#the way the crime scenes are drawn in the manga. Dies

[attaboy-art]

day 01: double meanings

[Image ID: A digital painting done with an oil brush of Sandy Aldwich from Layton Brothers Mystery Room, sitting down with her elbows on a white table, staring at the viewer with her head tilted to the left, and tucking her hair behind her ear with one hand while the other is presented with a limp wrist, the hand itself shining a light green color. On her neck are bruise marks. Behind her is an abstract oily background of black, purple, and green. The entire piece is painted in darker tones except for the lower fifth of the image, which is a white expanse representing a table, with the numbers "001" in the bottom right corner, painted in red. /.End ID.]

[lnkedmyheart]

My personal opinions on the various ships I am/was drawn to in Yuumori

I'd like to start by saying that I didn't actually go in planning on shipping anything. I'm a huge Sherlock Holmes fan and I have always had a thing for (not entirely romantic) Sherlock/Irene just because I found the way she could throw him off hilarious. (I also relate really hard with Sherlock's utter disinterest in most things romantic and sexual). Disclaimer: she/her is used to refer to Irene before Bond.

Anyhoo.

James/Sherlock

As someone who is super fond of this pair ever since the RDJ movies the anime left a bitter taste in my mouth with these two. Their interaction was too short and rushed for me to reasonably believe that Sherlock actually had a reason to be fond of her. Sure she was fascinating cause he couldn't pin her profile but just...it made no sense. There was nothing particularly special about her outside of sneaky, hot and kind and it just felt like a not like other girls narrative done badly. It felt very Bella/Edward with the whole "I can't read your mind" angle. Also they only know each other for like one day. Even Bond never truly has any interaction with Sherlock and just passes him by. I don't like the "pass by" way of developing romance.

The manga develops them far better with Irene having a lot more personality and keeping Sherlock on his toes rather easily. While they still barely know each other and she dips out quickly, its still believable that Sherlock is fond of Irene by the time she leaves. However it is also made clear at multiple points that Sherlock has no interest in her romantically or sexually. Which lets be real is closer to his general aro/ace personality from the source material. He also explicitly states being uninterested in women and is super fascinated with Irene solely because she's unusual. There's also the fact that the person who says Sherlock may have had special feelings for Irene is Mycroft, the same person who is playing off the "rumor had it that Sherlock was seeing her" lie. There's also the fact that Irene's main focus is protecting innocent people like Sherlock, Watson and Hudson as opposed to Sherlock out of romantic interest and Sherlock's obsession with keeping Irene safe is stated to be more out of her being innocent and undeserving of death just for wanting a better world and his growing obsession with the Lord of Crime and the fear of what he would do to Irene. Basically the ship ends when Irene dies and Bond is born.

That being said...Bond isn't a woman so... Anyway the ship seems to have stagnated for now and I've heard there is a manga scene later (that I'm wary of from stuff I've heard) which I'm yet to reach but so far this ship kinda...sunk itself for me.

I'm also uninterested in seeing if the fandom for the ship can convert me because a large part of James/Sherlock fans I've seen are actually Irene/Sherlock shippers and it irks me on a personal level.

John/Sherlock

This ship has historically been popular for a reason. Something about friends to lovers resonates with people a LOT especially with Sherlock's disinterest in romance and the opposite sex as well as his emotional dependency on Watson. Its rather sweet especially since John also cares for Sherlock deeply. However in the anime their bond barely gets time to develop. We still get more from John than we do from Irene however and Sherlock clearly has a far more positive interaction with John throughout.

In the manga however, John and Sherlock are developed a lot more compared to the anime and their arguments feel like they hold more weight because of this development. I rather like the way they play off of each other and just how dorky John is in general. I do however know how absolutely smitten John is with Mary so I'm sorry but I can't... I just can't seperate those two cinnamon rolls. But this ship is still good.

Sherlock/William

Okay so I didnt go in expecting to ship them. I ended up shipping them anyway. See, I love enemies to lovers ships but usually when there is something warmer there. I need some warmth and emotional tension and its usually missing from this specific ship in other adaptations. However here, holy shit, the anime gave them this "best friends in another life" vibe right up until the last 2 episodes where it just launched into the starcrossed lovers territory.

The manga on the other hand starts us off with "besties in another life" vibe but quickly starts giving us Sherlock being a huge dork over William, and this extremely flirtatious back and forth all while retaining the point that Sherlock is still suspicious of Liam. His interactions with William are also some of the softest we get from Sherlock in the story. Idk man, he acts like he has a huge crush on that pretty blonde professor. Seriously he needs to stop smiling softly at Liam whenever he gets the chance. He's the enemy my sweet idiot child.

Moran/James

I love this ship. I have no idea why this ship is so underrated but not only do they develop beautifully around and through each other within one volume, they continue to have one of the most playful and entertaining dynamics in the series (so far). Also up until this point we only know Irene, Irene isn't the character we need to follow, she's just an introduction. Her entire arc with Sherlock is just an introduction to her capabilities and character however it is only when Irene ends and Bond begins that we truly see any development of the character. The main source pushing for this development? Moran. Now i know some people think Moran is mysoginistic and transphobic, but tbh, I didn't feel that way. For starters the setting is Victorian England, women in men's clothes was hardly considered decent, the gender roles were extremely strict, transgenderism was not something really taken into consideration, women were considered weaker and less useful than men. Keep in mind Irene was already unconventional simply for being too bold than most women of the time. Bond being ftm or nb or what have you while not impossible, would still have been met with some discomfort. Keeping in mind that Moran is the most normal of the entire crew it'd make sense that he has a hard time reconciling with Bond's gender switch. Keep in mind, Moran didn't know Bond before and to him he is just pretending to be a man. Its also about the fact that he realises that Bond thinks he isn't a person but a tool waiting to be told what to do. This conflict and its resolution prove that Moran isn't a bigot (or a mysoginist, he respects Moneypenny a lot) and just has a problem with people playing pretend and is super comfortable with Bond once Bond comes to terms with his role and place in the crew and starts taking initiative.

Moran/Moneypenny

Listen I dunno how to say this, but the golden army arc has me dying over this ship. Anyway, Moran is a war vet with severe ptsd and a huge flirt, Moneypenny is a no nonsense, warm hearted badass lady who is both feminine AND not super feminine. I love how much care and respect Moran shows towards her and it develops him from this womanizing dumb muscle into a genuinely sweet guy with a dumb flirt streak. Its not super deep. I just love them.

James/Moneypenny

I'm sorry but like what the fuck is happening behind the scenes you two??? I ship it simply because...BECAUSE REASONS.

Note- the reason I like Moran/Bond and Moran/Moneypenny despite their short time together and not James/Sherlock is because Moran, Bond and Moneypenny actually developed in their arc while neither Sherlock nor James developed in their interaction. We didn't get to learn anything new about Sherlock or find out about his hidden depths (except that he hates clingy people). The reason Sherlock/Irene from the RDJ movies worked for me was because a) they had a lot of chemistry and it was more of a back and forth and b) there was a mysterious past involved there. In yuumori, the back and forth and chemistry is absent so there isn't really a fun dynamic that I liked about them nor is there a past to truly justify the lack of interaction. There's also the issue that Sherlock comes across as more irritated throughout the arc than interested and that just rubs me the wrong way since we know he is moody and he doesn't show any positive feelings towards her outside of the last few scenes. Meanwhile there is a lot of time given to Moran and Moneypenny's interaction and we see them both grow and Moran and James actually have a conflict and resolution with active back and forth. The reason I like James/Moneypenny is because it is introduced with a scene that implies that something is going on offscreen and like RDJ Irene/Sherlock, this pair leaves me wondering and creates interest.

[kaizokuou-ni-naru]

i am... thinking about smiles. the expression, not the fruits, though i guess i’m thinking about those too. 

smiles, and laughter, show up a lot in one piece. it’s the sort of motif that doesn’t get a whole lot of attention drawn to it in-story (until very recently) but when you pay attention, it’s everywhere. 

like, the first page of the manga, and the very first opening, what’s one of the first things we’re presented with? roger grinning on the execution stand. we always see people smiling in the face of death. ace is the other most obvious example, but there’s also saul, rouge, luffy on the stand at loguetown, and law telling doflamingo to fuck himself. i see it pinpointed as a trait of Ds sometimes, and it is that, but it’s not exclusive to them either. bellemere dies smiling, as do hiriluk and otohime as they hand their dreams down to their children; corazon smiles to cheer law up before he dies, and wants that to be the way he’s remembered.

and then there’s laughter. one of the most popular posts i’ve ever made on this stupid blog was a semi-shitpost pointing out a possible connection between the focus placed on laughter in one piece and the name of laugh tale for the final island of the grand line. many many characters in one piece have a unique style of laughter, and you even have scenes like saul (again, a D) encouraging robin to smile and laugh with his own silly laugh, even when he’s dying.

the final words of binks no sake, a pretty important song in one piece, literally describe a neverending tale of laughter- and the song begins and ends with brook’s laugh. and the rumbar pirates, too, die smiling and laughing and singing.

and here’s a fun fact for you: in japanese, ‘smile’ and ‘laugh’ are the same word- 笑う/warau. 

and then, of course, there’s joy boy, too, who just by his name alone is clearly connected to all of this. 

on the other hand, there’s multiple examples of literally forcing people to smile, and its clearly shown just how cruel and inhumane that is. ebisu town is the latest and most obvious example of this, and feeding the failed smiles to the people there is literally referred to in-text as orochi’s greatest crime. and there’s also koala (and presumably other slaves of the celestial dragons), who trained herself to always smile and seem happy to avoid punishment, and fisher tiger’s victory is in getting her to finally stop, and finally cry. 

in both the cases of koala and the people of ebisu town, the reason they’re forced to smile is because their crying is annoying to their oppressors. one piece is a story all about freedom, and one of the most fundamental freedoms is that to express yourself and your feelings honestly. so it follows that one of the worst crimes would be to steal even that freedom. 

and luffy is smiling almost constantly. just cause he’s happy. just cause he’s free.

[cosmicjoke]

Okay, onto chapter 6 of “No Regrets”!

So the first thing I want to jump into here is, once again, something which the manga vastly improved on over the visual novel, and that was the scene following the flashback to Levi and his friends learning about the long-distance scouting formation before the expedition, and then Flagon’s instructions to them in the present.  I don’t think this scene was even included in the visual novel, but it’s indispensable in understanding Levi’s mindset going into the fateful final act.

Isabel gets carried away by Flagon’s speech, and ends up saluting, expressing genuine enthusiasm for the SC’s cause, before realizing what she’s done and turning around, seeing Levi and Furlan looking back at her in silence.  Furlan looks unimpressed, while Levi wears his usual stoic expression. You can’t tell one way or the other what he’s thinking, which is why the next scene is so hugely important, because we get a look into his inner thoughts.

I saw another person say not long ago that in this scene, Isabel expresses a desire to join the SC, and Levi blows her off and ignores her, only thinking about his revenge on Erwin, and to that person, I would like to ask ‘What scene were you reading?’, because that’s pretty much the opposite of what happens here.  This scene reveals so much about Levi’s own, inner conflict, and how he’s beginning HIMSELF to understand and even sympathize with the cause of the SC, and the soldiers who have dedicated themselves to it.  Let’s dissect it here a bit.

The scene takes place at night, before they ride out again, and Levi is sitting up with Furlan and Isabel, and he’s thinking quietly to himself.  The first thing he’s recalling in his contemplation here is Sairam’s words, asking Levi if he knows how many elite soldiers have been eaten by Titans. This plainly shows Levi’s growing concern for Furlan and Isabel.  The longer they spend outside the walls, the higher the risk of something going wrong, and that’s a worry that’s heavy on Levi’s mind here.

He then remembers, in quick succession, all these various interactions and the words of different people throughout his short time up here on the surface.  He recalls Sairam hurling insults at him and his friends, calling them punks, and then Hange’s opposite words of encouragement and appreciation, telling them they’ve given everyone hope.  He recalls Furlan’s words, telling Levi that with him there, they’ll really be able to raise hell, and then Isabel’s words, pointing out that the SC soldiers really believe their cause is worth dying for.  Finally, Levi recalls Flagon’s degrading words, about how Levi and his friends have spent their whole lives in a trash heap, implying they’ll never amount to anything more than garbage, and last, he recalls Erwin’s words, how he’d seen the desire to kill in Levi during their first encounter.  

All of this is hugely important to understanding Levi’s psychology, I think, and understanding his feelings of conflict and confusion, and how it ultimately plays into him making the choice he does.  For Sairam’s and Flagon’s words, it’s the assumption people have made about Levi all his life, that he’s nothing but a worthless criminal who can’t do anything good for anyone, and Levi’s struggle to overcome that perception that people have of him.  In contrast to that, Hange’s words are sending Levi the opposite message, that he isn’t just a worthless criminal, but someone who can actually contribute something positive and important to other people’s lives.  He’s someone who can inspire hope.  Something Levi’s always secretly wished he could do.  And then there’s Furlan’s words, serving as a confirmation to Hange’s, in which he expresses his reliance on Levi to help make his own dreams come true, and Levi seeing himself in that role, of taking care of these two people whom he loves.  And there’s Isabel’s words, a clear admiration and astonishment at the realization that these soldiers really believe in a cause bigger than themselves.

We see all of Levi’s greater hopes, his desire and wish to help other people, coming into conflict here with the way he’s been treated all his life by others, as a worthless, good for nothing criminal, and how that treatment has forced him to become the very thing they accuse him of being, someone ready and willing to kill, someone ready to commit crimes, etc…  It’s Levi’s pride and anger battling with his deeper desire to protect and help others. The thing his life and his environment has FORCED him to become, against his truer nature.  This is such a vital, important scene, and once again, the manga succeeds in explaining and revealing Levi’s complexity as a character, whereas the visual novel just flat out butchered it.

Now getting back to Levi’s interaction with Isabel in this scene, and the woeful misinterpretation I saw another person make one time.  

Furlan is talking about how, given the complexity of the formation, they won’t be able to break ranks without being spotted, and he suggests they should just wait until they’re back behind the walls before trying to steal the documents again. Levi points out that if all three of them leave, then yeah, they’ll likely be spotted, and gives no further opinion.  Already, Levi is thinking that maybe he could go after Erwin and the documents alone, thinking of taking the entire burden of the operation on himself, carrying the hopes and dreams of all of them on his shoulders alone, (which is why he later calls himself conceited and proud, having relied on his own strength entirely, instead of his friends too, ending in failure, which in turn goes back to the very beginning, with Levi’s statement about never knowing what the better option is, to rely on oneself, or on their comrades).  But anyway, he doesn’t protest or try to counter Furlan when he says they should just focus on getting back alive.  Isabel expresses agreement, and then says she knows the documents are important, but she also doesn’t want to get in the way of the SC and what they’re trying to do.  Now here’s where the conversation gets really important in, once more, understanding Levi’s psychology.

He and Furlan look over at her, and while Levi stays silent, Furlan gets annoyed, chastising Isabel for seeming to suddenly care about the other soldiers, accusing her of only caring because Hange’s cookies were good.  Furlan clearly doesn’t understand Isabel’s sentiments here, he doesn’t get why she suddenly seems concerned.  He’s still focused on their own goals, and that’s all that matters to him.  But Isabel begins to explain that it’s just that she’s starting to understand why the SC goes out beyond the walls, and likens it to how they felt living in the Underground, wanting to escape to the world above.  She’s saying she understands that sense of being trapped, of being imprisoned, and the longing for freedom.  And then she talks about seeing lots of her friends dying underground, while dreaming of making it “up there.”, and how seeing that made her feel like she HAD to get up there.  It’s like Isabel is saying here that her dream to make it to the surface was strengthened by the dreams of others who never got to realize it for themselves, and that she wanted to make it to the surface, more than anything, as a way of giving the dreams of those who had died without realizing them, meaning.  By making it to the surface FOR THEM.  She starts to try and explain what she means, saying ‘It’s…” before Levi suddenly speaks for the first time since her monologue, saying “It’s like leaving the walls behind to kill the Titans…”

This is such a huge moment. Because contrary to what I saw this one person claim once, Levi is acknowledging Isabel’s feelings, and expressing empathy with them.  He’s telling Isabel here that he understands what she means, because he feels it too. This desire to fight for freedom as a way to give meaning to the suffering of those who couldn’t escape their imprisonment.  Levi, rather than ignoring or blowing Isabel off here, is relating to her.  Her feelings are his own.  Isabel smiles dreamily and says “Yeah.” Because Levi put her thoughts into words.  She then keeps talking to Levi, starting to ramble about what she wants to do when they get to live in the Capital, how fun she thinks it would be to steal from all the “rich pigs” and use their money to buy useless junk, before she falls asleep.

Furlan then kind of bursts this bubble of reverie that Isabel and Levi have fallen into, and what he says here is, again, so important.  He says “I’ve got to revise our plan.  We’ll need to steal the documents before you and she start seriously talking about dedicating your hearts, or whatever.”  Furlan’s perceived how Levi’s own feelings are beginning to match up with Isabel’s, how he’s starting to feel drawn to and sympathetic towards the SC’s cause, and he’s worried, because that’s not what they’re supposed to be there for.  They’re supposed to be there to steal the documents so they can get a chance to live in the Capital.  This is Furlan’s dream, ultimately, and he doesn’t want to lose sight of it to some unrealistic ideal.  What’s so interesting here is the contrast between Levi and Furlan.  While Levi is so quiet and reserved and hard to read, he’s actually showing himself to be more of the dreamer of the two, while Furlan is much more practical and less prone to fanciful, ideal notions like helping people beyond their own means.  

We get one last shot of Levi gazing at Isable, thoughtfully.  He’s still thinking about her words.

Alright, then comes the next big scene, with all of them outside again, to try Erwin’s new formation.  We see, again, Levi’s gradually shifting opinion of Erwin already, when he remarks that Erwin’s idea is “brilliant”, once he sees how it works, expressing genuine admiration for it and Erwin’s mind.  Levi still hates Erwin, and want to kill him, but we already see this desire in him starting to crack and come apart, replaced by an almost astonished curiosity instead.  Like he isn’t sure what Erwin is, but he’s impressed, in spite of himself.  

Then the storm comes and everything starts to fall apart.

Another, massive and vital change here in the manga from the visual novel is Levi’s reaction to the sudden storm.  In the visual novel, Levi’s first and only response to it is that he can use it as cover to go after and kill Erwin, sparing no thought to the safety of his friends, or the other people in his squad.  It was another instance in which I thought Levi’s characterization in the novel was just horribly butchered, and so once again, I was so glad to see them correct it here.  Levi’s first response, after he, Furlan and Isabel start to lose contact with Flagon and the others, is to scream at his friends to not get separated.  He's only worried about them in this moment, and wants to make sure they don’t lose contact with each other.  He isn’t thinking at all about leaving them here yet.  Just this small addition completely changes Levi’s motivations and priorities, leading into the fateful choice, and it’s immeasurably better characterization for him then what was presented in the visual novel.  I’ll get more into it with the next chapter. So until then, thanks again for reading.

[miscellaneousramblings]

The world is cruel and unfair. My thoughts about the end of SnK.

This is a post about my feelings re: the end of SnK. I try to mix a bit of analysis and express where, in my opinion, it went wrong.

I’ve only read the last chapter once for now. Managed to avoid every spoiler until the official release. What can I say? I think this ending is disappointing and unsatisfying, despite not being The Worst Thing I’ve Ever Read. It’s serviceable at best, which by default is underwhelming in a work that has almost always tried to go above what we usually see in comparable pieces of fiction. Over almost 140 chapters, SnK offered its readers genuine emotions, either positive or negative, and, until this final chapter, managed to stay true to its themes. But this final chapter is basically a 4/10 or 5/10 ending in an overall 9.5/10 story.

I hope that, after the initial shock of the ending, I’ll be able to look back on it, not fondly, but with a bit more appreciation for some of its (too few) genuinely good moments. I also hope it won’t sour the experience of reading SnK too much for me. Of course, I accept the ending, I accepted it literally the moment I read it even though I saw it go further and further from my expectations and understanding of the story by the second. And obviously, I respect Isayama as a writer and genuinely cherish some parts of this manga.

But I won’t ever think this ending was good, and am going to try to explain why.

First, something quite subjective. I think the chapter lacked genuine emotion. I didn’t feel much of anything, except a crushing sentiment of sadness and a bit of anger when I saw Mikasa alone by Eren’s grave at the end. A lot of what happened felt either incomplete or forced, and often both. For example, I had imagined the moment the curse of Ymir broke would be the most beautiful moment in the manga, but instead it just... happened? This was supposed to be the peak of this story, the miracle that all these terrible sacrifices were made in the name of. I keep thinking about the moment the curse breaks at the end of Fruits Basket (a great read btw) and how genuinely emotional this chapter is even though the genre is different from SnK’s. Considering Isayama’s talent when portraying emotions, I can’t help but feel terribly underwhelmed by his version of this moment, which should have made us feel like everything was worth it, but didn’t.

Second, the pacing in this last arc (and especially post 123) was messy. I know it’s easy to criticize as a reader, but objectively, spending 7 chapters on the alliance going from point X to point Y and not giving the main character the spotlight he deserves is a major mistake. I kept holding hope that all of the buildup since chapter 130 was going to amount to the last 2-3 chapters slapping extremely hard (like, say, the Grisha-centered chapters in return to Shiganshina, or the Reiner-Eren conversation in Marley), but for the first time, Isayama disappointed me in that regard.

While mostly uninteresting fights got dragged out, some plot points were almost forgotten. Some setups never got a proper conclusion. Eren barely got the time to explain his motivations or what he saw. Historia’s conversation from chapter 130 never got an ending. The parasite and Ymir literally disappeared even though they were the focus of the last two chapters before this one. Some memory shards went unexplained. We never got to see Grisha’s death even when this panel exists?

Regardless of the actual things I don’t like in the ending, I think it would have been more palatable if this last stretch of chapters had been given time to breathe, if only to expand on the characters’ motivations or give us more interactions (for example, Eren’s talks with Annie, Reiner, Connie...).

Third, characterisation and themes. Oh boy. My favourite character is Eren, and my other favourites are Mikasa, Armin, Reiner and Zeke. I think that among these five, the only one who got a true, complete character arc was Armin (and arguably Zeke as well, though the lack of resolution between him and Eren is a hate crime towards me, specifically). Reiner had a great character arc overall but his last appearance in the manga was distateful and a regression. I won’t expand on it.

Mikasa... my poor girl. My most charitable take about her ending is that Isayama wanted to portray her inner strength, the fact she can always live on in the face of adversity and cherish her own life despite the setbacks while remembering those she loves. Well, I guess he succeeded. But in a weirdly unsatisfying way, because this renders her character arc entirely cyclical. Those qualities have characterised Mikasa since the start. It’s established since the very first arc that she’s prideful, brave, and that she has the inner strength to live without Eren if he ever disappears from this world. But the way Isayama made it happen? Having her kill him and then cry next to his grave in the final panels of the manga is what her arc amounted to? I had always hoped that Mikasa could actually save Eren from himself and show him how to live and share his burdens with him (all things that have been foreshadowed in the manga itself, btw). I thought her tattoo would hold some significance, either by

A/ being transmitted to her potential child with Eren were he to survive (didn’t happen)

B/ foreshadowing a future political role for her as a bridge between Hizuru and Paradis (didn’t happen, and furthermore she’s the only alliance member living in Shiganshina and is deliberately separated from the rest of them)

C/ having some kind of supernatural power that would allow her to change the game, were she to enter paths or reach the coordinate (didn’t happen).

So what? In the end, Mikasa’s Big Choice amounted to giving up on her love (but also not really because she’s never going to be able to move on and isn’t allowed to feel anything else but pain), resulting in her losing her family for the third time and never being able to welcome Eren home. This is horrifyingly sad. I’m also frankly disturbed by the sort of ~parallel Eren establishes in this chapter between Ymir and Mikasa, about the topic of love. So the message of SnK was that... love is a chain? Everything happened because Ymir was too attached to the King and couldn’t leave this world, so Mikasa had to show her that she could give up on love for the greater good by killing Eren? I wish I just misunderstood this but that’s what I got from the chapter and I hate it. Also, I really thought Isayama was above the traditional “female character who sacrifices everything and never reaches happiness but stays quiet and endures for the common good” trope. I was wrong.

Mikasa might have been the centerpiece of the story, but she got the short end of the stick. At this point, the writing pretty much does the opposite of what it is supposed to by inadvertently justifying the validity of Mikasa and Eren’s “selfish” dream in chapter 138. Initially, I thought that their dream was wrong and not something truly enviable because in it, they led a life of guilt and regret while knowing full well that Eren would end up dying anyway, leaving Mikasa behind, alone. Naively, I thought that surely choosing the responsible path would be more rewarding for Mikasa, one way or the other. But as it turns out, the path of selflessness also led her to a life of solitude, except now she carries her burdens all on her own without having tasted happiness. Amazing. I genuinely do not know how I am supposed to root for this.

Finally... Eren. Oh boy. Oh, good lord. I’ll admit I wanted him to live, but I was also ready to accept an ending where he dies. But... not like this. I already said I don’t like the fact Mikasa killed him, but what I like even less is the lack of general resolution his character received. He’s the MC for god’s sake! But post-chapter 123, he has received second, if not third-grade treatment, save from chapter 131, which was brilliant.

Overall, his motivations are a mess, which I get. Him getting confused because of all his powers and memories is understandable. Him having conflicting motivations is actually appealing to me. He wanted to save Eldia, but was also disappointed in the outside world (when he says “I would have done it anyway”, I thought about what he said to Ramzi and the "scenery” in 131) , and wished for his friends to become heroes. I get it, it’s fine.

But Isayama went too far with the tragic aspect of his character. As in, there is no catharsis, just crushing pain. Isayama deliberately went overkill by stating that Eren killed 80% of humanity (what the hell), and, even worse, actually drove Dina to Carla. I literally couldn’t believe this. I have seen people theorize about this months ago and immediately discarded it by thinking it was ridiculous and amount to character assassination. To make things clear, I’m not discussing Eren’s actions in the last arc from a moralistic point of view, because this would be another topic entirely, I’m talking about what makes sense in the narrative that has been presented to us since the Paths chapters started and Eren’s plan was revealed. For example, however awful the contents of the scene was, Eren manipulating Grisha to kill the Reiss family was not only amazingly written and drawn in chapter 121 but also narratively motivated by the fact he needed the Founding Titan’s power. This scene also had other functions, such as revealing the Attack Titan’s premonition powers or making Zeke interact with Grisha and understand the truth about his father. Compared to this, the “moment” we have in 139, this abrupt, absurd revelation about him indirectly killing his mother is rushed and nonsensical. Even if this was to kickstart the whole story by awakening his hatred for the titans, I can’t help but feel shaken by how... gratuitous a “plot-twist” it is. What does it say about the attachment Eren had to his mother and her words to him? (”because he was born into this world”). This nullifies one of the most impactful scenes of the manga, because the ending makes it clear that in the end, existing as a human being by the simple virtue of being born wasn’t enough for him. It just couldn’t be, for some reason that I’m yet to fully understand. Instead, he endured and endured, and never got to experience the simple, humane existence Carla wished for him. So were these beautiful words a lie all along? Why did Isayama go to such an extreme with Dina? The only conclusion I can come to is that it’s because he needed Eren to be absolutely, totally irredeemeable. Eren needed, storywise, to be this unstoppable extremist who would get burned to ashes by his uncontrollable desires.

Because yes, apparently, Eren had to die. There was no escape. Worst of all, Eren died a slave. A slave to his desire for freedom. A slave to the destiny he saw at age 15. A slave to his titan powers. This is what I truly can’t forgive about this ending. I won’t stand for the “but he chose this” answer, because it was a choice made out of despair, and all the alternatives are presented as non viable by the narrative (are they really though? or is it just a cope-out to justify the last arc of the manga unfolding as it did?). In short, Isayama justifies this “choice” that was forced on Eren by telling us: his life was destined to be short, he had a violent side he just wouldn’t repress, Mikasa didn’t give him the answer he wanted, he was overwhelmed by what he saw, and their enemies were zeroing in on them. Canonically, all of this made him start the Rumbling. Fine. But I always thought that, at the end of it all, even if Eren were to die, this narrative would be challenged. That Eren would at least have a big cathartic moment, and that he would make another choice upon realising that the freedom he looked for was illusory, and that he would fight to the bitter end for what was right, what he truly wanted, before finally either going to rest or living on with the burden of his actions but the support of his loved ones. I wished for the perfect blend of bitterness and hope. The tragedy of irredeemeable actions completed by the powerful liberation of free will. The idea that change is possible.

But what did we get instead? Eren reaffirming that the Rumbling would have happened anyway while feeling tremendous guilt, as usual (living a life with regrets, and consequently, a death with regrets), refusing the support Armin was ready to lend him (refusing to even try to defy what he thinks is his destiny and pushing others away again) and erasing the memories of all his friends after having manipulated them into ending him against their wishes (going against the most basic concept of freedom). And because we as readers and he as a character have to suffer until the very end, Eren finally clearly expressed his wish to live, to stay with Mikasa and his friends. Only to die 5 pages later, for good.

The main character of this story truly died as a disembodied head, in a titan’s mouth, killed by the person he loved the most before being buried in a nameless grave. One of his mottos was “fight”, but in the end, he didn’t. He let fate happen. In a story about freedom, this is unfathomable. This is beyond the realm of sadness for me, and I’m leaning more and more towards indignation. Where was his dignity as a character? I know that Mikasa, Armin and the others know “the truth about him” but I’m sorry, this isn’t enough. Now, if I ever get the strength to re-read SnK, I won’t be able to look at Eren without thinking about all the things he sacrificed: love, friendship, happiness, humanity, morals, principles, justice, freedom, the lives of countless others, the peace of mind of the person he loves, and his own life. A sacrifice so great should have gotten us a reward as great, if not greater. But we only got the end of the titan curse, without even an apparition or a word from Ymir, the one who actually started all of this, and now Paradis is ruled by the Yeagerists or something. The wings of freedom defaced by two rifles. How great. How satisfying.

In the end, I can’t really fathom what Isayama wanted to say with this chapter. The story itself, the 138 chapters that preceded it seemed clear to me. The world is cruel but also very beautiful. But after having read 139, I don’t know where the freedom the characters chased is. I don’t know why love was portrayed as something so precious but also something that in the end was predestined to be discarded. I don’t know why characters such as Mikasa went against fate only to be crushed by it further down the road.

I never thought that SnK would go into this almost grimdark direction, but it did. I can barely find the beauty in this chapter. Mikasa’s last panels are heartbreaking, but even the strength of her love can’t shine through the countless sacrifices the characters - and especially she and Eren - made, for the sake of a future that already seems extremely compromised. I guess that all in all, the world’s cruelty overshadows everything, and those who make the greatest sacrifices also are those who never get repaid. The world is unfair. I know that, but it was my naive wish that reading a piece of fiction would help me take my mind off this reality by showing me there is also more to it.

PS: the best moment in the chapter was those panels:

Finally, even if it was too little and too late, someone showed Eren he wasn’t alone, and didn’t need to be. RIP, my beautiful boy. You truly did deserve better than what this story allowed you to be.

[datleggy]

a list of every anime i love/recommend, accumulated over the last 10+ years

1. NATSUME YUUJINCHOU 

SUMMARY/REVIEW: 

The main character is a teenage boy named Natsume, whose parents died when he was too young to remember them properly. He’s passed around random relatives homes, but because he can see yokai (spirits), he’s ostracized by classmates and his foster families (ALL HIS CHILDHOOD FLASHBACKS ARE SO FUCKING SAD) and eventually very distant relatives (an older couple who never had kids of their own and have so much goddamn love to give D:!!!) take Natsume in, and the story basically starts from there. 

It’s a very heart-warming story following Natsume’s new life in this new town, accepting his ability to see yokai, forging new relationships in the form of friends and family, and even with the yokai themselves. 

This is honestly probably my favorite anime/manga period, because it’s so sad but so cathartic and you watch as the main character grows and learns to trust those around him, and finally gets the unconditional love he’s always deserved, not to MENTION THE FACT THAT THEY DO A WHOLE EP WHERE NATSUME IS TURNED BACK INTO A LITTLE KID AND IT IS SOOOO GOOD OMG

Plus for those of you who enjoy whump, this show has a decent amount of it. Mainly emotional whump, but also some episodes where Natsume is injured or sick--as well as I believe one where his companion (the chubby cat on his shoulder who’s actually a pretty badass yokai) gets shot with an arrow and is down for the count. 

10/10 would and have watched again. 

2. KODOCHA NO OMOCHA 

SUMMARY/REVIEW:  The main character is a sixth grader named Sana. She’s a gifted actress on a t.v. show everyone likes and she’s silly and fun, very intuitive and surprisingly empathetic for a child. 

Her main problem is in school, where Akito, who she deems the leader of her class’ wolf pack of rowdy rude boys, lets them terrorize not just the teacher, but all the girls in class, as well. 

I don’t really want to give a lot away, so I’ll just state the obvious. This anime/manga is shoujo, which means that it does focus on a romantic relationship throughout the series. Mainly the one between Sana and Akito. Sana is absolutely oblivious about her own feelings, while Akito is a stubborn little shit. 

I remember watching this at like, age 12 maybe? And I really enjoyed it because (although I do enjoy your typical silly doesn’t take itself too seriously slice of life shoujo) this particular anime, while super funny and light hearted at times, was also really dramatic and even kinda dark, which was surprising considering the characters ages and the general kid-friendly vibe (especially the opening for the anime). 

3. DETECTIVE CONAN

SUMMARY/REVIEW:  Our main character is initially Shinichi Kudo, teenage detective, who’s on a date with childhood sweetheart Ran (whose father also happens to a detective but like....not a good one lmao), when his nosy ass self decides to go and check out some shady business and gets “poisoned”. 

The poison he’s given is intended to kill him, but what it actually does is turn him back into a child. And now, as Conan Edogawa, (who’s 7 but like....we just supposed to believe all these cops and detectives on the force are cool with a seven year old wee lil babe on these really gruesome ass crime scenes??? lmaoooo) we follow him on his adventures as he solves crimes and tries to solve the biggest mystery of all, his own! 

I absolutely LOVE this anime/manga, even though I’ll be honest, there is SO MUCH FILLER, but I like the characters enough that I really don’t mind. The show is at least 900+ episodes in at this point, and there are a total of 26 movies so far, last time I checked. 

Also, the show is a whump fangirls’ dream come true. The main character is thrown out of windows, balconies, shot at, and in one occasion actually shot, he’s had broken bones, sprains, almost been blown up or drowned/burned, been sick, and oh, his occasional transformations from child to teenager are incredibly painful. 

This show is probably at fault for my love of whump, since it was one of my first animes at like, age 9. smh. 

4. THE DEVIL IS A PART-TIMER!

REVIEW:

I’m not even going to summarize this one. The title does it for me. This is truly one of the funniest animes I’ve ever seen. Motherfuckin Satan works at a McDonalds part time and it is the BEST. 

Technically I would count this show as a kind of harem, but only because there are like three main girl characters after the overlord Satan himself. I usually dislike harem type animes but the way this is done is sooooo good I couldn’t resist. 

I would watch a million filler episodes of Satan trying to solve problems at his minimum wage job tbh. I love every single character, I love the plot, I love everything about this anime! In terms of comedy (with the occasional plot driven serious moments) this is IT bro. 

5. BLACK BUTLER

SUMMARY/REVIEW: 

The main character is Ciel Phantomhive (roughly 14 years old). His parents are killed, his house is burned to ashes, and he’s kidnapped (around age 9 or 10 I believe) and abused. During this abuse Ciel calls upon a demon to free him and help him get revenge on those who harmed the Phantomhive household, which is where Sebastian, one “hell of a good butler” comes in. 

We then follow Ciel and Sebastian on their path of vengeance, and along the way we meet Ciel’s human servants, three very clumsy and seemingly bad at their given tasks characters (i love them all), and some of his extended relatives and connections. 

My favorite thing about Black Butler is the art, both in the anime and manga. Everything is so detailed and pretty! 

The characters are interesting, the plot is dark but they manage to make most of the series overall pretty light-hearted and funny in general. Though of course there are chapters/parts of the series that get really grim (which duh, the whole thing focuses on revenge so...) 

I have to say, the arc I enjoyed the most has to be the movie, Black Butler: Book Of the Atlantic. It is beautifully drawn and sooooooo entertaining. 

6. INUYASHA 

SUMMARY/REVIEW: 

Our main characters are Inuyasha, a half-demon, who’s been in a sort of spiritually binding coma for the last few decades, and fourteen year old Kagome, who falls into an old well in her family’s shrine and finds herself being transported into another time period. 

Together, she and Inuyasha travel across the lands in the feudal era to find the scattered shards of the shikon jewel, a powerful jewel which grants anyone who possesses it ultimate power. 

I was too young to stay up and watch Inuyasha on adult swim, so my mom would tape the show on a VCR for me to watch the next day after school--yes, I’m old old. lmaoooo I ADORE this show. 

It’s so good! It’s got everything! A tortured lil half-demon with a sad past who’s stubborn and rude but got a good heart! A fierce and equally as stubborn main protagonist, who’s whole ass family knows exactly where she goes off to??? and are supportive af????? like???? her mama packs her and her squad of demon/exorcist/demon hunter pals bentos?!?! lmao i love it. 

The characters are awesome and funny and likable as all heck, and of course they all have their sad backstory, but like, unlike some animes (lookin at YOU Naruto) they don’t go mega overboard on it, at least not without some plot behind the episode. 

7. YU YU HAKUSHO 

SUMMARY/REVIEW: 

Before I even start in on the summary, ya’ll should watch this soley bc of the cute ass 90′s style animation alone. LOOK AT ALL THAT SHINY HAIR!

ANYWAY. Main character is teenage hooligan and overall cutie pie Yusuke! He gets struck by a car and fucking DIES in the first episode after shoving a little boy out of the way, only to end up in the spirit world where the head honcho up there (who looks like a wee baby) tells him “Oh shit, didn’t expect you to like, actually do anything self-sacrificing EVER so like, you’re not on our list of people who were supposed to die today...” 

And uh, I don’t wanna give anything away, so I’m just gonna say that if you haven’t seen this anime yet, you definitely should! It’s hilarious and dramatic, the fight scenes are very well done, all the side characters, who eventually become main characters are a blessing (specifically Hiei, who’ve I’ve had a crush on since I was 12) and the ending is a satisfying one, which you can’t really say for a lot of media. 

8. CHRONO CRUSADE 

SUMMARY/REVIEW: 

I still get weepy when I think of this anime, so all I’ll say is it’s about a badass demon slaying nurse and her demon companion and some very tragic shit. 

It’s a great anime overall, especially if you like crying yourself to sleep at night :) 

9. GHOST HUNT

SUMMARY/REVIEW: 

The main character is high school student Mai, who is hired by Naru, the head of a Shibuya psychic research, and together, with a group of questionable exorcists/psychics, they encounter paranormal phenomenons and some outright scary shit. 

I’m not really a fan of the horror genre tbh but I do like mystery, and the series deals with that quite a bit. They deal with each case for several episodes so nothing feels too rushed. 

The series is really fun in a creepy, wtf is that way. I recommend the manga, only because it’s more detailed in terms of plot than the anime. 

10. ASSASSINATION CLASSROOM 

SUMMARY/REVIEW: 

I didn’t really make this list in any particular order but if I had to say, Assassination Classroom and Natsume Yuujinchou probably tie for BEST ANIME PERIOD! 

This anime is about a weird ass “alien” creature, no one knows where it came from or why tf it’s here on earth, all they know is that in one year it’s threatened to blow the world up. 

His only request to the government is that they let him become a teacher for Class E, the worst class of Kunugigaoka Junior High School, and he will stay put, so that they can attempt an assassination on him during this one year period. 

AND LISTEN! I am a shallow hoe, so I literally never would have read this manga or watched the series had I not been roaming Barnes and Noble one day with my S.O. and picked it up to read as a JOKE! 

I was hooked after the first chapter and I am soooooooo glad I picked this manga up, bc it is absolutely not the type I would normally go for, cover art wise. I finally, after many many years, learned not to judge a book by its cover bc LORD this anime is so goddamn good, you don’t understand! Like, I’ve watched it so many times and still laugh at the same parts, cry at the same parts, am proud af at the same parts! like, this anime is an instant classic and should definitely be more popular than it is. 

assassination classroom and natsume yuujinchou????? MASTERPIECES! 

[ramblingsofthegoldenwitch]

Hi. Yes the one page is showed the differences. The other page is when they found the 4 dead People. Battler was standing before the Magic circle which was painted between 2 beds. The one page you posted shows the circle painted over the middle bed.

Sorry but I think it’s just the manga author making a mistake and redrawing the circle a little off compared to where he placed it before.

It’s not the first time it happens as manga authors are, after all, humans beings and allowed to make mistakes when they’ve to draw scenes that aren’t described in details... as that’s all the VN gives us about that scene.

Drawn very large on the wall... was something like an eerie magic circle. It was drawn in a bright red paint which looked like blood and made it look as though some creepy ceremony had taken place in this room, with the four of them offered as human sacrifices...[EP 5]

The circle’s position isn’t specified beyond that’s large and on the wall. Sure, when Aki Taka redraw it more attention could have been paid to where it had been placed in the previous chapters... but, as it didn’t get corrected in the volume release it’s likely this mistake wasn’t noticed.

I guess we can say you’ve probably spotted a mistake that escaped to the Japanese mangaka and his editor.

As said before, they’re humans too and mistakes can happen. I discussed recently of how Erika’s boyfriend’s hairstyle was inconsistent...

but there’s a mistake that’s way worse in Umineko.

Remember Episode 2? Specifically this scene? Specifically Beatrice’s portrait?

Do you notice something VERY wrong in this scene? If not let me refresh your mind on how Beatrice’s portrait looks. Here you are:

As you can see the mangaka basically draw the portrait in reverse. No, it’s not a mess the scanlators made, in the magazine version the portrait was painted in the reverse. You know, the portrait that’s... iconic of Umineko. Does this have some secret and deep meaning?

No, in the volume version they fixed the mistake.

It’s pretty common for mistakes to happen and to be fixed in the volume version.

In the past we also talked of how in the magazine version of Confession of the Golden Witch, a huge part of the rule Z wasn’t written and was added later on in the volume transposition (in fact scanlations ended up being edited later on because they used the magazine as reference).

It’s of course, a problem when mistakes happen in Umineko, because they can end up distracting us by making us think they’re actually deliberate choices... but well, sadly they can happen.

But now let’s for the sake of discussion, wonder if it’s possible that there were two magic circles... or that the magic circle was redrawn.

First the redrawing part.

Erika, after the ‘crime’ was discovered, went in the cousin room. She didn’t bother to uncover the ‘corpses’ (the adults had covered them with covers) but gets the chance to give the room a good look.

Erika has photografic memory and the circle is in full view as the adults didn’t bother to cover it. She surely saw it as well as that there was ‘something’ under the covers, which, she assumes, are corpses.

When Natsuhi goes back in the room and finds that the ‘corpses’ aren’t there anymore, Erika too gets in.

What does this means? The room is, in both cases the cousins’ room, as Erika would have noticed if they had gone in a different room and the circle is in both cases in the same position as Erika would have noticed if its position were to be different.

Now... what about the scene in which Battler wakes up and sees the magic circle? Could it take place someplace different that’s not the cousins’ room?

Erika saw Battler entering in the cousins’ room.

...and we know that she spent the night making sure that Battler couldn’t move from where he was.

...and, in case we still have doubts, Lambda confirms it for us in red.

In short the circle Battler witnessed when he woke up was also in the cousins’ room.

Was it a ‘fantasy scene’ where the circle was ‘magically’ moved so as to hint at the corpses being in a different room?

We know that Erika sealed all the windows of that floor in the guestroom and that, after hearing Battler’s scream, she went to check (from inside or she would have been drenched) if they were still sealed.

Skipping the fact that the cousins’ room is the biggest so there isn’t another room like it (all the other rooms we’re shown are smaller and have less beds), in all the other rooms on that floor there wasn’t a magic circle or Erika would have seen it.

In the manga isn’t made exactly clear but, from the VN we know that, after they had breakfast, Erika checked the alibies of everyone and inspected the mansion and the guesthouse.

She doesn’t see an extra magic circle nor she finds the cousins’ and Rosa’s bodies.

In short, after they disappearance, the cousins and Rosa were never again seen in the guesthouse or the main house and no extra circle was found.

And, of course, the cousins and Rosa were never moved after they were killed.

Erika, aware of all this, knows there’s only one place she didn’t check, and that’s the underground room.

All this to say that no, the cousins and Rosa didn’t die in the next room over.

They died the way Erika guessed they died in the place she guessed they died. If things had been different Battler would have been able to use red to counter her theory but instead, he can’t.

I hope this helps.

[snugglebuddyhan]

Was called a serial killer today by my mom, bc I got excited over a child in a horror manga I’m reading getting his brains blown out. I mean, I guess I get where she’s coming from, bc I was probably a tad bit too enthusiastic while telling her about it and I specifically remember describing the scene as “amazing”, which doesn’t help me in my defense at all, BUT I only said that, bc kids are rarely ever offed, especially in such a brutal and graphic way

It was, at least for me, a one in a million moment. That’s what made it so thrilling. It wasn’t the fact that a kid was killed and I was filled with joy over it, bc I hate kids and want to see them suffer or anything like that. It has more to do with the fact the author had the balls to do something most people would never dream of. Kids are seen as the embodiment of all things innocent and pure. You’re supposed to want to protect them, not kill them or put them in harms way. It’s taboo and well, what can I say? I’m a lover of taboo things, so this manga is a win for me

It was a shocking, unsuspecting and jaw dropping moment. It caught me completely off guard. When I’m reading a horror manga I anticipate the feeling of being so shocked I have to do a double take or I’m so appalled I stare holes into my screen. If you ask me, no character, young or old should ever make the exception when there’s a literal killer(s) on the loose

In that moment the boy was shot I just sat there wide eyed in complete and total disbelief, bc the barrier of something so unimaginable was dared to be broken. It was perfect and I will never shut up about it. Does that make me a psycho or a person that wants to kill kids? No, it does not and I’m kind of pissed she even said that

This woman lives and breathes any and everything crime and gore related. The tv is always on some type of murder show and if you try to change it she gets pissy. 90% of her watchlist on Hulu and Netflix are gorey movies and shows and that includes documentaries. She’s in dozens of gore related communities on reddit. Like, she watches real people die in the most brutal ways. There’s a community called “make my coffin” and it’s full of people getting beheaded, crushed by vehicles or machinery, people getting electrocuted, people committing suicide. The list goes on. She’s in that community on a daily basis, even bookmarks videos to try and show me and gets mad and gives me the silent treatment when I refuse to watch something, bc of how sickening it is, but I’m the one with the problem? Make it make sense

Me getting hyped, bc a fictional NON existent kid that’s been drawn onto literal paper died for once doesn’t equate to me being some type of deranged person. Maybe she’s just projecting

[recentanimenews]

Bookshelf Briefs 4/25/20

Caste Heaven, Vol. 1 | By Chise Ogawa | SuBLime – I have to wonder why I read this. The warning signs are right there on the back cover—once the ruthless king of his class’s secret social hierarchy, Yuya Azusa is dethroned and given a choice to “become the new king’s plaything… or service the entire class!” I had hoped for more psychological suspense, perhaps, but instead there is sexual assault (that the protagonist later says he enjoyed), threat of more sexual assault, several scenes in which the sadistic new king (a rich kid named Karino) inserts foreign objects into Azusa’s orifices, and once-proud Azusa growing clingy and desperate. The last two chapters are about a different pair who seem to have a healthier relationship, but the main story so put me on edge I kept waiting for the double-cross to happen. I’m still not convinced it won’t, but that doesn’t really matter as I likely won’t be reading further. – Michelle Smith

Hell’s Paradise: Jigokuraku, Vol. 1 | By Yuji Kaku | Viz Media – Gabimaru is a notorious assassin whose ninjitsu skills are so great that he’s nearly immortal. Unfortunately for him, that means he spends most of the first chapter of Hell’s Paradise being subjected to (and surviving) a series of increasingly gruesome executions. His death sentence is temporarily stayed by a highly skilled swordswoman who offers him an opportunity to earn a full pardon for his crimes. If Gabimaru can find and retrieve the elixir of life for the shogun, he will be released. But he’ll also be in direct competition with other convicts and not everything is as it seems. There are many aspects of Hell’s Paradise that I found reminiscent of Hiroaki Samura’s Blade of the Immortal (a manga that holds a special place in my heart), so it’s probably not too surprising that Kaku’s series appeals to me. I’m very curious to see where it goes from here. – Ash Brown

Hell’s Paradise: Jigokuraku, Vol. 1 | By Yuji Kaku | VIZ Media – I’m not ordinarily drawn to grim-looking Edo period manga with ninjas in it, but something about Hell’s Paradise intrigued me (maybe it was simply that striking cover) and, ultimately, I’m extremely glad I gave it a chance! The infamous assassin Gabimaru the Hollow always thought he felt no emotions until his wife proved otherwise. Set up by his clan for daring to want to leave their lifestyle, Gabimaru is sentenced to death, though he keeps resisting the various execution methods that are attempted. When he’s offered the chance of a pardon—and the chance to reunite with his wife and pursue a simple life together—he accepts, even if it means journeying to a mysterious island with a bunch of other bloodthirsty criminals in search of an elixir of immortality for the shogun. This is a pretty fascinating, if grisly, premise, and I’m very keen to see how it develops! – Michelle Smith

Himouto! Umaru-chan, Vol. 9 | By Sankakuhead | Seven Seas – Again, the basic theme of this series, which otherwise tends to run on “cute girls doing cute things,” is that sometimes you need to grow up and mature, even though it can be hard… but it doesn’t have to be right away. This can also sometimes lead to odd continuity—there’s a brief moment where Umaru imagines her brother moving out one day, and he’s clearly meant to be seen with Ebina… only Umaru doesn’t seem to have realized Ebina’s crush on her brother in reality. Despite that, this is another fun, fluffy volume in the series, with gags about trying (and failing) to cook, buying furniture, and being a bit nicer to your brother even though you think he’s a creep (that last is for Kirie). Fans should enjoy it. – Sean Gaffney

The Ideal Sponger Life, Vol. 5 | By Tsunehiko Watanabe and Neko Hinotsuki | Seven Seas – As ever with this series, the so-called “romantic rival” introduced at the end of the last volume, isn’t one at all, mostly becaase Zenjiro is still completely besotted with his bride, polygamy or no. The politics remains the reason to read this, and while our hero is getting better at it, he still screws up on occasion. He’s also up against a master, as seen on the cover, a goofy and over-the-top prince sort who is in reality using that as a front… but it’s so much a part of him that it’s very hard to tell the difference even if you’re an expert. As for Bona, she genuinely does bond with Zenjiro right away, causing Aura to get a bit jealous. Something might eventually come of that, but for the moment the series is content to be about glass and politics and not about haremettes. – Sean Gaffney

I’ll Win You Over, Sempai!, Vol. 3 | By Shin Shimoto | Kodansha Comics (digital only) – This is the story of a relentlessly positive girl (Koharu, who refuses to be rejected by her crush and so confesses to him day after day) and the tsundere object of her affections (Kanzaki-sempai, who repeatedly shoots her down). When I embarked upon this series, I thought it might be annoying and was delighted to instead find that I love it to pieces! Kanzaki-sempai is quirky and prickly yet also compassionate and Koharu truly cares about his happiness more than her own. In volume three, Kanzaki-sempai advises Koharu when her childhood friend confesses his love for her. There are many sweet moments where the main couple shows they really get each other, and though I do not love how often he calls her a moron, I’m still enjoying this series very much overall. Only two volumes to go, alas! – Michelle Smith

Komi Can’t Communicate, Vol. 6 | By Tomohito Oda | Viz Media – It’s good to see that although Komi is starting to make friends and get her thoughts across to people… even if it’s only just Tadano… she still has an amazing amount of difficulty with communication—the title is not any less wrong in the sixth book than it was in the first. Given that just talking to others is tough, karaoke proves a shivering nightmare, and even clothes shopping with her equally-bad-at-extroversion father is tough. As for the rest of the cast, well, the three guys who discuss which girl would be best as a girlfriend would be a bit creepy if it weren’t also pretty wholesome, and we meet a new guy who has resting thug face, so also has trouble communicating to people. Fun comedy. – Sean Gaffney

Ran the Peerless Beauty, Vol. 7 | By Ammitsu | Kodansha Comics (digital only) – Since I last briefed Ran the Peerless Beauty, not only has she gotten together with Akira, but we’ve even had the first female rival come and go. This volume is mostly about the first male rival, and I will admit he can be hard to take—he’s very blunt in the fact that he likes Ran, and tries to force a kiss on her at one point (she deflects him), so the reader is really not loving him. He also has a past with Akira that we’re starting to find out about, and comes from a farm/greenhouse family environment, so his story will continue to tie into the flowers motif. I admit it’s probably a good thing we have him, as Ran and Akira are so soggily sweet that they’re best taken in short, adorable doses. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 11 | By Kagiji Kumanomata | Viz Media – I also seem to have missed briefing the tenth volume of this. I’m sure it was funny, because this one is quite funny. The jokes are no longer “how does Syalis sleep,” though the final page does still end most chapters on her settling down for the night. Sometimes we see stressed-out demons ashamed she’ll see their old cringey photos. Sometimes it’s about Syalis trying to give out Valentine’s chocolates and not understanding the meaning of the word embarrassment. And in the funniest chapters, it IS about her sleeping, as she accidentally ingests some demonic No-Doz and also tries to have a “typical” girls’ pajama party that isn’t typical at all. I love this series. – Sean Gaffney

Something’s Wrong with Us, Vol. 1 | By Natsumi Ando | Kodansha Comics – Remembering my disappointment with the finale of Arisa, I wasn’t sure how I would like Something’s Wrong with Us, Natsumi Ando’s foray into josei suspense. Happily, I enjoyed it quite a bit! Our protagonist is Nao Hanaoka, a 21-year-old confectioner whose mother was accused of murder fifteen years ago and died while on trial for the crime. After Nao receives a note proclaiming her mother’s innocence, she’s willing to do anything to gain access to the renowned confectionary where it all happened and find out the truth, including agreeing to marry Tsubaki Takatsuki, who as a boy was the one to accuse her mother in the first place. She thinks that neither Tsubaki nor his cold and calculating mother recognize her—they knew her under a different name—but is that really the case? I hope the rest of the series is as fun as the first volume. – Michelle Smith

Teasing Master Takagi-san, Vol. 8 | By Soichiro Yamamoto | Yen Press – This series has proven that it works at its best when there’s more structure or more at stake. This isn’t to say that the chapters that are just “there’s a thing, Nishikata challenges Takagi, he loses, she teases him” aren’t funny and cute, because they are. But sometimes things get better when there’s a bit more than that, such as the start of this volume, which has… no, not the festival that was implied at the end of last time—not sure where that went… but Valentine’s Day, showing off Takagi having fun torturing Nishikata all day before and confessing in such a way that he would get a real answer if he manned up but he doesn’t. And as usual, Nishikata wins when he doesn’t try, like rock skipping. My favorite “teasing girl” series. – Sean Gaffney

By: Ash Brown