#the three as a family realizing that WHAT they're doing doesn't matter as much as long as they're doing it TOGETHER

[lady-charinette]

Rei shooting himself in his dominant arm, most likely permanently injuring most if not all of his nerves so he could effectively only use his left hand.

Rei most likely not being able to play any video games anymore, his main coping mechanism and hobby throughout the show, something he did in the beginning to the point of neglecting to take care of Miri and doing house chores.

Rei most likely, after extensive physical therapy and relearning how to use his right hand as his dominant one, trying to find other stuff he could turn into hobbies except gaming.

Rei most likely finding true joy in not just playing games himself, but watching others play them.

Watching Miri and Kazuki battle it out in the kid friendly and later on more action video games together and having fun and bonding over how bad of a sore loser Papa Kazuki is and how well Rei taught Miri how to play by supporting her with tips from the sidelines.

Rei most likely finding that, even if he can't play himself, he enjoys watching his loved ones play his video games in his stead because he gained something so much more to hold dear in his heart by losing his arm.

[doctorwhoandfairytaillover]

Loving Arms

Summary: The children of Viserys I from his wife Alicent Hightower had always been lacking in affection from their parents. They simply didn't realize how much until their widowed aunt was brought into their lives. (AU where Alicent has an older sister and her kids get the love that they deserve, takes place some time after the Driftmark event)

Part I: An Important Guest

A/N: No pairings as of right now as I want to focus on the familial and platonic relationships with Greens when they're still quite young. This is possibly only the beginning (credit for the divider goes to @kawaii-lau)

126 AC

Some months after the funeral of the Lady Laena Velaryon, wife of the Rogue Prince Daemon Targaryen there was much clamor in the Red Keep. For the eldest daughter of Otto Hightower had been summoned to court after more than a decade away from the intrigue and politics that surrounded the throne and her family. Not much was known about the sister of the Queen apart from what had been known from her previous shorts visits in the early years of her sisters marriage and births of the younger royal children. The elder Hightower girl had been married two years prior to Alicent's own marriage to the King.

Hoping for a future alliance with the house of his eldest daughter's husband, Otto had the girl married to the younger brother of Qoren Martell who served as the reigning Prince of Dorne. But upon the death of his son by law, it was expected by the Hand of the King that his daughter would return to follow her filial duty of remarrying once more upon her return. Only... the man had not accounted for how his grandchildren would come to react to the arrival of their long unseen aunt.

--------

Aemond was positively annoyed with his older brother Aegon, "You could not think to ready yourself for our guests arrival ahead of time? Must you always make the lot of us appear inadequate because you choose to drink yourself into a stupor?"

Halaena, Aegon, and Aemond were specifically told to prepare for an important guests arrival but because of the elder amongst the three not being ready on time, it appeared that they would be late in their greetings. In his haste to reach the throne room faster, Aemond almost stumbled over his own feet and he cursed quietly to himself as he attempted to avoid tripping.

"Need help walking, do you Aemond?" Aegon giggled.

"I can walk just fine," Aemond mumbled. "I simply need a bit more time to recover my sense of balance on account of my... my eye."

The younger Targaryens response quieted his brother and the elder turned his attention to their sister.

"Were you told anything about who our important guest is meant to be?" Aegon asked. "One would think that if they were such an important person, we would all have to be alongside our mother and grandsire by the entrance."

Halaena shook her head, "I think we've met them before, but I cannot be certain if it's who I think it might be."

"Oh and pray tell, wise Halaena. Who could it be?" Aegon mocked.

"Didn't mother happen to receive a raven some weeks ago that our uncle the second prince of Dorne, the husband of our aunt had passed from the sweating sickness."

"Why on earth would that woman come?" the eldest asked, "I don't think she has come to visit King's Landing since the birth of our dear Aemond. Not that I could begrudge the woman, I heard that it was a miracle our grandsire married her to a Dornish prince since she apparently was deformed and all found her a lost cause."

"Perhaps if you listened when Mother informed you about who our guest would be, then we would all know, now wouldn't we?" Aemond huffed. "And don't speak of our aunt that way! Show some respect!"

"It doesn't matter, we will know soon enough if it truly is her or not, and it's not as if our aunt will ever know, I doubt it could be her" Aegon grumbled.

The doors to the throne room were opened upon their arrival and all but one turned to look at the trio that had come into the room quite late. The children could see the frown that their mother wore clear as day when she looked upon them, her disapproval apparent at their actions. While their grandsire had a near equal downturn of his lips but it was more in his eyes that one could see the disappointment at the trio.

"Ah, so good of my grandchildren to finally make their appearance!" said ser Otto. "We had all wondered when you might grace us with your presence!"

Aegon merely rolled his eyes at the words of his grandsire, while Aemond and Halaena looked down in embarrassment.

"Oh come now Father, I am sure that my nephews and niece meant no harm and tried to make haste. They couldn't have expected that I would be the one to arrive."

Three sets of eyes were quick to look over at the person who spoke.

They could only see her profile, but it was apparent that the person could be no other person than their elusive aunt. The eldest daughter to Otto Hightower and his wife Alyrie Florten, widow of Prince Doran of House Martell, the Lady (Y/N) Hightower.

She wasn't an imposing figure, in fact, compared to her father and younger sister. Their aunt was not much, but... that is actually something that they appreciated about the woman. All their lives, the siblings had such imposing men and women that surrounded them or directed them at all times, but not (Y/N). She stood out in a gentle way, a steadiness to her presence. Unlike the prim and elegant hairstyles of the court, it was loosened and decorated with a few blossoms. Her gown was a pale green and embroidered with the symbols of both her own house and that of her late husband, with towers and suns. But most of all, there was no dismay in her gaze as she looked at them from the corner of her eye, rather she smiled affectionately and warmly.

"Come children," Alicent guided them closer. "Come and greet your aunt." And in a harsh whisper to Aegon said, "And don't even think about commenting on her appeareance!"

When their aunt fully turned to them, all held back a gasp when they saw her full countenance. A glassy grey eye stood out on the left hand side of her face that had obviously been burned. Carefully she stepped toward them and the three were ushered forward until they stood only a step away from her.

Unwaveringly she smiled at the trio and approached Aegon first, "You have grown much in the time since I last saw you."

Hesitantly, she reached to cup his face in her hand and the boy flinched, this stopped her movements and made her smile drop slightly. Carefully she waved her hand and asked, "May I?"

Tentatively, Aegon nodded and allowed his aunt to softly cradle his face in her hands. Her one good eye flickered across his face and she smiled at him once more, "Such a handsome young man. Must be the Hightower in you, because you and I seem to share the good looks."

His aunt's comment seemed to release the breath that the group was holding, because Aegon, Halaena, and Aemond couldn't help but giggle. A soft warmth settling in their bodies as they attempted to stifle their uncontrollable laughs.

Alicent saw their laughter as rude and intended on scolding them, but a raised hand from her sister was enough to have her hold her tongue.

Stepping away from her elder nephew, (Y/N) noticed how Halaena's gaze shifted away from her own and understood. She simply curtsied to the girl, "I look forward to getting know you more Halaena and perhaps you could show me your things of interest."

Halaena timidly smiled and curtsied in return, "I like all sorts of insects."

"I am sure you do, sweet girl."

And lastly, her gaze turned to her younger nephew that was shuffling nervously where he stood.

Quietly he asked, "Does it still hurt you?"

Her smile never wavered as she answered, "Thank you for your kind consideration, nephew. Sometimes, it does ache but I am fine now."

A gentle calm settled amongst them, but it was disturbed when ser Otto cleared his throat. "Come, dinner has been prepared and we have dallied long enough. I am sure you have needed a hearty meal."

"Of course, Father" (Y/N) agreed. "I am sure we can continue with pleasantries over a delicious meal."

The Hand of the King, carefully led his daughters out the room and so everyone else took this as a sign to clear the area. But the siblings stayed behind, a clear look between them that there were things they would need to talk about.

Tag List:

@minaxcarter, @hotleaf-juice, @pikomin, @deltamoon666, @cococrazy18, @firefairy, @dracaryxzs, @snowbunny58, @lacherrysouldy, @only4thefics, @queen-luna-007, @ambrivertenergy, @kayllineb12

[steddie-there]

Steve is bitchy. It's a known fact. He's a reformed mean girl and bitch is like a second language to him. Whether it's scathing commentary about Family Video customers almost before they're out the door,

"So apparently it's national hit on someone young enough to be your granddaughter day, who knew we had such a gross holiday?"

snarky conversations with the kids,

"Well, whaddya know, Dustin, would you look at this?" "What? "It's the coke you said wasn't in the fridge! Isn't it amazing how it just magically appeared?" "Oh, shut up, Steve." "I'm just so completely in awe!"

or calling out the people that still give Eddie nasty looks (and doesn't that make Eddie's heart grow three sizes and threaten to pop out of his chest and burrow into Steve's?),

"You know, Carol, if you keep making that face, it might stick like that. But look on the bright side, at least then the outside would be as hideous as the inside!"

Eddie adores all of it. Loves Steve's mile-wide mean streak. Loves how he can use it to tease the people he loves or decimate the latest idiot he's been forced to deal with.

But Eddie's favorite, the best, the most wonderful, absolutely fantastic moments of Steve's bitchiness? Those happen while he's driving. It doesn't matter what exactly has him riled up about another driver, Steve always has something sarcastic on the tip of his tongue to bitch about them with.

"Do you look as stupid as you drive? Dumbass."

"Jeeze, I never knew the white line was for driving on. What an amazing thing you've discovered!"

"Oh, apparently I missed the memo where 35 mph got changed to 55. Eddie, remind me to check the speed limit sign the next time we drive through here. God, what an impatient asshole."

No matter what it is, it always has Eddie stifling his laughter behind his hand. But this last time - they're at a four-way stop and the car turning across from them definitely went before it was their turn and Steve says, "Hmm, seems someone missed the lesson on taking turns in kindergarten," with that little bitchy tilt to his head - Eddie can't help the guffaw that bursts out of his mouth.

Steve looks at him from the corner of his eye. "What are you giggling about?"

"You. You just - you get so bitchy at the other drivers and, I swear to god, man, it's the funniest shit." He laughs again, says fervently, "Christ, I love you, Stevie."

And then he freezes. Realizes what he said. Takes a deep, horrified breath. It's too soon, they only just started dating, he can't say something like that, he's... He backtracks. "Uh... I mean, uh, I love when you - "

And then freezes again when Steve slides his hand off the steering wheel and onto his thigh, fingers curling around the inside. "So, you love me, huh?"

Eddie chances a glance over at Steve. Despite the teasing tone in his voice, there's something soft around his eyes and the edges of his smile. Something almost... hopeful.

Eddie swallows and decides fuck it. "Yeah, yeah I do," he tells Steve quietly.

Steve makes a quiet sound that goes straight to Eddie's heart. When he peeks over again, Steve is looking back and forth between Eddie and the road and his expression is so open and tender and happy that Eddie doesn't regret for a second what he said, even if it is too soon. "I love you, too, Eds," Steve says and Eddie feels his stomach swoop with butterflies. He puts his hand on Steve's, squeezes it, tangles their fingers together, grins bright at this man he loves so very much.

And if, after that, Steve goes out of his way to play up his bitchiness whenever Eddie is in the car and Eddie never stifles his laughter at it again, well, that's between the two of them, isn't it?

[littlemissayu]

TWST Boys as ✨ PARENTS✨(Part 1)

TW: kids, pregnancy, reader is depicted as female, domestic, fluff

ft. :Heartsabyul, Savanaclaw | pt.2 ; ft. Octavinelle & Scarabia | pt.3; ft.Pomefiore, Ignhihyde | pt. 4; ft.Diasomnia

Riddle Rosehearts-

This man only has 1 kid, maybe 2 but that's kinda pushing it. I think he would be so worried about messing up his child the way his mother messed him up. He'd be strict yet dotting on his children; like he'll make sure their homework is done by a reasonable time and then praise them for doing really well on an assignment, especially if it's a subject they genuinely struggle with. If I'd say a boy dad or girl dad honestly, I think it could go either way, but I'm leaning towards boy dad.

Trey Clover-

I heavily believe he will have a big family anywhere from 4 - 7 kids. And these kids are absolutely close in age because I know the two of you are gonna get very busy, it feels like you're always pregnant with other people. Just imagine Trey with a mini him (or you) helping him crack the eggs in a bowl while they're wearing matching aprons <3. He would be a gentle parent but would put his foot down went he needed to. When it comes to girl dad or boy dad I can only think both!!

Cater Diamond-

At first he wasn't sure he wanted kids bc kids are a lot to take care of, but after the two of you being together and going through so much. He realizes deep down he did want to start a family with you. He would probably want only one or two but your first pregnancy you end up with triples; then you two said that's it until you got pregnant again with twins!!(My headcanon that Cater's special magic makes it more likely to have twins, triplets, etc come for here!!). It wasn't what the two of you anticipated but you couldn't be happier

Your pair of triplets ended up being 2 girls and a boy, then your twins were girls. He's a very fun dad always staying on top of the trends and slang. He has a hard time laying down the law with his kids sometimes, so you have to do it most of the time but when he really has to he does. *Bonus: You guys have 4 family photo shoots a year, and multiple photo albums*

Ace Trappola-

He probably has 3-5 kids, but from time to time it feels like you have 4-6 kids. He's always getting into trouble with them, playing pranks on you and others, even each other. There is no quiet in your household, it doesn't exist til everyone's asleep. Your kids are the most playful and competitive children you've ever seen, but they know to dial it back from time to time; Ace told them "When your mom says it once, she might be joking, if she says it twice she more likely serious so listen, if you make it to three....your the only name going on that tombstone". You guys are the most chaotic adorable family ever.

Deuce Spade-

He has 3 kids and not a single one of them is male, bc this man is %100 a GIRL DAD!! At first he was nervous about messing her up but after your first girl turned 3 and your second is 1, he couldn't imagine having a boy. He is the most proud girl dad you'll ever see. Is so protective of his amazing girls(that includes you btw), would fight off mosquito if it bit one his girls, no matter have stupid he looks. Spoils his little girls in any way he can, luckily you're there to make sure their not TOO spoiled.

Leona Kingscholar-

This man has 2 children and always makes sure one never feels less than the other. He knows what it's like to be stuck in your siblings shadow so he tries to make sure that never happens to his kids. While he won't always be present since he is still part of the royal family and therefore will have certain royal duties to fulfill; he will always do his best to be there for his kids. He does sleep less then he did before since his life is busier, but he always makes sure to take a nap everyday so when he's with his wife and kids he'll be able to be in a better mode to see his beautiful family. He would have one girl and one boy.

Ruggie Bucchi-

3-8 kids. His kids are the rowdiest, sneakiest kids you've ever seen. Although most of the time they're super sweet(to you). The first time you two talked about kids you agreed on only 2, but after having your first 2 rascals. You two got some more baby fever and ended up having only a few more. You did have a good paying job so you could take care of your little pack of children. The Bucchi household never has a boring day because there is always something really exciting or crazy that is happening. Overall he has more girls than he does boys. You first daughter stays a daddy's girl <3, but dw he loves all his kids equally!

Jack Howl-

4 kids, an even amount. He isn't the most expressive Dad but his kids can tell how he feels based on body language and physical acts. While to others it may seem as if he couldn't care less about his kids, it is the complete opposite. Always making sure their ok, celebrating their accomplishments, and always encouraging them to do what they love. His kids can tell through these small acts that he loves them. Your husband loves to take early morning runs, ofc but when your kids are babies he would take them in their stroller so they can get some fresh air to get them in a good mood. He does that so that maybe if their baby is in a better mood you won't have to much stress when trying to figure out what they need; it makes both of your lives easier. At first the two of you though you'd only have boys bc of your first 3 but then low and behold, your last kid was a baby girl<3!!

Heartsabyul Masterlist

Savanaclaw Masterlist

TWST Masterlist

[tetheredfeathers]

Can we talk about how beyond messed up it was for Gale to suggest leaving Peeta and Haymitch behind.

“I have to, Gale. I can’t leave him and Peeta because they’d —” His scowl cuts me off. “What?” “I’m sorry. I didn’t realize how large our party was, ” he snaps at me. “They’d torture them to death, trying to find out where I was,” I say.

The audacity he has to snap at her, we're talking about life and death here. The way he openly disregards Peeta and Haymitch's lives is so disturbing, and he out of all people is very much aware of the Capitol's capabilities. Imagine how hurt Peeta would've been if he knew about this, I get that they're not all buddy buddy but that doesn't mean wishing pretty much death upon him just because your jealous.

I get it. He was in love, god knows love makes you blind but this is above and beyond. Especially since Gale is a fairly compassionate person, at least for his own people. I'm saying this because of how many people he rescued in MJ and still felt guilty.

Whereas you have Peeta willing to die for Katniss even if meant for her to go back to Gale, her happiness is all that mattered to him. These are things that really infuriate me when it comes to Gale, while his bomb and kisses with Katniss' are grey areas this selfishness when it comes to love is clearly a fatal flaw.

And then after all this he goes on further switching the scenario in this immature competition of who do you love/care more.

“And me, would you leave me?” Gale’s expression is rock hard now. “Just if, for instance, I can’t convince my mother to drag three young kids into the wilderness in winter.”

And the thing is he's scenario isn't even valid or realistic because Hazelle wouldn't have refused to go with them. Peeta's family is understandable being merchants and all. But Hazelle has suffered and more than knows what the Capitol can do.

There are some things that Gale does that are just unforgivable, and I get that all character's have made huge mistakes but most if not all have some excuse for it ( For example Katniss not talking to Peeta for 6 months, it was wrong but understandable due to the circumstances) while this was just plain selfishness.

[willowser]

okay yes. girl dad touya 100%. always. but what if the lil girl isn't his.

when you first start talking, you ask if he's single, married, if he's got any kids. just scoping him out. and he's like, "ew no. don't want any little bastards." LIKE OUCH. so that has you backing off a little, because you're very serious about bringing someone in her life and the last thing you're gonna do is pull in a guy that doesn't want to be there !! no matter how stupid handsome he is.

but dabi is more perceptive than anyone gives him credit for and i think he figures it out pretty quick. and he lets you go, too, for a little while, because he really doesn't like kids. grew up with three younger siblings and couldn't wait to get the fuck out of his parents house, probably left early at like sixteen or something. and he's really not looking to walk back into that kind of shitty family situation.

somehow you end up back in each other's life. and it's got him like fuck. because he wants — something with you, he knows that much. you're not like him, at all; don't come around the bar he works at too often, not littered with tattoos up to your neck like he is, probably never been to jail, either — and you have yet to hold that against him. you're in a whole different tax bracket than he is, because you've got yourself a nice job to provide for your kid, and you still treat him like a person. still smile back at him, hug him when he gets a little shy about your kindness, even brought him flowers once, one night, after he'd make a joke about never getting anything on valentine's day.

so he says fuck it. it's your kid, right ? so how bad could she be, really ?

and he just adores her. not too little — seven this year, she tells him — and she's so funny, for a kid. not afraid of him in the slightest, a little wild, likes to sing, could probably even makes friends with his shit-eating dad. it takes a long time for him to finally meet her, because you're being careful, but he does and you're both surprised by how much he takes to her. has him thinking back on his childhood a little differently; at the time, walking home with fuyumi and baby-sitting on the weekends and having to take natsu with him everywhere and picking up shouto from school every damn day — it seemed like the worst thing back then. but now —

seems silly, to be so hot about.

he lets your daughter call him dabi, because she's so sing-song when she says it, when she calls it to him from across the fucking grocery store. she brings out some weird, repressed kid in him, one that likes to play pretend and get into little mischief, like eating sweets too close to bedtime and finding little ways to prank you when you aren't looking.

it's meant to be so casual when he tells his mom and sister, just a, "yeah, this chick i'm seein' has a kid or whatever," but they ask one question and it turns into story after story after story. takes him a long time to realize he's just going on and on and on about her, that they're just sitting there smiling at him. even makes them tear up a bit, much to his horror, but they're just happy for him, that's all.

and, yeah. he's happy for him, too.

[lena-in-a-red-dress]

Musician Age Gap AU Pt 17

Kara's phone vibrates in her pocket. She knows without looking who it must be, but her eyes remain glued to the photo of Lena kissing another woman.

All Kara can see of the woman in the first photo is that she has dark hair and delicate features, but when she scrolls down other photos paint the woman more clearly. A lump catches in Kara's throat.

It's Rhea Elle. A model turned actress, she's notorious in the press for younger partners and absolutely drop dead looks. In these photos, it's hard to say which of the two women the photographer had actually meant to capture. Kara's stomach sours.

Lena calls again. This time, Kara reaches into her back pocket and retrieves her phone. She shoots her family a look, and finds them staring warily back at her, uncertain and waiting for her reaction.

Kara lifts Esme's phone, still glowing with the incriminating photos. "Can I hold onto this for a second?"

Esme nods.

Retreating to the guest room, Kara finally answers Lena's call. "I told you my leaving wasn't about us," she says shakily.

"I know," Lena says quickly. "I know and I believe you, I swear. This--"

"Isn't isn't what it looks like?" Kara finishes for her, unable to keep the bitterness from her voice. "Are you really going to tell me they faked these?"

"They're from *months* ago!" Lena exclaims, voice lifting in volume momentarily, before she forcefully brings it down. "I can explain everything..."

A beat of silence follows after Lena trails off, and Kara remains quiet.

"Right," Lena mutters when she realizes that Kara is waiting for her to continue. "After my last break up, Rhea's team reached out to me on her son's behalf. They suggested a publicity romance, to get the focus off the fact that I'd been dumped."

"And in return?"

"Her son Mike gets on the playing field. He-- he wanted to move beyond the affable idiot roles he'd been getting, and they hoped being seen with me would align him with the heartthrob roles he wanted."

Kara grinds her teeth together. "And this correllates to you making out with his mom how?"

"I declined, obviously, and Rhea inferred that to mean I might be more agreeable to a more... feminine touch."

"How would that help her son?"

"It wouldn't, but it would have helped her." Lena sighs. "Kara, she kissed me. I didn't ask for it, and I shut it down. When she realized she'd overstepped, her team quashed the photos."

"Until now."

"She says it was Mike who leaked them, but..." Lena's voice deepens. "It doesn't matter now."

Kara swallows thickly. "Lena..."

"Please, Kara. I wouldn't do that. Not to anyone."

In spite of herself, Kara senses the truth in Lena's voice. As insane as the excuse sounds, in Kara's albeit limited googling into Lena's public life, she's never found any hint of cheating. She's been called a serial dater, a heart-breaker, sure... but never a cheater.

"Kara, I-- jesus. Maybe this would be better in person..."

Kara grimaces. "I'm not ready to come back yet."

"No, I didn't mean-- of course. You can take as much time as you... shit. You don't need my permission--"

"Lena?" Kara cuts in carefully. A small smile curls her lips when Lena sputters to a stop. "Do you want to come join me?"

Silence answers her for a long moment, then--- "Really?"

Kara carefully considers the out Lena is offering, weighing Alex's hospitality against the tiny note of hope in Lena's voice.

"Yeah. Esme would love to see you again." Kara pauses. "And we could talk. For real."

Lena's throat clicks. "I-- I would like that. After tonight I have three days before I need to be in Madrid... I can book a hotel--"

"I'll check with my sister, since I'm currently staying in her guest room," Kara allows, "but it might be easier to keep a low profile if you stay here."

"Okay!" Lena says quickly. "I mean... but only if you're sure. And if Alex says it's okay."

Kara isn't 100% sure her sister would approve of the decision, but is at least majority percent sure that she'll go along with it.

"I'll text you."

There's a rustle as Lena nods against the phone. Then Kara hears her take a breath, and somehow the sound is nervous, anxious, and perilous. As though Lena stood at the edge of a chasm.

Then Kara hears the release, and the trust that comes with it.

"Okay."

[wavesoutbeingtossed]

I know you don't like discussing the muses but i love your takes and perspectives and i had to ask you about this. after listening to ttpd, did you have the impression that she really loved matty more than any of her exes/previous relationships?. And listening to the whole album as a whole would you call it the ''matty album'' or do you think there are more prominent themes in there than their period together?. (hope this doesn't bother you, feel free to delete if you don't feel like answering it)

hey anon! You're right, I don't really like to get into the muses as I don't really think there's anything to add to the conversation at this point, and ultimately I don't think it matters.

That being said, and with the caveat that I am not Taylor and I do not know Taylor so I cannot speak to her thoughts and can only make relatively educated guesses based on being an avid consumer of her work and a student of the human condition (lol), no I do not think Taylor loved Matty more than anyone else. I think there was maybe a brief period in the thick of things where she *thought* she did because she was not thinking clearly and was in full-on denial, but to me the message that is loud and clear in the album (and more or less explicitly stated in the epilogue) is that it was not any kind of real love affair. It was certainly infatuation and lust and the promise of something more, and there may have been some love as well, but he was in no way the love of her life by any measure.

I would call it a "Matty album" insofar as they're about events in which he was present, sure. But I feel it much more as a Taylor album, if that makes sense, even though I know that's a cop out because every album is to a degree. I can't explain it well, but I don't see TTPD as a Matty (or Joe) album in the way that I would maybe say Red is a "Jake" album or 1989 may be a "Harry" album or even Lover being a "Joe" album whatever, because even if they don't figure in all the songs, that kind of heartbreak permeates so much of the material.

The thing about TTPD and the Matty situation is that the Matty situation is really a Joe situation (which in some ways is actually partially a Jake situation). I always say I hate treating Taylor like a character so I hate speaking about her and her work in this way, but you don't get the Matty situation without the Joe situation precipitating it. It's @taylortruther's now-infamous donut vs. hole analogy. The reason Taylor makes the choices she does with Matty is directly tied to what happened with Joe that made her feel she needed to. Which is not to say Taylor isn't responsible for her own actions or doesn't have agency in her own life, but I mean it in that the situation in which she found herself with Joe, and the pain it caused, is what made the alternative so comforting and perhaps even necessary in her mind. It's why it makes it so hard to "paternity test" the album, because the stories are inherently intertwined and you don't get the former without the latter.

The major "theme" of the album to me is the loss of a very specific, very personal dream, and the way in which she lost it, and the way in which grieving that loss drove her to make the choices she did. We're all talking very delicately about it because it's a sensitive topic, but it's late on Friday and few people are going to see this, so I'm going to say it: it's the give you my wild, give you a child of it all. The yearning she expresses both overtly and sub-textually for having a family in the album is palpable in a very iykyk kind of way, and it's the realization that those plans are not going to come to fruition in the way she had once imagined that drives a lot of the pain she experiences, and makes her jump at the chance to find that again with someone else.

I started a draft post about the theme of womanhood and motherhood on TTPD three months ago that I never finished because I ran out of time and ran out of steam, but it was the most striking thing to me on the album, not because I didn't know that she wanted those things because that's been obvious for years (definitely since Lover, and again, peace put it all on the table), but because the vulnerability she expressed about it on the album is incredibly moving, and it's so generous of her to trust listeners with those feelings and experiences.

Again, it's the thirtysomething of it all.

She is in relationship A which she at one point believes is forever, one which she at one point believes is going to lead to marriage and children. She is so committed to that dream that she either ignores or tries to fix serious issues that may otherwise lead others to think the two people in the relationship are incompatible, both because she loves the person deeply and because she feels that this is meant to be the way she achieves that dream. She gives it her everything, and it still dies a slow, painful, onerous death, and she feels like it may take her along with it. The dream of getting married and presumably having a family gets taken off the table: how we don't know and will likely never know because that is private between the parties involved. All that matters in the context of the album is that those plans never come to fruition and never would.

Then you have relationship B, an old flame who knows just enough buttons to push both to trigger and to flatter. A person who she presumably trusts with very sensitive, personal information as her life slowly crumbles, and this person is telling her all the things she wants to hear because he knows about what is happening in relationship A because she's told him. Person in relationship B doesn't get an "in" with her and sell her this dream unless what happens in relationship A precedes it. It's not a grand love affair for the ages, it's not a mutual decision on building their own dream together. It's Person B learning about what is happening with Person A and saying "I can do that!" even if he can't or doesn't. The dream he sells her is a rental car; it's not his own, he's just borrowing it from someone else and selling it back to her.

And the reason she falls for it is because it is what she aches for the most in her personal life, and she is grappling with it disintegrating, so she (unfortunately for her) falls for the easy way out, and in turn sells herself a story about how this must be fated, and this must be meant to be, because this person wants all the same things she does and she didn't even have to bargain for it! Well, yes, because she fed him the dream in the first place. (Like a mark falling for a sleeper cell spy.) It's too good to be true because it isn't true. IMO Person B doesn't come running out of the gate with the marriage/baby/dream life promises unless he knows that is what she most desires. But what's left unsaid out of all of it is that: those dreams were her dreams because they were her dreams with Person A. It was a whole life they had together, and a whole life they had planned for in some fashion, and a whole life that has to be dismantled in the aftermath.

So all this to say, yes, on the surface, Matty is a "main character" on the album, but truly he's a side character to Taylor as the narrator and person experiencing it and Joe as the ghost bit-player-who-haunts-every-scene. (Again, I hate referring to real people as characters, it gives me the absolute ick, but in this case it's the only way to answer the question.) I jokingly call it the Matty album for shorthand or when I want to say something out of pocket, but really, it's a disservice to the album to say that because it's not a muse album as in it's about the romance (like, say, Red often is), it's about a soul-crushing heartbreak that goes beyond it. The romance is the symptom, not the cause.

The loss of youth is tied in with all this: she's not 22 anymore. She isn't even 32 anymore. She had a very specific idea of what her life was going to look like at this point and had planned for that life, and it goes up in smoke. But again, to bring the womanhood into it all: there is, unfortunately, a deadline for these things. You're with someone for over half a decade you think is going to be your life partner and father of your children and and then he's not. You spent half a decade building this relationship for it to crumble, but now you're in your mid-30s and you don't necessarily have another half-decade to build that trust and faith in someone else before being ready to start a family. And maybe you're scared that anyone else who may become your partner will need that much time to build that trust and faith, because that's kind of all you've ever know in relationships. But lo and behold, someone comes into your life you once had feelings for and maybe now do again and is offering you everything you want and thought you'd have by this point in your life right now. It feels like an elixir that as we find out is actually poison.

That youth is not just the chance for motherhood, but it's also the hopes and idealism and belief in the future that often gradually erodes as we age. But for Taylor as well, it's also tied into the trauma of what she went through particularly in 2016, which kicks off a lot of things on the album as well (her retreat, her relationship with Joe, the pivoting in her career, etc.). That event caused a pretty clear before/after in her life (like a few other events, I suspect), and another major theme in the album is her finally grappling with the full weight of that. They're all different branches of the same tree of the story of TTPD and her life.

I could talk about this stuff forever, but I'm going to stop here because it's long enough and I should save stuff for one of the dozens of drafts I have half-baked lol. But this is just something I needed to get off my chest perhaps.

[starleavess]

it's honestly kind of crazy how much of dave's behavior you can compare to a dog's. he's lonely -- he lost henry. he's been abandoned -- by henry dying; he's lost the only person who he considered family before jack. he's hurt -- because of henry and his past, even if he doesn't fully realize that. one of dave's first reactions to rejection and abandonment is sadness. when you decline his offer of murdering children in dsaf 1 is an exception, as it's simply an invitation for jack to 'hang out' with him. one of their first interactions in the trilogy is him suggesting they kill kids to get out of this place that jack got hired at like 5 minutes ago. and... that's quite literally all he knows. he was never taught normal things, he was never taught how to play with other kids or how to talk to people or how to do normal, fun activities. he was taught how to take lives instead. he was taught what to do so that things would go his way, even if he doesn't often use that ability to benefit himself. his number one priority seems to be jack, now that henry isn't around anymore. he focuses solely on him, and if he's going to make fazbenders go down, dave'll help him along the way. he considers jack his family, his partner, his second half. he is forced to love the people he considers close unconditionally on top of everything he does, because that's what he was taught to do. it became his instinct, much like a dog's. his instinct, which he couldn't ignore in the end, nor disobey. henry was the one who forcefully drilled that mindset into his brain through all of the abuse he made him go through and how he kept on treating him when he was younger. dave didn't know he was being manipulated nor used and therefore he thought that this was love. if he wants to be loved, he has to obey. if there isn't anything you can compare something to, how can you know it's right? how could he know what love was if he never truly experienced it?

in the bad ending of dsaf 3, he doesn't push jack away. he doesn't struggle against him as he breaks more than his heart. he simply begs him not to do this as all he does is helplessly "sit" still in one place. a dog which knows its doom is near and all it can do about it is accept it. and those still aren't his final words. his final words are "i love you" directed at jack. his family. a part of him does not want to obey. a part of him wants to lash out, be angry, be angry at the world which turned against him. no longer stay the victim. and we see just that in davetrap, which is a live (even if he's dead) manifestation of that part of dave. no matter how much he tries to get rid of his deeply rooted mindset which makes him hardwired to do what others want him to do, he can't. davetrap can't. he can't because he unreservedly loves people who hurt him. he loves henry and he loves jack. it's just like an instinct. when jack tells him to get out of his restaurant in the neutral ending of dsaf 3, he obeys. when henry asks him a question, he answers. they're his family -- how can he not listen to them and trust them with his life? that's what family's supposed to do, anyway. he learned that family members don't keep secrets from eachother. he didn't mention the box to jack until the bad ending in dsaf 3, which means that he did keep secrets from him in the past, long before he confessed he considered him his family. again, you can't keep secrets around people you love. he gave jack a key to the box and asked him to open it with him like it was a tradition. like it was something they've been doing together for 20 years, something dave can't let go of. dave likes simplicity. i can only think of three examples of simple things which bring him comfort, and the last two are not necessarily… uncomplicated. they wouldn't come across a normal person's mind if you had told them to think of something plain they enjoy doing. but those things are simple to Him and i think that that's very important for his character. even if complicated, it is easy to him. the first thing is vegas. in vegas, he has the chance to just have fun. like a normal person. a normal person with a fucked up and soulless friend, but a friend nonetheless. a person who doesn't kill innocent children. a person who wasn't abused in the past. a person just like all the other people currently at a club with him in las vegas. the second example is animatronics and just tampering with mechanics in general. that is something he is good at, most importantly. he's been working with henry long enough to just tamper with fazbender's animatronics for fun or to disable them to his advantage. he got used to this and it became simple to him with time. and the last thing on the list -- killing kids. that doesn't bring him joy, obviously, but it works as a last resort if things go south. an easy option like many other. he has murdered many in the past, so do just a few more children make that big of a difference? jack is simple to him because that's just someone who he is "friends" with, if you can even put it that way. he clings to him. he's simple, even if he is a very complex character. dave himself is, too, or atleast in henry's eyes. the doctor sees him as dimwitted, someone who's unable to comprehend his genius. like a dog, far below a human person. simplicity isn't something that dave was exposed to very often as a child. he had to constantly perform for food and sleep outside and whatnot just to survive. a kid shouldn't have to be on his own for years. simplicity just wasn't something that was available to him for free in those times.

that was, until he met henry. henry made it better for him, even if there were layers upon layers of abuse under how he was helping dave. he did make it better. he no longer had to fend for himself, alone. he was no longer abandoned, much like a terrified dog picked up from the damp streets. everything was better, so he didn't question anything. he was loved, he had someone close to him, he had shelter, a purpose, even if it was to be used and later discarded, no longer a man with hope for the future. but how could he know? and now, he is drawn to things which he lacked in his childhood. simple things. he loves them unconditionally. they remind him of henry.

[youling-the-ghost]

sfth incorrect quotes pt.8 because I have to compensate for not posting these for almost a week even though I just posted one yesterday

AJ: Adulting is hard. AJ: How do I quit? Tom: Time travel. Sam: Die. (yes the time travel was a reference to Tom's lesbian scifi comic) Luke: I'm gonna need a human skull but you can't ask why. Sam: Only if you also don't ask why. Sam: *pulls four pristine human skulls out of his bag* Luke: ... Luke, grabbing a skull: This one will do. Tom: Damn, the power went out. AJ: Don’t worry, I got this. AJ: *shakes rapidly and starts to light up* Tom: What-? AJ: I swallowed a glow stick! Tom, on the verge of tears: WHY WOULD YOU-

Luke: But who gets which pencil? Sam: Since they're my things, I get the good one, Tom and AJ get the broken ones and you don't get one because fuck you. Sam: Why do you not believe that ghosts are real? Tom: Never seen one. Sam: Okay, I mean, there’s a lot of things that you can’t see that are real. Tom: What can’t I see? Sam: You can’t see gravity. That’s real. Tom: Yeah, I can drop an apple. Sam: Fuck. AJ: *is hugging Luke* Tom: Hey! It's my turn to hug Luke! Tom: *grabs Luke* Sam: *kicks down the door* What do you mean, "yOuR tUrN"? We agreed now is my time slot! AJ: No, It's still my turn! Luke, suffocating: Guys, I love you, but just because I'm the smallest doesn't mean you can be hugging me constantly! AJ: But we need the moral support! Tom: And you're small! Which is cute! Sam: If I don't hug you right now I think the depression will kick in and my body will stop functioning. Luke, close to tears: Well- I, I guess. Luke: I hate you with every inch of my body! Sam: That’s not a lot of inches. AJ, texting: Don't worry, I have your phone! Text me when you're gonna come get it! Tom: I have no respect for Santa. Don’t sneak in through the chimney and undermine my authority by bringing my family presents. Walk in through the front door and fight me like a man. Tom: There are three ways to handle a difficult situation. The right way, the wrong way, and the Sam way. AJ: Isn't that the wrong way? Tom: Yes, but it's faster. Hairdresser: How would you like your hair cut? Sam: Preferably with scissors, but a sword could be badass. Luke: What do you call a dictionary on drugs? Tom: If you say "addict-ionary" I swear I will slap you. Luke: I was actually going to say "high definition", but your answer's much better. Tom: *sees someone doing something stupid* Tom: What an idiot. Tom: *realizes it's AJ* Tom: Wait, that's MY idiot! Sam: Can you pass the salt? Luke: Can you pass away? Sam: Too much salt. Luke: I mean, sure, I have my bad days, but then I remember what a cute smile I have. Tom: Say no to drugs. Luke: Say yes to drugs. Sam: It doesn't matter if you say yes or no to drugs. If you're talking to drugs.. then you're on drugs. Sam: Yum, thanks! Kidnapper: *puts more tape over his mouth* I said stop eating it. Luke, to the Squad: If you’re happy and you know it, clap your hands! *silence* Luke: Damn, y’all depressed as fuck! AJ: You didn’t clap either- Luke: SHUT UP! AJ: English is CRAZY. Oregano is both a spaghetti leaf topping and a form of paper art! Tom: What is this "paper art" you speak of? AJ: That shit where you make cranes and stuff out of folded paper! Tom: ...AJ. AJ: I honestly feel like some of our conversations here are almost word-for-word accurate to the generator. Tom: Yup. Sam: Maybe the generator is watching us. AJ: Wouldn't that imply this conversation will be added? AJ: ... AJ: Wait— (I just included this because breaking the 4th wall is funny) AJ: This was almost a great idea. Sam: You just described 90% of our stuff. Tom: I’ve never smoked marijuana. I ate a brownie once at a party. It was intense. It was kind of indescribable. I felt like I was floating. Turns out there was no pot in the brownie. It was just an insanely good brownie. AJ: Hey do you wanna hang out this weekend? Luke: Generic excuse. AJ: I can’t believe you said that out loud, to my face. Luke: I can. AJ: Wasn't icarly that guy that girlbossed too close to the sun because he was down for Apollo? Sam: ICARUS? Tom: Is something burning? Luke: My burning love for you of course! Tom: ... Luke: ... Luke: And the kitchen is on fire... AJ: Hey, did you know as a kid I accidentally ate paper? Luke: I feel like we've all done that at least once. Sam: I ate it too- Luke: See? Sam: -On purpose... AJ & Luke: ...What? Tom, texting Sam: Roses are red, Tony Hawk is a skater... Sam′s phone, auto-replying: I’m driving right now–I’ll get back to you later. *Later* Sam, texting back: Fuck you.

[leclerc-s]

big reputations - part eight

series masterlist // previous // next

charles leclerc i've decided that this week i will be driving like a menace.

daniel ricciardo i see track terror is making a comeback this week.

max verstappen no more inchidents please.

charles leclerc mate let it go already. it's been over 10 years.

max verstappen admit you pushed me into that puddle and i'll let it go!

oscar piastri i see why the entire internet is convinced you two are secretly dating

charles leclerc excuse me? max verstappen they're what? sabrina carpenter lestappen is lestappening

daniel ricciardo to be fair, they think k-mag and nico are in love with each other, have been since the whole 'suck my balls' thing

daphne jones didn't we have this conversation already?

max verstappen that was in the other group chat

sabrina carpenter YOU HAVE A GROUP CHAT WITHOUT US? THIS IS TREASON!

oscar piastri OFF WITH THEIR HEADS!

charles leclerc THIS IS TREACHEROUS!

daphne jones oh grow up, it was started before you three were even in the picture. we don't use it much these days.

sabrina carpenter good. otherwise i'd throw a fit.

max verstappen don't you always?

sabrina carpenter i will make your life miserable verstappen

max verstappen you already do by existing every day.

lando norris MR. RICCIARDO ARE YOU OR ARE NOT A MASTERMIND?! THE TWITTER GIRLIES WANT TO KNOW!!

daniel ricciardo the hell are you talking about lando?

pierre gasly so you saw the same twitter thread i did?

max verstappen i completely forgot daphne had performed at the 2016 austin grand prix.

lewis hamilton huh that did happen

lando norris DANIEL ARE YOU A MASTERMIND?

logan sargeant was going to ask why but then i realized what the song is about.

mark webber i don't get it? what's the song about?

oscar piastri forgive him, he's uncultured.

mark webber that's it, no more sabrina time for you. oscar piastri sabrina said you can't separate siblings. tell him charles! charles leclerc yeah! what she said! lando norris wait a fucking minute, are you all together right now?

carlos sainz is that family thing working for you guys?

max verstappen it actually is. you should've seen the group chat after texas.

max verstappen on second thought maybe not. daniel ricciardo yeah, that's not a good idea. oscar piastri things were said by sabrina. charles leclerc well when you say it like that you make it sound bad. nothing bad was said, they're being dramatic. although, she might be in love with fernando daniel ricciardo you do remember the spa inchident don't you? alex albon they call him fernando rizzlonso

lando norris renamed daniel ricciardo

mastermind hilarious lando. truely.

lando norris you never confirmed or denied it. i took matters into my own hands.

pierre gasly question for sabrina, how does one get a song like nonsense written about them?

sabrina carpenter what an odd question pear gasly, i'd say by dating a singer? which is better for me because that way i can steal your girlfriend with no obstacles.

aelx albon she's a menace.

max verstappen THAT'S WHAT I'VE BEEN SAYING!

oscar piastri it's not that great of a song. i don't get the hype?

sabrina carpenter added one person

sabrina carpenter oscar's been disowned. he didn't know the words to love story.

charles leclerc max doesn't either?

oscar piastri what the hell are you talking about sabrina?

sabrina carpenter i saw that mclaren video.

daphne jones it's one song sabrina, let it go. this is not going to turn into another spa situation.

yuki tsunoda excuse me while i go scream into the void

logan sargeant wait for me! lance stroll and me!

lando norris daniel probably

sabrina carpenter lando with all of his teammates

lando norris man fuck you sabrina

carlos sainz what's the spa situation?

daphne jones you don't want to know, trust me. oscar piastri for your sanity, you don't want to know. daniel ricciardo please don't get her started again.

sabrina carpenter mr. sainz, you truly do not want to get me started. as i said before, i may not have been present for spa but i can and will bite ankles for oscar.

mastermind so who's free to go to daphne's concert in argentina on the 11th?

lando norris SIGN ME TF UP!!

yuki tsunoda I'M IN!

alex albon depends, can i bring lily?

mastermind of course! - sabrina mastermind that's my wife! - sabrina

logan sargeant ready to dance along to the fearless era

mastermind bold of any of you to think you have a choice. I EXPECT ALL OF YOU THERE! - SABRINA

mastermind love the name btw - sabrina

charles leclerc to quote sabrina, "i expect ass shaking for vigilante shit."

oscar piastri dear i god i hope none of you do that.

lando norris well now i'm going to.

sebastian vettel well she's certainly something.

max verstappen she's a menace.

lewis hamilton huh, sounds like someone back in 2016 to 2018. max verstappen YOU TAKE THAT BACK! lewis hamilton i don't think i will

mastermind JUSTICE FOR ABU DHABI 2021 - SABRINA

oscar piastri she just likes to stir the pot.

mark webber sounds like someone else and the infamous alpine tweet.

oscar piastri okay, that was one time.

esteban ocon argentina right before vegas? doesn't seem like a good idea to me but i'm in.

lando norris BEST BIRTHDAY PRESENT EVER!

jenson button so is daniel dating daphne or not?

mastermind that's a secret i'll never tell - xoxo gossip girl.

alex albon something is brewing i can feel it.

taglist: @glow-ish @agustdpeach @msolbesg @spilled-coffee-cup @1nt3rnetgf @six-call @smol-scream @fernandoswarcrimes @arieltwvdtohamflash @Mimolovescookies @brekkers-whore @camdensreg @mycenterfold @dear-fifi @chiliwhore @tygecjjd @cataf1 @nothaqks @caipng @nataliambc @formulaal @prongsvault @kaa212 @anxxiousaries @julesbabey1 @julesbabey @georgeparisole @hobiismyhopeu @melissayalene @nikfigueiredo

strikethrough means i couldn't tag you

¡leclerc-s speaks! i’m back for 2024! i tried something different for this chapter and i think i liked it so i'm going to change it for all of the other parts, which is going to be a bitch because it's gonna take forever. it's also not that big of a change but i think it makes a difference.

¡disclaimer! this is in no way making assumptions about the people involved in this story, this is all fake. it is a fanfiction please don't take any of what is said seriously. this is all for entertainment purposes and as a creative outlet. enjoy!

[youwouldneverbreakthechain]

I don't like the Found Family trope.

There, did I get your attention? It's true, but the question is, why is Guardians of the Galaxy still one of my favorite stories in any medium ever?

Something really clicked for me with the ending of Vol. 3 (spoilers ahead, natch). The team broke up and that kind of development is usually heartbreaking, because we love the team, they love each other, now that they've found each other why should they ever part ways?

The answer is that they're a family, and that's what families do. Growing up means leaving the parents who raised you and finding a path of your own, maybe to someday continue the cycle with kids of your own, but never losing what you got from your first family. Those people, who you can't choose, will always be a part of you.

Each of the Guardians, aside from Drax, had their childhoods interrupted by traumatic events. They didn't get to finish growing up naturally, and that loss hounded them all their lives. When they found each other they began to heal, but here's what I didn't realize until the end of the trilogy: the family that they found with each other wasn't the kind that you make when you grow up. It's the kind that you grow out of.

From the beginning, Peter has shown signs of "Peter Pan Syndrome," acting like a little boy even though he's highly skilled, courageous, and compassionate. His maturity gradually began to show through, but one quirk that kept coming up was his refusal to return to Earth. No good reason for it except that he couldn't bear the reminder of his mother and he was ashamed to face his grandfather. He can handle it now because his life with the Guardians gave him the stability he needed to become a true adult.

Gamora's new incarnation doesn't need the Guardians because she found the Ravagers instead. We don't know much about them but I expect that what they did for Yondu, they'll do for her too. In the meantime, Nebula's had a few good years of being loved and now she can follow the footsteps of the Gamora who was lost, aside from falling for Peter, because that's unlikely to ever work again.

Groot's been the most fortunate, not having his youth cut short or taking any serious trauma since he sprouted. Eventually he may want to strike out on his own, but until then it's good that he can stick with Rocket.

Mantis seemed more aware than anyone of their internal struggles, including her own. Which is appropriate, her being an empath and all. She really made the boldest possible move, going it alone, and I'm proud of her. Hoping she'll make an appearance in The Marvels or something else before reuniting with Peter and/or the Guardians.

Drax is a special case and the one who I thought was most likely to die, since it seemed like his arc was all wrapped up: he had his childhood before we met him and it was his adulthood that was ripped away from him. Revenge was his entire deal and Ronan and Thanos are dead now, so what's left for Drax? Well, it turns out revenge doesn't have to be his entire deal and now I'm embarrassed I ever thought otherwise.

Rocket...oh, Rocket. We always knew that he was something other than what nature had intended, and that was on top of the nonstop physical and emotional abuse, but now it turns out he already lost the only three people who put anything good into his sad little life. Since there was nothing to salvage from his upbringing, he was the one who needed the Guardians the most, so he's the only founding member to stay. But no mistake, it matters that he's staying as the leader. He's not alone, but he's not under anyone's control, either. He knows who is now and he knows his worth.

The "don't call me a raccoon" running joke always bothered me a little but I never dreamed it would have a payoff like it did in Vol. 3. Rocket claiming his full name is much more than a nod to his comic origins. It's his understanding of where he began and the injustice that was done to him, his acceptance that he wasn't at fault for the deaths of his first companions and that he does deserve to be loved by the Guardians.

That's the foundation that lets everyone part ways without having to ask each other if this means their relationships are over. As far as I've seen, no other found family in fiction has reached this point - the team is generally the endgame, and if someone leaves, things will never be the same again.

In a real family, a good one, when someone leaves we celebrate. Congratulations on your first apartment. Good luck at college. Blessings on your union. Just remember, you can always come home again. Our arms are open for you.

[dysfunctional-doodle]

TMNT FIC RECS

I got someone asking to recommend some angst TMNT fics so I decided to make a list of my own! I’ll recommend some of my favourite fics then a few of mine for those that haven’t read them :)

NOTE - I’m such a Mikey fan that almost all of these are Mikey-centric angst, my bad. Still very very good. Top tier shit:

Ok so I’m going to cut this because this list is massive, please keep reading!!

NOT MY FICS:

Feed Me Poison ‘Til I Drown (TMNT 2007, All Media Types)

Summary: Mikey’s tired of not being taken seriously by his brothers. Karai is very persuasive. As such, Mikey joins the Foot clan…mere months after Leo is sent away for training.

Notes: This is wonderfully written. A what if based on a cancelled TMNT 2 sequel where Mikey joins The Foot due to him feeling unappreciated and a burden. I personally love a unreliable narrator, and this captures that perfectly - you don’t know whether Mikey is being manipulated, or whether his actions (and how antagonistic they get) are of his own free will and not brainwashing. Chefs kiss. (Ao3)

All works by Justalittleobsessed.

All of them are perfect angst ranging from mild injury to absolute gut wrenching angst. Please check all of them out, they are some of my favourites for sure. (Ao3)

Radio Silence (All Media Types)

Summary: Mikey isn’t answering his shell cell, which isn’t like him, prompting his brothers to go look for him; Mikey has no idea what’s going on, but the rain is making nice sounds and moving hurts and there are noises coming from his shell cell that he should probably pay attention to.

Notes: Less angst and more hurt in this one, but still brilliant on capturing exactly how it feels to wake up from a serious injury, alone and confused. Perfectly describes shock and has a decent dosage of comfort after. (Ao3)

Missing Comedic Relief (TMNT 2003, All Media Types)

Summary: Michelangelo is the light of the family, he's always cracking jokes no matter what situation they're in. His family doesn't realize it, but his jokes help keep up the team moral. They always break the tension and make it easier to do what they need to do. So when Mikey isn't part of a mission, his family can't help but notice how empty their team felt. To make matters worse, the reason Mikey isn't part of their mission was because he was missing.

Notes: I love this one because the amount of emotional angst from the brothers not knowing where Mikey is and missing what he means to each of them is just amazingly written. The brothers don’t know where Mikey is but know he’s hurt and in trouble, and it largely follows their point of view as they search everywhere for him. Mikey himself suffers quite a bit too (cage fighting against a bunch of Purple Dragons, not fun) and it ends with comfort! Huzzah! (Ao3)

The T Subjects (ROTTMNT)

Summary: Mikey and Don face their worst fears when they're separated from their brothers by ruthless scientists.

Notes: If you want angst, this is the place to go, seriously. Explores the terrifying reality of what would happen when any of the turtles get captured by scientists who want nothing more than to study them. It’s heartbreaking reading about how Donnie is trying to keep it together for Mikey, but ultimately fails when he is separated from his youngest brother. And Mikey - god, he goes through it too much. His childlike faith in Donnie and genuine fear is written so well.

I will note that this is private, so you can only read it if you have an ao3 account.

I’ve Been Afraid of Changing (TMNT 2007, though can be read as general)

Summary: “You can’t make me go,” Mikey blurts, too loud. “I won’t. I don’t want to.”

“Jesus,” Donnie mutters, rubbing his forehead. He’s already so fed-up with Mikey after like three seconds of conversation that Mikey can feel his eyes start to sting. “The last thing I want to do is fight with you, Mike. I thought you liked Cowabunga Carl.”

It’s not fair. Donnie’s so smart. He’s tired and overworked and unhappy, but he’s smart. How can he get this one thing so wrong? How can he not know Mikey as well as he used to, like all of those years of being each other’s best friends and co-conspirators and secret-keepers from where they were relegated to the “B Team” aren’t as intrinsic and important and fundamental to him as they are to Mikey? How can he look at Mikey, right in the face, and not understand him at all? Something breaks.

Notes: a kind of AU of the TMNT 2007 movie where Mikey develops depression/has a mental breakdown due to how the other brothers have drifted apart. His birthday is forgotten, Donnie and Raph keep fighting, he hates his job - and he can’t take it anymore. It’s horrible reading Mikey’s breakdown, but it ends on a much happier note! If you want emotional angst this is FULL of it. (Ao3)

Nothing is Ever Simple (TMNT 2003, All Media Types)

Summary: When breaking up an arms' deal goes bad, Mikey is taken and Raphael is on the trail of his brother's kidnappers. You don't mess with family.

Notes: Mikey gets kidnapped and Raph is left following a small trail to find him. This fic is one of my favourites because of the way it focuses a lot on Raph and his own personal demons, and how much Mikey means to him. Also, Mikey gets tortured in a twisted way, and seeing him never give in is always a plus in the old angst book. Overall, though it seems it’s about Mikey it’s mostly about Raph. His own reflections, fears and loyalties to family. (Ao3)

Never Really Over (ROTTMNT)

What appears to be another routine Purple Dragons bust takes a devastating turn when one of the brothers gets infected with leftover krang sludge. Or; kraangified Mikey

Notes: what can I say about this one apart from Mikey gets kraangified. It’s peak angst, I promise. Absolutely amazing, read it. (Ao3)

That’s where the blood is supposed to be! (ROTTMNT)

Summary: Sometimes, you just get hit a little too hard (aka: mikey blames everything on low blood sugar for ~4K words)

Notes: Mikey is seriously injured but doesn’t tell anyone due to the high tensions between Raph and Leo. Come on - physical and emotional angst? Sign me up! Very good and accurate descriptions of injury and gore, and the build up of this one is just perfect. You know something is horribly wrong, and it’s torture. Poor Mikey. (Ao3)

A Change In Outbreak (TMNT 2003)

Summary: Shredder showed us that there are there infinite number of realities, thousands of dimension and each of them differ from the last when it came to the turtle brothers. This one is no different then the one we've known our Turtles to be part of, however there is one little detail, one small thing that's different. Instead of Donnie getting mutated, it's Mikey.

Notes: long time fans probably all know about this fanfic, it’s a classic! Based on the original idea that Mikey would be double mutated in the Good Genes arc rather than Donnie, it retells the events if Mikey had indeed been infected. It keeps it fresh by adding new elements and plot points, as well as a lot of angst surrounding the brothers after seeing their youngest and heart be reduced to a monster. Plenty of emotional and physical angst all round, it’s perfect. (Ao3)

Heated Arguments Don’t Warm a Frozen Family (TMNT 2003, All Media Types)

Summary: “He’s gotta be around here somewhere, I just kno-“ he suddenly tripped over an object buried in the snow.

“GaH!” Leo shuddered, pulling himself up quickly and brushing off the cold substance.

“Leo???”

Looking back to see what it was that caused his fall, his heart nearly launched into his throat. “Oh no.”

“Leo, what’s wrong?!” Raph’s voice echoed again from the phone.

Leo got onto his knees, ignoring the cold snow that he initially was avoiding. He anxiously brushed away a few inches of loose fluffy snow to see the familiar pattern of a shell. “Shit-“ He muttered under his breath “Get Donnie and come to my location now!”

“What’s going on?! We’re on our way now!” Raph sounded like he was already running.

“I found Mikey.” Leo’s voice cracked as he hung up the phone before Raphael could respond.

Notes: one of the first fics I read on this fandom and still one of my favourites. Lots of emotional and physical, Mikey centric angst in this one! (Ao3)

Everything by BrightLotusMoon

Seriously, they got me into this fandom from a casual watcher to artist and fanfic writer! Full of Mikey angst, and creator of the Empath! Mikey head cannon that lives rent free in my head and has inspired many of my own material! Read them all, they’re all bangers.

Revenge Always Tastes Sweet (But the Aftertaste is Bitter (ROTTMNT)

Summary: Actions have consequences and they come back with a vengeance when it's least expected. A trip to the Hidden City gives one of the brothers a taste of just how deadly making enemies with a yokai can be.

Notes: What, not Mikey angst?? Not this time - Donnie gets the full angst attack when he gets poisoned from an unknown enemy. Lots of well described hurt, end it has a happy ending! (Ao3)

Hyperactive Hyperthermia (ROTTMNT)

Summary: Snow day ruined for the second year in a row! They had expected a break, but they really couldn't ever catch one. How could they have known mystic fire was so uncontrollable?Maybe standing on the ice lake was the first bad idea.

---

OR: The brothers go out for a snow day, but it quickly goes south after multiple avalanches and other shenanigans leaves Mikey without any winter clothing and trapped with Donnie under the snow.

Notes: this one…this one is heartbreaking, honestly. You have to read about Donnie being trapped with a freezing Mikey, and he knows this but is helpless to do anything but watch it happen. The emotional angst in this kicks you deep in the gut, it’s terrible I love it. (ao3)

Nowhere Boy (TMNT 2003, can be read as general)

Summary: He was twelve years old, and he realized that his dreams were always the same. Every single one. "We need you. We'll find you," those indistinct figures would say, their eyes glinting in the darkness, shadows stretching out to him like hands. But he always woke up before they reached him.

Notes: I LOVE this one. It has lived with me ever since I read it, something about it is so heartbreaking. It explores the feeling of being lost despite not knowing why, and how much you miss someone despite never knowing them. It actually inspired a fic of my own, which I will link in my own fics list. I don’t want to spoil it, but please read it. Mikey centric angst heaven (ao3)

Unfamiliar Familiar (ROTTMNT/TMNT 2012 Crossover)

Summary: What the hell is Michelangelo supposed to do? Having woken up in a strange world with new brothers? Why is everyone here so nice? Why won’t they let him leave? The Rise brothers stumble upon a traumatized Mikey, and when they learn the reason behind all that trauma, there is no way they’ll let him experience that again.

TLDR: Rise brothers adopt 2012 Mikey

Notes: I am a sucker for slight 2012 bashing and this one fulfils it without being overly mean. 2012 Mikey has been traumatised by his brothers and his enemies, and finally gets the chance to heal and start again when he is thrown into the rise universe. Very popular fic, I highly suggest you read it despite it not being complete. So much emotional angst I swear. (Ao3)

Going under (ROTTMNT)

Summary: “Have a pleasant swim, little turtle!” they snicker.

Mikey’s eyes widen.

“NO!”

Then, he feels weightless.

He’s falling.

And falling.

And then —

His body hits the water with a loud splash and his vision flashes white.

Notes: Mikey almost drowns. Peak angst. (Ao3)

Sunshine in the Rain (ROTTMNT)

Summary: After a mission gone wrong, Michelangelo is taken by a government scientist named Bishop, how will he respond to this new environment, and more importantly, will his brothers be able to save him before he breaks? Let the game begin.

Notes: Mikey sacrificing himself to save his brothers from Bishop? Yes please, and thank you author. Seriously, this has it all - introducing Bishop in the rise universe, and Leatherhead! Of course, lots of angst in the form of experimentation. But that’s what we’re here for, right? (Ao3)

Quicksand (All Media Types)

Summary: Trapped in darkness, no one can hear you, no one can see you, no one knows where you are. The cold lingers, the fear rises, who will help us? Who even knows we are down here? The only people who might know are probably dead. Help us, someone please help…

Notes: Mikey and Donnie get trapped in a collapsing lair when earthquakes year apart their home. Leo and Raph are the only ones that can get to them, but the snow storm is stopping them. This is so brutal in the way NO ONE gets a break, the angst just keeps coming. Everyone gets it. I love it. Read it (fanfiction.net)

Ghosts of New York Past (TMNT 2003)

Summary: The turtles and Splinter have been transported 100 years into the future through Cody Jones' time window. Future New York is a lot to take in. But when the dust settles and the sun goes down, the big unanswered question is still there: how are they supposed to fit into a time that doesn't belong to them?

Notes: light angst, exploring the more emotional and wise side of Mikey that we don’t see often in the show. (Fanfiction.net)

Questioning Choices (TMNT 2003, All Media Types)

Summary: A fun family trip to the beach turns ugly when Michelangelo is injured and his brothers have to make difficult decisions that go against their morals in order to save him.

Notes: I don’t know why but I love this one too much. Mike’s slowly getting worked whilst the brothers have to go against their morals and steal from an ambulance? Perfection. (fanfiction.net)

Suffered to Slumber (All Media Types)

Summary: "Breathe quick, breathe slow, put the gun in your mouth and pull the trigger. Any way you like, you're gonna die down here."

Notes: this one is also BRUTAL. Mikey getting buried alive? It’s all the angst you think and somehow more.

The Most Wonderful Time of the Year (TMNT 2003)

Summary: What was supposed to be a pleasant Christmas Eve with family and friends suddenly turns to one of terror and uncertainty for the turtles. Will they make it through this Christmas together? Or will one fall?

Notes: one of my favourites. Mikey can’t keep out of trouble on Christmas Eve, and ends up paying the price this time. (Fanfiction.net)

It’s Much More Complicated (All Media Types)

Summary: After a late night patrol, Mikey falls ill. At first it's nothing to worry about, but something that seemed to be harmless turns into a race of life and death.

Notes: we love our favourite character getting deadly sick

An Agonising Secret (All Media Types)

Summary: Mikey tries to hide an injury from his brothers, but soon discovers that it wasn't as harmless as he thought it was...

Notes: more hidden injury? Yes please. I highly suggest look at this authors other works as well, lots of angst

Underdark (TMNT 2003, can he read as general)

Summary: He's hanging upside down in the middle of the great underdark, weighed down by a half hysterical turtle in the middle of a bunch of pipes and water and rock that are conspiring to kill us both off, and Leo still manages to sound like he Has A Plan.

Notes: do I need to even introduce this classic? Everyone knows it, it’s amazing.

MY OWN FICS

Helpless (TMNT 2003):

Summary: “No one comes. No one swoops in at the last second, nor does he manage to break the cuffs at the perfect moment. Instead, there is a collective shriek from the beasts below him as they all lunge forward in a hungered wave, their curled claws scraping against his scales and hideous jaws dripping with froth and drool.

Heart racing, Michelangelo hisses at the rodents. However, his warning is ignored by their destructive hunger. The hiss cuts off into a yelp when the first rat bites down on the exposed area between his skin and his shell, its grimy paws digging the pink flesh underneath away.”

What if, in the episode I, Monster, Mikey didn’t get out of the restraints in time? What if he was left, helpless against hoards of rats with no one to help?

TLDR: Mikey gets attacked by rats. It doesn’t end well. What can I say, I’m in a horror mood.

I’m Lost (But I Don’t Know Why) (TMNT 2003)

Summary: “He is mourning the loss of someone he never knew, doesn’t know, but it hurts all the same. He thinks back to the nunchucks, and the orange tape wrapped around them. The comic books hidden under the couch. The extra plate that he sets up everyday, has been for the past three weeks. The gap in their formation.

Missing, missing, missing, his mind chants, but he can’t know what. He’s lost, and can’t remember why.”

There have always been four of them - Donatello, Raphael, himself and his father. Or at least, that’s what Leonardo had thought. But something is missing. They are mourning the loss of another they have never even known. They are lost. But why?

TLDR: a curse makes everyone forget Michelangelo. Leonardo knows there’s something missing, but he doesn’t know why.

All I Ever Wanted (TMNT 2003)

Summary: Donatello vowed that the future he had seen would never occur. He wouldn’t let it. But he’s failed. He’s failed, because Mikey is bleeding out beneath him, his arm severed under a stormy sky. And no help is coming in time.

TLDR: Perhaps the future will not repeat itself, but it can rhyme. How Mikey, despite Donatello’s efforts, loses his arm in the cannon timeline.

Hunted (TMNT 2003, can be read as general)

Summary: What starts out as a late night adventure in the woods beside the farmhouse turns deadly when a group of hunters catch Mikey off guard. Alone and wounded, Mikey struggles to find his way to safety.

TLDR: Mikey is chased by a group of hunters with no way to contact his brothers.

The Shoebox (ROTTMNT)

Summary: Post “Snow Day”, Mikey tearing his coat has drastic consequences that result in him freezing and slipping into brumation.

TLDR: Box turtles, when hibernating, can have no detectable pulse or heartbeat. None of Mikey’s brothers are aware of this and believe that they have just watched their youngest brother die.

Don’t Wander Off (Stay Where You Are) (ROTTMNT)

Summary: Box turtles will keep walking in attempt to find their home if they ever get lost, even if they die doing it. Mikey shares that same instinct.

When he gets lost, he keeps walking. He finds home.

TLDR: Mikey centric angst where he keeps walking despite growing weaker.

Promise (ROTTMNT)

Summary: After the events of the movie, Mikey discovers that, with the increase in his mystic power, he gains the ability to see the future. However, every time he does, he forgets some of his present.

Year after year, a gift twists into a curse, crumbling the relationships between brothers and ultimately ending in a terrible price. But Mikey made a promise all those years ago, and intends to keep it.

TLDR: Mikey sees the future until he forgets everything of his present.

Vs The World (ROTTMNT)

Summary: The Kraang almost-invasion has been hard on the entire family. Michelangelo knows this, and knows he needs to be the one that keeps them all together, like stubborn orange glue.

But his brothers aren’t talking. They aren’t leaving their rooms, trapped in their own traumas. Mikey tries - so, so hard - but the silence is suffocating. He leaves the lair, only to find a stray cat left for dead. And suddenly, he isn’t alone anymore. But he is still breaking, slowly.

TLDR: Mikey find Klunk in the Rise universe whilst dealing with trauma and depression. I am bad at summaries, so give it a quick read if you want.

Wow, this is long. Happy reading @nat06cas, @brightlotusmoon and @sparklingsunkissedsoul and everyone else!

[rogueddie]

Finally being invited on one of his parents trips is... well, Steve tries to be normal about it, but he's excited. He's only been invited on two. Three if he's counting the one to Chicago for a big family get-together, which he doesn't.

The only problem comes up when they sit him down and ask about all the scars he has. They want the trip to be a fun time, a nice family get-away where they can give their little boy a little peace from the chaos of Hawkins.

When he struggled to think of an excuse, his mother softly asked if he did them himself.

Reluctantly, he ducked his head in feigned shame, nodding.

His mother hurried to her feet, almost sitting on him in her effort to squeeze onto the one-man seat with him, wrapping him up tight in her arms. She whispered promises of love and safety.

His father had a look like he'd swallowed a lemon, but he too promised to provide the support than Steve needs to get through... whatever he's going through.

Steve swears to them that he's dealt with it, he's over it. He's just trying to move on now.

"Fucking hell," Eddie hisses when Steve finishes telling them about it all. "You can't be real. They think you did that shit to yourself?" He gestures to Steves stomach.

"I don't think they know about those. The older ones do look, uh... suspicious."

He rubs the thin ones on his left wrist, where a demogorgons claws had caught him in that last, big fight. Eddies hand is gentle when he pulls said wrist closer, thumb brushing over the scars.

"You do make a good point."

"I'm gonna miss you," Steve mumbles.

"It's just a week."

"Yeah, tell me about."

And he's right- he's barely stepped off the plane, a short 5 hour flight, and he's already homesick. He wishes he could've thought of a way to convince his parents to let him invite a friend.

Once they're settled in, though, it's alright. There's a lot of activities, a lot of places to visit and a lot of things to try.

On their second day, they try to start the routine of spending most of midday at the beach. His parents sunbathe, whilst he swims in the sea. The water is cool, a relief from the heat.

They always make him put jeans on after.

It doesn't matter how many times he points out that it's more than uncomfortable- not only in the heat, but with the lingering water. They insist that he puts jeans on.

They'd gotten him the new jeans special. They're supposed to be thinner, better for heat.

"It just seems unnecessary," Steve had said when they'd first presented them to him. "I have so many shorts!"

"Sweetheart, your scars," his mother had pointed out. "People will look. You don't want to make us look bad, do you?"

For three days, he went along with it. He tried to ignore the discomfort. But the heat was too much. The water making the material rub uncomfortably against his skin.

On the fourth day, as he's drying himself, he hesitates. He stares at the jeans his mother holds out for a moment.

"What if... I don't wear them, right now? It's so hot and my legs are still wet. Just until we get back to the hotel."

"Steve, no, that's not a-"

"Please. Just until we get back to the hotel. Just today."

"You've already made up your mind, haven't you?" His mother sighs, shaking her head when he gives her a sheepish smile. "Fine. Get your things."

He's so happy, comfortable in his swim shorts, that he walks with a bounce in his step. The breeze on his legs is almost soothing.

He's tempted to skip as he starts up the street.

There's a bright little drinks shop up ahead that he spots. The advertisement signs have pictures of ice creams and smoothies, things that look tasty and cold.

He turns to ask his mother if she'd like to stop there for a drink, to cool down after sunbathing. But she's not behind him.

There not far behind him, so he stops. He grins when they look to him, waving... his hand slowly dropping when he realizes that they stopped walking, as soon as he stopped.

But they're looking to the map. Maybe they're lost.

When he starts walking to them, they turn, walking a few steps that match his own. The only thing in that direction is the beach.

They don't want to be seen with me, he realizes.

He turns back around, slowly walking to that little drink shop. Although, he's not sure he needs to buy anything to cool him down. His insides feel numb enough now.

He sits at one of the tables outside, wondering if his parents will even try to sit with him or just... abandon him.

They do sit with him, pretending like nothing happened. It's the same attitude they have when they get in the taxi, after distancing themselves on the walk there too. The promised trip to the mall abandoned without word.

Steve spends the rest of the little vacation in his room. He lies about being tired, not feeling too well, whenever they try to invite him out with them.

They buy him the top he'd been eyeing. They seem to think that the little gift, and bragging about it being expensive, will make him feel better. He's sure that it's not an apology though.

On the plane ride home, it's odd to think about how excited he'd been. How hopeful.

The only comfort is Eddie. He goes straight to him, immediately after dumping his suitcase in his room, not even bothering to unpack.

He's furious when Steve explains what happened.

"I've never liked your parents," he announces. He points to Wayne, who looks just as angry. "Wayne gets it. Assholes, right?"

"Assholes," Wayne grunts, nodding stiffly. "You deserve better than that, son."

"So much better," Eddie agrees, pulling him closer so he can kiss his cheek. He keeps littering his face with kisses, until Steve laughs. "You deserve the world, big boy."

[localcanadiancreature62]

BillfordWeek2024,Week 4 - What Could've Been

Buckle up chucklefucks,this is the last week of BillfordWeek2024 and y'alls have until the 25th to finish your entries. Kiddingg,it doesn't matter if you get them done like two or three days after loll i just wanted the event to have an official end. This is also my own written entry that i was supposed to make at the 19th whoopsss. @aria-greenhoodie @aaabatteryy @wind-tail @spaghettipal @cecilscribbles

////////////////////////////////////////

Title - In a different life,in a different time (hehe. a different form,a different time)

Ford is drinking coffee in his bedroom at night while he writes about his new findings regarding the existence of Jackalopes and the Boogeyman in his new Journal 4,sighing contentedly as he recalls capturing the antlered creatures with his niece and nephew without feeling any sort of dread or paranoia this time. "Finally. A moment to myself without having to deal with the portal Bill's tomfoolery and alll of that nonsense. It's just me,and my wonderful memories of my family. Nothing can ruin this blissful moment." Ford says to himself as he embraces the peace that the universe has finally given him,he then continues documenting his findings as he sketches the Jackalopes into the Journal. He then pours himself another cup of coffee straight from the brewing machine,sniffing the bitter beans as he then slowly slurps the beverage while enjoying the moment. Only for him to drop the cup after getting startled by the sudden ringing of the telephone on the table. He then scoffs in frustration after realizing what he had done as he then answers the phone to see who is calling him at this hour.

"Stanley i swear if this is another one of your prank calls-." Ford remarks as he thought it was his brother trying to contact him for another one of his dumb jokes,only for him to hear a familiar high-pitched shrill voice yell into the other line. "SIXER PLEASE LET COME OVER HERE! I NEED TO SHOW YOU SOMETHING!. MAYBE THIS'LL MAKE YOU GET BACK WITH ME!." Bill exclaims as he desperately screams into the Theraprism landline while Ford sighs in exasperation after realizing that this is the billionth time his triangular ex has called.

"Oh. It's you. Bill,how many times do i have to tell you that we're done?!. I don't need you in my life anymore,all you did was ruin it whenever you were around!." Ford shouts as he then roughly puts the phone back on the rotary in anger,only for him to hesitantly grab it back after realizing that the triangle won't hang up until he gets what he wants. "You're still there,aren't you?." Ford asks as he then hears the isosceles practically crushing the phone in excitement. "Yes. Please come over. I found something that'll finally convince you. I'm begging." Bill replied as the genius can hear the pathetic desperation oozing from his voice.

Ford then pinches the bridge of his nose as he tries to consider visiting his dumb ex once more despite knowing that it'll end in them arguing again while the creature gets sent to solitary confinement for aggression,but part of him misses his muse and he remembers that they used to have such a great partnership before things soured between them. "Fine. I'll hear out your pathetic whining again. So much for a peaceful evening.." Ford says as he then hangs up,not allowing the triangle to excitedly ramble about how he's so happy that he's visiting again.

Bill then has the Axolotl prepare to teleport his genius to the Theraprism as Ford then puts his trenchcoat back as he then puts a laser gun into his pocket. As while the triangle won't be able to hurt him anymore,he can never be too careful and he figured that it'd be better to be safe than sorry especially regarding his volatile former muse who still has his powers albeit they're limited. The researcher then goes over outside as he waits for get himself transported to the glorified insane asylum that is the Theraprism,and he closes his eyes only to arrive at the asylum while eyeing the rows of prison phone cubicles before him. He then spots his former muse waving at him and urging him to come over. Ford then sighs as he walks over to the cubicle where the isosceles is.

"So what is it that you so desperately wanted to show me?." Ford questions while glaring at the triangle who's staring at him with an adoring eye only to snap out of it once the man calls his name. "You're so handsome- Wait huh?. Oh right. Check this out." Bill says as he then projects an alternate version of himself and Ford,where he appears to be human while his genius is like 80 years old via beaming up a holographic image of the other reality onto the glass wall of the cubicle. The holographic projection flashes images of the alternate Bill and Ford being so happy together,getting married having fun dates and even spending time with the rest of the Pines without any chaos or destruction caused by the triangle ruining everything. The og Ford has his mouth agape in shock over the projection,not expecting to see himself being so.. peaceful with his former muse albeit in a different reality. "Wh-Why are you showing me this?. Is this even real?,is this an actual alternate reality or are you tricking me again?." Ford remarks in confusion,only for the triangle to look at him distantly.

"It's real,i saw it with my own eye while sulking about the many realities where i succeeded in my plan but we're happy together in the end after some trial and error. I looked through a lot of different universes where we're happy to cope,but this one stood out. Look at this,look at the projection closely. This is what happens,when i actually talk about my issues and therapy works out and we make up instead of me pushing you away." Bill explains as he then started crying in guilt,big fat tears streaming from his eye.

"Look at what could've been,look at what happens to us when i actually deal with my dumb problems instead of ruining everything for myself like i always do." Bill says as he kept crying,the man wincing as he saw the isosceles cry while not knowing what to make of it as it could be another trick. "And you're telling me this,because?." Ford questions in annoyance despite also feeling bad about letting their relationship become so bitter.

"Because maybe we can be like them. Maybe we can make up and i can have the happy ending that alternate reality gave the other me. Where we're married and i actually get along with the rest of the Pines." Bill remarks while wiping off his own tears as the genius stares at him in disbelief. Ford then clutches the telephone as he watches the triangle keep holding onto the Theraprism landline while still projecting the image onto the wall. "I- Bill,i know you want us to get back together because you want to get out of this glorified asylum and for.. other reasons. But this is impossible with the current sluggish rate of your recovery. And i'm not even sure if this future scenario happens in our reality,for all we know this 'happy ending' that you speak of only takes place in that reality and you're destined to rot here for all of eternity." Ford says coldly as the isosceles gasps in shock over his reaction.

"Okay. If you want me to rot here,fine. Be that way. But i just want you to know,that you never stopped being my genius even after everything." Bill replied bitterly as the man ignores him and walks away from the prison phone cubicle. The triangle looks at his genius sadly as he watched him walk away but he knew it was for the best since all he has done is ruin him like Ford himself said.

'And you never stopped being my dear muse.. I wish we could make up too,but things have just gotten so difficult for us.' Ford thought to himself as he voices what he wanted to say to his own mind rather than his beloved muse whom a part of him still missed even with everything the isosceles had done to hurt him,he secretly yearned for the great partnership they used to have before the betrayal but he knows that he can't fix something that's been broken beyond repair.

[coff-in]

um, this idea has been on my mind for a couple of days. i want your opinions on it. think about this:

[gender neutral] reader-insert (they are referred to as momma at one point but are otherwise referred to by they/them in the narrative), sibling graves [reader] (you can make them any age you want in this), andrew and ashley have a child in this

it's been a couple of years since andrew, ashley, and [reader] had killed their parents. the siblings are in a cute incestuous polyamorous relationship with each other. but one day, ashley misses her period and finds out she's pregnant (with andrew's child). do you think they'd have [reader] raise the child with them as a second mother or as an aunt?

i think about the baby-- after being born-- is taught by andrew and ashley that some children can have more than two parents sometimes! their child has three parents that love them very much; a daddy, a mommy, and a momma! i think about the angst that can follow as the child grows up. they tell their friends at school about their family and how they two moms and one dad and one of the friends say "why do you have two moms? that's not normal."

i can hear the kids telling the child that their dad is probably cheating on their mom, that's why they have two moms. that they don't have to listen to [reader] since they're not the kid's real mom. it stirs up conflict in the child's heart because they love [reader], they've been nothing but nice and supportive of the kid since they came from the womb, but the other kids have a point, don't they?

i can feel the insecurity in [reader] when the kid is born and as they grow up. they constantly tell andrew and ashley about how they think the kid won't like them as they grow up, or would probably disregard them since they're not their biological parent. i can see andrew and ashley reassure them that they're a wonder parent and that if their kid ever tried to talk down to [reader] or disrespect them that there would be swift corrections of that behavior.

i can see them. the kid is watching TV late at night, around 10:00pm. andrew and ashley are out of the house to go on a date night and they left [reader] in charge to watch after their kid. "tell us if anything happens," ashley would tell [reader] before giving them a kiss and walking out the door with andrew.

but [reader] can't really bring themselves to tell them of what happened when they left.

the kid really should be going to bed at this time. it's a thursday night and they have school in the morning. they ask the child to turn off the TV and go to bed. they're ignored. they ask against more sternly this time and the child asks them bluntly, "why should i?"

"why should i listen to you? you're not my mom, you're not my dad. you're just some... fucking mistress or something that my parents keep around. i don't have to listen to you! the only authority you have over me is the authority my parents let you borrow!"

the child get progressively louder as they vent and [reader] watches them, the anxiety and fear building up inside of them. they knew this would happen one day. they knew that the child would realize that they don't fit in this dynamic somehow. that they're an outsider in a perfectly fine family. they're a stranger, no matter how long they'd been raising this child along their siblings as their own.

the child can see the betrayal on [reader]'s face and they immediately regret ever saying anything. they try to apologize but before they could the [reader] chokes out, "you're right..."

...

"i'm not your mom... or your dad. but i tried to be... i tried my best to be there, for you, for them. i loved you... with everything i had, and i'll love you with everything i am... i'm sorry."

they're both silently crying now, tears falling down their face. [reader] gets that it might be hard, having an abnormal family that doesn't follow societal expectations. they get that it can cause problems, it can cause an othering for the child that they can't solve. all they can do is be there.

the child gets up from the couch and leaves towards their room, the TV playing white noise. [reader] turns it off and sits down on the couch. they usually sleep in big bed that they share with andrew and ashley but they can't bring themself to do so that night. the more they think about the bed the worse they feel. they don't belong in that bed. that's andrew and ashley's bed, in andrew and ashley's bedroom, in andrew and ashley's house. [reader] just invades their space, they taint the sheets and stain their house with their presence.

they sleep on the couch that night.

----

notes from coff-in: woah. i've seen some posts from @/incorrect-gravescest about their family AU (which is very cute, btw. i suggest you check it out when you can) and it got me thinking about a polycube(?) between the graves siblings and sibling [reader] with a child. the wholesome and weird and angsty relationship they'd have with their child (or children). it's been on my mind for a while. let me know what you think of it, i'd love to expand on it more and talk about it. also let me know if you guys like it when i share my thoughts and ideas like this. i know that i usually just answer asks/request now and don't really share my own thoughts but i'd like to do it more often. can't guarantee they'd all be good quality though :,) thank you for reading all this, too. take care!

coff-in