#the slavic oracle
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qldqueerboy · 1 year ago
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There is swiftness in your movement today. It’s the “things to do, places to go” mentality that is spurring you on. Don’t try to convince your network of friends to join you in your activities today as the likelihood that you will be detracted in doing what they want to do and go rather than yours.
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magnoliamyrrh · 10 months ago
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do you do tarot readings
ive done them for other people before, yes. ive never done them for someone via the internet tho, but if you want me to i can try my best! :) just send me your first name if youre comfortable and the type of reading you'd want; past present or future or if you'd want insight into a certain situation
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famewolf · 6 months ago
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went on a really cute after-doctor date with my husband today! finally got to take him to the pho place I've been frequenting (it was superb), then we went to the arts n crafts store, and the used bookstore and got some smoothies to finish our day <3
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comparativeoracle · 2 years ago
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Meduza. Art by Hanna Tricoire, from The Bestiary of Women.
This one is Medusa a sea creature from Slavic mythology, she was portrayed as a monster with elephant legs finished with snakes and tail that was also a snake, she also had a head of beautiful woman.
(Also used in The Oracle of Secrets (The Alleyway Oracles).)
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bolszaja-miedwedica · 10 months ago
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NEW ABOUT ME:
-I'm genderfluid and audhd, borderline too (undiagnosed because the system sucks) and diagnosed schizophrenic
-godspoused! if you're anti fuck off
-I'm an age regressor but i curse a lot on this blog so age regressors feel free to follow my agere side blog @there-are-sharks-in-my-milk
-i don't discriminate anyone this is a safe space for minorities, poc, microlabels, systems, lgbt people, therians, everyone who is not a hateful jerk
-this blog is a mix of me posting about my deities, stray kids and other stuff i find interesting
-sometimes i vent make sure you're okay with it
blog rules are:
-if my practice looks different than yours and you don't like it you're free to unfollow
-if my vents annoy you and you feel the urge to tell me its my fault you're free to unfollow this is my shadow work free from censor space
-if you feel the need to tell me i seem psychotic you're free to fuck off
-don't fuckin curse me??? some of yall are not behaving and it's pissing me off
-other than that be kind and respectful to me and my friends
to interact with my blog make sure that you aren't:
racist, homophobic, terf, pedo, ableist, anti agere, a nsfw blog (it makes me uncomfortable), generally a hateful human
now the best part:
worshipping:
-Sekhmet
-Holy Mary
-Baba Jaga
-Medusa
-Kali
-Lilith
working with:
Marzanna, Apollo, Dionysus, Hecate, Persephone, Asclepius, Hel, Anat, Death, Satan, Leszy, Cernunnos, Horned God, Helios, Venus, Freyja, Asmodeus, Baphomet archangel Jophiel, Thoth, Fenrir, Dantalion, Buer, Beelzebub, Mut, Bes, Bacchus, Kogkipr (an unknown deity), Proserpina, Cnabetius Mars, Tegid Foel, angel Sariel, Hermanubis, Amun, Deimos and Phobos, Kvasir, Wepwawet, The Dagda, SwaroĆŒyc, Lucifer, Begotho (unknown deity), Aphrodite Areia, Stracchus (unknown deity), Ruadan, Somnia, Kek, Cerberus, Hestia, Nyx, Cerridwen, the Morrigan, Parvati, Shiva, Krishna, Vishnu, RadhaRani, Lakshmi, archangel Gabriel, archangel Azrael, Nakir and Munkar, archangel Michael, archangel Israphil, Kiram and Katibun, Somnus, Loki, Mokosz, Allah, Brigid, Hermes, Shakti, Anubis, Weles, Baldur, Khnum, Poseidon, Amphitrite, Astaroth, Neith, Wenut, Ganesha, Perun, Khepri, Inanna, Dola/Niedola, Ariadne, JaryƂo, Chors, Sleipnir, Zorza, Jormungandr, Odin, CzarnobĂłg, Blodeuwedd, Set, Mafdet, Idunn, Seshat, Dziewanna, Artemis, Arioch, Eros, Vesna, Selene, Luna, Leviathan, Behemoth, Nox, Mammon, Abaddon, Azazel, Kathos, Vesta, Sun, Moon, Minerva, Athena, Eosphorus, Stolas, Melinoe, Mary of Magdala
spirits that i work with:
-Pahiri (a white dragon spirit)
-Nkfofa (the mermaid spirit guide)
-a fae
-Fienon (a rusaƂka)
-Mo Xasii (familiar nr 1)
-Hilkog (spirit guide)
-Kalina (a harpy)
-Zanota (a mermaid spirit guide nr 2)
-GawoĆŒ (hydra, familiar nr 2)
- Kiityk (upiĂłr spirit guide)
-Xyo (a red fire dragon)
-Bemamo (a dragon shark)
devoting to:
-King Hades
-Bastet
-Aphrodite
I'm not really a hellenic polytheist, nor a kemetic one, not really a slavic one as well although i am hyperfixated on slavic paganism, yes, and i do wanna work with more slavic deities in the future but I don't label myself as anything I'm just a witch and a pagan i celebrate the slavic holidays and my deities holidays because they're the closest to me. if i were to label myself i would use "rodzimowierca"? but I'm just a witch, and well apparently a medium now too so 😀 fun uhh
i do free readings too! 5 a day to not burn out so quick but i wanna get more skilled since divination is my favourite skill to get one just dm me tp ask if im open!
I'm planning to master:
-herbology
-moon magic
-palmistry
-reading more books...
-my fuckin research motivation...
i can do:
-protection
-blood magic
-cartomancy
-tarot
-clairvoyance
-clairaudience
-spells and shit
-rituals
-sigils
-tea blends i guess
-motanki
-scrying
-oracle
-runes (both nordic and witch's runes)
-smoke reading
-crystal ball
-curses
-sex magic
sƂawa! :]
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god-blog · 5 months ago
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Ok, idea that I'm really excited about
Everyone is always talking abt an in-person temple for pagans but what if instead of a temple-temple, there was a museum-temple?
Hear me out bc I think this would be really cool.
Things the temple-museum would have:
Permanent exhibits including:
Outside land art similar to Sun Tunnels by Nancy Holt that line up with the solstices/constellations
Inside sky art for meditating similar to Skyspace by James Turrell (PLS look this one up, it's so pretty. The picture in the article doesn't do it justice)
A wall of prayers/manifestations/affirmations. Visitors write them on a post it or note card and pin it to the wall to make a collaborative exhibition like Post Secret at the Museum of Us
A small gallery with general overviews of popular pagan pantheons: Hellenic, Celtic, etc. This will include artifacts from those time periods either depicting the deities or how people worshiped them
A small gallery with historical witchcraft artifacts. This will include medieval European poppets, Copic love spell manuscripts, Chinese oracle bones, etc.
Rotating temporary exhibits including:
Witch trials from around the world (1400-present, bc they do still happen)
Paleolithic cultures: Venus of Wellendorf, Stonehenge, Cave paintings/music, the Lion-man ivory, etc
Did Christianity Steal From Paganism: yes
 no
 it’s complicated (basically the overlap between early Christianity and Roman paganism) This will include villa mosaics, sarcophaguses, layouts of early churches, etc
The Rise of Modern Occultism: Hilma af Klint, Carl Jung, surrealism, spiritualism, Wicca, etc
A series of exhibits celebrating closed practices: different indigenous religions, Voodoo, Hoodoo, etc (Very important: these will not be teaching those crafts, just giving them the same public platform/attention as open practices. Key word here is "celebrating." People who practice in those closed communities will be consulted)
How paganism is incorporated into Abrahamic religions: Judaism and paganism, Catholicism and paganism, etc (People who practice in those communities will be consulted)
Modern witchcraft, good or bad? So that would be New Age, the rise of consumerism, witchtok, etc
More in-depth focuses on different pantheons: Celtic, Slavic, Mesopotamian, Hellenic, etc
Historical witchcraft accusations and race: Mary Lewis, the New York City Panic of 1741, Ann Glover, etc
Regular people's (like you!) devotional art. The public will be encouraged to donate/create devotional art pieces. Be that visual media, performance art, video art, music, sculpture, photography, writing, etc. It'll really highlight all the different ways people are worshiping, the diversity in deities being worshiped, and how big our community is
An auditorium. This would be for concerts, festivals/ceremonies that are done inside, and guest speakers. Guest speakers would include academics like Malcolm Gaskill (English historian and author), Katherine Howe (American author), etc. as well as big name practicing witches/pagans.
A garden. I haven’t decided yet what kind but I’m debating between a rooftop garden like the MET, one behind the building but open to visitors, or an atrium like medieval European cloisters/monasteries (bc I love those). The garden would be for meditating, connecting to nature/the gods, feeding pollinators, protecting "creepy" insects like spiders or burrowing bugs (bug hotel?), and potentially -depending on what type of garden it is- housing wild birds in bird houses or bats in bat boxes. Also, it could be a good place for festivals/ceremonies that are done outside, concerts, or general get-togethers like altar piece swaps!
And an altar/worship space. Obviously. It wouldn't be a temple without it. I'm thinking it would be mostly a big empty room with chairs and rugs scattered about and an alcove in one wall for the altar. Inside the alcove will mostly be nonspecific religious objects like candles, nice fabrics, flowers, incense, etc . Visitors will be encouraged to bring their own small personal devotional tools (except candles/incense for fire safety reasons). That way they can pray to, appreciate, and connect to their own gods and the main altar doesn't leave anybody out; the main altar is more for ambience than specific worship.
Giftshop? I'm not sure about this one yet bc it feels wrong to have a gift shop in a temple, but most museums, even small ones, have gift shops. It could have fresh herbs from the garden, candles, and local artists' art like prints, stickers, jewelry, etc. All at a reasonable price ofc (I hate overpriced museum giftshops more than anything else in the world... except overpriced museum tickets)
In terms of funding, museums get more government funding than churches, but they do have to pay taxes churches don't. I was thinking of generally modeling it after the Museum of Us in San Deigo; they let their employees pick the holidays they take off so they can each adhere to their personal religious practice, start paying them at $22 an hour with built in raises each year, and good insurance. They have done an amazing job, way better than any big museum, at collaborating with communities from all over the world to either give back artifacts in their collections or closely work with them to reframe how the artifact is presented/stored. They also don't charge for tickets, memberships, school trips, or basically anything except the giftshop. But that means they rely heavily on donations which may not work as well for a museum that's just starting out. Idk, this is all hypothetical rn.
The pillars the museum-temple would stand on are worship, education, and community.
I feel like teaching people about the history of these practices is super important and isn't smth that everybody bothers to learn or has correct information about. (And I'm a huge history/museum nerd if you can't tell lol)
I'm actually really excited about this lol
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thel1m1nalspaces · 1 month ago
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The Liminal Spaces
The Liminal Spaces
A liminal space is defined by the fact it is an in between place. Not quite here here or there. This can be transitions in life, transitional or transformational things or places. A space between where you've been and where you're going.
Liminial Spaces: Stairways Airports Hotel Lobbies Parking lots Waiting rooms Break rooms Elevators Trains Bridges Abandoned buildings
Liminal Space Character: Cloak and dagger Alice from Alice in wonderland Neo the matrix Coraline Harry Potter Dr Strange Loki Scarlet Witch Ghost Rider Raven The flash
Liminal life transition: Divorces Deciding on a partner Graduation Puberty Menopause Having a child Literally transitioning Job loss Break ups Periods
Liminal times: Midnight Noon Equinoxes Solstices
Liminal Weather: Fog Overcast days Land meeting sea Fall Spring
Liminal Feelings: Surrealness Nostalgia Bittersweet Conflicting emotions
Liminal space animals: cats Bats Butterflies Dogs deer pigeons rats hedgehogs rabbits and hares swans sparrows ravens squirrels Owls Frogs Snakes
Liminal Deities: Hekate (Hekate (Hecate) was the goddess of magic, witchcraft, divination, the night, liminal spaces,the moon, ghosts and necromancy, crossroads, doorways, boundaries, and has dominion over the earth, skies and ocean too. She can be linked to herbalism, and shes a protector of the home, and family.)
Hermes (Hermes is known as the god of travel, commerce, communication, and thieves. He’s also the messenger of the gods, boundaries and transitions.)
Janus from Roman mythology, the god of beginnings, gates, transitions, time, duality, doorways, passages, and endings.
Persephone from Greek mythology, who moves between the underworld and the living world.
The Morrigan from Irish mythology is a war, death, liminal spaces, destiny, fertility, and motherhood
Brigid the Irish Deity of liminal spaces, fire, healing, poetry, childbirth and children, warfare, crafts, wisdom,
Dionysus Greek god of wine, festivity, and theater, and is also known as the god of vegetation, fertility, and insanity
Hermod is the messenger of the gods and is known for his speed, communication, and bravery in norse mythology
Odin from Norse mythology, who can travel between worlds.
Anubis from Egyptian mythology, who guides souls to the afterlife.
Chiron from Greek mythology would transport souls but was also known for being a teacher, healer and oracle
Closed Practice Liminal Deities (Idk much about these so feel free to add more and or correct me)
Papa Legba from Haitian Vodou, who stands at the crossroads between the human world and the spirit world.
Baron Samedi from Haitian Vodou, who’s the guardian of the cemetery and the afterlife.
Nabu from Mesopotamian mythology. He's the god of wisdom and writing, and he acts as a bridge between the mortal world and the divine through knowledge and communication. It's like he stands at the boundary between human understanding and divine insight.
Veles from Slavic mythology He's the god of the underworld, waters, and magic. Veles often crosses between the realms of the living and the dead, making him a classic liminal deity. He's also associated with cattle, wealth, and poetry, which adds even more layers to his role.
Ellegua from Yoruba mythology, often worshipped in SanterĂ­a and other Afro-Caribbean religions. He's the orisha of the crossroads, communication, and doors. Ellegua is known for being a trickster and a protector, and he plays a crucial role in opening and closing pathways between the human and spiritual worlds.
Anansi from African mythology, the trickster and storyteller who often moves between worlds.
Inari from Japanese mythology, a deity of rice, fertility, and foxes, who bridges the human and spiritual realms.
Ereshkigal from Mesopotamian mythology, the queen of the underworld.
Kali from Hindu mythology, who represents both destruction and rebirth.
Ganesha from Hindu mythology, the remover of obstacles, often invoked at the beginning of new ventures.
Tlazolteotl from Aztec mythology, a goddess of purification and transformation.
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ofrunestoruins · 5 months ago
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Introducing Rune ✚
Hello! I'm Rune! If you saw my name as something different on my blog before I changed it, no you didn't haha
Anyways, some quick facts about me:
🩊 I'm nonbinary, (Although more along the lines of gender fluid)
🩊 I'm 24
🩊 I love languages, history, writing, tea, and have a special connection with foxes; I tend to study pretty frequently in my free-time and I also love a good ttrpg, video game, and book.
🩊 I'm Polish American but sadly the only thing passed down from my grandparents were those lovely, lovely polish recipes, and they passed long before I can ask them more about how they grew up, so you may see some content on this blog about me discovering my roots as a Polish American from Appalachia living (suffering) in the south haha
🩊 I'm also striving to learn herbalism, but non in a crunchy, conservative way (Because yes, that does need to be clarified these days it seems)
🩊 I hate bigots and I WILL stand on business if you try to come on my blog and interact with me if you're one of them. (Aka I will block you if you are anything from a neo-nazi, to a terf, to a homophobe. Do not interact with me if you're gonna hate on others for being who they are.)
🩊 And finally- I love baking and cooking, so there might be a bit of flare of that as well.
Now, onto some facts about my practice:
With that being said, I believe that covers enough of the basics, but! If you ever have any questions about me or my practice or just wanna chat- feel free to send me an ask or a message! I'd love to chat!
🩊 I am.. very heavily pagan. Specifically Norse and Hellenic, however I've recently been looking into Celtic, and Slavic Paganism
🩊 Although rn I'm more of an eclectic witch, I'm currently building my craft from the ground up with a much heavier focus on folk magic. I will be splitting content, however, across 3 blogs. This one will be more basic, lighthearted stuff, things I wanna review first, take my time with, or very introductory; @ofwoodandash which will cover more intense, darker, and more specialized topics including but not limited too: Seiðr, traditional witchcraft, Appalachian Witchcraft, Spirit Work, chthonic aspects and the like; and finally @apagansprayers which will cover things more religious in Nature, mostly as a digital prayer book and personal e-shrine to the deities I worship, as actual information may be reblogged here (To this blog you're reading this from),, I'm still.. debating how to use that blog specifically BUT that®s a general outline.
🩊 I also have almost a decades worth of experience with Tarot, Oracle, and Pendulum readings, and I'm also currently learning the Runes
Check out Rune's Tag Masterlist for a handy guide on how to navigate this blog! (Will be posted soon)
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echidnana · 10 months ago
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tagged by @dykexenomorph TY CHRIS
last song: pokédance :) it's sooooo catchy we've been watching cosplay dances to it :3
currently watching: dunmeshi, pokémon anime (still in season 1 though), and house md!
currently reading: we have several books we've started reading but haven't in a while 😭 they're all spirituality/divination books, we have one on tarot, one on greek oracles, one on buddhism, and one on slavic mythology that are all in progress
relationship status: happily in a qpr with our partner system!!!!!
sweet/savory/spicy: generally savory
current obsessions: we've been getting into pokémon for a bit now, especially the tcg idk it's so fun for us to organize the cards lol! other than that there is of course the constant spin of proseka :)
last thing we googled: difference quotient formula 😭 we were working on calculus hw
tagging @finalbarbiegirl @cherrycreamsicle @bbbeanzzz @gh0str3c0rd3r and anyone else who wants to do this!!
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kemetic-sanura · 5 months ago
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How I've put together my grimoire...
I'm honestly so proud of my grimoire and I wanted to share a bit of how I've organized it! I'm still always adding more to it, but here's a quick post on its structure and usage.
1. Table of contents.
I've structured my grimoire to have two tables of contents. Contents A contains all the info, while Contents B contains my own crafted spells, and some borrowed from other sources.
For info in Contents A:
â–Șcrystal correspondences and care
â–Ștarot/oracle/card spreads & readings
â–Șdeity info
â–Șherb & plant correspondences
â–ȘSabbats & wheel of the year
â–Școlor associations
â–Șnew & full moon activities
》 Contents A is on a separate page from Contents B.
》 Contents A is within the first half of the notebook, while Contents B is in the last half.
Here's a couple examples:
1A. Color correspondences.
27A. Bastet info
1B. Restful Nights Sleep Sachet
2. References for more detailed info.
In the last page of my grimoire, I've written a little disclaimer for referring to my detailed "metaphysical-stuff" journal. In this separate journal, I have detailed information I've collected. Some of the info includes Shintoism, Slavic Paganism, and Kemeticism. This separate journal contains several pages worth of information and notes which I couldn't easily fit into my main grimoire.
In the separate, more detailed journal, I've also included a table of contents, though it's less involved than my grimoire's.
3. Index.
It hasn't been created yet, but I plan to include an index in my grimoire. I want this to contain keywords and where to find them within the book.
I hope this inspires you to create your own grimoire! You can do so much with it, and I've only scratched the surface with how I've structured mine.
Bright blessings!
♡*~Sanura
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wingedblooms · 1 year ago
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Bird of prophecy
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I’ve talked a lot about Elain’s connection to the myth of Blodeuwedd, a spring maiden transformed into an owl. A long time ago, I also stumbled across the Gamayun in Slavic mythology, which is associated with other bird-maidens (like Sirin, which comes from the Greek Siren). The Gamayun is a half-bird, half-woman of prophecy. She symbolizes knowledge and wisdom and acts as a divine messenger. This bird-maiden originates from the Huma in Iranian mythology. According to legend, the Huma flies invisibly above the earth and its shadow foretells the next king when there is no heir. It is depicted as a combination of creatures like a mighty griffin. It would be fitting if Elain, who is canonically wise and prophetic, traveled like the Huma: a fusion of animal forms and invisible to all. The Cauldron travels that way, and it would be appropriate (and badass) for a divine messenger to mimic the power it gave her. All those with the gift of Sight we’ve met in the Maasverse—Baba Yellowlegs, the oracle, and shapeshifter mystic—also seem to navigate more than one form, even if it only involves iron teeth and claws. Could Elain also possess her own bird-maiden form as a seer? Or will her flight through time and space remain mental? Only time will tell.
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zealotofthecrimsoncloud · 3 months ago
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Oracle Operator Dossier:
Name: Uthorim Kacper Haakonson
Nicknames: Uth, Blue, tbd
Codename: Chernobog
ID number: (unsure)
Date of Birth: December 31, 10,000 BCE
Nationality: Polish
Ethnicity: Polish/Slavic
Gender: Male
Pronouns: He/It
Sexuality: Pan
Species: : "Old God"/Primordial
History/description:
From what Uthorim has told us, he awoke in a snow covered field with no memory or true sense of self. Uthorims theory is that when humanity emerged and began forming belief he was formed from that power. Uthorim would embrace this worship and bless those who called out to him. His powers are vast but primarily deal with life and death, unlike most deities in mythos his powers extend to those energies in all their complexities. If it lives, dies, or exists in unlife Uthorim has some connection to it. In more recent times he has even claimed to feel the beginnings of digital life. Uthorim migrated to the U.S. after the second world war with many other refugees and people looking for a new beginning. Never living in any of the large cities he stayed quiet and away from public eyes. Helping those in need as he saw fit.
@callsignbaphomet because <3
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luminescenc1e · 2 years ago
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đŸ†‚đŸ…»đŸ…°đŸ†…đŸ…žđŸ…Č đŸ…ŒđŸ†ˆđŸ†ƒđŸ…· & đŸ…”đŸ…ŸđŸ…»đŸ…șđŸ…»đŸ…ŸđŸ†đŸ…Ž đŸ…°đŸ…±đŸ…ŸđŸ†„đŸ†ƒ đŸ†…đŸ…°đŸ…ŒđŸ…żđŸ…žđŸ†đŸ…ŽđŸ†‚
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In South Slavic folklore, a vampire was believed to pass through several distinct stages in its development. The first 40 days were considered decisive for the making of a vampire; it started as an invisible shadow and then gradually gained strength from the lifeblood of the living, forming a (typically invisible) jelly-like, boneless mass, and eventually building up a human-like body nearly identical to the one the person had had in life. This development allowed the creature to ultimately leave its grave and begin a new life as a human.
The vampire, who was usually male, was also sexually active and could have children, either with his widow or a new wife. These could become vampires themselves, but could also have a special ability to see and kill vampires, allowing them to become vampire hunters.
In Southern Slavic folklore, Serbia is considered the birthplace of vampires. Not many Serbian words have become internationally recognized, but the one that has made quite an impact, as we all know the word “vampire” (Serbian vampir). During the 18th century, Austrian officials noted that the Slavic population in the northern country’s region of Vojvodina (then part of the Austro-Hungarian Empire), was digging out and re-murdering cadavers, calling them “vampires.”
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The Bulgarian Bogomil Magi (upper clergy) produced apocrypha during the fifteenth and sixteenth centuries and these documents do give us some insight into the Bogomils' beliefs. God represents the Force of Creation, which is opposed by the equally powerful Force of Destruction.
Man avoids the forces of darkness through restoration through utilizing the four elements: bathing and washing; air (ventilation of the house and living outside); greeting the sun in the morning; and recognizing the celestial creations in the evening; and, of course, through the sermons of the church;
Burial of the dead takes place outside of the town and is done only during the evening after sunset or during the predawn hours;
It is forbidden to bring dead bodies into a church, because dead bodies belong to the Force of Destruction. (Perkowski)
Entrenched in the Bogomil belief system are the seeds for what eventually becomes modern vampire lore. Primarily that the early Slavs believed that the body (as matter) is evil and representative of Satan while the soul is holy and deserving of reincarnation. It is easy to see how Bogomilistic views on demonology combined with the dualistic natures of the Force of Destruction and its need to destroy the Force of Creation birthed the vampire. The continual battle between Destruction and Good can be encapsulated by a demon's ability to animate a corpse that sucks the blood (i.e. life force) from a living person.
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Pre-Christian practices on the Baltic coast are described by Helmold in his Chronicle of the Slavs (1164-1168):
"... after the victim is felled the priest drinks of its blood in order to render himself more potent in the receiving of oracles. For it is the opinion of many that demons are very easily conjured with blood ... The Slavs too, have a strange delusion. At their feasts and carousals they pass about a bowl over which they utter words ... in the name of the gods ... of the good one, as well as the bad one--professing that all propitious fortune is arranged by the good god, adversity by the bad god.
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If we take the association of corpses with evil forces (i.e. the Force of Destruction) and combine it with demons, which hound men and women in order to deplete them of their life force, we can easily see how mundane illnesses can be attributed to vampires. The killing of the vampire is also rooted in Bogomilistic beliefs. Since most medieval philosophies held that the head and the heart were the repositories for a person's emotions and desires, it made perfect sense to pierce both the head and heart in order to curb the violent desire for destruction exhibited by the vampire. Cremation occurs in order to execute the "ultimate separation of elements belonging to the force of good and those belonging to the force of evil" 
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fairylandblog · 7 months ago
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Faerie Oracles
Folklore and mythology intricately weave faerie oracles, acting as bridges between the magical world of the fae and the human world. People often seek these supernatural creatures for their prophecies and their knowledge of the past, present, and future. The myths surrounding faerie oracles are as diverse as the societies that have managed to maintain them, and each one contributes something special to the overall story of these otherworldly prophets. Faeries, also known as the "Aos SĂ­," are strong and mysterious beings that live in a parallel dimension intimately connected to the natural world. Celtic mythology frequently portrays them in this manner. People especially respect the faerie oracles for their knowledge and prophecy. These oracles could appear as a mystery child-like figure, a wise elder, or even a lovely faerie queen. The cycles of the stars, the seasons, or the growth of sacred plants, among other natural events, frequently connect their ability to prophesy.
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A faerie oracle's consultation usually requires risky spiritual and physical travel. This mission frequently entails negotiating dangerous terrain, getting past magical obstacles, and traversing enchanted forests. The voyage itself is a metaphor for the seeker's readiness to abandon the ordinary and venture into a world where reality and time operate differently. Upon reaching the oracle, the seeker might be required to perform specific rituals or offer gifts that align with the faerie's essence, such as rare herbs, precious stones, or artisanal items imbued with sentimental significance. The knowledge imparted by faerie oracles is seldom simple. Enigmas, dreams, or symbolic visions frequently convey their predictions, demanding careful thought to decipher. This communication style highlights the idea that real comprehension results from delving into the deeper meaning of the words rather than simply hearing them. It promotes personal enlightenment and self-discovery by pushing the seeker to investigate their own inner guidance and intuition, it promotes enlightenment and self-discovery on a personal level. In addition to their role as seers, faerie oracles often preserve magic and ancient knowledge. They possess a deep understanding of all aspects of nature, including plant traits, earthly rhythms, and cosmic secret forces. They serve as a bridge between humans and the mystical aspects of the natural world, fostering peace and harmony. Faerie oracle myths are not exclusive to Celtic countries. Many European traditions feature comparable figures. In Slavic tradition, the water nymph "Rusalka," for example, may serve as an oracle, providing guidance and caution to people who come across her by rivers and lakes. Although not a faerie, the Norse seeress "Völva" is comparable to faerie oracles in that she is a prophetess and has connections to both the natural and magical worlds. The idea of faerie oracles captures people's imaginations even in modern civilization. Fantasy literature, films, and video games frequently present them as enigmatic and intelligent entities that mentor protagonists on their adventures. This contemporary interpretation revives the classic custom, retaining the core themes of magic, mystery, and the pursuit of greater truths while adapting it to fresh settings.
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Faerie oracles have always been popular because they represent the material, magical, known, and unknown forces. They serve as a reminder of both the possibility of wisdom existing outside of our normal awareness and the immense, invisible forces that influence our environment. Interacting with the faerie oracle legends encourages us to explore our relationship with nature, uncover hidden truths beneath the surface, and embrace the magic and mystery that pervade our lives. Faerie oracles are essentially ageless representations of the pursuit of wisdom and enlightenment. They represent the notion that acquiring wisdom necessitates a voyage into the unknown, a readiness to face difficulties, and an openness to the secrets of the cosmos. Faerie oracles never cease to awe and provoke thought with their enthralling tales, pushing us to see past the commonplace and pursue the uncommon in our own lives.
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oraclekleo · 2 years ago
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Kleo + Anakin Skywalker / Darth Vader - Storyteller Tarot Reading
Hello and welcome to my another experiment trying to find out what’s actually possible with tarot and oracle cards.
This time I have asked myself, what if I became a part of my favourite story and could actually meet my favourite fictional characters? What role would I play in the story? How would the original story change if I were a part of it? What kind of relationship would I have with my favourite fictional character? And how would our story end?
This type of tarot reading is similar to the hypothetical scenario of I, Villain tarot readings I did recently, only it simply portrays a full story and interactions with already existing fictional characters. Obviously I wouldn’t be able to be my true self in the story, I would have to be a fictional character, too, to be able to interact with other fictional characters, so this reading might only include some of my real life traits and some of my qualities have to completely change for the sake of the story.
You would probably think, I will go for Mr. Darcy first, but nope! My Mr. Darcy was Anakin Skywalker / Darth Vader from the Star Wars universe and so I’m here today to show you how my test round went when I asked my cards what it would look like if I were a part of Anakin’s / Vader’s story.
Let me know what you think! Let me know whether you want to become my next test subject!
P.S. Yes, I know I have a mile long to-do request list but you have to understand that my mind never stops and never rests and if I don’t let at least some ideas out, my head will explode. But don’t worry. I work on the requests, too.
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P.P.S. Yes, I'm aware I can't do edits. Shut up! 😂
Kleo + Anakin Skywalker / Darth Vader
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What would be our story about?
Cards: Alchemist (Archetype Cards), Knight of Swords, Page of Pentacles, Ace of Cups (Dark Wood Tarot), 4 of Swords, Knight of Pentacles, 5 of Wands (Edgar Allan Poe Tarot)
It looks like our story wouldn’t lack some drama. It’s possible that I would clash with Anakin or Darth Vader on intellectual or wit bases. We might struggle to find a common ground, him being the ego driven and fast thinking and acting villain using all his knowledge to assert his dominance and gain more and more power. While I would be the curious one trying to dig through all the smoke and steel and find the real man, probably made of smoky grey steel, underneath. It’s very likely for me to find myself imprisoned and in danger at one point. Anakin / Vader could really consider having me executed in the story, thus those swords hanging over the motionless body. As we would be more or less rivals, but more on the personal level than professional one, arguing and fighting, he might be tempted to just remove me from the picture. On the other hand, the ace of cups suggests I would have something highly desired by him, a holy grail he wants and obsesses about. I can’t really be sure what this ultimate treasure could be - it could be something tangible as a real treasure or something more philosophical as a redemption for his soul through an actual bond with someone. It’s obvious I can see more than he can see, I can read the circumstances with a certain wisdom he’s lacking and might get into trouble due to his short sightedness. 
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What relationship would we have?
Cards: Prince (Archetype Cards), 7 of Swords, XVI The Tower, 5 of Swords (Erotic Fantasy Tarot), 10 of Cups (The Slavic Legends Tarot), Mother / Queen of Pentacles, III The Empress (The Wild Unknown Tarot)
Lol! Prince card right from the bet! Anyway! It looks like he would try to hide his romantic feelings slowly building up through the quarrels. You see the prince figure is hiding the flowers behind their back denoting a secret romance, something that’s suppressed. Because this is supposed to describe the relationship from my perspective, it’s possible I’m unaware of his feelings for a long time in the story (especially when he wants to kill me) and I’m trying to get upper hand over him, sneak away, battle him and gain some freedom (the ankle shackles are broken on the 7 of Swords). There’s obviously a breaking point, a plot twist, probably when I think he died and I lost him forever when I realise the true feelings which are far from animosity. The Empress card shows a white tree suddenly blossoming red in the middle of the night, something beautiful emerging from darkness and growing into abundance. Both the Empress and Queen of Pentacles cards suggest connection with nature and healing. It’s possible that the plot twist includes me bringing Anakin / Vader back from death, healing him with my power and ultimately falling in mutual love as depicted in the 10 of Cups (which also show a lot of nature).
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What would be the ending of our story?
Cards: Pioneer (Archetype Cards), 7 of Wands, 4 of Shields / Pentacles, 10 of Shields / Pentacles (The Runic Tarot), X The Wheel of Fortune, Page of Swords, 4 of Wands (Tarot of Tales)
Seriously, what are the chances of getting cards which show the higher ground (7 of Wands), flames (4 of Shields) and lava similar to the scene from Star Wars III when Anakin is defeated by Obi-Wan and reduced to like a half of a man, in a tarot reading that’s connected to him? Lol! Okay! Let’s rewrite the Star Wars III ending in this reading. In this story Anakin has me by his side which turns the wheel of fortune to his favour. Obviously. I’m basically a living lucky charm. Anakin’s and mine story ends with us defeating any opposition by working towards goals together, riding the lucky wave and avoiding lava by stepping on the stones and progressing quickly. As the Page of Swords show, together we are more than just a sum of our traits, we are bigger together. Together we can face the thunderstorm and instead of being hit by lightning, utilise its power for our benefit. The end of the story seems to be an open one, though. Actually an opening for more adventures to come.
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Okay! This is it.
Thanks for reading this far. Don't be shy to hit my inbox anytime. 😊
Kleo 🩄
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parasite-core · 1 year ago
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Last night in Pathfinder we returned to Rise of the Runelords. Well, two of us returned, while we introduced two new players to Pathfinder and our GM played the beginning of the campaign he joined for the first time at the end.
Once upon a time two fighters, a cleric, and a ranger came together in Sandpoint and became world saving heroes. Now, again, a group of adventurers come together in the sleepy town of Sandpoint during a festival. Whether they will become heroes or a footnote in history is yet to be seen.
@scarlet-the-girl
The campaign unfolded as Sandpoint’s Swallowtail Festival began. Speeches were made—notably one Lonjiku Kaijitsu was absent from the speech he was meant to give, having claimed illness, although many in the crowd believed he was feigning it to get out of making a public appearance. Amongst the crowd were two travelers and two locals—our heroes. First is Tabot, the fresh faced and good willed rabbitfolk paladin of Aroden—a god well known to have died a century ago. He had come from out of town, going where the wind takes him, seeking a place to belong. Next is Đșрыса (pronounced Kyrsa, and I will spell it as such going forward only because my phone cannot type Slavic letters so I would have to copy/paste their name every time). They are a small ratfolk wizard whose entire den was wiped out by a giant and who is now traveling seeking revenge. The two locals are Nanel and Mau Ornelos-Servos. Nanel is a human oracle with an unusual plant pinned to his ragged shirt. He eats people. But his
oddities
have gone unnoticed thus far. And Mau is a catfolk alchemist with a noticeable limp who walks with a cane—which doubles as his weapon as it conceals a blade within.
These four each found themselves at the festival. Nanel, Mau, and Kyrsa all separately made their way to the food stall of one Ameiko Kaijitsu. Tabot played tug of war and won easily with a Herculean show of strength. Ameiko greeted Mau and Nanel as familiar customers, and offered a sample of the fish curry she had made to serve at the Rusty Dragon later. She also told them about an alcoholic concoction she had brewed up. Mau took the challenge, stating that he was keen on ‘concoctions’. Nanel and Kyrsa followed suit. Mau drank the mixture down without flinching—he’d done worse to himself with his own alchemy. Nanel and Kyrsa were both a little queasy as the alcohol hit them. Mau chuckled and told Ameiko that it packed quite a punch—to which Ameiko decided to call the concoction Punch, and she offered Mau a jug of it since he’d handled it so well. She asked if any of them felt up for another. Mau accepted, and the other two refused to be outdone by the alchemist so they accepted as well. Mau once again drank it down without batting an eye. Nanel was ready for the alcohol’s kick this time and handled himself much better.
Kyrsa darted off and hurled in the nearby bushes as the alcohol was too much for the poor little rat.
The soon-to-be-heroes milled around some. Tabot made his way to a fencing range for a sword fighting contest. Kyrsa followed Nanel like a baby duckling to a game called Liar’s Dice. Kyrsa had immediately bonded with Nanel—unbeknownst to Nanel—due to Nanel also having trouble with the alcohol initially. Mau went to play a trivia game.
Tabot was given a practice blade by the town sheriff and sent into the ring to face a woman with some skill of her own in fencing. First point went to Tabot as he struck her right out the gate. They were separated, and this time the woman struck first. She did not strike Tabot—but instead disarmed him. Tabot, without considering the consequences, drew his actual blade. The sheriff immediately broke up the fight, told Tabot to get his practice blade, and disqualified him from that round, giving his opponent the point. However, final round Tabot took the woman’s technique and turned it back on her, disarming her and leaving her without a means to strike back. She yielded, giving the victory to the rabbitfolk.
While that was happening, Nanel and Kyrsa were playing dice. Each took a turn trying to trick the others, rolling hidden dice and either revealing the number or bluffing. Nanel won his round, and he also won Kyrsa’s round—calling their bluff. Kyrsa had a comeback, however, and won the house’s round. There was no prize, unfortunately, except bragging rights. Well—no prize officially. While the showman wasn’t paying attention Kyrsa snatched a small pouch off his belt and found themself a bit richer as it was filled with shiny expensive gemstones.
One person did win a prize legitimately, however. Mau found himself at a trivia game, where people had to name the number of residents in Sandpoint. Mau has a good head for numbers and a bit of a counting compulsion, so he gave the exact number. He won a potion of cure light wounds—something he would generally make for himself, but it never hurts to have an extra on hand as he would soon learn.
Tabot and Mau continued milling about the festival.
Kyrsa asked Nanel if this town had a brothel. Nanel just so happened to have been raised in the local brothel so he knew it quite well, and led the way. Nanel spent the next 45 minutes catching up with people while Kyrsa had some
intimate time
with a handsome halfling man with big naturals.
They returned to the festival just in time for Father Zantus to begin his speech, which would lead into a meal.
Or it would have. If he hadn’t been interrupted by the sound of a woman screaming and then many voices chanting:
“Goblins chew and goblins bite,
Goblins cut and goblins fight.
Stab the dog and cut the horse,
Goblins eat and take by force!
Goblins race and goblins jump.
Goblins slash and goblins bump.
Burn the skin and mash the head,
Goblins here and you be dead!
Chase the baby, catch the pup.
Bonk the head to shut it up.
Bones be cracked, flesh be stewed,
We be goblins! You be food!”
Everything descended into chaos as buildings and stalls were set ablaze by dozens of rampaging goblin raiders. Three made their way to where our party awaited, stunned for a moment by the sudden violence that had erupted around them.
Kyrsa reacted first, turning and throwing a spike of ice at the nearest goblin, staggering it. It limped forward, trying to muster up the fortitude to strike at the ratfolk, but couldn’t do anything as it dealt with the magically induced injury.
Nanel stepped up next to Kyrsa and asked them if they could keep a secret. They agreed. Then Nanel lunged forward and attempted to bite the goblin. His jaws closed around nothing but air as the goblin jerked away, but Kyrsa saw sharp inhuman teeth in that mouth.
On the other side of the battle, Mau drew his blade from his cane and took out a flask of a liquid that looked like bottled lava. In the goblin language Mau told the goblins that they were louder than the actual festivities, and to shoo. The goblins replied that since he spoke their tongue they’d cut out his tongue.
Mau took that as all the go ahead he needed to throw the flask. A string attached went taught and then broke a seal between two different liquids within the flask, making it volatile. When it hit the ground between the two goblins, it exploded violently. They leapt out of the way but still flames licked at them.
The two goblins charged in—one at Tabot and one at Mau. Tabot’s managed a small slash across his leg, while Mau’s left a rather nasty cut across his face—trying to make good on his threat.
Kyrsa backed away from the goblin threatening them and pulled out an alternate means of attack—a crossbow.
The goblin lunged at Nanel. But then Nanel stepped back, and with everyone but Kyrsa distracted with their own fights, he shot out a storm of thorns which punctured and killed the goblin that was attacking him, and also brutally injured the one attacking Tabot.
Mau turned and struck down the goblin that had attacked Tabot—having made a quick judgement call on which to attack based on it appearing more injured than the other. His attention to detail paid off, at he sliced straight through the goblin, leaving only one more in this particular batch.
The goblin struck Mau, leaving him bloodied, but it was his final act as Tabot stepped in and finished him cleanly.
There was no respite to be had, however, as the party heard more chanting and laughing and turned to see four more goblins setting a wagon on fire. One was the source of the chanting.
Once again Kyrsa acted most quickly, turning and trying to hypnotize the chanting goblin. Unfortunately he was too wrapped up in his chanting to be affected by their attempts to enthrall his mind.
Nanel dove under the nearby stage so no one would be able to see as he let his patron, Donyoku, take over, becoming a being of vines and a snapping maw.
Mau limped towards the fighting, and as he did he pulled out a vividly green concoction, which he downed. The mutagen caused him to take on lion-like features, becoming larger and stronger than before. He took a stand next to the stage, facing the goblins with blade at the ready—unaware of Donyoku beneath the stage mere feet from him.
Tabot charged forward and took a swing at the nearest goblin, striking it down.
Kyrsa decided to forego magic and instead aimed their crossbow at the chanting goblin. They landed a devastating blow against him.
Two of the goblins ran for the stage, having seen Nanel dive under it. One crawled under, saw Donyoku, and yelled that he was going to ‘kill it with fire’.
The goblin in question got eaten by the plant moments later. Mau heard disturbing eating noises coming from below the stage but had no idea what might be going on down there.
Instead he worried about the problem at hand, and stepped forward to meet the second goblin lingering near the stage, striking him down with a well-placed strike.
All that was left was the goblin who had been chanting. His chanting fell silent as he ran out of stamina to continue his bardic performance.
Tabot stepped forward and swung at the goblin, but swung wide over the smaller combatant.
Donyoku flew out from beneath the stage, pushing past Tabot with an ‘out of the way, pretty boy’. He attempted to chomp down on the goblin, but his vicious teeth clamped down on nothing but air as the goblin dodged again.
Mau made his way around to the other side and tried to strike the goblin down, to equally ineffective results. Kyrsa’s bolt shot true, however, leaving the goblin bleeding badly but still standing. After another ineffective bite from Donyoku, Mau decided the traditional method they were using was clearly not working, so it would be insane to just keep swinging his sword and hope it would work this time.
Instead he stepped back, and produced another explosive. The goblin had conveniently stepped back into the bushes, leaving a relatively clear shot for the alchemist to throw his bomb—only Donyoku would have to avoid the backlash, and quite frankly Mau didn’t know what that plant thing was, or if it was actually a friendly or just conveniently fighting the same creatures for now.
He threw the bomb right in the goblin’s face and the goblin ignited, leaving little of his body and nothing of his head remaining.
Father Zantus gathered our group together. He thanked us and called us heroes—The Heroes of Sandpoint he named us—and he offered his healing prowess before we returned to the fray, as we could still hear the sounds of violence elsewhere. We agreed, and he channeled positive energy enough to top us all off.
Kyrsa told the party that they heard something approaching from one of the roads leading to the square. We prepared ourselves for another fight. Mau handed over two potions of Cure Light Wounds to his current allies, one to Nanel (who had stealthily returned to normal and slipped back into the group, claiming he’d been attacked under the stage) and one to Tabot, as they were the ones who had taken the most punishment last fight.
Not long after we took our positions a nobleman and his dog ran for their lives from more goblins. He introduced himself as Aldern Foxglove, then said he was going to hide while we took care of these nasty things.
Chasing him were two more goblins on foot and a goblin commando atop a goblin dog mount.
Kyrsa opened the fight shooting a bolt at the rider, but it shot wide.
The goblin commando and his mount rushed in and brought Nanel low, knocking the oracle unconscious.
Tabot darted in and used his own potion of Cure Light Wounds to heal Nanel, awakening his unusual new ally.
One of the regular goblins ran at Kyrsa and landed a dangerous strike against the ratfolk, leaving them bloodied and looking a breath away from toppling over.
Mau hurled a bomb at one of the goblins on foot who was menacing Nanel on the ground. The bomb shot wide, but this may have been a boon as the radius of the explosion caught both the goblin he’d been aiming at and the mounted commando.
Kyrsa stepped away from the goblin attacking them, dodging around his blade and getting farther away to cast mage armor on themself. The goblin hassling them lunged forward with killing intent—but their blade clanked off the newly summoned mage armor harmlessly.
The commando and his mount split their attacks between Nanel and Tabot. Nanel was looking like he was on his last legs. Nanel tossed him his own potion of Cure Light Wounds, calling over ‘trade you!’, since Tabot had used his own on the oracle moments before. Then, while Tabot was distracted catching the potion, Nanel turned and bit off the goblin commando’s head, leaving his mount riderless.
Mau turned, and seeing the precarious situation Kyrsa was in, he left Nanel and Tabot to finish dealing with the goblin dog and made his way over to help the ratfolk. He swung in with his blade, delivering a devastating blow against the goblin, although not the killing blow. However now he had the goblin’s attention, giving Kyrsa some breathing room.
Tabot was barely hanging onto consciousness. He heard a voice in the back of his head telling him it wasn’t yet his time, and to make the wise decision.
Despite the voice encouraging him to take a moment to heal, Tabot attacked, striking at the goblin dog. A moment later Nanel finished it off with his quarterstaff.
Nanel then made a beeline for where Mau was fighting the last goblin while Tabot drank his potion, causing the voice to sound relieved before fading away.
When Nanel came up behind the goblin, Mau requested his assistance. Nanel agreed, and slung his quarterstaff around the goblin’s neck. Mau skewered the goblin—with enough fine control of the blade to not send it through Nanel as well.
The streets grew quiet, the sounds of chanting and violence finally fading away, only the lingering roar of the still burning fires in the distance breaking the sudden emptiness in the air.
Over the next few hours, as clean up began, the party were hailed as heroes—Father Zantus’ title for us, The Heroes of Sandpoint, getting around. Ameiko told us anyone who would like could stay at her inn for free for the next week while we figured out where we were going from here. Tabot and Kyrsa immediately agreed, as travelers with no other lodging, as did Nanel, whose normal living conditions were
not great. Mau didn’t intend to join them, as he was more of a solitary person and he had a home of his own to return to, but he did assure Ameiko he would still drop by for a visit, and maybe another drink.
The party split up for a bit, going about their business in town. Tabot went straight to the inn and met the tavern’s maid, a halfling woman named Bethana Corwin, who was holding down the fort until Ameiko got back. She showed Tabot to his room, which was a good sized room with two beds even though he only needed the one. Tabot asked her if she could give him a smaller room, with the intention being that this room would then be available for the inn to rent out to someone else and they would make more money.
Bethana was taken aback, but she told him she’d talk to Ameiko about it when she got back. Then she asked about the holy symbol emblazoned across Tabot’s tabard—the symbol of Aroden. She noted she hadn’t seen any Aroden worshippers in about a century, most had converted to Iomedae, and pointedly asked him if he was insane. Tabot assured her that he was perfectly sane, and he hoped that soon she would be seeing more worshippers of Aroden again. Bethana said she believed him that he had all his mental faculties, but that made her question just what else she believed.
Nanel and Kyrsa went back to the brothel to check up on everyone there. Everyone had been safe—they had barricaded the doors the moment they heard the commotion, and the fire hadn’t touched their building. Satisfied that his family was safe, Nanel went to his own home to gather his things to go spend a week at the Rusty Dragon. Kyrsa followed. Nanel lived in a small hovel—leaky, dirty, small, and hardly fit for a person to live in. Kyrsa acted as though it was the height of luxury. From their perspective, compared to the dens they’d lived in with their hundreds of family members in tight quarters, this seemed huge and homey.
After Nanel gathered his things, he and Kyrsa made their way to the Rusty Dragon. Again, the halfling maid showed them both their rooms. Kyrsa was intimidated by the side of their room—it was too big and empty. They asked Nanel—while Nanel was pushing the two beds together to make one big bed—if they could sleep with him. He said no, he needed his privacy, but suggested that if they were afraid of sleeping alone, maybe Tabot wouldn’t mind the company.
Kyrsa scurried away and found Tabot. They asked him if they could share a room because their room was too big. Tabot said he felt the same, that the room was too large. Kyrsa wanted to sleep at the foot of Tabot’s bed—not in a separate bed—because they didn’t want to sleep alone. Tabot was taken aback at first, but then agreed, if Kyrsa was fine with Tabot still asking Ameiko for a smaller room since they’d only need the one bed. Kyrsa agreed.
While all this was happening, Mau was selling the excess loot they had taken off the goblins—he had a good head for numbers so he’d felt he’d be best to sell the miscellaneous items and split the funds between them. As he finished the final store he needed to visit, a messenger stopped him. He told Mau that he had some bad news.
Mau’s house had burned down in the attack.
Mau and the messenger made their way to where the alchemist’s home had once stood, Mau in a shell shocked silence. They arrived to find a burnt out husk. The messenger said that they were going to go through and try to find anything that had survived the fire
but it didn’t look hopeful.
As Mau looked over the wreckage of what had been his home, he saw something suspicious. He picked his way into what would have been the interior of the home, and uncovered a wrapped torch deep within the rubble. Not thrown in through smashed glass or set ablaze from the outside, but placed *within* his home.
This wasn’t the behavior of a goblin raiding a city, causing random violence. This had been purposeful.
There was someone else pulling the strings. Someone with a grudge against the alchemist.
But try as he might, Mau couldn’t think of a single enemy he’d ever made.
But he knew one thing for sure—he was determined to find who was behind this and bring them down. And he knew just the allies to help him.
Tabot, Nanel, and Kyrsa came together in the Rusty Dragon, getting some food and drink. As they were talking, Mau entered the establishment with a stormy disposition. He told the others what had happened, and asked if they were planning to look into the goblin attacks further. They asked why they’d be looking into the attacks, and May told them about the evidence he’d found that someone besides the goblins was behind the attack. The others agreed that they would be looking into it in that case. Mau said he had a proposition, then, and offered to get them potions for half the cost they’d get them from the stores, which the others agreed sounded like a good deal.
As they were talking, Sheriff Balor Hemlock entered the inn. He thanked the party for their heroics the other day, and confided in the party that he suspected fowl play. Mau told him that he suspected the same, and told the sheriff what evidence he’d found. The sheriff asked the party to keep this on the down low for now, since we had no suspects yet it could be anyone and we didn’t want them catching wind that we were on their trail. We agreed.
The sheriff then let us know that wasn’t the only troubling news today. Father Zantus was to consecrate the tomb of the previous head priest of the temple, Father Tobyn, but he had noticed that after the attacks the door was ajar. The sheriff had convinced the cleric to stay away from the mausoleum until he could get some adventurers to look into it first and make sure it was safe. Those adventurers were, of course, us.
We agreed, thinking we might find a connection between whatever was happening in the mausoleum and the attack.
The sheriff noted that he knew Mau and Nanel as locals, but he wanted to know more about Tabot and Kyrsa. He asked them what they had travelled to Sandpoint for. Tabot told him that he was just traveling where the road took him, seeking a place where he might belong. Kyrsa bluntly said their entire family was dead, and they were looking to avenge them. The sheriff seemed to feel a bit awkward after that revelation, and left soon after. Not before letting the party know they had free reign to investigate the town—and he’d look the other way for minor transgressions done in the name of helping learn the truth of this attack—but don’t take advantage of his trust, no stealing or murdering or anything like that. Mau assured him that he didn’t believe any of them would do anything of the sort. No one gave Nanel or Kyrsa a second glance, completely unaware of how very wrong Mau was.
An hour later, Ameiko returned. She agreed to give Tabot and Kyrsa a smaller room—after some miscommunication between her and Tabot about his and Kyrsa’s relationship in which Ameiko was almost certainly yanking Talbot’s chain and Talbot kept making things more and more awkward.
The party bedded down for the night and slept soundly—unaware of someone scrying on the four of them somewhere far off.
The next day, Mau got up early, prepared his extracts, and then left the inn before the others got up. He wandered around town until he got close to the area where his house had been, then he downed a Disguise Self extract, and began asking around about if anyone had seen anyone suspicious around there that day or during the goblin attack.
Most people gave him little to go off of—everyone wanted to talk about the Heroes of Sandpoint but no one had any useful information about Mau’s burnt home. Until one man told him that he’d seen a cloaked figure surrounded by six goblin, and he could have sworn he saw the figure go into Mau’s house—although things were so chaotic who’s to say what really happened? Maybe it was Mau himself being chased by goblins?
Mau, of course, knew this not to be the case. So he had his first lead, vague as it was. It was definite proof that there was someone in league with the goblins, who had targeted him for some reason.
Mau returned to the inn not long after the others had gotten up and were eating breakfast. He joined them and told them what he’d learned.
The party agreed that their first priority should be looking into whatever was going on in the mausoleum. So they went to the temple of Desna, spoke to Father Zantus and Sheriff Hemlock, and then they approached the open mausoleum. They saw footprints leading into the crypt—one set human sized and six sets goblinoid, exactly the same as had been described to Mau in his investigation. Mau approached the open door, cautious but not hearing or seeing anything.
Until it was too late.
Two skeletons sprang from around the corner, both stabbing Mau, leaving him struggling to keep his footing as his blood spilled down his front.
Kyrsa sprang into action, shooting the one they could see most clearly with a magic missile. Unfortunately, it remained standing, if just barely. It was held together by negative energy and malice.
Both skeletons lunged at Mau again with swords and claws—and the cat alchemist crumpled in a heap at their feet, bleeding out.
Tabot darted forward, went through Mau’s pockets, and fetched a Potion of Cure Moderate Wounds he’d known the alchemist had taken off the last goblins they’d faced. As he poured the liquid into his mouth, his hand glowed, and the healing potion seemed exceptionally effective. All of Mau’s wounds closed as if they’d never been there, and his eyes flickered open, returning to consciousness.
Nanel moved past Tabot and Mau, taking it as the skeletons swung blades at him, and then he turned and tried to bludgeon the nearest skeleton—but his swing went wide.
The skeletons now had more than one target. One continued trying to remove all of Mau’s blood, while the other turned its blade on Nanel.
Nanel fell.
Mau determined that he needed to take these skeletons out NOW. So he took a gamble, recklessly scrambled to his feet—leaving himself open to attacks from both skeletons, but they both scraped against his armor rather than striking true, then he leapt backwards, pulled out a bomb, and threw it directly in the middle of the two skeletons. Both were caught in the edges of the blast, and were blown apart.
The party took a moment to catch their breath. They searched the tomb and found a used up Cloak of Bones. They also found Father Tobyn’s coffin—empty.
As the party reconvened with Sheriff Hemlock, Kyrsa voiced a troubling truth.
The attack had been a diversion. The real goal was something else entirely.
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