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ingydar-phan · 4 months ago

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Ok I do want to chime in on the convo but actually this is gonna be really long because I’ve been planning to make a huge post about this since the tour trailer came out. Like genuinely I messaged some people asking for tips on how to make a big conversation post weeks ago and then just never did it. So here goes I guess.

I am a firm believer they are going to hard launch soon. In some way shape or form. Before tour starts. That is a stance I have held ever since I watched pizza mukbang 2. And I have explanations.

My main points come from the coming out parallel surrounding Dans internalized homophobia and trauma responses and fear of rejection (more on that later), and also my hypothesized “3 stages” of the gaming channel revival.

I believe that when the gaming channel was revived, starting with the Heartthrob video, they entered stage 1: experimenting with audiences desire for a return to content. This was a phase they themselves discussed in Dans Birthday Stream and in Pizza Mukbang 2. The first few months were experimenting with what a new audience would look like and how much they were wanted, in what contexts, and what kind of content. I also think this wraps into the dynamic difference between Dan and Phil as people. Note, I love them both dearly and want nothing but the best for them both. It has been made clear that they did very different things during the hiatus, with Phil initiating the gaming channel comeback. Before Dan came out, he was under an immense feeling of guilt and pressure, even by his own mind. He had the option of leaving the internet forever, and he certainly considered it. Finish off the gaming channel, go on one last tour, and leave. Never having to adress anything again. But he didn’t do that. He came back. He came out. And he was greeted with the kindest, warmest, most accepting response. And he did work! He wrote a book! He went on a solo tour! And to echo both Dan himself and all of the community, he needed this. He needed this time of healing and this era of self discovery. He wouldn’t be who he is today without it, and I’m so proud of him.

But Phil? Oh Phil was just cruising along. That’s not at all to discredit any form of hardship Phil went through, but it certainly wasn’t the same. Phil was making content before Dan was, back in 2006. In uni, Phil was comfortable in his sexuality (or some form of queerness). But he waited. He waited to come out until Dan was ready. Because he’s a wonderful partner. He was happy continuing Amazingphil regardless of hiatus, of Dans needs, because he knew he didn’t have to pressure Dan into anything he didn’t want or wasn’t ready for. And then, presumably when Dan was ready, Phil proposed a gaming channel comeback. Just try it out, just see how it feels, low commitment. And what happened? Once again, they were showered with love and adoration and support and acceptance. Was the fandom different than how it used to be? Absolutely. But it was beautiful and loving. So that’s stage 1. Experimenting with content and viewership and re-entering the branding of Dan and Phil (Games).

Then, I believe after stage 1 came stage 2. Experimenting with audience reaction to Dan and Phil as a couple. I want to stake my claim here that everything they do is meticulously curated. Sure, Phil’s toe popping out of his sock wasn’t purposeful, but it was certainly handled intentionally. They’re extremely seasoned creators, and everything they do is for a reason. (That’s why I love rpf hehe). This, my “stage 2”, is when they were dipping their toes more into phan stuff. The orange heart. The “gay” community tab. Using the “ph-“ prefix THEMSELVES a lot more. Dab and Evan comparisons. This was the middle ground. How would people react? Would they turn away because it’s too much? Would they begin stalking and creeping all over again? Or would they accept these people for what they are. As much as people like to think Dan and Phil are just silly whimsical guys who are perfect no matter what they do (which is accurate as well tbf), they also know what they’re doing. They do these things on purpose to gauge audience reaction, to see how people feel about it. As others have said, what we see publicly is just a tiny sliver of their real life. Yea, even the domestic videos. It’s curated. And it’s wonderful. It’s so endearing they choose to share these things. Even in times of uncertainty. But that uncertainty was met with absolute acceptance.

Which is how we get into stage 3. I think “stage 3” started developing around the time of Dans Birthday Stream, but really actually started when the tour trailer was posted, and then all the videos after that (pizza mukbang, dressing each other, chained together, tiktoks, etc etc). So, very recently. But something shifted. Maybe it’s in the air, maybe it’s just me, maybe we all need to go outside. But something shifted. Dan and Phil, but especially Dan, saw how they were being accepted and took that as an affirmation. An affirmation that everything is going to be okay. They can commit now. They can go full on. Full hard launch.

I think everyone has a different definition of hard launch, and even I think it varies by context. But what I mean here is not necessarily them making some video called “Dan and Phil are romantically together” and staring at the camera with a gun to their head. It doesn’t, and shouldn’t, have to be that.

Straight people get this privilege of being assumed straight without having to “come out”. They get this comfort of having relationships without having to scream it in everyone’s faces.

And I do indeed agree with what people mean when they say they have already hard launched. They’re husbands, soulmates, 4000 year old tortoises, “basically any other gay couple”, more than just romantic, yea. I get it. But people are fucking stupid. Non-queer people don’t understand nuance, and need everything handed to them on a silver platter. Dan and Phil are together. People who try to twist and turn to try and “prove” they’re anything but a committed romantic and sexual relationship are ignorant at best, but mainly using homophobic wishful thinking. However, there’s more to go. There’s a reason we’re all “terrified” for what is to come. Because everything, the past 15 years of all of our lives, of their life, is coming together. It’s genuinely beautiful.

So what do I mean by hard launch then? Well, I mean a lack of censorship (besides what’s reasonable. Though we’d all love to see them fuck on YouTube, I’m not sure that’s happening any time soon). I mean a lack of shame. A lack of hiding. And it’s already begun. That’s what I feel stage 3 to be and have been. In pizza mukbang 2, they say things such as “cheers dear”, which is intentional. The “gay uncles” and the “kneeing” is all intentional. It’s not just throwaway jokes, it’s them looking us in the eyes and saying “we see you”. I have a whole list of stage 3 things. The intentional Incohearant cards. The “my face hurts from smiling” comments. THE HANDS ON THE SHOULDER TO THE HAND ON THE KNEE. Them being so open about their secluded romantic holiday. The relentless Phil bottom jokes. The yaoi day tweet from the outfits video. The “who would jump for you like that dog jumped for that man” “you”. It’s all there. It’s all intentional. And I’m so grateful for it.

One of my mutuals who I talked about this with (not gonna name cuz idk if they want me to) talked about their theory that DNP have given barely any info about tour because it requires some form of hard launch to preface it. And honestly? I didn’t even realize that was a theory. I sort of already accepted that as fact. How open IS the door gonna be?

So yea, I hope this makes sense. Please feel free to respond with or send asks of any nuances or questions or theories you’d like to add. I don’t intend this to be shaming anyone who thinks differently. Even if I may vehemently disagree with someone in my head, I don’t think these people are evil or malicious or objectively bad or deserving of hate. These are just my thoughts. I’ll likely be adding more. Thanks for reading.

#dan and phil #phan #dnp #dan and phil games #phil lester #dan howell #dnpgames #amazingphil #d&p #daniel howell #three stage theory

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deanstead · 6 months ago

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Welcome Home

Pairing: Dean Winchester x Reader

Requested: Yes, by anon

Summary: Sam gets an unexpected call from Y/N, which brings another surprise for Dean

Word Count: 2.7K

Tags/Warnings: Dad!Dean, canon-typical mentions of blood/violence

A/N: In my "everything i write sucks" era but thanks to @seatsbythepit for her consistent beta services! I think this was in my inbox for a (long) while so I finally got this out!

DEAN WINCHESTER MASTERLIST

Sam frowned, glancing at his phone where it was lighting up with an incoming call from a number he didn’t know.

Not many people had this number, so he picked up warily, as Dean looked up.

“Hello?”

There was a short silence on the other end of the line before a familiar voice reached his ears.

“Sam?”

Sam froze.

“Y/N?”

Dean sat up straighter, his eyes flicking toward his brother but Sam wasn’t paying attention.

It had been more than 2 years since you’d left and not a day had gone by that Dean didn’t blame himself for it. Sometimes, when he lay in bed at night, the last fight still haunted him - the look in your eyes when those hurtful words had cut across the room, the defeated sound in your voice as you looked him in the eyes and told him that if that’s what he thought of you, there was no point to all this.

After you left, he’d spent too many days staring at your name in his lists of contacts, his thumb hovering over the call button. The days ticked by, and soon it was way too late for Dean to call or reach out so he was left with replaying the last conversation you’d ever had like he needed to torture himself to make up for the hurt.

“Where are you?” Sam’s voice pulled Dean out of his thoughts and he frowned. That was never a good sign.

Sam spoke in a low voice before he nodded and hung up.

Dean stared at his younger brother as Sam stood, pausing as his eyes flicked toward Dean who was watching intently.

“Dean, she…”

Dean nodded, his eyes flicking back downward. “Yeah, I don’t blame her.”

“Look, why don’t you help from here, alright? I’ll make sure she’s alright.” Sam said, although he knew it must be killing Dean.

“Yeah, just let me know what you need,” Dean responded, failing to hide the slight dejection in his voice as Sam left.

“Sammy.”

His name flowed off your lips the moment you opened the door, feeling familiar yet foreign at the same time. Yet, it was really good to see him.

Sam just smiled, enveloping you in a tight hug the way only an older brother would. “It’s good to see you.”

You nodded, smiling.

“You flying solo?” Sam asked, frowning.

You shook your head. “I’m not hunting. Not really. We were just passing through and I wanted to just run, but I… I couldn’t. Now, my friend’s sister is missing and I just…”

Sam raised an eyebrow. “Wait. We?”

You gave him a guilty smile. “That’s why I called.” You paused before continuing. “And why I asked you to come alone. I didn’t think I should surprise Dean out here.”

Sam gave you a confused look and you exhaled slowly.

Without saying anything more, you led Sam into the room, as his eyes fell upon a two-year-old kid. A kid who was unmistakably Dean’s son as he gripped a miniature Impala car in his hand where he was sitting on the ground.

Sam looked at you in surprise.

You nodded. “This is Leo.”

It was probably a Winchester thing but Leo took to Sam almost immediately despite the fact he never let anyone else but you carry him for the past two years.

You remembered how he’d wail in the doctor's or nurse’s arms but he seemed perfectly content sitting in Uncle Sammy’s arms now, playing with Sam’s hair.

“I was gonna get a friend to watch him, but if he likes you so much…”

Sam looked at you like you were crazy. “You’re not going alone.”

You exhaled slowly and nodded, like you’d already expected this answer from him.

Instead, Sam asked to review the information you had. It felt almost like the good old days, as you watched Sam pore over the notes you had at the small desk at the motel, the only thing different being that Dean wasn’t here and you had a two-year-old who’d fallen asleep in your arms.

You knew Sam was planning to call Dean when he left to get dinner but you pretended like you didn’t, busying yourself with preparing Leo’s meal.

When Sam returned with food for the both of you, you glanced at him and he nodded. “Yeah, I called Dean. Look, you know the research there is helpful. It won’t hurt.”

You shrugged. “I didn’t say anything.”

Sam glanced up at you. “What’s the plan, Y/N? Why didn’t you tell him? Or me?”

You glanced over your shoulder at where Leo was sleeping soundly and sighed softly. “I don’t know. I guess… I guess Dean and I never really had the talk. I didn’t know where he stood with regards to having kids, especially in this life.”

You paused, looking up at Sam momentarily before continuing. “Besides, we’d broken up. I thought he’d try to come and get me but… well, he didn’t. By the time I found out I was pregnant, too much time had passed and I didn’t know how to tell him.”

Sam nodded quietly, letting you continue.

“But I got out. I didn’t let Leo into this part of our life. Until today. And I hate it that he’s here when there’s a nest of fucking vamps right here. I didn’t…”

Sam reached out and squeezed your shoulder. “You were right to call. No matter what, it never hurts to have someone looking out for you.”

You smiled. “Well, I’m glad it’s you…”

“And Dean. Sorta.” You added after a small silence.

The conversation was cut short by Sam’s phone and he quickly answered it. “Anything good?”

You could hear the crackle of Dean’s voice and you felt your heart give a jolt. A jolt that didn’t exactly surprise you. Of course, how could you ever get over Dean Winchester?

You could vaguely hear Dean giving Sam some additional information before Sam hung up, glancing at you.

“You sure about this, Y/N?”

You glanced at Leo before nodding. You planted a firm kiss on Leo’s head, nodding to your friend, Samantha.

“Don’t worry. Sam’s great at what he does. We’ll figure this out.”

She nodded back at you, assuring you that Leo was in safe hands.

It was your first hunt in a long while, but being a hunter seemed to already be a part of your DNA.

Armed with the information that Dean had dug up, you and Sam managed to infiltrate the nest, easily lopping heads of vampires off as they were caught off-guard. You were glad Sam was there to have your back, especially when you both made your way to the dead center of the nest.

“Sharon?” You kept your voice low.

You headed to where she was huddled in the corner. You didn’t know Sharon well but you’d met once or twice when you’d come up here to meet Samantha.

“Y/N?”

Her voice shook slightly.

You nodded. “Yeah. I promised Samantha I’d bring you home.”

Sharon looked around, her eyes flicking to a dead body lying to the side. “They’re…”

You shook your head at Sharon. “Sharon, look at me. We’re going to get you home alright? Trust me.”

“Come on, Y/N.” Sam urged gently.

Of course, you knew hunts never went that smoothly.

A growl alerted you that a vamp had joined you and your body stiffened, the grip on the machete in your hand tightening.

“Sam, get her out of here.”

“Y/N.” Sam’s voice was stressed and you recognized it, the struggle between leaving you here and taking Sharon to safety.

“I’ll be fine.” You assured him, glancing back at the new arrival.

Sam didn’t answer but you knew the exact moment when he took Sharon and left, their footsteps seeming to echo as they got further away.

“You hunters are the real monsters.” The vampire droned, staring at you. “Here we are, just trying to survive and you break into our home and kill my entire family.”

You tried to stifle the sarcastic laughter that was at the tip of your tongue.

“That’s rich coming from you.”

You knew it was coming before the vampire twitched, and you swung your machete upward as he rushed toward you.

The vampire sidestepped, missing the machete by inches as it growled, even more determined to get you.

You stepped back again as it lunged at you, your heart sinking as you felt yourself lose your footing.

Fuck.

You rolled out of the way but the vampire was too quick, pouncing upon you.

You raised your machete but it was too close, the machete inching closer toward you as the vampire bared its fangs at you.

You held onto a single thought. You had to get home to Leo.

Then, as if by sheer willpower, the unmistakable sound of a blade swishing through the air before the vampire’s head rolled off its shoulders.

“Dean?”

Dean had lasted all of five minutes after the last call with Sam before he’d muttered a “screw this” to himself and torn his way out of the bunker and down to where Sam and you were.

You were still stunned as Dean rolled what was left of the vampire off you and helped you up.

“You alright? Are you hurt?” Dean’s eyes studied you, unable to differentiate if the blood on you was the result of any injuries you might have sustained before he’d arrived.

You shook your head. “I’m fine.”

The atmosphere sank into awkwardness as the both of you stood there now in silence.

“Sorry, Y/N. I know you wanted me to sit this one out, but I…”

You shook your head and interrupted him. “No, I… Thanks, Dean.”

You fell back into silence, both of you walking out toward the exit to Sam.

“God, Y/N!” Sharon’s stressed voice made her way to you first but you didn’t miss the surprised look Sam gave his brother even as you were assuring Sharon you weren’t hurt.

You looked up to see Dean quietly heading to the Impala, and before you could think through your next move, you were running toward him.

“Dean.”

Dean paused and turned to look at you.

You took a deep breath. “We need to talk.”

There was a look in Dean’s eyes that sat somewhere between confusion and intrigue.

You looked down at your blood-stained clothes and smiled. “Give me a few hours and I’ll come meet you at the bunker?”

The words rolled off your tongue feeling foreign yet welcoming at the same time.

“The bunker?” Dean asked.

You shrugged. “Or wherever you guys want. If you don’t want me there.”

Dean shook his head. “That’s not what I…” He paused before continuing. “See you there.”

You watched the Impala drive off before you turned back to look at Sam, who had a small smile on his face, and you knew he’d heard everything.

You’d delivered Sharon safely back to Samantha, who hadn’t asked any questions, just glad to see her sister again. and you even managed to shower and change before Leo even noticed you and Sam were gone.

Now, Sam pulled up outside the bunker and you took a deep breath.

“Ready?” Sam asked softly.

You gave a short laugh. “Never.”

You felt everything at the same time as you took Leo in your arms and walked into the bunker, the memories seeming to hit you all at once - the way this place made you feel, the laughter in your head that belonged to a memory of the three of you as you sat in Dean's embrace.

Even if this was the same place where things had ended, it was the happy memories that followed you as you walked down the stairs now.

Dean stepped out of the kitchen, freezing in his footsteps.

His eyes took in the sight before him, a kid that looked like a carbon copy of himself except for the eyes that were undoubtedly yours.

“Y/N…”

You cleared your throat and exhaled.

“Hey Leo, let’s go find you some snacks,” Sam said, reaching his hands out for Leo.

Leo cracked a smile and allowed Sam to pick him out of your arms. “Pie!”

Sam glanced over at Dean, unable to hide a chuckle. “I’m sure we have that.”

The silence that followed was almost loud as Dean looked at you in disbelief and you cleared your throat. “Let’s talk.”

Dean led the way into the library, unsure if he should be pissed or happy to see you.

You leaned against one of the tables, as Dean looked back at you.

“Sorry.” You said quietly, looking down. You knew Dean had every right to be angry and you braced yourself for the rise in his voice but nothing came.

You glanced up at him again, meeting the green eyes you’d sorely missed.

Met with Dean’s silence you spoke again. “I didn’t know how to tell you. By the time I found out about it, too much time had passed since the last time we spoke. I stared at your number but I was afraid. I…” You took another breath. “We never talked about this. I didn’t know if you’d be happy or not and I chickened out.”

“So were you never going to tell me?” Dean finally asked.

You couldn’t really determine the tone of his voice but you shook your head.

“I… I kinda was on the way here.” You said quietly.

Dean’s eyebrows shot up.

“I didn’t really have a plan.” You said. “Part of me thought if I just drove here, I wouldn’t be able to back out anymore. Then, that nest of vamps kidnapped my friend’s sister so I…”

“So you called Sam.” It was a statement.

You gave him a tentative smile. “Didn’t think you’d appreciate seeing Leo without an explanation in the middle of a hunt.”

Dean exhaled slowly.

“So what now?” Dean asked.

You didn’t dare look up at him, afraid your eyes would give you away. The eyes that screamed how you were still in love with him and that you’d missed him every single day that you’d been apart. The way your heart crumbled every time Leo smiled because it reminded you of Dean, and how all you wanted was to be enveloped in those arms again.

Even as those thoughts ran through your mind, you felt the prick of tears because this was exactly why you’d put off telling Dean about Leo.

“I don’t know, D.” You answered quietly.

Your voice cracked slightly and you hoped Dean hadn’t picked up on it.

“Y/N.” He called, forcing you to look up at him, even though the tears blurred your vision.

Dean closed the gap between the both of you, one hand cupping your face as he pressed his lips against yours, his other arm snaking around your waist and pulling you closer to him.

“God, I missed you,” Dean whispered, as he pulled away just a little, your faces still pressed together.

You buried your face into his shoulder without saying anything, feeling your tears get absorbed into the shirt he had on.

You needn’t have worried about Leo. You looked at you son clutching the tiny toy Impala while he sat in his father's arms almost triumphantly as they came back in. Dean had brought Leo to see the real thing, and Leo had a ball of a time just sitting in the Impala.

“Mama, can we stay?” Leo asked with anticipation in his voice.

You froze. Dean and you hadn’t talked about anything. He’d kissed you, you’d hugged and then you’d gotten him out of that library to meet his son.

Dean closed the gap between the two of you, putting Leo into a giant hug between the both of you before he reached out for your hand.

“Stay,” Dean said quietly.

You glanced up at him.

“I’m not going to lose you again.” Dean added, squeezing your hand gently. “Not for anything in the world.”

The words felt stuck in your throat, but you glanced at Leo and smiled. “Yeah, we’re staying with Daddy and Uncle Sammy.”

Dean leaned forward to press a quick kiss to your lips amidst Leo's triumphant yells.

Sam moved forward to press you into a hug. “Welcome home, Y/N.”

THANK YOU FOR READING!! PLEASE TELL ME WHAT YOU THOUGHT OF THIS!!

If you want to support me, buy me a coffee!

Character taglists are open, hit me up if you would like to be added!

#dean winchester x reader #resa.fics #dean winchester #supernatural #dean winchester fanfic #dean winchester oneshot #resa's requests #supernatural fanfic #spn fanfic #spn oneshot #dad!dean #dean winchester x you #dean winchester x y/n

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louisupdates · 3 months ago

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With the first quarter of the 21st century coming to an end, Billboard has been looking back on the 25 Greatest Pop Stars of the Past 25 Years. Below, we take a deeper look into the solo career of Louis Tomlinson — one of the members of our No. 22 pop stars, One Direction — and how his songwriting, originally honed in 1D, has helped him develop into one of the group’s strongest breakout artists.

When One Direction officially went on hiatus in 2015, Zayn Malik dropped Mind of Mine in 2016, Harry Styles’ eponymous LP dropped in 2017, Niall Horan followed with Flicker later that year and Liam Payne’s First Time EP arrived in 2018. Louis Tomlinson, however, took his time with releasing a full project – and entered an era of healing and self-discovery that saw him realizing his potential as one of 1D’s most self-actualized artists, even if not necessarily the starriest.

Even before going solo, Tomlinson showed he was meant for breakthrough success while in One Direction. Longtime Directioners know that Tomlinson wrote more songs in One Direction than any other member, penning long standing hits including “Perfect,” “History” and “Fool’s Gold” and proving his fortitude as a songwriter who understands lyrical cleverness and crafting the indescribably catchy refrains necessary to produce arena-ready hits. Beyond his musical abilities, Tomlinson’s sense of humor and friendship with fellow 1D members also ensured fans had a soft spot for him.

However, when he did go solo, the road was slippery at first. He teamed up with Steve Aoki for his first solo release “Just Hold On” in December 2016, and just three days before its release, Tomlinson’s mother died of leukemia. He still took the stage to perform the song on The X Factor, the first public testament to the star’s strength and dedication to his musical craft.

Tomlinson’s resilience amid adversity continued as he navigated the music industry. The star signed with Epic Records in 2017 and released a few singles – including “Miss You” and the Bebe Rexha and Digital Farm Animals-assisted “Back to You.” While the infectious hooks to both tracks could have easily solidified Tomlinson as a pop mainstay, the two singles didn’t perform as well as expected on the charts: “Just Hold On” peaked at No. 52 on the Billboard Hot 100 and “Back to You” hit No. 40, while “Miss You” missed the chart altogether. Ultimately, a full-length album never materialized with Epic Records.

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Tomlinson shortly got back on his feet, as he always does, and signed with Arista Records in 2019 – where he honed his talent as a songwriter, this time feeling comfortable enough to tackle more vulnerable topics in his music. His first release under the label was “Two of Us,” a heart-wrenching tribute to his late mother. “I know you’ll be looking down/ Swear I’m gonna make you proud/ I’ll be living one life for the two of us,” he sings in the chorus, giving a glimpse into what would soon become a musical career full of honesty and vulnerability.

Unfortunately, shortly after its release, another hardship struck Tomlinson’s life when his 18-year-old sister Fizzy died of an accidental overdose. Both the release of “Two of Us” and the tragedy that followed showed just how close Tomlinson’s community of fans is, as they showered him with online love and support in the months that followed.

After taking some much-deserved time to heal, he announced in August of that year that his debut solo album was on its way – and shortly after, he released a follow-up single, the rock-leaning, drumline-driven “Kill My Mind.” Tomlinson admitted that he finally found his stride. “I’m actually really proud and relieved to finally find my place, find my lane musically,” he told Hits Radio Breakfast at the time, indicating a moment of relief amid his turbulent few years.

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Tomlinson’s debut solo album, Walls, arrived in January 2020 and while it hit the Billboard 200‘s top 10, it was met with mixed reviews from critics, who suggested that the heart he wanted to portray wasn’t quite there. His growth outside of commercial success proved otherwise, as he had been spending the past few years building a solid identity not only as an artist, but also as a person. While some of the other One Direction alums are still finding their footing with their solo sounds to this day, Tomlinson grew strongly into an instrumentation-focused pop-rock artist whose lyrics go beyond the cookie cutter sentiments you might expect from a former boy band member.

And soon, all the hard work – both personally and musically – finally paid off. Faith in the Future, his 2022 sophomore solo album, debuted at No. 1 on the Official U.K. Albums Chart. In the United States, Faith In The Future debuted at No. 2 on Billboard’s Top Album Sales chart, and at No. 5 on the all-genre Billboard 200, his highest-charting set yet on both tallies. The album’s success, as well his sold-out live shows on its accompanying tour, not only showed the still-standing Directioner devotion to Tomlinson, but also made it clear that he picked up a slew of new fans along the way.

Tomlinson’s self-awareness was evident on the album’s lead single, “Bigger Than Me.” “When somebody told me I would change/ I was afraid, I don’t know why/ ‘Cause so does the world outside, I’ve realized/ It’s bigger than me,” he sings – indicating that the key for solo success all along was being himself, and letting go of the pressure that fame brings.

While Tomlinson has still yet to score the major chart hits stateside that his 1D bandmates essentially achieved right away – and has been more focused on his 28 clothing line the past couple years – he’s proven that he doesn’t need traditional pop crossover success to have a bright future ahead of him. With another couple albums and tours that continue to establish his identity and expand his artistry, it wouldn’t be shocking to see him making the jump to arenas in the not-distant future. Louis’ solo career may not have gotten off to the perfect start, but it just might end up being perfect for him in the long-term anyway.

#billboard #louis press #louis tomlinson #louis update #3.9.2024

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evermoredeluxe · 3 months ago

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taylorswift: In summation

We have officially wrapped the European leg of The Eras Tour. With it came the most passionate crowds l've ever played for, new traditions in the show, and an entirely new era added in. It was a more hectic pace than we'd done before, and I'm so proud of my crew/ fellow performers for being able to physically perform that show and build our massive stage, take it apart, and make magic with so few days in between for recovery and travel. They're the most impressive people I know and I'm so lucky they gave The Eras Tour their time, their energy, and their expertise.

Walking onstage in London was a rollercoaster of emotions. Having our Vienna shows cancelled was devastating. The reason for the cancellations filled me with a new sense of fear, and a tremendous amount of guilt because so many people had planned on coming to those shows. But I was also so grateful to the authorities because thanks to them, we were grieving concerts and not lives. I was heartened by the love and unity I saw in the fans who banded together. I decided that all of my energy had to go toward helping to protect the nearly half a million people I had coming to see the shows in London. My team and I worked hand in hand with stadium staff and British authorities every day in pursuit of that goal, and I want to thank them for everything they did for us. Let me be very clear: I am not going to speak about something publicly if I think doing so might provoke those who would want to harm the fans who come to my shows.

In cases like this one, 'silence' is actually showing restraint, and waiting to express yourself at a time when it's right to. My priority was finishing our European tour safely, and it is with great relief that I can say we did that.

And then London felt like a beautiful dream sequence.

All five crowds at Wembley Stadium were bursting with passion, joy, and exuberance. The energy in that stadium was like the most giant bear hug from 92,000 people each night, and it brought me back to a place of carefree calm up there.

We had some EPIC surprise performances from my long time friends@teddysphotos, @florenceandthemachine, and @jackantonoff. Performing 'Florida!!!' with Flo for the first time was unforgettable and Ed took me right back to our old Red Tour memories. It was the most dizzying honor to become the first solo artist to play Wembley 8 times in one tour. To the fans who have seen us this summer, you'll always have the most sparkling place in my memories. You were a dream to perform for, dance with, and share those magical moments with. We'll see you all again when we resume The Eras Tour in October, but for now we get to take a much needed rest.

Thank you for the adventure of a lifetime.

May it continue...

💚💛💜❤️🩵🖤🩷🩶🤎💙🤍

📷: TAS Rights Management

#eras tour london 8 #eras tour #florence welch #ed sheeran #jack antonoff #taylor swift

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seoul-bros · 2 months ago

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Are you sure? - It’s a weird & wonderful Jikook world

What an amazing rollercoaster it has been. It would be fantastic if they could continue their travels with us after military service but, if it is a one off, I would still be satisfied. I feel privileged to have seen how they stayed connected through the frequent separations of the solo era and at the same time made memories to sustain them through the long months of military service.

Cr. to OPs

Post Date: 19/09/2024

#jikook #are you sure?#park jimin #jimin #jungkook #jeon jungkook

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s3thwrit3sstuff · 4 months ago

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*pulls the 45 cents I have to my name out of my pocket and drops them on your table*

I can't believe my name will be forever attached to this but one (1) Kenjaku solo session with Heianera!YN portrait, please

❝ life and death will always lead to love and regret (but you have the answers, and I have the key) ❞

warnings: creepy/stalker behaviour, Kenjaku is a 'passive'-yandere (in the sense that Sukuna would and will kill him if he tried anything), manipulative behaviour, gore (detailed), Kenjaku jerking off in front of a portrait of r!, very unrequited

authors note: don't be ashamed, Gabriel. I got way too excited writing this and I think that speaks volumes on how I need to get checked, LMAO. On another note - yes, my YN's will always have a harem of men in the JJK-verse because that's what YN (and you, my dear reader) deserve!

I wrote this partially on my phone so bear with me guys...

*song on repeat: Bernadette by IAMX & Rule #34 by Fish in a Birdcage. * YN is described as having long hair because of the heian beauty standard (hair colour and texture not mentioned).

People often compared the years they lived as sand. The hourglass holding it is comparable to the human body. He often thought that metaphor was weak. People — humans — were not hourglasses and their years were not sand. No, no. That’s far too neat for humans.

Humans are messy. They are loud, and chaotic, they defy nature's rules and destroy her for the sake of progress. They had no balance, their compass broke when the synapses in their brains sparked conscious thought.

In that chaos, humans made curses. Or, well, you could argue it who came first but without humans and their silly consciousness — cursed spirits wouldn’t thrive.

People are flesh left under the sun. With their blood drying out, flies and maggots eagerly feast on what they can while the meat greys and rots. That’s a much more appropriate metaphor for a human life. If anything, the hourglass comparison should be used for himself. Constantly turning it over to keep going; uncaring of what kept the sands in confinement so long as it could continue its path.

Down, almost empty, flip, repeat.

Kenjaku had perfected his cursed techniques. He had earned this, he had earned his right to let his curiosities run rampant. He had earned the right to be in the presence of Sukuna Ryomen and you.

“Yuuji, you still owe me for eating my yoghurt from the fridge. It was expensive and it took so long for me to find it!” Nobara huffed. “You might as well just buy some for yourself. I’m labelling my food now.”

Megumi glanced over his shoulder at the lack of reply from the pink-haired boy. Nobara stopping next to him with her brows furrowed, sighing as she looks around for him.

“...I was just talking to myself? Seriously?” she grumbled. Megumi adjusts his grip on the bags. The grocery trips were a good team-building exercise according to Yuuji, a way to get to know each other better. Megumi and Nobara agreed after a particularly harsh mission that aimed directly at their novice team fighting experience.

So far, the results that were yielded from it were found that Nobara had an aversion to pineapples, Megumi had expensive tastes, and Yuuji was very good at budgeting money.

“No, he was right beside you a few minutes ago,” Megumi reached for his phone. Nobara placed her hands on her hips, tilting her head as she continued to scan the crowd.

A gaggle of businessmen came out from the underground train station and between the crowd of slicked-back hair, desperate combovers, and sweaty bald heads, she spotted him.

Tugging on Megumi’s sleeve, she pointed to him. Yuuji was standing and staring up at some sort of vertical banner. As they both approached, they shared a glance.

“Oi, Itadori,” Nobara placed a hand on his shoulder. Smacked it really. He didn’t budge. There was a dullness to his eyes that unnerved her enough to remove her hand. Megumi tightened his grip on his phone as he called out to him again. She took a look at the banner and her brows furrowed.

It was promoting an opening of someone’s private gallery. Some rich kid’s great-great-grandfather’s collection. The painting they used was of a true beauty. A man with long hair, dressed in the finest robes with a serene barely-there smile. It looked to be more European in nature, the art reminding her of the portraits of giant frilly dresses and puffy shoulder sleeves despite the obviously Japanese clothing, accessory, and manner in which the subject was regaled in the painting.

The banner must have costed a pretty penny considering how much detail they could see. Megumi could practically feel the raised textures the artist had used to mimic the pattern of the traditional robe the man wore. The flow of his hair, the texture and pattern it had; and his lashes were surely not that long in reality.

Megumi tore his gaze to Yuuji.

It was like he was in a trance. His mouth was slightly ajar, his brows furrowed and his hands shaking as his knuckles turned white.

“Itadori?”

Yuuji had long forgotten this. This ache in his chest that he sometimes woke up with. When he reaches for the empty space next to him and finds no one. Those moments in the basement when he watches a historical movie and his chest tightens as the nobles courted one another.

“Do you know the painter or something?” Nobara asks.

No, he wants to say. Not the painter. If he knew who it was that did this portrait, he’d tear their heads off their body. But the man? He knew him.

That hellish grin, that perfect face and most importantly those nightmarish eyes.

You’ve seen dolls, right? Those porcelain ones specifically. The craftsmen who make them, the expensive ones with real human hair. To be left on shelves instead of being played with. They would draw these white dots on the eyes, varnish them even, so their eyes would reflect back. A mimicry of humans, that’s what dolls are. But even then, their eyes still twinkled. Not this man. No. It was devoid of light. Pools of (eye colour) and nothing more. These eyes would swallow up any trace of light and diminish the stars from the sky with just a glance.

Yuuji knew him. His soul knew him. His hand clutches over his heart and his friends watch this with trepidation.

It’s been 2,000 years. Sukuna was no longer human and therefore his memory was not as fickle. He still remembers those moments before dawn; the sight of your bare torso breathing softly as you rested next to him. The sun filtering through the windows and making you appear even more ethereal and deadly. How your brows would pinch seconds before you woke. Those soulless eyes that shot through his very soul.

Sukuna could recognize you even if he was blind. He’d be able to hear you just by feeling your chest rumble. If he had to eat one thing for the rest of his life, your body and flesh would sustain him.

In his Malovent Shrine, whilst he sat on his throne, he’d summon his flames in his palm. There he’d watch as your figure danced across his hand. You’d twirl between his digits, a smile across your face as he watches the imitation of you.

It used to be enough. Lately, the action brings him more contempt then fondness. The flames never quite catch your shape anymore. Constantly shifting. That coyness is gone, mini-you petulantly staying hidden behind his fingers. So he snuffs you out in his fists.

He hates you for making him miss you. A King should not be missing anyone or anything. Yet, as his vessel stands here, Sukuna teeters on the edge of breaking the Unbreakable Vow he’d made with the brat just to gaze upon you.

The painter got your resemblance and it was agony for him.

How could he continue to be without you when he’s seen you again? Days ago, he wanted to kill you for making him delirious and now he wants you back in his arms.

“Itadori.” Megumi’s tone is firmer. Nobara smacks his shoulder again and Yuuji jolts forward, nearly falling until his rigid legs quickly come back to life.

“Huh?”

“Are you alright?” Megumi asks, his thumb hovering over the DIAL button of Gojo Satoru’s number. Yuuji glances at his wrinkled shirt and releases it, confusion painted across his face at the fading pain across his chest.

“I...yeah, yeah. I'm okay. I have no idea what that was....”

Rich bodies made life significantly easier.

What was that saying humans used?

Money can’t buy happiness?

Kenjaku chuckles at the thought. Foolish and vain — typical of humans. Clinging onto whatever they can to convince their egos they’re better than most when they’ll all meet the same fate. Kenjaku forgets the exact point where he stopped seeing himself as one of them, but he’s sure anyone would if you’ve lived as long as him. Apathy. Most call it a disease of selfishness. Kenjaku simply thinks they’re lying to themselves.

“Mr Geto?” the gallery was a lucrative endeavour. A piece in his grand scheme that required little effort but great rewards. More personal gain on his end.

“Mr Hajimoto mentioned you specifically in his will. The private room is all yours. Thank you so much for your donation to this fine institution of arts.” Kenjaku offers the man a polite smile and nod. The awkward silence prompts them to open the large doors and Kenjaku is greeted by you.

(Y/N) (L/N). In all your glory. In his favourite colours and his favourite kanza. The bespoke lighting on your portrait makes his hands fall limply to his side. You were a brushstroke away from taking a breath. The colours used to recreate that undertone your skin had, the delicate curves of your lashes and the plumpness of your lip.

The two guards in the corner of the room are a nuisance. But with a simple twirl of his right hand, the Slit-Mouthed Woman makes quick work of them. This curse technique was truly convenient, the mess she made cleaned up by a different curse who laps at the blood with vigor. The noises are all muffled as he admires those vicious eyes.

Just saying your name makes warmth travel down between his legs.

“I’ve almost forgotten how you look like.”

Silence ticks by for a minute.

Then Kenjaku bursts into laughter. Clutching his stomach and covering his mouth as he does. He can still smell your blood. Even if Suguru’s body had never had the pleasure of touching you — Kenjaku remembers it.

The way it flowed out of you like silk ribbons. Warm and wet and virile.

“You are an unusual sorcerer,” those were the first words you said to him. He knows you meant that in a derisive fashion — the curl of your nose was a clear indicator. But that was the day a feverish need was planted inside of his very soul.

You. You. You.

The shape of your face.

The cadence of your voice.

The way the wind carried your scent to his nose.

The sound of your cat-like foot-steps.

The effortless way you carried yourself despite the heavy robes that a revered concubine of your rank would wear, along with the golden hair accessories that would probably break a lesser man's neck.

It didn't stop there either.

Your brain, the wickedness that ran through your very veins and that fire that burns within you. Kenjaku wanted to be inside of you in every he could fathom. To sit within that perfectly shaped skull, to thread his fingers between the locks of your hair and take a scalpel to that skin he so craves to taste. Or perhaps inside in the traditional sense, between your legs, embraced by your warm insides and your deadly arms.

Kenjaku ponders on the time he has. He decides that he should indulge in you. He undoes the robes this body wore and sighs as it reveals the torso. Bodies were all the same but he does appreciate the care Geto Suguru took into his temple — there was no need for shame when he's already desecrated this corpse so viscerally already. His hands travel down his torso and that pronounce v-line and past the patch of wiry pubic hair.

You make him feel young again. Reckless and stubborn. Your eyes watch him as he leisurely spits into his palm and strokes it over the tip.

Evil is such a lame word. So primitive in its nature, another one of human's attempts at letting go of responsibility. If something or someone were evil, they were inherently irredeemable. Humans used to call snakes evil simply for doing what a snake would do when hungry, instead of realising they shouldn't have left the door to their huts opened and their sleeping brat asleep.

Was something evil when it simply did what it was meant to do?

They were simply following natures course.

This act Kenjaku is doing now, is not perverted or evil, he is simply being. Simply living, existing, relishing.

If anything, you were the undoing. The evil. You've made, and continue to make, him lose crave and hunger. You were so cruel, so ethereal — so evil.

Kenjaku groaned your name, walking backwards and dropping onto the low seat the gallery provided. His legs spread and he hung his head down but his eyes remained affixed to your painting.

"He sounds beautiful, Mr Hajimoto," the blonde painter had told him once or twice or thrice. Young but talented, the way he used his brushes on canvas was so impressive and Kenjaku missed you so much (Y/N). He simply had to spread the wickedness of your beauty, immortalize it forever within canvases and lesser non-sorcerers minds.

"Did you know him?" his accent was clunky, the Japanese language tumbling on its delicate legs following the rhythm of the painters voice. Still, he — Mr Hajimoto, Kenjaku — gave him a gentle grin.

"Very well. He was my lover."

The small notebook the painter had written your features down in, it was displayed in this very room as well. In a glass casing, handled with gloves to ensure pesky skin oils wouldn't deteriorate his inked strokes.

Speaking of strokes, Kenjaku's was beginning to pick up it's pace. His smile now looser, like an animal that caught the scent of blood, his tongue curled over his teeth as he imagined the disgust on your face. You'd probably cover your nose with the sleeve of your robe and the thought makes his cock jump; you were wearing his favourite colours and it made him moan.

The notebook was filled with sketches of you. Kenjaku recalls correcting the human, correcting him when he disrupted the harmony of your anatomy. You were the humans muse for years, (Y/N). Even as he neared his death bed, the blonde artist kept drawing you. Sketches lose, your shape less tangible, but hauntingly beautiful. Like your dark flames flowing in the wind. Even as his memories of his life escapes him, the artist remembered you. What a blessing. Kenjaku had visited him before he died and whispered your name into the old man's ear.

Sorcerer Society keeps your name hidden. It's their way of control. Making Sukuna Ryomen more monstrous by telling others he ruled coldly and cruelly alone; death was not as harsh as being erased. They say Sukuna needed 20 of his fingers and his mummified heart to be revived. That's what those poems talked about after all.

A misunderstanding.

The heart was Sukuna's, yes.

But it wouldn't revive him.

"You were so angry," he chuckled out, "so defiant even when I was inside of you."

The sky was blood red, the black smoke making the colour more saturated as it seemed intent on blotting out the sun. Uraume had felt a sudden chill, you did too, and they swiftly rose as the scent of deceit was so thick in the air.

“Uraume,” your voice remained nonchalant. But there was a tenseness in your throat that even they could decipher through the layers of regality. They turned, mouth pressed into a thin line as they went on their knees.

You continued to stare, impassively looking down at the patterned swirl of their snow-white hair. The red and black sky turning the colour of your eyes a pleasantly mournful shade; the golden kanza in your hair that your Lord Sukuna himself had commissioned for you glimmered righteously. The teeth of a beast, the curling of centipede legs, and the melded wings of a raven. It was beautiful just as much as it was unusual.

“You leave your Lord’s prized possession to fend for himself?”

Uraume lips reveal a modest amount of teeth. Their face like a porcelain doll as they raise their head. It makes your heart flutter and squeeze.

“You are stronger than these worms, they wouldn’t dare attack you.”

This is true. A fact. You were strong. 100 sorcerers or 1, 000 sorcerers — it made no difference to you. They’d turn into dust and wither right before you. But it shocks Uraume when you place your palm against their jaw, thumb stroking over their cheekbone as you gaze down at them.

“How horrid it is, making me defend myself.”

They see your eyes soften. It was no wonder you were Lord Sukuna’s concubine. Just being touched by you, looked down upon by you; it makes their spine melt.

“I should have your head for your insolence.”

Uraume apologizes, lips stilling when your thumb presses down on them.

“Return to me. Whole. My Lord Husband and I will not be pleased if you do not. We don’t want weaklings to stand behind us.”

Uraume bows, their lips kissing your knuckles as they do before they raise and disappear from your sight. The screams of terror that are heard outside at the sight of them make you slip your eyes close.

Kenjaku appeared before you what felt like hours later. He looks at the scene with a raise of his brow. Your feet were soaked in blood as bodies were strewn across the wide room. The floor was shimmering, looking as though it was breathing as it creaked from his weight. The clothes the bodies wore painted a clear enough picture — they were your servants. Loyalties were swayed as the fight prolonged. These little ants thought they could save themselves from punishment if they showed these righteous sorcerers your head.

He couldn’t smell smoke and there were no signs of charring. The bodies were mangled beyond belief, guts spilling out, eyes gouged, arms bent unnaturally.

Yet, in the gore and horror, you stood across from him with only your feet stained by traitorous blood.

You were a vision. Delicately wiping away blood from the tiger claw kanza with the sleeve of a dead servant. Then, he watches as you carefully put it back in place atop your hair.

“Kenjaku.”

He bows his head, bending at his waist, then lifts himself up again.

“The Kamo clan, your clan, joined this rebellion. I feel that should be a good enough reason to kill you.” The fire in your eyes makes his heart race. He moves forward, casually stepping over a torn torso.

“That would be unwise,” he gives you a grin. This body of his is new. The stitches are still fresh and red. Most likely a desperate attempt of his to hide away while they destroyed his old body. The corpse is younger, and more plain-looking. Despite it’s Curse Technique being a mystery, you’ll take your chances at strangling him.

“I’ve come at the behest of your Lord Husband. To ensure your longevity.”

Your brows pinch. Kenjaku delights at the creases it creates, tucking away this sight into his memories for lonely nights. Then, you scowl.

“You lie.”

His giddiness is palpable. The wide grin on the corpse’s face is clearly not his own; cheeks lifted too high and smile too large and unnatural. Kenjaku must’ve been a truly ugly man with a truly ugly grin. The body struggles to adjust to this display of amusement.

“I’m not.”

He takes a step forward and you lift your hand. The standstill would’ve lasted longer if it weren’t for the yells and thunderous footsteps clambering up to your room.

“You lie!”

Dark flames roared out from the windows. The heat so smoldering it causes a burst of hot air to knock back the men on the stairs, burning their skin and face. The blood on the floor boils, the iron scent now more acidic as the once fleshy bodies now crumble into dust.

You feel his breathe against the nape of your neck. As you turn, he wrings his arms around you like a snake. One across your stomach, the other around your shoulder. That horrible smile is pressed against your skin.

“Kenjaku,” you growl through gritted teeth.

“That’s right. Say my name.”

Fighting feels a lot like sex.

Kenjaku can feel your passion behind every strike, the bruises you leave behind on his skin are akin to hickeys. When you yell out and scream, cheeks so hot he can feel the rush of blood to your face just from looking — the rapid pulse you have and the way your face is contorted.

Kenjaku pins you down. Your legs are thrown over his own while you gnash your teeth at him and spit insults his way. Your hair was so beautiful, thrown back around your head like a lion’s mane. He slides your wrists above your head and holds them with one hand while the other undoes the meticulous array of folds your kimono had.

Sweat drips down his nose. It’s all your fault. Using your Curse Technique in this room, charring the wood and setting it all aflame. Still, he could work in this conditions.

“Ah,” he moans at the sight of your bare skin. Watching the rise and fall of your chest, licking his lips as he places a hand over your heart.

When you kick at his stomach, he acts like he cannot feel it. When you kick again, this time hard enough for a loud crack to be heard, he looks at you.

“If you kill me, you will break the Binding Vow you and Ryomen had made with me.”

He feels your feet dig into his rib, the spiderwebs of cracks spreading further. He allows this with a pleased hum. Your ragged breathing all at once calms and with a blink, your eyes lose that unbridled fury.

“You dare say my Lord’s name so casually?”

Kenjaku laughs. As he leans down, he presses his forehead to yours. Your nose curls in disgust but you keep your lips pursed. The feeling of his sweat sliding down the sides of your forehead and dipping to travel the side of your nose; threatening to get into your eyes as it slips just beneath it.

“Forgive me, venerable concubine.” Kenjaku does not mean this. When he presses his fingers together and imbues his hand with Curse Energy. He enjoys it.

Slicing through your skin at a pace that made the cut more ghastly then it would be if it was done quickly. You remained stone-faced while Kenjaku chewed on his lower lip, every twitch or squint just fueling his hunger.

He is past your skin and now he sees the yellow, when he twists his wrist you grunt as he slices through the threads of muscles. He spreads his fingers and your teeth part as you let out a strained yell.

"You can be louder if you want," his lips brush against your cheek every time he speaks.

"When I return, I'll take pleasure in ripping your head off your body."

"Threatening me?"

He reaches bone. His finger scratching against it before he peels away and settles between your legs. Your hands aren't pinned but you do nothing but curl your fingers into fists as he shoves another hand into your chest. The squelching and pulsing of your flesh, the bursts of blood from your throbbing veins and pumping heart. The wetness and warmth of your insides. He can feel your body clenching around him, and he convinces himself its because you truly enjoy this depravity just as he does.

The size of his hands in your chest is unbearably uncomfortable. Invading you, filling you when you want nothing more than to burn him, as he moves his digits and wrists within you.

He grasps onto your bones and breaks it under the pressure of his wrist. Your blood is spraying him, staining his clothes.

"Your blood looks like ribbons," he whispers to you, "even your insides are like works of art."

You want this to be over with already.

Your arms move down, eyes still set in a glare. You slip your fingers under the soaked clothing and spread it apart further to reveal more of your skin. Shimmying your shoulders so your torso is now bare of any clothing.

The tent between his legs pressed into your crotch. It's hard to ignore, but you push through and grasp onto his elbow and force him to go in deeper.

"Promising you."

Kenjaku's elbow straightens sharply and he moans as he feels your heart beating in his palm. He pulls it out of your body, panting as your eyes slip close and your heart slows. Beating slowly...slowly...slowly...

Kenjaku moans at the memory of your heart in his hands. Your warm blood coating his skin, drying under his nails and crackling in the creases of his joints.

"I wanted to keep you on me forever," he grunts out as his pace gets faster. "The smell of you, of your flesh."

"I didn't need your body, but it was too beautiful not to be admired."

Kenjaku throws his head back, placing his palm across his nose and lips as he sifts through his memories so he can conjure it all over again.

The painting watches on impassively. The croons and purrs of Geto Suguru's cursed spirits echo faintly in Kenjaku's ears while his hips thrusts into his own fist. It's desperate. He usually isn't like this. Even when he was creating the Death Womb Paintings — even when his plans are so close to coming into fruition.

You make him like this. Make him lose control, every thought poisoned with you even when you're nothing more than a mummified heart hidden so desperately away by Sorcerer Society.

"I've gotten a lead," Uraume had informed him just a few days ago. "They've hidden him in the ocean in an underwater research facility."

"Underwater, hah, they think it'll keep your flames contained. Keep your loyal servant away as if the depths of the ocean is enough to scare them, us — Oh, (Y/N)."

His fist stops and Kenjaku stands, removing his clothing fully as he places a hand against the wall of the gallery. The textured wall, the grooves, give way to his nails as he digs them in. He stares into your eyes, imagining the crease of your furrowed brow and Kenjaku groans out your name as he cums all over the wall.

"...Oh, I can't wait to see you again, venerable concubine."

#s3thwrit3sstuff #reader insert #male reader #male reader insert #gay reader #male!reader #sukuna ryomen x male reader #kenjaku x male reader #jjk x reader #jjk x male reader

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jimin-bangtan · 27 days ago

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BTS’s Solo Chapter CONTINUED - Part 6

Even Jung Kook, (JK), who had ended the solo album releases for phase 1 of the solo period, still had more to offer. In addition to featuring on JHope’s 2nd album song, I Wonder…, he also released a song for fans, Never Let Go, for Festa 2024. Likely due to time restraints, he wasn’t able to release the dance video that would have explained some of the lengthy lyrical skips, but that means fans can look forward to that performance when he returns. In addition, there was still more planned toward JK’s 1st album that was now extending into phase 2 of the solo period. That is somewhat understandable timewise, since he was the last to release work in 2023. JK not only has an exhibition (called GOLDEN: The Moments) traveling to global locations, but he also had his documentary, I Am Still, being released in theaters globally, not once but twice. The 2nd release included an added singalong segment to the original footage. It really was a well-planned, extensive promotional plan, and it brought the results and achievements it was designed to do. Of course, JK also released the travel series along with Jimin, which was filmed in July, September, and November of 2023. The trips occurred over three long weekends during JKs promotional period and during Jimin’s 2nd album preparations. Some people have complained that it pulled them away from their busy work, but that was the point, or at least one of the points. It gave them restful mini-vacations to relax and enjoy themselves away from the heavy lifting of doing so much work before departing for their military service. They both remarked about having the chance to create memories before taking a pause in their careers to do a restrictive, difficult obligation. I’m glad they had the chance to do it, and it looks like (and they said) they had an enjoyable time through it all.

As mentioned, RM released a 2nd solo album, Right Place, Wrong Person. In fact, we found out, during that clever MMM1 conversation, where he and Jimin discussed their 2nd albums, that RM had delayed his enlistment to complete this project. He was previously planning to enlist on the same day as JHope. Now I understand more what he and JHope meant in JHope's enlistment day footage, when gloomy RM said, “I don’t know.” and JHope responded, “I don’t either.” It seemed RM was hoping his decision to change plans for this album was worth it, and boy, was it! RM's 2nd album stunned even BTS fans. It was different, raw, creative, revealing, and stylistic - all the things some fans had expected from his first solo album. He still had collaborators but fewer than he had on the 1st album. He chose to operate differently and worked mostly with songs given to him, while he focused more on the lyrics and performance. RM’s first album was very good, and it was successful, but he even seemed unsatisfied with it and perhaps with its lesser achievement than he had hoped. It turns out that the 1st album also might not have expressed all the deep, gritty feelings he needed to let out. RM’s 2nd album also got more company-led promotional effort, and its achievements were also far greater than his first album. He has landed higher on charts and is being acknowledged for awards and recognition that eluded his first album, even though both are critically acclaimed. While fans did not get a documentary for RM’s first album, a very artistic, cinematic documentary (called RM: Right People, Wrong Place) was premiered at the Busan International Film Festival for his 2nd album. We now have word that it will be released globally in December 2024. Early reviews have remarked about how very honest and raw the footage is, that shows more of who RM is and the process that went into creating the very expressive album. After RM’s album release and promotions, he also was featured on a song with previous BTS collaborator, Megan Thee Stallion, called Neva Play, where RM finally declared that BTS “paved the way” for other Asian artists. Speak that truth, RM.

Presently, at long last, Jin has announced his 1st solo album. Happy will be released in November 2024 along with the (hopefully) improving promotional experience. His album is said to lead listeners through his journey to find happiness. In line with the happy theme, Jin first released Super Tuna 2.0, which was an updated, extended version of the original song and video. Although it is not included on the album, the silly, but joyful, song, about his love for tuna, was the right tone to kick off the release of an album that has happiness as its theme. Fans are excitedly looking forward to Jin’s solo debut. (By the time I posted this, Jin's pre-release song was presented. It is a fun, pop-rock song called I'll Be There. He looked and sounded great. He's off to a very good start.) To tide us over until the group comes back and until his album is released, Jin has been entertaining fans with show appearances, fashion pictures, and RunJin episodes that are full of Jin’s madcap chaos and humor. Now that JHope is out of the military too, I can’t wait to see if (when) he and Jin will produce a subunit project as I had hoped for. There is no doubt that it would be hysterically entertaining. Since Jin’s return, he has also fully capitalized on BTS’s opportunity to have individual ambassador deals now. He hadn’t been able to engage in any business contracts until after his enlistment, and he is wasting no time in catching up on lost time.

Here is a list of BTS’s individual ambassadorships presently: Jin - Gucci, Alo Yoga, Fred Jewelry, and Laneige Suga - Valentino and NBA JHope - Louis Vuitton RM - Bottega Veneta Jimin - Dior and Tiffany & Co. V - Celine, Cartier, Compose Coffee, and SimInvest JK - Calvin Klein

PHASE 2 CONCLUSION

During this solo experience, we have had the pleasure of watching BTS members grow and develop as individual artists. We have seen them learn a lot from the experience, gaining knowledge that we are excited to know they can bring back to the group activities. It’s difficult to imagine what the next chapter of BTS will look like with all that we have seen, but we’re excited to find out. Normally, Hybe and/or BigHit Music do put a lot of advanced planning into their efforts. This military situation was entirely new, and an innovative plan was certainly needed. While there were some parts that were clever and very well done, some parts of this plan unfortunately did not meet up with expectations at all. I have made my feelings clear on how the company initially managed the solo projects. Suga had said that each member was expected to manage their own solo tasks and promotions. Therefore each member chose different entities to help them accomplish their work. I explained each project in more detail in my Phase 1 solo period posts (specifically parts 2 & 3). The differing amounts of assistance given to each member, and the apparent, inequitable effort provided for promotions will sting many fans for quite a while. It caused a crack and disturbance in the fandom that will likely exist for a long while, if not forever.

JK, in honesty and in fact, did receive a much larger piece of the promotional pie, for whatever reason. Perhaps it was solely because of the group he chose to work with. Time seemed to be his only limiting factor. I’m glad he was able to get that level of promotion. He did an awful lot in an awfully short amount of time. I only hope that going forward, all of the members receive that level of care and investment. They all were responsible for the success that built the company, they all worked extremely hard on their solo projects, and they all deserve the same level of care and attention (with reasonable adjustments) to support their individual careers. The support may not look exactly the same, but it should look like equal effort. It should not stink of neglect and have missing necessary and available items or actions that some promotions received but others did not.

It is sad to see conversations from fans and the public, in which they compare the promotions of BTS, the most successful KPop group in history, to promotions given to artists from other companies. The comments express that they are surprised about how differently BTS is supported by its own wealthy company that their hard work built.

My final, previously stated, point on promotions for now is that even if the differences in promotions were due to the members having to handle their own promotional activities and make their own choices, it was all of their first solo projects! I feel the company should have provided a better framework of guidance for the projects, including promotions, to be sure the members knew how to roll them out fully and knew what tools and information - or additional assistance - was needed to make sure they not only had quality music but also quality roll outs. It seems this would have been a company priority, especially seeing that their primary money makers would be absent for a while. It would have maximized company profits, but perhaps the goal was instead for the members to learn from the process, regardless of everything else, including peace in the fandom.

With that said, the company has seemed to have grown or at least hopefully learned a lot from the experience too, for which I’m glad. We saw changes and improvements during the solo period from phase 1 to phase 2. Perhaps the members did learn and made changes and/or the company realized the flaw in their original tactic. It was a new experience for both sides. (Sadly, we’ll never know what could have been, since you cannot get a 1st time debut back.)

BTS is a unique band in a unique situation. Where most KPop groups disband at about the 7-year mark - if they make it that long - BTS is still thriving and successful into their 11th & 12th years. The members have recently signed a rumored 10-year contract, together, in advance, with the same company, which is also uncommon. Hybe is new for a corporation’s age, and BigHit Music is still learning as they go. As Suga has said many times, BTS is experiencing things where there is no roadmap because no other group has traveled this path before them, so it is expected that the company will have some missteps as they go. I certainly didn’t expect this type of misstep, or the extent of the misstep, but learning and growing from mistakes is far more important than attempting to never make a mistake, which is unrealistic. Provided they do course-correct and do better going forward, progress can be made and wounds can be healed. As with every step of BTS’s journey, we all will continue to watch and see - right along with them. APoBangPo - Army forever, BTS forever

**See my Updated BTS Solo Chapter Wishlist.** ***Refer to my BTS Official Content & Social Media Links post that is a directory of links, which leads you to all of the mentioned activities and solo work on official pages. ***

<- BTS Solo Chapter CONTINUED - Part 5 - opening post for this update

#BTS #Bangtan #JK RM Jin #BTS Solo Chapter CONTINUED - Part 6 #BTS Solo Era

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astradyke · 5 months ago

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okay yeah let's get freaky with it (not an acceptable way to start a post whatsoever) i cannot stop THINKING about this fucking We're All Doomed cap. like just in the last TWO days...

[ID: photo one is of Phil Lester in the hospital, wearing the We're All Doomed cap. photo two is of Phil Lester in a pool, in which the We're All Doomed hat is laying on the edge of the pool. end ID.]

and then not to mention all the latest videos...

[id: photo of Phil wearing the We're All Doomed hat]

(there are definitely more but i'm multitasking so i can't sleuth out the videos rn)

like, when i am trying to describe Dan and Phil as a phenomena to my friends i always mention the fact that Phil is like THE consistent hype person for Dan (vise-versa but focusing on Phil here). "Dan is leaving me" is obviously an insane video about their relationship but also spends a substantial time promoting We're All Doomed; "I TRY TO GIVE DAN A HAIRCUT!!" is basically just YWGTTN promo. What Dan and Phil Text Each Other 2 (iirc) Phil encourages Dan to talk vaguely about upcoming stuff, etc. like Phil is ALWAYS so crazy supportive of what Dan does

from the mukbang "I wanted you to be happy [...] you did loads of shit on your own" (quoting from memory)

but something about the We're All Doomed hat feels DIFFERENT to me fundamentally because it's just... such a casual thing? they're no stranger to using their old merch, or wearing merch in videos after its release, but Phil literally cannot be separated from this hat as a guy who never seemed to be that crazy about hats to begin with. but it's just such a casual presence in his life, like a must-have object, it goes with him everywhere from Türkiye to the A&E, just this constant support for Dan's solo work.

when Dan says in Basically I'm Gay: "And for someone who has dealt with the same kind of self hatred I have, one person accepting you makes all the difference." (quoting from memory again),

it's like. there is such a love confession in the sheer act of seeing someone's creative work, something they poured their life and soul and savings into, and holding THAT in your palms -- and loving it. Phil was part of the WAD pre and post show, Phil was listed in the credits, even in Why I Left YouTube Phil's presence is there in the fact that he was patient as Dan tried to pursue Dan Is Not Okay, even at the potential risk of them postponing moving. don't even talk to me about how Phil was involved in Dystopia Daily, not only as a guest but also working on the set too.

holding something that has as much meaning as We're All Doomed does to its creator and not only loving it in the moment, not only relentlessly promoting it, not only being part of the premiere, but also continuously wearing its merch -- it's such an embrace from Phil of not only Dan as a person, but who Dan is creatively, and the ways he expresses himself.

and considering all the thematics of We're All Doomed, the hope and the new era and the self acceptance... yeah. fucking YEAH.

we talk a lot about different kinds of love and all the different ways they love each other, and i think this has always been the loudest and what i've personally been most affected by. the way that Phil Lester became a safe and accepting place for Dan Howell back when he was eighteen, and how he never fucking stopped being that place for him since.

#dan and phil #phan #sorry i wrote an essay. i have a lot of feelings about the hat.#astra.txt

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thinking-emoji · 27 days ago

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Photo-spoiler free PEOPLE article

wonderful article by the amazing Raven Brunner, but it unfortunately includes extremely cute photos of dnp on stage and in their stage outfits. So here's the spoiler free version for all you hardcore spoiler-fighters

Dan Howell and Phil Lester Say Seeing Fans on Tour Now That They're 'Older and Bit Gayer' Has Felt 'Radical and Freeing' (Exclusive)

Dan Howell and Phil Lester are currently one month into the North American leg of their tour Terrible Influence and PEOPLE has an exclusive first look

By Raven Brunner | Published on November 1, 2024 11:00AM EDT

Dan Howell and Phil Lester are cruising through the United States!

The two British YouTubers are currently one month into the North American leg of their third joint tour Terrible Influence – and PEOPLE has an exclusive first look.

The duo will continue with stops in Chicago, Toronto, New York City, Nashville and more, before bringing their show to Australia in December.

"Being able to see our audience in real life, now that we're all older ... and we're a bit gayer, feels so radical and freeing," Dan and Phil said in a statement shared with PEOPLE. "We've had so many people joke [that] this tour has felt 'healing' and to see people from all different walks of life feel like they are welcome at our tour makes us so happy."

They added, "Getting to perform a new show that contains so many spicy personal and professional revelations is a thrill. It's truly a DGAF new era and to see people hollering at some of the controversial moments and shedding a tear at the end makes it feel so good every night."

When it comes to traveling the states, the two continued, "The U.S.A. is so huge, we can't believe driving across the middle takes so long. From Texas and the midwest to the upcoming east coast leg - our propaganda is spreading across the nation and we're so happy to be here saving democracy, one brainwashed viewer at a time."

The show sees Dan and Phil on tour together for the first time since their 2018 hiatus from their shared YouTube channel DanandPhilGAMES, during which they both came out as gay and grew their personal brands. During this time, Dan wrote the #1 New York Times bestselling mental health book You Will Get Through This Night and embarked on a solo comedy tour We’re All Doomed, while Phil continued to grow his own YouTube channel AmazingPhil.

In an exclusive interview with PEOPLE ahead of their arrival in the U.S., the two – who have been on YouTube together for over 15 years – spoke about the reactions to their first few shows as they began their tour in September with a stop in Belgium.

"We have had so many funny memes and reactions to it," Phil, 37, told us at the time. "Seeing the buzz on social media the first night we did the show, because no one knew anything about it or what it was going to be, was just a reminder of how hilarious our audience is.”

Dan, 33, added that the show is helping people come to terms with their past and also their future.

"It has also been amazing seeing all the different kinds of people that come to the show because we have had people that are like, 'I’m old now and identify as a real person' – not someone that spends all their time on YouTube," he said. "All these people have grown up and gone on so many different journeys in the direction of their lives, and yet it feels like they all got to come together and feel like they were welcomed."

Dan continued, "They all got to laugh and feel like they could have some weight taken off their shoulders for who we were, for who they used to be [and] for how scared they should feel about the future. The fact that everyone’s left feeling invigorated about themselves for what the next chapters of their lives could be, I think we are really proud of that."

The new territory of the show also poses new "danger," as Dan said.

Phil has experienced two accidents while working on the show, the first of which occurred during a rehearsal and resulted in a broken rib. Then he fell off the stage during a tour stop in Sweden, after which he wrote on social media, "people think ‘phil is going to fall off the stage’ is an old joke until i actually fall off the stage."

"We joke about this,” Dan explained. “People are like, 'Dan and Phil need to stop exaggerating.' But you don’t even know the extent to which we don’t tell people half the stuff Phil has done."

"I need to be wrapped in bubble wrap at all times," Phil agreed, before adding, "To be fair, it is very dark on the stage. I thought I was leaning over the edge. There was no edge. I did a very stylish barrel roll off the front of the stage and thankfully it wasn’t very high."

He continued, "But the rib was another thing. I won't say much because it'd be a spoiler, but we were rehearsing a very active part of the show and I bent myself in a way I should not have bent myself."

Beyond the challenging physical aspects of the show, Dan noted that the specific scene also includes an emotional element where they are "jokingly being quite confrontational about a lot of things that would have, in the past, been considered sensitive topics – whether it is about us and our audience, or just like people on social media and what this culture is."

As for what the duo enjoys most about touring the United States, Dan quickly noted that "Phil is looking forward to sugar."

"Yeah, I have a sugar issue,” Phil confirmed. "Everything in the U.S. has more sugar in it. So that’s always quite exciting. The pancake stack I am going to get as soon as I arrive in America is going to be legendary."

Dan added, “You’ll find that’s essential. If someone wants a free selfie with Phil, just turn up to the local IHOP at 2 a.m. and see Phil just going, 'More maple syrup.'"

The two shared a story from their 2018 tour Interactive Introverts where their bus broke down "in the middle of Texas" and the only place nearby was a Denny’s. "So we ended up going there having a Breakfast Slam at like 3 a.m. I was like, 'I think I get American culture,' " Dan explained.

"This is it. The Slam,' " Phil added.

Meanwhile, Dan is most looking forward to "bus life."

"A lot of people go, ‘Touring! Don’t you just hate it? Imagine being on a bus cramped up with all those people?' And I’m like, 'I love it.' Get me out of the house," Dan shared. "We are not meant to just be spending all day in our head, being anxious about stuff. We are meant to go outside. And I found that the only way I can do that is to book a tour and commit to dragging myself outside of the house.'

Following their return to YouTube and their joint brand, Dan said that they are living "in this radical present where we are just seeing how things go." However, they are still aware of the demand for them to take on more big projects, particularly in relation to their former jobs as presenters on BBC Radio 1 where they hosted a weekly radio show and interviewed A-list celebrities like Taylor Swift and Fall Out Boy at special events.

"Yeah, that was really fun," Phil recalled. "I think there was a lot of anxiety for me doing the radio because you have to press a lot of buttons, you are live – so I can say anything. Anyone knows that me, unfiltered and live, is a dangerous mix, especially when you are the BBC."

Dan added, "People keep asking us. They are like 'Dan and Phil, we need you to get back doing these presenting jobs. You want to come back? Do the radio, do this award show.' We are like, 'Oh, my! Maybe we’ll do it for the people.' "

He continued to note that people are also "begging" him to return to his solo YouTube channel, but for now, they are focused on the tour.

"This Dan and Phil comeback was so lowkey," Dan said. "Literally we had no plan for it. Phil was like, 'Just sit down, play The Sims, play a little card game,' and it is the most light, casual content ever. People were so enthusiastic about it and now they are like, 'What is the future?' People are begging us to do radio, they want us to do a podcast, they want us to do all this other stuff that their favorite YouTubers are doing. So now, we are like, 'Okay, we hear you, Dan and Phil 2.0 when we get back from this tour.' Honestly, it sounds like a threat."

"Yeah," Phil agreed. "What is it going to be? We are not sure but we are excited about it."

Tickets for Terrible Influence are now on sale.

#dan and phil #phan #raven please don't sue me i love your work

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