#the sci fi christmas special saga

[moongothic]

To be honest I can kinda see how having a hook instead of a hand prosthetic has its benefits

Hook is easier to mantain than a hand with lots of small moving pats, especially when you don't know shit about it. If something happens to it and it gets broken, it's much easier to replace a hook, even with all layers and poisons

And depending on when in time Crocodile lost his hand he may have just got used to it already

But also yeah, Crocodile is just the type of guy to choose a hook instead of a new hand because looks and aesthetics lol

(sorry for typos btw)

Crocodile's hook is kind of fun because it's a reflection of so many things in the story. Like there's the in-universe lore and character stuff we can look at, but also we can look at it from a meta perspective

Like we know Oda wanted to give certain important characters in the story the Iconic Pirate Traits; the peg leg for Zeff, the hook for Crocodile and an eyepatch he has seemingly been saving up all these years for a special someone (my money's on Mr Burns but that's a different subject). And so Crocodile having the iconic hook is a part of an old pirate-y "vision" Oda wanted to fulfill with One Piece, an OG "goal" from waaay back in the day

But another thing is that Crocodile is very much from The Olden Days of One Piece, more specifically, very much pre-what I'd call the sci-fi era of OP. I'd say One Piece started truly dwelling deeper into that genre and its tropes during Punk Hazard, but Oda didn't even really dip his toes into it until the CP9 Saga (with the introduction of Franky and the namedropping of Doctor Vegapunk). Sure, Oda did already hint at the existence of Vegapunk and his scientific developments back in Alabasta (when Miss Merry Christmas explained that Lassoo was a gun that had eaten a Dog Dog Fruit, this being "the Latest Science from the Grand Line"*), but One Piece was still very much in its more classical fantasy element/genre at this point in the story, so the science fiction that was to come years and decades later was not even present at this point

*(Thinking about it, honestly, how the fuck did Mr 4 get his hands on Lassoo if Lassoo was created by Vegapunk?? Was he a gift from Vegapunk/the WG to Crocodile, maybe????? That Crocodile just secretly gave away to Mr 4????)

In other words, in hindsight it might seem odd Crocodile wouldn't have taken advantage of his position as a Warlord and gotten a prosthetic arm to replace his hook. But Crocodile is a One Piece character from a different era in the story, when advanced prosthetics, cyborgs, robots, clones and so much more were nothing but a twinkle in Oda's eyes. So expecting Crocodile to have lived up to the sci-fi future One Piece wasn't originally going to even get to would be unreasonable.

But the fun thing is that we can actually look at Crocodile and his silly little hook, and spin it in a way that does actually complement his character. We can find in-universe reasons for him to have stuck to a hook over an advanced prosthetic, and they make sense. The most obvious would of course be that Crocodile does not trust anyone. It would be very much unlike him to go to Vegapunk and/or the World Government requesting to be given a prosthetic, because that would mean 1) Leaving himself vulnerable for a period of time so that Vegapunk could actually give him a prosthetic (dangerous) 2) Knowing the WG they would not just give out something like that for free, surely they'd want something from Crocodile in exchange. And, while we know what would become of Kuma eventually (a fate so cruel I'm sure even Crocodile could not have imagined) I'm sure he could have suspected the WG could want to use him for a science experiment or two, something I'm sure Crocodile would never have agreed to. Or maybe the WG/Vegapunk would've wanted Crocodile to pay them an obscene amount of money in exchange for a prosthetic, and/or have him do some other favors. Whatever the case, I'm sure none of these options would have seemed worth it in his mind.

And yeah, what you said.

Maintaining and taking care of a hook would be easier, like if Vegapunk's prosthetics ever broke or malfunctioned for any reason Crocodile would have to make a horrifically long hike all the way from Alabasta to Marijoa, cross the Red Line (to be fair his Shichibukai Status would allow him to go over which would be more convenient than passing through Fishman Island), go to Punk Hazard (or Egghead later on), and then hike aaall the way back to Alabasta again. And Vegapunk's inventions didn't always work as intended, the man had to refine and develop his creations to get them to work the way he wanted them to.

So if the option get a prosthetic was ever brought up to Crocodile by the WG like 10+ years ago, he might've been far more cynical about Vegapunk's ability to actually create a decent prosthetic that worked and wouldn't malfunction/have issues etc. And as you suggested, by that time he probably would have become used to his hook, to the point that he didn't mind keeping it.

And yeah, it would be just a big ol' Luffyism if he preferred the giant, golden, gaudy-ass hook

[twilight-saga-headcanons]

Cullens favorite types of movies? Also, I'm so happy to see a twilight saga blog in the year 2023 - it's so wild

Carlisle - Of course Carlisle likes older movies. There's no real genre, but if it's in black and white then he's probably a fan. He really adores the classics, and some of his favorites are Citizen Kane, To Kill a Mockingbird, The Maltese Falcon.

Esme - Esme is such a sucker for romance of all kinds, but classic romance can bring her to her knees. She loves a bittersweet ending, and she is TOTALLY a hallmark Christmas movie mom. She was a die hard Casablanca fan and a year cannot pass without her watching It's A Wonderful Life at least four times. Anything that makes her heart ache, she adores.

Edward - This dramatic asshole. Claims that he really only likes inspirational foreign French films because of the ~drama~ but you know what??? he secretly watches romance movies with Esme, not that it's actually a secret because everyone already knows. Pretty Woman? Yes. 10 Things I Hate About You? Absolutely. If he had the ability to cry, he definitely would have after watching A Walk to Remember.

Rosalie - Rosalie likes sci-fi and fantasy movies. Labyrinth is a special favorite, though it might be because of her crush on David Bowie. She was surprised at how much she enjoyed The Shape of Water, but you're more likely going to find her watching something like Close Encounters of the Third Kind or The Princess Bride.

Emmett - Emmett dabbles in movies - he really likes a bit of everything. Drama, comedy, action, fantasy - he wouldn't say he actually has a favorite. He thinks comedy might take precedence; he's a huge fan of anything by Mel Brooks.

Jasper - He hates how stereotypical it is, but he loves Westerns. He's seen pretty much everything that John Wayne has ever been in. Really, anything to do with history will be ok for him to watch, though it took him a while to be comfortable with some of the Civil War era movies. Loves The Patriot and Braveheart, though he isn't a fan of Mel Gibson, and Black Beauty has a special place in his heart.

Alice - Alice likes all of those corny teen romance films, like Princess Diaries or She's the Man. She isn't sure why, but they really make her happy!! They're always so cute and quirky, she adores them so much.

[virtual-winter]

Frozen memories #001

My Frozen story - Part 1

It's the end of October which means it's time for me to reminisce about another year of experiences with the Frozen franchise. What's extra special this time though is of course the upcoming Frozen 10th anniversary as well as an opportunity to share it with more than just a few close friends 🙂

I never saw the original Frozen in theatres. Back then in late 2013, I was relatively fresh out of school, unemployed and didn’t have much time or interest to engage in media fandoms of any kind. Things got better the following year as I attended university, beginning my studies in structural engineering and urban planning. Despite having to travel a lot every day and trying to keep up with my studies, life was relatively simple. You did the same thing every day. I was not the most sociable person but I was making good progress getting to know and working together with my fellow peers. Most of them were fresh from high school while I had been studying a bit before applying for uni so I was a little bit older than most of them.

Being in my early twenties, animation or Disney wasn't exactly anything I was paying attention to. I couldn't remember the last time I watched a Disney movie and I think I was feeling a bit out of touch with fandom culture in general.

Entering October, I happened to notice that ABC's fantasy TV-series Once upon a time was coming back for a fourth season. This wasn’t anything out of the ordinary and I had actually never watched the show before (only briefly in an ad and I remember the CGI looked really bad 🤣) but thanks to my local newspaper, I learned that actor Georgina Haig was gonna play a new role in the show. I was very fond of this Aussie gal since her small role as Henrietta in the sci-fi series Fringe 2012-2013 so I was very excited to see what her new character was about.

With hindsight, I know for sure that without Georgina’s involvement, the show would have never caught my attention. And my goodness, did this change my life 😃

Oh, and that newspaper highlight? I rediscovered it a couple of years ago👇

For those of you who (shockingly) can't read Swedish, here's what it said:

Ask about TV Elsa, queen of ice, shows up and it gets cold in Storybrooke.

Will there be new episodes of the fairy tale series? In "Once upon a time" we got to know several fairy tale characters. In the last season, Emma and Hook travelled through time which messed things up for Snow White and the Prince, and Robin Hood and Lady Marion were reunited. When the series is back in Channel 11 on October 20th, a recap episode will be broadcasted at 7PM before the saga continues at 8PM. Queen Elsa of Arendelle (Georgina Haig) shows up.

I obviously had no idea who Queen Elsa of Arendelle was (I barely even knew what story she was from). I was aware that the movie Frozen was a thing and I had seen the teaser with Olaf and Sven around Christmas 2013 but it had left no impression on me whatsoever. I had a vague idea that the song Let it go had become very popular but I didn't understand the fuss behind it. Yet.

October 20th, 2014. My first introduction to the Arendelle sisters👇

It’s hard to describe exactly what my initial reaction to watching the first few episodes was. In general (since I had no experience with the show) I was of course confused about what was going on but the consistency of the Frozen-story definitely helped. Much later on, having seen the entire series, I understood much better how the characters and their story tied into the main plot and especially Emma Swan’s character development. But at the time, it was just cool to take part of some new and (to me) pretty unique fantasy storytelling in a modern setting. For any true Oncers out there, regardless of the quality of the show as a whole, I'm sure you would agree that it was a heck of a fun ride while it lasted!

I knew for sure that I had found something that I truly loved and that was pretty rare for me. Several years back I had been pretty passionate about other franchises like Star Wars, Stargate, Fringe and Hannibal but this modern fairy-tale world was truly something different. And I know a lot of that can be said to be thanks to the Frozen-story. No offence to the main cast, but I would be lying if I didn't credit Georgina, Elizabeth Lail (Anna), Scott Michael Foster (Kristoff) and Elizabeth Mitchell (Ingrid) as the true stars of the fourth season for me! They truly helped bring their characters to life and I still can’t picture anyone else playing them outside of animation (looking at you, Frozen live action-rumours). It should also be said that compared to the rest of the show’s characters, the Frozen characters did have a very strong presence on screen, a look and a feel that was carried over beautifully to the small live-action screen. I may not have known it at the time, but it would be equally true for the original movie.

About four weeks into the season, I knew for sure that I had found something that truly resonated with med and I knew I had to watch the "source material". But that will be a thing to cover in Part 2. 😉

See ya soon!

[fictionadventurer]

‘Kay, so a while back I was struck by the desire to write a sci fi Christmas special. That desire has now morphed into the wild determination to write a sci fi Hallmark Christmas special.

Think of the possibilities! The fluffiest romance tropes boosted by the cheesiest sci fi tropes! There are almost too many options. I mean, here’s what I can come up with off the top of my head right now.

Driven, perfectionist career girl goes home to her small town for Christmas--and said small town happens to be on Mars.

Plucky girl gets job working on space cruise ship and gets entangled with the royal family of a distant planet.

Time travel’s already a well-worn Christmas special trope. Think what you could do if it was on purpose.

The perfectionist redoing the same Christmas over and over hoping for the perfect celebration until the sensitive hunk in the dorky sweater teaches her that the imperfections are part of the Christmas joy.

An ambitious, career-focused time travel researcher is used to leapfrogging through time and has no use for dull holidays until she’s trapped in a Victorian (it’s still Hallmark, it’s gotta be Victorian) Christmas and learns the joy of linear days.

The cryogenically-frozen girl wakes up in a sterile, career-focused future where she has to reintroduce the space station society to the joys of Christmas.

The emotionless, career-driven robot who learns to appreciate human emotion when she experiences Christmas in a small town.

An ambitious, career-driven astronaut crash lands on an ice planet that’s always celebrating Christmas and their warm cheer and friendliness (and the hunky ice farmer who takes her in) thaws her frozen heart.

The protagonist has hated both Christmas and aliens ever since her mother was killed in a space battle at Christmas time. But when her fashion magazine sends her to cover the first Christmas celebration in this planet, she begins to change her mind (and fall in love) when she meets two motherless alien children and their sensitive, hunky tree-farming father.

Really, how can I resist? The tropey possibilities are too tempting to ignore.

[binickmiller-archive]

tagged by @benoitblanc (thank you arwen ilysm !!) to answer the following questions about music, books, films, & tv, then tag nine people!

answers will be under the cut and i am tagging @kazbrakkar @rii-chann @bvckybvnes @impractical-matters @jckeperalta @wespers @danielsousa @eddiesdiaz @emmaswcns 

MUSIC

favourite genres? i like all genres but my main ones are rock and pop

favourite artists? dodie, hands like houses, bring me the horizon, avicii, troye sivan, fall out boy, hozier, marina, måneskin, paramore, porter robinson, sam smith, olivia rodrigo (just to name a few)

favourite songs? currently jealousy, jealousy by olivia rodrigo, special girl by dodie, venus fly trap by marina and zitti e buoni by måneskin

most listened song recently? misery business by paramore (i am back in my emo hours haha)

song currently stuck in your head? i wanna be your slave by måneskin (it is such a sexc song)

favourite lyrics? “she means everything to me” (she by dodie), “whatever you give life, you’re gonna get back” (venus fly trap by marina), “imagine being loved by me” (talk by hozier) 

radio or your own playlist | solo artists or and bands | pop or indie | loud or silent volume I slow or fast songs | music video or lyrics video | speakers or headset | riding a bus in silence or while listening to music | driving in silence or with radio on (usually my music)

BOOKS

favourite book genre? romance but also fantasy or mystery or sci-fi 

favourite writers? jane austen, suzanne collins, john green, agatha christie

favourite book? emma by jane austen 

favourite book series? the hunger games by suzanne collins

comfort book? simon vs. the homo sapiens agenda by becky albertalli

perfect book to read on a rainy day? pride and prejudice by jane austen

favourite characters? finnick odair, elizabeth bennet, george knightley, simon spier, bram greenfeld 

five quotes from your favourite book that you know by heart? i don’t read enough to give you five quotes i know by heart but i will put a few quotes i love: “you must allow me to tell you how ardently i admire and love you.” (pride and prejudice by jane austen), “you love me. real or not real? i tell him, real.” (mockingjay by suzanne collins)

hardcover or paperback | buy or and library | standalone novels or and book series | ebook or physical copy | reading at night or and during the day | reading at home or and in nature | listening to music while reading or reading in silence | reading in order or reading the ending first | reliable or and unreliable narrator | realism or fantasy | one or and multiple POVS | judging by the covers or by the summary | rereading or reading just once

TV AND FILMS

favourite tv/film genre? comedy, drama and horror/thriller

favourite film? knives out (2019) 

comfort film? pride and prejudice (2005)

film you watch every year? knives out (2019) every october and usually home alone (1990) and elf (2003) at christmas 

favourite tv show? new girl (2011-2018)

comfort tv show? new girl (2011-2018), sense8 (2015-2018), derry girls (2018-), brooklyn nine-nine (2013-2021), sex education (2019-) 

most rewatched tv show? definitely new girl, i watch it whenever i need comfort which is often haha

ultimate otp? all three of the new girl ships !!

five favourite characters? nick miller, maeve wiley, jake peralta, chandler bing, ella lopez (i hated picking just five then because my favourite characters constantly change)

tv shows or and films | short seasons (8-13 episodes) or and full seasons (22 episodes or more) | one episode a week or binging | one season or multiple seasons | one part or saga | half hour or one hour long episodes | subtitles on or and off (it depends on what i am watching) | rewatching or watching just once | downloads or watches online

[aion-rsa]

How the Jaws Scene in Back to the Future Part 2 Predicted Modern Blockbusters

https://ift.tt/eA8V8J

Back to the Future Part II is a strange movie. As a sequel that director Robert Zemeckis and screenwriter Bob Gale never intended to make, the ambitious follow-up to one of the greatest sci-fi comedies of all time was put into production simultaneously with Part III, which may have ultimately hurt the middle chapter since Zemeckis was still shooting scenes filmed in the Old West while editing Part II’s trippy vision of the then distant future…of 2015.

Even so, there are elements in the second Back to the Future that still play like gangbusters today, particularly in the sequences set during 2015. To be sure, part of the charm now is what those wild guesses about the future got wrong—such as the idea we’d all be driving around in flying cars, or even simply own cheap cars that didn’t run on fossil fuels. There were no real hover boards in 2015 (or 2021 for that matter), nor even automated Texaco pumps. Yet what Back to the Future Part II got very right is the numbing horror of something like Jaws 19.

Indeed, one of the best bits in the whole film is a slight dig at BTTF’s own studio, as well as the legacy of the film’s producer. The original Jaws is of course the first modern Hollywood blockbuster and it put Steven Spielberg on the map. With its innovative storytelling of leaving the monster to the imagination before finally providing the spectacle in the third act, Jaws is a masterpiece in narrative restraint that could still play for all audiences.

…Which is something no one would say about the three cash-in Jaws sequels that Universal Pictures green lit in the span of 12 years after 1975. In fact, when Back to the Future Part II was released in ’89, it’d only been two years since Jaws: The Revenge, the one where the ghost of Jaws went Bahamas and chased the Chief Brody character’s widow to the Caribbean while on a vendetta for what happened in ’75. It’s kind of hilarious.

As is the scene in Back to the Future Part II. In that sequence, Michael J. Fox’s Marty McFly stands slack jawed in the middle of Hill Valley’s town square, the same space that was so memorably used in the first BTTF film where Marty was forced to finally accept he’d traveled to the year 1985. In the sequel, he comes to realize what it means to be in 2015 when he turns around to face the local multiplex, which has only one film on its marquee: Jaws 19. And then to demonstrate to Marty the state of 21st century special effects, the “HOLOMAX” release teases its thrills as a holographic Great White Shark emerges from the building and descends on Marty’s head.

Perhaps like many an audience member who choked on their popcorn kernels in ’75 with fear, Marty screams bloody murder—and then realizes it’s just a movie and scoffs, “The shark still looks fake.” Yes, it always did, but at least in the first movie that didn’t matter so much.

At the time, the scene was a nice dig at Universal’s expense as well as the Jaws franchise as a whole. What was once the most revolutionary Hollywood movie of 1975 had become a punchline by 1989: a once glorious title that’d been run into the ground with endless cash grab sequels. And the joke is even funnier because of the “19” in the title. Nineteen movies of the same franchise. Could you even imagine?!

Oh, how sweet the irony is, then, that one of the most absurd notions in Back to the Future Part II turned out to be the most true! No, there haven’t been 19 Jaws movies (yet), but that might be by virtue of the studio churning the franchise’s mystique into putty before Gen-Xers and Millennials could grow up with it beneath unsullied nostalgia glasses. Nevertheless, the future where Jaws 19 could exist came true.

Consider that we scoff at the idea of 19 Jaws movies being made in 40 years, but Marvel Studios has released 25 pictures in only 13, with two more due out before Christmas 2021. And that doesn’t even include the television shows that are now coming to dominate Disney+.

I know what some will say: Marvel movies are a series of interconnected franchises, as opposed to one amorphous content farm. But that’s not entirely accurate. There are exceptions, of course, which stand out as singularly distinct from other MCU efforts. There’s Black Panther, for instance. That 2018 Oscar nominee is totally removed from the events of The Avengers, you might say. Then there’s Guardians of the Galaxy and its wacky space opera shenanigans occurring literal light years away from the events of Iron Man 3.

And yet, the appeal for most moviegoers, and the brilliance of Marvel’s marketing strategy, is that they all seem like the same thing to the undiscerning eye. And even to the discerning one, there is a pat familiarity to the formula, story beats, and sitcom-esque ability to wink at the audience at its own silliness. Tonally, they all feel of one piece. Hence why the first Shang-Chi movie was gladly welcomed by the industry last month as Marvel’s latest blockbuster hit—a feat borne in large off it being the next Marvel movie, as opposed to a new original property without a built-in audience.

It’s an aspect to the whole series which caused Dune director Denis Villeneuve to suggest that some Marvel movies are “cut and paste.” It’s also a formula which aids the studio to force its millions of fans to see it “as all connected” and be encouraged to go see the Ant-Man sequel they might otherwise skip in order to discover how its post-credits scene will set up the deus ex machina for Avengers: Endgame.

And that aforementioned Black Panther originally had its protagonist introduced in Captain America: Civil War, an Avengers movie by another name. It’s also the only “Cap” flick to cross $1 billion because they stuck Iron Man in it. Similarly, James Gunn’s Guardians films are genuinely auteur-driven, yet they still worked as a years-long tease of Avengers: Infinity War and Endgame’s big bad: Thanos. Hell, Infinity War’s biggest selling point in the trailer was seeing the Avengers and Guardians meet face-to-face for the first time.

The methods and talent being used to produce these endless sequels are far more sophisticated and entertaining than the hack work which produced Jaws: The Revenge, but then that’s why Jaws only lasted four movies and Marvel’s already mapping out its 30th “event” in the next few years.

This is not meant to only criticize Marvel, however. They are simply the most successful studio at exploiting their intellectual property in the 21st century. Universal’s own Fast and Furious movies aren’t half bad at that game, though. This summer just saw the 10th “Fast Saga” movie when you count Hobbs and Shaw. And while Vin Diesel claims the 11th main line Fast and Furious movie will be the last, you just know with its own Avengers-sized cast that Hobbs and Shaw will be merely the first spinoff franchise from “the family.”

Even Spielberg, who was reportedly never happy with the Jaws sequels and what they did to his first masterwork, has been much more ready to “open up” later successes like Jurassic Park. Considered a “smart” blockbuster entertainment in 1993 that inspired genuine awe from millions of moviegoers, that film’s fourth sequel (which was produced by Spielberg, like all the follow-ups) reveled in watching dinosaurs stalk around a haunted house, as if they were Frankenstein and Dracula. Next year’s Jurassic World: Dominion is supposedly intended to be the “final” film of the three most recent, Chris Pratt-led sequels, as well as another sendoff to the original 1993 movie’s cast. Yet it seems dubious that it’ll be the last film set in that “universe.”

After all, the “Skywalker Saga” ended with a whimper in 2019’s Star Wars: The Rise of Skywalker, but Disney is preparing to churn out more Star Wars movies and TV shows than ever before in the next decade.

This is not to say you should feel ashamed for enjoying any of these movies or franchises. Folks like what they like. But what Back to the Future Part II perhaps unintentionally predicted was that audiences would have an appetite for a proverbial Jaws 19.

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When BTTF became a trilogy, sequels were still seen as a creatively risky proposition. Filmmakers often maintained artistic credibility by attempting to turn sequels into a larger thematic whole—often as a trilogy. Lucas set that standard with Star Wars, and only after his buddy Francis Ford Coppola claimed he’d never make another Godfather movie after Part II. Spielberg originally walked away from Indiana Jones after three movies, and many likely wish he’d stayed firm about that in retrospect. Meanwhile, Zemeckis and Gale have done the near impossible thing: refuse to allow Universal to make a fourth Back to the Future movie or reboot the series entirely.

But equivocations in the industry about a proverbial Jaws 19 are long gone. What was once a cheeky riff on the dystopian Coca-Cola billboard ads in Blade Runner have become a modern day reality in 2021. And hey, there’s now a real holographic Times Square billboard ad for that, too.

The post How the Jaws Scene in Back to the Future Part 2 Predicted Modern Blockbusters appeared first on Den of Geek.

from Den of Geek https://ift.tt/39HMnzU

[thingwithfeathers]

tag 9 people to learn more about their interests

tagged by: @enniomorricone :)

MUSIC

fave genre? indie/alternative rock, and pop but not really current pop more like 80s/90s.

fave artist? bastille, twenty one pilots, fleetwood mac, the clash, the smiths, abba, probably a lot more i can’t think of right now.

fave song? my joint favourite songs are ‘with or without you — u2′ and ‘landslide — fleetwood mac’

most listened song recently? 'song for zula — phosphorescent’ it’s become one of my favoure songs ever.

song currently stuck in your head?  any abba song because i was listening to them a lot earlier.

5 fave lyrics?

“It’s a hell of a long way to fall just to learn to get up” — the mess, the naked and famous.

“But now it’s just another show / and you leave them laughing when you go / and if you care, don’t let them know / don’t give yourself away / i’ve looked at love from both sides now / from give and take and still somehow / it’s loves illusions that i recall / i really don’t know love at all.” — both sides now, joni mitchell (this entire song though! really hard to choose lyrically because it’s a masterpiece).

“See, honey, i saw love / you see it came to me / it put it’s face up to my face so i could see / yeah then i saw love, disfugure me / into something i am not recognising / see the cage, it called, i said come on in / i will not open myself up this way again / but my heart is wild and my bones are steel / and i could kill you with my bare hands if i was free.” — song for zula, phosphorescent.

"Oh, mirror in the sky, what is love? / can the child within my heart rise above? / can i sail through the changing ocean tides? / can i handle the seasons of my life? / well, i’ve been afraid of changing / ‘cause i’ve built my life around you / but time makes you bolder / even children get older / and i’m getting older too.” — landslide, fleetwood mac.

“And then you put your hand in mine / and pulled me back from things divine / stop looking up for heaven / waiting to be buried / and all their words for glory / they always sounded empty / when we’re looking up for heaven.” — bastille, glory.

radio or your own playlist | solo artists or bands | pop or indie (depends!) | loud or silent volume in-between! I slow or fast songs | music video or lyrics video | speakers or headset | riding a bus in silence or while listening to music | driving in silence or with radio on.

BOOKS

fav book genre? just fiction in general. i’ve kind of grown out of young adult so i don’t really read a lot of that, and have been reading classics lately. just any books that make you really think and are written so beautifully that you can highlight quote after quote. i’ve also been reading a lot of non fiction spiritual books lately.

fav writer? recently, taylor jenkins reid. i’ve read two of her books and they’re incredibly gripping. love the simplicity and warmth of benjamin alire saenz as well, the care that ari & dante was written with. and also emily dickinson, especially her letters in particular to susan are just gorgeous.

fav book? aristotle & dante discover the secrets of the universe, wuthering heights, little women, a little life, and recently the seven husbands of evelyn hugo.

fav book series? i don’t really read book series, so the only thing coming to mind is harry potter which i only read for the first time about five years ago now.

comfort book? little women and aristotle & dante.

perfect book to read on a rainy day? any easy read, probably several i listed above.

fave characters? aristotle & dante, jo & beth march (little women), mina murray (dracula).

5 quotes from your fave books that you know by heart?

“You teach me now how cruel you’ve been — cruel and false. why did you despise me? why did you betray your own heart, cathy? i have not one word of comfort. you deserve this. you have killed yourself. yes, you may kiss me, and cry; and wring out my kisses and tears: they’ll blight you — they’ll damn you. you loved me — what right had you to leave me? what right — answer me — for the poor fancy you felt for linton? because misery and degradation, and death, and nothing that god or satan could inflict would have parted us, you, of your own will did it. i have not broken your heart — you have broken it; and in breaking it, you have broken mine. so much the worse for me that i am strong. do i want to live? what kind of living will it be when you — oh god! would you like to live with your soul in the grave?”  — wuthering heights, emily bronte (i could choose so many from this book but this is the most underrated one in my opinion and deserves more recognition).

“I will love you forever, whatever happens. ‘til i die and after i die, and when i find my way out of the land of the dead i’ll drift about forever, all my atoms, ‘till i find you again. i’ll be looking for you, will, every moment, evert single moment. and when we do find each other again we’ll cling together so tight that nothing and no one’ll ever tear us apart. every atom of me and every atom of you... we’ll live in the birds and the flowers, and the dragonflies and pine trees, and in the clouds and in those little specks of light you see floating in sunbeams... and when they use our atoms to make new lives, they won’t just be able to take one, they’ll have to take two, one of you and one of me, we’ll be joined so tight...” — his dark materials (amber spyglass), philip pullman. (don’t talk to me, this quote makes me actually ache)

“I wanted to tell them that i’d never had a friend, not ever, not a real one. until dante. i wanted to tell them that i never knew that people like dante existed in the world, people who looked at the stars, and knew the mysteries of water, and knew enough to know that birds belonged to the heavens and weren’t meant to be shot down from their graceful flights by mean and stupid boys. i wanted to tell them that he had changed my life and that i would never be the same, not ever. and that somehow it felt like it was dante who had saved my life and not the other way around. i wanted to tell them that he was the first human being aside from my mother who had ever made me want to talk about the things that scared me. i wanted to tell them so many things and yet i didn’t have the words. so, i just stupidly repeated myself, “dante’s my friend.”” — aristotle & dante discover the secrets of the universe, benjamin alire saenz.

“There are many beths in the world, shy and quiet, sitting in corners till needed, and living for others so cheerfully that no one sees the sacrifices till the little cricket on the hearth stops chirping, and the sweet, sunshiny presence vanishes, leaving silence and shadow behind.”— little women, louisa may alcott.

“And so i try to be kind to everything i see and in everything i see, i see him.”— a little life, hanya yanagihara.

hardcover or paperback (paperback for general reading and hardback for special editions!) | buy or rent | standalone novels or book series | ebook or physical copy | reading at night or during the day | reading at home or in nature (i love nature and want to be able to read outside but i cannot be in nature without being hypervigilent of bugs so wouldn’t be able to concentrate) | listening to music while reading or reading in silence | reading in order or reading the ending (i also used to read the last line of a book first for a long time but i started to piss myself off when it wasn’t vague enough) | reliable or unreliable narrator  | realism or fantasy | one or multiple POVS | judging by the covers or by the summary (i can’t help it, i love pretty covers) | rereading or reading just once.

TV AND MOVIES

fave tv/movie genre? disaster/post apocalyptic, drama, sci-fi, documentary, occasional fantasy. i’m pretty on board with most things, other than horror but even that has some exceptions.

fave movie? titanic, shaun of the dead, little women (1994), eternal sunshine of the spotless mind, wuthering heights (2009 tv movie), portrait of a lady on fire, practical magic, the greatest showman, finding nemo, the grinch (2000).

comfort movie? finding nemo, little women (1994), shaun of the dead, all my favourite christmas movies which are too many to list.

fave tv show? friends, charmed, golden girls, gilmore girls, the walking dead, new girl. currently: 911.

most rewatched tv show? friends. i watch it almost every day and it would be impossible for me to count just how many times i’ve watched it from start to finish.

5 fave characters? all the friends on friends, piper halliwell (charmed), tara chambler (twd), glenn rhee (twd), maddie buckley (911).

tv shows or movies | short seasons (8-13 episodes) or full seasons (22 episodes or more) | one episode a week or binging (i’m conflicted because i miss the event of catching a show every week but at the same time once you binge watch you can’t go back) | one season or multiple seasons (but shows need to know when to stop) | one part or saga | half hour or one hour long episodes (depends on my mood) | subtitles on or off | rewatching or watching just once.

tagging: @bettyhofstadtdraper / @kubrickking / @koningen / @urispatty / @marmaladepotion / @mixye + anyone else that wants to do this, feel free to tag me to read :) !

[crowtrobotx]

Tag 9 people to learn more about their interests!

tagged by: @le-cat-nipp ❤️❤️ Thank you, dear 😘

i’m tagging: I am literally so awkward about this lol if you’re reading this and want to do it, consider yourself tagged

MUSIC

fave genre? I’m a folk, alt rock, indie rock and classic rock gal. There’s a few modern/pop folks I’m hugely fond of as well. I’m not anti-any type of music tbh.

fave artist? Fleet Foxes, Of Monsters and Men, Lord Huron, Florence + the Machine, Hozier, Lorde, Simon & Garfunkel, Bob Dylan, Hozier, Janelle Monáe, Creedence Clearwater Revival, Billie Eilish, Old Crow Medicine Show, Lil Nas X, Phoebe Bridgers, Mitski, David Bowie

fave song? Oh man of all time? Fugg. I am very partial to “Shake It Off” by F+TM but this answer could change daily lol.

most listened song recently? Long Lost - Lord Huron

5 fave lyrics? I am not sure if this means “songs with the best lyrics” or “favorite lines” …. I’m gonna go with the latter

“And it echoes when I breathe/Until all you'll see is my ghost/Empty vessel, crooked teeth/Wish you could see” I of the Storm, OMAM

“Words hung above, but never would form/Like a cry at the final breath that is drawn/Remember me, love, when I'm reborn/As a shrike to your sharp and glorious thorn” - Shrike, Hozier

“Oh, you fool, there are rules I am coming for you/Darkness brings evil things, oh, the reckoning begins/I tried to warn you when you were a child/I told you not to get lost in the wild” - The Yawning Grave, Lord Huron

“The fabric of your flesh, pure as a wedding dress/Until I wrap myself inside your arms, I cannot rest/The saints can't help me now, the ropes have been unbound/I hunt for you with bloodied feet across the hallowed ground” - Howl, F+TM

“Though I liked summer light on you/If we ride a winter-long wind/Well time's not what I belong to/And you're not the season you're in” - I’m Not My Season, Fleet Foxes

radio or your own playlist | solo artists or bands | pop or indie | loud or silent volume I slow or fast songs | music video or lyrics video | speakers or headset | riding a bus in silence or while listening to music | driving in silence or with radio on

BOOKS

fav book genre? Sci-fi, fantasy, horror

fav writer? VE Schwab, Neil Gaiman, Ursula K Le Guin, Haruki Murakami, Patrick Rothfuss, Samantha Shannon, JRR Tolkien

fav book? “American Gods” by Neil Gaiman. I have a lot of favorites but that one wins every time.

fav book series? I really love The Lord of the Rings. It’s a classic but it’s so special to me.

comfort book? “Little Fires Everywhere” by Celeste Ng. It’s set very close to where I grew up!

perfect book to read on a rainy day? “The Slow Regard of Silent Things” by Patrick Rothfuss

fave characters? Sandor Clegane, Addie LaRue, Lila Bard, Gimli, Remus Lupin, Sirius Black, Thorin Oakenshield

5 quotes from your fave book that you know by heart?

“Every hour wounds. The last one kills.”

“There’s none so blind as those who will not listen.”

“Gods die. And when they truly die they are unmourned and unremembered. Ideas are more difficult to kill than people, but they can be killed, in the end.”

“I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.”

“‘Hey,’ said Shadow. ‘Huginn or Muninn, or whoever you are.’

The bird turned, head tipped, suspiciously, on one side, and it stared at him with bright eyes.

‘Say 'Nevermore,'’ said Shadow.

‘Fuck you,’ said the raven.”

hardcover or paperback | buy or rent | standalone novels or book series | ebook or physical copy | reading at night or during the day | reading at home or in nature | listening to music while reading or reading in silence | reading in order or reading the ending first | reliable or unreliable narrator | realism or fantasy | one or multiple POVS | judging by the covers or by the summary | rereading or reading just once

TV AND MOVIES

fave tv/movie genre? Similar to books, I love sci-fi, fantasy and horror - I also love documentaries.

fave movie? Spirited Away. Hands down.

comfort movie? Pirates of the Caribbean: The Curse of the Black Pearl. First hyperfixation 🥴

movie you watch every year? I traditionally watch “A Christmas Story” at least five times every holiday season lol. Fuck yeah Cleveland!

fave tv show? Black Sails

comfort tv show? Mystery Science Theater 3000

most rewatched tv show? Oh geeze. Either MST3K, Cowboy Bebop, Game of Thrones, Parks & Rec, Frasier, King of the Hill or X-Files

5 fave characters? Fox Mulder, Crow T. Robot, Captain James Flint, Dale Gribble and Catra

tv shows or movie | short seasons (8-13 episodes) or full seasons (22 episodes or more) | one episode a week or binging | one season or multiple seasons | one part or saga | half hour or one hour long episodes | subtitles on or off | rewatching or watching just once | downloads or watches online

[myhahnestopinion]

THE AARONS 2020 - Best Film

Believe it or not, there were movies released last year - 75 of them at the very least, as that’s how many I watched. That’s 30 less than last year, even though I spent approximately 300% more time inside my home, but I’ll cut myself some slack. 2020 may have been a loss, but there were still some real winners to come out of it. Here are the Aarons for Best Film:

#10. The Assistant

It’s a sin of omission: No name is spoken in the film. No crimes are labeled. The towering chair in the middle of the shot sits empty, and yet the dangerous jaw of the doorframe is unmistakable. Kitty Green’s office procedural is made more nauseating in its minimalism; loosely based on the Weinstein sexaul assault scandal, The Assistant counts on a viewer’s familiarity, not just with the broad strokes of abuse, but the minutiae that enables it. By following a junior employee, played by the always tactful Julia Garner, through a series of daily mundanities, Green’s film shifts the spotlight, questioning our collective culpability in creating toxic environments. Every act must be an act of rebellion, the film says, or else we are assisting.

#9. Happiest Season

Happiest Season hit a snag last year: what was set to be a landmark in wide-release studio rom-coms became another victim of a pandemic that pushed people apart for the holidays. The homey movie might have hit harder in its Hulu-Original release though, as a needed reminder of the power of patience during difficult times. Harper (Mackenzie Davis) waits too long after an invite home for Christmas to tell her girlfriend Abby (Kristen Stewart) that she’s not out to her parents, imploring they keep the relationship a secret for the time being. It’s an unreasonable ask, prompted by unjust circumstances. By honestly exploring that conflict in hilarious, heartfelt fashion, Happiest Season was the most wonderful time of an interminable year.

#8. Wolfwalkers

Wolfwakers doesn’t run in a pack with the output of other animation studios, despite sharing a similar gravitas to the best of the Disney Renaissance. The wild style of its swirling sensory colors shed realism for an immersive, uninhibited fantasy world. Formatted like a proper fairy tale, the film centers on a moral: as wolfhunter’s daughter Robyn gains the ability to transform into the animal at night, the film walks viewers through overcoming fear of “the other'' in order to identify the true monsters among us. The howl of its voice actors, backed by a repurposed single by singer Aurora, completes this captivating creation. Released on the Apple TV+ streaming service, the film can rightfully boast of being one of the best of the year, so there’s no need to buy a wolf ticket.

#7. Onward

Onward put Pixar back on a forward-thinking path after a series of skippable sequels. Like director Dan Scanlon’s previous effort, it’s a smaller-scale saga for the studio, riffing on a classic comedic conceit rather than voicing existential crises: in a modernized fantasy world, two brothers take a road trip to locate a mystical artifact that can bring their father back for one more day. The quest is Pixar at its most magical, tweaking traditional tropes and tugging at one’s heartstrings. Despite the pieces being present, the film circumvents the jealousy of “knowledge vs. natural talent” that fueled Scanlon’s Monsters University; its vulnerable, supportive, affectionate sibling relationship made Onward especially moving. 

#6. The Vast of Night

The Vast of Night plays on the vastness of imagination, tracking a young radio DJ and a switchboard operator through interviews that untangle the extraterrestrial events of their small town. In effect, the film is the Super 8 of the podcast world, plugging into the particular power of its medium by way of a retro-sci-fi adventure. For those on that wavelength, the atmospheric indie is an equally eerie and enticing beacon to the thrill of discovery. This audial focus doesn’t come at the expense of its visual format, mind you: the film’s hypnotic hold is only broken once - by the absolutely stunning construction of its midpoint tracking shot, one for the record books. 

#5. Tenet

A question of cause-and-effect: did Christopher Nolan’s newest blockbuster fall into my top five for the year, or was a new Nolan novelty destined to place there before the year even began? His filmography has been on a roll since its inception, and the director keeps that forward-momentum going with the twisty Tenet, a time-bending thriller about agents unraveling a temporal cold war. Any way you look at them, the innovative, physics-based action scenes astound. Meanwhile, the midpoint movement turns on wondrous, child-like glee. With this grand of a scale, it’s a shame that Nolan’s devotion to the big screen despite the pandemic hampered the release; it seems some of the director’s tenets are better than others.

#4. His House

The works of Jordan Peele will likely be at the forefront of a viewer’s mind during His House, but, make no mistake, the film has horrors all its own. It’s a similar set-up to Get Out: a South-Sudanese refugee couple endure the various racist micro-aggressions of trying to assimilate or accommodate to an unwelcoming environment, even before learning their government-mandated housing is haunted. While that’s the foundation, His House’s ultimate form is unexpected, linked not to the guises of progress, but to the guilt of the past. Its supernatural sequences are made more startling by the raw performance of stars Sope Dirisu and Wunmi Mosaku; they own His House. 

#3. First Cow

Behind every successful man, there stands a cow. Director Kelly Reichardt continued her career-long deconstruction of the Western last year in her best bittersweet concoction, First Cow. Pioneers Cookie and Lu seek the promise of the frontier in 1800s Oregon Country, sneaking milk from a wealthy land-owner’s cow to start an oil-cake business. The camaraderie is lovely, but that contract is a lie: the truth is a world in which only capital begets capital, where the rich are more concerned with having something than using it. Reichardt doesn’t beef up this drama with overblown conflicts, instead milking the minimalism to ‘udderly’ devastating results: they were the first, but we’ll all be waiting on that Western promise of prospect ‘til the cows come home. 

#2. The Invisible Man

Often, movies will ask viewers to look at their monsters as metaphors; sometimes, they’re just monsters through and through. The Invisible Man, an update on the classic Universal film, polishes up the original’s special effects, but makes its titular character much uglier. Bringing the invasive nature of invisibility to the surface, the film reinterprets the character as a domestic abuser, gaslighting his ex, Cecilia, from beyond his supposed grave. Elizabeth Moss makes it a must-watch, never letting the audience look away from the trauma and terror of that situation. It’s highly-disturbing horror, made more so by an ending that leaves viewers in the dark, and the craft is always phenomenal. Director Leigh Whannell clearly had vision since his very first film project, but after The Invisible Man, everyone will be saying, “Saw who?” 

AND THE BEST FILM OF 2020 IS...

#1. Straight Up

Straight Up? One of the best rom-coms of recent memory, and my favorite film of an odd year. It’s a fittingly off-beat premise after all: a young gay man and an equally-witty young woman, each struggling with intimacy in different ways, explore an unusual romantic relationship with each other. In a time when we were all cut off from connections with other people, Straight-Up reexamined internalized phobias and millennial malaise to forge new ones, uncovering the rare occurrence of a platonic ideal. With whip-smart dialogue, reflective filmmaking, and two star-making central performances, you will surely fall as in love with Straight Up as I did, and that is nothing less than My Hahn-est Opinion.

NEXT UP: THE 2020 AARON FOR WORST FILM!

[surveys-at-your-service]

Survey #326

“life by life  /  waste to waste  /  i'm the harbinger: the master of decay”

When you get married what do you think you’ll put most of your focus and money into? Do you mean like, for the wedding? Probably the venue. Or possibly the photographer. Have you ever had a teacher that also taught your parents? No. What’s something you complain about frequently? My legs. Are you afraid of falling in love? Very. Are you close to any of your aunts/uncles? Not very. Do you hate it when people smoke around you? Very much so. Do you own anything that is special edition? Yeah, things like DVDs. Do you have any funky bookmarks? I have this one meerkat bookmark where the image moves when you tilt it. Did you ever watch Pokemon? Hell yeah I did. Are there more females or males in your family? Females. Does anyone in your family snore loudly? My mom does due to having gerd. Dad did too when I actually lived with him. I wouldn't know nowadays. Do you own a camera tripod? Yes. Did you ever believe in mermaids? No. Have you ever purchased alcohol? Yes. Any essential quirks/interests/other you look for in a boyfriend/girlfriend/partner? Similar interests, like being a metal fan and gamer especially, as well as a serious animal lover for sure. Any romantic gestures you really like? Okay if someone did that little bow thing while reaching out for my hand to dance, I'd melt, lol. I also appreciate love interests holding open doors, SHOWING INTEREST IN HOW I FCKN FEEL, asking permission before doing anything in sexual exploration, stuff like that. Any sexual fantasies? Are you daring enough to share one? Yep, not sharing those lmfao. Have you ever been in love? Twice. What is your favorite/least favorite word? My favorite is "serendipity/serendipitous," and my least favorite is "retarded." Have you ever been skinny dipping? No. If I actually had a body I was confident in, I probably would in privacy tho at night lmao. Have you ever had a crush on a fictional character? Oh yeah. What is your favorite thing to do? Probably RPing with my favorite OCs when I'm in a really creative mood and during a great scene. Did you go to your senior prom? Yeah, I did. Prom's honestly pretty damn overrated, but I did it and his senior prom anyway. It's the picking out a beautiful dress and taking pictures that I loved. What did you do after graduation? I don't remember. We probably went out to eat or something. Favorite home cooked meal growing up? Spaghetti. What item most embarrasses you to purchase? Nothing, really. Do you give cards to people for holidays or events? No. Name the coolest thing about one of your grandparents. Uhhhhh idk. Name two things you put whipped cream on? I hate the texture of whipped cream. Do you ever eat peanut butter straight from the jar? Sometimes if I want a snack but am trying to be healthy-ish, I'll eat just a scoop. What was the last pill you took for? Pain. Do you prefer your clothes loose or close fitting? Loose, 100%. Favorite thing you’ve ever painted? Meerkats grooming. I did it in high school on a large piece of burlap. Are there any songs that remind you of your mother? "Take It Like a Woman" by Alice Cooper, for one. How did your elementary school teachers describe you? Very smart, sweet, friendly, and nice. Game you were best at in PE/gym? Pf, none. Obsession from childhood? Dinosaurs and Pokemon. Best way for someone to bond with you? Let's talk about deep stuff regarding the world or about how awesome animals are. Top 5 favorite Vines? Oh boy. There are just way too many. I'll try to name a few: 1.) the "I can't find my berries" saga guy; 2.) *in drive-thru, asked what he would like to order* "I wanna FUCKIN DIE"; 2.) "i cOUldA DROPpeD my CroISSAnt"; 3.) "it's Wednesday, m'dudes"; 4.) "a d a m"; 5.) "I WON'T HESITATE, BITCH." God, I miss Vine. What is the first meme you remember seeing? Holy cow, I have no idea. Sci-fi, fantasy, or superheroes? Fantasy. Favorite tradition? Dressing up for Halloween, even though I don't do it anymore... Talent you’re proud of having? Writing. Favorite website from your childhood? Webkinz was unbeatable. I was obsessed. Any good luck charms? I don't believe in those. Favorite potato food? French fries. Tell me the color of your eyes, without using the name of a color: Uhhhh a cloudy sky right before rain? Ever been through a goth phase? Goth is my fucking AESTHETIC. I wish I could afford a truly gothic wardrobe, because you bet your sweet ass it's all I'd wear out. Can you remember your first phone? If so, what kind was it? I think so? It was a Blueberry, I believe. Who is your favourite character from Alice in Wonderland? Obviously the Cheshire cat. What is your favorite type of YouTube video to watch? Lately, it's been tarantula and snake channels/pet YouTubers. I still think my overall favorites are let's plays, but right now it's just stepping back a bit. What’s the next project you are excited to start? I have this pretty cool drawing I wanna do of a morbid meerkat doing a big toothy smile, doing a peace sign (but his fingers are syringes) with a crown blinking over his head. Inspired by the "Professional Griefers" lyric of "lab rat king." I just really wanna make it perfect and am procrastinating in fear of failing... Have you ever experienced a miracle? I don't think I believe in miracles. What are your top three names you like for a daughter? Alessandra, Justine, and Chloe, to name a few. Which did you like better: high school or college? High school, at least in most ways. What is the theme of your bedroom? It doesn't have a theme. My interests just kinda threw up everywhere, haha. Have you ever lived in a dorm? No. Were you raised religious? Yes. Do you do your own taxes, or do you hire a professional? I don't have to do taxes yet. What was the very first thing you ever saved up to buy with your own money? Venus was the first big thing, I think. Describe your favorite Christmas ornament: I don't know what that would be, honestly. We have so very many. What jobs did your parents have when you were growing up? Dad's always been a mailman, and he also had a second job as a carpenter for a while. Mom worked with special needs children at my elementary school as a teacher assistant. She also worked at the hospital at one point, doing some computer work. I don't remember her actual position. Are you taller than your mom? We're the same height. Would you marry someone if they were unable to have sex? Sure, that's not a big deal to me. Last reason you went to the ER? For myself, a suicide attempt/overdose. What was the last word document you typed? This survey, actually, so I could save progress as I combine them. What’s something you don’t think people take seriously enough? Global warming. Have you ever dated someone who had a child from a previous relationship? No. Is there any drama currently going on with your family? No. What was the last fruit or vegetable you chopped/sliced up? An apple. I wanted apple slices with peanut butter. What is your favorite Hostess/Little Debbie snack? Holy SHIT that is impossible. Maybe the devil cakes, but I really don't know. I love most of them. Do you/your family buy loaf from the bakery or bagged on the shelf? Bagged. White, wheat or other? Mom buys white bread, but my favorite is pumpernickel. What was the last non-fiction book you’ve read? (Not a school textbook!): I ain't got a clue. I don't really read non-fiction. What color are your headphones/earbuds? These are blue. Would you be embarrassed to find out you snored loudly in public? Yep. Thankfully, I don't snore. Do you feel guilty about killing bugs? Yep. How do you feel about coconut? Not a fan. ^ Ever cracked one open? Ha, I've always wanted to. Who did you last worry about and why? My mom. She's getting a CT scan ASAP due to chronic headaches and stomach pain, so I'm worried her cancer might be re-emerging. When was the last time you ate/drank something gross just to be polite? I don't know; I struggle to do this. If I don't like something, my face shows it. I can't help it. When did you last make up a baby’s bottle? Never. Do you have any framed black & white photos in your home? Who are they of? No. What’s the most expensive thing your car needed to get done? N/A If you had a thousand dollars to spend on a pricey brand you like but can’t really afford (until now of course), which ONE brand would you chose? I don't know. Real talk, I find most luxury brands to sell pretty ugly stuff... Do you like candy canes? Yeah. Do you still talk to any of your old teachers? Yes; one is my landlord. What color was the dress you wore to your senior prom? It was black. Ever go to another school’s prom? No. Do you like burning candles or incense? I love incense. Do you ever venture into the woods? What do you normally do in there? When I used to live in the woods, I did every now and then to take pictures. Does your significant other ever make you mix CDs? Single, but that would be so romantic. /swoons How did you dress your freshman year of high school? I was this emo/metalhead/goth creature. What is the best present you have ever received? My dog Teddy. <3 What is the best present you have ever given? I put the most effort into a scrapbook thing of well over a hundred reasons I loved my then-boyfriend Jason. Even though we're done, I honestly hope he still has it, just to remember. What is the best surprise you have ever had? Sara's parents paying for a flight up there to be with Sara for her birthday. Have you ever been robbed? No, thankfully. Ever kiss someone on the first date? No. Ever sleep with someone on the first date? Definitely a nope. Ever give someone a wrong phone number on purpose? No. What’s the strangest thing you have ever witnessed firsthand? I have no idea. It's... very morbid, but possibly dogs twitching after being euthanized. Seeing Teddy do it was such a strange, painful experience. Like there was still life in there... even though I know it was just his nerves doing their final hoorah and he was already dead. Ever seen a psychiatric ward? I've been in a mental hospital five or six times, so I'm uncomfortably familiar with them. What is the last thing you did that you didn’t want to do? Group therapy. I'm really burning out on it. Thankfully, I don't have it on the weekends. What is the last thing you convinced someone else to do? I dunno. If you could live in a different time, would you? When? Nah. Do you prefer to sleep alone or with someone else? Sleeping alone is more comfortably physically, but I usually prefer sleeping with a partner because there's this amazing feeling of safety, love, and companionship. How many pillows do you sleep with? Two. Do you prefer cold air and blankets, or warm air and no blankets? Cold air and blankets by ten miles. I can't sleep if I'm even remotely hot. How often do you dust? Sigh, not as much as I need to. What is the most "extreme" activity you have ever done? I haven't done very much that fits that description... so idk. Dr. Pepper or root beer? Dr. Pepper. I hate root beer. Last room you cleaned? Mine. Last thing you did that made you feel like an adult? Checked into the doctor's office by myself, haha... Talk about sad. What’s your favorite picture of your mom? Dad? It's not my business to actually share those pictures, but I can describe them. I fucking ADORE this candid photograph I took of my mom laughing; I will forever cherish it. It's morbid to think about, but it's absolutely a picture I'll frame of her once she's passed away. I don't have many pictures of Dad, but I do really like this picture we took together at Red Lobster once. Are you subscribed to anything (Magazines, monthly boxes, streaming sites, etc.)? Mom pays an Adobe Creative Cloud photography bundle subscription for me, but that's it. Last TV show series you finished? Fullmetal Alchemist with Sara. It was a rewatch for me, but she'd never seen it. What’s something exciting that’s happened to one of your friends recently? A childhood friend got engaged a few days back. Do you have any board games? If so, where do you keep them? We have a few somewhere. What were the last things you glued together? I don’t recall. What are your friends’ pets’ names? I'll just use Sara here since she's my best friend. She has two family dogs, Buster and Beesly, a cat named Winter, four ball pythons named Martha, Crowley, Little Dot, and Jane Marie, and Doris, a bearded dragon that I personally adore most. :') What all did you do today? I played World of Warcraft early this morning, but not for very long. I've been in a phase of being very uninterested in it lately. I've mostly just done surveys... lots of surveys. I'm just in the mood to. I've also been listening to music and watching John Wolfe play Amnesia: Rebirth periodically. If you live in a house, how many floors does it have? If you live in an apartment building, how many units does it have? It's just one floor. Would you like to live in a world with mythical creatures, even if they turned out to be evil or dangerous? Honestly... I probably would, haha. Are you scared of heights? Yes. When was the last time you lost something of great sentimental value? Did you ever end up finding it again? Never, I think and hope. What food do you find to be the most filling? Is this something you eat a lot of? Eggs or oatmeal. Not really. What do you think of people who purposefully train their dogs to fight or to be aggressive? They're fucking garbage human beings. If you suffer/have suffered with acne, do you squeeze your spots or do your best to just leave them be? Ugh, I was so bad (and still am if something pops up) about picking at it. Does your father have any hobbies? What are they? Sure. He loves sports, fishing, idk if he still plays video games, fantasy football... and I can't forget playing with his grandkids. It's hard for me to know all of them when I don't live with him and see him rarely. What did the last face mask you wore look like? It was just a white cotton one. Is there a specific song that you always request at parties? What is it? I don't go to parties. Would you rather read poetry or write poetry? Write it. Have you ever had any really infected injuries? I've had infected piercings as well as a badly infected pilonidal cyst. Is there any band out there that you like every song by them? No. Are you popular on any websites? No. What was the last song you listened to? Aaaaand now I'm hooked on "NIHIL" by 3TEETH. Are you currently texting anyone right now? No. When was the last time you played jump rope? Yikes, probably not since I was a kid. I used to love it. Who was the last person you offended? I dunno. What’s the earliest you’ve ever had to wake up for work? Not early. Do you know anyone who has changed their first name? I know trans people who have, yes. Do you know anyone who has been on life support and survived? No. At least, I don't believe so. Do your parents have a strong relationship together? They're divorced, and Mom at least can't stand him. Dad doesn't really care. Do you ever feel like you’re sharing too much about yourself online? Oh, I absolutely used to. I still might, idk. I've tried to reel it back some. How many windows are in the room you’re in? Eight, but they're just small, vertical rectangles stacked together, so it's not as revealing as it sounds. What was the last necklace you wore? My spiked choker, I think, for pictures. Or maybe the one I have with a bunch of big silver skulls. Do you think there are more dimensions than what we’re able to perceive? I don't think so, no. Does anyone in your family have schizophrenia? My half-sister on Dad's side that I've never met. Have you ever been in an abandoned house? A shack, yeah. Do you like art? I positively adore it. I could NOT imagine life without it. How about theatre? I don't care for it. Have you ever made breakfast for someone? Yes, for Sara. Do you talk to your crush? If you have one. Yeah, she's my best fren. If yes, what do you usually talk about? Nowadays I ask her almost daily how she's doing in regards to her progress of recovering from both serious physical and mental stressors. I try to always be an available ear if she ever wants to vent. Would you rather read or watch a video about something? Watch a video. In what ways have you fulfilled some of the hopes and dreams you had as a teenager? I've fulfilled none of those. What’s one stressful thing you’ve been trying to deal with lately? How have you been dealing with it? Inexplicable, chronic boredom/serious anhedonia. I've just... put up with it. I get pleasure out of essentially nothing most days, and it sucks big time. I just try to distract myself and force myself to do things I usually love, though I've been bad about actually succeeding in making me do said stuff... Is there a regional chain of store/restaurant/etc. in your area that you feel very loyal to? MOTHERFUCKIN BOJANGLE'S, BITCH. You think YOU have good fries somewhere? Oh hunny, sit down. Oftentimes, people warn us against getting tattoos or body modifications or dying our hair unnatural colors because we could be judged poorly for them. But has a more “alternative” look ever worked out in your favor? Well, I like myself better with my piercings and tattoos, and that's all that really matters to me. Do you have any daily routine/habit of that you’re really proud of keeping up? No. .-. Pick one of the following activities to do in a forest (assume you would be equally good at each one of these): Foraging for mushrooms, identifying trees, searching for specific types of bugs, trying to build something out of fallen branches and logs. Searching for bugs w/ my camera!!! But that all sounds fun. What’s the hardest class you’ve ever taken? My most recent math course that I failed horribly.

[allthehorrormovies]

A+1 - A blend of American Pie and Scream, but surprisingly better than that sounds. Outlining the plot would give away the twist, which tips its hand early on, yet ends in a gratifying manner. 4 out of 5 pumpkins. Make love, not war.

Alien - A friend remarked how this film likely wouldn’t be made today. It’s shot too dark. It’s quiet, purposefully. There’s no action for much of the first half; more a study in isolated labor and worker exploitation. And there’s not a “star,” outside of teenage dreamboat Harry Dean Stanton. Actors like Sir Ian Holm Cuthbert were selected for their ability, not their stature within Hollywood, as production took place in London. As Robert Ebert said, “These are not adventurers, but workers.” We’re lucky it was made, supposedly, in part because the success of Star Wars pushed the studio to quickly release their own space movie. 5 out of 5 pumpkins. Sigourney Weaver is the ultimate Final Girl.

Aliens - The deliberate, slow pace of Alien is replaced by James Cameron’s grandiose action, backed by four times the original budget. Like Terminator 2: Judgment Day, it’s amazing that both films avoid “the disease of more.” Cameron’s characters are too often weighed down by punch-line dialogue, but all the elements together somehow work. Ripley’s character begins to move past being a simple pilot and into a warrior woman, for better and worse. The studio originally tried to write her out of the sequel due to a contract dispute, but Cameron thankfully refused to make the film without her. There are people out there who prefer Aliens to Alien, and that’s fine. They are wrong, but that’s fine. 4 out of 5 pumpkins.

Alien³ - David Fincher has famously disowned his directorial debut, citing studio deadlines for its poor quality. Compared to the first two films, it certainly is a failure. Though gorier, the scenes with the digital alien look terrible upon re-viewing. The various writers and scripts, some potentially interesting—especially William Gibson’s version, and changing cinematographers and the insertion of Fincher late into production doomed the project from the start. All that said, the movie itself isn’t terrible—parts are even good, but what feels like a midway point in Ripley’s saga is ultimately her end, and that feels cheap. 2 out of 5 pumpkins.

Alien: Covenant - The maddening mistakes of Prometheus absent, this sequel is a tense, action-packed killer of a flick. Scott claims a third prequel is in the works that will tie everything back to Alien, which is . . . fine? It’s just that the first film was so great and everything else since then seems so unnecessary. 3 out of 5 pumpkins.

Alien Resurrection - The aliens look better than ever before, but Joss Whedon’s dialogue is simply annoying and the casting is horrible. Ripley has super powers and kills her large adult alien son. Winona Ryder decides crashing a space ship into Paris, killing untold millions, is the best way to get rid of the aliens for some reason. It’s fucking dumb and cost $70 million to make. 1 out of 5 pumpkins. In the special edition intro, director Jean-Pierre Jeunet says he didn’t change much in the re-release because he was proud of the theatrical version. Baffling. 

Amer - This Belgian-French film is a tribute to the Italian tradition of giallo, a stylized, thriller told in three sections that directors like Suspiria’s Dario Argento pioneered. Mostly wordless, there’s not much plot, more a series of moments in a women’s life revolving around terrifying, sexual moments that ends in murder and madness. There are some terrific scenes, but it’s more of an art piece than movie. 3 out of 5 pumpkins.

An American Werewolf in London - Funny and scary all at once, setting the bar almost impossibly high for all that followed. Rick Baker's special effects catapult this movie into greatness. 5 out of 5 pumpkins. Ebert was right, though; it doesn’t really have an ending. 

Annihilation - Perhaps more of a sci-fi thriller than a horror movie. But due to some terrifying monsters scenes, I’m going to include it. Apparently writer/director Alex Garland wrote the screenplay after reading the first book in Jeff VanderMeer’s Southern Reach trilogy, giving the movie a different overall plot. Garland’s sleek style that made Ex Machina so wonderful is replaced by “The Shimmer,” which gives the film a strange glow. The ending relies too much on digital special effects that looked more gruesome in earlier segments, detracting from its intended impact. Still, a few key scenes, especially the mutated bear, are downright terror-inducing. 4 out of 5 pumpkins. I first found the constant flashbacks unnecessary, but viewed as a refraction on Portman’s mind as well as her body make them more forgiving.

The Babadook - Creepy and nearly a perfect haunted horror movie, except for some final tense moments that too quickly try to switch to sentimental, which leaves their earnestness falling flat. 4 out of 5 pumpkins. Dook. Dook. Dook.

The Babysitter (2017) - One of Netflix’s original movies, this one pays off in gore and borrows heavily from Scott Pilgrim vs. the World-style jokes. 3 out of 5 pumpkins. Meh. It’s cheesy and cliché, but whaddaya gonna do?

Backcountry - Don’t be fooled thinking this is like Jaws “but with a bear,” as I did. Unsympathetic characters and zero tension make this movie a drag to watch. At the start, you think, “Who cares if these assholes get eaten by a bear? They wandered into bear country without a map.” By the end, you’re actively cheering for the bear to eat the boyfriend and only a little sympathetic for the lead character. 1 out of 5 pumpkins. To her credit, Missy Peregrym does a fine job of being a mostly lone protagonist.

Basket Case - Cult director Frank Henenlotter‘s debut starts as a creepy, bloody horror movie, but staggers after showing the monster too soon and then tries to fill time with unnecessary backstory and extended scenes of screams and blood that would have otherwise been eerily good if executed more subtly. Despite not being very good, it’s at least somewhat interesting and kind of impressive considering its low budget. 2 out of 5 pumpkins.

Battle Royal - I’m not convinced this is a horror movie, it’s more just a gory action flick. But hey, oh well. 3 out of 5 pumpkins. Fun, but not as great as many people seem to believe.

The Beyond - Considered one of Lucio Fulci’s greatest films, it might be a bit disappointing to newcomers of his work. Certainly the style and impressive gore are at their highest, but the muddled plot and poor dubbing distract from the overall effect. Fabio Frizzi‘s score is, for the most part, a great addition, however, certain key moments have an almost circus-like tone, which dampens what should be fear-inducing scenes. It’s easy to see why some fans absolutely love this movie while some critics absolutely hate it. In the end, it’ll please hardcore horror fans, but likely bore others. 3 out of 5 pumpkins.

Beyond the Gates - Two estranged brothers are sucked into an all-too-real game of survival after finding a mysterious VHS board game following the disappearance of their father. The plot is fun and original, but the lead actors aren’t all that engaging and the special effects look rather outdated for a 2016 release. Still, it’s an enjoyable watch. 3 out of 5 pumpkins.

Black Christmas - A slasher that starts out with potential, but never gets all that scary or gory, though it’s well made. 2 out of 5 pumpkins. Margot Kidder gets a kid drunk.

Black Sheep (2006) - A hilarious, gory take on zombie sheep. 3 out of 5 pumpkins.

Black Sunday - The Mask of Satan (aka Black Sunday) is totally my new superhero/metal band name. If you're a fan of older horror, this one is not-to-miss. 4 out of 5 pumpkins. Vengeance, vampires, Satan worship, castles, curses, and a buxom heroine, this movie is pretty damn dark for a 1960's black & white film.

The Blackcoat’s Daughter - Scores points for a couple of horrific scenes and a fairly good switcheroo, but mostly too slowly paced to capture the viewer’s attention. 3 out of 5 pumpkins. Emma Roberts continues her path to being the modern Scream Queen.

The Birds - Hithcock’s film was, by no means, the first horror movie. German, Japanese, and UK directors had explored witches, demons, and the classic monsters decades earlier. But, The Birds is a landmark film, like Psycho, for pioneering a new wave of modern horror. It was, perhaps, the first time female sexuality and ecological revenge had been combined to create an unsettling tale with an ambiguous ending. And the rather graphic scenes of found corpses, combined with a minimalist score, are nearly as shocking today as when the film was first released. 5 out of 5 pumpkins.

Braindead - It's Bill Pulman and Bill Paxton in a 1980s B-horror; what more do you need? Most people won't enjoy this campy fart of nonsense, but try pulling your TV outside and getting good and drunk. Anything's good then. 2 out of 5 pumpkins. “The universe is just a wet dream."

The Brood - No where near as polished as Scanners or Videodrome, but still a creepy, well-made film. 4 out of 5 pumpkins.

A Bucket of Blood - This black & white 1959 film from Roger Corman is more dark comedy than horror, but it’s a absurdly fun critique of beatnik culture written by Corman’s partner on Little Shop of Horrors. Dick Miller gives a great performance, and with a run time of about an horror, the pacing feels relatively quick for an older film. 3 out of 5 pumpkins.

Byzantium - The tale of two British vampires who live like wandering gypsies, setting up a low-rent brothel in a seaside town despite being immortal badasses because the all-powerful, all-male secret vampire club is trying to kill them, because . . . no girls allowed? It’s unclear. The vampires are of the more modern type—they go out during the day and receive their curse from a geological location than from one another. Still, overall the movie is better than it has to be. 3 out of 5 pumpkins.

Cabin Fever - Eli Roth’s directorial debut isn’t awful, but it certain could have been better considering Roth credits Carpenter’s The Thing as its inspiration. The homophobic jokes date the movie more than the alt-rock soundtrack and the repetitive scenes reminding viewers of how the mysterious disease spreads (at apparently differing rates depending on the character) during the conclusion end up creating a weird kind of plot hole. To his credit, some of the nods to The Thing are OK. 2 out of 5 pumpkins.

Cabin Fever 2: Spring Fever - That Ti West made this pseudo-campy and outright bad movie during the same period that he made The House of the Devil is perplexing. The style, pace, and subtly that make The House of the Devil an enjoyable film are nonexistent in this cash-grab sequel. West apparently hated the final cut and requested his name be removed from the project. That said, I kind of like this movie better than the original. I’ve always found Roth’s praise of his directorial debut to be odd, as it’s not very good. For what it’s worth, this movie isn’t trying to be anything other than what it is: a tasteless, bad horror movie. 2 out of 5 pumpkins. Retcons the plot hole in the first movie, at least.

The Cabin in the Woods - As good of a spoof of the horror genre as one could hope. Stereotypical with an O'Henry twist at every turn, this movie is good for an afternoon viewing, much like Tucker & Dale vs Evil. Without giving much away, if you think about it, The Cabin In the Woods is like a weird PSA about how marijuana will destroy all of mankind. 4 out of 5 pumpkins. Fun and gory with something for everyone.

Candyman - Decades later, it’s not as easy to see why Candyman was such a landmark movie. It’s a bit slow, stumbles in places, and some of the acting is only serviceable. However, the story itself (based on Clive Baker’s original) is—on paper at least—good. Critics at the time were rightfully hesitant to praise a movie simply for having a black villain, especially when his origin is based on racial violence, but Tony Todd’s portrayal is so terrifying it launches the character into one of the all time great horror monsters. Add in Philip Glass’s soundtrack and Candyman reigns among other classics without being a top contender. 3 out of 5 pumpkins.

Carrie - I saw this movie on TV a long time ago, but I had forgotten much of the film, especially the opening scene of slow motion nudity (aren't these girls supposed to be in high school?!). The remake of this movie is likely going to be bad, but the original is so good I'll probably go see it. What can be said? Pig's blood. Fire. Religious indoctrination. Sexual overtones. There's a reason Brain de Palma's version of Steven King's story became so culturally important. 5 out of 5 pumpkins. This movie holds up, even today. 

Carrie (2013) - Though nothing is glaringly bad, and the added back-story decently pulled off by Julian Moore as the mother, almost every scene is a shadow of the original. Which is unfortunate considering that the remake of Let The Right One In managed to find a somewhat more unique tone. 2 out of 5 pumpkins. Largely unnecessary.

The Changeling - George C. Scott does a fine job as a mourning husband haunted by an unfamiliar spirit. Not the most exciting movie, but pretty decent. 3 out of 5 pumpkins. It might’ve ranked higher, but there are no half stars here.


Cheerleader Massacre - This movie looks like someone shot it in their backyard with an earl 90s handheld camcorder . . . in high school. This is just embarrassing, for me too. The actors seem to be exotic dancers or adult film stars, who haven’t been asked back for a shift in a while. Alright, I skipped through this because the quality was so low. At around minute 41 there's a bathtub scene with three naked women, which culminates in one licking chocolate sauce off each other’s breasts. Some people die. Two of the naked women survive, I think. The house they all go to in the beginning of the movie - a ski lodge, I guess - burns down, or doesn't. Whatever. 0 out of 5 pumpkins. Just watch actual porn.

Child’s Play - While only OK, I understand how this became a franchise. Melted Chucky is terrifying. The villain can hop from vessel to vessel, unfortunately through some kind of voodoo racist bullshit. The characters are shallow, but serviceable. For such a big budget movie, it’s weird that it ends so abruptly. 3 out of 5 pumpkins.

Children of the Corn - Damn, this movie is boring. Linda Hamilton does the World's Least Sexy Birthday Striptease. The characters are joking quite a bit having just run over a child, whose dead body is rattling around in the trunk. What was the casting call like for this movie? "Wanted: Ugly children. Must look illiterate." All in all, things turn out pretty good for our protagonists. 2 out of 5 pumpkins. For something that spurred at least five other movies, this was remarkably uninspiring. 

City of the Living Dead - The dialogue is awkward and the plot a bit convoluted, but the special effects hold up and the overall story is good. The first of Lucio Fulci’s Gates of Hell trilogy. Apparently when the movie was screened in L.A., Fulci was booed. 3 of 5 pumpkins. Poor Bob the Simple Pervert.

Climax - Gaspar Noé is known for making viewers feel as uncomfortable possible with his experimental style film making. Which is fine. But that discomfort rarely lands to move me outside the initial shock. Climax is, surprisingly, more like a Suspiria remake than the actual 2018 remake. That, however, doesn’t make it good. The really shocking moments aren’t all that shocking and the cultural commentary isn’t very deep. It’s not a bad movie, it’s just, well, unnecessary. The dance scenes are extraordinary, so at least it’s got that going for it. 2 out of 5 pumpkins.

Color Out of Space - An enjoyable, albiet uneven, film that does a lot with little. A head-trip type of home invasion movie that pulls you in. 4 out of 5 pumpkins.

The Conjuring - It’s easy to see why so many people love this movie. It’s well-acted, it has jump-out-of-your-seat scares, and incorporates several classic fear elements. Considering the mediocre, at best, tiredly worn horror movies that slump to torture porn for shock value coming out recently, The Conjuring stands above its peers. Still, there’s nothing original about the movie. 3 out 5 pumpkins. 

The Conjuring 2 - Billed as more shocking than the original, this sequel likely lands better in theaters with it’s jump-cut scares and action flick sequences. On the home screen, however, the overly dramatic elements are too far flung to seem like a haunting based on true events. 2 out of 5 pumpkins. 

Creep (2014) - Nails the P.O.V. angle without going too far down the overly-used “found footage.” Mark Duplass is terrifying and without his ability to carry the film, the entire concept could have easily fallen flat. 3 out of 5 pumpkins.

Creep 2 - Mark Duplass pleasantly surprises with a sequel that, while not as *ahem* creepy as the first, builds out the world of his serial killer in a manner that is engaging and ends with the potential for more. 3 out of 5 pumpkins.

Crimes of Passion - Technically it’s an “erotic thriller,” but given Ken Russell in the director’s chair and Anthony Perkins as the villain, I’m adding it to this list. Unfortunately, it’s not a great film. Kathleen Turner surpasses over acting in some scenes, and the rest of the cast is pretty forgettable. If the plot revolved around Perkins’s character, it might have been more of a horror flick. Instead revolves around loveless marriage and the fucked up issues of sexuality in America, attempting to say . . . something, but never really making a point. 2 out of 5 pumpkins. Russell has got an obsession with death dildos. I don’t know what to do with that information. Just an observation.

Crimson Peak - Guillermo del Toro is a complicated director. He’s created some truly remarkable films, but has also created some borderline camp. Crimson Peak splits the difference, much in the same way Pacific Rim does. If you’re a deep fan of a particular genre, in this case Victorian-era romance, then the movie can be an enjoyable addition to the category with its own voice. If you’re not, then the movie’s more eye-roll-inducing moments are less a nod to fandom and more of an uninvited addition to what could be a straight forward film. 2 out of 5 pumpkins. Beautiful, but lacking.

Cronos - This del Toro film is a must-see for any fan of his current work. 4 out of 5 pumpkins. Even if you're not usually a fan of foreign films, you'll likely appreciate this modern take on the vampire mythology.

Dagon - To be honest, I feel like I should watch this one again. It’s a bit of a jumbled mess, but there are some wacky, gory moments at the end. Similar in tone and style to Dead and Buried. 2 out of 5 pumpkins. Seriously, like the last 20 minutes cram so much plot it’s just a series of wtf moments until hitting incest and then nothing really matters.

Darling - Well shot in beautiful black and white with an excellence score, Darling really should receive a better score. However, it fails to be more than the sum of its parts. Borrowing liberally from Kubrick’s one-point perspective and Polanski’s Repulsion in nearly every other way, the film is decent, but fumbles in deciding whether to convince the audience of a clear plot, leaving viewers with closure, yet unsatisfied. Still, worth viewing. 3 out of 5 pumpkins.

Daughters of Darkness - A Belgian/French erotic vampire film that isn’t as erotic or vampiric as one might hope. Still, legend Delphine Seyrig shines so brightly, it’s catapults are relatively boring film into near greatness. 3 out of 5 pumpkins.

Dawn of the Dead - The best zombie movie ever made. 5 out of 5 pumpkins.

Day of the Dead - George A. Romero’s end to a near-perfect trilogy isn’t as good as its predecessors, but it’s gorier and somehow more depressing, even with the ending. 4 out of 5 pumpkins.

Dead and Burried - Starts with a bang, but lags in the middle. The ending tries too hard to surprise you, yet, by the time it’s over you kind of don’t care. Surprisingly well acted and good, creepy tale. Might not be everyone’s bag, but if you’re a tried-and-true horror fan, you’ll enjoy the movie. 3 out of 5 pumpkins. Fun fact: The movie was written by Dan O’Bannon, famed for writing Alien. O’Bannon worked with John Carpenter on a short in film school, quit being a computer animator on Star Wars to be a screenwriter, and became broke and homeless after attaching himself to Jodorowsky’s doomed Dune. He later went on to direct The Return of The Living Dead and write Total Recall. 

Dead Snow - A Nazi zombie bites off a dude's dick. Do you really need any other details? 3 out of 5 pumpkins. Germans be crazy.

Dead Snow 2: Red vs Dead - Not as good as its predecessor, but still fun. Plus, more children die. 3 out of 5 pumpkins. Why all the gay jokes, though?

Death Bed: The Bed That Eats - OK, my first nit-pick is that the bed doesn’t eat people so much as it dissolves people. But it still makes chewing sounds? Whatever. A bizarre concept that swings for seriousness and utterly fails due to its lack of plot and extremely low budget. Kinda of weird, but ultimately pretty boring. 1 out of 5 pumpkins.

Death Spa - Hilariously bad. Super 80s. I can’t say this is a good film, but I would recommend watching it for the kitsch value. What if a ghost haunted a gym? Instant money maker. 2 out of 5 pumpkins. Fun fact: the project came about due to shepherding from Walter Shenson, who got rich producing A Hard Day’s Night and Help!, and the lead actor, who plays a gym manager, was an actual gym manager in L.A. at the time.

Deathgasm - Imagine if Scott Pilgrim vs. the World was about a New Zealand metal band and not as good, but still pretty OK. 3 out of 5 pumpkins.

Deep Red (aka Profondo Rosso, aka The Hatchet Murders) - Dario Argento’s 1975 film is more polished than 1977′s Suspiria, which is a bit surprising. However, that doesn’t necessarily make it a better film. Where Suspirira’s fever dream colors and superior soundtrack, also by Goblin, shines, Deep Red doesn’t quite land. The camera work here is better, though, as is much of acting. But there’s a lot of let downs, such as the opening psychic bowing out and never really coming up again, the boorish male lead and oddly timed humor, and the final reveal, which is anti-climatic. Still, an overall great horror movie. 4 out of 5 pumpkins.

Def by Tempation - I really enjoyed this film, despite it not being the most skillful directed or the most incredible script. The plot is compelling, the jokes are pretty funny, and the angles and lighting are really well done despite the limited budget. 4 out of 5 pumpkins. Admittedly, Kadeem Hardison nostalgia helps.

Demons - Multiple people recommended this to me, and I can see why considering the Dario Argento connection. Unfortunately, the premise is more exciting than the execution. Poorly acted and poorly dubbed, the gore doesn’t do enough to hold one’s attention. There’s a scene where a guy rides around on a dirt bike killing demons with a samurai sword. At least that happens. 2 out of 5 pumpkins. Is the ticket-taker in on it? She works in the demon theater, right? So, why is she being hunted? Also, where the fuck did the helicopter come from?

The Descent - Some of Earth’s hottest, most fit women embark on a spelunking adventure with a recently traumatized friend. Aside from a couple of lazy devices that put the team in greater peril than necessary, the movie quickly and cleverly puts the cavers into a horrifying survival scenario that few others in the genre have matched. 4 out of 5 pumpkins. Without giving too much away, be sure you get the original, unrated cut before watching this flick.

The Devil’s Backbone - Though del Toro’s debut, Cronos, is more original and imaginative, this is much more honed. Not necessarily frightening, but tense and dreadful through out, laying open the horror war inflicts on all it touches. 4 out of 5 pumpkins.

The Devil’s Candy - More of a serial killer thriller than a horror, but the supernatural elements raise this movie to better-than-average heights. 3 out of 5 pumpkins. The real lesson is this movie is that cops won’t save you, ONLY METAL CAN SAVE YOU!

Don't Be Afraid of the Dark - The biggest upside to this movie is that it was produced by Guillermo del Toro. The biggest downside is that it's not directed by Guillermo del Toro. Still, the director gets credit for making a child the main character; never an easy task. To the little girl's credit, she's a better actor than Katie Holmes, no surprise, and Guy Pierce. 3 out of 5 pumpkins. With a bit more gore and stylistic pauses, this could have been a 4. This movie proves why killing kids is more fun than kids who kill, and also that every male protagonist in every horror movie is dumb dick.

Don’t Look Now - Well-acted and interesting, Nicolas Roeg’s adaptation is a high-water mark of the 1970s premier horror. The only real complaint is that the ending—while good and obviously ties it all together—is nonsensical. 4 out of 5 pumpkins. Donald Sutherland fucks.

Event Horizon - “This ship is fucked.” “Fuck this ship!” “Where we’re going, we don’t need eyes to see.” These are quotes from, and also the plot of, Event Horizon. 2 out of 5 pumpkins. The most disturbing part of the whole production might be Sam Neil’s attempt to be a sexual icon.

The Evil Dead - Though The Shining is the best horror movie ever made, The Evil Dead is my favorite. Funny, creepy, well-shot on a shoestring budget, it's the foundation for most modern horror flicks, more so than Night of the Living Dead in some fashions. See it immediately, if you haven't. 5 out of 5 pumpkins. Bruce fuckin' Campbell.

Evil Dead (2013) - Not entirely bad, and even takes the original plot in more realistic places, like the character having to detox. But is that what we really need? The fun of the original is its low budget, odd humor, and DIY grit. I guess if you really want a “darker” version, it’s this. 2 out of 5 pumpkins. Better than The Texas Chainsaw Massacre remake, about as good as the Carrie remake, I guess.

Evil Dead II - I have to respect Sam Raimi because it’s like he got more budget and did everything possible to try and make this movie suck just as a fuck you to the studio. All the creepy parts of the original are over-the-top, there’s zero character development—just faces on a stage, and it’s seemingly a crash-grab to set up Army of Darkness more than anything else. That said, it’s kind of boring outside of a couple gory scenes. It’s fun, but not that funny. It’s scary, but more gauche than anything. An exercise in excess, yet a decent one somehow. My biggest complaint is that Evil Dead is great with Bruce Campbell, but would have been good with almost anyone; whereas Evil Dead II is only good because it’s Bruce Campbell. 3 out of 5 pumpkins.

Elvira: Mistress of the Dark - This movie is nothing but puns and tit jokes. But clever ones! Pretty okay with that. Or maybe it's a statement on third-wave feminism in spoof form? Probably not. At one point an old people orgy breaks out at a small town morality picnic, but it's a PG-13 movie so it doesn't get very fun. 4 out of 5 pumpkins. Boooooooooobs.

Elvira's Haunted Hills - A pretty disappointing follow-up to what was a fun, 1980s romp. Instead of poking fun at uptight Protestants, Elvira’s just kind of a dick to her servant. 2 out of 5 pumpkins. Even the boob jokes are flat.

The Endless - More sci-fi than horror, and not the most deftly produced, still an original concept that’s pulled off well. 3 out 5 pumpkins. Maybe this should get a higher ranking. It’s good! Not exactly scary, but good.

Equinox - Decided to give another older Criterion Collection film a try. Though there are some clever tricks in the movie, especially for its time -- like an extended cave scene that's just a black screen -- the poor sound, monsters that look children's toys, and general bad acting drag this movie down to nothing but background noise that's easy to ignore. 1 out of 5 pumpkins. Whatever contributions this movie may have made to the industry, its not worth your time unless studying for a film class.

Excision - Less of an outright horror movie and more of a disturbing tale of a young necrophiliac, the film tries its best to summon the agnst of being a teen, but falls short of better takes, like Teeth. Still, pretty good. Traci Lords is great and John Waters plays a priest. 3 out of 5 pumpkins.

The Exorcist - The slow pace and attention to character backstory is more moving than the shocking scenes you've no doubt heard about, even if you haven't seen the film. The pacing is slow compared to most movies today, but the drawn out scenes, like in Rosemary's Baby, help convey the sense of dread. 5 out of 5 pumpkins. Believe.

Eyes Without a Face - One of the more remarkable things about this French 1960′s near-masterpiece is how carefully it walked the line between gore and taboo topics in order to pass European standards. The villain isn’t exactly sympathetic, but carries at least some humanity, giving the story a more realistic, and therefore more frightening quality. The only, only thing that holds this film back is the carnivalesque soundtrack that could have been foreboding. 4 out of 5 pumpkins. A must watch for any horror fan.

The Fly - Cronenberg's fan-favorite film is delightful, though it’s not as great as Scanners or Videodrome, in my humble opinion. Jeff Goldblum is, of course, terrific. If you haven’t seen it, see it! 4 out of 5 pumpkins. Where’d he get the monkey, though? Seems like it’d be hard to just order a monkey. The 80s were wild, man.

The Fog - A rare miss for John Carpenter’s earlier work. There’s nothing outright wrong or bad about this movie, but it’s not particularly scary and the plot is rather slow. That said, it’s soundly directed. 2 out of 5 pumpkins. If you’re a Carpenter fan, it’s still worth watching.

Forbidden World - Another Roger Corman cult classic, this one made immediately after the much larger budget Galaxy of Terror, mostly because Corman had spent so much on the first set (designed by James Cameron) and thought of a way to make another low-budget flick with a much smaller cast and recycled footage from Battle Beyond the Stars. Even more of a complete rip-off of Alien, with some Star Wars and 2001: A Space Odyssey bit sprinkled in. Perhaps because it’s far less serious and revels in its pulp, it’s somehow better than Galaxy of Terror, which is more ambitious—you know, for a Corman b-movie. 3 out of 5 pumpkins. No worm sex scene, though.

Frankenhooker - Frank Henenlotter‘s 1990 black comedy is over-the-top in almost every way, perhaps best encapsulated by the introduction of Super Crack that makes sex workers, and one hamster, explode. But with a title like Frankenhooker, you get what you expect. Hell, it even manages to sneak in an argument for legalizing prostitution. If you’re a fan of zany, exploitation in the vein of Re-Animator, you’ll enjoy it. 3 out of 5 pumpkins.

Friday the 13th - Terrifically balanced between campy and creepy, with a soundtrack that’s twice as good as it needs to be. 4 out of 5 pumpkins. Worth watching every year.

The Frighteners - Michael J. Fox, everyone! Robert Zemeckis & Peter Jackson - ugh. It didn't even take 20 minutes for the racial stereotypes to kick in. Unlike the trope of youth in most horror movies, everyone in this movie looks old. Holy shit, did anyone else remember Frank Busey was in this movie? Michael J. Fox is a bad driver in this movie. He was also in a car accident that gave him supernatural sense. Jokes. Apparently they tried to make it look like this movie was shot in the Midwestern United States, but it was filmed in New Zealand. It's clearly a coastal or water based mountain town, in like dozens of shots. 3 out of 5 pumpkins. Cheesy without being completely campy, it's also family friendly. If this were any other genre, this would likely be a two.

From Beyond - Stewart Gordon’s follow-up to Re-Animator isn’t as fun, even with some impressively gory special effects. Viewers are throw into a story with little regard for character, which doesn’t really matter, but is still a bit of a left down when you find yourself wondering how a BDSM-inclined psychiatrist builds a bomb from scratch. 2 out of 5 pumpkins. It’ll stimulate your pineal gland!

Funny Games (2007) - A fairly straightforward home invasion horror achieves greatness thanks to Michael Haneke‘s apt directing and powerful performances by Naomi Watts and Michael Pitt. Like with Psycho, some of the most horrifying parts are what comes after. 4 out of 5 pumpkins. The fourth wall breaking is an odd touch, but thankfully and surprisingly doesn’t distract.

The Fury - Brian De Palma’s follow-up to Carrie is a major let down. Despite a fairly charismatic Kirk Douglas and score by John Williams, the two-hour run time drags and drags. Attempting to combine horror and an action-thriller, the film waffles between genres without ever rising above either. 1 out of 5 pumpkins. It’s not explicitly bad; just a bore to watch.

Galaxy of Terror - Roger Corman produced this movie as was to try and capitalize off the success of Alien, but even with that shallow motivation it’s better than it needed to be. Staring Erin Moran of Happy Days fame and celebrated actor Ray Walston, Galaxy of Terror has an uneven cast, made all the more puzzling by Sid Haig. Though “the worm sex scene” is likely the reason it achieved cult status, James Cameron’s production is top-notch and was clearly the foundation for his work on Aliens. The ending even hints at the future of Annihilation. Does all this make it a good movie? Not really, but it’s not terrible either. 2 out of 5 pumpkins.

Get Out - A marvelous debut for Jordan Peele, who—given his comedy background—was able to land some downright chilling moments alongside some mostly well-timed jokes. Unfortunately, not all of them as well timed, especially the drop-in moments with the lead character’s TSA buddy. Peele originally had the film end less optimistically, but wanted audiences to ultimately walk away feeling good. Maybe not the most artistic choice, but certainly the smart one given the film’s acclaim. It’s easy to see why Get Out has cemented itself alongside The Stepford Wives as a smart, “in these times” commentary about society, but it’s also just a really well-paced, well-shot, well-acted film. With two other horror projects immediately set, it’ll be exciting to see just how much Peele will add to the genre. 4 out of 5 pumpkins. America’s worst movie critic, Armond White, said Get Out was “an Obama movie for Tarantino fans” as if that was a bad thing. Idiot.

Ginger Snaps - A delightfully playful but still painful reminder of what it was like being a teenager while still being a gore-fest. A must for anyone who was emo. 4 out of 5 pumpkins. Out by sixteen or dead on the scene.

A Girl Walks Home Alone at Night - An almost flawless picture. 5 out of 5 pumpkins. Bonus: nearly everyone in this movie is insanely hot.

Green Room - Surviving a white supremacist rally in the Pacific Northwest is no joke. The region is the unfortunate home to violently racist gangs, clinging to the last shreds of ignorant hate. Though fading, some of the movements mentioned in the movie, like the SHARPs, are grounded in recent history. Mainly a gory survival-flick, the movie sneaks in some surprisingly tone-appropriate humor. 3 out of 5 pumpkins. No one’s island band should be Misfits.

A Ghost Story (2017) - Yes, this isn’t a horror. It’s a drama. Don’t care; including it anyway. It’s unnerving in the way that it makes you consider your own mortality and the lives of the people who you’ve touched, and how all of that won’t last as long as an unfeeling piece of furniture or the wreckage of home soon forgot. 3 out of 5 pumpkins.

Ghostbusters (1984) - “It’s true. This man has no dick.” 4 out of 5 pumpkins.

Halloween (1978) - One of the best openings of any horror film. John Carpenter is a genius. 5 out of 5 pumpkins.

Halloween (2018) - Eh. 3 out of 5 pumpkins.

Hardware - A very unhelpful Marine brings home some post-apocalyptic trash that tries to kill him and his girlfriend, who could absolutely do better than him. Horribly shot and nonsensical, it doesn’t push the boundaries of filth or gore its cult fans adore. 1 out of 5 pumpkins. Do not recommend.

The Haunting (1963) - Not exactly the scariest of movies, but damn well made and just dripping with gay undertones. 4 out of 5 pumpkins. Theo is queen femme daddy and we are all here for it.

Haunting on Fraternity Row - The acting is surprisingly decent, but the supernatural elements don’t even start until halfway into the movie, which begins as a sort of handheld, POV style conceit and then abandons all pretense of that set up. 1 out of 5 pumpkins. Not at all scary, but maybe it will make you nostalgic for frat parties, cocaine, and failed threesomes. So.

The Haunting of Julia - Apparently parents in 1970s Britain didn't receive proper Hymlic maneuver treatment, which perhaps made for an epidemic of dead children. As promising as that premise might be, an hour into this movie and there hasn't been any actual haunting. There's a stylish gay best friend (he owns a furniture store) and a dumb dick of an ex-husband, a scene of library research, mistaken visions, etc. All the standards are here, except for the haunting parts. 2 out of 5 pumpkins. Well shot but absolutely boring, this is more about a woman's struggle with depression than a horror flick.

Head Count - A great premises that falters in key moments, making the sum of its parts less than its promising potential. For example, there’s no reason to show a CGI monster when you’ve already established its a shape-shifter, the scariest part is that they could be anybody! 2 out of 5 pumpkins.

Hellbound: Hellraiser II - I really dislike this movie, not because it’s especially bad, but because it’s a lazy continuation of the first film. Yes, there are a couple of scenes that are squeamishly good, but it spends too much time rehashing the plot of the first and then ending in some grandiose other dimension that has not real impact. Part of the terrifying elements of the first is that the horror is confined to one room in one house. 3 out of 5 pumpkins. It really only gets this many pumpkins because of the mattress scene.

Hellraiser - Truly the stuff nightmares are made of. It’s easy to see why this film became a cult-classic and continues to horrify audiences. That said, the plot is a bit simplistic. Not that the plot is the heart of the film; the objective is for viewers to experience squeamish body mutilation and overall dread, and in that regard it truly delivers. 4 out of 5 pumpkins.

Hereditary - Toni Collette is a treasure in this dramatic horror about family and loss. Though the truly terrifying bits take too long to ramp up, resulting in a jumbled conclusion, the film is engrossing. 4 out of 5 pumpkins.

Hocus Pocus - Admittedly, this movie isn’t very good. But its nostalgic charm and constant virgin jokes earns it a higher ranking that it deserves. 3 out of 5 pumpkins. “Max likes your yabbos. In fact, he loves them.”

Honeymoon - Often described as a modern twist on Rosemary’s Baby, this debut from promising director Leigh Janiak takes its time before getting truly creepy. Though there are some gruesome moments, the tense feeling is bound to the two leads, who are able to keep a lingering sense of dread alive without much else to play off. 3 out of 5 pumpkins.

The Host - I was skeptical of this Korean movie based on the sub-par visual affects, but the script, actors, and cinematography were all much better than expected. A genre-bender, as my friend who recommended it described, you'll laugh, you'll cry, you'll cringe. 4 out of 5 pumpkins. If you're a fan of movies like Slither, you'll love this movie.

Hot Fuzz - Second in Three Flavours Cornetto and probably the worst, but still a great movie that gets better on repeat viewing. 4 out of 5 pumpkins.

House - A part of the Critereon Collection, this 1977 Japanese movie is a trip and a half that follows the untimely demise of some school girls going to visit their friend's aunt, who turns out to be a witch who eats unwed women. One of the girls is named Kung-Fu and spiritually kicks a demon cat painting until blood pours out everywhere. I guess this is kind of a spoiler, but the movie is such a madcap, magna-influenced experiment there's nothing that can really ruin the experience. Like most anime, this movie also ends with an unnecessary song that drags on for far too long. 2 out of 5 pumpkins. I guess this movie influenced a lot of future work, which make sense. Still, most people would consider this a 1 as it's nearly impossible to follow.

The House at the End of the Street - I only decided to watch this movie because Jennifer Lawrence is in it. This isn't even a real horror movie. It's a serial killer movie with a few thriller moments. My standards are low at this point. 2 out of 5 pumpkins. It's a PG-13 movie, so instead of outright showing you some boobs there's just long, awkwardly placed frames of Jennifer Lawrence in a white tank-top. Oh, America.

The House of the Devil - Though an on-the-nose homage to 70s satanic slow-burns, this Ti West feature moves at a decent pace toward the slasher-like ending, making it better than most of movies it pays tribute to. 4 out of 5 pumpkins. 

The House on Sorority Row - A cookie-cutter college slasher that ends abruptly for no real reason considering how long it sets up its premise. Nothing awful, but nothing original. 2 out of 5 pumpkins.

Housebound - A fun, Kiwi flick that nicely balances a bit of horror with humor with a strong performance by Morgana O'Reilly. Though the plot takes a couple unnecessary twits towards the end, the gore kicks up and leaves you with a satisfying ending. 3 out of 5 pumpkins.

The Howling - Released the same year as American Werewolf in London, this movie isn’t very good, but it is entertaining. Apparently audiences and critics thought it was funny. Maybe because it makes fun of that Big Sur lifestyle? I dunno. Dick Miller is the best thing in this movie, outside of the special effects. No idea why it spawned several follow ups. 2 out of 5 pumpkins. Honestly, why not just lean into The Gift and join The Colony—nice surroundings, sultry nympho, regeneration ability. Some people can’t appreciate nice things.

Humanoids from the Deep - A cult favorite from the Roger Corman camp that borrows heavily from Creature from the Black Lagoon and a bit from Jaws. Initially very well done by director Barbara Peeters, but ultimately released much to her distaste. Peeters shot grisly murder scenes of the men, but used off camera and shadows to show the creatures raping the women. Corman and the editor didn’t think there was enough campy nudity. So they tapped Jimmy T. Murakami and second unit director James Sbardellati to reshoot those scenes, unknown to the cast, and then spliced the more exploitative elements back in for the final version, including a shower scene where it’s abundantly clear a new, more busty actress stands in for actual character. It’s unfortunate Peeters’ creation was essentially stolen from her, as it could have been a more respected film. I mean, how many horror flicks could weave in the economic struggle of small town bigots against a young native man trying save salmon populations? That said, the cut we got is pervy romp that’s still a boat-load of b-movie fun. 3 out of 5 pumpkins. James Horner on the score.

The Hunger - First off, David fucking Bowie. Not to be outdone, Susan Sarandon and Catherine Deneuve are absolute knock-outs. Horror stories are often rooted in the erotic, often the unknown or shameful aspects of ingrained morality manifested in the grotesque and deadly. When done positively and well, it can be a powerful device. It’s a shame more recent horror movies don’t move beyond the teen-to-college-year characters for their sexual icons, too often used as sacrificial lambs, because mature sexuality can be far more haunting. As we age our connections to the meaning of love grow deeper and more complex; immorality does not offer the same luster. 4 out of 5 pumpkins. Damn impressive for a first major film. Fun fact: Tony Scott wanted to adapt Interview with the Vampire, but MGM gave him The Hunger instead. It bombed and he went back to making commercials. Then Jerry Bruckheimer got him to direct Top Gun, which made $350M.

Hush - Though the masked stranger, home invasion plot is well-worn, this movies provides just enough shifts to keep things interesting and frightening. 4 out of 5 pumpkins. Watch out, Hot John!

I Am the Pretty Thing that Lives in the House - With only an hour and a half run time, this film still drags. Part of that is deliberate. The foundation of the film is its atmosphere and the lingering uneasiness that it wishes audiences to dwell in. But by the end, you’re left with nothing more than a simple, sad story. It’s similar to the feeling of overpaying for a nice-looking appetizer and never getting a full meal. 2 out of 5 pumpkins.

The Initiation - This movie has every 80s hour cliché necessary: minimalist synth soundtrack, naked co-eds, looming POV shots, hunky Graduate professor, escaped psychiatric patients, prophecy nightmares, and creepy a child. Yes, everything but actual horror. An hour into the horror movie and only one person has died. 2 out of 5 pumpkins. There is no point to this movie, unless you're a huge fan of the princess in Space Balls.

The Innkeepers - The second of Ti West’s two well-received horror originals before he set out for TV and found-footage anthologies, The Innkeepers may not get as much love as The House of the Devil, but should. The dual-leads (Sara Paxton and Pat Healy) are more fun to watch than Jocelin Donahue‘s performance and the tone more even-set throughout the film. 4 out of 5 pumpkins.

The Innocents - Reportedly Martin Scorsese’s favorite horror movie, it’s easy to see how big of an impact it had on the genre (especially The Others) with sweeping camera angles, slow but still haunting pace, and remarkable sound design. Perhaps it’s not as well-received by modern viewers, but it’s no doubt a classic. 4 out of 5 pumpkins.

Intruder (1989) - An enjoyable slasher flick from long-time Sam Raimi collaborator Scott Spiegel that takes places in a grocery store after hours that doesn’t try to do too much or take itself too seriously and features some over-the-top gore. 3 out of 5 pumpkins. “I’m just crazy about this store!”

Invasion of the Body Snatchers (1956) - A terrific example of how to build paranoid fear. That its political allegory can be interpreted on both sides of McCarthyism makes it all the better. 5 out of 5 pumpkins. Original ending, ftw.

Invasion of the Body Snatchers (1978) - A rare remake that’s almost as good as the original. Terrific use of San Fransisco as a setting, Goldblum Goldblum’ing it up, solid pacing—great film! 4 out of 5 pumpkins. Plus, nudity!

The Invitation - More of a tense drama until the final moments, this film deserves praise for holding viewers’ attention for so long before the horror tipping point. Further details could spoil the story, but like many tales in the genre the lesson here is always trust your gut. 3 out of 5 pumpkins. Ugh, Californians.

It (2017) - Stephen King’s nearly 1,200 page 1986 national bestseller captures the attention of readers for a number of reason: it’s coming-of-age story is horrific even without supernatural elements, it’s cast of characters resemble classic American archetypes from many of King’s other works, and its adaptation into a four hour mini-series staring Tim Curry as Pennywise in 1990 has haunted the imaginations of children for decades. Unfortunately, like the mini-series, the movie fails to deliver the long, unsettling moments that make the novel so thrilling. King’s story is a cocaine-fueled disaster that throws everything and the kitchen sink at viewers when compressed onto the screen. The truly terrifying elements of the book lose their impact when delivered one after another without time to feel personally connected to each character. The genius of It is the paranormal evil’s ability to hone in on a person’s darkest fears. Without deep empathy for all of The Losers, the individualized psychological torture is muted when reduced to jump-cuts. For what it’s worth, the film does its best with a jumble of sub-plots and the Pennywise origin story, but as the tone bounces from wide shots of small town Maine and the painful trauma of abuse to titled zooms of CGI monsters and an over-the-top soundtrack, something is lost. 3 out of 5 pumpkins. Publishing office, 1985: “So, wait. The kids fuck?” the editor asks, disgusted. King vacuums another white rail into his nasal cavity. “Huh?! Oh. Yeah, sure. I guess. Does that happen? Jesus, I’m so fucked up right now. What day is it? What were you saying? Yeah, yeah, yeah. It’s like, love is the opposite of fear, bridge to adulthood or something. Do you have any booze around here?”

It Comes At Night - More utterly depressing than terrifying and a reminder that the greatest horror we’ll likely ever face is simply the limits of our own humanity. 3 out of 5 pumpkins.

It Follows - An uncomfortable and honest take on how sexuality is intertwined with the horror myth. One for the ages. 4 out of 5 pumpkins. The real terror is HPV. 

Jaws - A masterpiece that’s too easily remembered for its cultural impact than artist merit. 5 out of 5 pumpkins. R.I.P. Chrissie Watkins, you were a free spirit as wild as the wind.

The Killing of a Sacred Deer - Yorgos Lanthimos‘s follow up to The Lobster isn’t as well done, but the wide shots, odd lines, and increasingly bizzare build-up are all present. The finale is near perfect, but takes a bit too long to reach. I’d really like to give this film a higher score, but alas: 3 out of 5 pumpkins. There’s nothing wrong, yet something is missing.

Kiss of the Damned - There are handful of potential interesting scenes and the internal drama of a vampire family is a potentially the foundation for a good film. Despite this, Xan Cassavetes’s film never manages to actually be all that interesting. 2 out of 5 pumpkins. There’s nothing terrible here, but also nothing remarkable.

Knock Knock - Two hotties do my man Keanu dirty. 2 out of 5 pumpkins. Eli Roth is a better actor than director.

The Lair of the White Worm - A campy demon flick from Altered States director Ken Russell. Staring Hugh Grant, Peter Capaldi, and Amanda Donohoe, the plot is loosely based on Bram Stroker’s last novel, which has a few similarities to H. P. Lovecraft's novella The Shadow Over Innsmouth, which was made into the Spanish film Dagon. Very British all around, a bit like Hot Fuzz meets Clue, this could have been played straight and potentially been scary, but Russell didn’t intend to be serious. A topless snake demon wearing a death strap-on to sacrafice a virgin can’t be taken as *cinema* after all. 3 out of 5 pumpkins. Not great film by any stretch, but pretty fun!

Lake Mungo - Presented as a made-for-TV type of mystery documentary, this could have really turned out poorly. Despite some unnecessary plot additions, this movie really stuck with me. 3 out of 5 pumpkins. Sadder than you might expect.

The Langoliers - Balki Bartokomous is the villain in this made-for-TV special. He is terrible and the rest of the cast is packed with 90s no-name actors and a child actor that might as well be the blind version of a kid Liz Lemon. You know how Stephen King writes himself into every. single. story? In this case it's not even as a plot device, it's just a character to fill space like an obvious oracle. In the book, the character tearing paper is a subtle, unsettling mannerism you assume happens quietly in the background, but because television writers treat their audiences like distracted five year-olds, this action becomes a reoccurring focus with no point or context. One of the best parts about the book was imagining the wide, empty space of the Denver airport. Of course, shutting down an entire airport would be expensive, so most of the interactions take place in a single terminal, which is just as boring as being stuck at the airport yourself. Two 1994-era Windows screen savers eat Balki at the end, then, like, all of reality, maaaaaaaan. The more I think about it, this story might have been the unconscious basis for a strong Salvia freak out I once had. 1 out of 5 pumpkins. Dear male, white writers, we all know that no one actually fucks writers in real life - that's why you're all so angry. Stop creating these protagonists equipped with impossible pussy-magnets. Stop. Staaaaaaaahp.

The Last House of the Left - Wes Craven’s debut isn’t much of a horror, but a revenge tale that contains no build up or sense of dread, but an immediate and unrelenting assault of its characters and the audience. It’s well-made, and the rape revenge tale is older than Titus Andronicus, but that doesn’t mean it’s something worth viewing. There’s no joy; it’s Pink Flamingos without the camp. 4 out of 5 pumpkins. No doubt impactful, but really best viewed as a piece of history with a critical eye and not for entertainment.

The Legend of Hell House - A well made haunted house film that holds up forty years later. Pamela Franklin, playing a medium, carries much of the movie. Her foil, the physicist, is a strange character. He apparently believes people, and even dead bodies, can manifest surreal, electromagnetic energies, but not in “surviving personalities.” Yet, he still orders this giant “reverse energy” machine to “drain” the house of its evil before they even set out to research house. 3 out of 5 pumpkins. Dangerous diner parties, the insatiable Mrs. Barret, mirrored ceilings and kick ass Satan statues everywhere - this house seems pretty great, actually.

The Legend of the 7 Golden Vampires - A blast to watch, but not truly great. Unfortunately, I’ve only seen the edited version (The 7 Brothers Meet Dracula) that mixes up the beginning for no real reason and wonder how much better the original cut might be. Still, vampires! Kung Fu! Peter Cushing! 3 out of 5 pumpkins.


Let the Right One In - Beautiful and terribly haunting. 5 out of 5 pumpkins. Likely the best horror movie this generation will get.

Let Me In - Surprising good. Unnecessary, yes. But still good. 4 out of 5 pumpkins. Fun fact: I once watched an *ahem* found copy of Matt Reeves‘s Dawn of the Planet of the Apes without the ape subtitles and thought it was a brave choice to make the audience sympathize with the common humanity among our species. I was also pretty high.

Life After Beth - Jeff Baena‘s horror comedy features a terrific Aubrey Plaza, but Dane DeHaan’s character leaves a lot to be desired. It seems like the film is trying to save something about life, love, and family, but never finds its voice. A fine, funny movie to watch on a rainy afternoon. 2 out of 5 pumpkins.

Lifeforce - Directed by Tobe Hooper (The Texas Chainsaw Massacre) and written by Dan O'Bannon (Alien) is a film the suffers from “the disease of more.” The entire concept of space vampires is rad as hell, but a $25 million budget and a 70 mm production couldn’t save what ends up being a boring trod and a jumbled ending that somehow makes major city destruction tiring. Though, to be fair, this was well before Independence Day. Colin Wilson, author of the original source material, said it was the worst movie he has ever seen. I wouldn’t go that far, but during a special 70 mm screening, the theater host chastised the audience in advance to not make fun of the movie during the showing because it was “a great film.” Reader, it is not. But Mathilda May looks real good naked and there are a couple cool, gory shots. So, there’s that. I guess. 2 out of 5 pumpkins. Patrick Stewart is in this for all of like 10 minutes, but is still listed as a main character.

The Lighthouse - From The Witch’s Robert Eggers, this film is objectively a great work of art. Brooding, stark, and compelling performances from Willem Dafoe and Robert Pattinson—all the elements add up into a unique and disturbing experience. 4 out of 5 pumpkins. All that said, in the same way I consider Death Spa a 2 pumpkin movie you should see, this is a 4 pumpkin movie you could probably skip. It’s not entertaining in the traditional sense, and likely not one you’d want to really ever see again. The Eggers brothers made something weirdly niche and it’s fine if it stays that way.

Little Evil - A serviceable comedy that isn’t all that scary or even gory, which is a disappointment considering Eli Craig’s Tucker & Dale vs. Evil was so good. There are a few nods to famous horror movies that make a handful of scene enjoyable, but otherwise it’s purely background material. 2 out of 5 pumpkins.

Little Monsters - A Hulu original that’s pretty fun, if ultimately standing on the shoulders of giants like George A. Romero and Edgar Wright. 3 out of 5 pumpkins.

A Lizard in a Woman's Skin - Lucio Fulci’s erotic mystery starts out with groovy sex parties and hallucinations, but quickly gets dull in the middle with extended scenes of psychological assessment, only to wind up where we all started. 2 out of 5 pumpkins.

The Lodge - A good exercise in isolation horror that, while a bit slow, ratchets up the tension and horror with each act. 4 out of 5 pumpkins. Damn kids.

The Lost Boys - A fun, campy 80s vampire flick you’ve likely heard of or even seen. I get why it’s cemented in popular culture, but at the end of the day it’s a Joel Schumacher film with a silly plot. 2 out of 5 pumpkins.

The Love Witch - Somewhere between earnest satire and homage, The Love Witch is a well-crafted throwback to 1960s schlock. Weaving in contemporary gender critique, the film is more than just a rehash of its sexual fore-bearers. 4 out of 5 pumpkins.

Mandy (2018) - Like watching a bad trip from afar, Beyond the Black Rainbow director Panos Cosmatos (son of the Tombstone director) pulls off a trippy, dreadful film that starts out with story that follows logic and consequence before giving over to the full weirdness of Nicholas Cage’s uniquely unhinged style of acting. 4 out of 5 pumpkins. Jóhann Jóhannsson’s score is superb.

Midsommar - Though not as good as Aster’s Hereditary, Midsommar sticks with you longer. Eerie throughout and disturbing, but not frightening in the traditional sense, it’s no surprise this film seems to split viewers into devoted fans and downright haters. Florence Pugh’s performance is wonderful and the scenes of drugged-out dread are far better than what was attempted in Climax. Some critics have called the film muddled and shallow, and certainly the “Ugly American” character fits in the later, but I found it to be a remarkably clear vision compared to the jumbled ending of Hereditary. That said, it’s not a scary movie, it’s simply unnerving. Should a male director and writer be the one to tell this tale? Probably not. But it’s not wholly unredemptive. 4 out of 5 pumpkins. I first gave this film 3 pumpkins, but the more I think about it, the more it lingers. That counts for something. One more pumpkin to be exact.

Mimic - Without del Toro’s name attached, perhaps this movie wouldn’t be judged so harshly. Yet, though the shadowy, lingering shots he’s know for give a real sense of darkness to the picture, it’s a chore to sit through and is especially frustrating toward the end. 2 out of 5 pumpkins.

The Mist - Watch the black and white version, which adds an ol’ timey feel to this Lovecraftian tale from Steven King and makes always-outdated CGI a bit more palpable. 4 out of 5 pumpkins.

The Monster (2016) - From The Strangers Bryan Bertino, this monster movie that ties in a trouble mother/daughter relationship doesn’t ever overcome its limitations and poor character decisions that get protagonists in deeper trouble. Zoe Kazan does what she can to carry the role. Not bad, but not much below the surface. 2 out of 5 pumpkins.

Monsters (2010) - A slow-burn that relies on its actors to push the suspense of a road-trip-style plot, leaving the special effects for subtle and beautiful moments. Arguably more of a sci-fi thriller than a true horror flick, it’s still worth viewing if you’re looking for something spooky. 4 out of 5 pumpkins.

mother! - Like many of Aronosky’s films, mother! is difficult to define by genre. Though not a typical haunted house film, the bloody, unsettling aspects make it more than a typical psychological thriller. Haunting in a similar fashion of Black Swan, yet broader in theme like The Fountain, this movie is challenging, disturbing and frustrating in the sense that, as a mere viewer, you’re left feeling like there’s something you’ll never fully understand despite being beaten over the head. An not-so-subtle allegory about love, death, creation, mankind, god, and the brutality women must endure, it’s a hideous reminder that, upon even the briefest reflection, life’s cosmic journey is macabre. 4 out of 5 pumpkins.

Ms. 45 - Ahead of its time, especially considering the unfortunate “rape revenge” sub-genre that seemed to cater to male fantasy than female empowerment. Still, it’s slow build and random scenes toward the finale leave it wanting. 2 out of 5 pumpkins. Oh, the knife is a dick. I get it. 

Murder Party - A bit like Tucker and Dale vs. Evil, but for New York art kids. Even for being a horror comedy, there’s only like 20 minutes of horror, which is too bad as there’s material to mine instead of a prolonged rooftop chase scene. If this was a studio production, it’d probably just get 2 pumpkins, but given it’s $200k budget and at-the-time unknown cast, it’s a solid first feature for Jeremy Saulnier and Macon Blair, who went on to make some truly great films. 3 out of 5 pumpkins.

National Lampoon’s Class Reunion - Flat out awful; neither a comedy nor a horror. Writer John Hughes claims he was fired from production, though that doesn’t hold much water considering he’s credited as “Girl with bag on head” and went on to write several other Lampoon movies. Director Michael Miller didn’t make another feature film for almost thirty years, which wasn’t long enough. 0 out of 5 pumpkins.

Near Dark - Kathryn Bigelow‘s sophomore film is hampered by its ultimate ending, but the story is original and well produced. Even Bill Paxton’s over-the-top performance is enjoyable. 3 out of 5 pumpkins. Worst. Vampire. Ever.

The Neon Demon - A spiritual successor to Suspiria, this film from Drive director Nicolas Winding Refn is beautifully shot, but ultimately empty. While both Jena Malone and Keanu Reeves breathe life into their small roles, the cast of models rarely shine. The horrific ending goes a step too far without lingering long enough to truly shock. Though much better than the extremely similar Starry Eyes, it’s difficult to give this film a higher rating. 3 out of 5 pumpkins. Worth watching for a couple standout scenes. 

Night of the Living Dead - Viewed today the film seems almost tame, but in 1968 it was lambasted for being too gorey and sparked calls for censorship. And to its credit, there wasn’t anything else like it at the time. Romero’s incredibly small budget, Duane Jones‘s great performance, and the film’s unintended symbolism make its success all the more impressive. Kudos to MoMA and The Film Foundation for restoring this important piece of cinema history. 4 out of 5 pumpkins. I argue this is a sci-fi film, if you think about it.

A Night to Dismember (The "Lost" Version) - This version appeared on YouTube in the summer of 2018, decades after it was originally filmed. The version that was released in 1989 on VHS, and later in 2001 on DVD, was entirely re-shot with adult film actress Samantha Fox after a disgruntled processing employee destroyed the original negatives. The re-shoot gave the released version of movie its “sexplotation” vibe that director Doris Wishman was know for producing, but he original version is more of a straight-forward psychotic slasher movie with only a scene of campy nudity and stars Diana Cummings, instead of Fox. Gone is the striptease, sex hallucinations, detective character, and asylum plot that were slapped together in the released version, leaving a still somewhat jumbled story of a young woman who goes on a killing spree after becoming possessed by her dead mother, who died in pregnancy, leaving her an orphan. 2 out of 5 pumpkins. Poor Mary. Poor Vicki.

Nightmare on Elm Street - Why this movie sparked a generations-long series is almost as puzzling as how Children of the Corn pulled it off as well. The movie flat out ignores basic storytelling devices. Recalling the overall plot, you’re not even sure if the main character is better off alive or dead, given the horrifying reality she already exists within. Consider this: Her father is an authoritarian cop leading the world’s worse police force and her mother is a drunk, possessive vigilante arsonist. University doctors are so inept they focus solely on Colonial-era medicine to the point of ignoring a metaphysical phenomenon, believing teenage girls are attention-starved enough to smuggle hats embroidered with a dead child-killer’s name inside their vaginas to a sleep deprivation study. 3 out of 5 pumpkins. So much for the classics. At least this gave us the future gift of inspiring Home Alone-style defense antics.

Not of This Earth (1988) - This film, and I mean that artistically, was made because the director, Jim Wynorskin, bet he could remake the original on the same inflation-adjusted budget and schedule as the 1957 version by Roger Corman. Traci Lords makes her non-adult film debut and is a better actor than the rest of the cast combined. The gem isn’t so bad it’s good, it’s so godawful it’s incredible. 4 out of 5 pumpkins. I was looking for the trashiest horror movie on Netflix, and I believe I have found it.

One Cut of the Dead - Know as little as possible going into this one. 4 out of 5 pumpkins. It’s impossible to not enjoy this film.

One Dark Night - Starts out interesting, but quickly gets forgetable even with the central location of a haunted cemetery. Worth putting on the background. 2 out of 5 pumpkins. Aaaaaadddaaaammmm Weeeeessssst.

The Others - Well-paced, nicely shot, superior acting by Nicole Kidman, ominous tone through out, great ending. 5 out of 5 pumpkins. One of my personal favorites.

Pan's Labyrinth - del Torro’s best work, combining the tinges of war dread and the fantastical elements that would go on to be a key part of his other films. Pale Man is one of the creepiest monsters to ever be captured on screen. Perhaps the biggest horror is that though you’ll cheer for the anarchists, the historical fact is that the Nationalists won and established a dictatorship for nearly forty years. 5 out of 5 pumpkins. No god, no country, no master.

The People Under the Stairs - When the main character of a horror movie would be better placed in a zany after-school sitcom, the entire story is bound to fail. Little did I know how far. Twin Peaks actors aside, the rest of the this movie is so convoluted and poorly explained that it made me hate Panic Room somewhat less. They can't all be winners. 1 out of 5 pumpkins. At the end of this movie, a house explodes and money rains down on poor, mostly black people. Thanks, Wes Craven!

Pet Sematary (2019) - Uninspiring, uneven, and mostly uneventful. 1 out of 5 pumpkins.

Poltergeist - If you haven't seen this Steven Speilberg produced & written, but not directed horror movie, it's worth a modern viewing. Original, yet tinged with all the classic elements of fear, this movie manages to tug on the heartstrings like a family-friendly drama while still being creepy as hell. 4 out of 5 pumpkins. The best, most expensive Holiday Inn commercial ever made.

Pontypool - Good, but not as great as hyped. Characters are introduced haphazardly and the explanation for the horror barely tries to make sense. Still, not bad for a movie with essentially three characters stuck in a single location. 3 out of 5 pumpkins.

Possession (1981) - Described by some die-hard horror fans as a “must see,” I guess I agree. It’s by no means a masterpiece, but it’s bizarre enough to take the time to check out. It’s a sort of Cold War psychological horror as if written by Clive Barker and directed by David Cronenberg. Of course that comparison is necessary for American readers, but Polish director Andrzej Żuławski is an art-house favorite, whose second film was banned by his home government, causing him to move to France. Often panned for “over acting,” Isabelle Adjani actually won best actress at Cannes in 1981. Though, you may find one particular scene as if Shelley Duvall is having a bad acid trip. Part of the appeal of seeing this film is the difficulty in finding a copy. The DVD is out of print, and the new Mondo Blu-ray is limited to 2,000 copies at $70 a piece. Good luck. 3 out of 5 pumpkins. If you’re looking for something weird and very European, seek it out.

Prometheus - Perhaps because Ridley Scott’s return the franchise was expected to be such a welcome refresher after the abysmal failures of others in the series, this one was a pretty big let down. Though there are some cool concepts and frightening scenes, there are anger-inducing plot mistakes and zero sympathetic characters. Michael Fassbender’s performance is terrific, yet not enjoy to be an enjoyable view. 2 out of 5 pumpkins.

Psycho - Not as great at The Birds, but still one of the best. The superb shots, painfully slow clean up of the first kill, it’s no wonder why the film is landmark for horror. Anthony Perkins is tremendous. 5 out of 5 pumpkins. Remember when Gus Van Sant remade this shot-for-shot for literally no reason and lost $30 million? It’s like he has to make one really terrible bomb after each critical hit and then crawl back again.

Pumpkinhead - The production quality of this 80s horror flick is surprisingly high, especially the Henson-like monster. Long story short - asshole dude bro accidentally kills hick kid, hick father calls up demon to seek revenge. All in all, not a bad movie. 3 out of 5 pumpkins. Given the title, the monster's head in this movie is shockingly not very pumpkin-like. Boo.

A Quiet Place - John Krasinski gets a lot of credit for playing a well-intentioned father, which is an easier bridge to his well-known character from The Office, rather than a military member, like in many of his other projects. Emily Blunt is wonderful as is Millicent Simmonds. The creatures are scary, reminiscent of The Demogorgon in Stranger Things, and the plot is decent, even without much of an ending. I’ll be honest, I didn’t really want to enjoy this film as much as I did. It seemed too “mainstream.” And, it is. But it’s also a well-executed, well-acted, well-produced product, which is much more difficult to pull off than it sounds. 4 out of 5 pumpkins. Worth recommending to friends who aren’t even horror fans.

Rabid - No where near the level of Cronenberg’s best or even his subsequent film The Brood, but still very good. Apparently Cronenberg wanted Sissy Spacek to play the lead, but was shot down by the producers. Obviously Marilyn Chambers was selected to play up the porn star angle in the hopes of greater marketing for the indie, horror film out of Canada, but she does a great job in her first mainstream role. If you like any Cronenberg has done, you should watch this one. 3 out of 5 pumpkins.

Raw - A terrific coming-of-age, sexual-awakening, body-horror film that manages to retain its heart even as it pushes the limits. One of the best horror movies of the last decade. 5 out of 5 pumpkins. Nom-nom.

Re-Animator - Creepy actor Jeffrey Combs is also in The Frighteners, which makes it a good nod in that flick. "Say hello to these, Michael!" When you see it, you'll get it. What can be said of this movie? It's crazy. It's great. 4 out of 5 pumpkins. Gory, campy, funny and scary all at once, a definite classic.

Ready or Not - I wouldn’t go so far as to call this movie “clever,” but it’s certainly better than its absurd premise. Samara Weaving’s performance is really the only thing that keeps people watching. 2 out of 5 pumpkins. Killing all the attractive help is played off as a joke, but . . . it’s not? At least rich people die.

Repulsion - After having to listen to her sister being drilled by some limey prick night after night in their shared apartment and a series of unwanted street advances triggers her past trauma, a young woman rightfully kills a stalker turned home intruder and her rapist landlord. 4 out of 5 pumpkins.

The Return of The Living Dead  - This movie doesn’t give a wink and nod to horror tropes, it reaches out of the fourth wall to slap you in the face to create new ones. There’s an entire character that is just naked the whole movie. I understand that just because it’s a joke it doesn’t mean it’s not still sexist. But, also, you know, boobs. 4 out 5 pumpkins. What was created as camp became the foundation for modern zombies.

Return of the Living Dead III - A love story of sorts that takes a more series turn than the original. At first, I didn’t enjoy the uneven balance of camp and earnestness, but it oddly grows on you. 3 out of 5 pumpkins. Worth watching to see what you think.

The Ritual - A Netflix original that is better than it needs to be about regret, trauma, and fear that gets right into the action and wraps fairly satisfying. 3 out of 5 pumpkins.

Rosemary's Baby - If you're looking for a sure party killer this October, put on this number and watch your guests fall asleep! Often forgot, the beginning and end of Rosemary's Baby are terrifying, expertly filmed scenes of dread, but the middle is a two-hour wink to the film's conclusion revolving around an expectant mother. Still, few other films can capture fear the way Polanski's does; all the more impressive that it stands up today. 5 out of 5 pumpkins. If you haven't seen this film, you owe it to yourself to watch it this season.

Scanners - Cronenberg’s 1981 film feels like a much more successful version of what De Palma attempted with The Fury. Dark, paranoid, and ultra-gory in key scenes, Scanners isn’t quite the perfect sci-fi horror, but it’s damn close. 4 out of 5 pumpkins.

Scream - For a movie that birthed an annoying amount of sequels and spoofs, it's sort of sad that Wes Craven's meta-parody ended up creating a culture of the very movies he was trying to rail against. 4 out of 5 pumpkins. Worth watching again, even if you saw it last year.

Sea Fever - A good, but not great, tense thriller on sea. Plus, an important lesson in quarantine. Ultimately, it doesn’t go far enough to present its horror. A well-made, and even well-paced film with a limited cast and sparse special effects, though. There’s nothing explicitly “wrong” as the movie progresses, but a tighter script and bigger ratcheting of the horror could have made it a classic. The ending is kinda cheesy the more I think about it. 3 out of 5 pumpkins. Could’ve used a sex scene with some impending doom is all I’m saying!

The Sentinel - I really wanted to love this one. Downstairs lesbians! Birthday parties for cats! Late 70s New York! Alas, its shaky plot and just baffling lack of appropriate cues make it mostly a jumbled mess only worth watching if that slow-burn 70s horror aesthetic is your thing. 2 out of 5 pumpkins.

The Shallows - Mostly a vehicle for Blake Lively’s launch from TV to the big screen, this movies isn’t particularly good or bad. 3 out of 5 pumpkins. The shark has a powerful vendetta against Lively. What did she do?!

Shaun of the Dead - First in Three Flavours Cornetto, some of the jokes don’t land as well as they did in 2004, but still a great spin on the zombie genre with loads of laughs and a bit of heart. 4 out of 5 pumpkins.

The Shining - The pinnacle of the form. 5 out of 5 pumpkins. "So why don't you start now and get the fuck outta here!" Harsh, but come on, Wendy kinda sucks.

Shivers - Cronenberg’s 1975 shocker flick is . . . fine. You certainly get to see how some of his body horror themes started. Cronenberg himself seems to see it as more of a film to watch to understand what not to do as a young director. If you’re a completist, definitely check it out. Otherwise just skip to 1977′s Rabid, if you’re looking for Cronenberg’s earlier work. 2 out of 5 pumpkins. Not bad considering it was shot in two weeks.

Silent Night, Deadly Night - Whoo, boy. This one’s a ride. A decidedly anti-PC flick that caused calls for boycotts when it was first released, this movie is full of assault and uncomfortable situations. It’s also hilarious, gory, and worth watching in a large group. 3 out of 5 pumpkins. Punish.

Sleepaway Camp - I must be missing something, because like Children of the Corn, I can’t understand why this movie became a cult-classic. A guy who openly talks about wanting to rape children is gruesomely maimed, so there’s that? I guess. A couple of these “kids” are definitely 34, while others are 14. Is this the basis for Wet Hot American Summer? I don’t know or care. 2 out 5 pumpkins. Just watch Friday the 13th.

Slither - Almost on the level of other spoofs, but with a few groan-worthy moments. Definitely one to watch if looking for something fun. 3 out of 5 pumpkins. Not for the bug fearing.

The Slumber Party Massacre - Rita Mae Brown wrote this movie as a parody of the slasher genre that spawned so many Halloween copycats. It’s a bit unfortunate that we didn’t get her version. Author of pioneering lesbian novel Rubyfruit Jungle, Brown’s script was turned into a more straight-forward flick, giving the movie some baffling humor, like when one of the girls decides to eat the pizza from the dead delivery boy, and some untended humor, like the Sylvester Stallone issue of Playgirl. Lesbians undertones still prevail, as do lingering shots of gratuitous nudity, and enough phallic symbolism to write a paper about. All in all, a fun, albeit uneven movie with pretty decent dialogue. 3 out of 5 pumpkins. Fun fact: Director Amy Holden Jones got her start as an assistant on Taxi Driver, passed on editing E.T. after Roger Corman offered to finance early filming for her directorial debut, and later went on to write Mystic Pizza, Beethoven, Indecent Proposal, and The Relic. Bonus fact: Playgirl was able to get nude photos of Stallone based on his first movie The Party at Kitty and Stud’s (aka The Italian Stallion), for which Stallone was reportedly paid $200 to star in during a period in his life when he was desperate and sleeping in a New York bus station.

The Slumber Party Massacre II - If the first movie was a knock-off of Halloween, this is a bizarre rip-off of The Nightmare on Elm Street with a rockabilly twist. It’s hard to tell if this is a parody or a sort of musical vehicle for the Driller Killer, who—to his credit—is somehow almost charismatic enough to it pull off. 1 out of 5 pumpkins. Somehow the weirdest movie I’ve ever watched.

The Slumber Party Massacre III - A return to form, in some respects. All the elements of the original are there: a slumber party, gratuitous nudity, a drill. But the driller killer’s poor-man’s Patrick Bateman character quickly becomes tired. Not terrible for a slasher flick, but not very good either. 2 out of 5 pumpkins. How many lamps to the head can Ken take? 

Species - If I asked you to name a movie staring Sir Benjamin Kingsley, Alfred Molina, Forest Whitaker and Michelle Williams, would you guess Species? No, no you fucking wouldn't. We all know Species, but I, like most, erased it from my memory. This was helpful for two reasons: first because for about the first half of the movie, you think there might be a decent flick happening - baring some obvious flaws of a blockbuster. Second because - holy shit - you get to see a ton of naked breasts in this movie, like way more than I remember. Unfortunately, about halfway through Species someone must have come in and realized having the B-squad Scully & Mulder be one step behind every instinct killing was boring as shit, and flashing tits every 20 mins wasn't going to hack it. Whatever Hollywood dickbag crafted this turd failed to realize the casting of the actor forever known as Bud from Kill Bill is the only white, macho-postering character that morons want to root for. And so we get a squint-faced protagonist getting blow jobs from a coworker scientist and an ending dumber than the boob tentacles he should have been strangled with. 2 out of 5 pumpkins. There are worse horror movies, but there are also much better ones.

Starry Eyes - A thinly-veiled critique on Hollywood’s abusive history with actresses, the movie starts out well, but lags in the third act before a gruesome finale. Sort of a low-rent Mulholland Drive. 3 out of 5 pumpkins. Watch out for that barbell, Ashley. 

The Stuff - Odd, mostly because of its uneven tone. Like if The Blob, The Live, and Canadian Bacon raised a baby and that disappointed its parents, like all babies eventually do. There are some good horror and comedic moments, but none of which make it great. The sound editing is remarkably bad, and the poor cuts make no sense given its scope. Oh well. 3 out of 5 pumpkins.

Suspiria - More of a focus on set, sound, and color than characters, Suspiria is reminiscent of the Japanese classic House, but with a more straightforward story. The Italian director, English language, and German setting make for an interesting, offbeat feel that adds to the overall weirdness of the movie. One cringe worthy scene in particular makes up for its immediate lack of logic, and the soundtrack by Goblin stands up on its own. 5 out of 5 pumpkins. Sexist note: there’s a shocking lack of boobs given the subject matter.

Suspiria (2018) - Another in a long line of unnecessary remakes, though technically more of an homage. Luca Guadagnino’s version was supposedly developed for years alongside Tilda Swinton, who plays three different characters. Truthfully, without any attachment to the original, this could have been a muddled, but remarkable film. Thom Yorke’s score is perfect in certain scenes, yet detracting in others. The plot is similar in this manner. Some scenes are haunting and dense, but others needlessly detailed. The dance scenes are terrific, but weighed down by the larger war themes. The ending’s gore-fest is hampered by too much CGI, but still demonically fun. Fans of the original won’t find the weird, colorful elements to love, but it’s a good movie, albeit thirty minutes too long. 4 out of 5 pumpkins.

The Taking of Deborah Logan - Good premise; found footage in the vein of Blair Witch Project of a demon possession disguised as Alzheimer’s disease. But, the movie can’t decide if it wants to stick to its foundation of a student documentary or veer into the studio-style editing and affects of theatrical release. Which is unfortunate as the former would have made it stand-out among a pack of mediocre ghost stories, while the later distracts from the setting it seeks to establish. 2 out of 5 pumpkins.

Teeth - A movie about the myth of vagina dentata could have been absolutely deplorable, but with the bar so low, Teeth does a pretty good job. Jess Weixler is a functional actress, not necessarily stand-out, but certainly far better than the role requires. Trying to tightrope walk between comedy and horror is never a task a creator should set out upon without a clear vision. Unfortunately, this one seems a bit blurry. One its release, Boston Globe said the movie “runs on a kind of angry distrust toward boys.” Not bad advice. 3 out of 5 pumpkins.

Terrifier - Do you want to see a naked woman hung upside down and sawed from gash to forehead? Then this is the movie for you. That’s it. There’s not much else here. Gino Cafarelli is good as the pizza guy. 2 out of 5 pumpkins. The clown is scary, though.

The Terror - A classic haunted throwback from Roger Corman, but without the nudity and gore his later work is infamous for. A young Jack Nicholson proves he was always kind of a prick. Boris Karloff does his best. The plot is pretty boring, but it’s a decent movie that you might stumble upon on a lazy afternoon on cable TV. 2 out of 5 pumpkins.

The Texas Chainsaw Massacre - Tobe Hooper’s 1974 persuasive argument for vegetarianism is just as terrifying today as it was when it was released. Just as Halloween launched a thousand imitators, the hues and low angles in this film set the standard for horror for years and, unfortunately, laid the groundwork for more exploitative movies offered referred to as “torture porn.” Though gory, The Texas Chainsaw Massacre’s sense of weird dread is established well before the chainsaw rips, and though many have tried to follow in its footsteps, none have captured the lighting that adds to the overall queasy moments of the film. There’s a kind of simplistic beauty to such unexplained brutality, and perhaps because it was first, all others since haven’t seemed as artistically valuable. 4 out of 5 pumpkins. So, umm, what do you think happened to the Black Maria truck driver?

The Texas Chainsaw Massacre (2003) - The only decent carry over from this remake is John Larroquette as the narrator. Over-washed tones, over-the-top gore and unsympathetic characters make this film more than unnecessary, placing among the worst horror remakes of all time. Robert Ebert gave it one of his rare 0 stars, reserved for works he found genuinely appalling such as I Spit On Your Grave, The Human Centipede 2, and most infamously John Waters’s Pink Flamingos. 1 out of 5 pumpkins.

They Live - “I have come here to chew bubblegum and kick ass… And I'm all out of bubblegum." 4 out of 5 pumpkins.

The Thing - Trying to give this film an honest review is almost impossible. Cast out on its release for being too bizarre and gory, Carpenter’s nihilist tale has since come to be seen as a masterpiece for its special effects, bleak tone, and lasting impact on other creators. Is it perfect? No, but it’s damn close. 5 out of 5 pumpkins. MacReady’s assimilated. Deal with it.

Train to Busan - A bit too predictable, but a solid, well-paced zombie action flick that’s smarter than most American blockbusters from Korean director Yeon Sang-ho, who is better known for his semi-autobiographical animated features. 4 out of 5 pumpkins.

Tucker & Dale vs. Evil - I really didn't expect much out of this movie, but it's actually really, really funny and a really gory spoof. Not quite on the scale of The Cabin in the Woods, but still pretty damn great. 4 out of 5 pumpkins. If you don't think people getting hacked up by a chainsaw in certain contexts can be funny, then this probably ain't your bag.

Twins of Evil - An enjoyable, somewhat smutty vampire movie from the famous British studio Hammer Films, staring Peter Cushing and Playboy Playmates the Collinson twins. Directed by John Hough, who also directed The Legend of Hell House, the film doesn’t break any new ground and is loaded with over-acting, but it’s well-paced, wonderfully set, and generally fun to watch, where the Puritan witchfinders are just as horrible as the vampires. Not as great as Black Sunday, but still worth viewing. 3 out of 5 pumpkins. Let Joachim speak, you racists.

Under the Skin - Mesmerizing and haunting. The less you know going into this film the better. 4 out of 5 pumpkins. Quite possibly Scarlett Johansson’s best work.

Under the Silver Lake - Technically a “comedic neo-noir,” whatever the fuck that means; in any case David Robert Mitchell (It Follows) tries to do too much over too long of a run time. Andrew Garfield gives a decent performance, especially considering he’s in almost every frame of the film. But the edge-of-subtly that made It Follows so modern and terrifying is replaced by a silk, wandering, and heavy-handed stroll through the powerful Los Angeles entertainment Illuminati. Certainly there’s material there, but instead of being a radical stab at the very real institutions of pop-culture that treat young women as nothing more than disposable meat, we drift in and out of a young man’s lust that revels in objectification without the sleazy charm of exploitation flicks or the critical eye of outright satire. Even the eerily presence of the Owl Woman can’t level-up what is an exercise in arrested development for hipsters. 2 out of 5 pumpkins. Despite this negative review, Mitchell still has plenty of potential to make another great film. Whether he deserves that chance is different question.

Us - Jordan Peele’s second film is even better than his great debut. Us isn’t perfect, but hints at what Peele could create in the future. Unnecessary explanation and slightly oddly timed humor are present, like in Get Out, but more restrained. Peele’s talent for making modern horror accessible to the widest audience is laudable. Still, I can’t wait to see what he makes two or three films down the road. I suspect more than one could come close to equaling that of Kubrik’s The Shinning. 4 out of 5 pumpkins. 

Vampire’s Kiss - Is it a horror? Is it a comedy? Is it a parody? Drama? This movie truly defies genre due to the inexplicable acting choices made by Nicholas Cage. His odd affectation doesn’t change from sentence to sentence, but word to word. It’s like he’s trying to play three different characters across three different acts all at once. Is it good? Not really. But, I mean, see it. 2 out of 5 pumpkins.

Vampyros Lesbos - After vigorous encouragement from my academic colleagues, I decided to watch this 1971 Spanish-German film for, umm, science. Shot in Turkey and staring the tragic Soledad Miranda, Jesús Franco’s softcore horror jumps right into full-frontal nudity and attempts a sort of story involving Count Dracula that moves forward through uninteresting monologues and shaky camera work. It’s not awful, but there’s no reason to watch it. If it was playing in the background at a dive bar, it might have a tinge of charm. Other than some close moments of near-unapologetic queer sex, despite being created almost entirely for the male gaze, it’s just another in the pile of European exploitation. Still, it’s fun to daydream about Istanbul being ruled by a dark-haired demonic lesbian; beats the hell out of what we have in our reality. 1 out of 5 pumpkins. Fun fact: The soundtrack found renewed fame in 1990′s Britain, causing it to finally find distribution into America.

The Vault - A serviceable, but ultimately boring horror take on a bank heist that tries to hard to end with a twist. 2 out of 5 pumpkins.

V/H/S - Every review I've seen for this movie is generally positive, but that only reaffirms my belief that most people are easily pleased by unintelligent, unoriginal bullshit. A Blair Witch-style story-within-a-story collection of shorts, I couldn't get past the first borderline date-rape, little-girl, sexually confused, monster story. Fuck this trope. Fuck this movie. The much delayed glorification of grisly murder of the offending male villains is hardly radical and only further supports the stereotypes of patriarchy much as it attempts to subvert a worn genre. 0 out of 5 pumpkins. I hate the world.

Videodrome - Cronenberg’s best film. James Woods’s best role; it’s a shame that he’s total piece of shit in real life. 5 out of 5 pumpkins. Long live the new flesh.

The Wailing - Despite clocking in at over two and half hours, this part zombie/part demon horror movie from Korean director Na Hong-jin isn’t a slow burn, but rather an intriguing maze of twists and turns as the main character (and audience) struggles to find the truth about a mysterious, murderous diseases sweeping through a small village. Actor Do-won Kwak gives an especially captivating performance. Though the ending packs a powerful punch, the overlapping lies and half-truths told over the course of the film makes it a bit difficult to suss out the evil roots. 4 out of 5 pumpkins.

We Are Still Here - What sets out as a slowly paced ghost story turns into something of a gore-fest towards the ends, which doesn’t make it bad so much out of place. 3 out fo 5 pumpkins. Could’ve been a contender.

We Are What We Are - A remake of Jorge Michel Grau’s 2010 film, the American version takes its time getting to the horror before going a step too far at the end. Still, the ever-present knowledge that you’re watching a cannibal film makes some of predictable moments all-the-more horrifying. 3 out of 5 pumpkins.

Wes Craven’s New Nightmare - The novel charm of Craven’s meta Freddy saga has worn with age. Heather Langernkamp is passable, but not enough to carry the film and Robert Englund out of makeup shatters the pure evil illusion of his character. Interesting to see some of the ideas that would later synthesize in Scream, but otherwise kind of a bore. 2 out of 5 pumpkins.

The Witch: A New-England Folktale - A deeply unsettling period-piece that reflects on American religion and its violent fear of feminine power. 5 out of 5 pumpkins. Trust no goat.

The Witches - Roald Dahl’s story is ultimately crushed by a changed ending, however, Nicolas Roeg‘s adaptation up to that point is a fun, creepy movie people of any age can enjoy. 4 out of 5 pumpkins. It’s really a shame the original ending was changed.

Wolfcop - When a movie’s title promises so much, maybe it’s not fair to judge. But there’s so much campy potential in a werewolf cop picture that it’s kind of a bummer to see it executed at level that makes you wonder if it wasn’t made by high school kids whose favorite movie is Super Troopers. 1 out of 5 pumpkins. God, the movie’s horrible.

The World’s End - The final chapter in the Three Flavours Cornetto and the best, showcasing a wealth of talent at the top of their game. 4 out of 5 pumpkins.

XX - Admittedly, I don’t care much for the recent spring of short horror anthologies. Rarely do they have enough time to build the necessary suspense horror movies require. Still, two of the shorts are OK, one is pretty good, and one is bad. So, not a total loss. 2 out of 5 pumpkins.

You’re Next - Home-invasion horror as never been my cup of hippie tea as it feeds into the 2nd Amendment hero fantasy of American males. That said, this dark-comedy take on it isn't bad. Some things don’t really add up. For example: Are you telling me that the deep woods home of a former defense corporation employee doesn’t have a single gun stashed somewhere? Bullshit. Anyway, who doesn’t want to see a rich family’s bickering dinner interrupted by a gang of psycho killers? 3 out of 5 pumpkins. Bonus rating: 6 out of 10 would fuck in front of their dead mother. (Sorry, mom.)

Zombeavers - No one would say this is a good movie, but it also doesn’t take itself too seriously. Not at funny as Tucker & Dale vs. Evil, and certainly more formulaic, this one’s only worth watching if you’re bored. 2 out of 5 pumpkins.

Zombi 2 - Lucio Fulci’s unofficial sequel to Dawn of the Dead is one of his best films. But even though Fulci crafted some of the best zombies to ever appear on screen—filmed in the bright, Caribbean sun, the film suffers, as most of his do, from some unnecessary, borderline confusing plot points and poor dubbing. Still, well worth watching on a lazy day, especially for the final act, when the protaganists fight off a zombie hoard inside a burning church. 3 out of 5 pumpkins. Bonus: topless scuba diving zombie shark fight, which is also my new DJ name.

[moistwithgender]

Anime I think I remember watching this year

I need to keep better track of this I guess.

Aggressive Retsuko: Great! Very likable characters (even the bastards), just the right amount of millennial cynicism. 9/10 Aggressive Retsuko Christmas Special: It's not about Christmas, it's about instagram. It's great and extremely real (watch the series first though). Digimon Adventure tri 1 & 2: This is actually very boring so far. I planned to jump back in with the english dub, which is honestly how I should have been watching it from the beginning. Unfortunately, I haven't gotten around to it. Kado The Right Answer: If this show had not been sabotaged from the inside out in the last 2-3 episodes, this would have probably been up there with classics like Bebop. WEST WING: THE ANIME, we would have called it, or something. I haven't watched West Wing, but it's all bureaucracy, right? 8/10 in this universe, 10/10 in the alternate universe where it didn't shit the bed. Angolmois: I got halfway through this before the low budget and my own exhaustion had me drop it. Unfortunate, since anime never adapts the mongol invasion. Planet With: In the running for series of the year, probably. A super robot show where the ultimate moral is that, actually, rehabilitating your enemies is better than killing them. Will rewatch in the future, I'm sure. 10/10. Asobi Asobase: Hina Kino (Hanako)'s is going to go down as a legendary voice actress if I have any say in anything. Which I do, because I'm in charge of the industry now. Which means we're taking out queerphobic jokes, wrap it up people. 8/10, would rank higher without the bad takes. Cells at Work!: Really fun concept, has *implications* of a deeper narrative to be had built into the worldbuilding, but ultimately the whole season is just "oh I bet this irl thing would translate like this in my setting" on repeat. Still, an easy watch. 7/10. Hanebado!: There's a lot that could be good about this. Themes of toxicity in competitive spaces, overwork, abandonment, and trauma. Ending had a lot of people upset because it either miscommunicated how the protagonist moved past her trauma (best case), or just completely dropped the entire arc because...I don't know why. I rated this 9/10 on myanimelist, but it probably deserves lower. I'm still over here wanting to believe I missed something in my interpretation. Hoping for either a second season or a faster manga translation. My Hero Academia S3: This season had some high points but I felt it was considerably less interesting overall than the second season. However, Deku vs Bakugou was genuinely one of the best moments of the series thus far. My Hero Academia The Movie: Pretty standard shonen series movie for the sake of having one. Nothing groundbreaking here. But hey, I got to listen to "You Say Run" in a theater, which was almost worth the price of admission on its own. 6/10. Ushio & Tora: Both seasons, thirty nine episodes. Waste of my time! Maybe this series was just meant to be consumed bit by bit, but I just found it really shallow in the end. 6/10. Chio's School Road: Another *brilliant* comedy that is ultimately brought down by the occasional queerphobic humor. Get it toGETHER, guys! In any case, I care about these stupid children now, and hope for a season two soon. 8/10. Angels of Death: It took about 14 out of the total 16 episodes before I suddenly stopped hate watching it and started laughing at its unwarranted self seriousness and paradoxical writing. Still, kind of frustrated I stuck with it anyway. 4/10. Night is Young, Walk On Girl: Gorgeous movie that has to be seen, but. I wonder if it's Yuasa or the original writer of these books that insists on the resolution to all conflict being "heterosexuality". 9/10. Haibane Renmei: I got four episodes in before the Funi/Crunchy split happened ;__; it's really good tho Dragon Pilot: Definitely gonna rewatch this one one day too. There is a density of theme and execution here that I cannot yet fully unpack and it's just so good. Also the english dub is good, and is how I preferred to watch it. It also has a lesbian and isn't afraid of her, even if her role is very small. It's something. 9/10, maybe 10/10. Mirai: I fucking love Mamoru Hosoda's films. 9/10. Zombieland Saga: I have the sneaking feeling that they wanted a few more HOT PROGRESSIVE TAKES to be fit in before the season ended, but restraints got in the way. We had a sex worker idol who never got her backstory episode, and actually Tae never got hers either. It's still a 9/10 for me, but I'm hoping for at least a followup OVA. And a movie. Granblue Fantasy: I finished the full season, save for the "omake" episode that I assume takes place in the alternate universe where Protagonist Is Girl. This was somewhat throwaway cozy saturday morning nostalgia for the old days of Final Fantasy before that game series became more grounded in contemporary and sci-fi settings. It was also something I watched as a primer for the incoming Platinum and ArcSys games, because I'm not gonna play two gacha games at the same time. Hilariously, the--like--twenty new characters from the gacha that showed up in the last episode were all more interesting than the cast of the full season. 7/10, 10/10 for having a race of hot girls with horns (there are also guys but who cares). Hi Score Girl: This show is a love letter to growing up with arcades in 90s Japan and also struggling with making friends and ohhh my god every time the idiot main boy stops paying attention to important interpersonal plot and just starts infodumping about a game, I tragically see myself. It's very good, the girls are GOOD GIRLS and deserve better and the writing seems fully aware of that.  The series unfortunately ends on a stock romantic plot beat cliffhanger that I have to wait until March to have ultimately resolved in THREE EPISODES. Despite that, it's easily a 9/10. I list a lot of 9/10s but it's been a good couple seasons and there's just...a lot of range there. Number scores are bullshit. Watch anime. Shin Getter Robo: Probably the last show I'll have finished before the year end. It's my second exposure to Getter Robo (my first was reading Getter Robo Go, which actually takes place after this), and it's still good, but oh god. These guys are dumb bastards but there's a note early in that has aged particularly badly in the MeToo era. Not sure if the show got better because I switched audio tracks to English with VAs I have nostalgia for, or because they broke through the bottom of a lake and wound up in alternate history Heian era Japan, stranded for multiple years. With a giant robot. I liked that part. 8/10. Shows I took a break from due to burnout and need to pick back up: Run with the Wind, Rascal Does Not Dream of Bunny Girl Senpai, Vento Aureo, SSSS.Gridman, Hinomaruzumou, Ms. Vampire who lives in my neighborhood, As Miss Beelzebub Likes It., Devilman Crybaby, That Time I Got Reincarnated as a Slime, Skull-face Bookseller Honda-san. SO MANY!!

[fictionadventurer]

Christmastime Again: A Hallmark Sci Fi Presentation

When the room stopped spinning, Lacey found herself on Christmas morning again. The guests had all arrived, the tree was standing and a light snow was just starting to fall out the window. The start of a picture-perfect Christmas.

As long as she kept it that way.

Alright, from the top.

By now, she could navigate the first part of the day by muscle memory. Scoop up the cat and lock her in the carrier in the laundry room. Straighten the rug and move Uncle Wendell’s beer stein away from the edge of the counter. Turn down the Christmas music just in time to hear the timer buzz and bring the turkey out of the oven at the peak of golden-brown perfection. Stash the cookies out of toddler-reach and get every child at the craft table a red crayon before the hair-pulling started.

Since she could navigate these hours without thinking, her brain was alert to the rest of her surroundings, watching for any unexpected ripples that could upset this version of the Christmas timeline. She noticed nothing out of the ordinary, except for the stares of the guy in the sweater. She’d heard his name--Julian, some cousin of her sister-in-law who had nowhere else to go--but it was hard to remember it when her senses were distracted by the ugly sweater.  It wasn’t cute ugly or ironically ugly; it was “I was raised by color-blind trolls” ugly. All beige and orange and yellow, displaying a big fuzzy reindeer with lopsided button eyes and trimmed with bits of bright green tinsel. If she could have made the loop go further back, Lacey might have tried to prevent him from wearing it. But she could only control the things that took place in this house today, so the sweater stayed, assaulting her eyeballs at every turn.

Not that the guy himself was hard on the eyes. With his dark hair, blue eyes, and a square jaw shadowed by neatly-trimmed stubble, he had a boy-next-door appeal--if the boy next door happened to be working as a model for the world’s worst sweater company. In the opinion of Lacey’s sister-in-law, Julian was only single because he was married to his work in some university department, but Lacey doubted that was the reason. If he stared at all women the way he was staring at her, the women had good reason to keep their distance.

Dinner was served and eaten with no mishaps. Cleanup was a breeze. Presents were handed out and unwrapped without disaster. And she still, in quiet moments, caught Julian studying her with unusual intensity. What was up with him? He hadn’t done this on previous loops--or maybe she’d just been too distracted to notice it. If he didn’t stop it soon, she’d miss a cue, tumble into disaster, and have to live this day all over again.

While the rest of the family wandered into the dining room for refreshments, Lacey stayed near the tree, picking up the last bits of wrapping paper and defending the tree from the handful of kids playing with their new toys. She moved on reflex, deflecting a rubber ball, a foam dart, a runaway remote-control car. One, two, three, like a dance, and then on beat four, in perfect time, she pivoted on one foot to catch a ball of crumpled wrapping paper.

And found herself nose-to-nose with Julian, his hand around her outstretched wrist.

Those blue eyes stared into hers. “You’ve lived this day before.”

It wasn’t a question or a joke. It was a statement of fact.

Lacey met that gaze straight-on. “What did you say you teach at the university?”

“Temporal mechanics.”

“Ah.” Lacey dropped the wrapping paper.

He let go of her wrist. “I don’t have much practical experience, but when I see my hostess unexpectedly developing superhuman reflexes and responding to statements before they’re spoken, I start to think that either she’s the world’s most boring psychic, or she’s making use of that pretty little bangle on her arm that looks alarmingly like an antique temporal elastic.”

Lacey tugged her sweater sleeve over the twisted copper casing and red control stones of her overworked time travel device. “It belonged to my grandmother.”

“How many times have you done this loop?”

Lacey pushed up her sleeve and counted the tally marks on her arm. “52.”

His eyebrows rose. “That’s almost two months of Christmas Day.”

Lacey’s shoulders fell. “I am sick to death of turkey.”

A silence fell between them that was louder than the chatter from the dining room. Finally, he straightened the sleeve of the Ugly Sweater and said, “Putting aside your obvious mental instability and the frankly fascinating paradox storm that must be swirling around us at the moment--remind me to bring some instruments here within the next twenty-four hours--I have to ask: Why?”

She looked at a fragment of ribbon on the carpet and rasped, “I have to get it right.”

The crowd started trickling back in, pooling around the couches while holding plates of goodies and glasses of wine.

As the noise rose, Julian gave her a significant glance “I think we should talk about this somewhere quieter.”

She stepped back, brushing the tree. “I don’t need to go anywhere with you.”

“I think you do. You’ve got two months of memories to work through. You can’t keep that to yourself. You’ll go crazy.”

He wasn’t wrong. She had already learned why the Guild recommended against these sorts of changes--holding onto these alternate timelines was exhausting. She could do with a debrief.

But she had no time for a break. “I can’t,” she said. “I’m hostess.”

“They can look after themselves for half an hour.” Julian opened the door to the hall and waved her through. “And if not?” He shrugged. “What’s one more loop?”

#

It was an odd kind of Christmas weather--cold enough to send fluffy flakes scattering, but warm enough that they needed only earmuffs and scarves and didn’t even bother zipping up their light jackets. She lounged with Julian on the wood steps of the back porch, watching the flakes fall while they sipped at mulled wine.

Julian threw back his head and laughed as Lacey finished telling him about one of the earliest of her failed Christmases. “The whole tree?” he gasped. “The cat just--” He held one arm upright and used the other to mime a cat clamping onto the tree and sending it toppling. “Why did you redo that one? No one would have forgotten that Christmas.”

“I know. That’s the problem.”

He sobered. “The cat didn’t get hurt, did it?”

“No, Fluffy was fine.”

“Anyone else injured?”

“No. “

“Property damage? Lost family heirlooms?”

“No. It was a gentle fall, and the only family ornaments on that tree were the pom-pom panda bears. They're resilient.”

“Then I don’t see what the problem is.”

“The problem?” Only a guy who wore reindeer sweaters would need this concept explained. “The problem is that no one wants the Christmas party interrupted by a toppling tree. It’s a nightmare. Chaos.”

“But memorable.”

“No one wants those types of memories.”

“Those are the only ones people actually remember. If Christmas goes smoothly, everyone forgets it in a month or two. But ‘the year Lacey’s cat took down the tree’? They’d go back to that story for years.”

“How does that make it better? I don’t want them constantly rehashing my failures as a hostess.”

“How is that failing? You provided good food, a comfortable home, a lovely tree. That’s not changed by a few mishaps.”

“This was more than a few mishaps.”

“Only because you’ve done it fifty-two times.” He leaned back against the wall of the house and lifted the steaming mug closer to his face. “What gave you this idea that Christmas has to be perfect?”

She twisted the time travel bangle on her wrist. “My mom...she died last year.”

“I’m sorry.”

She swallowed a lump. “She always hosted these perfect Christmas parties. She’d plan them for months and everything just ran like clockwork.”

His eyebrows rose. He pointed toward the bangle. “Did she...?”

Lacey pushed it beneath her sleeve. “No, never. We never knew it existed until we were going through my grandma’s things a few years ago.”

He relaxed. “That’s a relief. I thought I was going to have to get this place declared a temporal wasteland.”

Lacey chuckled. “Even if she’d had it, she wouldn’t have needed it. Her parties were works of art. Beautiful decorations, perfect food, everyone laughing and singing carols by the end of the night. When I asked her why she did it, she told me, ‘Lacey, these people are giving you their Christmas. It’s your job to give them the best Christmas you can.’” She sipped at her mug to swallow back tears. “When she died, that job fell to me. And when everything went wrong, I had to fix it.”

“Fifty-two times.”

She shrugged. “As many times as it took.”

“I doubt she’d have said your duties extended that far.”

“You’re probably right. But once I went in quest of the perfect Christmas, I couldn’t settle for anything less. It would have felt like dishonoring her memory.”

“It wouldn’t have been. I’m sure her Christmases had plenty of flaws.”

“Not as many as mine.”

Julian ran a finger along the edge of his mug. “You have this idea that everyone wants a Christmas of picture-perfect trees and crackling fires and cozy rooms without a speck of dust out of place. But if they wanted that, they could stay at home and look at pictures on the streambox. They come here because they want your Christmas. Burnt turkeys and cat-toppled trees and all. They want you experiencing it with them. Not fifty-two alternate versions of them.”

She fingered the fringe on the edge of her scarf. “I suppose not. But what’s wrong with trying for the perfect Christmas?��  

“Lacey, there’s no such thing as the perfect Christmas. There’s never been one at any time, anywhere in the world.” He bunched up snow in one hand and tossed it into the darkness. “Even the first Christmas wasn’t perfect. Do you think Mary planned to let her child sleep in a feeding trough? Do you think Joseph planned to let strange shepherds gawk at his son? It was one long exercise in embracing the unexpected, and it created one of the most memorable stories in human history. Do you think your mother would call that a failure?”

This had gotten more abstract than Lacey had expected. A little dazed, she said, “No. No, of course not.”

“You want to control every little detail, but no one can do that.” He leaned forward and took her hand in his. “You don’t get the perfect Christmas by crafting it. You get it by appreciating the one you’re given.”

She knit her fingers into his. “A gift,” Lacey said.

He smiled. “Now you’re getting it.”

#

They stepped into the laundry room together, brushing the snowflakes out of their hair.

Julian held up his mug, which held one last swallow of wine. “To Christmas,” he said.

Lacey clinked her mug against his. “Whatever we’re given.”

Throwing back their heads, they drained the dregs, then set the empty mugs on the window ledge.

Then hand in hand, they crouched down and let Fluffy out of her cage.

[statticscribbles]

Interests Tag

Tagged by : @amazingphanisnotonfire-imagines (I love doing these they’re so fun)

Music

Favourite genre?

- Probably Folk or Indie

Fave artist?

- Sleeping At Last, or PVRIS

Fave song?

- It always changed but the like one I always go back to is Two by Sleeping at Last and 

Most listened to song?

-Goosebumps by Bastille

Song currently stuck in your head:

- New kind of Animal by Ghost Machines

5 Fave lyrics:

-1) It's okay if you can't catch your breath You can take the oxygen straight out of my own chest -Two by sleeping at last (honestly the entirety of this song does make me tear up)

2)So just trust me, you'll be just fine, I need your trust just for tonight. - Mind over Matter by PVRIS

3) Dust your conscience off, you'd better stop This stubborn mind don't feel too kind -Saving us a Riot by Phoria

4)But even in longing, I still feel the pronging Of misery's poisonous claws - Emotional Anorexic by Svavar Knútur

5) All I want is to keep you safe from the cold To give you all that your heart needs the most- May I by Trading Yesterday

Radio or your own playlist?

- My own playlists all the way!!!

Solo artists or bands?

-I listen to bands more often, but usually only one or two songs from them

Pop or indie?

- Indie! I love pop but I feel like most of the songs are too similar

Louder or silenter volume?

- More silent probably, anything that’s too loud give me a headache

Slow or fast songs?

-Slow song! Unless I’ have to like pump myself up then fast!

Music video or lyrics video?

Lyrics! I like being able to actually know the words, helps me enjoy the song more!

Speakers or headset?

Headsets!! I prefer to keep my music to myself, otherwise I feel rude

Riding a bus in silence or while listening to music?

Music almost always! Unless I’m with friends and such

Driving in silence or with the radio on?

Radio, unless I’m with people and then I’m either talking or using headphones

Books

Fave book genre?

- Hmm probably general fiction or Sci-fi/fantasy

Fave writer?

- Ooo I dunno, I don’t really pay attention to authors (oops)

Fave book series?

-I don’t read many series, probably the Hannibal series or Hunger Games, just cause I can read them both  over and over

Perfect book to ready on a rainy day?

- The Hunger Games

Fave book characters?

- Hmm probably young Hannibal from Hannibal Rising! Or Peeta from the Hunger Games series!!

5 quotes you know by heart

-Oh god I’m sooo bad with book quotes I can’t think of any

Hardcover or paperback?

-Paperback to read!

Buy or rent?

-Buy, I like to highlight and dog ear my books

Standalone novels or book series?

-Standalone, I feel like most series just go downhill after the first or second book

Ebook or physical copy?

-Physical Books, they’re easier for me to read

Reading at night or during the day?

-Usually afternoon, if I read in the morning I’ll read for the entire day

Reading at home or in nature?

-Home, I like to curl up on my bed or on the couch and read

Listening to music while reading or reading in silence?

-Usually with some tv on in the background, or instrumental music

Reading in order or reading the ending first?

-Sometimes I read the last sentence to try see how well it connects to the first sentence, if there’s no connection I want to read it to figure out what happens

Reliable or unreliable narrator?

-Reliable, but depending on the book I don’t mind

Realism or fantasy?

Can I say mix? If I had to pick Fantasy, I want reading to be an escape

One or multiple POVS?

-One, preferably third person(he/she/they)

Judging by the covers or by the summary?

-Cover, if it catches my eye I’ll read the first page or so and then the summary

Re-reading or reading just once?

-Re-reading, sometimes I don’t want to get invested in new characters (hence why I love fanfiction as well)

TV and Movies

Fave TV/movie genre?

- Animated/ Kid or Family (I’m assuming documentaries/reality tv doesn’t count)

Fave movie?

-Princess Mononoke or the Cat Returns

Movie you watch every year?

- Willy Wonka and the Chocolate factory, for christmas!

Comfort movie?

-All of Studio Ghibli, or Prince of Egypt, or Hannibal Rising

Fave TV show?

-The Mandolorian (that counts right?) Or Firefly, I love me a good Sci-fi show

Comfort TV show?

-Sense8

Most rewatched TV show?

-Firefly

5 fave characters?

-1) Riley Blue (sense8)

2) Merlin (BBC Merlin)

3) Marinette (Miraculous Ladybug)

4) Din (Mandolorian)

5) Katniss Everdeen (Hunger Games)

TV shows or movies?

- Movies ( I don’t have the attention span for tv much anymore)

Short seasons (8-13 episodes) or full seasons (22 episodes or more)?

- I prefer short seasons, the longer ones can be good to keep a long arc but usually end up muddled

One episode a week or binging?

-Binging in chunks 

One season or multiple seasons?

- Multiple seasons (although I feel like after three seasons most shows should stop)

One part or saga?

-One part, I feel like Saga’s have become a bit of a cash grab

Half hour or one hour long episodes?

-Half an hour, and hour feels too long, unless it’s like a special

Subtitles on or off?

-On usually, unless I’m rewatching something

Rewatching or watching just once?

- Rewatching all the way, I usually can’t take everything in on the first watch

Downloads or watches online?

- Usually watch online, some movies I’ll download if I like them enough

Tagging: Anyone who wants to!!!

[aion-rsa]

Star Wars Movie and TV Release Date Calendar

https://ift.tt/eA8V8J

The future of Star Wars is secure. The end of the Skywalker Saga didn’t mean the end of the story of the galaxy far, far away. It just meant countless new possibilities, both on the big and small screens. In fact, Disney has already announced more than a dozen live-action and animated projects that explore other corners of the Star Wars universe, from adventures starring the brave X-wing pilots and clone troopers on the front lines of countless wars to tales of bounty hunters and even the Sith. And plenty more in between!

This post is where we’ll keep track of all the upcoming Star Wars movie and TV releases as they’re announced and release dates are set. Hit the links in each entry to read articles that tell you more about what you need to know about all these new Star Wars adventures!

Stream your Star Wars favorites right here!

First up are the movies but scroll down for TV release dates…

Upcoming Star Wars Movies

Rogue Squadron

December 22, 2023

Director: Patty Jenkins

Disney confirmed during an Investors Day presentation in Dec. 2020 that the first Star Wars movie to follow The Rise of Skywalker is Rogue Squadron, a movie that “will introduce a new generation of starfighter pilots as they earn their wings and risk their lives in a boundary-pushing, high-speed thrill-ride, and move the saga into the future era of the galaxy.”

Wonder Woman‘s Patty Jenkins will direct, making her the first woman to helm a Star Wars movie. We’re very excited about this!

Read more about Rogue Squadron here.

Untitled Taika Waititi Star Wars Movie

TBA

Director: Taika Waititi

Writer: Taika Waititi and Krysty Wilson-Cairns

After his stint directing (and voice acting) on The Mandalorian, Taika Waititi will return for a big screen offering!

“Taika’s approach to Star Wars will be fresh, unexpected, and…unique,” said Lucasfilm president Kathleen Kennedy in a statement in 2020. “His enormous talent and sense of humor will ensure that audiences are in for an unforgettable ride.”

There’s very little in the way of actual details right now, not even a release date yet, but we’ll be keeping a careful eye on this as it develops.

Untitled Kevin Feige Star Wars Movie

TBA

Writer: Michael Waldron

Marvel Cinematic Universe steward Kevin Feige has been the last decade building a multi-billion-dollar superhero blockbuster powerhouse for Disney, so it’s no surprise the House of Mouse is giving the producer a crack at its other big sci-fi franchise. Feige is developing a new Star Wars movie with Kathleen Kennedy, and Loki creator and head writer is penning the script. And that’s all we know about this sure-to-be-massive Star Wars picture.

Untitled J.D. Dillard Star Wars Movie

TBA

Director: J.D. Dillard

Writer: Matt Owens

Reports of a new Star Wars movie from Sleight director J.D. Dillard and Luke Cage writer Matt Owens first hit the internet in Feb. 2020. We don’t know much about this movie or when it’ll premiere. Could this be an exclusive Disney+ movie?

Read more about this movie here.

Rian Johnson’s Star Wars Trilogy

TBA

As far as we know, The Last Jedi director Rian Johnson is still working on his own Star Wars trilogy. All we know about these movies is that they will take place in previously unexplored areas of the Star Wars universe, and will kick off a brand new saga of films completely unrelated to the Skywalker story. We wrote in more detail about what that might mean for the franchise right here.

On the other hand, maybe Johnson’s recent comments about what a mistake it is to pander to fans are an indication that his relationship with Disney has soured. He also happens to be working on multiple sequels for a little franchise called Knives Out. Those are probably taking up a bit of his time, no? Read more about this new Star Wars trilogy here.

Upcoming Star Wars TV Shows

After the success of The Mandalorian, it should come as no surprise that there are way more Star Wars TV series coming to Disney+ in the next few years. Here’s what you have to look forward to…

Visions

Sept. 22, 2021

Animation Studios: Kamikaze Douga, Geno Studio, Studio Colorido, Trigger, Kinema Citrus, Science Saru, and Production IG

This new anime anthology series is one of the most unique Star Wars projects yet. Lucasfilm has brought in several big Japanese animation companies to produce their own takes on the galaxy far, far away. The nine short film collected in Visions cover many different corners of the universe, from tales about the Jedi and Sith to the adventures of a cute little droid, each with its own distinct art style. Boba Fett is in there, too! More like this, please.

Lego Star Wars Terrifying Tales

Oct. 1, 2021

Director: Ken Cunningham

Writer: David Shayne

Starring: Jake Green as Poe Dameron; Raphael Alejandro as Dean; Dana Snyder as Graballa the Hutt; Tony Hale as Vaneé; Christian Slater as Ren; Trevor Devall as Emperor Palpatine; and Mary Elizabeth McGlynn as NI-L8

Loved last year’s Lego Star Wars Holiday Special and want more of that, please? No? Too bad. We’re getting more Lego Star Wars shenanigans this year, but this time Poe and BB-8 must confront the spooky season. The premise actually doesn’t sound all that bad: after the events of The Rise of Skywalker, Poe and his trusty droid must make an emergency landing on the volcanic planet of Mustafar, where they’ll venture deep into Darth Vader’s old castle and encounter and ancient evil that must be stopped. Could be good!

The Book of Boba Fett

Christmas 2021

Executive Producers: Jon Favreau, Dave Filoni & Robert Rodriguez

Starring: Temuera Morrison, Ming-Na Wen

Boba Fett is back and getting his own spin-off series set within the timeline of The Mandalorian. The show will also star Boba’s new partner, the deadly assassin Fennec Shand!

The Book of Boba Fett has wrapped filming and is slated to premiere in Christmas 2021. Robert Rodriguez, who directed Boba Fett’s return in The Mandalorian season 2, will exec produce alongside Favreau and Filoni.

The Mandalorian Season 3

2022

Executive Producers: Jon Favreau & Dave Filoni

Starring: Pedro Pascal, Carl Weathers, Gina Carano, Katee Sackhoff

The Mandalorian season 3 went into pre-production in 2020 and is set to film in Fall 2021, now that work on The Book of Boba Fett is complete. That means we won’t see this one until the second half of 2022 at the earliest.

The Bad Batch Season 2

2022

Director: Brad Rau

Writers: Jennifer Corbett & Matt Michnovetz

The Bad Batch is set directly after the events of Order 66. The rise of the Empire has led to the destruction of the Jedi, and as we learned in the first action-packed season, the imminent end of the clone army. Grand Moff Tarkin wants to replace the clones with a new, more obedient human army and Clone Force 99 isn’t too happy about it. Now on the run from the new galactic order, Hunter, Tech, Wrecker, Echo, and new member Omega must find their new place in a galaxy that no longer seems to want them.

The first season ended on a massive cliffhanger that could have huge implications for storylines coming up in the live-action universe. We can’t wait to see what season 2 has in store.

Read more about The Bad Batch here.

Obi-Wan Kenobi

2022

Director: Deborah Chow

Writer: Hossein Amini, Joby Harold

Starring: Ewan McGregor, Hayden Christensen, Moses Ingram, Joel Edgerton, Bonnie Piesse, Kumail Nanjiani, Indira Varma, Rupert Friend, O’Shea Jackson Jr., Sung Kang, Simone Kessell, and Benny Safdie

Ewan McGregor is finally returning to the role of Obi-Wan Kenobi in a series set between Revenge of the Sith and A New Hope. The Jedi Master has settled into his life as an exile on Tatooine, where he’s watching over Luke Skywalker from afar. Will his next adventure take him off-world or is he going to have to protect a defenseless village from raiders Toshiro Mifune style?

Here’s what we know about the plot: “The series begins 10 years after the dramatic events of Star Wars: Revenge of the Sith where he faced his greatest defeat, the downfall and corruption of his best friend and Jedi apprentice, Anakin Skywalker turned evil Sith Lord Darth Vader.”

Hayden Christensen is returning to play Vader, which is very exciting!

Andor

2022

Writer: Tony Gilroy

Starring: Diego Luna, Alan Tudyk, Genevieve O’Reilly, Stellan Skarsgard, Denise Gough, Kyle Stoller

There’s a Rogue One spinoff series starring Rebel secret agent Cassian Andor coming to Disney+! According to the press release, “The rousing spy thriller will explore tales filled with espionage and daring missions to restore hope to a galaxy in the grip of a ruthless Empire.” This sounds very good.

This series was set to film in early 2020, but Covid-19 pandemic delayed the show. It finally wrapped filming in August 2021.

The Acolyte

TBA

Executive Producer & Writer: Leslye Headland

Russian Doll co-creator Leslye Headland is developing a new series called The Acolyte, which is set during the High Republic era, a time period that predates even The Phantom Menace. The series is said to be “female-centric” and seems to be a darker Star Wars story than what we’re used to seeing on screen.

Lucasfilm describes the show as “a mystery-thriller that will take the audience into a galaxy of shadowy secrets and emerging dark side powers in the final days of the High Republic era.” Sounds intriguing!

We have some theories as to what the show could be about here.

Ahsoka

TBA

Executive Producers: Jon Favreau & Dave Filoni

Writer: Dave Filoni

Starring: Rosario Dawson

Described as a limited series that continues the story of Ahsoka Tano after the events of The Mandalorian season 2 episode “The Jedi,” Ahsoka will likely bring the beloved hero one step closer to finding her missing Jedi friend Ezra Bridger and taking down Grand Admiral Thrawn once and for all.

Rangers of the New Republic

TBA

Executive Producers: Jon Favreau & Dave Filoni

We don’t know anything about this show except that it’s set within The Mandalorian timeline and will “intersect with future stories and culminate into a climactic story event.” It sounds like Star Wars may be on its way to having its first big TV crossover.

That said, recent reports suggest this show’s been put on hold due to the dismissal of Gina Carano, who was said to star on the show as Republic marshal Cara Dune. At the very least, it’ll likely be a while before we finally see this one.

Lando

TBA

Writer: Justin Simien

The smoothest scoundrel in the galaxy is finally getting his own event series on Disney+. It’s currently unclear whether this series will follow the younger Lando played by Donald Glover or the original one played by Billy Dee Williams. Maybe it’ll star both?!

A Droid Story

TBA

This animated TV movie will follow C-3PO and R2-D2 as well as introduce a new hero to the Star Wars galaxy. That’s all we know at the moment!

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Toei Animation Dates World Trigger Season 2

Toei Animation has dated the English dub and sub for World Trigger season two:

LOS ANGELES – December 22, 2020. Christmas came early for anime fans with today’s announcement from Toei Animation Inc. that the eagerly awaited Season Two of “World Trigger” will stream on the leading streaming platforms Crunchyroll and Anime Digital Network in France. Leveraging their collective presence, “World Trigger” Season 2 will be accessible to anime fans around the globe. In addition, Toei Animation also revealed that Season 2 will launch as a simultaneous premiere with Japan on Saturday, January 9, 2021. “World Trigger” Season 2 will be on several streaming services with a shared simulcast window. All subtitled episodes will stream day and date with the TV broadcast in Japan. Adding to the anticipation for the upcoming premiere of “World Trigger” Season 2, this past weekend Toei Animations in Japan surprised fans with confirmation that it will be producing an exciting third season of the sci-fi action series.

“We’re excited to partner with Crunchyroll and Anime Digital Network to bring ‘World Trigger’ Season 2 to fans on their streaming services,” said Masayuki Endo, president and CEO Toei Animation Inc. “We’re thrilled the new season is accessible to fans around the world and look forward to the simultaneous premiere of Season 2 together with Japan on January 9.”

“World Trigger” is based on the sci-fi action manga series of the same name launched in 2013 and written by Daisuke Ashihara. With now 21 volumes in print, “World Trigger” was initially serialized by Shueisha in Weekly Shōnen Jump before moving to Jump Square in late 2018, where it continues to be published today. Toei Animation produced the original 73-episode series, which aired from 2014 to 2016 in Japan. For this new production, Toei Animation brought together a new series director, Morio Hatano (“Dragon Ball Super” – Future Trunks saga), with key members of the original staff as well as the original voice cast. Original staff members include Hiroyuki Yoshino (series composition writer for Eps 1-48), Kenji Kawai (music composer) and Toshihisa Kaiya (character designer). A list of cast members reprising their roles follows below.

In addition to the premiere, Toei Animation is planning a special livestream event for fans which will be announced in detail at a later date. Fans are encouraged to catch up on the complete first season of “World Trigger” which is available on Crunchyroll now at crunchyroll.com/world-trigger in Japanese with English sub and English dub.

  Japanese Voice Cast

Actor Character Tomo Muranaka Yūma Kuga Yuki Kaji Osamu Mikumo Nao Tamura Chika Amatori Yūichi Nakamura Yūichi Jin Nobunaga Shimazaki Hyuse Hisao Egawa Gatlin Toshiyuki Toyonaga Ratarikov Mie Sonozaki Wen Sō Kenjiro Tsuda Koskero Ayumu Murase Reghindetz Ryoko Shiraishi Yomi

Season 2  Synopsis

Border Defence Agency was established to counter the attacks from the “Neighbors,” beings from the other world possessing unknown forces. A low rank Border agent, Osamu Mikumo (voiced by Yuki Kaji), teams up with a Neighbor, Yuma Kuga (voiced by Tomo Muranaka), and a childhood friend, Chika Amatori (voiced by Nao Tamura). They strive to win through the Rank Wars within the Border to be selected for the away squads to the “Neighborhood,” the other world. Meanwhile, another attack from the Neighborhood was detected. Mikado City is still damaged from the second large-scale invasion by the largest military nation, Aftokrator. To prevent panic among the city and citizens, Border arranges a confidential interception based on the foresight of Yuichi Jin (voiced by Yuichi Nakamura) by mainly deploying selected A-Rank elite squads. But when a Gate appears, and Attacker rank #1 Kei Tachikawa (voiced by Daisuke Namikawa) set to take action, Jin sees an ominous future.

About Toei Animation Inc.

Based in Los Angeles, Toei Animation Inc. manages the film distribution of Toei Animation’s top properties, including all the Dragon Ball series, Sailor Moon, One Piece, Digimon series, Saint Seiya, and many others to North America, Latin America, South Africa, Australia and New Zealand.  Toei Animation’s Los Angeles office further handles all categories of consumer product licensing based on its film and television brands within these territories. For more information, please visit toei-animation-usa.com.

Follow Toei Animation on social media at:

Facebook.com/ToeiAnimationOfficial

Instagram.com/Toei_Animation

Twitter.com/ToeiAnimaton

Youtube.com/user/ToeiAnimationUS