#the universe is based on cosmic horror

[eosofspades]

i hate how difficult making massive projects is when it comes to art i am having the GREATEST idea for a video game but the only way it can come to actualization the way it needs to be to make it work is if i could get it picked up by a triple A studio

[guardsbian]

tragically I want to return to serpentis solacia and flesh it out. this is tragic because every time I think about it I despise how much I would have to change to be happy with it as a location

[blacknedsoul-blog]

I think the Deans are fucking Lovecraftian gods

If you're a regular reader of my nonsense, you may have noticed that on more than one occasion I've referred to the Deans as "Nyarlathotep Tumblrsexymen": no, I didn't have a stroke on the keyboard, this is a reference to an entity that appears in the stories of Howard Phillip Lovecraft. A writer who is widely known because there were even people who thought that the Necronomicon, a fictional text part of his work, actually existed (and because he was such a recalcitrant racist that it has become a meme about how extremely racist he was).

And since I'm still going through my pile of papers on Gothic fiction, let me take a moment to talk about Lovecraft's work, why I have reason to believe that the Deans have something in common with these creatures, and what that might mean for the development of Nevermore.

A Little About Lovecraft's Gods

To understand a little bit about the kind of creatures we are talking about, I have to stop at a brief (seriously brief) description of cosmic horror: This is a type of horror that takes elements from the scientific publications of the time (which makes it close to science fiction) to give it verisimilitude, it has at its core a deep nihilism, the breaking of scientific canons, the fragility of the human mind and societies contrasted with the vastness of the universe, an enormous fear of "the unknown" for the white man (fed by his racist paranoia), and seasoned with tentacles and creatures that remind us of sea creatures, because Lovecraft had an enormous fear of the sea.

The gods in these stories represent, on a symbolic level, the vastness of the universe, the terror of the unknown, and the fragility of the human mind: they are entities older than time itself, contact with them tends to shatter the mind, and humanity must be very, very grateful that most of them are locked away or incapacitated in some way. Also, the way to access them is through very specific rituals that have been lost over time, so thankfully they're not very easy to contact either.

Similarities with the Deans

Let's start with the most obvious: the Deans, like the Lovecraftian gods, seem to operate in their own plane of existence, beyond what humans understand as "life" and "death": Nevermore is a kind of limbo, but we know, thanks to the Raven, that these guys came from another place and had enough power to kick the crap out of psychopomps without any problem.

However, just like Lovecraft's gods, these enormous powers don't make them able to do whatever they want; as I said, these entities are usually locked up or incapacitated in some way and can only have contact with humans under certain circumstances (like being summoned in rituals), and getting out of their prisons usually requires vague events like astral alignments that are completely out of their control.

The Deans, like Lovecraft's gods, seem to be subject to rules that are above them, and while they can bend them a bit to achieve their goals, it's not like they can do much about it.

Another thing they have in common with Lovecraft's gods is the ability to create servants that function as extensions of them to fulfill their designs. There are many creatures that follow this line in the stories that speak of The Myths, but the best known are the Shoggoth that appear in the novel At the Mountains of Madness: artificial beings created by the Old Ones to rule the Earth, described as amphibious, amorphous masses similar to amoebas.

Although the Deans prefer their minions in the form of animated dolls. I suspect this decision is based on the story The Sandman by E.T.A. Hoffman. I have no proof, but no doubt.

Now for the joke that brings this essay to life: the creature in Lovecraft's universe that most resembles the Deans is a being called Nyarlathotep. This creature belongs to the category of "Other Gods" (not the old ones like Cthulhu) and gets very nice nicknames like "Crawling Chaos".

Nyarlathotep is a being who enjoys causing chaos, death and madness wherever they go. They can communicate with humans, which they use to psychologically torture them and make them lose their minds. Something they seem to enjoy quite a bit. In the same way that the Deans view this sadistic battle royale, they have set up a fun game.

Then there is the ability to manipulate and alter the human mind, which is called into question in stories like Nyarlathotep and The Rats in the Walls (where it is apparently Nyarlathotep who messes with the protagonist's mind so that he tries to kill his friend).

This is something we've seen manifest in Nevermore in two different ways: the ability to trigger or unlock memories.

And the ability to change them. While we can't know if what was shown to Annabel is 100% real, we do know that showing her the end of her life caused a permanent change in the way she retrieves her memories: from the end backwards. If this memory is somehow altered, we also know that the Deans are capable of photoshopping people's memories.

Finally, Nyarlathotep has the ability to shape-shift, which allows them to appear as humanoids in several stories, such as The Oniric Quest of the Unknown Kadath or Dreams in the Witch's House. His human form is considered "unnatural", "strange" and "disturbing" by those who see it (remember that Lovecraft was extremely racist, so he always presents himself as a black man). As a pharaoh in the Randolph Carter cycle and as a charcoal humanoid figure in the second story cited).

Here, the human form of whatever the Deans are is also quite atypical: not only are they ridiculously tall (7 feet), they have heterochromia with a white-colored eye (which I would venture to say may be a reference to the cataract eye mentioned in the story "The Tell-Tale Heart" by Edgar Allan Poe), and their synchronized movements are amusing on paper, but possibly strange to look at for the characters.

Otherwise, there are two other entities in Lovecraft's universe whose descriptions can be loosely associated with the Deans: Yogg-Sothoth and Azathoth. Both are beings of dual nature.

The former is an entity associated with omniscience and appears in stories such as The Strange Case of Charles Dexter Ward and The Dunwich Horror. and is described as "the key and the door".

Azathoth represents omnipotence, is the center of the universe, and is described as "the beginning and the end" or "the alpha and the omega.

Implications for the comic

The fact that the Deans have elements in common with Nyarlathotep brings up an interesting point: although Nyarlathotep has far greater freedom than other beings, they is a servant of Azathoth. In other words, them powers are subservient to a more powerful being whose plans they must follow. They may amuse themselves in the process, but they is still essentially a butler.

On the other hand, the Azathoth connection might be vague, since this creature is a lobotomized god, so he can't do much. But if the reference is to Yogg-Sothoth, it gets a little more interesting, because that entity is the one who is supposed to release the original gods when the time is right.

And I don't know about you, but these references have me wondering if the Deans are working for something much more messed up than they are, or if they're using the souls of the students to bring back something much more sinister.

[sarafangirlart]

Treasure Planet is a banger movie with cool world building but did you guys know that Treasure Planet was based on a book called Treasure Island by Robert Louis Stevenson? He also wrote Strange Case of Dr Jekyll and Mr Hyde, as well as other novels like Kidnapped.

I’m bringing this up bc now I’m imagining an animated adaptation of Dr Jekyll and Mr Hyde in the same universe as Treasure Planet but with a cosmic horror twist.

[bulbabutt]

not to still be all up in arms about the transformers religion but holy fuck, robots having religion is nothing new, they can have theology! that makes sense! robots who are fully sentient seeking out a reason for their souls is totally fine! im not saying the transformers shouldnt believe in primus or the all spark or believe in the 13 primes that whole thing works, it just bothers me that the canon of their religion is canon to the story. why is their planet LITERALLY their god. why is their religion based in literal history. i shouldnt even call it their religion, its just their canonical history. thats the problem! it comes from the perspective of writers who see religious doctrine as real history!

it also sucks for the nature of the robot as a concept! instead of being machines so advanced they are sentient, they are now fully formed beings granted souls by their god. thats no longer synthetic life conceptually, is it? that is a higher being creating life out of nothing. the concept of robots comes from slave labour, machines created by man to further their own advancements. machines created by organic life, not machines granted life by an ethereal being. they were created as commentary on capitalism. it asks the question "if this life is created synthetically, but it forms sentient thought, it is alive?". most other stories containing robots do this. think about overwatch's omnics, mass effects geth, star trek characters like data and the doctor, we the audience see them as alive but people in their worlds have to debate about it. that is the point of science fiction, to have theological discussions about robots.

what disappoints me about transformers isnt the changing of the lore, but the fact they couldnt conceive of anything more interesting to say about robots. i was watching g1 thinking "i cant wait to see future adaptations take this concept and flesh it out", and watching these adaptations strip the nature of the robot entirely from the lore in place of some all powerful god really sucks! imagine if their theology was the same, but their history was not. imagine robots who believe their planet is their god in spite of not actually knowing that to be true. wouldnt that be conceptually more interesting? wouldnt that say something?

instead of a unicron who is just a cosmic horror, a rogue planet who hungers for other worlds to sustain itself, unicron now represents all evil in the universe. hes a being of pure evil, existing as the equal and opposite to the canonically good god primus, the planet of cybertron. that ruins the concept to me. theyre taking the fun of science fiction out of it, turning it into basic "all good in the universe comes from god". it takes the choice of being good or evil out of it. giving them literal souls takes them choosing to say they have souls out of it. it takes the choice of valuing biological life away from the robots themselves to say that it is simply evil to not.

maybe some adaptation i havent gotten to yet will say something else, but as it stands right now im just so disappointed that this is the route it took.

[tyrantisterror]

How are monsters classified in Offbeat Melodies?

Short Answer: Very, very, VERY loosely, especially compared to my other stuff.

Long answer: Ok. so, if Midgaheim is inspired by European mythologies, and ATOM is inspired by atomic age myths about paleontology and radiation (i.e. dinosaurs were big lumbering reptiles, radiation makes animals become giant monsters, etc.), then OM is inspired by, like, 1990's era Cryptozoology, UFOlogy, and Paranormal "Science." It's fantasy by way of Unsolved Mysteries and Leonard Nimoy's In Search Of (ok that predates the 90's but whatever it's the right vibe).

So the main approach to monsters is more or less "would this make a good urban legend?"

There's also a good bit of Lovecraftian Cosmic Horror baked into it too - including the Goblin Universe hypothesis in Melody's world building kinda made for the perfect opportunity for me to scratch that cosmic horror itch, and since my main setting really doesn't work with that stuff, it felt natural to include it in the cosmology here. Melody is very much a place for me to play with the toys that otherwise wouldn't fit in my main setting.

With all that said, I have two different loose taxonomies for the monsters in OM. The first is by Archetype, and the second is by Nature.

By archetype, they are:

Cryptids: Your nessies, your big foots, your chupacabras, etc. Creatures that seem like they could fit within our understanding of life on Earth.

Aliens: Visitors from beyond the stars who came here using incredibly advanced technology.

Ghosts/Undead: The souls/bodies of people or creatures that have technically died yet somehow persist.

Eldritch Abominations: Beings from another reality whose very presence is beginning to change what the "normal" reality is, often to the detriment of the people and creatures who live here. Colonizers from another universe, basically.

Wacky Nonsense: Silly and bizarre monsters who tend to be pretty light-hearted in concept even if they still prove to be a threat. The most prominent example would be the Gattlesnakes, a group of giant pit vipers from another universe who wear mech suits that can convert into muscle cars, and carry gatling guns that can convert into slurpee machines. Their small, tight-knit gang of inter-universal outlaws include Fancy Dan, Rhonda Rugged, Calamity Janet, Monosyllabic Chuck, and their leader, Cobra Gunner, a massive cobra whose mech suit is more akin to a flying battleship and can transform into a giant base. They're basically like if the villains of an obscure 1980's toyline escaped their home universe and tried to hide out in ours.

By nature, they are:

Mutated Natives: creatures from the "normal" universe that have been mutated/altered by contact with beings, substances, or even just the very essence of other universes. The most prominent of these would be Duchess Scissorjaw, a hippo-sized snapping turtle that was captured in Melody's Lake Alto and is living in a zoo display at Melody's Wax Museum. While the players and audience of Offbeat Melody know that it's not normal for snapping turtles to get that large, the discovery of Duchess Scissorjaw was rationalized by humanity within the story as "Well, I guess snapping turtles can get a lot bigger than we thought," since that is the simpler explanation than the reality, which is that she's a mutant who absorbed some of the essence of the Sea of Monsters. Almost all of the undead creatures in Melody count as this, but the other categories actually tend to be...

Interuniversal Visitors: i.e. the VAST majority of Melody's bestiary. Almost all of the main monsters in Offbeat Melody, from its Nessie and Big Foot analogues (the Altopogo and Southpaw Sam) to its alien visitors (the Kaleidoscope Men, the Grays, Ivora Sykes the Melody Mothman) to the Wacky Nonsense and Eldritch Abominations, are visitors from other universes. This category could be split into creatures that have "gone native" - the Altopogo and Southpaw Sam may come from alternate universes, but they traveled to Melody to help preserve the very fabric of the "normal" universe, and are important guardians of it as a result - tourists who are just here to visit, and conquerors who want to reshape our reality and/or its inhabitants into something more to their liking.

[badunguskablungus]

Alright. I've been told the People want to hear about my wacky magic system

Here it is

This is Ápomancy.

It's similar to the basic elemental bending power, but with more focus on customization.

Rather than having just one element(although that's possible), you'll have 2 elements based on your personality that combine into a more specific element. This is meant to have characters who have unique ways of utilizing their Very Specific Element.

The brown dots are the Base elements, and the grey dots are the combined elements. I know this is shitty but there's more if you guys want to entertain it. If you have any questions you can ask me and I will respond

Thank you for looking at this

(table for easier viewing. The combinations containing two of the same element will be explained later)

Additionally, this magic system is actually a fuckin Pathogen. If you're infected with it, you gain access to it but will also give all your power to a Cosmic Horror Monstrosity hiding within the universe when you die

[theholmwoodfoundation]

THE HOLMWOOD FOUNDATION SEASON ONE SUPPORTING CAST

BASIL WAITE - THOMAS VAN HELSING

Basil is a puppeteer and puppet builder, who currently lives by the sea in rainy South Wales. He is well-versed in performing without being seen, as he’s usually under a table or behind a desk, so this project will be a lot more comfortable…! When he’s not making creatures from fleece or doing silly voices, he’s usually listening to an audio book or podcast, so he’s thrilled to be involved with this amazing project!”

MICHELLE KELLY - HENRI MARTIN

Michelle Kelly is an actor, voice actor and TTRPG performer based in Yorkshire, UK. You can hear her as Niyathi in The Secret of St Kilda, as Alexandria in Tales From the Fringes of Reality, and as multiple characters in The Silt Verses, Folxlore and Shadows at the Door. Find out more about her work at https://michellekellyperformance.carrd.co

JACKIE CALISTAHHH - ELENA

Jackie Calistahhh is an actress and seductress. She works in SFW and NSFW productions alike: Commercials, videogames, erotica. She loves immersing herself in different characters and worlds.

ROBYN HOLDAWAY - CAM

Robyn is a non-binary actor best known for their work as Layla in Netflix's 'Sex Education'. Their credits also include: AMC's 'Moonhaven', BBC's 'Strike: Lethal White', and various other stage and screen roles. Their audiobook work includes the award winning 'Our Wives Under the Sea', as well as critically acclaimed 'Sistersong', 'How To Understand Your Gender', and 'Skin'. Robyn can be heard in the audiodrama 'Camlann' and in the upcoming video game 'Eternal Strands'. They are an active member of the LGBTQ community, and they are passionate about bringing this diversity into the mainstream both as an artist and as an activist

DAVID AULT - DR TIMOTHY LAKE

David has played major roles for many productions, including his 'Best Actor' award-winning portrayal of Byron in The Byron Chronicles. He can also be heard at the No Sleep Podcast, Shadows at the Door and Colonial Radio Theatre, amongst others.

KARIM KRONFLI - DAVE

Karim has been a professional performer for over 30 years originally working as a juggler and firebreather. Trained as a Director and Voice Actor at City Lit in London he started doing voice work in 2010. Specialising in audio drama he has appeared in over 100 productions including Re: Dracula, The Magnus Archives, London After Midnight, SCP Archives, Dr Who: Redacted and many more.

CANDACE MCAFEE - MAGDALENA SWIFT

Candace the Magnificent (they/she) is an actor, TTRPG performer, and writer based in Fort Lauderdale, Florida. They love bringing their unique voice to a wide variety of projects, from commercials and animation to improv and audiodramas. You can hear more of their work in the upcoming video game Monaco 2, the cosmic horror audio drama Partial Veil, the actual play podcasts 3 Black Halflings and Frequencies, and many more. Learn more about her here: https://candacemcafee.carrd.co.

ANDREW BISS - JONATHAN HARKER 3RD

Andrew is an actor, voice actor and playwright, with an extensive background in theatre and film. Recent credits include the audio dramas ‘Station 151,’ ‘Vampire: The Masquerade Port Saga’ and the newly released ‘Clawmoor Heights’ as well as narrating the documentary series ‘Building Icons’ for Warner Bros. Discovery. He is the author of the best-selling book ‘Monologues They’ll Remember You By’ and is a graduate of the University of the Arts London and a member of the Dramatists Guild of America, Inc. More at: andrewbiss.com and adbvoiceover.com.

As always, you can listen to our pilot episode now for free at the link below. And please donate to our Kickstarter for Season One, if you're able!

[thetygre]

Looking through some early Junji Ito stories in the newest omnibus, and it strikes me that an aspect so many contemporary cosmic horror stories miss is that of High Strangeness. One of the best modern cosmic horror movies, The Mothman Prophecies, was based on a nonfiction book all about the High Strangeness in West Virginia during the 1960s. Even a relatively benign case of High Strangeness, All Colours Sam/The Sandown Clown, is unnerving because the case itself assaults our sense of reality and how the universe works. It’s important for good cosmic horror to confront the audience with the fact (not the possibility; the fact) that even with all our scientific mastery, we know incredibly little about the nature of our existence.

[valtsv]

i feel like your ocs would have amazing aita posts

oh definitely. in fact here's a sample for you.

Annie: "AITA for constructing a moral framework based on my belief that I am a character in a cosmic horror setting where my knowledge of the horrors makes me a target and thus I must do whatever it takes to survive (NOTE: I have justified the ruination of the lives of hundreds of people thanks to this worldview, but in my defence most of them had the potential to kill me even if they weren't actively trying to do so)"

also "WIBTA if I were to wander the earth leaving a trail of destruction in my wake until someone puts me out of my misery because my boyfriend died"

Lincoln: "AITA for continuing to pursue my passion of making music even though it compels people to kill each other (btw my new album is now available for pre-order!)"

Samara: "AITA for helming a highly dangerous expedition to the Arctic despite my lack of experience in this regard in order to prove to my father that I'm worthy of inheriting his company"

Nicky: "AITA for becoming a tool of the state in the fight to prevent angels and demons from abusing or destroying humanity for extremely personal revenge quest reasons (I do torture people for information as part of my job)"

Eddie: "AITA for placing myself intentionally in high-risk situations to spite my overbearing sister (regardless of your verdict I will be continuing)"

Logan: "AITA for tying my loyalty to whoever I perceive to be the most capable of protecting me from harm at any given time and doing whatever they ask of me unconditionally"

Fen: "AITA for letting people drown if they don't pay me to ferry them across the marshland which I am a physical manifestation of"

The Radio Host: actually i'm not even gonna try to write one for him he's a genocidal dictator who wants to turn the universe into its personal surveillance state

Dante: "AITA for running away from home to play a game that could kill me because I didn't want to talk to my parents about my mental health and also being a nepo baby I guess"

Maja: "WIBTA if I just lay down and gave up while my team are waiting for me to bring back help and rescue"

Pentifer: "AITA for killing innocent people so I can use their corpses as puppets to get close to my assassination targets if I was abused by my creator until I became hateful and cruel and now have no reason to trust that anyone will treat me differently when I'm widely feared and considered an abomination"

Jocelyn: "AITA for being an opportunistic cult leader who eats people and turns them into cocoons for spiders if I was raised to believe I have no choice in the matter"

Ram: "AITA for dying so badly that it was the catalyst of the problems for everyone around me"

Radi: "AITA for being unable to fall in love with the person who loved the person I was before her personality and memories were forcibly erased and I was born from the ashes of her destruction"

[ddarker-dreams]

something i've always been curious about regarding the concept of soulmates is like. what exactly it's based off of. is it compatibility? initial attraction? chemistry? what the relationship could potentially grow into? is there some cosmic entity that decides the pairings? does that mean everything's predetermined and free will doesn't exist ??? it has to be them, the universe would rather rearrange itself than let you seek an alternative. what about when it hurts? is there a scale where so long as their gratification equals out your misery, it's considered fair?

idk. it seems like something bordering on cosmic horror to me.

[victusinveritas]

The Adventures of Tintin and the Horrific World of H.P. Lovecraft

✨✨✨

A Scottish graphic designer Murray "Muzski" Groat has created an incredibly fun series of art that takes Hergé’s classic comic character Tintin and throws him into the terrifyingly awesome universe of H.P. Lovecraft. I'd love to see how these stories play out! Maybe Peter Jackson and Steven Spielberg's next Tintin film should be The Adventures of Tintin: At the Mountains of Maddness.

Watch our brave adventurers flee from shoggoths, Deep Ones, fish folk, ghouls, Formless Spawn, Mi-Go, Elder Things, nightgaunts, Old Ones, Outer Gods and foreigners (i.e. non-Anglo-Saxons) as they face many an existential crisis regarding their insignificance on a cosmic scale!

What eldritch horrors await our companions as they unearth the secrets from untold aeons in the dark corners of the earth? Will they heroically flee from these abominations from the stars, or will they choose the merciful oblivion that is death by throwing themselves on squalid pavements or shooting themselves in the head? And what trick does Nyarlathotep have up ‘His’ sleeve this time?

Find out in The Weird Adventures of Tintin, by H. P. Lovecraft!

✨✨✨

Covers:

* Tintin in Innsmouth (originally posted 27 September 2010)

* Muzski's note: "Zadok Allen (the town drunk and ex-sailor) could be played by the villainous Captain Allen."

* Tintin in R'Lyeh (originally posted 5 October 2010)

* Muzski's note: "PLOT ENDING: Tintin uses a crowbar on Cthulhu (BONK!), while Captain Haddock kicks his groping tentacles and curses alot. Cthulhu see's stars and hears little birds chirping, and slumps back into his tomb. Our heroes slam the cyclopean door shut, then have a wee chuckle to themselves, while walking back to the boat. Once they sail off, only Snowy notices the great city of R'Lyeh sinking back into the sea, before he puts his head down for a long nap while the sun sets in the distance. The End. 🙂 "

* Tintin and the Reanimator (originally posted 29 October 2010)

* Muzski's note: "PLOT: Ok, here we have Tintin and Snowy investigating the dubious activities of (the misunderstood) Herbert West, who loves bringing dead things back to life with his lizard-gene-soup. Eeeek!"

* Tintin at the Mountains (originally posted 18 November 2010)

* Muzski's note: "PLOT: Tintin and Snowy travel to the newly discovered and very mysterious Mountains of Madness, in Antarctica. They are looking for a missing expedition party from the Miskatonic University. Their bold leader and their friend, Professor Calculus was with the doomed party when everything went wrong."

* From Beyond (originally posted 2 December 2010)

* Muzski's note: "THE PLOT: Prof. Calculus is too busy working on a top-secret project at the Miskatonic Uni involving an expedition to Antarctica, so he asks Tintin and Captain Haddock to check in on his old friend Prof. Crawford Tilling-Ghast. To make sure he is well. Crawford has recently been slandered by the scientific community, for his outrageous cosmic theories, and becomes a recluse. Our heroes visit Crawford, but they are surprised by his bizarre machine, humming away suspiciously with a feint violet glow around it. Something is wrong! Crawford acts strange. His house staff have disappeared. Snowy keeps barking. There is a sudden sense like that of a rushing incoming train. Slowly, and slippery, something ghastly appears above Captain Haddock's head....!"

* The Shadow Out of Time (originally posted 9 December 2010)

* Muzski's note: "I based the layout on the June 1936 issue of 'Astounding Stories' magazine cover, where Lovecraft had this story first printed -> [link] "

* The Dunwich Horror (originally posted 3 January 2011)

* Muzski's note: "PLOT: Prof. Calculus is currently teaching at the Miskatonic Uni. on the subject of Antarctica. He contacts his pals Tintin and the Captain about several strange goings-on in the area, which seem to relate to the scarey Book Of The Dead - The Necronomicon (the uni library holds a copy). At night, the mutated Wilbur Whateley has broken into the library, looking for THE BOOK, but he gets savaged by the watchmen's dogs. Our heroes here this, but are too late. Wilbur dies, muttering "YOG SOTHOTH!" Snowy sniffs around, and spots a very old book lying on the floor."

* The Whisperer in Darkness (originally posted 18 May 2011)

[see-arcane]

A Magnus (Protocol) By Any Other Name…

…will be just as horrifying.

Well, it’s time for me to dust off the corkboard, unravel some fresh red yarn, and cook up some new incredibly wrong but passionate theories. First one is bouncing off some key points:

1) The Magnus Protocol’s logo is composed of certain alchemic symbols, chiefly a version of the sign involved with creating the Philosopher’s Stone; the catalyst for riches and the Elixir of Life’s gift of immortality.

Especially tasty to consider, what with the first episode introducing us to poor Red Canary who discovered the ruins of the Magnus Institute were host to some strange symbols of its own inside.

2) A fellow by the name of Saint Albertus Magnus was kicking around in the 1200s and, like that famous French scribe Nicolas Flamel, he got a hefty posthumous reputation for having been a great alchemist on top of being a philosopher and scientist.

What does this add up to? First, I want to look at identity possibilities when it comes to who the Magnus(es) in question might be here.

Theory A: Jonah Magnus was part of a lineage with an itch to chase the more-than-earthly and, naturally, immortality. If not a direct descendant, then a sibling or cousin line. Can’t say Albertus would be jumping to congratulate the bastard for his ‘success story.’

Theory B: With apologies to the actual Albertus, maybe Jonah is that original alchemic Magnus. Or at least he wore the guy once upon a time and kept the surname. Maybe he fudged the ye olde records some centuries back. Death records, life records, whether or not old Al ran into some unsavory character with unpleasant gray eyes…

Theory C: Circles a bit back to A, in that Jonah wasn’t the only one in his family tree poking around supernatural and supernal forces. Assuming Jonah existed as himself at all in this place. Someone or something else might have been running this world’s Magnus Institute before it was roasted. While the current assumption is that the cast of characters we knew in The Magnus Archives might exist within TMP’s universe as themselves, we don’t have all the pieces yet.

Fun stuff!

But oh. Oh boy. I am chewing apart the implications of the main logo and the ‘protocol’ like an excited dog. Specifically, the possible implications of the Philosopher’s Stone symbol visible in the logo not being this…

…but this.

The sign is inverted. Which shouldn’t mean much, right? All the other little symbols chilling in there are right side up, what’s the big deal?

The same kind of deal that we see in the difference between a pentacle, associated with magic and pagan faiths in various forms:

And a pentagram, associated point blank with outright devilish and demonic dabbling:

Or, if you’re up on your Tarot, you know that there’s a world of difference between getting your card right-side up (delivering on the image’s classic meaning) versus flipping it to see the picture inverted (the opposite of the original intent).

So what does that mean for the TMP’s symbol, the same stamp which we might assume the Office of Incident, Assessment and Response has on their workplace? My guess: This is the insignia of a force or founder who put the ‘protocol’ in The Magnus Protocol. A foundation based on actively opposing what they took to be forces of a classically alchemic and/or infernal nature rather than the cosmic horrors we know the Fears as.

The Enemy is using these powers to evil ends. The Enemy is made of monsters. The Enemy includes Jonah Magnus, the spoiled offshoot of Albertus Magnus. Our sign is the opposition to his and others’ vicious quest.

Or suchlike.

In the style of Gertrude Robinson, the original person or persons behind the Protocol and our main characters’ Office appears to have hit upon a ‘fight fire with fire’ reaction to the Fears. We see how Alice, a veteran employee of the Office, displays a strong insistence on categorizing its statements very, very loosely, and actively not prying into deeper research in the way a place wholly possessed by the Eye would encourage. She’s seen people go strange upon following the lure of weirdness; but she knows from experience that the Office can be worked in jovially enough, sans side effects. The implication being that Colin is sprinting down that rabbit hole, poor dude.

If the OIAR is of the Eye, it is also against the Eye. Against all Fears, even as it absorbs statements of their actions. Feeding its patron while also cutting back the portions by way of not being too careful about the filing or the tasty background research. If the Eye is present at all in the Office, then it is settling for granola bars versus Jonah Magnus’ offered banquets.

Which all comes back to the question of:

If Jonah Magnus founded the Institute here, who is responsible for the OIAR?

My pet favorite is the ‘one who got away’ as far as Jonah’s classic 19th century days went—one Dr. Jonathan Fanshawe who got an eyeful of a victim’s blinking innards and broke ties with Magnus like they were pretzel sticks. We never do find out what became of him afterward.

His last written words to Jonah ran:

Nothing stood in the way of my retreat, and I dragged Albrecht’s body back as far as the coach. We left that awful place, and I have endeavored most acutely to forget the route. Before he was buried, I was able to secure permission to do an autopsy. I had some thought as to discovering the cause of his sudden, violent passing. Do I need to tell you what I found, Jonah? Do I need to detail what covered his organs, his bones, the inside of his skin? What clustered together in their dozens, and all turned as one to focus on me as I opened his chest, their pupils constricting in the light, with irises of every hue and color? Because whatever it was that did this to him, I know in my heart that it is your fault. I have had the body burned. Please do not write to me again. Your obedient servant, Doctor Jonathan Fanshawe.

You can feel the polite antique ice on that goodbye. Just as we can read here, and glean from his full letter, that the whole experience surrounding poor Albrecht is one he actively wishes he could forget. To not examine. And, of course, there’s the baited hook of Jonathan Sims’ next lines after reading the letter aloud:

Statement ends. (sigh) Disconcerting to find my namesake in a statement, especially one connected so directly to the Institute. I can only hope breaking faith with Jonah Magnus didn’t go too badly for him.

I can’t think of a better ironic hell for the good doctor than to find himself the abrupt focus of the Eye all over again. Especially when the meat of the letter-statement involves this scene:

“I had them rebound last year,” he said. “Damp can do terrible things to a book.” I told him I was certain that that was the case, but I must insist we talk about his health. Again he ignored me. Instead, he took the seat opposite me and started to tell me a story. And then another. And another. A stream of strange tales began to pour out of him, and I just sat there, transfixed, desperately wishing I had the strength of will to leave, but all I could do was listen. He told me of a seamstress, who laced her body with fine black thread, and when she pulled it all out in a single swift motion, her skin dropped away like a loose shift. He told me of a man so scared to die he spent a year weaving a rope blindfolded, so he would not know the length, and could not foresee the moment it would tighten around his neck when he finally threw himself into the void. He told me of a fire that burns so hot and fierce that to even know about it is enough to burn a man’s tongue from his head. He told me so many terrible things.

And at the end of it all, the only thing I could think to ask him was where he read them. My eyes darted to the books that surrounded us, but Albrecht laughed at this, and placed his hands across a spine that was simply labeled ‘A Warning.’ For a moment, he looked as though he were about to wrench it from its place and hurl it into the fire. But it passed. He turned back to me. “You do not understand,” he said to me in German. “I do not read the books. They read me.”

Isn’t that something? A crossing of paths with the Eye that wasn’t just inflicting its Stare upon him through a victim or an avatar, but effectively pinning Dr. Fanshawe in the role of the unhappily avid audience, however briefly. Forced to absorb a litany of horrors as another Jonathan would so many years later. Good foundation for someone who, upon discovering the insidious supernatural Powers That Be were not about to leave him alone, would try his best to turn that force into something to use against the monsters. A habit among Archivists who’ve had Jonah Magnus inflicted on them.

Assuming it is Fanshawe at the roots here, the act of designing a symbol centered on inverting the Philosopher’s Stone sigil makes sense. Cosmic and eldritch horror wasn’t really on the table for that era. But the demonic and the arcane were. As were, we can assume, history books to do with famous old Albertus Magnus and his possible connection to Jonah ‘Wants to Be an Immortal All-Powerful Specialboy’ Magnus. Whether it’s Dr. Fanshawe behind the OIAR’s inception or not, having it be somebody from Jonah Magnus’ early days works out—they would assume the bogeymen at work were merely hellish, nothing broader.   

Plus, there’s just plain narrative convenience to consider. ‘19th century guy knows Magnus is up to shit with his Institute. Gets suspicious. Gets avatar’d against his will. Gets proactive about it. Named Jonathan, good for a bait-and-switch down the line.’

But, I could obviously be 1000% wrong, as per usual with ¾ of my Magnus-flavored theories. It could be someone or something entirely unrelated, though I’m keeping my fingers crossed for Fanshawe. Especially when I stop to think about how very fond the Fears are of avatars who play hard to get, forcing their essence and power on those who want it least.

The arachnophobic Annabelle Cane.

The endlessly exhausted Oliver Banks.

The goodwilled and betrayed Michael Shelley.

The empathetic sacrificial lamb of Jonathan Sims.  

And perhaps, there at the start, Jonathan Fanshawe. Seeing and being Seen, balking at the Ceaseless Watcher’s work and the stories it wanted to share with him. Maybe, maybe.

We’ll just have to wait and See. 👁️

[theaudiofiend]

Writeblr Introduction

Hello everyone! This is a bit of a different Writerblr introduction. I wanted to join this wonderful community and chronicle some of my writing projects that I plan to one day turn into an audio roleplay series, maybe even a book, who knows. I'm a Voice Actor and you can call me Fiend. I very much enjoy creating supernatural worlds and am inspired by podcasts like Welcome To Nightvale and The Magnus Archives.

About The Writer

Bisexual with nonbinary tendencies

He/They Pronouns

Three and a half cats in a trenchcoat, actually

I enjoy puzzles and tactical games

I'm Autistic (creating magic systems is one of my special interests, actually)

A world history and mythology nerd

Lover of videogames (RPGs, horror, souls-like)

I could talk for hours about Dark Souls. Days and months even, if you ask me about Bloodborne. Tread carefully.

I enjoy writing about supernatural mysteries, mythology, gay monsters, GNC characters, philosophy, unique magic systems, character-driven narratives and also building complex worlds.

About The Projects

I have created a multilayered Universe for my projects, in which I write different character-driven narratives that affect a world consumed by mystery and the supernatural. These are meant to be interactive stories, so each character interacts with the listener and will be voiced by me in my upcoming audio series!

Beast Beneath The Moonlight: A story about Gabriel, an idealistic intern at a hospital whose life goal is to save as many people as he can. He is turned into a werewolf and is then forced to confront his inner beast, contemplate mortality and understand the true meaning of strength.

Written in Blood: Killian, a very old vampire from a bygone era, struggling to cope with the death of his lover centuries before, trying his best to live his remaining days in peace until his very bloody past starts to catch up to him.

Fiends With Benefits: Levi, a half-demon caught between the Mortal and Supernatural world, expected to be the best by both worlds while not being accepted by either. He lives under his predecessor's shadow until a plot that could unravel Fiend Society is brought to light.

There will be more stories within this world, so stay tuned.

General Aesthetics and Tropes

Urban Fantasy, Hidden World, Supernatural Creatures Are Among Us & They Are Incredibly Hot, Magic is Real, Angst, LGBT+ themes, Bi Vampires, Dark Romance, Sexual Themes, Monsterfucking, Understanding the Nature of Humanity despite not being Human, The Struggle between Logic and Emotion, Found Family, Actually Horrifying Vampires as Well as Stupidly Sexy Vampires, Lesbian Victorian Ghosts, Werewolves but Not Always Wolves. Wait, there's more... Fate Doesn't Exist, God Isn't Real but The Devil Is, Interconnected World where Magic and the Mundane meet, Cosmic Horror, Religious Horror, Body Horror, Death and What Comes After, Interpersonal Drama, Introspection, Tarot-based Characters, Slight Anime Vibes (Gasp), Paranormal Mystery, Hidden Worlds within the Hidden Worlds, Mythology is Real, Man is the real Monster, Dark is Not Always Evil and Light is Not Always Good.

[starsoftheeye]

TMagP 17 Reaction

Pre-Episode

I've discovered that acting disinterested literally makes the episodes show up earlier on my youtube account, so I've gotta play mindgames on this app every thursday to get to see the episodes less than half an hour after they release lol

Pre-Statement

Ah Celia is back on her bullshit

Wait did she just nearly get ran over???

I feel bad for laughing at her but her only reaction being "Oh for gods sake" is super funny to me how long has she been doing this

oh hi sam

oh god she missed their date :[

something tells me a habit is going to be made of this, especially considering she literally cannot help it

"it really wasn't" yeah no wonder you nearly became roadkill

theyre so cute i love them

ooh shes mad

Statement

"catalyst" huh, have we heard that before or is this the first time

pfft not the interviewer getting read to shreds

wild theory before i keep going, based on the title "saved copy" and the "identity crisis", "existential horror", "temporal distortion" and "captivity" tags, im going to assume that this person going to therapys having the details of their life copied somewhere for something to replicate and replace them, and the doctors gonna attempt to get rid of them but obviously it didnt work. either that or the guy outside the office does something

as someone whos never done meditation before this is not encouraging me to start

ah office spaces, the worst of cosmic horror

wait did they get teleported or something

tbf if my taxi driver started driving completely the wrong way i'd assume the worst and start "exchanging words" too

oh my god was i right

wait is this copy based on their therapy, a version of themselves with no problems whatsoever? and is this gonna be a "there can only be one" type scenario?

oh wait no i forgot siblings exist

wait nvm them having the same name is weird

"dates and times" so this is where the temporal distortion comes in ig

yup

i'm sticking with the "rich-darrien is a copy trying to assimilate into og-darriens life" theory for now

yeah because thats not normal darrien, even if youre related no-one looks completely identical apart from glasses, teeth colour and a lack of a beer-gut

do they both think the other is the copy, or does sharron just not know?

oh god what is he hiding

does he beat up a real person every time hes upset

of course it was his father that makes sense

oh my god the sound design

oh my god he's the one who assimilated thats so cool

good for sharron i hope shes doing okay

off-topic but i love the way the voices get more real as the statement goes on then go back to their more robotic tone at the end

Post-Statement

as a celia fan i am eating well this week jeez

celia my dear what do you mean by that "not exactly the same though, it is?" girlie what have you done what are you hidinggg

alice!

who was playing the music in the background there?

as someones whos computing department in school consists of keyboard with never-before-discovered types of bacteria wedged between the keys thats valid

alice dyer i love you so much

ah the dyhard is dyharding

ah yes the mutual "i'm traumatised and i know you are too but i don't like you enough to give details on mine or ask about yours so we'll just sit and suffer in silence til the ice somehow breaks" dynamic

also colin mention woohoo i love the scottish man

the computer start up noise and power down noise at the beginning and end of every episode kind of makes me think that someone is watching all of this (maybe us, or more likely someone in-universe)

anyway that was fun, i'm doing this late but this was a nice way to spend my first proper off-day since finishing all my exams

[cartoonistcoop]

ShortBox Comics Member Interview: Zen K.

Throughout the month of October, the Cartoonist Cooperative will be sharing interviews with members of the Co-op who have a new comic available at the ShortBox Comics Fair 2024! 

NOTE: The Cartoonist Cooperative is not affiliated, associated, authorized, endorsed by, or in any way formally connected with ShortBox.  

Today’s spotlight is Zen K a.k.a @nodplus50pts and their new comic for ShortBox, Runaway Mayhem.

We’d love it if you could introduce yourself and tell us about your background in comics.

Zenab Khan: My name is Zenab Khan, I go by Zen K. online too! I’m a freelance illustrator and designer based in the UK who’s been drawing ever since I could hold a pencil! I started out drawing Pokémon when I was a kid before discovering manga in middle school, where I mostly just drew very short and silly fancomics. I’m someone who’s always wanted to venture into making comics, and I think by now it’s been nearly 10 years since I told myself that I’d write a doujinshi (self published fanwork) one day, but always found it daunting to commit to it because of impostor syndrome and whatnot. I finally decided to challenge myself and do a complete one-shot for my thesis project on cosmic horror last year and how it’s utilized in a visual medium like comics. It’s called The House on 52 Carlton Street and it basically ended up being the catalyst for me to really fall in love with making comics!

Tell us more about your new comic?

ZK: My comic for ShortBox Comics Fair 2024 is called Runaway Mayhem: it’s a sort of sci-fi story that I wanted to explore the human condition with. I feel like a lot of its themes are fairly topical with the direction tech seems to be headed. I still wanted a more grounded feel to it despite it being a post apocalyptic sci-fi setting, only with the added perk of “things were bad but they’re pretty OK now.” I poured a lot of love into the characters and would love to explore their story and universe again eventually!

Read the rest of the interview here!