#the standard is him and no one else
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somedaytakethetime · 26 days ago
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Kasper Schmeichel appreciation post number 5646374348
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aroaceleovaldez · 1 year ago
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Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.
Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.
Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.
Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.
#pjo#percy jackson#nico di angelo#Percy shows up at CJ and squints at Nico like ''hm. why do i feel like i hate you? like i just wanna punch you in the face?''#and Nico just immediately goes ''huh no idea anyways i have to go-'' and jumps into Tartarus#but not before he gives Hazel essentially a detailed explanation of ''this is Percy i cant say much but please dont let him die <3''#and Nico's whole Tartarus trip was basically a whole ''im doing this so no one else has to''#only for Percy and Annabeth to fall in like one book later and Nico proceeds to spend the next book internally screaming about it#and then Cupid calls him out on it and the next book#Nico's just like ''at this point im hoping i keel over within the next week just so i can force this dumb crush to chill the fuck out''#Nico staring pointedly at Will: ''For my own sake i need to form another crush RIGHT NOW so i can finally get over Percy.''#''this has been so bad for my health''#Nico's crush on Percy is just too funny to me. horrible pick my guy. terrible job. love that for you. he could not be less interested.#Percy LITERALLY TRIES TO KILL NICO and ditch him in the underworld and Nico is somehow STILL like ''but i love him''#Percy basically chokes him. beats up his dad. tells him ''go get smited by your dad for me.'' and ditches him.#and Nico's opinions/crush on him DO NOT CHANGE#though also Nico's reaction to Percy beating up his dad + skeletons is SO funny. his jaw is on the floor. he's flustered about it.#he just witnessed Percy be incredibly hot and proceeded to go ''yea i'll do anything for this man. collect reinforcements of 3 gods? sure''#nico you absolute DISASTER with HORRIBLE TASTE. you can do better. raise your standards.#which tbh is funnier when you factor in sun and the star. Nico just wont stop crushing on guys who dislike him and everything he stands for
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dykedvonte · 8 days ago
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Never seen it really discussed but despite his complaints about Pony Express, Jimmy is the only crew member to somewhat like being on the Tulpar.
Of course, the reason is sort of shallow, he likes being there due to the control he has in the cock pit as co-pilot. The fact that he’s actually in charge for once, even on such a minor scale. Everyone else has this open or held in contempt for physically being there but he likes it on a fundamental level, freaks out and lashes out on such a personal level when he realizes he’s losing the first job he’s probably enjoyed and that stability/control.
It’s not anything specific or I think polarizing about Jimmy but I feel like it adds to how he tells Curly this is home to him. Earth is objectively not a place of ease or comfort for Jimmy, but the Tulpar is. It’s a fucked up perversion of home and that’s so interesting for his character who also hates the corporate culture the most out of all of them.
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krysmcscience · 7 months ago
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I will be the first to admit I'm not the best at drawing animal or furry characters, but I wanted to get something scribbled down in my Non-Goof style, anyway. Plus, I've been enjoying the many reference pages folks were posting of their own designs for the Lamb and Narinder, so, uh. Here's mine, I guess! ¯\_(ツ)_/¯
do not comment on how long narinder's tail is or i swear to the lamb i will make it even longer next time >:]
#fanart#cult of the lamb#cotl#cotl lamb#cotl narinder#narilamb#tagging the ship because Your Honor They're Married#teeny tiny lamb and big boi narinder is my weakness leave me alone DX#i gave narinder a stupidly long tail because my own cat has a stupidly long tail and i make fun of him for it all the time#this is important to me for A Reason - which is that i enjoy adding even more reasons for people to make fun of narinder#he is my special boi and my poor little meow meow and thus i must violently shake him like he's the world's shittiest maraca#why else would i give him a long majestic cloak but then just have him wear a stupid turtleneck tunic under it and no fukken pants#there is no way that asshole has any sense of fashion - he has been out of touch with it and reality for at least one (1) millennium#anyway narinder's cloak can definitely be pulled closed to look like his standard in-game attire#also shh the lamb has plenty of wool to cover them and thus doesn't need any Censor Leaves#do NOT cite them for public indecency because that is racial discrimination against sheep and thus It Is W R O N G#btw i know i draw the lamb kinda cutesy-feminine but i promise you their gender is an eldritch void#VOID I SAY#what's in their pants? a knife#the time knife specifically (that's the eldritch part)#it might look like narinder has yaoi hands here but that's just because he's Bein' Spooky#i swear i headcanon him with normal size hands XD#also i finally drew scars on his wrists!!! i DO headcanon him with those but i try to keep designs simple in my Goofs Style lmao#once again i should be asleep
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bitchapalooza · 5 months ago
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I relate to Sanji too much because it really does seem like he’s adopted the mentality that physical and mental abuse is a form of significant affection but only directed towards himself, like he sees it’s wrong and unjust when other people are being abused, but when he’s the victim he feels this conflicted sense of I deserve it and Wow they love me so much! It’s heartbreaking just to think about tbh
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cluescorner · 8 months ago
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I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc
#damian wayne#damian al ghul#damian al ghul wayne#batman#batfamily#for all of the issues that come with having Steph as your fave having too much wild shit happening at once is never one of them#btw I quite like The Boy Wonder Issue 1. wow shocker an artist and writer who I have liked everything they've ever done#has once again written something that I am enjoying with art that makes me want to be part of its world.#it's almost like Juni Ba is really freaking talented or something#like I have some problems with it but it seems like many of those are part of the point. Damian is learning that his siblings are more#three-dimensional than he realized and that is part of this 'coming of age' story merged with fairytale#so I can't be mad at the oversimplistic defining of Dick and Jason and Tim until the conclusion of the series. that might be the point.#I hope that the series will address Steph as a Robin but if not then frankly it's not an issue unique to this series.#I'll be annoyed and disappointed but ultimately roll with it like I am with Babsgirl being here. There's too much good stuff here to get#hung up on shit that seems to be almost an editorial mandate at this point. at least that's where I'm at.#I am also very sorry that Chip Zdarsky is massacring your boy. he has 'X (Tim for him) is the best Robin so everyone else must suck' diseas#where a writer really likes one specific Robin and in trying to uplift them demeans all of the other Robins. instead of like...just writing#for that one character only or alternatively not demeaning the other characters in order to make his blorbo look good#it's wild because I actually think his writing for Tim is pretty solid. but he's not writing a Tim series. he's writing a Batman series.#and if you are going to write a Batman series and include other Batfamily members you need to actually write them well.#instead of assigning them like 2 personality traits while Tim gets to be a whole character#I accept that behavior in fanfic where I have lesser standards because it's fucking free. not a comic run that wants me to pay#tens of dollars in order to understand what the fuck is going on. he's been going for a while now it's gotta be a lot of money.#I can buy Steelworks with that money. I can see John Henry and Natasha Irons in a trade. Fuck you Chip.#it's why it takes such a special person to write a good ensemble story/a good Batfamily story. you have to be good at writing a LOT#of different characters. which I don't think most people are. I sure as hell am not. I can write maybe 3 at a time confidently well.#and you also have to give all of them at least SOME love or else people will be upset that you aren't focusing on their fave#and also the writing as a whole will suffer. Chip Zdarsky is a pretty good Tim writer. I'd maybe read a Tim solo written by him.#I would not read a story focusing on multiple characters that I like written by Chip Zdarsky. because every character who isn't Tim#is at least a bit weak/inconsistent/out of character INCLUDING FUCKING BATMAN. THE NO. 1 GUY MOST ARE HERE FOR
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superbat-lmao · 2 months ago
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I think comics have a closer proximity to fanon works than most other forms of canon works (movies, tv, books, podcasts, etc) because of how many possible authors contribute different storylines.
Meaning, while I love Jayroy in fanon, I can completely understand why it wouldn’t work in canon. Too much uneven characterization where Jason’s actions towards the arrowfam aren’t justifiable even if their friendship remains possible. And it’s so easy to imagine crossing lines of canon into fanon since even canon can contradict itself.
So something I undeniably love about Jayroy fanon is how each character is written as someone who believes they just aren’t worth it, and they find someone else who believes basically the same thing about themselves and they’re both wrong.
To simply things in fanon, Roy’s struggles with addiction and Jason’s struggles with violence mean that in their respective narratives, they’re the black sheep of their families.
Roy typically struggles with a sense of self worth, of wanting someone to stick around through the bad and where his headspace actually goes because of addiction. He was one of the first titans and to have so many of your peers succeed (or die) when you’re struggling definitely fucks with you in major ways.
Jason has a complicated relationship with everyone, including himself. The pit made a lot of things worse but his grief over wanting his father to avenge him and thinking his death changed nothing, or his stance on punishing criminals, all of these things separate him out from the batfam’s code of ethics. He is constantly living in the shadow of himself and can’t figure out how to actually move on with his life.
And when these are the characterizations people are working with I love that the narrative is “two people who believe they’re fundamentally broken realize they aren’t and rely on each other until they get better”.
Like, neither of them is asking the other to change. Roy is okay with Jason’s version of justice and Jason sticks around through cravings and meetings. Neither thinks that their families were right about them, that they’re fuck ups beyond hope. Because they don’t have to be.
And so many of the other storylines of superhero’s is that, even if they’re at a low point, or have made mistakes, they can change. They can see the light and reform their actions and become better people and fit into new dynamics if they can’t go back to old ones.
And while a lot of fics will soften Jason’s actions, there are some where Roy still sticks around. And if they change, it’s not because someone demanded it of them in order to be worthy of being loved. It’s because someone who loved them gave them the time and space to figure out who they are and loved them regardless. They didn’t withhold support, they provided it even when the other failed and saw them through to the other side.
And sure, in reality that can be a recipe for toxicity, of people hurting each other over and over by claiming that love should be unconditional in order to justify horrible things, but in comics where magic is real (and sometimes a stand in for PTSD ) and so are aliens and vigilantes and addiction, then the standards for what a person is capable of withstanding, what a relationship is able to withstand, need to have room for grace too.
That the only way people stop suffering is by having support networks. And while in some cases it doesn’t work, in this one, it does.
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pcktknife · 2 months ago
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i know its just a gamemode so its not canon but sombra would not want that ugly beast *rat
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bayetea · 25 days ago
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seeing non-black people critique rick's portrayal of black characters is interesting sometimes. only like 30% of the critiques I see make any sense to me to be honest
#“rick made carter be an elvis presley fan that's fucked up!” is a real thing I just read#do you think black people can't enjoy elvis even though he appropriated black culture for personal gain#boy you would not like what I have to tell you about eminem. or kpop. or anything else bc black culture has been#appropriated by like everyone forever. are black people not allowed to enjoy iggy or ariana or billie or [the list goes on]#I myself am not biracial but I /mostly/ like carter and sadie (specifically carter who isn't white-passing) as black representation#the part where carter feels indignant that he has to hold himself to a higher standard because the world is harsher on black boys#did genuinely resonate with me when I first read that part as a child and it still does to this day#can we talk about how rick knows nothing about black hair instead#or how hazel is from the jim crow era and seems to not have one single thought about race in the modern era#or hazel's horror over the amazons keeping slaves but “no they're not slaves they just like it that way 🥰”#my problems with hazel are not at all about stereotypes I just don't buy her as an authentic portrayal of a black girl from the 1930s#don't get me started on beckendorf. does every black character need to die a violent horrible death rick#anyways this isn't intended to make anyone feel bad but we need more meaningful nuance in critiques beyond “hey that's a stereotype! bad!”#if you can't discern and communicate WHY it's bad then you're not saying anything of substance#is it a caricature? is it uninformed/underresearched? are all the characters from that group being represented in that way?#is the stereotype itself a degradation of that group? is it being played for laughs? is the character a one-dimensional stereotype?#what can we glean about the biases of the author/narrative and their worldview through their portrayal of certain groups in the text?#a big part of literary analysis and critique is not only pointing out The Thing. you need to also say something about The Thing#like if you have a black character say they like hiphop then sure it's a “stereotype”. but lots of black people do like hiphop#it's an important part of black american culture and portraying that in media isn't racist by default#and in fact lots of poc keep parts of themselves quiet for fear of being perceived as a “stereotype” when we shouldn't have to do that#BUT if you're doing it like jonah wizard was written in the 39 clues then that's where we've got a problem bc wtf was that rick#that was so racist oh my god I was like 11 years old reading that 😭 and then he had the white mc poke fun at him for being a gangster#and him being a “gangsta” was always played for laughs throughout the story#not being pro-rick here as I'm a big fan of critical riordan reading just being pro-thoughtful critiques because some of you guys actually#sound a wee bit ignorant when saying things like what was mentioned in the first tag#baye.txt#pjo hoo toa#rr crit#<- tagging that just for. well the tags basically
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soulfireblue · 1 year ago
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The most recent session of Secret Life is so fascinating to me, because there's so much emphasis on this idea of heroes and villains in a series that's so full of murder. Like, everyone's doing it! What makes one person a villain for doing it and another a hero? Is it the cycle of violence, that the person in the wrong is whoever committed the crime first? Is murder excused when it's done for the sake of a task? Or for the sake of an ally rather than for yourself?
Scar: "So I'm just the villain of the red lives, the people who can kill me, the people who I was trying to kiss up to with the creeper farm. This is... secret keepers, why do you have it out for me?"
Gem: "All right, wow! I thought I'd have a lot more enemies, but actually I seem to be a bit of a hero on the server! Everyone likes me! Everyone has good things to say!"
Bdubs: "Want me to kill Scar? Okay, great, wonderful, that's going to be my mission for today! I'm going to be the hero of the server today!"
Gem and Scar both had tasks that involved hurting others on the server. So what's the difference? Everyone excuses Gem because it was just her task, but Scar's villainy was a task too. Do the others know that? Do they care? If Bdubs killed Scar, the narrative goes that he would be the hero of the server defeating the great evil villain. Task successful, I suppose.
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nervocat · 6 months ago
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What is little bro doing here this was my first 10 summon on the standard banner 💀💀
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forcedhesitation · 7 months ago
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why should it just be steve who has all the torturous purgatory realm fun?
#dbd#myart#wip#quick clarification for those only familiar with the american version of ringu: sadako is 19.#anyway. I love that dbd lets me explore steve and nancy's characters outside the bullshit that the show is.#because the whole steve and nancy dynamic is Interesting. but the dustbags are plagued by cerebral hetrot so that story never GOES anywhere#it's just the “Waaaah love triangle OMG!!! will they? won't they?” crap. idk man. idc. why're these dumbasses breathing in Upside down air?#some people here have seen lucy before-- he is the ghostface pictured. and he's an OC. different person entirely from danny.#I won't explain his full lore here but-- he was a drag queen before the fog who started out by only killing those who he felt deserved it.#his entire persona satirises catholicism and he calls himself “the holy ghost” rather than ghostface. the entity made him an actual devil.#he's obsessed with steve because he LIVES his own role so he sees steve as his heroic opposite or some fucked up gay shit like that.#he's clutching kate's heart because if he were a real character in the game-- he'd have two moris.#one standard... and one for if a steve is present in the lobby. the second would involve him carving out the heart of a survivor as a gift.#he never harms steve though-- so it makes steve's penchant for self-sacrifice pointless.#steve instead has to do what he can to open the gates as fast as possible-- or watch everyone else die! :)#as for the toxic yuri-- it occurred to me that sadako's backstory bears some striking similarities to barb's story.#as soon as I realised this-- it was like I had suddenly gained the ability to see a new colour I could not see before.#sadako wanting to torment nancy as sick revenge for what happened to her but using barb's death as justification for this...#...nancy being unable to escape the ghost of barb... even in this hell dimension full of terrifying monsters--#it is still the memory of the girl she feels she “let” die in steve's pool that scares and hurts her the most.#not to mention that sadako's powers are reminiscent of how the upside down related fuckery appears...#the screwy technology. the telekinesis.#I just REALLY love seeing characters be forced to confront difficult parts of themselves even if that shit REALLY hurts.#dbd makes it so easy to do that to any given character. of course this goes both ways too-- it'd force lucy & sadako to change too.#which opens the door for torment on their end too because killers who disobey the entity are tortured into obeying.#a rock and a hard place on both ends. and that is Exactly how I like it. intense. complicated-- a puzzle to be solved.
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hii 📓
Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.
They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.
The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.
Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.
It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.
They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.
Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.
The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.
And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.
Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.
They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.
And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.
She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.
Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.
One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.
It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.
The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.
It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.
The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.
Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.
The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.
This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.
Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.
She is bad at it.
So fucking bad at it.
But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.
In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.
And oh. They could recognize each other after all.
She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.
Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.
But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—
Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.
Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.
They never make it out the back.
Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.
Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.
She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.
See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.
She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.
The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.
At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.
The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.
Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.
For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.
And as it turns out, her brothers monsters were real all along.
There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.
It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.
They run.
Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.
Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?
The fight goes bad.
Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.
She chucks her shoe at him. The finger goes flying.
Then the monster eats it instead.
Tsumiki: :o
Yuuji: :o
Megumi: fuck
Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.
Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.
Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.
Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant
Gojo: :o go on
Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away
Gojo: *gasp* what no
Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—
Megumi, really trying to have a moment here: we can both hear you
And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”
Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.
Itadori: she hit me in the face with her shoe like five minutes ago
Tsumiki: see???
Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.
And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”
He really didn’t know that Megumi had a sister he wanted to stay with.
And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?
Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.
Gojo:
Megumi:
Tsumiki, softly: dude
There’s more after they make it to jujutsu high but this is already really long so we leave it here
#ask games#jjk#jujutsu kaisen#continuing my streak of becoming obsessed with minor background characters#other highlights include itadori trying to platonically wingman for tsumiki with her brother (because it’s been like a decade and she knows#nothing about him and he knows nothing about her and she’s terrified he won’t like her once they get to know each other again) so that way#itadori can be the one asking the get to know you questions and tsumiki doesn’t have to admit out loud that she and her brother know nothing#about each other only the inherent problem is that her brother is actually unfairly pretty and has a sort of dry wit and is reserved but#when you get to know him he’s such a genuine dude and oh fuck oh no he’s in trouble this is his best friends long lost brother he has to be#violating some kind of code here. Kugisaki stop laughing at him this is a crisis.#gojo basically backed out of teenage fatherhood when he saw Megumi walking around with the divine dogs because it’s one thing to butt heads#with a major clan over an outcast member it’s another to do it for their most sacred technique#he thought that Megumi would be better taken care of than anyone else in the clan as the person with the ten shadows and that he’d probably#be better off than with an emotionally broken seventeen year old who works at least 28 days a month and has no idea how to raise a child#he never realized that Megumi had a sister he wanted to stay with who the Zenin separated him from#he tells himself he would have intervened if he had known because he’s been secretly worried and guilty about not taking in Megumi after all#since Maki showed up and said some worrying things about the clan heir and his standard of living and got the confirmation when he met#tsumiki and realized that he could have kept them together all those years ago and didnt. megumi and tsumiki kind of haunt him with lost#potential because not only could they have grown up a family but they could have grown up his family. megumi doesn’t know why satoru gojo#of all people is being so weirdly helpful and intense about about sponsoring tsumiki and keeping her close to him
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talesofwhimsy · 9 months ago
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I'm 100 pages into Moby Dick and they just got on the goddamn boat
This book actually kinda fucks hard it's great?
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coffinflop · 2 years ago
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i love that tumblr immediately adopted jonathan harker as their good friend and pal bc in general jonathan has been kind of shafted by the popular culture surrounding and including dracula media……he is finally getting the respect he deserves
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musclesandhammering · 5 months ago
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I like Laufeyson better than Odinson because Loki deserves to claim/retain some tiny connection to his heritage even if it’s the last name of his shitty birth father.
And considering he rejected his adopted name because his adoptive father was genuinely trash toward him, it seems invalidating and dismissive of his pain (especially for a character who has a theme of being invalidated and dismissed) to be so adamant about him accepting the ‘Odin’s son’ label again.
I also like the narrative symbolism of him finally standing alone as a character and building an identity for himself outside of his connection to the Thor family.
In addition, even if complete reconciliation had happened between all of them, the events of Loki discovering his parentage/actualising his feelings of being different/dealing with the shift in dynamics in his life and family/etc were so impactful for everyone involved, it’s nice to have a silent reminder and acknowledgement that those things happened instead of having them just pretend nothing changed, and calling him Laufeyson does that perfectly.
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