#the thing about doctor who for me is i think there's something incredibly powerful in a story saying over and over

[imissthembutitwasntadisaster]

Read a review on Rose which points out that Rose is meant to be the blonde character who dies first going into the basement in a horror film until nine grabs her hand and pulls her straight into another genre and now I'm thinking about how the darkest dw episode are always described as close to horror but they can never really be full horror because there's always the hope of it all.

[inkskinned]

so one of the things that's so horrifying about birth control is that you have to, like, navigate this incredibly personal choice about your body and yet also face the epitome of misogyny. like, someone in the comments will say it wasn't that bad for me, and you'll be utterly silenced. like, everyone treats birth control like something that's super dirty. like, you have no fucking information or control over this thing because certain powerful people find it icky.

first it was the oral contraceptives. you went on those young, mostly for reasons unrelated to birth control - even your dermatologist suggested them to control your acne. the list of side effects was longer than your arm, and you just stared at it, horrified.

it made you so mentally ill, but you just heard that this was adulthood. that, yes, there are of course side effects, what did you expect. one day you looked up yasmin makes me depressed because surely this was far too intense, and you discovered that over 12,000 lawsuits had been successfully filed against the brand. it remains commonly prescribed on the open market. you switched brands a few times before oral contraceptives stopped being in any way effective. your doctor just, like, shrugged and said you could try a different brand again.

and the thing is that you're a feminist. you know from your own experience that birth control can be lifesaving, and that even when used for birth control - it is necessary healthcare. you have seen it save so many people from such bad situations, yourself included. it is critical that any person has access to birth control, and you would never suggest that we just get rid of all of it.

you were a little skeeved out by the implant (heard too many bad stories about it) and figured - okay, iud. it was some of the worst pain you've ever fucking experienced, and you did it with a small number of tylenol in your system (3), like you were getting your bikini line waxed instead of something practically sewn into your body.

and what's wild is that because sometimes it isn't a painful insertion process, it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injured in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain.

your understanding of pain is that how the human body responds to injury doesn't always relate to the actual pain tolerance of the person - it's more about how lucky that person is physically. maybe they broke it in a perfect way. maybe they happened to get hurt in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurts.

in no other situation would it be appropriate for doctors to ignore pain. just because someone can break their wrist and not feel it doesn't mean no one should receive pain meds for a broken wrist. it just means that particular person was lucky about it. it should not define treatment.

in the comments of videos about IUDs, literally thousands of people report agony. blinding, nauseating, soul-crushing agony. they say things like i had 2 kids and this was the worst thing i ever experienced or i literally have a tattoo on my ribs and it felt like a tickle. this thing almost killed me or would rather run into traffic than ever feel that again.

so it's either true that every single person who reports severe pain is exaggerating. or it's true that it's far more likely you will experience pain, rather than "just a pinch." and yet - there's nothing fucking been done about it. it kind of feels like a shrug is layered on top of everything - since technically it's elective, isn't it kind of your fault for agreeing to select it? stop being fearmongering. stop being defensive.

you fucking needed yours. you are almost weirdly protective of it. yours was so important for your physical and mental health. it helped you off hormonal birth control and even started helping some of your symptoms. it still fucking hurt for no fucking reason.

once while recovering from surgery, they offered you like 15 days of vicodin. you only took 2 of them. you've been offered oxy for tonsillitis. you turned down opioids while recovering from your wisdom tooth extraction. everything else has the option. you fucking drove yourself home after it, shocked and quietly weeping, feeling like something very bad had just happened. the nurse that held your hand during the experience looked down at you, tears in her eyes, and said - i know. this is cruelty in action.

and it's fucked up because the conversation is never just "hey, so the way we are doing this is fucking barbaric and doctors should be required to offer serious pain meds" - it's usually something around the lines of "well, it didn't kill you, did it?"

you just found out that removing that little bitch will hurt just as bad. a little pinch like how oral contraceptives have "some" serious symptoms. like your life and pain are expendable or not really important. like maybe we are all hysterical about it?

hysteria comes from the latin word for uterus, which is great!

you stand here at a crossroads. like - this thing is so important. did they really have to make it so fucking dangerous. and why is it that if you make a complaint, you're told - i didn't even want you to have this in the first place. we're told be careful what you wish for. we're told that it's our fault for wanting something so illict; we could simply choose not to need medication. that maybe if we don't like the scraps, we should get ready to starve.

we have been saying for so long - "i'm not asking you to remove the option, i'm asking you to reconsider the risk." this entire time we hear: well, this is what you wanted, isn't it?

[endless-ineffabilities]

chemical override (13)

Ewan Mitchell x actress!reader

a/n: the elections distracted me! This should have been up ages ago 💙 Anyhow, look at our boy pout up there. Darling never stood a chance.

series masterlist ▪︎ main masterlist

Darling gets closer to making her choice.

The holiday is already shaping up to be your most memorable one yet, and it’s only halfway done. 

Between all the commotion in the press about Ewan’s film, the lively spin-the-bottle game last night, and your… boys being more brazen in their affections, it doesn’t matter that you’re still half-limping and that one gorgeous blonde girl is testing the limits of your patience—Mallorca is one for the books.

Half of your vacation crew decided to head out into town for the afternoon, allowing you to see more of the local scene. Bethany, Phia, Luke, and Elliott have ventured off to see some shops moments prior, promising to rejoin the group with loads of goodies. So you walk the cobblestone streets with Tom and Freddie on either side, the lads promising to catch you should your ankle ‘betray you and make you faceplant on the street’. 

Because, as Freddie put it, they “can’t have the show’s rising star with a blow to her money-maker,” pertaining to your lovely face. 

You were able to finally remove your fracture boot that morning, after a long-distance call to your doctor, but you still have to slightly drag your left leg as you walk.

“Mate, if you could hurry up a little, maybe we can see more of the town,” Tom remarks with a cheeky smirk. He’s had an arm looped around yours the whole time, ever on the lookout. 

“Sure, let me just use my incredible powers of self-healing. Maybe we can check one of these souvenir shops if they’ve got a bionic leg on sale,” you deadpan, fighting hard to stifle a laugh. 

The fledgling weeks of spring bring a steady warmth to Mallorca. The sunlight is bright yet tempered as it casts its glow over the cobblestone streets, illuminating the quaint storefronts and cafes that line that town square. It’s a picture-perfect afternoon, so long as you don’t turn back to Ewan and Louise who are trailing a bit behind. 

But your curiosity wins over, and you see Ewan smiling politely as Louise gestures animatedly, completely absorbed in her tale. You immediately realise your mistake, a pang of something—guilt, longing, confusion… and jealousy, because who are you fooling—tightening in your chest. You quickly turn back to Tom and Freddie, who are too busy scheming to notice your reaction.

“So, do we let Ewan suffer, or do we intervene?” Tom asks, tilting his head toward the pair.

You can only shrug. “I think he’s handling it. It’s probably better to give them some space.” The truth is, you know Ewan well enough to sense when he’s at his wit’s end, and even though he looks like he’s about to throw in the towel, you don’t want to complicate things further. 

Who are you to deny Louise some quality time with your good buddy Ewan Mitchell? He is a stand-up guy, after all, and all of you are friends here. It’s a casual day out, nothing but a good time. 

And… you do need some time to let his confession sink in. He has given the power to you, and the only thing left to do would be to choose him.

You love him, you love him, you love him. 

So the choice should be easy, but why isn’t it?

Freddie smirks. “Space, you say? You mean you’re hoping he’ll finally snap and make a break for it?”

“Maybe,” you admit with a small smile. “Can you blame him?”

The three of you linger by a cafe, chatting to your heart’s delight. You catch sight of Ewan glancing your way, a genuine smile tugging at his lips. Hey, he mouths, staring you down until Louise nudges him, and he has to shift his focus back to her. 

“Honestly, though,” Tom continues, “what’s the deal with him and Louise? He looks like he’s drowning over there.”

“Maybe she’s finally wearing him down,” you say, half-joking, but you’re aware of how often Ewan gives too much of himself sometimes, especially to someone like Louise. The boy’s just too sweet and polite to say no. 

“I give him five minutes before he either leaves or starts shouting for you,” Freddie chimes in, his eyes dancing behind his sunglasses. “It’s a safe bet.”

Before you can respond, Ewan’s voice rises above the clamour of the street. “Actually, that’s not what I meant—”

“I can’t believe you thought that!” Louise interrupts, playfully punching Ewan’s arm, her tone a mix of disbelief and enthusiasm. “But that’s what makes you so unique! You always see things differently.”

What’s unique is the expression Ewan sports as a reaction, akin to a deer about to be hit by a Jeep.

“Unique?” Ewan repeats, a note of incredulity in his voice. He shakes his head, his mouth falling open, like he’s trying to find the words. Louise leans in closer, mentioning something about how cute he looks when confused. 

Well, she’s not wrong there. You have to hand it to her—she’s persistent.

“Why are we just standing around?” Tom suddenly says. “Let’s get some drinks. We need to fuel up for the gossip you owe us.”

“I’m in,” you say a bit too quickly, desperate for a distraction. You motion toward a quaint nearby bar with a bustling atmosphere. It seems like the perfect refuge, far from the intensity of the current situation. The bartender greets you with a grin, and Tom takes charge, ordering a round of brightly-coloured cocktails that seem to match the vibe of the holiday. 

Tom gives you a sly look over his glass. “So here we are, eh?”

“Here we are,” you nod, sensing something coming round the corner. 

“My god, this cocktail is amazing!” Freddie gasps dramatically, oblivious to the look you and Tom are sharing. “I must know what’s in this… Is that gin and… and what?”

“I myself would rather know,” Tom begins, leaning forward, “about the truth behind all the drama. The are-they-or-aren’t-they of it all. My missus has also been bugging me about it. All she talks about is you and your Ewan.” 

Freddie’s grin is huge as he raises his glass. “Bloody hell, cheers to that then! I know there’s something brewing, but no one ever tells me the details. What is this, a fight to the death? May the best Targaryen win? Lucky girl you are.”

Tom snorts. “Or may the right man win. Which, to be honest, is not Matt in this scenario.”

Freddie’s jaw drops in mock horror, clutching his chest. You may take the lad out of classical theatre for a while, but you can’t take classical theatre out of the lad. “Excuse me? Matt is a national treasure, he’s mature and reliable, and he throws a fabulous party. Might I mention how highly he speaks of you?”

Tom shoots him a scornful look. “Reliable. How riveting. Look, I love the guy, but Ewan’s practically half of her soul—”

You groan. “Can we not turn this into a debate? I’m actually trying to keep things simple now.”

“Simple,” Tom repeats, one blonde eyebrow arching. “Darling, nothing about this is simple, especially not since Ewan isn’t bound to that ridiculous PR setup anymore. Are you going to pretend that it doesn't change things?”

Freddie waves a finger. “It doesn’t have to change things. Matt’s good for her. I mean, they’re actually happy, and you need someone solid, love. Someone who isn’t going to fling you around emotionally, from the very little that I’ve heard.”

Tom rolls his eyes. “Of course, you’d think that. You get all your goss from Liv and she basically adores Matt.”

Freddie clutches his glass defensively. “Well I know for a fact that Matt is fun! And steady! You don’t need fireworks all the time to make something work.”

“But fireworks are the whole point, you know?” Tom insists. “You can’t reduce a relationship to sensible compatibility and call it love.”

“Love can be practical too,” Freddie says, looking at you. “Wouldn’t it be nice to just…breathe? To not have to worry about how he’s going to handle things every other minute?”

You wince, half-convinced by Freddie’s logic, but then Tom’s voice cuts in, softer, more serious.

“Sure, she could breathe,” Tom says, “but let’s not forget who actually takes her breath away.”

It hits you, the truth you’ve been dancing around with both of them.

Freddie gives you a sidelong look. “Alright, love, confession time. Say Ewan was still bound to that PR relationship, do you really think you could have handled not being with him? Watching him essentially be with someone else?”

You swallow, glancing down at your drink. “It would have hurt, but I would have had to handle it.”

Tom keeps the interrogation going. “And now? What would you do if he does end up with someone else? Louise seems to have her claws in him.”

You let out a huff, your next words decisive. “Look, if she can take him that easily, then he’s all hers.” Because that would mean all those heartfelt phrases about being so in love with you aren’t true. 

That’s the reasonable part of you. The other, less savoury part wouldn’t hesitate to get your own claws in Louise if she swoops in to take your man, petty catfight style.

“But see! See here,” Freddie exclaims in glee, “We’re talking about Ewan and she’s already stressed. She needs a break from the drama, Tom, and Matt is like… an oasis.”

Tom rolls his eyes but doesn’t let it go. “Sure, an oasis that leaves her wishing she were somewhere else half the time.” He sighs, his voice softening. “Look, Matt’s lovely, but he’s not the one. He’s not the one who can turn your whole world upside down, and I know you two. I’ve seen you together, I’ve seen you apart, and trust me, you’re so much better together. Hell, it’s better for all of us too! I simply cannot deal with Ewan moping around again.”

You feel your cheeks warm as you consider his words. It’s almost dizzying, trying to compare the two men, as though they represent opposite sides of you, each offering something you desperately need. They’re both right, in different ways. With Matt, there’s a sense of stability that you haven’t felt before. He’s steady, he’s sweet, and he genuinely adores you despite all of the tangled strings that have bound you to Ewan. 

But with Ewan… you want him, love him, with an intensity that is almost all-consuming. It’s the kind they write songs about, the kind that drives hearts crazy. 

Freddie drops the dramatics, his voice sincere when he speaks again. “Darling, Tom’s got a point, but just… be honest with yourself. What do you really want? Because whatever you decide, it’s your heart on the line. And you know, we’re here for you, no matter who you choose.” And then, as if with the flick of a switch, he turns his flair back on. “God, you could choose me, just so you don’t have to deal with this dilemma of yours anymore!”

You let out a breathy laugh, all the tension you’re feeling dissipating. “I just might!”

Tom mirrors your laughter. “Now that’s a dangerous idea. But hey, life’s short, right? You don’t have to have it all figured out right this second.”

Freddie grins, raising a toast. “To being a beautiful mess.”

You clink your glass with theirs, watching in amusement as they both begin bickering again over who’s really the better choice. As the debate drifts over to which drink to order next, a quiet but unmistakable presence makes its way to your table. Ewan stands behind you, his hands resting on the back of your chair. 

“I’ve been looking for you guys,” he greets calmly. 

Freddie doesn’t hesitate to take a playful jab. “Ah, Ewan! All by your lonesome now? Where’s your lady?”

Ewan perches on the last empty chair on your table, catching your eyes. “My lady’s right here,” he smirks, and he says the words with such ease that your cheeks heat. Everyone would benefit from taking lessons in the Ewan Mitchell School of Charm. “Fancy a walk, darling?”

You quickly glance at Tom and Freddie, whose raised brows practically tell you that they’re going to be chattering about this as soon as you’re out of earshot. “Try not to miss me too much, boys,” you wink at them, letting Ewan help you out of your seat and whisk you away. He offers his arm to you for support, and the two of you fall into stride, allowing the buzz of Mallorca’s streets to fill the quiet between you.

“So,” he starts, “I sure hope Tom and Freddie didn’t give you any trouble.”

“Nothing I can’t handle,” you smile, your tone lowering as you decide to tease him a little. “We would have invited you over, but you seemed to have plenty of… entertainment yourself.” You playfully wag your eyebrows at him, and he makes a show of groaning and turning away.

“Don’t remind me, my darling,” he groans. “I was so close to faking an illness and making my escape.”

You chuckle at his apparent distress. “Poor Ewan. It must be so hard being adored by a beautiful girl, isn’t it? Wait, where is she again? Did you scare her off?”

“Phia came to my rescue. They went walking by the bay or something, I don’t know. And about being adored, it only matters to me if it’s by you.”

You’re about to lean into a joke and call his bluff, when he adds, “Well, you… and my mum.”

“I thought so,” you giggle, his eyes holding yours with a familiar sweetness. But then his gaze is snagged by something behind you. 

“Is it just me, or does that cat look suspiciously like Sansa?” Ewan points to the front display of a rustic souvenir shop, and you immediately see a plush black cat with curious amber eyes.

You gasp softly, your hand tightening around his bicep. “I did leave Sansa back with my neighbour in London, right?”

“Are you sure? She’s right there, darling,” he plays along, grinning. “I think I’d recognise my daughter when I see her.”

“Your daughter, huh? The most you have right now is visitation rights.”

“Wait here, baby,” he presses a kiss to your temple, leaving you leaning against the wall across the shop. He disappears inside, emerging just moments later, the little cat plushie already in his hands. His expression is tender as he passes it to you. “Here. Figured you could use a bit of home.”

You take the little black cat, heart swelling at the sweetness of his gesture. “Thank you, Ewan. She’s perfect.”

He’s all smiles, his dimples deepening as he nods in response. 

You hug plush Sansa to your chest. “Now I wish they also had whippet plushies, so I can give you a piece of home too…” 

Ewan’s gaze softens, and he shifts slightly, his gaze dropping as he gathers his thoughts. “Darling, I hope you won’t think I’m just trying to score brownie points here or something, given the current situation, but honestly…” He hesitates, but makes up his mind as his eyes meet yours. “If I wanted to feel at home, all I really need is… to be with you.”

Your breath catches, and your mind is too focused on what you’ve just heard that your hold loosens around plush Sansa, causing it to nearly stumble out of your hands. 

“Ewan,” you say softly, your voice laced with an affection you can’t quite dampen. “You don’t play fair, you know that?”

He chuckles, a little self-conscious, his hand reaching for yours. “You know me, darling, and you know how I feel about you.” His thumb brushes over your knuckles, and the touch is light, almost reverent.

“So, no Sansa needed, huh?” you tease gently, trying to keep things light even as the weight of his words lingers. 

His smile returns, a little shy, a little playful. “You got that right. But maybe we don’t have to tell Sansa about this.”

You’re about to offer a witty rejoinder, when a cheerful shout slices through the air. “Ewan!” It’s Louise, her voice loud and undeniably eager, and you find yourself dropping Ewan’s hand. 

And either you’re not in her line of sight, or she just didn’t bother calling out to you too. What a delightful girl.

“Oh,” Louise finally acknowledges you. “That’s a nice… toy you’ve got there.”

“It’s a plushie actually,” you mutter dryly, wiggling plush Sansa in the air.

Ewan snorts at your deadpan expression, and much to Louise’s obvious annoyance, he drapes an arm around your shoulders, pulling you snugly against him. “I got it for her. It’s almost an exact replica of her cat, isn’t it, darling?”

Your eyes widen at his purposeful cheekiness. The lad has finally had enough of another girl trying to get a bite out of him. “Well, yeah…” you stumble on your words, “It does look like her.”

Louise pouts. “What a nice, friendly gesture.”

Ewan chuckles to himself, not letting her mood dampen his spirits. “I think it’s rather romantic.”

“Hold on,” Louise responds, appraising you with a raised eyebrow. “Aren’t you dating Matty?”

“Uhhh—”

“There you kids are!” Phia materialises out of thin air, an angel in disguise.

Oh, you could just kiss the very ground she walks on.

Everyone makes their way to the pool area the next afternoon, the group scattered all around the lush backyard of the villa.

Matt lingers outside your door, waiting for you to finish changing. He leans casually against the railing, his gaze drifting downstairs to Fabien and Elliott, who are hauling crates of beer toward the poolside. He whistles and shouts out a playful, “Save me some, lads!”

“Waiting on your woman, Romeo?” Elliott sings up at him.

Matt waves them away, spinning around to face your door. As he waits, his mind drifts back to a conversation he had with Liv the evening before. She’d seen right through him, spotting the quiet insecurities he tried to keep buried and urging him to go all in with you, to show you what he couldn’t quite put into words. And so, he decided he would; he’d pour everything into showing you just how much he cared.

He has the advantage in that he hasn’t hurt you the way Ewan has in the past, and he has absolutely no intention of doing so, not when being with you feels like the easiest, most natural thing in the world. 

To him, you are like the human equivalent of a shot of espresso, a musical laugh, a jolt of positive inspiration. He’s always felt this, but one night, many nights ago, this effect that you have on him became amplified.

And suddenly, you are all he sees.

And he wouldn’t have it any other way, especially not after you finally open the door. You don a forest green bikini that leaves little to the imagination, with a sheer white wrap tied loosely around your waist. 

Matt lets out a low whistle, walking up to you with a slow, playful swagger. You roll your eyes at him when he unapologetically draws his gaze over your bare skin, but he can’t help it.

You look so ravishing that he wants to push you back inside the room. As stunning as your bikini is, it would look even better off.

To hell with the pool.

“What do you think?” 

He has roused from whatever grey temperament he was stuck in, now that he’s had his espresso. “I'm a goner. Absolutely done for.”

“Flatterer.” You shake your head at him, taking in his broad, bare torso. “Well, you don’t look so bad yourself.” 

He smirks, his large hands kneading your waist. “I'm the luckiest man on the planet, and this is you after an accident, you say? My love, you're a vision in green.”

“You like the colour?”

“Mmm, if I didn't like you in it, I'd cause a fuss about how you're playing for the other team, my Alyna.” He swoops down and kisses the crook of your neck, the spot he is aware would tickle, eliciting a soft giggle out of you.

“I could never,” you say, swatting his arm. “They were just out of black bikinis at the shop.”

“Black... green... we both know you look the best without either of them on. I mean, we did establish that six times in one night, remem—”

“Matt!” you squeal, eyes wide and scandalised. He feels smug, because he made sure you would never forget that night. “You're such a dog. Come on, let's join the others. I can’t wait to finally dip my toes in the pool.”

He is one step ahead of you the whole time, paying special attention to your bad ankle. He knows he’s being too careful when you eye him strangely, but he doesn’t care. “I got you,” he says.

“I can walk, you know,” you huff. “I’d have been down here ten seconds ago if it wasn’t for you going all Mr. Protector.”

As you reach the final landing, Phia’s voice rings out, “Hands off my woman!”

“She’s got a point.” You tilt your head at Matt, lips pulling at the corners.

“Have I? I was just kidding,” she shakes her head, before mumbling under her breath. “I'm not Ewan.”

Matt huffs out in response, trying not to let it get to him. Phia takes your other arm, deaf to your protests. It’s silly, because they’re both aware that you can probably fend for yourself, but not if they have anything to say about it. 

Fabien, Elliott, and Harry are manning the grill out on the patio. Some of the ladies are cozying on their sun chairs. Ewan, Luke, and Freddie are smoking on a bench under a canopy. And Thom Yorke serenades the whole scene, the speakers emitting ambient music.

Matt’s always loved a good European excursion, but this one might be his favourite yet. Thanks to the girl who lets him fuss over her despite her feigned annoyance.

Your fingers dig tighter into his arm as the two of you lower into the pool. He relishes the moment and allows the ebb of the water to push him closer to his girl.

“Hold on to me.”

You roll your eyes, but wrap your arms around his shoulders anyway. “I'm fine, Matthew. My ankle’s almost healed back to normal.”

“Almost is the keyword there, my love. We can't take any chances. So... hold on to me, beautiful.” The late morning sun is a blanket comfort as you float on together, your laughter ringing out as he flaps an arm on the water and splashes your face. 

From the sidelines, Freddie lets out a loud, teasing whistle. Matt responds with a triumphant fist pump, turning to give him a cheeky grin. 

That might have been a mistake because his eyes landed on Ewan, seated comfortably to Freddie’s left, a cigarette burning low between his lips. His eyes are obscured by dark sunglasses, but he’s clearly surveying the scene unfolding in the pool with an air of nonchalance that doesn’t sit well with Matt. 

He would have expected Ewan to jump in the pool as well and make a show of laying a claim on you as he had before. But no. The younger lad just sits, and watches, the makings of a smirk pulling at his lips when Matt makes eye contact.

Since when has he been this self-assured? Perhaps you’re to credit for this renewed sense of confidence? 

Are you slipping away from him, and back into Ewan’s arms? 

Too many questions, and not even the pleasant haze of Spain can shake the anxiety out of him. 

But then, Liv strolls over, positioning herself in front of Ewan, blocking Matt’s view. She bums a cigarette from one of the guys, and as she turns, she gives Matt a subtle nod—a reminder of her advice from last night. Just show her, she’d said. Show her you’re all in.

Thank the heavens for Olivia.

Turning back to you, Matt softens, brushing a lock of hair from your face. He presses a gentle kiss to your cheek, feeling his doubts fade as you meet his gaze, eyes bright with laughter.

“Enjoying yourself there?” you ask sweetly.

“What’s not to enjoy?” he replies, his hand tracing slow, lazy circles on your back.

“I don’t know,” you shrug, “I just don’t think I’ve ever seen you glare like that before.”

“I was not glaring.”

“You so were, Matthew.”

“Oh, yeah?” he murmurs, a mischievous glint sparking in his eyes. Before you can react, he dips underwater, reemerging just inches from your thigh, where he plants a quick, teasing kiss that makes you yelp.

“Wha—Oh! Matt! Get up here!”

He surfaces, grinning, his arms winding around you again as he pulls you close. Your laughter mingles, echoing across the pool as the rest of the group cheers and jeers good-naturedly.

Just as Matt’s about to pull you in for another kiss, a loud shout breaks through the calm. 

“Cannonball!” Tom’s voice echoes from the villa, and before either of you can turn around, he comes barreling out, sprinting at full speed. With a triumphant yell, he launches himself off the edge, arms and legs splayed out like a human starfish.

The massive splash sends water arcing high, soaking you, Matt, and everyone within a ten-foot radius.

“Always one to ruin the moment, Tom,” Matt jokes.

“Had to make sure you two didn’t get too cosy,” Tom shoots back, swimming closer and clapping Matt on the shoulder. 

It’s all in good fun, sure, but then Matt catches Tom shoot a quick wink at Ewan, a flash of understanding passing between them.

So that’s how it’s going to be? Game on. 

It’s the penultimate day of the Mallorca trip and the group has rented boats to paddle out along the stunning coastline. Only 2 people are allowed per vessel and some pairs have already formed—Phia and Phoebe, Louise thankfully pulled away from Ewan by Bethany, Harry and Freddie…

And then there’s Ewan who strides over to you determinedly. Matt is a half-step behind, his expression expectant, but Ewan is quicker. “I’m with you today, darling,” he says, his tone leaving little room for question. His hand finds yours, warm and grounding.

Matt’s eyes flicker with disappointment but he’s never been one to kick up a fuss. He gives you a faint resigned shrug, then turns to Liv. “Guess that means you and I are a team then.”

Liv rolls her eyes playfully, pushing her sunglasses up and swatting his arm. “Don’t sound so thrilled. But I promise I won’t make you row the entire time.”

Matt’s smile softens as he looks at her, his earlier disappointment slipping into something more relaxed. “Fine, but I’m claiming the right to judge your rowing skills.”

“I’ll have you know I’m an excellent rower,” Liv insists, taking her spot at the front of the boat and casting a teasing glance at him. “You, on the other hand…we’ll see.”

As you and Ewan push off into the water, he throws a glance back at the others, and a spark of mischief lights his eyes. “Think they’ll survive?”

You laugh, settling across Ewan on the boat. “I think it’ll be a surprise if Tom’s boat doesn’t capsize.”

Soon enough, everyone’s boats are spaced out on the clear, serene waters, and there’s nothing but the occasional splash of oars, the birds squawking high above, and the warm glow of the horizon. Ewan rows steadily, having doggedly refused your offer to help, and every now and then, his eyes flick to you, a soft smile never leaving his lips. His gaze lingers, like he’s committing your image to memory.

As you watch the world, he watches his world.

“Feels like another reality out here, doesn’t it?” he says, his voice barely above a murmur.

You nod, watching the sunlight dance across the water. “It really does.” You pause, glancing over your shoulder to see Liv and Matt, already in animated conversation. “It’s nice to just… forget everything for a while.”

He smiles, tilting his head. “Anything specific you wanna forget?”

You smile back. “Everything, really. The pressures, the expectations… wondering what everyone thinks or wants.”

From a few metres away, Matt’s voice carries over the water, cutting through the quiet intimacy of the moment. “I’m just saying, Liv, you don’t have to prove anything. You can let me row.”

Liv laughs, her voice filled with playful defiance. “Matt, I am fully capable of handling this. Maybe it’s you who should be taking notes.”

“Oh, I’d hate to step on your expert skills,” Matt teases back, before throwing a glance your way, his gaze lingering a bit too long before he turns back to Liv, who seems blissfully unaware of his momentary distraction.

Ewan notices it too, and his grip on the oar tightens ever so slightly. But he says nothing, keeping his focus on you as he rows further along the shore.

He steers the boat around a small bend, his voice low. “They’re good together, don’t you think?”

You turn, following his gaze. It’s a simple, easy dynamic between them, one you know you’ve seen before, and for a moment, a pang of something unnameable twists in your chest.

“Yeah,” you murmur, a touch distracted.

Ewan catches your gaze, his eyes searching yours. “You seem… surprised. Or maybe… jealous?”

You laugh it off, shaking your head. “Not at all. It’s just—”

But before you can finish, a sudden splash interrupts you. Harry’s boat has tipped over, both he and Freddie flailing in the water, their laughter filling the air as they try to right themselves.

Bethany, a few feet away, doubles over, her laughter carrying over the waves. “Oh my god, Freddie, I told you to sit still!”

Harry, sputtering as he surfaces, grins. “Guess I got too excited.”

“So I was wrong,” you turn to Ewan, smirking. “It’s not Tom who capsized.”

Ewan just laughs, then adds slyly, “Here I was wishing it would have been Matt.”

After the boats return to shore, you’re all tired and exhilarated, the sun higher in the sky as you make your way up the beach. But the peace is short-lived. Fans, seemingly appearing out of nowhere, begin to gather along the shore, their voices excited, cameras ready as they shout greetings and ask for photos. The relaxed energy shifts as each of you is drawn into the swirl of attention, questions flying as you try to keep up.

A fan steps in close, slightly shaking in her nerves. “You… and Ewan?” she asks, the question open-ended but its meaning clear.

You chuckle awkwardly, caught off guard, opting to just wrap an arm around her shoulders as she takes a selfie with you. 

But the fan is relentless, her attention shifting to Matt, who’s standing off to the side with Liv, his gaze directed toward you even as he signs another fan’s poster. “What about him?” she says, grinning.

Ewan’s arm slips around your waist protectively, pulling you closer. “She’s with me today,” he says confidently, not minding the possibility of this fan taking to the internet after this encounter, with proof of her ship actually being together.

Ewan doesn’t care; he has no reason to hide how much he wants you. Not anymore. If his fans want a crumb, as he often reads online about him, then he’s going to give them a whole feast. 

With you as the main course in the Ewan banquet.

As the day comes to a close, you find yourself resting all alone in your room, stealing the group introvert mantle right under Ewan’s nose. Everything that has happened during this vacation plays in your mind like a montage, and somehow, it all feels like it’s building up to a grand finale.

But before you can lose yourself completely in your thoughts, there’s a soft knock at your door.

You groan to yourself as you walk over, but your protest dies as you find Ewan standing there, holding something behind his back.

“Hey, you,” he greets you with a smirk that’s more mischievous than usual. “Got a minute?”

Your heart skips a beat — it’s always been that way with him, that instant flutter, even now after everything. “Sure. What’s up?” 

“I’ve got a surprise for you,” he says, his grin widening at your raised brow. He steps into your room, pulling whatever he’s hiding behind his back.

When he finally reveals it, you blink, eyes widening. “You... bought these?” You can’t help but laugh.

Two brightly coloured superhero masks — one Spider-Man, the other Spider-Gwen.

“Yep, I saw a costume shop that had Carnaval masks… and these too, apparently,” Ewan says, looking pleased with himself. “I thought it would be fun. We’re getting away from the villa tonight. I figured we could use these. You know, masks for our incognito date night.”

It had taken one quick scroll on the internet for your group to discover that the paparazzi trailed everyone around town today, and Elliott even annoyingly revealed that he might have seen one or two of them lingering outside the villa’s premises. 

Vultures.

You laugh again, shaking your head. “Wait, you’re serious? We’re wearing these to our… date? Wait, why are we going on a date?”

He shrugs with a playful glint in his eye. “Why not?”

You hesitate for a second. It’s such a ridiculous idea, but in the best possible way. He’s always had a way of pulling you out of your own head, making you feel like there’s no right or wrong way to just live in the moment. 

Or maybe he could propose anything—anything at all—and you’d be beside yourself if you refused. It’s how you and him ended up having copious amounts of…. casual lovemaking, months after breaking up.

“Okay,” you finally say, “but only if you promise not to laugh when I look completely ridiculous in it.”

“Never,” he says with mock solemnity, holding out the Spider-Gwen mask for you. “You’ll look amazing. Trust me.”

As you slink past the gates, the masks make you feel more than a little silly, but also oddly liberated. It’s like you’re in on another secret with him, something just for the two of you.

You look at him, smiling as you adjust the mask. “This is insane,” you say, your voice muffled behind the fabric.

Ewan smiles back, clearly pleased with himself. “I know. And it’s perfect.”

“Are you sure this isn’t just you practicing for an audition for yet another Spiderman reboot?”

He only playfully shoots air webs at you, his adorable pew-pew noises audible under his mask.

You chuckle softly, your heart warming at the sight of him. “So, what now? You’re just going to walk me through the streets like this?”

“Of course. You ready to go on the best secret date of your life?”

You laugh, feeling lighter than you have in days. “Lead the way, Spiderman.”

The walk isn’t long, just enough to enjoy the quiet of the night and the unexpected adventure of it all. When you finally arrive at the restaurant, you stop dead in your tracks, blinking up at the building in front of you. It’s perched on the edge of a cliff, offering a breathtaking view of the bay below. The warm glow of the restaurant spills out onto the street, and you’re immediately struck by how beautiful its facade is.

You look at Ewan, your surprise written all over your face. “This... this place looks amazing. How did you find it?”

“I have my ways,” he says, grinning. “Come on.”

He leads you up the stairs, and you both remove your masks as you enter, giggling to each other. You’re met with a homey, rustic atmosphere. There’s a dim light from lamps perched on the posts, the soft murmur of conversations, and the smell of fresh food in the air. It’s everything you didn’t realise you needed tonight—calm, peaceful, and more than a little romantic.

“I booked a private table for us,” Ewan says softly, glancing around for the waiter. 

The two of you are escorted to a table on the balcony, overlooking the bay. The moon reflects on the water, casting a silver glimmer over the scene. For a moment, you just sit there, both of you silent, taking it all in.

“Ewan, this is incredible,” you say, your voice quiet but full of admiration. “I don’t even know what to say.”

Ewan smiles, reaching across the table to take your hand. “You don’t have to say anything. And I promise this isn’t some ploy to get you to speed up your decision-making. I just… I just wanted you to have a night where you could forget about everything else.”

He leans back slightly, his eyes studying you with that gentle familiarity, like he’s waiting for you to say something more, but he doesn’t rush you.

You glance down at the simple sundress you’ve been wearing all day. You didn’t have time to change when Ewan mentioned the surprise evening out — there was no real thought given to a perfect outfit. And yet, as you sit here now, across from him in the warm candlelight, you don’t feel the usual self-consciousness you might’ve once felt. 

You feel more beautiful than you ever have before, because he sees you as the most beautiful person in the room. In any room.

“I don’t know how you do it,” you say, looking at him. “How you make everything feel so…” You trail off, unable to find anything adequate. 

His lips curl into a knowing, half-smile. “I feel the same about you.”

And you might not know it yet, but this night is when you choose him. 

Under the unprecedented rainfall, later on, you will realise that you never truly had to choose.

It’s always been Ewan, all along. 

Taglist: @namelesslosers @skymoonandstardust @valyrianflower @luckyfirebasement @omgsuperstarg @elissanatok @callsignwidow @sinistersnakey49 @darkwriteracademia @yyrzmomo @queenofshinigamis @luvaerina @shamelessblazecrown @mirandastuckinthe80s @elleinex0x0 @pierrotlu @aegonswife @strangersunghoon @lunampacheco @writer-ann-artist @gaiaea @of-swords-and-words @ateliefloresdaprimavera @m00n5t0n3 @helaenaluvr @peachysunrize @annie-ruk @luvly-writer @ananas26t @athenafaes @lovelyteenagebeard @mamawiggers1980 @moongirl27 @katherine93 @barnes70stark @justbelljust @cloudroomblog @somestufftoday @esposadomd @girl-in-the-chairs-void @insideyourimagination @vyctorya @wildrangers @onlyrealjoy @hotdismylife @thepurplecrown @just-fics-station @clarkysblog @urmomsgirlfriend1 @misfitbimbosblog (continued in comments ... )

Some notes in the margins...

I have no notes. The red mirage is still at play as I type this. Please distract me in the comments 🥲

The next chapter wraps up this trip :) We also might have a bit of Liv's POV...

Then it's back to LA or London, depending on who darling opts to go with 💛

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do. 

[ajaxbell]

Fangs of Fortune (Bai Ze Ling): perfect on pure aesthetics alone, but also it will tear your heart out while being very gay.

I was lured in to this show by Tumblr gifsets and friends on Bluesky talking about how queer and poly this show is. I'm old and I've been in fandom more than half my life. I know how to read queer subtext. I'm also pretty well versed in cdramas, so again, I know how to read subtext. So I went into this ready to, well, read the subtext.

But no this show is just puts the queer it right there in the text. The vague information we have about Chinese censorship repeatedly left me asking, 'wait how are they getting away with this?' Like some of these jokes and implications are just so blatant it seems incredible this show ever made it to being broadcast. It just feels very much like queer media made for queer people even if t's more subtle than something western like Queer as Folk.

Even without the heavy coloring of gay this show is incredible and so much more than I expected from the title and the promo. The premise is essentially the death of the goddess, who governed relations between humans and demons, leads to an influx of demons in the human world. This brings together the goddess's disciple, Wen Xiao--seeking to restore the goddess's power. WX's childhood sweetheart, Zhuo Yichen--seeking to restore the demon-hunting bureau after the powerful demon Zhu Yan killed his father and brother. It opens on Zhu Yan, in human disguise as as Zhao Yuanzhou, volunteering to help the imperial court restore the demon-hunting bureau to quell the chaos. They are joined by Pei Sijing, a retired female general from the rival demon hunting sect, and a very young doctor (and comic relief) named Bai Jiu. It starts off as a sort of monster-of-the-week with a grim Scooby gang doing detective work and fighting monsters. Each major demon has a mini arc that relates to the larger case (restoring the power of the goddess to balance the realms), and they are repeatedly blocked by either the demons or the rival demon hunting sect. Each mini arc also acts as a mirror or parallel story to slowly revealed backstory of all the main characters as well. In true cdrama fashion it's a mix of adventure, intense emotional drama, romance, and comedy. And queer and poly jokes and romance. It also has a kind of manga vibe in the way the comedy is woven into the more serious story, and in the fantastical depiction of the characters and how the story unfolds.

It is also just insanely beautiful. Every single shot is lovely. The costumes, make up, and hair are incredible. The casting director made all the major demons inhumanly beautiful. The sets are spectacular. The effects are nicely done. Every bit of has the vague surreality of a fairytale. The perfection of each shot ads to the manga vibe, as if we're seeing each critical storytelling panel come alive. There's recurring water-based special effects that are just gorgeous. Based on aesthetics alone this show would be worth watching to me. That it is combined with a complex, very emotional story is a spectacular gift to the watcher. A lot of the negative reviews of this complain about the staginess or that it's overly contrived in how each scene is shot. But I think it's gorgeous, works perfectly with the storytelling, and if we criticize art on whether it achieves the goal it intended then this show is doing exactly and perfectly what it means to do and doing it beautifully.

Additionally the acting is also very good, but Neo Hou is the stand out for sure. I enjoyed him in Back from the Brink, especially the later part of the story, but in Fangs of Fortune he's transformed, utterly embodying the role, the way Dylan Wang is Dongfang Qingcang in Love Between Fairy and Devil. Neo Hou has the right look, a slightly uncanny beauty perfect for a gorgeous immortal not of this world. The show does incredible things with his styling between the various looks and personas the role requires. But in acting he somehow manages to utterly transform his face and demeanor to manifest each aspect of the character as story demands changes from him.

There is a lot of crying in this drama. Like early on I joked that there was going to be a character crying a single perfect tear in every ep. Lol nope. Multiple single perfect tears per ep and many outright full on sobbing scenes. This show is just waiting to rip your heart out and you see it right from the beginning. But it was such sweet pain all the way through. Just a truly engaging and utterly wrenching set of intertwined stories.

My only criticism is that the pacing falls apart in the last 3 episodes. But overall the story is solid through the end, though like so many cdramas, it's saved by the epilogue.

You should absolutely watch it if you want the chaotic bi polycule (it's her, her girlfriend, her boyfriend, her boyfriend's boyfriend who is also her boyfriend, their two idiot sons, and her boyfriend's ex-who is also eventually sort of his boyfriend again), or if you want your heart torn out and stomped on. Or even if you just like really gorgeous cinematic things. Also if you watch, please don't skip the ending credits, as they change as the arcs change, and the radiant joy Tian Jiarui has as he dances is an excellent antidote to the emotions of each episode.

[writingjourney]

RHRN spoilery talk

(about grief and mental health and the ending, the way I see the movie and why I love it so much)

I am feeling so many things about the fact that Copia was so unwell and anxious during the movie, trying to push away the reality of the end of his time as Papa as well as the visible signs of illness in Sister, that he dissociated the moment he stepped off stage, that he saw her sitting in a regular chair instead of the wheelchair, blended out the doctors and IV bags to see her how he wanted to see her, this strong powerful woman who has been by his side, pushing him, and who he only recently learned was his actual mother. It is so very easy to get lost in your anxiety about the future, in the anticipatory grief of what you'll lose, struggling to stay mindful and here where you have actual power over your life.

And looking back at the chapters this is what he has been doing, clinging to his little comforts (think of the whipped cream moment in the movie vs. the video games, the tricycle rides, the movie scene re-enactments), pushing away unwanted thoughts (not doing his taxes, the fact that neither his father nor his mother openly admitted to the parentage despite all signs being there, letting him float in uncertainty), playing it off like he's cool about everything while feeling dread and anxiety on the inside the closer he comes to the end of his era and presumed death (think of the coffin scene, the intro to the movie).

This man had no family so he picks role models that are close to him and suddenly when he learns that they were family all along he loses them, learns that he has been lied to most of his life and worked hard for others, to fill their shoes (first his father, now his mother). Despite Nihil treating him awfully he continuous to try and reach for approval for his achievements which he does not even get by the end as he's promoted ("I hope this new guy doesn't disappoint like you did"). He will never get emotional fulfilment from his father despite having small bonding moments, something that is fucking hard to accept and that he brushes off by throwing silly insults at him because it hurts. Because yeah, this is the type of pain that makes you feel like a child searching for breadcrumbs of affection from parents who do not know how to meet your emotional needs.

I feel just incredibly seen by all of this, the grief, dealing with sick relatives, emotional neglect, absent fathers you try to get love from but never will, lack of familial support, depression, trying to hold on to what comforts you in the darker moments, struggling to stay present in the face of anxiety and the world at large. I know this plot means little to some people, that you'd wished for more drama or something different altogether, but I feel like if you paid attention to the chapters then this is only the natural progression, the natural conclusion of his arc. It is very raw if you look past the comedic relief, and it is very well done in a way that keeps the campy, silly vibes of the chapters while still approaching these subjects in a very tangible, relatable way. It just makes me love the band even more.

[carlsangel]

I saw a small headcannon fic about this a while ago and it’s been bugging me ever since, teen pregnancy? Like how would the others react 😭 there would be a high chance of it happening but like what do they even do on that situation 😰!?!?

HELLOOOO oh my gosh i think about this sometimes and imma make this a drabble if you don’t mindddd!!

i think initially you’d obviously not get pregnant on purpose, probably some stupid decision you made on a whim just because teenagers are teenagers, they’re horny (most of the time) so they’re gonna have sex DUHH but anyway you’d sort of regret it in a way, knowing there’d be a chance yet not worrying too much. you don’t really think it’ll happen to you until it does kinda thing. you’ll miss your period, get worried and try to find a pregnancy test on a run, maybe a couple to make sure if they’re available. if you end up seriously being pregnant you have no idea how to tell carl initially. it’s something you’ve thought about before and worried about, mainly because you know his issues with his own mom giving birth and that’s just a large part of his trauma growing up.

naturally you put off telling him for a bit but you know you have to. you sit him down and it’s very harsh at first. like it’s incredibly awkward while he just sits there and processes it. you’d both sort of panic at what to do, he wouldn’t be as vocal about it and instead would let it bounce around the walls of his brain because he doesn’t always react out loud but he is terrified in his head. it’s not about being a father really, he knows the child itself would be raised by good people and he wouldn’t necessarily have an issue with that, it’s more of your health. having a child young, in the world you live in without modern medicine anymore it’s terrifying to think about. you’ll assure him however that there’s doctors at every settlement that could do everything in their power to help.

after a bit of you guys processing you’d want to tell others, well not want but HAVE to since that’s not really something you can hide. it’d start with rick and michonne. i’ll be so honest, they’re disappointed. like it’s just the fact that you’re aware of the dangers and such and you did it anyway, they’re going to be disappointed but they’re still going to help you. i think rick initially would be quite pissed but michonne is very rational and tries to help and he realizes that being pissed won’t change anything so he follows her lead. i think regarding the rest of the group, they’d be concerned for you for sure but i don’t think they’d really have a big say in it. like yeah they’d think “damn that’s a mistake” or “that’s gonna be rough” but either way that baby is going to be raised perfectly with the biggest family and tons of people who care about it.

me yapping i hope that explained sigh

[absolutebl]

These Weeks in BL - This Is Very Late, Or Right on Time depending on where you sit on the temporal debate team

Sorry I got distracted by work. In my defense: I was paid.

Organized, in each category, with ones I'm enjoying most at the top.

March 2024 Wk 1 & 2

Ongoing Series - Thai

Cherry Magic (Sat YouTube grey) ep 12 fin - Unfortunately, there was singing. But what can we do?

A soft charming warm hug of a show about crushes and mind reading and self worth, with no-fuss execution from a consummate team and an OG lead pair proving why they remain eternal and deserve to grow up. Look, here’s the thing, Cherry Magic is a great Thai BL in its own right not comparing it to any other iteration. But even when I do compare (and I've seen all the Cherries and read the manga) it still stands. This is a great show, a solid adaptation, and a pleasing take on the original yaoi. I personally like it better than the Japanese live action, but I think that’s because I just really like Thai BL and I LOVE TayNew. I doubted them for this and I shouldn’t have. They did a great job, as did the sides. I will say all the kissing was both present and better than any other iteration. As it should be. Definitely one for the rewatch rotation. 9/10 

Deep Night (Thurs iQiyi) ep 1 of 8 (10?) - Damn it, I love it. And I don't want to. It’s more classic BL than I thought it would be, and far less Only Friends or Playboyy. (Thank fuck.) We got a big cast and a lot of tropes going down out the gate, including SMITTEN popular hot guy versus nerd with secret identity. (Incidentally, Khem did drop into rude / informal when arguing with his Aunt and defending his ma. Bratty boy.) The leads have good chemistry (First always does), and everyone is very pretty. The main boy reminds me of J-Min's role (and look) in Love Class 2. I am entertained. (And faintly wonder why this isn't a MosBank vehicle.)

To Be Continued (Thai C3 Thailand grey) eps 1-3 of 8- High school sweethearts who had a bad break up reunite a decade later when both of them have full time jobs (celebrity & doctor). Dr Ji is a familiar face (hi Dream it's been a LONG time) and everyone is way too old for high school, but I guess I prefer this to child actors?

I'm enjoying it, actually, the cast may be older but they're solid as a result and the chemistry is on point for a pulp. Whether our celebrity is on the DL or cheating or something else remains to be seen but he sure is smitten. The way he LOOKS at Ji = hawt.

Frankly? Celebrity/doctor is a good pairing and this is a solid Thai BL. I hope we have a nice angsty reason for the break-up and we're not in another Promise situation. I like the sides too. Carry on, little show, I'm disposed to be pleased with you.

City of Stars (Fri iQIYI) eps 5-6 of 12 - I am enjoying it, actually. It’s incredibly silly. But I don’t really mind. STOP SINGING. 

1000 Years Old eps 3-4 of 12 - I love that these kids basically adopted a vampire pet. And one of them accidentally got a vampire boyfriend. This suddenly turned from a PNR into a family drama about domestic gays opening a food stall and I'm not mad about it. Nothing makes sense and I don't care because... rainbow umbrella!

A Secretly Love (Thai WeTV grey) eps 1 of 10 - I don’t love it. I make no bones about the fact that a pining uke rarely works for me, especially if he’s younger (cute supportive besties not withstanding), the power dynamic isn’t good. I always like Kimmon, he’s a stiff actor but v pretty. (I shallow af.) Still it’s time he started acting his age… literally. Having to watch ads again as well… for this? Ooof. I'm not sure I'm strong enough.

Ongoing Series - Not Thai

Perfect Propose (Japan Fri Gaga) ep 6 fin - It was very cute. I liked that there was uke instigated kisses. However I have some reservations on this one, much as I enjoyed it.

Adapted from Mayo Tsurakame’s manga, production team included Tadaaki Horai (My Love Mix-Up!) and Takeshi Miyamoto (Old Fashion Cupcake). Essentially Perfect Propose was about finding hope in a person when all other hope is gone. This show focuses on apathy, and perforce is somewhat apathetic and un-engaging especially as the pacing was off (and with only 6 episodes? now) However, this is countered by great visuals, good archetypes, and a clean story of childhood sweethearts reuniting after loosing their way in life. I landed on 8/10 mostly for a demanding younger seme and some great kisses. 

Unknown (Taiwan Tues Youku YouTube) eps 2-3 of 11 - Oh it’s great. I love it. I’m still worried by how gritty and "Taiwanese short-esk" it feels, but wow does this hit all my favorite taboo tropes and buttons. I also adore the little found fam, they the cutest gay older bros ever. The younger one who wants so bad to grow up and take care of the older one and pushes himself because into self sacrifice that’s the only model of love he has. ARGH. BOYS. Why so much pain, just smooch already! Sheesh. It's on YouTube for some of us, here's the schedule.

AntiReset (Taiwan Fri Viki/Gaga) eps 6-7 of 10 - They remain questionably cute, and that is probably going to be my ultimate review of this show. Awe cameo! (Hi babies, hope the ghosts are leaving you alone.) The irony does not escape me that the person in the relationship with the most emotional acumen is, in fact, the robot and not the human. I'm sure that's meant to be deep.

Love is Better the Second Time Around AKA Koi wo Suru nara Nidome ga Joto (Japan Gaga) ep 1 of 6 - A tortured second chance romance featuring a reported and a successful celebrity(?) academic. The kid actors look nothing like their adult counterparts, but they do look much younger. So, okay. Ah the utter embarrassment of first love. Oh I like it a lot, so very messy Japanese emo. Sigh. Here we go again.

Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka (Japan Thurs Gaga) eps 8-9 of 10 - They are a cute couple. They both trying so hard and so confused and awkward and polite in trying to understand each other but TERRIBLE at communication. 

My Strawberry Film (Japan Thurs Gaga) eps 3-4 of 8 - I don’t know how I feel about this. But I do know it’s not my thing because it’s not BL. I’ll finish it because it’s short but… meh. 

It's done, ready to binge, but I have no time

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have any spare time. 2024 is crazy busy for me so far.

The Servant and the Young Master (Vietnam YouTube) - I will try when I have a window of time.

Began Beginning (Myanmar YouTube) - A Burmese BL? @heretherebedork vouched for it, so I will watch eventually.

It's airing but...

Dead Friend Forever (Thai iQIYI) - finished it's run and I won't be watching it. It's horror with BL elements and the ending, well, let's just say that's a "no thank you" from me.

Ossans Love Season 2 (Japan Gaga) - 5 years later, will anything have changed? This is Japan so… no. I'm not watching this. I dislike this franchise.

Time the series (Tue Gaga/YT) 10 eps - dropped it at ep 4.

Takumi-kun (2023) movie version AKA Takumi-kun Series 6: Nagai Nagai Monogatari no Hajimari no Asa released on FOD 3/5/2024. The original project was a 6 ep series. Having seen all the previous iterations and read the (terrible) yaoi I admit to being intrigued. If anyone finds eng subbed please let me know with a link in comments or in a DM? For those intersted in this show, probably the world's first true BL franchise I chat all about it here.

Gossip

James Supamongkon has withdrawn from the series Love Upon A Time and the NetJames pair is no more. Net Siraphop will continue with the historical BL project alongside a new partner. Can I interest you in Tod Techit... almost as pretty, legs for days...

The Complete Chronology of the Assault Case Against GMMTV Actor Win Pawin

I'm merely directing your attention to these articles, I do not wish for discussion of this content on this blog. Please don't ask for further info, I don't know the answer, follow the link that's why it's there.

Next Week Looks Like This:

Still Coming

3/21 Two Worlds (Thai IQIYI) 10 eps - announced here. One of those "he's dead Jim so time travel" thingames staring MaxNat. I'm over them but Asia flipping loves this trope and I do adore MaxNat. Phupha (Gun) and Khram (Nat) love each other but Phupha is murdered. Then Khram is pulled to a parallel world where, 12 years ago, Khram and Tai (Max) were in love. However, Khram was killed by Thai’s dad. Now Tai finds alter-Khram apparently alive. But then there is ALSO an alter-Phupha (played by Gun Thanawat who is Khom the repressed butler bodyguard from Unforgotten Night).

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENTS

How flipping adorable is this vampire with his big gay umbrella? SUCH A DORK and we got more vampire dorks coming.

Thailand has found its vampire line and it's awkward and geeky and quite cheerful. 'Bout what we expected, to be fair. It's a good look for them.

And vampires.

In other news...

That's your random moment of thirst, Lim Jimin shirtless AKA my Just B bias (I mean, I could talk about how good his extensions are and how I love a husky voice in Kpop but really, just LOOK at him). I'm very very very shallow, remember? Full vid is here.

Why am I mentioning Lim Jimin (aside from the obvious)? If Just B doesn't break soon, I could some of them transitioning to BL. Jimin in particular would be a win for us, obvs.

Also, can we talk about Bain (my bias wrecker) KILLING it on Build Up? I had no idea he was that good. Anygay, this has been your Kpop end note.

Seriously tho, is ANYONE else watching Build-Up?

(Last week - well, 2 weeks ago)

Streaming services are listed how I'm (usually watching) which is with a USA based IP

The tag bragade: @doorajar

If ya wanna be tagged each week leave a comment and I will. Easy peesy.

[alphajocklover]

So I just finished my 3rd year exams at university (hopefully I did well enough to make it into a 4th year and go for an Master's of science) and as soon as I get out near the crowd to celebrate a guy bumps into me and I broke my phone. I was ready to give him a piece of my mind until I saw he was pretty built, he must be on some university team for something. He felt awful apparently and he gave me his old phone as an apology. It came with this InstaJock app thing on it. I dunno what it is but I kinda wanna load it up...

Another instance of a jock giving someone a phone with InstaJock already downloaded on it. Another instance of someone doing something with InstaJock that doesn’t make any sense. I know it’s unprofessional to say something like this, but this is driving me crazy. Why would a jock give away their phone? If they wanted to turn you into a jock like them, they’d just send you the app! If they wanted to give you a new phone for real, they’d have wiped it before giving it to you. I guess it's possible they forgot, but InstaJock is super important to the users that get transformed into jocks. Even with how stupid jocks can be, I doubt they’d forget about the app that literally changed their life. So… why?

I’ve mentioned in some of my earlier Instajock posts that someone has been messing with people using this app. Using it in unconventional ways to mess with people, spreading false information about the app, and even making knock offs of the transformative app. My first thought was that it had to be The Master. Not the Doctor Who villain, to those who get that reference, but someone I introduced to you all in a recent post. He’s the creator of Instajock and the mastermind behind my Uncle’s transformation and kidnapping. He’s an incredibly powerful figure in the Transformation Community, even more than I’ve told you. Most people who know about transformations are scared to mention him, even other TF Reporters are, and most powerful people or groups who work with transformation either do business with him or stay out of his way. But… I don’t think he’s the one behind this. He likes to mess with people, play with his victims like whoever is behind this, but if he wanted to do that he could just add features to the actual InstaJock app. He had no reason to do things in such a roundabout way. Which makes me think… it’s someone else.

Whoever is doing this has an intimate knowledge of the app, so It has to be someone involved with InstaJock, someone besides The Master. Maybe someone who works for him? Even he couldn’t have programmed the entire app on his own and added in the magical elements without help. Plus he isn’t one for upkeep, so he’s probably having someone else run the site for him. They also have to be someone with a lot of nerve to mess with The Master, maybe someone who they’ve hurt personally. On top of all of that it’d also have to be someone the jocks would listen to. Maybe someone who worked on InstaJock that The Master fired, a former employee?

I can’t be sure of who's behind this yet, but I do know that whatever they’re trying to do with you isn’t good. When you press that app, you won’t just be turned into a jock like a regular InstaJock user. It has to be something… special. Something that would benefit, or would at least interest the person behind this. Maybe you’ll turn into a copy of the jock who gave you the phone, become their perfect twin? Maybe something else will happen entirely. I can’t be sure.

If it’s not too late, send me the phone immediately. I can put it somewhere safe, and I might be able to protect you from whoever's doing this. If it is too late… Well I hope you enjoy whatever happened. Being transformed against your will sucks, but being a jock can be fun, even if it isn’t your choice.

**3 stories in one day, all InstaJock? I must be on a roll! I hope you guys liked this one! There are still more mysteries and more transformations to discover! Stay tuned!**

[mochiimadness]

hello!!! i love your works so far :DD!!

can i request the rise boys with an s/o who’s a human but has experience fighting with mutants? like s/o uses a scythe and can easily fight with the turtles :)

The Rise! Turtles with a human scythe wielding s/o!

Neon Leon

He thinks you're so cool!

Listen, he knows humans can go up against yokai's and mutant's

I mean, his dad and April are living proof of that-

But he genuinely can't help but be amazed when he sees you using a scythe of all things to go up against yokai's literally four times your size

Especially since you seemingly appeared out of nowhere to join the battle-

Seriously, can you portal or something???

He stops are stares as you easily knock a rather angry lizard yokai off balance, before sending them running with a slice of your wicked scythe

Your movement were so fluid,

A literal blink and you'll miss it type of speed

"Woah S/O! I didn't know you could do that-"

He'll exclaim, before ducking as you swipe at another angry yokai right behind him

"Think you could teach me how to do some of that??"

"Sure- we should probably finish this fight first though."

Oh right the fight-

He loves to spar with you

You're able to keep up with him quite easily!

And Leo is fast- like really fast

But even when he uses his portals to try to get near you-

Your scythe easily keeps him at bay.

He's absolutely in awe of you

Your blades clash together and Leo gives you this bright smile

"How in the world did I end up with someone so cool!?"

Don Tron

Donnie's impressed!

Though, he tries not to show it

Wielding a weapon like a scythe or bow staff automatically gives you cool points in his book

And you're incredibly proficient with your scythe too???

Donnie definitely want's to challenge you

"Your scythe versus my magnificent Bo-staff, I think the winner is pretty clear here."

What he thought would be an easy fight ended up being a nearly 20 minute long battle

You both were neck and neck

You were quick to block his attacks and dish out some deadly looking slices of your own

Afterwards, Donnie offers to modify your scythe for you!

"Think about it- it's already incredibly sharp and in your hands?? Borderline deadly. Now, hear me out, imagine if it had a chainsaw?"

Donnie pls.

"Or what if it was purple!?"

Donnie no-

Whether or not you let him add some "flair" to your scythe

He genuinely thinks you're cool

He doesn't even flinch when he sees you, his wonderful human s/o, go up against a super powered yokai

"Me? Worried?? No need to, I already called a mystic doctor."

"You mean a human doctor, right?"

"No??? That yokai obviously needs a mystic doctor."

He never doubted you for a second~

(That yokai you beat definitely needed that doctor- yikes)

Mystic Mike

He thinks you're amazing!!!

You're out here with no powers

No magic

No mutations

Just your normal human self and scythe

Fighting angry mutants and yokai like nothing!!!

Mikey thinks you're one of the strongest people he's ever known!

Aside from his family ofc

He loves to watch you fight

Has and will bring snacks to watch

Ofc, if you're ever in a pinch, Mikey will gladly swoop in to help you

He absolutely loves teaming up with you

Between his nun-chucks and your scythe-

No villain stands a chance

He even uses the blades in his nun-chucks from time to time to "match with you" ^^

Loves asking you to let him wrap his chains around the staff portion of your scythe so you can launch him at people

"It'll look so cool! C'mon just once???"

To be fair-

It does look and feel pretty dang cool!

Mikey knows you can handle your own in battle

He's seen it more than once

But if things ever get too rough

He's always there to lend a hand!

Big Red

Oh Raph...

Poor guy nearly faints every time you go into battle

Yes he knows humans can fight too

But you're not even using a mystic powered weapon like April does!

You could get seriously injured or worse!!

He always starts worrying over you

Especially when you both were just starting to get to know each other-

He didn't want to loose one of the few friends and humans that he knew!

He often will go into battle and cover you,

Taking hits or tackling opponents away

But you end up having a serious talk with him about this

"I know you're worried, but I can do this. I know how to fight-"

"I know, I know, I just get worried ya know?"

While he's still nervous about it,

He eventually starts hanging back to let you fight your own fights

And he comes to realize you are pretty great at what you do!

Your scythe is practically an extension of your own body,

And you easily handle opponents larger than you-

Both mystic and mutated!

"You're amazing!!"

Raph really comes to respect your strength and proficiency with your scythe.

He knows you can handle yourself

That still doesn't stop him from jumping in to help or defend you

Even when you may not necessarily need help

He still cares and worries about you

Doesn't want you to get hurt

Especially if he can help it.

"Er- sorry, I just jumped in again without thinkin'..."

I hope you enjoyed! Sorry for such a long wait

[communistkenobi]

I love finding new communists blogs because you immediately have to scroll through all the posts to see if you wanna follow them or block them lmao. Anyway from what I understand you work in western academia to some degree and as a student taking some classes in the social sciences it’s such a pain in the ass trying to even bring up a Marxist perspective. How do you deal with how much pushback socialism has in academia?

I’m doing a PhD in sociology ! And please feel free to block me, we are all annoying etc 

I would say that resistance to socialist ideas is a major source of frustration for me in academia - a learning curve for me has been gearing my writing & research to work around that type of institutional hostility. It depends on the discipline as well. Given that Marx is such a titanic figure in sociology I find it easier to engage with his work openly (although you will be mocked for it lol - it’s viewed as a dead-end project in the West since the USSR collapsed), whereas more history- or politics-based courses I’ve taken have been extremely hostile to even tepid Marxist analysis. I have friends to vent to and have found other people in my discipline who are like-minded, which has helped. You will need to do a lot of tactical retreats - I’ve found that tying your analysis to state policy helps a lot, it helps you get grants, and academics trade in policy-talk across disciplines so it will prepare you for that if you want to stay in academia.

I have also been making peace with the fact that academia is not really the place to “do” socialism - it is a deeply political job, and my ideological commitments motivate me to do work and research that I hope are beneficial to the world, but I think the authority and privileges afforded to academics, not academia itself, is the better avenue to conduct political activity - participating in student & left-wing actions, giving money and resources to activist groups, using your prestigious position to publicly speak on issues, sign important documents for vulnerable people (profs are counted as authorities to sign off on name change documents for trans people in Canada for example, as well as visa and citizenship proof I believe?), things like that. There was that Canadian doctor, Dr. Yipeng Ge, who was suspended from his university position for speaking out against Israel and went to Palestine on a medical mission, Engels used his family’s money to fund Marx & socialist actions, Lenin went to law school, etc (i am NOT remotely comparing myself to any of them to be clear lol, just demonstrating that there is historical precedent for this way of thinking). I’ve done a decent amount of union + community work and the reoccurring lesson I keep learning is that there are many little, vacant positions of power sprinkled throughout the world that will help you organize and agitate above and beyond your individual capabilities. And the right wing knows this! They take over local school board committees and town halls and run for office in their local neighbourhoods all the time, often unopposed, and use that to exert terrible political influence.

I try very much to resist the “one of the good ones” mindset re: my own career in academia and is one I struggle with pretty often. being pragmatic about what academic research actually does in the world is still something I’m grappling with. Academia has provided me with an incredibly prestigious education and a lot of social capital that I hope to use for some amount of good. I’m also betting on what is essentially a lottery ticket, given how rare tenure-track university positions are, so maybe all of this will be irrelevant anyway lol. I’m not sure if that’s helpful but it’s not a settled issue for me either, so if this reads as vague or wishy-washy that’s why!

[kataraslove]

how do you feel about people saying Katara post the show was just a “house wife” and a “baby maker”? I personally think it’s super stupid and fucked up…while I do understand the criticisms for the comics ESPECIALLY the promise. TLOK criticisms for her character are pretty damn dumb to me…honestly the only thing I can get is the critical for her not being at Jinoras ceremony.

something that the original show does really well is present the dichotomy of katara; she's hot-headed, stubborn, determined, argumentative, protective, a fighter and a warrior. at the same time, however, she's presented as compassionate, kind, caring, nurturing, a healer. atla does an incredible job to avoid caging katara into one facet, unlike other media that tend to restrict their female characters who present feminine personalities into the group's resident healer/mother teresa figure. fighting and healing are core tenets of her identity. she uses both of these aspects of her identity to win the war, to save the lives of her friends and family, and most importantly, connect to and honour her decimated culture.

i don't think tlok makes an attempt to capture the fighter aspect of her identify, hence where the argument that "she was reduced to a healer" comes from. yes, she's incredibly old. yes, she deserves to rest after a lifetime of fighting. however, you could make the argument that toph and zuko are still in active combat mode during their old years. it's an all or nothing scenario; either everyone in the remaining gaang deserves a fight scene or no one gets one. so i can see where that criticism stems from. however, much of the criticism also stems from the fandom's refusal to correlate power with healing; to see how being a healer is an honour in it's own right, especially in the atla world where it's the equivalent to being a doctor (and katara would be the most renowned doctor there is).

katara does not deserve a shoe-horned fight scene where she's going to be tossed down in the snow five seconds later (like zuko) or where she's going to complain about her back problems (like toph). i can go on and on about how toph’s depiction in tlok is another form of sexist writing, but i think this post highlights it perfectly well and captures everything that i wanted to say.

if it were up to me to write tlok katara, i would:

have spent more time exploring her role in the white lotus. how much input did she have on korra’s training during the south, because i doubt caging her up until she’s 17 and delaying her spiritual journey is something that katara necessarily would have agreed with. i imagine that she would have (should have, at least) a lot of sway in the decisions surrounding korra as a world leader and legendary hero [per avatar legends]. if not that, even as korra’s waterbending master, the companion and spouse of the previous avatar, and the mother of the only airbending master in the world, would be enough to earn her decision-making title.

actually have her take part in the council of elders, especially during the civil war in book 2. no bryan konientzko, a tumblr post explaining that you can see her on the council of elders while your show is airing isn’t enough. we should have gotten katara’s perspective on the independence war currently happening with her tribe. particularly, it would have been an excellent opportunity showcasing her leadership abilities that we saw in imprisoned and the painted lady, encouraging her tribe to fight for their justice and independence.

expand upon her relationships with her children and grandchildren. yes, the legend of korra isn’t about katara or any of the former gaang members. but jinora, tenzin, kya, and bumi are all important characters that should be defined by their respective relationships with katara, much like how they’re defined by their relationships with aang. bryan and mike shy away from featuring former members of the gaang to avoid nostalgia bait, but there comes a point when deliberately avoiding the presence that your original characters play on their successors ends up hindering the success of your show. i think katara should be a critical character in the subplot between her and aang’s children, providing her perspectives on her husband’s parenting and relationships with their children.

have her actually leave the southern water tribe. if toph can leave the swamp to stop kuvira, and zuko can leave the fire nation to stop the red lotus, then why was katara constantly portrayed in the southern water tribe? there was an excellent opportunity to have her attend her granddaughter’s air mastering ceremony. i actually disagree with claims that the writers were avoiding having katara and zuko in the same scene specifically because of zutara; i think they didn’t want any of the former gaang in the same place. hence why we don’t ever have zuko and toph meet, or katara and toph (i know toph mentions katara by name, but i truly believe that that was a throwaway line serving as a substitute to appease the audience’s thirst for old gaang interaction. kind of like a, “here you go!! toph mentions her. now shut the fuck up.”)

give her a statue representing her bravery, courage, and determination. this one’s self-explanatory.

she didn’t need to be present at the bloodbending trial if the focus was for the avatar to take away yakone’s bending (and her being a bloodbender, i mean.. there’s NO WAY for anyone else to suspend yakone if she’s there). but i do believe the show should have mentioned something about katara not being able to there last-minute, due to tensions in the south or whatever, and how they cannot delay yakone’s trial even by one week.

i disagree with criticisms that katara became a “baby-making machine” for the air nomads. there’s no substantial support that katara and aang had children solely to repopulate the air nomads. there’s contrary evidence, in fact:

tenzin was the only airbender. if katara’s purpose was to serve simply as a baby maker, aang would have tried to have more children. from a writing standpoint, i think the narrative would have gone out of its way to portray kataang’s family as only having airbenders, or having more airbenders than non-benders or waterbenders.

we would have seen a lot more children in a relatively short time period. bumi, kya, and tenzin have sporadic age gaps, indicating that their conception wasn’t really at an urgent pace, but something that katara and aang took their time with, due to life events and circumstances.

as for whether the show turned katara into a “baby-maker,” by highlighting her family relations over her career prospects, i disagree. i don’t think we’re shown anything about katara in the legend of korra; i think we’re presented with limited information about her on all aspects. from a family perspective, all we know is that she had three children with aang. the narrative goes one step further to even separate her from the family conflict, such that the cloudbabies do not pull her into their grievances with their father and childhoods. kya and bumi’s overall arcs are about embracing their father’s legacy, while tenzin’s arc is about moving away from his shadow. from a career perspective, we know that katara at some point banned bloodbending, became one of the best waterbenders and the greatest healer in the world, then trained korra. in fact, katara’s relationship that is given the most narrative weight is her relationship with korra. i can understand if people’s criticisms are her being reduced to korra’s mentor and a healer, but i will not be able to understand the baby-maker or housewife claims simply because there is no proof.

if we’re examining tlok katara, i think there are many criticisms to be held, many missed opportunities and abandoned threads, but i do not agree with fandom extremes that she was ever presented as a “baby-making housewife turned healer.” i disagree with claims that tlok emphasized katara’s legacy as only having children (particularly her one airbender child). especially because tlok goes out of its way to separate her role in her children’s life, instead emphasizing her role in korra’s life. narratively, we get more exploration of toph’s storyline with her children than we get with katara.

as for the shitty gene yang comics that mischaracterizes just about every member, even momo and appa, i’ve got much to say on that. i think the only comic worth exploring is north and south, and katara’s portrayal in that. rather, there’s a particular criticism of katara’s portrayal in north and south that i want to rebut.

[thetardisisnotourdivision]

Something I find very interesting about Dot and Bubble is how it reminds us who the Doctor is.

Because usually when we're reminded that the Doctors is not human/is the Doctor, it's Time Lord Victorious or some other angsty thing. That's what we all thought "I will shatter this silly little battlefield into dust" would be. It's usually something that shows their power that sets them apart. (Which is also cool and when done well can be amazing).

But this episode it wasn't that. This episode, they showed how the Doctor is a better person than most of us would be in his situation by having him say, I don't care, I don't care that you hate me for the colour of my skin, I don't care what you say and think about me, or how you treat me, just let me save you. We were reminded that he is the Doctor, we were reminded non-diagetically that he is never cruel, or cowardly, and he never gives up. And that I think is incredibly significant.

[immaturityofthomasastruc]

About representation of child abuse in ML

I’m sorry if this isn’t the proper way to send it I chose it because I can actually divide paragraphs here. I am also assuming none of the abuse submissions are reblogged because of the subject.  I was neglected as a child(parents often forgot to feed me, didn’t care about my hygiene and I couldn’t go to the doctor when I should have) and emotionally abused after coming out as trans as a young teen(constantly being pressured to stop being trans, treating me as stupid and melodramatic for being trans at all, showing open disgust if I did something “too manly” etc.). I was a bully for two years in middle school before realizing the weight of what I was doing. I had to put in a lot of effort to improve, especially since guilt was feeding into already-existing self-hatred. When I first saw Miraculous Ladybug on TV I didn’t expect child abuse to come up at all since it’s a hard topic even for adults and Miraculous didn’t seem like the show to tackle a complicated topic. Looking back they shouldn’t have tried because they end up giving incredibly bad messages. As you point out Chloe is treated as irredeemable and sent off with her abusive parent as punishment while Andre is never treated as the neglectful parent he is. While children can be abusive to their parents Andre is the mayor of Paris while Chloe is a kid, he holds a lot of power here that he refuses to use at all. He also doesn’t try to get Chloe psychological help which would be the correct course of action seeing her mother despite the fact it wouldn’t even make a dent in his pocket. It would be better to either have Chloe’s redemption fail while highlighting how her parents affect her behaviour but don’t justify it or have a straightforward redemption arc, maybe one where she doesn’t get forgiven but still improves to show kids there’s a way out. “I will always be like this because of abuse” is an easy thought to fall into and ML accidentally ends up teaching it to kids, Jesus. The other thing that really bugs me is the treatment Gabriel gets, it seems to me that the show tries to use his love for his wife and son as a redeeming quality but I am not sure on how good an idea that is. It’s better than if he were to hate Adrien but loving Adrien doesn’t excuse any of the things he does. In my experience most abusive parents do love their children, they really think they are doing the best for their kids. The kicker comes in when they end up harming their children in some way but refuse to acknowledge it. If your parents always end up doing more harm than good and refuse to stop, then love alone can’t save it. I don’t think that point was there as Gabriel’s love was portrayed as a good thing because this show doesn’t do nuance. Also the plot Gabriel abusing Adrien should mainly be about how Adrien feels. Of course it will affect other characters but Adrien is the one getting abused by Gabriel. Gabriel is also an incredibly controlling parent who takes away Adrien’s agency and the show never really addresses that. Adrien is a bystander in a story-arc about him getting abused. He never learns that Gabriel is Hawk Moth(writers seem to think we forgot Chat Blanc and even then that episode was more about “Ooo hero gets akumatized”), we never learn his thoughts about the whole situation and Gabriel completely gets his way in the end, leading to a happy ending. Adrien’s contribution to the finale is giving up the agency he had left. This really left a sour taste in my mouth. If you’re not going to deal with how abuse affects Adrien, why write it in at all?

-----------------------------------------------------------------------------------------------

First of all, I’d like to thank you for being able to step forward and talk about your history with your parents. I’m very sorry that you had to go through that.

Second of all, you make a good point with how much the show empasizes Gabriel’s love for his family supposedly justifying his terrible actions, with or without the mask. It doesn’t help that, like you said, he doesn’t even get to confront Gabriel about their relationship himself, and ends the season believing all the delusions Gabriel had about him being a good father. 

Hell, even the movie does a better job at pointing out how much Gabriel has hurt his son over the show itself, and I’m pretty sure that’s why so many people prefer that version of Gabriel over this one. 

[heimeldat]

I can't stop thinking about the incredible lost opportunity in power of the doctor. The chance for a Doctor-Master body swap gaaaaaah it makes me insane! A full proper body swap is one of the few tropes those two have never participated in! And the chance to let the actors play each other! And the chance to do something NEW for once!

And there was a good chance that was going to be THE last episode so ohmygod what an opportunity to end with the craziest option of LEAVING THEM SWAPPED! That would have singlehandedly triggered a second wilderness years frenzy. Can you imagine if THAT'S what Chibnall was remembered for? Dhawan Doctor standing on that cliff staring into the sunrise, some monologue voiceover like "I don't know who I am any more. So much has changed... so many things I thought I knew were lies... But in the end, it doesn't matter where I came from or what body I'm wearing. None of us really know who we are anyway, do we? All that matters are the choices we make. And me, I choose to be the Doctor, now and forever."

And obviously if it wasn't the last episode they could swap back, but it would still be a nice juicy plotline of finding the Master and fixing whatever she did in the Doctor's name...

Just aaaaaah I can't stop chewing on the missed possibilities!

[being-of-rain]

Now that the whole series has been released, I binge relistened to all of Once and Future. And wrote down all my thoughts, of course.

Definitely the series' main problem is something that affects a lot of Big Finish; it wants to have a story arc, but clearly the writers barely planned with each other or put any effort into that aspect. There's no flow or natural build-up to the finale, unlike what the premise and first episode might lead you to expect. Without much of a compelling arc, the only thing the series has to mark it as a special occasion is its many cameos and crossovers ...but in order to have more of those than the average Big Finish series, they had to pack so many in that most episodes struggle to handle it (in one way or another).

As a series, it unfortunately adds up to less than the sum of its parts.

With all that said, it's a series that I enjoyed a lot more during my relisten, since I could adjust my expectations. I forgot my desire for a grand or satisfying larger story, and just took each standalone episode on its own merits. There's a varying level of quality, but overall its not as disappointing as I remembered.

I decided to rank the episodes from my least to most favourite, and write a paragraph on each one.

8. Time Lord Immemorial I was told this was added to the series at the last minute, and I believe it; it features the imminent destruction of every universe thanks to the use of the degeneration gun, and this little fact is not mentioned at any point before or afterwards. The plot is about a dull and generic all-powerful Time Lord fairytale with an incredibly convenient rhyme to tell everyone what to do. Not that anyone actually does much of anything in this episode. It's mostly descriptions of some impressive visuals and the trading of some half-hearted banter. The only thing of any substance at all in the story is the slightly interesting (though not as interesting as it could've been) relationship between the Lumiat and the Doctor, which is okay if you like that, and unfortunate if you wanted Liv and the Unbound Doctor to have any focus at all.

7. Two's Company This episode is the poster child of being assigned a long and truly random laundry list of characters by the producers. All elements of the episode feel like they're thrown together haphazardly, from the total disregard of the previous episodes' plot hook onwards. But the friendship of Jackie and Lady Christina, two of the least likely characters to be teamed up with the sixth Doctor, is perhaps the highlight of the episode (even though Jackie is written rather stereotypically). On the other hand, Harry Sullivan doesn't really add anything, and the bizarre introduction of The Two borders on the insulting. Back when The Eleven was first introduced, the audio took pains to note that his mental illness was not the cause of his villainy. Later authors seemed to have missed this memo, and none fly in the face of it as much as Two's Company. On top of it all, I think Lisa McMullin is just an author I do not vibe with. She's the only one who wrote two episodes of this series, and they're my two least favourite.

6. The Union I'm not a big fan of finales written by Matt Fitton, which is bad news for me because he's been Big Finish's Go-To Finale Guy for over a decade now. He always makes the plot a bit too busy and never quite lands the emotional moments for me. Once and Future's climactic episode gets a lot of fanservicey moments (some that I can enjoy and some that feel like an obligation), but the story arc that the series had been stumbling and crawling towards concludes with the Doctor winning a nonsensical moral argument about how he's fine with being and meeting himself, something that isn't demonstrated in this anniversary special and is contradicted in most others. The villain/s are a bizarre choice and rather unthreatening- but at least River and Susan are fun to listen to.

5. A Genius For War It's slightly baffling that in the middle of a series that flaunts its random character line-ups is a fairly standard Time War episode, with characters you'd expect to see in it (except for the Seventh Doctor I guess, but he doesn't feel that out of place in a Davros story like this.) I refrained from calling it a "bog-standard" Time War episode, because it does actually put some effort into being relevant to this series specifically, and is a fun little action movie to while away an hour (and celebrate the Doctor's longest-running alien foes in all their mediocre glory). Still, the fact that this ep is just before halfway through my ranking means that I enjoy this series more often than not.

4. Past Lives This is a charming episode, largely due to its fun cast of characters. It takes its time with its story, being literally halfway done by the time all the characters have been brought into the plot together, but I'm not saying it's badly paced. I'm certainly fine with it just giving us the Doctor and the Monk for the first 15 minutes. But the moment of this episode that always sticks in my head the most is the Doctor and Sarah reacting to all the pictures of the Doctors in Osgood's house, having a little bit of an existential crisis about it. It's amazing how taking even just a small break from the action for some genuine emotion can add to a story. See number 1 on this list for more. Oh I do wish it did more with the King Arthur/Once and Future theme though, especially seeing as it was what gave the series its name.

3. The Martian Invasion of Planetoid 50 Michelle Gomez and David Tennant are so good together. I don't have an awful lot more to say about this one, it's just solid entertainment. It's got great characterisation and a lot of funny lines. The episode really understood the Master when it said "Only one Time Lord would ever do something so mind-bogglingly, time-consumingly ridiculous."

2. Coda—The Final Act The final episode is second only to Two's Company in how random and long its list of returning characters is, but it handles them with much more grace and a satisfying story. I mean I do wish that Vienna Salvatori had a bigger role, but that's just because I'm a fan of her series, she works fine narratively (and there was a Jexie reference to appease me). Really my biggest complaint about this one is that it doesn't quite commit to the Doctor vs Doctor premise as much as I wish it would, with it all being a contrived trick, but it doesn't do that badly, it's fine. Wait, maybe my biggest complaint is the title: why give it two? Why not just call it Coda? Anyway, Bernice was a great choice for this episode, she's always been great at speaking her mind to the Doctor. And it was easy for me to forget this this is Jo Martin's first audio because she sounded so at home. Great stuff.

1. The Artist at the End of Time This might not be the episode I go back to listen to the most, but I think it is the best made, with the most time to breathe and the most coherent themes. (And it also happens to be the episode with the least amount of returning characters heaped upon it. What a coincidence.) The degeneration giving the Doctor something of an existential crisis, compounded by the end of the universe and the presence of the Curator, gives the series some much needed time to reflect on a key aspect of the franchise for its anniversary; the Doctor themself. It certainly works a lot better than whatever The Union tried to do in its last 15 minutes. Aside from all that, Five and Jenny and the Curator are just a rather sweet team to listen to, with an interesting problem to investigate and a lot of witty dialogue.