#the saddest circumstances

[sunshineandlyrics]

🖤 All the boys are in the list with their dedications to Liam (2024).

[gancanagh]

The Curse

The Witch...

"Before the witch's final breath, She found a way to cheat her death. By cutting off her wicked hand,

She kept her grip upon her land. She reaches from beyond the grave To make good man her wicked slaves. She'll take your blood, she'll take your head. She'll follow you until you're dead."

...Sarah Fier

The truth will come out. Maybe not today… and maybe not tomorrow, but it will. The truth shall be your curse. It will follow you for eternity. I will shadow you forever. I will show them what you've done. I will never… let you go. The truth will come out. Maybe not today. Maybe not tomorrow, but it will. The truth shall be your curse. I will shadow you for eternity. I will follow you forever. And everything you take and everyone you harm, you will feel the grip of MY HAND. I will show them what you've DONE. I will NEVER let you go.

[darkacademiaarchivist]

i should get a shirt that says "I survived a homoerotic teenage girl friendship and all I got was this lousy t-shirt '

[redcallisto]

Need to stop thinking about how Douma was doomed from the moment he was born and go to bed

[leadendeath]

¤

[writing-chats]

ultimate character development template

basics

name: meaning of name: nicknames/titles: age: gender: location: birthday: strengths + example where it's shown: weaknesses + example where it's shown: how it affects others:

emotional depth

attachment style + how it manifests in the story: physical fear: emotional/abstract fear: happy memory: sad memory: object of significance: philosophical outlook/belief: what characters are ignorant about themselves: how confident are they: goal: long-term dreams: what they're embarrassed/ashamed to tell others about: regrets: source of pride: source of misery: what they admire above all else: do they believe in fate:

personality

mbti: enneagram: big five: character archetype: star sign: who they pretend to be on the outside: who they actually are/how they feel towards the mask: mental health conditions: how it manifests for them: iq: eq: humour: reputation:

habits

bad habits: mannerisms when stressed: mannerisms when content: mannerisms when scared: mannerisms normally: verbal mannerisms/distinctive speaking style: how do they move across a room: what do they say and what remains unsaid: how they express love: hobbies:

appearance

defining features: eye shape + colour: hair texture + colour: skin texture + tone: vibe: height: build: clothing: any bodily disfigurement (scars, etc.): overall attractiveness: their opinion on their appearance: appeals to:

relationships

who they trust most: what they wish they could do for them: what's holding them back: who they hate most: what they wish they could do to them: what's holding them back: relationship with the protagonist: relationship with the antagonist: siblings: relationship with them: parents/step-parents: relationship with them: previous broken relationships: why did it break: what others expect of them: who believes in them: their mentor character/who they look up to: political/religious/other affiliations: what makes them different from every other character: non-human relationships + why: romantic "type" + why: relationship dynamics:

backstory/background

primary emotion towards their past: primary feelings while in their past: where did they grow up: defining incidents: earliest childhood memory: saddest memory: happiest memory: major accomplishments: their opinion on it: notable people in their backstory: effect on them today: trauma: what have they already lost: financial circumstance:

progression

why are they important (eg. why're they the only one able to do something?): what do they learn about themselves throughout the story: what do they learn about the world: how do they feel towards their newfound knowledge: character arc (positive, negative, neutral): how relationships change because of their actions: what mistakes do they make: what scene is their character highlighted: do they get what they want: why or why not: what happens to them after the story ends:

[bodhrancomedy]

Listen, I’ve been told that I put my characters through hell with their backstories, but I still think one of the saddest tropes is a lone wolf who is actually one of the most social, teamwork oriented people on the planet, but circumstances keep snatching that away from them. There’s no “I must keep my distance, I’ve become jaded”, it’s “maybe this time I can close the gap, please God.”

[vaguely-concerned]

literally never am I getting over the unexpected and acknowledged throughline in this game that 'part of the reason lucanis is so good at what he does is, surprisingly, that he has a frankly remarkable capacity for empathy'. his instinct for it is so strong that it even kicks in looking at actual demons he's been culturally conditioned to think of as mindless monsters and lets him realize that they are just as innocent in the middle of this horror as every other prisoner, which is what helps him survive in there and reach an understanding (and even a warmth beneath it all!) with spite, when spite was at his most terrified and confused and needed him. it makes him an incredibly kind and devoted friend, and a terrifying enemy. shorn of most of the compassion that goes along with it in his private life, he uses it in his professional one as one more knife to kill with as easily as he does in SO gently and softly helping to untangle lace harding's people pleasing problems with her. so long as the three categories of people -- family, enemies, targets -- stay distinct and separate in his head, this seems to be working out swimmingly for him! (well. that's probably what he'd tell you at least lol it's certainly helped him survive and do his job I'll give him that.) the MOMENT the lines start to blur, he is fucked. this dude was compartmentalized to hell and back long before the ossuary.

(he shares the 'incredible insight into people and human nature -- as long as I don't have to interpersonally engage with and adapt to it on the spot. b/c then you'll see the biggest mess you could ever imagine' trait with merrill. which does make quite a bit of sense in that they're written by the same person and also in my estimation a not entirely dissimilar shade of autistic lol. also yet another tick on the 'lucanis - iron bull parallels' tally haha. 'ben-hassrath, kid. we can use anything.' what if your circumstances and upbringing forced you to turn some of the kindest fundamental instincts inside you into tools for violence and you only got to keep guarded scraps of it for yourself. what if you're so fucking scared it'll break bad inside you some day and turn you into a monster and you'll end up hurting the people you love. saddest freeze slash dissociative trauma response handshake meme duo To Me)

[fanaticsnail]

presses the +1 button for write it write it write it re: the vampire post im

🥺🥺🥺

biggest, saddest, wettest eyes pleading sldakjlkgfdjksgkl

got out of work and immediately got smacked in the face with that post im aslkdjkglfd ALSO that gif of law is 👌

@remisloves

Anything for you, Remi! I'll call it a gift exchange for you for your art of my OC, Tobiuo. I also adore that Law gif, so I'm gonna use it again! Thank you for your ask, Remi 🖤🖤

Invitation

Masterlist Here

Word Count: 1,500+

Synopsis: Based on vampiric folklore, a vampire may not come inside a premises without an explicit invitation. The vampire, Trafalgar D Water Law, was now left with a predicament, and you were not playing fair about it.

Themes: Vampire!Law x gn!reader, mdni, 18+, NSFW, smut, prior relationship hinted, penetrative sex (reader receiving), bratty reader, begging, pleading, crying, vampire biting - blood consumption, porn with plot, biting, edging, based on this post.

Notes: Returning to my vampire era again. Oh no. Mini part 2 here.

“Please.”

That small word was the greatest symphony to the world’s most fantastic serenade. The body between your thighs, nestled with his cock deep within your abdomen, and rhythmically bucking up with the crude slap of hips thrusting, was the vampire: Trafalgar D Water Law.

You had been friends for a while, the heart pirates stampeding onto your island and begging to port to resupply from your homeland granted your first meeting. The captain of the Polar Tang had his Were-bear speak for him, Bepo the peaceful mouthpiece for his demands while negotiating the resupply. The winged naga, Penguin, and the fey trickster, Shachi, ensured you were informed of the dire circumstances they found themselves within. Their captain had been inadvertently starved, his grip on his own sanity slipping the longer he withheld his urge to feed on a human.

He was a doctor, and a creature damned, yet deemed savior to the living. His soul was long since departed, yet here he was: stripped down to naught but his essence and begging for you from your position above him.

“No.”

That response alone had him whimpering, his eyes stinging at the corners from the creases where his lashes kissed one another. He looked up at you like you were the lifeline tethering him to the world, coinciding with his desperate bucking, had you feeling superior and empowered.

While you did grant the Polar Tang permission to dock at your port, you did not gift Trafalgar Law, the vampire, permission to come inside your body. With the ‘rules of permission’ induced in with vampiric folklore, come and cum seemed to be interchangeable.

You had been edging this vampire for almost half an hour now. The mixture of your blood from a deep bite against your jugular swirled with the lust he was burying within you. Your body homed his cock with an ease he hadn't experienced prior, and he was easily lost to the feeling of your soul entwining physically with his.

“Please,” he cried out, his cock refusing to spill while his shaft shuddered in pure need, “I-I can't. It won't. The-... Please.”

His sweet babbles falling from your lips had you cooing and preening down at the dark-haired man. His inked fingers dug into your hips dangerously hard, his restraint tested with each slide of his cock dragging into your body.

“Why won't you let me come in?”

His round, glossy eyes darted between yours as his question rang deep within your mind. No amount of vampiric hypnosis could cause a human to invite someone in, and he would never dream of such a notion. He needed you to need him, and he had never been on the precipice of desire for as long as he was with you.

Pleasure had bloomed and crested within your body twice so far, and you had enjoyed each rock and buck from the skilled vampire who coaxed them out of you. Another wave of desire simmered the longer he begged, and your eyes glazed at how easily you sucked him deep inside you. He was lost with you, his heels planted while he encouraged you to pump his cock with your entrance.

“You want to come in?” you gently cooed down at him, cupping his cool cheek beneath your palm briefly before bringing both of your hands to perch on his shoulders. “You could have pulled out at any time, vampire. What held you fixated?”

“B-Better if I-I cum while drinking from you,” he admitted, his voice catching in his throat while he fought off the fatigue marrying his withheld release. “Please let me come in. I n-need to cum, I need to cum, I need to cum-!”

The captain you once met on your shore, stoic in nature and abrasive in conversation, was begging to flood you with his cum. He needed to release deep within you, and his resolve was wearing away at the edges the longer you forbade him.

“You can hold off a while longer,” you pouted down at him, teasing him with a gentle hand tracing his pectorals towards his sensitive nipple, “Show me that vampiric resilience.”

At that coax, a deep growl erupted from his throat while he rolled you immediately beneath him. He chased his high, the sloppy and languid thrusts of his cock prompting him to whimper and whine with each steady motion. You sighed and gasped at the new angle, your voice catching and fluttering in a similar mannerism to the way your body desperately contracted in rhythmic waves clapping against his shaft.

“You want to come inside?” you gently teased him. He cried out, sobbing while nodding his head at your question. His canines retracted over his lips, his mouth parting and gently tracing over the prior bite you first allowed him to puncture and soothe on your mortal flesh.

He was so hungry when you first met him, you could barely begin to escort him to town before baring your neck out for him to feast on. The eyes sunken and drooped, the features hollowed and forlorn of the vampiric captain tugged at your heartstrings, and you allowed him to feed from you to replenish himself.

After that point, you had not once invited him back to your house, nor given him permission to come in. Both of those factors now brought you heightened joy at the control you held above his head. Although you remained friends and grew in deeper infatuation the longer he remained with you, you were yet to take him fully home.

“Please let me come in,” he whimpered in heavy gasps against your neck, his lengthy tongue expelling and flickering over your skin, “I need to cum inside you. Please? I-I need you.” You flung your arms over his shoulders and cradled him in the nook. He didn't make a move to bite down or bully you, but his moans where muffled huffs against your skin regardless.

“Please.”

You hooked your legs over his hips and interlaced your ankles behind his back, digging your heels into his cool skin and spurring him to fuck into your body harder. His desperate thrusts ran sloppy and desperate as he sobbed into your neck. Your hands traced his tattoo before digging your blunt fingertips into his muscle.

“Okay, sweetheart,” you gasped, already feeling on the precipice of another wave of pleasure crashing over you at his sweet begging and pleading.

“You can come in.”

Immediately his sloppy motions sped up, his cum flooding your body with a stream of viscous release. His teeth surged down and punctured your pulse, moaning at your essence of life as it hit his palate. Your body was no better, immediately bowing your back in a perfect arch and giving in to your third release. White split your vision, the pain from his bite dissipating as your body reached a higher realm of bliss.

His rigid body fell forward, his sobs fading into growled huffs and pants while his cock twitched akin to matching his likely initial rigor mortis. His cool skin melted against your warm torso, his ice-like tongue lapping at the wound and healing it with his saliva.

As you felt your high dissipate, you attempted to wriggle away from his embrace to look up at the vampire weighing his body heavily on you. His grip on you was strong, and he seemed far away and withdrawn in his mind while he lapped at your skin.

“Law?” you queried, attempting to nudge him away from his position nuzzled into your skin. He released a sound that was akin to a laugh before slowly withdrawing up to peer down at you. Hips began to move once more, his hard and steely cock once again hitting a spot that shot sparks up your spine and need pooling in your belly.

“You invited me to come in,” he chuckled, pressing his forehead to yours while his he fucked his exiting cum back into your body, “I'm going to use that hospitality to the fullest, and come in over and over again until I deem it appropriate to stop.”

“Law-!” Your cries fell on deaf ears as he held your hips down and rut into you. Cruel slaps echoed within the room, his prior begs turning into feral grunts at each heavy buck. You reached down in a bid to hold onto him for anchorage, an action he slapped playfully away while he continued his animalistic brutality.

“Nuh uh,” he chuckled down at you playfully, “For all that teasing you gave me earlier, I am going to get my revenge by tearing out orgasm after orgasm from you. All you gotta do is lay there and take what I'm giving to you."

Your body gave in, need again returning and flooding your veins with its reignition. Lips parting and jaw slacking, your legs hang limply over his hips and encouraged him to thrust deeper and harder. His hands move to circle your thighs tug them against him to gain leverage for his motions.

“That's it,” Law praised you with a cockiness in his tone, “You just think about what you did to bring this on. Gonna cum in you whenever I want now."

"Thank you for your invitation.”

Tag list: @mfreedomstuff @daydreamer-in-training @since-im-already-here @gingernut1314 @writingmysanity @i-am-vita @indydonuts @feral-artistry @the-light-of-star @empirenowmp3 @racfoam @sunflowersatori @carrotsunshine @skullfacedlady @jintaka-hane @thenotsofantasticlifestory

[lemongrasstea1677]

okay im going to rant a bit about Tokyo Debunker players that kept saying the mc is a pushover and doormat and she needs to grow a backbone because one: what the fuck do you expect her to do?

Imagine this, the saddest moment of your life before darkwick is you about to go home after a concert of your fave band disbanding and now the saddest moment of your life is that thinking you're useless because you can't be any of help to the people who you're supposed to be helping ever since you got cursed and helping them apparently could get the cure to your curse.

and oh btw the guys that needs your help with their work and will verbally abuse you just messaged you 15 times you should get to that

SHE IS CURSED PEOPLE, IF SHE WANTS TO LIVE SHE HAS TO HELP THEM NO MATTER THE CIRCUMSTANCES OF WHAT THEY SAY TO HER

I'm so sick of these people ranting about how so much pushover of a person the mc is but then defend fucking leo kurosagi because his character is "interesting"

i mean don't get me wrong, you can love Leo's character but that doesn't mean that you should shit on the girl because she's nice and tries to be kind despite some of the guys here being an absolute asshole and defend Leo when he himself uses his only best friend for his benefit and amusement

the people that says this to the mc don't even try to call out the fact that these men doesn't need to be assholes in general

"oh but she still has to stand up for herself" WHEN SHE DOES SHE GETS SHOT DOWN IMMEDIATELY AND SHE CAN'T DEFEND HERSELF BECAUSE AGAIN SHE NEEDS TO BUILD A RAPPORT WITH THEM AND DEFENDING HERSELF MEANS SHE'LL DESTROY WHAT SHES BUILDING BECAUSE THESE GUYS ARE PRIDEFUL THAT AVATAR OF PRIDE LUCIFER HIMSELF

like for example Haku he was not mean to her and in fact one of the most mature character in this game because he understands what she's going through, but the other guys despite being treated with absolute kindness treats her very shitty and verbally abuses her on a daily

you can't excuse their behavior as boys being boys either because you got to realize THEY ARE GROWN MEN.

okay i got a little sidetracked with my tangent there but yeah thats all i want to say, uhhh fuck people who hates mc like that

[comehomet0myheart]

Past Lives works so well for me because I am so enamoured with pragmatism in fiction.

I read and watch a lot of stories about idealized love stories and I often enjoy them too! I spent my entire childhood believing that the teenagers who got together in the media I consumed would stay together forever. And then as I got older, I was naturally introduced to more stories about romances that didn’t work out. Still, it’s hard for me to think about those as pragmatic, most of them have this desire for sadness in them. They would make me feel as though the devastation was the point, that the narrative was forcefully bent toward the saddest outcome.

Past Lives doesn’t make me feel this way. Nora doesn’t stop talking to Hae Sung because of an unforeseen tragic circumstance. She makes a choice and goes through with it. Hae Sung puts it best during their conversation at the end of the film. She is the kind of person to leave. And he loves her because she is that kind of person. The “what-if” isn’t in wondering about if circumstances were different. No matter what, she would have chosen her plays over anything else. Her husband even notes that so much of how their relationship happened is because he fit so well into the life she wanted. The whole reason this film is called “Past Lives” is because that’s the only way to ponder about whether Nora and Hae Sung could be together.

It’s such a delightfully Asian perspective on it. “In another life” films are so common, but I always feel like Western movies do it in a kind of parallel universe kind of way. I love that in this one, Nora is so steadfast and consistent in her personality and desires, that there is no real contemplation and consideration of making her and Hae Sung’s relationship work. There is only a longing and a love.

[the-fiction-witch]

You are not a Queen. You are The Queen. My Queen.

Media - House Of The Dragon Character - Aegon Targaryen Couple - Aegon X Reader Reader - Alysanne Targaryen (Daughter of Rhaenyra, wife of Aegon) Rating - Sweet AF Word Count - 2437

The carriage bumped and bustled through the king's landing streets, the crack of the whip of the horses echoing in the mad rush. 

Alicent sat across the carriage in her impressive green dress, with golden chains and symbols of the faith of the seven. The crown she has always worn as queen nettled in her brown hair with her veil trailing down her back. She sighs and hardens herself for what must be done. 

Aegon sits dressed in his finery even if he shivered and he slightly cried trying to think of any way he could escape this fate. "Do you love me?" He asked his mother his voice plaid it like a joke but she didn't know the strength it took for him to utter those four words, and the deep tethers within him that those words and her answer would hold. 

"You imbecile," she shook her head, 

Her answer was enough of an answer for him to understand, but he felt compelled to speak once more, "Where is Alysanne?"

For a moment there was silence, and it spoke more than her words ever could, but after a time she speaks, "I send word for her but she could not be fetched. We couldn't wait."

He chuckled, "She is my wife." He glared, "We couldn't wait five minutes for her?" 

"every moment we wait risks the wrath of dragon stone."

"Yet you had time to change your dress?" he glared, 

"She would remain where she is safe, with the children." 

"So if Rhynera comes to burn the red keep we will all be in the dragon pit, except my wife who is in the red keep." 

"That is not what I intended-"

"Maybe not but its a helpful circumstance," 

"We should not speak of this," 

Aegon tried to protest but they arrived at the dragon pit, before anyone had much time to think Aegon was forced from the carriage and taken inside no matter his arguments.

The High Septom prepared the oils as the smallfolk were forced through the streets and ushered into the dragon pit until it was full, A small stage was set up with Alicent, Otto, Cristen, Helena and Aemond all waiting, preparing for this moment. 

Otto steps out to address the crowd, "King's Landing! Today is the saddest of days! Our beloved king, Viserys the peaceful... is dead!"

Muttering of shock comes from the crowd, 

"But it is also the most joyous of days!" he continues, "For as his spirit left us, he whispered his final wish that his firstborn son Aegon should succeed him"

more muttering but soon applause echos through the dragon pit, 

Members of the city watch rush the dragon pit pushing smallfolk as they do, they make a path to the stage half to keep smallfolk out, and half to keep aegon in. Horns ring out in royal tones as the armoured men raise their swords. 

Aegon does not wish to do this but he is forced out, so he takes slow and gradual steps a tear slipping from his eye as he begins the walk, the swords dropping behind him one by one, Each step makes him want to run, makes him want to fight his way out but with each one he is cementing his fate. 

His family's fate. 

His people's fate. 

His city's fate. 

His realm's fate.

He glances back and sees the swords are preventing his way, he really has no way back now. 

He holds 

"It is your good, great fortune to be here, to witness this. A new day for our city. A new day for our realm. a new king to lead us." 

He looks up and meets eyes with his mother a rage boiled inside him, that all this was her doing. 

When he climbed the steps she came and held his cheeks kissing his forehead, leading him by the hand to the Steptom of the faith of the seven. 

He looks to Otto who two gives him no choice he simply nods to him,

So Aegon kneels, 

silence rings out, 

"May the warrior give him courage, may the smith lend strength to his sword and shield, may the father defend him in his need, may the crone lift her shining lantern and shin his way to wisdom." the Septom says and with each anoints his head with oil, 

The crown is then taken from its pillow. The crown of Aegon the conqueror, sharp spikes of Valyrian steel with gems and jewels of finery. 

"The crown of the conqueror, past down through generations." Sir Criston takes the crown and places it on Aegons head even if the crown doesn't fit him right, "Let the seven bear witness, Aegon Targaryen is the true heir to the iron throne." 

For the first time in what feels like hours, Aegon lets out a breath, feeling the weight of the crown on his head, he gets to his feet and looks to everyone in attendance seeing how each bows to him,

"All hail his grace! Aegon second of his name, king of the Andals the Roynar and the First Men. Lord of the seven kingdoms and protector of the realm!" 

The bells toll out as cheers erupt for him, 

Aegon looks out to see the faces of all those who cheer, all those who look at him with joy, none of them know the death and destruction he brings. But even so, he can't help but feel a pride, and a swell of his ego as he takes Blackfyre from his belt and thrusts it into the air. For a moment he is swept up in his own family's pageantry and feels a joy to be king. 

But it doesn't last, as a rumble comes from below and suddenly dust and stone erupt up from the floor of the pit, people scream and try to run but there is no way to get away as the floor crumbles under their feet the red queen comes though the floor the dragon crushing smallfolk and killing hundreds in her wake otto tries to demand the doors to be opened but people are already dying, as Rhaenys sits on top of her dragon as the dust clears.

Alicent jumps in front of Aegon putting herself between the dragon and him,

The Red Queen screeched at everyone before turning and flying out and away into the sky. 

Aegon remains in the dragon pit, the pageantry of the moment long faded, the true death toll of his day hitting him, the weight of the sword in his hand and the crown on his head causing him to ache. He had such conflict in his heart, as he truly thought it all though. 

He never wanted this... and yet it was done. 

He never thought he was the heir... yet now the crown rests on his head.

His coronation... left hundreds dead. 

This moment... had surely begun a war that would tear apart his family, his realm, his house and all that he held dear. 

And in all of it, he stands alone, or so he thinks. 

Alysanne walks the up the stairs he walked up, her eyes looking only at him. Her gown is a body of green velvet, with silver threat lacing the bodice, black leather sleeves tight to her skin all the way to her wrists, a large skirt of green velvet with black flames embodied on the bottom, a long cape from her shoulders of a sheer black fabric cut like dragon wings. Her hands behind her back as she reaches the stage, she bows to him dipping her knees and lowering her head before her eyes meet his once more. 

His wife, in this moment, she is the light in this darkness. but there is so much sadness in him as he looks at her starlight eyes. 

"I am sorry Alysanne," He told her, 

"I hardly believed it to be true," she began, "Once word reached me." 

He felt unable to speak,

"Oh Aegon..." she said, "what have you let your mother do to you?"

Aegon looks at her with a mixture of guilt and shame, his throat tightens with emotion as he takes in her words. "I didn't have a choice,"

"I know." she nodded, "You are the king," She said almost not believing her own words,

He looks away, his mind filled with sorrow and anger, he is king, but he isn't happy. "This... already ways heavily on me... I cannot carry it alone." 

"If you are a king... I suppose that makes me a queen," 

He feels the weight lift a little, to know that she is beside him in this, "I am not a King. I am the king. You are not a queen. You are The queen. My Queen." he gives her an affectionate smile,

"so it would seem," A smile escapes her, but soon fails, "what- What is to happen to our children?" Her voice was full of fear,

Aegon's heart sinks as she asks, he knows his children are in danger, he feels already like he has failed them and his wife, he knows no matter what he can't protect them from this. "I do not know..."

"Forgive me, I should not sour your victory with my concerns."

"You should, concerns are now my most important matters." He told her, "I am sorry Alysanne, truly, I wanted to share this moment with you more than anyone. I am so sorry you were left behind,"

"... well, it's over now. it doesn't matter."

"It does. you are my queen and the fact you where not beside me for this moment... it breaks my heart."

"I admit... I am upset. that your mother had called this, not just for the politics and the show of the realm but... she wore her finest dress, her gold and her jewels, brought your family here, coronated you in front of thousands, gave you a crown, a sword, and the title of king... and I. Was left at the red keep with our children. Like a nursemaid." she explained, "I wish I could have been here is all..." 

He felt his blood boil that she felt this way, he took her hand and squeezed it, "I wish you could have been here, I wanted this to be for us. I wanted to take the crown with you by my side to take your own. I wanted our children to be here to witness the crown that may one day be theirs. and my mother robbed us of that... I am sorry, truly sorry. and I know I can never repay the injustice done to you." he explained, "You are my queen... and... you do not even have a crown." 

"I do." she said, as she revealed her other hand, "She gave me this when they arrived back to the red keep." she said and in her hand sat a small tiara of gold and green. No larger than a hair clip, and for a moment he remembers the crown his mother had worn today a large headband of gold and emeralds His own wife. His queen. Was tossed a crown, Without even being given a coronation. "I... I hardly wish to wear it at all... seems... foolish," 

Aegon stares at the tiny tiara and feels an intense surge of anger at the treatment his wife has received. It is a reminder of her insignificance in his mother's eyes, and it hurts him deeply. But he doesn't want her to be sad, he wants her to be proud of her new station. He looks at her, her face filled with a mixture of anger and sadness, and he doesn't want her to feel that way. He wants to make her happy and to make her feel wanted and accepted. "Wear it." He says, firm but gentle. His voice is a command, but also an appeal. He wants her to wear this crown, to let the world know that she is his wife and his Queen and that he is proud of her. He wants everyone to know that she is the Queen, no matter what his mother says or does. 

"There's no point..."

"Here," He takes her by the hand and tugs her with him to stand in front of the banners, he takes the small tiara from her and smiles, he gives it a clean on his shirt to make sure no fingerprints are on it before he does is most epic and dramatic voice for her, "May the warrior give her courage, may the smith lend strength to her sword and shield, may the father defend her in her need, may the crone lift her shining lantern and shin her way to wisdom. May the mother be an ever-sweet light in her life, may the maiden keep her safe, and may the stranger's visits be few," He explained, "The crown of ... uhh... the most beautiful of queens," he makes up as this crown had no name, 

she chuckles at him and he gently but sweetly presses the tiara into her hair, crowning her as his queen, his hands run down her hair and he kisses her lips softly, 

"Let the seven bear witness, Alysanne Targaryen queen of the seven kingdoms." he proclaimed, "All hail her grace! Alysanne Targaryen, queen of the Andals the Roynar and the First Men. lady of the seven kingdoms, protector of the realm, beloved bride and mother. My queen. My sweet queen," he cooed, 

"Thank you Aegon," she smiled, 

"You're welcome, and I promise you. You shall have a crown more worthy of your beauty and title." He smiled, 

"I think we have more pressing matters than a crown Aegon," she said,

"True," He nodded as his heart sank, "... you said once, not long after our children were born, that perhaps it would be best to cut or losses, to fly to Dragonstone with the children to meet with your mother, to cleave to your mother and beg for her mercy." 

she shook her head, "... it's too late for that Aegon, no matter what side we are on. Blood will be spilt, and the only way to keep our children alive is to be on a side of our own." 

He nodded and briefly smiled, "You took to talking queen fast," He chuckled, 

She smiled, "Aegon darling, I have been talking and acting like a queen for as long as I can remember. Our family ensured that. Come. The children wish to see their new king, and we have much to do." she explained taking his arm, he nodded and squeezed her hand happily walking with her even if the two were beyond scared of what now was to be done. 

[mur4sak1]

How would elves behave during an argument?

A/N: Remember that English is not my first language so I hope I wrote in the best way <3

Characters: Rog, Galdor, Glorfindel, Maedhros, Legolas (bonus)

Rog: guys, this elf would be really scary. Contrary to what you might think, he would lose his temper very easily; he works all day in the darkness of the forges and when he leaves he just wants to have a good rest, so further stress from an argument would drive him out of his mind. He's the typical person who screams without thinking twice and says things he doesn't mean in anger. His way would destroy you every time, making you burst into tears from how bad he made you feel... but as soon as he saw a small tear running down your face he fell silent, forgetting everything that was happening; Was it him who made you like this? He was making the only person who loved him and who had always supported him in his darkest moments cry. He would stay still for some time, with a thousand thoughts in his head when a louder sob from you would bring him back to reality. He would apologize to you but he would do it without meeting your gaze, he is suffering too much for what he did and he wouldn't have the courage to see your destroyed expression. But you knew that he loves you more than anything after all. With difficulty you would get up and hug him as tight as possible, telling him that everything was fine, that you knew he didn't think those things and that you loved him... You couldn't see his face, but a tear fell from his eyes.

Galdor: NOW LET'S ALL GIVE A HUG TO THIS WONDERFUL ELF TOGETHER. He would always try to find a solution peacefully, without discussions and the need to argue, but if this happens you should not fear anything from him. He would NEVER scream, he would NEVER raise his voice, he would NEVER say anything mean to you just to hurt you or win the argument. I mean, it would be fantastic. Maybe due to particular circumstances you would have become so upset that you felt angry against the elf, but in any case he would have spoken to you in a calm and reasonable tone, making you understand that you didn't need to react that way. If the pain brought you to tears, he would hug you and console you like a defenseless child, helping you and trying to get you to vent so that he could fully understand what was troubling you so as to avoid misunderstandings. Galdor would have been able to understand and love you more than anyone else, always.

Glorfindel: It was rare to argue with the blond elf, but sometimes it happened and the situation became quite lively. Glorfindel always tried to keep his problems to himself and not involve others because he was convinced that difficult moments should only be faced with those you love. Furthermore, he certainly wanted to avoid all that useless gossip that many elves had on any topic that might attract their curiosity. Although his character was often extroverted and playful even in the saddest situations for this reason, when he argued with you it wasn't uncommon to hear shouts and snorts coming from your rooms. They would not be screams that expressed malice, but screams that asked to be listened to; it was natural for him to raise his voice when he wasn't listened to and in that way he expressed all his frustration and the pain that the discussion with you was bringing him. He always acted for your good and feeling attacked made him suffer, he wondered what he was doing wrong, what more did you want from him. But the intense mix of emotions inside him prevented him from acting rationally, forgetting how to express them and focusing only on everything you said. After a long time arguing like this you would have reached the point of being exhausted and progressively raising your voice would have left you breathless. You would stop to breathe for a fraction of seconds, with the certainty that everything would soon start again. But after rubbing your eyes, you looked at your elf's face and saw in him all the pain that he was trying to say to you through his tone of voice; his fists were clodes, his head was bowed, his forehead shiny with sweat and a few blond hairs stuck to it. In an instant you understood everything... You breathed a heavy sigh and quickly approached him to hug him, starting to beg him to forgive you and sobbing heavily between one apology and another... Caught off guard, after a few seconds he relaxed his arms and reciprocated the hug. Finally he let himself go to his feelings; he rested his head on your head and the wet of sweat combined with the wetness of a few tears. So he was able to express everything he felt and only at that point would you be able to clarify and return to being happy and in love as always "I just want to always be perfect for you".

Maedhros: I'm sure fights with the red-head would be very peaceful. Having grown up in a large family and in the role of an older brother, he had developed a lot of patience thanks to which he could easily handle any type of conflict with you. Contrary to what many might think, after Angbad Mae would not have vented the pain on you with shouts and insults, but quite the opposite. After the terrible torture he suffered, the only thing he wanted was to feel accepted and in you he found his salvation; in all the darkest moments where his mind couldn't differentiate reality from dreams you were there by his side to help him, without ever making him feel wrong and making him understand how strong he was to have overcome such a trauma. For this reason, he would feel like a terrible elf during arguments. He only wanted to offer you the support that you represented to him every day but instead he felt more like a burden to you. This would make him cry a lot, but in silence and alone, because he feared that with every little clash you would abandon him. He just needed time, time to understand that you would never, ever abandon him; you always told him that you loved him more than anyone else and that he needed your support to be able to return to the sweet, confident elf he once was, and you would do anything to help him. Needless to say, every time the arguments were resolved without even face them... there was too much love that bound your hearts to ruin it for superficial reasons.

BONUS. Legolas: So, I honestly see Legolas as the kind of elf who would be capable of walking away during an argument. Perhaps due to stress, lack of patience or lack of desire for confrontation, he could stop the conversation, pick up and leave the place where you were. But in reality his behavior would be the solution to the problem. In fact, the much anger that you had accumulated would have faded with distance and the passage of time and would have made both of you understand how much you cared for each other. Solitude would have helped Legolas to think clearly about the problem and find a possible solution to make them both happy. When you met again you would have made peace, both apologizing for your abrupt ways and organizing something to spend the evening together.

[purplewitch6666]

Rhysand's SA of Feyre UTM is real, and the way it is brushed aside is hard to reconcile. So let's talk about it (inspired by an amazing fanart of Feysand UTM).

1. "Drink, you'll need it." "No." "Drink."

The faerie wine is a way to control Feyre, stripping her of her ability to resist or even fully remember the SA she endures. By forcing her to drink against her will, Rhysand takes away her awareness and her consent, putting her in a position where she can't defend herself, can't remember, and can't even process the trauma of what is happening to her. The fact that she loses entire chunks of time under the influence of the wine, along with his mind manipulation, is incredibly dark. He exploits her vulnerability in the worst possible way, taking advantage of her defenseless state to make her an object of display and control.

And the blackouts likely make it easier for her to excuse his actions later because she can't fully recall the details—her memories of the abuse are fragmented, which makes it hard for her to confront the reality of what happened. By removing her memories of the trauma, Rhysand essentially robs her of the ability to even begin healing from it, which is both abusive and manipulative on a profound level. That line where Feyre admits to looking forward to the faerie wine is heartbreaking and reveals the depth of her trauma and desperation. She's so overwhelmed, so physically and mentally trapped UTM, that she starts viewing the wine as a reprieve.

When Feyre clings to the chance of escape, even if it means blackout oblivion, it's clear she's developed a trauma response—a desperate coping mechanism to endure her circumstances. She craves that brief numbness, however forced, to escape the horror of her reality, even though the wine also strips her of her autonomy and memories. This moment does not show her acceptance of what is happening to her, but rather how deeply damaged Feyre is, to the point where the very thing that is hurting her becomes something she grasps onto for a sense of relief.

She's left with only the tools of her abuser, clinging to the one thing that allows her to survive, even if it means blacking out parts of herself. And that's one of the saddest aspects—she's forced to use the very method of her exploitation as her survival mechanism, and it reveals how utterly trapped she feels. It's incredibly troubling to see this suffering reframed as some sort of prelude to romance, especially when her trauma responses, like craving the oblivion of the wine, go unaddressed later.

2. "From the neck down, I was a heathen god's plaything."

Dressing her up like that is another layer of control and degradation. Rhysand doesn't just make her a spectacle, he strips away her agency and autonomy in how she presents herself, reducing her to an object—"a heathen god's plaything." It is a costume designed to sexualize and dehumanize her, reinforcing his control while robbing her of any in how she looks or is perceived. Feyre is reduced to a pawn in his game, forced into a role where her dignity is actively stripped away. And that lack of choice over her appearance isn't a small detail—it shows how calculated his cruelty is, how every element is crafted to control and humiliate her while leaving her feeling exposed, objectified, and powerless.

Fast-forward to the Court of Nightmares, and it's disturbing to see Feyre wear a similar costume with Rhysand's approval and guidance. In ACOMAF, it's framed as Feyre's choice, as part of a scheme they're in together, but the undertone is still there—that her body, her appearance, and her sense of self are manipulated to play into Rhysand's strategy. While she consents this time, her "consent" is given within a framework that echoes her previous trauma, with Rhysand guiding her actions in a place where she once felt utterly degraded. This creates a troubling dynamic, as she's stepping back into a role of objectification and sexualization, one she didn't initially choose. It's like Feyre is reenacting her trauma in the name of strategy, and Rhysand, rather than considering the impact of such an act, almost seems to encourage it.

The narrative attempts to pass this off as empowering, but it feels unsettlingly manipulative. Feyre is using her own trauma against herself in a sense, allowing herself to be dressed up, touched, and paraded in a way that directly mirrors her exploitation UTM. Rhysand's involvement in this scheme blurs the line between a partnership and a twisted repetition of his control over her. What's especially disquieting is that it’s framed as something clever, as if allowing herself to be objectified is her best option, which glosses over the ways this echoes her previous abuse. The lack of self-reflection or deeper acknowledgment from Rhysand about how disturbing this could be for her is another glaring omission. It's treated as if the past doesn't matter, as if she can simply step back into this role and play along.

3. "As soon as his finger left my skin, the paint fixed itself."

Rhysand deliberately puts Feyre in degrading positions, like having her sit on his lap or by his feet, dance between his legs, turning her into a kind of possession to flaunt in front of everyone. That sort of physical control and forced closeness is a form of SA, plain and simple, and it is deeply violating for Feyre. But let's talk about the non-consensual touching that Rhysand engages in that is frequently excused because it is on Feyre's waist and sides. Let's look at this scene when Rhysand demonstrates how the magical ink on Feyre's body works:

I braced myself as he ran a finger along my shoulder, smearing the paint. As soon as his finger left my skin, the paint fixed itself, returning the design to its original form. "The dress itself won’t mar it, and neither will your movements," he said, his face close to mine. His teeth were far too near to my throat. "And I’ll remember precisely where my hands have been. But if anyone else touches you—let’s say a certain High Lord who enjoys springtime—I’ll know."

What is particularly alarming about this is Rhysand's ability to fix the ink that he smudges with ease. This suggests that he might be touching Feyre anywhere on her body without leaving a trace, only choosing to smear the ink in a way that is minimal and non-incriminating as a deliberate tactic to create an illusion of consent and innocence to ensure that Feyre believes he isn't crossing any boundaries, while the reality is far more sinister. Since Feyre is blacking out each night, she has no way of knowing the extent of his actions.

This creates a disturbing dynamic where Feyre is left questioning her own experiences. The boundaries Rhysand establishes through selective touching serve to confuse and trap her, making it easier for him to maintain control. The knowledge that he could be touching her inappropriately without her knowing adds a layer of psychological torment. It underscores his power over her autonomy and reinforces the idea that she is never truly safe from him. The smudged ink is merely another tool of deception, allowing Rhysand to manipulate her perception of what is happening to her body.

4. "I spent my days sleeping off the faerie wine... to escape the humiliation I endured."

Yes, this line is important because it reveals just how deeply broken Feyre feels UTM, using sleep to escape the horror and humiliation forced upon her by Rhysand. Her days blur together in a haze of faerie wine and sleep, a desperate attempt to shut out the reality of what she is enduring. Sleeping through the pain, drinking away the humiliation—these are raw trauma responses, the signs of someone who feels so trapped and powerless that unconsciousness becomes her only refuge. It's not a choice born out of comfort or peace, it's survival, an act of shutting down just to endure the next day.

This level of psychological exhaustion—using sleep to escape humiliation—shows the depths of what Rhysand's SA does to her. Each day, she wakes to a fresh cycle of abuse and trauma, so she retreats in the only way left to her: shutting her mind and body down. Even without full memories, a part of her mind understands the darkness she is facing and tries to find any means of survival. Yet, that's the last we see of Feyre's trauma responses to her SA by Rhysand.

In ACOMAF, we see Rhysand haunted by nightmares of his SA by Amarantha. His distress is severe enough that Feyre even helps him through one of these episodes when she is staying with him at the Townhouse. It's clear that his trauma around the abuse he suffered under Amarantha is still raw and unresolved. But it raises an unsettling question: why does Feyre no longer seem to exhibit any nightmares or trauma responses tied specifically to her SA by Rhysand?

Feyre's lack of nightmares surrounding her experiences with Rhysand, especially given her coping mechanism of sleeping off the humiliation, feels absurd. It implies a troubling erasure of her trauma, suggesting that either she is suppressing these experiences or the narrative chooses not to engage with them. Instead, we see her nightmares focus on other parts of her trauma UTM—like the faeries she killed to save Tamlin—but the specific horror of being abused by Rhysand is conspicuously absent.

5. "Don't get me started on what you did to me Under the Mountain."

When Feyre tries to bring up her SA in ACOMAF, it's dismissed with barely any meaningful confrontation or healing process. Rhysand's near-breakdown and avoidance make it seem like his feelings take priority over Feyre's trauma—a strange and uncomfortable narrative choice. Feyre deserves closure, and readers do too. It's painful to see the story shift to make him the hero without ever fully grappling with that past harm. The lack of acknowledgment or accountability not only undermines Feyre's agency but also misses the chance to explore the complex journey from trauma to healing.

What's even more disturbing is how Feyre's SA by Rhysand is recontextualized to excuse his behavior as somehow protective or necessary. It creates a twisted narrative where his cruel choices are somehow reframed as noble or sacrificial, without ever allowing Feyre her rightful anger or trauma over that experience. The absence of a real, open discussion about this later on in the series—one where Feyre's trauma isn't overshadowed by Rhysand's guilt or anger or avoidance—is a glaring gap.

In failing to fully address the impact of Rhysand's SA on Feyre, the narrative ultimately deprives her—and the readers—of the resolution and healing that her trauma demands. The fact that her suffering is left unexplored while his is highlighted skews the focus, suggesting that his redemption and guilt matter more than her recovery. This imbalance not only erases her experience but distorts her journey from survival to empowerment. A truly powerful narrative would allow her to confront him and reclaim her voice, addressing the harm he inflicted.

There's so much more to unpack here that I'm sure I'm missing—like the nightmare fuel that is Chapter 54. Anything else you guys would add?

[taxevasionismyfavactivity]

a little bit of manga spoilers ahead

ok speaking in fanfic terms. jinmao as parents has so much fluff potential.

It's like, that one trope "when the parents didn't have that much of a good childhood but they strive to give their child a great upbringing" idk if it has a shorter name but lmk if it does

and don't take this out of context!! both Jinshi and Mao Mao 100% had people who cared (and still care) about them when they were children, but also:

you can't tell me this isn't the saddest thing ever (even though Mao Mao herself would disagree with my statement)

it makes sense, of course, courtesans in the pleasure district must prioritize their work to survive. still sad that Mao Mao (and well, probably most of the children born there) are always secondary to their job.

outside of this, theres also every moment when something went really wrong for mao mao because of how dangerous the red light district is (i sometimes forget that one of those moments have started the whole thing)

and oh, don't forget that her relationship with her biological parents is wrecked. Fengxian hated her. (Although i do like to believe that if things worked out and she didn't go insane then she'd love her daughter) And Lakan for sure loves Mao Mao, but she definitely can't say the same for him.

on Jinshi's side, things are obvious way, way better taking in the fact that he's a noble and of course always had people that would take care of him.

actually, his situation is similar to Mao Mao's in the sense that both of them had parents that weren't present / lacked involvement during their childhood.

And again!! I'm sure that Lakan & Ah-duo both would've loved to be more present during Mao Mao's & Jinshi's childhoods, but alas, they weren't able to due to the circumstances.

i guess it just something that comes with being born into the imperial family because (as it seems to me at least) people like Gaoshun, Basen and Suiren are more close to Jinshi than his actual family is.

so yeah. this is of course headcannons and all, but i rlly do believe that jinshi n mao mao as parents would really try and make their child's upbringing better than they had it themselves and that might be the sweetest trope ever js in general

slightly unrelated, but this got me thinking.. by the end of the LN, how will jinmao's relationship even end? dunno how much more volumes there's going to be, but im intrigued to see where it all eventually leads to. there is usually no romance tag tied to knh but these two's masochist's relationship is really the centerpiece of the show (for me at least)

[thisismeracing]

hi, was wondering if you would be able to write an imagine about lando norris inspired by ariana grande's new song, we can't be friends. i really love how you write thats why i left this request. hope you'd be able to do it! thank you! <3 much love!

We can't be friends | LN4

⸺ the one where they loved each other, but for outside circumstances couldn't even be friends. ✓ mentions of online hate, rumors of cheating; angsty. fem!reader (she/her).

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You were his teammate's before you were his.

You were Oscar's girlfriend. Oscar's best friend. Oscar's rock.

And Lando admired Oscar, he even felt protective of the driver. Yet, he couldn't help but wish the one thing he couldn't: your love.

Lando was your boyfriend's good friend, as close as it could be to becoming best friends, as close as a working relationship would let. He was the one Oscar ran to when he needed to vent about driving, or needed advice. Yet, you couldn't help but fall for the one person you couldn't: Lando.

It happened too fast. It took you by surprise. One second you were visiting the McLaren facility for the first time, and the second you were facing ocean-green eyes with a hint of light blue. One second honey brown was your favorite, the other you couldn't help but crave the unknown of light green. You thought it was a good friendship, the kind people write those sayings about, souls that find each other but aren't supposed to fall romantically, souls that are destined to be friends, the best of friends. However, you did crave it. 

Lando knew how to make you laugh the way no one else knew. He had the best hug in the world, strong arms, warm body, his breath hitting your skin just right. One glance and you were done.

And done is what you decided to be with your years-long relationship with Oscar. You would not lead Piastri on. Before his girlfriend, you were his best friend, and so you sat down and with teary eyes told him you fell for someone else. The Aussie was a smart guy, he tried to brush it off all those months, he told himself Lando was that friendly with everyone, that the British worried about everyone else the way he worried about you, while deep down he knew something else was growing, something else was already there by the time you so much as shared your first glance. But you were his first love, his first girlfriend, his best friend. You shared everything together. He won with you by his side, he lost with you there too, so Piastri wasn't ready to let go.

That's the funny thing about heartbreak, it doesn't wait until you're ready, it doesn't give you an evacuation notice, it just bursts in one day and tells you that the house that used to be filled with joy and love is about to be empty for God knows how long.

Oscar wasn't ready for his house to be vacant. Because the void would feel so much bigger without his teammate as well, it was obvious that their friendship would be compromised after the end of his relationship. He lost not only his lover but his friend as well.

Hence why he was so bitter about that particular ending. You took everything with you. Every memory of his life had you, the happiest and saddest, and you didn't even leave him the option of blaming you, because you broke up with him. You didn't cheat. You didn't go behind his back. You chose to end things with him so that you could be with Lando, and for a few days, even weeks, Oscar wished that you had cheated on him, that you had broken his heart in the nastiest possible way, because what you did end up being even worse.

When you started attending more races you knew you couldn't be friends with Lando, you told him so. It was too risky, too hard. Impossible. So you kept repeating to each other you couldn't be friends until one day you could – or so you thought. Because as it turns out, when you're famous your life is not always yours, not only yours. Oscar was famous.

And so was Lando.

The public was already reading between the lines whenever you interacted with Lando. People can try to lie with their bodies, but their eyes usually turn them in, and you guessed your eyes turned you and Lando to the fans. So much so, that they decided to throw hate when your breakup with Oscar was announced.

Every piece of social life you had was disturbed by spam accounts and fan accounts. Angry and bitter messages. Threats and more threats.

Lando's career was on the line, and so was yours because people started showing up at your work asking about you, about Oscar, and about the British guy you were in love with.

Oscar kept his silence. His heart was too shattered for him to care. The truth was, somehow, he felt like that was your curse: you couldn't even be friends anymore. Not him and you. Not you and Lando. Not him and Lando.

"I'll be alright," Lando whispered trying to give you a small glimpse of reassurance.

You nodded, you knew it was true – or so you hoped, but for that to be true you would have to give up way too much. "We can't be friends," you confessed, and the silence almost swallowed you two. It broke your heart the way his eyes shone with tears, the eyes you loved so much, eyes you wanted to swim in, lost yourself in. "But for today I would like to just pretend," you added, intertwining your fingers.

Lando bit his lips but nodded, the situation was complex. You used your free hand to trace his sharp features and closed your eyes when your noses bumped. You felt his warmth, held him close one last time, kissed him in a final way – a way only lovers that wish with all their being to be together but can't, knew.

When you realized your feelings for Lando, you knew you couldn't be anything more than friends. Just friends. Now, a couple of months later, not even that would suffice. You couldn't be your lover's love, and worst of all you couldn't be your lover's friend.

────── ⋆🪩 VOICEMAIL: Hi, honey! Hope this met your expectations! <3 I feel like I dived a bit too far from the song, but hopefully it's still good! Let me know your thoughts *mwah*

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