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pau-neko-chan · 4 years ago

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Small details that make me ship karumana

Various fans have already contributed supplementary materials as fuel for the karumana ship but I’m here to talk about more minute details of their individual characters that make me believe in a supportive and refreshing relationship that can develop between these two. I plan to discuss details ranging from the start-up ship fuel from the main series to the supplementary material hints in order to provide a more psychological perspective in their compatibility.

Anime: S1 Ep 8 - Karma expresses interest in Okuda when the boys in class asked him who he likes.

The foundations of this ship

Many may claim that their interactions in the series aren’t enough to support a ship but if you look into supplementary material and analyze their individual characters beyond the obvious spotlight ship in the series, you can see how much Matsui Yusei teases fans with karumana ship fuel. According to Okuda’s character profile, she’s someone that the ever-alert Karma has allowed to get close. While in Karma’s character profile, Okuda is said to be the girl he can talk to about anything and his cautious heart and distant nature faded away around her. They’re cited to be the most easy-going boy-girl relationship in the class. In a translated character relationship chart from the official fanbook, Matsui confirms that these two like each other for how comfortable they are with each other, Karma finds her to be the easiest person of the opposite sex to talk to, Okuda feels relaxed around Karma in general, and Karma thinks Okuda is cute.

With these foundational details in mind and by reading beyond what the series gives us, here are a few points that make me believe in Karma and Okuda’s chemistry.

Okuda is not spineless

While she appears to be helpless and shy, she can stand her ground on what she believes in. Much like others in 3-E, she is her own character and doesn’t exist to be that token straight ship for Karma. During the class civil war, she chose the “save” team because she believes that if science can destroy, it can also save.

Anime: S2 Ep 17; Manga: Ch 144 - Okuda chooses the Blue team to save Koro-sensei

They could have easily put her in Karma’s team because of friendship and loyalty but the choice to “kill” would simply be against Okuda’s caring and harmless nature, one of the main traits why Karma is so comfortable around her. Later into the game, Isogai and Maehara talk about who they think would win and Okuda yells out that she wants Karma to win, despite being in the “save” team. This shows her own resolve and ability to separate her personal principles from her relationship with Karma.

Manga: Ch 147 - Okuda states why she wants Karma to win

It’s not that she wants Koro-sensei to die, it's that she understood what killing Koro-sensei means for Karma. She, of all people, knew the hard work Karma put on behind the scenes. When others simply dismiss Karma’s achievements as “genius,” she (and Koro-sensei) knew that Karma works hard, no matter how much he tries to hide that side of him to the world. This comes with his resolve that he is not the best and he has to put in effort if he wants to be the most capable in reaching his goal. Okuda sees all that. Given the choice, Okuda would rather save Koro-sensei, yet if things don’t go her way, she trusts that Karma earned the chance to fulfill his goal. This duality illustrates that whether the class decides to save or kill, she can accept it wholeheartedly. She wouldn’t have regrets because she gave it her best shot from a decision she made herself.

Anime: S2 Ep 1 - Karma hides evidence of him studying hard on the last day of summer break

In relationships, it’s important to have set boundaries for what you share with your partner and the things that make you, you. Okuda’s character exemplifies this well as she is not shown to be a side character that follows Karma around, she’s a friend whom Karma can share his vulnerabilities with while being able to keep her individuality intact. While she is known to be lacking in the ability to communicate, in the end, she’s able to say what’s on her mind when it matters—without any filters. She is brave and strong in her own way and has the capability to provide a new perspective—a trait that can stimulate Karma’s intellect. I believe this would blend well in their relationship because Karma seems to be the type who would get bored hanging out with someone who can’t keep up with him. This shows that their relationship can be an equal exchange of support and trust rather than one being subservient or wary of the other.

Additionally, her pure honesty and lack of fear for Karma is a perfect example of how she can stand up on her own. Everyone is afraid of Karma to some extent which makes them avoid him, possibly right according to how Karma likes to push people away with his behavior. Having someone whose basic nature is to not get swept away by the norm, to be able to choose for herself in how she views Karma, and to be overall honest with her intents really paves the way for a mutual trusting relationship.

Anime: S1 Ep 8 - The girls in class find Karma attractive but scary but Okuda disagrees.

What I find interesting in Okuda’s lack of fear for Karma is that she says this even after seeing him directly start a fight with delinquents the day before. This is episode 8, 3 episodes after her debut in episode 5. Assuming that Karma only started approaching her after learning about her poison-making skills, that’s quite a short period to get to know Karma—a known violent delinquent and the most skilled fighter in class—and to claim that he is “not that scary.” This implies that by this time, they have started to get to know each other better, Karma probably treats her well, and that they’ve interacted enough off-screen to arrive at the conclusion that he is not scary. Much like how Karma’s interest in her comes from her chemistry skills rather than her looks, this girl knows Karma is more than his external features and she can speak her mind even though it’s contrary to the public opinion.

Karma’s character development

Manga: Ch 19 - The boys ask Karma who he’s interested in among the girls in class

From the key scene that fueled this ship, many may claim that Karma is just using her for personal gain. I personally believe this argument is made by people who stopped understanding character growth at season 1 or simply cannot grasp at all that humans change over time. As with a lot of relationships, the interest in other people has to start somewhere. For Karma, the interest starts here with the maturity level of a 15 year-old prankster. Being one of the main characters, Karma goes through character development in the way he views the world, himself, and the people surrounding him. He changes a lot in a span of one year so it wouldn’t be impossible to believe that his interest in Okuda grows beyond having a convenient drug dealer.

One common trait that makes Karma comfortable around people like Nagisa and Okuda is that they are seemingly harmless to him. The statement and intent sounds problematic as a standalone but it’s important to point out how Karma uses this information in his relationships. A typical toxic psychopath would prey on their harmlessness to bully them into taking advantage of them. Karma’s comfort hanging around harmless friends stems more from their inability to hurt him rather than his capability to hurt them. Although Karma is labeled as a violent delinquent, he isn’t a low-level scum-type delinquent that starts a fight for the sake of fighting. As far as I can remember, all cases of Karma’s problematic delinquent behavior is fighting with strangers who provoked him first or he was actually trying to defend someone weaker. His friendship with Nagisa started with a common interest and he was comfortable until he felt threatened by Nagisa’s dormant skill for assassination. Not once did he try to take advantage of Nagisa’s pacifist nature for his personal gains. The same applies for his friendship with Okuda—she piqued his interests with her chemistry skills, he learns that she is harmless and comfortable to be with, and a genuine friendship evolves from there. His interest in her skills may be mischievous but he never showed any aggression or intent to take advantage of Okuda. Neither did he force or threaten her to do those for her. She even wrote that she was able to experience challenging experiments because of his requests in her yearbook message to Karma, something that sounds like she actually enjoyed the fruit of his mischievous intents.

Anime: S1 Ep 8 - Karma tells why he’s interested in Okuda

For those who believe that this scene is a weak foundation for liking someone, well, at that point, Karma hasn’t really developed a romantic type of interest in her. As mentioned, this is how his interest in her begins, not the sole reason for him to be attracted to her. Playing around, making mischief happen, sharing fun times is something that develops friendships. A good friendship is the solid foundation for a comfortable romantic relationship later on. Character development is a real thing and these two won’t have the brain of mischievous middle-schoolers for the rest of their lives.

Anime: S2 Ep 6 - The Witch and The Knight used chloroform to save the day

Karma can feel at ease with Okuda

During the Test of Courage, Karma and Okuda were paired up which gave them time alone to talk about something that’s been bothering Karma. As we all know, Karma never shows his vulnerabilities to anyone at this point in time, not even around classmates who are known to get along with him. Koro-sensei had to earn it by looking out for him and it took time for him to warm up yet even then, he wouldn’t be caught casually sharing something as personal as his fear. The exception is Okuda. The series never explicitly shows how Okuda earned that trust but this scene paints something unusual in Karma’s well-guarded nature. It’s not impossible that they’ve shared enough moments off-screen—moments valuable enough for Okuda to earn Karma’s trust halfway through the school year. To note, it appears that Okuda never even initiated asking Karma what’s bothering him and yet, Karma simply shared what’s on his mind to her.

Anime: S2 Ep 1 - Karma talks about his fear to Okuda during the Test of Courage

We don’t actually see this kind of vulnerability display around friends that Karma spent a lot of fun times with on-screen such as Nakamura and Terasaka. During the civil war, Nakamura notices something unusual in Karma, as if something is bothering him but Karma immediately brushes it off and shows his usual face excusing it as having just woken up. Karma and Nakamura have been shown to get along well as fellow pranksters, possibly with more lines in scenes together than Okuda and Karma ever had in the entire series, yet for some reason, this friendship hasn’t reached the point where Karma can at least give a hint of what’s bothering him when he’s alone with Nakamura even after she asks him about his thoughts.

Manga: Ch 144 - Nakamura notices something unusual about Karma at the start of the class civil war

As for Terasaka, he seems to have earned a teasingly trusting friendship with Karma. Terasaka gives his trust in being manipulated by Karma’s wits and Karma seems to show acknowledgement for how this pseudo-Takaoka has grown. Yet the most Karma would show around him is a vague suggestion that he would like to see him in the real world again someday as colleagues. Perhaps this is simply how men communicate with each other but I guess with everything they’ve experienced, Karma acknowledges some sort of friendship with Terasaka, but not enough for him to expound or eloquently communicate why he would like to see Terasaka as a politician when he himself becomes a bureaucrat. Karma’s unsolicited suggestion for Terasaka hints at his vision for his future and how he sees someone like Terasaka in it but his language doesn’t scratch the surface of intimate vulnerability as it did around Okuda in the test of courage.

Anime: S2 Ep 9 - Karma tells Terasaka to become a politician after career counseling with Koro-sensei

Throughout the series, we see Karma come out of his small world and slowly connecting and caring for his classmates. He gets along quite well with them and appreciates their company and how this class allows him to be himself. All this is temporary as they will go their separate ways once they graduate. In addition, Karma also appears to be the type to value the quality friendships he has built. This would imply that in order to maintain a bond with him after graduation, Karma would have to actively show an interest in connecting with them. In the case of Okuda, he seems to be interested in her enough to look forward to spending more time with her after graduation, as shown in his yearbook message to her stating that his year was made more fun with her around and that he’s looking forward for more.

It seems in each relationship he has, there exists an aspect that makes one distinct from the others. The existence of shared interests and getting along, a sense of comfort and security without fear of being betrayed, the willingness to extend effort in seeing them again, and the extent of being able to express in detail his vulnerabilities and deeper musings seem to be some distinct factors that make up Karma’s quality relationships. While each notable friendship satisfies at least one or two categories, none of them have all four except Okuda. The presence of all these qualities in his relationship with Okuda makes her stand out and have the potential to grow from good mischievous friends to lifetime supportive partners.

In the case of battle compatibility, Okuda may be far from giving Karma direct assistance in the battlefield. However, there’s an angle I wish to discuss that makes me think of how it translates to their compatibility. One scene that oddly stood out for me was during their encounter with delinquents in their Kyoto trip. The delinquents attacked, leaving the boys unconscious, subsequently kidnapping Kayano and Kanzaki. Okuda managed to slip away and hide leaving her to check on the boys when the environment became safe.

Anime: S1 Ep 7 - Okuda reappears apologizing for hiding when the delinquents attacked.

What made this scene interesting is that Okuda could have been kidnapped along with Kayano and Kanzaki and the result would have been the same. The boys could have read the trip manual and called Koro-sensei. Sure enough, Koro-sensei could single-handedly save them once they got to the hideout. It didn’t matter whether one, two, or three unarmed girls got kidnapped. So why paint this scene with her being able to slip away without the delinquents getting a chance to grab her?

My interpretation for this small detail is that Karma doesn’t always have to worry about Okuda. Karma gets into a lot of fights. Even in his future career as a bureaucrat, he will surely get into dangerous situations involving politicians. He has always been the type to be on guard 24/7. Even back when he was comfortable around Nagisa who he believed to be harmless and a good friend, he couldn’t let his guard down. Imagine the stress that burdens his shoulders having to keep his guard up for himself and having to extend that to another person. Wouldn’t that be too much for him to sustain in the long run?

Anime: S2 Ep 18 - The feeling Karma got when Nagisa sneakily poked his back while looking for him in WcDonalds

Anime: S2 Ep 18 - Karma and Nagisa hanging out in the middle of their second year

For someone without exemplary combat abilities like Okuda, slipping away to safety is a smart move. Even at that moment, Karma acknowledged that she did the right thing. Of course we know this is not the type of running away in order to abandon a comrade. I believe it’s safe to claim that nobody in 3-E would truly go that route. What Okuda did was wise and if the scenario were a little different, slipping away could have given her the chance to send support, prepare weapons, and an overall better fighting chance than just standing there frozen or getting herself kidnapped. She slipped away using quick thinking and if you think about it, it takes skill to sneak away unnoticed when both ends of a narrow ally are surrounded by big, menacing delinquents. Her ability to act wisely by herself can definitely be a load off Karma’s chest knowing that the people he cares for can take care of themselves should he be rendered unable to protect them.

Additionally, Okuda’s nature is the type that Karma can trust to be capable enough to protect herself without feeling that she’s a threat to him, something rare among his relationships with other friends. This detail is small and subtle but it hints her potential supportive and reassuring dynamic with Karma wherein Okuda can safely lend background assistance without worrying a combat-ready Karma. As Karma mentions back at her later in the series, running away is also a battle strategy. Whether he learned this technique from Okuda or not is a mystery but I like to think that towards the end of the series and almost a year of trust and friendship, some of Okuda’s traits and mindsets have rubbed off on Karma enough for him to adopt it in his strategies.

Anime: S2 Ep 23 - Karma grabs Okuda’s wrist to get away from danger

For someone as cocky as Karma, being able to pull off a humble-yet-wise move is something noteworthy. This humility could be the mixed influence of Koro-sensei’s care and Okuda’s nature. Not only does Okuda provide a load off his shoulders, she is also capable of bringing new perspectives in solving problems for Karma.

In a long-term relationship, Karma deserves to feel at ease. Whether as a friend or a life partner, he deserves someone he can trust not just in opening up, but also at times when he’s vulnerable. For me, this is something that his dynamic with Okuda can provide. She may not be the best to fight alongside others in the frontline but she can provide background support so Karma can be guaranteed that he is not alone in a fight and he will not be coming home to a lonely place after a fight.

From being an approachable friend that he gets along with to a partner he can trust and be vulnerable around, all these seem to point at a special connection Karma feels around Okuda—enough for her to be just the right support he needs while being able to treat her right. Okuda may not talk or stand out much but Karma seems to see traits in her that make him gravitate towards her with ease. She doesn’t stand out in the general crowd but she stands out for Karma, where her traits are appreciated.

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Notes: I have the tendency to lean towards the less popular ships in Anime (such as Yukihira Souma x Tadakoro Megumi in Shokugeki no Souma) over the obvious ships in the spotlight. I believe it has something to do with my inclination to more mature and supportive relationships that appeal to people in their 20s rather than hormone-induced pairings that sound like high school flings targeted for 14 year old girls. To note, I was at that age once but once you hit your 20s, you realize that some ships are more problematic than you remember. This is my second time watching AC (first time was in 2016) and I honestly don’t recall shipping them back then. I don’t even recall picking up on karumana hints before. But now after rewatching it in my 20s, I find it quite intriguing how I find this couple so cute, while knowing that I’ve grown out of my shoujo manga days. These days, I don’t have tolerance for shoujo-esque ships that are practically “it’s not sexual harassment if he’s hot.” Looking back, a lot of shoujo mangas/anime were like that in my teenage years. While Karma started out with high Marty Stu potential like shoujo main boys, AC developed its characters well such that their characters and future career paths were more realistic—something you come to appreciate as someone who has already gone through their own 7-year timeskip.

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where-theres-smoak-2 · 4 years ago

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Riverdale 5x11-5x14

So I might have fallen behind a bit with Riverdale and have only now just caught up with the new episodes post break. I decided writing reviews for each episode was going to take too much time and to be honest I don’t have too much to say so I’m just going to do a quick run down of what I thought of the episodes and then go back to single episode reviews from 5x15 onwards. Overall I’m not overly impressed with the episodes, I feel like the season started out really good but as its gone on its just kind of lost its way and I don’t know if that is covid related and all the breaks but I haven’t enjoyed the episodes as much post like episode 8, though I liked ep 10 better than episode 9. But anyway lets get into the reviews. As always these are just my own opinions and there will be spoilers.

5x11

So the episode starts off with Veronica and Archie deciding to put a pause on their relationship until her and Chad are officially divorced which I personally think they should have done from the start because the way they got back together was way to fast, I mean she told Chad she wanted a divorce, kissed Archie and was sleeping with him, then she goes back to new york and sleeps with chad all in the space of like 2 episodes. Though I think given their scene at the end when Veronica is pushing a little for him to change his mind I don’t think she is as much on board with their pause as Archie. I will be honest I’m not really enjoying the way they’ve written Veronica this season I actually think they’ve made her kind of unlikable at times and she sometimes comes across a bit selfish I also feel like they don’t really know what to do with her character anymore. But I am glad Veronica and Archie have decided to take the break however I also think it might be a bit ominous for Varchie that they’ve done this now which I’ll get into more in a separate post.

Ok this might be a little mean of me but I was kind of happy when Archie called out Veronica when she came to him for help about her blue opal. About how she went to new york despite him asking her not to and about how she then came back without a divorce and having slept with her husband and not even telling him why she can’t divorce him just yet. But Archie is still Archie so naturally he does help her anyway.

Speaking of Veronica’s blue opal I did find it kind of hilarious that she seemed to care more about that then she did her father’s life. But you know fair.

Archie isn’t the only one Veronica asks for help though she also gets assistance from Reggie and we learn more about how he ended up working for Hiram, turns out his father is still running for the worst dad of eternity award and got into debt that Reggie is now working off. I did like the Veggie scenes though and I am really glad that reggie is getting more screen time.

This episode was an episode for the return of the side characters, Dodger and Darla are back and causing problems as per usual. Also there was that guy, Doc, Jughead was saved by who we heard about once in a story Jughead told about how as a kid he watched a guy being beat by some rich guys. To be honest I wasn’t all that interested in Jughead’s storyline this episode. I mean is that something that actually happens? Rich guys just randomly beating up homeless people like they did with Juggie and Doc. I’m not saying it doesn’t I just thought it was a bit nonsensical for these guys just to come out of a club and start beating up a guy just because. Still bless Doc for coming to the rescue and taking care of Jughead, I did like Doc and I wouldn’t mind seeing him again. But another thing that didn’t make sense to me is that Jughead didn’t recognise Doc. Like he was old enough to remember this traumatic experience of watching a guy get beat and feeling guilty about not helping but doesn’t recognise the guy until he gives Juggie his name. Yet Doc was able to recognise Jughead even though the last time he saw him was a child? Overall I am not sure what the point of Jughead’s storyline was this episode other than to maybe show how messed up he is at the moment with the blackouts and hallucinations, I suppose it was also so he could reach the realisation that he needed to go back to new york and work out what happened to him when he lost those days. He does leave a really sweet voicemail for tabitha before he goes though and promises to finish their dance.

The best part of this episode though was the storyline with Tabitha and Betty, also Jessica, and their search for Jughead. I really liked the interaction between Betty and Tabitha and I like that they are becoming friends. Tabitha was obviously really worried about Jughead. But Betty, wow, she couldn’t be less bothered about Jughead could she. I mean after hearing the voicemail he left for her I can understand why Betty is reluctant to get involved with anything to do with Jughead because that voicemail was yikes. I mean Betty did cheat and that clearly hurt Jughead so I am not saying that Betty is entirely blameless but I would expect the voicemail was still a shock as it had been five years since she had cheated and we know from the most recent episode (ep 14) that she and Juggie were amicable with each other and would talk on the phone so this probably came out of nowhere for her. However Betty is Betty and so she still helps. Which ultimately leads to Jessica showing up and I know we are suppose to hate Jessica but, like, I love Jessica. I was thoroughly entertained by her antics and thought she was actually kind of funny. She’s another character where I wouldn’t mind if she just randomly pops up and causes some trouble now and again. In the end as suspected Jessica is actually there for ulterior motives and wants Jughead’s manuscript. I actually really felt for her when she explained that she wanted it because she was afraid Jughead had written something that would look bad to her family and friends. It’s the same as how the serpents were upset about how he wrote them in the outcasts and how he threatens Betty saying once people read his books they’ll all know what kind of person she really is. I’ve spoken about it before but Jughead often uses his friends and others peoples stories in his writing and I am glad that the writers of the show are now showing the effect that has on the people who are the subjects of his writing. That being said I am worried that might not be the true reason Jessica took the manuscript and its possible she might actually try to publish it herself. Also it was kind of funny seeing Betty and Tabitha on the shrooms but, not ok Jessica, don’t drug people.

Archie was rounding up all the convicts this episode and to be honest I don’t really have much to say about this other than I thought it was really smart to use this as a way of getting money out of Hiram so they can repair the school that Hiram had trashed.

Meanwhile Penelope has started a ministry which means she gets early release from prison. Also I absolutely loved the expressions of cheryl and nana rose when Penelope told them about the ministry. I am glad that Cheryl at first was very wary of her mothers plans as oppose to just immediately going along with it, but alas she does get roped in to it when she opens a chest and finds Jason’s burned skeleton inside. I mean can we please please just let that poor guy rest in piece. Please. At this point poor Jason has been stuffed in a freezer, dumped in a river, buried and exhumed twice, set on fire in a viking burial and now he is stuffed in a trunk. Also I am a bit confused. Was Cheryl snooping in her mother’s room and discovered Jason’s remains there or was it her room and she was the one that had recovered him? But anywhere Cheryl seems to have a revelation when she sees the bird and ends up embracing the ministry life.

5x12

So episode twelve is kind of like the breakfast club episode where it is out of the timeline and kind of like a standalone episode but still has information about the plot of the season. This episode is the backstory of Hiram but we also get some great Reggie development in this episode. I didn’t hate the episode as much as I thought I was going to when I found out there was going to be a hiram backstory episode, but I also don’t think it was very accurate in terms of what we already knew from previous episodes. I think there were a lot of continuity errors. But those aside it was a ok episode. We learn that Hiram and his dad were shoe polishers and that Hiram clearly hated the way they were treated because they were poor and wanted more from life. We also learn that it was his father who first began searching for palladium after learning about it from a business man in new york and that’s why they decided to move to Riverdale. Hiram’s motives are to finish what his father started. Hiram catches the attention of a drug dealer guy and starts running drugs and gets money and new shoes and a car. His parents are obvious suspicious and aren’t happy about him getting caught up with those guys so his dad goes to tell the mob leader that he will fire his son or he’ll go to the cops which leads to him being killed by the mob leader. Hiram then kills the mob leader’s men and pretty much drives him out of town and then he takes over. Hiram clearly loved his dad but they had issues. Hiram would get very angry about the way others would treat them but his dad would often shrug it off. But I do think losing his dad had a big impact on Hiram and it was interesting to learn more about his past.

The other kind of plot in this episode was with Reggie and his dad which was obviously suppose to mirror Hiram and his dad. Only in this scenario Hiram is the criminal and Reggie is young Hiram. Reggie manages to pay off his dad debt but wants to still work for Hiram meanwhile his dad wants Reggie to quit working for Hiram. He even like Hiram’s father did in the past visits Hiram and asks him to let Reggie go. What’s interesting is that Hiram does, I am assuming its because in that moment Reggie’s father reminded him of his own father and he kind of forces Reggie into making the decision he himself wished he had made. But first he gets Reggie’s and Hermosa’s help in finding and killing the mob boss finally avenging his father’s death. Hiram also tells Reggie to go back to his father and forgive him and here is my problem with this. I get that its because Hiram regrets all the disagreements and the falling out he had with his own father and there’s Reggie and he reminds Hiram of his younger self and Reggie’s situation reminds him of his past but Hiram’s dad was a decent person and was a good father who always wanted the best for his son. Reggie’s dad on the other hand used to regularly abuse and beat his son. Yes he does show concern for Reggie in this episode but that doesn’t erase the years of abuse he inflicted on his son. It’s not the same and I honestly don’t think his father deserves Reggie’s forgiveness. That being said I suppose if Reggie is forgiving his dad not for his dad’s sake but for himself because he thinks that will help him heal and move on that I can be ok with that.

Come the end of the episode I don’t think I hate Hiram any less but still his backstory was interesting and I am glad that Reggie isn’t working with him anymore.

5x13

Out of all of these four episodes this one was the one I liked the most. So in this section I am going to divide it by plotline/characters.

Archie

So the episode starts out really intensely with Archie having a nightmare about his time at war and Eric losing his leg which honestly looks horrendous and I am not at all surprised that both Archie and Eric are now suffering from PTSD. It gets a bit dangerous too when Eric pulls a gun on Archie whilst having a flashback. Uncle Frank tries to help them by getting them a dog. As someone who actually has a therapy dog myself I know this is something that does actually help. But we do learn that sadly Vegas passed away whilst Archie was deployed. Also the dog Frank got is one that was used in dog fighting and ends up biting Eric. Archie’s reaction to finding out that there is dog fighting ring in Riverdale is to track them down and beat them up. I do think Archie was really struggling this episode, he was trying to get help for Eric but it is obvious that he himself also needs help. I actually really related to Archie and Eric struggling to get help for their mental health because it is something I have gone through myself and it can be really frustrating and can make you feel kind of helpless and I actually think they did a good job of showing that, which considering its Riverdale I was pleasantly surprised by. We also learn some more about Archie’s time in the war when he tells Frank the story about Bingo. At first he tells us that Bingo was a stray dog that their unit adopted who got caught in no man’s land. It is actually a rather harrowing scene where you see Archie and Eric in the trenches and Eric is badly hurt and you can hear this dog yelping in the background. It’s even more harrowing when you learn that actually Bingo wasn’t a dog but one of the soldiers in their unit. I feel like Archie changed it to being a dog to deal with the trauma of it all but when Eric tells Frank the truth and he then asks Archie about it Archie really has to confront what actually happened and that loss and grief of losing his friend in such a brutal way. Its obvious that Archie also feels responsible because he was put in that awful position of having to choose between saving Eric or saving Bingo he feels like because of the choice he made Bingo died. Despite what Frank said about not being able to save everyone I think he thought he could save them both and its really eating him up that he ‘let’ Bingo die. I also think that’s why he is so focussed on saving the town because he thinks it’s a way of making amends for not being able to save his men. I do think it was really sweet that Frank and Eric organised the dog rehoming thing to help Archie get some of his hopeful spirit back and show him that there are still some good people out there. They also decide to name their new dog Bingo in honour of their friend which is also kind of sweet. But I do still think Archie has a long way to go in his recovery as by the end of the episode we see him have a nightmare and then a hallucination of bingo but he does at least admit to the therapist that calls him that whilst he was calling on behalf of his friend he too needs help. I mean I am glad that he is going to try to get some help but I am still worried for Archie given what happens in ep 14 which I’ll talk about more in the section for that episode. Also we got that little Barchie crumb of the light shining through his window, a lit window in the dark.

Betty and Tabitha

So Betty and Tabitha have been working together to try and find the truck killer and whilst trying to get information out of a trucker Glen pops up and we find out that he has been arresting the girls working the lonely highway. I mean there is a killer out there and these girls are their victims, they are struggling to make ends meet and have been forced into this kind of work and Glen instead of focussing on catching the killer is arresting them, yup I agree with Betty, girl should’ve stabbed him harder. We also learn that Betty apparently quit the FBI and did I miss that because I don’t remember her quitting? I remember Glen took over the case and moved it out of Riverdale but I don’t remember her quitting altogether. But anyway Glen then takes her badge and gun which I guess is fair if she has quit and isn’t an agent anymore but at least Betty is actually trying to catch the killer unlike Glen who is clearly not. Watch it turn out to be him that is the truck killer, go on Riverdale I dare you. Despite being warned off by Glen Betty and Tabitha are still determined to put a stop to the murders and so decide to hold a coyote ugly night. I actually thought this was a really clever way of getting information and creating a database. In order to get entry to the venue all truckers have to show their ID and give their licence registration. am a big supporter of characters acting smart so I did like that plan. Also I love the coyote ugly movie (don’t judge me) so extra win there. I also like that the plan did incorporate alot of the characters. One thing I have been enjoying this season is that they are mixing up who is interacting with who. You had Alice working the bar, the girls dancing to keep the truckers entertained whilst Reggie and Kev searched the vans. Though I do have a question when they find the blood in the back of the truck and Betty says her and Reggie and Kevin are with the FBI where did they get those FBI jackets from? Are they just easy to come by like part of a Halloween costume or something? There is another thing that I thought was funny and that was that Betty makes it clear that no one is to go off alone with a trucker and yet at the end of the episode she does exactly that and it just so happens to be the killer who comes at her with a chainsaw of all things which was a little ott in my opinion but this is Riverdale so I suppose what was I suspecting. But at least Betty manages to capture him and she does the sensible thing and turns him over to the proper authorities, or no wait what was I thinking of course she doesn’t this is Riverdale so she’s just going to question him herself. Come one you all know it wouldn’t be as entertaining if she just handed him over to the FBI.

Veronica and Reggie

I really liked the storyline of Veggie working together in season 3 so I was really happy to see them working together again and I really enjoyed their scenes. I just think they work really well as a team. They also come up with a really great idea for getting investors whilst also getting one up on old Hiram. Obviously Reggie knows alot about what is going on with Soldale and knows that houses will never be built there. So they phone Hiram’s investors and tell them this little rumour that Soldale is a bad investment and convinces them to invest with them instead. This was actually another smart move by the characters so again I support it. And anything that ruins Hiram’s day is a win to me.

Cheryl and Kevin

Kevin after a little encouragement from Cheryl after she finds him cruising again decides to talk it out with Fangs but unfortunately for him and the viewers we fins out that Kangs ahs moved on...with Moose? I mean I feel for Kev its also upsetting to find out your ex has moved on I imagine it is even worse when your ex has moved on with your other ex. Kevin then also has a bit of a inner crisis when he receives a teacher of the year award and realises that this is not at all where he was expecting his life to be. He had dreamed of being in new york, writing and directing instead he is still in Riverdale and he’s still cruising and unlucky in love. Cheryl’s solution to all of Kevin’s problems is to invite him to join her cult, sorry ministry. At first Kevin is reluctant and not really interested but is finally brought around with the temptation of a musical number. So yup Kevin has joined Cheryl as a believer. Now I am going to surprise myself here and say I am actually interested to see where they take this and where this story with Cheryl and Kevin goes because from the promo pics and what not it looks like they are going to be taking over as leaders of the ministry. I don’t think this is at all a healthy copying mechanism for either of them though and I hope they do get actual real help soonish.

5x14

This was a weird episode and was kind of told in the style of the night gallery show episodes where Cheryl invites Minerva over and shows her three paintings and then tells her the story behind each. So again I am going to split this part in the three storylines we get told.

Archie

The first one is a painting of Archie as a miner, the portrait itself hilariously did remind me of the cover of a bad romance novel but the story itself wasn’t too bad actually I think out of the three I found his the most interesting. It does give us some more information about the shows plot for this season, pardon about one of this seasons plots. Cheryl has finally discovered that their is palladium under her maple groves and has the genius idea of digging it up before Hiram does. Like seriously why didn’t anyone think of this earlier? I mean it also ties into that long forgotten plot from the beginning of the series that Cheryl is indebt after spending seven years renovating her home. I am assuming she wants the palladium to cover those debts. So naturally she hires Archie and his construction crew to mine it for her because everyone knows that construction and mining are basically the same thing right? Though I did think it was really funny when Cheryl pointed out that Archie so far has been teacher, coach, fireman and bounty hunter. At least the show is aware of its own ridiculousness. So Archie and the boys decide to mine for the Palladium but whilst down there Archie has more hallucinations about Bingo. We also see Archie in therapy and we find out that Eric is also getting help and this actually does seem to be helping Eric which is good. Whilst initially it looks like things are improving for Archie he then gets a really bad reaction when down in the mines and becomes very paranoid which results in him storming into the therapists office and behaving very erratically accusing her of drugging him and working against her which clearly frightens her. When everyone else in the mines also then starts hallucinating Frank realises that there is carbon monoxide down there and that is what is causing the visions and for everyone to start acting aggressively. Surprisingly this is actually an accurate representation of what can happen with high exposure to carbon monoxide and we do love us some accuracy. However it does lead to one of the most frustrating scenes in the episode when Archie goes back to the therapist and begs her not to cut him lose explaining about the carbon monoxide and about how he is now seeing not just Bingo but all the men he lost. The therapist tells Archie that she is afraid to be around him and that if he is having hallucinations to that level that she doesn’t think he is safe to be around anyone. Like what kind of therapist is this. This is not what a therapist would do. If she was afraid to be alone with him then refer him to another therapist and if you are worried he’s a danger to others than admit him to a psychiatric hospital where he can safely get help. This therapist just kind of washed her hands of it and said not my problem. But this has left me feeling really worried about Archie and I do feel like he might end up going really dark and spiralling.

I do think that the gas could actually be leaking into the town from the mines though. I was thinking about it when watching the episodes but alot of the characters are having hallucinations and visions of some kind and at first it seems like it is related to that characters trauma but now I am starting to wonder if it is actually because of the gas. It could also explain the Mothmen hallucinations too. Speaking of the Mothmen they got a mention in this episode that made me happy. When taking a lunch break Fangs tells the story about how some of the truckers used to be miners and they tell stories about humanoid cannibalistic creatures that lived underground. Why does this make me happy you may ask well because I have been predicted since the beginning of the season that at some point all the the storylines will converge and I am hoping that come the end of the season we will get a big team up with all the characters. Previously we have had Betty’s storyline with the highway killer being linked to Jughead’s storyline of the mothmen and now we’ve just had the link between Archie’s storyline and Betty and Jughead’s. Which means I am one step closer to my big team up.

Jughead

So Jughead’s storyline was my least favourite out the three. We have finally learned the truth, the big mystery of what happened to Jughead that caused him to lose three days of his life. He was in a hole. Yup that’s it he just fell in a hole, got rabies and then hallucinated a rat king. Underwhelming is the best way I can describe what I thought of that. There were so many great theories out there on what could have happened that caused Jughead to have this trauma so bad that he literally mentally blocked it out and what we got instead was just that he got upset that Betty, who he broke up with five years ago, didn’t come to his book launch so he got drunk and fell into the sewers. I kind of feel like with them bringing back the voicemail, with him saying betty was the one that lead him out of the dark, that they are kind of making it all Betty’s fault, like she is the reason for his trauma and all his problems and if she just pays him some attention it’ll all be magically fixed and almost like its her responsibility to save him and I am not sure I like that. Don’t get me wrong I am not saying that your girlfriend cheating on you with your best friend wouldn’t do a number on you, but it is all about Betty when Archie betrayed him too. Like where is Jughead being cut up about the fact that Archie who was like a brother to him kissed his girlfriend? I don’t know maybe its just me but I am finding it a little one sided. I also think it shows how unhealthy his relationship with betty has become. I think if it gets to the point where you can’t function without a person then that’s not good and that’s not healthy and again maybe it is just me but I don’t see that as romantic which I am not sure if they are trying to play it off that way or not. I did feel really bad for Juggie though when he talks about how even though he disappeared into the dark for three days no one missed him and that he felt really alone. I do think maybe that’s more where his trauma comes from and I kind of wish the writers had developed that more rather than having it again be solely about Betty. Like if we had seen him reaching out to several people and inviting them to his book launch, like a text to his dad, a phone call to his sister or mum, reaching out to Archie or Veronica and then all of them making excuses about how they are busy and can’t come. Then have him invite betty and her say yes at first and you see him relieved because he has someone coming. Then have her cancel and him spiral. I just think it would have had a bigger impact. Instead, and maybe this is a bit harsh, but it came off as him just being some drunk who can’t get over his ex ad kind of like with Veronica I kind of feel like the writers are making the characters unlikeable. And to make it clear my problem here is with the writing not the actual characters themselves but to me they’ve at times made veronica seem unlikeable like when she sleeps with Chad, Jughead with the voicemail to Betty, Betty with her not seeming to care at all about Jughead, Archie with him sleeping with Betty and then after stopping that getting right with Veronica the next day. I don’t know if its just that they are trying to keep the core four separate for some reason? But it just seems a bit off, I know I said I wanted more varying interactions between the characters but I didn’t mean at the expense of the core four relationships. But maybe they are trying to show how it can take time to reconnect with old friends when you’ve been away from each other for a long time?

Anyway back to Jughead the other thing that was a little bit annoying for me was that the timeline was a little confusing. When Jughead is telling the story it seems like it all happened in like a year but its not its spread out over the seven years he was gone. We know that the voicemail was 2 years ago so putting it at five years into the time jump and that was the night he fell into the sinkhole. But in the story it seems like its only a few days later that Archie called when actually it would have been two years after Juggie fell in a deep dark hole. But then I suppose a confusing timeline is peak Riverdale so. But yeah I did find it made his story a bit confusing which was frustrating.

However Jughead does seem a bit more optimistic come the end of his story and I think hopefully things are going to start getting better for him I hope he does get some support from his friends though like Tabitha and Archie, I also hope he clears the air with Betty. Just so he isn’t feeling so isolated and alone.

Betty

So the last story is Betty trying to find out where Polly is from the trucker serial killer that she has chained up in her shop class at high school. Again not much to say about this. I thought it was smart to use Alice as a way to emotionally manipulate the killer and to make Polly seem human to him so he’ll tell them where she is. This does backfire however and we end up with that ridiculous scene where Alice tells Betty then as her mother she is giving her permission to kill him. Alice honey I’m not sure but my mum said it was ok is going to hold up too well in a court of law. Betty decided instead to see if she can scare him into telling her the truth. So she threatens him with some pretty dark stuff, saying she will cut off his feet, then his legs and the knees then the groin. Then his wrists and that he might have a heart attack at that point, but that she reckons he is stronger than that and that she has some tricks up her sleeve. Which is really dark betty really dark. Then when she is collecting a chainsaw she ahs a flashback and we find out that this is what TBK said to her which somehow makes it even scarier and worse, I really need Betty to talk to someone about this asap because just like I am with Archie, I am worried about where she is heading. We never find out whether she was actually going to go through with cutting up the trucker because when she gets back he has bitten off his own tongue and swallowed it so he would choke. Betty does figure out though that they are dealing with a family of killers who are hunting their victims.

Phew ok so that is all of the episodes that I missed. I know I complained alot in this review so apologies for that. To end on a positive note I am very excited for the next episode as we are going to be getting the pussycats back so I am hoping for a good episode.

#riverdale #riverdale spoilers #Riverdale Review #anti varchie #anti bughead #just in case

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mitigatedchaos · 4 years ago

Text

Review: SAC_2045

(~3,700 words, 15 minutes)

This post will contain some minor spoilers for SAC_2045.

Summary: You may have thought SAC_2045 was a poor entry in the Ghost in the Shell franchise - actually, it's just intended for younger audiences.

Previously: Standalone Complex 202045:1-4 (superseded)

-☆☆☆-

And what did you think of the remaining episodes of GitS:SAC_2045?

[ @irradiate-space ]

Standalone Complex

There's a certain indescribable feeling associated with Ghost in the Shell: Standalone Complex as a work, an artistic touch related to the director associated with it, independent of other considerations. SAC_2045 has it, which isn't too surprising since Kenji Kamiyama is back.

SAC_2045 is Standalone Complex. For a brief moment, while watching it, I inhabited my pre-2016 personality and outlook. I can't tell you how much that means to me. Since the arrival of streaming I've tended to bingewatch series, but on the first run-through I decided not to bingewatch this one.

If you approach this show as season 4 of Standalone Complex (Solid State Society being season 3), it's underwhelming. Now, viewing it again, it's become obvious that a conventional season 4 of Standalone Complex was never the intent of SAC_2045 to begin with.

For those of you who have delayed until now, the English dub has been uploaded - it released without one due to the pandemic. They bring back a number of the voice actors from the excellent Standalone Complex dub, though having already watched it with subtitles, I didn't feel the need to confirm the dub's quality.

Sustainable War

To properly describe a new theory of war is the same thing as to invent it. While the idea of war as a for-profit industry has been kicked around for some time, it's generally assumed that this is a kind of parasitic relationship on the part of the war-making industry.

As time goes on, warfare becomes more abstract (partly because warfare happens where it can happen), much like society itself is becoming more abstract as information moves more quickly and humanity gains access to more energy.[1] In SAC_2045, "Sustainable War" is part of the context of the world and its current issues, but we aren't really told how it works - if it's similar to contemporary information warfare and a blurring of the lines between state and non-state actors, it's bound to be quite confusing.

I believe my earlier assessment of "Sustainable War" is correct. The key feature of sustainable war, the reason they say it's safe if you leave it to the experts, is likely that it involves AIs constantly forecasting against each other and moving units around with few direct confrontations. The goal would be to lock in a victory without having to fire a shot, except for small skirmishes that don't escalate to major incidents (due to the AI forecasting).

The presence of armed separatist movements even in Japan may also indicate that the ruling institutional bodies are engaged in a kind of Post-International Politics,[2] which treats all international relations as fundamentally existing between subnational entities - however, I believe that later information suggests this wasn't their original intent.

What makes it "sustainable"? Since if done correctly, very little is actually physically destroyed, the cost is less than conventional warfare, and thus the war can continue indefinitely. Why does it threaten humanity with destruction? Because there's an awful lot of military hardware waiting for someone to actually pull the trigger.

Season 1: Ep. 2

So what is the intent of the series' creators? I think they may be telling us through this dialogue between Togusa and Section Chief Daisuke Aramaki in episode 2.

Aramaki: Seems time has toughened you up. Togusa: Is that supposed to be a compliment? Aramaki: It is if you want it to be. Togusa: Then thanks for the kind words. “I made the right decision by choosing this line of work over my marriage.” That’s what you’re saying? Aramaki: Perhaps. [...] Togusa: They're bringing back Section 9? [...] Aramaki: But my takeaway from the proposal is this: The PM's reason for the urgent reforming of Section 9 takes priority over his personal motives. I believe his true objective is meeting the Americans' demands for the dispatch of special resources. Togusa: So it's as the Liberals feared? An American-born Prime Minister would be no more than an American puppet? Aramaki: I've yet to meet him in person, so I can't really say. But this is an opportunity to have the Major and the rest of you undertake a major operation for me once more. Togusa: What sort of op? Aramaki: Over the past few years, I have searched for an answer on how to deal with a society in turmoil. I'd like you people to lay the groundwork that will help the next generation find that answer. Togusa: I don't know what a man in my position can contribute, but I'll humbly offer whatever assistance I can.

Those of us who cried, Kamiyama, tell us the future once more! based on Standalone Complex's prophetic analysis of a memetic crime wave were bound to be disappointed. SAC_2045 is less rooted in the near future than in the now - cyberbullying, endless war amidst historic prosperity, employment suppressed by automation, savings eaten up by the complex machinations of finance, and a breakdown of national borders? That's today.

Those of us who hoped for a Ghost in the Shell: Unicorn, a psychically overpowering work that synthesizes the full body of Ghost in the Shell into a single coherent form to elevate us to a higher level of understanding, should have tempered our expectations. To reach each new philosophical level is more difficult than the last - to achieve that with Ghost in the Shell of all things would have required a multidisciplinary genius near the limits of current understanding.

Kenji Kamiyama is just an anime director. And anyhow, Gundam Unicorn was a book before it was an animated series. And who among us even knew we'd have to write a book before 2015? Ghost in the Shell was well-understood enough, so I instead wrote 25,000 words worth of hypothetical country and became a blogger, like the infamous Scott Alexander.[3]

If we approach SAC_2045 from the lens that it's a humbler work designed for younger audiences, however, some of the creative decisions make more sense.

Purin

Just how old is Purin, the MIT grad who joins the team later on? If I had to guess, that's '23歳' on that profile she provides, and Ishikawa notes that she 'skipped a few grades' on her way to a PhD. But she acts like someone a lot younger. She's enthusiastic and we're assured she's intelligent, but seems to be lacking social training. For example, she makes the mistake of assembling an era-accurate music player for Batou combined with a playlist after consulting the Tachikomas to find out what he listens to. There are two ways to take this.

The first is that she's intended as a relateable character for someone who would make this class of mistake. It's the sort of mistake I might have made at age 13-14, meaning that the show would probably be aimed at someone that age or lower. Overly enthusiastic, doesn't understand romantic relationships, impulsive, poor reading of boundaries / poor modelling of others outside of certain domains, impulsive in a way that causes social screw-ups? Yeah that could certainly apply to an ADHD kid of about that age.

And all of a sudden the tone of the first five episodes with the gun-fighting, the literal Agent Smith, the decision to place the focus in America, and even the mystery of the series being much simpler than Standalone Complex 2nd Gig's plot regarding Asian refugees in Japan make a lot more sense. This is Ghost in the Shell for kids!

Wow, I didn't think that could be done!

...is what I should say, except that around the time I acquired the ability to futurist shitpost, and I used that ability to predict that it would.

Purin II

The second reading is that the youth of the future are fucked up. She probably has some tricked out modifications, both cybernetic and genetic. Now usually you would tell someone to try to become a well-rounded human being. But...

The global economy has crashed. Batou mistakes her for a robot - creatures that look like pretty young women are a dime a dozen. In the dating market, she would be competing with full sensory immersion VR pornography on the one hand, and at the upper end of society where cybernetics are more widely available, likely women with a similar appearance but decades more experience and professional standing.

Note that in the original Standalone Complex, the team take down an 80-year-old Russian spy with the full prosthetic body of a 20-year-old. Full cyborgs aren't common then, nor are they in SAC_2045 (though cyberbrains are ubiquitous), but if the economy recovers that may change, and the sector she's trying to get in to (full-time salaried government rather than marginal private employment it would seem) is going to be very tough to enter either way.

So Purin may have to be over-optimized even to just appear on the screen. In fact, she says,

"Just so I could work at Section 9, I moved most of my sentimental memories to external storage."

Youch! It's no wonder she's socially maladjusted. Just how much of her social learning (in particular key events necessary to rebuild logical inferences on the boundaries of behavior on the fly) has she locked away?

Purin III

But you know who Purin looks like? Notorious internet personality, Gamer Girl Bath Water seller, and IRL video game character Belle Delphine.[4]

Or rather, it's the other way around - 2D animation compresses real detail into suggestive abstraction, letting your mind fill in the rest. Going from those impossible 2D shapes to 3 dimensions creates strange results, like training your machine learning algorithm on the salient features of a cat's face, applying it to human shape, and putting pink hair on the result. Belle Delphine adopts that otherworldly kind of appearance as part of her act.

Technically, this a stylistic choice. Within the framework of SAC_2045, this is what "a 23-year-old female" looks like.

Purin is in fact so non-threatening that her big red coat obscures her figure. I'm gonna go with younger audience. Now if only I could remember what pronoun she uses.[5/☆]

Motoko

With a full prosthetic body, outward signs of human-like aging are almost an artistic expression, much like in a world with cheap tissue engineering, visible scars are a choice.

When she was first introduced in the original Ghost in the Shell manga, we don't know how old Motoko Kusanagi is. It was once said that her name is analogous to "Jane Excalibur," which in English would be an obvious alias. In the first movie (from 1995), she's cool, almost cold and robotic.

In the original Standalone Complex, Motoko has a more mature personality than in the manga, but she has a clearly adult look by the standards of anime. Seriously, check out this fantastic character design (combat suit), although admittedly the better-known "leather jacket and bathing suit" design is more ridiculous, fashion-wise.[6] (Fortunately, she gets pants in her much more stylish second season outfit.)

ARISE starts off with a young Motoko Kusanagi in a chaotic post-war period before the Section 9 we know was assembled. This shows in her character design, but it really shows in her personality. This was actually why I had joked about an even earlier Ghost in the Shell.

There is a sense in which the 2017 live-action movie's Motoko is even younger. Scarlett Johansson is a killer cyborg with amnesia. She doesn't even have one day of formal combat training.

Motoko 2045

Ilya Kuvshinov designed SAC_2045's Motoko Kusanagi.

Yes, that Ilya Kuvshinov. You could be forgiven for thinking this is a teenager that hardboiled assassins Saitou and Ishikawa in the background have been hired to bodyguard.

Despite this, Atsuko Tanaka has resumed her role as Motoko's voice actress. Standalone Complex's Motoko looked 25 and felt mid-30s. SAC_2045's Motoko looks 16 and has the voice and attitude of 40.

This may make more sense than you might think.

Through Whose Eyes?

Throughout much of Ghost in the Shell as a franchise, Togusa, the only non-cyborg on the team, who is pulled from a police department instead of a military background, tends to be character used to help the people of our time relate to the future. He's the guy that doesn't know the things we also don't know, so in explaining concepts to Togusa they're explained to the audience.

In SAC_2045, most of the team are off doing cool cyborg things in America. Aramaki (whose in-world function is to create the bureaucratic environment within which Section 9 operates) tasks Togusa with finding them. The original Standalone Complex first aired in 2003. It's been 17 years since it was created - a similar situation to finding someone that reached adulthood who was born after 9/11. And during this time, Togusa's life has changed - the family man is now separated from his wife. And the world has changed - Togusa is now working for a private security firm. Togusa's role in the first five episodes isn't to guide the new viewers.

His purpose is to guide or stand-in for the old viewers.

The New Viewers

"Do you still hold a grudge against the Major and the others for leaving you behind?"

For the original viewers, SAC_2045 is your world, too. Togusa is there. Togusa is you.

The new viewers are Purin. Enthusiastic and smart but awkward and not confident in their skills. How could they measure up to these much more talented and experienced characters? (Also consider who is going to watch any sort of Ghost in the Shell - it's probably going to be a moderately bright and introverted kid, who is the kind of person that may be more comfortable socializing with people outside of their age band.)

But Motoko is visually separated from the rest of Section 9. Batou, Saitou, Ishikawa, Boma... they all have a much more adult look in keeping with their appearance in previous versions of Ghost in the Shell. What gives?

Batou is sort of a cool adult male figure - this is actually a pretty natural use of the character and his sense of humor as previously established in other Ghost in the Shell properties. We especially see this come through in 「PIE IN THE SKY - First Bank Robbery」 episode, with the old folks and the 21st century bank robbery.

Motoko's difference in appearance is because she's acting as a bridge between the two. The new viewer (as represented by Purin) is supposed to grow into being like Motoko as they gain confidence and experience. (The characters aren't each limited to a single role, of course.)

But SAC_2045 is still a work that's shared between two groups, similar to how the excellent Into the Spiderverse features both the teenage Miles Morales and an older Peter Parker that has lost his way, with the loss of the vibrant young adult Peter Parker being what starts the plot going.

The Last Quarter

With this framework, the rest of the work should express its nature as targeted at a younger audience itself. Watch the last few episodes through this lens and you'll see how much sense it makes. One takes place at a school. Even the bizarre 3D style that resembles recent video games makes more sense. If we take Togusa's earlier conversation with Aramaki as a discussion of SAC_2045 itself, later on there's even a sort of acknowledgement that Ghost in the Shell is a difficult work for someone of a young age.

So with that context in mind, does it work?

Standalone Complex

If I remember correctly, years ago, when I was perhaps 15 or 16, I was watching a tiny CRT television some time after midnight, and I saw the thirteenth episode of the original Standalone Complex - NOT EQUAL. It was like nothing I had ever seen before. I was immediately taken by it. And, from what I remember, I immediately understood it.

It was as though it were made just for me.[7]

To me, Ghost in the Shell is like a textbook. I thought that as a creator who has reached a place where I am able to be involved in that kind of work, I'm in a position where I have to convey its contents to a younger audience. Well, I knew it would be a lot of work, but I figured it would be my way of giving back to Ghost in the Shell. I thought that I needed to accept the baton and offer Ghost in the Shell to a young audience, to the same degree that Ghost in the Shell raised me to be who I am.

- Tow Ubukata, in a 2015 interview, regarding ARISE

For many people, Ghost in the Shell is a profound influence. I felt that it lifted me to a new level of understanding.

SAC_2045

But what about SAC_2045?

I can't view Ghost in the Shell with new eyes. When I first saw it, I wasn't the kind of person that casually memes futuristic ethical dilemmas as a means of practicing politics.

Compared to the anime I watched back when I was 13, would I have watched SAC_2045? Yes. Is it more philosophically and politically sophisticated? Yes. Would I have found it memorable? I think so.

Would a 13-year these days watch it? That's difficult to assess. I bet someone who does data science for Netflix could tell us, if they wanted. I'm sure Kenji Kamiyama and Shinji Aramaki are considering the same thing.

2017

How does it stack up compared to the rest of the franchise?

For most enthusiasts it's going to be one of the weaker entries, though it certainly does a better job explaining itself than ARISE.

Compare it to 2017's live action movie, however, and I think we'll find it isn't the weakest. The reason is that the writers of Ghost in the Shell (2017) decided to tell a story about bodily consent in which becoming a cyborg is a form of trauma. On some level this may have been a reasonable decision, but they didn't commit to the concept sufficiently fully to execute it well enough to carry the movie - and simultaneously, they dumbed down parts of the regular Ghost in the Shell material for American audiences. As a result the movie flopped both financially and artistically - except for the visuals.

In fact, I wrote a sequence of posts (1, 2, 3, 4) on how to rewrite the live action movie as an actual Ghost in the Shell property. I feel no need to do so for SAC_2045 - and I can't even think of what changes would need to be made.

I look forward to the second season.

-☆☆☆-

[1] It's short, but that's a concept in this post. "Advanced by Left-Wing theorists, Ninth Generation warfare sees all acts as existing on a spectrum of political violence. Most acts of ninth generation warfare consist of extreme pranks."

[2] If we accept the idea of "Fifth-Generation Warfare" as motivated by a desire to prevent the enemy from using their conventional military assets, then a corresponding theory of international politics would involve preventing enemy factions within foreign governments from taking control of those governments' institutions - effectively treating all countries as in continuous level of conflict analogous to a soft civil war.

[3] There is a kind of technique to this, but in my case I substituted ADHD for raw IQ and conscientiousness, which is part of why my posts are so much shorter than, for instance, Moldbug's. In any case, technically, Scott's blog posts on the matter amount to roughly a mere 11,600 words, and the book of the black forest amounts to approximately 26,000 words (which I'm told is entertaining reading), but I'm sure if we go looking we can find an additional 15,000 words worth of worldbuilding from a man known for writing 16,000 word blog posts.

[4] Would it be more of a legal liability to sell regular water with GGBW branding, or actual GGBW that could prove to be a potential health hazard?

[5/☆] There's some future strand lurking beneath the surface here that I can't quite put into words; a culturally divergent moe meltdown where an appearance this ridiculous becomes normalized among some sub-population. To quote the Funko Pop Hatred post,

There are questions about the anatomy of anime people and their internal organs, and particularly about what sort of impact-dampening alien meta-material their softer bits are made out of, but at least homo sapiens gokuensis looks like it’s a branch off a similar starting hominid! Whatever transhuman engineering company was responsible for manufacturing the creatures in the typical harem anime has some weird ideas about human beings, but we’re clearly in their ancient lineage somewhere.

Under Late Safetyism, everyone is a declawed catgirl.

Anyhow, I don't want to alarm you, but I can't guarantee that this won't be the future somewhere. Both Purin and Belle Delphine resemble Xiaoice, "The AI Girlfriend Seducing China's Lonely Men." (2020)

[6] Motoko's ridiculous outfits are a major flex on the non-cyborgs, who aren't indifferent to ambient temperature and whose natural bodies may have unflattering features. Similarly wild fashions can exist in places like Second Life, a 3D digital platform with mostly user-uploaded content. Presumably they're also a flex on every Japanese salaryman who still has to dress like a normal guy.

[7] "It's as though it were made just for me" is also how I feel about the original game Mirror's Edge. Its follow-up, Catalyst, is also a personal favorite of mine.

#miti does media #longpost #flagpost #ghost in the shell #sac_2045 #standalone complex #review

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straightfacedstrangeness · 4 years ago

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Okay, these are not expert/Hardcore Nerd opinions, but I’m so used to being surrounded by Star Wars and keep being surprised that other people aren’t, so...Some Kind Of Star Wars viewing guide for people who aren’t into Star Wars

STARting point:

Basically, if you like robots, aliens, and big space battles (and/or are a special effects or sci-fi design nerd), you’ll probably enjoy Star Wars. If you don’t...the writing and acting quality varies from version to version, and between different movies in the same trilogy. Star Wars is more a thing to enjoy because it’s fun, not to appreciate as high art (unless, again, you’re a nerd for special effects or design).

The original movie, aka Episode 4: A New Hope, is the best starting point because it sets up the central characters and conflict, is a lot of fun, and if nothing else you’ll get like 60% of the Star Wars references people make.

Episode 1: The Phantom Menace is also a lot of fun and could be watched as a standalone, but the plot can be hard to follow, and the other Prequel movies (Eps 2 & 3) are best viewed through the lens of “how does this inform the events of the Original Trilogy” since they’re kind of awkward, confusing, and depressing without that context. Only start with 1: The Phantom Menace if you have some nostalgia for it.

Episode 7: The Force Awakens is also a lot of fun and has the added bonus of a more diverse cast, but it and its sequels heavily build on and reference the events of the Original Trilogy. The basic plotline of “evil fascists VS people trying to stop them” is probably easy enough to follow, though, so you can probably start here if you’re okay with getting some Original Trilogy spoilers, but you’ll most likely want to watch The Original Trilogy before watching 8 or 9.

Rogue One and Solo take place before The Original Trilogy and can probably be viewed first if you like the cast or concept of either (Rogue One: “here are the people on the ground doing the hard work that sets up the other heroes’ victories,” Solo: “it’s a heist movie IN SPACE!”), but they’re fairly dark by comparison and some of the big reveals or other details might make more sense with the context of seeing the Original Trilogy first.

The Mandalorian takes place on the fringes of the Star Wars universe and barely references any events or characters from the rest of the franchise (and even then, neither the audience nor the main character are expected to know who or what they are), so you can start here if you don’t mind minor spoilers for who won the (Original Trilogy) war.

The Original Trilogy (4, 5 & 6, 1970s-80s)

Lots of fun, heavily referenced in pop culture, great designs and cool puppetry and other practical special effects. These are the movies with Mark Hamill as Luke, Carrie Fisher as Leia, and Harrison Ford as Han Solo. All of them are great and bring a lot of charisma and humanity to their performances. 4: A New Hope is the really iconic one and is mostly a fun adventure through space. A lot of people love 5: The Empire Strikes Back because it’s darker and hate 6: The Return Of The Jedi because it’s sillier, but honestly, it comes down to personal preference.

Once you’ve seen The Original Trilogy, you can freely watch either of the other movie Trilogies. Just watching 4 is enough to let you skip over to the standalone movies or the TV show The Mandalorian.

The Prequel Trilogy (1, 2 & 3, 1990s-2000s)

These are the movies with Ewan McGregor as young Obi-Wan, Hayden Christensen as Anakin, and Natalie Portman as Padmé. A lot of people shit on these for being “bad movies,” and yes the acting is often flat, the plots can be hard to follow (Original Trilogy is a simpler “bad government VS good rebels,” Prequel Trilogy has a lot of political manipulation and nuance but doesn’t explain it much), and a lot of it is watching people making decisions that you know from the Original Trilogy are going to turn out badly. But I unironically love them, and they have really amazing design and special effect work (the CGI of course looks dated now, but it’s still phenomenal), and a lot of fun moments. 1: The Phantom Menace is another fun adventure through space, but with a lot of awkwardly racist alien caricatures who are thankfully played down or removed from the other movies. 2: Attack Of The Clones is a space adventure with an unfortunately uncomfortable romantic subplot, and 3: Revenge Of The Sith is relentlessly dark but I like the emotional drama of it. Again, either you’ll think they’re fun or you won’t.

Like I said above, these are best watched after having seen the Original Trilogy, to inform the backstory and characters’ actions, VS being watched as standalone movies.

The Sequel Trilogy (7, 8 & 9, 2010s)

These are the movies with Daisy Ridley as Rey, John Boyega as Finn, Oscar Isaac as Poe, and Adam Driver as Kylo Ren. Like with the Original Trilogy, all of them are great and bring a lot of fun and depth to their characters, and also 7: The Force Awakens is a fun space adventure, and people are divisive over 8 and 9, 8: The Last Jedi being darker and 9: The Rise Of Skywalker being lighter...but with the added meta-drama that 9 spends the entire time trying to undo or contradict things that happened in 8 (and an extra level of meta-grossness in that 9 seems to bow to things that Toxic White Guy fans hated about 8, like removing a major WOC character). I personally prefer 8 because it’s a neat subversion on a lot of accepted lore and concepts from the Star Wars franchise and was disappointed in 9 as a result. But once again it comes down to a matter of taste, and at the end of the day the main thing about Star Wars is fun dialogue and cool sci-fi stuff.

These should be watched after The Original Trilogy because they heavily build on and reference the events of it, though 7: The Force Awakens is a reasonable “First Star Wars movie” if this is the version you’re most interested in...just with inherent spoilers for The Original Trilogy.

Standalone Movies (Rogue One & Solo, 2010s)

Rogue One takes place immediately before The Original Trilogy but is darker and more of a heavy action-drama about people making difficult choices, with a good, largely-POC cast. Solo also takes place before The Original Trilogy, though I feel it has some clunky writing (a droid character who’s reasonably upset about the literal enslavement of her own kind is treated as delusional and comic relief??) and also gets pretty dark with lots of character deaths, but it has the fun of being a heist movie with a conscience.

Like I said above, these can prrrrobably be watched without Original Trilogy context, but at least Rogue One is probably more rewarding if you’ve already seen 4: A New Hope.

The Mandalorian (TV show, 2020s)

This is the show with “armor guy and Baby Yoda” X’D It’s basically a Western about a guy drifting from town to town across space and helping people with their problems...which mostly involve fighting and killing people. As always, amazing designs and special effects, and I find the writing consistently compelling. There are a lot of bonuses if you recognize a character, character design, or prop design from another Star Wars media, but since you don’t need to know them in order to understand the episode you’re watching, you may not even realize they’re references (which is the BEST way to do a reference).

This takes place immediately after The Original Trilogy, but you can watch this first if you don’t mind knowing who wins the war. Though there are a few worldbuilding details (like being able to recognize the evil Empire’s uniforms or ships) that are probably a bit less confusing or a bit more rewarding if you've at least seen 4: A New Hope.

Other Media

I haven’t seen/read/etc much of any Star Wars except what’s listed above, so I can’t really offer any advice here. But the CGI TV show The Clone Wars probably relies on you knowing the plot of Prequel Trilogy eps 1 and 2 (since it takes place between 2 and 3)...and if you’re jumping into some other Star Wars media and you can’t understand what’s going on, look at its copyright date and check what movies came out before it did, to gauge what you’d need to watch for context. But all the movies only rely on knowledge of other movies, the other media are about fleshing out other aspects of the universe or things that happened between/before/after the movies.

Otherwise all I can say is that the Star Wars: Droids cartoon from 1985 is delightful and the few eps I’ve watched don’t require any Star Wars knowledge whatsoever. (It’s long out-of-print but some kind soul put it on YouTube.)

#uh...guess this is how I spent my morning oops #rambling #star wars #sw

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wits-writing · 6 years ago

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Earth’s Mightiest Retrospective Ep 37: “Infiltration”

(Directed by Roy Burdine, Written by Christopher Yost, Original Airdate: July 8, 2012)

Avengers: Earth’s Mightiest Heroes season two’s first major storyline, the Skrull invasion of Earth, culminates over this episode and next. I’ve appreciated how the show’s gone about building up the storyline by interweaving moments of build-up with Skrull-Cap into other standalone episode plots to get us here. Episodes where it got more focus, like “Who Do you Trust?” and “Prisoner of War”, have been among my favorites this season so far. Payoffs start coming in strong as this episode opens on a Skrull shuttle crashing near Wakanda. SWORD sends Carol to investigate the crash. The newest Avenger’s shocked by what she finds coming out of the ship, the rest of the Avengers. The apparently returned heroes, who I’ll say now are fakes and will refer to as “Skull-vengers” from now on, claim they were all captured immediately after season one’s finale and only recently escaped.

This obviously isn’t meant to fool the audience, given what we’ve been explicitly shown of the Skrulls’ plans. Its purpose in the story comes down to how it shakes Ms. Marvel’s grasp on the situation. Her job means protecting the planet, whether with the Avengers or SWORD. She’s been at her best throughout the season when she’s certain about what needs to be done. Dents in her resolve keeping her from taking her next move makes sense with her recent history with Mar-Vell selling Earth out to the Kree. It makes the desperate situation this turns into one that escalates so quick she doesn’t know where to aim her energy blast. The Skrull-vengers and her approach Wakanda to be met by the true Black Panther, who’s been preparing his country for war since he was informed of the invasion. We see Wakandan foot soldiers and Dora Milaje decked out in power armor standing next to high-power turrets and mechs as T’Challa tells the imposters to turn back or be prepared to fight.

Once the battle starts, Carol’s caught between two sides that may as well both be her allies in her mind. It’s a well-presented action showcase as the rain comes down while they fight, reflective of the turmoil going through Carol’s head. She spends most of the fight on the defensive in order to deescalate the conflict. She’s trying to find some lull in the fight where she can puzzle her way out of where to aim her energy blasts. Complications increase when Hawkeye and Wasp, the only two human Avengers active on the team at this point, show up and take the factions Carol needs to keep track of up to three. She gets a brief look into her worst fears when the Skrull-Thor’s taken out. Since that only confirms the Skrull-vengers as fakes, Carol finally gets to let loose against the imposters. In the aftermath of the battle, Carol, Hawkeye and Wasp realize the fight was as much to distract them as it was to attack Wakanda. They’re left determined to find a way back to New York so they can get ready to stop the real invasion once it begins, though T’Challa elects to stay with his people.

The two people on Earth most paranoid about the presence of the Skrulls, Nick Fury and Tony Stark, reckon with a lot this episode. Tony starts the episode frantically researching a way to detect Skrulls among humanity. JARVIS informs the audience that he hasn’t taken any calls or taken off his armor in weeks. Iron Man’s anxious solitude gets broken by an unexpected guest, Doctor Doom. The despot lets Tony know what he’s managed to discover about the invading forces and surprisingly offers the hero exactly what he’s been looking for, the components needed to perfect a Skrull detector to interface with his armor. Tony arrogantly chides Doom about not being able to figure it out on his own before being called on by Fury with an urgent message about the Skrull infiltrating the Avengers.

Fury and his small band of Secret Warriors spend this episode putting the final pieces in place about what’s going on with the invaders. We see a Pepe Silvia conspiracy board of suspected Skrulls and crossed out non-suspects, including still-image cameos for some of the X-Men. Fury looking over all the information he’s gathered gets him thinking over the actions Captain America’s been taking throughout the season. He notices how quick Cap was to attack Ronan in “Welcome to the Kree Empire” and convincing the Hulk to surrender to the Hulkbusters in “Nightmare in Red.” While those expose Skrull-Cap to him, that revelation dominos into another.

When Tony arrives at Fury’s location to learn about Skrull-Cap, Fury’s frantic over who’s been hiding right under his nose. Mockingbird was supposed to inform him about any suspect actions SHIELD was taking, which should’ve included the Hulk’s imprisonment. Mockingbird reveals herself as Skrull Queen Veranke. She knocks out the other Secret Warriors and reveals something else, the Skrull detector Doom gave Tony was a Trojan Horse to shut down his armor with a virus. The Skrull’s needed to make sure they understood Stark’s tech to take it out before beginning their final assault, probably from the information Skrull-Cap gathered in “Alone Against AIM” though it’s not explicitly stated. With everyone paranoid enough to prepare for the Secret Invasion out of the picture, Veranke calls in their flagship as the episode closes out.

“Infiltration” is a strong arc-episode for EMH. Multiple threads get brought together to setup for the ending of the Skrull storyline, while leaving enough for the next episode to take care of on its own. The battle in Wakanda meets the action quota for the show, while Tony and Fury’s stories delve into the more character-driven side of the invasion. The main critique I have for the episode isn’t one of it as a standalone piece, but as part of EMH’s greater whole. While the twist and turns of who’s a Skrull get to play out for the character, none of them get to have the same effect on the audience. We already know the Avengers in Wakanda aren’t the genuine article, plus Cap and Mockingbird’s true identities have been known for even longer. I’m left to wonder whether the tension could’ve been stronger if “Prisoner of War” was saved as a buffer between this episode and the next, leaving the audience to guess if any or all the Avengers aboard the Skrull-ship are real like Carol does.

Next time, the Skrulls announce themselves to the Earth.

If you like what you’ve read here, please like/reblog or share elsewhere online, follow me on Twitter (@WC_WIT), and consider throwing some support my way at either Ko-Fi.com or Patreon.com at the extension “/witswriting”

#Avengers #Avengers: Earth's Mightiest Heroes #Earth's Mightiest Retrospective #Wit's Writing #TV Review #Marvel Comics #Marvel #superhero tv #superhero animation #animation #comics

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transfemmbeatrice · 7 years ago

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Where should I start listening to Friends at the Table?

A short novella by me

Friends at the Table is one of the best actual play podcasts out there and you should listen to it because they tell amazing stories with both diverse characters and a diverse cast (the GM is a queer black man and almost everyone at the table is some flavor of queer). They put character development and good storytelling at the forefront while creating incredible and complex worlds to play in. They make you laugh, cry, and laugh so hard you cry (and also give you chills on occasion) and I genuinely cannot recommend them highly enough. Whether you like a good story, characters to fall in love with, learning new ttrpg mechanics, or listening to friends have a good time together, FatT is for you.

FatT also has an enormous backlog that can make it hard to dive in so here is a handy guide for when you want to listen don’t know where tf to begin.

The Friends have provided some resources for this: there is a flowchart that gives you the quick and dirty deets (though it hasn’t been updated to reflect their current season) and also Austin made a 20 minute ep of him explaining the show and stuff and put it at the beginning of the podcast feed which could also be helpful (which I haven’t actually listened to bc they put it out after I was already deep into the show)...but this is my over detailed take.

There are currently 4 seasons of FatT. In order: Autumn in Hieron, Counter/Weight, Marielda/Winter in Hieron, and Twilight Mirage. Marielda is a mini season that takes place in the Hieron universe but before the Hieron seasons; Counterweight and Twilight Mirage are both standalone but do take place in the same universe, tens or hundreds of thousands of years apart.

Twilight Mirage is approaching its endpoint and will be followed by Spring in Hieron which should be the last Hieron season. There are pros and cons for starting with any of these seasons so depending on your taste and preferences you can take your pick!

(Also, each new season begins with an Episode 00 which is just the friends discussing the setting and pitching characters. It’s not required listening and they’re pretty long so you can skip them if you want but for people like me who live for worldbuilding and behind the scenes, they’re great prefaces to each season!)

Autumn in Hieron: The very beginning! This is where I started because I’m a hardcore chronological completionist. There is definitely something very fun and satisfying about watching them develop over the past 4 years, in confidence and skill and in production quality! They’ve been amazing since the beginning but it only gets better.

However, because it’s early, the audio quality is not great, so if that’s an issue for you, this probably isn’t your best starting point. Some extremely good shit goes down in this game and I highly recommend listening to it if you can parse the bad audio. Also, starting at episode 5, they split into two smaller groups and the audio improves, so if you want to start here but find the sound unbearable at the start, you can try skipping to here to see if it works better for you! The first few episodes are just a mini quest and it’s definitely fun but not deeply plot relevant so you’ll be fine to skip it. This is also a season potentially worth returning to even if you don’t start here because as I said, it’s good, and the bad audio might be more listenable once you know the players’ voices better. But if you absolutely can’t, no worries! They recap this season at the beginning of Winter in Hieron so if you don’t listen to it you won’t be lost as the story continues!

Hieron is a high fantasy setting in what Austin describes as the post-post-apocalypse. It’s been long enough that they’re past just surviving and have rebuilt tons but it’s still a wild world out there, and no one alive really remembers what apocalyptic event happened, but they all know something bad went down. Over the two (and a half, counting Marielda) seasons they’ve done they have really built out the world. It explores a lot about the concepts of divinity and entropy and so much more. I think Hieron is a great place to start because fantasy is the usual setting for actual play podcasts so it’s a familiar touchstone. And also just, really fucking good.

Counter/Weight: Welcome to SPACE. The second season of FatT is a good starting point because it’s self contained--it’s longer than the Hieron seasons but when you reach the finale, you’ve gotten the whole story. It starts off a little slow as they adjust to a new system and new characters for the first time...but there are some hilarious bits in those first couple of missions that I love. Then they switch systems again to something that fits more what they are doing and things pick up from there.

The “ground” game (the majority of the episodes with characters going on adventures as usual) is interspersed with the “faction” game--Austin and two other players not in the other half of the game zoom out and use mechanics and roleplaying to decide what the big factions/corporations/etc are doing around the sector, and eventually we see these events trickle down to effect the player characters in the other half of the game. These are a bit slow, especially when they first start, but I recommend listening to them because it’s cool to see how things are moving around on a more macro scale than one little crew of fixers, and it really informs the world they’re operating in. It’s not strictly necessary if you really find these episodes untenable, but you’ll definitely be able to follow along better if you’ve heard them. Also, around the 3rd or so faction game session, they cut down the number of factions significantly so it goes a lot smoother. I’ll also put in here that Counterweight is probably my favorite season of the show at least thus far even though I wasn’t sure I would like it at all when I first started it, for what that’s worth.

Counter/Weight is a cyberpunk/scifi setting somewhere in the Milky Way. It is set less than a decade after a war in which two rival powers united in an uneasy alliance to drive back an Empire. They succeeded, but now things have settled into a good old fashioned cold war. There are lots of robots and mechs and they use the cyberpunk genre to explore labor and capitalism and feeling small and helpless in the face of such massive, powerful corruption. Or, sadness and robots in space. (Also, literally none of the PCs ended up being cishet.)

Marielda: Marielda is a mini season they did right before Winter in Hieron. Set in Hieron before the events of the other seasons, it provides some context to the world. It’s also fucking delightful. This is probably the most recommended starting point for FatT because it’s short, has high production quality, and some of their best work. It really encapsulates what this show is so if you’re unsure if this is the podcast for you, this is a great starting point.

Since it takes place long before Autumn in Hieron, you don’t need to have listened to it to follow along; but I do find it somewhat helpful because there are callbacks to the events of that season as they show how some of the things they encountered then came to be in the first place. Marielda (and Winter in Hieron) were made with new listeners in mind, so Autumn definitely isn’t required.

Marielda is of course also high fantasy, but it has a tinge of steampunk too because this island has more technology for....reasons that will be revealed as you listen. The only train in Hieron is there, and the crew stages a heist on it, and it’s amazing. Marielda has two parts--the first couple episodes are some of the players playing The Quiet Year, a collaborative mapdrawing game, to build this city. Then the other players played a few missions in Blades in the Dark as scoundrels who steal information to sell to the highest bidder. Their shenanigans are hilarious and occasionally heartbreaking and I’ve relistened to it so many times.

Winter in Hieron: Hieron season two of three! Winter begins with two episodes recapping the events of Autumn in Hieron, so if you skipped Autumn you can listen to them and be good to go, and if you didn’t...you can skip the recaps! (Unless maybe you listened to Counterweight in between and you need a refresher). There are two new PCs in Winter because Andi and Janine joined between Autumn and this season, and they only make Hieron better.

This season is a little heavier than Autumn because it’s Winter and...Winter is usually darker than Autumn. I’m in the middle of relistening to it now, though, and it’s still incredible the second time through and a great starting point. I would not recommend starting with Winter without listening to Marielda first, partly because Marielda is so good, but also because Marielda informs so much of what happens in Winter.

Since Twilight Mirage is getting close to finishing up (as of writing this, anyway) if being Current In The Fandom is something that’s important to you, I’d start with Hieron (whether that be Autumn or Marielda/Winter). After Twilight Mirage wraps up, they are reportedly planning to return to Hieron for its final season--Spring, so if you start catching up now you can be ready! I don’t know for sure yet but so much has happened at this point that I find it hard to imagine that they’ll do a recap before Spring that lets you jump in there very easily. I could be proven wrong but even if I am....I don’t recommend it. You’ll miss too much Seasons of Hieron is a joy to listen to.

Twilight Mirage: The current season! Usually I say to start here if you find the backlog intimidating--it’s current and you can jump in to what’s happening now and get to the rest when you feel ready. And that’s still somewhat true, but Twilight Mirage has gotten pretty long so it’s potentially still intimidating? And they have said they’re nearing the endgame, but I have no idea if that means weeks or months. But regardless, it’s still less to get through than starting further back, and it is a standalone season so it’s a great starting place!

Twilight Mirage is another game in space. It is set in the same universe as Counterweight, and there are some callbacks to it, but it’s set far in the future from the events of that season and was intentionally made so that people who hadn’t heard Counterweight could listen fine. It’s more like easter eggs than important backstory.

The premise is a dying utopia: a massive fleet that has slowly been whittled down, still home to millions of people, but they’re starting to look for somewhere to hopefully colonize. This game does a great job of questioning what a utopia would look like--what does prison look like in a utopia? how do we treat synthetic beings?--and exploring the themes of self/identity and colonization and so much more. It’s the most philosophical FatT season to date but the narrative is also great and stands on its own--you can engage at whatever level you want. (I, for instance, don’t get a lot of the philosophy referenced, but I’m still deeply enjoying it because it’s a great story and I love all the characters!) So much shit happens to alter the original premise and it’s fascinating to see the characters have to adapt to all these evolving circumstances and question their values as they themselves also change. Also, lots of robots and mechs and aliens and shit. One of the PCs is just a cat person. One of the PCs is a downloadable hitman who is losing their memory every time they die and get downloaded into a new body. It’s A Good Season, they friends are extra af (more than usual, even) and it’s a Delight.

And that’s my answer to the age old question, where do I start listening to Friends at the Table?, answered in more detail than anyone ever wanted. If you have any questions or anything feel free to shoot me an ask or a message, I’m literally always here to talk about FatT!

#friends at the table #fatt #f@tt

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xenainnuendoisland · 7 years ago

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The most irritating thing about AFIN is that whenever people defend it, they always say that Xena died for redemption. Never mind the fact that the idea of redemption only being achieved through death is complete BS and is a trope I wish was used less. Its just not true. Xena flat out says:

“Akemi didn’t wanna tell me this in case I wouldn’t come back to help, but for those souls to be released into a state of grace... they must be avenged. I must stay dead.”

First of all, let’s me just point out that Xena practically admits that Akemi was manipulating her here. She knowingly withheld information because she thought that Xena wouldn’t help her if she knew the truth. And Xena, who is supposed to be so smart, doesn’t get it. Hell, Gabrielle doesn’t even catch it and ask the obvious question: “How do you know that Akemi is telling the truth?”

That’s what I was wondering - why the hell is Xena still believing everything Akemi says when she’s shown herself to be a liar and a manipulator?

But, more importantly, Xena says that she has to stay dead for VENGEANCE. Not redemption. Yes, this series ended by a bunch of people getting vengeance on someone who wasn’t even to blame for their deaths considering it was an accident.

Also, and this is a point I’ve made too many times to count, why does Xena need to stay dead to be “redeemed” when she was already made an Archangel cleansed by the Fire of Purification. Hell, even before that she was taken up towards heaven with Gabrielle. You’d think her burning village (that consisted of 10 houses but 40,000 souls for some reason) would come up.

So, what, I’m supposed to believe that when Eli brought her back to life, he reset the clock on her redemption? She still needed to work for it even though, at that point, it was obvious that she was redeemed in the eyes of The Powers That Be? Now she has to die for redemption a SECOND time? That’s complete and utter nonsense.

And, like I said, redemption-through-death is a trope I’m really sick of. Even more so in X:WP since she’s already died a few times. One of which clearly showed that she had been redeemed. Hell, for SIX seasons, the show has made a point of how dying is not redemption. You achieve redemption through your actions in life, not by dying. Speaking of Xena dying, all the other times she’s died, you know what happened?

Her spirit left. In Destiny, she was taken to Tartarus. In Fallen Angel, she was taken to heaven.

But in AFIN? She’s lingering. As if Akemi had, once again, withheld information and Xena just traded herself for those 40,000 souls. And now she is stuck in this limboesque place with no hope of getting any peace.

Which shoots the reincarnation episodes in the foot. How did Xena’s soul get reincarnated if Xena was trapped after dying in AFIN? Why was Clone-Gabrielle not even remotely surprised at seeing Xena alive?

Now the obvious answer is because AFIN wasn’t meant to be the finale. The plan was that AFIN would close the tv-show and then they would release a movie tying up those loose ends. Of course that didn’t happen, so we’re left with a trilogy where only the first two parts have been released.

Like I don’t really care if people like AFIN. Hell, I almost envy you because I can’t watch those eps without being annoyed. But even if you like those eps, the argument that “Xena died for redemption” only works if you ignore the rest of the show.

If AFIN were two standalone eps, then “Xena died for redemption” could work as an argument. But as the finale of a show with six seasons behind it? It just falls flat. And ended up hurting and insulting so many fans that the cast and crew actually apologized.

#Xena talk #AFIN

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qqueenofhades · 7 years ago

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i dunno if the timeline is right for reese to be behind any of it though. i know 3x07 was originally gonna be in season 2, but judging from linda's reactions in 3x08, the ending of it really is chronological to the rest of this season. as in, reese has only just died and what we saw in 3x07 is essentially a 'meanwhile, in hell' (we know time is wacky down there). i do agree with you though about it being unlikely that marcus is really the sinnerman.

Well sure, it ended up in s3, but…. it was originally a s2 episode, so I’m not sure that the timeline thing is necessarily a huge issue? (Besides, TV timelines are notoriously flexible – looking at you, OUAT – so I think that this would not on its own be a disqualifier). They did say the standalone episodes would continue the story and set up things for season 3, so that would definitely be the case if it was backstory for the Sinnerman plot. They also do tend to drop plot threads for a few episodes and then pick them back up again, and without the three standalone eps, that’s still fairly soon into s3 for the Reese thing to be revisited.

IDK, I’ve said a bunch of times I could totally be super wrong, but it just continues to stick out as weird to me that they went to so much effort with this character, showed him in hell (after showing him somewhat immune to Lucifer’s power and learning that he could get out), gave him all this information, grudge against Lucifer, etc, if that was just going to be it for him and never bring him up again. It’s a major wasted plot point if so, and they don’t usually do those, so I still remain convinced that Reese or his information or his general whatever has to reappear in the story at some point. Maybe that’s in connection to the Sinnerman or maybe it’s part of the conflict for the second half of s3 or something, who knows. But it’s still just… not likely that he’s totally unrelated to whatever’s happening, and I’d be side-eyeing the writers if so, because why spend a whole episode on him and setting him up as this foil to Lucifer and etc etc? It would just be weird, is all I’m saying. But who knows.

I do think that they’re trying to fake us out on the Sinnerman’s identity somehow, and that something major will probably happen either as the cliffhanger into the midseason finale or shortly after. Because yeah, shit’s going down in some way, and things have been too quiet for most of the season, so it’s about time for a big reveal/shakeup.

#anonymous #ask

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sueboohscorner · 7 years ago

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#Supergirl S3, Ep. 6 "Midvale" Recap/Review

Ever wondered how Alex and Kara been so close to one another? Well, this episode really gives us the origins of how they became the best sibling relationship.

After a heartbreaking breakup with Maggie and a rough couple of weeks, Kara takes Alex to a trip back home to get away from it all and recharge their batteries. Kara tries to get Alex to open up about her feelings but she attacks her with how she handed losing Mon-El and the two go to bed.

We jump ten years back to when Kara and Alex were in high school and the two seemed to be not on good terms at all. Alex didn't like Kara for all the big sister reasons that you would think.

The episode depicts on the origins of how Alex and Kara became the sisters that we have seen them for the past two and a quarter seasons. Kara's good friend, Kenny, gets killed and the two put their heads together to solve the case. Kara finds her friend's laptop and tries to decrepit the computer with Alex's skills but when they couldn't they see that Kenny gets an email from a teacher that knows that Kenny knows about him and Alex's friend are in an illegal relationship.

You would think that it would just be that til later when Kara and Alex are walking home they almost get hit by a car. Soon Alex's friend comes by and tells her that the teacher had been arrested and she was with him at the time. That gives Alex the idea that the teacher wasn't the suspect at all and goes to the local sheriff to inform him.

Kara gets word from her friend, who decrepit the rest of Kenny's laptop, that there were photos and one of them being the local sheriff dealing with drugs. Kara quickly calls Alex to inform her and quickly hears her saying she with him at the game and flies there to save her.

After the arrested of the local sheriff, Alex and Kara get a special gift from Kenny's parents ('m going to say mostly his mother) of Kenny's telescope. That apparent telescope was a symbol or a key to the beginning of their wonderful sisterhood.

As they young Kara and Alex go to bed, we come back to the present to see Alex waking up and walking towards Kara, who was looking through the telescope. Soon they open up and quickly come to realize that everything is going to be find. They leave but in the style of listening to Gwen Stefani's "Escape."

"Midvale" was a really good standalone origin episode of depicting how Kara and Alex became such great sisters. It was overly dramatic at all. It really had a good balance of humor, drama and a simpe case of the week. Izabela Vidovic and Olivia Nikkanen were amazing and played the young Kara and Alex. With everything this episode had show, the one moment that really stuck in my mind was when Kara was visited by an agent from the FBI that looked like her mother. But when she leaves after telling Kara not to use her powers, she walks to her car and changed form into Hank as it was J'onn J'onzz. That moment was so touching as how important he is to Kara and Alex. Overall, I give this episode a 9/10.

What did you think of "Midvale"? Leave a comment.

You can catch Supergirl Mondays at 8/7c on The CW.

#Supergirl #SupergirlTheCW #SupergirlCW #The CW #DC Comics #DC Universe #DC Entertainment #DCTV #Arrowverse

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bloobomber · 7 years ago

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Enter Shikari’s: the Spark (2017, September 22) does it Really Light a Spark or does it leave us in the Dark? By: Christopher Quintero

At the beginning of their now well established career, there was a little group from St. Albans Hertsfordshire that consisted of: Rou Reynolds (guitarist) Chris Batten (bassist) and Rob Rolfe (drums ;) They played a couple of shows under the alias of Hybryd until Rory Clewlow joined in 2003, and soon after they formed the name Enter Shikari (Enter Hunter.) Clewlow would then take over as their guitarist and Reynolds would don the bands staple instrument the Korg synthesizer. In 2006 under the label Ambush Reality, the debut album Take to the Skies was released and with critical acclaim, which included tracks from previous EPs, such as: “Sorry You’re Not a Winner” and “Okay Time for Plan B.” The album also included the singles “Johnny Sniper” and “Mother Ship.” To this day I still listen to “Johnny Sniper” and the interlude track that comes before it. It opens with a man introducing Johnny Sniper as if through some megaphone and the instruments conducting an assembly line. It continues along a steady path until the drums break away into “Johnny Sniper” along with its dance rhythm from the synths, then the guttural sound from Reynold’s vocals as he kicks it up a notch. This track definitely left a huge impression on me and remains one of my favorite songs from the band today. As time went along, the band released other albums like: Common Dreads, a Flash Flood of Color and the Mindsweep along with many other LPs and singles that included tracks, such as: “We Can Breath in Space” and “Redshift,” under the Ambush Reality label and Hopeless Records for us here in the States. Now towards the end of 2017, comes “the Spark.” This is an album that can have addicting choruses, brooding rhythms and heartfelt messages as well as insightful ones. Enter Shikari has never been one to stick with a certain genre and it is difficult to peg one down with them (go ahead and try), but I did feel some familiarity on this new album, but not enough to diagnose a certain genre.

The introduction to the album begins with the Spark; a dim intro with fleeting chords played on a keyboard that sounds like something that came out of a science-fiction piece. It reminds me of the instrumentals out of the Stranger Things, soundtrack for which I really find interesting. I think they were going for an outer space sound, and I think they nailed it with this intro. I feel as though I am floating in the far reaches of space staring at the endless amounts of stars far out of my reach.

Right after the Spark, comes “the Sights,” is a song about one person’s firsthand experiences as he or she is readying to take off into space in search of something greater. I believe this song like many other tracks on the album tackle the concept of discovery of other planets and areas, but also the sense of self-discovery. The speaker begins to talk as if addressing someone and as he/she is talking, the person sounds fed-up with their situation on Earth and how tired he/she is on the planet. The pilot compares a magpie’s flight over gleaming diamonds as something, “dull” and not as impressive as the one of a star. I love the line where he/she says that they grab their “pen like a bread knife, as I write.” I get this image of a person sitting at a desk the night before writing in some sort of journal in tense anticipation as they glance at the clock for affirmation of the hour. The song has a repeating stuttering pulse of the keys of a keyboard playing throughout as the drums jog in place with it. It is mostly Reynold’s singing throughout, but the rest of the members kick in for its crescendo moment for the chorus and the instruments pick up the pace as well. As the song continues, the pilot, as someone who is about to head off into the exosphere, feels the need to disprove Jacques Rousseau, a great mind who wrote the Disclosure on the Sciences and Arts, which opposes sciences and arts because he believed sciences corrupted the virtue of people. At the same time, he/she claims to be going boldly, off on this journey- boldly as Marcus Cicero, who was bold in his own sense and accomplishments. Even if so this is in the back of that person’s mind, he/she is going to take off for a search of something better. It is a great song and has one of the most catchy choruses in the album and I am glad that you hear the rest of the members on this song joining in on the singing because they seem to be absent in that sense for most of the album. In” Ghandi Mate, Ghandi,” off the “Flash Flood of Colour”, album, there is a moment in the beginning where Reynolds loses his mind and goes overboard with his speech and the rest of the members come running in to calm him down and to stay in character; I love this part because it throws in a bit of their humor along with their purpose as musicians in the music they write- for they enlighten people with important situations and information without being too demanding and dull. In the Spark, you faintly hear them on the album and I always loved when Batten, Rolfe and Clewlow chimed in with some great notes or some snarky remark.

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The next song became one of the singles off the Spark and I completely agree with it being one of the more popular tunes off the album. This next one is “Live Outside;” just like most Shikari songs, I usually am taken by surprise by the difference of sound. At first, I did not know what to think about, “Live Outside,” with its choir sound. I thought it was a pretty solid track, but as I kept going back for more, I realized I was under the Shikari spell. The chorus with the group chanting is addicting and the song sounds like this electronic, gloomy, sing-along. I enjoyed how the song kicks off with just the bare ingredients of the vocals and the synth, but then you hear a far off Reynold’s yell “yeah,” then it rushes into infectious guitar notes with that hazy mist sound the synth brings in (it was the best description I could give) that pair up nicely with the vocal parts. It is a great song, but standing alone I did not feel its pull until you insert it with the rest of the album, I guess when I had it all together it benefitted with the album’s space/future theme well and I always liked their songs as standalones, but I felt this song needed the full scope of the rest of the album to be enjoyed at its full potential.

When I said that Enter Shikari’s music seeks to enlighten- “Take my Country Back,” is the piece of the album that does just that. This is the track that feels most familiar with me because it tackles an important situation that is going on in our world and that is division. I believe this song mostly highlights what is going on in the United Kingdom with Brexit. Brexit is the United Kingdom separating from the European Union. The European Union is the unification with the United Kingdom alongside many other countries. Brexit was a poll in which citizens could participate in the voting process, the majority voted to cede from the Union. Just like this, in North America, we have the United States trying to cutting off immigrants, specifically from South America and Central America with the election of Donald Trump. There are similarities in both situations. With the lines “don’t want to take my country back, I want to take my country forward,” is the band wanting to keep the unification instead of having a country act as if the land was a possession to keep for oneself than to share with others. Just like the artists in the band, people of that nation share the same sentiment. The song definitely has an apocalyptic tone to it, especially when the band chants in low voices the same repeating lines “don’t want to take my country back, I want to take my country forward,” and then in despair Reynold’s goes on to say lines comparing life to an eroding Cliffside. The song is an eye opener to important scenarios occurring today.

“Airfield,” is a song that cannot exist if one did not experience struggle and rises that have coincided with downfalls. The band rarely speak about their personal struggles, but this song breaks away from their most talked about subjects and puts into light one important topic in life and that is to keep holding on when things seem the most dire and when we are at our darkest moments. Reynolds’s voice guides us through the journey with misfortune along the way, but throws in lines like: “Even if there is no purpose to the things that you have gone through an ordeal can reveal an airfield.” This signifies that even though there is misfortune along the way, they have reason and give way to a different path for us to grow and take flight. He does a great job at capturing the hurt of such misfortunes with his voice that is low and sounds like it is breaking. It is one of the many quiet songs on the album, but it is definitely appreciated. I love the climb towards the songs climax. You have a heartbroken vocalist, but hopeful, chanting along with the rest of the mates “you’re down on your luck, you’re down, but that don’t mean you’re out now” with screeching instruments as if they were losing signal. It’s terrific, but even then after the storm, he throws in this verse,” when the wind's against you remember this insight, that's the optimal condition for birds to take flight. Now the wind’s against you don't give up the fight.

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The rumbustious song you are going to get ahold of here is, “Rabble Rouser.” It opens up with one of their most foreboding and grim guitar riffs- yet it has a pretty slick groove to it. It connects to Reynolds throwing in lines like some intense slam poet. At times, the tones hiding behind the rest of the sounds come off like some creepy carnival funhouse, and I am definitely not complaining. Along with all of this, there is one of the most difficult lines to deliver! “I’m on stage with a face like a stacka-stacka screwdrivers.” I cannot for the love of god get that part without messing up. Funny story- I was riding my bicycle while listening to this song, and I kept repeating that line to myself. I looked up at a police officer that had a look of concern. I am sure he now thinks I am some maniac. That is how hard I have been practicing to master that line. I think it one of the most fun parts on this song. This is one of the singles on the album and I agree that it deserves a spot as one of the more liked tracks to be heard from this album of 11 tracks. It is one the louder and faster paced compared to the others.

When you thought the album would pick up the pace after the last track, then you get hit with “Shinrin-yoku.” Shinrin-yoku is a Japanese term that means taking in the forest atmosphere. Shinrin-yoku is for healing your mind and spirit in the quiet and gentleness of the forest. For the most part, I got a relaxing vibe from the song especially with the intro with the instrumentation, and you can hear faint sounds of what seems like water and the growing of the forest plants and trees. You really never know what you are going to get when you dive into one of Shikari’s albums and when I heard this track for the first time, I felt diversity compared to some of their older stuff- not because of the inclusion of the trumpet because looking back, the last song from them that included brass instrumentation was “Rat Race,” and that was on a different tempo than this song. They have a catalog of tunes that are fast paced with upset messages about climate change like “Arguing with Thermometers,” or even quiet ones that deal with segregation like “Gap in the Fence,” and I felt that it was a nice change to take a moment and appreciate what beauty the band was defending with those upset messages. In this song, you catch the moment of being in a quiet forest lost in thought and appreciating what calmness nature has to offer and for a moment just breathing is enough to be happy. It also has the idea of how microscopic we are in the scope of the universe and it is apparent with the line, “we are the dust on the stained glass windows trying to comprehend the cathedral,” and maybe our problems are not as bad as we perceive them. Easily one of my favorite numbers they play off the album, but it falls short to the next one.

“Shinrin-yoku,” quietly steps into the following on the album, “Undercover Agents.” I believe that off the entire album, this is the most relatable and probably the easiest to get into for its ridiculously engaging chorus and lyrics that will trigger you like some sleeper agent to sing along to every word spoken. I guess they should have called it sleeper agents instead because when Reynold’s exclaims, “tonight I’m howling with the wolves,” it triggers me with this excitement that had been welling up and just explodes as I follow along to singing every line that follows. The part when the groups in unison howl together is always just so fun to hear and to join in as well and it is one of those moments that I speak of that I cannot help but to do as well. It has that bursting moment of the chorus that some of the other songs on the album included. It has the steady tread through the opening, then boom, I’m out here howling with the wolves too. With the message of the song it is familiar to us as the audience because we too face struggles in our daily lives and build stress throughout our days of work and daily activities and it is awesome when you have that moment to finally relieve yourself of all that pressure and weight; This song is a great remedy to all of that and as a person who suffers from anxiety of different numerous calibers- this song really hits home and I can guarantee that you will be howling with the pack too by the time you finish this one.

“The Revolt of the Atoms,” gives off a grim intro that sounds like a corrupted taped recording and be understood as a warning; It transitions into this melodic tune filled with anxiety and uneasiness. I believe it perhaps gives another shot at Brexit for its division of the people living in the nation and how we as people have been acting towards each other. Just like, “take my country back,” this has an apocalyptic atmosphere to it. It comments on the elimination of human life and our civilizations being erased completely because of the revolt of the atom. Everything is composed of matter and matter is created because of atoms. When he refers to the atom revolting, I believe he us commenting on us people. Now, I may be looking way into all this, but some of the lines seem to bring up news from today. The verse” I found some Intel the atoms had conveyed, convened and connived to the sound of my alarm clock now that was a shock.” I think this is just a remark on the terrorist attacks from recent years and many have been from timed bombs. The line “atoms had conveyed, convened and connived,” maybe refers to the terrorists speaking in private and planning to take out their fellow people with the use of a timed bomb. Reynolds goes on to express himself being shocked by his alarm clock I think relates to this topic. Later on he comments on the element helium and gives it a human characteristic like his alarm clock. He goes on to talk about his conversation with helium; “Helium spoke first It cooled tempers and lifted spirits, but then it made a threat and that made me sweat!” Helium can be used for many different things, like: cooling magnets used for MRI machines, it can be used for leak detection tests for container, which would be exposed to areas of high pressure. It has many other uses, but once we extract helium, it is so light and because it is so light, it can pass through our stratosphere and leave our planet completely. We have no way of regaining helium and yet we use it for balloons that rid us of that precious element. So helium making the “threat,” that made him “sweat,” could be commenting on this. The reason I think that this is also rooted with Brexit is because of the lines “it’s the revolt of the atoms from London town to ancient Athens. Eliminate all traces of human life; they plan to wipe us out,” of course London and Athens are part of the European Union and with Brexit they will we divided and this, aforementioned earlier, was decided by the people who voted for this to happen, not all of course, but the majority. At the closing of the song, Reynolds keeps repeating in a delirious state that, “everything’s crumbling.” I think him doing this continues to further push that we are destroying ourselves.

The finale to, “the Spark” is “an Ode to Jigsaw Pieces.” This is a deeply personal song from front man Rou Reynolds and his experiences in dealing with the separation from of a loved one and the heartache that comes from one. Just like “Airfield,” he strews together lines that are poetic and heartfelt. In “Airfield,” it is an optimistic melody about not giving in and looking at positives that emerge even when in such times desolate of happiness; Although they are similar in that sense, Reynolds really opens up on what really is eating at his insides. He gives us a first-person view into his daily life that maybe some of us have experienced just the same. I love how personal it is and we never really get that view-point from the Enter Shikari songs; they tend to usually ignore these topics and they rather focus their energy on maybe the bigger picture with world news and grander topics- even though love is definitely a huge topic and that is an understatement. This is a beautiful ending to this quiet and tranquil album. Aside from the review, if Rou Reynolds happens to read this, I would like to say thank you for sharing your stories and giving us such great music. You told us even when the winds against us, no to give up. I hope you will always remember those winds will always be there when you look, just grab and take flight with us.

The Spark is nothing what I expected it to be and I am quite glad it turned out that way. I am always surprised by the new direction and sound of the Enter Shikari albums. It was and album filled in with a greater list of slower tracks and seemed a little too quiet at times and some member’s voices were not as present as previous albums. It is a personal EP that wears its heart on its sleeves and is insightful to topics occurring in the world today. 8.5/10

Favorite Aspects:

-Personal topics along

-Informative topics going on today like Brexit

-New sound; they always sound completely different

Least Favorite Aspects:

-Lack of inclusion from the other members in the vocal department

-Album feels a bit short

-Although I loved the tranquility in the album, it feels a bit slow paced

Side note: I do not own any of these tracks posted they belong to Enter Shikari, Ambush Reality and Hopeless Records. Thank you.

Next review: Final Fantasy X

#enter shikari #The Spark #review

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oltnews · 5 years ago

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TThe 2020 BRIT Awards nominations were, as you would expect, dominated by guys in almost every category. This is why the appearance of Ashnikko on the red carpet, his striking blue hair worn by two male submarines, caused such agitation. "Tonight I'm playing Ashnikko: Femdom," she told NME. "It's a game of power ... Down with patriarchy." It is not the first time that Ashnikko (real name Ashton Casey) has been rowdy just to be herself. Following the release of his EP ‘Hi, It’s Me’ at the end of last year, his abrasive pop-rap single, ‘Stupid’, went viral on TikTok, getting noticed Saturday Night Live and a Miley Cyrus dance routine in the process. Since then, she has announced a tour with American rap sensation Doja Cat, her song "Working Bitch" had a similar moment online, Bring Me leader The Horizon Oli Sykes called it "The coolest person in the world", She spent her forties doing yoga with Charli XCX on her Instagram and appeared on Yungblud's online show last week. Phew. We met Ash in Los Angeles to find out when she escaped, her songs inspired by Harley Quinn and why she doesn't plan on taking herself anytime soon. Your music takes on its full influence. Sometimes it seems like Brockhampton meets Riot Grrl, other times it's a Charli XCX party with a Nu-metal growl. What do you call it “I wrote it the other day, it's angry, punk, hip-hop, sad-feminist, bubblegum, poo-poo. It’s a lot. I find it really difficult to stick to one thing because I am so fickle and I really like to change my mind. " You've been out music since you were 18, do you feel like you've finally found your sound with "Hi, it's me"? "100%. There’s a lot of really bad music I’ve done but you have to do crappy music to do what you’re supposed to do. I have the impression that this project is entirely me, fully my voice and fully what I want to say and sound. I'm really proud of it. " There is a proud feminine energy in your music, has it always been so? "No, that's not the case. I became a woman and I formed my own opinions about the world around me. I feel like a teenager who makes music, I had a lot of "internalized misogyny, a need to be one of the boys and a lot of self-hatred. By discovering what feminism is and what it meant to me, it definitely took my life in hand." [embed]https://www.youtube.com/watch?v=4o_IQavlMDA[/embed] What was the turning point? “I was really a kid from Tumblr. I did a lot of my personal education on what intersectional feminism is on Tumblr. The Internet is a great tool for children who are raised in very small cities. You can access all this information and make your own opinion. " So what inspired "Hi, it's me"? "It's a break EP. I still have a lot of break songs that are being recorded for later because I was writing them." Hi, it's me ", I'm the one who draws really in my own femininity and my own feeling of confidence that I feel like I only felt that last year when I wrote it. It was a very tumultuous and crazy journey. I was so upset and moved , everything just overflowed. I used a crazy energy when I was writing this project, I felt like a supernatural goddess, then it came out and I felt human again. This EP was a speech of encouragement for me. It was written to get me out of a bad place. " To what extent has "Stupid" going viral on Tiktok had an impact? “It gave him an astronomical boost. I like the way ‘Stupid’ is doing well, it’s not just this song that benefited. "Working Bitch" had a moment recently and it was really exciting. People discovered the rest of PE with ‘Stupid’, which is cool. I'm glad everything went like this. Even Miley got involved, how was it? "It was great. To me it felt like a cool little moment on TikTok and when Miley did a dance it looked like A Thing. I'm glad my ass song angry about my ex-boyfriend has become the reading list for so many people. " And has it changed your life? "100%, it's been quite the lifestyle change. I'm still getting used to it. It's sometimes a little uncomfortable, my relationship with social media has completely changed and I'm still working. Being more visible by as long as a human being is a strange state of life. But sometimes it's the best. It's something I've wanted for so long and now it happens, it's something I'm still struggling with. J just try to match my expectations with reality now. " [embed]https://www.youtube.com/watch?v=VbQrhOWkonk[/embed] Do you feel compelled to prove yourself now? "This way of thinking will only intensify my mental illness, so I'm not trying to think like that. For the first time, I have no trouble following. I have a lot of music to broadcast, I am very confident in my ability to create art and do the job. I'm just excited to put everything aside and not put myself under pressure because it's crazy. " You just released "Tantrum". Where does this song come from? "I had the Birds of prey soundtrack in mind, I wanted to run for this movie and I wanted to write a bad bitch, the song by Harley Quinn, so I wrote ‘Tantrum’. But it became 100% my song. I love this song and I love that it is my song. I write music for myself first and then for my beautiful fans. I have to do it myself first, otherwise it doesn't sound like my music. When you enter a session and say, “Okay, let's do a TikTok smash,” the song will sound like a balloon. " Is it a standalone single? Is there an EP en route? An album? "I don't know if I have the right to say but yes, my longtime collaborator Slinger and I are doing a project. No matter how it is called or finished, I continue to accept it, but I will just give birth to baby songs and see who loves them. " CREDIT: Lucrecia Taormina Who are your peers? "The people I really respect are Doja Cat, Grimes, Tierra Whack, Rico Nasty, Hayley Williams, Princess Nokia, Kim Petras and Charli XCX. Other women make me feel very inspired, but my really unconfident 14 year old self also inspires me to make confident music now, as a 24 year old woman. " Oli Sykes said you were the coolest person in the world. Are you? "He said it, didn't he. Sometimes when I dance with Cher in the mirror, I think 100% that I'm the coolest person in the world. But my brain is a real crazy race. Trust is a real roller coaster, right? I think I am sometimes and sometimes not at all. " Do you take yourself seriously? "You know what, I'm just kidding because of a trauma. It's very serious but also, I don't take myself too seriously because I like jokes on the fart, you know. For a while, I thought I must be this really serious artist, this enigma, but you know what, I like making stupid TikToks. I like to make these stupid sketches on my Youtube channel. I wrote a musical on my clitoris and I wore a vagina costume. I am not trying to be a really serious artist but I am not trying to be a parody or a comic act. But I can't take myself too seriously or I will cringe so hard. " Ashnikko's new single ‘Tantrum is now available !function(f,b,e,v,n,t,s) if(f.fbq)return;n=f.fbq=function()n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments); if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0'; n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0]; s.parentNode.insertBefore(t,s)(window, document,'script', 'https://connect.facebook.net/en_US/fbevents.js'); fbq('init', '2300206660218433'); fbq('track', 'PageView'); https://oltnews.com/ashnikko-is-miley-cyrus-approved-bubblepunk-pop-star-who-refuses-to-take-herself-seriously-nme-live?_unique_id=5ea0237ef27e2

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etechwire-blog · 7 years ago

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Dragon Age 4: everything we know so far about the open secret of a sequel

New Post has been published on https://www.etechwire.com/dragon-age-4-everything-we-know-so-far-about-the-open-secret-of-a-sequel/

Dragon Age 4: everything we know so far about the open secret of a sequel

It’s now been more than three years since the release of Dragon Age: Inquisition and although we’re still squeezing fun out of the game, we think it’s pretty understandable that fans are getting somewhat inquisitive (sorry) with regards to when we’ll hear about the next game in the franchise.

Even though we all knew, on some level, that there would definitely be another Dragon Age game, it was nice to have a confirmation from executive producer Mark Darrah. Whether it will actually be called Dragon Age 4 is up for debate –historical naming patterns in the series meaning it could really go either way – but we can still get excited.

Named or not, now that we know Dragon Age 4 is in the works we think it’s time to start keeping an eye on the latest news, and start building a picture of what the game might eventually look like. So we’ve put together this hub of news and rumors to keep you up to date on the latest news from Thedas.

[Update: In a recent interview with Eurogamer, former Dragon Age boss Mike Laidlaw discussed the franchise and what he may have done differently with the last title: Dragon Age Inquisition. According to Laidlaw, when it was released, The Witcher 3 highlighted weaknesses in Inquisition and made him feel that his games was “a little hollow”. With the benefit of hindsight, Laidlaw has said that he’d “look closer to The Witcher 3” with relation to the game’s open world and story-heavy quests.

With Laidlaw having moved on we can’t be sure these feelings will be carried over to the development of Dragon Age 4. However, it seems likely that Dragon Age fans would appreciate more depth in the game world they love.]

Cut to the chase

What is it? The fourth installment in the popular RPG franchise, Dragon Age

What can I play it on? Not confirmed but it’s likely to be Xbox One, PS4 and PC

When can I play it? It’s likely to be a couple of years away

Release date

Despite the fact that the game’s development is currently a very open secret, Dragon Age 4 hasn’t actually been officially announced by BioWare. It’s hard, then, to say how far along the game’s development might be, and how close we might be to seeing it released.

Back in May 2017, writer Alexis Kennedy revealed that he was working on a part of the game’s story in an interview with Eurogamer. This part of the story, he revealed, is “well-segregated from other parts of the game”. At this point in time, the game was still clearly in the very early stages of development.

However, with a recent report from Kotaku suggesting that some of the Dragon Age development team has been pulled off the title to focus on creating Anthem, we think it’s likely to be a while before we hear anything concrete about Dragon Age 4’s release date.

News and rumors

Roundabout confirmations

Regardless of whether or not BioWare had confirmed it, Dragon Age fans were pretty certain that another game was going to be in the works. Partly because they had faith in the power of their sheer force of will and partly because over the last couple of years there have been hints from BioWare that something would indeed be happening. It’s the secret that was never really a secret.

The most recent non-official confirmation has come from executive producer Mark Darrah, who tweeted in January 2018 that he’s working on both Dragon Age as well as BioWare’s next big IP, Anthem.

Halfway through my trip to Barcelona!I’m here showing Anthem internally to EA. I am EP of BOTH DA and Anthem working with @Bio_Warner as Game DirectorAnthem’s up next but there are people hard at work on both franchises and I look forward to sharing more in the futureJanuary 24, 2018

Though he’s now left the company, BioWare veteran Mike Laidlaw was tweeting that there was still another couple of games in Dragon Age series yet back in mid-2017. Even before that, Alexis Kennedy became the writer that launched a thousand headlines after comments he made in an interview with Eurogamer were taken as a semi-official confirmation of the game’s existence and his place in it.

There is no planned ending for DA. There is an evolving plan that tends to look 2 games ahead or so. https://t.co/6Tp1lP6d5GAugust 8, 2017

In the interview Kennedy teased that he’s been “given considerable autonomy to work on a storyline bit of lore which is well-segregated from other parts of the game.“

”I don’t want to exaggerate the degree of the chunk [I’m writing],“ Kennedy he was at pains to add. ”It’s nothing that grandiose, but it is distinct. It’s a bit of lore which has not been addressed much to date in Dragon Age.“

Story and character

Every game in the Dragon Age franchise has had a heavy emphasis on story and character and fans will be glad to know that Dragon Age 4 isn’t likely to be any different.

After Mark Darrah tweeted that he was working on the game, BioWare general manager Casey Hudson chipped in with his own elaborative tweet. In this tweet he said it was “too early to talk details” but the game would be “story & character focused.”

Reading lots of feedback regarding Dragon Age, and I think you’ll be relieved to see what the team is working on. Story & character focused.Too early to talk details, but when we talk about “live” it just means designing a game for continued storytelling after the main story.January 25, 2018

It’s not clear whether this will be a brand new standalone game or whether it’ll continue on directly from Inquisition. Certainly, the end of Inquisition’s Trespasser DLC suggests there is a story thread to follow with Solas, which would see the Inquisitor chase the elf down to stop his plans.

We already know there are writers working on lore and side quests, following Alexis Kennedy’s interview with Eurogamer in 2017 in which he confirmed he was working on a part of the game that’s “well-segregated” from the rest and focuses on some lore that’s not been widely addressed.

Kennedy, who has worked on titles such as Sunless Sea and Fallen London, said the subject matter would not be surprising to those familiar with his work. To us this implies that his quest (or quests) will include thoughtful choices, themes of tragic love and desire and an underlying sense of unease.

New live elements

In the January 2018 Kotaku report on Anthem and Dragon Age, it was mentioned that sources had informed Kotaku that Dragon Age had been “rebooted” in order to implement more “live elements” into the game.

Naturally, there was some fan panic in response to this given EA’s increasing penchant for service-based games. Fans expressed concern that BioWare was going to take the Dragon Age series down a Destiny 2, always-online multiplayer route.

That doesn’t appear to be the case, however. In his tweet, Casey Hudson also stated that the “live” elements being considered are actually ways of continuing the game’s story after the main story has been completed. This is something we’ve already seen in games such as Assassin’s Creed Origins.

Things we’d like to see

A world like Dragon Age: Inquisition

We hope that the next Dragon Age game has a map similar to the one in Dragon Age: Inquisition, by which we mean we hope it’s big and open without being overwhelming. It was the perfect follow-up to the closed and repetitive maps of Dragon Age 2 and we’d like this approach to continue.

Explore more of Thedas

There’s one very notable part of Thedas that players have yet to be allowed to explore and that’s the Tevinter Imperium. Once the most powerful nation in Thedas, the Imperium is a shadow of its former self. Its history, stratified social structure and maintenance of a magocracy would make it an immensely interesting and different part of Thedas to allow players to explore, while allowing the franchise to continue to explore themes of social injustice, power and prejudice.

The fact that the area is references throughout other Dragon Age games is enough to make us think it’s a viable setting for Dragon Age 4. However, the ending of Dragon Age: Inquisition’s Trespasser DLC makes us think it even more likely, as it sees the Inquisitor stab a dagger into a map of the Imperium with a vow to track down Solas.

Solve that cliffhanger

Our previous point brings us to this one – we’d really like that Solas storyline to continue to be explored. He’s the perfect focus for the next game and the player’s approach to him is the perfect narrative crux.

#Age #Dragon #Open #secret #sequel

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estimize · 8 years ago

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5 Stocks to Watch This Week 1/23 - MCD, BA, MSFT, SBUX, GOOGL

Monday, January 23

Wednesday, January 25

Thursday, January 26

McDonald’s (MCD)

Consumer Discretionary - Hotels, Restaurants & Leisure | Reports January 23, before the open.

The Estimize consensus is looking for earnings per share of $1.45, four cents above the sell-side consensus and 13% higher than the same period a year earlier. That estimate has increased 2% since McDonald’s last quarterly report. Revenue is anticipated to decrease 5% to $6.05 billion, $62M above Wall Street.

What to Watch: McDonald’s success in 2016 was largely the result of two key promotional campaigns that drove earnings and sales higher; the McPick 2 and all day breakfast. Both initiatives helped attract a wider audience and were more appealing to value-focused consumers. This year the focus shifts to growing the McCafe brand, expanding internationally, and revamping some of its classic menu items. Many of these initiatives, which are already underway, provide a much needed level of support to McDonald’s fourth quarter report scheduled to take place early Monday morning.

McDonald’s strategy to boost sales in the last year included greater marketing promotions, newer menu items, expanding the mobile app, and improving the customer experience. In the third quarter same store sales rose by 3.5% with across the board improvements in both the global and domestic sector. Sales in the United States gained 1.3%, mostly from the 3 menu promotions.

Looking forward, McDonald’s faces tougher comparisons as McPick 2 and All Day Breakfast sales dry up. To offset any lost sales, McDonald’s plans on expanding its McCafe brand by opening standalone stores and offering $1 any size coffee. These changes directly challenge Starbuck and Dunkin Donuts long held dominance in the coffee space.

Boeing (BA)

Industrials - Aerospace & Defense | Reports January 25, before the open.

The Estimize consensus is looking for earnings per share of $2.48, 14 cents above the Wall Street consensus and up 55% from the same period last year. That estimate has stayed flat since Boeing’s most recent report in October. Revenue is anticipated to be inline YoY at $23.59 billion, as compared to the sell-side’s consensus of $23.45 billion.

What to Watch: After a rough start to 2016, Aerospace & Defense stocks ended the year on a high note, with president Trump vowing to increase spending. However, the president has thrown the industry some curveballs, often pitting defense companies Boeing and Lockheed Martin against each other, and tweeting about the high cost of products made by the two.

In one such tweet, Trump proclaimed “cancel order” in reference to the Boeing Air Force Ones meant to be delivered in 2022 for $4B and caused the stock to fall, but it quickly rebounded. At the end of the year another tweet addressed the high cost of the Lockheed Martin F-35, in favor of the Boeing F-18 Super Hornet. Again LMT stock dropped, only to rise back to previously-held levels.

Boeing continues to show strong order bookings and order backlog, recording a defense backlog of $53B at the end of Q3 2016. For 2017, Boeing is focused on expanding internationally, recently penning a $16.6B deal with Iran Air for 80 jetliners.

Microsoft (MSFT)

Information Technology - Software | Reports January 26, after the close.

The Estimize consensus calls for EPS of $0.81, 3 cents above the Wall Street consensus. The Revenue expectation of $25.35 billion is $147M above sell-side consensus. Expectations have increased 2% since last quarter, putting YoY growth expectations at 2% for EPS and -1% for sales.

What to watch: Microsoft posted impressive results in its most recent report, recording a 5 cent beat on the bottom line and nearly $600 million on the top. A majority of these gains came from its cloud computing and productivity segments. MS Azure is now firmly the second best cloud computing platform only behind Amazon Web Services. Personal Computing only declined 2%, most of which came from waning phone and gaming demand. A shocking 38% increase in tablet sales during the first quarter have Apple investors questioning what the company can do to jumpstart iPad sales.

The Q3 report also caused a huge breakout in its technicals which could be the start of a lengthy run. A new peak in the on balance volume, bullish crossover in the MACD and 20 day moving average all indicate positive upside.

More recently, the company released two new products, Microsoft Teams and the large studio tables, both of which are expected to compete with established players in their respective spaces, Slack and Apple. If Microsoft can establish any sort of foothold that would be enough to justify shares moving higher.

Starbucks (SBUX)

Consumer Discretionary - Hotels, Restaurants & Leisure | Reports January 26, after the close.

The Estimize consensus calls for EPS of $0.53, 1 cent above the Wall Street consensus. Revenue expectations of $5.85 billion are in-line with the sell-side consensus. Expectations have decreased 3% since last quarter, putting YoY growth expectations at 16% for EPS and 9% for sales.

What to watch: Starbucks was dealt a massive blow last month when its renowned CEO Howard Schultz decided to step aside from his position for a smaller role in the company. Many believe this will turn out to bite the coffee chain as it did nearly 10 years ago. Despite the shakeup in management, the company is still moving forward with it’s massive expansion plans, with the main focus on China. In their fiscal Q4 Starbucks opened 690 net store, bringing the store total to 25,085 in 75 countries worldwide. The quarter also features a SSS increase of 4%, and an even higher 6% in China.

A revamped customer loyalty program earlier this year is proving to be the most successful initiative. In April, Starbucks updated its reward program which now rewards customers for every dollar spent instead of the number of visits, making it one of the most popular loyalty programs of any retailer. The coffee chain also has introduced wildly popular mobile initiative, such as mobile order and pay which reached 5% of US transactions last quarter.

However, competition is stiff, McDonald’s recent initiative to expand its McCafe brand will put pressure on the near term outlook of Starbucks. The golden arches is claiming it will sell coffee anywhere between $1 and $2, roughly half the price of any Starbuck’s beverage.

Alphabet (GOOGL)

Information Technology - Internet Software & Services | Reports January 26, after the close.

The Estimize consensus is looking for earnings per share of $9.80 on $20.66 billion in revenue, above Wall Street by 17 cents on the bottom-line and $150M on the top. Compared to a year earlier, this reflects a 12% increase in earnings and a 19% increase on sales. Earnings estimates have remained flat since the last quarter, while revenues increased 2%.

What to Watch: Google started off the second half of 2016 on a strong note, topping analysts’ expectations by a whopping 38 cents in the third quarter. Investors are hoping the tech giant can keep the momentum going in the fourth quarter after stalling some what in the first half of 2016 as losses from its moonshot investments piled up.

Those concerns appear to have been put to rest after the most report which featured a surge in their core mobile search and video businesses. Paid clicks increased 42% from a year earlier, roughly 10% higher than the industry average of 32%. New devices, Youtube and other strategic initiatives are expected to help diversify Google’s revenues and enrich its capabilities. So far the Google Home and Pixel have been well received and should shift the heat back to Amazon and Apple which offer comparable products.

Be sure to get your estimates in here!

(Photo Credit: iweatherman)

#$MCD #$SBUX #$BA #$GOOGL #$MSFT #$SPY #$^GSPC

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wits-writing · 6 years ago

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Earth’s Mightiest Retrospective Ep 46: “Code Red”

(Directed by Roy Burdine, Written by Man of Action, Original Airdate: September 23, 2012)

The Avengers have a clash with government authority this episode. United States Secretary of Defense Dell Rusk begins the episode holding a press conference to fully denounce the Avengers as a defense organization. While Tony worries about how Rusk is looking for an excuse to bring their team down, Steve reassures him that politicians come and go but their actions live on. (“If I said something like that it’d sound corny but coming from you it’s so natural.” – Tony) That brief speech from Steve about the merits of the Avengers amidst the public pressures they face gives Tony the opportunity to segue into the next part of their conversation. He wants to officially declare Captain America the leader of the Avengers. Before Steve gets a chance to answer, the main dilemma of the episode begins as a strange red mist starts flooding Avengers Mansion.

Iron Man’s shielded from the mist thanks to his armor, but the rest of the team isn’t so lucky. We see its effects quickly as the other Avengers and civilians in immediate perimeter of the mansion get infected. It weakens people to the point of collapse while turning their skin a familiar shade of red. (“Not this. Not him!” – Steve) Tony and T’Challa get to work to synthesize a cure. Thor, the only one immune to the mist, is ordered to use his powers to disperse the mist into space so it doesn’t spread any further. In case things weren’t bad enough, the mist provides a perfect chance for Dell Rusk to take the Avengers out like he wanted. He pins them as the source of the mist, saying they must’ve kept dangerous bioweapons on the mansion’s premises. Tanks are sent in to surround the mansion from the outside followed by Rusk’s personal superhuman taskforce, Code Red; including Winter Soldier, Falcon, Doc Samson and Red Hulk.

We’ve already been given reason to be weary of these characters back in “Nightmare in Red”, when they framed the original Hulk by creating Red Hulk. There are already obvious ulterior motives in play, since the immediacy of Rusk’s response would beggar belief otherwise, especially with how closely it’s timed to the press conference he held about the danger the Avengers represent. The rest of the Avengers besides Iron Man face off against Code Red as the taskforce tries to subdue the heroes under the guise of quarantining them.

Our heroes all fight off against the government sanctioned superheroes while suffering from varying levels of the red mist’s infection. The one exception being Thor, though his fight against Red Hulk provides its own challenges separate from the illness. Hawkeye makes the biggest move towards the team understanding what’s going on with the mist during his fight with Falcon. After taking the Code Red agent down, Clint locates a device in the area Falcon was heading toward. He informs Tony that the device was a remote dispersal unit that can be sourced back to the Department of Defense, meaning Rusk was behind the gas attack. Captain America facing Winter Soldier for the first time is worth mentioning, as the infected Cap notes that the way his opponent fights seems familiar.

Once most of Code Red has been taken down and accounted for, Tony’s the last uninfected Avengers standing. He synthesizes a cure and starts administering it to the others, only to go to the room where Cap was and see that he’s been taken by the Winter Soldier. Steve’s taken before Dell Rusk in his office at the Pentagon. Rusk starts pushing against Captain America for being out of touch with what the country needs from its heroes, beating the infected hero while he’s down for good measure. He also boasts about the irony of how Winter Soldier is the one to bring him in without specifying why it’s ironic so there’s still some drama for next episode (yeah, this goes into a two-parter.)

While Cap’s locked in that desperate situation, Iron Man flies at top speed to get the cure for illness to his teammate. When he gets intercepted by fighter jets a hundred miles out from the Pentagon, he makes the desperate move to launch the cure from a distance. It ends up getting intercepted by the quick reflexes of the Winter Soldier. While Rusk’s does some more discussion of how he’s crafted a perfect soldier to serve him, Cap grabs as Rusk face and rips it off. Revealing the “shocking” truth that Dell Rusk has been Red Skull the entire time.

This feels like a weak reveal and not because of the cheap anagram alias Red Skull was using. Dell Rusk was already being positioned as a villain from the start of this episode and in his brief previous appearance, but he hasn’t been enough of a presence in the series overall up to this point as Rusk for this to be much as dramatic as it should. It also ends up gutting the concept of the government not trusting the Avengers this episode started with, but this show probably wouldn’t have time to dig into all the nuances of that concept anyway. Red Skull orders Winter Soldier to execute Captain America, but he gives Cap the cure for the infection instead. Cap’s able to fight back against Red Skull now that he’s back at full strength. He knocks the Hydra leader out the window of his office into the lawn of the Pentagon, where news cameras can see the truth about Rusk for themselves.

“Code Red” wraps up on a few final notes, Cap goes back into the Pentagon to see the Winter Soldier’s vanished without a trace and Red Skull get taken to prison at Hydro-Base. We get some brief lines accounting for the actions of the other heroes in Code Red, Samson and Falcon were under the influence of mind control and Red Hulk’s current whereabouts are unknown. While Hawkeye wonders how a Hydra agent and war criminal managed to get so high up in the government (good thing stuff like that doesn’t happen in real life… oh, I made myself sad with that one), Steve’s left to wonder about what was going on with the Winter Soldier.

This episode’s pretty good, the final quarter of EMH hasn’t had many weak spots and the grounded stakes of the gas attack with the Code Red assault on the mansion work well together. While the ultimate reveal of Red Skull feels underwhelming, Steve Blum does a fantastic job voicing both the villain’s identities. If the reveal wasn’t telegraphed by what the gas attack was doing to people, Blum’s Rusk voice could’ve been a decent misdirect for a normal, yet still sinister, government official ready to attack the Avengers. He’s a credible threat and able to make the shift back to supervillainy the second his mask gets pulled off before Captain America beats him down. This episode’s effective as a standalone, even before taking what comes next into account.

Next time, the Captain America tracks down the Winter Soldier while it’s revealed Red Skull’s plans are far from over.

#Avengers #Avengers: Earth's Mightiest Heroes #Earth's Mightiest Retrospective #Wit's Writing #TV Review #Marvel Comics #Marvel #superhero tv #superhero animation #animation #comics

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