#the undeniable

[firlachieldraws]

My boy “Bai” from a The Between game my friends and I are playing (lots of fun, can recommend). He’s The Undeniable which is basically the Dorian Gray class of The Between, so naturally he’s very pretty and very charming and... for the thinking bits he has his people.

[athinginmotion]

I simply cannot hate Taylor Swift, she is a fascinating psychological study to me. Being a never-satisfied, perpetually hungry striver who recklessly amasses riches and fame but perpetually yearns for love and who is somehow both extremely calculated and conniving and embarrassingly earnest and sincere is so compelling and Great American novel of her. She is Jay Gatsby to me.

[mischievous-thunder]

Sometimes the dialogues are the same but the roles are reversed in different universes

Flirt like Wade and Logan flirt across the multiverse

[montereybayaquarium]

Meet Red X, an animal so new to science that it doesn’t have an official name!

We’ve collected these captivating comb jellies in Monterey Bay alongside our research partners at @mbari-blog. Together, we’re learning more about them—and the deep sea—every day!

You can see Red X today in our Into the Deep/En lo Profundo exhibit!

[bisexualpercyjacksons]

pjo tv show episode 5 alignment:

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[chloesimaginationthings]

Happy Father’s Day to everyone but FNAF William Afton..

[ruporas]

kiss of the divine

[doikayt]

fundamental to bioessentialist and zionist ideology is a refusal to recognize that victimhood is situational rather than ontological

[kumeramen]

The dungeon meshi meme got me reminded of these trio lol

[poorly-drawn-mdzs]

Making and Remaking Memories

[First] Prev <–-> Next

[vigilskeep]

[ID: reply from @tianlavellan saying “hey op i hope this isn't annoying please absolutely 100% ignore me if it is but - if you're willing to ramble about neve. make me like her? i'm so sad because i just don't care for her and i wish i diddddd please help me change my mind about her?”]

she’s SUCH a male character archetype, is i think what gets me

in veilguard every companion’s world adapts to the genre that the companion belongs to. dock town is constantly in a detective story, because neve lives there. (or neve is who she is because she lives in a detective story? food for thought.) but she doesn’t play the role women usually do in those stories. by rights she should be a femme fatale or a weeping widow or a dead body. instead, she’s the lead, the emotionally calloused private eye who smokes and can throw a punch, the protector of the people

and she gets to be so many other things that are in my experience usually only for male characters!! people respect her and rely on her without question, nobody surprised that she’s capable. she focuses on work while living off greasy fried food in a lonely apartment, none of which is presented as some kind of embarrassing failure of femininity, just what she’s chosen to value. she’s allowed to be suspicious, to make you work to win her trust, to withhold her forgiveness and supportive spells from you if she chooses, without being painted as a bitch for it. she gets to be the jaded lone wolf of the team! that’s crazy! it would be so easy to play her as an ice queen “strong independent woman” whose confidence never cracks, but instead they get the dry, cynical tone and tight hold on her emotions without denying that she has emotions or making her feel like less of a person who gets to have needs and griefs and worries too. they got a really good balance of how she clearly could use more support than she’s had, without it feeling like she needs a rescue. she can live without you, she just shouldn’t have to

she’s just so cool idk... i think she doesn’t reveal as much as easily as some of the other companions, but that’s why to me it feels so much more earned and interesting when she DOES open up

[frodo-a-gogo]

Let us be brutally honest with ourselves and with eachother for a moment. If he weren't obese you motherfuckers would be capable of percieving evrart claires sexy sexy moral ambiguity and complex charms

[toorumlk]

this could’ve been them after the slugclub christmas party had they gone together *sighs*

(redraw of a romione art from last year)

[luckycheesefoodie321]

Sanji babe. I know your track record in flirting with women is lacking but I can confirm for you that that whole convo with Zoro about food and who saved whose ass was flirty as hell and Zoro was receptive. All I’m saying is maybe you should expand your scope a little.