#the soundtrack is full of bangers too

[ellieloves2draw]

*fmab intermission voice* spirit tracks

bonus closeup of the fake poster

[the-silly-creature]

Love songs that sound good but also physically hurt to listen to

[mono-blogs-art]

if you don’t know anything about bandori or roselia i want you to watch this (skip to 02:58 if you just want to headbang)

Roselia - First live performance of overtuRe during the Weissklee concert on May 21st, 2022 at Fuji-Q Highland.

[ihavealavalamp]

When I Was Done Dying by Dan Deacon being on the Dark OST fucks me up esp with these lines like

man. thats the whole show huh. 

[welcometoteyvat]

Which non-combat Genshin overworld soundtrack is your favourite? How about regional battle theme, and boss theme, respectively?

thank you for the ask! :D

for non-combat, I would have to say This Little Light of Mine and Another Hopeful Tomorrow as top faves. I think they play in the same places? I just remember hearing them at Sal Terrae for the first time and just stopping dead in game to listen until the soundtrack ended it was so touching—idk they both have such a lovely tune that fit their locations, like a cheery reverberation of water and memories.

Oh I also like the 3.8 choo-choo cart soundtracks (Let's Get Started and Euphoric Ride) they're literally so cute..... klee 🥺 and the other favorites from annual summer klee events include Vast and Blue (an incredibly made xingqiu birthday fanvid uses it as background music and i fell in love) and honestly every single 1.6 GAA soundtrack. idk they really hit the vibe of cozy and nostalgic. nice summertime fun

the music from uyuu restaurant (Savory Treat) is also very fun and funky I enjoy it :] so is Melody of Hidden Seeds and With Witty Wit (cyno joke soundtrack, though not strictly an overworld track lol) I also already said this before but Lumidouce Harbor's daytime OST is SO GOOD the sailor vibes are impeccable.

Regional battle theme.... I need to listen to those again haha I don't really have a favorite (sometimes combat time is too short and the full track isn't allowed to play). I will say Fischl's domain during 2.8 GAA, Midsummer Fantasia or whatever, literally every single soundtrack there was SO GOOD, especially the combat ones. baroque harpsichord RAAAHHH

besides that. xinyan's domain's theme was also really good. Her remix w the guzheng (???) accents and the wind instruments combined with the rock on top of the normal combat soundtrack is SO GOOD and it really describes her character too :') pushing forward into modernity in an ancient land of history :''). Apparently the soundtrack is called Burst Into Flames. Some of the inazuma domain themes are also really good (will list them maybe tomorrow) I think I just like the percussive(?) elements. something w a strong beat yknow

boss themes... azhdaha rage beneath the mountain >>>>>>>> scaramouche's boss theme 2nd phase (polumnia omnia, apparently) also hits REALLY hard <- just relistened and forgot how good the vocals and technobeat parts were HOLY SHIT and the way inazuman motifs get mixed in???? GOD

if we count world bosses apparently jolts in the forest is the sumeru world boss OST and it's a pretty sick soundtrack (I thought it was either a general combat theme or tighnari's theme for some reason lol)

[addictsitter]

what's the redacted in your tags??

rocky horror. i am not going into it further at present.

[arolesbianism]

Shout out to my poor poor friend who keeps sending me video game songs trying to pin down my music taste like oh buddy I'm so sorry but Penny's battle theme is so small beans compared to the stuff I listen to

[appleciders]

no soundtrack has been there for me like she has

[mikeysagereblog]

⊗ superhero cartoons to watch when little!!! (or big, they're that good imo!!) ⊗

✧.* i've been wanting to make this list for a while now, mainly because i wanna talk about my fav cartoons/open up opportunities for other littles to find something awesome to watch!!! there's gonna be a lot of ranges in age ratings to add some variety for older/younger littles :)

✧.* also, i'd like to put a disclaimer here and say that a lot of these are on streaming services that i own, but other littles may not. i would also like to say that there are ways to get around a paywall if you can't afford certain streaming services!!! you can find full episodes on youtube/other sites for free!!! (just use an adblocker if you're on a site other than youtube if u can!!)

✧.* another disclaimer: any regressor of any age can watch any of these shows!! i just wanted to put the age ratings for those who want to stick to media that's more in their age range!! so, don't feel like you have to limit yourself from watching certain shows just because of how old you regress to!!

✧.* spectacular spider-man (2008-2009, 2 seasons): suitable for 7-8+, but i'd say it'd be okay for littles who regress younger to watch, too!! honestly, my all-time favorite spider-man cartoon!!! not only is it fun to watch while little, you can truly appreciate the show when you're big, too!!! josh keaton's voicework as spider-man is just- ahhhh it's so amazing imo!! the story is really good, the animation/style is just so iconic, and the colors are very easy on the eyes!!! (especially if you're sensitive to bright colors when little/in general) absolute banger of a theme song, too!!!

✧.* x-men: the animated series (1992-1997, 5 seasons): rated for around 7-8+, but i do admit that there can be some scary scenes for especially younger/more sensitive littles. honestly, this show is great!!! i loved all the different story arcs, how colorful the show is, the characters themselves- a lot of cool stuff about this show!!! be warned, there's a sudden drop in quality during season 5... i think they switched animation studios/va's or something because season 5 is NOT the best season of the show, i'll tell you that... 0_0

✧.* x-men '97 (2024-present, 1 season so far): rated for 14+, so this show is more suitable for teen regressors. it's a continuation of x-men:tas, and oh man... this is it. my favorite cartoon of all time!!! the animation is just oh so beautiful!!! the fight scenes are awesome!!! the soundtrack- oh golly the soundtrack!!! the remastered x-men:tas opening is just- wow!!! but, there's definitely reasons why it's rated 14+... not gonna spoil anything, but there's a lot of scenes in the show that can be upsetting for younger littles. trust me, watching some scenes when you're little is just- too much sometimes... (speaking from experience) it's an amazing show, but watch at ur own risk if you're a younger regressor!!!

✧.* batman: the animated series (1992-1995, 4 seasons): i'd say it's for around ages 9-10+, since it can be fairly dark at times. (same goes for a lot of batman related media!!) honestly, this show's pretty good!!! the style of the show is very dark visually, so it's easy on the eyes for those with bright color sensitivities!!! the artstyle itself is also very nice to look at!!! the voicework is amazing as well, especially kevin conroy's (rip) performance as batman himself!!! from what i can remember, the plotpoints were also pretty on-par!! i remember liking the show a lot when i was a kid!! :)

✧.* hulk vs. wolverine (not a show but an animated movie, 2009): this one's rated pg-13, since there's depictions of violence. but, i gotta say- this movie had me hyped up when i watched it as a kid!!! this was part of a straight to video two-movie collection, (the other being "hulk vs. thor") and i gotta say... this movie was awesome!!! the fight scenes were rad as heck, the animation was amazing, even deadpool was in the movie!!! (which, fun fact, was his first appearance in animation!!! other than the 2 second cameo in x-men:tas) very fun movie!!!

✧.* these are just some recommendations!!! i really liked these when i was a kid, and i hope you'll like them too, if you decide to watch them!!!

✧.* (also yay!! finally have a new banner!!! + i updated my blog's theme because nightcrawler is so awesome and he's literally my cg guys!!! he said it himself :3)

[explosionshark]

2024 AOTY

by me! your pal, bri-bri

originally i was going to just write up the first ten albums or so, but then i had things i wanted to say about the rest of 'em so i just kept going. that made the list really long though. so here's just the numbered list, under the cut you'll find my extended thoughts n feelings :)

What I'll Leave Behind by Void of Vision

For Your Consideration by Empress Of

Sanshi by Ripped to Shreds

Coup de Grace by Seeyouspacecowboy

Aumicide by Atrae Bilis

Children of the Moon by State Faults

Ridiculous and Full of Blood by Julie Christmas

Absolute Elsewhere by Blood Incantation

Lonely People [EP] by Love Rarely

Cutting the Throat of God by Ulcerate

Infinite Mortality by Replicant

I Got Heaven by Mannequin Pussy

Valerie by Tei Shi

Forever by Charly Bliss

You Could Do It Tonight by Couch Slut

World Fighter by Angel Sword

Hicimos Crecer un Bosque by Fin del Mundo

Ephemera [EP] by Ben Quad

Stygian Rose by Crypt Sermon

Infinite Void by With Sails Ahead

Vault of Horrors by Aborted

Revelations by Sarah Shook & the Disarmers

Steps Ascending by Stand Still

The Tower by Urban Heat

AOTY 2024

Full list here: write-ups for specific albums under th cut. Ranked somewhat arbitrarily.

1. What I'll Leave Behind by Void of Vision (metalcore) - absolute bummer that this will be the final album by these guys, but I'm grateful for the fact that I was able to see them a few times before they had to call it quits. Been describing this as like a song missing from the Saw 2 soundtrack or something that should have been playing at one of the clubs in Vampire The Masquerade: Bloodlines or something. I feel like that's accurate - alt metalcore with its nails painted black and a profound love of Nine Inch Nails. Strong lyricism drawn from real trauma, enough fun electronics to make them stand out from more generic metalcore acts, plenty of hooks and some sick breakdowns as well to keep things heavy. I hope Jack Bergin's brain never explodes again and retiring from touring helps him lead a long and healthier life. "Gamma Knife" is the highlight for me

2. For Your Consideration by Empress Of (Pop) - my favorite pop album of the year. Lorely Rodriguez is so insanely talented, this album has a pretty diverse range of sounds without becoming too inconsistent. I love that there's raunchy club bangers like "Femenine" right next to sappy love songs like "Kiss Me" and more introspective tracks like "What Type of Girl Am I?"

3. Sanshi by Ripped to Shreds (Death Metal) - very good year for death metal but I think this is my favorite DM record of the year. I've always enjoyed Andy Lee's projects and Ripped to Shreds has been my favorite of them for years but expanding to a full band has taken them to a whole nother level. Killer riffage throughout, insanely fun lead swapping between Lee and Michael Chavez. "Horrendous Corpse Resurrection" is easily one of my top songs of the year

4. Coup de Grace by Seeyouspacecowboy (Metalcore) - this was a big big SYSC year for me, in large part bc I ended up seeing them live so many times. Honestly initially I struggled with Coup de Grace because it leans harder into the dramatic, theatrical MCR/P!ATD style of emo than any of their other work, and that's not necessarily to my taste. This still makes the top 5 despite regularly skipping several songs on each listen because the rest of it is so damn good. Could not stop listening to it this fall. Safe to say it grew on me. "Chewing the Scenery" and "Subtle Whispers to Take Your Breath Away" were two of my most played tracks for the whole year

5. Aumicide by Atrae Bilis (Death Metal) - one of the most underrated death metal bands active rn imo. No sophomore slump for these guys, this record absolutely smokes from start to finish. It's heavy and it's nasty, but it still grooves. There's enough melody to make it addictive but they're still able to maintain the harshness that makes dissonant death metal compelling. "Hell Simulation" and the closing track "Excruciate Incarnate" are perfect examples of the balance they strike between those two modes

6. Children of the Moon by State Faults (post-hardcore) - 2024 was the year I discovered State Faults. Very much the experience of finding a band that is so much Your Shit that it feels insane that you're almost a decade late to the party. Children of the Moon is the best post-hardcore album of the year imo and it's not even close. These guys draw from an incredible range of influences to create some of the most affecting work in the genre - brutal and beautiful and profound. "Palo Santo" and "No Gospel" absolutely blow me away every time

7. Ridiculous and Full of Blood by Julie Christmas (post-metal? Noise? Julie Christmascore) - anyone already familiar with Julie Christmas' work does not need me to explain why she's such a powerhouse and anyone not familiar will be done a disservice by anything short of listening to her music for themself. All I can truly say about Ridiculous and Full of Blood is that it's one of the most dynamic, interesting albums of the year and I just hope to God she doesn't make us wait another 14 years for her next solo record. The band she assembled for this album is insane across the board, but in particular it was a delight to see her collaborating with Johannes Persson again eight years after the absolutely masterful collaboration with Cult of Luna. If you listen to only one song out of all the stuff I'm recommending today, let it be "The Lighthouse"

8. Absolute Elsewhere by Blood Incantation (progressive death metal) - everyone won't shut up about this album but in this case the praise is absolutely earned. Cosmic, atmospheric, brutal, spacey, heavy as hell. With a Tangerine Dream collaboration no less! Essentially comprised of two long songs, Absolute Elsewhere is a record you need to make time for, meant to be listened to in full to get the most out of it, but it's so, so worth it to take the time. A stunning, transportive piece

9. Lonely People [EP] by Love Rarely (post-hardcore/math rock) - my favorite EP of the year. A very exciting band, they fuse hooky, math rock riffs with post-hardcore intensity. Courtney Levitt's vocals are incredible - a combination of throat shredding shrieks and powerful, emotional clean singing that makes you instantly sit up and pay more attention. "Say Yes" was on repeat for me all year

10. Cutting the Throat of God by Ulcerate (death metal) - an absolutely crushing, depressive, beautiful piece of dissonant death metal. Undeniably heavy, but on this outing we see Ulcerate lean into some post-rock esque melodicism that elevates their sound even further. It's such an atmospheric album - grim and unrelenting, but strangely delicate in places. Top notch musicianship throughout, but Jaime Saint-Merat's drumming is just mind-blowing. The title track is a must-listen song for anyone who gives a shit about heavy music at all

11. Infinite Mortality by Replicant (Death Metal) - I noticed in my write-ups for the other two dissonant death metal albums on this list, I took a moment to highlight and praise the melodicism therein. That won't be happening for Infinite Mortality. That's not to say there's zero melody at all but to emphasize how much that's not the draw here. This album is an altogether darker, nastier, more menacing affair. There's a grime here, a dizzying, sinister undertone of violence. My first time listening to this record was as background music while I was reading Crypt of the Moon Spider by Nathan Ballingrud and there was a scene in that book I was reading during "Orgasm of Bereavement" where the combination of the sounds I was hearing and the words I was reading gave me a full-body sensory experience: goosebumps, a faint sense of nausea, slight dizziness. I can't think of a stronger album recommendation than that.

12. I Got Heaven by Mannequin Pussy (Rock) - ANOTHER BANGER FROM MISSY DABICE AND CO. Mannequin Pussy keep getting better and better and it seems like they're finally (deservedly) starting to blow up with this record. It's a joy to listen to - snarky, vulnerable, earnest, clever, joyful and pissed off in turns. "Loud Bark" is already iconic, easily one of the finest songs they've written in an already stacked career of certifiable bangers

13. Valerie by Tei Shi (pop) - my second favorite pop album of the year! Tei Shi's first independent release. The breadth of songs on this album is incredible - bachata inflected pop kicks the album off with the explosively catchy "QQ (QUÉDATE QUERIENDOME)" and by the middle of the record we've somehow transitioned to intimate, heart wrenchingly vulnerable meditations on a painful miscarriage with "Falling From Grace." Frustration with the major label rat race as well as evergreen pop subjects of love and heartbreak fill out the rest of the album, but no matter the topic or the style of the song, everything feels honest and confident. The Spanglish version of "Mona Lisa" is one of my favorite pop songs of the year

14. Forever by Charly Bliss (Rock/Power Pop) - talking about honest, vulnerable music! Charly Bliss made their comeback this year and it's unsurprisingly one of the best albums to come out in 2024. Forever feels like a great marriage of the sounds on their other two LPs, Guppy and Young Enough. The band is still leaning into the pop sound that clearly enthralls them but there's a welcome return for fun guitar riffs too. Also there's no album on this list that has a stronger opening than the three song run of "Tragic" to "Calling You Out" to "Back There Now"

15. You Could Do It Tonight by Couch Slut (Sludge Metal/Noise) - okay enough pop music time for something gross and gnarly and almost guaranteed to give you some kind of disease. Couch Slut have always been here to upset you - and holy shit are they good at it on this album. Each and every song on this record is a provocative, stomach-churning vignette in its own right but none moreso than "The Donkey" where Megan Osztrosits recounts a horrifyingly fucked up story of a friend's drug-fueled bout of self mutilation in Chat Pile-esque spoken word over massive, dirty sludge metal riffs. It's fucking sick. "Here's what happened when my friends and I got fired from a haunted water park" - tell me you don't want to hear how the rest of this story goes, even knowing it will end in a grotesque, bloody mess.

16. World Fighter by Angel Sword (Heavy Metal) - okay enough edgelord shit now we're back to having fun. I honestly didn't think there would be a trad metal release that would top Razor Wire by Mean Mistreater, and then I stumbled into Angel Sword this summer. It's just candy, man. Extremely catchy 80s style riffs, incredible hooks, gritty yet charming vocals. This album is dripping in neon, racing down the highway at 90 miles an hour with two topless babes in the backseat telling you how cool your studded denim jacket and fresh perm look. "Vigilantes" never gets old for me

17. Hicimos Crecer un Bosque by Fin del Mundo (shoegaze) - kinda wild that this is the only shoegaze album that made it onto my list this year but it is what it is! And what it is in this case is the killer second album by Argentinian band Fin del Mundo. If you like fuzzy guitars and ethereal vocals, this is the record on this list for you. Although labeling them a shoegaze band is accurate, it fails to account for the ways post-rock, emo, and dream pop elevate the bands sound to another level. It's a record that's soothing and engaging at the same time, well produced, clear sounding without being too polished. "Vivimos lejos" brings a charming kind of ASIWYFA-style combination of gang vocals and emo instrumentals, resulting in basically four and half perfect minutes of music

18. Ephemera [EP] by Ben Quad (post-hardcore) - many bands are doing the throwback 00s emo/metalcore thing right now, but few of them are doing it as well as Ben Quad on this EP. This is basically They're Only Chasing Safety-worship but that's fine by me. Frantic, melodic, scathing and nakedly emotional, I love the intensity of this EP. I'd kill for a full record in this style tbh, but for now I'll be happy with what we've got. It's an incredibly short 11 minute runtime so I'd really recommend just listening to the whole thing but if nothing else, don't skip "Your Face as an Effigy"

19. Stygian Rose by Crypt Sermon (Epic Heavy Metal) - epic heavy metal, I'm sure, sounds like the stupidest genre name in the world. But like, listen to Stygian Rose and you'll immediately understand there's nothing else that describes it as well. Big, heavy doomy guitars, fast drumming, crazy soloing, nimble bass riffage, powerful heavy metal vocals and lyrics about like wizards and evil kings and stuff? Lie to yourself if you want, but I know the truth. This album fucks hard. "Heavy is the Crown of Bone" and "Glimmers in the Underworld" are crushing, face-melting works of fantasy bullshit. I can't get enough of this album

20. Infinite Void by With Sails Ahead (Post-hardcore) - I discovered these guys through a collaboration with Pulses. last year and I spent most of the intervening time eagerly anticipating the release of their debut LP Infinite Void. And let me tell you, it did not disappoint. It's an incredibly confident and fun first record - firmly on the Swancore side of PHC but lacking a lot of what tends to annoy me in that subgenre (insufferable songs about the male ego). Sierra Binondo's powerful and diverse vocal range really takes these guys to another level in a genre where extremely talented musicians are a dime a dozen. Go listen to "Ryn" right now and tell me you're not at least a little bit in love now

21. Vault of Horrors by Aborted (Brutal Death Metal) - it's Aborted! It's a cheeseburger. But it's a really, really, really good cheeseburger after you've been craving one for ages. This record has two gimmicks - all the songs are based on horror movies and each has a feature from a guest vocalist. Admittedly, I find brutal/tech death to be kind of wearying after a while and this tends to affect listenability for me, which is precisely why this album has a place on my AOTY list - I don't get tired of it. It's brutal and punishing but catchy and fun to listen to. Daníel Konráðsso absolutely does not sound like a human being on this. I bet his calf muscles are insane, because the double bass on this record is frankly disgusting. "The Golgothan" has my favorite riff of the record, but there's no bad tracks, honestly

22. Revelations by Sarah Shook & the Disarmers (Alt Country) - haven't really figured out a way to talk about this band that doesn't feel at least a little bit like deadnaming singer/guitarist River Shook but they've yet to change their band name so! Admittedly, not a very country heavy year for me, but if everything I've dabbled in, Revelations is the easy standout. Continuing the band's legacy of clever, honest lyricism and rollicking country rock musicianship, Revelations feels like the best version of their sound yet. "Motherfucker" is a straightforward, righteously pissed off ode to gross, predatory men in the industry, "Backsliders" is a good old fashioned broken-hearted ode to a bad relationship, while "Jane Doe" is the easy standout shot through with emotion, clever lyricism and brilliant guitar work

23. Steps Ascending by Stand Still (Pop Punk/Melodic Hardcore) - I was a teen in the 00s so I'll always be weak to that very Long Island melodic hardcore in 2004 sound that this album is evoking so perfectly. I love fast drums, I love posi philosophical lyrics, I love those melodic, angular guitar riffs, I love a guy shouting and I love gang vocals. Those things in combination just always work on me. "We Know the Score" + "Mysticism" are the perfect 'holler along at the top of your lungs in the car' combo

24. The Tower by Urban Heat (Post-Punk) - one of my most anticipated albums of the year. When they started the album rollout with singles like "Sanitizer" and "Right Time of Night" I had a pretty good idea that the final product would have a good shot at being one of my favorite records of the year. And of course I was right. Most Post-Punk isn't quite capable of keeping my attention, but Urban Heat are so damn good at songcraft. The songs on this record are incredibly dynamic, ranging from the snotty disdain of the aforementioned "Sanitizer" to the surprising tenderness of the New Wave ballad "Seven Safe Places." It's an incredibly strong showing from a really exciting band. I've heard they're killer live, too. Maybe if I'm lucky this coming year I'll get a chance to find out for myself.

And that's it! 24 for 24

Except for these also >:)

Honorable Mentions (aka albums it killed me to leave off this list so I'm cheating by adding them here)

Club Shy [EP] by Shygirl

Prude by Drug Church

It's Inside You by Candy

Sunrise Over Rigor Mortis by Beaten to Death

Verses in Oath by Hulder

Beating the Drums of Ancestral Force by Tzompantli

Agony & Wounds by Obscene

Cure by ERRA

Songs of Blood and Mire by Spectral Wound

The Cycles of Trying to Cope by Like Moths to Flames

Razor Wire by Mean Mistreater

I'll Drown on This Earth by Cold Gawd

Heaven Let them Die [EP] by Counterparts

Dark Superstition by Gatecreeper

[purpleshimmer]

Music Videos in Season Two vs Season One

@thenationofzaun made a post about this too so I won’t talk too much about what they already said, but I wanted to talk a bit about why I feel the music videos in this season aren’t working the way they did in season 1

Spoilers below!

I love love love the music videos/sequences in season two, I really do! I think all the artists did an incredible job and the soundtrack is full of bangers so far. I love that Fortiche is branching out with different animation styles like the comic book sequence in episode 3 and the watercolor pictures in the flashback with vander. However, because they’re trying to fit so many plot points in 9 episodes they’re using these 2 minute music videos to tell stories and explain events that should’ve been given at least 15-20 minutes of screentime. The music videos are a great way to experiment with new animation styles and set up plots/events, which they did perfectly in season 1. 

S1E5 - “Enemy”

Enemy is played as Vi walks through the bar on her way to confront Sevika. However, we got plenty of context beforehand! We know why Vi is angry with Sevika, how she knew where to even find her, and got a really great fight scene between the two after the music played. The song showed Vi being badass and cool and set the mood for the fight, but wasn’t used to replace the Vi vs Sevika conflict. 

Compare this to something like the "Hellfire" music video in S2E3, where we don’t even see the task force enter Zaun. We should have seen Vi’s internal struggle with joining the Enforcers like she did in episode 1, but instead we can only assume that the event at the memorial service moved her enough for her to abandon her beliefs about the enforcers that she’s held since she was a small child and join them. We don’t get to see how Steb, Loris, Vi, Maddie, and Caitlyn work together and what their dynamics are like. We don’t see what Vi’s reaction is to releasing toxic gas on her own people, or them raiding the Vyx, we only see the aftermath of that and the scene in the arcade. The music video should have been used to set up the events, and then at least a few minutes of the episode should have shown the first raid on Zaun by the task force.

S1E6 - “Guns for Hire”

This is one of my favorite parts of season 1. The entire episode led up to the huge moment at the end where Jinx lit the flare to try and find her sister and for Piltover to block Zaun citizens out of Piltover. The end scene didn’t need to have dialogue or be drawn out because it was already explained for the entire episode. The music served its purpose by making us feel emotional and setting the next episodes. The same goes for “What Could Have Been” at the end of episode 9. I feel the same way about Woodkid’s other song, “To Ashes and Blood” in S2E3. The whole episode led up to that moment, so I think it was fine to have a music sequence as the final battle played out. 

S1E7 - “Misfit Toys”

This is the most “official” music video in season 1; the others are more so sequences with music played overtop of them instead of dialogue. The music video sets us up with information that we should know about the firelights BEFORE officially meeting them. We learn from the lyrics and the video that they are a group of Zaunites that are working to stop Silco and provide people a safe place to get away from Silco’s shimmer-ravaged city. It’s also just a great song and an incredible music video with a unique style. However, this isn’t ALL that we see of the Firelights. It’s used as a supplement, not a replacement, to their story. At least 1/3rd of episode 7 is about the Firelights, Ekko, and their relationship with Silco’s Zaun and Piltover, allowing for the audience to sympathize and connect with them further. 

This episode also features “Dynasties and Dystopia,” another great music video sequence. I love that it switches between Jinx and Ekko currently and as friends. It expands on their history and draws attention that these two used to be close friends, but are now trying to fight to the death. It works, in my opinion, because we already knew that they were friends, as this was established in the first three episodes of the show. The music video added to our knowledge, but wasn’t the first time we learned that they were friends. 

S2E1 - “I Can’t Hear It Now”

This one was so beautiful and made me sob the first time I watched it. The end of episode nine and the first parts of this episode prepared us for Cassandra’s death, and the funeral serves to show us Caitlyn’s reaction to it. It’s absolutely heartbreaking and beautiful; I wouldn’t change a single thing about this scene. 

S2E2 - “Sucker” 

I LOVE this song and I really like the music video that goes along with it. HOWEVER, the music video should have played at the beginning of the episode to remind the audience of the turf wars between the chem barons, and then at least half of the episode should have expanded on those conflicts. Instead we just got the two scenes with Smeech, who died almost immediately after. We never get to see Margot or Chross again, despite the fact that they are almost certainly still fighting. What was the result of that? We see the displaced people coming to Zauna and later Viktor’s camp, but why didn’t we get to see any of the political struggles between them (or any of the chem barons before their deaths)? We don’t get to learn about their organizations, we don’t see more of their personalities, we don’t see them fight outside of the music video, nothing. Maybe I’m just biased because I’ve loved the chem barons since their brief appearance in season 1, but the only reason I wasn’t upset about their small amount of screen time in season 1 was because I was expecting them to play a huge role in season 2. 

I loved the “Renegade” sequence, that was really fun and I don’t have anything negative to say about it other than that I wish my best friend Smeech didn’t get killed. 

S2E6 -"Remember Me"

I actually like this one! Putting aside the flaws with this plotpoint bc that’s not what this post is about, I actually think this one was well incorporated. We already knew some background about Vander and Silco’s relationship from season one, so this wasn’t sprung upon us randomly, and we even got a decently long flashback scene between the two. The music video was used to show a bit more information that could accurately be portrayed through the watercolor animation and without any dialogue, which I think it did successfully. 

S2E5 - “Cocktail Molotov” 

Again, I love this sequence, the song fits perfectly with the situation and it was exciting to watch. However, instead of playing at the beginning to set up Vi’s new living situation, it was the only part of her pitfighter life that we got to see. This was especially strange to me because of how much Riot hyped up pitfighter Vi before the season dropped; I really thought it would be a major part of the episode. We didn’t get to see a full fight between her and an opponent, we didn’t see any conversations between her and Loris, we didn’t even see how she ended up as a fighter in the first place. It was just “look at how cool she is! Also she’s drunk and sad” but we never got the chance to connect with her and feel what she was going through the way we did in season one when she was experiencing changes and struggles in her life.  

I didn’t cover all the songs bc this post is already really long, but that’s kind of how I’m feeling atm. I’d love to hear you guys’ opinions in the comments/tags!! Again I still love the music videos. I just think the ones in season 1 were better. I really hope I’m not sounding like I hate the show or something. I feel like a lot of my recent posts have been super negative 😭 I still love the show, I just have more criticisms with this season than I did for season 1, as I think a lot of people do.

[hersterical]

Imagine with me a Greek tragedy in a fantasy steampunk setting with groundbreaking and supremely creative animation, phenomenal voice acting, and an absolutely banger original soundtrack and some of my all time favorite fight choreography ever. Not only is every single character complex and morally grey, but the narrative also recognizes this and respects it. It is absolutely full to the brim with symbolism, metaphors, foreshadowing, callbacks, parallels (visual, thematic, and all other kind of possible parallels you can imagine) and each and everyone of these are used expertly. Maybe even perfectly. It has storylines and themes that are both wide and far reaching, but also just so incredibly personal and intimate. The relationships are so complex, with a special focus on the relationships between sisters, fathers and daughters, and found family. A lot of heart and love went every single moment of this series and it shows

For caitvi specifically on the surface they get grouped together with ships like korrasami and supercorp a lot. So that’s their basic vibe, but there’s a lot more to them than that. They are just about the perfect battle couple. They start off as reluctant allies (with immediate chemistry) which quickly evolves into a real partnership. They see each other. They understand each other. These are two of the toughest women in the world. They have to be strong. They are the only ones that they can be vulnerable with. THEY ARE SO SOFT FOR EACH OTHER. And that’s all within about three days of meeting each other (the last 2/3 of season 1). By the time season 2 comes around, they are all each other have. At least before this Vi was trying to reunite with her sister and Caitlyn had her parents and Jayce, but now there’s only each other. They argue and become a little bit too dependent on each other. While they were bringing out the best in each other in season 1, they’re now bringing out the worst in each other for the first 3 episodes of season 2 (get you a ship that can do both). They’re opposites. Vi literally refers to them as “oil and water” in season 1. But they’re also the same. All they know how to do is to fight and to never stop no matter what. They both love their family’s so much. They both heal and destroy each other. They’re great and I love them

There’s also a lot of hot characters

So yeah, I’d really recommend this show @juanabaloo

[0heartangel0]

PERSONA 5 TACTICA IS NOT GREAT: A VERY ODDLY-CONSTRUCTED RANT

Pt. 3: This Is Not My Jam

Originally, I was gonna talk about the gameplay next, but I realized that in order for my argument of it to make sense, be accurate and fair, I'm currently stuck in a rather long bit of "research", so to speak. So, for the time being, I'll move on to my next complaint that doesn't require extensive comparisons, which I hope to be short and sweet: The music!

....it's very forgettable-

OKAY! Like I said from the beginning: I'm not here to judge people's tastes! If you enjoyed the music, that's great! Flippin', blast that crap while doing a power study at 3am all you want, I ain't stopping you (except for your neighbors likely filing noise complaints).

But, for me personally, they just didn't click with me.

As of me writing this, I had JUST listened to the full version of the opening theme ('Revolution In Your Heart'), and have immediately forgotten most of how it goes. Not to be harsh, but it sounds like someone trying to write what they think a Persona 5 song sounds like. It just doesn't have the *oomph* factor that would classify it as a Persona 5 song to me.

It doesn't have the high energy of 'Wake Up, Get Up, Get Out There'.

It doesn't have the excitement of 'Colors Flying High'.

It doesn't have the motivational feeling of 'You Are Stronger'.

Unlike those openers, Tactica's opening theme doesn't give me that feeling - the feeling of wanting to move, and not just in dance. It doesn't get me hyped to play a game, where I'm overthrowing tyrants for the sake of

And the same is sadly true for the rest of the soundtrack.

(Update: Listening to Revolution In Your Heart again made me realize that in comparison to the other openings, Lyn here is getting drowned out by the music. The other openings leave her crisp and distinguishable from the instrumental. I haven't touched it, yet, but the mixing in this game is not very good....)

I'm glad almost everything is original music, apart from this one rendition of 'Beneath The Mask' at the very beginning of the game, as well as - of course - the Velvet Room theme. However, once again, almost none I remember too well and don't sound like Persona 5 songs. And yeah, I know that sounds contradictory to what I just said about liking that we're doing original music, but what I meant by it was that they don't sound like songs that would *come* from a Persona 5 game. It's just....eh.

What makes it most astonishing about all of this, mainly in regards to the battle music, is that unlike P5 or P5S, you'll be listening to these songs for about 5-10 minutes per level due to the nature of Tactica being a tactical rpg, so battles would run longer. And yet, despite P5's and P5S' battles running shorter (as a turn-based rpg and Musuo-styled rpg respectively), I still remember 'Last Surprise', 'Take Over', 'Axe To Grind', and 'What You Wish For'. Once again, I think it comes back to those songs having more energy and oomph in them by comparison.

You could try to make the argument that they probably wouldn't try as hard with the soundtrack due to it being a spinoff game, and to that, I say that that's a bad faith take to make, because A) that's a harsh assumption on the song writers for this game's soundtrack, as much as I dislike it. Looking it up, there's over a hundred tracks for this game, so they'd be obviously busting their butts on this soundtrack. It's just disappointing to me that I myself didn't find it worthwhile to listen to, personally. Besides, I already know there are people out there who disagree with me on this, so on that front, the songwriters succeeded.

And B) have you not listened to a single track from *any* Persona spinoff?

I already talked about some of Striker’s songs, both PQ and PQ2 have bangers in there, especially since they're balancing the song styles from all three modern Persona games due to the nature of them being crossovers, and Arena created themes for every fighter there, and they all fit them and *slap*! I don't include the Dancing games, since they're already based solely around the music, and most are just renditions or remixes of already existing songs.

(God, I just reminded myself of that terrible remix of 'Mass Destruction' they did in 'Dancing Moon Night', and now I have to apologize to the Tactica soundtrack, because its only crime is being just forgettable, unlike....that thing.)

There's only ONE song I remember, albeit, rather repetitive. It's called 'Abyss Of Despair', and it plays when you fight the Eri monster thing. However, there's only *one* reason I remember it: it reminds me SO much of 'Memory' from Undertale.

It's probably just me, but I just wanted to point it out.

But...I don't get it? Apart from the energy, I feel like there's this other "thing" that's missing in these songs. I've been trying to wrack my brain to come up with the explanation. What is the secret ingredient that makes a Persona 5 song *feel* like a Persona 5 song?

So, I've been listening to some tracks from P5, P5R, and P5S to maybe find that secret sauce. And after listening to the openings of all three back-to-back...it hit me.

It's.....

THE VIOLIN!!!

Think about it! A vast majority of P5 tracks have the violin as a major component in it. There are a few exceptions, mainly the palace and jail themes, but I let those pass because they're supposed to represent the rulers of those places, so they themselves would be given specific instruments ('Price's' zurna, my beloved). To me, I feel the Phantom Thieves themselves are represented by the violins in the music, which is why you mainly hear it in their battle tracks and infiltration themes.

You immediately hear it in 'Last Surprise:'

You hear it in 'Life Will Change' about 45 seconds in:

You can hear it in 'Daredevil' a few seconds in:

Hell, I got curious and looked at 'Counter Strike' to see if they had it (for I only recall the electric guitar), only to immediately be hit with that violin:

And going back to the beginning of this post, you can hear it in all of the openings.

All of them, except for Tactica's. And that's when the crux of my argument becomes realized.

I went back, and listened to random tracks on the Tactica soundtrack, and I didn't hear a *single* violin. No even a cello...

Even the songs done by Lyn don't have them ANYWHERE! Not 'Got Your Tail', not 'Inextinguishable', and definitely not 'Truth Or Dare' (I might do a reblog that adds these three Lyn tracks to show it, because I've run out of space, according to meany Tumblr....).

How could they forget the violins???

I get they're trying to go for a more "revolutionary" sound to the music (which is why you hear a lot of marching drums and guitars (mainly of the electric variety) in them. And a low synth, apparently...), but P5 was already about revolution in a sense. It's a bloody synonym to REBELLION, P5's main theme! And even then, they still could've kept the violins to keep the P5 sound. But, they chose not to for reasons that escape me.

So, in conclusion, I'm not big on the soundtrack to Tactica, and my findings have led me to conclude that it's because some lone bandit snuck into Atlus' headquarters, and stole all of their violins. The only thing they had left was little Ami's drumkit, so worked with that.

Pt. 1

Pt. 2

Pt. 4

Pt. 4.5

Pt. 5

Pt. 6

Pt. 7

[unhinged-girls-stan]

saw gladiator 2 had some thoughts

soooooo. Gladiator II "if i don't make a direct reference to the original movie every 5 minutes i die" challenge

spoliers below

the good: I was entertained. connie nielsen is very good, her cold beauty and elegance as well as her very emotive eyes were excellent. pedro pascal is very goood too, although extreeeemely underutilised. his battle to the death with lucius is one of the best scenes in the movie. the soundtrack is still a banger. joseph quinn and the other actor who play the emperors are delicously ridiculous and cruel and unhinged.

the meh: denzel has a LOT of charisma but this role feels lackluster. he has the energy of a goofy villain in a xmas movie it's so weird. paul mescal is an incredible actor but this role does not work. i just don't buy him as this man full of rage and bloodthirsty for vengeance. i do'nt buy him as a charismatic leader who commands dozens of guys like that. Russell Crow's Maximus had a legitimacy and a leadership that felt earned.

the bad: the dialogue is stilted as fuck and feels wrong. the plot is boring and predictable. the battle scenes are ugly and marvel-like sequences. where is the poetry in them like in the germania one in G1 ? where are the realistic and gritty fights ?

also what do you mean maximus is lucius's father ??? first of all that means maximus wasn't a man of honour and cheated on his wife, had a son and didn't see him more than 2 times (seems fake but ok...) Second, even if he's his dad, how does lucius know all of his father's words, and legacy and mannerisms ? they hammered the similarities and they repeated his name every ten minutes it was kinda annoying at the end.

the Worst: the CGI monkeys ewwww who okayed that ??? also the sharks, ridiculous.

All in all: a movie that suffers from comparison with the original in pretty much every category, worsened because it never lets you forget there is a superior movie you'd rather be watching. It's a shame because there is a lot of talent there and a lot of potential. Still an entertaining watch. 2.5/5

[cherrygirlystuff]

Recreating the Indie Sleaze House Party Vibe for the Ultimate Nostalgia Night!

Hey, babe! 🌸 Have you been feeling a little nostalgic lately? Because same. There’s something about the vibe of those iconic indie sleaze house parties that just hits different, right? From the chaotic energy to the effortless style, and of course, the music that had us dancing like no one was watching – it was a whole mood. So, what do you say we bring that magic back for one night? I’m talking about a full-on Nostalgia Night where we recreate the ultimate indie sleaze house party vibe, complete with all the nostalgic hits. Ready to dive into the time machine? Let’s go! 🎧✨

What Was Indie Sleaze All About? 🌟

Before we start planning the perfect party, let’s take a moment to reminisce about what made indie sleaze so iconic. Picture it: the mid-to-late 2000s, when house parties were grungy, glamorous, and just the right amount of chaotic. Think Polaroid pictures, messy hair, and outfits that looked effortlessly thrown together (but you secretly spent hours perfecting). It was all about not trying too hard while still looking like the coolest person in the room. And the music? Absolute bangers that made you want to dance until the sun came up.

Step 1: Setting the Scene 🕯️

First things first – we’ve got to nail the vibe. Indie sleaze was all about that gritty, yet oddly cozy atmosphere. Here’s how to set the scene:

1. Low Lighting and Neon Signs 💡

Forget bright overhead lights – we’re going for mood here. Use string lights, candles, or even some neon signs to create a dim, inviting space. Bonus points if you can find a retro “open” sign or something equally as cool to hang up.

2. Mismatched Furniture and Vintage Finds 🛋️

Part of the indie sleaze charm was that nothing matched – and that was the point. Mix and match your furniture, throw some vintage blankets over the couches, and add a few old-school posters to the walls. The more eclectic, the better.

3. Polaroids Everywhere 📸

Polaroid cameras were practically the symbol of the indie sleaze era. Hang up a string of Polaroid photos from past parties or create a DIY photo booth with a Polaroid camera for guests to snap their own pics throughout the night. Instant memories = instant vibes.

Step 2: The Perfect Indie Sleaze Playlist 🎶

The music was the heartbeat of any indie sleaze party, so we’ve got to get the playlist just right. Here are the nostalgic hits that will transport you straight back to the good ol’ days:

1. “Kids” by MGMT 👶

An absolute must. This song was the anthem of every indie sleaze party, and the moment that iconic synth line kicks in, everyone’s going to lose it.

2. “Electric Feel” by MGMT ⚡

Yes, another MGMT track, because no indie sleaze playlist is complete without it. The groovy beats and psychedelic vibes are perfect for getting everyone on the dance floor.

3. “Heads Will Roll (A-Trak Remix)” by Yeah Yeah Yeahs 🎧

This track is pure energy. It’s impossible not to dance when this song comes on, and it’s a certified indie sleaze classic.

4. “Paper Planes” by M.I.A. 💸

Catchy, rebellious, and oh-so-iconic. This track is all about that indie edge, and the beat drop? Legendary.

5. “Lisztomania” by Phoenix 🔥

An instant mood-lifter. This song’s upbeat tempo and catchy chorus make it a playlist essential. It’s all about those carefree, summer-night vibes.

6. “1901” by Phoenix 🇫🇷

Another Phoenix track because, let’s be real, they were the soundtrack of the indie sleaze era. The guitar riffs, the vibe – everything about this song screams nostalgia.

7. “Dance Yrself Clean” by LCD Soundsystem 🕺

If you’re going for a late-night, almost euphoric dance vibe, this is the track to put on. The build-up is everything, and when the beat finally drops, it’s like a whole new level of party.

8. “Fluorescent Adolescent” by Arctic Monkeys 🌆

This song is the perfect mix of cheeky and cool, capturing that effortless indie sleaze vibe. It’s great for singing along at the top of your lungs.

9. “Time to Pretend” by MGMT (yes, again!) ⏳

Because let’s face it, MGMT dominated the indie sleaze scene, and this track is all about living in the moment – exactly what we’re going for.

Step 3: The Outfits – Effortlessly Cool 👗

Now that we’ve got the scene and the music covered, let’s talk outfits. The key to indie sleaze fashion is looking like you just threw something together and still managed to be the coolest person in the room. Here’s how to nail the look:

1. Vintage Band Tees 🎸

Nothing says indie like a worn-out band tee. Bonus points if it’s a band that no one’s ever heard of. Pair it with ripped skinny jeans or a mini skirt, and you’re golden.

2. Layer It Up 🧥

Layers were everything in the indie sleaze days. Think flannels over tees, leather jackets over dresses, or cardigans draped over anything. The more mismatched, the better.

3. Grungy Hair and Makeup 💄

Messy hair is a must – think loose waves, undone updos, or just letting it do its thing. For makeup, go for smudgy eyeliner, a bold lip, and don’t be afraid to add a bit of glitter. It’s all about that “I just rolled out of bed and still look amazing” vibe.

4. Statement Accessories 🕶️

Whether it’s oversized sunglasses, chunky jewelry, or a fedora (yes, fedoras were a thing), accessories are key to pulling the whole look together. Go big or go home!

Step 4: The Drinks – Keep It Classic 🍻

No indie sleaze party is complete without some classic, no-fuss drinks. Here’s what to have on hand:

1. Cheap Beer 🍺

It doesn’t have to be fancy – indie sleaze was all about keeping it real. Stock up on your favorite cheap beer, and you’re good to go.

2. Vodka Cranberry 🍒

Simple, tasty, and easy to make. Plus, it’s got that throwback vibe we’re all about.

3. Whiskey on the Rocks 🥃

For the indie purists. It’s strong, straightforward, and adds a bit of edge to the party.

Final Thoughts, Babe: Let’s Make This Nostalgia Night One to Remember!

So there you have it – everything you need to recreate the ultimate indie sleaze house party vibe. From setting the scene and curating the perfect playlist, to nailing your outfit and stocking up on drinks, this is going to be a night that takes you straight back to the golden days of grunge glamour and effortlessly cool chaos.

Whether you’re planning this for your crew or just want to relive the nostalgia on your own, the key is to have fun, let loose, and embrace the carefree spirit of the indie sleaze era. It’s not about perfection – it’s about the memories, the music, and the moments that make you feel alive.

Are you ready to host the ultimate Nostalgia Night, or do you have some indie sleaze memories you’re dying to share? Let’s chat in the comments – I’m all ears, babe! 💕

[himejoshikomaeda]

LES FOISFOIS FAVORITE SONG FROM EACH TOUHOU SOUNDTRACK

th01 highly responsive to prayers: gotta be eternal shrine maiden. angel’s legend is good, but eternal shrine maiden just has what the PC-98’s soundboard did best. little beeps and boops that somehow sound so chock-full of emotion. fantastic stuff.

th02 story of eastern wonderland: love-colored magic is, of course, legendary, but my favorite for this game is complete darkness. absolutely masterfully work with that melody.

th03 phantasmagoria of dim.dream: obligatory respects to strawberry crisis to make sure i don’t get mauled for saying this, but reincarnation is my personal favorite off this soundtrack. there isn’t really a place to note this, but the SC-8850 version of reincarnation is fucking phenomenal, too.

th04 lotus land story: blah blah blah bad apple okay no but seriously it’s maiden’s capriccio. that’s reimu’s theme. i don’t care about this mystic oriental love consultation shit, this spring path crap. maiden’s capriccio. the imperishable night version fucks hard too.

th05 mystic square: this one is really hard. romantic children rules. plastic mind is unreal. the grimoire of alice fucks. but the best one in my opinion is alice in wonderland. extra stage themes tend to be really good, but i looooooove this one.

th06 embodiment of scarlet devil: locked girl ~ the girl’s sealed room. again being a contrarian here and not picking UN owen was her. cuz. i dunno. i like it.. be nice to me.. side note, but i love how the instruments in eosd and dolls in pseudo paradise sound.. idk, out of tune? it’s nice.

th07 perfect cherry blossom: there are a lot of really good ones here but i’d be lying if i said it wasn’t necrofantasia, contrarian though i may usually be.

th08 imperishable night: i don’t knowwww this one’s too hard they’re all so good.. illusionary night ~ ghostly eyes, nostalgic blood of the east ~ old world, flight of the bamboo cutter ~ lunatic princess, and extend ash ~ person of hourai all come to mind, but honestly i think i have to give it to love-colored master spark. i know it’s not “from” this game but it’s my favorite on the soundtrack, sooooo.. whatever. my list.

th09 phantasmagoria of flower view: wind god girl. “that’s from shoot the bullet” i knowwww shut upppp i’m not doing side games.

th10 mountain of faith: faith is for the transient people, full stop. the gensokyo the gods loved is practically the “touhou theme” to me, but sanae’s theme is like. in my top 3 favorite songs in the series. those guitars kick ass. this game’s soundtrack is phenomenal.

th11 subterranean animism: green-eyed jealousy. followed closely by satori maiden ~ 3rd eye. literally every song on this game’s soundtrack is a banger. a real no-skip album. but i am fucking addicted to parsee’s theme. it’s like bitter, ugly crying as music. i can’t sing its praises enough.

th12 undefined fantastic object: this game sucks ass but the music’s good. emotional skyscraper ~ cosmic mind is the best song.

th13 ten desires: it’s shoutoku legend ~ true administrator, but i wanna give a shout-out to night sakura of dead spirits anyway, because it’s great.

th14 double dealing character: kobito of the shining needle ~ little princess. but i mean. i am kissing reverse ideology on the mouth with tongue. i love you seija i love you shimmy you’ll get ‘em next time

th15 legacy of lunatic kingdom: honestly? unforgettable, the nostalgic greenery. i love the spacey sound of this soundtrack, and none of them capture that sound better than that. the lake reflects the cleansed moonlight is good for the same reason. i have a lot of love for the sea that reflects one’s home planet, too.

th16 hidden star in four seasons: not huge on this soundtrack, but my favorite song is swim in a cherry blossom-colored sea.

th17 wily beast and weakest creature: electric heritage. what a tasty piano in this one. the gorgeous melody is also present in entrust this world to idols ~ idolatrize world, but i like the piano in electric heritage better. idolatrize world is an easy second, though.

th18 unconnected marketeers: this soundtrack is so romantic. very lovely melodies. my favorite is the perpetual snow of komakusa blossoms. it’s memorable to me for whatever reason.

th19 unfinished dream of all living ghost: i’m gonna choose to limit myself to the songs that aren’t covers of existing touhou songs, cuz some of them are pretty similar even if i might like them “more”, like corpse voyage ~ be of good cheer. so i’ll go with the deviants’ unobstructed light ~ kingdom of nothingness. the vocal samples are cool.

i’ll list my favorite songs from the doujin albums in a separate reblog, because damn this is getting long!!