#the voyage of argo

[zaireetoo-draws]

I made an Argonautica video!! It's 30 minutes going through most if not all whacky adventures of Jason by Apollonius of Rhodes.

Please give it a watch if u want! This took FOREVER

[raurquiz]

#happybirthday @welliver_titus #tituswelliver #actor #maxwellburke #startrek #voyager #equinox #thetown #argo #transformers #ageofextintion #bosch #legacy #agentsofshield #thelastship #lost #manonaledge #escapeplan2 #hades #lawandordersvu #Shaft #Batman #TheLongHalloween #Titans

[blueheartbookclub]

"Navigating the Celestial Odyssey: Apollonius Rhodius' 'The Argonautica' in the Lyrical Rhythms of R. C. Seaton's Translation"

"The Argonautica" by Apollonius Rhodius, elegantly translated by R. C. Seaton, emerges as a literary gem that weaves the tale of the heroic quest for the Golden Fleece into the fabric of ancient Greek epic poetry. This classical masterpiece, written in the third century BCE, invites readers into the mythical world of heroes, gods, and maritime adventures. The title itself hints at the epic journey undertaken by the Argonauts and the rich tapestry of myths that unfold in Seaton's poetic rendering.

Seaton's translation captures the spirit of Apollonius Rhodius' original work, breathing life into the archaic verses while maintaining fidelity to the poetic essence of the ancient Greek epic. The title serves as a prelude to an odyssey that transcends mortal realms, navigating the cosmic expanse and the turbulent seas that define the Argonauts' quest. Seaton's lyrical craftsmanship transforms the narrative into a symphony of words, each stanza resonating with the echoes of antiquity.

At the core of "The Argonautica" is the heroic journey of Jason and his companions, the Argonauts, as they embark on a perilous expedition to retrieve the Golden Fleece. Seaton's translation masterfully conveys the heroism, camaraderie, and divine interventions that characterize this mythic voyage. The title acts as a compass, guiding readers through the labyrinthine narratives that unfold in the wake of the Argo's sails.

One of the notable features of Seaton's translation is his ability to preserve the nuances of Apollonius Rhodius' language, allowing readers to savor the intricacies of the poet's narrative technique. The title becomes a doorway to the ancient Greek world, beckoning readers to immerse themselves in the vibrant imagery, divine interventions, and the cosmic forces that shape the destiny of the Argonauts.

The multifaceted characters of "The Argonautica" come alive in Seaton's translation, each imbued with distinct personalities and motivations. From Jason's quest for glory to Medea's complex role as both lover and sorceress, the title encapsulates the ensemble of characters whose fates intertwine amidst the celestial currents. Seaton's translation skillfully navigates the emotional depths of these characters, breathing humanity into the larger-than-life figures of Greek mythology.

As the Argonauts encounter mythical beings, face treacherous challenges, and traverse uncharted waters, Seaton's translation maintains a delicate balance between the epic and the lyrical. The title becomes a beacon, illuminating the narrative twists and turns that mirror the celestial constellations guiding the Argo through the cosmos. Seaton's poetic rendering captures the awe-inspiring beauty and perilous nature of the ancient mariner's journey.

"The Argonautica" is not merely an adventure tale; it is a tapestry of myths interwoven with themes of destiny, love, and divine intervention. Seaton's translation accentuates the nuanced connections between mortal aspirations and the whims of the gods. The title beckons readers to explore the mythic undercurrents that flow beneath the surface of the narrative, inviting contemplation on the intersection of mortal agency and divine influence.

In conclusion, R. C. Seaton's translation of Apollonius Rhodius' "The Argonautica" is a poetic voyage that resonates with the majesty of ancient Greek epic storytelling. The title encapsulates the essence of this celestial odyssey, promising readers an immersion into the mythical realms that have captivated audiences for centuries. Seaton's lyrical prowess breathes new life into the age-old verses, ensuring that the adventures of the Argonauts continue to inspire awe and wonder in the hearts of contemporary readers.

"The Argonautica" by Apollonius Rhodius is available in Amazon in paperback 12.99$ and hardcover 20.99$ editions.

Number of pages: 219

Language: English

Rating: 9/10                                           

Link of the book!

Review By: King's Cat

[reawakened-revenant]

The more I read about Greek Mythology, the more I realise that you can basically pick any two mortals and play ‘six degrees of separation.’ You’ll find a connection eventually, and it won’t always be a god.

Example: my fav, Admetus? According to one of the mythology books I own, he’s cousins with Jason, Nestor, Bellerophon and Atalanta, Sisyphus is the brother of his great-grandfather, and they’re all descended from Prometheus. It’s like the royal houses of Europe pre-WWI, everyone’s related XD

A spectrum of cousinhood.

Notes:

The family tree here is extremely pared down. Ajax did not spring forth, motherless, from Telamon’s head (so far as I know). 

Contrary to appearances, Teucer did not shoot Gorgythion in the crotch. This is what comes of doodling in ink. 

[blueheartbooks]

"Navigating the Celestial Odyssey: Apollonius Rhodius' 'The Argonautica' in the Lyrical Rhythms of R. C. Seaton's Translation"

"The Argonautica" by Apollonius Rhodius, elegantly translated by R. C. Seaton, emerges as a literary gem that weaves the tale of the heroic quest for the Golden Fleece into the fabric of ancient Greek epic poetry. This classical masterpiece, written in the third century BCE, invites readers into the mythical world of heroes, gods, and maritime adventures. The title itself hints at the epic journey undertaken by the Argonauts and the rich tapestry of myths that unfold in Seaton's poetic rendering.

Seaton's translation captures the spirit of Apollonius Rhodius' original work, breathing life into the archaic verses while maintaining fidelity to the poetic essence of the ancient Greek epic. The title serves as a prelude to an odyssey that transcends mortal realms, navigating the cosmic expanse and the turbulent seas that define the Argonauts' quest. Seaton's lyrical craftsmanship transforms the narrative into a symphony of words, each stanza resonating with the echoes of antiquity.

At the core of "The Argonautica" is the heroic journey of Jason and his companions, the Argonauts, as they embark on a perilous expedition to retrieve the Golden Fleece. Seaton's translation masterfully conveys the heroism, camaraderie, and divine interventions that characterize this mythic voyage. The title acts as a compass, guiding readers through the labyrinthine narratives that unfold in the wake of the Argo's sails.

One of the notable features of Seaton's translation is his ability to preserve the nuances of Apollonius Rhodius' language, allowing readers to savor the intricacies of the poet's narrative technique. The title becomes a doorway to the ancient Greek world, beckoning readers to immerse themselves in the vibrant imagery, divine interventions, and the cosmic forces that shape the destiny of the Argonauts.

The multifaceted characters of "The Argonautica" come alive in Seaton's translation, each imbued with distinct personalities and motivations. From Jason's quest for glory to Medea's complex role as both lover and sorceress, the title encapsulates the ensemble of characters whose fates intertwine amidst the celestial currents. Seaton's translation skillfully navigates the emotional depths of these characters, breathing humanity into the larger-than-life figures of Greek mythology.

As the Argonauts encounter mythical beings, face treacherous challenges, and traverse uncharted waters, Seaton's translation maintains a delicate balance between the epic and the lyrical. The title becomes a beacon, illuminating the narrative twists and turns that mirror the celestial constellations guiding the Argo through the cosmos. Seaton's poetic rendering captures the awe-inspiring beauty and perilous nature of the ancient mariner's journey.

"The Argonautica" is not merely an adventure tale; it is a tapestry of myths interwoven with themes of destiny, love, and divine intervention. Seaton's translation accentuates the nuanced connections between mortal aspirations and the whims of the gods. The title beckons readers to explore the mythic undercurrents that flow beneath the surface of the narrative, inviting contemplation on the intersection of mortal agency and divine influence.

In conclusion, R. C. Seaton's translation of Apollonius Rhodius' "The Argonautica" is a poetic voyage that resonates with the majesty of ancient Greek epic storytelling. The title encapsulates the essence of this celestial odyssey, promising readers an immersion into the mythical realms that have captivated audiences for centuries. Seaton's lyrical prowess breathes new life into the age-old verses, ensuring that the adventures of the Argonauts continue to inspire awe and wonder in the hearts of contemporary readers.

"The Argonautica" by Apollonius Rhodius is available in Amazon in paperback 12.99$ and hardcover 20.99$ editions.

Number of pages: 219

Language: English

Rating: 9/10                                           

Link of the book!

Review By: King's Cat

[keeperofthebox]

someone in the comments of bon voyage on AO3 liked the mental image of argos struggling with his fan in ch2 so i drew out how i think that actually went… LOL to be honest i don’t think you’d be able to use the miraculous weapon phones this way in canon even if you asked really nicely but it’s a silly fan fiction so i added it anyway

[immaturityofthomasastruc]

IOTA Reviews: Representation

Oh, so NOW child abuse is bad. Could have fooled me last episode!

Let's get into the twenty-fifth episode of Miraculous Ladybug's fifth season: Representation

We start off with an English news report recapping the ending of “Revolution”, stating that Ms. Bustier is going to run for mayor, conveniently ignoring her attempted coup in “Collusion”. We also see that Gabriel and Tomoe are still uncomfortably focused on making Adrien and Kagami appear to be a couple in public, much to their dismay. While Kagami is visited by Argos (who once again sneaks up on her, like he usually does), Adrien realizes he can transform into his space form and see Marinette whenever he wants and transforms into Cat Noir, planning to reveal his identity to Marinette. Hey, did he even tell Ladybug about his sudden departure? Because it didn't go well the last time he left Paris without telling her (New York Special).

We then cut to Marinette right after the events of “Revolution”, going to the end of the year dance... even though when we saw Adrien and Kagami in London, the sun was still setting, and France's time zone is only about an hour later, meaning Adrien and Kagami must have flown there at ludicrous speed.

Meanwile, Argos and Kagami somehow got from London to Paris offscreen, and watch Marinette from afar, with Kagami revealing she knows she's Ladybug. They decide to tell Marinette that Felix knows who Monarch is in order to ensure his downfall. Nah, I'm just kidding. Here's the real reason they're coming to Marinette for help.

Kagami: My mother and Gabriel Agreste will never allow us to love each other freely. Only Ladybug can help us.

Yep, rather than prioritize the fact that Gabriel is endangering the citizens of Paris on a daily basis, Kagami is seriously more concerned about her relationship with her boyfriend being tampered with. This is like saying Lex Luthor is evil because he cheats on his taxes. Argos transforms back into Felix, and... oh, for the love of God... he disguises himself as Adrien in order to get closer to Marinette. You can't keep portraying Felix as this master of disguise if he only has ONE disguise!

Marinette sees “Adrien” and assumes he came back from London from her, assuming her boyfriend is much more active that the writers actually believe he is, so she tries to follow him while avoiding the guests at the party. Meanwhile, Gabriel and Tomoe learn their children are gone, so he goes to talk with Nathalie and—why the hell is she like that?

Seriously, this has never been established as something that happens when someone uses the broken Peacock Miraculous. Why didn't this happen to Emilie? She looks pretty healthy in her little coffin, and I doubt Gabriel is an embalmer.

Anyway, after Nathalie once again reminds us that she hates Gabriel, but not enough to call the cops on him, Gabriel transforms into Monarch and immediately detransforms back in order to akumatize himself into Nightormentor.

Nightormentor is a pretty average recolor of the Collector's design, which kind of makes sense, considering that Gabriel himself intended the Akuma for himself. The star pattern is okay, but there's not much I can really say. As for his powers, he's just another Sandboy, being able to force people to hallucinate their worse nightmares, only instead of a pillow, his weapon is a staff created from a pen containing the Akuma, with the Horse Miraculous' Voyage to boot. Why he didn't just give himself the same powers he gave Truth when he's trying to find Adrien is anyone's guess.

Cat Noir arrives at the Eiffel Tower to talk with Marinette, just as Nightormentor appears. The two fight, and after a few civilians get caught in the crossfire, Nightormentor escapes through Voyage. As Cat Noir heads to the Dupain-Cheng bakery at the advising of Max, Alya and Nino decide that the totally not useless Resistance should get involved.

While Marinette gives chase, Felix leads her into the school's art classroom, where he transforms into Argos and creates a Sentimonster using Kagami's ring. Felix and Kagami use the Sentimonster's power to do... uh... whatever the hell this is.

Yeah, this is basically a flashback, but the animators probably blew their budget needed for the new models on Ms. Bustier's baby bump, so we're getting this instead, thanks to the Sentimonster Argos created. There are several scenes of Cat Noir and Nightormentor interspersed, but like what I did with Marinette's flashback in “Derision”, I'll give you the summary before I talk about my problems with this.

When Adrien's mother and aunt, Emilie and Amelie, were born, Emilie (who was born seven seconds early) was trusted with the family heirlooms, the two rings we first saw all the way back in “Felix”. Even though this meant she would inherit the family name, Emilie didn't really like doing... whatever the Graham de Vanily family wanted her to do, but Amelie did. Eventually, while studying abroad, Emilie met Gabriel, and the two fell in love. Before marrying Gabriel, Emilie gave up her role as the sole inheritor of the Graham de Vanily family's vague legacy, while Amelie married a man named Colt to please her parents. Both couples wanted children, but it's heavily implied that Emilie and Amelie were infertile, so their wishes weren't able to come true. Emilie finally managed to get a bun in the oven thanks to the Peacock Miraculous, but this made Colt jealous that he couldn't have a child. Out of the goodness of her heart, Emilie asked Gabriel to give the Peacock Miraculous to Colt, in exchange for letting the Gorilla guard Adrien in the future. Using his own jealousy as a source of power, Colt got Amelie pregnant, though at the cost of his health. Colt figured this was the price he had to pay for using “sorcery”, and used this as an excuse to treat Felix like a monster and ordered him around using the ring containing his Amok. Felix himself was unaware that he wasn't human until Colt accidentally broke the ring (which wasn't one of the two wedding rings used to control Adrien and was an entirely different ring containing Felix's Amok), which he stole as soon as Colt died. This is meant to explain why Felix decided to steal back the Peacock Miraculous, in order to save his life. Felix later met Kagami, and the two explain that they need “Someone like Ladybug” to help them.

Now if your only information about this episode is through my summary, it seems simple enough. For everyone else who actually saw this sequence in the episode itself, I'm guessing your thoughts were about the same as mine.

Let's go over every problem I have with this scene, starting with...

#1: The Way Kagami and Felix Explain This

Let me just ask something: Why can't Felix just talk to Marinette about what he knows since he now knows she's Ladybug instead of telling her everything through this weird play? You can still tell Marinette all of this without your two-man show. In fact, why did Felix have to wait until he knew Marinette was Ladybug instead of just talking to her the next time he saw her? Yeah, you could argue it's easier this way, but like I've been saying since Season 4, Felix has had no excuse to wait this long to tell Ladybug about the fact that he knows who her greatest enemy is.

And why the hell is it presented this way? Why does Felix have to recontextualize the story of his family's history in the form of a play? Why turn it into a stereotypical fairy tale that leaves out the names of all the important people, like Emilie, Amelie, Colt (whose name I only learned through the transcript of this episode), and Gabriel? If it was like a hidden message Felix and Kagami wanted to convey to Marinette, that would make sense, but why do they have to be so cryptic when they're only putting this show on for one person? You could easily avoid a good chunk of the questions this raises if this was a show Felix and Kagami put on for the public that Marinette was able to learn the information from. Yeah, it still wouldn't explain why Felix can't just tell Marinette about who Gabriel really is, but at least it's something.

The way it all happens kind of reminds me of this scene from this old Halloween special I saw a lot as a kid, Scary Godmother: Halloween Spooktacular. In that scene, some of the kids act out a scene of this little girl's parents entrusting her with a flashlight to explain why she carries it around, in order to scare off any monsters she runs into, using the graveyard they were in as a makeshift set. This scene works a lot more because it's done in more of a tongue-in-cheek way, with some of the kids breaking character to boost their own egos (for example, the kid playing the mom comments about how responsible she is), and how one kid in particular gradually gets fed up with the whole thing. The scene does its job at delivering exposition in a way that isn't meant to be taken too seriously, and it's clear this is being done by some kids goofing around in-universe.

With this episode, it's clear that the writers want the audience to take this whole backstory seriously in spite of how absurd it all is. Seriously look at this.

We are seriously expected to take this backstory seriously when it looks like some theater major's midterm project. The animators want it to look artsy and unique for the sake of making it look artsy and unique. Why does it look like a play these two put together themselves if they're supposedly using a Sentimonster's power to do it? If the unnamed Sentimonster's powers is how Marinette is seeing all this, why can't it actually be seen as a flashback? Was it always intended to be a handmade play that was changed to the product of a Sentimonster at the last minute?

I get that the animators probably wanted kids to pick up on the visuals of the play, but even then, it makes it hard to really stomach the serious themes this backstory brings up, like infertility and child abuse, with the way they're presented. Not only do Felix and Kagami all play the characters using these white jumpsuits and masks, they also do all the voices, meaning that the only “dialogue” we hear from Colt is delivered by Kagami putting on a deeper voice. Let me repeat that: the only times we hear Colt, the abusive parent and all around garbage human being, talk, it's done by a teenage girl trying to make her voice sound deeper.

But hey, maybe the goofy voice will be overshadowed by the nuanced depiction of child abuse, right? Right?

#2: The Portrayal of Colt and the Double Standards Regarding His Treatment of Felix

I have never seen a single show struggle this much to convey a lesson as simple as “Child abuse is bad”.

When it comes to the parents in this show, terrible parents like Gabriel, Audrey, and Tomoe are almost never held accountable for the way they treated their children. If the writers aren't claiming they really love their children deep down, they're either downplaying how cruel they are at best or playing their behavior for laughs at worst. But here we are, the penultimate episode of the fifth season, and we finally have a parent who is unambiguously treated as a terrible human being with no redeeming qualities... and I still have problems with this.

This flashback really goes out of its way to let the audience that Colt was a real piece of scum in life. He only wanted a child out of jealousy, used his Amok to force Felix to do whatever he wanted, was heavily implied to have physically beat him at times, and blamed him for his poor health on his deathbed when he was the one who wanted to use the Peacock in the first place. Now that I think about it, why did Colt even use the Peacock to create Felix instead of Emelie? Was the episode so determined to paint Colt as a bastard that he wanted to be the one to create Felix himself?

The point I'm trying to make is that the show doesn't really explain why Colt was like this. Why was he such an angry man who treated his only child like crap? I don't know, because all the show's telling me is that he was just a dick. He honestly feels more like a caricature than anything else. He's only as terrible of a person he is in order to make the audience sympathize with Felix. I'm not saying that what Felix went through was okay, but it has the same energy as scenes of Gabriel talking to Emilie's body. It's mostly there to make the audience sympathize with an antagonistic character in spite of all the things they've done.

What's really weird is that even though the whole point of this play is so Felix can tell Marinette Gabriel is Monarch, so what does Colt have to do with this? I'm not saying he's not worth mentioning, but it makes no sense for Felix to tell Marinette about his abusive father before he tells her about Gabriel. It feels more like Felix wants to find a way to excuse his actions before telling Marinette about Gabriel being Monarch. And remember when “Derision” made a big deal about Chloe's terrible parents not excusing her actions? Funny how that conveniently doesn't apply to Felix in this episode.

In fact, let's talk about the elephant in the room: The fact that this episode aired right after “Revolution”, an episode that literally said a character living under an abusive and controlling parent was a fitting punishment for her. HOW THE HELL IS THIS ANY DIFFERENT FROM THAT? If anything, this episode really shows the double standards this show has about child abuse, how the only way your situation can be taken seriously is if you're a “good victim”. Chloe's a “bad victim”, so she doesn't get any sympathy when her mother outright says she's going to take control of her life, yet when Colt actually takes control of Felix's life, we're supposed to sympathize with him now. Why am I supposed to feel bad for Felix now when you just told me I shouldn't feel bad for someone in a similar situation last episode?

In fact, one theory I have about this backstory is that it was intended to kill two birds with one stone, no pun intended. I believe that this episode wasn't just written to give us more insight into who Felix is as a character, but also to show the audience what “real” child abuse is like. As far as the show is concerned with Gabriel, Audrey, and Tomoe? They're not actually abusive parents, Colt is, so you should condemn his actions, and not those three. It's blatant double standards, which is nothing new for this show.

#3: The Way Amelie Just... Lets This All Happen

In my “Derision” review, I discussed how strange it was that so many people in Marinette's life did nothing to help her against Chloe, and the same thing applies here with Amelie.

This episode never really explains where Amelie was when Colt was abusing Felix, much less if she was even aware of it. At least with Marinette's parents, they didn't know because most of Marinette's suffering was at school. Amelie lives with Felix and Colt, so what's her excuse? She seriously didn't overhear Colt yelling at Felix or notice the orders Colt gave Felix? Was she just that ignorant to her child's suffering? Remember, this is supposed to be Felix's good parent.

In fact, does Amelie even know Felix is a Sentimonster? Yeah, “Emotion” established that Amelie knows Felix is Argos, but this episode doesn't really make it clear if she knows Felix is a Sentimonster or not. If it was clear Amelie knew nothing about what Felix really was, it would arguably make things easier to stomach, as she wouldn't know the power Colt had over him.

Instead, even though she's Felix's mother, the show doesn't really explain what she actually did when Colt was making Felix's life a living hell, especially since the flashback says that Amelie was forced to marry Colt, so you can't even say she was blinded by love here. Hell, I'm not even sure if Amelie knew the cause of Colt's untimely passing.

#4:This Doesn’t Really Do Much to Explain Felix’s Actions

Now before you say I'm being insensitive, let me make one thing clear: My issue isn't with the fact that this was done to get the audience to sympathize with Felix. The problem I have is that the backstory doesn't do enough to explain why Felix did the things he did.

Okay, Felix wants the Peacock Miraculous. Understandable, he doesn't want to die, so he has to do morally questionable things to preserve his life like betraying the only person capable of stopping the man who can kill him. What's less understandable is his plan to get the Peacock Miraculous from Gabriel. You'll notice that the backstory didn't mention Felix's first appearance, where he only stole the rings belonging to Amelie's family, and he didn't even think to look for the Peacock. Instead, it cuts from Felix realizing he's a Sentimonster to him striking a deal with Gabriel, not even mentioning that he gave Gabriel back one of the rings as part of the deal, which still makes no sense.

If Felix's goal from the start was to get the Peacock Miraculous, why did he bother stealing all of Marinette's Miraculous as a bargaining chip for the deal instead of the family ring? In fact, why did Felix even steal the ring and wait an entire season to trade it back to Gabriel for the Peacock a season later? And for someone who claims to care about Adrien, he really didn't see anything wrong with giving Gabriel one of the two rings capable of overriding his free will.

As a matter of fact, why the hell is Felix even so hostile towards Adrien? Why did he go out of his way to smear his reputation in his debut episode if all he wanted to do was make a bargain with Hawkmoth? In “Risk”, he mocked Adrien for how he talked, while Adrien himself was aware of how he made him look bad in front of his friends, and that's not even getting into how he made himself look like Adrien as part of his plan to betray Ladybug, which would have screwed him even more if Adrien wasn't already Cat Noir. For someone who claims he wants to protect him from Gabriel, Felix really doesn't care about his cousin all that much.

In fact, why does Felix even hate Gabriel at all? The show hinted that the two had a history, yet during the backstory, which I need to remind you, was told from Felix's perspective on the events, has a surprisingly generous portrayal of Gabriel. Did Felix know Gabriel was Hawkmoth/Shadowmoth/Monarch during his first appearance? Does Felix blame Gabriel for how Colt treated him growing up? Does Felix hate Gabriel for how he treats Adrien? Did Gabriel intend to get Colt sick in the first place? Seriously, what is Felix's deal with Gabriel?!

How does a flashback organized by Felix himself do nothing to really explain why he did the things he did?

#5: The Fact That There Are STILL Several Unanswered Questions Here

For something meant to fill the audience in on several important topics, there are still so many questions about the history of the Agreste and Graham de Vanily families.

Other than the vague backstory about them being rich, we still know nothing about Emilie and Amelie other than them being rich and possibly infertile. We don't know if Amelie ever loved Colt, if she knew he was abusing Felix, or if she even knew if he used the Peacock to play god.

On a related note, why did Emilie and Gabriel decide to use the Peacock Miraculous to create a son instead of adopting? Scratch that, why did she specifically create a Sentimonster to give birth to like a normal baby? Was there some kind of Macbeth-esque guideline that Emilie had to give birth to a child in order for said child to get the inheritance? Did she use the ring to control Adrien like Gabriel does now? Seriously, this is the character the show's conflict is all based around, and we still know nothing about her other than the fact that she was nice.

This flashback just makes no sense, and is such a stupid and confusing way to deliver exposition.

Anyway, during all this, Cat Noir and Nightormentor are fighting, and for the third time this season, Cat Noir attempts to Cataclysm him someone, even when he had Nightormentor pinned down. Nightormentor breaks free and hits Cat Noir with his magic dust, causing him to hallucinate... Cat Blanc?

Yeah, the script calls this form “Anticat”, but given how it looks like a reused Cat Blanc model coupled with the petrified people of Paris, this is clearly meant to bring Cat Blanc to mind. The problem is that NEITHER CAT NOIR OR NIGHTORMENTOR KNOW ABOUT THAT. Why would you remind audiences about an Akuma that technically never existed?

Better yet, is this what Cat Noir trying to his Cataclysm on people this past season (Destruction, Jubilation, Derision) has been building up to? The fear that he'll lose control? You could have fooled me, as he never really showed that much remorse for almost hurting people other than Monarch. Yeah, you could argue that because Nightormentor based his hallucinations off his victims' worst fears, but again, this fear had little to no buildup this season because Cat Noir never felt any guilt for Cataclysming Monarch after “Destruction”, and whenever tried to use his Cataclysm on other people, Cat Noir never really realized the weight of his actions. If you want to make a character arc about Cat Noir worrying about hurting people with his powers, go more into the guilt he feels for hurting Monarch and using that guilt to affect his actions. Don't just use some “Cat Blanc” nostalgia bait to convince the audience that there's been a character arc.

Nightormentor takes advantage of Cat Noir's emotional state to get his Miraculous, only for the Resistance to save Cat Noir by... throwing stuff at him. And this is how they defeat him. While Nino, Alya, Ivan, and Zoe distract Nightormentor, Kim and Max help Cat Noir focus, Cat Noir Cataclysms Nightormentor's baton.

Zoe traps the Akuma in a jar, Cat Noir doesn't take it, he heads off to detransform and confess to Marinette, only for the hallucination to still affect him since Ladybug didn't use Miraculous Ladybug to fix the damage, and even though he knows it's just a hallucination, he still uses it as a reason to not reveal his identity to Marinette, even after Ladybug de-evilizes the Akuma herself.

The episode ends with Gabriel and Tomoe locking Adrien and Kagami in these white rooms while under heavy surveillance to ensure they won't escape, vowing to start “Operation: Perfect Alliance”. Because these two like using the word “perfect” more than they like subjecting their children to what one of my anons referred to as “white torture”.

Because that's a good way to keep your children under control: psychological torment.

Other than the stuff with Felix and Kagami, this episode was pretty dull.

There's just not much I can really say here. The plot was barebones, all Marinette did was listen to Felix and Kagami's story so the writers didn't have to involve any of them in the main conflict, and even Cat Noir confronting his akumatized father doesn't have a lot of weight to it because towards the end, it focuses more on Adrien's nightmare instead of his relationship with his father.

This episode is nothing more than a prologue for the final battle. It's only here to establish Adrien and Kagami's presence in London, Marinette learning Gabriel is Monarch, and even more setup for Gabriel and Tomoe's final plan. And trust me, the buildup will be far from worth it.

THE BIGGEST IDIOT OF THE EPISODE IS... FELIX

It's amazing. The only time this season Felix goes out of his way to actually help Ladybug, and he still screws it up. He abducted Kagami from her hotel in London without thinking of Tomoe hunting him down again when that was the entire plot of “Pretension”, only decided to tell Marinette he knows who Monarch is because he's getting in the way of his relationship with his girlfriend, did so in an unnecessarily convoluted way, and even though he made a big deal about not wanting to use Sentimonsters in his last appearance, he still used one to tell Marinette his life story instead of just saying “My uncle is Monarch”.

And if you think Felix will get a chance to truly redeem himself in the finale, think again, bucko. Other than a brief cameo, this is the last thing he'll do this season. Aren't you glad the writers made this character prominent for seven episodes over three seasons and did nothing else with him?

[percyluvr]

heyyyy, so i was wondering if you were feeling up to it if you could write a jason grace x poseidon!reader. it’s basically like a scene from where they just began the journey on the argo and percy, being the slow and loveble older brother he is, finds out jason is dating his little sister and some silly chaos ensues at the dinner table

jason grace x daughter of poseidon!reader summary: your boyfriend and your brother have issues at first, but bond over the fact that they both love you with all their hearts wc: 1199

You and Jason had been dating since he'd appeared randomly at camp with Leo and Piper. You had been so devastated over the disappearance of your brother, and Jason had been struck by your beauty. He did everything in his power to help you feel better, and during the process, the two of you had fallen deeply in love.

Every now and then you thought about Percy and what he would think of your new boyfriend, and you would be sad all over again, but Jason never failed to make you feel better. Jason Grace was the ideal boyfriend, you thought, and he proved it more and more every single day that the two of you were together.

When the Argo II was built, and the lost trio was ready to head off to New Rome, Jason was the one that suggested you come with to see if your brother was there. The suggestion just further proved what a wonderful person and boyfriend he was, and you accepted the offer.

Your voyage to New Rome held lots of good memories and fun, but the closer the ship got to New Rome, the more worried you were that your brother wouldn't be there, even if it was almost 100% guaranteed that he would be. You didn't think you could handle it if you lost another person, especially your brother who'd been there for you your entire life. He protected you when the two of you first arrived to camp, even though he was scared out of his mind, and he protected you and comforted you when your mother had gotten turned into dust by the minotaur, even though he was just as devastated by the loss of her. The two of you shared so many memories together and thinking of them only made you sadder when you realized how long it had been since you last saw him.

The Argo II arrived in New Rome, and you all had a peculiar interaction with a certain talking limbless statue. Once the situation was handled, the Argo II hovered over Camp Jupiter, and everyone other than Coach Hedge warily got out of the ship, not quite sure what the Romans' reactions would be, even Jason who was a Roman himself.

When you reached the ground, your eyes searched the crowd for the familiar green eyes and black hair of your brother, and when you finally found him, you saw Annabeth rushing over to him. When she flipped him onto the ground, it brought a smile to your face. Their relationship was the most beautiful thing you'd seen in your life, and it made you so proud to see your brother happy.

With Jason's arm around your waist, you waited until Annabeth and Percy parted, before sprinting over to Percy and jumping into his arms. To say he was surprised was an understatement. You and Annabeth had been the only people he remembered when Hera wiped his memories, and seeing you after so long made him beyond happy.

His arms gripped you tightly as he whispered in your ear. "I can't even explain how happy I am to see you. How is mom?" He asks almost immediately.

"Mom is good, she's really good. So is Paul. But how are you?"

"I'm good, now that I've got two of my favorite girls with me again," he jokes, earning a smack on each arm from you and Annabeth.

It felt good to be able to joke around with your older brother again, almost too good to be true. Apparently it was too good to be true, because after an attack is fired from the Argo II, all of you have to rush up the ladder and get out of there as quick as possible. You grab Percy's hand tightly, his gripping yours impossibly tighter. Neither of you could stand to lose each other again.

Aboard the ship, tensions were high. Even if you weren't Percy's sister and hadn't been around him your whole life, you would still be able to tell how pissed off he was that this happened. When Leo confessed to him firing the attack, you and Annabeth had to hold Percy from pouncing on Leo. You understood where he was coming from, though. Imagine working this hard to make the Romans see that the Greeks weren't so bad, and then some guy you don't even know fires an attack on the camp and you're back at zero. You'd be pissed off too.

When dinner time rolled around, Percy had been much calmer. The atmosphere had lightened up, at least until both your brother and your boyfriend went to sit in the same seat at the head of the table. They stared intensely at each other until everyone decided that Annabeth should sit at the head of the table.

You thought the problem had ended there, but both of them tried to sit on the chair to your left. Percy looked at him with a strange expression, probably a mix of confusion and annoyance at this point.

"Dude, really? What's your problem?" Percy asks, crossing his arms.

"I just want to sit here, not a big deal," Jason replies.

Percy raises his eyebrow. "Well, I want to sit next to my sister, and there's only one chair open next to her."

You looked at Piper, who was sitting to your right, and she took the hint. She got up and moved to the other side of the table.

"Guys, please. Just sit down already, it's not a big deal," you say exasperatedly.

Percy eyes you and Jason skeptically, but takes the chair to your right anyway. He seemed to lighten up due to the fact that he was now sitting between his girlfriend and his sister.

Dinner was going fine, until Percy spots your hand intertwined with Jason's under the table.

"Soo, anything new in your life you want to tell me about?" He asks you, wiggling his eyebrows.

"Um, no. I mean other than Jason, Leo, and Piper showing up, not really."

"So, no new guys that like you? No new crushes?"

You finally understand what he's trying to do, and sigh loudly.

"Yes, Percy. Jason and I are dating, is there a point to this?"

He just grins in response and moves his gaze to Jason. "You better treat her right man, or I'll have to whoop you," he semi-jokes.

Jason raises his eyebrow. "Yeah, sure. You could whoop me if we were on a beach, maybe," he jokes back.

"Nah, I could take you any day of the week, beach or no beach. I'd whoop your ass with just my fists."

This makes everyone at the table laugh.

"Nah, but seriously man. I'll take care of her. I really like her, and I'd never even think about treating her wrong," Jason says seriously.

Percy smiles at him. "I'll hold you to that."

Jason brings your hand to his lips and gently kisses it, making everyone at the table fake gag.

"Oh shut up, you're all just jealous," you say, smiling the widest you had in a while.

You finally had your brother back, and he seemed to like your boyfriend.

a/n: y'all i am so sorry for not posting anything in almost a week lmfao i got my tooth pulled and i've been suffering all week

[meirimerens]

on one hand I think the actually based and artistically challenging and powerful and based again and exciting and inspired/inspiring thing to do would be to put together an all-women staging of the greek tragedies (as they were historically performed by all-men troupes) however Philip "Pip" Donaghy is servinggg something stupid as Clytemnestra in Peter Hall’s staging of The Oresteia okayyy mama declare that voyage of the flame from Troy to the beacons off the coast of Argos

[poppitron360]

Lost Trio Week- Day 1: “Wilderness”

@lost-trio-week

GLEESON HEDGE, STATUS REPORT 09/07:

As reluctant as I am to be posted at this backwater dumping ground of a school, I am pleased to inform you that I have been keeping a close eye on the new students here.

No clear suspected Half-Bloods yet, but I’m still getting adjusted to the smell of this place. I’ll sniff ‘em out sooner or later, don’t you worry.

GLEESON HEDGE, STATUS REPORT 09/21:

A particular girl has caught my eye as a potential demigod. Name’s Piper Mclean, daughter of famous movie star Tristan Mclean. Daddy paid a lot of money to shove her here. Known kleptomaniac, has a scary-good way with words. Last week, she suggested a specific place to shove my baseball bat, and she sounded so persuasive I was almost convinced to do it… I didn’t, though. But I almost did. Powerful stuff.

No mother that we know of, which is a good sign. Probably dyslexic, too, if her worksheets are anything to go by. I’ve put her through the wringer in gym class, and she’s lasted well. Indications of enhanced speed and strength.

I’ll keep an eye out for any others, and will report back soon.

GLEESON HEDGE, STATUS REPORT 09/30:

I’ve been watching closely to see who Mclean keeps company with. Demigods tend to gravitate towards each other.

She’s made friends with this delinquent boy, Leo Valdez. Mother died when he was small, has spent the last seven years between foster homes, correctional schools, and the missing persons’ registry. No father on record. Diagnosed ADHD. Definite Half-Blood smell.

He’s a smart one- got a good knack with gadgets. He reprogrammed my megaphone last week. He’s also a troublemaker. Him and McLean are always up to mischief, doing my goatly head in. I fear Cabin 11 should get a bunk ready.

In other news, I’ve started to sniff the scent of a monster, perhaps masquerading as one of the students. But it could just be the axe body spray some of the kids wear. When can you get me outta here?

— — — — — — — — —

GLEESON HEDGE, MISSION LOG 12/19:

Today, I woke up in a canary cage.

Jason, Leo, and Piper have apparently been on this valiant mission to rescue me from the clutches of the storm spirits. With their top priority out of the way, the four of us are now on a quest to rescue Hera.

After me and Jason bravely fought off King Midas (back from the dead, by the way), narrowly escaping danger within an inch of our lives, we made it safely to the riverside, where we are now attempting to douse Mclean and Valdez who have been unfortunately gold-ified. More to report soon.

— — — — — — — — —

GLEESON HEDGE, MISSION LOG 07/18:

One month into our voyage on the Argo II. Iris messages are becoming few and far between as we get further and further away from home.

I spent my day helping Valdez with one of his damned “projects”. He’s been all over this ever since he found those Archimedes stuff under Rome. I don’t understand it.

Kid’s been anxious. I can tell. I can’t blame him, considering how much he’s got on his shoulders. I know he feels guilty about what happened to Percy and Annabeth. I’ve been trying my best to console him, but I think he thinks it’s pity. The best I can do is help him out with his stuff, keep him smiling, and make sure he remembers to eat.

Jason and Piper saved me a job today, as they came in at around midday with some food for him. The three of them really seem to care for each other. In my 107 years of living, a sight like that is always nice to see.

I patrolled the deck in the evening, with the help of the Di Angelo boy. He puts on a mean exterior, but he’s a sweet kid, and was eager to help me out when he saw me patrolling on my own. I’m not as skilled an empath as some of the other Satyrs at Camp, but it doesn’t take much to feel the waves of pain coming from the boy. After going through Tartarus on his own, and then being trapped in that jar… I can understand why he acts closed off. I would, too.

It won’t be long until we reach the House of Hades. Soon, this will all be over.

— — — — — — — — —

Dear Chuck,

You are one week old today. I look into your eyes, and I see so much joy, so much wonderment, so much love for the world. I hope you never come to know how cruel life can be.

Today, I went to a kid’s funeral.

The aftermath of the battle hit both camps hard. Many demigods lost their lives. A few of them I knew, a few I didn’t. One of them struck me more than most.

As I watched the shroud of the Half-Blood I’d sworn to protect go up in flames, I thought about that joy, that love for the world in your eyes. Leo Valdez was a brave boy, but I could tell he’d had a hard life. I never want you to experience the pain he went through.

There’s talk he might still be out there. I’ve heard rumour that the Seven managed to acquire a physician’s cure, but I’m sceptical. I don’t think anyone could have survived that explosion, not even a son of Hephaestus. But Leo’s a fighter. He’s strong, and I just hope he’s strong enough to make it through.

He gave up his life only a few hours after you were born. He was only sixteen, and even though that’s a lot compared to our lifespan, it’s still so young. Too young.

You will grow up in a safer world because of his sacrifice. I want you to remember that.

I was his protector. And I failed him. I promise I will not fail you.

Love,

Papa xxx

— — — — — — — — —

Dear Clarisse,

I’m not sure if you’ll get this with coms down, but the primitive mortal postage system seems to be a bit more reliable than the usual forms of contact. I did manage to receive your letter last week.

Yes, Mellie is recovering nicely- now four months post-partum! Little Chuck has begun teething (so if this letter is a little chewed up, that’s why). He’s hitting all his milestones and is well on his way to being a healthy little boy. You should see his little face when he tried tin cans for the first time!

On a sadder note, the search for Valdez still turns up nothing. Piper’s close to giving up, but Jason, bless his bleating heart is still adamant that the boy’s out there. If you ask me, it’s putting a strain on their relationship. They’ve been fighting more and more. I’d be surprised if they make it ‘til Christmas.

I wish I could be a glass-half-full kinda goat, but as it’s been four months since Leo disappeared, and with no sign aside from that initial message, I hate to admit it but I’m losing hope. And I can’t help but feel like I’m responsible. I was his protector. I could’ve done more to stop it.

There’s something suspicious going on over here in Southern California. Jason and Piper are looking into it, but until we know more, there’s nothing I can really report.

Work as Mr Mclean’s life coach is same as usual.

How is University of Arizona? Are you blending in with mortals enough? If anyone gives you crap, I can beat them up for you.

Lots of Love,

Hedge.

— — — — — — — — —

GLEESON HEDGE, STATUS REPORT 04/02:

Jason Grace is dead.

If Grover managed to get home before this letter did, you probably already know.

Leo Valdez finally made it to us, with news of the siege at Camp Jupiter. It’s not looking good. Apollo is heading over there to fight.

Leo seems relatively unharmed considering his brief death.

That’s now two demigods that have died under my protection, despite Valdez’s resurrection.

I will be escorting the Mcleans to their new residence in Oklahoma, and will continue to serve under the guise of Mr Mclean’s life coach, keeping a close eye on Piper and Leo while they’re away from camp. After the war and the fight with the Triumvirate, I don’t think they can take any more onslaught from monsters. I’ll keep them safe, don’t worry.

— — — — — — — — —

GLEESON HEDGE, STATUS REPORT 09/01:

I saw Leo and Piper off on their first day at New Rome University today.

I’m glad we got that minor issue of having blown up the city out of the way in time for Valdez to start his freshman year. That kid’s got a bright future ahead of him.

Sometimes I hate being an empath. There was a bittersweet aura around us all, remembering the friends who never got to make it this far.

Nobody said Jason’s name. But I could feel it.

I’m glad these two get a second chance. A chance to keep living. They’re lucky that way.

I hope they do okay there. I really do. I’m gonna miss those two.

Now that they are securely out of harm’s way in the city, I think it’s safe to say that they are no longer under my protection.

And I think it’s time I retire.

— — — — — — — — — — — —

Happy Lost Trio Week!!!

Day One and off to a great start! I am so excited for this week and can’t wait to read all y’all’s fics and see your fanart when I get back from Hiatus.

Some bits with the timeline are probably wrong. I went of Fandom Wikipedia as there’s not much Coach Hedge stuff across the books, but they don’t deal in exact dates (I had to write the dates the wonky American way for the sake of realism but just know that it pained me to do so).

Thanks to @demigod-shenanigans for helping me out with this. The hcs really helped.

I love Hedge. I really do. And I think his relationship with the Lost Trio is super sweet. He does care for them, despite how much of a liability he seems. The fact that Leo died the same day his kid was born is never brought up.

Something a little different to what other people might be doing, I hope. I know it’s not “technically” lost trio but Coach Hedge is the unofficial 4th member and he doesn’t get enough recognition. And showing the Lost Trio through his eyes was quite fun.

@euryvices-deactivated20241019 @deciduowl @lavenderfairiez @ottpopfic @ginnyluna @groverapologist @echo-stimmingrose @keefessketchbook @sleepyycapybara @123letsgobestie @kaleidoskuls @fairytalesociology @four-leafed-queer-gal @child-of-helios @green-tea217 @puzzled-pegasus @twomanyfandomshelp @lokiwiiiiiii @yoshuko-ew @frayna-of-the-hollow @via-rant @daonedaonlyskh @hadeslegacyhephgirl @siimplyapril @pjowasmy1stfandom @thetourturedwritersclub @m-for-now

[ithacas-prince]

“Give me sirens and a cyclops!”

Telemachus, the prince of Ithaca. Parents are Queen Penelope and King Odysseus. also a great-great-grandson of Hermes, and a grandson of a naiad.

No need to inform me of affairs, for I am well-versed in the matters at hand.

The goddess Athena is my benefactor. In days past, she took on the guise of Mentor and urged me to embark upon a voyage in search of my father. Though my quest bore no fruit, I believe we would have become steadfast companions.

(PFP BY sloanslone | banner by jarondont)

death count: 1

kill count: 109

I seek knowledge of my father Odysseus's fate. When I inquired of Menelaus, he recounted a vision revealed by the sea-god Proteus, declaring that my father is marooned and ensnared upon the island of Calypso.

My inclinations are yet unknown to me. (He’s bisexual.) I find joy in music, my lyre, and the companionship of my faithful dog Argos. However, I harbor great disdain for the suitors, for they seek to win the favor of my mother, which I find most vexing.

I yearn for the company of my kin, to partake in the simple joys of life as any mortal might. Yet, alas, I find it difficult to embrace normalcy, for I am bound by blood to a certain messenger god. His whims and tasks often draw me into the realm of the extraordinary, making it nigh impossible to dwell in the comforts of the ordinary.

hi, mod here.. WHAT THE FUCK IS HE SAYING??

appearance: curly raven black hair, dark aquamarine green eyes, pointy ears (which turn into naiad ears in the water, cough) fair skin, freckles, he towers EVERYONE mf is 6'3 help this man, very attractive (unknowingly blessed with beauty by…..???)

voice claim: zagreus from hades

personality: chaotic but mainly calm at times, caring, sometimes an idiot, impulsive, strategic, loyal. he has ADHD, btw. low self esteem issues.

skills: archery, running, swimming, swordsmanship, disarmament, wielding daggers, fighting, etc.

powers: breathing underwater and minor control over water, plus being able to unlock doors with ease and controlling money, he sometimes teleports though it drains him after.

he has maladaptive daydreaming

—

quick rules:

- Romantic interactions will only be with CHARACTERS eighteen years or over.

- This is a ask/rp blog! So you can ask or rp.

- No strong NSFW.

- Innuendos? Allowed.

- Nothing is fully canon!

- If I interact with someone or something or reblog something bad on accident. PLEASE tell me so I can fix it.

- if he dates anyone, it’s set in separate universes.

—

tags:

#the prince has spoken — 👑 (Telemachus)

#asks — ❓ (for asks)

#mod comes over — ⭐️

#the goddess of wisdom appeared — 🦉 (Athena, obviously.)

#god of wine slurs — 🍷 (Dionysus, adopted/mentors Telemachus now.)

…

PLEASE INTRODUCE HIM TO SHIT HES VERY BAD AT THIS 😔😔😔

…

Let me speak of those whom I am acquainted with:

@odysseus-of-ithaca-is-lost, @penelope-simp (my dad!!)

@penelope-is-waiting (my mother)

@imnotaman (she forced me to put her here/j but another version of my mom! love her :3)

@reigningprincesstofithaca (my biological sister. she keeps scaring the shit out of me.)

@thehermesguy (my great great granddad)

@unhinged-waterlilly

@quillis-climbs-trees

@thementallyillapollochild

@when-fate-is-mistaken

@sunlights-daughter

@sillypuppetmeister

mod speaking here! NO NSFW. Swearing and cussing happen here.. so..

Im fine with being tagged in random starters or posts.

…

him, btw (art by @/sloanslone

winged, naiad, genderbent and reg form ^

[ninadove]

— Cyrano de Bergerac by Edmond Rostand (Acte II, scène 8) [FR] [ENG]

Part 1 🐈‍⬛

Part 2 🐉

Part 3 ⬆️

Alt text below the cut!

FRENCH: Et que faudrait-il faire ?

ENGLISH: What would you have me do?

SCREENSHOT: Felix confronting Adrien about his inability to defy his father [S4 E23: Risk]

FRENCH: Chercher un protecteur puissant, prendre un patron, // Et comme un lierre obscur qui circonvient un tronc // Et s’en fait un tuteur en lui léchant l’écorce, // Grimper par ruse au lieu de s’élever par force ?

ENGLISH: Find a powerful protector: and choose a patron, // like the dark ivy that creeps round a tree-trunk, // and gains its support by licking at its length, // to climb by a ruse instead of rise by strength?

SCREENSHOTS: Gabriel handing Colt the Peacock Miraculous + Colt, transformed, holding Felix’s amok [S5 E24: Representation]

FRENCH: Non, merci.

ENGLISH: No, thank you.

SCREENSHOT: Felix wearing his amok for the first time [S5 E24: Representation]

FRENCH: Dédier, comme tous ils le font, // Des vers aux financiers ? Se changer en bouffon // Dans l’espoir vil de voir, aux lèvres d’un ministre, // Naître un sourire, enfin, qui ne soit pas sinistre ?

ENGLISH: Dedicate, as others do // my poetry to bankers? Become a buffoon // in the base hope of seeing a less than sinister // smile quiver on the lips of some minister?

SCREENSHOTS: Kagami abandoning her foil after her defeat against Adrien [S2 E6: Riposte] + Matagi Gozen shooting arrows at Kagami [S5 E19: Pretension]

FRENCH: Non, merci!

ENGLISH: No, thank you!

SCREENSHOT: Argos destroying his fan to protect Kagami from Tomoe [S5 E19: Pretension]

FRENCH: Calculer, avoir peur, être blême, // Préférer faire une visite qu’un poème, // Rédiger des placets, se faire présenter ?

ENGLISH: Calculate, show fear, grow pallid, // prefer to make a visit than a ballad? // Get myself presented, write petitions to the king?

SCREENSHOTS: Gabriel hugging Adrien as part of a ploy to akumatise him [S5 E10: Transmission] + Antichat and Nightormentor [S5 E24: Representation]

FRENCH: Non, merci! // Non, merci! // Non, merci!

ENGLISH: No, thank you! // No, thank you! // No, thank you!

SCREENSHOTS: Felix resisting akumatisation [S4 E9: Gabriel Agreste] + Flairmidable fetching Ladybug’s yoyo [S4 E24: Strikeback] + Felix clutching the Peacock Miraculous [S4 E24: Strikeback]

FRENCH: Mais… chanter, // Rêver, rire, passer, être seul, être libre,

ENGLISH: But...to sing, // to dream, to smile, to walk, to be alone, be free,

SCREENSHOTS: Paris empty under the light of the Red Moon [S5 E18: Emotion]

FRENCH: Avoir l’œil qui regarde bien, la voix qui vibre,

ENGLISH: With a voice that stirs, and an eye that still can see!

SCREENSHOTS: Felix confessing to Kagami in the sewers [S5 E19: Pretension] + Felix reassuring Duusu they will get their happy ending [S5 E24: Representation]

FRENCH: Mettre, quand il vous plaît, son feutre de travers, // Pour un oui, pour un non, se battre, – ou faire un vers !

ENGLISH: To cock your hat on one side, when you please // at a yes, a no, to fight, or – make poetry!

SCREENSHOT: Felix (disguised as Adrien) smirking as he prepares to beat up the Punishers [S3 E23: Felix]

FRENCH: Travailler sans souci de gloire ou de fortune, // À tel voyage, auquel on pense, dans la lune !

ENGLISH: To work without a thought of fame or fortune, // on that journey, that you dream of, to the moon!

SCREENSHOTS: Argos explaining his wish + preparing to snap Red Moon [S5 E18: Emotion]

FRENCH: N’écrire jamais rien qui de soi ne sortît, // Et modeste d’ailleurs, se dire : mon petit, // Sois satisfait des fleurs, des fruits, même des feuilles, // Si c’est dans ton jardin à toi que tu les cueilles !

ENGLISH: Never to write a line that’s not your own, // and, humble too, say to oneself: My son, // be satisfied with flowers, fruit, even leaves, // if they’re from your own garden, your own trees!

SCREENSHOTS: Felix playing with his plush rabbit [S5 E24: Representation] + Kagami sketching Felix by the pool [S5 E 26: Recreation], both times in a garden

FRENCH: Puis, s’il advient d’un peu triompher, par hasard, // Ne pas être obligé d’en rien rendre à César,

ENGLISH: And then should chance a little glory bring, // don’t feel you need to render Caesar a thing,

SCREENSHOTS: Adrien lying to Kagami about losing his bracelet, which she holds behind her back [S4 E2: Lies]

FRENCH: Vis-à-vis de soi-même en garder le mérite,

ENGLISH: But keep the merit to yourself, entirely

SCREENSHOTS: Argos drawing a heart on Kagami’s window, causing her to giggle + Argami kissing as the sun rises [S5 E24: Representation]

FRENCH: Bref, dédaignant d’être le lierre parasite, // Lors même qu’on n’est pas le chêne ou le tilleul,

ENGLISH: In short, don’t deign to be the parasitic ivy, // even though you’re not the oak tree or the elm,

SCREENSHOTS: Argos joining the heroes’ team [S5 E26: Recreation]

FRENCH: Ne pas monter bien haut, peut-être, mais tout seul !

ENGLISH: Rise not so high, maybe, but be there all alone!

SCREENSHOT: Felix standing to a much bigger Gabriel, surrounded by amoks and akumas [S5 E24: Representation]

[raurquiz]

#happybirthday @welliver_titus #tituswelliver #actor #maxwellburke #startrek #voyager #equinox #thetown #argo #transformers #ageofextintion #watchmen #bosch #legacy #agentsofshield #thelastship #lost #manonaledge #escapeplan2 #hades #lawandordersvu #Shaft #Batman #TheLongHalloween

[puzzled-pegasus]

Heroes of Olympus---fitness/body related hcs

***Idk if anyone would even plan on it but Please do not comment or tag this as anything sexual as it is not meant like that in any way whatsoever***

Percy

Everyone lost some weight on the big Argo II voyage due to stress and all the fighting and everything, Percy is no exception. 

In general, though, he is still leaner than Jason and has slightly less upper body/ pectoral strength than he does.

However, he has THE fucking core strength ever

Unless he's been really, really exerting himself he normally has a cushion of belly fat over his abs but if you feel his abs they're wow so strong

Also bunch of shoulder strength, he does lots of climbing

He honestly needs some squish especially in scenes set After Gaea’s defeat. One of the reasons im writing these hcs is that I hate the fanarts that give the demigods six or eight pack abs and 0 body fat like?? Have u ever seen a 16-17 year old boy with chiseled abs. Especially one that eats like mr Jackson. His mother is feeding him good on seven layer dip and cheeseburgers and cookies and blue candy and he drinks blue cherry Coke and eats his fill of barbecue every day at camp you Cannot tell me he has no body fat arrgggh

He probably looked like that while he was in Tartarus though bc he was probably really dehydrated and exhausted lmaoo

V good sense of balance and coordination

Jason

Jason’s got more strength in his arms/shoulders/upper body than anything else

Big arm and chest muscles

Also naturally has belly--when he's not worried abt food--but he tends to stand taller so you can't see it as much

Probably lost the most weight on the voyage. Too busy making sure everyone else was okay and also healing from his various injuries. He also had to be absolutely sure there was enough food for everyone else so he was worried abt taking too much

Generally spends more time exercising and has hardly ever seen a junk food in his life and eats a lot of protein bc hes always lived at camp jupiter so he's very muscle

Piper

Piper didn't really start exercising until she came to camp so she's probably the least physically strong in comparison

More squish than Annabeth. Carries fat in hips and thighs and belly

Thinks/feels like she's fat and low key worries abt it

Was only mildly disappointed when she started demigod training and her belly didn't instantly disappear lol

Kind of jealous of how Annabeth is so thin and athletic but Annabeth wishes she had Pipers thighs/boob/curves loll the curse of being a woman

Piper also feels like she has baby face compared to Annabeth bc she has chubbier cheeks and it annoys her

She's got a pretty good sense of balance tho

Pretty good at running fast but she doesn't have as much stamina as Annabeth

Shes quite flexible also

Pretty good swimmer

Annabeth

Naturally quite thin

been training her whole life so she's got strong arms and legs and core

Really good at running and sprinting

Very agile too

Core strength and upper body strength 

Great at dodging attacks, less good at blocking

Tallest of the girlies

Climber shoulders/back muscles

Wishes she had Piper’s curves kinda. She doesn't care all that much but occasionally is like damn wouldn't that be nice

Frank

Arrgh I hate how in the middle of the series Rick took away all of his fat. Screw you sir. Put it back. Put it bacK

So Frank Immediately gets his tum back in the span of a few weeks

He's also really tired for the next however long after the Mars boy magic adrenaline wears off bc where's his fuel??? Gone!!

Very good at Lifting stuff. He had to carry stuffs for his grandma all the time bc she was old

Mostly strong in the arms and chest/pectorals

His growth spurt happened real quick so he's still not used to how big he is which is why he's all clumsy

Needs to work on balance and coordination lol

Although he got most of his chub back, his Babyface™ didn't come back quite so strong

Hazel

Hazel is the shortest girlie

Was really thin back in the 40s and then gained quite a bit soon after she came back to life. She was very confused and probably horrified

This was bc of a combination of having a growth spurt, pressure on little girls to be thin back then and the times having changed now, having enough to eat now, and changes in the amounts of additives and high fructose corn syrup and shit in foods

She was really distraught for a while bc much like Nico’s internal conflict with The Gay, decades ago being chubby was an unforgivable sin for a little girl

Obv not to Nico’s extent bc I don't think people were killed for being fat but still

It takes her a while to see it as not a bad thing but just a thing

She has pretty evenly distributed muscle strength because when she started exercise at camp jupiter they worked All The Groups

Leo

We love our tiny little shrimp man

He didn't get enough to eat during his growth spurt so he's kind of stunted

Even though he's a hephaestus boy he could not for the life of him build a lot of muscle

He's not that strong

He's probably pretty flexible though

Nico

Also stunted because he didn't eat enough in his growth spurt

Pretty strong though

Smol but he is still growing

Is getting taller and will almost definitely surpass Leo

Also is slowly gaining a healthy amount of weight as he stays at camp and Will makes him eat and sleep more regularly and now he's less tired all the time

Pretty good core strength and balance and agility

Looks more his child age now that his cheeks are more filled in

Reyna

Buff Girl

Girlie works out when shes stressed and now she's got muscles like steel cables

Im talking arms, shoulders, core, legs, glutes

Can arm wrestle Jason and win even if he does try his darnedest

Incredible sprinter

Does so many squats that she got the whole bakery lol

Really likes her muscles

Flexes in the mirror

Jason expressed to her how impressive it was a few times and it was partially why she fell in love with him lol

Will

Will has pretty good arm muscles actually and can lift heavy stuffs

Can lift his bf easily

He has a soft tum tho and padding on his arms

Does yoga and stretching and that works his core

Soft

Eats good proteins and veggies and gets good sleeps

Healthy boi 10/10

[lumonrecycles]

I FIGURED SOMETHING OUT

when i first looked into the etymology for Helena i overlooked this bc i was not paying attention to twins yet and just thought the torch part was kewl.

have you heard of castor and pollux?

I hadn't! Turns out they are the twin brothers of Helen (of Troy, who also has a twin sister?!?)

(I want to scream a little bit)

from wikipedia (the underlines are from the wiki the color is mine) :

"Their mother was Leda, but they had different fathers; Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus, who seduced Leda in the guise of a swan.[2] The pair are thus an example of heteropaternal superfecundation. Though accounts of their birth are varied, they are sometimes said to have been born from an egg, along with their twin sisters Helen of Troy and Clytemnestra.

In Latin, the twins are also known as the Gemini ("twins") or Castores, as well as the Tyndaridae or Tyndarids.[e] Pollux asked Zeus to let him share his own immortality with his twin to keep them together, and they were transformed into the constellation Gemini. The pair were regarded as the patrons of sailors, to whom they appeared as St. Elmo's fire. They were also associated with horsemanship, in keeping with their origin as the Indo-Europeanhorse twins.

When their sister Helen was abducted by Theseus, the half-brothers invaded his kingdom of Attica to rescue her. In revenge they abducted Theseus's mother Aethra and took her to Sparta while setting his rival, Menestheus, on the throne of Athens. Aethra was then forced to become Helen's slave. She was ultimately returned to her home by her grandsons Demophon and Acamas after the fall of Troy.

Returning to the dying Castor, Pollux was given the choice by Zeus of spending all his time on Mount Olympus or giving half his immortality to his mortal brother. He opted for the latter, enabling the twins to alternate between Olympus and Hades.[16][17] The brothers became the two brightest stars in the constellation Gemini ("the twins"): Castor (Alpha Geminorum) and Pollux (Beta Geminorum). As emblems of immortality and death, the Dioscuri, like Heracles, were said to have been initiated into the Eleusinian mysteries.[g] In some myths, Poseidon rewarded them with horses to ride and power to aid shipwrecked men.[19]

On votive reliefs they are depicted with a variety of symbols representing the concept of twinhood, such as the dokana (δόκανα – two upright pieces of wood connected by two cross-beams), a pair of amphorae, a pair of shields, or a pair of snakes. They are also often shown wearing felt caps, sometimes with stars above. They are depicted on metopes (an element of a Doric frieze) from Delphi showing them on the voyage of the Argo (Ἀργώ) and rustling cattle with Idas. Greek vases regularly show them capturing Phoebe and Hilaeira, as Argonauts, as well as in religious ceremonies and at the delivery to Leda of the egg containing Helen.[8] They can be recognized in some vase-paintings by the skull-cap they wear, the pilos (πῖλος), which was already explained in antiquity as the remnants of the egg from which they hatched.[22]

The Dioscuri were worshipped as gods of war,...The Romans believed that the twins aided them on the battlefield.

They were commemorated both as gods on Olympus worthy of (burnt sacrifice), and as deceased mortals in Hades, whose spirits had to be propitiated by libations. Lesser shrines to Castor, Pollux and Helen were also established at a number of other locations around Sparta.[29] The pear tree was regarded by the Spartans as sacred to Castor and Pollux, and images of the twins were hung in its branches.[30] The standard Spartan oath was to swear "by the two gods" (in Doric Greek: νά τώ θεὼ, ná tō theō, in the Dual number).

The rite of theoxenia (θεοξενία), "god-entertaining", was particularly associated with Castor and Pollux. The two deities were summoned to a table laid with food, whether at individuals' own homes or in the public hearths or equivalent places controlled by states. They are sometimes shown arriving at a gallop over a food-laden table. Although such "table offerings" were a fairly common feature of Greek cult rituals, they were normally made in the shrines of the gods or heroes concerned. The domestic setting of the theoxenia was a characteristic distinction accorded to the Dioskouroi.[8]

The church took an ambivalent attitude, rejecting the immortality of the Dioskouroi but seeking to replace them with equivalent Christian pairs. Saints Peter and Paul were thus adopted in place of the Dioskouroi as patrons of travelers, and Saints Cosmas and Damian took over their function as healers.

The New Testament scholar Dennis MacDonald identifies Castor and Pollux as models for James son of Zebedee and his brother John in the Gospel of Mark.[51] MacDonald cites the origin of this identification to 1913 when J. Rendel Harris published his work Boanerges, a Greek version probably of an Aramaic name meaning "Sons of Thunder", thunder being associated with Zeus, father of Pollux, in what MacDonald calls a form of early Christian Dioscurism.[52]"

--------------

this explains so many things! the eggs and the hats! Mark's name! Peter's name! The feast without food! The spirits called in by libations! The doric freeze of Kier! The snakes outside zufu!

I love this show so much it makes me want to cry

[readysetimready]

“Mortal characters, as it happens, do not see Hera at all (cf. Il. 1.208). Jason does not know the identity of the old woman he carries over the Anaurus; Hera's agency is mostly hidden from the Argonauts; and it is left to the prophet Phineus to explain that of all the gods the most concerned with Argo's voyage is Hera (2.216-17). At one point the Argonauts do hear her terrifying, aether-shaking cry of warning about Ocean (4.640-42) - an action that recalls the Homeric Hera who gives voice to the natural world: honoring Agamemnon with portentous thunder during his arming scene at Iliad 11.45-46 and granting speech to Achilles' horse Xanthus at 19.407. There is a greater divide between the mortal and divine worlds in Apollonius than there is in Homer, but this division serves to highlight the activity of Hera, who enlists many allies and modes of expression in order to bridge that gulf. As Hunter observes:

“The Argonauts' protecting deity, Hera, works through silent action or suggestion (3.250, 818, 4.11, 1184-5, 1199-1200), through signs (3.931 a talking crow, 4.294 a shooting star, 510 lightning, 640-2 a scream), and through the words and actions of characters. Her only "personal appearances" in the poem are the scene on Olympus which opens Book 3 and her appeal to Thetis in Book 4. 40”