#the second one doesn't look that bad actually

[judyvan]

No Hands - Chris Sturniolo Fanfic

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Summary: After picking on Chris for being an extremely touchy person, the two of you make a bet. Will Chris be able to control himself long enough to win?

Warnings: MDNI/ smut/ chrisxfem!reader/ bf!chris/ unprotected p n v (use a fucking rubber)/ oral (fem receiving)/ touchy! chris x needy! reader/ competitive! chris/ use of "you"/couldn't tell ya how many words

A/N: Time for a Chris fanfic! I am still new to writing, so bear with me. The song loosely relates to the fic. Interactions are appreciated! Pls don't steal my shit. Thx!💋

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"Keep your filthy fucking paws off of me," Nick says pushing his brother, Chris, away from him. Chris had wrapped his arm around Nick's shoulders as the two of them spoke.

Your boyfriend Chris is probably the most physically affectionate person that you know. He is always eager to touch those he cares about the most. Whenever it comes to you, Chris loses all self-control. He needs to be touching you in some way at all times; like he'll go insane without the feeling of your body against his in some way, shape, or form.

"You have got to be the touchiest motherfucker that I know, seriously," Nick continues, dusting the remanence of Chris' hands off of his shoulders.

"Shut up," Chris chuckles, pushing Nick backwards.

Nick looks up shocked. His eyes move back and forth from yours and Matt's, Nick and Chris' other brother. You and Matt begin to laugh uncontrollably.

"Please tell me you two fucking see this. I mean this is absurd! Even when I ask him not to touch me, he touches me. It's crazy!" Nick states completely dumbfounded.

Chris is laughing along with you and Matt. He begins to walk towards Matt, reaching out to grab his arm as he loses control of his body.

"Don't bring that shit over here," Matt says out of breath, wiping the tears from his eyes, failing to reel himself in.

Chris looks at you through squinted eyes. You simply open your arms as he walks towards you. He knew that you wouldn't turn down his touch. Chris stands in front of you, wrapping his arms around your waist and resting his head in the crook of your neck, laughing profusely into your skin.

"Can we please talk about this?!" Nick begins, still completely shocked. "I have never seen anything like this. Like he actually needs to be studied. He has always been "touchy feely", but ever since he got a girlfriend, it has multiplied by a gabillion." The room is still filled with the laughter of Chris and Matt, yours no longer producing noise.

"I mean seriously, I feel so bad for you. I can guarantee that you never get a fucking second to just breathe!" Nick exclaims.

You somehow manage to catch your breath and gain composure.

"It doesn't bother me. I've gotten used to it," you reply, rubbing your hand up and down Chris' back, attempting to calm him down.

Nick releases a scoff, letting you know that he doesn't believe you.

"Anyways, back to what I was saying," Nick begins shaking his head. He's looking at you, the only one stable enough to understand him. "Me and Matt are going to the store; do you want us to get you guys anything; besides some fucking giggle juice?"

"No, I think that's all we need," you reply, letting out a small laugh. Your whole body is now shaking at the intensity of Chris' reaction to Nick's last statement.

"Alright, we will be back in a few hours," Nick says, practically dragging Matt out of the door, him and Chris continuing to crack up.

The door shuts and Chris is eventually able to control himself. He pulls his head out of your neck and looks in your eyes, a huge grin spread across his face.

"Let's go to my room and find something to do until they get back," Chris says, his fingers running up and down your sides. You meet his lips with a short peck.

"I've got something in mind," you say smirking at him.

The two of you walk to Chris' room, holding hands of course. You have been trying to convince Chris to watch all of your favorite movies and now is the perfect time to start. Chris turns on the movie, "Five Feet Apart," and the two of you lay in his bed. As the film goes on, you can't help but think about what Nick was saying earlier. You are now very observant of how often Chris asks for a kiss or squeezes you tighter. When he gets up out of bed to grab a drink, you begin to laugh out loud at your own thoughts. Chris comes back into the room as you're laughing uncontrollably, trying to think of any moment he has spent any amount of time without physical contact.

"What the fuck is so funny?" Chris asks, taking a sip of his Pepsi as he stands in his doorway.

You swing your legs over the side of the bed to face your boyfriend.

"I was just thinking about what Nick was saying. I genuinely cannot think of a time that you went 5 minutes without touching me," you say.

Chris smirks and shakes his head. He begins to walk closer to you.

"Do you really think that I touch you a lot?" he asks, taking another drink.

"What do you mean think? You can't keep your hands off of me," you let out a small laugh.

"Yes, I can," Chris states in a cocky manner. "You touch me just as much as I touch you." He sits his drink down and gives you a smug look, stepping closer to you.

"Fine then. Let's make a deal. Until Nick and Matt get back, we have to keep our hands to ourselves. You can't touch me, and I won't touch you," you flick your brow up as you propose the idea to Chris.

"And why would I do that?" he says, laughing at your playfulness.

“To prove a point.”

Chris looks around the room for a second, thinking about what you said.

“How about we make this a little bit harder, since Nick and Matt aren't here,” he says, an arrogant look on his face. Chris bends down to whisper in your ear. “How about I do some things that make it harder for both of us to keep our hands off of each other.”

He then places an open-mouthed kiss to the spot right behind your ear. He tugs lightly on the bottom of your earlobe before pulling away. The combination of his warm breath, wet kiss, and teeth pulling on your skin, sends a feeling of arousal throughout your body. Chris looks at you with a shit-eating grin on his face, clearly able to see what he's doing to you.

"And why would I that?" you say, mocking him. Chris' eyes trail up and down your body, not missing a single curve.

"If I win, I get to touch you anywhere I want, wherever I want, anytime I want for a week, and you don't get to say shit to me about it." Chris runs his tongue across his bottom lip as he finishes his sentence. Just the thought of having any part of you at his fingertips whenever he pleased made him grow hard.

"And if I win," you start, noticing the tent forming at the crotch of his pants, " I get to wear as little as I want, whenever I want, and you can look all you want, but you can't touch, for a week." You smile up at Chris, seeing him picture you in the smallest article of clothing in his head.

"I think you've got yourself a deal," Chris says, moving even closer to you.

You lift off of the bed slightly, sliding your hands underneath of your ass, pressing them into the bed. Chris places his hands on the bed, one on either side of your hips. Your lips connect almost immediately, the two of you aching to touch now that you can't. The kiss is deep and passionate, the both of you long for more. You remove your hands from underneath you, pulling off the shirt and pants you're wearing. Chris' lips leave yours and meet your collarbone without hesitation. His hungry kisses across your skin deepen your desire for him to touch you. Chris has seen you in a bra and underwear plenty of times. Removing your clothes doesn't seem to faze him much.

"This is too easy," you say, a smile spreading across your face. Your hands reach behind your back and unbuckle your bra. You drop it on the floor, scoot away from Chris, and lay down on the bed.

Chris stands up completely. His eyes roam over your entire body, lingering on your breasts. Lacking a good poker face, Chris' expression confirmed that you just made things 10 times harder for him, in multiple different ways. He tugs at his bottom lip as he soaks in the amount of skin you have exposed.

"That's not fair," he laughs, his eyes touching every part of your figure that his hands should be feeling.

Chris removes all of his clothes, only leaving his boxers. Your eyes trail over his body. Your eyes widen when you see the bulge in his underwear. A small chuckle escapes Chris' lips at your face. His eyes never leave yours as he removes his underwear seductively, his entire body now on display.

"Now we're even," he says. Chris moves across the room and climbs on top of you, careful to keep both of his hands on the bed.

The air chills your uncovered body. Chris' lips only momentarily heating the areas that they touch. It isn't enough. You need his hands on you. Messy kisses are placed all around your frame as he travels down you. After reaching the waist band of your underwear, Chris moves directly to your inner thighs, devouring them. Your hips begin to buck upwards, wanting his mouth on the place covered by soaked fabric.

"Take them off," Chris says placing a single gentle peck to the front of your underwear.

You shake your head while biting your lip. You earnestly wanted his hands on you and refused to help him out any longer.

"You do it," you said, your heart racing.

"I'm not losing this bet," he responds placing a gentle kiss to either side of your pelvic bone. Suddenly, his tongue slides under the left side wing of your underwear. He pinches the material between his teeth and slides one side of your underwear down to your thigh. He slowly moves to the right side of your body and performs the same motion. His intention is to draw this process out as long as he can, hoping you'll cave. Tongue, bite, pull, switch. Tongue, bite, pull, switch. As soon as one side reaches your ankle, you begin to shake them off yourself, flinging them into the floor.

"Someone's impatient," Chris smiles. He knows you won't last much longer.

His head dives between your legs, his tongue licking up the need that is dripping from you. You let out a whimper, gripping onto the bed sheets, miserably trying to keep your hands busy. Chris' tongue splits you in half as his nose applies pressure to your clit. He begins to speed up his motion, his tongue now forming small circles around your most sensitive area. Your legs begin to squeeze inward, Chris' head between them acting as a magnet. You can't help but squirm, the intense feeling of pleasure taking over your body. All of your movement is making it difficult for Chris. He is unable hold your legs down, forcing them to stay put.

"If you don't stop moving, I'm going to have to stop," he says, momentarily pulling his lips off of you.

Your moans get louder as Chris proceeds to eat you out. Your legs begin to shake as you attempt to keep from moving, not wanting him to quit. His tongue slips inside of your opening. Your back arches off of the bed. He begins to eat you as sloppily as he can, wanting more than just his tongue to be inside of you. Your toes start to curl. He begins to shake his head back and forth, his tongue flicking in all directions, only stopping to suck on your ball of nerves. You cling onto the sheets for dear life. You're starting to get close. Don't do it. Your hands lose their hold on the bedsheets and find themselves in Chris' hair as you practically levitate off of the bed.

"Oh fuck!" you scream, on the edge of release.

Chris pulls away from you. You did touch him after all. Suddenly his eyes meet yours from in between your legs. His thumb brushes over his lips, gathering all of your remnants before sucking them off of his skin.

"I win," he says with a cocky smirk.

In a swift motion, Chris grabs your leg and throws it over his shoulder, plunging himself inside of you, burying his dick as deep in your walls as possible. As he thrusts in and out of you frantically, his hands touch every part of your body, making up for lost time. The two of you moan loudly at the feeling of him touching you inside and out. It doesn't take long before your stomach clenches and you reach your orgasm, Chris' warm cum coating your insides at the same time. As the two of you ride out your high, your hands continue to feel every part of each other. Chris slumps on top of you, wrapping his arms around you, and burying his face in your chest. Your arms embrace him, pulling him closer. After a few moments of relishing the feeling of you both on top of one another, Chris leaves your body to grab a towel and pull on his clothes. As he cleans you up, he makes sure to touch you in every way he can. He throws the towel on the floor and grabs your clothes, insisting on dressing you as well. He starts with your underwear and pants, wanting to see you topless as long as possible. Before putting your bra back on, he takes your breasts in both of his hands and squeezes, kissing you tenderly.

"You better get used to that," he says, pulling away from your mouth and sliding your bra on. "I've got a whole 7 days to do that whenever I want."

For the next week, Chris took as much advantage of his prize as possible. When meeting up with his family he would hug you as long and hard as he could. When around his brothers at home, he would palm your ass with both hands, squeezing roughly and kissing you with passion. Even when hanging out in public settings with your friend group, you would find at least one of his hands wandering from your thigh and meeting the sweet spot in between your legs.

[catssluvr]

𝒃𝒍𝒐𝒐𝒅𝒚 𝒏𝒐𝒔𝒆, aaron hotchner

aaron hotchner x fem!reader (916 words)

in which you end up with an injured nose at girl’s night and aaron takes care of you

warnings: bloody nose (surprise), r is tipsy, sweet aaron again 🫶🏻

`✦ ˑ ִֶ 𓂃⊹

This is the probably the last way you would have imagined your day to end up like. This being sitting in the passenger seat of Hotch's car with an ice pack against your very much painful bloody nose.

It's funny to think that working in the fbi wasn't what gave you an injurie but falling against Emily's coffee table sure was. It was definitely quite a fight between you, one of Sergio's toys on the floor and the corner of the table. You just didn't happen to win it, leaving your nose bruised and bloody.

You felt utterly embarrassed for having to call him to pick you up, but you couldn't drive after two cups of wine and didn't want to ruin girl's night. You're sure there's better things for him to do on his day off, specially at midnight.

Though he doesn't seem bothered by it the slightest, his hand resting on your thigh for the whole ride home and stealing worried glances at you once in a while.

"You okay?" He asks once he opens the door, helping you out of your seatbelt.

You're quiet and that worries him. He knows pretty well you're not one to be quite when alcohol is running in your system.

"Mhm. Sorry for this, again." It's probably your fourth apology tonight and he doesn't like that one bit.

"Stop saying sorry." His tone is almost stern but you can feel the affection sweeping through it. "I missed you today, was glad you called." He's too sweet even when you're sure you ripped him out of bed, his crooked quarter zip that's thrown over his sleeping shirt proving you right.

You smile softly at him, regretting it immediately as your nose stings.

Aaron hushes you inside the house, immediately leading you to the bathroom and sitting you on the counter.

He rummages through the cabinets for a moment, pulling out a few cottons and other things you're too dozy too look properly at.

"Oh, sweet girl..." It's only now that he takes the ice pack from your nose that he realizes how painful it must be. There's dried blood right outside your nostrils and the bridge of your nose look another shade.

"That bad, uh?" You mock, holding back a chuckle at his reprehending stare.

Aaron starts cleaning your nose with a wet cotton, mumbling out gentle sorries when you hiss in pain.

You take the time to look at him through half closed eyes. His dishevelled hair, his concentrated expression and most of all his quarter zip paired with stripped pyjama pants. It makes you feel both giddy and guilty that he probably came running to get you once you called.

"You're pretty." You say it before getting to actually think about it. But the fact that you're still tipsy helps you say things shamelessly.

"Thank you, honey. You're very pretty too." He answers with a smile bigger than he intended, just happy that you're finally acting like you normally would while tipsy.

Once the blood is cleaned and the arnica is applied, he reaches for the small band aid box. They all have some kind of cartoon in them, Jack's influence.

"Which one?" He questions with fake seriousness, displaying all the different band aids.

You point to the spider-man themed one, probably Jack's influence as well.

"Very good choice." Aaron pulls it open, carefully applying it over the small cut on the bridge of your nose before pressing a tiny kiss there.

He tells you to wait for a moment before dissapearing into the bedroom, coming back a few seconds later with a large hoodie and one pair of stripped pyjama pants - both his.

You let out a relaxed sigh once you're in them, his scent comforting and similar to what you would call home.

"Gimme a kiss?" You mumble nasally, a chuckle bubbling out of him at the way it sounds more like 'kith'.

"I'll hurt your nose."

"No, it'll heal magically from your kiss." You do little in trying to persuade him, but it's more than enough for him.

Aaron tucks a few strands of hair behind your ears, cupping your warm cheeks and leaning in to place a gentle peck on your lips.

"Better, sweet girl?" It's not really a question, as he knows the answer. His lips trail from your cheek to your temple, lingering there for a moment before pulling to hold your face once more.

"Mhm, much better." You lean into his hands almost involuntarily.

His hands reach under your thighs, picking you up before you can even process it. You let out a surprised gasp, smacking his chest lightly when he laughs.

"You know, my nose is hurt. Not my legs, Aaron." You mumble against his neck, smiling at the way he shivers at the contact.

"Just let me spoil you, yeah?" He shushes you, arms comfortable around you as he enters the bedroom.

Once you're tucked inside the blankets in his so familiar bed, Aaron pulls out his quarter zip. Throwing it on top of the armchair in the corner before rushing to lay beside you.

Almost immediately, your arms find place around his waist. Your fingers trace incoherent shapes on his stomach and your head lays against his chest, his heartbeat lulling you to a sleepy state almost immediately.

"Thank you." It's barely a whisper, but he hears it just fine.

He hums, squeezing his arms around you before pressing a kiss to your hair one last time. "My sweet girl."

`✦ ˑ ִֶ 𓂃⊹

love you,

cat 🤍

[hencheri]

18+. mdni.

pairing: mean toxic bf!haechan x fem!reader

warnings: noncon, toxic relationship, gaslighting.

wc: 1.2k

.

you're watching a movie in the living room, but you're distracted, focused on your thoughts instead of the flashing screen in front of you. it's 3 a.m. and you can hear haechan playing video games in your bedroom.

he hasn't talked to you for hours, hasn't said a word or even looked in your way. it's bothering you a lot. you have a constant knot in your stomach and your heart accelerates at the mere thought of haechan ignoring you.

you hate when he does this, it makes you feel bad. so fucking bad.

you get up from the couch, going to your bedroom. you push the door open, hesitantly walking in. you need to talk to him.

"hyuck?"

he stares at his computer's screen, pressing down on the keys of his keyboard, concentrated on his game. his has his headset on, maybe he hasn't heard you.

"johnny!" haechan calls into his microphone, "quick, come save me."

"hyuckie..." you stand beside him and you know he can see you from the corner of his eye. you bite down on your bottom lip, waiting for an answer that doesn't come.

he continues to play like you're not there. it upsets you so much, could he not be petty for once?

"we need to talk, please," you demand, still trying to get his attention. you know he hears you now since he's quiet.

a few seconds pass before he replies back, "we have nothing to say."

you sigh, exasperated. there are plenty of things you need to discuss about actually, and not just what happened a couple of hours ago. it makes you cringe thinking about the previous events, but you can't just brush it off, especially when haechan's still sour about it.

you were both in bed about to go sleep soon. he made a move, touching your hips up and down, pressing his crotch against your butt. you weren't in the mood, so you told him to stop. he didn't at first and you pushed him away, which really offended him.

he then turned on his pc before you could say anything and you went to the living to watch a movie, a poor attempt to forget about this ridiculous fight.

"but-" you begin, a little annoyed, "we do."

your voice is covered by johnny yelling something to haechan, once again ignored by your boyfriend. "here, here, here! i need to heal you," he yells back, fingers hurriedly pressing down on the keys, "shit, these guys are rough."

"hyuck-" you try, placing your hand on his arm, but he grabs your wrist before you can and shoves your hand away.

you frown, hurt by his action.

"what? we won!?" haechan exclaims, brows shooting up in surprise. you hear johnny talking back without deciphering his words. "ah, they missed the base," he laughs, "yeah, it was close."

he removes his headset and puts it on his desk. but he still decides to not acknowledge you, even when his game is done.

"please," you beg a bit desperately.

"what's the matter?" he sighs loudly, throwing his head back against the headrest of his chair.

"haechan! you've just ignored me the whole night! you can't always do that," you explain to him even though he'll probably only understand what he wants as usual.

he rolls his eyes, "yeah and it's always my fault, right?" he says.

"what- no, that's not-"

"it is," he affirms. he turns his head to you, "every time we so 'need to talk' it's about how i'm wrong, how i shouldn't do this or that, how i should just agree to everything you say and shut my mouth."

you're agape. is this really what he thinks you do? that you only want to complain about him?

"that's not true," you deny, "hyuck, i just want us to communicate, it's important."

he scoffs, "no, you're always the one talking. you don't actually want to hear what i have to say." he looks at you like he's hurt and you start wondering if he might be right. are you really that self-centred? "that's not really what i call communication, you know."

"do you ever ask yourself how i'm feeling? how constantly being rejected makes me feel?" he questions, his gaze not leaving you.

"i don't constantly reject you," you rectify. "sometimes i'm simply not in the mood to sleep with you..."

haechan winces upon hearing your words. "because you are for others?"

your eyes widen and your mouth falls open. that's not how you should have said it. "no, that's not what i meant-" but your boyfriend cuts you off, rising up from his gaming chair.

"yeah, no," he shakes his head, "you know what? i've had this feeling that you don't love me like you say you do." he goes around you and you follow him, wanting to reason with him, but he isn't done talking yet.

"we haven't fucked in days and the only thing you let me do is jerk off with your hand. how- how should i interpret that, huh?" haechan sounds genuinely hurt and upset, but that was never your intention to make him feel this way. how could he even doubt your love for him?

"hyuck, please, sit down," you ask, wrapping your hand around his arm to pull him back against you, but he slips away from you.

he turns around and faces you. "are you seeing someone else? is that why?" he suddenly bursts out and you're totally shocked.

"what? no way, how can you think that!?"

he approaches you and this time, you're the one stepping back until the back of your thighs hit the edge of the bed. you look up at haechan, heart beating faster and faster.

"you're not denying it," he points out, now only a few inches separating you from him. "you're cheating on me... how can you be so fucking heartless?"

you shake your head from side to side, gulping down. this isn't true. you've always stayed faithful to your boyfriend, but the knot in your throat prevents you from speaking up, eyes swelling up in tears.

he clasps his hand around your bicep, digging his fingers into your flesh, pulling you flushed to his chest.

"i can't believe it," he breathes out, "my girlfriend is a fucking whore."

you're still in shock when he crashes his mouth on you, smacking his lips to yours and pushing his tongue inside. your whines are muffled, weak hands pushing on his chest to get him off of you, but to no avail.

you fall on the bed and haechan crushes you with his weight, trapping you under him. you squirm around, not liking the way he doesn't listen to your protests and how he forces himself on you.

his lips descend to your neck, planting quick kisses as if he's in a hurry, going down to the valley of your breasts.

"hyuck, please, stop," you cry, but he doesn't listen.

his fingers hook into your shorts, pulling them down with your underwear, too. your breath is caught in your throat, only exhaling when you feel the familiar push of his cock inside of your unprepared pussy.

"you're mine," he moans, the squeeze of your cunt around him making him frown, "when will you finally understand it..."

[myfairkatiecat]

okay so shannon giving us a keefe pov seems actually lowkey important and what i would do in the story rn but I'm not convinced she's going to use it to do the things I feel like we need her to do.

let me explain.

Shannon set Sophie up as a character who behaves certain ways. A lot of those ways are very good, and she's certainly a hero, but she also has character flaws that get worked through. For example, she can be a little reckless (personally I would have made all the same choices) (I know we think of Keefe as the reckless one but he's a different type of reckless) she can prioritize the wrong things, she can be disorganized, etc (all things that are super valid and understandable and make her relatable btw. I am a sophie foster defender)

and BECAUSE sophie is the protagonist, we see all of this develop. She has certain qualities that are a little stagnant sometimes, at least if you look from the outside, but there's actually a ton of development going on. She hears others' opinions on her actions, good and bad, and the reader sees how this impacts her and how she grows and changes, even if that change is nonlinear or in many ways she stays the same and just grows more mature.

Here's the thing about Keefe. he wandered out of side character territory and into second main character territory starting at the end of everblaze and peaking in legacy. And Shannon has been INTENTIONALLY writing him with consistent character flaws since the beginning, explainable by his past circumstances in fascinating ways. But we aren't there to see a lot of the falling out for that stuff.

A lot of people complain that keefe never faced consequences for stealing the caches or never had the black swan or adults yelling at him or mistrusting him or his friends avoiding him. And like... we do not know that. It could simply be that that was just not Sophie's problem at the time. Sophie also may have simply not been one of the people giving him a difficult time about it. In fact, we know she wasn't, but boy oh boy Fitz certainly didn't bounce back in less than five seconds. And we don't know what the Council and/or black swan did with him that sophie just wasn't involved in--and bc it didn't become relevant to the plot from sophie's perspective, sophie being the actual MC, it just seems unimportant.

Another thing is that Keefe has a lot of the same character flaws throughout the series, but they do shift somewhat with his experiences, and that's without us even seeing in his head, you know? So here's the thing.

Shannon went and started developing Keefe like a second protagonist (who is interestingly also an anti hero in some ways) and even if you aren't a person who thinks he's the most developed character on the paper (disagree but see where you're coming from) he's DEFINITELY most developed in shannon's brain, and that bleeds through. But then we ONLY see Sophie's perspective BECAUSE THIS IS SOPHIE'S STORY, and everything revolves around what is relevant to the plot from her perspective, and then keefe is just in the background being extremely important and relevant and having all these extra issues that we ONLY ever see from sophie's perspective.

Unlocked was... well, it was half a book, and only half of it was keefe. I actually do think his perspective was enlightening in some ways, but a full keefe book at this point kind of seems necessary to me. Because... he's taken on the role of another main character in this story, but we don't see any of that development happening, and for a lot of people i can see that getting taxing. Now I get that those same people also wish keefe would just. step back from the plot. and i get that! but I think with the way he's involved in the plot NOW, seeing his perspective is important, because sophie's POV (especially with her unreliable narration) doesn't give us enough of a window into the complexity that is keefe's worldview right now, especially with all the ways he keeps impacting things. it's just a really important perspective to have at this point.

Shannon, if unraveled is just keefe trying different human foods and giggling like a kotlc react on wattpad, I will probably enjoy it bc i love your work always, but i will also be shaking you by the shoulders because we need this book and you better spend it doing the things we need

[aliensubstance-011]

Fiddlestan AU!!

AU where Ford gets into West Coast Tech, but Stan manages to (somehow) get into Backupsmore and gets roomed with Fiddleford! 

Stan was kicked out after Ford left (because if his brother was ready to leave home, so was Stan). Stan lived in his car & the public libraries he found (all his fake IDs are just fake Library Cards lmao. nerd). Stan also discovered he was queer (did drag for the prize money, then went OH. All these queens are treating me like this because I'm a baby queer. That makes sense. Guess I’m doing guys now.).

I like to think that Stan spent a year or two studying up after Ford left so when he gets in Fiddleford is in his second or third year! This does result in a “I'm your new roommate. You first year?” and Fiddleford going “What in tarnation... I'm THIRD year? How did we end up in the same dorm????”

At first they HATE each other- Fiddleford thinks Stan is reckless, and doesn’t know what he’s doing there, and that he’s kind of stupid, while Stan thinks Fiddleford is some stuck-up hippie who formed an opinion on Stan too quickly (he did). Once they do start talking they have a very quick ‘oh you’re actually not that bad’ moment. Fiddleford leaves before Stan, obviously, but they keep in close contact even after Fiddleford moves in with Emma-Mae. 

Stan and Ford have a huge argument about Ford not needing Stan anymore. Cue: “Of course I need you, you're my brother” “WELL YOU DON'T ACT LIKE IT”, which is another reason that Stan and Fiddleford leave together. Not long after this, around Stan’s graduation,  Fiddleford has a 'I'm gay and don't love my wife' moment, and Stan casually suggests running away, just driving (maybe something a little nostalgic in it, maybe when Stan looks back at his car he feels like he can hear a distant New Jersey shore). The next day Fiddleford shows up with a duffle bag of things, and Stan realises Fiddleford took him seriously. That he’s willing to run away with him, even if it’s not on a boat, that Fiddleford wants to. Stan gets very, very close to realising he’s in love that day. 

They run away after Stan’s graduation and just drive until they get to Gravity Falls! They set up shop there, with Fiddleford doing auto repairs (and making inventions on the side). Fiddleford confesses to Stan when they’re staying in a motel- he thinks Stan is asleep, so he just says that he thinks he’s in love with him, while Stan is laying wide awake in the bed next to him. Stan spends the next few days Freaking The Fuck Out while Fiddleford doesn’t acknowledge what he said. Stan thinks Fiddleford knew he was awake, so when he confesses back he says something along the lines of “I think I’m in love with you, too” and Fiddleford bluescreens.

Just General HCs:

Stan falls first, but doesn't realise until Fiddleford confesses.

Ford is still self centred but doesn't hate Stan. Stan resents Ford for not doing anything when he was kicked out, and a little bit for leaving him. He understands, though, why stay with your good for nothing brother when you have dreams across the country to fulfil? 

Fiddleford is Repressed Gay until he confesses his Awful Secret to Stan who's just like....”okay?”. He does get to the point of marrying Emma-mae, before he confesses to Stan. 

I don't quite know what Stan will be doing, both in Backupsmore and once they move to Gravity Falls. I like a little bit about him either doing Art or Law, but I feel as though he’s not willing nor smart enough (respectively) for either one.

Stan IS smart, don’t get me wrong, he just needs it to be something ‘physical’ that he can interact with. Fiddleford helps a lot with this (having gotten a lot of hands-on work while he was on the farm). 

I think eventually Ford does end up in Gravity Falls too, but by this point he’s distanced himself from everyone not because of Bill, but because of his own hubris. 

Because of Stan and Fiddleford being queer, I don’t think Dipper and Mabel would be allowed to visit them until their parents have no other choice- though they do hear a lot about their Grunkles and see them from time to time. 

If I did include a Bill/main timeline ish plot it’d be Fiddleford who gets tricked- maybe after Ford gets to Gravity Falls, and Bill offers a way to keep Stan happy/repair his relationship with Ford (maybe Fiddleford thinks Stan is going to run away- just without him this time. He knows Stan would never, but he could.) 

I’d probably include a B-plot where Stan thinks Fiddleford will cheat on him with Ford- they click immediately and so much better, Ford is so much smarter, he’s the better twin, because insecure Stan is my favourite thing ever. Just a small detail, but I think that Fiddleford is a lot more confident and stable with Stan, mainly because Stan has encouraged him to step out of his comfort zone so often, and has proved time and time again that all Fiddleford has to do is ask and Stan is right there to catch him.

I'm still not sure what Stan should do, so if anyone has any suggestions, let me know! That and drawing requests god let me draw them PLEASE.

[siriuslyobsessedwithfiction]

Alina Starkov - the most inconsistent main character. A tragedy of not wanting to have an identity.

The main character in Shadow and Bone trilogy, a prime example of "she deserved better". A.k.a. soldier, Sun Summoner, Sun Saint. In reality, a false saint and a false hero, who has less personality, goals, spine and consistency than her three love interests. How did this happen? Short answer - bad writing. Long answer? Here we go.

Her character at the beginning - a blank slate.

Physically small and weak, sickly, fragile, with a sour face and sourer attitude. Grew up in an orphanage funded by a Duke, who they were taught to basically worship while looking down on religion and beliefs in saints. Children in the orphanage were beaten if they misbehaved or didn't do chores, but were given education and fine food, which means they were faring better than peasants and farmers. Alina had not many, but several options in her life. She could learn a trade that would not require physical labour, like sewing. Or, she could marry and hope her husband was gracious enough to buy a donkey instead of making her carry heavy sacks of salt on her back, as we see a random man do to his wife. But Alina had no hobbies, interests, aspirations or ambitions in her life. Except her childhood friend Mal. Mal gets a mandatory draft in the First Army, and of course Alina follows, and settles for being a mediocre cartographer. Mal thrives in the army, showing off muscles and hooking up with women, while Alina dutifully waits for him saints know why. She doesn't have other genuine friends, she doesn't like people, she doesn't like anything. This is not a bad start in a sense that there is much room for growth and improvement.

Refusing to belong

Alina discovers she's a long awaited sun summoner, who can vanquish the Fold and unite Ravka. She doesn't want to be special, but not for the reasons you might think. Instead of fearing the burden of such an important task or genuinely becoming paranoid of being assassinated (she gets over those in five minutes), she just...doesn't want the responsibility of actually being useful for something. She'd rather not have powers at all, and go back to being in a constantly sickly state. She'd rather be tailing Mal like a mouse. Which doesn't make any sense for following reasons:

Alina's insecurities in SaB:

Not being pretty and talented

2. Not being as pretty and talented as Grisha

3. Being an orphan, being unwanted.

Being a Grisha actually solves all those problems for her. She gets prettier and healthier once she stops repressing her powers, has a unique cool power, and a community that cares for her. Plus, the support from important figures in Ravka. In time, she could have a family.

Instead, she refuses to acknowledge she's one of them, doesn't train properly, preferring to cling to her prejudices and make digs at Grisha. She'd rather complain that they're prettier, confident and pampered than acknowledge they are serfs, nothing but glorified servants with no basic human rights. Instead of her superstitions and prejudices being shattered when she starts living with them and realizing what Grisha have to go through, becoming rightfully enraged that her people are being treated this way, she still doesn't feel any empathy. In fact, she still doesn't see the General as a HUMAN BEING WHO MIGHT HAVE FEELINGS, even though he makes time in his busy schedule of running an army to make sure she's comfortable, jokes along with her, listens to her fears and reassures her, etc. Why would he go through the trouble if he was heartless? He's the General of the Second Army, by the King's law, she's his soldier. She is obligated to obey him regardless.

The narrative supports her delusions.

I get missing her friend, I get struggling to adjust, but it's more than that. Alina is getting dragged along from a plot point to a plot point kicking and screaming, as if she has anything better to do. She doesn't have a life, why is she so against of getting one? Once she finally somewhat adjusts to her life in the Little Palace, it turns out Darkling has had malicious intents towards her powers all along! Aha, you were right to be prejudiced, Alina! Now abandon your people, your country, and run!

“He … he said that Darklings are born without souls. That only something truly evil could have created the Shadow Fold.”

Imagine telling a person who saved your life that he was a soulless abomination, even though you do not know him, and he is still kind to you and reveals as much about him as he can. There is no grooming and manipulation here, it's just called not being a bitch. Darkling tells Alina he's over 120 years old, Alina is an adult, and the damned kiss was consensual. Of course he didn't tell her everything. Even regular people don't reveal their life-long ambitions and deepest childhood trauma to their crush after several conversations. It took Alina months to stop being in denial about being a Grisha, still didn't like being one, you're telling me if Darkling set her down and explained the complex political situation and his plan to overthrow the corrupt monarchy and bring an end to the war, Alina wouldn't jump out of the window?

Alina running away, not confronting the problem, and straight up deciding Darkling was evil incarnate with no evidence snowballed into Darkling deciding she couldn't be trusted and taking more drastic measures. Liberation of his people was on the line and one pesky girl screwed up a carefully planned coup because she couldn't handle her feelings.

False badassery

Throughout the whole three books, every time Alina makes a decision, it's immediately followed by self-doubt, shame and scorn. But no actual objective criticism. We often see variations of "It was foolish, but I didn't care", "I knew it was reckless but I couldn't bring myself to care", but never her actually analyzing why, or deciding not to do something like that again. Her small victories are immediately followed by thoughts on how would others feel about it, even though the person in question isn't even there and couldn't give less of a shit: "Never is it to be said that Ana Kuya didn't teach us manners", "A cheap trick, but a good one. Nikolai would be proud". Ana Kuya was an abusive mother figure, Nikolai was using Alina's status to get the throne. Sure, it's good that Alina is capable of learning useful things from every kinds of people, but she doesn't think "That was smart of me. I learnt that. I'm proud of myself for an accomplishment". She thinks "Is it good? Would they like it? They like things like that, right?". She attaches herself to people that fit her view of "deserving" and helps them, even though it might not be for the best. Extreme lack of self-worth, combined with entitlement.

When Alina hears a rumour Darkling ordered his heartrenders to sew a traitor's mouth shut, she's horrified. Even though that's hardly the worst punishment for a traitor in an army. But when some pilgrims insult Genya, she orders to have their tongues cut out after they're given only one warning. When Alina commits violence at slightest provocation, it's baddass. But when Darkling commits a controlled necessary military act to stop enemies from overrunning the country, it's madness and is falsely labeled genocide. Look up the definition, genocide is what was happening to Grisha.

The Darkling never kidnapped children and put them in the war zone. He only lied to Alina that he did, a clever strategy with no bloodshed. Meanwhile, Alina let her cult fight for her, whose members were brainwashed children, some only twelve years old.

When Alina faces a dilemma or a tense military situation, her go-to strategy is suicide. That is not martyrdom, nor it is badass.

Darkling became a bad person out of good intentions and desperation, Alina is just a bad selfish person.

Desperate people are the ones capable of the worst acts. Darkling didn't go nearly as crazy as he could, and frankly had a right to on behalf of his people.

"Aleksander had marched south with the king’s soldiers, and when they’d faced the Shu in the field, he’d unleashed darkness upon their opponents, blinding them where they stood. Ravka’s forces had won the day. But when Yevgeni had offered Aleksander his reward, he had refused the king’s gold. “There are others like me, Grisha, living in hiding. Give me leave to offer them sanctuary here and I will build you an army the likes of which the world has never seen.”

It doesn't matter how much genocide, prejudice, abuse and dehumanization the Grisha suffered through for centuries all around the world, Alina never bothers to look at the big picture. Her help is only for those who she deems worthy of it.

She attaches herself to people who fit her narrow-minded view of "worthy". She immediately believes Baghra's rather flimsy expose of Darkling, even though the old woman has been nothing but unhelpful to her, only insulting her and beating her. But Alina associates her with her only mother figure, Ana Kuya, another old hag she had a toxic relationship with. And even though Baghra is an immensely powerful Grisha who refuses to help or even lift a finger, or just spit out vital information, Alina coddles her and provides protection. Instead of telling her to fess up the useful information and save her unhelpful comments, Alina looks up to her as a mentor.

When Genya tells her story, Alina feels bad for her, but not bad enough to see things her perspective. She only becomes protective of Genya once she gets mutilated, out of pity. If it was genuine compassion, she would've forgiven and understood her from the start.

Every Grisha has been hunted and shamed for merely existing, almost every Grisha has lost a loved one to war. But Alina pointedly ignores it, because she doesn't personally know and care for those people. Therefore, she doesn't feel empathetic. Because if she feels empathetic, she might start feeling guilty about how she runs away from her responsibilities at every given opportunity. Just look at this passage:

“You know what he plans to do, Ivan.” “He plans to bring us peace.” “At what price?” I asked desperately. “You know this is madness.” “Did you know I had two brothers?” Ivan asked abruptly. The familiar smirk was gone from his handsome face. “Of course not. They weren’t born Grisha. They were soldiers, and they both died fighting the King’s wars. So did my father. So did my uncle.” “I’m sorry.” “Yes, everyone is sorry. The King is sorry. The Queen is sorry. I’m sorry. But only the Darkling will do something about it.”

The Darkling never wanted power for selfish reasons. He didn't want to take over other countries or lift Grisha above regular people. He wanted his kind to have basic human rights. Centuries of diplomacy and servitude only gave him enough power to make a school for Grisha children and save adults from slavery and getting slaughtered by serving nobles. He wanted to use the Fold as a border, to stop enemies from invading whenever they pleased, so he would have the time to save Ravka from collapsing. What has Alina done? Started a civil war, destroyed the Second army and helped put a morally dubious man with no claim on the throne to continue an outdated absolute monarchy tradition.

Alina Starkov was meant to be the sun, but turned out to be a trick of the light.

Every time it felt like Alina was emerging from her cocoon as a beautiful butterfly, embracing her true self, she went back to the toxic situationship and the toxic mindset. The narrative also always struck her down. Every book begins and ends with her being sickly, fragile, missing an essential part of herself. It would be good if it was written differently and showed themes of being disabled or having a chronic illness accurately, but it's not. It started out well. Alina was removed from an abusive environment, found a purpose in life, started loving her newfound powers, outgrew the stupid crush who she was way too dependent on, but it all went downhill from there. And then some. This constant vicious cycle does not fit the theme of growth and improvement, and neither does the ending, where Alina loses her powers and goes back to the orphanage. Once again, she's frail and strange, servants (who she now employs) don't respect her, sneer and make fun of her, while her now husband Mal turns a blind eye. Everything is back to the way it was: Mal thrives, Alina is...there. The ending is supposed to be bittersweet, a couple who survived a war building a new life together, but I don't see the sweet part.

Trick of the light - definition: something appearing different from what actually is as a result of the quality of light.

Darkling wanted her to be a strong Grisha, his equal and balance. Grisha wanted her to be a capable leader, Bataar twins wanted a living saint they could worship, Nikolai wanted a wife interested in Ravka and politics. Alina tried to be all of that, but never really wanted to be any of those, so she half-assed it. Mal wanted the version of Alina who was small and insignificant, because anything more made him insecure, and he got his wish.

Illusion, mirage, spectre.

No matter how much the author tries to tell us that Alina's every problem is Darkling's fault, her thought process and actions paint a different picture. Alina was never mentally healthy and she never addressed or resolved her problems. Growing up in a controlled and abusive environment affected her more than anyone, including herself, wants to admit. I am not a licensed psychiatrist, so I will refrain from officially diagnosing Alina, even though she's a fictional character. I am NOT saying I know for certain that Alina has these, if any, mental problems, but she does have some alarming symptoms. It seems like depersonalization. While her symptoms don't fit into one particular mental disorder, I am reminded of psychiatric infantilism, but it is not a mental illness with symptoms. Psychiatric infantilism doesn't necessarily mean the person acts outwardly childishly. To explain very roughly and simply, it means the psych is not as developed as it should be (even if the person is very smart and clever). It shows in avoiding responsibility or not feeling it at all, problems with social connections, not seeing the big picture and taking it seriously, etc. When Harshaw tells the story of his brother getting brutally murdered by people who hate Grisha, even brash Zoya is appalled and expresses her condolences. While all Alina thinks about is that Harshaw might base his hope of having a better life on her now.

Alina also might have Dependent Personality Disorder, but it's hard to say, since we are never shown her being on her own long enough to see whether or not she can take actually care of herself. But her relationship with Mal, Darkling and Baghra (after she no longer objectively needs them) is weird, to say the least.

She never gains the sense of self or an identity, she refuses to become something, then delivers an inner monologue of accepting her fate and five minutes later goes back on her words. Her willingness to sacrifice her life is never out of thinking of the greater good and future, justice, or patriotism. She just doesn't want to live, especially without Mal, who has been doing nothing but shitting on her. Her titles are slapped on her, and she peels them off. Her personality never really changes. Everything she went through feels like a really bad exchange program she was in for a year, and from which she has learnt nothing.

P.S. I don't hate Alina's character, I just mourn her lost potential.

If you have made it to the end, I salute you, congratulations and thank you. 😊 🙏 ❤️

[artbyblastweave]

If youre still doing it, heroify Lex Luthor

The fish-in-a-barrel answer is Tony Stark, but the intuitive answer, not to mention the version I've actually seen executed at least twice- is that you ask the question- what if he's right, about Superman being bad news?- and then you go from there.

I'm actually going to take this opportunity to talk up one of the few Mark Millar comics that I recommend wholeheartedly, Jupiter's Circle, which is interesting in that the setting's Luthor analogue, Jack Hobbes, is essentially playing Luthor's cope-and-seethe angle completely straight, as a thing which he legitimately believes and which he's ultimately basically correct to believe in spite of most superheroes being at least decent people.

What was interesting to me about this portrayal is that Hobbes eventually decides that he miscalculated, that he can do more good by working with the Utopian as his friend and confidant than by fighting him every step of the way. It's a straight-up Lex Luthor redemption story. But the thing is that the setting of the comic as a whole is predicated on the idea that he was actually completely correct- although he doesn't live to see it, although he dies thinking he was initially misguided, the long-term trajectory of the setting is that superheroes eat the world, politics and activism alike subordinated to their petty grievances and soap opera idiocy. A major plot point of the second volume of this was that Not!Batman's turn towards militant leftism gets completely written off by his 1960s contemporaries because they're so used to reading his behavior through the lens of whiny rich-kid superhero interpersonal drama that they just can't parse it correctly. The comic advances that there's a self-centeredness and egotism inherent to the superhero that makes them suck ass at effecting long term positive change, but they also aren't going away, and they can blow up skyscrapers. At the point where I stopped reading, the setting was implied to be caught in a kind of boom-and-bust doom cycle where the superheroes gradually create a singular hegemony, then collapse into hyperdestructive infighting over what to do with that hegemony once they run out of conventional supervillains to fight- the aftermath of which clears the board for a new wave of the classic silver age cops-and-robbers game, which then gradually hegemonizes, ad infinitum. (This is a line of thinking that crops up in a lot of Millar's capepunk work once you know what to look for- Wanted, Old Man Logan, and to some extent The Ultimates all being examples.)

Another example of Heroic Lex Luthor, which I've written about before, is the comic Edison Rex, a comic whose pitchline is that the setting's Luthor analogue, the titular Edison Rex, turns out to have been completely correct that the setting's Superman analogue was an unwitting sleeper agent for an alien invasion, and steps up to replace him as Earth's foremost protector after finally neutralizing him- but since all he really knows how to be is a supervillain, his management style and problem-solving methodology from his time as an ends-justify-the-means anti-superman crusader translate to the new job with extremely mixed results. The comic ran 18 issues and remains unfinished, but it was pretty good.

[melkyt]

Oil Rig Doctor Law with Luffy as an eldritch creature somebody unleashed through a ritual on this poor unsuspecting boi xd

Alot of horror-games like this have vibes of the non-human eldritch being pick one guy and be like

'I like that one, I am going to put it through unimaginable horrors but in like a flirty way, and at the end we're gonna kiss'

So yeah Law, those weird eyes and hands reaching out as you're running about terrified trying to survive are just flirting, when he breaks down crying and screaming at the top of the oil rig as he realises that there is no way out. Despreate, scared.

Luffy feels a little bad and shows up in the approximation of the human form, still some uncanny valley to him, picks Law up and carries him to the beach.

Law passes out and doesn't remember how he escaped, just remembers it felt warm

This would be the second game/book, where this once respected doctor goes off the deepend as far as his friends and colleagues are concerned as he looks for the creature.

Taking a boat out to sea or some uninhabited island that worshiped Luffy/Nika, and slowly uncovers the truth.

Luffy at this point has been watching and probably on his crew. Nobody knows who he or where he came from so they assume Law hired him, and the kid is fun and excitable but kinda gives the seasoned sailors and professionals the creeps but they know enough that anything that creeps you out on the ocean needs to be respected or risk death.

Luffy laughing the entire time he watches Law fumble with trying to find out his lore, and sometimes just being thinking so much about the mortal, his power effects Law with weird hallucinations that feel like thoae intricate hidden object and puzzle games point and click horror gamez love xd

Law is kinda having alot of fun even if he is just a little unnerved everythingnis happening and questions if he is loosing his mind

Eventually the two of them meet in the depths of the mansion/world that Nika Luf's power creates. And it just tells him thats its a bored god and its not that deep, and that it likes him.

It could ask normally, like 'lets date for your short human life' but thats not its vibe

Luffy Nika leaning in, brushing his fingers over Law's jaw, so small and fragile. He could break the human with ease.

Its not words, its more a feeling that Law translates to 'Do you wish to feed my insatiable desires in eternity'

Law nods, he didnt come this far to back up from making out with a concept beyond his understanding.

They kiss

Luffy is just 'score, tottally knew this would work on the rig'

Law blinks and hss to come to terms that his love language is actually terrifying, and it will be something to get used to. And he will now that he is not losing his mind xd.

Others going to his office might not share the same chill attitude about the eyes staring from the ceiling or the walls that move sometimes. Nor the doctor's boyfriend whose eyes are a little to wide, and teeth a little to sharp.

[haveyouseenthisskeleton]

Undyne and Alphys are away for a week and so they leave their child to the skeletons. The kid took everything after Undyne/US Alphys and can't stop putting themselves in danger. How goes the week?

Undertale Sans - That's fine. No that's not. He wanted the kid to spend their energy outside the house after they broke the literal table in the living room, so he took them to the park. Except now they're gone. He stopped watching them for ten seconds to answer a text and now they're not here anymore. Sans is freaking out, teleporting from place to place at a crazy speed to find them, but they're just gone. As he's mentally trying to convince himself to call Undyne and tell her the news, he spots the child in a tree, clearly very amused by how fast he gave up. He swears they're going to give him a soul attack.

Undertale Papyrus - "YES UNDYNE JUNIOR I CAN SEE YOU EATING ROCKS. ONE IS ENOUGH THOUGH. NO! NO, DON'T DO IT! NO!" And that's how Papyrus ended up at the hospital at 3 a.m. after his niece filled their stomach with rocks. Papyrus can't wait for their mothers to come home. He likes children, but that is no child. That's a walking health hazard.

Underswap Sans - He thought he could tire them by jogging in the park. But that's three hours now and the kid is still not tired. Actually, they're as good as new. Him on the other hand is pretty sure he's about to pass out from exhaustion any second. You know it's bad when even Blue can't keep up with you.

Underswap Papyrus - The worst mistake of his life was to ask the kid to cook with him. He doesn't know what happened, but now his kitchen looks like a crime scene. There's chocolate everywhere, even on the ceiling, and now his oven is making weird scary noises like it's about to explode. The worst part is that he has no energy left to clean that mess. Please someone save him.

Underfell Sans - He's losing it. He hates Undyne to begin with and he doesn't know why he said yes, but added to that, her kid is horrible with him. He swears Undyne told them to disrespect him because there's no way they're not a bully to him on purpose. His life is hell, the kid is not listening to him at all and at this point, he doesn't care if something bad happens to them. Except he does because Undyne is going to kill him otherwise. That's the longest week of his life, he's never doing that again.

Underfell Papyrus - Edge is not safe. He feels unsafe in his own home. The kid won't stop attacking him randomly. So far he has three serious bites on his arms and ankles and got stabbed three times in the back. He complains to Undyne every evening, but Undyne just laughs at his face saying he can't possibly lose against a six-year-old kid. But she doesn't understand. That's not a kid. That's a shark. He's scared he might lose a finger feeding them. They know he's scared of them. Please. He wants this to end.

Horrortale Sans - A kid showed up randomly one day saying they're Undyne's child they left Underground and they want their revenge. Oak slammed the door in their face and went back to sleep lol. Yep, he's not dealing with that.

Horrortale Papyrus - That's not Undyne's kid. He's pretty sure of it. First, where did Undyne get a kid Underground? And second... They're not blue? And Undyne is dead? Is he homing a random monster child only out of guilt? Who's that kid anyway? Wait, but wouldn't Undyne lay eggs? Uh. Maybe they're really her child and just hatched when they left? But who's the other parent? Can Undyne use parthenogenesis??? He's pretty sure Alphys died in the first two years of the famine? Willow is having an existential crisis. Surely Toriel is old enough to know if fish monsters lay eggs. That's going to be an interesting conversation.

Swapfell Sans - He's having a mental breakdown. First, he found out the kid is nocturnal. Except he works really hard during the day, and would love to sleep during the night you know. But apparently, they don't know that. Next, they thought it would be fun to transform his couch into a hedgehog by planting hundreds of spears in it. And now they have replaced his coffee with paint and his precious baby coffee machine is not working anymore, which means he turned into a grumpy old man all day. Nox will never recover from this he thinks.

Swapfell Papyrus - Rus is desperate. Ok, Rus wanted them to sleep in a sleeping bag on the floor because he kinda forgot they needed to sleep. But that's not a reason to completely block him the entrance to his own room. Rus tried everything to get them out: promising to go to Disneyland, eat fast food for the rest of the week, and even for him to sleep in the sleeping bag, but the kid won't come out of his room, which is now locked. Rus doesn't know what to do anymore. He has been defeated.

Fellswap Gold Sans - He never wanted to take care of that demonic child in the first place so it's not his fault. By that I mean he kinda threw the kid in a dog house outside out of rage and let them spend the night there. The kid thought it would be fun to go into his closet and cut all his handmade clothes with scissors. Wine did all he could to not kill them and decided to put them outside for their own safety. He feels so mad every time he looks at them now. The worst part is that they clearly don't regret anything, even taunting him from the window. Wine is holding his murderous instincts so bad he's shaking. He holds them back for when Alphys will come back. He's going to kill Alphys he thinks. He needs to evacuate the pressure somehow.

Fellswap Gold Papyrus - So the kid found out Coffee spends a lot of time in the closet in his room... And so they put a padlock on it, locking him inside. Coffee is having a panic attack, banging on the doors and screaming for help, completely forgetting he can just teleport out of here. Once free, Coffee refuses to tell the kid a word and lets Wine take care of them. He doesn't like them he decided.

[the-sinful-voice-witch]

Ok, I'm losing my head right now. AAAAAAAAAAAAAAAAAAAAAAAA

The multiversus crossover game brought to us not only the Powerpuff girls... But THE ROWDYRUFF BOYS AS WELL!!!!!!! AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

But... Oh girl... Omg... There's even more for me to even lose my head harder 🙂🙃🙂🙃🙂🙃🙂🙃

LOOK AT THIS!!! 👇👇👇

It says Powerpuff girls but is actually one of the rowdyruff boys talking... IS BOOMER!!!! To think a simple videogame line is enough to make go crazy delulu like this... Here comes the delulu twisted romantic mental gymnastics 😍😍😍

So i need an explanation. No really i need one. Why is Boomer saying that? Bubbles didn't see what? WHAT YOU DON'T WANT HER TO SEE?? Multiversus you can't leave me like this!! Did he say that because he was clumsy and doesn't want to look lame in front of her? Did he say that because he was doing something bad and doesn't want to look that bad in front of her? Sorry im just going back when they got their second appearance in the show and Bubbles said: I WANT THE BLONDE, I THINK HE IS CUTE!.... IM DYING OVER HERE I NEED ANSWERS!!!! 😫😫😫😫😫😫😫😫

Update!! The 3 of them say more shippable stuff KYAAAAAAAAA omg omg omg GO WATCH A VIDEO WITH ALL THE RRB MULTIVERSUS VOICE LINES... IM SCREAMING 😭😭😭😭😭

Im going DELULU!!

also since now they became mainstream thanks to this crossover game i should remind people of other old crossovers as well that are still ongoing and need more love:

FUSIONFALL

The original fusionfall retro and legacy were cancelled i think but i think you can still play the retro. But currently i saw that there's people working on a new version that was going to be renamed: Saturday morning: invasion.

Anyway look at this images from Fusionfall legacies 👇😖

Boomer will be included in Saturday morning invasion too with a different look... So i hope the project succeeds!!🤞🤞🤞

PPGD: POWERPUFF GIRLS THE DOUJINSHI

This is a Halloween special from the webcomic that is still ongoing in snafu-comics.

Needles to say i fell into the deep pit of shipping hard madness after seeing this 😂😂😂 even though i don't need this much, i can go delulu and make up a reason to ship characters out of every insignificant detail, hence the fuss i made over: " I hope Bubbles didn't see that", yeah my blue boy is totally in love 🤪🤪🤪

[milehighmegs]

The Window Theory

This is kind of a two-parter, and a bit long and circular, but it all connects, so just bear with me 😁

So, I just finished my 42598302621827732263435th re-watch of S2E6. When Beez says, "I just found something more important than taking sides," and she & Gabe join hands, Zira touches Crowley's arm. Ya know, this touch:

Look at Zira's face. I think, maybe- just MAYBE- Zira finally realizes that this is what Crowley's been talking about every time he's said, "our side." He reaches out to Crowley, but because he can't actually speak at that moment, it's his way of saying, "Oh my god. I get it now. I completely understand." And if you watch a bit longer, when Crowley walks away to take Nina & Maggie out of the shop, he keeps reaching for Crowley (couldn't find a GIF of it, but it's there). Almost like he's saying, "oh, oh yes, we are going to have a VERY good talk when this is all wrapped up."

There's also an element of "we're not the only ones," and "maybe, if the Supreme Archangel of Heaven can fall for the Grand Duke of Hell, this isn't as bad as I've been telling myself it is." If Gabelzebub haven't been- smote? smited? smitten- by God or devoured by Satan for falling in love (and not being coy or secretive about it), maybe Zira is FINALLY ready to actually be with Crowley, in the open, and without fear.

But we all know what happened after that.

Yes, Metatron is a bastard. But (and this is just a bit of a theory here) in telling Zira that he (Metatron) knew about the "de facto partnership" with Crowley, and then later about the Second Coming, he gave the whole game away**. Zira thought that Heaven wasn't watching all that closely. And maybe they weren't, right up until the two of them thwarted the Nopocalypse, but looked into the records and found out what they'd been up to for millennia. What Zira knows now is that not only are they aware of it, they are fully prepared to use it as a threat against him, but more so against Crowley. At that moment, however, that's all he knows. Metatron didn't mention the plans for the Second Coming until after The Kiss™. So after accepting Metatron's offer and desperately trying to convince Crowley to come with him and failing, but before the Jesus 2.0 bomb, Zira is visibly shaken (I mean, I would be too if I had just accepted that I COULD be with the love of my life, then got kissed like THAT by them, only to be broken up with right after they told me that they felt we'd been together all along). He didn't have a plan to protect Crowley. He didn’t think he needed one because he was so sure that his offer to go to Heaven would be accepted. He figured it was a given, knowing & understanding now that Crowley wanted to be with him, and part of the reinstatement of Crowley as an angel would facilitate that.

Now that Crowley has refused, Zira doesn't know what to do. He didn't have a backup plan. And he still, at that point, doesn't really know what Metatron needs him for. It's why he hesitates to leave at first. For the first time since The Arrangement, he doesn’t have a partner. He's alone, trying to figure things out, trying to find some way, ANY way, to make this work. He keeps looking out the window, ostensibly at Crowley, but... did you notice that we're never actually shown WHAT he's looking at? I have a feeling we'll find out in S3 what it is, but for now, he's flustered, anxious, and of course still reeling from what had just happened. He looks out the window a second time, and just, like... suddenly snaps out of it. We can tell, as the audience, that there's a lot of game face happening here, because we know Zira: we know his mannerisms, his moods, his reactions to certain things. And we also know he's smart. But I digress.

Something occurs to him (or he sees something out the window), which is why he suddenly feigns detachment and goes with Metatron. The wheels start to churn, but only insofar as it has to do with protecting Crowley. When the Second Coming plans for Supreme Archangel Aziraphale are dropped, everything changes. EVERYTHING. He suddenly realizes that the whole purpose of the offer, and the chance to take Crowley with him, was a trap. Metatron knew Crowley would refuse, and having made the threat, he knew Zira wouldn’t refuse. Zira understands the offer’s true purpose was to separate them so that they couldn't prevent another apocalypse. So now, not only is Crowley's life at risk, but Earth is once again under the threat of annihilation, and he doesn't have the one person he's always been able to rely on to help him prevent it. He goes with Metatron because he knows it's the only thing he can do to protect Earth AND his beloved.

That one last look at Crowley... I don't know, maybe something had passed between them through the window that we don't yet know about. Maybe Zira just had a sudden realization that had nothing to do with what he was looking at (perhaps the bullet catch mentioned below**?). Whatever the case, hearing about Armagedd-it's-back-on was a seismic shift in his attitude. You can see it in his demeanor: he’s no longer flustered, no longer searching for answers, no longer anxious about what happens next. In short, SHIT JUST GOT REAL. Because of this, Zira has to once again think fast, but keep Crowley in the dark, and get to work. That ride up in the elevator was spent hatching the most clever, most ingenious, dare I say the most devilish plan the Universe has ever seen. He is really and truly on OUR side now, the side that he & Crowley had been on for millennia, the side he was no longer pretending to NOT be on, the side that he finally stepped into with perfect love and perfect trust. With no way to tell Crowley about the Second Coming and therefore what he was planning, it seems like he chose Heaven over love. But he didn't. He did choose Crowley, but he also chose Earth, and in reality, he chose "us." It's just going to have to wait.

**If you wanna go really deep with this, the whole reason for the bullet catch episode was to mirror Furfur’s threat with the Metatron’s, and Furfur also revealed the plan too soon (I think there’s also another reason for this episode, details below). Like a bad Bond villain, they were too cocky. In 1941, Zira was able to think fast, palm the photo, and protect him & Crowley. But note that he didn’t tell Crowley what he was doing (there was neither time nor opportunity); Crowley only found out after the fact, when they were having dinner later. Zira protected "us" even then because only hours before, he realized that he loved Crowley and (I'm pretty sure) that Crowley loved him back. At the time, however, he didn't think anything could come of it. But that touch in the bookshop... that's when he knew. So when Metatron made the offer, there was no need to protect anything because he thought Crowley would come back to Heaven. Since that went down like a lead balloon, Zira is left helpless & scrambling. Then that look out the window... I think Zira remembered the bullet catch. That silent "trust me." The “aim for my mouth then shoot past my ear.” The diversion tactic. Again, until the Second Coming plans are revealed, Zira only plans to find a way to protect Crowley in secret. When the stakes rise, Zira ups his game. THAT’S the reason for the changing looks on his face on the elevator ride. THAT’s what the smile is about. He’s doing the calculations, setting up the illusion, perfecting the con. And just like the magic act he & Crowley pulled when they saved Job’s children, just like when Crowley seemed to be the random volunteer to pull the trigger, Zira knows his partner will be there to help him pull it off one more time. Even if it means leaving him, leaving him in the dark once again.

[listleven]

Simple guide on manifesting ✨

Choosing what you want to manifest. This is genuinely the hardest part. Especially if you are a beginner and you think you choose something a bit out of reach for you.... no. Anything is possible. This is classic but even the word impossible has Im possible in it. The thing with this is if you are trying for the first time and have had bad experiences or are expecting bad you are going to try and go for something more attainable or completely over consume. AND THATS OK. Practice is great. Go for what you think is smaller if it helps you ease. But you can manifest even with doubts bc despite the misinformation you don't need to "feel" like you have it. What happens a lot is people give up and stop persisting when they don't see it in the 3d. So they have "backup options". And then they create this cycle of fear that if they didn't manifest this, will this work?? RELAX!! It will.

Persisting. Of course you've heard a dozen times before but why do you think its so popular. Now here you're going to persist until your desires materialize in the 3d. AKA when your subconscious mind has been impressed. Even in doubt you will persist bc it does not make a difference. You will THINK like the person who has it not feel if you can't. Thats literally it.

TIPS:

In order to think like the person living in the end you can write a story from that POV, affirm, meditate, guided meditations to help you relax, I use subs that use present tense, affirmation tapes, SATs, and sm more.

A little tidbit of my own is affirming that the 3d is no more real than a dream. Im going to make a separate posts in all the ways dreaming and the 3d are so similar. That way you can say stuff like "ah this doesn't matter its just a dream in the true reality I have everything I want." This can also induce lucid dreams because I do reality checks and confirm to myself that im dreaming and immediately start meditating to "ground myself" for 5 seconds by doing this Ive done it in my dreams.

Refocus to the 4d if you're ever in doubt. Everything right now, isn't real not time, or physical objects. Go back to the imagination. Its kind of funny right how everyone gaslighted us into believing imagination is not the reality and we had to "come back to the real world" LMOA its literally vice versa

If you are persisting and don't see it in the 3d, don't you dare give up to manifest something more "attainable" this creates a loop where you go back to number 1 over and over. Remember you already have it. How do you know? Because this is no more real than a dream and you are the validation.

Accept the 4d as the only real reality

If you have had "failed attempts" Revise. Bc in the 4d no you didn't??? Ex. all those failed pure conscious attempts are not real , you actually have induced them in the 4d. If you keep persisting and accept that all those "attempts" worked, the 3d will conform.

Reminding yourself you have something and reality checks are the same thing. The most biggest similarity in the 3d and dreaming is you can control both using the 4d. We all know how reality checks work right. Persisting works the same way. I mentioned this in a previous tip above. I’ll do many reality checks confirming the 3d is a dream (bc it’s not real and stuff) and I’ll “ground myself” this allows me to trigger lucid dreams when I sleep AND I’ll add in something like “ofc I’m dreaming in the true reality I have —-“. That’s literally how manifestation works. If something “ fails” NO IT DIDNT. If you got a bad grade after manifesting in a good one, what? But you did get a good grade. In your 4d the real reality. Remember. Remind yourself that none of this is real. You did get that A. You are dreaming. None of this is real.

There are no such things as failed attempts. That did happen. You did shift. Let’s do a “which reality am I in” check right now. Oh and would u look at that you are in your dr.

I’m definitely going to post more about the last two bullet points to give more clarification.

~ with love, Jyspire

[purelyshreksexual]

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[foxaoxarts]

BEE KISS TOMORR- *dead* /j

If anyone wants to watch me drawing this like a little victorian child then the timelapse is below the cut 🤣

(FLICKER WARNING. It's all through out so be careful!👍 )

[psychomusic]

so. I've been reading some posts on the jedi order tag AND i won't talk about my opinion on "are jedi good or bad discourse" BUT i wanna point out some lore to everyone who's complaining about the jedi taking kids into their order: (in the EU) it wasn't always like this.

if you take swtor era (more than 3000 years before the prequels) there were many jedi who joined at an older age. like, for example there was a guy who broke his engagement to become one. most jedi remember their families because they were old enough when they decided to go.

THEN in darth bane's book trilogy (circa 1000 yesrs before the prequels) there is a passage where two sith lords are talking about taking bane, already an adult, to study at korriban. one doubted him because he was too old, ans the other told him he sounded like a jedi, and that ONE DAY jedi will have to accept only kids into their ranks if they really want to find "pure" people that can learn their lessons quicker.

one day!! so it wasn't always like that!! the ongoing wars with the sith, who corrupted and killed many of them, had pressured them into taking always younger people into their ranks.

also, consider a thing that this video explains super well: training to become a jedi is not like exercising, because there is a transformative lesson at the end of the training that changes everything. you can't just do as much as you can, but not finish.

the transformative lesson, as the video explains, is that through the force, everything is the same - from rocks and ships to life and death. at the end of the training you have to understand this fundamental truth.

yoda says "you have to unlearn what you have learned". during times where they were constantly killed off or corrupted by the dark side (and if you haven't learned this lesson you are more susceptible to this corrupting), younger people were taken in to actually finish their training (a training that was ultimately about being a good person AND that you could leave at any point if you weren't sold on that, too)

(remember that for the sith failure = death. like. that was the alternative for force sensitive kids. it's not like sith had any moral problem with taking kids away without consent. sith don't have moral problems: they believe that them being stronger in the force means they can do whatever they want as long as their strong enough to go and do it. there are MANY passages in many different star wars stories, even in different mediums, that say this out loud)

AND (this is more of a critical thought than just stating the lore) the fact that they started doing it out of necessity doesn't mean it's 100% good BUT you know. the whole set up of the prequels is that we're starting off the story in a period of crisis and decadence all around. most of the systems of the times were about to fall. OF COURSE they had problems. if they didn't, we wouldn't have the story to begin with.

that doesn't automatically mean jedi = bad and sith are better, tho. you wouldn't take the last, chaotic and decadent period to jugde something, would you? it's like deciding that the athenian democracy sucked because people at the times of Demosthenes failed at recognizing the new schemes in which the world was evolving into, and still believed that their city would be important as it had been in the previous century. They just didn't fucking expect the Macedons would conquer half the world known and more, and have the subsequent political power. Still, their experiences in the 5th century with democracy were very good, even better than ours on many fronts, if you contextualize a little. the jedi had flaws, and most importantly, they didn't fucking know the future and everything that ever happened, ever, so they made mistakes. that doesn't automatically make the system ill, or bad, or not-working. systems can have setbacks when the world changes. (just like athenian democracy had one when they lost the empire that was funding the democracy. they even had a tyranny for a while and then fixed the problems. that doesn't diminish retrospectively their democracy)