#the third one is rebirth

[wingedblooms]

Language of creation

This post synthesizes the potential forms Elain’s magic might take in her story because of her connection to Wyrd’s original power, creation.

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Farseeing and Benevolent Wyrd

Farseeing and benevolent Wyrd is the higher force in the Maasverse. She is described as a mother to all, and a cauldron of life, brimming with the language of creation. Over time, she became known as the goddess of fate but is actually a force that governs worlds. Very few depictions of her exist because she, like fate, often shifts form. The one consistent depiction we see of her is a bowl held by female hands. Sometimes the full female figure is shown. This depiction appears in the Spring Court (acotar), Night Court (acosf), and the Bone Quarter (hofas). She is referenced across worlds in different terms (Wyrd; Urd; Mother, Cauldron, Fate/Forces That Be; and I suspect we’ll discover Chaos is yet another one of her names. I use them interchangeably for this reason).

There is still debate in the fandom on whether Wyrd (the Cauldron) is separate from the Mother. The Cauldron (Wyrd) is described as a mother to all and a dark womb, and we know life blossoms from her in female hands, so I lean more toward these terms describing different parts of one consciousness. And the female form in her depictions represent female vessels, or bearers, of her creative powers (and I know others, including @offtorivendell, suspect the same) rather than a goddess.

In acowar, we learn that three stones represent the three faces of the Mother (Wyrd) in scrying. It would make sense for these three faces to describe the three parts of her identity: Cauldron and Mother and Fate/Forces. She is a literal Stone Mother (Cauldron) that breaks into three pieces like a blossom unfurling. Her power birthed the world (Mother), and she moves like a force through the universe to maintain order (Fate) in a grand tapestry.

Mountains, objects, and females can bear her power. There are three sacred sister peaks and the one in the heart of the Night Court (Ramiel) was depicted as bearing Wyrd. The priestesses’ invoking stones are said to bear her healing power. And the three Archeron sisters, two of which were reforged in her dark womb, represent her three faces in the flesh. Like the peaks and stones, the Archeron sisters function as vessels and can channel Wyrd’s power. Feyre puts her hands directly on the Cauldron and calls to mind the image of life flowing from Wyrd in Spring. Nesta calls upon the Mother, the Cauldron to help her master death and save her family. To follow the pattern, we’ll probably see Elain use Wyrd’s power for rebirth. Life and death and rebirth.

Among her sisters, Elain is especially connected to Wyrd. It gave her such powers and her Wyrdcrown (my word, not Sarah’s) reflects Wyrd’s blossoming imagery and power: sleeping buds among leaves and thorns. I’ve wondered before if she has direct access to Wyrd’s secret language (creation), which could manifest in different ways.

Elain senses the threads of creation around her

When she was first Made, it seemed as though Elain experienced sensory overload and didn’t know how to control it. She struggled to distinguish dream from reality and sensed life (earthworms, heartbeats, etc.) around her. Like @silverlinedeyes and @offtorivendell, it made me wonder if she could sense creation differently. Does creation sound like a song, every creature possessing their own unique melody that she can hear and respond to, as @silverlinedeyes and @offtorivendell suggested long ago? What might she see when her doe eyes land on them - vibrant threads of life that flow across time and space? Can she influence those threads and weave new possibilities in Wyrd’s grand tapestry? Is that why she needed to be present to learn about the living thread of Hope within the Void?

Elain as a weaver of the threads of creation

Blossoming with life—@willowmeres, @offtorivendell, and I have wondered if Elain has a deep connection to the land like those with earth magic, allowing her to sense channels of energy (threads of life) and feel discomfort when those channels are warped, like they might be in thin places (e.g., Hewn City). As a gardener, it would make sense for her to play a key role in freeing the magic of the land in those places and weaving new life—blossoms, vines, trees—into the earth’s tapestry.

Farseeing—We know that Elain is farseeing like Wyrd, but how far, exactly? If trained, can she pluck a thread and unravel a creature’s past, present, and future? Understand their secrets on sight like Baba Yellowlegs? Influence their fate, as she seems to do from the shadows? Feyre suggests Elain might hear the whisperings of Wyrd in her murky realm, which I’ve theorized is a direct pathway to Wyrd’s dark womb, the Cauldron. She seems to be able to use this connection to locate living creatures (like the Suriel) who travel as swiftly as the wind, without any formal training. As she wanders with Wyrd, will she need something, say a grounding ritual at dawn, to keep her tethered to the earth?

Traveling like a force—Elain repeatedly appears suddenly and surprises her family. Has she just learned how to use light and shadow to her advantage from her friends, or does she possess the power to winnow? Winnow derives from the Old English word for wind and can be used to describe the movement of the wind (or bird wings in flight 👀). It makes sense that the ability to winnow in acotar allows characters to travel like an unseen force, like the wind, like…Wyrd. It’s no coincidence Elain’s first question to Azriel yielded information on Illyrians hearing the song of the wind, and characters connected to Elain—Azriel, Nuala, Cerridwen, and Lucien—possess the ability to travel fluidly. Three of them also have fluid forms.

Shifting form—Wyrd is notoriously hard to depict because she continually shifts form. Even before we learn this in CC, it is demonstrated in the acotar series. Wyrd slithers like a snake when she steals Elain from camp and shifts into different creatures during the final battle when Feyre is connected to her through a direct, living bond. She soars through the battlefield like a bird, skims the ground like an insect above a pond, and creeps along like a hound at Nesta’s side. (As an aside, I think the bones in scrying might represent different animal forms of creation; another nod to Wyrd.) The most interesting part about this scene, though, is that when Feyre begs Wyrd for help, it is Elain—not Wyrd—who appears out of nowhere and answers her call, reinforcing the link between Wyrd and Elain. Elain is also associated with an animal form, one that is linked to rebirth: the lovely fawn. The Suriel saw her doe eyes peering at it from across the world. Like Wyrd, does she travel in animal form in her sight? Is it possible Elain can learn how to weave different forms in reality, like Dorian, with her powers? That might explain why she asked Amren so pointedly about changing forms over dinner in acofas.

Healing—Wyrd’s power is connected to healing (rebirth). In tod, we learned that raw healing magic is pure life and most associated with the dawn. The Dawn Court in acotar is also known for powerful healing. And while we witnessed a dusk service in Lady Death’s story, we have yet to see what the priestesses in the Night Court do at dawn (groundings 🤞). Elain is consistently compared to the loveliness of dawn and glows like it in the dead of night. Will this association remain figurative? Or will we see Elain, like her sisters, channel Wyrd’s healing magic? Perhaps we will see her use healing magic to unbind Wyrd and the land since those with raw healing magic can unbind the very fabric of life, of worlds.

Wyrd’s creative magic appears to be fluid and interconnected, so if our gardener is as connected to her mighty power as we’ve been led to believe, it would make sense for her to be able to use it fluidly in her story as well.

[mamawasatesttube]

every time i remember how bendis completely destroyed the kon & clark bond i want to start biting and maiming. literally what is the point of it all!!!! just kill kon again im begging!! it'll be funny when the second time around comparatively nobody gives a shit fdklsjdjkd

[starry-eyer]

some people in this fandom are going to be really disappointed when winds of winter comes out.

you guys. you cannot treat the POV characters as stepping stones for other characters/other POV characters.

the POV characters must have a fitting end according to their character arcs, themes, foreshadowing, etc.

to clarify, the POV characters chapters are about THEM. their storylines are about THEIR journey. you cannot use their hundreds of pages of character development as a brick to build the castle your fav will live in.

this is especially true for the key 5 and for the other younger POV characters. their endings have everything to do with them, they do not revolve around your fav.

us readers out-of-universe reasons for wanting x or y characters deaths does not matter. what actually matters is if you can support your theories with textual evidence from the chapters of the POV character that you want dead.

[mysteriousmoss]

Working on ch4 and Grian’s last name comes up. Can’t decide between these. Next chapter is not almost don’t but close to finish

[bastardraccooon]

In order to get to the Isles of the Blest, you'll have to prove your worth thrice. So if a demigod chooses rebirth, is it 100% ensured that they'll be reborn as a Greek/Roman demigod or legacy again? Because if someone is born as a normal mortal with no connections to Greek or Roman pantheons then they probably won't even be allowed inside Hades, right?

The Isles sound impossible to get to because you lose all your memories of the previous life when you are reborn so in your new life you'd be a completely different person with different parentage, different peers, different morals and values. Even if you were selfless and pure or whatever in your past life, there's no way to guarantee that you'd be the same way in the next one too.

And if someone somehow manages to get through life and die a hero's death twice, are they informed that they only have to do it one more time? Or do they have to make the Heaven or Heaven Premium choice without that information? Imagine being 2/3rds down the Isles of the Blest way and since you don't know that you only have to do it one more time, you decide to remain at Elysium.

Honestly idek why the Greeks even created the concept of the Isles when they already had Elysium. What's so different between the two because essentially they're both paradise. Whatever you can get in the Isles you can probably get in Elysium too.

I have a very stupid hc that the Isles are actually pretty empty and the voices that Percy and co. hear are just illusions to draw people in. Fake advertising type thing. Because I feel there's no way there are more than 2 or 3 people who've managed to get to the Isles.

[anakinh]

sephiroth is so beautiful i would die for him 😭

[lecliss]

Absolutely painful knowing Vincent had to sit there and listen to Scotch and Kotch's rap after thirty years of sleeping in a basement like "so this is what the youths are up to nowadays?"

[aerithisms]

okay i just did the gongaga protorelic quest and i had assumed cissnei left the turks after what shinra did to zack and she was hiding out in gongaga to keep her promise to him but she's STILL a turk??? this creates so many questions

[vyainide]

ㅤㅤㅤㅤ౨ৎ monster trio & kissing

ㅤㅤㅤㅤㅤㅤㅤ2024 ©1864RERUNS

includingㅤ━ㅤmonkey d. luffy, roronoa zoro, sanji vinsmoke

tag(s)&warning(s). drabbles, gn! reader, sfw, fluff?, what constitutes as fluff idk girl, established relationship w/ zoro and sanji, luffy is a secret third thing i guess?, stray 'kms' threat in sanji's part

from vyon. big up to alex turner and no. 1 party anthem; luffy's is marginally longer because he's my most specialiest boy and he deserves special treatment and i struggled way too hard with characterising sanji in a relationship aside from all the embarrassing simping stuff, he's just amazingly pathetic, i don't wna talk about it, the main star here is luffy

like a lot of other things, kissing comes easy to luffy. though he's never had any couples around him as he grew up, he's been on enough adventures to catch a number of couples share a few quick pecks here and there. sabo's once mentioned kissing as well— a sort of distant memory that comes back when your lips first land on his cheek on your supposed first date. it might be sabo's fault, or his parents, that luffy believes kissing to be bleugh before he's tried it. though in sabo's defence, there wasn't a child in the world that would want to see their parents kissing. still, it isn't as bad as sabo made it out to be, luffy thinks as his wide–eyed gaze follows you back onto the sunny. there's something in the shape of your lips sunburnt onto his cheek, crisp just underneath the scar he'd gotten as a child.

the old scar is a smudge between a burning hypersensitivity and a cold unfeeling stretch of skin; your lips brush against the scar and it tingles itself into simultaneous death and rebirth. burning, melting— luffy presses a hand against his cheek and feels full. then his lips pull into a grin and the burn of your lips spreads out, pushing through every fold of skin as his hand reaches out for the sunny and he flings himself into the air, allowing the feeling to crawl through sinew.

luffy is no stranger to touching— he does it in painstaking excess, but there's a childhood teaching in him that kissing is not the same as touching. he stares at nami for a while, wondering if the instinct to feel her is the same as it is for you; she gets annoyed by his unwavering stare and swats at his head. he decides it's a no.

kissing is meant to be con... consumption? conservative— constellation? no, it's one of those 'c' words that he doesn't really remember, but he knows that he's supposed to ask you if you want him to kiss you. he doesn't understand the idea of waiting for permission but he'd really hate it if you were grossed out, like ace once told him would happen if kissing happened unconventionally(?) (that's not right he thinks), so he asks you one day.

as simple as he gets, luffy comes up to you and asks. "do you want me to kiss you?"

you splutter in shock and you hear movements on the deck still. luffy thinks he'd maybe forgotten something that the people in foosa village taught him but he waits for you to answer anyways. it doesn't come because sanji is aiming a kick at his head and shouting at him about the delicate intricacies of romance and courting. through all the dizzying flips of colour as he jumped away from sanji's attack, a kaleidoscope of the things he loves the most (the sea, his ship, his crew) in his eyes, he sees the hesitant embarrassment that colours your cheeks in. the burn that you've placed in him sparking up a fuse between the two of you at the slip of his tongue against gums and he laughs, swinging away and crash landing on whatever usopp was building out of sticks.

you return to him at a more private time, slip up next to him wordlessly— he doesn't say anything so you fear that he'd forgotten.

"do you still mean it?" your shoulder knocks against his.

"mean what?"

you turn to look at him, your eyes flickering down. "when you asked if i wanted you to kiss me."

that gets his attention, his head turns to you with a flexibility only he has— his eyes blinking at you carefully. "i did, did you make up your mind?" his lips pulled up into a grin, "you want me to kiss you now?"

you wish he had a less abrasive way of asking, but the answer is the same regardless. you nod and luffy takes.

you're not sure what you're expecting at this point. you know how luffy is about psychical touch, he's no stranger to it— everything he's ever known, he's ran his hands over. the amount of times you've been knocked down to his reckless habit of flinging himself into your back, you expect the same thing here.

luffy inspects you for a moment, the corners of his lips pulling down before twitching into a pout, "it's not gonna hurt, silly, why'd you look like that?" he shifts his body to face yours, his knees knocking against yours as he pushes his face closer.

then, his lips stretch outwards— his damn devil fruit— and it's so comical how his puckered lips pulled towards you to press gently against your cheek that you're laughing when it snaps back into place. luffy laughs along with you for a moment. a gooey comfort strained inside of you, your hands pressed against his cheeks— you find a simple joy in pulling his face, and then you find a better joy in leaning yourself closer to press your lips against his.

you're giving so luffy takes. he shifts onto his knees for better leverage to lean into you— the movements are stiff and careless. he's less kissing you and more just pushing his face into yours but you can feel the strain of his smile against your lips so no matter. being luffy, he pushes and he pushes greedily until your hands move from his face to the deck to keep yourself from falling.

it's so stupid how, even though this sucks, you want to make an occupation of kissing him.

it becomes a habit for him to kiss you no matter how far away you are by taking advantage of his devil fruit. eventually, he does get better; you realise why after a pointed comment from robin that hints to the fact that he'd asked her for kissing tips.

zoro is all lingering touch, heated spaces, and fizzling affection. it's not often that he gives you the pleasure of being skin close with him— not that you mind. he's eye candy enough, grunting and sweating in a handstand with barbells methodically placed on his feet and boxes of miscellaneous supplies for added weight. he's never been the type to need the world in his life; everything he's done has always been to prove a sick something to himself, to his strength.

his devotion is similar. there's no place for prying eyes in your relationship when there's you, the fulfilling adoration, and zoro. sometimes, there is also his swords and other times, there is an overwhelming luffy (who knows no boundaries).

he's always more forgiving with you, but he draws the line at excessive pda and you respect that boundary. fleeting contact has never been zoro's strong suit, he's an all or nothing soldier so when it comes to kissing, he likes the ready privacy that allows him to indulge. so he ignores the pointed staring, how you've made yourself comfortable on the benches in the crow's nest; your body sprawled out following the curve of the seats as your face turns red from how you have your head hanging off the cushioned planks.

he grunted, turning his head back down to the floor before he loses his balance.

you start counting, "one, two, three." he's well past those measly numbers but he lets you do as you please. "four, five, one, three, sixty–five, twelve, two, negative five, twenty, fourteen, nine—"

he folds his legs down against his chest, letting the weights fall to the floor with a thud. "alright," he straightened up, "you've made your point." an unimpressed look crosses his face.

your lips curled up into a grin and then you pull yourself up, throwing his towel at him. he takes the hit to the face and presses his hand over the fabric to wipe away the sweat and falls next to you, sliding his body down for his head to lay on your thigh.

"ewwww," your face scrunched up, "you're sticking to me." his hair is clinging to his forehead, interrupted strokes of green paint against his temple.

"shut it."

a laugh is quiet on your lips as zoro falls into the comfort of the moment, his eye closing. you trace over his face and then you crane yourself down, ignoring the ache in your spine and neck, your lips fall onto his forehead, "one." you counted. then onto the space between his furrowed brows, "two," his nose, "three". over his eye, "four." you pull back just in time to feel his lashes scratch over your lips.

a heavy judgement in his eye, stern and serious— he curls an arm up to press against your nape and pulls you down. there's a weight that's tethering you to the moment in the curves of his arm and a light–headedness that makes the stillness burst at the seams as zoro ignites everything alive. it's a slow and careful thing, how his head rises to meets yours and then how it tilts so he can slide his lips onto yours.

his arm drags across your neck until you feel moisture in the contour of his calloused hand, fingers pushes into your hair as zoro leans back from your lips, humming. "five." he says, a whisper of a smirk on his lips. a flicker of tender violence in how he fists your hair at its base and pulls your head back to give himself access to your neck. all or nothing, you're reminded, he drags this kind of simple affection into long, several moments.

he continues counting, picking up where you left off until you both hear luffy calling for zoro to help him fish and your relationship mellows back down, protected in loud secrecy.

there's always a strange line to tread when it comes to sharing intimacy with sanji. he's the quickest to melt when it's passing pecks, a second touch of your chapped lips against his cheek.

it depends on the atmosphere of the moment. just as quick as you can puppeteer him to pliant stuttering, sanji is more than capable of wearing you down to your barest core with his appreciative methodical gestures.

what everyone else is most familiar with are the fast moments of sanji softening when you offhandedly touch him. a simple smile on your lips as he gracefully sets your plate down in front of you, ease in the way your head turns to face him and you give his cheek a grateful peck, a quick kiss against his lips when you're splitting ways upon docking on a new island. it's enough of a spectacle that luffy makes the same laughing racket when you kiss sanji casually to see him twirl with new founded energy and hearts in his eyes; that zoro has a trademarked insult ready on his lips whenever it happens; that nami owns a jar that sanji has to put money into whenever he starts his weird dance.

it's almost easy to forget how sanji reciprocates. love has always been a second language to him— it's burrowed in his every unhurried moment when cooking, it's a burn that drove an abscess in him when he was younger, it's straightened postures and the clean lines of his stature for every perverted thought that plagues him. his every move carries an echo, a drumming confession that rings i love you, i love you, i love you until the words are bleeding raw into each other and you feel undeserving in his passion that stinks of cigarette smoke.

the disturbance of the lit end against a clear canvas of blue skies, his arms folded over the handrails of the sunny, the strokes of grey smoke that taints the pristine clouds that rest languidly; a rigid lock on his features until you're brought to his attention with your shoes clicking against the deck. his face shifts into something more delicate— full of feeling that's different from his usual excitable manner.

"bad for you," you begin with a light–hearted scold, plucking the cigarette away from his lips. he turns to you, his back against the handrails.

his restless hands search for touch and find an answering comfort on your skin, turning up and down over the shape of your hips until his thumbs dig into the waistband of your bottoms. "don't," he pleads, "you know it kills me when you're disappointed."

your lips turn upwards, "should i cry?"

"please." his voice wavers between a weak warning and aching desperation as his head falls onto your shoulder, pulling you closer.

the smell of smoke is cauterised into his skin— you don't mind it and you don't mind him smoking, but you think it's funny to act like you do if it has sanji like this. his hair scratches against your skin, tickling an itch he'd placed in you long ago and you thread your straying hand into the strands as his fingers press demandingly into your hips. following your motion, sanji turns his head to look up at you.

a furrow in his brows and a plea in his eyes.

"you know i'm teasing," you lean down, pressing a kiss against his lips as an attempt to appease him, "but you know i'll have to kill myself if chopper comes and redirects his disappointment at me again." you sigh, weary at just the topic. "i mean seriously, he looks at me like i'm the one shoving cigarettes into your mouth and forcing you to inhale."

sanji tries to focus on your words but your lips have left him cold when you pull away; suddenly, being skin to skin isn't enough and he's trying to placate the greed that is curdling inside of him. it works for the better half of a second, his thumbs pull out of your waistband and his arms wrapped around you, one around your waist and the other dressed against your back.

he ducks his head down and settles his craving.

sanji is gentle all around, careful to make even his affections palatable. he starts slow, testing waters that he's skinny dipped in previously and when he finds no rejection, he moves in deeper. he's a lifelong hunger that can never hope to be satiated when close to you, unwavering in a promise that has wedding bells ringing deep in your bones.

there's a new memory of a life he wishes for you, brought to life and fed by the taste of you. for now, he has to pull away as the ship rocks into a tempestuous sea and panicked feet disrupt the echo of the bells. nami starts to shout orders. he pulls away. his heart stutters in time with the unpredictable storm. sanji trips over his feet on his way to pull up the sails and he starts twirling when it makes you laugh.

[marsprincess889]

VEDIC ASTRO OBSERVATIONS

Part 3

More random and messy but still true

DISCLAIMER: if you consider some of these positive and others negative, then I want you guys to know that they come from my personal observations of real life. None of the nakshatras are better or worse, or positive or negative, these are just aspects of them, but nevertheless, true.

Magha people can have such an ego omg like I've said that before with rat yonis but P.Phalguni I think is nowhere near Magha in that department. Ashwini can also come off as egotistical, but it's moreso that they're unintentionally(or sometimes, intentionally) ignorant. Mula can also have egotistical tendencies, esp cause the galactic center(the black hole) is in Mula nakshatra, so they can have this "I'm the center of the world" attitude, but in my experience it manifests as just them mainly trusting themselves. All Ketu nakshatras have this theme of going inwards and shutting the world out, but since Magha is in the Sun ruled Leo (sun=ourselves, confidence) it can come off as undeservedely egotistical, different from Ashwinis aggressively(Aries/Mars) ignorant and Mula's relentlessly preachy(Sagittarius/Jupiter).

The Ashlesha to Jyeshta pipeline is actually very obvious, they're more connected than people realize. Obviously they're both Mercury nakshatras, but Ashlesha is often seen in a very sensual, feminine light and Jyeshta in a no-nonsense, cut to the chase light. The difference is that all that bottled up energy of Ashlesha, that was either healing or poisoning the native is ready to fight and be more direct in Jyeshta. They're both laser focused on survival and protecting themselves, desperately trying to realize themselves in the proccess, so it's a struggle. Both are trying to preserve their energy, but Ashlesha was trapped in the confines of the 4th house(family, roots,mother) and the sign of Cancer/Moon(emotions, fliudity, sensitivity), either for its safety or to its detriment, and was trying to get their energy out in a correct way. Jyeshta is out in the open, thrown in the sign of Scorpio/the 8th house/ passive Mars (transformation, rebirth, purging, sex, death, warfare, survival, defence. You and the other are one and the same in the 8th house). For Jyeshta, the only way to survive, is to win over everyone else, and when they eventually win, they gain dominion over others. So Jyeshta is kind of about revisiting that Ashlesha state and having the revenge, so to speak, because after gaining strength on your own, you eventually have to face the ones who you were so desperately trying to get away from(ashlesha).

Mulas can be so gentle and honestly at first I did not know where that came from, but since the last third of nakshatras are about transcending and mastering their ruling planet in a sense(btw, that does not mean that they embody the energy of the planet more, or that they're better) and Ketu is about primal instincts, then Mula is the place where the individual centers themselves in their truth and is unmoved by others, thus, avoiding unnecessary energy drainage. Of course, they can also be the most untamed of all, but in our civilized(mostly🙁) society, their natural demeanor is extremely calm.

Chitra natives are soooooo chaotic like calm down jesus. It makes sense when your consider that its gunas are TTT(tamas, tamas, tamas). Among the planets, Ketu is the most tamasic one(Chitra's ruler_Mars is also tamasic), but each nakshatra has their own guna(Ashwini is Rajas x3, Bharani is Rajas-Rajas-Tamas, Revati is Sattva x3, you get it). So Chitra people are the most chaotic, if I may say so. (Gotta credit The Hidden Octave's Chitra video for the observation). There are a lot of indicators that explain this but I've already written a lot in the previous ones😭 if you know basic vedic, this observation is of no surprise to you. They can also be prone to anxiety, but often they're unaware of it, so that has a detrimental effect on people around them.

Uttara Bhadrapadas are VERY hard to order around. Impossible even. Idk why someone would want to order someone else around but nevertheless, these natives can deal with any kind of unfairness with such grace, self-mastery and quiet strength that eventually nothing gets to them anymore. So if you see an U. Bhadra child disobey their superiors calmly and in a controlled but determined manner, you know why.

I really have a lot of respect for Uttara Ashadas(not all, lmao), because they just deal with stuff alone. And it's natural for them, and they don't do it for a goal(like in Jyeshta, which is not bad, it's just different) or for attention, it's just a way of life for them. Simplicity and stoicism 🤌

Okay, now a fun one: Moon girls (Rohini, Hasta and Shravana) are the blueprints of Y/N. If you guys don't know what Y/N please look it up. Not just Y/N, but characters like Bella Swan(hasta moon, rohini asc actress) and Elena Gilbert(shravana moon anctress) come to mind. Even popular instagram users who parody those movies/fanfics/characters have moon placements(@laframbuesaa_ rohini moon if i remember correctly and @yasmine_sahid_ shravana moon(?) on insta). Even Harry fcking styles, who is probably the most common love interest in those fanfics has hasta moon. If you know a little about nakshatras, this makes sooo much sense. Moon is something that masses can understand and digest easily, so it's not complicated and sometimes, it can verge on delusions(or an insane sensitivity and receptivity and the ability to read between the lines, but that's just for a number of their natives). Other nakshatras that can fall into the Y/N trope are venus and ketu nakshatras, but moon is the most classic example of it.

I want confirmation in the comments/reblogs for this one: Bharani natives love high fantasy, history(esp medieval), fantasy in general and/or just everything/anything with that vibe. Cause I'm bharani moon and I do, and I've seen some other examples. If not, then the Bharani natives themselves seem like they're out of those times/stories. I can't explain it in any other way. (This might be true for Bharani Ketu too.)

Alright, this is all. Reblog, comment, like. Interact please

Take care

[ominium]

farewell p2

character : gojo s. context : your husband reads your letter D: pov : third person (gojo) content : angst (still) no comfort

note(s) : farewell p1 if you haven't read it ty to everyone who asked for p2 >O< did not expect it to do any numbers  + made up char named tomiko btw, not real !!| + didn't want to verbally include "time skip" but if it's too confusing just lmk and i'll edit it :D

—

The mind of Satoru Gojo was foggy. He woke up after what felt like a long slumber in daze, surrounded by people he remembered—and people he didn’t. But within his state of confusion, he understood one thing: the person who was there when he first woke up mattered.

It felt like an invisible force that pulled at his heart, lingering in his mind...with no answer. 

The first time his eyes met theirs, it was like he saw the world in a new perspective: under a different light. He felt like he could hear colors, taste the tasteless, and felt so undefeated staring into the depths of their eyes. It felt like a rebirth when he woke up—but he had no clue why this person had such an effect on him.

The second time he felt the warmth and connection with this person was when they had returned to “their” home together. While he recognized the address, the inside of the home was a different story. Pictures he was in that he couldn’t recognize, furniture that he swore he would never choose himself—but despite all that, he didn’t feel as if anything was out of place. If anything, it felt like he was getting closer to filling the voids that plagued his mind. However, in the attempts to fill that void quickly, he overlooked the truth that stood right in front of him. What was missing?

“Satoru~ wanna hang out today?”

It was the same question he had been getting all week, the week before, and the one before that. He had recently run into his old friend, Tomiko, who had been reaching out constantly ever since hearing about his accident. While not necessarily for the hangouts, he wasn’t particularly against them—he just couldn’t figure out why. Was it to fill that void in his mind? To fill in the gaps?

“Yeah. We’ll meet up later at the convenience store.” As he got ready once again, he shuffled down the hallway, passing by the frames of memories he got used to. The supposed partner in the photos was smiling in all of them, some at the camera—and some at him. A subtle hint of a smile graced his lips, as he looked at how lovingly he’s being stared at. Why couldn’t he remember?

“Good morning Toru. I made you eggs again. Are you heading out today as well?” He followed the source of the voice as he entered the kitchen, seeing their figure glow in the subtle morning light. He nodded, giving a quick thanks before digging in on his breakfast. 

To be honest, Satoru almost couldn’t care less. Despite months of seeing the same photos, no new emotions or memories had emerged. Nothing had changed over the time that he had been spending with them, and it felt like each interaction had become more meaningless. What’s the point in even trying?

But with her, with her, it seemed so refreshing to create new memories. It was fun, rejuvenating…he felt like he wasn’t just living, but alive. But why was it so different?

“Be safe, Toru!...If you can, come home a bit early tonight. I have a surprise for you!” With a quick wave, he left through the front doors. Knowing they would lock the door for him, he left with haste to meet up with his old friend. 

“That was sooo much fun Satoru~ we should hang out tomorrow too!” She slurred out, waving frantically before entering the taxi. He gave a curt wave back, grinning ear to ear before turning down the path towards his home. Did it feel like a home anymore? He wasn’t so sure, but it felt much better to live a bit day-to-day and push any worries tomorrow. 

On his way back, his steps slowed. It felt so empty without someone chatting his ear off…without Tomiko. Has it always been someone else? Or was it just too easy to place her in all those missing memories?

With a shrug of his shoulders, and a shake from his head, Satoru continued his walk home, reaching his front doors. Usually, he would hear their music humming through the doors already, but it seemed…eerily silent. Brushing off the weird feeling, he decides to unlock the door and go in.

“I’m home,” he called out, taking off his shoes. Looking around waiting for a response, he was only met with silence, confusion surrounding him. Normally, he would have been greeted, asked how his time went, and would’ve been offered some sweets….

He continued in, looking around in complete confusion by the sudden bareness. Some of the usual frames had been taken down, and the house overall felt…empty. He turned into the living room, being greeted by silence and nothing but a paper that seems to have been folded on the coffee table. Swiftly, he took a seat on the couch, hesitantly reaching for it.

“In another universe, we would have grown old together.” As quickly as his eyes could run over the words, Satoru read every word over, and over, and over again. What did they mean, ‘in another universe’? Anniversary? Today was their anniversary? See her again? Tomiko? Flowers…what’s going on? Why aren’t they here?

The final time he felt the pull was when he read the final words. Satoru then, and only then, realized the mistakes he had made…the irreversible neglect to the only person who had been there for him.

He had forgotten who he had woken up to for the first time in awhile. He had forgotten who had given him his good morning’s and good night’s. He took for granted the lunch boxes, the ironed clothes, the refilled bowl of sweets by the door…

He had finally understood why they mattered. Way too late.

[eddiesvixen]

Jessie’s Girl

𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀: 𝗳𝗹𝘂𝗳𝗳, 𝗮𝗻𝗴𝘀𝘁, 𝘀𝘁𝗿𝗼𝗻𝗴 𝗹𝗮𝗻𝗴𝘂𝗮𝗴𝗲, 𝘀𝘂𝗴𝗴𝗲𝘀𝘁𝗶𝘃𝗲 𝗹𝗮𝗻𝗴𝘂𝗮𝗴𝗲, 𝗮 𝗱𝗮𝘁𝗲 𝘄𝗶𝘁𝗵 𝗮 𝗹𝗼𝘀𝗲𝗿, 𝘀𝗺𝗼𝗸𝗶𝗻𝗴 (𝗰𝗶𝗴𝘀)

𝘄𝗼𝗿𝗱 𝗰𝗻𝘁: 𝟰.𝟱𝗸

the third chapter of Open Til Midnight

June 23, 1979.

You and Eddie were at Skull Rock. Fourteen years young and laying back on a blanket, snacking and listening to Black Sabbath together. Eddie’s got his vest off, sewing a new patch onto it.

“Motörhead.”

“Yeah. Can you believe I got this at the fabric store. Kenny made it for me.” He smiles as he sews the patch on.

“Wish we could see them live. No way would they ever come here.”

“Sweetheart, I don’t even think they know Hawkins exists.”

You look over him. Eddie’s changed from a punk to thrash guy. His curls moving with every head shake to the music. “Your hair’s growing so long.”

“Yeah. Wayne says I’m starting to look more and more like my mom. Think he just wanted an excuse to say I look ridiculous again.”

You laugh. “You know he means well.”

“Yeah.. think he’s just tired of buying new shampoo. Not like he needed any hair cair.” He snorts.

“You tried another shampoo?” That’s the third one this month. Eddie just wants to make sure his mane smells good. He remembers in those interviews on Mtv that girls are attracted to rockstars and hire they smell, what they wear, what they play. With his new hairdo, new hellfire tees and promised gigs at the hideout on tuesdays, he was on the route to that dream.

“I did.” He smirks, proud of himself. “Go on give it a whiff.”

You lean in and his curls tickle your nose. You hum. “Blueberries?”

He nods. “And..”

“Something minty.” You raise a brow. “Peppermint?”

“Lemon mint.” He smiles. “What do you think?”

You giggle. “Think I have the same one.”

His eyes widen. “You’re joking right?”

“Wish I were. You’re swooning ladies with their own shampoo, Eddie.” You giggle and he shakes his head.

“Blasphemy. The bottle was in the men’s section.”

“Yeah but did you read the bottle? Did it say mens?”

“I just smelled it and put it in the cart.” He smiles at your laughter, now laughing at himself. “Damn. I can’t win can I?”

“Well you’re still new to having hair this long. And you’ve got all summer to rebirth yourself.”

“Damn straight, princess. And we’re gonna go through high school like nothing. Me and the boys can rehearse and have some real campaigns now that we’ve got the club. And since we’ve got gigs at the Hideout maybe we’ll finally be seen. Gonna focus on getting signed. Getting out of here.”

You love when Eddie gets like this. Talking about his dreams for Corroded Coffin. For his band.

“Leaving me so soon?” You nudge his foot with yours and he returns the gesture.

“I’m offended.” He clutches his chest yet again. “You think i’d let you stay here? No. Screw that, you’d be with us all the time.”

You can’t help but smile. “You are the sappiest metalhead I know. Nerdiest too.”

“Nerds have more fun.“ He winks at you. “And if im a sap so be it. You’re my best friend and you’re always here for me. We’re a package deal, sweetheart, no matter what.”

You grin. “No matter what.”

Best friends. A package deal. You and Eddie were and still are, inseparable. You swore that you’d always be there for each other no matter what, which is why Eddie’s disturbed today. He can’t stop thinking about how weird you were, how avoidant you behaved before leaving his apartment yesterday. He knew something was wrong but he didn’t want to pry. Not when there’s bigger things to focus on.

As you organize the cds, you try to focus on literally anything to get your mind off of Eddie. The ding of the door when a customer walks in, the sound of the Talking Heads from the store speakers, the annoying baby crying in his mother’s arms from the Fleetwood Mac section.

All you see is Eddie. His hair, his body, his face in those pictures. His lips so pink and arms so toned. Maybe he has been working out. Those jeans made his thighs looks so good, that slim waist.. you inly imagined how good his ass looked in them. And seeing him naked like that. His scarce happy trail leading down to his-

“Found it. Thought this broke ages ago but I can take it to Argyle’s buddy, see if he can check it out.” Jonathan says as he holds a half damaged amp from the break room.

“Looks good enough to sell. Did you check for any plugs?”

“No but im taking Robin and Steve to three different pawn shops so if we get a good deal just call.”

“Thanks. I’ll see you after.”

You head to the register to take up for Robin while she leaves. Selling the old amps and guitars, different things you don’t use anymore from the storage space next to the store. It’s an easy way to add cash to your current savings. You just hope it’s enough.

~~~~

Your shift is going nice. It’s an easy one. Monday’s usually are. Inventory is done, customers come and go and you enjoy your spot at the register, talking with different customers and introducing them to new music.

Chrissy walks up to the counter. “Hey, i’m taking lunch so Eddie’s gonna cover for me up here.”

Eddie. Just great. You hadn’t spoken to him since yesterday after seeing those pictures.

“Okay.”

She smirks and looks in the rock section. You think Eddie’s standing there but no, it’s someone else but still, someone familiar.

“That cute blonde guy’s back again.” She smiles and looks at you.

“He always comes on mondays.” You nod and shrug, not thinking much of him.

“I know. He flirts with you every monday.” She grins, with a suggestive look in her eyes.”

“Is it flirting if I don’t reciprocate?.”

“Yes.” She smiles. “Come on, you haven’t had a date since when?”

Since last October. You found him hooking up with some other girl, she looked nothing like you. And you honestly didn’t know if that hurt you more or relieved you.

“Give it a rest, chris. He’s a customer and I am not interested in some random guy-“

“Could I get one of those Springsteen pins?” He smiles, vinyls in hand and a cute grin on his face.

He’s got the cutest nose and blue eyes so captivating, the ocean would be jealous. Maybe it is. His beachy waves of blonde hang over his forehead a bit.

You grab the pin and grin as he sets his yinyls on the counter. Bruce Springsteen, Bon Jovi, Madonna, Aerosmith. Of course he gets Aerosmith, he always does.

“Madonna?” You raise your brow.

“It’s for my sister.” He’s quick to respond. “But I do love a good material girl.”

“Can’t argue with that.” You smile, ignoring how Chrissy’s been glancing at the both of you from the record player behind the counter.

“That’s a nice ring you got there.” He nods at the silver ring on your left middle finger, a dark onyx gem in the center.

“Thanks, was a gift.”

You remember turning 20, and the big party you all threw here in this very store. Steve walked you out for a surprise lunch and when you came back, everyone had party hats and hung streamers. The store closed earlier that day as you all shared cake and drinks.

Everyone gave you their gifts at the party but Eddie waited to drive you home to give you his gift. The ring looked so expensive and he explained he saved up for it for months. When he slid it onto your finger it just made since, it was perfect. And you looked into each other’s eyes. You still remember what he told you that night in the van. His voice.

“Excuse me.”

His voice.

“Shit.. sorry.”

You move to the side to let him reach under the counter. Sharpie. More vinyls to be shipped out. Chrissy steps back to let Eddie key into the register since he’s next to check out customers here.

You bag up the customer’s cds and he hands you his cash.

“Will this be all?” You ask the blonde guy.

“Yeah,” he nods and takes the bag and his change from you. “Actually um, I just wanted to ask if you were busy. Tomorrow.”

Chrissy looks at Eddie. Eddie looks at your foot. Your boot tapping against the rug. Nerves. And he feels them too.

“Um.. well, I have to work, so..”

“What time do you get off?”

“Seven.” You nod.

“How about I pick you up? Take you for dinner?” He smiles.

Suddenly Eddie hates the color blue, seeing how the guy’s eyes light up when you say..

“Sure.”

He smiles. “Well great. I will.. i’ll see you then,” he looks at your nametag then saying your name.

“I’ll see you then..”

He smiles. “Jessie.”

You grin. “Bye Jessie.”

He leaves and goes out the door. Chrissy decides to leave to avoid the awkward conversation she knows is about to take place. You focus on your register as the space behind the counter feels smaller. You’ve told yourself too many times that Eddie is just your best friend and he definitely doesn’t see you like that. If he did, he would’ve made a move, and he hasn’t made a move. You needed something. Anything, to get your mind off of the pictures of Eddie that you saw. If it was a date with Jessie then so be it.

After some silence you Eddie speaks up, his voice a bit relaxed. Too relaxed.

“Dating the Aerosmith guy?”

“I guess dinner would be nice.” You look at him and he hasn’t looked up from the clipboard as he writes down the packages he’s signed and boxed up.

“He pulled the push door again on his way out.” The corner of his mouth lifts a bit as that familiar smug smirk starts to form.

You grin. “What are you keeping tabs on him?”

He huffs out a small laugh and shakes his head, his messy curls falling with each movement. He whips his hair back to look at you this time.

“Maybe I should if he’s taking my best friend on a date.”

You raise an eyebrow at him, crossing your arms. "Since when do you get all possessive?"

He leans against the counter, the smirk growing as he shrugs. "Since Aerosmith wannabes started sniffing around you."

You roll your eyes but the warmth rising in your cheeks betrays you. "It's just dinner, Eddie. And it's not like I need your approval."

He places a hand over his heart. "Approval? Wouldn’t dream of it, sweetheart. But a warning? Absolutely."

You raise a brow, trying to read him. It’s a bit impossible to right now. "And what exactly are you warning me about?"

He taps the clipboard against the counter, thinking for a second before locking eyes with you. "Those guys always have an angle. Dinner leads to dessert, dessert leads to backstage passes and before you know it, you're a line in one of their breakup ballads."

You can’t help but to laugh. “Are you telling me Corroded Coffin has lines about girls in their ballads?”

He chuckles. “Did you see any girls lined up to talk to us?”

“Well, not really.” You bite your lip. “You really think Jessie’s like that?”

Hearing you say his name scars Eddie but he’s playing it cool. “Don’t know. Just looking out for you, someone has to.”

You meet his gaze with a playful challenge in your eyes. "And what if I don't need looking out for? What if I like the idea of being a song lyric?"

He leans in closer, his voice dropping just enough to send a shiver down your spine. "Then you're more reckless than I thought."

You swallow at the closeness and for a moment, the air between you changes. Charged and heavy like the static before a storm. His smirk falters for just a second, replaced by something softer, something... real. Something innocent. Those soft boyish features that hide how rowdy and chaotic he is.

A customer walks up to his register. He looks over your face and speaks lowly for only your ears. “Just be careful.”

He stands straight and greets the woman, ringing up her tapes and you swallow and stand in front of your register.

~~~~~

Tuesday. Four days until the first.

Steve managed to get a decent six hundred for a box of some of his old sneakers. Jonathan and Robin made four hundred and thirty seven dollars for the amps and an old acoustic guitar. You added the cash together from Hopper’s pile and the college dealings you and Eddie did on Sunday.

You sit in the break room, counting the cash as you hear a curse from the restroom.

You call out. “Are you okay?”

“Uh.. all good , sweetheart.”

The door’s cracked open so you take a break and walk over, walking in after he tells you to. You gasp, seeing he has scissors in his hand, his thumb bleeding as he sucks his wounded finger.

“What the hell are you doing?!” You quickly grab the scissors.

“Just a trim.” Eddie winces and reaches for the first aid kit.

You take out the bandages and shake your head. “To your bangs? You’ve actually lost your mind.”

He flips on the sink and washes his hands. Drying them and taking the bandaid from you. “Thanks mom, but I think i’ve got it.”

Your brows furrow. “But you always let me trim your hair.”

He shrugs and looks away. “Didn’t think you wanted to.”

You couldn’t blame him for how he felt. You just pull him to sit on the lid of the toilet seat and take out the scissors. He gives a small nod of surrender, letting you do as you please. You stand between his legs and get to trimming.

You speak softer. “I’m sorry I haven’t been more communicative.”

“You don’t need to apologize, princess. Just.. worried I made you upset or something.”

You raise a brow. “Why would I be upset?”

He looks up at you. “The party.”

Your eyes widen a bit. The college party? “What do you mean?”

He fiddles with the rips in his jeans a bit. “You really dont remember?”

He’s hesitant and that worries you a bit. “Eddie what happened?”

He speaks in a tone so low as if to save you embarrassment from each other. “You know, when you tried to kiss me.”

What?

“What?”

“When you had that smirnoff and we sold the last bag of K, you like.. grabbed my face and pulled me down.” He looks away.

“Oh I.. I didn’t know-“

“It’s okay. I know you were pretty drunk you had like ten of those things.” He sighs. “I guess I just.. when you tried to kiss me I kinda grabbed your hands and told you to stop. I thought you might’ve been pissed at me and left in a hurry on Sunday.”

You can’t believe yourself right now. Wanting to kiss Eddie? Hell yes. But making him feel like your behavior was his fault and not due to your own discovery? Not in a million years.

“No. Eddie I, I’m sorry. I didn’t mean to get handsy or weird. It’s just.. so much going on. I feel like shit.”

He looks up at you. “I don’t mind at all. I get you wanted to get drunk and forget about your worries for a bit. I just can’t stand the way things are right now.” You watch his adam’s apple bob as he swallows. “I miss you.”

You look back into his eyes. “I miss you too, Eddie.”

He sighs and stands up, pulling you into a hug in which you happily and quickly return. It feels good being this close to him. His hair tickling your skin, the warmth of his body, his scent. That scent.

He raises a brow when he feels your body tremble from holding in a laugh. “What?”

You laugh. “Blueberries and lemon mint!”

He laughs along with you. “Damn, I feel exposed princess. You’re being a bad friend.”

“You still use that same shampoo?”

“Hey it hasn’t failed me in the ten years that i’ve been using it and I plan on keeping it that way.” He points a finger at you so you point one back.

You grin, leaning closer as your finger playfully taps his. "Ten years, huh? That's commitment. You might be more loyal to that shampoo than anything else in your life."

He chuckles, dropping his hand but not stepping away from you. "Maybe. But hey if it smells good and works why change it?"

You tilt your head, your smile softening as you study him. “Fair enough.” You sit the scissors down as he rakes his fingers through his hair.

“You look really nice today.” He says a bit sheepishly.

You do. After all, you had a date tonight. You wanted to make an impression. Since you and Jessie agreed on a casual night out you wore a brand new pair of light wash jeans, the bootcut ones that show off your curves in the best way. Your pretty white notched Twisted Sister tee and your hair beautifully worn to your liking.

“Thanks. I mean, I didn’t wanna scare him away on the first date with a shit ton of eyeliner or some demonia’s.”

“If that scares any guy away then he’s blind.”

You smile, cheeks tinged with heat. “Thanks, Eddie.”

“Promise me if things get weird you’ll call me.”

“I promise.”

“Good.” He gives a small grin. “I would hate to show blondie the beast.”

“The beast?” You laugh. “Eddie, have you ever actually won a fight?”

He gasps dramatically, clutching his chest. "I'll have you know I almost won plenty of fights, thank you very much."

You laugh, shaking your head. "Almost doesn't count, Eddie."

He narrows his eyes playfully, leaning against the counter. "Alright princess, remind me never to count on you for moral support.” He straightens up a bit. “But seriously. If he does anything sketchy, call me. I'll be there in ten minutes. Fifteen if traffic sucks but i’ll be there.”

“Thanks, Eddie.” You grin.

He shrugs, the corners of his mouth twitching up into a half smile. "Anytime. Just don't forget about us regular folk when blondie sweeps you off your feet."

You roll your eyes. "Don't be ridiculous. No one's sweeping me anywhere.”

“Whatever you say, sweetheart.”

You lock eyes for a second. A warmth there that had been missing for a few days. So you almsot drunk kissed him and saw his pics, big whoop. If Eddie could move on from the avoidance so can you. The sweet moment is interrupted when Robin speaks over the intercom.

“Dingus needed at the register, the doors are now open.”

You both laugh.

“Duty calls,” he says, pushing off the counter and backing up to the door. "And remember, if he so much as looks at you wrong-"

"I know, I know," you interrupt with a laugh. "The beast will be unleashed."

"Damn right," he says, flashing you a grin before the door shuts behind him.

~~~~~

It was a nice day. No rude customers, your friendships were all good, and when you finished counting up the money you were closing in on having over five thousand. It’s only half, but it’s more than you started with before. But you promised yourself to focus on one thing tonight.

Jessie.

He’d taken you to a small bar with live music and then you grabbed dinner at the diner. You two got along well, talking rock music and careers. He was nice, a gentleman. He seemed pretty perfect. Too perfect. You two sit in the booth as you wait for dessert.

“I wanted to ask you something.” He sits up.

“Okay.”

He hesitates, not sure how to begin. But he does it anyways. “I come to the store a lot and well.. you dress differently a lot. I thought you were like some kind of goth or something.”

You smile. “Well I like goth music too but metal’s got my heart through and through.”

“Right but uh,” he shifts a bit in his seat and shrugs. “I mean you’re still normal to me, you know? Not like the rest of that crowd.”

You wait for the waitress to walk away after bringing your desserts. Jessie got cheesecake and you went for a milkshake per usual. Once she walks away you speak up.

“Rest of the crowd, huh?”

“Yeah. Like this really weird girl at my campus, she paints her face white and wears a bunch of pentagrams.” He hums and snaps. “And that one guy at Empire, with the messy hair? He’s got like some weird tattoos. I think one’s the devil-“

“It’s a horned demon from a board game.” You say softly, trying not to show how offended you feel.

“Yeah but, I don’t know. Just saying you’re not like them. At all.”

You stir your milkshake with the straw, forcing a tight smile as your stomach twists uncomfortably. "What's that supposed to mean?"

Jessie leans back in his side of the booth, completely oblivious to your growing irritation. "I mean you're normal. You know, you don't go overboard with all that creepy goth stuff. You've got style, but you're not like... a freak." He laughs like he's made some kind of joke, but the sound grates against your nerves.

Freaks. What they called you and your friends in school. Years later and now on this date it all feels the same. So infuriating.

You put your milkshake down, suddenly finding it hard to look at him. "You know, some of us freaks actually like that 'creepy goth stuff," you say, trying to keep your tone light, though the edge in your voice betrays you.

Jessie raises an eyebrow. "Oh, come on. You know I didn't mean you. You're cool. But those people? They're just... weird. It's not normal."

You sit back on your end this time and cross your arms. “Define normal, Jessie. Because I'm pretty sure painting your face and having tattoos doesn't make someone less of a person."

He looks genuinely baffled, like he has no idea why you're upset. "I don't know, it's just... people like that are trying too hard, you know? Like they want attention or something. But not you, you're different."

"Sure," you say, your voice colder now. "I'm different because I tone it down for people like you, right?"

Jessie stares at you, his mouth opening and closing like a fish out of water. "What? No! I just meant you're not... extreme like them."

You sigh and rub your temple. “Jessie I.. I should go.”

His brows furrow. “What?”

“Those freaks are my friends. The people I love and consider family. And i’m not gonna sit here and let you badmouth us because you can’t accept that not everyone is a conventional as little perfect Jessie.”

You slap a ten on the table for your meal and stand, walking away before he could say anything else. Assholes like Jessie and Larry get away with everything and you’ve had enough. You just wanted comfort. Someone who got you, someone who would never judge you, never disappoint you.

You think of the one person who’s always been there. Inserting a coin into the phone booth you call him.

~~~~~

“What a dick.” Eddie says, puffing out a cloud of smoke from his cigarette as he drives you in his van.

“It’s okay. Just.. glad that’s over.”

Eddie smirks. He figures you could use a laugh. “You know.. when he picked you up, we were being nice but the second he pulled of Robin thought it was a good idea to play Jessie’s Girl on the speakers.”

You laugh. “Oh i’m gonna kill her.”

“Kill Steve, he was really into it.” He chuckles and starts to dance. “He hit us with this move.” He wiggles his hips in his seat and shakes his shoulders.

You laugh. “You know what, you guys are so not funny.”

He smiles. “Sorry, princess. Can’t help but to tease you for going on a date with that goofball.”

"Yeah, yeah," you reply, rolling your eyes but unable to hide your grin. "You're all comedians. Real original."

Eddie chuckles again, flicking the ash from his cigarette out the window. "I mean come on princess, you can do better."

You lean back in your seat, crossing your arms "Oh, and who exactly should I be going out with? Got any suggestions, Munson?"

He glances at you out of the corner of his eye, his smirk faltering just for a moment before returning full force. "I don't know, maybe someone who won't make Robin crank up Rick Springfield to cope."

You laugh again, shaking your head. "That's a pretty low bar."

"Exactly," he says, flashing you a cheeky grin.

"You deserve a guy who actually likes what you like. Someone cool. Someone, dare I say… metal." He emphasizes the word with a dramatic air guitar move, almost swerving the van in the process.

"Jesus, Eddie! Watch the road!" you yell, clutching the door for support.

He laughs, straightening the wheel. "Relax, princess. I got it under control. Besides, you're safe with me."

You give him a skeptical look, but his words linger in the air longer than you expected. Safe. Judgement free, laughing, smiling, safe with Eddie. There's something about the way he says it so casually but full of weight that makes your stomach flutter.

You clear your throat, looking out the window to avoid his gaze. "Well, maybe next time you can pick my date. Since you're such an expert on who I should be with."

He grins but doesn't respond right away. Instead, he takes another drag of his cigarette, the soft glow of it illuminating his face from the night sky. "Maybe I will," he says finally, his tone teasing but with a silent edge you can't quite place.

You glance at him and raise a brow. "I'm not sure if I should be terrified or intrigued."

Eddie smirks, tapping his fingers on the steering wheel in time with the music playing softly from the radio. "A little bit of both, princess. Keeps things interesting."

You shake your head, fighting the smile creeping onto your lips. "You're impossible."

"I prefer the term eccentric," he shoots back, flashing you another grin.

You smile, enjoying the ride and the music and Eddie. It’s how things have always been. How things should always be. Forget the shitty date and the corporate assholes that have been ruining your month. This moment here with Eddie is all you need to keep going.

taglist: @pupwrites @sheneedsrocknroll92 @koshkahhh @kthomps914

[capellla]

Which spirit animal is working with you right now?

Choose one image and get your message.

Pick an Image

1- Snake

Kundalini Ascension

Make space for your creative passion and desires; transformation is at your door.

The snake represents rising energy within you and also rebirth. The snake transformer respawns as often as needed by shedding layers of skin. What is the snake calling you to let go of in order to go through the cycle of rebirth? Ask your heart what you need to let go of.

Rebirth can be emotionally, spiritually and physically challenging, putting pressure on all layers, but the healing energy of the snake will support you in this process of change. The snake's influence is like a very powerful magic, the snake energy starts at the base of your spine and moves upwards, activating the divine masculine and divine feminine within you. This energy passes through your heart, connects to your third eye and awakens cosmic memory. When you get this animal, you may have past life memories from Egypt that you need to remember. It may also indicate a kundalini awakening or rising that you need to express. The only thing that is certain is that the appearance of the snake means work, action and change.

2- Giraffe

Big Picture

Take a step back to understand and align your thoughts and feelings.

The giraffe comes to you to help you gather your thoughts and gain a new perspective. With his tall stature, he sees the world from a different perspective. He is close to the heavens and the divine, and he reminds you to commune with your guides.

The giraffe brings foresight and helps you connect with your third eye. It can awaken dormant clairvoyant abilities and show you how it wishes you to use these hidden talents. The giraffe will teach you not to place too much emphasis on visions of the future or the past and will encourage you to live in the moment. Allow the giraffe to touch and strengthen your third eye. Trust that it can enhance your connection with the divine.

The healing message of the giraffe, whose roots are in the earth and whose head is in the sky, is balance. Work equally on your root and upper chakras to create the inner balance needed for deeper insights.

3 - Bear

You are light

It is safe to step into your light.

When the bear appeared to me, it transported me to a beautiful sunset. In that glorious yellow glow, I felt a warmth around me and within me. The bear's message is simple: You can step into the light with confidence, and I empower you to do so. It is safe to be seen.

The bear stands strong and powerful in his own convictions and walks with you. He protects your spiritual body. Just as spirits act as gatekeepers, guarding and protecting our passage to the astral planes and other dimensions, so do animals. The bear's role is to make your passage safe, as does the wolf; I often see the two together. The bear helps you get to where you need to be and directs you only to the higher vibrational planes that are compatible with your energy. Call upon your bear before meditation and sleep hours, and it will gladly serve you. In these moments you may need extra strength, a helper to carry you into the light and to see what is hidden within you.

[mimir-anoshe]

I love that ARCANE is using the MAJOR ARCANA for symbolism.

Chefs kiss.

These are Sevika's tarot cards from season 1.

The Magician (upright) overlapping Death (upright).

Foreshadowing? Oh hell yeah. But its only now after S2 Episode 6 do I understand what they might actually be foreshadowing. People may have talked about this before, so I apologise if this is similar to anyone else's meta. These are all my own thoughts, I usually just watch arcane and don't dabble into the meta but this season has me feral and I just rewatched season 1.

SPOILERS for Arcane S1/S2 below.

I just want to prologue this post with a note about how I've noticed even from season 1 there are thematic parallels and linear symbolism being afforded between Jinx and Viktor. Others in the community have too I'm sure. Its strange. I thought it was interesting in S1 but didn't deep dive into it, but S2 has driven headfirst into it and its making me go "oh... oh ok." Even Viktor in S1 noted Jinx's genius, and in another timeline perhaps Powder would've been a student of Viktors had fate not set them on parallel paths. Two children of Zaun, both mechanical/scientific geniuses. One physically disabled whilst the other mentally disabled. One who "escaped" and was given a chance, rising to the top only to create something that would be used for harm. Fighting that fate at every step. Whilst the other trapped at the bottom of the barrel, forced to use her gifts to become a weapon herself. Such GOOD story writing.

So now let's think about the art of the cards, because in tarot, even the symbolism of the specific art is important. Its why an artists interpretation of a major/minor can be so crucial to a reading.

Here's a figure map I made earlier.

Lets begin with Death.

Thirteenth of the Major Arcana, a "significant transformation and the end of a phase in life." There is death and rebirth symbolism all over arcane, but let's take a closer look at the symbolism mirroring the art.

Figure 7&8 - The one who has "died" a skeleton/skull laid down and being "imbued" with something as something else is taken away.

See that the imbuing focuses on the "chest" area.

It's quick, but it flashes briefly when Viktor is being imbued with the Hexcore. He canonically dies "the skull" and is reborn with the Hexcore on an "altar"/table.

Same with Jinx. Canonically "dies" and is reborn laying on an "altar"/table using shimmer. Purple being used as the visual thread between shimmer and the arcane of the hex; a colour imagery representation of "magical" alchemical/arcane power turning them into something beyond human.

Singed and Jayce. Two hands of death, giving and taking life as if they were a God. One using shimmer, the other Hextech thats imbued with shimmer. Messing with the balance of life and death.

With Viktor, the energy is transferred straight into his chest, just like on the card.

So now we've established the parallels to the death tarot, lets look at The Magician.

The First of the Major Arcana, "the connection between the physical and spiritual worlds, and the ability to manifest one's desires."

Viktor is the Magician. No doubt. He connects the physical and spiritual world of the arcane, he brings people back from the brink of death, as he was. He manifests his desires through the use of the hex, the arcane. And the dude just looks like a mecha wizard.

Though if you want it to be even more obvious.

Figure 3 - The Third Arm/Third Hand.

The image below is "The Machine Herald" Hero from League of Legends. This is the hero Viktor is based upon.

He canonically has three arms, same as the Magician in the card. The Magician is Viktor, Viktor is the Magician. The Magician is the Machine Herald.

The Magician overtakes/overlaps death. But Viktor by episode 6 still doesn't quite resemble the machine herald from the games. There's no third arm... Yet. So the Magician in the card isn't Viktor from episodes 1-6, this is the machine herald who comes after the one killed in episode 6. Another Rebirth is set to happen for Viktor.

Figures 1 &2 - White mask. Red/pinkish eyes.

Hmmm... Red/pinkish eyes are associated with shimmer. And a white mask, of the machine herald? The mask of a messiah. That the hextech Viktor will most likely also be imbued with shimmer like Jinx, to become the true "machine herald." Messiahs of the hex, monsters of the shimmer.

Its also worth noting that both Jinx and Viktor are framed as messianic figures of Zaun in this season. One the fighter who will rally together the undercity and free Zaun from its oppression. The other a healer and a saint like figure who will free the Zaunites of their suffering and lead them into a better future.

Jinx wanting peace - represented by Isha - and Viktor's dream of peace and healing for Zaun - represented by a lot of things including healing Vander - are metaphorically and literally killed in episode 6. Funnily enough, one symbol of peace killing the other (Isha and Vander - Child and Father). After all, peace and violence are two sides of the same coin, as are Viktor and Jinx. Or should I say, two sides of the same cog...

Figure 4&6 - The Cog shaped Hole in the Magicians chest/The Cog Coin and Jinx's cog.

"I understand now. The message hidden within the pattern. The reason for our failures in the commune. The doctor was right. Its inescapable. Humanity. Our very essence. Our emotions... Rage. Compassion. Hate. Two sides of the same coin. Inextricably bound."

In episode 6, whilst Viktor is explaining to Vi about what it will take to heal Vander, Jinx is sceptical. She doesn't even believe in herself as a messiah, so this "hero"? This "saviour" coming along to solve their problems? To fix things? When all she can do is break everything around her, jinx her own family, destroy? She's scoffing at Viktor sure, but she's also scoffing at herself. Mirroring. People treat her like they treat him, so to believe in him as a saviour means she would have to look into the water of that well and face her own reflection. And Viktor sees right through it, the pretence, and he sees her potential.

Knowledge is a paradox. Jinx wants to stick with what she knows, to destroy instead of to build, to "Watch it all burn." Or ignore the plight of Zaun, so she can live peacefully with Isha. Jinx - Powder - is choosing to remain ignorant to what's right in front of her. Right up until the moment Isha dies.

In the scene earlier in the episode, Jinx accidently destroys a bit of the well, releasing a cog that falls into water. Cogs have been symbolic of Viktor healing people throughout this season, using cogs to "Build."

Powder was thrown into water just like that cog by Silco, and reborn as Jinx. But its not Silco that picks up this cog. Its Viktor. He holds the potential of his creation in his hand, and in paradox, holds Jinx's destruction. Viktor holds Jinx's potential. He's literally holding the two sides of Jinx/Powder in his hand, her - their - fate. Just like Jinx, Viktor has the equal capacity to destroy, and if he is reborn as a weapon later on, perhaps that cog represents Jinx being reborn too. As a creator. A builder.

He holds onto Jinx's cog all the way through the rest of the episode, balancing that potential, that fate, of creation and destruction in his hand. Right up until the moment he dies, and the coin/the cog falls, sealing their fate. His death causing the deaths of Isha and Vander too.

So we've established that the story is viewing cogs/coins in a similar light. We've also established the show is linking Viktor and Jinx through the symbology of the cog.

This is reiterated in the symbolism surrounding the Tarot cards. Around the cards are coins that take the shape of cogs, the currency of Zaun. Fate - coin flips - and cogs, gods and machines. Deus Ex Machina, that is what Viktor is to become, and Jinx creates destruction using machines. She's an inventor, just like Viktor and Jayce. A creator and a destroyer. A god of the machine.

So how does Figure 6 - the coin cogs - relate to Figure 4? The hole in the Magician's chest.

On the Tarot Card, the Magician has a circle in the middle of his chest. A hole. Just like the hole Jayce puts through Viktors chest at the end of Episode 6. The one that kills him.

But if you look closely at the image above, it might be a stretch, but to me, the striations on the inner ring look very similar to those of a cog. The hole is what kills Viktor. Cogs have been given visual symbolism for healing, and are also associated with Jinx's potential for creation. Its a stretch, but it could potentially be foreshadowing Jinx using her abilities to heal Viktor; to build instead of destroy. We've already seen Jinx do it once with Sevika, by "building" her a new arm.

I also find it interesting that we're shown Jinx using her talents to build someone a new arm, and Viktor - the machine herald - still has yet to acquire his third arm. Perhaps he doesn't make it. Perhaps Jinx does?

Maybe, just maybe, Jinx - Powder - is the one to fix Viktor, and flip the cog of fate once again.

Now in Episode 6 we already get foreshadowing that it'll be singe - not Jinx - who saves Viktor by imbuing him with the ultimate shimmer from Warwick/Vander - stabilising him. He says it in the episode, but Viktor refuses to sacrifice Vander in the name of creating the ultimate weapon of destruction.

"It would destroy him."

Viktor's potential for destruction goes hand in hand with Jinx's.

Its even foreshadowed in both the cards. The red/pink eyes of the machine herald foreshadowing shimmer. And the shadow being imbued into the chest of the dead skeleton (Viktor) looks an awful lot like Warwick; the beast that traps Vander.

So why am I talking about Jinx saving Viktor if I'm so certain its Singe? Well I'm certain Singe will bring Viktor back to life, to be used as a weapon. That seems like the most likely outcome.

But like Viktor was saying about Vander "He's not a specimen, he's a man." Viktor was doing everything in his power to save Vander's humanity. So yes Singe will bring the machine herald back most likely - even if I think it'd be thematically cool for it to be Jinx - but I think Jinx will save Viktor. Save the man, the humanity. Be the big fat hero.

Jinx was a girl imbued with Shimmer, and despite having monstrous abilities and doing monstrous things, her humanity has still survived.

I could be wrong, I most likely am, but the the thing that's getting to me is this...

Figure 5 - The Broken Infinity.

At the centre of Viktor's chest, in the middle of Jayce's death blow and Jinx's cog of creation & destruction, is a symbol.

Now a diagonal infinity symbol is associated with the Firelights. Ekko. The boy who shattered time.

Broken Infinity? Shattered time? Seems to go hand in hand.

Though Ekko's symbol is a whole infinity, more akin to a Z than an ongoing X.

There are plenty of theories Ekko will play a role in Viktor's fate and the fate of everyone by rewinding time somehow. And the multiple shots of the coin rolling support that to an extend. Rewind time, change fate, change the flip of the cog. And I agree, I think Ekko is going to have a role to play. But there's also another character who fits with this symbol, who uses shimmer to move faster than humanly possible and defy fate time and time again. Who is the fulcrum of fate in the eyes of the story, the catalyst of everything. And only one character who has solely been associated with a broken infinity symbol before.

Jinx. That's Jinx's symbol. Her champion tag.

Jinx's symbol, right at the centre of Viktors chest. And this line to Jinx from Viktor...

"You have much to offer this commune, Powder. Your talents could be used to build instead of destroy."

And the line from Singe, about Viktor's fate being tied to the commune. Viktor IS the commune, he's the centre of it all. The one who can make the dream of Zaun - Vander's dream - a reality. And that line foreshadowed Jinx using her talents to help the commune. To help Viktor.

Hell, she was technically the reason he "died" in the first place. She fired the rocket that nearly killed him. Wouldn't it be poetic story telling if she was the one who saved him in the end?

I can't wait for Saturday.

I believe whatever happens, Viktor and Jinx's fates are inextricably bound.

[explorastro]

RANDOM ASTRO TAKES #1

HAPPY START OF THE YEAR ! 🥳

I will start with the relationship btw the signs with the derivative 12H of each, well see in some words :

Aries is 12H of Taurus bc they break precious objects

Taurus is 12H of Gemini bc if they don’t want to talk, they can be silent for a while

Gemini is 12H of Cancer bc talking too much is emotionally stupid

Cancer is 12H of Leo bc they can see btw the lines of their acting

Leo is 12H of Virgo bc they’re cool..

Virgo is 12H of Libra bc perfection issues had ruined everything in the relationship

Libra is 12H of Scorpio bc your psychoanalysis can’t be made by yourself

Scorpio is 12H of Sagittarius bc occultism is secret third thing of religion

Sagittarius is 12H of Capricorn bc free will breaks free from bad fate

Capricorn is 12H of Aquarius bc society limits your individuality to conformism

Aquarius is 12H of Pisces bc water bearer spreads illusions and truth to those who channeling

Pisces is 12H of Aries bc healing come from rest, isolation and calm.

Astrology guides you not only to religion and spirituality, but also to history, mathematics, geometry, sociology, psychology, occultism, and finally to the divinatory arts in general. It's a complete package for life.

Big bang theory is so astrologicaly accurate, like we’re all (Moon) one (Venus) in a structure (Saturn) so intensely dense (Pluto) that the expansion of universe (Jupiter) is intrinsically linked billions upon billions of years into the time (Saturn).

The house where Uranus resides in your chart might shows the type of genius abilities you have.

Example :

1H : genius in general

2H : money maker genius

3H : genius talk shit

4H : intuitive genius

5H : creative genius

6H : genius worker

7H : relationships genius

8H : occult genius

9H : religious genius

10H : reputation of a genius

11H : genius friendships

12H : loner genius

12H of 7H is 6H bc virus and bacterias spreads by socialization but 6H is sextile 8H, who is the house of rebirth, bc immune system glows up with them.

Now, a quick cheat sheet of the 8 Moon’s phases ⬇️

New Moon: birth of the project

First crescent: project foundations

First quarter: first obstacles

Waning Gibbous Moon: project progress

Full Moon: project highlights

Waning gibbous moon: project takes shape

Last quarter: project finalization

Last crescent: project lessons

The sign and house of your Saturn can shows who and how people in your life have lacks. But it also represents peaks that you want to reaching.

The aspects of your Saturn can deeping the meaning of lacking in your life. What restrains, restricts, limits you ? But also what and who can helping you to achieving yours goals.

The houses ruled by Saturn (Libra, Capricorn and Aquarius) are a areas of your life where lacks are here, but with discipline, isolation, healing, responsibilities, you can overcome this by being more mature.

To better understanding signs, use the exaltation lord in your interpretations, for example :

Aries shines a lot for what they do bc of the Sun

Taurus craves so much intimacy with the Moon

Cancer are just too much like Jupiter

Virgo are hyper analytical as Mercury

Libra are justice makers with Saturn

Capricorn are heavy with Mars

Pisces are mesmerizing artists with Venus

[lovifie]

Newdad!Ghost and Newmom! Reader having their child’s first fever…

I did ramble a bit about this before having the baby, I hope you don't mind ❤️ Also, I have no experience with babies so I hope I didn't write anything completely nonsense

Fluff | 1076 words | Back to Masterlist

Simon Riley thought that he was no longer a coward.

That the years spent in the military were enough to make him a brave man.

That there was nothing left to make him stutter on his words or feel his knees wobble.

That's what he thought though.

Because ever since the second you came out of the bathroom, positive pregnancy test on hand; he's been terrified, elated but terrified.

Terrified of something bad happening, to you, to the baby, to him... The thought of leaving you alone terrified him the worst.

But nothing happened.

You were already in the last trimester, almost past your due date and everything was perfect.

Whenever you saw the nerves getting the best of Simon you jumped to console him, reassuring him everything would be fine.

He felt horrible, he should be the one taking care of you, not the other way around. So plush and round with his offspring, the baby already sucking your energy.

"Big fucking bairn." As Soap once called it before getting smacked on the back of the head.

It was true, nonetheless, but still.

It was one day, when he saw you wobbling your way to the kitchen that it finally set on his mind.

He was about to be a father.

And fuck if he wasn't going to be the best one out there.

Now that it was the third trimester he could finally put in his parental leave, going home to you and helping with everything.

He finally got to building the crib, fixing the leaky faucet, changing the clothes in the closet for the winter one.

Everything was ready.

He wasn't, of course; when the contractions finally started. And he panicked when you said it was too early to go to the hospital.

5:40. That was the rule you keep repeating.

40 seconds contraction, every 5 minutes.

But he still struggled to stay strong whenever you would groan, holding onto the sink to steady yourself to breathe.

Once he finally managed to get you to the hospital, everything became a blur. He barely managed to send your family a message about the baby coming, and when he went to notify his family, he simply sent Price a message that said: "Baby now. Hospital."

Everything went smoothly, pride overflowing from his heart whenever he would look at you. He was hypnotized by the baby; looking so much like you but his features still looking back at him.

He kissed your forehead, thanking you for reviving Simon Riley. The man he buried so long ago, now rebirth as your daughter's dad.

He could feel people coming in and out of the room but completely ignored them, too busy staring at you and the baby.

Gaz even made you laugh, talking about how he thought pregnancy brain only happened to moms and that he thought Simon must have hit his head on the way in.

The look of unfiltered fear on the four men when the newborn started fussing around from the crib made you laugh. They quickly turned to see what the threat was, only for the baby to start crying at the top of her tiny lungs making the four men jump.

"She must be hungry." You say, leaning forward and looking at Simon. "Can you hand her to me, Si?"

He immediately did, holding the tiny baby with all the care the mountain of a man could muster. Passing her to you, and turning to the men talking about decency and giving you privacy.

They walked out, Price dropping a kiss on your head congratulating you once more on the job well done, leaving you, Simon and the baby.

The three of you.

His tiny family.

That he would kill and die in order to protect.

So he found himself useless, looking at you trying to calm the baby down when she wouldn't stop crying and her fever would keep rising.

He was at the door frame, seeing you pace the room, cleaning the baby's face with a damp cloth. He could see it on your face, the worry, the exhaustion, the fear... How have you hidden it so well? How has he not seen it before?

"She's over 39°, Si." You say, voice trembling with the knot in your throat.

"Let's go to the hospital." He said, grabbing the baby bag and your coat, and opening the door. He could see your doubt, the fear of what taking the baby back to the hospital meant for you. "C'mon, mama. The sooner we get there, the sooner we'll be back."

He needed to be strong right now, he has laid back for long enough. He saw the little cracks on you and he was going to fill them before you noticed them.

Simon Riley thought he was brave.

But he has never been as afraid as when he was driving, baby in the car seat and you sitting beside him in the back. Silent tears sliding down your face as you apologised to the crying baby.

It made him want to skip every red light, get there as soon as possible, so the doctors could tell you that you made the right choice, that you did a good job.

But he would rather relive his nightmare of a life a thousand times before doing such a stupid thing of putting you both at risk.

He sees the way you hug yourself when the nurse takes the baby away, and he quickly engulfs you in a hug. Protecting you from the cold of the night, protecting you from every danger outside and protecting you from every thought inside your brain.

"Everything is going to be alright, mama." He says, kissing your head. Heart sinking when he hears you sob and hug him back. "Everything will be alright, this happens, babies get sick sometimes. It doesn't mean you aren't doing a hell of a job, alright?"

You sob on his chest, tugging his shirt on your hands.

"You are an amazing mother, love. You are doing an amazing job. Our little tadpole has the best mom in the world." He says, swinging softly side to side, rocking you, petting your head. "She'll be fine. She's brave just like you, love. She'll be fine. We'll be fine."

Because Simon Riley always thought he was brave, but as long as you two were alive; he was a coward and losing you both was his biggest fear.