#the voyage of argo
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zaireetoo-draws · 4 months ago
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I made an Argonautica video!! It's 30 minutes going through most if not all whacky adventures of Jason by Apollonius of Rhodes.
Please give it a watch if u want! This took FOREVER
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darabeatha · 10 months ago
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@ardenssolis said ; "So, Jason, was the voyage worth it in the end?" [hi smol] / 𝐔𝐍𝐏𝐑𝐎𝐌𝐏𝐓𝐄𝐃
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❝ Was that voyage worth it? Let me put it this way; would you give everything in your life for one second of glory ? for not even a tangible future, just for one beautiful dream ? everything you have ? I did. That voyage... See it under any lens, you don't need to be a genius to come to the conclusion that it was not worth it. Did it make me learn anything? Hell, did that even matter ? To who was I even supposed to show my change of heart ? Was I even conscious of that ? Did I return as the same man I was when I left or was I so blind that I could not even tell any difference ? Before I could mourn this wreckage of a dream and gulp down my own despair, I was crushed by the very same ship that allowed this feverish dream to sail. The dead can't learn from their mistakes, I can only say I would do it again differently now because I now have a second chance to make things different. ❞
#ardenssolis#;j.ason#/HI SHIIIII!#/UMMM;; i think;; its such a tragedy how the story ends; but its those stories that leave the -reader- thinking#bc j.ason didn't really have that second chance to look back ; he couldn't- and thats one of the interesting things#his story was a feverish dream of glory; he was so blinded by it that he could not see all it took to get to the end#he didnt get a second chance; but he also didnt stop to give himself that second chance u get me?#he was so blinded by the shine of it all that everything slipped past him#theres no learning for him until its too late and he gets crushed by the very same (now rotting) argo#and thats like;; the tragedy of it all? bc the voyage doesnt make him a better person#voyages always change a person in one way or another but he doesnt look back on this#compared to other heroes that come back with more wisdom like g.ilgamesh and that become better#in his case it feels so;; humane?? he sucked ass and he still sucks ass!#and he ends as a looser!! completely unhappy and miserable!#heck even f.ate wise; u look at his lvl10 bond ce#'Next time; there won't be a next time huh. Give me another chance!'#'Next time I'll properly; seriously; carefully; correctly... Do it; I'll show you! ... ... Damn...'#theres no other chance because he ends up dying there;; do u get the tragedy-#now he can grow because he can finally face back his past; but at his time of death#it was only at the very last moment that the lament truly hit#j.ason didn't die at peace nor filled with rage; he died with lament and despair which to him is worst#he doesnt lament chasing for his dream; he would do it again; that's not the point but the way he did it- he wants another chance!#HE'LL DO IT DIFFERENTLY THIS TIME...!! (this time he'll learn!)#the hero always gains something after the journey but#j.ason didnt gain anything; in fact he LOST things
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blueheartbookclub · 10 months ago
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"Navigating the Celestial Odyssey: Apollonius Rhodius' 'The Argonautica' in the Lyrical Rhythms of R. C. Seaton's Translation"
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"The Argonautica" by Apollonius Rhodius, elegantly translated by R. C. Seaton, emerges as a literary gem that weaves the tale of the heroic quest for the Golden Fleece into the fabric of ancient Greek epic poetry. This classical masterpiece, written in the third century BCE, invites readers into the mythical world of heroes, gods, and maritime adventures. The title itself hints at the epic journey undertaken by the Argonauts and the rich tapestry of myths that unfold in Seaton's poetic rendering.
Seaton's translation captures the spirit of Apollonius Rhodius' original work, breathing life into the archaic verses while maintaining fidelity to the poetic essence of the ancient Greek epic. The title serves as a prelude to an odyssey that transcends mortal realms, navigating the cosmic expanse and the turbulent seas that define the Argonauts' quest. Seaton's lyrical craftsmanship transforms the narrative into a symphony of words, each stanza resonating with the echoes of antiquity.
At the core of "The Argonautica" is the heroic journey of Jason and his companions, the Argonauts, as they embark on a perilous expedition to retrieve the Golden Fleece. Seaton's translation masterfully conveys the heroism, camaraderie, and divine interventions that characterize this mythic voyage. The title acts as a compass, guiding readers through the labyrinthine narratives that unfold in the wake of the Argo's sails.
One of the notable features of Seaton's translation is his ability to preserve the nuances of Apollonius Rhodius' language, allowing readers to savor the intricacies of the poet's narrative technique. The title becomes a doorway to the ancient Greek world, beckoning readers to immerse themselves in the vibrant imagery, divine interventions, and the cosmic forces that shape the destiny of the Argonauts.
The multifaceted characters of "The Argonautica" come alive in Seaton's translation, each imbued with distinct personalities and motivations. From Jason's quest for glory to Medea's complex role as both lover and sorceress, the title encapsulates the ensemble of characters whose fates intertwine amidst the celestial currents. Seaton's translation skillfully navigates the emotional depths of these characters, breathing humanity into the larger-than-life figures of Greek mythology.
As the Argonauts encounter mythical beings, face treacherous challenges, and traverse uncharted waters, Seaton's translation maintains a delicate balance between the epic and the lyrical. The title becomes a beacon, illuminating the narrative twists and turns that mirror the celestial constellations guiding the Argo through the cosmos. Seaton's poetic rendering captures the awe-inspiring beauty and perilous nature of the ancient mariner's journey.
"The Argonautica" is not merely an adventure tale; it is a tapestry of myths interwoven with themes of destiny, love, and divine intervention. Seaton's translation accentuates the nuanced connections between mortal aspirations and the whims of the gods. The title beckons readers to explore the mythic undercurrents that flow beneath the surface of the narrative, inviting contemplation on the intersection of mortal agency and divine influence.
In conclusion, R. C. Seaton's translation of Apollonius Rhodius' "The Argonautica" is a poetic voyage that resonates with the majesty of ancient Greek epic storytelling. The title encapsulates the essence of this celestial odyssey, promising readers an immersion into the mythical realms that have captivated audiences for centuries. Seaton's lyrical prowess breathes new life into the age-old verses, ensuring that the adventures of the Argonauts continue to inspire awe and wonder in the hearts of contemporary readers.
"The Argonautica" by Apollonius Rhodius is available in Amazon in paperback 12.99$ and hardcover 20.99$ editions.
Number of pages: 219
Language: English
Rating: 9/10                                           
Link of the book!
Review By: King's Cat
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raurquiz · 8 months ago
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#happybirthday @welliver_titus #tituswelliver #actor #maxwellburke #startrek #voyager #equinox #thetown #argo #transformers #ageofextintion #bosch #legacy #agentsofshield #thelastship #lost #manonaledge #escapeplan2 #hades #lawandordersvu #Shaft #Batman #TheLongHalloween #Titans
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reawakened-revenant · 6 months ago
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The more I read about Greek Mythology, the more I realise that you can basically pick any two mortals and play ‘six degrees of separation.’ You’ll find a connection eventually, and it won’t always be a god.
Example: my fav, Admetus? According to one of the mythology books I own, he’s cousins with Jason, Nestor, Bellerophon and Atalanta, Sisyphus is the brother of his great-grandfather, and they’re all descended from Prometheus. It’s like the royal houses of Europe pre-WWI, everyone’s related XD
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A spectrum of cousinhood.
Notes:
The family tree here is extremely pared down. Ajax did not spring forth, motherless, from Telamon’s head (so far as I know). 
Contrary to appearances, Teucer did not shoot Gorgythion in the crotch. This is what comes of doodling in ink. 
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blueheartbooks · 10 months ago
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"Navigating the Celestial Odyssey: Apollonius Rhodius' 'The Argonautica' in the Lyrical Rhythms of R. C. Seaton's Translation"
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"The Argonautica" by Apollonius Rhodius, elegantly translated by R. C. Seaton, emerges as a literary gem that weaves the tale of the heroic quest for the Golden Fleece into the fabric of ancient Greek epic poetry. This classical masterpiece, written in the third century BCE, invites readers into the mythical world of heroes, gods, and maritime adventures. The title itself hints at the epic journey undertaken by the Argonauts and the rich tapestry of myths that unfold in Seaton's poetic rendering.
Seaton's translation captures the spirit of Apollonius Rhodius' original work, breathing life into the archaic verses while maintaining fidelity to the poetic essence of the ancient Greek epic. The title serves as a prelude to an odyssey that transcends mortal realms, navigating the cosmic expanse and the turbulent seas that define the Argonauts' quest. Seaton's lyrical craftsmanship transforms the narrative into a symphony of words, each stanza resonating with the echoes of antiquity.
At the core of "The Argonautica" is the heroic journey of Jason and his companions, the Argonauts, as they embark on a perilous expedition to retrieve the Golden Fleece. Seaton's translation masterfully conveys the heroism, camaraderie, and divine interventions that characterize this mythic voyage. The title acts as a compass, guiding readers through the labyrinthine narratives that unfold in the wake of the Argo's sails.
One of the notable features of Seaton's translation is his ability to preserve the nuances of Apollonius Rhodius' language, allowing readers to savor the intricacies of the poet's narrative technique. The title becomes a doorway to the ancient Greek world, beckoning readers to immerse themselves in the vibrant imagery, divine interventions, and the cosmic forces that shape the destiny of the Argonauts.
The multifaceted characters of "The Argonautica" come alive in Seaton's translation, each imbued with distinct personalities and motivations. From Jason's quest for glory to Medea's complex role as both lover and sorceress, the title encapsulates the ensemble of characters whose fates intertwine amidst the celestial currents. Seaton's translation skillfully navigates the emotional depths of these characters, breathing humanity into the larger-than-life figures of Greek mythology.
As the Argonauts encounter mythical beings, face treacherous challenges, and traverse uncharted waters, Seaton's translation maintains a delicate balance between the epic and the lyrical. The title becomes a beacon, illuminating the narrative twists and turns that mirror the celestial constellations guiding the Argo through the cosmos. Seaton's poetic rendering captures the awe-inspiring beauty and perilous nature of the ancient mariner's journey.
"The Argonautica" is not merely an adventure tale; it is a tapestry of myths interwoven with themes of destiny, love, and divine intervention. Seaton's translation accentuates the nuanced connections between mortal aspirations and the whims of the gods. The title beckons readers to explore the mythic undercurrents that flow beneath the surface of the narrative, inviting contemplation on the intersection of mortal agency and divine influence.
In conclusion, R. C. Seaton's translation of Apollonius Rhodius' "The Argonautica" is a poetic voyage that resonates with the majesty of ancient Greek epic storytelling. The title encapsulates the essence of this celestial odyssey, promising readers an immersion into the mythical realms that have captivated audiences for centuries. Seaton's lyrical prowess breathes new life into the age-old verses, ensuring that the adventures of the Argonauts continue to inspire awe and wonder in the hearts of contemporary readers.
"The Argonautica" by Apollonius Rhodius is available in Amazon in paperback 12.99$ and hardcover 20.99$ editions.
Number of pages: 219
Language: English
Rating: 9/10                                           
Link of the book!
Review By: King's Cat
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keeperofthebox · 1 year ago
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someone in the comments of bon voyage on AO3 liked the mental image of argos struggling with his fan in ch2 so i drew out how i think that actually went… LOL to be honest i don’t think you’d be able to use the miraculous weapon phones this way in canon even if you asked really nicely but it’s a silly fan fiction so i added it anyway
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immaturityofthomasastruc · 1 year ago
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IOTA Reviews: Representation
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Oh, so NOW child abuse is bad. Could have fooled me last episode!
Let's get into the twenty-fifth episode of Miraculous Ladybug's fifth season: Representation
We start off with an English news report recapping the ending of “Revolution”, stating that Ms. Bustier is going to run for mayor, conveniently ignoring her attempted coup in “Collusion”. We also see that Gabriel and Tomoe are still uncomfortably focused on making Adrien and Kagami appear to be a couple in public, much to their dismay. While Kagami is visited by Argos (who once again sneaks up on her, like he usually does), Adrien realizes he can transform into his space form and see Marinette whenever he wants and transforms into Cat Noir, planning to reveal his identity to Marinette. Hey, did he even tell Ladybug about his sudden departure? Because it didn't go well the last time he left Paris without telling her (New York Special).
We then cut to Marinette right after the events of “Revolution”, going to the end of the year dance... even though when we saw Adrien and Kagami in London, the sun was still setting, and France's time zone is only about an hour later, meaning Adrien and Kagami must have flown there at ludicrous speed.
Meanwile, Argos and Kagami somehow got from London to Paris offscreen, and watch Marinette from afar, with Kagami revealing she knows she's Ladybug. They decide to tell Marinette that Felix knows who Monarch is in order to ensure his downfall. Nah, I'm just kidding. Here's the real reason they're coming to Marinette for help.
Kagami: My mother and Gabriel Agreste will never allow us to love each other freely. Only Ladybug can help us.
Yep, rather than prioritize the fact that Gabriel is endangering the citizens of Paris on a daily basis, Kagami is seriously more concerned about her relationship with her boyfriend being tampered with. This is like saying Lex Luthor is evil because he cheats on his taxes. Argos transforms back into Felix, and... oh, for the love of God... he disguises himself as Adrien in order to get closer to Marinette. You can't keep portraying Felix as this master of disguise if he only has ONE disguise!
Marinette sees “Adrien” and assumes he came back from London from her, assuming her boyfriend is much more active that the writers actually believe he is, so she tries to follow him while avoiding the guests at the party. Meanwhile, Gabriel and Tomoe learn their children are gone, so he goes to talk with Nathalie and—why the hell is she like that?
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Seriously, this has never been established as something that happens when someone uses the broken Peacock Miraculous. Why didn't this happen to Emilie? She looks pretty healthy in her little coffin, and I doubt Gabriel is an embalmer.
Anyway, after Nathalie once again reminds us that she hates Gabriel, but not enough to call the cops on him, Gabriel transforms into Monarch and immediately detransforms back in order to akumatize himself into Nightormentor.
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Nightormentor is a pretty average recolor of the Collector's design, which kind of makes sense, considering that Gabriel himself intended the Akuma for himself. The star pattern is okay, but there's not much I can really say. As for his powers, he's just another Sandboy, being able to force people to hallucinate their worse nightmares, only instead of a pillow, his weapon is a staff created from a pen containing the Akuma, with the Horse Miraculous' Voyage to boot. Why he didn't just give himself the same powers he gave Truth when he's trying to find Adrien is anyone's guess.
Cat Noir arrives at the Eiffel Tower to talk with Marinette, just as Nightormentor appears. The two fight, and after a few civilians get caught in the crossfire, Nightormentor escapes through Voyage. As Cat Noir heads to the Dupain-Cheng bakery at the advising of Max, Alya and Nino decide that the totally not useless Resistance should get involved.
While Marinette gives chase, Felix leads her into the school's art classroom, where he transforms into Argos and creates a Sentimonster using Kagami's ring. Felix and Kagami use the Sentimonster's power to do... uh... whatever the hell this is.
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Yeah, this is basically a flashback, but the animators probably blew their budget needed for the new models on Ms. Bustier's baby bump, so we're getting this instead, thanks to the Sentimonster Argos created. There are several scenes of Cat Noir and Nightormentor interspersed, but like what I did with Marinette's flashback in “Derision”, I'll give you the summary before I talk about my problems with this.
When Adrien's mother and aunt, Emilie and Amelie, were born, Emilie (who was born seven seconds early) was trusted with the family heirlooms, the two rings we first saw all the way back in “Felix”. Even though this meant she would inherit the family name, Emilie didn't really like doing... whatever the Graham de Vanily family wanted her to do, but Amelie did. Eventually, while studying abroad, Emilie met Gabriel, and the two fell in love. Before marrying Gabriel, Emilie gave up her role as the sole inheritor of the Graham de Vanily family's vague legacy, while Amelie married a man named Colt to please her parents. Both couples wanted children, but it's heavily implied that Emilie and Amelie were infertile, so their wishes weren't able to come true. Emilie finally managed to get a bun in the oven thanks to the Peacock Miraculous, but this made Colt jealous that he couldn't have a child. Out of the goodness of her heart, Emilie asked Gabriel to give the Peacock Miraculous to Colt, in exchange for letting the Gorilla guard Adrien in the future. Using his own jealousy as a source of power, Colt got Amelie pregnant, though at the cost of his health. Colt figured this was the price he had to pay for using “sorcery”, and used this as an excuse to treat Felix like a monster and ordered him around using the ring containing his Amok. Felix himself was unaware that he wasn't human until Colt accidentally broke the ring (which wasn't one of the two wedding rings used to control Adrien and was an entirely different ring containing Felix's Amok), which he stole as soon as Colt died. This is meant to explain why Felix decided to steal back the Peacock Miraculous, in order to save his life. Felix later met Kagami, and the two explain that they need “Someone like Ladybug” to help them.
Now if your only information about this episode is through my summary, it seems simple enough. For everyone else who actually saw this sequence in the episode itself, I'm guessing your thoughts were about the same as mine.
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Let's go over every problem I have with this scene, starting with...
#1: The Way Kagami and Felix Explain This
Let me just ask something: Why can't Felix just talk to Marinette about what he knows since he now knows she's Ladybug instead of telling her everything through this weird play? You can still tell Marinette all of this without your two-man show. In fact, why did Felix have to wait until he knew Marinette was Ladybug instead of just talking to her the next time he saw her? Yeah, you could argue it's easier this way, but like I've been saying since Season 4, Felix has had no excuse to wait this long to tell Ladybug about the fact that he knows who her greatest enemy is.
And why the hell is it presented this way? Why does Felix have to recontextualize the story of his family's history in the form of a play? Why turn it into a stereotypical fairy tale that leaves out the names of all the important people, like Emilie, Amelie, Colt (whose name I only learned through the transcript of this episode), and Gabriel? If it was like a hidden message Felix and Kagami wanted to convey to Marinette, that would make sense, but why do they have to be so cryptic when they're only putting this show on for one person? You could easily avoid a good chunk of the questions this raises if this was a show Felix and Kagami put on for the public that Marinette was able to learn the information from. Yeah, it still wouldn't explain why Felix can't just tell Marinette about who Gabriel really is, but at least it's something.
The way it all happens kind of reminds me of this scene from this old Halloween special I saw a lot as a kid, Scary Godmother: Halloween Spooktacular. In that scene, some of the kids act out a scene of this little girl's parents entrusting her with a flashlight to explain why she carries it around, in order to scare off any monsters she runs into, using the graveyard they were in as a makeshift set. This scene works a lot more because it's done in more of a tongue-in-cheek way, with some of the kids breaking character to boost their own egos (for example, the kid playing the mom comments about how responsible she is), and how one kid in particular gradually gets fed up with the whole thing. The scene does its job at delivering exposition in a way that isn't meant to be taken too seriously, and it's clear this is being done by some kids goofing around in-universe.
With this episode, it's clear that the writers want the audience to take this whole backstory seriously in spite of how absurd it all is. Seriously look at this.
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We are seriously expected to take this backstory seriously when it looks like some theater major's midterm project. The animators want it to look artsy and unique for the sake of making it look artsy and unique. Why does it look like a play these two put together themselves if they're supposedly using a Sentimonster's power to do it? If the unnamed Sentimonster's powers is how Marinette is seeing all this, why can't it actually be seen as a flashback? Was it always intended to be a handmade play that was changed to the product of a Sentimonster at the last minute?
I get that the animators probably wanted kids to pick up on the visuals of the play, but even then, it makes it hard to really stomach the serious themes this backstory brings up, like infertility and child abuse, with the way they're presented. Not only do Felix and Kagami all play the characters using these white jumpsuits and masks, they also do all the voices, meaning that the only “dialogue” we hear from Colt is delivered by Kagami putting on a deeper voice. Let me repeat that: the only times we hear Colt, the abusive parent and all around garbage human being, talk, it's done by a teenage girl trying to make her voice sound deeper.
But hey, maybe the goofy voice will be overshadowed by the nuanced depiction of child abuse, right? Right?
#2: The Portrayal of Colt and the Double Standards Regarding His Treatment of Felix
I have never seen a single show struggle this much to convey a lesson as simple as “Child abuse is bad”.
When it comes to the parents in this show, terrible parents like Gabriel, Audrey, and Tomoe are almost never held accountable for the way they treated their children. If the writers aren't claiming they really love their children deep down, they're either downplaying how cruel they are at best or playing their behavior for laughs at worst. But here we are, the penultimate episode of the fifth season, and we finally have a parent who is unambiguously treated as a terrible human being with no redeeming qualities... and I still have problems with this.
This flashback really goes out of its way to let the audience that Colt was a real piece of scum in life. He only wanted a child out of jealousy, used his Amok to force Felix to do whatever he wanted, was heavily implied to have physically beat him at times, and blamed him for his poor health on his deathbed when he was the one who wanted to use the Peacock in the first place. Now that I think about it, why did Colt even use the Peacock to create Felix instead of Emelie? Was the episode so determined to paint Colt as a bastard that he wanted to be the one to create Felix himself?
The point I'm trying to make is that the show doesn't really explain why Colt was like this. Why was he such an angry man who treated his only child like crap? I don't know, because all the show's telling me is that he was just a dick. He honestly feels more like a caricature than anything else. He's only as terrible of a person he is in order to make the audience sympathize with Felix. I'm not saying that what Felix went through was okay, but it has the same energy as scenes of Gabriel talking to Emilie's body. It's mostly there to make the audience sympathize with an antagonistic character in spite of all the things they've done.
What's really weird is that even though the whole point of this play is so Felix can tell Marinette Gabriel is Monarch, so what does Colt have to do with this? I'm not saying he's not worth mentioning, but it makes no sense for Felix to tell Marinette about his abusive father before he tells her about Gabriel. It feels more like Felix wants to find a way to excuse his actions before telling Marinette about Gabriel being Monarch. And remember when “Derision” made a big deal about Chloe's terrible parents not excusing her actions? Funny how that conveniently doesn't apply to Felix in this episode.
In fact, let's talk about the elephant in the room: The fact that this episode aired right after “Revolution”, an episode that literally said a character living under an abusive and controlling parent was a fitting punishment for her. HOW THE HELL IS THIS ANY DIFFERENT FROM THAT? If anything, this episode really shows the double standards this show has about child abuse, how the only way your situation can be taken seriously is if you're a “good victim”. Chloe's a “bad victim”, so she doesn't get any sympathy when her mother outright says she's going to take control of her life, yet when Colt actually takes control of Felix's life, we're supposed to sympathize with him now. Why am I supposed to feel bad for Felix now when you just told me I shouldn't feel bad for someone in a similar situation last episode?
In fact, one theory I have about this backstory is that it was intended to kill two birds with one stone, no pun intended. I believe that this episode wasn't just written to give us more insight into who Felix is as a character, but also to show the audience what “real” child abuse is like. As far as the show is concerned with Gabriel, Audrey, and Tomoe? They're not actually abusive parents, Colt is, so you should condemn his actions, and not those three. It's blatant double standards, which is nothing new for this show.
#3: The Way Amelie Just... Lets This All Happen
In my “Derision” review, I discussed how strange it was that so many people in Marinette's life did nothing to help her against Chloe, and the same thing applies here with Amelie.
This episode never really explains where Amelie was when Colt was abusing Felix, much less if she was even aware of it. At least with Marinette's parents, they didn't know because most of Marinette's suffering was at school. Amelie lives with Felix and Colt, so what's her excuse? She seriously didn't overhear Colt yelling at Felix or notice the orders Colt gave Felix? Was she just that ignorant to her child's suffering? Remember, this is supposed to be Felix's good parent.
In fact, does Amelie even know Felix is a Sentimonster? Yeah, “Emotion” established that Amelie knows Felix is Argos, but this episode doesn't really make it clear if she knows Felix is a Sentimonster or not. If it was clear Amelie knew nothing about what Felix really was, it would arguably make things easier to stomach, as she wouldn't know the power Colt had over him.
Instead, even though she's Felix's mother, the show doesn't really explain what she actually did when Colt was making Felix's life a living hell, especially since the flashback says that Amelie was forced to marry Colt, so you can't even say she was blinded by love here. Hell, I'm not even sure if Amelie knew the cause of Colt's untimely passing.
#4:This Doesn’t Really Do Much to Explain Felix’s Actions
Now before you say I'm being insensitive, let me make one thing clear: My issue isn't with the fact that this was done to get the audience to sympathize with Felix. The problem I have is that the backstory doesn't do enough to explain why Felix did the things he did.
Okay, Felix wants the Peacock Miraculous. Understandable, he doesn't want to die, so he has to do morally questionable things to preserve his life like betraying the only person capable of stopping the man who can kill him. What's less understandable is his plan to get the Peacock Miraculous from Gabriel. You'll notice that the backstory didn't mention Felix's first appearance, where he only stole the rings belonging to Amelie's family, and he didn't even think to look for the Peacock. Instead, it cuts from Felix realizing he's a Sentimonster to him striking a deal with Gabriel, not even mentioning that he gave Gabriel back one of the rings as part of the deal, which still makes no sense.
If Felix's goal from the start was to get the Peacock Miraculous, why did he bother stealing all of Marinette's Miraculous as a bargaining chip for the deal instead of the family ring? In fact, why did Felix even steal the ring and wait an entire season to trade it back to Gabriel for the Peacock a season later? And for someone who claims to care about Adrien, he really didn't see anything wrong with giving Gabriel one of the two rings capable of overriding his free will.
As a matter of fact, why the hell is Felix even so hostile towards Adrien? Why did he go out of his way to smear his reputation in his debut episode if all he wanted to do was make a bargain with Hawkmoth? In “Risk”, he mocked Adrien for how he talked, while Adrien himself was aware of how he made him look bad in front of his friends, and that's not even getting into how he made himself look like Adrien as part of his plan to betray Ladybug, which would have screwed him even more if Adrien wasn't already Cat Noir. For someone who claims he wants to protect him from Gabriel, Felix really doesn't care about his cousin all that much.
In fact, why does Felix even hate Gabriel at all? The show hinted that the two had a history, yet during the backstory, which I need to remind you, was told from Felix's perspective on the events, has a surprisingly generous portrayal of Gabriel. Did Felix know Gabriel was Hawkmoth/Shadowmoth/Monarch during his first appearance? Does Felix blame Gabriel for how Colt treated him growing up? Does Felix hate Gabriel for how he treats Adrien? Did Gabriel intend to get Colt sick in the first place? Seriously, what is Felix's deal with Gabriel?!
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How does a flashback organized by Felix himself do nothing to really explain why he did the things he did?
#5: The Fact That There Are STILL Several Unanswered Questions Here
For something meant to fill the audience in on several important topics, there are still so many questions about the history of the Agreste and Graham de Vanily families.
Other than the vague backstory about them being rich, we still know nothing about Emilie and Amelie other than them being rich and possibly infertile. We don't know if Amelie ever loved Colt, if she knew he was abusing Felix, or if she even knew if he used the Peacock to play god.
On a related note, why did Emilie and Gabriel decide to use the Peacock Miraculous to create a son instead of adopting? Scratch that, why did she specifically create a Sentimonster to give birth to like a normal baby? Was there some kind of Macbeth-esque guideline that Emilie had to give birth to a child in order for said child to get the inheritance? Did she use the ring to control Adrien like Gabriel does now? Seriously, this is the character the show's conflict is all based around, and we still know nothing about her other than the fact that she was nice.
This flashback just makes no sense, and is such a stupid and confusing way to deliver exposition.
Anyway, during all this, Cat Noir and Nightormentor are fighting, and for the third time this season, Cat Noir attempts to Cataclysm him someone, even when he had Nightormentor pinned down. Nightormentor breaks free and hits Cat Noir with his magic dust, causing him to hallucinate... Cat Blanc?
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Yeah, the script calls this form “Anticat”, but given how it looks like a reused Cat Blanc model coupled with the petrified people of Paris, this is clearly meant to bring Cat Blanc to mind. The problem is that NEITHER CAT NOIR OR NIGHTORMENTOR KNOW ABOUT THAT. Why would you remind audiences about an Akuma that technically never existed?
Better yet, is this what Cat Noir trying to his Cataclysm on people this past season (Destruction, Jubilation, Derision) has been building up to? The fear that he'll lose control? You could have fooled me, as he never really showed that much remorse for almost hurting people other than Monarch. Yeah, you could argue that because Nightormentor based his hallucinations off his victims' worst fears, but again, this fear had little to no buildup this season because Cat Noir never felt any guilt for Cataclysming Monarch after “Destruction”, and whenever tried to use his Cataclysm on other people, Cat Noir never really realized the weight of his actions. If you want to make a character arc about Cat Noir worrying about hurting people with his powers, go more into the guilt he feels for hurting Monarch and using that guilt to affect his actions. Don't just use some “Cat Blanc” nostalgia bait to convince the audience that there's been a character arc.
Nightormentor takes advantage of Cat Noir's emotional state to get his Miraculous, only for the Resistance to save Cat Noir by... throwing stuff at him. And this is how they defeat him. While Nino, Alya, Ivan, and Zoe distract Nightormentor, Kim and Max help Cat Noir focus, Cat Noir Cataclysms Nightormentor's baton.
Zoe traps the Akuma in a jar, Cat Noir doesn't take it, he heads off to detransform and confess to Marinette, only for the hallucination to still affect him since Ladybug didn't use Miraculous Ladybug to fix the damage, and even though he knows it's just a hallucination, he still uses it as a reason to not reveal his identity to Marinette, even after Ladybug de-evilizes the Akuma herself.
The episode ends with Gabriel and Tomoe locking Adrien and Kagami in these white rooms while under heavy surveillance to ensure they won't escape, vowing to start “Operation: Perfect Alliance”. Because these two like using the word “perfect” more than they like subjecting their children to what one of my anons referred to as “white torture”.
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Because that's a good way to keep your children under control: psychological torment.
Other than the stuff with Felix and Kagami, this episode was pretty dull.
There's just not much I can really say here. The plot was barebones, all Marinette did was listen to Felix and Kagami's story so the writers didn't have to involve any of them in the main conflict, and even Cat Noir confronting his akumatized father doesn't have a lot of weight to it because towards the end, it focuses more on Adrien's nightmare instead of his relationship with his father.
This episode is nothing more than a prologue for the final battle. It's only here to establish Adrien and Kagami's presence in London, Marinette learning Gabriel is Monarch, and even more setup for Gabriel and Tomoe's final plan. And trust me, the buildup will be far from worth it.
THE BIGGEST IDIOT OF THE EPISODE IS... FELIX
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It's amazing. The only time this season Felix goes out of his way to actually help Ladybug, and he still screws it up. He abducted Kagami from her hotel in London without thinking of Tomoe hunting him down again when that was the entire plot of “Pretension”, only decided to tell Marinette he knows who Monarch is because he's getting in the way of his relationship with his girlfriend, did so in an unnecessarily convoluted way, and even though he made a big deal about not wanting to use Sentimonsters in his last appearance, he still used one to tell Marinette his life story instead of just saying “My uncle is Monarch”.
And if you think Felix will get a chance to truly redeem himself in the finale, think again, bucko. Other than a brief cameo, this is the last thing he'll do this season. Aren't you glad the writers made this character prominent for seven episodes over three seasons and did nothing else with him?
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percyluvr · 8 months ago
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heyyyy, so i was wondering if you were feeling up to it if you could write a jason grace x poseidon!reader. it’s basically like a scene from where they just began the journey on the argo and percy, being the slow and loveble older brother he is, finds out jason is dating his little sister and some silly chaos ensues at the dinner table
jason grace x daughter of poseidon!reader summary: your boyfriend and your brother have issues at first, but bond over the fact that they both love you with all their hearts wc: 1199
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You and Jason had been dating since he'd appeared randomly at camp with Leo and Piper. You had been so devastated over the disappearance of your brother, and Jason had been struck by your beauty. He did everything in his power to help you feel better, and during the process, the two of you had fallen deeply in love.
Every now and then you thought about Percy and what he would think of your new boyfriend, and you would be sad all over again, but Jason never failed to make you feel better. Jason Grace was the ideal boyfriend, you thought, and he proved it more and more every single day that the two of you were together.
When the Argo II was built, and the lost trio was ready to head off to New Rome, Jason was the one that suggested you come with to see if your brother was there. The suggestion just further proved what a wonderful person and boyfriend he was, and you accepted the offer.
Your voyage to New Rome held lots of good memories and fun, but the closer the ship got to New Rome, the more worried you were that your brother wouldn't be there, even if it was almost 100% guaranteed that he would be. You didn't think you could handle it if you lost another person, especially your brother who'd been there for you your entire life. He protected you when the two of you first arrived to camp, even though he was scared out of his mind, and he protected you and comforted you when your mother had gotten turned into dust by the minotaur, even though he was just as devastated by the loss of her. The two of you shared so many memories together and thinking of them only made you sadder when you realized how long it had been since you last saw him.
The Argo II arrived in New Rome, and you all had a peculiar interaction with a certain talking limbless statue. Once the situation was handled, the Argo II hovered over Camp Jupiter, and everyone other than Coach Hedge warily got out of the ship, not quite sure what the Romans' reactions would be, even Jason who was a Roman himself.
When you reached the ground, your eyes searched the crowd for the familiar green eyes and black hair of your brother, and when you finally found him, you saw Annabeth rushing over to him. When she flipped him onto the ground, it brought a smile to your face. Their relationship was the most beautiful thing you'd seen in your life, and it made you so proud to see your brother happy.
With Jason's arm around your waist, you waited until Annabeth and Percy parted, before sprinting over to Percy and jumping into his arms. To say he was surprised was an understatement. You and Annabeth had been the only people he remembered when Hera wiped his memories, and seeing you after so long made him beyond happy.
His arms gripped you tightly as he whispered in your ear. "I can't even explain how happy I am to see you. How is mom?" He asks almost immediately.
"Mom is good, she's really good. So is Paul. But how are you?"
"I'm good, now that I've got two of my favorite girls with me again," he jokes, earning a smack on each arm from you and Annabeth.
It felt good to be able to joke around with your older brother again, almost too good to be true. Apparently it was too good to be true, because after an attack is fired from the Argo II, all of you have to rush up the ladder and get out of there as quick as possible. You grab Percy's hand tightly, his gripping yours impossibly tighter. Neither of you could stand to lose each other again.
Aboard the ship, tensions were high. Even if you weren't Percy's sister and hadn't been around him your whole life, you would still be able to tell how pissed off he was that this happened. When Leo confessed to him firing the attack, you and Annabeth had to hold Percy from pouncing on Leo. You understood where he was coming from, though. Imagine working this hard to make the Romans see that the Greeks weren't so bad, and then some guy you don't even know fires an attack on the camp and you're back at zero. You'd be pissed off too.
When dinner time rolled around, Percy had been much calmer. The atmosphere had lightened up, at least until both your brother and your boyfriend went to sit in the same seat at the head of the table. They stared intensely at each other until everyone decided that Annabeth should sit at the head of the table.
You thought the problem had ended there, but both of them tried to sit on the chair to your left. Percy looked at him with a strange expression, probably a mix of confusion and annoyance at this point.
"Dude, really? What's your problem?" Percy asks, crossing his arms.
"I just want to sit here, not a big deal," Jason replies.
Percy raises his eyebrow. "Well, I want to sit next to my sister, and there's only one chair open next to her."
You looked at Piper, who was sitting to your right, and she took the hint. She got up and moved to the other side of the table.
"Guys, please. Just sit down already, it's not a big deal," you say exasperatedly.
Percy eyes you and Jason skeptically, but takes the chair to your right anyway. He seemed to lighten up due to the fact that he was now sitting between his girlfriend and his sister.
Dinner was going fine, until Percy spots your hand intertwined with Jason's under the table.
"Soo, anything new in your life you want to tell me about?" He asks you, wiggling his eyebrows.
"Um, no. I mean other than Jason, Leo, and Piper showing up, not really."
"So, no new guys that like you? No new crushes?"
You finally understand what he's trying to do, and sigh loudly.
"Yes, Percy. Jason and I are dating, is there a point to this?"
He just grins in response and moves his gaze to Jason. "You better treat her right man, or I'll have to whoop you," he semi-jokes.
Jason raises his eyebrow. "Yeah, sure. You could whoop me if we were on a beach, maybe," he jokes back.
"Nah, I could take you any day of the week, beach or no beach. I'd whoop your ass with just my fists."
This makes everyone at the table laugh.
"Nah, but seriously man. I'll take care of her. I really like her, and I'd never even think about treating her wrong," Jason says seriously.
Percy smiles at him. "I'll hold you to that."
Jason brings your hand to his lips and gently kisses it, making everyone at the table fake gag.
"Oh shut up, you're all just jealous," you say, smiling the widest you had in a while.
You finally had your brother back, and he seemed to like your boyfriend.
a/n: y'all i am so sorry for not posting anything in almost a week lmfao i got my tooth pulled and i've been suffering all week
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puzzled-pegasus · 10 months ago
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Heroes of Olympus---fitness/body related hcs
***Idk if anyone would even plan on it but Please do not comment or tag this as anything sexual as it is not meant like that in any way whatsoever***
Percy
Everyone lost some weight on the big Argo II voyage due to stress and all the fighting and everything, Percy is no exception. 
In general, though, he is still leaner than Jason and has slightly less upper body/ pectoral strength than he does.
However, he has THE fucking core strength ever
Unless he's been really, really exerting himself he normally has a cushion of belly fat over his abs but if you feel his abs they're wow so strong
Also bunch of shoulder strength, he does lots of climbing
He honestly needs some squish especially in scenes set After Gaea’s defeat. One of the reasons im writing these hcs is that I hate the fanarts that give the demigods six or eight pack abs and 0 body fat like?? Have u ever seen a 16-17 year old boy with chiseled abs. Especially one that eats like mr Jackson. His mother is feeding him good on seven layer dip and cheeseburgers and cookies and blue candy and he drinks blue cherry Coke and eats his fill of barbecue every day at camp you Cannot tell me he has no body fat arrgggh
He probably looked like that while he was in Tartarus though bc he was probably really dehydrated and exhausted lmaoo
V good sense of balance and coordination
Jason
Jason’s got more strength in his arms/shoulders/upper body than anything else
Big arm and chest muscles
Also naturally has belly--when he's not worried abt food--but he tends to stand taller so you can't see it as much
Probably lost the most weight on the voyage. Too busy making sure everyone else was okay and also healing from his various injuries. He also had to be absolutely sure there was enough food for everyone else so he was worried abt taking too much
Generally spends more time exercising and has hardly ever seen a junk food in his life and eats a lot of protein bc hes always lived at camp jupiter so he's very muscle
Piper
Piper didn't really start exercising until she came to camp so she's probably the least physically strong in comparison
More squish than Annabeth. Carries fat in hips and thighs and belly
Thinks/feels like she's fat and low key worries abt it
Was only mildly disappointed when she started demigod training and her belly didn't instantly disappear lol
Kind of jealous of how Annabeth is so thin and athletic but Annabeth wishes she had Pipers thighs/boob/curves loll the curse of being a woman
Piper also feels like she has baby face compared to Annabeth bc she has chubbier cheeks and it annoys her
She's got a pretty good sense of balance tho
Pretty good at running fast but she doesn't have as much stamina as Annabeth
Shes quite flexible also
Pretty good swimmer
Annabeth
Naturally quite thin
been training her whole life so she's got strong arms and legs and core
Really good at running and sprinting
Very agile too
Core strength and upper body strength 
Great at dodging attacks, less good at blocking
Tallest of the girlies
Climber shoulders/back muscles
Wishes she had Piper’s curves kinda. She doesn't care all that much but occasionally is like damn wouldn't that be nice
Frank
Arrgh I hate how in the middle of the series Rick took away all of his fat. Screw you sir. Put it back. Put it bacK
So Frank Immediately gets his tum back in the span of a few weeks
He's also really tired for the next however long after the Mars boy magic adrenaline wears off bc where's his fuel??? Gone!!
Very good at Lifting stuff. He had to carry stuffs for his grandma all the time bc she was old
Mostly strong in the arms and chest/pectorals
His growth spurt happened real quick so he's still not used to how big he is which is why he's all clumsy
Needs to work on balance and coordination lol
Although he got most of his chub back, his Babyface™ didn't come back quite so strong
Hazel
Hazel is the shortest girlie
Was really thin back in the 40s and then gained quite a bit soon after she came back to life. She was very confused and probably horrified
This was bc of a combination of having a growth spurt, pressure on little girls to be thin back then and the times having changed now, having enough to eat now, and changes in the amounts of additives and high fructose corn syrup and shit in foods
She was really distraught for a while bc much like Nico’s internal conflict with The Gay, decades ago being chubby was an unforgivable sin for a little girl
Obv not to Nico’s extent bc I don't think people were killed for being fat but still
It takes her a while to see it as not a bad thing but just a thing
She has pretty evenly distributed muscle strength because when she started exercise at camp jupiter they worked All The Groups
Leo
We love our tiny little shrimp man
He didn't get enough to eat during his growth spurt so he's kind of stunted
Even though he's a hephaestus boy he could not for the life of him build a lot of muscle
He's not that strong
He's probably pretty flexible though
Nico
Also stunted because he didn't eat enough in his growth spurt
Pretty strong though
Smol but he is still growing
Is getting taller and will almost definitely surpass Leo
Also is slowly gaining a healthy amount of weight as he stays at camp and Will makes him eat and sleep more regularly and now he's less tired all the time
Pretty good core strength and balance and agility
Looks more his child age now that his cheeks are more filled in
Reyna
Buff Girl
Girlie works out when shes stressed and now she's got muscles like steel cables
Im talking arms, shoulders, core, legs, glutes
Can arm wrestle Jason and win even if he does try his darnedest
Incredible sprinter
Does so many squats that she got the whole bakery lol
Really likes her muscles
Flexes in the mirror
Jason expressed to her how impressive it was a few times and it was partially why she fell in love with him lol
Will
Will has pretty good arm muscles actually and can lift heavy stuffs
Can lift his bf easily
He has a soft tum tho and padding on his arms
Does yoga and stretching and that works his core
Soft
Eats good proteins and veggies and gets good sleeps
Healthy boi 10/10
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readysetimready · 8 months ago
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“Mortal characters, as it happens, do not see Hera at all (cf. Il. 1.208). Jason does not know the identity of the old woman he carries over the Anaurus; Hera's agency is mostly hidden from the Argonauts; and it is left to the prophet Phineus to explain that of all the gods the most concerned with Argo's voyage is Hera (2.216-17). At one point the Argonauts do hear her terrifying, aether-shaking cry of warning about Ocean (4.640-42) - an action that recalls the Homeric Hera who gives voice to the natural world: honoring Agamemnon with portentous thunder during his arming scene at Iliad 11.45-46 and granting speech to Achilles' horse Xanthus at 19.407. There is a greater divide between the mortal and divine worlds in Apollonius than there is in Homer, but this division serves to highlight the activity of Hera, who enlists many allies and modes of expression in order to bridge that gulf. As Hunter observes:
“The Argonauts' protecting deity, Hera, works through silent action or suggestion (3.250, 818, 4.11, 1184-5, 1199-1200), through signs (3.931 a talking crow, 4.294 a shooting star, 510 lightning, 640-2 a scream), and through the words and actions of characters. Her only "personal appearances" in the poem are the scene on Olympus which opens Book 3 and her appeal to Thetis in Book 4. 40”
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nyx-is-hair-goals · 2 months ago
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H2 predictions: Jason, Ananke, Olympians
OKAY SO. I have a bunch of theories about what will happen in Hades 2 and I wanted to get them written down before the next update! Caveat: I don't think any of this is definite and I'm not going to throw a fit if I'm wrong; I just really enjoy this kind of theorising and extrapolating, and I figured other people might enjoy reading it too.
SOME SPOILERS FOR HADES 2 BELOW - mostly just which NPCs already exist in the world and the structure of the game . . . . .
I'm expecting two more levels - one that's the ascent up the mountain, and one that's up at the top of it. This would be a satisfying mirror to the structure of the path down to the Underworld. I have theories about the next Guardian(s), and how the other Olympian gods will show up.
GUARDIAN THEORY 1: Jason (of the Argonauts) will be a Guardian on the upwards path - probably of the 'ascent up the mountain' section, at the head of Chronos' invasion. Here's why I think this:
We know that with the underworld's gates open, there are shades with names and memories who are wandering free and able to physically impact the world (e.g. Icarus). So it'd make sense that Chronos could conscript the shades of heroes into his army as well as the more zombie-like shades that we've fought on the ships.
He's got a lot of reason to dislike witches and the gods, and therefore side against Olympus and Melinoe/Hecate. It was Aphrodite and Hera who arranged his relationship with Medea, and that did not end well. Medea was the demi-goddess and witch who helped him out of various scrapes on his quest, but then when he abandoned her, she killed their children and Jason's new wife, then fled in Helios' chariot with divine approval, while Jason lost his favour with the gods for betraying Medea. (Side note: Helios is not an Olympian god, but he's brother to Selene and Eos, who are both aligned with Melinoe in the game's narrative - might end up being relevant? Probably too much of a deep cut though.)
He's heavily associated with the Golden Fleece, which is a thematic/aesthetic link to Chronos and his new Golden Age.
He's best-known for his adventures on the ship Argo, which both a) means he'd make sense as a character to choose for heading up the fleet across the Rift of Thessaly, and b) positions him as a foil to Odysseus. Like Odysseus, Jason met Circe and accepted hospitality from her; like Odysseus, Jason encountered the Sirens on his long voyage.
He's got a lot of history with Medea AND Heracles, tying him in neatly with the other NPCs we've met on the surface. Medea hasn't (afaik) mentioned Jason at all in her dialogue (and in fact very much avoided the question when Melinoe asked if she had a family), but her Keepsake is a Blackened Fleece, which is a clear reference to her part in Jason's adventures. Heracles travelled with them both on the Argo, and seemingly had a somewhat antagonistic relationship with Jason. (Side note: Jason also has history with Orpheus, who we haven't seen at all yet in this game - he wasn't in any of the flashback sequences and so doesn't seem to be a prisoner of time like much of the House of Hades. Maybe he'll show up as an unwilling companion to Jason? Not super likely, but an outside chance!)
Having an asshole Greek hero as the Guardian of the third level is a nice parallel to Theseus in the original game
OLYMPIANS THEORY:
We know that we're getting Athena, Ares, and Dionysus in some form. From in-game dialogue, we know that Athena and Ares are busy with the war effort, while Dionysus is not actively participating. I suspect they will not be giving boons in the way that the other Olympians are; I think they'll be giving boons like Artemis and Hades are, i.e. one-off roaming character events or chambers with the wing sigil.
(Because adding three new full sets of boons to the existing suite would be A Lot in terms of balance; because it'd involve expanding a bunch of the Fated List prophecies and making people in EA complete the new version of them [not impossible but probably something they'd prefer to avoid]; and - most importantly - because it's thematically appropriate!)
I think Dionysus is almost certainly going to be in a wing-sigil chamber - we know he isn't participating actively in the war against Chronos because he finds it too depressing, so it makes sense to me that he might be in a chamber where he's managed to carve out some space for fun and festivity. This might be in the 'ascent' level or the 'mountaintop' level - the latter feels a little more likely. I think he'll be offering boons related to healing and damage resistance - I'd expect to see things like High Tolerance, Positive Attitude, After Party, and Premium Vintage. If there's a version of Strong Drink, I'd expect the damage bonus to be buffed, as if he's a chamber NPC in the third section of the game then there are way fewer opportunities to use it. I think there's an outside chance that he offers something like a cast add-on which replicates Festive Fog and/or Hangover, stunning enemies who walk in and/or doing DOTs, but in general I don't expect status curses to come from gods who can only give you one boon per run.
Ares is more likely to be a wandering NPC, probably in the style of Hercules or Nemesis, and probably in the 'ascent' level - he's out there in the thick of the battle, having a great time drenched in the blood of his enemies, and I think there'll be some kind of element where you need to impress him with how good at violence you are in order to get any benefits from him. I think he'll give out boons buffing damage (e.g. Battle Rage, Urge to Kill) and maybe something which makes a Blade Rift at the centre of your cast.
Athena I could go either way on - I initially theorised that she'd be a wandering NPC who functions very similarly to Artemis, showing up in the middle of a fight and offering you help during it and then a single boon. However, as the goddess of TACTICAL warfare rather than just war, I could also see her being in a 'war room' chamber in the topmost level where she's directing and strategising.
But either way, I think that having one boon-dispensing chamber god in the topmost level would be a nice parallel to having Hades in Tartarus, and it seems super likely that it'll be either Athena or Dionysus.
Oh, I also think there'll be some kind of interaction/resolution happening between Athena and Arachne, where you mediate some kind of understanding between them (or at least help them both to move on). Where the first Hades game had a lot of reuniting lovers (Orpheus/Eurydice, Achilles/Patroclus, Hades/Persephone), a theme of Hades II seems to be moving on from relationships and dynamics that weren't good for you or otherwise leaving things in the past (Echo/Narcissus, Odysseus/his family, Odysseus/Circe, Odysseus/Scylla…)
So, that's the gods theorising. I'm sure I'm not the first person to posit most of this stuff, but honestly, that's just a sign SuperGiant are good at foreshadowing.
GUARDIAN THEORY 2: My co-conspirator NibblyCultist suggests that the final Guardian of the Olympus path will drop 'Entropy' (the second component in the 'Dissolution of Time' incantation, which also requires Zodiac Sand from Chronos) - and that this might be dropped by Ananke.
In the mythology, Ananke is the sister/lover of Chronos, and the personification of inevitability, compulsion, and necessity - which feels appropriate to a character who drops 'Entropy'. The details of this theory will, by necessity (pun intended), be a lot vaguer in terms of who Ananke might be in relation to Chronos, because we know that SuperGiant have made a lot of tweaks to the geneology of the gods and titans in order to make everything less incestuous, and there's been no mentioned version of Ananke in the games as far as I can tell. But whether sister, lover, or neither, Ananke is someone who would make sense to be aligned with Chronos.
In some traditions, Ananke is the mother of the Three Fates and has an amount of authority over them. While we know that 'our' version of the Three Fates are the daughters of Nyx, I wonder if Ananke might be in some way the captor of the Three Fates, and Melinoe needs to defeat her in order to rescue them? Maybe defeating Jason would be just breaking the siege on Olympus, and the next location is in fact Melinoe going somewhere else entirely in order to save the three fates? Or perhaps it's another 'path' entirely that becomes accessible after you defeat both the upward and downward routes - maybe via the Pitch-Black Stone, or otherwise through the power of the Crossroads.
If we see Ananke, she'll probably be portrayed as a Titaness, even though she's technically not described as one, she's just the primordial personification of inevitability. (How is it possible that she's not a Titan despite being Chronos' sister? Well, there's an extremely long-standing conflation between Chronos (the primordial personification of Time) and Cronus (the scythe-bearing Titan who ruled over the Golden Age until being defeated by his Olympian progeny and thrown into Tartarus) - this has been happening since classical antiquity and is why 'Father Time' is shown with a scythe.) This would track with SuperGiant's rendering of Hecate and Selene as Titanesses - it seems to be the category used for pre-Olympian / primordial / chthonic gods who aren't part of the Chaos/Nyx family tree.
I realise we've had no foreshadowing for Ananke, and if we were to assume a) the final boss of the Olympus path is a Titan and b) it's someone who has been foreshadowed, then the more obvious candidate would be Hyperion (in SG's setting, the father of Demeter, Hestia, and Hera). He's been mentioned a few times as another Titan who was put down by his Olympian children. But also, I think it's less thematically interesting / satisfying. With having a shiny golden Titan at the lowest point of the underworld, a darker and scarier Titaness at the highest point of the Olympus path feels pleasingly balanced, in terms of the paths mirroring each other. And that link to the Fates feels compelling.
I DEFINITELY HAVE MORE THOUGHTS BUT ALSO I'VE BEEN WRITING THIS FOR HOURS AND MY BRAIN IS TIRED AND THESE WERE THE MAIN BIG THINGS SOOOOOOO GONNA POST THIS NOW I GUESS
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ithacas-prince · 2 months ago
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“Give me sirens and a cyclops!”
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Telemachus, the prince of Ithaca. Parents are Queen Penelope and King Odysseus. also a great-great-grandson of Hermes, and a grandson of a naiad.
No need to inform me of affairs, for I am well-versed in the matters at hand.
The goddess Athena is my benefactor. In days past, she took on the guise of Mentor and urged me to embark upon a voyage in search of my father. Though my quest bore no fruit, I believe we would have become steadfast companions.
(PFP BY sloanslone | banner by jarondont)
death count: 1
kill count: 109
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I seek knowledge of my father Odysseus's fate. When I inquired of Menelaus, he recounted a vision revealed by the sea-god Proteus, declaring that my father is marooned and ensnared upon the island of Calypso.
My inclinations are yet unknown to me. (He’s bisexual.) I find joy in music, my lyre, and the companionship of my faithful dog Argos. However, I harbor great disdain for the suitors, for they seek to win the favor of my mother, which I find most vexing.
I yearn for the company of my kin, to partake in the simple joys of life as any mortal might. Yet, alas, I find it difficult to embrace normalcy, for I am bound by blood to a certain messenger god. His whims and tasks often draw me into the realm of the extraordinary, making it nigh impossible to dwell in the comforts of the ordinary.
hi, mod here.. WHAT THE FUCK IS HE SAYING??
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appearance: curly raven black hair, dark aquamarine green eyes, pointy ears (which turn into naiad ears in the water, cough) fair skin, freckles, he towers EVERYONE mf is 6'2 help this man, very attractive (unknowingly blessed with beauty by…..???)
voice claim: zagreus from hades
personality: chaotic but mainly calm at times, caring, sometimes an idiot, impulsive, strategic, loyal. he has ADHD, btw. low self esteem issues.
skills: archery, running, swimming, swordsmanship, disarmament, wielding daggers, fighting, etc.
powers: breathing underwater and minor control over water, plus being able to unlock doors with ease and controlling money, he sometimes teleports though it drains him after.
he has maladaptive daydreaming
quick rules:
- Romantic interactions will only be with CHARACTERS eighteen years or over.
- This is a ask/rp blog! So you can ask or rp.
- No strong NSFW.
- Innuendos? Allowed.
- Nothing is fully canon!
- If I interact with someone or something or reblog something bad on accident. PLEASE tell me so I can fix it.
- if he dates anyone, it’s set in separate universes.
tags:
#the prince has spoken — 👑 (Telemachus)
#asks — ❓ (for asks)
#mod comes over — ⭐️
#the goddess of wisdom appeared — 🦉 (Athena, obviously.)
PLEASE INTRODUCE HIM TO SHIT HES VERY BAD AT THIS 😔😔😔
Let me speak of those whom I am acquainted with:
@odysseus-of-ithaca-is-lost, @penelope-simp (my dad!!)
@penelope-is-waiting (my mother)
@reigningprincesstofithaca (my biological sister. she keeps scaring the shit out of me.)
@thehermesguy (my great great granddad)
@unhinged-waterlilly
@quillis-climbs-trees
@thementallyillapollochild
@when-fate-is-mistaken
@sunlights-daughter
@sillypuppetmeister
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mod speaking here! NO NSFW. Swearing and cussing happen here.. so..
Im fine with being tagged in random starters or posts.
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him, btw (art by @/sloanslone
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winged, naiad, genderbent and reg form ^
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ninadove · 6 months ago
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— Cyrano de Bergerac by Edmond Rostand (Acte II, scène 8) [FR] [ENG]
Part 1 🐈‍⬛
Part 2 🐉
Part 3 ⬆️
Alt text below the cut!
FRENCH: Et que faudrait-il faire ?
ENGLISH: What would you have me do?
SCREENSHOT: Felix confronting Adrien about his inability to defy his father [S4 E23: Risk]
FRENCH: Chercher un protecteur puissant, prendre un patron, // Et comme un lierre obscur qui circonvient un tronc // Et s’en fait un tuteur en lui léchant l’écorce, // Grimper par ruse au lieu de s’élever par force ?
ENGLISH: Find a powerful protector: and choose a patron, // like the dark ivy that creeps round a tree-trunk, // and gains its support by licking at its length, // to climb by a ruse instead of rise by strength?
SCREENSHOTS: Gabriel handing Colt the Peacock Miraculous + Colt, transformed, holding Felix’s amok [S5 E24: Representation]
FRENCH: Non, merci.
ENGLISH: No, thank you.
SCREENSHOT: Felix wearing his amok for the first time [S5 E24: Representation]
FRENCH: Dédier, comme tous ils le font, // Des vers aux financiers ? Se changer en bouffon // Dans l’espoir vil de voir, aux lèvres d’un ministre, // Naître un sourire, enfin, qui ne soit pas sinistre ?
ENGLISH: Dedicate, as others do // my poetry to bankers? Become a buffoon // in the base hope of seeing a less than sinister // smile quiver on the lips of some minister?
SCREENSHOTS: Kagami abandoning her foil after her defeat against Adrien [S2 E6: Riposte] + Matagi Gozen shooting arrows at Kagami [S5 E19: Pretension]
FRENCH: Non, merci!
ENGLISH: No, thank you!
SCREENSHOT: Argos destroying his fan to protect Kagami from Tomoe [S5 E19: Pretension]
FRENCH: Calculer, avoir peur, être blême, // Préférer faire une visite qu’un poème, // Rédiger des placets, se faire présenter ?
ENGLISH: Calculate, show fear, grow pallid, // prefer to make a visit than a ballad? // Get myself presented, write petitions to the king?
SCREENSHOTS: Gabriel hugging Adrien as part of a ploy to akumatise him [S5 E10: Transmission] + Antichat and Nightormentor [S5 E24: Representation]
FRENCH: Non, merci! // Non, merci! // Non, merci!
ENGLISH: No, thank you! // No, thank you! // No, thank you!
SCREENSHOTS: Felix resisting akumatisation [S4 E9: Gabriel Agreste] + Flairmidable fetching Ladybug’s yoyo [S4 E24: Strikeback] + Felix clutching the Peacock Miraculous [S4 E24: Strikeback]
FRENCH: Mais… chanter, // Rêver, rire, passer, être seul, être libre,
ENGLISH: But...to sing, // to dream, to smile, to walk, to be alone, be free,
SCREENSHOTS: Paris empty under the light of the Red Moon [S5 E18: Emotion]
FRENCH: Avoir l’œil qui regarde bien, la voix qui vibre,
ENGLISH: With a voice that stirs, and an eye that still can see!
SCREENSHOTS: Felix confessing to Kagami in the sewers [S5 E19: Pretension] + Felix reassuring Duusu they will get their happy ending [S5 E24: Representation]
FRENCH: Mettre, quand il vous plaît, son feutre de travers, // Pour un oui, pour un non, se battre, – ou faire un vers !
ENGLISH: To cock your hat on one side, when you please // at a yes, a no, to fight, or – make poetry!
SCREENSHOT: Felix (disguised as Adrien) smirking as he prepares to beat up the Punishers [S3 E23: Felix]
FRENCH: Travailler sans souci de gloire ou de fortune, // À tel voyage, auquel on pense, dans la lune !
ENGLISH: To work without a thought of fame or fortune, // on that journey, that you dream of, to the moon!
SCREENSHOTS: Argos explaining his wish + preparing to snap Red Moon [S5 E18: Emotion]
FRENCH: N’écrire jamais rien qui de soi ne sortît, // Et modeste d’ailleurs, se dire : mon petit, // Sois satisfait des fleurs, des fruits, même des feuilles, // Si c’est dans ton jardin à toi que tu les cueilles !
ENGLISH: Never to write a line that’s not your own, // and, humble too, say to oneself: My son, // be satisfied with flowers, fruit, even leaves, // if they’re from your own garden, your own trees!
SCREENSHOTS: Felix playing with his plush rabbit [S5 E24: Representation] + Kagami sketching Felix by the pool [S5 E 26: Recreation], both times in a garden
FRENCH: Puis, s’il advient d’un peu triompher, par hasard, // Ne pas être obligé d’en rien rendre à César,
ENGLISH: And then should chance a little glory bring, // don’t feel you need to render Caesar a thing,
SCREENSHOTS: Adrien lying to Kagami about losing his bracelet, which she holds behind her back [S4 E2: Lies]
FRENCH: Vis-à-vis de soi-même en garder le mérite,
ENGLISH: But keep the merit to yourself, entirely
SCREENSHOTS: Argos drawing a heart on Kagami’s window, causing her to giggle + Argami kissing as the sun rises [S5 E24: Representation]
FRENCH: Bref, dédaignant d’être le lierre parasite, // Lors même qu’on n’est pas le chêne ou le tilleul,
ENGLISH: In short, don’t deign to be the parasitic ivy, // even though you’re not the oak tree or the elm,
SCREENSHOTS: Argos joining the heroes’ team [S5 E26: Recreation]
FRENCH: Ne pas monter bien haut, peut-être, mais tout seul !
ENGLISH: Rise not so high, maybe, but be there all alone!
SCREENSHOT: Felix standing to a much bigger Gabriel, surrounded by amoks and akumas [S5 E24: Representation]
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raurquiz · 2 years ago
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#HappyBirthday @tituswelliverofficial #tituswelliver #actor #maxwellburke #startrek #voyager #equinox #Transformers #ageofextinction #bosch #legacy #sonsofanarchy #deadwood #gonebabygone #TheTown #argo #thedoors #mobsters #mulhollanddrive #twisted #assaultonprecinct13 #nypdblue #thegoodwife #TheLastShip #themandalorian #startrek56 @startrekonpplus @startrek @transformersmovie @hbomaxla @disneyplusla https://www.instagram.com/p/CpsQ1YOOeMO/?igshid=NGJjMDIxMWI=
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friedmagazinebouquet · 2 months ago
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Making a slideshow because I am bored and have nothing else to do, what should I make it about?
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