#the way that you just can not fucking see 80% of the time because it's either too bright or too dark for 3ft stretches back 2 back

[a-bad-case-of-the-stephs]

@duskdog

Hiiii! Been meaning to respond to this because you raised some really interesting ideas, sorry that it’s taken me a hot sec.

The crazy part is (like a lot of things about Steph) we get conflicting information about how Bruce sees Steph in relation to her father.

Steph consistently worries Batman is judging her by her fathers actions when she’s sanctioned at Spoiler. She identifies it as a potential reason the rest of the team doesn’t trust her.

This tracks with how Steph is shown to have a pattern of feeling responsible for the Cluemasters actions (which as I’ve mentioned before I see as an extension of her helplessness to protect herself and her mother from him during her childhood).

She identifies on multiple occasions that her choice to be the Spoiler is rooted in the misgivings of her father. Clear, easy example of this mindset is when she states because her dad is an asshole, she “has a lot to make up for” (Robin 80 Page Giant). She finds herself responsible in some part for his actions.

So it makes a lot of sense that Stephanie keeps asssuming other people are holding her to this same standard, judging her based off of her fathers criminal ways.

However, this assumption is not really substantiated.

I can’t think of a time Batman says or thinks anything which implies he gives a fuck who her dad is, besides when they first meet assuming she’s working with the Cluemaster instead of against him. (I’m not perfect however and I Might have missed one)

That is, until… Bruce Wayne: The Road Home Batgirl (🎉I love talking about BWTRHB!!!!! The worlds shittiest acronym!!!🎉)

After his little assessment and convo with Steph, Bruce tells Alfred that Stephanie and Wendy “need watching”, as their dads were both “criminals”.

This train of thought comes out of nowhere. As already stated, there’s very little evidence that Batman cared much that her dad was a criminal before this point.

Additionally, half his goddamn team has criminal fathers/mothers, ranging from mob bosses to goons to cult assassins to international terrorists. What is he even saying.

This is a total inconsistency. But I can see your view kinda accounts for that hypocrisy. If Bruce sees Cluemaster as a “lesser” threat and holds him in less esteem than the more formidable villain parents, it might explain why he seems to put this bonus emphasis on Stephs parentage. (Maybe he sees Stephs fathers criminal ways as more ‘mundane’ and therefore easier for her to slip into?)

I don’t think I’m totally sold on that idea, but it’s definitely interesting.

His statement feels just so out of nowhere (and again applies to half the people he works with) that I find it hard to believe this is a consistent concern of his.

Batman’s opinion on low level thugs varies (obviously by era and writer), but the versions of him I find most compelling are when he is shown to be sympathetic and willing to help people in shitty situations get out of them (even if they were doing crime beforehand). However it’s entirely possible (and probably equally substantiable) that he has unconscious and class based biases which might affect how he acts and treats certain characters.

I’m not nearly as intensely familiar with Jason’s character as I am Stephanie, so I’m low grade blanking on any good examples of how Bruce interacted w Jason’s background (besides his generally all consuming belief that Jason was on track to worse and worse crime and eventual death before Batman took him in).

Sorry this is pretty rambly, but I thought you brought up a Rly interesting point and i had some thoughts I wanted to add on

How Batman uses the idea of those "born for" vigilantism to justify working with Teen Vigilantes before and after the death of Jason Todd, and what it has to do with Stephanie Brown.

(DISCLAIMER: I'm not trying to condemn the concept of child/teen vigilantes in superhero comics, its a staple of the genre and dumb to condemn it like you would in the real world. I'm analyzing the times in which Bruce Wayne the character has questioned the concept himself, and the rationalizations he comes to about it)

By examining Bruce Waynes mindset immediately before, during, and after Jason Todd's deadly time as Robin, we can see how Batman rationalizes and justifies teenaged vigilantism.

When Dick Grayson as Robin is shot by the Joker, Batman essentially fires him from being Robin. Bruce entirely dismisses the concept of working with a "child" to fight crime. Batman seems to believe working with Dick as Robin is simply too dangerous.

Batman #408 (1940)

His Mindset at this point: Teenaged Vigilantism = Dangerous and Bad

But this, obviously, doesn't stick. It barely takes any time at all after this forBruce Wayne to take in Jason Todd and subsequently make him the second Robin.

Crime fighting with a 19 year old is too dangerous, but crime fighting with the 12 year old? Yeah, sure, why not!

There is an obvious contradiction, and a clear change in mindset.

In order to rationalize his choice to take in Jason Todd as Robin after firing Dick, Bruce Wayne must internally reendorse the concept of Teenaged Vigilantism. And he does so in a specific way:

Batman #410 (1940)

Mindset: If Jason Todd was not Robin, he would become a criminal and die

The dying part is specific as well. When confronted at first by Alfred, its more of an afterthought, something which would occur down the criminal "road" Jason was bound to end up on. But when he is later confronted by Dick, the idea that being Robin "saved" Jasons life takes center stage.

Batman #416 (1940)

It's no longer some distant crime related death Jason was on course for, it was an imminent death which Bruce was able to save him from.

Mindset: If Jason Todd was not Robin, his "self destructive energies" and lack of "self esteem" would have killed him.

This phrasing is SUPER interesting to me, because its not true in a very specific way.

1. Jason Todd wasn't really shown to have "Self destructive energies" before he became Robin. He was stealing to make a living, to stay alive. He never showcases a desire for "self destruction", unless you count his hitting Batman with a tire iron, and his interference in Ma Gunn’s heist. Which I don't.

2. It seems to imply Jason Todd might have died because of specifically "self destructive tendancies", which seems ascribes a small amount of passive potential suicidal ideation, which is also vastly unsubstantiated by anything we see from Jason before he becomes Robin. But you know who is a character who is deeply rooted in concepts of suicidal ideation? Batman. (I'm not going prove this point here, but this concept gets more firmly rooted in the upcoming years after this comic, Knightfall being a great example) Being Batman, Knightfall will establish, is pretty much all that keeps Bruce Wayne living. You could say that being Batman saved his life.

3. Bruce admits he took Jason on because he was lonely in this very same confrontation when Dick pushes him on this idea. This makes it abundantly clear why he needs this rationalization in the first place, his real reason for making Jason Robin appears to be somewhat selfish.

But what does this all mean? For one, it proves that Batman's primary explanation for why he took on Jason Todd is lowgrade BS. It also shows how Batman's rationalization has begun to veer into projection. He states that Jason was saved from his self destructiveness by becoming Robin, something that is certainly true for himself, but not really Jason.

We see this projection fully take root when Leslie Thompkins confronts Bruce. Not only is Jason Todd saved by becoming Robin, now he wasn't even chosen by Batman. It was, much like Bruce Wayne becoming Batman, inevitable. Something he was "born" to do.

Detective #574

Mindset: I didn't chose Jason, he was chosen, he is just like me, we were born for this

This is essential. This mindset will show up again and again as a core part of Bruce's ability to rationalize working with child vigilantes once Jason has died.

Lets look at how his mindset has been evolving from before he meets Jason to his time as Robin progressing. Batman has gone from:

Teenage/Child vigilante Bad --> Child Vigilante Good because Jason would have become a crimial --> Child Vigilante Good because Jason would have died, I saved his life --> Child Vigilante is Good because I saved his life and Jason was meant to be Robin just like I was meant to be Batman, this is what we were was born to do

This is insane rationalization. But it works. For a while.

Then, Jason begins acting out, and putting himself in danger. Whoops. uh oh! How can Jason be saved by becoming Robin, if he is endangered by it? The balm for Bruce's semi-suicidal ideation was crime fighting, so if Jason is self destructive as Robin, does that mean Jason isn't like Bruce after all? Does that mean he wasn't born to be Robin? Was Bruce right in the begining? Is Teen Vigilantism Bad? Well, lucklily, the rationalization Bruce has built doesnt need to change too much in order to accommodate these new facts.

Batman #426 (1940)

See, this issue has not reverted back to being child vigilantism, it's the fact that Jason isn't ready yet.

Batman #426 (1940) / Batman #427

Batman latches onto this idea, he identifies it as "the problem". Is he wrong? No, not really. It does seem like Jason needs come to terms with his parents deaths. But this is important because it is still a rationalization for mindset he started with, still part of the reason he can be in favor of Teenage Vigilantism.

Then Jason Todd dies, as Robin. That truly breaks the underlying concept for this rationalization, that being Robin saved Jason Todd. The entire justification has fully shattered, and Bruce Wayne has lost a son. And, so because of this, in the wake of Jason Todds death, we see a full 180 revert back to the idea Bruce held onto at the end of Dick Graysons time as Robin: Teenage Vigilante = Bad.

Batman #428/ The New Teen Titans #55 (1984) / Batman #439

He has fully rejected the very concept of working with anyone, including the now adult Nightwing. He is literally right back where we started, with even deeper convictions against working with someone else (especially a kid) ever again.

But we all know this doesn't stick. He takes on 13 year old Tim Drake as Robin not long at all afterwards. As the 90's progress Bruces goes on to work with a huge variety of other vigilantes and partners, both teenaged and adult.

So how does he possibly justify this?

I believe he retrofits his rationalization for taking on Jason as Robin.

He adheres to a primary idea. The idea that some people are, like him, simply built for Vigilantism. That they, much like he once believed Jason was, "born" for it.

Mindset: Child Vigilantle is not always Good, but it can be Good. When its the right kind of teenager. Some Teenaged Vigilantes are meant to be Vigilantes just like I was meant to be Batman.

In this way, Jason Todds tragic murder is not a failure of concept, it a category error. Batmans mistake was not working with a teenager, his mistake was working with the wrong kind of teenager. Jason Todd was not built for vigilantism. But others are. This means he's still totally in the clear to work with teenagers, Tim Drake as Robin, then Cassandra Cain as Batgirl, and then eventually Stephanie Brown as Spoiler. So long as Bruce is able to believe they are "born" for it, that they are like Batman himself, meant to do this, and incapable of living a normal life, there is no contradiction, his rationalization holds.

But where’s the proof?

This mindset can be clearly seen and prominently seen when Stephanie Brown is fired as Spoiler.

When Steph is fired as Spoiler because she has moved in Bruce's mind from the "acceptable Teen Vigilante" category into the "unacceptable Teen Vigilante category". And the reasons he gives for this decision are exactly in line with the rationalization I've lain out. She is consistently contrasted to other teen vigilante characters who are fit for duty because he does not see her as "like him/them".

Detective #790

Notice how he jumps right from "Jason and Stephanie were/are not fit to fight crime" to "they could/can have a normal life" right to "unlike me and you, Cassandra Cain, who are stuck fighting crime forever". Much like how he originally justified his decision to work with Jason Todd as Robin through the idea that Jason and Bruce were both destined for this life, he applies the exact same idea, but this time, about himself and Cassandra Cain as Batgirl. And in contrast to them, and in directly comparison to Jason Todd, Stephanie is not meant for crime fighting.

Batgirl #38 (2000)

And Stephanie Brown is contrasted with Cass again, when Bruce first explains why he fired Steph to Cass. This is a consistent pattern. She is not like Cass. This is why she shouldn’t be a vigilante.

When he explains that he is going to fire Steph as Spoiler to Tim, he says something very interesting which invokes the same idea. In the list of three reasons he throw out that Steph shouldn't be Spoiler, he mentions that she is going to "throw her life away". When taken in combination with the other panels discussed, its clear to me that he means this is the common way the saying is used. That she is wasting her life by being a vigilante, that she should, as he mentions earlier, be living a normal life. But why is he saying this to Tim? If one of the reasons Steph shouldn't be Spoiler is her ability to lead a normal life, why the fuck is Tim exempt? I think it comes from a genuine belief that Tim is "like him". Unable to live a normal, non-vigilante life, "born" for crime fighting. Much like Cass, who we already saw him directly compare himself to in this exact same way. Thats why he can directly reference to Tim Steph's ability to have a normal life as a reason she shouldn't be a vigilante, he doesn't believe Tim fits the same category at all!

Robin #106 (1993)

So why the fuck does Stephanie move categories? She was acceptable earlier? What changed?

I've already done an in-depth explanation for what the subconscious underlying reason Bruce fires Stephanie: she simply is no longer useful to as a balm for his loneliness. I highly recommend checking out the post here if you are interested in the breakdown of why and how.

But in addition to that, it’s clear to me that it also has a weird amount to do with Jason Todd.

Stephanie simply and clearly reminds Bruce of Jason Todd. He points out their similarities in personality, and it’s worth mentioning the similarities in their circumstances as well (mothers who struggle(d) with drug addiction, and fathers who were criminals).

As we saw in Detective #790, their personality similarities led to Batman associating Steph with Jason. This makes sense, this association would only grow as he got to know her over the time she is sanctioned as Spoiler.

I believe this association leads to him eventually placing her in the same category as Jason, as not "born" for vigilantism at all, and as capable of having a normal life.

But it also serves as a clear way to rectify his mistakes with Jason. It’s his way of “making up for” his role in Jason's death. It’s his second chance. Never mind that this second chance leads to his assessment of Stephanie having very little to do with Steph herself, and a whole fucking lot to do about Bruce’s guilt over Jason’s death.

This is especially brutal because it seems to come from a place of genuine care (and a selfish desire to assuage his guilt too), but Stephanie doesn't get the tender moment of explanation and grief and regret that Cassandra hears. She doesn't get to know this.

What she gets, is to be told point blank that she is fired because she just isn't good enough. She gets to hear that she lacks the "skills and talent" from the same man who originally came to her to train her because he finally saw and recognized her potential. She gets told she will never be good enough by the guy who told her that she could learn and improve under his instruction. She gets two sentences. She has to fight for any more.

I cannot emphasize enough the fact that she had to track Bruce down to get an explanation for why he was suddenly ghosting her. He didn't even have the decency to tell her himself. Stephanie had to track Bruce down just so she could find out that he gave up on her.

Stephanie gets a blunt lie about why she is fired. And Bruce Wayne gets to feel good about "correcting" a mistake that had nothing to do with Stephanie. Stephanie gets cut off from her friends. Bruce Wayne gets to reconcile with his team. Stephanie gets to feel worthless. Bruce Wayne gets to feel justified.

[bloomeng]

dick wasn't really flirty when he was white

I agree that Devin Grayson’s time writing him amped him up several notches but it didn’t come from nowhere either.

One thing I want to acknowledge is that Dick didn’t just suddenly become a non-white character after Grayson introduced that, for many writers at the time this was another piece of canon that went ignored. For instance in the 2008 Titans run (not written by Grayson but is post 1996 run that she did write for) I don’t remember them ever mentioning his heritage but he’s treated as a white character as far as I can tell and yet he’s still flirty… not that I personally like this version of him.

But to not split hairs I’m going to look at the 80’s version of him.

So starting off Nightwing has always been drawn as a sexy character who women want. Most super suits tend to be skin tight but the “discowing” look that he was first introduced in 1984 also has that iconic V-neckline. Even when it’s changed later I always got the impression they were trying to aim for someone who felt trendy. I mean his girlfriend is literally a model and a princess. He’s supposed to be this cool attractive dude.

Then there’s the fact that DC has been fighting the Dick Grayson gay allegations for years because while he was Robin parents were concerned that his relationship to Batman was too…. well. Anyway if I’m not mistaken that’s why they ended up making Robin younger and Batman’s ward so as to combat that. But they still to this day try to constantly pair him off with women and it’s a huge focus of his character. See while Jason and Tim have also had multiple female love interests the writers often have a hard time selling that they really care about the romantic relationships in their lives. With the exception of Tim and Steph their stories don’t revolve around their romantic interests as much. Versus Dick who is constantly shown to be interacting with women. His relationships romantic or platonic just tend to be richer. He appears to be a very tactile person which isn’t necessarily flirtation but it definitely lends itself to that. (Dw I’m not implying that he’s flirting with Donna here)

It’s intentional that they make him have these conversations with Kory while naked in bed. They really need you to know that Dick fucks. Nothing they’re saying here is inherently flirty but the way things are staged lends an impression. And even when he doesn’t have agency the writers are still inventing ways for him to kiss women.

The point is he’s a bit of a sex symbol. But that’s just the context.

Flirting doesn’t have to be over the top or sexual. Dick isn’t out here using pick up lines or anything, but we got to see a lot of his relationship with Kory and they are sickeningly sweet. They profess their love to each other frequently. They use pet names. They’re shown generally being in love. And just because that flirting is happening in the context of a committed relationship doesn’t make it not flirting.

Anyway 🤷‍♀️ hope this made some sense. I don’t thinks he’s a casanova type character but the flirting is present.

[crescentfool]

going to keep this vague on purpose but playing reload has reactivated brain chemicals in me that i forgot i had.

i think i'd want to make a more thought out post later, but i think my favorite thing about reload (aside from seeing minato in full HD glory) is how much it's made me think about video games as a storytelling medium- specifically with what mechanics and game design imply for characters.

there's a lot of quality of life features added to reload that help players easily enter a flow state and get immersed in the gameplay (most notable with tartarus)! which is so dope! reload has been such a nice blend of the mechanics from both FES and portable and it feels like a love letter to persona 3 fans.

there are definitely mechanics i miss from FES (minato's ability to wield multiple weapons being one of them). i can't deny that FES has some dated mechanics that don't necessarily feel fun for the player experience... but!

i think i mostly miss things from FES because i feel like so much of minato's characterization (for me) was informed by the gameplay experience and mechanics (e.g. fatigue system). obviously there's still other ways you can put together his personality (his dialogue responses), but i think game mechanics are a bit part of it, for me.

but in spite of that, i think reload is a really nice introduction to persona 3, it's so much more accessible and has a bunch of things to help make it more fun :) so far i think i'd recommend it to people :D

[im2tired4usernames]

My parents should be fuckin ashamed

[genderqueer-karma]

guys can i talk about that fucking guy. clap if you think i should talk about that fucking guy.

(accidental ramble in the tags. oops. don’t read if you don’t want to read a crisis.)

[liferetainsitssparkle]

it probably takes a lot of dedication to make a game as un scary as outlast. thank you for your service

[leebrontide]

Every single time I see a take that amounts to "if you write about X happening, or like fiction where X happens, you like X" I'm reminded of this one time I was at a casual friends house as a young kid. We were in her room, pretending to "be orphans" escaping from an evil orphanage and having to take care of each other and fend for ourselves. It was all very Little Orphan Annie/All Dogs Go to Heaven and based on the 80s pop media.

And this girl's mom comes in, hears what we're playing and gets all MAD and UPSET. She says that if we play act something, it's because we want it to happen. So her daughter must WANT HER TO DIE.

First off lady, we were 6 year year olds, so take it down several notches. We barely had a concept of mortality for fucks sake. She made us feel so guilty and ashamed, because she was taking our game personally.

Now I have a 5 year old. And sometimes she looks at me and says "pretend you're dead, and I have to -" Whatever it is. Some adult task she's assigned herself.

And it's just so transparently obvious that she's practicing the idea of having to do things on her own. Which is exactly what 5 year olds are supposed to do. I actually find it very flattering that the only way she can envision me not being available to help her is to be literally deceased. Otherwise, obviously, she wouldn't have to do scary hard things alone.

It's a natural coping mechanism. She's self-soothing about what would happen if I wasn't there by play-acting independence in a perfectly safe environment. She's also practicing skills she needs, and making up excuses for practicing them on her own, without taking on the responsibility of being able to do them by herself all the time yet.

Humans mentally rehearse bad this in their brains all the time. We can do that by ruminating- going over worries over and over again, which tends to lead to anxiety and helplessness and depression. Or we can do it with a sense of play- by recognizing that the fiction is fiction and we can dip our toe into these experiences and expose ourselves to bad things without actually being injured.

My daughter does not want me dead. And I don't want bad things to happen in real life. But fiction and pretend help me face the horrors of the world and think about them without collapsing or messing myself up mentally.

[nonasuch]

IT IS TIME: Miss Universe National Costume 2023

it's here! the Met Gala for people who actually understand what camp is!

yes I'm like 3 months late, but I sat down and watched the damn thing. I put up with the horrible little rhyming couplets for each contestant so you don't have to. and without further ado:

Albania: Starting off very Victoria’s Secret this year! Apparently it’s gold for important symbolism reasons, not just because everything in this competition is blinged out to within an inch of its life. The wings do look nice in motion!

Angola has a good balance of bling, actual cultural dress, and oh hey it has surprise bonus art on the back! That will be a theme this year.

Argentina: Why is there a guy in a hat right down at the bottom edge of her cape. He looks like he’s staring at her butt. How does this represent their flag.

Aruba: This is fine. I like the coral. She thinks climate change is bad. Her parrot is clearly way too heavy to hold up and it wobbles like crazy in motion.

Australia: This is now multiple years in a row that Australia has just worn a fucking prom dress. It’s got native wildflowers on. You could have made this exact same dress with a Great Barrier Reef theme and I would have liked it 80% more.

Bahamas: This costume is allegedly based on a 19th-century doll from the Bahamas “world famous straw market,” which is already bullshit; I googled “bahamas straw market antique doll” and like. they both have big skirts? I guess? Anyway now I’m too distracted by the way she has a hoop skirt awkwardly jammed under there and hiked up on one side. Minus ten for poor construction.

Bahrain's theme is “Bahrain’s pearl heritage,” which like. I guess? The headdress and yoke are pretty. Put more pearls on the actual outfit. Kudos for getting to wear pants.

Belgium: Girl. No. Why is your theme “Latin dance” and why are you wearing a spangly cocktail dress with a totally unrelated piece of fabric fluttering behind it? (Apparently the fabric was designed by a member of Belgium’s royal family? Who is a fashion designer? This is what nepotism gets you.)

Bolivia saw Aruba’s parrot and was like, I can do that better. And she was right! It’s way less wobbly and the costume as a whole does work better. Also made from recycled materials, so we’ll see if that’s a theme again this year. The back of the cape is nice too.

Sadly, Bolivia's parrot supremacy was short-lived, because Brazil was like, bitch please. I see your sad little parrots and raise you FOUR giant parrots, and also the shoulder parrots are articulated and can turn their heads back and forth. I think Brazil wins the parrot competition that only she knew she was in.

[foxmulderautism]

instagram recommending me a reel for a peach frosé recipe what the fuck literally most felixcore cocktail of all time. literally just frozen peaches and rosé blended together. me when i said i'd be productive but now i'm falling down a peach flavoured cocktail rabbit hole

[auspicioustidings]

No second location, that was the mantra that had been drilled into your head. So when a man bullied his way into your passenger seat, put a gun to your head and told you to drive, you did that. When he told you to take the next cut off you did not.

"Naw think I'll shoot ye?"

"Think if you do we're doing 80 and we're both meeting a quick end."

It's night time, quiet motorway that stretches for hours and hours. He laughs in disbelief after the initial plan to intimidate you fails. You can't keep driving forever, but he is fascinated by the attempt.

One hour in and you know each others names. He knows what music you like, knows you're single, that you have a cat. You know this is the first time he's brought a girl back (or has tried to at least), that he's the youngest in his team and this is an initiation of sorts. He connects his phone so he can blast his music. "Naw dying in a blaze of glory to fuckin' showtunes sweetheart."

You scream at one point, raw fury. He screams with you, whooping as you pick up speed and hit 100 in a moment of blind emotion before you slow a little again. He's touching you, a hand running down your body as he whispers filth into your ear. You give him nothing, act unaffected as your hands grip the wheel so tight they are turning pale.

There's a phone call. One of his team.

"As beautiful as you'd be dead, your pretty corpse is of fuck all use if it's burned to a crisp in a fireball."

"Oh, I don't talk about necrophilia until the second date."

"Fuck LT ye should see her. Spitting mad, think she might actually kill herself just tae take me with her."

Soap groans the words out, hard over the idea of dying in this car with you, throbbing with the knowledge that maybe you hate him so much you're willing to give up your life to spite him.

There are other team members, you try and block it all out. You are crying with frustration because soon the motorway will run out. Maybe you'll just drive straight to a police station, but then Price who you think may be their leader tells you that if his boy goes to jail, he may as well do it for murder.

"Soap'll blow your pretty brains right out of your skull luv, now pull off at the next exit and follow directions."

"Isn't it apparent by now that I'd rather die?"

"If that were true you'd have crashed 100 miles back."

He's right. You don't want to die. You really do not want to die. Over the last few hours you've developed an aversion to Soap dying as well. He's crazy, certifiably insane, but the danger of him is the kind of danger that comes with the flood of adrenaline that borders on erotic with how strong it is. You're sort of attached, trauma bonded maybe.

But the mantra persists. No second location.

Soap grins wildly when he sees how you relax, how your eyes fill with resignation. He can see what you're going to do. So he kisses you, tongue trying to bury itself as far into your mouth as possible.

"Let's dae it baby."

So you do. You bank hard right and the car goes flying, tumbling over and over into a field. You don't know how you survive it, but the next thing you know you are in the back of an ambulance. The police question what happened once you're stable in the hospital. You tell them everything. Psychotic break they think, suicide attempt. After all, yours was the only body in that car when they got there.

[peppermint-toads]

you don’t like doctor’s offices. especially not now. you don’t like the hypnotic hum of the fluorescent lights, the cabinets that’ve been there since the late 80’s, the pamphlets sitting in an acrylic holder telling you that you have options.

options. not anymore. because you’re sitting on the examination table about 16 weeks pregnant, waiting for the doctor.

“the baby looks healthy,” the doctor tells you, barging into the room without a knock. “i’m prescribing zofran for the nausea. the nurse will see you out.”

thank fucking god. you wanted nothing more than to get the fuck out of this place. the best part about these visits was the walk home. they are usually quite pleasant. being pregnant in the summertime has its downfalls, but feeling the breeze in your hair and through your thin dress is your saving grace.

it’s just another bonus that you pass your favorite ice cream shop on the way home. you think you’ll have an affogato today, decaf, of course.

it smells like heaven in the shop, that cool, sweet smell from the coolers. your favorite. this is your saving grace, this affogato will solidify the day as a good one, despite the lingering feeling of doctor on you.

ice cream in hand, it’s finally time to go home. the walk is clearing your head already. you eat a spoonful of vanilla and sigh. maybe you ought to stop by the pharmacy for those meds. on second thought, that can be tomorrow’s task. you’ll be alright.

actually, maybe not. because you see simon riley’s stupid, bulking form walking towards you about a block away. fuck. shit fuck. you should hide. duck into the closest shop before he can come after you. but it’s no hope, you’re looking up and you’ve already made direct eye contact. nausea meds sound so good right now.

may as well keep going forward. it’s not like he’ll notice, anyway. you’re barely showing, but your white dress isn’t doing you any favors right now.

you’ll give a polite smile, duck your head, and all will be well. no stopping, no small talk, no—

simon is physically cornering you to a complete halt in the middle of the sidewalk, and there is nothing you can do about it. maybe if you curl your back in a little bit, the bump won’t be as noticeable.

“what are you doing? stop that.”

he is so gracefully referring to your posture.

“i don’t have time for this simon. i’ve got things to do.”

you walk sideways around him, and he follows.

“where are you coming from?”

you can’t help it. “you lost the right to ask that question when you fell off the face of the planet.”

you hear him grunt behind you and smile. great, no snide comments yet.

“you look different.”

shit. he’s jogging, catching up to you and walking by your side now. the breeze is picking up and you shift uncomfortably. the fabric of your dress is clinging to your stomach.

simon looks down, his intent is to see what you’re eating, but he catches a glimpse of your swollen stomach and freezes. he’s nearly swallowed by all the foot traffic.

“simon?” you feel the loss of him by your side. he’s stood still, strangers bumping into him and jostling his shoulders.

great. now you’re backtracking, when really all you want is to be at home, in bed.

“simon, what’s your problem?”

“you’re pregnant.”

time stops for him. he’s the father, no way he couldn’t be. unless you were cheating on him, which he highly doubts considering your heart is the purest thing he’s ever encountered during his time on this earth.

you let out a long, long sigh. “yeah.”

then you’re swaying, trying to keep upright and simultaneously swallowing down vomit. simon watches as the life drains from your face a bit. his hands are gripping your shoulders to stabilize you. his touch feels nice, warm.

“i need to get home,” you tell him with a sad smile, pained to be leaving his soft touch behind yet again.

“i’ll walk you.”

you nod. you don’t have the heart to ask him to take his hand off your waist, feels too good. and he’s keeping the world right side up.

it’s only a short distance home, and soon he’s ushering you up the stairs to your flat. you don’t stop him from doing that, either.

you also don’t stop him from pulling your favorite blanket over you after helping you lie down on the couch.

you don’t even get the chance to tell him to leave because you’re just so tired, and his presence makes you feel so safe. you’re falling asleep and quickly. he lets you.

he sits and watches you sleep for the better part of an hour. when you stir, he’s there, staring.

he’s in your lounge chair, chin resting on his folded knuckles.

“i’m sorry you didn’t feel like you could tell me.”

you’re barely awake and what’s he saying? “huh?” you say stupidly, wiping your eyes of sleep.

“i said,” he swallows, “i’m sorry you didn’t feel like you could tell me.”

you’re sitting straight up now, definitely more awake now. “i couldn’t have told you. even if i wanted to. you disappeared, simon.

he did. but he doesn’t have the time to explain that now. so, he ignores you.

“how far along are you?”

you tell him. he stands from the chair, sitting down right next to you. he asks if he can feel your stomach. you guess so.

things are getting a little too serious for you now.

“right, well. i had a lovely nap, and i’m feeling much better. thank you for walking me home, but i need to stop by the pharmacy and—”

he interrupts you, tugging your wrist when you try to stand. “i’ll go for you. i’ll do it, please. i’ll do anything you ask me to.

you frown down at him. “simon, there’s no point to this. please just go. it’s just… too late.”

simon’s heart is breaking. he didn’t think it could break anymore than it already has in the last few months.

“let me stay.”

he begs. you think there are tears in his eyes, and if you let them fall you know there’ll be no going back. so you sit with him, you let him kiss you with his hand on your stomach. you let him lay you down on the beat up couch he was always pestering you to replace. you let him pull your dress over your head and kiss his way down your stomach. you let him sink into you slowly and pull your calves up to rest on his shoulders. you let him cum inside of you, again.

you even let him go to the pharmacy for you.

[hellsitegenetics]

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[willowsnook]

hi! could i get a scotch with lime in a copper mug? 💞✨

lando norris x mclarenrookie!reader

just shut up and come here

-----------------------------------------------------------------

With Max’s car starting to falter, Lando knew he had a real shot at competing for the WDC. As the season progressed, he’d become the favorite, and it finally felt like his time. There was just one problem: you.

In your rookie year in F1, you were holding third place, just 40 points behind Lando. Exceeding all the team's expectations, you’d proven to be a real competitor — and Lando wasn’t pleased. To him, the strategy should have been obvious: you were supposed to help him beat Max. But you saw it differently. After all, you were only 80 points behind the leader, and Zak and Andrea had decided to let things play out between the two of you, which only heightened the tension.

What started as a friendship had quickly soured after you overtook Lando to win in Hungary. Furious, he stormed into your driver’s room after the podium celebration, his eyes blazing.

“What the hell was that?” he snapped, voice sharp.

You didn’t flinch, meeting his gaze. “A clean overtake,” you replied coolly.

“You’re screwing up my chances at the championship!” he seethed, his tone bitter.

"You do realize that I also have a shot at it?" You questioned. "Not my fault that I'm faster than you either."

At that, he got in your face, practically radiating anger. “Just stay out of my way,” he bit out before stalking out of the room.

It was the first of many heated clashes, and even Zak was starting to worry about the tension between his drivers. Things only escalated after your win in Baku, when Lando stood stony-faced on the podium, arms crossed, barely acknowledging the celebration. The media had a field day, and McLaren’s PR department wasn’t happy.

Seeing his growing frustration, your initial resentment slowly turned to concern. His behavior was spiraling, and it seemed no one was willing to address it — except you.

“What’s going on with you?” you demanded one day after a rough qualifying session, pushing open his door to find him pacing.

“What are you talking about?” he snapped, but you didn’t back down.

“You’re being a brat to everyone! It was fine when you were just an asshole to me, but this is getting out of hand.”

“You don’t know what you’re talking about,” he replied venomously.

“If you need someone to talk to, you know McLaren has plenty of resources,” you said softly, trying a different approach.

“I don’t need your help so just fuck off,” he said and you backed off.

That didn’t stop you from giving your own therapist his email, instructing her to email him nonstop until he set up a session. Something must have worked because in the break before Austin, Lando did some press about his struggles with mental health and you heard that he’d bought gifts for the whole garage team as an apology for his behavior.

You two still didn’t really talk but he gave you a head nod now as a hello and there wasn’t much tension between you in front of the media anymore.

Then, on the Thursday before the Austin GP, during your post-free-practice interviews, a reporter brought up Lando.

“Y/N, any thoughts on Helmut’s recent comments?” they asked.

You raised an eyebrow. “Sorry, I don’t keep track of what everyone’s saying.”

“He claimed that Lando has ‘mental weaknesses’ preventing him from being a real championship contender.”

You stiffened, feeling anger bubble up. “Yeah, interesting,” you started, your PR manager nodding, likely expecting you to stay professional. Too bad for them. “Honestly, he can go fuck off.”

The press buzzed with shock, and your PR manager hurried over, but you went on.

“Red Bull’s looking for anything to distract from their own mess. It’s 2024, and criticizing a driver for being open about mental health is pathetic. We’d all be a little better off if they put him in a nursing home Lando’s one of the most talented drivers out there, so Helmut can shove it. Thanks.”

You walked off, ignoring your PR manager’s frantic scolding.

Later, after the team debrief, you headed to your room, ready to call it a day. But outside your door, you saw Lando waiting, his expression softer than usual.

“Are you okay—?” you began, but he cut you off, stepping forward.

“Just shut up and come here,” he murmured, pulling you into a hug. You rubbed his back as he buried his head against your shoulder, his voice muffled. “I owe you so much. And after what you said today… even more.”

“This stuff is hard, Lando. Sometimes it feels like the whole world’s on our shoulders.” You pulled back to meet his gaze. “I like it better when you’ve got the energy to actually fight me.”

He laughed softly, then hugged you tighter. “Can we… start over? As friends?” he asked, his voice tentative.

You smiled. “Of course — but only after I win the championship.”

He groaned, but his eyes sparkled with humor. “In your dreams, rookie.”

[undreaming-fanfiction]

Okay, so vampire Eddie is a pretty standard trope at this point, but may I offer...Twilight vampire Eddie who is absolutely pissed off about his sparkly existence?

Eddie actually isn't that old, he was turned in the 80s when he was around 20. He lives with his small and not only vampire family. There's patriarch Wayne, his partner Scott who always becomes a teacher no matter where they move, Claudia Henderson and her son that have been with them ever since Scott noticed Dustin being unusually quiet in his class and soon after, Wayne kicked out his abusive father.

The problem with living with a smart man who loves educating people and a man who never received the education he deserved is - they take school really, really seriously. Whenever they move, Eddie usually has to re-join high school, it's all "just so that you have some socialization! Also we need to be able to blend in, so look around and see what's normal with young people! Also I'm pretty sure some of the stuff we know is now obsolete or disproven, so make sure to tell us!". And Eddie loves Wayne and Scott, he really does, but he had trouble blending in even when he was alive, so now? Impossible. As for gathering information, Eddie has been trying for decades to explain to Wayne that even if becoming a vampire healed the wounds from the lynching mob, it didn't do shit for his ADHD, so there. Wayne finds Eddie banging his head into a desk one day and chanting "WHAT-THE-FUCK-IS-TIK-TOK?!"

So yes, Eddie hates being a forever highschooler, but it also means he can run DnD clubs everywhere he joins and he's not even lynched for it like in the 80s, so hey, progress! He gets mostly content with his existence, except that he's fucking sparkly and can't turn into a bat, so what's the point?!

But then a huge group of people moves from the close town of Hawkins, they had a really fucked up earthquake - Wayne told him all about it, he often volunteered in rescue and high risk works, and he's never seen anything like it - and their little town becomes way more crowded. There are high school freshmen just begging to be introduced to his club, Hellfire, although one of them is scary observant and Eddie is really sure that Jane knows he's a vampire.

And then there's Steve Harrington. A young man with the prettiest hair ever who joined Eddie's class, apparently he needs to repeat the last year too because if your school burns down, you can't take final exams. He's stupidly pretty, snarky, bitchy, and even though he could be partying day and night and spending the rest of his time on dates, he prefers to hang around with the freshmen. Lucas tells him one day that Steve got badly hurt when he was digging through the collapsed middle school, finding and rescuing their whole group, and well...Eddie respects that. Dustin absolutely loves Steve and maybe Eddie feels a bit jealous, but he has to admit - the guy is cool.

The problem with Steve Harrington is this - he's seen so much shit that nothing really fazes him. Eddie loves shocking people. Steve is unshockable. It becomes their little game, they get close, Eddie realizes he has an embarrassing crush, all that jazz. He tries dropping hints, he slurps his bloody lunch from a bottle that has a "THIS IS DEFINITELY TOMATO JUICE AND NOTHING ELSE". He wears a cape. He adopts a horrible Dracula accent. Nothing works. Steve always just laughs and tells him that he's weird and that's why he likes him.

Finally, Eddie has enough. They walk in the woods to get high, Eddie decides to break the ice, he scoops up Steve, does his whole dashing-through-the-woods thing, and he hopes that he can finally share his secret with Steve.

Except Steve just pats his back and says "Wow, that was cool, man! You'd be amazing at track. Great core strength too," and Eddie's head implodes.

"Okay, Steve. Don't you think there's something rotten here?" he tries.

"I mean, it's the woods. Of course there's something rotting all the time."

Eddie tries again. "You've noticed something strange, haven't you. I'm inhumanly fast and strong."

"I sure didn't expect that! You must be secretly training. I didn't know this town had a gym."

Again. "My skin is pale white and ice cold."

Steve is watching a nearby squirrel instead of looking horrified. "Yeah, not all people tan great, Robin is like that too. And I told you, man. Your circulation is shit, you need better socks and some gloves too."

"My eyes change color."

"Yeah, I know, I do envy you that you can wear those cool contact lenses. My eyes are too dry for that."

Eddie is growing desperate, he's gesturing at the trees because Steve doesn't listen. "I speak like I'm from a different time."

"80s slashers will do that to you. You basically live on those. But I gotta admit that they're pretty fun. Oh look, she's got an acorn! Clever girl!"

"Very clever. Also I never eat or drink anything."

"Hey, I'm not judging. Some people prefer one or two meals in a day instead of the whole five meal thing."

Eddie feels like howling and he isn't even a werewolf. "I. DON'T. GO. INTO. THE. SUNLIGHT."

Steve's eyes finally leave the squirrel. "Duh. We've already established you can't tan."

And Eddie's had enough. He tears off his t-shirt, marches directly into the sunlight and throws the biggest tantrum of his life. "STEVEN HARRINGTON. PAY ATTENTION. I am 20. I have been 20 for a while now. You know what I am, right? I am a vampire. So ask me the question, what do we eat? That wasn't a fucking tomato juice Steven!!!"

Steve just watches him with quiet amusement, as if he's waiting for something.

Eddie doesn't notice. His monologue is reaching its most dramatic part. "I've killed people before! I'm the world's most dangerous predator!"

Steve snorts. "I saw you trip over your own feet in the cafeteria."

"Not the point!"

"You told a waitress "you too" when she told you to enjoy your meal."

Eddie actually howls now. "THE POINT IS." He spins in the sunlight and sees the reflections of light off his skin. "I wouldn't have minded becoming a vampire, but let me tell you. Being stuck in high school forever? Sucks. Craving chips and throwing them up whenever you try them? SUCKS. And thinking you've become the legendary creature of the night when you're a glorified glitter mascot?! And you can't even fly?! DOUBLE SUCKS."

He points at his bare glittering chest. "THIS THE SKIN OF A FUCKING DISCO BALL, STEVE!"

Steve just laughs and gets up from the tree stump he was sitting on. "Thanks for sharing. I was kinda hoping you'd finally ask me out since this is the first time we've had some privacy, but this was interesting too."

Eddie's sharing mania suddenly stops. He realizes he's shirtless in the middle of the forest, and his yelling has scared off the squirrel. He promptly grabs his shirt and puts in on. "Um. You...you wanted me to ask you out? Because I totally want to do that. Yep. But I thought it would have been unfair to ask you before I told you-"

"That you're a vampire? Dude, I know."

Eddie blinks once. Then again. "Excusemewhat?"

Steve smiles at him and touches his hand. "Look. After what happened in Hawkins, I know the smell of blood. I knew it wasn't tomato juice. Also I've accompanied the kids to enough monster flicks to know."

"Oh." Eddie licks his lips and doesn't really know what to say. "Um. What...does that mean for us?"

Laughing, Steve grabs his other hand too. "Definitely two things. One - you can and should kiss me. Two - you can stop wearing that cape. I got your point."

"Oh okay. Cool. Will do. Both."

And since Eddie Munson is a vampire of his word, he does.

(Wayne is absolutely delighted that Eddie is dating, he watches sports with Steve and discusses the pros and cons of Steve becoming a paramedic. Scott helps Steve with some of the subjects he's struggling with. In return, Steve works with Robin to find a makeup brand that is fully sparkleproof, giving the vampires a chance to walk in the sunlight again. And sometimes, he helps them answer the questions that have been plaguing the Munson-Clarke-Henderson household for years...such as: what is TikTok?)

(oh and also. Turns out Steve really thought Eddie was wearing creepy contact lenses. That one aspect of vampyrism he found very cool)

[sanguineterrain]

im begging you to write a part 2 of vigilante reader because the way you write??? the dynamic between reader and jason??? the sex tension???are chef kiss!!!

thanks very much! part 2 and I couldn't put off the reveal bc I'm just too impatient lol 🫶 but I might write another part post-reveal? maybe? cuz I'm growing attached to these two <3

jason todd x gn!vigilante!reader (nocturne). tw explosions, smoke inhalation, reader passes out, canon typical violence, identity reveal, asshole bruce. jason is in love? jason is in love.

read pt 1 here! | all fics are reblogged to @sanguinelibrary

****

"Go home."

"Bruce, I—"

Bruce looks at you, eyes sharp with fury and... something else. Something older.

The others know how to talk back. You still haven't gained the courage to sass The Batman.

"Go. Home. If you need an escort, I can call Superman."

You take a step back at his coldness.

"Bruce, I know I messed up, letting Hood escape but—"

"Yes, you did. You deliberately disobeyed an order. I told everybody to stand down. He could've killed you."

But he didn't, you don't say. He could've, but he chose not to.

He'd felt safe.

"I had it under control, honestly. He wasn't—it wasn't like the other encounters you've had with him. He wouldn't have hurt me."

That is the wrong thing to say. You realize that after the words leave your mouth and the muscles in Bruce's jaw jump.

"You can't be this naive. I know I wouldn't have chosen someone who's this naive," he says savagely. "You know Hood can't be trusted, and you're defending him to me. We've seen time and again he's rogue. He doesn't make sense and that's exactly why he's dangerous."

"But if you would just listen—"

"Enough," he snaps. "Enough. Go home. I'm suspending you for three weeks."

"Three w—I'm not even injured!" you cry.

"No, but you need the time. You're not thinking clearly. Go. I don't want to see you until next month."

You press your lips together before you say something truly foul. Something about Batman's habit of pushing people away. Something about dead Robins.

You don't let the tears fall until you leave the Cave. This is all Hood's fault. You know it would've been a different conversation if you'd managed to successfully capture him.

You'll take down the Red Hood if it's the last thing you do.

****

It takes you approximately two days to break your suspension.

In your defense, you meant to follow Bruce's orders. You would've stayed put and helped Barbara with research instead.

But not at the expense of civilian lives.

"All units to Canal and Riverview, 10-80. Standby. Do not enter the factory until given clearance from the Bomb Squad."

You turn off the police scanner and stuff it in your drawer. In Gotham, explosions usually come in multiples. If there's one, there's bound to be another. The police are generally inept when it comes to evacuating civilians. You know one of the other Bats are on their way, but you're the closest to the docks.

You glance at your suit. No. If you go as Nocturne, Batman might suspend you indefinitely.

You grab your gas mask and put on a black hoodie and a domino mask. You'll just have to make do.

The marina is blanketed in thick smoke. It makes your eyes water. But in the commotion it causes, you're able to slip past the barriers and help workers out of the factory. It's difficult because without the suit, people don't give you the same trust and respect. But you're anonymous, and that's all that matters.

"What the fuck are you doing here?"

You ignore the voice and keep hauling two elderly workers towards the exit. They're barely outside before you turn around, determined to clear every level of the factory.

You're yanked backward by a hand on your hoodie. You nearly lose your footing, but the hand is firm, dragging you towards the pier.

You're spun around and put face to face with a red helmet.

Oh, of all the fucking—

"Let go of me!" you shout, smacking his arm. Hood's grip tightens.

"I will as soon as you stop doing stupid shit. What were you thinking, coming here?"

You pause. Whoops. This isn't how a plain civilian would react to being apprehended by the Red Hood.

And that's definitely not how the Red Hood would react to getting swatted by a random civilian. Shit.

"I was, um, I was thinking I could help," you say haltingly. "P-please don't hurt me, Mr. Hood, I was—"

Hood sighs and lets you go, then tucks his gun into his holster.

"Cut the shit. I know you're Nocturne. I also know that you need some acting lessons because what the hell was that? Mr. Hood?"

A chill washes over you. "I don't know what you mean. Nocturne?"

Hood shakes his head. "I don't have time for this. The building's gonna collapse any second. Stay. Put."

He goes back toward the smoking entrance. Your eye twitches as you follow him.

"Last time I checked, you don't have that kind of authority, Hood."

He turns around and looms over you. "Don't I?"

Anyone else would back down. You might've a week ago. You should, after the tongue lashing Bruce gave you.

But there's no soot on Hood's helmet or vest. He doesn't smell sweet like gasoline or pungent like motor oil.

He was in the factory to help.

Something shifts. Batman is wrong. Batman is more wrong than he's ever been.

Because Hood's not the enemy here. Not anymore. Maybe not ever.

You push past Hood. "It'll be faster if we work together."

"Oh, absolutely not. You're not even in your suit."

"As per your request," you say, flashing a plastic smile. "You're welcome."

"Don't get cute with me, you—hey!"

You dart past him and go straight into the factory. Hood shouts your name, which makes you pause, just for a moment.

But revealed identity or not, you need to clear the building. So you pull on your mask and run faster.

Your worst fear is confirmed when you check the upper level: someone was missed in the evacuation. It's a worker, and she's unconscious.

You don't think about how explosions come in pairs in Gotham. Don't think about how long it'll take to get to the exit.

You take off your mask and slide it onto her face. The smoke burns your throat immediately, but you ignore it and lift her in a fireman carry, just as you were taught all those years ago by Robin. He's the one who taught you how to save people without relying on brute strength or height.

You hope he's alright, wherever he is. You hope he's not too upset seeing you rush into a burning building.

That's your last thought when you see the entrance. Your face is covered in sweat and grime. The heat from the fires is exhausting. You can feel your eyes beginning to close.

"There's something seriously wrong with you," a decoded voice says in your ear, and then the woman's weight is lifted from your shoulders.

Hood grabs your hand, the woman over his opposite shoulder, and you make it out just as the second explosion goes off. It knocks you forward.

Hood puts the woman down just in time to catch you. His arm is around your waist, the other hand cradling your head. His gloved thumb touches your mouth, and you feel his dawning realization as he finally sees your mask on the woman.

"Don't tell Ba'man," you slur.

"Jesus fuck—" Hood starts to drag you. You feel lightheaded. He's moving, and you wish he'd stop. "You don't take off your mask. You never take off your mask. We taught you that!"

"She was unconscious, J'y..."

Arms tighten around you. Everything goes dark.

****

You wake up to the smell of scrambling eggs.

For a moment, you just bask in the smell. It smells like Alfred's breakfast scramble. Bacon. Butter. Golden potatoes.

Then you wake up further and realize that you're not in the Manor. You're in your apartment.

So who's cooking?

You get up quietly, slipping out of your room. You pause in front of the full-length mirror.

Honestly, you've looked worse. Your hair needs a wash, and you're in the same clothes you went into the building with, which are now a little charred. But your face is clean of soot, and your throat hurts only a little.

The kitchen sink runs. You slowly creep out into the living room, keeping your breathing even and silent.

The mess of black hair, you recognize. Sort of. You might've mistaken him for Bruce if you didn't know that Bruce has a lifetime ban from kitchens all over the world.

He's too tall to be Dick. Too skilled in the kitchen to be Bruce. Too nice to be Bruce, too—you can't imagine Bruce Wayne making you eggs. Especially when you disobeyed his orders. Again.

The red helmet on the kitchen stool turns your blood to ice.

You grab the letter opener from a drawer and wait a few seconds to see if Hood's heard you. Then you throw the letter opener with near perfect aim at his exposed shoulder.

He catches it without turning.

Your heart skips a beat. Every time you think you might get the drop on him, Hood reminds you just how competent he really is.

A mix of fear, aggravation, and something you don't want to examine too closely swirls in your gut.

"Impressive," he says. "Dami been training you? Mama Al-Ghul spent a lot of time on his knife lessons."

"Why are you in my apartment?"

Hood sets the letter opener down on the counter and turns off the stove. Then he serves the breakfast scramble on two plates, then sprinkles chives over them.

This is the weirdest kidnapping ever.

He sighs, back still facing you.

"You can't tell anyone it's me," he says.

"You make a lot of demands for a guy who just used the last of my eggs."

Hood laughs. It sounds wet. It sounds like grief.

"God, I've missed ya, honeylove."

Your heart pounds. You try to find another weapon, anything. Hood doesn't give you the chance.

He turns around.

The first thing you see is the stark white streak of hair and the curls you once loved. The curls that were near unrecognizable in the casket.

You were right: Batman was wrong.

[denwritesandcries]

Hold to my Hand – H.C

Pairing: loser!hazel x fem!reader

Summary: You might be a little – completely – obsessed with your girlfriend's hands and apparently she enjoys that a lot.

Word count: 2,3k.

Content: cursing, fluff, kisses, slight jealousy, hazel being a loser AND a mess, soft gfs.

Note: So… women, right? Women with rings and cold hands… right?

English is not my first language.

“Babe, stop that!”

“What?” You said, “I’m not doing anything.”

But you were.

You were sprawled out on your girlfriend Hazel's bed, a book from your English class abandoned in front of you while your girlfriend had a laptop open on her lap, the cute look of concentration from before replaced by red cheeks and nervousness at your actions.

It was no big deal, actually, your girlfriend was simply very easy to flustreat; you had one of her hands in yours, leaving feather-light kisses along her calloused, ring-covered fingers, sending goosebumps across her cold skin.

“You’re distracting me.” She whines, looking away to a random spot in the room, “I can’t type like this.”

You huff, climbing higher on the bed to be at her height, keeping your grip on her hand and glancing at the laptop screen.

“Boxing and wrestling techniques?” you read, letting your head fall to rest on her shoulder, “Will you really gonna start a fight club with Josie and PJ?”

Hazel immediately perks up, telling you all about the idea that she and the girls had at lunch – you're sure 80% of it must have come from PJ, but you don't have the courage to interrupt her – and how they're going to get along and have fun with this and Hazel will teach everyone self defense techniques. She looks so much like a happy puppy that it warms your heart.

Unfortunately, you can't give her full attention to the conversation, being too involved in the way she gestures to process anything else.

Okay, maybe you're a little – just a little – obsessed with your girlfriend's hands.

“...You sure you don't want to?”

“Huh?”

Hazel's voice snaps you out of your reverie and she's staring at you with bright, expectant blue eyes.

“Are you sure you don't want to join?” She repeats.

“Hm-hm,” you mumble.

“Please?” She asks softly, “For me?”

You look away from her, because there's no way to deny anything if you're looking at that needy dog face, and you keep yourself looking at the old judo and jiu-jitsu trophies that she keeps on the shelves in the big room.

She really wants you to be part of this, but you know PJ and Josie are probably only doing it because they want to fuck someone and Hazel because she wants to make more friends, but the most you'd get from this club would be a broken nose or tooth, so no, thanks.

“I can come to see you at meetings and give you moral support, love.”

It's not exactly what she wanted, but you know you won. Hazel completely softens the moment you call her love, every single time.

Hazel lets out a long dramatic sigh, giving up her laptop and turning to wrap her arms around you, burying her face in your neck.

“Fine, but you’ll definitely change your mind when the club finally starts!” She declares.

You scoff, sinking into her touch when you feel her hands spread on your hips beneath your shirt comfortably.

“Do you really want to get into this with those two, Haze?” Your question breaks the established silence, somewhat uncertain.

Your girlfriend unfortunately had a tendency to not notice or just not stand up for herself when someone was mean to her and PJ and Josie weren't exactly known for being gentle with people, so Hazel running something with them made you quite apprehensive. Of course, you wouldn't do anything to change her mind since it was something she really seemed to want to do, but a little caution wouldn't hurt.

“Oh, they know what they're doing, babe.” She squeezes you a little tighter, “They were in juvie!”

You laugh: “No, they weren't.”

“Still.”

You keep your word and start attending all the fight club meetings – under PJ's complaints that you're not really doing anything –, busying yourself with cheering Hazel on during her turns and talking to Mr.G about any nonsense stuff that he wants to speak in the stands. It's actually quite fun, but you don't change your mind about the fighting part.

You start bringing water bottles as a treat to the girls while you're there and take on the role of tending to all of Hazel's injuries when it's all over – which is a lot, since they don't really seem to know what they're doing in the moment –, you find yourself being very good at it and probably would have become the whole group personal nurse if it weren't for the possessive look in bright blue eyes and the sad pout on Hazel's face when she watched you wipe the blood from a cut on Brittany's cheek and put on one of the cute little band-aids that were supposed to be only for her one day.

Besides all that, the most important thing is that you have a free pass to admire your girlfriend as much as you want and she looks great kicking ass and throwing punches. Especially throwing punches.

In your defense, the obsession with your girlfriend's hands, your girlfriend’s touch, is actually justified. The thing is, you never had many friends since you came to this weird school and neither did Hazel, so when you got together everything in your relationship was a little new; you found yourself suddenly starving for contact.

Holding hands, playing with the rings on her fingers, pats on the shoulders, arms around the body, hugs, caresses. It was simply impossible not to be aware of every little touch that Hazel gives you, even less impossible not to melt with them.

So yes, maybe you liked it a little too much when Hazel came to you asking to bandage her bruised knuckles just because it gave you the chance to touch her as much as you wanted, like now, at home.

“Ouch!”

“Stop moving, Haze,” you complain as you apply the antiseptic to her, “This will only make it worse.”

“But it hurts.” Hazel whimpers, pulling her injured hand to her chest protectively.

She's sitting on the bathroom sink, which probably wasn't very safe, but it was the best way for you to treat her and also where the first aid kit you were using was kept.

Today's fight seems to have been a little more serious than usual because Hazel's dominant hand is hurt. Like really hurt, with purple bruises already forming over the torn skin, so your spare band-aids weren't enough to take care of it. Now, if she would just let you handle it properly.

“That's bad. You're lucky it didn't break.” You say, taking her hand more gently to examine it, “Damn, what did that blue-haired girl do to you to make this happen?”

Hazel stays quiet, suddenly embarrassed and looking at anything else as you wrap a clean bandage around the wound.

"Then?" You press.

Hazel mumbles something slurred and unintelligible and you frown, not knowing what could have made her so embarrassed. With how easily that happens tho, you didn't have a good guess.

“I heard her talking to some girls before the meeting today.” She pauses, “Talking about you.”

“Oh.” You say, trying to pull away a little so you can look her in the eyes, but Hazel closes her legs around your waist so you can’t move, “Saying bad things?”

She shakes her head and swallows, her blush deepening.

“She said that she likes it when you come to see us,” her good hand grabs the front of your shirt, “Said she wanted to ask you out.”

“Oh, Haze—” You begin.

“She knew we were dating. She knew. But she kept talking about it and I— I got mad, so I hit her.”

Hazel says it all quickly as if it were a single sentence, but you understand anyway; she is nervous, keeping her eyes closed and looking down. She was jealous, still is, but she's also scared of what you'll think of her for it.

Screw it, you think. It's a fight club, people are going to get hurt sometimes. Now it's time to comfort your girlfriend.

“You beat the shit out of a girl for me?” You say, taking the bandaged hand gently and bringing it to your lips, “That’s hot.”

Hazel's face is so red it glows, “Babe,” she squeals.

"What?" You tease, leaving smacking kisses from fist to wrist, “She should know better than to say things like that for you to hear, how rude.”

Hazel’s pupils are dilated when her eyes meet yours, “You’re serious?”

“Hmm.” You hum, leaving a mark of lip gloss on her skin, “Like I would leave the best girlfriend in the world for someone else like that.”

She squirms in your grip, swallowing hard and trying to keep from stuttering and you can't help the giggle that escapes as you notice a shiver run through her.

“You’re doing that on purpose,” she whines.

“I’m not,” you shrug, innocently.“I’m just kissing it better.”

You think Hazel never really realized the effect her touch has on you until one day at the library.

There's no club meeting today, so when you make your way to the library after your last class, your girlfriend follows along beside you excitedly, rambling about her day and waving your hands together as you walk down the halls.

You had to study for a history test, so you find a table in the back where you like to stay while Hazel looks for a book nearby to entertain herself.

You just spend less than an hour focusing on memorizing dates and names your teacher sent to the next test before your ears pick up the clink of Hazel's rings against the antique wood of the table.

Your gaze shifts away without even realizing it, focusing on Hazel's drumming and immersed expression.

“Have any of your rings ever fallen off?” You ask with sudden curiosity, even after months together this had never occurred to you.

“Huh?” She lifts her head, “Oh, yes. Lots of them.”

Hazel stops for a moment to check it and adjust some looseness and you gently take the hand with the ring you gave her, running your thumb over the silly little smiley face plastered on it.

“I never take that one off,” she smiles.

“I noticed,” you laugh, feeling your cheeks heat up. “You might end up breaking your finger over this, you know? Or someone’s nose.”

“I was trying to be romantic,” Hazel snorts.

“Sorry, love,” you lean across the table closer to her, looking between the plastic ring. “I just gave that to you as a silly joke.”

Hazel tilts her head, that confused and bit sad puppy expression back on her face.

“Yeah?”

You nod, “One day I’ll give you a real one, with a real gem." You can feel Hazel staring at you, her jaw is probably dropped, but you settle for shaking her hand, “A blue one. Will suit you.”

“You think so?” She sighs.

“Of course,” you find yourself saying. “I’ll give you the most beautiful one, the first one everyone will notice when they look at you.”

You look up to find Hazel. Just Hazel. With soft eyes, bright smile and hands full of rings.

There were moments – moments like this – when it felt like there were only the two of you in the world, when you couldn't see or feel anything but Hazel and you drowned in her completely.

Taking a deep breath, she leans over the table, hand letting go of yours to slide down your arm. You swear your skin crawls.

“Babe?” Hazel calls; you notice how she keeps her voice low for fear of ruining the moment, even though she's so clearly nervous.

You open your mouth and nothing comes out, the touch on your skin is cold but it feels like it's burning you from the inside out. What did you come here to do in the first place?

Hazel leans back under the forgotten book and you grab her wrist when she moves to keep her close.

“I— I would like that,” she says, eyes wide and face flushed, “Sounds good, I mean.”

"You deserve it. You deserve this and more, love,” You’re not really sure what ‘more’ is, especially for someone who can buy anything they want like Hazel. Maybe it’s all she wanted, all you could offer her; maybe it’s just you.

Hazel squeezes your hand, leaning in closer and running her thumb over your knuckles so gently that the noise you make is embarrassing. You think she's going to kiss you and maybe she would have, if it weren't for the angry shush! coming from the librarian near the bookshelves next to you two.

She only mentions it days later, when you're back in her bed, curled up in a familiar way while Hazel scrolls through her phone.

Her fingers are running through your hair, almost lulling you to sleep and you feel like you could do the same as the cat at the foot of the bed and melt into a purring puddle under her touch.

“You have a thing for my hands." She comments out of nowhere, interrupting the peaceful atmosphere, a giggle in her tone.

“What?” You ask confused, using your arms to lean against her chest, “I do not.”

You know it's not true, but denying it is better than admitting something like that. Hazel gives you a look; she knows you better than that.

“But you do.” Hazel turns you in her arms and you let out a surprised squeak at the action when she finds yourself on top of you.

You shake your head, refusing to give in, but she runs her cold hands under your shirt, resting on the warm skin of your belly – this seems to be one of her favorite things to do.

“Jeez!” You hiss, “How can you be so cold all the time? You’re like a lizard.”

“Oh, I love lizards!”

“Haze!”

You squirm in her grip, but Hazel holds firm, an unusual confidence behind her actions.

“Admit it,” she asks with a smirk. “You have a thing for my hands.”

“I have a thing for you.”

The cocky little smile she has every time she touches you for the next week is totally worth it – and it's also totally kissable.