#the thing about working in the industry

[beepbeepmfkr]

Realizing some of the industry social circle are my Exact Kind of cringe queer and having to leash myself like a rabid dog to avoid being overwhelming and off-putting in my attempts to show I'm safe and wanna be their friend beyond the casual interactions of industry homies 😭😭😭

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[cipher26]

I have so many thoughts on Arcane which I'll get to eventually, but before that I just have to say...

ANYONE who is complaining about how short and rushed this season was, or how little time we got with certain characters/plots... don't blame the creators or the writers.

Blame the streamers. Those studios, Netflix in particular, are the ones who are responsible for destroying TV and cutting seasons in half, and then limiting most shows to 2 seasons. Television has suffered so much because of their greed. Those studios aren't run by artists, they're run by moneymen. They don't care about your shows, they don't care about the stories or the characters or the fans, they just want money. And they mismanage their money so much it's fucking sickening.

And yes, it is a choice. It doesn't have to be this way, and there can be exceptions. The finale of the last season of Stranger Things was 2 and a half hours long. It was it's own movie.

So blame the streamers. Blame them every single day until we get greedy asshole's hands off of our art so that we have the space to present our stories in the way they deserve.

EDIT: To be clear when I say streamers, I'm talking about the studios, particularly the ones like Netflix/Disney/Hulu that can only be watched on the internet via streaming apps. Broadcast television used to be, and still is in some cases (Blue Bloods, Grey's Anatomy season 87...), 20-23 episode seasons. With story and nuance and side quests and growth.

[butchvamp]

we know EA interfered a lot with veilguard, i definitely do attribute the "sanitization" of the setting directly to EA's meddling, i even think to some extent taash's quest and the corporate representation feel of it all was influenced heavily by EA and not just weekes. and i think a lot of the companions being so shallow and their quests feeling half-baked is also mostly due to time constraints and rewrites/cut content-- the writers genuinely did do the best they could with what they had, and i feel for them and their frustrations. but. there are also just a lot of really bad decisions made elsewhere, too. like i said the racism has always been present in these games and it's always been a problem, it's literally baked into the worldbuilding, though i can definitely agree that some of it was potentially made worse specifically in veilguard due to constant rewrites and the loss of context and cohesion, but like... it was always there to begin with... and it's not "unfair" for players to point this out.

both things can be true-- EA absolutely fucked these people over, and we shouldn't be speculating conspiracy theory-type shit about the writers hating fans or whatever when we know. we know EA interfered, we know there were creative differences, we know they ruthlessly laid off a lot of the people that poured their blood, sweat, and tears into this game! EA is both stupid and actively malicious, they get no sympathy from me. veilguard absolutely is a casualty of the current state of the gaming industry. and i also think there were a lot of poor writing decisions made independently of that as well, that are fair to criticize and question. a lot of these problems are the same problems we've seen in every single DA game, and this consistency makes it clear this is not just an issue with corporate overreach.

but i really feel for everyone involved with making this game, this shit was clearly a very long and tiring fight, i can't even imagine the kind of constant corporate shitstorm they had to deal with for ten fucking years, and personally there is no NDA in the world that would keep me from talking shit. so these guys are stronger than me lol

[steddieas-shegoes]

Steve and Eddie go through the whole adoption process in 1996, despite how difficult it was to find somewhere willing to help them at all and despite their conflicted feelings on adoption.

The way they saw it though, providing a loving home for a child who needed one was better than the alternative. Eddie had enough experience with temporary foster homes to know stability was better than constant moving and questionable foster parents.

They get a foster placement almost immediately, a six year old girl named Amelia. She’s quiet, but not in a way that worries them. She’s very focused, and enjoys going to school more than any regular children’s hobbies. Neither of them know what to do with that other than keep encouraging it.

She stays for months, months turn into a year, and the agency finally gives them the go ahead to complete the adoption process.

But they don’t do anything without talking to Amelia.

She’s happy there, her therapist signs off on it immediately and explains that Amelia has shown more personality development and less signs of trauma with them than she had even living at home. Not to mention they actually brought her to appointments, unlike her previous guardians.

To celebrate, they throw a party with all their friends and family and tell Amelia she can invite anyone from school she wants. She invites everyone.

Turns out their daughter is a social butterfly and is friends with everyone.

At the party, Eddie pulls out his guitar, plays a bunch of popular kid-friendly songs after a very scathing look from Steve as a reminder to behave.

Amelia walks over to him after a few songs, on a sugar high like he’d never seen on her before, and asks to play the guitar.

He’s hesitant, but not because he’s still protective of his guitars, more because he doesn’t want her to embarrass herself in front of her friends. Kids are cruel, even and especially at seven, and the last thing he wants is this to be the thing that kids talk about for the next ten years.

She sits on the couch and holds it, arranging her fingers…correctly. Eddie watches.

Steve is watching from across the room.

She starts strumming, very quietly at first, not as confident as she’d been a moment ago. And then she starts really playing.

It’s one of the songs Eddie wrote. He played it for the last four months nonstop as he perfected it, and she’d apparently been watching.

Eddie’s jaw is on the floor and he quickly looks over to Steve, who has a similar look of surprise on his face.

He doesn’t interrupt her. She makes it through the entire song.

She looks up.

“When did you learn to play guitar?” Eddie asks.

“When I was watching you.”

“But have you played before tonight?”

Amelia shook her head, looking down. “Didn’t wanna touch it without asking.”

Eddie pulls the guitar from her hands and sets it aside, then pulls her into his lap and hugs her. Steve sits down on the couch next to them, hand on her back.

“You can always ask, sweetie. And if you’re this interested and this natural, we can buy you your own guitar if you want. I didn’t think you were interested in playing.”

“I wanna be like you,” Amelia admitted against his shoulder.

Eddie was done for. He looked at Steve, half-panicked, trying not to cry in front of these people, but Steve wasn’t faring any better.

“Then we can go get you a guitar tomorrow. You can get your own picks, too. They might even have purple ones.”

“Can I have red? Like yours?”

“Of course, sweetie.”

It only took them two days after that to realize she could play by ear, just like Eddie.

And then it only took another day after that to realize she had taught herself to read music too.

They spent hours and hours every week playing together while Steve cooked dinner or checked her homework or just watched them.

When Eddie’s band decided to record another album and go on tour when Amelia was 12, Eddie insisted that she get to be on it.

She ended up helping write one of their songs, played on the track on the album, and with a lot of work, convinced Steve to let them homeschool her for the entire 8 months they’d be on tour so she could perform on stage with her dad.

“Can’t believe she’s not even genetically yours. Are you sure you didn’t have an affair?” Steve asked the night before they were leaving for Europe.

“When would I have had an affair? I came back to the tour bus or hotel with you every single night,” Eddie kissed him softly. “She’s amazing, huh?”

“She is. What happens when she wants to be a full blown rockstar like her dad too?”

“Then we make sure she’s protected and has good people around her like I have. She could be a rockstar easily. She’s got the talent and the presence,” Eddie smiled. “And she’s got me to make sure no one takes advantage of her. But she’s only 12. We’ve got time to worry about that later.”

“You’re bringing her onstage every single night all over the world for the next eight months, baby. I think later is now.”

Eddie sighed. “She’s gonna blow them all away. I’m proud of her. Let’s focus on that for now.”

And she did blow everyone away. The fans and the media had nothing but good things to say, and Steve didn’t have to go into overprotective mom mode at all until she was 15 and signing a record deal of her own.

But between Eddie and him, the entire industry knew better than to fuck with her or them.

They made rules, of course. School still came first, she still had required family events to be at, she still had regular friends at home. She wasn’t allowed at any parties, not even the events for award ceremonies.

But she didn’t really need those rules. She had no interest in parties or abandoning her friends or family, and she was a straight A student who still had hopes of getting into Brown for Journalism like her Aunt Nancy. She had a passion for music and wanted to share it, but not at the cost of the rest of her life.

And Eddie and Steve did everything they could to make sure she got to have everything. That’s what they’d promised her from day one.

[morrigan-sims]

Guardian of the Wild Places

WARNING: Unicorns are wild animals, and can be very dangerous. If you happen to be (un)lucky enough to encounter one, do not approach if you value your life. They are extremely territorial and protective of their home ranges, and have been known to kill seemingly without provocation those who they perceive as a threat to their charges.

This was the result of my thoughts about this post, and fucking around with @morningstarequestrian's new Wild Horse Set (part 2). Thank you SO much for feeding my fantasy horse dreams.

(extra bonus pic of another horse I made under the cut. Corrupted war unicorn coming soon-ish, I hope.)

[he-said-irene]

Thinking about all the things people say Moby Dick is about and the time I went to a poetry reading at my library and an older man read an (appropriately really long) poem about marathon reading Moby Dick in like 2 days in college for an assignment. It was really neat because he drew a lot of connections to things that never would have occurred to me to say that Moby Dick was “about” - the Vietnam war, civil rights, other things that happened to his friends or himself that were completely foreign experiences to me, but my immediate thought was “This guy GETS it.” Because Moby Dick is, first and foremost, about whatever happens to be going on in your life at the time when you read it. After that it’s about grief.

[icewindandboringhorror]

Pages from trying to keep a little sketchbook-scrapbook type thing going for two weeks lol. I gave myself specific rules in hopes they might all end up more cohesive/consistent seeming, but alas, scribbly chaos reigns, it seems

[spitblaze]

I think. some people are so eager to fit everything that pisses them off into their political framework that they end up with very strange takes

[pop-punklouis]

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[mwolf0epsilon]

I have a particular headcanon for how the faces of living engines and other large machines and vehicles work, that I am dying to write one day... Mayhaps if people are interested in discussing such things?

[notannascribbles]

why is You’ve Got Mail (1998) a better lovesquare story than miraculous ladybug

[yellow-yarrow]

[sicktwistedlimpwristed]

americans are so detached from where their food especially meat comes from it's crazy. Acting like slaughterhouse workers and butchers are the devil but still eating meat as long as you don't have to see the animal's face, you should be thankful for the people who make it so you have meat to eat on your table and respect the animals that died for it enough to understand the process that they need to go through to get to you

[piplupcola]

I don't have a lot of confidence in my art, but Roosterteeth and Achievement Hunter was one of the few things back in the day that got me to sit down & draw. I'm still really honored to be one of their guest artist for their 18th anniversary. You weren't always the best Roosterteeth, but thanks for inspiring this shy artist to keep drawing.

[scarlet-herring]

as someone who’s never liked timsteph i find it so funny that i just accidentally talked myself into a revrob au of them. revrob au where war games happens, steph (~15) gets captured & tortured, except this time tim (~16) comes in to try & help but due to [unforeseen circumstances] no one comes as backup, and they’re both tortured, leading to steph’s red hood era via being resurrected somehow by arthur brown and tim’s oracle era brought on via complications due to torture.

tim’s the one person steph won’t target, and steph’s the one person tim can’t really get angry with about killing, because they get it.