#the save's goal was to avoid as much death as possible while growing the cult as fast as possible

[hysterical-random-things]

Taking advantage of my current illness to draw my lamb from my main save in cult of the lamb. They have some issues and maybe some odd ideas around death, but I'm sure it's fine. some screenshots of their cult under the cut because i think its funny

[sepublic]

Recognizing Lilith’s Progress

           You know what? Perhaps I’ve been too harsh towards Lilith, at least in regards to her relationship with Eda specifically. I think we need to remember that while Lilith really WANTED Eda to join the Emperor’s Coven for thirty-something years… She always made it a point to vouch for her sister’s freedom, as seen when Lilith destroys those Wanted Posters at Covention just so the two could get into a petty squabble. And as we see at the end of Sense and Insensitivity, she WANTED to let Eda make the choice and decision, on her own, to join the Emperor’s Coven… Lilith wanted it to be fully voluntary and was completely willing to wait as long as it’d take (which would actually be an eternity) for Eda to change her mind.

           And, obviously there’s that disrespectful assumption that Eda WILL eventually change her mind, that it’s an inevitable sort of thing she has to figure out, that Lilith’s way is objectively right and it’s just a matter of Edalyn realizing the truth… But still. I think it hints at some potential growth and maturity, or at least an implicit acknowledgement of Eda’s genuine issues with the Emperor’s Coven that are unrelated to the curse- Hence why Eda makes it clear that she’s not joining Belos anytime soon to cure her curse, so Lilith never brings it up again until after THAT specific revelation… Lilith gets it, she gets that Eda has had reasons beyond the curse to despise the Emperor’s Coven, she figured that much out by now- Lilith just needs to realize that those reasons are actually valid, and/or that the Coven System’s benefits do NOT outweight the cons that Eda has to list.

           Sure, maybe this just indicates Lilith of being particularly ignorant, because she’s willfully ignorant to facts she knows deep-down… But maybe it’s also Lilith beginning to make tenuous progress towards understanding Eda, and eventually confessing to the curse on her own terms. But of course, Belos has to ruin this- He rushes and pressures Lilith, who is clearly unhappy about entering Eda’s space in Wing it like Witches, instead of waiting for Eda to intiate contact on her own terms. And you can tell, because Lilith still humors Eda’s Grudgby game and the terms set- She doesn’t WANT to force Eda, and is looking for any reason not to, in addition to wanting to hang out with her sister as always. And maybe this is just indicative of Lilith’s cowardice because she knows she can’t take Eda on in a fight, even with the curse…

           And speaking of cowardice, perhaps Lilith choosing to look the other way and bend the law for Eda, but not outright joining her, was indicative of indecision too; Lilith didn’t actively choose nor desire to cut ties with Eda and make her an enemy, it was just supposed to be a one-time thing and ideally, the two would remain best friends and sisters even after it. But Lilith couldn’t take a full stance with the Emperor’s Coven, or with Eda- She had to choose between the two, but really thought both options were actually reconcilable. Not to mention, Lilith still could’ve chosen to at least share the curse…

          But I can also see her justifying this because the Emperor’s Coven wouldn’t accept a half-cursed witch, and Lilith –corectly- saw the EC as a means of curing Eda… So it’d just be a matter of putting off this treatment in favor of a full-on cure, later down the line. Still, damage was dealt, and as Dana herself confirmed; Even if Eda had been cured, her hair would’ve still been gray. And clearly Lilith was being a little selfish and a coward herself, not wanting to bear any part of the curse, nor handle the social ostracization she subjected Edalyn towards with it.

           But considering how Lilith eventually makes the choice to save Eda from petrification, even at the risk of losing her spot in the Emperor’s Coven (not necessarily the requirement up until Belos catches her), I think it’s safe to say that if Lilith hadn’t already reached that understanding/epiphany a long time ago- We were actually watching her do so as the season progressed, seeing Lilith realize what she had to finally do after years of procrastination. We’ve known through her introduction that Lilith has been bending the law for Eda, even if she doesn’t approve, and now she’s possibly beginning to; Things HAD been changing, potentially for the better, maybe Lilith had been taking initiative to truly grow…

          I think there were genuine moments when after seeing how Eda felt, Lilith legit considered confessing, particularly near the end of Covention and Sense and Insensitivity; That she wasn’t so dead-set on taking this truth to her grave, that maybe Lilith realized that considering how much Eda had done for her by opening up emotionally, or rescuing Lilith… Even if it wasn’t ‘technically necessary’, Lilith still owed it to Eda to be honest, with the added benefit of Lilith’s own conscience being relieved. Maybe Lilith really was shaping up to confess on her own terms, in a healthy and calm environment…

          Until again, Belos has to ruin it. I think Lilith growing as a person and beginning to understand Eda, in addition to the impending Day of Unity, was what convinced Belos to intervene; Because now Lilith’s loyalty was in question, and so in a test Belos sets the ultimatum of either having Lilith prove her loyalty andcompetency, or else just die and no longer be a nuisance to him. Either he wants to reverse Lilith’s development, or else just be rid of her as a threat completely. I really do feel that Eda and Lilith had been making progress prior to Belos’ interference; Or maybe, his interference DID help, because you need to get through the worst to really achieve the best.

          Lilith and Eda weren’t truly going to make amends until both sisters confronted the darkest feelings they felt towards one another and conquered them, together- And Belos hastened Lilith’s confession, and got it out of the way to pave the way for reconciliation… As an unintended byproduct to his ACTUAL goals, of course, because again- He really doesn’t care for people, they’re more afterthoughts to him if not tangentially relevant. And there are certainly better ways to get the sisters to be honest than what he set up… Eda and Lilith did something with that situation, only because sometimes you just have to work with what you get. And what you got could’ve been so much better, which means it was unnecessarily terrible.

          But, back to the subject: Belos has to threaten to execute Lilith, and now she’s terrified for her life, her own role model will kill her if she doesn’t do what she wants… And in her justifiable panic –she has until the end of the day to do this and she’s already burnt through half of it- Lilith gets VERY stressed-out… She feels very insecure, and she defaults to some petty mindsets and feelings that she’d normally avoid. Believe it or not, people tend to think good, mature, and rational things in a healthy and comfortable environment, VS a cult that is promising death if you don’t comply within a very short and unreasonable amount of time, to do something you’ve incredibly uncomfortable with.

           Maybe there was some relief in Lilith, when Eda arrived for that final duel- That now the blame was kind of out of her hands, because it wasn’t HER choice to force Eda, this was just Belos, maybe there’s some roundabout gratitude towards him for taking Eda’s capture into his own hands, and thus absolving Lilith of some of the painful responsibility by low-key ‘doing it’ for her… This isn’t REALLY Lilith’s choice, this isn’t really her own actions, it’s Belos’, especially since Lilith is being threatened- And so she justifiably doesn’t have to feel bad for her part, because it’s just Belos forcing her to do this! And while she’s not totally wrong…

          Lilith still chose to take Luz hostage, not to mention this connects back to that discussion about how you still have moral culpability, even if you’re just ‘following orders’, or if your situation is so un-ideal that you have to do terrible things to survive (plus Belos certainly wasn’t acting out of any concern for Lilith either). Perhaps Lilith saw the situation as unchangeable, so there was no point in fretting over the cons, and instead she should just focus on the bright side of things- That Eda will get to be with her and will be cured of the curse, and so Lilith looks a little too happy to see Eda arrive for that duel! And as I said- Any smug satisfaction she has from carrying out her job is more from Belos, it’s not actually a reflection of Lilith, just her relief that Belos isn’t going to kill her!

           Of course, like I said- When Lilith is stressed out or not feeling so great about herself… She can default to some toxic mindsets as a pick-me-up. Hence why she brings up being better than Eda through the curse, because what right does Eda have to lecture her about morals and responsibility, when clearly Eda is the irresponsible criminal who adopted this random human? Eda can’t imagine what it’s like for Lilith, trying so hard to be patient all those years, putting in the effort and humility to finally work around with Eda and to adapt to her, to better understand Eda’s thought process… Eda has no idea what it’s like being threatened by Emperor Belos, Lilith isn’t as strong and independent as her, it’s not as easy to protect herself or go off and do her own thing!

          And what does Eda know about Lilith being a bad person for cursing her, Eda doesn’t know that Lilith expected the curse to be just for a day, that she was a child who was scammed, duped, and tricked by an adult- Eda doesn’t know what it’s like to not be as talented, to be so terrified of being left behind! So yes, Lilith IS weaker than Eda… And what about it? If Eda were in Lilith’s spot, she’d do the same- So don’t act so high-and-mighty, there IS a difference between the two of us and our situations; So now that you’ve acknowledged this, stop judging Lilith for it! Stop yelling at Lilith, hating and judging her for not being good enough like everyone else does, like Lilith does to herself, as Belos does now… Don’t forget YOU���RE not so high-and-mighty yourself, not all of the time- So remember those moments of weakness and what it felt like, whenever you judge me, try being in MY shoes, and remember what it was like in them!

          If this is how you feel about and treat me, then maybe you DESERVED to be cursed, so you could be on my level and realize how you’ve always made me feel- That this was the only way you could understand, the only way you and I could see eye-to-eye and truly reconcile! Can’t you see Lilith is TRYING, it’s already hard enough as-is, can’t you appreciate what Lilith DID manage to do and accomplish, you’re just like myself and everyone else, always ignoring that and focusing on where Lilith screwed up! If you’re disappointed that Lilith went that far, well news flash- She’s ALWAYS gone that far, she’s not the perfect person you expected her to be, Edalyn, try paying more attention next time and being considerate of this! This is not Lilith’s decision, can’t you tell- You speak so much of Belos making people do terrible things and being harsh to them, can’t you remember this when he’s literally right there, watching us!?

          I’m your own sister, who’s done everything for you, we’ve known each other for decades and I’ve been putting in the agonizing work to understand you; Why are you prioritizing some random human you just met, a human who enables your bad behavior, over me?! Lilith didn’t want this, she didn’t take joy in this, Eda is forgetting that Lilith has a lot to lose herself… And now it’s coming down to her own LIFE, too! Lilith isn’t enjoying this, stop assuming the worst, that there’s so much more malice from her than there actually is, can’t Eda tell how much Lilith cares, how much it’s been eating her up on the inside over what happened…

          Lilith is TIRED of feeling terrible and she just wants someone to understand, to listen to her, to get it! She’s used to accepting the blame and the guilt, when can someone finally tell Lilith that it’s okay, that you tried your best and it’s not the end of the world… I can see how she got so indoctrinated by the Emperor’s Coven, as it must’ve given her that false sense of validation, when Lilith felt she wasn’t getting any from Eda; But in the end, she realized that Belos’ support and the glory of her spot was all superficial and conditional. But before that, Lilith in her pure stress confesses to cursing Eda, as a culmination of all of her insecurities, her frustrations at herself and others, and a desperate desire to feel seen and heard in a way that she hasn’t beforehand… To have an intimate part of her recognized, even if that means admitting to her worst sin.

           Then she backtracks, she realizes what she’s done, because this is Lilith- And even if she has issues with fixing her problems, she’s at least somewhat learning, or at least not repeating certain mistakes. Lilith remembers that she’s being unfair to Eda, and she panics in the revelation of Eda now TRULY hating her, which was something Lilith always feared. Lilith pointlessly brings up how she can cure the curse, and in retrospect… I think she was fully aware, both from a conscious and deep-down standpoint, that curing Eda’s curse wouldn’t undo the damage, but she resorted to it as damage control anyway because that was what she was used to- In moments of stress, Lilith does things she’d normally know better than to do.

          Lilith tried to de-escalate the revelation by claiming she could help cure the curse, even though Eda’s known for this for a long while- And I think she tried to reframe the cure as coming from her, not Belos, so Eda will feel more open to the idea, as Lilith mentions that SHE can cure it, when in reality it’s more like she can –supposedly- convince Belos to do so. After all, if Lilith is curing the curse, then surely Eda doesn’t mind getting treatment from her, because it’s not like Lilith would DEMAND anything of Eda in return… She’d definitely feel entitled to it, but Lilith has always made a point beforehand to still respect Eda’s boundaries, to an extent- And I don’t think it’s just an issue with tracking down Eda, either.

           Of course it wouldn’t matter if Lilith fully had the power to cure Eda’s curse on her own and did it purely of her own good will, because Eda still hates the Emperor’s Coven, and I think Lilith has reached that point where she’s forced herself to acknowledged this. But she panics and brings up the cure as a distraction, because Lilith remembers that she’s doing this all for Eda, that she DOES love her sister and always will, no matter how aggravating Eda can be, because she’s all that Lilith truly has left. Lilith knows she’s grasping at straws, but she may as well try anyway; She’s reminding herself and Eda that in the end, she regretted the curse and would rather have it gone than stay… That there’s no need to worry Eda, Lilith isn’t going to curse her a second time, not even now! All of this work has been done to CURE the curse, remember…?

          Lilith DOES have remorse, and she’s been putting in the work and Lilith really thinks it’s paid off, she really thinks her work in the Emperor’s Coven has guaranteed a cure from Belos- And if only Eda would just listen and be proud of her for this, and realize and acknowledge that Lilith has grown since then, that she’s made progress from never wanting to repeat that mistake, to attempting to undo it… Lilith is basically trying to damage-control her confession by admitting that yes she’s made a mistake, but she’s grown since then and put in the effort to undo it, and I’ve succeeded in finding a cure! I’m not a total failure, don’t turn your back on me now, I’ve CHANGED since then, the Lilith who cursed you is now gone Eda, you never had to worry about her now because she left, all those years ago!

          So Eda can understand why Lilith didn’t think it was necessary to confess, it’d have just caused the two of them needless pain, as you can probably feel right now…! Sure I wasn’t perfect after all, but you can at least now appreciate how I’ve grown! That’s what you’ve wanted, right- For me to grow and improve, to be the older sister you deserved, to learn from my mistakes? Well, it turns out I HAVE been… Even if it also turns out that yes, there were even more mistakes I made that you never knew about, but if I can fix those, then I can fix the rest, so pleasedon’t give up on me! I haven’t been static, I’ve actually been actively improving over the years, I just… have a LOT to work on, okay, and it just seemed like I didn’t and that I wasn’t doing anything. Lilith wanted Eda to remember that this revelation was something Lilith herself had always known, and yet she still chose to vouch for Eda and bend the law, look the other way for her sister, for years… So please remember this! That all that happened AFTER her worst mistake…

          Lilith really wants to believe she’s stopped hurting her sister and is past that, because the last time she hurt Eda it REALLY had the worst possible impact on the two of them. It’s a desperate reassurance, that yes Lilith has acted smug about the curse in the past, but you should listen to reason Edalyn, try to approach this from a calm standpoint unlike how I just did, if you’re allegedly so much better than me (and I admit this fact). Except Eda IS being reasonable here, Eda isn’t fighting Lilith and avoiding her just because she felt like it, she doesn’t take any joy in this either, and both sisters are mutually trying to survive the depraved situation that Belos set up to put them at each other’s throats.

          And sure, Lilith is trying to soften the blow by conceding that Eda’s emotional reaction to the confession is reasonable itself, that Lilith does indeed understand and consider how Eda feels, Eda just needs to make her actions sensible too; Eda has issues with Lilith not understanding her feelings/decisions and not seeing them as valid, so Lilith insists she actually does! But Eda’s trying to do what she thinks is best for herself AND Luz, who Lilith has characteristically disregarded.

          It’s worth noting that Lilith never brings up, “I won’t hurt Luz/I can heal her if she GETS hurt” to deter and calm down Eda, because she still has a lot more understanding to do. Really, I think Lilith is just so tired of admitting that she’s wrong and has messed up… So when confronted with yet another major example of this (capturing Luz) she doesn’t want to admit it because Lilith wants to believe she’s grown past her old self, that she’s no longer the fool she was and can’t make mistakes regarding this stranger, much less Edalyn; In addition to wanting Eda to make concessions for once, because Lilith feels like Eda has been unfair to her in some ways, especially since Eda didn’t know Lilith was at fault.

          I feel like Lilith just wants to be valued, to have her efforts and achievements, and what little progress she does, be acknowledged… And to be reassured by the knowledge that she IS improving, that she won’t always be a screw-up; I can see why the Coven System’s rhetoric of “If you put in the effort then surely things will get better” is such an attractive lie to Lilith… In addition to wanting to ignore how the Emperor’s Coven also turns around, and insists that most witches will only ever be good at this one innate talent for the rest of their life, so that’s the only thing they should stick to. Lilith wants to believe she isn’t like the rest, that she can grow and improve herself and be on top, that she’s the exception that the Coven System accepts as part of its Emperor’s Coven. Being a part of that group is basically being told that you’re better than everyone else, and the existence of a hierarchy is worth it to Lilith if she can have the chance for such validation, even at the expense of others… Especially, really.

          And now that Lilith is at the Owl House, I’d really love to see Luz “We can fix this together” Clawthorne Noceda provide some support, if she’s willing… I think she can understand how it feels to not have your efforts to improve and grow be appreciated. Then there’s King, who I think has a LOT he can relate to with Lilith, over being someone who feels obligated to do terrible things, and justifies it because he’s not as well-off as others, and it’s unfair to judge him because you have it so much easier, you don’t know what it’s like for him! And maybe Eda could make it clear to Lilith that she DID understand, she always thought the world of her, and every little action Lily did for Eda’s sake meant a lot… Maybe Eda needed to be a bit more upfront about her appreciation herself, as did Lilith.

          Of course, there’s also the revelation of the curse to go over as well, but… In the end, Eda just wants the best of Lilith, so every time Lilith DOES make progress, it really meant everything to her. She even sort of appreciated the lengths that Lilith was willing to go for her, to an extent- But when you consider what Lilith did to others (such as Luz), and how she did things that Eda never asked her to do; All while Lilith expected compensation for these efforts because she wasn’t totally altruistic (while expecting Eda to appreciate this under the lens of Lilith being a good sister, and not Lilith actively making up for something she caused)… It sometimes felt more like a disregard of Eda, rather than an actual regard. I can imagine Lilith letting the guilt of her mistakes crash down on her, and become resigned to the idea of being terrible and causing harm, and admitting that of course Eda had all of these expectations for Lilith that she’d never been able to live up to; She WAS the older sister, it was Lilith’s responsibility by blood to do that, and she failed! No wonder Eda depises her so…

          And while those feelings did occur briefly with the capture of Luz, I think Eda and Luz can reassure Lilith that she HAS done good, that her change of heart was amazing to them, and it’s given them hope for Lilith. She’s no hopeless cause, Lilith has provided them plenty of reason not to give up on her, just recently she gave her best reason why by freeing Eda! And maybe Eda can admit that if Lilith went this far, and did these terrible things- Then maybe she wasn’t exactly in the best state of mind, and that needs addressing above all else. Eda DOES care, and it’s that care and love that led to her being so disapproving and distraught over what happened to Lilith, because she saw it all as harmful to her sister… And with Luz’s recent inspiration, and Eda’s feeling of having never accomplished anything up until her favorite human arrived;

          Perhaps Eda will acknowledge that as the most powerful witch in the Boiling Isles, maybe she should’ve done more to really get into Lilith’s head, and get her out of that situation. Or at least, have Eda admit to Lilith that SHE was respecting Lily’s decisions too, hence why she didn’t try to force her… I think if Lilith brought up to Eda that she didn’t think her sister would join the Emperor’s Coven, even if it was to save her from execution- Eda would’ve insisted that she would, or at least she’d work to find a way out for the both of them. And that, I feel, would mean so much to Lilith, and both reassure and encourage her to make things right, now that Lilith understands that she DID get the love she was due, and that her efforts had been recognized.

          She did put in the work, and Lilith did get the pay-off, in a sense… So she has a lot more incentive to keep working to make things right; In addition to also recognizing that she wasn’t getting that appreciation from Belos, who’s an utter lunatic and actually chose to hurt Lilith, only doing good things for her as a side-effect and/or if it’d benefit him- Unlike Eda. Your efforts aren’t for naught, and things CAN and will change for the better, if you put in the work- So don’t worry about them not paying off.

          You’re not taking a risk going down this path… Its benefits are laid-out and guaranteed, unlike what you might get siding with the Emperor’s Coven, or using a curse that is ambiguous about its effects. All you have to do, Lilith, is make that personal decision, to take that initiative- And now that you’re with your real family, the rest will fall into place. Just as Eda provides a support network and a safety net for Luz’s own mistakes and exploration and risks, she can do the same for Lilith… You’re safe now.

          TL;DR I think Lilith HAD been making effort and progress, prior to Agony of a Witch. And even if her issues with willful ignorance were still present, they hadn’t been as bad as I’d initially perceived. Maybe Belos’ ultimatum, forcing Lilith to realize what she valued more –her sister or the Emperor’s Coven- hadn’t been all that necessary, that maybe Lily would’ve figured this out eventually… Though you could also say too little, too late; But also, better late than never. In a way, maybe Belos’ ultimatum WAS better than the alternative of Lilith taking her time to eventually and inevitably have a change of heart, because as we see with the progression of the curse… Time is of plenty of importance, and the more that passes, the more we know will still remain, even after a hypothetical cure.

          My point is, as terrible as Lilith was, I think we were seeing her change and learn, and become set on the trajectory for making true amends with Eda, before Belos came back into the picture. It wasn’t just Belos forcing Lilith into an ultimatum with Luz’s input, that changed Lilith’s heart… I feel that if this scenario had happened much earlier in Season 1, we could’ve seen Lilith act a little differently, perhaps with much less sympathy and understanding. I think there were genuine moments of learning and realization that led up to that fateful choice in Season 1, and I think it’s time I acknowledged this; That in the discussion of Lilith’s arc in Season 2, perhaps we need to remember that she HAD been improving, before Agony of a Witch came about.

          Lilith wasn’t that hopeless, and she was doing better than I initially realized- Not much better, but it’s better than nothing of course. Let’s not give Belos any credit here, and while Luz has done an umimaginable contribution… It’s ultimately down to oneself to change, and all the effort in the world doesn’t matter if you don’t choose to change; And Lilith DID make that decision! If people think Lilith’s character development has been ‘rushed’, then it needs to be considered that maybe we already did see her grow throughout Season 1…

          And so when Season 2 rolls about, it’s not out of the question for us to be pleasantly surprised, and see that Lilith has already figured a couple of things out, not just between seasons; But even on-screen, during Season 1! Sure Lilith had a relapse, but so did Amity, and Lilith also had to deal with the threat of execution, and the belief that joining the Emperor’s Coven WOULD cure Eda. I think Lilith actually, already made some decent progress on her character arc that is overlooked/forgotten… Her transition into the Owl House by understanding Eda and Luz’s points, may not be so rocky after all- I think Lilith has actually had a little bit of a headstart on that! So whenever I look at Lilith now, I can’t help but think;

          ...And maybe Eda feels the same way, too.

[curious-wildflower]

Silent Hill – 1983

Without the other half of her soul, Alessa could not birth God, so Dahlia casts a spell that would attract the baby back to Silent Hill when she grew older.

Four years later Jodie dies of a disease making Harry a single parent.  Harry still grieving from Jodie's death, a now seven-year-old Cheryl begs him to take a relaxing vacation to the resort town of Silent Hill, and he gives in.

Due to car troubles, they arrive late at the outskirts of Silent Hill, Harry sees a girl (an astral projection) walking across the street in front of the car Harry having to swerve to avoid hitting her is knocked unconscious by the resulting car crash.

Upon waking it’s discovered Cheryl has disappeared and he is forced to venture into the snowing, fog-covered town to rescue her. At first glance Old Silent Hill, seems to be abandoned. In the distance he sees Cheryl running away, and he immediately hurries to follow her. Chasing her through the streets of Silent Hill, he finds himself running down a small residential road and into a dark alley.

The sky suddenly turns dark, a siren blares in the distance, and when Harry lights the area with a lighter, he finds that his entire environment has altered into the Otherworld. Everything is covered in rust and blood, topped with barbed wire, and the shapes of hanging bodies are discernible behind the mesh. The sounds of industrial clanking and grinding metal form a constant cacophony of ambient noise. With nowhere to go, Harry follows the alley and finds the disturbing body of a mutilated corpse hanging on a fence before him. Moments later, he is attacked by small, child-like monsters known as the ‘Grey Child’ Harry is eventually overwhelmed and ‘killed’.

He wakes up in a diner called Cafe 5to2. An officer Cybil Bennett from the nearby town Brahms questions him about the current state of the town and she provides him with a handgun before leaving to look for help. In the diner, Harry arms himself with a map, a knife, and a flashlight. As Harry attempts to leave the diner, a radio on a nearby table starts emitting static, causing Harry to investigate it. A flying creature crashes through a window and into the store attacking him killing the monster he starts to move through the streets encountering others, he quickly discovers the radio's usefulness when it emits intensifying static as monsters grow closer. Following a clue left by his daughter, Harry eventually finds his way to Midwich Elementary School to search for her.

Instead of students and teachers, Harry finds many Grey Children or Mumblers.

He works his way around, eventually unlocking the clock tower in the school's courtyard. Upon reaching the other side of the facility across from it, he finds the world has once again shifted into the Otherworld.  In the Otherworld school, Harry travels to the boiler room. Inside a flaming corpse illuminates a creature known as Split Head.  

With its defeat, everything turns to darkness, and then the light returns reveal an ordinary boiler room. A girl, Alessa Gillespie, is leaning against the boiler, and she turns to Harry before disappearing into thin air.

Confused, Harry departs from the school. He hears a church bell ringing in the distance and heads to the Balkan Church, where he sees a woman praying at an altar.  

In a confusing conversation she reveals herself to be Dahlia Gillespie. She gives Harry a mystical item called the Flauros and tells him to make haste to the hospital. Before Harry can ask any questions, Dahlia leaves, and Harry exits the church. He crosses a bridge that leads to Central Silent Hill.

Harry arrives at Alchemilla Hospital, where he encounters Michael Kaufmann, a doctor who is as bewildered as Harry about the current circumstances.  

Shortly after this meeting, Harry obtains a red liquid known as Aglaophotis, which purpose is later revealed, drinking it. Harry endures another shift to the Otherworld the hospital now infested with monstrous nurses. Along the way, he also meets Lisa Garland (Yeap same nurse from Origins). Before he can get any answers, he is transported back to the real world, where Dahlia reappears and tells him that the "Mark of Samael” seen in various locations, must not be completed, lest "the darkness" devour the whole town.

Meeting up with Cybil, who has seen a girl out on the lake, the pair find a hidden altar in an antique store, Harry disappears out of sight, much to her confusion. Harry, meanwhile, finds himself back in the hospital with Lisa, who gives him directions to the lake, but also tells Harry she feels she's "not supposed to leave". On the way to the lake, Harry passes through some sewers and enters the Resort Area.

Here you determine Kaufmann's fate (and the game's ending) by choosing to assist him in Annie's Bar and doing a side-quest. Canon-wise, Harry saves Kaufmann and fulfills the side-quest. Kaufmann is thankful, but his business presses him onward. Harry finds a motorcycle stash of a mysterious red vial in a gas tank, Kaufmann reappears and angrily snatches it away.

Soon after the Otherworld begins to take over the town again. Regrouping with Cybil and deciding to stop the mark's completion at Dahlia's desperate request, Harry heads to the lighthouse, while Cybil's goal is reaching Lakeside Amusement Park. As an unknown assailant attacks Cybil, Harry once more sees Alessa and the "Mark of Samael" at the top of the lighthouse before heading to the amusement park himself.

On the amusement park's carousel, Cybil appears, possessed by a parasite. The player may choose to save or kill Cybil, once again affecting the game's ending; if Harry wishes to save Cybil, he must use the red liquid he obtained at the hospital on her, Cybil is killed by Harry in the regular Good and Bad endings. With Alessa appearing once more, Harry unwittingly uses the Flauros to trap her. Dahlia appears, revealing that she manipulated him into confining her, as he was the only one who would be able to get close to her, and that Alessa is in fact her daughter.

With Alessa's powers out of control, Harry awakens to find himself back in the distorted Otherworld hospital. He finds Lisa bleeding from every orifice in front of him, Harry flees when she approaches him. Lisa's diary, left in the room, explains that she was the nurse who attended to Alessa in return for a drug she was addicted to, PTV.  

PTV is a drug made of a plant that grew only in Silent Hill, the ‘White Claudia’, in order to create hallucinations and mysterious visions popularly used by The Order and tourists.

(Fun Fact! The white flowers may be a reference to Morning Glory, that is also found in the same areas near water as the White Claudia, they’re a family of flowering plants with hallucinogenic seeds that were used in Native American religious ceremonies.)

Dr. Michael Kaufmann, the manager of Alchemilla Hospital at Central Silent Hill, is the one responsible for the illegal distribution this drug. Harry then witnesses a flashback of a meeting between Dahlia, Kaufmann, and two cult doctors discussing Alessa's hospitalization and the rebirth of God.

Harry soon finds Dahlia and possibly Cybil if he saved her previously (Cybil's survival may or may not be canonical), as well as a figure in a wheelchair wrapped in bandages: who is Cheryl and Alessa recombined and Alessa's astral projection.  

Both a flashback and Dahlia's words explain that Dahlia sacrificed her daughter to fire seven years ago in an attempt to nurture and bring about the birth of God worshiped by the Order, of which Dahlia is a priestess, and that the God now resides within Alessa's womb. AS mentioned at the beginning Alessa split her soul in half to prevent God from being born. The other half of the soul manifested itself as Cheryl, who as said before was found as a baby on the road outside of Silent Hill.

In the present, when Cheryl was called back to Silent Hill, Alessa began inscribing several Seals of Metatron around the town to purge Silent Hill of reality, killing herself to prevent God's birth. Alessa manifested herself as an astral projection in the town to place the marks Harry has seen in an attempt to keep the God at bay. Dahlia also reveals that the "Mark of Samael" is the Seal of Metatron and she used Harry as her pawn. With Alessa's plan defeated and the two halves of her soul now back together instead of birthing God Alessa births something twisted by the world views of the person (Dahlia) in charge of the ceremony known as the Incubus.

In the most endings, Kaufmann appears and throws a vial of Aglaophotis at the god, Aglaophotis as it turns out is obtained from the refinement of an herb of the same name and has the ability to dispel demonic forces and grant supernatural protection against such forces to those who use the item. So, when hit with the substance, the Incubator falls to the ground, screaming as the Incubus emerges from her back. The Incubus kills Dahlia, Harry then fights and defeats the god, and the Incubator gives him a baby (who is revealed to be Heather Mason in Silent Hill 3) and shows him the escape route. Harry, Cybil, and Kaufmann try to escape, but a blood-covered Lisa Garland appears and drags Kaufmann with her into the abyss. Harry and Cybil continue their escape, but the Otherworld is collapsing too quickly for them to make it on their own, so the Incubator (Alessa) uses the last of her power to stop the world's destruction in order for them to escape she is then consumed by the flames, and Cybil and Harry escape together with the baby.  

[ifeveristoday]

Let me explain… no, there is too much. Let me sum up.

Strap in kids, it’s Boom! Buffy issue #20 and the last issue we get this year. So long and fuck off, 2020.

Spoilers underneath the cut

Well. That was bracing.

In this issue we get the spotlight on the adult characters and their struggles - the status of Giles and Jenny’s relationship (on a break), Wesley Wyndam Price trying to convince Faith of her sacred duty and oh, that vampires are real, and a direct callback to Wesley’s standalone issue and the shadowy Watcher’s Council, and Anya, who finally reveals her true purpose of being in Sunnydale. Or does she?

Subplots involve Willow’s conversation and off-page deal with Evil! Xander, the status of Robin and Buffy’s relationship (ghosty ghost avoidance on Buffy’s part), and the unspoken elephant of broken trust in the room (everyone else).

There really is a lot going on - so I’m going to break it down by character, because that has always been a strong point in Jordie’s reimagining of the Buffyverse. Jordie writes about the characters and their motivations and their inner lives and not so much about the Plot (though she’s improved on that front). 

Jenny

Clearly has seen and suffered a lot of Shit, but it isn’t delved into for trauma porn - and she’s had enough. She loves Giles, but she doesn’t want to be a part of whatever is unfolding, but she still has compassion for Evil! Xander and can see that his actions are not too far off from his human self’s desires, only twisted. Evil! Xander wants love and attention and now he has the power to force it  - but somehow is talked out of it by Willow. Jenny makes the choice to protect herself, even if it means walking away from Giles and their relationship. 

Giles 

When not in a Jenny-daze, Giles picks up an important clue from their last conversation and calls in the troops to discuss the matter of trust and truth. It’s a nice nod to the previous issue’s reunion with Willow and the rest of the Scoobies - Willow not being comfortable about the trust fall, even though she suggested it, and here, being evasive and lying to everyone about where she got her shiny new trinket. I also notice none of her adventures in gay witch cult utopia have been folded into the Jordie timeline yet, but I assume that will be a reveal for later. Giles trying to mediate the conversation-turned-argument is interesting because for a lot of the series, he’s been on the side of caution and covering up because of the Council’s indoctrination process. 

Anya

This was the surprise of the issue for me and one of the high points - all those previous crumbs of Anya referring to herself as a demon witch, and then Giles saying she was a watcher too, and then mention of a past Watcher being friends/school mate of a demon, and somehow just appearing at the right possible time to solve problems/save the Scoobies while hiding in plain sight. Anya being the connection to the Watcher’s Council and her dealings with vampires, Wolfram and Hart, she’s the perfect agent of controlled chaos. The reveal of her being the demon figure helping out the previous Slayer Morgan (who I now think is the original character they were hyping up issues ago and all that talk about multiverses and such - she and Anya are most likely behind what happened in Hellmouth). A revenge demon working with a Slayer is just *chef’s kiss* because who wouldn’t want revenge if they’re a young teenage girl suddenly tasked to save the world and not have her own life? 

Anya’s conversation with Willow about demons being morally grey and that souls don’t need to come into it (along with the Princess Bride reference -  “Anyone who tells you is a fool or selling you something”) is one of the themes running throughout the issue. Jenny hints at it with her compassion for Xander’s soulless self and his still very human desires and wants, and Anya’s team up with Morgan at the end. They don’t think what they’ve done (the Watcher killings) is bad because they’re giving the Slayers their normal lives back - Anya can open up portals to store her magic knickknacks, why wouldn’t she be able to open up new timelines to ‘save’ Slayers? It would fit into her revenge scheme against the Watcher’s Council too. It casts a different light on her previous actions - giving Buffy the stone to call Xander’s soul back for an unspoken fee later, but not money, showing up at the eleventh hour to lead the girls into battle during Hellmouth with her convenient stash of weapons, tricking Dru into setting Camazotz free to gain Buffy’s and Giles’s trust later...and she knows Giles’s full name, so you know stuff is going to go down.

Willow

Tangled web, Wills. And all the little lies - why didn’t she tell her best friend and everyone else that she got the new shiny gem from Anya? Who is she really protecting? Herself or/and Xander? Willow’s (un)trustworthiness and growing capabilities in magic are going to be Issues with the gang later, definitely. And a possible source of isolation, because everyone at that meeting is paired off and she’s alone - Buffy and Giles presenting the slayer/watcher bond, Kendra and Rose as girlfriends and protective of one another. 

This is also an example of Anya being a subtle architect of chaos - she scolds Willow about good and evil being too simple of a concept and that Willow should be smarter than that, and suggests the possibility of doing the wrong thing (in Willow’s case, lying) for the right reason (saving Xander). This could also be a clue to the other Willows we’ve seen in previous issues - it could actually be original time line Willow just visiting multiverses to check on Xander and Buffy.

Wesley

is finally in Sunnydale and completely out of his element, not only as an Englishman in small town America, but as a watcher with an unruly lone wolf of a Slayer, who doesn’t even believe in the cause or that vampires are real. It’s hilarious. They provide the lighter side in the issue, and I look forward to what Jordie has planned for them, because right now they’re channeling Odd Couple energy and I’m here for it.

Also, Wesley brings up the English vs Irish rivalry and FINALLY, someone says it. There weren’t enough Spike and Angel fights about their places of origin.

If Wesley’s ideals are just the baby version of Giles’s loyalty to the Council, Faith is the pragmatic version of Buffy’s stressed but down for the cause Slayer.

Faith

Faith doesn’t really question why she suddenly can cause a bunch of messed up looking people dusty death, because vampires can’t possibly be real, but aliens, sure. It’s a refreshing and meta take on the whole lore - Faith even cheekily bringing up that vampires are clearly a metaphor for sex and she doesn’t have time for that.

Look at that, a skeptical but roll with the punches Bad Guys-because what else is she going to do- Faith. Not oversexualized but blunt and funny and upfront about what she really wants - which is a burger. A good update to the character. I do wonder if Jenny’s earlier line about ‘good Faith’ was purposeful because of this introduction to Faith, or just a regular line.

Buffy

After all she’s been through in the previous issues, Buffy takes more of a backseat in this issue, but that’s okay - there really was SO Much that Buffy and Robin’s continuing communication problem really wouldn’t fit as an A plotpoint.

Girl still has huge trust issues, and with Willow’s defensiveness and her own reluctance to really talk to Robin, that’s going to be a problem for later on.

Robin

Still juggling the responsibilities of being a regular guy, Buffy’s almost boyfriend, trainee Watcher, and son of presumed dead Slayer Nikki (though with what we’ve seen so far, Nikki might be alive in another multiverse), Robin is mostly the diplomat in this issue, giving everyone respectful space. 

Rose and Kendra

Are cute and happy together and that’s all that needs to be said really. The only couple that’s figured out communication and presenting a united front in this issue, honestly. #goals

Morgan Palmer

Another WOC slayer! Can’t wait to see what she did/has plans for the Scoobies and Sunnydale.

[doctorwhonews]

Torchwood: Believe (Big Finish)

Latest Review: Writer: Guy Adams Director: Scott Handcock Featuring:John Barrowman, Gareth David-Lloyd, Eve Myles, Naoko Mori, Burn Gorman, Arthur Darvill Big Finish Release (United Kingdom) Running Time: 3 hours Released by Big Finish Productions - April 2018 Order from Amazon UK "We're responsible for everything we do, Val. Every book you've written for money that tells people what to think, every DVD you've produced for money that tells people what to change about their lives. Every speech, every assembly, every word - you don't get to do that and shrug away the responsibility." Upon learning of Big Finish’s successful acquisition of the Torchwood licence back in 2015, fans the world over – this reviewer included – immediately began drafting their personal wish-lists for the franchise’s impending audio continuation. What happened next after Miracle Day? Could Owen and / or Tosh return to the fold despite their demises in 2008’s “Exit Wounds”? Was it time to learn the fabled secrets of Torchwood Two? And no, seriously, when were we moving on from Miracle Day so as to get that failed US soft reboot’s sour taste out of our palettes? Perhaps the most pressing point on the agenda, however, was just how swiftly the studio could reunite Captain Jack Harkness, Gwen Cooper, Ianto Jones, Toshiko Sato and Owen Harper for any lost missions beyond those we witnessed on-screen in Seasons One and Two. Well, we’ve waited three years – the Owen-less 10th anniversary celebration The Torchwood Archive notwithstanding – to discover the answer, but it comes in the form of perhaps the range’s most satisfying boxset to date, Torchwood: Believe. Isolating his latest scripts from both the sinister activities of the Committee in Big Finish’s monthly releases and Cardiff’s present apocalyptic state in Aliens Among Us proves a genuine masterstroke on Guy Adams’ part. Rather than forcing newcomers enticed by the return of all five Torchwood Three members to hit pause and purchase past releases in order to decipher what’s occurring here, the regular range contributor delivers a totally standalone affair, albeit one which still packs no shortage of emotional punches thanks to further exploring many thematic and character strands first established in the original show. Part of what makes this approach so successful from the outset is how comfortably familiar Believe’s opening moments will seem to those fans who’ve followed the show in all its forms since Day One (episodic pun fully intended). At first, we’re presented with a run-of-the-mill debrief led by Owen into the ongoing exploits of the Church of the Outsiders, a seemingly innocuous religious cult whose efforts to hasten humanity’s ascent to meet – and interbreeding with – alien species include stealing classified UNIT data, dabbling in illegal cyber augmentation as well as setting up their own TV channel, community centres and full-fledged indoctrinatory academy. It’s a quintessential sequence that feels ripped straight out of the TV show, with each cast member helping to remind us of the lead ensemble’s witty rapport: Owen (Gorman) righteously assured of his every move’s necessity, Toshiko (Mori)’s reserved tendency to serve as the voice of reason, Ianto (David-Lloyd)’s still-growing confidence within the team dynamic, Gwen (Myles)’s often gung-ho attitude tempered by the personal grounding that she brings to the agency and Jack (Barrowman) as enigmatic as he is charismatic. So far so Torchwood, then? Clearly, we’re in for three hours’ worth of Avengers: Infinity War-style crossover banter, right? Not exactly. As Adams and producer James Goss accurately highlighted in the midst of Believe’s pre-release marketing campaign, the show – in its on-screen incarnation – would often split up the team to achieve different goals within the context of the wider mission, thereby allowing time to explore how each character’s individual passions and flaws affected their outlook on increasingly hostile situations. Indeed, the same rings true here as Ianto pairs himself with one of the Church’s devoted disciples to further investigate their goals, Tosh pursues the sect’s resident accountant Frank Layton (brought to life with self-titled and loathsomely complacent aplomb by ex-Doctor Who companion Arthur Darvill) and Gwen meets Church leader Val’s introverted daughter Andromeda, all while Owen oversees operations from the Hub and Jack heads off to pastures unknown. Yet to simply describe Believe as but a scattershot collection of plot threads which eventually converge would severely undermine the scale of Adams’ achievement, not least in challenging each member of the team with dilemmas the likes of which they’ve arguably never faced before. The Church’s interstellar ambitions resonate in extremely different ways for each of our protagonists, with Jack for instance earnestly admitting his yearning to travel the stars as he once did with the Doctor, Ianto – as with The Last Beacon in April – once again forced to consider whether his ties with Torchwood Three threaten to rob him of any soul, hope or life meaning, and most notably the show’s beloved unrequited romance between Owen and Tosh taking the most disturbing detour imaginable. For make no mistake, the scribe who showed us Suzie’s darkest inhibitions in Moving Target and took Gwen on a high-octane car chase with her local counsellor in More Than This has no qualms about taking further bold risks this time around either. Much as Gorman and Mori looked overjoyed to reunite their wayward almost-lovers when posting about their recording experiences on Twitter, the pair – both as actors and characters – are put through the dramatic ringer and then some here, Tosh’s efforts to extract any key intel possible from Layton about his supposedly selfless church-turned-charity soon developing into Children of Earth-level territory which could uproot her budding romantic tension with Mr. Harper forever. Think of a fall from grace on the scale of a Greek tragedy and you'll only just scratch the surface what's in store, as one of the pair colossally oversteps their reach to devastating effect. Thank goodness, then, that both stars knock the ball out of the metaphorical park with captivating, psychologically intricate and often downright heartbreaking performances. We’ll avoid spoilers here for the sake of preserving your listening experience, save for that the Tosh-Layton storyline builds to an extremely unsettling crescendo, to a place where this reviewer isn’t entirely sure even the TV show would’ve dared to tread on BBC One / Two / Three. Heck, Big Finish themselves rarely tend to stray into territory as macabre as this, barring some of their early Doctor Who Main Release excursions like Colditz or the Doctor Who: Unbound range, but when the results are so painstakingly powerful and haunting as this, one almost wishes that they’d take the leap of faith more often. Such narrative ambition on Adams’ part doesn’t end there – it pervades Believe on a conceptual level as well. Ever since juggling verbose duck companions with religious satire in The Holy Terror, Big Finish have shown their complete willingness to interrogate faith, its cathartic and chaos-inducing consequences for its followers / opponents, as well as whether anyone has the right to brazenly dispel theistic beliefs. Believe takes this contemplation to another level altogether, as Jack’s met with the profound existential dilemma of knowing that the Church’s desire to have humanity mingle with aliens will eventually come to pass, while Owen considers whether he’s fuelling the mission out of mere ego or indignation at religious groups’ naivety surrounding the afterlife, and Ianto undergoes an epiphany surrounding that aforementioned intervention by Torchwood into the beliefs of others without any consideration for the victims left behind come the mission’s denouement. Rhian Blundell's superb work as Ianto's endearingly sincere and passionate guide Erin helps immeasurably in the latter regard, with her and David-Lloyd's characters striking up a quaint college romance of sorts that won't fail to take even the biggest Jones-Harkness shippers off guard. Two questions might justifiably have occurred to readers of this review by now: why didn’t Torchwood Season Two’s final episodes make mention of these character moments if they’re so pivotal, and where does the inevitable alien antagonist factor into processes? Let’s tackle those in linear order – unlike Believe’s refreshingly non-linear structure, with Episode 1 in particular zipping cleverly between Owen’s initial debrief and each teammate’s consequent mission. Considering that Adams’ exemplary three-part tale situates itself explicitly between the events of “A Day in the Death” and “Fragments”, that it’s so intent on progressing arguably unresolved threads from the show such as the extents of Tosh’s loyalty, Ianto’s increasingly challenged worldview and Jack’s tendency to withhold the truth even from his comrades might stretch the credibility of its status as a ‘canonical’ in-between-quel for some. Nevertheless, just as some of Big Finish’s finest Who productions took slight liberties with continuity in the name of ambitious storytelling, so too does Believe admirably follow that route so as to truly test our perceptions of these evolving characters in fascinating, often remarkably unsettling ways. That also brings us onto its aforementioned extraterrestrial presence – again, staying clear of spoilers, Torchwood’s finest hours frequently arose from dealing with the worst of humanity rather than alien foes, which affords Adams the creative licence here to pit the team against fallible but equally rational members of their species whose sympathetic motivations only further the personal stakes for both factions. So in spite of bringing together the Famous Five as well as temporarily restoring classic elements from the show such as the fully-operational Hub and – of course – the SUV, Torchwood: Believe fast cements itself as anything but your average all-guns-blazing detective drama. There’s no denying that its audacious character arcs, unspeakably heartrending performances from Gorman and Mori, and realistic shades of moral greyness will result in a challenging listening experience for long-term fans, but those elements also set the boxset apart as an awards-worthy tour de force in truly provocative science-fiction. Between the masterful Beacon and the game-changing Believe, 2018 could be the year where everything changes for Big Finish’s Torchwood range; if that’s the case, then one thing’s for sure �� Guy Adams and his entire lead cast are ready. http://reviews.doctorwhonews.net/2018/05/torchwood_believe_big_finish.html?utm_source=dlvr.it&utm_medium=tumblr

[angstandhappiness]

NEAT, PRETTY CULT DECO ARRANGEMENT

Taking advantage of my current illness to draw my lamb from my main save in cult of the lamb. They have some issues and maybe some odd ideas around death, but I'm sure it's fine. some screenshots of their cult under the cut because i think its funny