning kicked out Odysseus when he tried to ask for another bag of wind. If she didn't want him around, she could literally boot him out. While she didn't force him to stay like Calypso did, she didn't "release" him either.

We don't know if they've been asking for a long time. Odysseus does say to Circe that they have been begging him nonstop, but he could also be saying that to try and convince her. He's good at persuasion. I think while he knew he could rely on her for food, shelter, and good advice, he still didn't feel...SAFE with her. I think he was possibly avoiding her personally.

I think HOW he asks her to leave is important to know as well.

...but I went up to that luxurious bed of Circe’s, hugged her by the knees and the goddess heard my winging supplication: ‘Circe, now make good a promise you gave me once— it’s time to help me home. My heart longs to be home, my comrades’ hearts as well. They wear me down, pleading with me whenever you’re away.’

(Fagles, Book 10)

Throughout all of Homer's works, the characters grasp another's knees when they are desperate and are literally at the other person's mercy. Priam did when begging Achilles for Hector's body back. The man who literally killed his son and was defiling his body by dragging it around. Leodes grabs Odysseus' knees to beg for his life before Ody kills him. If he saw her as a friend, and not a captor, WHY DID HE FEEL THE NEED TO BEG IN ORDER TO LEAVE?! No one, who is in a healthy relationship, has to BEG for permission to leave. Or to "Break up", if you interpret them as still sleeping together.

And even Circe acknowledges that he is there against his will!

‘Royal son of Laertes, Odysseus, old campaigner, stay on no more in my house against your will.

(Fagles, Book 10)

[...]Odysseus, man of many resources, scion of Zeus, son of Laertes, don’t stay here a moment longer against your will

(A.S. Kline, Book 10)

This is probably another reach that you can ignore but the whole "they wear me down", could be trying to appease her. "Look, you're REALLY cool, it's actually my crew that wants to leave hahahah please don't kill them"

I mentioned before how Telemachus snuck away from Nestor but that was simply out of necessity because he needed to go home now. Not rest for the night. NOW. Nestor is just everyone's grandpa. Menelaus kind of talked more but Telemachus is very straight up in "Please I have to go now" and Menelaus immediately got things ready for him. He never has to beg and clasp his knees. Telemachus was never afraid. Menelaus is a fun uncle and Helen is your cool auntie.

Back to Circe! She tells him instructions for the underworld, they were in her bedroom. But that might've been the only way to speak with her. As even Penelope is usually away from the suitors when they are in her halls, Circe may have done the same. The text never states she played hostess physically. If she was hosting in the halls during the day, why did Odysseus wait until night to talk to her? He could've just asked her while she was on her throne in front of everyone. (He did so with the Phaeacians)

Or maybe he went alone because she only swore an oath to not harm him and so he didn't want his men near if she decided she didn't want to let them go. I could be missing something here so feel free to say something. Idk if this was a pride thing on how "I don't want others to see me beg".

This is also where I think there might be interpretation differences. A lot of folks say "She had the info he needed to go home." and she did. BUT HE DIDN'T KNOW THAT. She actually gives advice of her own volition it seems!

She gave him new fine clothes and put on pretty clothes herself but that doesn't mean they had sex. Nausicaa gave him nice clothes as well but he never slept with her.

Then he leaves. Immediately. Not even doing a headcount as he didn't realize one of his men had died. (That was negligence on his part but he wanted out) He booked it, to the UNDERWORLD BY THE WAY. Circe even had to sneak the animals he needed for the sacrifice. Odysseus even basically said "She's a goddess. She can do things mortals can't" at the end of the book. And it almost feels...Numb? Solemn? Neutral? Gives a "It is what it is" vibe.

But Circe got to the dark hull before us, tethered a ram and black ewe close by— slipping past unseen. Who can glimpse a god who wants to be invisible gliding here and there?

(Fagles, Book 10)

She’d slipped past us with ease, for who can see a god move back and forth, if she has no desire to be observed?

(Johnston, Book 10)

She's a goddess. She has magic. She can do whatever the fuck she wants.

NOW ON TO BOOK 12!!! That was long! GET A SNACK AND WATER! LUCKILY THIS'LL BE SHORTER!

In Book 11, Odysseus swears, upon all his loved ones in Ithaca, to Elpenor that he'd give him a proper burial as he's been "unwept, unburied". So in Book 12, he sails back to Aeaea to fulfill his promise.

But you know what's funny to me?

He didn't tell Circe he was there.

He didn't even go to greet Circe himself. He sent his men to go get Elpenor's body.

The biggest clue that he didn't love/trust her is that if she was his "Affair partner" then why not go see her for "one last night together"?

SHE came out herself and pulled him aside to know what happened and then gave more advice.

I dispatched some men to Circe’s halls to bring the dead Elpenor’s body. [...]

Nor did our coming back from Death escape Circe— she hurried toward us, decked in rich regalia, handmaids following close with trays of bread and meats galore and glinting ruddy wine. [...]

But Circe, taking me by the hand, drew me away from all my shipmates there and sat me down and lying beside me probed me for details

(Fagles, Book 12)

In every translation, it talks about how he sits, and she lounges/lies down. That's not sex 🙃 In some translations, it even says he tried to be with his shipmates but she pulled him away!

So we lay down and slept beside our ship’s stern cables. But Circe took me by the hand and led me away, some distance from the crew. She made me sit, while she stretched out beside me on the ground.

(Johnston, Book 12)

Then, she gives advice about the sirens, Charybdis, Scylla, and her father's Cattle. He tries to ask if he could save all his men. She scolds him for even thinking he could try. He again books it out of there.

I think we all know it wasn't "love". But I think a lot of people think Odysseus was willing and happy with whatever this was. "Friends with Benefits", if you will. I guess you could see it that way but I will say that makes me feel itchy with the whole power dynamic and fear. I don't think folks who have that arrangement have to beg on their knees to ask if they can leave though.

I mean the entirety of Book 10 gives me the vibes of "Laughing uncomfortably because you don't want to upset the other person". To just grin and bear it.

A lot of this was just putting the text here and picking it apart step by step. What you do with this is up to you. It's rambling while banging pots and pans together.

Maybe you see him as drugged the entire year and still sleeping together, as the moli "wore off". Even then, just because her magic can't affect him, there are plenty of natural concoctions that can be created that can affect mortals.

Maybe you see the entire year as sex work in exchange for shelter and food.

Maybe he was just alongside his men the whole time under her roof and was avoiding her after the exchange. After he got asked by his men to finally leave, he would start to walk up to that room only to freeze and turn around, thinking "One more day won't hurt. Should wait until I know she's in a sympathetic mood".

I beg of you, however, PLEASE understand that there was fear and coercion throughout his entirety on Aeaea. He wasn't staying to get laid. While there is so much going on and too many things that are left vague to really know exactly what happened, it is consistent that he was scared/numb. Lots of people go through with things they don't really want to do just to appease others. There are plenty of situations of sexual trauma where one person goes through something and the other has no idea the other person isn't okay. ESPECIALLY WHEN SOMEONE CAN HARM THE PEOPLE YOU CARE ABOUT AT ANY MOMENT!

Sexual trauma is a very complicated thing and while he was scared, he definitely wasn't as traumatized by her as he was by Calypso. Calypso was a torturous hell while Circe was a year of walking on eggshells. Not comparable but I still think it should be acknowledged. It's wild because I read the Odyssey and kept thinking "Y'all are calling the sex slave a cheater? The guy who slept with a goddess to get his men back? The ultimate simp apparently doesn't love his wife??"

Things I'm adding that shouldn't affect the argument as it is not in the Odyssey but I want to mention as it's a "fun fact": Odysseus' dad was an Argonaut. Laertes probably met Circe as well, (or knew of her) with the whole purifying thing and maybe Odysseus heard his dad tell stories of her. Later myths also have Circe with the habit of turning her crushes (or their lovers) into something with Scylla and Picus.

In conclusion, Yeah, he was afraid of her. At least to an extent. And don't pull the whole "Ancient men didn't get raped". Male victims exist and deserve compassion for what was done to them and women are capable of sexual abuse. If you think otherwise, you are not a true feminist and Fuck you. I said in the beginning this'll be casual and I don't wanna write a fancy ending. You can still think Circe is neat but you have to know that this was fucked up.

If you think a lot of this is bullshit or wanna give more context or wish to yell with me but still know he wasn't alright on Aeaea, cool. If you want to point out mistakes or something I should keep in mind with interpretations then feel free to say so but give text evidence. If you try and bring up the Telegony and/or Madeline Miller's Circe, fuck clean off. This is Homer. If you call Odysseus a whore and not the malewife he canonically is I'll start biting. 😤

#disclaimer: NOT literally #one of my plans for the end of the degree is a work about Odysseus #either about this or about Sisyphus being his dad #and as you know. these type of university work REQUIRES stuff like. articles from magazines. not just straight up sources #so. like. I'm saving this post.#in case I ever end up doing that. in like. some years #also. besides that. it just cheered me up on a personal level.#it's dumb how attached i am to Odysseus. but. yeah. he has not left my mind since i was 10 #and i'm currently a fucking adult in the middle of her university degree #this man is the reason i started so many fucking things in my life.#my university degree. my hobby of writing. how i opened up to more people. why i like every aspect of Greece. not just the epic #i own 11 editions of the Odyssey. between. some other weird stuff #so. uh. seeing Odysseus get so much hate for. things that never happened. was. yeah.#he's a fucking murderer why is everyone panicking because of THIS #i did not wanna get. personal. nor act like a weirdo in the post.#which is why i am leaving this in the tags.#i have been ghosting Tumblr for a while. i haven't written any essays in a long time. neither did i have the energy nor motivation to do so #but after reading this post. the. you know. care it has. how you can sense that someone read the Odyssey and. liked it.#more than just 'haha funny classic'#i. dunno. i am not in he best moment to speak #uh. yeah. this is getting long.#i would like this post to be reblogged many more times. i will do it myself if i have to.#but. yeh. thanks to op for this.#this takes time. effort. love for the work. too.#YEAH that was too much. as i said i really am not. in a good mood to read something that i know will affect me #even if it's in a positive way #there are few times in which i'm. glad to be here still. the internet might be fucking scary. but.#without it i wouldn't see people talking about the Odyssey like a normal work. and not. as something WEIRD #EEEHHH yeah. that's it #as i said i'm not putting my rants in a post. i don't want people reblogging it with my own thoughts.

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sixx-sixx-sixx · 8 months ago

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LADY BRIDGERTON - Anthony Bridgerton x wife!reader (smut)

Summary: Reader has been married to Anthony Bridgerton for too long, it feels, although it has only been a few years. In that short time, not only has he only touched her naked body once, but he comes home most nights smelling of sweat and another woman’s perfume. Lady Whistledown has caught wind of this, and the gossip sends Lady Bridgerton over the edge. Anthony takes the time to give his wife exactly what she’s asking for.

Warnings: smut; badly written smut lol; infidelity; arguments about infidelity; possibly out of character anthony; I’ve only watched season 1 of Bridgerton; breeding kink; unprotected sex (wrap it before u tap it but this is a married couple); female reader/use of she/her pronouns; as always, proofread to the best of my ability

“Do you wish to make a fool of me?” Anthony leaned down to whisper in his young wife’s ear, a firm hand grabbing her elbow as he interrupted her conversation with a young man from Russia, or Hungary. He didn’t pay much mind to the boy so much as the woman who bore his last name, fully aware of the way she had been subtly flirting with many men that night. Taking count of the glasses of bubbles she had — she was nursing her fourth flute, Anthony had decided it was enough.

Don’t make a scene.

Lady Bridgerton felt an intense urge to strike her husband across his cheek, how dare he accuse her of making a fool out of him. All evening she had overheard whispers of Anthony’s name from nasty gossipers. The young Bridgertons had been the central characters in the latest edition of Lady Whistledown. Rumor has it that Lord Bridgerton had continued an affair with a certain singer, without bothering to hide it from his young wife. Even worse? Lady Bridgerton knew, as they all knew, and never seemed to let the truth affect how she presented herself to those around her.

“Would you like me to answer that truthfully, my dear husband?” She turned her gaze towards him, her eyes alight with a burning fury towards the unfaithful man she had devoted her life to. She jerked her arm away from his grip and started to lift the glass to her painted lips. Anthony grabbed the dainty piece of glass and shook his head, “I think you’ve had enough. It’s time for you to go home.”

A bitter laugh escaped her mouth before she could stop it, as a few heads turned to observe the titular couple. “If that is your wish, Mr. Bridgerton.” She turned on her heel and started to make her way out to the cold air, cursing herself for leaving her coat in the carriage. She didn’t even bother to wait for her husband to catch up as she informed the valet they would be leaving.

The carriage ride to the estate wasn’t anything special. She would sit and seethe in silence during the ride, her eyes burning a hole through Anthony’s forehead as he sat across from her. The argument began once the couple was behind the safety of their bedroom door, standing in front of each other with defenses up. “We have been married for two years, Anthony! Two years and the only time you have touched me was on our wedding night. Yet every night you come home, to OUR bed, smelling like some whore’s perfume! I am left to listen to the ton gossip about MY empty bed!” She nearly hissed the words to punctuate her accusations. Anthony had never seen such an outburst from the young woman, she had never spoken to him like that before. She was standing before him, the drinks she had at the ball fueling her anger and simultaneously allowing the anger to sober her head.

“I know that I wasn’t who you wanted to marry, I understand that this was just a beneficial arrangement for you. But I expect that as the woman who now holds your family name, who will one day bear your children, that you could at the very least respect me!” She was angry that he had just stood there and watched her yell, but at the same time, she wouldn’t let him get a word in.

“You cannot expect me to be a dutiful wife and lady if you refuse to grant me at least the tiniest shred of dignity. You, sir, make a fool of yourself, I am merely seeking that same kind of attention you seek from Siena.” Her voice dripped with sickly sweet venom as she spat the woman’s name.

Anthony allowed the woman to speak her mind on his infidelity, finally admitting to himself that he had been unfair to her. He frequently came into their room in the middle of the night when he expected the woman to be asleep. In the beginning of the marriage, he had at least tried to hide the evidence, changing his clothes before he climbed under the blankets next to her. Now, she was accustomed to him laying down beside her without even taking off the shirt that was stained with Siena’s stage makeup and that reeked of her pungent perfume.

“I do not understand, Anthony. I can come to terms with a loveless marriage, but I am so exhausted by knowing you’re giving her that kind of attention, and I have remained loyal to you despite the obvious signs of your affair-“ her rant was abruptly cut short when Anthony floated over to her, his hands gripping her cheeks with fervor as he crashed his lips to hers. Taking only a moment to stand in shock, she pressed her lips back against his, her hand reaching to grip onto the front of his overcoat. Desperately reaching for more, trying to edge him closer to their bed but ultimately allowing him full control over her mind, body and soul. She let out a disappointed whimper when his lips parted from hers, his face inches from her own.

“What is it that you want from me, woman? You wish for me to touch you the way I touch her? Or do you believe my hands to be too stained?” She hated how close his lips were, desperately trying to reach forward as he spoke his mind. She didn’t really care how improper the words sounded as they came from his mouth, because she DID want him to touch her- not just touch, she wanted him to fuck her the way he fucked his mistress.

She took a moment to find her words, not expecting her confrontation to lead to this moment. “Anthony, I am your wife. All I want is for you to- to fuck me the way a husband fucks his wife.”

Understanding that he had a year’s worth of missing passion to make up for, and seeing that deep down he had no other choice than to obey the woman before him, he easily obliged. In this moment, Siena didn’t exist to him. He was purely focused on making sure his duties as a husband were thoroughly taken care of. Tonight, he would go to sleep smelling of his wife’s soft scent, making sure to cover the woman in marks of his affection.

Little time was wasted in getting their clothes off. A mess of hands clashing together to try and undo buttons and layers and loops, the couple grasping at each other as though they were desperate for the other as a life source.

Anthony paused for a moment to admire his lady’s body in the soft candlelight, letting his hands first run over the delectable curve of her hips, trailing up her sides before settling on her supple breasts.

“I’m sorry that I have spent so long torturing you, making you only imagine my hands touching you like this. I promise, my lady, I will do a much better job at attending to whatever it is you wish from me.” Anthony promised as his eyes stayed locked with hers. Her pupils were blown wide, and he realized he didn’t even know what color her irises were meant to be. He told himself he’d be a better husband to her after this, wanting to ensure her place in society as his wife. He’d fuck her full of his seed tonight, and every night after that, to make sure that Lady Whistledown could never accuse him of neglecting his wife’s desires again.

“Please, my lord, please--“ Lady Bridgerton sounded deliciously desperate, and it excited Anthony in a way that he had never experienced in his years-long affairs with Siena. It spurred him to plunge his cock deeper into his wife, his hand pushing her thigh down to her shoulder as he positioned her to angle himself deeper. She would probably think about the pressure against her cervix for the rest of her life, praying to God that she’d be able to experience this side of her husband for the rest of their lives together.

“What is it that you want, Lady Bridgerton? Tell me with words, my love, I want to hear you say it.” In this close position he could make sure she could look into his eyes to see he was genuine in this moment.

She was surprised at his stamina and determination tonight, focused more on her body than chasing his own release. A complete contrast to their wedding night, she felt like he treated the consummation as a chore. This was a much, much better experience. She had lost count of the times he had made her cum tonight, and the ways he had coaxed her orgasms from her.

“Anthony- Christ! Please don’t stop, want you to fuck me full til i’m round with your child-“ her voice was ragged and on the verge of giving out after not holding back a single sound. She didn’t care how pathetic she sounded begging for what seemed like the bare minimum from her husband.

Anthony leaned down to capture her lips in a messy kiss, reaching down to grab her hand that was tangled in the sheets beneath her. He caught any noises that escaped her, the sounds muffled against his own mouth, moving to hold her hand above her head. She clutched at his hand and whimpered his name as his hips stilled after a few sloppy thrusts, thick ropes coating her walls.

Anthony stayed put for a moment so as to not waste a drop, pulling his lips from hers before ghosting them over the hammering pulse in her neck. He gently maneuvered her pliable body into a resting position, slowly pulling himself from her and getting up from the bed.

After he had gently cleaned up the mess he had made of the woman, Anthony peppered soft kisses over her stomach as he made his way up to lay down next to her. She instantly curled into his chest and closed her eyes, taking her time in coming down from the cloud she was on. She could feel his fingers gently combing through her mussed hair, the sensation slowly bringing her back to earth.

“Are you alright, Lady Bridgerton?” Anthony spoke softly to not spook her, his arms locked safely around her keeping her pressed to his body. Her lips quirked into a smile and he took notice of the way her cheek dimpled, his thumb moving to stroke over the small impression.

“I am absolutely content, Lord Bridgerton.” She opened her eyes to look up at her husband’s face. Anthony smiled as he kissed her again, a kiss so tender that nearly brought tears to her eyes.

“I may not be the perfect husband, but I vow to do better by you. I will end things with Siena and tend to the parts of you that I’ve been neglectful of.” Anthony made a promise to her after he had pulled away. His wife reached up to grab his hand in hers, moving it to press a gentle kiss to his knuckles before she spoke.

“You can use all of the sweet words that you want, you’ll still have to prove yourself with actions.” She squeezed his hand gently, “But I think this has been good start.”

#anthony bridgerton x reader #bridgerton imagine #bridgerton fanfiction #anthony bridgerton #anthony bridgerton x you #anthony bridgerton x female reader #bridgerton fic #bridgerton #bridgerton season 1 #Anthony Bridgerton smut #bridgerton smut

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rose-petles · 1 month ago

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Pls can you make a pt 2 to the 니키 - ruined make-out sessions -> N.NK fic where niki is teased by the members

니키 - ruined make-out sessions -> N.NK [ P.2 ]

Warning → none!

Paring → Clingybf!Niki x SoftieGfFem!Reader

Synopsis → Its been two months since he has kissed your lips.

He whined as you dragged him into the bathroom to get ready, already craving your kisses again. “But I miss you I wanna spend time with my love.. can I not..?”

You sighed, “We are already going out with your bandmates, lets go love..”

Niki sighed and followed you as you dragged him out of the room to the lounge area.

After jake had left the room a smirk spread across his face as he watched you kiss, his mind already running through all the teasing he was going to give Niki later.

When Niki arrived to meet his friends at the restaurant a little while later, he was instantly met with raised eyebrows and knowing smirks. Sunghoon leaned back in his chair, looking at Niki with mock seriousness.

“Well, well, look who finally decided to show up,” Sunghoon said, tapping his fingers. “Must’ve been a really good excuse for being late.”

Heeseung chuckled. “Did you have something better to do than hang out with us, Niki?”

Niki shifted, immediately suspicious. “What’s with the attitude?” he asked, trying to sound casual. But the red tint that rose to his cheeks betrayed him.

Jake finally let out a loud laugh, clapping Niki on the shoulder. “broo. Saw you and Y/n having a very romantic moment.”

Niki’s face turned even redder, and he groaned, dropping his head. “Jake, why didn’t you just walk away quietly?” he muttered, eyes closed in embarrassment.

Sunoo leaned over the table, clasping his hands dramatically. “A kiss, really? On the bed? How cliché,” he teased, earning a laugh from everyone.

Jungwon laughed, pointing a finger at Niki. “Our little Niki is growing up so fast! Who knew he’d be the romantic type?”

Even Jay joined in, winking. “Next thing you know, he’ll be planning a candlelit dinner.”

Niki buried his face in his hands, his muffled voice reaching them. “You guys are the worst. Seriously.”

Heeseung gave Niki a light shove, grinning. “Don’t worry, we’re just happy for you, man.”

Despite the teasing, they all flashed him supportive smiles, and Niki couldn’t help but laugh with them, knowing he’d never hear the end of this.

But when he looked back at his friends, their laughter mingling in the air, he knew it didn’t matter.

At the end of the day, he had you—and they’d always be there to remind him of that in the most embarrassing ways possible.

Back to -> | Navagation | Masterlist

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moonlitwitchdaisy · 15 days ago

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mlbplayer!gojo who is the most arrogant player on the team, because he’s the best player in the baseball world.

mlbplayer!gojo who, during games, takes off his jersey and flexes his muscles after every home run, giving fans material for thirst trap edits on social media.

mlbplayer!gojo who is such a notorious womanizer that he’s seen with a new model, actress, or celebrity every week. He never looks for a serious relationship because nothing is more important to him than his career.

mlbplayer!gojo who gets scolded by his manager after a scandal breaks out about him and his best friend (NBA’s star player Suguru Geto) hooking up with the same girl at a nightclub.

mlbplayer!gojo who feels nervous for the game after the scandal because paparazzi won’t leave him alone, and the media has labeled him a “man-whore.”

mlbplayer!gojo who steps onto the field for the game but is too distracted to focus. When it’s his turn to bat, he makes the worst hit of his career—something no one would have expected from him—and the ball ends up hitting you, a spectator who only came to the game because your friend insisted.

mlbplayer!gojo who realizes what he’s done and immediately leaves the field to rush to your seat, hoping the person he accidentally hit is okay. Running up to your row, he spots you clutching your face in pain, and the sight makes him curse under his breath. Kneeling down, he asks, “Are you alright?”

mlbplayer!gojo whose heart nearly stops when he looks into your tear-filled eyes because you’re the most beautiful woman he’s ever seen.

mlbplayer!gojo who starts apologizing profusely but is suddenly snapped out of it when you slap him across the face. As he holds his stinging cheek, he hears a string of creative curses from you (ones even he hasn’t heard before) and struggles not to laugh. When your friend helps you leave the stadium, Gojo watches your retreating figure, knowing in that moment he’s just met the woman he’s been searching for his entire life.

mlbplayer!gojo who gets chewed out by his club and manager after the game but begs them for help finding the injured fan so he can make amends.

mlbplayer!gojo who, the day after the incident, contacts you through his manager via email to offer to cover your hospital expenses and asks to meet with you. When he sees your reply, stating, “Please tell your star player he can go straight to hell,” he bursts out laughing. While his manager thinks he’s lost his mind, Gojo is ready to try every possible way to reach you.

mlbplayer!gojo who doesn’t give up and tracks down the bookstore where you work. When he shows up, you’re still working despite having a bandage over your eye. Seeing the smug smile of “the best player in the sport you now hate the most,” you demand to know what he’s doing there and how he found you. With his usual calm demeanor, he replies, “Once I set my mind on something, I don’t stop until I make it happen.”

mlbplayer!gojo who somehow convinces you to go out for an apology dinner with him when your eye heals (you’re not even sure how you said yes). When he arrives outside your apartment at the time he promised, he's left breathless. Standing in front of him, blushing with embarrasment in your red dress, you watch Gojo opens the passenger door for you, and even though you still claim to hate him, his persistence makes you see him as a little more decent.

mlbplayer!gojo who spends the car ride battling his own desires because the most perfect woman in the world is sitting next to him.

mlbplayer!gojo who keeps you laughing throughout dinner and ensures you have an amazing time. To win your forgiveness, he gifts you an original 1894 edition of Pride and Prejudice, your favorite book. Your stunned expression leaves you speechless, which only makes him laugh. (And of course, he doesn’t let you return the gift, no matter how much you protest.) When you kiss his cheek at the end of the night before heading into your apartment, he gazes at you with lovestruck eyes.

mlbplayer!gojo who texts you every morning when he wakes up, before and after practice, and on his way to your place to ask what you’d like to eat. Even though you beg him to stop, deep down, you don’t want him to. Besides, who could stop Gojo anyway?

mlbplayer!gojo who tries to convince you to come to another game. When you refuse, he promises not to hit you with the ball this time. After half-heartedly punching him, you finally give in and agree to attend next week’s game.

mlbplayer!gojo who is hectic on the day of the game, knowing the woman he loves will be watching him live. Though his teammates ask why he’s so excited, he keeps your identity a secret to protect your privacy.

mlbplayer!gojo who runs straight to your seat after making the game-winning hit. Overcome with excitement, he kisses you—the woman he knows likes him but has never admitted it—fulfilling his long-time dream. When you pull him back for another kiss, tossing aside all your reservations, he whispers, “You’re all I’ve ever wanted.” And from that moment on, you’re officially together.

mlbplayer!boyfriend!gojo who asks you to move in with him just two days after your first kiss because he can’t stand being apart from you any longer. Though it feels sudden, you don’t really want to be away from him either.

mlbplayer!boyfriend!gojo who keeps your relationship out of the public eye. While you’re willing to face the world for him, protecting your privacy means everything to him.

mlbplayer!boyfriend!gojo who, once a notorious playboy who cared about nothing but his career, has now found the most precious thing in his life—you.

.ᐟ would you like to meet gojo’s best friends? (nbastar!geto headcanons┊uefachampion!nanami headcanons)

all rights belong to the @moonlitwitchdaisy do not copy, reproduce, or translate my work.

gojo art by @teaforgods on X.

divider by @enchanthings-a

#jujutsu kaisen #jjk #jjk x reader #jjk x you #satoru gojo #gojo satoru #satoru gojo x reader #gojo satoru x reader #satoru gojo x you #satoru gojo x y/n #satoru gojo fluff #jujutsu kaisen gojo #gojo x reader #satoru gojo headcanons #gojo satoru headcanons #jjk headcanons #jujutsu kaisen headcanons

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cherryredstars · 1 year ago

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omg hold on i love you so much i hope you are well. so i was sleeping peacefully in my bed today and suddenly this came to mind and i found myself on the floor.

it doesn't necessarily have to be sub Miguel, but i NEED NEED NEED a reader who has a sex stamina higher than burj khalifa. so miguel gets frustrated and overstimulated by the time its over, whining and trying to push her off of his lap type of shit because its his 4th or 5th orgasm. BUT HE WON'T, YKNOW WHY? BECAUSE HE IS HORRNY. BECAUSE ITS SEX AND IT IS GOOD SEX LIKE GAD DAYMMM

thank you

Pairing: Miguel O’Hara x fem!reader

Warnings: 18+, NSFW, Penetrative Sex, Overstimulation, Creampie, A Second of Fingering

Summary: Who is he to deny good sex?

Word Count: 725 (Not Edited)

He doesn’t know how much more he can take.

He’s surprised that he can even cum still. You’ve been at this for hours, greedily milking his cock and mewling at him. It’s fucking amazing. It’s like some shit his teenage mind would jerk off too. Some bizarre porn video concept. Except, this is real and he’s more of a mess than he thought he would be.

He started out on top, fucking your desperate pussy until tears flowed from your eyes. He has the scratch marks on his back to prove it, raised and red. But after his second orgasm and your fourth, you still wanted more. But he was so tired, deeply satisfied as cock almost went numb from pleasure. But you looked so sad, giving him that cute little pout that he can never say no to. So, to summarize, his own weakness is to blame for his current situation.

You’re desperately bouncing on his cock, no signs of slowing down. He’s flat on his back, moaning and groaning as he tries to get a steady grip on your hips. His cock is on fire, overstimulated and tired. It’s creamy with your combined cum, making loud squelches everytime you impale yourself on his dick. You won’t shut up, mouth dropped open as you scream and moan. Miguel is approaching his fifth orgasm, and he doesn’t know if there will be much cum left in him to fill you up with.

“Fuck, fuck, mi querida, let up. Gonna actually milk me dry if you don’t fucking stop.” Miguel whines, his hand moving to press on your stomach in a weak effort to push you off.

You shake your head and whimper, holding his hand there with both of your own. You use your hold as leverage, still moving up and down on him. Miguel moans out when he can feel where he makes your skin bulge, his orgasm rushing down his spine. You’re whimpering out ‘please’ over and over again, eyes rolling to the back of your head as you finish. He feels the way your walls flutter and squeeze around him, earning a dying groan from him as it triggers his own release.

His hips buck up weakly, spurting the very last drops of his cum into you. Both of you are panting, Miguel’s cock begging to be freed from your vice grip. You rotate your hips, softly mewling when his cock skims over your g-spot. Miguel protests as you work his cock, trying to hold your hips still to stop you.

You lean down and kiss him, that hungry look still in your eyes, “So, so good, Miggy. That felt real good.”

Miguel can only hum in agreement weakly, his head thrown back against the sheets as he tries to regain himself. He gasps as you get up, slowly removing yourself off his cock with a soft pop. Miguel’s cock is semi-hard when he hits his stomach, still coated with cum. He can feel it softening further, his cock throbbing from overuse.

Suddenly, you gasp loudly. It echoes off the walls, a sharp and unexpected noise. Miguel’s head shoots up to see if you’re hurt.

Miguel groans when he sees and feels what had you gasping. You’re still hovering over him, knees on either side of his hips. Cum fucking flows out of you, finally being able to escape your flooded hole. It’s white and thick, running down your thighs and forming a puddle under you. It splatters on Miguel’s skin, and his cock jumps and hardens at the sight. Miguel lets out a tired sigh, grabbing your hips and stuffing a finger into you. You cry out, face blissed out as he fucks the cum back into you.

“Fucking minx, you’re insatiable.” He grumbles, pulling his finger out and wiping it on the skin of your thigh.

You whimper, quickly turning it into a scream as he seats you back onto his raw cock. His cock stings, fighting in protest. His body is tired and he’s sure he only has dry orgasms left in him. But he doesn’t seem to care, especially when you instantly start riding him again. It feels good, so good. Real good. He falls back into his weakness again, whining and cursing.

He’s just a man after all, and what good man passes up on pornstar-level sex?

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sjyuns · 1 month ago

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FREAK LIKE ME — SIM JAEYUN

boyfriend! jake x fem reader 1040 words warning making out partying skinship vampires miniskirt wearing thigh grabbing biting hickies manhandling jake pushes a pendant with his initial into your skin genre suggestive asf fluff at the end mikaela’s note inspired by THIS edit. jake is the hottest man in my life and this is my belated birthday post to him | collection

Jake’s ring clad fingers sit in your thigh, the cold silver contrasting the warmth of his palm. Yet it was the only comforting thing in the room, aside from your boyfriend’s presence beside you, keeping you distracted from the unusual party scene and your uncomfortably short skirt.

You decide to focus your attention on your boyfriend, who’s come to this belated halloween party dressed as a ‘vampire nerd’, or at least that’s what he calls it. And to no avail you’re matching with him as his vampire mate — a bite mark drawn onto the right side of your neck with matching fangs to complete the look.

“Can’t get enough of my vampire look can you, sweetheart?” Jake teases, pulling you closer to him by your thigh. He watches as your curled eyelashes bat, face flushed a shade of crimson — and it ignites something in him, something so raw and animalistic.

The hold you had on him was exactly why he’s so intrigued by you: like a supernatural spell to keep him wrapped around your finger, to get his heart palpitating whenever he just looks at you. Intoxicated. Despite being his exact opposite, he was intoxicated by you.

You hum in agreement, fingers moving to brush his messy hair back. It was well established that Jake was the best looking man you’ve ever seen in your life. His thick lips and tanned skin, lean yet muscular body along with his accent you could listen to for days — and everyone has told him that, yet he constantly seeks your validation like a lost puppy.

“Well, I think you look ravishing as well,” he grins, fangs on display. And you think that he pulls the vampire personality off too well for your liking.

“Makes me want to bite you,” Jake whispers, lips eerily close to your ears as his fingers move along your thigh, leaving a chilling trail. “Here,” he stops, fingers close to the hem of your skirt.

You hold your breath in hot red anticipation as your boyfriend’s fingers move again, up your waist and to the left side of your neck. “Here,” he breathes, voice slightly strangled as he inhales the inebriating scent of your perfume. His fingers gently caressing the skin of your nape as your fingers wrap tightly around his forearm.

He watches you closely as if you were his prey, his silver contacts pulling you in like hypnosis. Jake’s tongue darts out, pressing against his fangs as he eyes your lips and how you involuntarily imitate his previous actions. Your mauve tinted gloss invites him like a moth to a flame and it drives him insane how you wait for him so patiently, hooked onto his every move.

“And here,” he finishes, out of breath. His veiny hands dancing against your skin to your lips, thumb pressing down ever so slightly on it. You tug on the fabric of his shirt, shifting around in your seat before Jake mutters a string of curse words, pulling you up, fingers wrapped securely around your wrist as he leads you out of the house and into the familiarity of his car.

The squeeziness of Jake’s backseat doesn’t distract you one bit, not when you’re straddled over his lap, arms around his neck, with his hands grasping the dip of your waist. And Jake grins, looking up at you in sheer happiness: it’d suddenly hit him that he’s here, with you and his mind goes haywire at the way you look at him.

“You gonna kiss me now baby?” he teases, urging you to make the first move and you move down fast, urgently, as if he was air and you were ten feet deep in water. And Jake has never gotten so lost in a kiss before: his heart keeps missing beats and his hands can’t seem to bring you closer to him. His senses ignite and his skin burns at your touch — as if he was a vampire and you were sunlight. He thinks if this was what it feels like to be burned alive, he would gladly surrender himself to such suffering as long as he could be with you.

Your hands manoeuvre around his back, fingernails grazing as you let out a soft moan. The silence around you explodes and a world of colours appears before your closed eyes.

Jake pulls away, the heat of his breath pounding against your lips before he pulls you back in again. This round it’s slow, as if he has all the time in the world, every thought in his brain stripped out and replaced with you.

you. you. you. you. you.

He groans into the kiss as you shift on his lap, thighs pressing against his as his fangs sink into the pillow of your lips before he kisses down to your collarbones.

Your fingers now wrapped around his luscious brown locks as your head tilts back in ecstasy, brain and heart chanting Jake’s name like a mantra in fervent praise, as if he was their God, their saviour.

Jake thinks everything he’s ever craved for is nowhere near comparable to you. This is what it was to crave — to crave your body against his even though there was no space between you, to crave the sweet taste of your skin and lips not even a millisecond after he’s pulled away, and to crave you: your heart, your mind, your soul.

His mouth skillfully leaves behind a trail of love bites before he flips you over. You back pressed against the seat of the car as Jake hovers over you, his necklace with your initials dangling over you: a reminder of his devotion to you.

Jake leans down to press his lips against the pendant of your necklace — a reminder of your devotion to him. The cursive ‘J’ initial digs into the neck of your throat as he returns, a goofy smile apparent on his face.

“You’re such a freak, sweetheart,” he points out playfully, eyes gazing into yours.

You mimic his grin, teeth out in display as you reply, “but you like it.”

“Like it?” Jake tilts his head, placing a chaste kiss on your forehead, “I love it, just like I love you.”

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scribeofmorpheus · 1 month ago

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Dragon Age Veilguard: Love, Wisdom and Pride

A very long Dragon Age post!

Warnings for: Veilguard Spoilers, Solavellan spoilers.

Okay, so I will preface this by saying that this ‘analysis’ primarily focuses on Solas’ arc; both romanced and unromanced. It isn’t intended to be a romanticised analysis, though it is very much enamoured with how a romanced Solas and his relationship with Lavellan foils (and informs my reading/reception of) that of Solas and Mythal’s relationship in Veilguard. There is a relationship I will address that I feel does parallel Solas and Mythal! Scroll down to “Reading Between the Lines” if you wanna skip my little intro below. Spoilers follow.

Truth be told, I wasn’t ever expecting much in terms of actually getting a sequel to Inquisition. The game dev market went through a tumultuous reshuffle before the remake madness breathed life back into many studios. Bioware game sequels (Mass Effect Andromeda) were underwhelming and not as fleshed out since the EA acquisition. I absolutely believe Bioware would have been shunted had Mass Effect Legendary Edition not been so successful. EA’s reputation was always lacklustre and underhanded, but laying off or losing several head writers attached to Bioware with almost two decades of work under their belts was the biggest red flag. Trevor Morris not being asked to return in exchange for a ‘bigger name’ was also a grave warning that returning to the atmosphere, ambience and world of Thedas that we knew was getting further and further away from a plausible reality. And on top of that, there’s the fact Solas was never intended as a romance interest during early development of Inquisition.

Solavellan seemed doomed!

Despite this, I still held out hope for a sequel, but I feared we’d always be in permanent Solavellan/developmental hell. Heck, I’m still waiting for a Beyond Good and Evil sequel—the game released in 2003! So, actually witnessing people play Veilguard, seeing reactions to it, seeing memes and gifs and essay pieces (like this one), it’s like my community has awoken again, and I never thought I’d see the day. Yet I am not blind to the fact we were robbed of so much potential. I knew thing’s wouldn’t live up to re-emerging expectations when Dragon Age: Dreadwolf was rebranded to Veilguard—the shift seemed to imply less of a primary focus on Solas (and apparently, according to the artbook, the early concept art proves this implication correct).

Things seemed even more dire when the devs revealed there was no tapestry mechanic. I had only one hope: that with the Inquisitor’s confirmed return, we’d get at least some form of catharsis for our Inquisitors (Lavellans and otherwise), if we couldn’t get the conclusions to so many storylines present in each of our worldstates. My main fear was that they’d go the clichéd Ultimate Sacrifice route (which happens anyway, but in a way that makes thematic sense given the stakes and heavily blighted worldstate).

Suffice it to say, there was a lot of evidence that Veilguard would disappoint me in the end. But it hasn’t. It hasn’t lived up to the many expectations and marks of excellence that the Dragon Age world built itself into with the first three entries, that’s for sure, but I am also just so deprived of conclusions, of endings (whether it be because TV doesn’t exist in a sustainable format anymore or that comicbook movies are made with a sequel in mind, never letting anything just “Exit Stage Left” gracefully; or the fact we live in a regurgitating content cycle with late-stage-capitalism where anything remotely profitable gets turned into a caricature of itself: Squid Game, Star Wars, etc.). The cycle is so exhaustive that I am actually at a point where I can say I am content with the ending we were given (on a Solas/Solavellan front), Veilguard gave me relief, and beautiful, achy pain to boot. Though I would absolutely be disappointed by both the "non-romanced Solas" endings, given that Solas winds up either "dying alone, forever" or turns to Tyranny.

Now onto the actual review of that Solavellan ending, Mythal and themes of Love!

Note: I have only gotten the ‘best’ ending in my first playthrough, but I also thought the consequences of not maxing factions would be more… dire? Another note, pls, if your romanced Inky swore to stop Solas, how does that ending differ, if at all? Let me know, I’m dying here!

Sidenote: I’m working on writing another review about my views on the ‘sanitised’ worldstate, the new companions (and why I think Varric was the wrong choice to have as an advisor in the game, given that the Inquisitor or Morrigan would have been more impactful; and not to mention that Cole or Briala should have been companions), removal of the tapestry and what it means for the future of stories in Thedas (The Story We Lost is such a poignant compilation of the sheer volumes of lost lore and depth that I honestly think I won’t go as in-depth on that review as this one), and why I think Veilguard is my final entry into Dragon Age.

Reading Between the Lines: What Pride Hath Wrought

One thing is for sure, Trick Weekes flourishes when writing within the ambiguities and complexities of meaning. This makes every word uttered by Solas so great to dissect, he's a god of lies not because he 'lies' but because he's so careful with how he phrases things, what he holds back, and what he reveals.

For instance, the famous Trespasser exchange where Solas mocks his own follies with sarcasm by saying:

“What is the old Dalish curse? May the Dread Wolf Take you.”

Then a softer, more saddened and beaten-down Lavellan replies:

“And so he did.”

This irks him. Because he then realises in that moment that he absolutely did take advantage, but for some reason he frames it around sex rather than power because that’s easier to address than the latter. And he rejects the notion, even though he brought up the expression he knows to mean nothing close to a sexual inuendo for being ‘taken’, and yet he has the gall to try and derail the conversation by pivoting and saying:

“I would not lay with you under false pretences.”

When I first had this dialogue exchange, I was baffled, because did this mean that there was another meaning to ‘Dread Wolf take you’ that Dalish clans lost through the years, or was it more of a self-deprecating joke Solas had with himself because he, the Dread Wolf, romanced (took) a Dalish Inquisitor (away from her people’s beliefs, histories, past), and he found irony in the saying?

On the surface, “wouldn’t lay with you under false pretences” could simply mean “we didn’t sleep together” or “we did sleep together, but I wasn’t taking advantage as the Dread Wolf, I was simply Solas in your presence”. But I have recently thought of a more… ambiguous reading. Lay could have been used in a milder, more vulnerable way; to mean to be at peace, to be completely vulnerable, as if to sleep. In that sense, the phrasing becomes: “I could not be at peace with you because I was living a half-truth”.

I absolutely think the moment he feels he is truly beyond hope is when we see his expression of abject horror as Lavellan shouts: “I would have had you trust me!”. He realises then that he did fuck up, he did take the choice away from her because he thought he knew better, him and his pride led to a decision that hurt someone close to him, and he could finally see how wrong he was, how alike the entire situation became to Mythal’s treatment of him. Especially if Lavellan asks to go with him. Because he can see that despite the hurt, the lies and the betrayal on his part, Lavellan still wishing to join him draws too close to his first regret: following Mythal.

Whether he likes it or not, Solas’ love which could burn like a bonfire was directed at a powerful woman—a Herald, an Inquisitor—and inspite of her greatness of character, it still shaped her into someone willing to follow him on his dinanshiral out of love, much like he left the Fade and took physical form for Mythal. So now whenever I hear Lavellan shout “Var lath vir suledin”, Solas replying with “I wish it could, Vhenan,” changes drastically with the Mythal reveal, knowing he always walks away from the Inquisitor in Trespasser.

“I wish it could, Vhenan” sounds heavily like: “You would regret me, as I regret Mythal, and I cannot bear for that to happen us.” More poetically, it could read as: “I wish our love could overcome a duty that has lasted an incomprehensible amount of time, I wish I could change my nature, but then I’d be twisted into a demon, like the spirit of Wisdom in the Dales; and yet again, I would become your regret.” These two readings are very, very romantic. Realistically, given what we know of his kinship with Felassan, and how they were comrades and friends for centuries (“A story unfinished. His back turned!”), and given what we know of the complexity of Mythal’s will that presides over the creation of his very being, and yet he was still able to muster the strength to kill a fragment of her to fulfil his mission, “I wish it could” was most probably a lament: “Do not ask me to hurt one of the two women I’ve loved on this journey, because if it ever came to it…” he would.

Knowing what I know of Solas, of how he was able to convince himself that Varric’s death (avoidable as it was) was just another necessary step, that it was just another sacrifice, another loss that would be worth something only if he completed his ritual, I have no doubt that Solas would also be able to rationalise hurting Lavellan (which is why in his mind, turning away from her, breaking her heart, leaving with no explanation and aiding her in Trespasser so she could live whatever few years remained in “relative peace” is actually an act of preserving that love). I partially think the reason he reveals the truth in Trespasser (especially for a romanced Lavellan) is in the hopes his ‘truths’ will push her away. But on a deeper note, I think he also thinks of it as some twisted form of repaying her for loving him to the point that he could have almost forgotten what it was to be the Dread Wolf, to just be with her as Solas, that night at Crestwood. Maybe his harsh truths would push her to the point where she’d give up her love for Solas, now that she knew he was the Dread Wolf, freeing her from the shackles of their love. He’s very self-flagellating, all about self-sacrifice for the ultimate goal, the ends always justify the means, he will endure any pain and punishment as long as Arlathan returns in the end.

What is his love of a mortal compared to the despair and loss of an entire empire? Solas views himself as selfish for falling for her, and that nearly broke him, if he was selfish enough to leave the dream of Arlathan behind for her, what would that do to his spirit then?

In his way of thinking, perhaps telling the Inquisitor the truth is a way out, a rationale they can use to justify stopping him or to make it easier to hate him as the Dread Wolf rather than love him as Solas (someone he hasn’t been in so long).

‘Masking’ as the Dread Wolf

During Trespasser, the Inquisitor has every right to despise Solas after all they’ve learned, and I think he half reveals the truth as a tactic so the Inquisitor can have an excuse to hate him, to be driven to anger and have less pull over his choices, once they learn the truth. Solas is particularly skilled at making other’s play the role that makes his own choices seem inevitable, he orchestrates a lot of events to play out in a manner where it's easier for him to talk himself into bringing down the veil.

He goads Elgar’nan to anger easily. He inspires the spirits to fight for him to the death as a necessary distraction during the war. He absolutely allows the Inquisitor to speak to him one last time so he can offer insight, yes, but also so he can easily frame his actions as just and inevitable. But, Oh boy does he get in for a shock if the Inquisitor shows empathy towards him, it scares him because he’s become accustomed to being seen only as the Dread Wolf. To be understood? That gives way to remorse. And remorse gives way to doubt. And he cannot doubt his purpose, twisted as it is, it is all he has left of his former self. Without it he would most likely change into something different. Someone he doesn’t recognise.

This fear intensifies more so if a romanced Lavellan asks to go with him, and in that case, he takes command and distances himself away (rejecting the help of someone close to him; the chance for a possible betrayal; the chance at another Felassan or Mythal [x]; the chance to twist Lavellan outside of her purpose, in this case, the purpose would be love/empathy) but not without showing remorse at having sacrificed yet another relationship for his crusade.

“Ir abelas.”

Sorrow for what cannot be is at the heart of why the Solavellan romance is so powerful, especially because even though both Solas and Lavellan love each other passionately, love alone cannot be enough when faced with regrets. Love would ultimately be stifled. Corrupted into something else over time. And so, for Solas, having loved and lost tragically is better than having loved and corrupted.

He will not do to Lavellan what was done to him, even if it is her choice, because she knows so little, her naivete cannot close the distance of a millenia’s old sea, and it would hurt him immensely to take advantage of her kind heart [x].

By leaving, he keeps her heart pure. And the yearning! Knowing the love is there, but on its own it cannot be invulnerable to corruption, so it is better to lose it than twist it. Ugh! Him leaving Lavellan is the ultimate show of love! IT IS A WISE DECISION. A rare glimpse into pure wisdom. Which is why he kneels beside Lavellan in Trespasser, he does not “Stand Tall” in the face of Wisdom’s heart. He kneels beside her. And when he stands tall again, he is Solas once more, filled with regret, and once through the eluvian, he returns to masking as the Dread Wolf.

Sidenote: It’s especially confounding that Veilguard allows Rook to push the Inquisitor to save or stop him after you’ve reached act 2 despite your world state choice (I think this was done in case they feared the Inquisitor wouldn’t stand by Solas after everything he was revealed to be responsible for in Veilguard, however it doesn’t work because the Inquisitor wasn’t an advisor, Rook never told them what they learned from the wolf statues, so having a stranger hold the ability to make Lavellan keep her promise or not rings hollow). Personally, I wish the Inquisitor’s presence had more weight in the non-Solavellan endings, too. I wish the Inquisitor could end up being the last friend/former love that Solas destroys (if you don’t collect the wolf statues) which then prompts Rook to fight him because Solas’ last tie to empathy failed to redeem him, that the Inquisitor falling is the last straw and Solas snaps, choosing to be a villain in the hopes of being stopped because he can’t stop himself, and not the ‘I am a God’ ending they gave us. Same for if your Inquisitor vows to stop him. I also wish the Inquisitor was the one to do the wolf statue missions. Would have been a nice secondary protagonist mission like the switching perspectives between Kratos and Atreus in GOW: Ragnarök (the old guard and the new; Inquisitor and Rook). I would have loved if they dedicated more dialogue to Inquisition days too, which is why I think Cole should have been a companion (if he wasn’t recruited, he could simply be a compassion spirit that ‘follows’ the greatest pain in the Fade that yearns to be healed, giving a compassionate viewpoint to Solas’ folly; recruited Spirit Cole could have a greater connection to Solas than even Varric, seeing as Cole was most likely a literal representation of Solas rewriting his own history by preventing a spirit from becoming too ‘real’; Human Cole would have a deeper connection to the world of Thedas, and could have been a great tool to prove how change was inevitable, not always a bad thing, and inevitably out of even Solas’ control. But alas, we live with what we are given! Even Imshael could have served in this role! Spirit/Demon of choice and it wasn’t incorporated into the game that supposedly asks you to make the greatest world-changing choice ever; redeem the Dread Wolf or end the age of the Evanuris entirely?!

Now onto the next segment: I want to talk about Solas’ regrets and how I read the ‘love story’ between Solas and Mythal, and why Lavellan (and what she represented) wasn’t enough to get through to him (and that’s a very believable thing, that’s what makes their love both tragic and epic!).

The High Price of Redemption

A romanced Lavellan has the most agency to see through his guises, if she resolves to save him, but even she cannot undo the shackles that still bind him to Mythal—the binds that twisted Wisdom so far from its purpose it became Pride, even when he burned (Mythal) from his face. (Likewise, A close friend Inquisitor who promises to save him is most likely a parallel to Felassan, again, they cannot undo the shackles of regret either.) I fully believe the vallaslin had a deeper magic than simply marking one as being committed/devoted to an Evanuris, I think it linked them magically, and since Solas was the first to burn the vallaslin away, he probably wasn’t as good at severing the link on himself as he was for other elvhen, so maybe a part of Mythal’s will still lingers in him, twisting him to Pride still.

In Veilguard’s final confrontation, I love the intention of showing how Lavellan approaches Solas slowly, as she doesn’t know who she’ll be faced with up those steps, Dread Wolf or Solas. But when she speaks to him, trying to get him to change his mind yet again, forgiving him for his wrongs, we are reassured that Wisdom hasn’t been completely consumed by Pride despite everything we’ve witnessed in the game because he bows his head at her in reverence as he apologises.

He shows humility towards her. He elevates her and her enduring love as worthy of his respect, but he does not consider himself worthy of hers. Thus, Lavellan pries open the door to acceptance but his heart is still not enough. Which is why love alone cannot turn the tide. He’s too broken to accept it. He doesn’t think he deserves it, so the only way out is through; to continue the ritual, to prove he was right. The shackles persist. Varric’s death weighs on his conscience now more than ever. Possibly members of Rook’s team too if they died on his crusade. But he is vulnerable enough for Morrigan to approach, and now Rook can use Mythal’s essence to make the final push. The only way he could be with Lavellan, the only way he could atone for the past and shed the weight of his armour (his crushing duty to the Elvhenan) is as Wisdom, fully restored, unbound by mistakes.

“Ar lasa mala revas.” He could only find absolution once Mythal (the angered and more brash essence of Mythal, the one unchanged by Flemeth and all the human women’s lives she’s been shaped by, but the closest iteration to that of Mythal in Arlathan, the version that he perceives as having every right to be angry at him for turning his back on her, for not going that last final stretch with her and subsequently, not being by her side when she died) severed the final connection: facing his regrets, showing humility and apologizing, while not taking away the blame but sharing it.

What is Benevolence without Wisdom if not Hubris?

We know Elgar’nan was twisted to Tyranny during the war, and I saw a post somewhere where someone wondered what led to his corruption, and what he was before (leadership/command). Likewise, Mythal was not above corruption.

So far, I’ve seen a lot of takes on Solas’ ties to Mythal, the power dynamic of being a student/disciple enamoured (could be romantic) with the benevolence of Mythal, but not how Mythal’s purpose was possibly also twisted towards hubris the moment she asked Wisdom to turn physical and build weapons from its knowledge, twisting it to Pride. Without Elgar’nan’s tyranny to rally against after the war with the Titans, Mythal would most likely turn a similar route, seeing her ruling as “necessary” for the people: “If not me then who?”. And that is a very short stop and quick drop to “I am your all-powerful ruler, I liberated you, and only I can guide the way”. Benevolence twisted by hubris can easily turn to Tyranny too, only one more subtle, a kind of cultish indoctrination compared to violent subjugation. If Solas had not turned his back on Mythal when she chose to be Evanuris (a god over her people) then they most likely would have made the worst (best) pair in the Evanuris. Pride is the Seventh Deadliest Sin. But imagine Pride next to Godhood?! That is frightening. So, when Solas burns the vallaslin, walks away and works against the Evanuris, I believe that he also inadvertently stops Mythal from becoming a corrupted version of herself. The sorrow at having lost her closest confidant and “love” grounds her, keeps her saintly in Solas’ mind, and in some ways, perhaps saves the Elvhen empire from a worse fate than him erecting the veil to begin with. But neither of them ever consider this. And I think that sort of self-blindness perfectly encapsulates how flawed both Mythal and Solas are. Now onto love.

Solas and Mythal – a Love too complex to simply classify as mortal ‘Love’.

There’s no doubt Mythal and Solas shared a deep bond, one that definitely had love in it, when we hear Mythal calling him ‘love’, without the possessive ‘my’ in front of it, it’s easy to misconstrue what type of love they share. A small nitpick, but like a thorn, it applies sometimes just enough pressure to change a perspective. Not calling Solas “My love” but instead choosing to simply use “love” works within those wonderful ambiguities/complexities that Weekes thrives in.

If one started out as a spirit, it’s safe to say concepts like familial bonds, romantic bonds, and blood ties mean little to nothing. There is no one type of love and there is every kind of love all at once. It is only once physical bodies are introduced, that physical touch, the ability to stab someone in the back, to kiss out of affection, to hug out of empathy, to strike out of anger, that love now becomes this twisted thing too. There are no spirits of love because spirits always possessed love, but there are demons of Desire (Gluttony) and of Rage (love denied).

I believe, from GDL’s acting skills, his soft whisper, his almost submissive smallness in the breadth of Mythal’s already soft voice, that Solas was in love with Mythal, devoted as a student, beguiled by her benevolence, content even in her shadow, and possibly star-struck. He was in love with someone who doesn’t have the possibility to love him back the same, it is not in her nature to love those beneath her in the same intensity that those who look up to her do. It’s like a priest being in love with God. The priest can devote themselves, sacrifice everything, but a God will always love their flock equally, but they can still play favourites.

Benevolence cannot be enamoured with Wisdom because to be truly benevolent they must possess Wisdom but there is also Pride to be had in walking beside benevolence, but they can never be on equal footing. Likewise, Solas’ love is not reciprocated entirely by Mythal, but she does love him back in her own way. While Mythal is definetly Solas’ first love, layered and complex, it is also strangled by regrets and twisted by uneven scales of power. It would never be a nurturing love, only a consuming kind.

When he speaks of Mythal during the Solavellan ending, he calls her his “oldest friend”, much like what Mythal says, (paraphrasing) “would you have me be angry at my oldest companion whose experienced so much with me”. Because friendship is perhaps the easiest way to describe their companionship. They went through many iterations, one certainly holding romantic tensions (specifically from younger Solas), but ultimately, with that much time shared, kinship/friendship becomes the easiest to surmise. You can love your friends, fall in love with them, fall out of love with them, only to love them again, be disappointed in them, etc.

Media today is flushed with romance as a linchpin for driving a hero to make dire choices, and that has warped our perception of how a platonic/non-romance-based relationship can be all-consuming, and sometimes more impassioned than strict romance. But, to make it easier for people to understand Solas’ motivations, it's easier to see their love in the light Taash sees it (an unreliable, somewhat “still juvenile” narrator, in that they are still growing into themselves and their culture and the world): “They were doing it”.

However, Bellara, a companion whose entire companion story is linked to her strong, deeply character-driving relationship with her brother (platonic love) refutes that reading by saying (paraphrasing here): “We don’t know if their ‘love’ is the same type of love we tend to think of in a masculine and feminine relationship.”

Felassan’s letter after the Mythal Dragon fight alludes to Solas having been in love with Mythal, but nothing about how she felt. This is why I consider the Solas/Mythal relationship to be more of a one-sided romantic love, but a requited ‘love’ relationship for them both.

A parallel I find so compelling: Solas and Mythal vs Briala and Celene. Solas and Briala both hold deep emotions for people in great power with the ability to end a tyrannical cycle of subjugation, enslavement and classism, yet for both of these ruler’s charisma and well-meaning intent, they often are swayed to side with tyranny. For Mythal, that was Elgarnan, the Evanuris who made all the other’s worse tyrants; as well as her own hubris for believing her presence alone could dampen the ravenous hunger for power that the rest of the Evanuris held at the small prospect of leading the Elvhen in a time of confusion (being a North Star is hard when all the other lights around you aim to blind the flock into submission). For Celene, this is more about the nuances of retaining favour, pull and power over other noble families, their backing (be it financial, political or simply cut-throat), and their support so she can be the ‘lesser of two evils’ compared to Gaspard’s warmongering personality and Florianne simply being a puppet with no backbone. Both Briala and Solas are turned to pawns despite their immense strength and compassion for their respective elven plights; Briala is rendered a fangless lion (for lack of a better metaphor) if she is reunited with Celene, whereas if she is chosen to puppet Gaspard, there’s every likelihood her story could parallel a ‘power-mad’ Solas if he’d been tethered to Rage (at betrayal) and not Regret (at having not rejected Mythal when she asked him to take a physical body) throughout his tenure as the Dread Wolf.

Solas and Lavellan – a Heart that was never intended to be Given/Taken

Now I will compare the lack of possessives in front of Mythal’s “love” to Solas declaring Lavellan as ‘Vhenan’ and then ‘Ar lath, ma Vhenan’ vs ‘Ar lath ma vhenan'; again, the coma is the thorn, the pause that shapes the quiet unsaid things we can deduce. In the Trespasser cutscene DGL puts the pause after “Ar lath”, even though the subtitles construct the sentence with Vhenan as a proper noun since it’s a nickname often used by Solas: “Ar lath ma, Vhenan”. But I believe Solas actually says “Ar lath, ma Vhenan”.

With “Ar lath, ma Vhenan” the stressor is after the pause, so the line reads: “I love [you], my heart.” And with “Ar lath ma, Vhenan” it makes even less structural sense but can be inferred to mean: “I love you, Heart”.

The possessiveness of “My” is what definitively differentiates the love Solas feels for Lavellan as one more of the romantic side, it is a love of yearning and desire and a wish to have one last good thing that is pure and incorruptible. The one thing he had left to give. His heart. But that does not mean his heart is enough! The rest of him is still bound to the love of Mythal that was twisted through the ages. That changed him. And given how Pride often comes before a fall, I absolutely understand why Solas is actually very brash and ill-considering when he’s romancing Lavellan (“The kiss was ill-considered”/”It would be kinder in the long run”/”I wanted to show you what you mean to me”). He's on a precarious cliff during Inquisition. His first plan failed. He's allowed ancient elvhen magic to fall into a blighted Tevinter magister's hands. Literally everything the Inquisition did could have been for nought if the Mark had fallen to the wrong person. Things could have easily fallen apart for Solas too, so why not indulge in something trifling and fleeting? Execpt it wasn't trifling. Nor was it fleeting. And when he saw that the fall could potentially not happen, that the Inquisitor could do it, save Thedas and retrieve the orb, he was struck by the gravity of his brashness, of letting impulses control him instead of acting according to a plan. But it was too late. They'd both fallen for each other.

Solas didn’t expect to form entanglements within the Inquisition. He was committed. He was angry at the world, “walking through a sea of tranquil”, called flat-ear by the Dalish that later chased him from their village when he proved he was the Dread Wolf. He was despised by people who looked like him. Spirits were constantly being abused and turned into demons. People erected monuments to heroes who slew demons. Mages were caged. Elves were subjugated. The empire fell. Humans razed the lands with their wars and petty squabbles of succession. The darkspawn tainted the land. The dwarves would never dream. Solas awoke to the worst possible fate; in his eyes, it was all his fault.

So when he kisses Lavellan in the Fade, impulsively, he isn’t kissing her there because it is less ‘real’ than if they kissed while she was awake, it makes it so much more real. He’s kissing her in the space where he is most himself. Where he can shed the body he was forced to build and trap himself within, the body of Pride. He is acting on the impulses of an enlivened Wisdom spirit that does not consider tomorrow, for the first time in a long time. It isn’t a long game with Lavellan, like so much of his life has been about always thinking to the future, always considering the outcome, machinating, scheming, the wiles and woes of every trickster god in mythology. It’s being in the moment with her that is all-consuming. It lowers his guard, leaves him vulnerable, and when she enquires about the Fade or spirits or histories, he gets to be useful as pure Wisdom again.

Lavellan challenging him when he first shows animosity or irritation towards the Dalish (a prideful act), and then him being taken aback when she explains that maybe the Dalish could be shown another way (making him consider her words, being given a morsel of wisdom back, reminding him of his old self), these are all small moments where Solas can begin to see springs of hope in the broken world. And that’s terrifying. It means he’s destroying not just himself, but the memory of Mythal and Arlathan too, all for the love of a woman who fell for an apostate.

The best, most genuine unmasking of Solas for me is during Wicked Hearts, when he’s tipsy on wine, has no inhibitions, and revels in the intrigue, the gossip, the dancing, the music (something we now know is important enough to have an entire music room in the Lighthouse), the sex! He is at his most relaxed, and then he asks Lavellan to dance, not caring about how it would look for the “Inquisitor’s serving man, Solas” to be intimate in a fucking Orlesian palace with the Herald of Andraste, right after stopping an assassination attempt! He finds comfort in the world of Thedas at that moment. Something he rarely shows so outright.

When he takes Lavellan to Crestwood to confess, I believe removing her vallaslin wasn’t entirely just for her, it wasn’t just to free her from slave markings or to simply reveal a form of a truth he wanted to tell her, it was to resolve himself of what his first purpose was supposed to be, what she distracted him from. Removing the vallaslin had been something he’d done for the slaves of Arlathan, it was what earned him the mantle of Dread Wolf. When he removes Lavellan’s vallaslin, he resets.

Thedas cannot allow Wisdom to truly exist without fear of corruption to Pride, Thedas the world he was responsible for shaping, literally the Maker of the Veil, and he falls for a woman Heralded as Andraste’s Chosen One, Mythal’s incarnation in the South. The irony. The cruel, cruel irony. The Inquisition is tied to his past, every Andrastian he meets, every Dalish person with vallaslin on their face, every slave or city elf. Tevinter worshiping the dragons that still have the essences of the Old Gods. His heart alone cannot withstand all of the punishing, gruelling, oppressive weight that is Thedas. Even for Lavellan. So he frames their romance as this tragic, short-lived tale that was beautiful but ultimately destined to end. He expects it to pass for her, she’s mortal after all. But he also leaves his heart with her, literally giving her power over the last uncorrupted part of himself. Think Will Turner and Elizabeth Swann at the end of World’s End, but metaphorically. He gives her his heart to safe keep as he goes on a journey that could corrupt a heart, turn it cold and bitter, destroy it.

Ar lasa mala revas. You are free.

He frees his heart.

Lets it go.

Twice!

So only once he is relinquished of his regrets, once Mythal does the same for him, only then is there “Nothing left except their love”. Because Lavellan still held his heart there was still something left after. Something beyond despair and regret and loss. He had given his heart to her to safekeep. And she did. Lavellan returns his heart to him when he is freed. What Mythal had to break so Solas could heal right again (like a bone), Lavellan casts a splint around so it can be set and heal properly. This is the difference between Mythal’s love and Lavellan’s. Both Mythal’s love and forgiveness broke him, but Lavellan’s love gives him the strength to Stand Tall one last time.

Solas, before Pride alone, as Wisdom (perhaps Solas always meant both Standing Tall and Wisdom, for Wisdom can grant one pride to stand tall for what they believe in), finds contentment with the rare and marvellous spirit that endured (his Vhenan). Wisdom endured because of humanity, something benevolence is beyond.

Bellanaris

When Lavellan offers to go with him, to continue on the dinanshiral that she already considers herself a part of, Solas is legitimately taken aback. His expression is soft yet full of disbelief and awe. He actually stops walking a few frames before Lavellan says this, as if hoping Lavellan would say something to him!

And then she basically proposes to him! “Bellanaris!” I absolutely adore the fact that Lavellan promises them eternity. A vow as sacred as a death right, as protected as an ancient, elvhen, undisturbed burial ground in the face of Orlesian colonialisation. They endured and now they will have an eternity. For once, we have an elvish tale that is not a curse, it is a love story with reunion at its core, where both elves reclaim something precious that was denied them.

Lastly, i am absolutely frothing at the mouth that Solas and Lavellan primarily speak in elvish! And even more feral at the fact Solas does not try to talk her out of joining him (because this sweet talker very well could!). He simply tells her where he is going is terrible. And she shuts that shit down immediately. No repeat of Trespasser. She's standing beside him, the South has all but fallen, whatever ties yet survive are strained, and she has fought the good fight for 8 years. I think the Inquisitor was about ready to leave Thedas behind.

The last decisions Solas makes are of his own volition. Entering the Fade for atonement. Stepping into the Fade with Lavellan (It was confirmed by Weekes that Lavellan’s presence in the Fade prison would fundamentally change it in a way we haven’t seen!). Thanking Rook for giving him one last shot at getting happiness. All his own!

This is the look of a man finally reunited with his wife! So much emotion in ONE frame. God! There’s never been a character like him. A love story like theirs! I’m so happy I got to see this ending. Full circle!

P.S. If you read this far, woah nelly! That’s crayyzeee, so here are some more great pieces: Why it was important for Lavellan to kneel for Solas as he knelt for her in Trespasser in the Solavellan ending [x], and here’s a great deep-dive on Solas as a spirit of Wisdom [x].

#dav #dav spoilers #solas #solas x lavellan #solavellan #mythal #datv spoilers #dragon age veilguard #veilguard spoilers #dragon age #dragon age veilguard spoilers #the dread wolf finally took her #his war has ended #their love may endure for eternity

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kenyummy · 7 months ago

Text

BEACH DAY ꒰⚘݄꒱ BLUE LOCK

SYNOPSIS: as a manager during the nel, a well-deserved rest was needed. what better way to rest than a fun day in the hot summer air, in a bikini, at the beach?

note: this was originally a special for 100k reads on my wattpad book found (which u should SO read btw #shamelesspromo) but to avoid confusion i edited out a lot of mentions of the manager characters who were included in this short! i really hope you all enjoy!

TODAY

is a completely regular day of fun outings. Shidou had (in)formally organised a beach trip, something you decided would be a good idea. The NEL has been stressful on all of you, whether it be you and the other managers, the players, or even coaches—taking a good day off seemed to be a good idea.

So, you were heading to the beach.

The place where women can wear skimpy bikinis without being called promiscuous names (it would happen anyway—but in a perfect world everybody would mind their own business) and the place where strange men (some of those men may happen to be named Otoya and Aiku) would check out the local fauna dressed in said skimpy bikinis.

It was a fun day of splashing around in the waves, ignoring all problems present in your life, and unwinding in the grainy sand. You miss it. That is why, even though you're sure this will happen to end up in disaster, you agreed.

So, this is what got you in this predicament now—thirty minutes before you had to get there with a ten minute trip driving—that was all that was left for you to remember everything.

Swimming outfit. A change of clothes. Sandals that won't trap sand. What else...

You ponder as you stare down at your duffel bag, filled with everything you need. Money—food stalls at the beach were always ridiculously expensive for no apparent reason, Floaties—you never know when somebody might just need some abrupt saving. Towels—plenty of towels, A robe—you'll probably be a little chilly when you get out of the water.

Apart from the obvious essentials like hair ties, deodorant, sunscreen, keys and whatever other odd things you need whenever you go out—you think you're good to go.

You take a good look at your swimsuit. You haven't worn it in a while. A simple black two-piece with each front piece of fabric being held together with two silver rings—it's a little smaller than you would've liked, but you don't own any other kind, so you decide to just go with it.

You roll up your towel nicely and tuck it into your bag, then zip it up. You stare down at the fat duffel bag that is practically bursting at the seams. You are ready to take on the final boss—the beach.

You stand in front of the mirror in the bathroom, pulling at the tight elastic band of your bikini. It digs into your skin slightly. Hissing through your teeth—you decide it's nothing, and quickly make your way outside.

With your bag under your arm, you walk out and look around. Two of the other manager girls said they'd saved a spot underneath a bright purple umbrella. It takes little effort to spot it in all its neon glory.

They both sit atop a beach towel, with odd things like sunscreen, keys, and waterproof mascara all scattered around them. You wave a little before you sit down on a part of the towel, taking in the sight of the beautiful beach.

Children running around, adults chasing after them—some guy was even getting told off in the middle of the waves for losing his swim trunks. All in all, the beach was positively bursting with rich energy.

You missed this. You haven't felt this calm in a good while. Dealing with all those rowdy boys vying for your attention—it took a toll on you.

Too bad this peace would not last for too long.

Your phone dings. You pick it up and press on the notification—it's a snap from Shidou. You hesitantly click on the picture and it's a closeup of his left eye—but in the background, you can see the side of the building you had just changed inside, and a shirtless Otoya is trying to kick at somebody.

You don't even have the chance to properly react when a loud yell interrupts your thoughts. You snap your head towards the sound so fast your neck aches—the source was Rin on the floor while, even though a second ago a phone should've been in his hand, Shidou is jumping him.

A smart, sassy quip and loud groans erupts from both you and the other manager girls—you slap your phone down and squeeze your face in your hands.

Perhaps this is the start of doomsday, you think as the overly massive group starts making their way towards you and your blaring purple target of a neon umbrella.

"[name]!!" Bachira crashes into you—with the way he knocks you both to the sandy ground, he should be playing rugby instead of soccer—and rubs his cheek against yours like a loving cat. "I'm so excited to see you again! You never come by our stratum!!"

He's flat on top of you and the stares you're receiving start to grow uncomfortable. You push back at his chest but he simply opts to sneak his arms around your shoulders, "Bachira...!! Let me... get up..."

It takes the brute force of Barou King Shoei to remove his figure from latching onto yours. With a twitching brow and eyes that could stab daggers into Bachira—a small laugh unintentionally escapes your lips when he talks, "You're all sandy, you disgusting bug. If you get all that sand on the towel, I'll seriously kill you."

Bachira is being held up by the scruff of his water suit like a cat. He dangles in the air and flings himself at Barou next—"Fight me, king!"

"YOU—!!!"

Ignoring the upcoming brawl on the ground, you step over the two and you find your way towards...

"Hello, Isagi."

Your voice seems to make him jump—his eyes widen in surprise at the sight of your face and he looks far too nervous to be speaking to you. "O—Oh... Hello, [name]...! It's good to see you again..."

He's trembling and making such intense eye contact that you wonder if he's okay. His fists are clenched hard beside his body and you think he might just about have a heart attack. "Are you... okay?"

He answers a little too quickly, "Yes! I'm fine, haha, why would you worry about me? I'm totally good! Best I've ever been! Why would you ask? I look okay, right? Well, I gotta go now! I'll see you later, [name]!"

He runs off like he's a high school girl who's just had her first conversation with her senior crush. I can't tell if he's insecure about how he looks or worried about being disrespectful to me.

Maybe it's a mix of both. Isagi is on the slimmer side, compared to guys like Barou. Even though I know he's not, he looks like he's on steroids.

And Isagi's always been worried about being disrespectful to you—worried about overstepping boundaries and making you uncomfortable—at least when he's in his usual, clear state of mind. There's no telling what he's thinking when he stares down at you late at night after a good game with that overconfident, egotistical smirk.

Anyways—he's rushed away by now, and you're just standing here looking all stupid. Oh well. At least you're not alone for too long, because your attention is quickly stolen away by a certain trio.

Karasu, Otoya, and Yukimiya all come up to you—only one bothers to wave or even smile (there's no surprise he's a model—he's seriously gorgeous, you note when glancing down at his torso).

"Hey." The sneaky ninja is not so sneaky anymore, because he doesn't even try and disguise the way he's staring at your chest. He gives you a thumbs up, to which you scowl, "Lookin' good."

"Get your eyes off my chest."

"Sicko." Karasu shakes his head with a disappointed expression. You deadpan.

"You too, stupid crow."

"Did your mothers not teach you respect?" Yukimiya clicks his tongue—eyes fluttering closed as he shakes his head. He soon turns his head towards you and he actually does make eye contact with you—a step above his two friends. "It's nice to see you, [name]. You look very nice. Ignore these two."

You promptly ignore the offended looks shot at the model—you opt to just stare, perhaps a little too dreamily (but you couldn't care less, really), and smile back, "It's nice to see you too, Yukki. Thank you, you look handsome today, too. I was planning on ignoring those two, anyways."

"Woah, that is seriously hurtful." Karasu places a hand over his bare chest where his heart would be. "Too bad I don't care."

You roll your eyes. "Of course you don't, stupid crow."

"Would you stop calling me that?"

"Would you stop staring at my boobs?"

He pauses. "Point taken."

Having Nagi cling to you during your time at Blue Lock is pretty hard already. Believe it or not, he's 6'2, and believe it or not, having a grown 6'2 man hanging off your side makes it pretty hard to get around.

Having a shirtless, messy-haired Nagi plant himself right on top of you and having his face smushed against the top of your chest is a little worse.

You can feel a burning stare at the back of your head. You're not sure if the stare Reo is giving you is directed at you or the snow-haired boy. (Perhaps it is both and he's just conflicted—you would understand).

"Nagi..." You push back at his head and slowly intertwine your fingers in the white locks. They're softer than you imagined, but the ends are unmistakably dead. You should cut it for him later. "Go swim or something."

You are disappointed (yet, not the slightest bit surprised) when he promptly shakes his head no and proceeds to dig his nose even deeper into your exposed skin. His voice is slightly muffled, but still plausibly understandable, "Nuh-uh. Dun' wanna."

Your eyes twitch. Perhaps you have been spoiling him a little too much—so much so he refuses to leave you be.

"'Cause I didn't wanna go, but then mmmm... uh—Reo told me you were gonna come... and it wouldn't be too much of a hassle if you stayed with me. Hadn't seen you in so long. Missed you."

Right. You forgot he told you that before, too. Perhaps you had been a bit too doting on Nagi—he's clingy-er than you remember. Or perhaps it had been similar to that saying, distance makes the heart grow fonder.

A loud shriek (it sounds far too girly to have come out of Nagi's mouth, but go figure) alerts you and you see Nagi has been grabbed backwards into a headlock by Barou King Shoei. Perhaps he had turned away from the villainous side since your last meeting with him, because right now, he's saved you twice, like a hero.

Nagi doesn't even fight the King's death grip—he flops like a dead fish and it looks rather funny seeing it so closely. Nagi is taller, yet much lankier than Barou, who looks like a bodybuilder compared to the lazy snowhead.

"You're kicking sand all over the towel, Mr Hassleman." Barou snarls and jerks Nagi's head back. The boy doesn't react other than wearing his little :x face. "Go swim it off. Now."

Nagi does not make any visible effort to move. Barou still holds him like a ragdoll in his grip when he turns to look at you—you laugh a little and move your sunhat out of your eyes. "Hi, Barou. It's nice to see that you came. I didn't think you'd like the beach."

He looks a lot different with his hair down, you note. But in a good way. Fallen beneath his shoulders—you wonder why he does not wear it this way more often. He still holds his signature forever pissed-off expression, "What the hell is that supposed to mean? You think I'm incapable of having fun?"

You pause, with a small grin. "Yeah, kinda."

He gives you a deadpan expression. "You're the same as always, you shit manager."

"I thought our relationship had progressed to the point we'd gotten past these mean names." You place a hand over your chest, a cheeky smile on your lips with a faux-hurt expression. You didn't usually joke around like this—it wasn't really your thing—but he was just far too easy of a target to tease. "I'm hurt, King."

He cocks a brow—you see Nagi trying to wriggle around now, and it's good to know he didn't actually die—"Seriously? Didn't think you were the type of person to care."

"Doesn't matter now. You're gonna swim, right?" With a nod of his head, you break away from his sharp stare and give him a small wave with a closed-eye smile. "Well, I'll leave you to it. Oh yeah—by the way, you look good with your hair down. You should do it more often. Anyways, see you later."

You do not catch the half-hearted wave Nagi sends you—which was just him flopping his arm up in the air—nor do you catch the look Barou throws over his shoulder at you, "... Not too bad yourself."

He says, but you do not catch it.

Nagi stares up at the man with a blank expression, "Who knew you were all sweet on our manager, huh, King?"

The King in question growls like an animal and tosses Nagi into the ocean like a ragdoll, "Shut the fuck up!"

"Beach volleyball?" Chigiri stares with confusion in his bright pink eyes as Kurona sits on Gagamaru's shoulders—setting up the tall net. His hair is tied up in a high ponytail, and his bangs fall over his eyes. "Are you serious?"

His head turns to yours when you shrug, "Why not? Beach volleyball is super fun. It's not like you guys can play soccer on the sand."

Chigiri pauses to think your words over for a second. You give him the most empty stare you can muster before you speak, "You really can't play soccer on the sand, Chigiri."

"Well, still. Are you gonna play?"

You shake your head and spare him a small smile. "No, I think I'll pass on this one. I'd like to see you play, though. You seem like you'd be really good at volleyball."

He gives you a pretty smile and shakes his head. "Oh, I don't know. I wasn't really planning to play either. I was honestly just thinking of sitting down with you and just relaxing."

"Oh, but I really would like to see you play. I bet you'd be better than anybody else out there, Hyoma." Not to be brass or anything, but you like to think you know a good amount about Chigiri—including how to get him to do what you'd like: Fan his ego. Or to put it in better words, praise him. "I think you'd look pretty cool."

You give him the nicest smile you can muster, and you're sure that's what seals the deal. He turns his head away from yours—yet you can practically sense the smirk he now holds—"Well, if you really think so, why not?"

You laugh a little as he walks onto the court, and each side with six players—even if in official beach volleyball, there were only two on each side, this was the most unofficial game you've ever really witnessed.

Otoya and Karasu are jumping on each other's shoulders in an effort to block the spikes—it only ends in the one on top tumbling to the ground and Yukimiya shaking his head in an I'm not mad, just disappointed motion.

Bachira is using his feet to play, kicking the ball up even when his hands were a completely more viable option—you think this is illegal, but who are you to judge—and Shidou is doing the same thing, except he... is hogging the ball. You aren't even sure how you hog the ball in volleyball, but he's managing it.

Rin is the one who manages to get it away from him but it only ends up in another tussle—something you do not bother to stop because one of the manager are already running toward them with a can of hairspray (which, if you were not previously aware, has the same effect as pepper spray if directed into the eyes).

You loll your head back and let out a heavy sigh. This beach day was going better than you had expected—still, your group by far had gained the most traction from how loud you all ended up being. You've gotten countless stink-eyes from old people, especially when Shidou yells out profanities in the vicinity of little children.

You wonder if the police may get called on you all. Maybe you should pretend you're not in their group as a last-ditch effort if it does end up happening.

You are broken out of your thoughts by a small, almost nervous greeting, "Um... hey, [name]."

You look to where the source of the sound came from—you get an eyeful of Isagi's bare torso before you see his face. He's looking off to the side awkwardly as if the mere action of looking at you would be purgatory, and he looks like he doesn't know what to do with his hands so he grips the end of his swimming shorts awkwardly. It's cute.

"Hi, Isagi." You smile. You shuffle over to create a little more room on the towel you are sitting on. You pat the free spot beside you and nudge your head towards him, "Come sit."

Obediently—you didn't expect him to move so fast—he sits beside you. He still looks stiff and nervous, so you ask him what's up. He responds, quickly but much quieter than his usual calm tone, "I was... um... ah, this is so stupid..."

He sucks in a deep breath of air and turns his back towards you. It's a little more built than you imagined. "I was... just gonna ask if you could put sunscreen on my back... I can't reach, and I trust you more than the... others."

You can practically feel the way his face burns up from how his voice cracks and grows more hushed with every word. To save him from the embarrassment, you decide to spare him from teasing words. "Sure. I don't mind. I'm glad you trust me, Isagi."

The words come out a little more sultry than you intended as you test the waters and place your fingertips on his bare shoulders. He shivers. You can feel it.

You spread the sunscreen all over his back—he places his face in his hands as you work your hands a little lower. When your fingertips brush against the waistband of his shorts he has to bite back a small groan. This was utterly humiliating for him—seriously, this was sad.

You're not completely oblivious to this fact, so in a menial act of pity for the poor guy, you try and finish up as quickly as possible—if only to save him from the embarrassment.

It feels far too intimate to be just a friendly gesture. He wonders if you feel that way too. You lightly rest your palms on his tense shoulders when you are done, sitting on your knees and leaning your face near his own, "Done."

He'd be lying if he said his heart didn't skip a beat. He swallows thickly, blunt nails digging into his palms as he shuffles around so he faces you. The words that come out of his mouth are a little shakier than he would've liked, "T... Thanks... [name]."

The smile you have plastered on your face is nothing short of pretty, he thinks. "No problem. You can come to me if you need anything, okay?"

Why do you have to say things like that, [name]?

Isagi gives you a small nod, and practically forces a wavy smile onto his lips. "Yeah... You're really helpful, you know that?"

You laugh. "I know."

The mood between you two is calm and the strange tension from before has dissipated. You're smiling from ear to ear, about to say something—when Isagi's demeanour changes completely. You're not too sure why, but he seems to spot something behind you and his eyes completely shift.

Gone is the meek and shy boy, and in his place is a coy, smiling man. He places a hand on your upper arm—it makes you jolt and look at him in surprise. A second ago, he couldn't even look you in the eye, and now, he was shuffling closer towards you like it was the most natural thing ever.

"Anything, right?" He finally speaks, and he moves his hand up, away from your arm and it lightly traces underneath your jaw. He looks deeply into your eyes, but still keeps glancing behind you. "Can I do this?"

You do not get a chance to ask what this happens to be—although, it does not take a genius to figure it out, and you are no genius—or even spare him an answer before he grabs your hardcover novel and holds it up in front of where the two of your lips meet—covering your kiss from the other players that surround you all.

He doesn't dare take this further than a small kiss—yet, it wouldn't be considered a simple peck either. His hand holds the underside of your jaw lightly and tilts your head up so he can easily feel you and the back of the hard-cover book feels cool against your cheek.

You'd like to believe the reason your cheeks are on fire is from the blaring heat of the sun shining down on you—even though you are underneath the shade of that purple umbrella. His lips taste sweet, like a fruity drink. You think a stall nearby is serving something similar to that.

You can feel his smile against your lips, and he seems to be all too happy to have you like this. He tilts your face forward and your body has to follow—to the point you practically collapse into his lap. It feels much more intimate now that you can feel his bare skin against your own.

Isagi moves his hand down from your jaw down toward your waist, holding you taut against him and letting his fingertips rest in the dip of your back.

You finally end up moving backwards, and your sunhat almost falls off your head—Isagi quickly readjusts it when he pulls away. He gives you a sweet smile—though, it grows more cocky when he glances behind you again—and says, "You really are helpful, [name]."

You blush a little but still retain that same smile when his hands trace down your spine gently, romantically. "I know."

Isagi joins in on the beach volleyball fun with Nagi after Rin and Shidou leave in favour of taking a dip in the sea (you think you hear Shidou saying something about skinny-dipping, and you pray to every god imaginable you heard wrong), so you are left to yourself once more.

You are perfectly content. Your sunhat lay on the towel beside you and your legs are peeked out in the sun—reading your book where you last left off.

Your life is perfectly calm until it is not.

Hands suddenly cover your vision and all you see is darkness. You jerk your head up and are about to say something when a heavily accented voice suddenly rings out throughout your ears, "Guess who?"

You could recognise that voice in your sleep from how often it haunts your dreams. You recognise that voice even before you hear it. You slump down where you sit, letting out a heavy, almost tired sigh. "Kaiser..."

"Ah! How did you guess it so easily, hübsches Mädchen?" He removes the hands blocking your vision and he suddenly plops himself down, right in front of you—of course, his little guard dog is right by his side, sporting his usual guileless expression. "Perhaps you think of me far too often, hm? Also, I told you to call me Michael. We are closer than that, no?"

You shake your head, eyes slightly squinted at him. "I don't know about that. Hello, Ness."

The puppy-dog boy waves his hand at you, clearly delighted. "Hello, [name]!"

Kaiser looks annoyed at this interaction. He scoffs, rolling his electric blue eyes and waving you off mindlessly, lashes fluttering closed, "Whatever. I cannot believe you're just reading at the beach."

You raise a brow. "What's wrong with that?"

He picks up the book by its spine and tosses it nonchalantly on the towel beside you, lips curled downwards into a sneer, "It's terribly dorky. You look like a huge dork."

"You sound like you care about that more than me."

"I don't want my love interest to look like a huge geek. Appearances matter a lot, you know." Yeah, you make that really clear. He abruptly stands up—Ness scrambles to get up as well—and looks down at you, finger curling upwards towards you like he's beckoning you to follow him. "Come on."

You blink with your nose scrunched up. "Excuse me?"

He coughs into a closed fist, looking up at the bright blue sky so he doesn't have to meet your gaze. He still holds a hand out to you, "Come on. Don't keep me waiting."

You're so shocked that you actually find yourself following after him—though, you do not take his outstretched hand and it is left hanging awkwardly. Ness would've taken it.

Your sandals flop on the sand as you walk down the beach, past families and couples and people simply wanting to tan—you follow behind Kaiser in silence while Ness walks beside you. You hope people don't think of you three as a throuple. That would absolutely not be good for your image whatsoever.

You pause as soon as you realise exactly where he is leading you. He's stepped halfway into the water when you halt your movements right before the splash of a wave hits your toes.

"Yeah, no thanks." You abruptly turn on your heel and proceed to try and make a getaway—you don't get too far until Ness grabs your wrist and tugs you backwards. You tumble into him—somehow, he doesn't fall over and only grabs your upper arms in his hands with a frantic expression.

"Please, [name]! Kaiser really wants to swim with you!"

Kaiser hisses through his teeth lowly and stares at Ness like he's just cursed out his mother, "What the hell, Ness?! I never said that!"

The small boy does not make it very subtle when he gasps in shock. Ness slaps his hands over his mouth and shakes his head—his voice is muffled when he speaks, but you can still understand slightly, "I—I never said that! Nobody said that!"

He's so embarrassed the poor boy rushes into the water and disappears beneath the waves. You wonder if he has become one with the sea. In the distance, you can see Kurona and Hiori chilling on a large unicorn floatie—with drinks and colourful straws—that should've only been able to fit one person.

You and Kaiser are now just staring at each other in very much awkward silence. You take a languid step back. "Well... If you don't want to swim..."

Once again, you do not get the chance to dash away because he's grabbed you and pulled you into his grasp before you could even react. You look at him with wide eyes—but you're practically putty in his hands when he bends down and clasps his arms over the back of your thighs, throwing you over his shoulder like a menial sack of potatoes.

Your sandals fall off your feet as soon as you find yourself tucked over him—you let out a very loud, very offended, very embarrassed gasp of shock, "What the hell... ?! Kaiser—put me down! Sick bastard!"

Your words have no visible effect on him. Your head slumps down when you feel him walking, and your hair hangs over your head. You get a good eyeful of his back. He's also more muscular than you imagined. Makes sense why he could even do this. That doesn't mean you're not pissed, though.

You can't see his face, but you can practically envision his signature cocky smirk and how it paints his stupidly handsome features, "I'm all fine, hübsches Mädchen. Are you ready?"

Huh? Ready for what—!!!

You feel so indiscriminately stupid for even asking this question—you should've already known the answer—because you suddenly find yourself collapsing into the water, salt filling each of your senses and the loud noises of children screaming around you fading to muffled nothingness.

You jump up as fast as you can—you're just tall enough so you can stand with your chest above the waves. You start coughing to try and get the small amount of water you happened to swallow out of your system—your hair is now wet with the water and is suddenly heavier, and you're shivering cold.

Kaiser, the asshole he is, is laughing wildly at your expression. You push your hair away from your vision and you receive an earful of his—stupidly charming—laughter. His hands clamp over his mouth in a last-ditch effort to muffle himself, which only makes your face flush hotter with anger and your chest tightens.

You want to yell and scream into his face, but you choose the better way out. You puff your cheeks out and hold your breath as you dive back under, swimming behind him and slamming your foot into the back of his knees so that he tumbles forward, face-first into the water.

You've never felt prouder of yourself.

You bob your head back up and start to laugh wickedly now—it was his turn to look like a drowned rat. When his head comes above water, you can't help the tears of laughter that brim across your waterline when he gives you a deadpan, silently fuming glare.

His wet bangs cling to his face (somehow, it suited him—the mere thought made you feel a little angry, in the way that your stomach started to feel all weird and your heart skipped a beat or two) and his red eyeliner is smeared down his cheek. He pushes his blonde hair back, so that his damp bangs fall over his left eye and his hair is parted strangely to the side.

"Hmph." He looks away from your figure—you have to cling onto his shoulder to stop yourself from falling over, and your chest heaves up and down wildly to breathe. "I don't know what you find so funny."

You look up at him from your slumped position, eyes squinted upwards and you're practically sparkling with joy, "You... you look hilarious! Ahahaha—look at you! I can't—" Your words are cut off by your gasps for air.

Kaiser does not look the least bit impressed. He stares down at where your cheek is planted on the side of his neck, right where the blue rose lies. His hands stabilise you by falling into the small of your back—right where Isagi's fingertips once touched.

You finally regain your composure and move away from how you were practically pressed up against him—your cheeks are starting to hurt from how hard you were smiling, and you now sport a much calmer sort of grin when you stare up at him. "Ah... I'm sorry—don't look so mad—"

He rolls his eyes, which makes you chuckle, hands resting on his shoulders, "Oh come on... don't look at me like that... I'm sorry..." Your tone is far too playful to sound apologetic. He is slightly enjoying the attention you bestow upon him, but the thought makes his head hurt so he chooses not to reflect on it. "Michael..."

Fuck. His name sounds so nice coming out of your mouth.

He still keeps up the annoyed act, however, even when you grin up at him with that stupidly pretty, stupidly knowing look, "Don't be like that... I'm sorry, okay? What do you want me to do to make it up to you?"

The blonde pauses, blinking owlishly and looking down at you. You are still smiling, and he can feel your heart beating loudly in your chest. You almost look dazed, probably from your previous session of full-blown laughter.

His hands still rest lowly on your hips. He moves one and tilts your chin up with his thumb, "Hm." A smirk coils onto his lips and in an instant you can see the happiness that practically radiates off his being. "I think this will suffice, for now."

He leans forward, and suddenly, he is kissing you. Unlike Isagi—he wastes not a second to slip his tongue between your lips and kisses you as deeply and passionately as he can muster—it's so Kaiser, so him that it makes your stomach twist within itself.

His hands run down the side of your body—the places where his rough fingertips meet the skin that you usually cover with clothing make you jolt and goosebumps form on your wet skin.

His bangs tickle your cheek and despite how wet they are, they are soft. His left, tattooed hand finds itself on the side of your stomach and his blunt nails sink into the soft flesh—he grabs at whatever he can get his hands on. It's lowly and desperate and so unbefitting, so uncharacteristic of him—but in this moment, he can hardly find it within himself to care.

The hot sun beams down on you both and it causes your head to grow all hot and fuzzy—Kaiser's natural warm body heat is not helping either. You're feeling so much all at once that your hands unconsciously place themselves on his bare chest in a small attempt to create a sliver of distance between you two.

It does not work. Your torso leaves no room or gap as you're sunken into his arms—it makes him groan into your mouth and god, you almost feel sick to your stomach when you realise your first thought after hearing it is that you really want him to do it again.

You're not underwater anymore, but you might as well be. Every sense is muffled—the children screaming, the cool, glittery water that surrounds your bodies, even the blackness that clouds your closed-lidded vision—all you can feel is him, his tongue in your mouth and his hands running all over the smoothness of your skin.

Suddenly, you feel your lungs aching, and you realise you need air. You try to pull away—but his face follows yours like he's a mindless dog, and you could've laughed at it if you had not been so stripped of oxygen. You need air and yet he's kissing you like you are his air—it's a fact that makes your cheeks flush red hot.

The only option you can think of is the next action you take—you squeeze your hand out of where he presses your chests impossibly close and entangle them within his damp, blonde locks—tugging backwards and forcing him to leave the slightest amount of space between your mouths, so you can gasp for air.

Your hand tugging at Kaiser's long hair, hard, and you hotly panting into his mouth—he'd rather be caught dead than admit this aloud, but it doesn't feel half bad.

Your eyes crack open slightly, and you have to choke down a laugh when staring at his expression. His face is flushed bright red—compared to his usual pale complexion—and his squinted cerulean eyes are clouded with unmistakable desirable passionate lust.

"Scheiße, hübsches Mädchen." He curses lowly, chest rising and falling erratically as he pulls you in even closer—if that were possible. You can feel every ridge and bump of his hard torso against you and the smirk that pulls across his lips makes your heart pound. "You make my heart race."

When your breathing starts to even, he closes the gap between you both once more, pulling your bottom lip between his teeth and biting down—you whine into him and he kisses you softly as some sort of minor apology—you'd never hear the word sorry come out of his lips, after all. His hand dips down to trace up and down your spine, while the other rests below your ass.

He slides his lips away from yours, down your neck and he rests his face in the crook between your neck and shoulders—pressing languid, open-mouthed kisses against the salty skin. His hair falls over his shoulder and trickles into the water like molten honey—it flutters around in the sea and he looks stupidly gorgeous like this.

Now that he's not blocking your vision nor taking over each of your senses, you can see now see the distant figures of your friends all playing together in the sea, including that of Isagi. He's talking together with the others and having fun while you're over here, making out with one of his most hated rivals.

Still, you can't find it within yourself to give it a second thought when his teeth sink into your neck, and his hands tighten around your upper thighs. He lifts his head after you whimper a little and push him back—he follows where your eyes lead and you're sure he also happens to see the head of your dear friend.

The smile that curls across his lips is nothing short of dangerous. "Oh, is that Yoichi? Are you worried about him seeing us?" You do not give him a verbal answer, but the way you look down and the way your lips tremble gives him everything he needs. "How cute. No worries."

He lifts his face and all you can see is him. His hair falls over his shoulder and his bangs tickle your cheek once more. His touch is undeniably soft despite the carnal look he sports in his sharp, angled eyes. "Why don't we give him a show, hübsches Mädchen?"

He whispers so delicately—you do not have the mind to shake your head no, nor do you protest when he slips his tongue between your obediently open lips once more, hands tucked around your hips.

Your heart will not stop pounding. Kaiser smiles at the fact that he is doing this to you. He smiles at the fact you are like mindless putty in his hands, and he smiles at the fact that he can feel bright blue eyes staring holes into him—there's nothing wrong with showing off, right?

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st0ryf1lms · 6 months ago

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is it really you? ➳ ken sato

pairing: ken sato x reader

word count: 866

genre/warnings: fluff, sort of a crack fic, 3+1 things, wrote this with a sarcastic tone LMAO, a bit of profanity, grammatical errors most likely (wrote this at 1AM), reader uses fem pronouns

synopsis: the 3 times kenji sato swore he saw you, and the 1 time he actually saw you.

a/n: yes, i'm finally giving in to the kenji sato brainrot HUHUHUH if i had known he was the reason my writer's block would disappear, would've watched the movie sooner i'm ngl edit: AAAAAA WHAT 600+ NOTES??? U GUYS ARE INSANEEE I LOVE YOU ALL this is now up on my ao3!!

At the New Tokyo Dome at his first game as a Giants player

Maybe he was just dreaming, maybe it was the fatigue actually catching up to him ever since he hopped off that plane, or maybe he did actually see you in that stadium amongst the crowd cheering his name. You, as in his childhood best friend, arguably one of the best parts of his childhood in Japan before leaving for LA. You, as in the childhood best friend he never got to say a proper goodbye to. You, as in the childhood best friend whom he always missed and cried to his mom about whenever he'd get homesick. (You, as in the childhood best friend he'd harbored a secret crush on as a kid. As an adult? Psh, what sane person gets hung up on a person who must've forgotten him all those years ago. Not Ken Sato, for sure, yeah, uh-huh.) He'd never know for certain, of course, because as he was about to stop and look, a Kaiju crashed a KDF plane into the ceiling of the stadium.

KAIJU ALERT, his watch blared in an angry red face. He sighed, making his way to the nearest stadium exit and heading towards the dimly-lit part of the street by the stadium. Not without stopping for a split second because he thought he saw your silhouette. Silhouette, really? My God, Kenji, pull yourself together, he told himself. Of course, that wouldn’t be your silhouette because he definitely doesn’t know what you look like anymore, what food you like, what your job is, how you held up after he left for LA. Of course, he doesn’t know that.

Shaking off any more thoughts of you, Kenji turned into his giant alter-ego to fight off the Kaiju wreaking havoc on the streets of Tokyo. (a distraction, really, as Mina would say.)

2. On a grocery run looking exhausted as hell.

It had been two weeks since he took in the baby kaiju in his basement and Kenji Sato has never been more exhausted. If you ask him, exhausted would be an understatement. Nevertheless, his mind was actually alive (much to Mina's surprise) because he swears this time, that he actually saw you. With his own two eyes. As if locked in a daze, he secretly followed you like a lost puppy with a push cart in the grocery store before realizing you were heading for the exit. He stopped in his tracks as the doors opened for you, realizing the items he got weren't paid for yet.

Begrudgingly, he went back inside the grocery and got the rest of the items he needed before going back to his house.

Next time, I swear, I'll talk to her, Kenji said to himself as he drove back to his place.

3. During Emi's acid reflux rampage.

Shit, shit, shit, he cursed to himself like a mantra as he zoomed across the streets of Tokyo on his bike, trying to chase after the pink baby kaiju that somehow escaped his basement that he explicitly placed under the care of Mina (in case you couldn’t tell, he's definitely glaring at his AI assistant). Looking at the construction site beside him as he sat in traffic, an idea popped in his head. He could use that to give him a boost to quickly get to the baby. He rode up the makeshift ramp and turned into his giant alter-ego, catching his bike in time.

"Holy shit." He froze. Goddammit, had he really been that careless? Changing in front of a civilian? Nervously chuckling, he turned around to face the owner of the voice, mentally preparing his response [read: excuse] only to be wide-eyed and speechless. The owner of the voice was you. You, as in his childhood best friend, whom he's been trying to catch up with ever since he landed in Japan.

"What the fuck! Ultraman is Ke-" You exclaimed before you got rudely interrupted by the giant superhero. "Hey, shhh! Can we, like, stay quiet on this matter? I know I don't have an NDA right now but my bike will suffice, I guess. I'll get it back from you, I swear, I just really have to take care of this right now. Treat you to our usual spot? Thanks!" He said frantically before running away to take care of his huge baby problem.

Not really the best way to reconnect with your childhood best friend.

+1. After the battle at sea with the KDF.

"Hey, sorry for being late, had to take care of something." He apologized as he jogged up to you on your usual hang-out spot when you were children. You reassured him, saying that you had just arrived, too. "I didn't know what kinda stuff you eat now as an athlete superstar so I just went for the safest convenience store options." You said sheepishly, holding up the plastic bags with a weary smile. "I don't mind, I actually like convenience store snacks." He beamed on how you still remember what he used to like as a kid.

"So, Ken Sato, gonna explain?"

"Oh, you're gonna want to sit down for this."

#kenji sato x reader #ken sato x reader #kenji x reader #kenji sato #ken sato #ultraman #ultraman rising

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cardo-de-comer · 2 months ago

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soo helloo and i think it's time for me to explain the deal with my characters and this whole "you're not supposed to be here" thing. EDIT: just fixed some stuff. thank you folks for your support, i really appreciate you all <3

i made these characters way back in june and by today they have a lot of lore around them in my head. i even have a dream to make a game with them but it's just a dream for now so i'm gonna try to explain the main things about this story. Obviously this is a long post, although I tried to keep this stuff short. and excuse me for my writing and any mistakes, I don't usually write this much text.

It starts with the world. Alternate 15th century, humanity is almost gone and what's left of it shares quite a big city with demons and angels. However, demons and angels are usually being treated like servants - eventually one gets tired of it all, so everyone knows an uprising is just around the corner. Let's just ignore that for now.

The City has a catch of it's own - it's alive. The walls have eyes and ears and the City knows every resident by heart and soul, both figuratively and literally. Usually City acts through the King, it chooses protectors for itself, ones who have strong minds to comprehend it - they will be called the royal knights, each of them have a company of a /more wiser than the rest of them/ demon and angel to help with their tasks. Only the King and ten royal knights know that the City is alive and very talkative but they don't understand fully what it's trying to tell them. Most of them choose to ignore the voices in their head because hey, that's what you do usually in this situation, otherwise they drive you nuts.

City is also extremely emotional and appearance depends on its condition. Usually it's a sunny day out and the city looks welcoming, but you don't want to be there when the City is scared: it might eat you alive by accident. Now that the environment is aside, time for the main three characters.

Imri is a young lad who will soon be a royal knight. He actually wanted to be a painter when he grows up but well, you cannot disobey the king's orders. Quite emotionless and a man of a few words, he tries to stay on a neutral ground between good and bad - a perfect candidate for manipulation to all three sides, demons, angels and the City.

look at him

Royal knights get to know their angel and demon companions at least a week before they get knighted to avoid any misunderstandings. Imri doesn't mind his friends at all, although one of them caused quite a fuss.

Angel /they name themselves Lyra/ is an overly positive, naive and blindly kind entity. A bit childish and very fond of justice, they try to act as a voice of conscience, not understanding that sometimes this can make everything even worse than it was. There is a feeling that they're trickier than it seems but you can never quite tell.

the latin text all over them is just a part of their design

The demon though... That's not even a demon, that's the Devil himself. Yes, everyone knows who this is, everyone avoids him and he's not supposed to be here at all. Despite being THE Devil, he didn't try to do anything horrific yet and, when he's not joking around, he tries to be the voice of reason, the voice that no one listens to. He seems to know a lot more about this whole world than anyone else but he talks about it only when he wants to.

no one likes him at all, expect maybe Imri who just tolerates his presence like he always does

That's the main three. There is a few secondary characters, Imri's father being one of them.

sir Jastrab /or just Dell/ is one of the royal knights, he's a bit naive, loyal, and a soul so kind that his demon hung himself. Oh well. He lost one hand in what he calls "a work accident" which is partly true but he never goes into details.

He never wanted for his son to be a part of the knights because he knows by experience that it's not an easy job and not every father wants for their child to go insane from the voices in their head.

few people said that the angel accompanying him looks like d20 and so be it

The others are Sun and Moon - local deities, despite being on the sky every day and night, usually they don't really care about what's going on down below. You can still talk to them but don't expect much action. Regardless of all this, they are still loved by almost all living things. They can rarely meet each other but humans always depict them together no matter what. Although maybe humans are right...

creators of the Stars - some part of a human soul that i can't talk about :)

Angels and demons come in all forms and sizes but those are the main population - lesser demons resemble the Devil in some ways and lesser angels look like clovers. Rivals usually but when the revolution happens, they learn to tolerate and work with each other. Humanity doesn't really have a chance.

they hate everyone equally And there is another being, that Imri meets a few times through the story - it's Death. Death is just having fun in this end of the world and there is a lot of work to be done.

this is an old and rough design so maybe it'll change The whole story begins at that day when Imri is supposed to be knighted. Everything seemed fine until Imri gets to hear the City for the first time and realizes that he hears and sees a lot more than everyone else. Completely overwhelmed he blacks out - even the toughest of minds often can't take it - and wakes up later only to find out that the King got killed somehow, angels and demons saw this as the starting point for a revolution and the City starts to panic.

Now Imri, guided by his companions and the voice of scared City that's crumbling and slowly drives him insane, shall travel to the center of it to find out what really happened, getting through demons and angels who are busy destroying the rest of humanity. Fun.

There is a lot more to this whole thing but I cannot tell the entire plot because spoilers, in case if i actually will make something out of this story. Think of it as a game lore. I'm not sure about making sth yet because i operate only on hopes and dreams and i barely have any strength lately but who knows... But now you have at least some context! And yeah, thank you if you actually read all of this, you're a hero.

Now i need to get back to drawing. Thank you all for your support. <3

#art #oc #yourenotsupposedtobehere #ynstbh #i keep repeating to myself that i'm cringe but i'm free - it's so hard to share a story from your head without feeling cringe lol #but i'm also kinda proud that i made it this far and haven't burned out yet #before i thought that i couldn't make anything original with this empty head of mine #i'm gonna keep this as a pinned post for a while

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osarina · 1 month ago

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ᡣ𐭩 WE WERE BORN SICK

FEATURING: dazai osamu

SUMMARY: that sinking feeling that's been looming over you both has finally come to fruition. truths are revealed, questions are answered, but one big one remains: is love enough for you and dazai's relationship to survive this?

AUTHOR'S NOTES: happy fridayyyyy, i can't believe we only have one chapter left of civzai, it's actually makin me emotional </3 this chapter was quite a doozy to write, and i hope it's equally a doozy to read HAHAH no no jkjk , i hope you enjoy. also do u guys want to add an arcane au to the dazaiverse .. ive been thinking heavily about it. comments & reblogs appreciated

GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).

CHAPTER SPECIFIC WARNINGS: hardly edited. angsty chapter. explicit depiction of suicide (past recollection of dazai), implications of past self-harm (dazai), very toxic thought processes at certain parts (dazai), past (and a bit of current) suicide ideation (dazai), manic behavior (reader).

SEE: WASTELAND, BABY! SERIES MASTERLIST

“I’ve been eager to meet you for quite a while. In all of the years I’ve known her, my little hime has never let something as trivial as a boy come between her and our work… I knew you must be special, but I never could’ve imagined just how special. I’m so pleasantly surprised.”

Dazai’s head throbs as he comes to his surroundings. He’s laying in an uncomfortable bed—a hospital bed, he thinks, he can smell the unfortunately familiar scent of antiseptic, but the walls aren’t the typical white he’s used to. He winces as he sits up, unable to recall where he is or what happened to him. Everything is too fuzzy, he remembers being with Fitzgerald, the car ride to the tea house, and-

And he remembers you.

He remembers you.

He lets out a shaky breath as he recalls the way you’d pulled him into your arms, cradling him close as soon as you got him back from Fitzgerald. God, he only got to be with you for what felt like a second. It wasn’t enough time. It wasn’t nearly enough time. You sent him off, he remembers—you sent him with two of your subordinates, the weretiger and that freaky little girl, and then…

“Shhh… Don’t speak. I want to get this done and over with.”

The gun to his back, Atsushi and Kyouka’s cries of shock, the baton to his head.

“No can do, weretiger. On orders from the boss.”

His mind tracks back to the words that had been spoken as he was teetering on the edge of consciousness, mouth going dry and eyes widening as he becomes acutely aware of the other person in the room with him. His gaze flicks up to where a vaguely familiar man sits at a desk watching him—straight chin-length black hair, inquisitive purple eyes, a long black coat, Dazai isn’t sure where he recalls this man from but he knows that they’ve met before.

“Who…” Dazai asks, voice wavering as pain shoots through his head with every little movement. “Who are you? Have we… met before?”

His wrist hurts. His mother’s nails dig into his skin so deep that it draws blood, and he doesn’t know what’s going on. He’d just been sleeping—is he still sleeping? He isn’t sure. He’s stumbling over his own feet trying to keep up with her, he keeps asking her what’s going on but she doesn’t answer him.

They turn a hall and his mother stops so suddenly that he slams right into her, nearly tripping over onto the ground. He doesn’t even regain his footing before his mother is pulling him back the way he came, he looks over his shoulder trying to figure out what caused his mother to panic so badly and he looks at—a man?

Who is that?

Why is he coming from grandfather’s room?

Is that-

Blood?

“Shuji! Shuji, don’t look back! Keep moving!”

Shuji? Who’s Shu-

“I think you know the answer to that already.” Dazai is startled out of the memory—was that a memory?—by the man’s voice. He sounds amused, and from the way that his eyes are glittering, Dazai can tell he’s finding great entertainment out of this situation. It pisses Dazai off. “Don’t you?”

“Tane-chan, you know you won’t be able to hide him forever. You’re just making this harder on yourself.”

Dazai’s breath catches. He shifts backward on the bed to press his back against the wall. Everything is wrong—the air is too cold, his bandages are itching, his head hurts, and he doesn’t know what’s going on. Who is Shuji? Why is he thinking of his mother after all of these years? And what… what was he remembering?

Memories of his youth have always been sparse and fleeting—he can vaguely recall the faces of his siblings, the anxiety he felt around his grandfather, the loneliness—but something like this… The panic on his mothers face, the pain in his wrist, the way she was dragging him around, the fear in her voice when she screamed at Dazai—was he Shuji? But then why—to not look back, to keep moving. He would remember something like that. That would be… crazy to forget, right?

What is going on?

“You’re Mori,” Dazai breathes out, clearing his throat. He hopes he doesn’t look as disconcerted as he feels, but he thinks he must. “You��re…”

The leader of the Port Mafia.

The closest thing you have to a father.

So, how does Dazai remember him from years ago? It doesn’t make sense. He couldn’t have been older than thirteen, maybe fourteen in that memory. What did he forget? When did he meet him? What’s going on? Dazai wants to scream, his mind is still slow from just waking up—he doesn’t even know how long he was unconscious, it couldn’t have been that long.

Mori’s smile widens as if Dazai just walked right into whatever trap that had been laid out for him, violet eyes flashing with a type of cruel amusement that makes Dazai sick to his stomach. Dazai has to circle back to remember what he just said, he needs to snap out of the daze he’s in. He needs to think. He made a mistake—Dazai made a mistake. He shouldn’t have admitted that he knew Mori. That was a mistake.

How does he fix it?

Can he fix it?

“You do know,” Mori says, like he didn’t actually expect Dazai to admit that he knew him. Like he’s pleasantly surprised. Again. Like Dazai just made things much easier for him. Shit. “Interesting.”

He’s going to use it against Dazai. Dazai knows it. He’s going to use it against him to hurt you. He remembers everything he’s learned about your relationship with Mori—how he pit you against that other girl, Yosano, to get results from you. And he already said it. He already said that Dazai is getting between you and your work, he’ll do the same thing here. He’ll pit you against him.

He’s going to tell you that Dazai knew who Mori was, and that Dazai is someone that he’s not—who is Shuji? Why doesn’t he remember his own name? Is that really his name? How does Mori know all of this? Who is Dazai?—and Dazai needs to be able to say something. He needs to be able to explain. How does he explain this when he doesn’t even know what’s going on? Dazai needs to remember; he needs to remember now, he needed to remember yesterday, because if he’s not the one to tell you this… If he can’t explain this…

This cannot be happening—it can’t. Right when he thought everything would be okay, when he would be with you. His throat starts to clog as anxiety clouds his head and weighs on his chest, a panic attack that he can’t afford right now. He needs to think, he needs to figure out what’s going on—Mori knows something about Dazai that he doesn’t know himself, and he’s going to use it against him to drive a wedge between the two of you. He’s going to tell you, and-

Dazai’s world feels woozy. Why can’t he remember? How does he know Mori? What was happening that night with his mother? He needs to snap out of this, needs to think, but he can’t even breathe. Fear—the mind killer.

“I don’t know what’s going on,” Dazai rasps, his voice is hoarse, and he feels sick, and he hates admitting that he doesn’t know what’s happening, but he needs Mori to believe it so that he doesn’t tell you something that’s not true. “I don’t know how I know you. I don’t-”

“You might believe that,” Mori says amused, “but will she?”

Dazai stares at Mori, his stomach churns violently and his vision swims as the answer becomes abundantly clear to him.

He doesn’t know.

———

The gun in your hand weighs heavily.

You hid it in the inside of your blazer to get up to the conference room. No weapons are allowed up past the thirty-fifth floor unless you’re one of the Boss’s hand-picked personal guards—even executives are forced to disarm themselves before going up, but security is much more lax for the upper echelon. Because you’re you—the hime, second-in-command, the Boss’s daughter—the guards outside of the elevator that goes directly to the top floor wave you past the metal detectors to go on up.

A mistake.

(Who is Tsushima Shuji? It can’t be Dazai. You know Dazai. Mori must be wrong.)

The smile on your face is bland and doesn’t meet your eyes as you walk down the hall to the conference room attached to Mori’s office. You greet the guards, and they don’t notice how off your demeanor is, too starstruck over the fact that they’re being acknowledged for once. They also don’t notice the way your hand is curled around the grip of your gun in your blazer.

A mistake.

(Mori is never wrong. Do you really know Dazai?)

When you reach the end of the hallway, you toss them one last brilliant smile. This one is a bit more genuine because you’ve realized that you’ve gotten through the top notch security of the upper levels of the Port Mafia headquarters without a hitch. That you’re one step closer to finishing this. They’re so blinded by the beauty of your smile that they don’t realize your teeth have sharpened into knives and the floral perfume you wear masks a putrid bloodlust.

A mistake.

(It’s always been odd, hasn’t it? The way he approached you. The way he was so insistent on pushing himself into your life. You always questioned it. There was a sinking feeling that something wasn’t as it seemed. Why didn’t you question it more?)

You keep your back turned as you slip into the room. You can feel four presences behind you—Kouyou, Piano Man, Chuuya, Ace. No Mori. No Dazai. That’s fine—you have something to take care of before they show up anyway. The conference room is soundproof; Mori designed it that way because he didn’t want the guards outside to overhear any discussion of sensitive topics. Even if he handpicked them for their loyalty, he understands that money can make the most devout man’s faith waver. Still, it’s not them rushing in that you’re worried about—it’s the people in the room with you rushing out, so you very carefully twist the nub of the lock and then reach up to fix the deadbolt. It won’t stop them, but it will slow them. You can feel their eyes on you as you make sure the door is locked, but none of them call you out for it or try to stop you.

A mistake.

(Mori always told you that the Tsushimas were like cockroaches. If they all weren’t killed, one would eventually return to reclaim their grandfather’s empire. There’d be a power struggle between the factions loyal to the new regime and the ones that still hid in the shadows believing that the Tsushima blood belonged at the head of the organization. Everything the two of you had built would crumble to ashes.)

You turn to make your way over to the conference table where the four of them are sitting. You haven’t decided how you want to go about this yet. You don’t know who all was aware of what Mori did, and because of that, you don’t know who needs to die. Treachery has always faced a death penalty—you don’t care if Mori ordered it, you don’t care that the Boss’s word is absolute, you have bled and breathed for the Port Mafia. You’ve sacrificed everything you’ve ever owned and wanted for the Port Mafia. You have made the Port Mafia into what it is today with your efforts abroad and at home—foreign governments, foreign criminal organizations, the Japanese government and other domestic mafias, all of them are just puppets that you pull the strings of to ensure the Port Mafia stays on top. Treachery against you will face the same penalty one would receive if they betrayed the Port Mafia, because you are the Port Mafia—Mori has made sure of that.

Chuuya and Piano Man share a look with one another as you approach the table. Neither of them say anything—is it confusion? Is it guilt? Did they know? Were you the only one unaware of the schemes going on around you? Were you the only one loyal? The only one you could trust?

Did they know?

(No one could ever love you without your ability at work influencing them. You’ve known that since the very beginning, but you were so quick to forget that when you discovered Dazai’s ability. You should have had more questions, you should have been more suspicious. Mori had been right from the very beginning. You were emotionally compromised. You were weak.)

Ace opens his mouth to speak.

A mistake.

“It was nice meeting your-”

Ace’s head hits the conference table with a hard thunk, his eyes wide and glassy, his mouth open around the words you didn’t let him finish speaking. Blood seeps from the bullet hole in his temple and pools around his head and the ground beneath his chair, staining the glass table and the white floors.

Instead of lowering your arm, you shift it so that the gun is pressed against Piano Man’s temple next. Chuuya says your name—it’s awful, something caught between a gasp of shock and confusion, he’s never said your name like that before. Like he doesn’t know what you’re doing. Like he doesn’t understand you. Like you’re something unfamiliar. Unrecognizable. You ignore him anyway, and the pangs that come along with it, and instead, you keep your gaze trained on Piano Man’s face.

He’s not as panicked as Chuuya, but you can tell that he’s just as caught off guard from the way his lips are twisted. He watches you carefully, waiting for you to say whatever you’re going to say—if you were going to pull the trigger, you would’ve done so immediately, he knows that. He’s always been good at reading you, better than even Chuuya sometimes.

“Did you know?”

Your voice is steadier than you expect it to be. Cold almost. Distant. You don’t recognize it yourself, you suppose it’s no wonder that Chuuya’s staring at you with such a foreign expression. You watch him just as carefully as he does you. He has a tell when he lies: he squints. Not an obvious squint, just the barest hint of his eyes squeezing shut like he’s calculating exactly what he wants to say, in what tone and with what fluctuation he wants to say it.

A subtle tell, but a tell nonetheless.

“No.”

He stares at you steadily as he says it. There’s no squint—he’s telling the truth. You don’t let out a breath of relief, but you certainly feel the weight off of your shoulders. You lower the gun, satisfied with his response, and then you walk over to where Chuuya is sitting.

You don’t raise the gun to his temple immediately. He looks up at you, you look down at him, a whole conversation is had in the silence between you, and eventually he lowers his lashes in resignation, telling you to do what needs to be done for you to feel more at ease.

He’s always put others before himself.

You lift the gun at the same time he lifts his gaze to meet yours. He could activate the Tainted Sorrow and end this before it starts, but he doesn’t—you know in your gut that if you pulled the trigger right now, he would accept the fate you delivered. Probably would take it as a better one than he deserved—it being at your hands rather than Arahabaki.

“Did you know?” you ask. The words taste bitter, rancid—they don’t belong there, Chuuya would never betray you, but you had to hear it from him.

Chuuya doesn’t have many tells when he lies—he’s a good actor, much better than people give him credit for. If he wanted to lie to you, he might be able to get away with it. But he won’t lie to you, not when he’s looking you in the eye.

“No,” he says, voice soft and raspy like he can’t believe he has to say it.

You let the gun drop to your side. It weighs heavier now—heavier than it did in the elevator, heavier than it did in the hallway leading to the room, heavier than it did when it was pressed against Piano Man’s head. You can hardly bear to keep holding it, but you’re not done yet.

Slowly, your gaze turns to Kouyou. Her expression is cold and unreadable, gaze pinned on you in the same way a lion stalks its prey through the tall grass… No, that’s not right. She stares at you with the same look in her eyes that a snake does when it’s curled in a corner, rattle shaking and hissing to try to scare off the predator that has it trapped.

“You knew,” you breathe out softly in disbelief. Your voice hardens and tightens as you repeat, “You knew!”

Before you can raise your gun—before you can pull the trigger four, five, six times, before you can riddle her body with holes because how dare she know, how dare she know and not tell you after what the previous boss did to her—the door that separates the conference room from Mori’s office opens, and your attention is drawn to the one person who caused all of this.

“Oh my,” Mori says airly, looking between you, Ace’s body, and Kouyou with an expression that is frustratingly amused. “I see you’ve been busy.”

You don’t even know what to say to that. You almost want to laugh. You think you do laugh, actually—someone does, and you think it’s you, because you feel yourself walking away, you lift your hands to your head to tug at your ears in frustration. Your vision is blurry—are you crying?

“You betrayed me,” you finally say, voice quieter than you intend, so you raise it as you repeat yourself. “You betrayed me. You. Of all people I never thought you would be the one to-”

You can’t even finish the sentence, your voice cracks over the words. It makes you feel sick, it makes you angry, it makes you want to crawl out of your skin, because how could he? To you? You don’t know why you’re so angry, why you’re so betrayed. Mori has always made it clear that his priority is the Port Mafia, but still, to do this to you. To do this to his-

To his what?

You’re not his daughter. You hate when people imply that you are, you hate being called hime, you hate being called ‘Miss Mori’, you hate when people give you respect because of your perceived relationship to him.

He’s the only father you’ve ever known. Almost every decision you’ve made has been with the motive of making him proud of you. When he seeks out your opinion specifically during meetings, your chest becomes warm with pride.

You don’t love him. How could you? Look at what you’ve become because of him.

Then why do you feel so betrayed? Why did you think he would be the last person to do something like this to you when you know the type of person he is? Why does your chest feel like it’s caving in? Like your heart’s been ripped right out of it? Why does this hurt as much—why does this hurt more than Dazai’s potential betrayal?

And he certainly doesn’t love you. He never would have done this if he did.

He’s killed people for disrespecting you—he hardly ever gets his own hands dirty, but he does when it’s you and your dignity on the line. He spends hours meticulously picking out birthday presents that he knows you’ll like. He gets sad when he invites you for lunch and you don’t join him, reminiscing about the days where you clung to the back of his coat.

He touches your shoulder, and your finger twitches on the trigger of the gun. You want to lift it, press it to his temple and pull the trigger just like you did to Ace, but you can’t. Your arm feels like lead, and when his hand slides down to your bicep to force you to turn around and face him so that your back is to the rest of the executives, you dutifully follow along.

His expression is unreadable as he looks down at you, violet eyes swimming with an emotion you’ve never seen in them before. He lifts his hand to wipe away one of the tears that had spilled over your cheeks with his knuckle, and then taps your cheek twice, chiding you silently.

Do not cry here, little hime. Not here.

“You have always been so dramatic,” Mori hums just loud enough for you to hear, but the words are fond, and the corners of his lip curl up as he looks down at you. “I would not betray you. Not ever, dear.”

You look at Ace pointedly in response and then back to Mori, the man sighs dramatically and gives you a disappointed look. The nerve, you think bitterly, narrowing your eyes on him as you wait for his explanation.

“I told you,” Mori says. “I did this to protect you. I wanted to get ahold of the boy-”

“Because you have some mistaken belief that he’s a Tsushima,” you interrupt coolly. “How did you even manage to come up with that ridiculous theory?”

Mori’s eyes flicker with something akin to interest, but shifts quickly into pity—you can’t tell if it’s genuine or mocking, and you don’t know which would be worse. He must be mistaken, he has to be. You don’t think you can handle the implications of if he isn’t, of what it might mean for you. For Dazai. Your whole relationship with him. How much was manufactured for him to get information about the Port Mafia? So he could get a foothold in the organization? Get in contact with the remaining loyalists to his family?

“Sit,” he tells you, guiding you over to the seat at the right of the head of the table. “I’ll explain everything, but first… Shuji-kun, why don’t you come out and join us?”

Your breath catches at Mori’s words, gaze twisting to the side over to the door that he’d come out of. You watch as the door creaks open, and the achingly familiar sight of his face finally comes into view. You’ve missed him—you’ve missed him, and you hate this. You should be back at your apartment with him, you should have him curled up in your arms, you should be listening to him complain about how long he was stuck with the Guild.

This shouldn’t be happening. You shouldn’t be sitting at the executive roundtable with Ace’s dead body a few feet away, and Dazai entering the room, questions of his identity, of whether or not he’s been using you for information and opportunity to take back his grandfather’s legacy.

You hoped that Dazai would enter the room angry, irritated by the kidnapping and the accusations, but you don’t think you’ve ever seen Dazai look like this before. He looks a mess, fidgeting, brown hair matted to his forehead, dark eyes wide and swirling with emotion. When he seeks you out, they’re pleading, imploring, like he already knows that whatever is about to be said is going to be bad for him.

He looks… frazzled. Nervous. Confused.

He looks guilty, and you know that Mori is telling the truth.

How much of this was a lie? All of it?

Your throat feels uncomfortably tight, gaze sliding from Dazai back to Mori.

“Tell me.”

Who are you, Dazai Osamu?

———

Despite his body being wracked with a strange sense of guilt, Dazai pushes open the door to enter the room where he assumes you’ll be waiting. You’re not the only one there sitting at the table—there’s five… no, four others—but Dazai can’t help the way he immediately seeks you out. He recognizes his mistake instantly. That highly unwelcome, and highly misplaced, guilt amplifies the moment his gaze meets yours and he sees how crushed you are by all of this. His face twists into something that he knows condemns himself more. and from the way you instantly look away from him, directing your full attention to Mori, he knows he has.

Now, you won’t meet his eyes at all.

Dazai sits stiffly across from you to the left of Mori. Nakahara Chuuya is on his opposite side, glaring holes into the side of Dazai’s head, but he can’t drag his gaze from you. He’s never seen you like this before—even back at the beach house when you’d been so close to breaking down under the weight of everything on your shoulders, you’d held yourself together as best you could.

You’re unraveling now; he can tell you’re still trying to hold yourself together, but it’s as good as trying to pick up water with your fists, your emotions spill out through the cracks carved into the walls you used to hide yourself behind. Mori hasn’t even begun talking, yet your breath is unsteady and your eyes are swimming with emotion; your fingers are still wrapped tight around the grip of your gun, and Dazai is very acutely aware of Ace’s dead body slouched over the table not even a few feet away.

And you won’t even meet his eyes.

Maybe it’s a good thing, he realizes, because Dazai isn’t sure what you might see if you do. You clearly didn’t like what you saw the first time. He just feels so guilty, and he doesn’t even know why he feels guilty because he’s not-he didn’t do any of what Mori implied. He didn’t use you, he didn’t know who you were before meeting you, it wasn’t all some scheme to try to take over the mafia. That’s ludicrous—he’s a literature student at YNU, not some gang lord. He just-

He loved you. Loves you. No ulterior motives. No strings attached.

“I said tell me,” you snap when Mori doesn’t immediately begin talking. “You love talking, so why are you holding back now? Tell me, or I’m leaving.”

Dazai feels a bit sick to his stomach when you say ‘I’ with no implication of taking him with you. He tries to get you to look at him again, silently pleading with you to just spare one glance in his direction, but you’re irritated now. He can see it in the way your fingers flex around the gun, knuckles whitening and finger twitching on the trigger—it’s pointed at the woman sitting next to you, who is very acutely aware of the fact from how stiff she is.

“Do you remember the night we took over the Port Mafia, dear?” Mori asks her, voice a low hum.

“What kind of question is that?” you answer tightly. Your lip curls up in irritation, Dazai can see you become more and more antsy and angry—he’s never seen you so out of control before. “Of course, I do.”

“And you, Shuji-kun?” Mori turns his attention to Dazai and he wants to spit in his face—his name is Dazai—but his voice fails him when he sees the way your face twists at the sound of the unfamiliar name. He stares at Mori instead, hating how amused the man becomes at his silence. “I’ll take that as a no, allow me to refresh you.”

“Eight years ago, a coup was staged against your grandfather’s regime,” Mori says, and Dazai feels like he’s being studied under a microscope. All eyes are on him now—even yours, but now, he can’t bring himself to look at you. He doesn’t know what he’ll find, and he’s scared it’s going to be something he doesn’t like. “Your grandfather was mad, killing civilians and mafiosos indiscriminately, something had to be done, and nobody was willing to do it, so we did.”

“We had to wipe out the whole family, and any loyalists. I was fourteen when I killed someone for the first time. She was a girl my age—the previous boss’s grandaughter…”

Dazai’s gaze drags over to you. You’re staring ahead now, gaze listless and expression eerily blank like you’re slowly starting to realize what this means. Dazai hasn’t come to terms with it yet, because if even a little of what Mori is saying is true then…

“We wiped out the whole bloodline and as many loyalists as we could,” Mori continues, “or we thought we did, at least. My dear hime was who I sent to kill the heirs, I trusted in her to make it quick and painless. We didn’t realize one of the grandchildren were missing until it was too late—he wasn’t in his bedroom, apparently liked to wander around at night because he couldn’t sleep. His mother was able to swoop in and get him out of the estate before our men took over the building… Tsushima Shuji, the youngest of the previous boss’s grandsons. Does this sound familiar yet, Shuji-kun?”

He has the best view of the night sky from an alcove on the fourth floor of the estate—his grandfather’s floor. It’s where he likes to go when he can’t sleep at night, and ever since his cousins and siblings started fighting over their grandfather’s legacy, that’s been just about every night: half because of fear now that things have started escalating to violence, half because he’s not even sure why he’s still here.

His knees are tucked tight to his chest, arms wrapped around them and head resting against the cool glass as he looks up at the stars. He hears a commotion happening somewhere downstairs, but there’s always a commotion happening at the estate, so he thinks nothing of it. He submerges himself in the darkness instead, letting his mind float away as he stares up at the sky—it’s the only time he’s able to relax, escape from the shadows of his own mind.

He’s not sure how long he sits there admiring the night, time passes immeasurably when he’s lost in the stars—he’s only snapped out of it when he hears feet slamming against the ground in his direction. He stiffens, eyes wide, wondering if another one of his cousins has finally turned to bloodshed as the way to inherit their grandfather’s legacy, but instead his mother turns the corner, her smooth face contorted in a type of panic he’s never seen on her before.

“Mothe…” he starts to say, confused, but he doesn’t even get a chance to finish the word, gasping as his mother grabs his wrist and yanks him off the cushioned seat in the alcove.

“Shuji, we have to go,” she gasps, “we need to get out of here. It’s not safe.”

He stumbles after his mother, struggling to keep up with her quick pace and longer legs. Her grip was painful, nails digging into the bandages around his wrists, right into the fresh wounds they covered. He grimaces in pain, breathing heavy as he follows his mother down the hall, assumingly toward the steps near his grandfather’s room.

“What’s going on?” he asks. “What about Bunji? Akane? T-”

His mother chokes over what sounds like a sob and his eyes widen—he’s never heard his mother cry before.

“There’s no time,” she chokes out, “we have to leave without them. We-”

They turn a hall, she skids to a stop and-

“It seems that it does… Allow me to continue then,” Mori hums, drawing Dazai out of the memory. He sounds unbearably amused, and Dazai would be angry if he wasn’t so shaken. He pulls his hands off of the table to rest them in his lap to hide the way his fingers are trembling. “Your mother was able to hide you from us for half a year, I warned her that she wouldn’t be able to for long and since she didn’t share your grandfather’s blood, promised to spare her life if she gave you up to us, but she refused. She tried to take you out of the Kanagawa Prefecture, but our men were catching up to her, and she took… drastic measures to ensure we couldn’t track you down. That I’m sure you remember.”

“Mother,” he whispered, staring up at the rope, her limp body, gaze trailing down to the kicked over chair. “Mother, I don’t… why did you…”

He takes a step closer. A step back. Another step closer. He reaches out, fingers brushing the white nightgown she’d worn the night before while getting him settled in bed, but he snatches them back instantly like he’d been burned, clutching his hand to his chest.

He’s not breathing, he realizes when his lungs start to burn. His eyes sting painfully, unable to draw his eyes away—unable to even blink—is it a nightmare? Is he hallucinating? She sways—sways like when she used to distract him when he was settling into a depressive episode by putting on music and forcing him to spin with her in the kitchen, sways like the wind chimes she keeps outside because the house doesn’t feel homely enough without him, sways-

“Shuji! Shuji, get away from there!” The voice that calls to him is familiar—Aunt Kiye? Why is she here? “God, I tried to get here earlier. Nee-san, forgive me.”

Aunt Kiye grabs his wrist, yanking him away from his mother, dragging him out of her bedroom and down the hall. His voice is hoarse as he screams, he doesn’t know what he’s screaming, if he’s even screaming anything intelligible. He doesn’t stop until he’s out of the house and she’s kneeling in front of him, shaking him out of his panic.

“Enough, Shuji! We have to go, we can’t stay here, they’ll be here soon,” Aunt Kiye shouts at him, expression twisted and eyes pooling with tears that she doesn’t let spill over. “We need to go, and we-we need to change your name, change everything. I promised I would hide you, I-”

“We can’t leave her there,” he argues, voice shrill. “I don’t understand, why did she do that? What did I do? It was my fault, It was my fault, wasn’t it? It-”

Aunt Kiye doesn’t answer his question. She looks bitter, angry, hateful. “We have no time. We have to leave,” she whispers, dragging him to the car despite his protests. She continues talking, more to herself than to him, but the words make his chest cave in. “I told her not to get involved with that family. Their blood is black, cursed. Everyone knows nothing good comes from associating with those people.”

His fault, he realizes, breath becoming thin and shallow. It’s his fault, his blood, his fault that his mother-

“Yes, quite the unfortunate scene we walked into,” Mori says dismissively. “She was smart for it though, she never would’ve survived a night with our sweet hime interrogating her. You should see what she did to that despicable journalist. Of course, she wasn’t as fine-tuned with her ability back then, but that would’ve been at your mother’s expense—her first few attempts at conditioning were quite… unfortunate for her test sub-”

“Enough,” you spit out, interrupting him. Dazai wants to believe that it’s because you can see how uncomfortable he’s getting, but he’s not even sure that you care. He’s not even sure you remember he’s in the room. “Get to the point. You think he’s the Tsushima kid we missed—that doesn’t prove shit. It doesn’t mean-”

You don’t finish what you’re going to say, but you do look at him, and Dazai’s breath catches when his gaze finally meets yours again. He can’t tell what you’re thinking—the expression on your face is entirely indecipherable, something caught between being accusatory and guilty. Dazai doesn’t know if he’s going to make it out of this room alive. Even if by some miracle, you decide to believe him, there’s a good chance that Mori will order his death anyway, and he’s not sure if you’ll pick him over the Port Mafia.

That being said, Dazai doesn’t even know if he wants to make it out of here alive. His brain is fogged with memories that he locked so deep within him that they never should’ve resurfaced—every time Mori speaks, Dazai’s recalling something new, something awful, something that proves that he’s every bit the freak people have always claimed him to be. Every bit as bad. Every bit as wrong. Not like other people. A monster whose mother killed herself because of him, a monster who's been cursed since the day he was born.

“... blood is black, cursed… nothing good comes from associating with those people.”

More than that, he doesn’t see how the two of you are going to be able to come back from this, and that scares him more than anything. You’re the only good thing left in his life, and he doesn’t think he’ll make it without you, but he doesn’t think that after all of this things are just going to work out. You killed his siblings. His cousins. And yeah, Dazai was never close to them—they thought he was too quiet, too strange, all of the things that the other students at school whispered, his family was the first to—but… they were still his family, and if Dazai had been in his room that night, he would’ve been just as dead at your hands as the rest of them.

You killed his family. You would have killed him. The Port Mafia is the reason his mother killed herself, the reason why he walked into her bedroom and saw her hanging from a fan. The Port Mafia is the reason his aunt hated him so much that she couldn’t even bear looking at him, the reason why he was left to die in Suribachi City.

Would you ever be able to get over the guilt of that? Would Dazai be able to accept it? You had a heavy hand in ruining his life, is it enough that you saved him years later? He doesn’t know, he’s hardly even processed it, he just knows that he has to cling to what little he has left, dig his nails in and not let go even if it makes you choke on guilt, even if it makes him sick with shame. He won’t let go.

“So impatient,” Mori sighs. “Your aunt hid you for almost another half a year, but she wasn’t able to move out of the Yokohama area. She did well though, I’ll give her that. We had our best trying to find you, but she was very careful. It was partially our own fault that we didn’t get our hands on you back then—some loyalists to your grandfather snuck under our radar, told her when we were closing in on the two of you. She got rid of you before we got to her… but we did get to her. Kouyou-kun was the one who handled her, if I recall it got quite… messy. I can’t imagine how it must feel knowing that your mother and aunt sacrificed themselves to protect you only for you to throw it all away in an arrogant attempt to reclaim your grandfather’s legacy.”

Dazai doesn’t even zero in on the last bit of what Mori says because he’s too busy trying to wrap his head around the rest of it. Aunt Kiye didn’t… die for him. Aunt Kiye hated him. He remembers that clear enough—he remembers how she could hardly stand to look at him, he remembers the way she was always so cold and rough with him, he remembers-

“You have to go, Osamu.” Aunt Kiye is shouting at him, and he’s sitting in the passenger seat of her car. He doesn’t move, he thinks maybe if he sits still enough, she won’t see him there and won’t make him leave. “Osamu, get out of the car and go, we don’t have time! They’ve found us.”

The name is still unfamiliar—he’s not used to it, and he doesn’t know if he likes it, but Aunt Kiye insists that Tsushima Shuji is dead and that name can never be uttered again. She gets mad when he doesn’t immediately answer to it, tells him not to let his mother’s death be in vain, and that’s usually enough to get him to stop being stubborn over it.

“Osamu, go!” She grabs his bicep hard to try to get his attention, but he flinches and squirms out of her grip, still not responding to her. He can’t remember the last time he’s spoken—he thinks maybe since they left the cabin that morning. “You-”

Aunt Kiye sounds angry now, but he can’t bring himself to look at her. It’s only when he hears her unbuckle and feels her start reaching over him that he starts to panic. He reaches up to grab her bicep, trying to stop her from grabbing the handle of the door to open it, but she’s stronger than him. He’s hardly been eating lately, and he’s never been particularly strong—he was always the smallest among his siblings.

It takes no effort for her to bat his hands away, pushing open the door and unbuckling his seatbelt. He struggles against her as she tries to push him out of the car, and she’s still speaking—shouting at him, begging him, he thinks she might be crying too, but he can’t even tell. His mind is fogged with panic and fear—he doesn’t want to be alone in Suribachi City, he doesn’t want to be alone at all. He wants to stay with Aunt Kiye even if she hates him because he doesn’t want to be alone.

Eventually, Aunt Kiye wins the fight—even with him fighting tooth and nail, she manages to push him out of the car. He hits the ground hard, gasping when he lands poorly on his elbow. He’s stunned for a moment by the shock and pain, and Aunt Kiye takes the chance to toss out a backpack from the back seat and close the door behind him, locking it quickly.

“No!” His voice is raspy from lack of use over the past few months. He scrambles to his feet and tries to pry the door open but can’t. Aunt Kiye won’t even look at him, she stares ahead as she switches the car into gear and he slams his hands against the window. “Aunt Kiye! Aunt Kiye, don’t leave me here! Don’t leave me here, please, I’ll be better, I’ll do better, just don’t-”

He stumbles back as she pulls the car away, falling when he trips over the backpack onto the asphalt, scraping up his hands and forearms. He’s not sure how long he sits there staring after where the car disappeared waiting for her to come back for him.

She doesn’t.

She didn’t die for him, Dazai thinks again, nails digging crescents into his palm. She didn’t die for him, she couldn’t have. Dazai won’t believe it. Aunt Kiye hated him, she abandoned him in Suribachi—none of this can be true. It can’t. His mother killed herself to be free of him, not to protect him; and Aunt Kiye abandoned him because she hated him, not to save him.

That’s the truth. It has to be. They couldn’t have died for him—for him. It doesn’t make any sense. He doesn’t want to remember all of this—he was better off thinking that they hated him, that they wanted to be free of him.

He can feel you looking at him now, but Dazai is back to being unable to look at you. He’s staring down at the glass table looking at his reflection, his eyes are wide and dark and far too black—he looks warped, inhuman almost. His expression is blank, none of the turmoil within him is reflected on it, and he doesn’t even understand why. He thinks it’s probably just making him seem more guilty.

“We figured she left you somewhere in Suribachi City, but we weren’t able to track you down,” Mori says flippantly. Dazai wants him to stop talking, but he has a sick feeling things are only going to get worse from here. “Not until you ended up with Oda Sakunosuke, at least, we…”

Dazai’s ears ring at his old friend’s name. Mori is still talking, but his words become a distant buzz. Everything starts coming back to him at once—his time alone in Suribachi City, the weeks he spent rationing the little food he had, getting the shit kicked out of him by some low rung gang who stole his mother’s ring from him. He remembers giving up, questioning the point of his own existence with a detached logic that left him with only one answer—there was no point to his existence, so he was as good dead as he was alive.

He remembers seeing on a sign that it was the eve of his fifteenth birthday, and he remembers dropping himself in the bay during a storm, hoping that the tide dragged him so far beneath the surface that he’d never see the light of day again.

He remembers waking up the next morning to an unfamiliar face at his bedside, brows knit in disapproval and lips turned down, and he distinctly remembers feeling put out by a stranger looking at him that way.

“What’s your name, kid?”

Dazai couldn’t remember anything but the name Aunt Kiye had drilled into him over and over again the past few months.

“Dazai Osamu.”

“Hm. Oda Sakunosuke. You got a family, Dazai?

Odasaku brought him in.

Odasaku saved him.

The doctors said he’d been dead for almost three minutes when Odasaku found him washed up on the beach—said his memory might return over time, but it might not—but Dazai didn’t even care, because Odasaku brought him in. He gave him a roof over his head, food to eat, and a reason to live. He sent him to school so he could feel like a normal kid his age. He played board games with him and didn’t even care when Dazai was a sore loser and quit mid-game when he realized he wouldn’t win. He humored Dazai when he faked being sick because he didn’t want to go to school. When Dazai was going through bad depressive episodes, Odasaku would sit with him silently and write his book so Dazai never felt alone. Odasaku introduced him to Ango and they were-

They were his friends.

Family, maybe.

They were all he had, and they were all he needed.

And then-

“We were the ones who killed him.”

Dazai’s gaze drags up from the table to focus on Mori. The man’s lips are curved into a cruel smile, his eyes are sharp, and Dazai is moving before he can stop himself. He lunges across the table, but Mori doesn’t even flinch because Nakahara Chuuya grabs the back of his shirt and yanks him back down into his seat.

“You-” Dazai spits, voice raspy and angry.

“Don’t look at me like that, we were trying to get to you,” Mori says casually as if the words don’t shatter Dazai’s entire world. “We would’ve loved to have Oda Sakunosuke amongst our ranks. His death was unfortunate. Collateral damage. He was an assassin for a long time—one of the best in the world. He was pretty much unkillable, his ability allowed him to see six seconds into the future. I never understood how our sniper managed to get him that day, but now I do. He saw you getting shot with his foresight and tried to pull you out of the way, but your ability is nullification, so when he touched you to save you, he damned himself. In those split seconds when he was pulling you to safety, he couldn’t see the future, and couldn’t see the bullets aimed for you that lodged into his chest instead.”

Dazai can’t do this anymore. He tries to push himself up to his feet but his legs are numb and uncooperative, and he can’t move his hands or arms. Mori’s lips part to continue speaking but Dazai can’t do this, he can’t hear anymore of this. He’d always known in his heart that Odasaku’s death was his fault even if he couldn’t remember much about his mother and Aunt Kiye and their desperate attempts to hide him from the Port Mafia. He’d known, but hearing it-hearing the confirmation, it’s too much for him.

Before Mori can say anything, Dazai is startled from his spiraling thoughts when you stand up so abruptly that your chair goes flying back. Your expression is haunted and you’re not looking at him again, but Dazai is glad for it, because he thinks he’s about to throw up.

“I… I need a minute. I just need a minute,” you say shakily before fleeing the room into Mori’s office so quickly that you almost trip over the chair you knocked over.

The room is silent in your wake, and after a few impossibly long moments, Mori stands to follow you into the other room. The three Port Mafia executives left in the room don’t say anything for a moment, and Dazai is just trying to breathe. He’s trying to breathe and process what Mori just said, but he’s failing miserably at it.

It’s the woman, Kouyou, who speaks first.

“She’s going to kill me for knowing about this,” she says simply, sparing a glance down at the dead body on her opposite side. “I’ve never seen her like this before. Even when Chuuya-kun went missing for a few days, this…”

“Well, maybe you shouldn’t have conspired against her,” Piano Man sings, looking entirely unperturbed. “I mean honestly, after what the previous boss did to you, I would’ve thought you’d be more sympathetic. Silly me to think you aren’t a cold-hearted bitch.”

Dazai tries to pay attention to what they’re saying, he tries to ground himself with the conversation happening so he can forget the feeling of Odasaku’s blood all over his hands, staining his clothes, smeared on his face. He tries to replace Mori’s echoing words with what they’re saying but he can’t.

“We were trying to get to you.”

“It has nothing to do with sympathy,” Kouyou snaps, but she does look ashamed. “It’s a security threat, it’s bigger than love. This boy could spell the end of everything we’ve built.”

“She won’t kill you, Ane-san,” Chuuya finally speaks up, his knuckles are tight around the armrest of the chair he’s sitting in. “I’ll talk to her, I just-”

“When he touched you to save you, he damned himself.”

“Chuuya-kun, she almost killed you,” Kouyou says so dryly that the words almost don’t even register to Dazai, but when they do, they’re the only thing that effectively draws him from his spiraling thoughts. He looks at Chuuya sharply to see if what Kouyou said was true, and his eyes widen when he only grimaces and looks down. “You and Piano Man. She didn’t even hesitate before pulling the trigger on Ace. She’s unstable right now, there’s no talking to her.”

“But she didn’t,” Chuuya says tightly. “I’ll talk to her, but first…”

Chuuya looks at Dazai so suddenly that he almost wants to snap his head away and ignore him, but he can’t. The ginger studies Dazai so intensely that it makes him want to crawl out of his own skin.

“Did you know?” Chuuya asks, voice low. He’s angry, Dazai can tell from the way a dark red color starts to flicker around his hands, but he’s trying to keep it together. “Tell me. Did you know who she was and use her to get closer to the Mafia for revenge? I’ll spare her the pain of having to put a bullet through your fucking head and kill you myself right now. Did you know who she was and purposely-”

“No,” Dazai interrupts, voice hoarse. “No. I didn’t-I didn’t know.”

Chuuya stares at him for a few seconds, studying him like he doesn’t know if he actually believes him, but after what feels like an eternity, he finally shakes his head and looks away, rubbing his face with his hands.

“Fuck, this is such a mess,” Chuuya breathes out, voice strained. “Fuck. She-”

Chuuya doesn’t finish his sentence because the door to Mori’s office reopens and you step back into the room, Mori at your heels. Your eyes are red, but your expression is withdrawn now, void of the tumultuous emotions that had been raging across it just a few minutes before. You settle back in your seat. Your eyes flit over Dazai like he’s not even there before focusing on Mori.

Dazai suddenly has a bad feeling.

“I’m not quite sure how you escaped us after that,” Mori continues where he left off, and Dazai is so sick of the man’s voice that he almost wants to rip his own ears off. “Probably Sakaguchi-san from the SDUP, I recall him and Oda-san being close… but that brings us to the present, doesn’t it? Four years later, you stumble into our lovely hime… Come, dear, let me tell you my running theory, and you tell me how accurate I am, yeah?”

Mori is looking at you now, eyes glittering as he waits for your response. Dazai has his own serious issues with the man, but he thinks it’s sick the way he’s enjoying your clear discomfort and increasing distress. Your jaw tightens a bit, but you nod, signaling for Mori to speak. Dazai’s nails dig into his pants as he waits for Mori to continue. Neither of you look at him, and Dazai’s lips part to speak so he can preemptively deny whatever Mori is about to accuse him of, but he can’t push a single word out.

“Your first meeting with him wasn’t by chance. A cafe, maybe�� a bar?” Mori offers, watching your face carefully for a reason. You look away at the second option, and the man’s lips curve up. “A bar, then. One you frequent, I bet. The one in Hodogaya-ku, perhaps? Your first meeting, but not Shuji-kun’s first time seeing you. Ui Koutarou—his journalism professor at YNU—wrote his first article implicating the Mori Corporation’s connection with the Port Mafia in February of this year, around a month before rising fourth year students register for classes. Shuji-kun, naturally, has been following anything related to the Port Mafia closely, so when he sees a class being offered in the fall by the same man who has been openly targeting the Port Mafia, he sees an opportunity and signs up for the class.”

No, Dazai tries to say. His lips form the word, but the sound doesn’t come from his lips. No. No, no, no, no. You look haunted suddenly, and Dazai remembers the argument he had with you during the government event in Tokyo. How cold and withdrawn you’d become. How when he confronted you next, you accused him of working with Ui Koutarou and blackmailing you for money. Mori is reigniting all of the initial fears you once had.

“Ui-san has had his sights set on you for quite a while, dear. You don’t need me to tell you that, you’re very well aware of the man’s hatred of you… When Shuji-kun started classes in the fall, Ui-san roped him into his plans, and you became his project. That wretched man had many documents on you. I had the Black Lizards raid his apartment after we captured him—most were harmless, detailing places you frequented and people seen around you, but when Shuji-kun became involved, he started using that information to manufacture meetings between you. I imagine that after you met him that first time, he started appearing around you rather regularly. Bump-ins at that cafe you like in Minami-ku, on the streets—he even started renting an apartment on property that we own after he realized the opportunity he had with Ui… he’s only been living there since the summer, you know?”

His last apartment wasn’t close enough to the school, Dazai wants to argue desperately. He’d been lucky that a cheap apartment opened up in Hodogaya-ku before the semester started—he’s been trying to get one since his first year. It has nothing to do with-

Dazai suddenly feels nauseous again, everything is spinning around him—he still hears Aunt Kiye screaming at him, he still hears the creaking of the rope his mother hung himself on, he still hears Mori’s confirming that Odasaku’s death was his fault. And now this, and you’re not looking at him again, and he’s not saying anything, why isn’t he saying anything? Why isn’t he denying this?

“He attached himself to you quickly, didn’t he?” Mori asks rhetorically. “Too quickly, I’m sure you had doubts—not even your ability makes people reliant on you as swift as he became. How long did it take for him to start prying for information? Trying to make you slip up and implicate yourself with the Mafia? Confess yourself as an ability user?”

The night of the earthquake when you showed up at his apartment, he remembers dizzily. He started pressing you on your political opinion because he remembered Ui saying that all of the criminal syndicates in Japan are going to do whatever it takes to prevent the military bill from passing. But he wasn’t… doing it to prove anything? He just wanted to know more about you, he was curious, he was finally putting the mystery that you are together. It wasn’t malicious—he just wanted to know you. That’s all it ever was, he’s only ever wanted to know you.

“When did you tell him about your ability? More about our organization? Around when the Guild started making their move in Yokohama, I’m sure. He never told you about his ability until his hand was forced. In fact, I’m willing to bet he lied and said he didn’t know he had one, but tell me, do you really think an assassin of the caliber of Oda Sakunosuke would not realize his ward had an ability that negated his own? That he wouldn’t be trained in how to use it… Most importantly, if all of this wasn’t a scheme of revenge—if he really did love you—then why did he never get rid of the flash drive that contained the proof that his journalism house published? The proof that got you thrown in prison?”

You’re crying.

Dazai’s throat swells when he sees the tears silently tracking over your cheeks. At once, he realizes that he’s never seen you cry before; he itches to reach over to you, to grab your hand or wipe away the tears. He doesn’t—partially because he doesn’t think he could move if he tried, but mostly because he knows that he’s the reason you’re crying.

He wants to assure you that none of this is true. He had nothing to do with the Guild—they kidnapped him for fuck’s sake. He didn’t know about his ability, he didn’t even know Odasaku was an assassin. And he was just… careless with the flash drive, and he shouldn’t have been, but there was always so much going on, and he was so new to having someone in his life that really loved him that he was quick to bask in it and forget everything else.

He doesn’t assure you of anything, instead he watches as Mori reaches out to do what Dazai wants to do. He brushes away your tears and turns your face to look at him, a disgustingly sympathetic look on his face.

“I know you were eager to believe that someone could love you without your ability at work influencing them, dear,” Mori murmurs, “but people like us will never find a love that pure. There will always be other factors at work sullying it—wealth, revenge, threats. You understand now what this was, don’t you?”

No, Dazai wants to scream at you. He does love you, this wasn’t some ridiculous revenge plot for family he hardly remembered until this meeting, that-

“I do.”

Dazai finally is able to make a noise when those two words leave your lips. It’s weak—something caught between a wheeze and a whimper that sounds too loud in the silent room. He feels eyes on him—Chuuya and Kouyou’s in particular. Not yours. You stare down at the table.

“Ogai-dono,” Kouyou clears her throat. “If I may… perhaps we could… send the boy away. Abroad. Ensure he never comes back to Japan so we don’t have to risk him coming back and disrupting things.”

“We could give him a seat at the table,” Chuuya interrupts, ignoring the wide-eyed look both Kouyou and Piano Man give him because of the radical idea. “We’re down an executive anyway. We tell people who he is, that he supports the new regime. It’s what you wanted to begin with, right, boss? You wanted one of the grandchildren to legitimize the passing of power. We could make it work.”

“It’s too risky.” Mori isn’t the one to speak, Piano Man is, but he doesn’t look happy to do it. “Maybe back then it could’ve worked, but the Port Mafia killed his friends and family, and hunted him down. Too much has happened, he’s an unpredictable variable that we can’t risk. We can’t trust that he’ll just accept it all, that he won’t work behind the scenes to take us down. Giving him any leverage in the organization is the last thing we should do, but what Kouyou-”

“Leave him alive and we risk everything we’ve built falling apart—a civil war igniting, Yokohama being caught in the crossfires and all of our foreign enemies crawling into the city to reap the benefits of our fall. It’s one life or hundreds—thousands, even,” Mori interrupts, voice cool. He turns his gaze onto you. “I trust you know what has to be done, dear.”

Your expression is resolved, a heavy emotion in your eyes that tells him your answer before you even speak. “Yeah, I know.”

You stand up, and Dazai knows that it’s over. When you look down at him, it’s with a type of apathy that makes his stomach twist—he’d rather hate than nothing. His lips part to speak but he pauses when you shake your head slightly, so subtly that he almost doesn’t even notice it.

“Get up,” you say flatly, and then glance at Chuuya. “Chuuya, will you…?”

“Yeah,” Chuuya replies without you even needing to finish the question. His voice is hoarse, he looks more than a little disturbed. “Yeah. Of course.”

Chuuya rises to his feet and then grabs Dazai’s bicep to pull him up to his feet too. Dazai doesn’t even have the heart to give him a dirty look in response, following along as he leads him out of the conference room and into the hallway.

For a split second, Dazai really believes that maybe you’re just trying to fool Mori, you made him think you were taking Dazai to have him killed so that you can get him out of here safely, but even once you’re out of the conference room without Mori’s eyes carefully watching you, you don’t look at him.

“Get one of the clean up crews up here,” you tell one of the guards waiting in the hall instead as you frown at your phone, typing out a quick text to someone. You pointedly ignore how alarmed they are by the offhand comment to click on the button to the elevator.

When you look back at the two of them, it’s not to look at Dazai—it’s to look at Chuuya. The two of you are having a conversation, Dazai can tell that much, and he thinks that maybe he should be putting in the effort to figure out what’s going on, what you have planned, but he’s just… tired. He’s not even sure if he cares what happens to him anymore, and he figures the worst case scenario is that he dies at your hands, and of all of the ways he could go, he thinks that would be the most preferable, because at least you would be the last thing he saw.

He doesn’t try to speak again until the three of you are in the elevator and the doors have closed.

“I-”

“Stop.”

Dazai is startled by the sharpness in your voice. He looks at you, but you’re still not looking at him, your lips are curved down as you stare at your phone, typing furiously. He glances up into the left corner of the elevator, noticing the cameras—maybe that’s why, he thinks a bit unsurely, deciding to stay quiet until out of the building.

When the elevator doors open, it’s Chuuya that urges him to keep walking by nudging his shoulder. You don’t touch him, don’t look at him. There’s nobody in the main entrance of the building, which Dazai thinks is a bit odd, but he bites back any comments he might have when he sees a black car waiting outside the building.

The doors to the building open at your approach, and Dazai inhales the crisp, fresh air greedily, not even having realized how stifled he’d felt in that room with Mori, you, and the other Port Mafia executives. He thinks maybe that you’ll sit in the backseat with him and he’ll finally be able to talk to you, but you don’t. You open the door to the passenger seat and sit there without even sparing him a glance.

Dazai’s throat starts to swell again, stopping in his tracks as he stares at where you disappeared behind the car door. Chuuya pushes him forward, not letting him linger for long—he opens the door to the backseat and pretty much manhandles Dazai into the car before taking a seat next to him.

He recognizes the person at the wheel—Albatross, your friend. He’s driven you and Dazai around before, every time Dazai gets in the car with him, he makes a sharp comment aimed to embarrass you in some manner. This time, he doesn’t even look at Dazai through the rearview mirror. He just puts the car in gear and starts driving.

A pit starts to form in Dazai’s stomach. Dazai tries to initiate conversation with you again now that you’re outside of the Port Mafia headquarters within closed quarters, nails scraping against his pants as he decides what he wants to say.

“I d-”

“Stop.”

When you cut him off now, Dazai’s stomach flips. He stares at the side of your face, trying to understand why you won’t even listen to him. You can’t actually believe what Mori was saying, you can’t. You were faking him out, tricking him into thinking you fell for it—you had to be, you have to be. You can’t possibly believe him.

“You won’t… even hear me out?” Dazai asks you quietly.

“There’s nothing left to say.”

Oh, Dazai thinks to himself, withdrawing. He stares at you for a moment before turning away stiffly, expression tight and strained as he stares out the window, watching the buildings pass by as they get closer and closer to the ports.

You believe it, he realizes dully. You believe that it was all just a scheme. You believe that everything was manufactured, that he used you for some fantastical revenge plan, that he never loved you. You believe it.

But it doesn’t make sense, he thinks desperately. He doesn’t understand how you’re not seeing through it, and if you are, why aren’t you at least giving him some hint? He should try to say something again—he knows that, but he finds himself unable to. He’s a smooth-talker, quick on his feet, but never when it comes to you—since the day he met you, he’s been fumbling over words awkwardly, but now it’s costing him everything. He finds ash in his mouth preventing him from salvaging anything he might’ve had with you.

Dig your nails in and cling, he reminds himself, but his nails have become rounded out and blunted from how long he was scratching at his pants and skin while remembering all those memories he locked away. He tries to dig his nails in and cling, but his voice fails him and his nails can’t even find purchase on your skin, you slip out of his hands as easily as an eel.

He’s going to lose you. He might’ve lost you already.

Dazai thinks that’s worse than the realization that he really might be about to die.

The car comes to a stop much quicker than Dazai had hoped, and he stiffens when you waste no time before getting out of the car. He makes no move to join you outside, and Chuuya sighs next to him.

“Get out,” Chuuya says flatly. When Dazai doesn’t budge again, Chuuya snaps, “Get out of the car-”

“-and go, we don’t have time! They’ve found us.”

Dazai draws his knees to his chest, breath becoming a bit labored as his aunt’s voice echoes in his ears. He doesn’t even realize that Chuuya has gotten out of the car until Dazai’s car door is pried open. For a split second, he confuses the executive with his aunt as he’s yanked out of the car—he’s fourteen again and being abandoned by the only person he has left, and he can just barely bite back the “don’t leave me here!” that almost spills from his lips as his knees hit the ground hard.

Dazai is instantly hit with a thick scent that makes him gag. It’s noxious, almost entirely unbearable, clogs his throat to the point he almost struggles to breathe—a blend of rot, acrid chemicals, and something he doesn’t recognize, but it’s sickeningly sweet. As he pushes himself to his feet, he notices you pass your gun over to Chuuya, but in that moment, Dazai is more concerned with figuring out where he is, and when he does, his stomach drops.

The dumping grounds by ports stretch endlessly under the heavy, overcast sky. Mounds of trash rose like grotesque hills patched with scraps of torn plastic and suspicious lumps that Dazai doesn’t have to get close to know what they are. The ground is uneven and treacherous—a mix of sticky mud and sharp shards of discarded glass and plastic, and pools of murky water shimmering with oil slicks.

It’s disgusting, and Dazai has a feeling it might be his final resting place.

He trails over to the side of the road and his gaze tracks down to the ground directly below him. It’s not a far drop, hardly a foot or two, and certainly less gross than some of the other parts of the area, but that’s a low bar to meet. He tears his eyes away from the scenery around him to look back at you, lips parted to speak but he doesn’t say anything.

You’re leaning against the front of the car, watching him with an expression that Dazai can’t describe. Sad, maybe, resigned. Chuuya is back in the car, from what Dazai can tell, he's still fiddling with your gun—he wonders if this is his way of letting the two of you say goodbye in private.

“I do love you,” Dazai says. His voice cracks over the words. “No ulterior motives. No schemes. I just loved you. Love you.”

You don’t say anything for a moment, eyes drawing from him somewhere over to the side like you’re looking for something, but after a moment, you look back at him, your face a little softer than it was before.

“I know,” you tell him quietly. “I know, Osamu.”

Dazai’s lips part to say something back—he doesn’t even know what he wants to say, because confusion fogs his mind. If you know, then why-

Why are you doing this?

He doesn’t get the chance to ask. The car door opens and Chuuya steps back out, he passes your gun back to you and Dazai sees you subtly slide something into his hand too, but he can’t tell what it is. You sigh as you look down at the gun before looking back up at him again, he holds his breath as you make your way closer to him.

His lashes flutter shut, expecting to feel the cool barrel of the gun against his forehead, but his breath hitches when he instead feels the familiar warmth of your hand cradling his cheek. Your fingertips are flaked with Ace’s dried blood, but Dazai still leans into your touch, eyes sliding back open to look at you.

Up close, your expression is twisted with regret and… is that fear? Dazai can’t tell, he doesn’t care, he’s more preoccupied with memorizing the image of you before he runs out of time to.

“Forgive me,” you whisper so faintly that Dazai almost doesn’t hear you.

“I do,” he replies just as softly.

Your face crumbles as you look away. You take a step away from him, and your hand drops down from his face. Dazai instantly mourns the loss. You let out a heavy, shaky breath, sparing one last look down at the gun in your hand, one to Chuuya who stands half a step behind you, and then you look at Dazai again.

“Forgive me,” you say again, this time as you lift the gun—your voice is raspy, breath uneven.

Your fingers tremble so violently that the whole gun is unsteady, but Dazai doesn’t even care to look at it, gaze focused on your face instead.

“I do,” Dazai repeats.

You pull the trigger.

#dazai x reader #dazai x you #bsd x reader #bsd x you #bungo stray dogs x reader #bungo stray dogs x you

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