#the question is. if i do this. how many do i actually Need.

[stupid-autistic-rat]

Answering these cuz' i' m bored :'] ( I MISS MY WIFEEE RJFMNED )

Which category of alterhumanity do you belong to?

Therianthropy ! 🐾

What/who is/are your type(s)? (if you have any)

I am a Mexican wolf , at least I think that' s my breed , not too sure

Do you experience shifts? If so, can you tell us your most common shifts and your strangest cameo shift (if you've ever had a cameo shift)?

I do , I just realised how they fly right by my head tho T-T my most common one would prolly be mental shifts. I haven' t had many cameo shifts , only a few times where I felt more fox like or different breeds of my kind

How do you experience your alterhumanity in everyday life?

Uhhh i' m not too aware of that tbh , I just kinda do what I do. Just a wolf in the world. Ig it kinda affects me when I make decisions or state my opinion which is usually noticeably different from human opinions or decisions.

What do you think of the community?

Everyone is really nice and awesome !! 💪 working on a server rn so we can all interact :P

What are the things that make you most comfortable and euphoric in your alterhumanity?

Not too sure , just kinda chilling in my den makes me feel good. Idk how to explain how I feel too much. Maybe gear would make me feel more euphoric but I don' t need too much to prove to myself who I am. COMFORTABILITY tho I label differently. Meeting others like me makes me more comfortable since i' m around humans 24/7 ( idm but sometimes I just need to be around my kind ) . I also don' t like being forced to do a lot of human things or eat like them so meat and berries keep me more comfortable , but my parents buy a lot of shitty meat :/

Are you experiencing species dysphoria?

Not really tbh , I just kinda am chilling as a wolf stuck in some human body , I don' t give much thought about it , I' m just me

What advice would you like to say to a young alterhuman who has just awakened?

Hmmm .. ig just don' t let others get in your head , people who don' t understand what you experience often shit on it cuz' they don' t have the knowledge to understand it. I' ve noticed that in people. You ARE who you are , and you feel things for a REASON. Good luck my goat

Do you have/want to have gears?

I actually would like gears , these masks look super awesome. I' m gonna collect materials to make one. I just need to draw out what I want. I would also like a tail just for comfortability and claws to help me better. Human nails SUCK.

Do you know/have any theories about the origin of your alterhumanity? If so, tell us! (all beliefs are legitimate)

Not too sure. Pretty much was born like this ig , nothing really influenced it. Unless you mean signs or stuff from childhood. I was always super interested in my kind and interacting with related kind ( like dogs ) , and felt perfectly comfortable just existing as one of my kind , which other kids would just believe I was playing "" pretend "" , which I didn' t understand much about cuz' i' m autistic. Never changed , even as I continued to get older.

Uhhh ty for reading >:P

These were fun to answer , I LOVE QUESTIONS !!

If you are an alter/nonhuman, reblog and answer these questions!

(don't be afraid to write a lot, do what you want ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯)

1/ Which category of alterhumanity do you belong to?

2/ What/who is/are your type(s)? (if you have any)

3/ Do you experience shifts? If so, can you tell us your most common shifts and your strangest cameo shift (if you've ever had a cameo shift)?

4/ How do you experience your alterhumanity in everyday life?

5/ What do you think of the community?

6/ What are the things that make you most comfortable and euphoric in your alterhumanity?

7/ Are you experiencing species dysphoria?

8/ What advice would you like to say to a young alterhuman who has just awakened?

9/ Do you have/want to have gears?

10/ Do you know/have any theories about the origin of your alterhumanity? If so, tell us! (all beliefs are legitimate)

11/ Tag someone/a creature to answer these questions!ㅤᵕ̈

[kiame-sama]

Humans Are Extinct (Yandere!TWST x Fem!Reader) Monster AU pt 33

(Rook is one of the few to actually swear himself as a Knight in service of the Human and he wears this title like a badge of honor. Rook doesn't need the actual armor part of his ensemble, but he likes the way they look on him and he appreciates the consistent theming of the Queendom garb. The Knight of Roses is actually a style in the Queendom reserved for royal guards. Most royal guards in the past were tasked with protecting the royal Humans and the royal family, so it is more tradition in the Queendom to dress the current day Human's guards in this armor.)

Warnings: yandere, yandere behavior, multiple yanderes, violently protective yanderes, poaching attempt, unnamed character injury, Queendom Citizens, speciest behavior, mention of weapons, mention of clothing of various kinds, dancing, Harpy, Alicorn, Dragon, Merfolk, Drider, Hellcat, Selkie,

(If you have trouble imagining songs for the ending scene, this is the song I imagine this one is playing:

~~~~~~~~

You were out with your guards once again to take in the sights and maybe even look for random souvenirs to bring back to Night Raven. If you were going to be visiting almost every country and countless cities within the countries, you may as well get random knickknacks to keep. Though you had no money of your own when you fell into this world, Crowley was sure to shove Thaumarks into your arms before you departed.

Apparently, during his extensive conversations about what you would be doing in the Queendom, he mentioned the many funds and grants NRC had been given. Most of those grants were from larger countries that wanted to financially support you and support Night Raven for as long as you called the campus home. As the reason for the grants coming in, no doubt Crowley decided that you deserved a fair portion of the Thaumarks.

Now you were visiting the many different stalls in the market side of the city, anything you bought quickly being carried by the men that guarded you. Ortho and Rook were continuing their usual scanning of the rooftops as you marveled over the craftsmanship of the trinkets before you.

Riddle had been in a noticeably better mood even around Alistair despite the tragedy of the day prior. If anything, he seemed saddened but not dragged down by the events as if he had been freed of the obligation. It certainly made him brighten up even more when you told him Papa Hades agreed to pay for his schooling so he was no longer tied to that cruel Unicorn woman.

It was while you were examining a rather lovely sun-catcher that a sudden warmth wrapped around you, darkening your vision. You were about to question Malleus as to why he had moved to shield you when a particularly loud eruption of screams sounded out.

"It was the Lion! I saw the Lion did it! Get that beast away from the Human!"

You saw several people seemed to be antagonizing Leona who was actually standing close by with his Knobkerrie drawn. Not far from Leona was what looked to be a Pigeon man laying face down in the gutter with arrows of a different make strewn about him. Rook was quick to step between Leona and the hounding onlookers with his bow raised.

"Non! Roi du Lion was not the one who took out the archer. I saw him take aim at Mademoiselle Trickster, he is not to blame."

"So you, some Drider from outside the Queendom, think I didn't see what I saw with my own two eyes? How dare you!"

Ortho stepped in next, his screens enlarging as a quick video played back over. The video was of Rook quickly drawing his bow and firing at the pigeon man. The man in question was clearly aiming towards your group with his own notched arrow before he was pieced through the shoulder by Rook's golden and red arrow.

"You are wrong! Video doesn't lie! Leona didn't do anything wrong, stop being speciest towards him! Even if he had shot the assassin, he would have been doing it to protect (Y/n)! He is within his legal rights to protect her!"

The onlookers- who had been up in arms- now looked somewhat sheepish at the clear evidence to the contrary of any wrong doing. They glanced at one another before the most outspoken of them- a woman with multi-colored fins on the side of her face crossed her arms.

"Well, he could have done it!"

That sentence set an anger burning in your heart as you pulled out of Malleus' protective embrace, turning on your heel to face the woman who looked so smug. It was as if she were saying he was guilty of association and therefore deserved punishment of some kind. No way were you going to stand for anyone treating Leona as lesser.

"How dare you?"

"W-well, I-"

"How dare you make such false and baseless accusations against my chosen guards!? What, because he is a Nemean Lion you think you are allowed to show cruelty to him? You think you can claim such a horrendous lie and be believed, even with evidence to the contrary? How dare you speak so loudly and so incorrectly about someone else like that? Shame on you! Shane on your whole family for your backwards way of thinking! A Lion he may be, but his hands are cleaner than your own as you are so keen to sling lies at someone who is not in the wrong. For shame!"

"I- but I thought he-"

"You thought wrong! He is a guest in your city- a Prince- and you deem it appropriate to lie about him because of your own fragile view of reality? How quick you are to assign blame when you should be ashamed of yourself for jumping to the conclusion he was out of line!"

The woman was now shrinking in on herself, despite being much taller than you and dwarfing you in height. Though you were small and weaker compared to the towering giants around you, you could still bare your teeth. Naturally, those around her- who had been on her side- turned on her like a pack of dogs and began snapping their own disappointment and disgust at her actions.

"Don't all of you jump in like you are innocent in this matter! You all blamed him too and were on her side until I started shaming her. Shame on all of you as well! Have you no honor, no pride? Is this the decorum I can expect from the citizens of the Queendom of Roses? You all are the citizens, the blood of this Queendom, I would expect you all to uphold the best qualities of the Queendom, not the worst!"

The group had shied back from your admonishment, none of them willing to look you in the eye. It was around this time the Pigeon man was coming back around, raising his bow with an arrow notched as it pointed directly at you. He was fast, but Floyd was faster.

The bow snapped under the grip of the Eel Merman who sneered with bared fangs at the pigeon. It was clear most hadn't expected him to try again, especially with an arrow sticking out of his shoulder, so they were quick to detain him. Even those you scolded were feverish to stop the Pigeon man as if they were vying for your approval.

It seems even those met in passing were impacted by your aura. Why did something like this always have to happen? The more important thought was when Idia planned to get back to you about a weapon to protect yourself. Though, it wouldn't protect you from someone shooting arrows from the rooftops.

You had suggested many ideas to Idia and he promised to have something soon. For now you had to rely on those who protected you and proclaimed themselves to be your knights. It was mildly concerning to you how little you were concerned with this attempt, as it was not supposed to be so common place.

"We should return to the castle, Mon Trickster. One attempt surely means there will be another. Roi du Selkie is to be arriving today as well, seeing as the execution is slated for tomorrow. Something tells me we should not encourage anything more today."

"If you say so, Rook."

You allowed the Drider to pick you up, thankful Grim was back at the Palace of Roses with Alistair. He had asked the Alicorn for a few of his colorful feathers and the Alicorn offered the Kit most of his collection, which was a beautiful assortment of prismatic feathers. The kit agreed to stay and choose his favorite feathers of the grouping and Alistair promised to keep an eye on the kit.

At least Grim being at the castle kept him from having to endure the assassination attempt. Thankfully this Pigeon Harpy man was not as skilled a marksman as Rook and the superior hunter won. The soft fur of the Drider beneath you was a comfort as Leona fell into step with the Drider you sat on the back of.

"Why do you care so much about how they treat me, Mousey? It's nothing new to me."

"Because, you're a good guy, Leona. A genuinely good guy, and I appreciate the hell you have gone through for me. I don't care how they stare at me, but to blame you as if you deserve poor treatment for being a Nemean Lion? Hell no. I'm not letting that happen."

Leona smiled slightly, a warm expression as he gazed at you affectionately. He was used to everyone outside of Sunset Savana treating him disdainfully but it still warmed his heart to know you saw more than his species. Maybe Falena was right in believing you could help end the hate towards his Kingdom.

"You're too good to us, Mousey. Never change."

"I thought only RSA was the do-gooders of Sage island?"

"Don't even joke about switching over to that school. I look best in black, not their white uniforms."

You chuckled softly noticing that Leona indicated he would switch schools to stay near you if you went to RSA instead. Slowly, you rest your head against Rook's shoulder, feeling protected by the lovely Drider as he walked back to the Palace. He ensured to wrap his cape over you to shield you from the onlookers just in case.

The guards of the Palace were quick to receive your group as you all were looked over for any potential injuries. Word had no doubt gotten back to them about what had happened and what had been done to the perpetrator of the crime. It was while everyone was being checked that a loud and familiar voice cut in.

"Puppy!"

A wave of relief washed over you as a familiar black and white coated Selkie with a worried expression stormed into the room. You were quick to run straight into his arms as the Selkie wrapped them around you, letting you burrow your face into his fur as he sighed in relief. He gently pet your hair as you rest your head on his shoulder and accepted the parental affection.

"My poor puppy, being attacked and hunted by the scum of the world. I'm here now and I'll keep you safe. I also brought some gifts for you."

You pulled back to see the bag he had set down, the Selkie picking it up to hand it to you with a warm smile. His hand gently rest on your head as he moved his hand in a petting motion to soothe you. Despite everything, you did feel relief at seeing the paternal Selkie that seemed to care for you with his entire heart. He was a good fatherly figure, if nothing else.

Digging through the bag you realized there was a blanket with instructions handwritten. Apparently, this was to be your heated blanket and Idia decided to gift you with it early. He must have sent it with Divus after word got back to NRC of the events in the marketplace.

Beneath the blanket was a fine leather box no longer than your phone. Attached was a note.

'Hey, Hellkitty, made that knife you wanted. It doesn't run on magic the way other things do, but it will absolutely get the job done. It uses DNA recognition software I coded, so there are only three it won't hurt; You, Grim, and Papa Hades. Goes without saying this thing is dangerous, so use it sparingly! By the way, you can change the color of the blade with the adjuster on the side if you want to.

-Gloomurai'

Inside was a handle that seemed to have grooves to fit your hand comfortably. It sat well in your hand and hummed under your touch as if waking up in your palm. Slowly it formed a bright blade that glowed in your hand and sparked with energy. It enraptured you quite a bit as it harmlessly passed over your skin and shined against your flesh. Divus seemed less than pleased to see you were now armed, but he also seemed to understand you needed to be able to protect yourself.

"Careful, pup. I'll teach you how to wield that if you need, but we can't be too hasty with something so dangerous."

You nodded, relaxing your grip as the blade faded from the handle in your palm, returning to a dormant state. It made you feel a little better with it, but now you had to check in on Grim. Though you trusted Alistair to not harm the Hellcat, that didn't mean they couldn't get up to trouble while out of sight.

"Welcome back, (Y/n)!"

The Alicorn happily trotted forward, a pleasantly pleased feline sitting on the equine back of the prince. Attached to his bow over his collar were three bright feathers that shined with rainbows of their own and you recognized them as Alistair's. Sitting in the arms of the Alicorn seemed to be a pile of his feathers which he proudly held up to you as he trotted up.

"I heard what happened, are you okay?"

"As okay as I can be, but Rook is a good watchman."

"Well, Grimmy and I sorted through all of my feathers so he could find some he liked and we got an idea! Since you both like my feathers so much, I decided to make you a cloak using them! I don't have much use for them, so I figure you may as well have them!"

He held up the cloak in his arms, showing you the beautiful arrangement of feathers that made it look like a crystalline waterfall. Though it really didn't match with the outfits you had been gifted by the Queendom, it was still a lovely piece. You allowed the Alicorn to place the cloak around your shoulders and it felt much lighter than you had expected it to.

"Thank you, Alistair, it's beautiful."

"Well, I didn't want to sound too proud of my own feathers, but I am glad to hear you like them. They should help you out too, in the event anything happens."

"What do you mean?"

"Well, Pegasus feathers- and Alicorn by extension- have certain characteristics to them that you don't find in a lot of species. For instance, if you fall off of something while wearing that cloak, you won't fall as fast due to the air magic properties of the feathers. Plus they are great at temperature regulation and impact absorption. Again, I don't really need them since I grow them, but they should help you."

You smiled at this, reaching out to gently pet the Alicorn's hair. He seemed somewhat surprised by the affectionate gesture, but leaned into your touch happily. Lilia did say petting was a good way to show affection and appreciation. Unbeknownst to you, several of your guards glared jealously at the Alicorn.

Grim was not bothered by their displeasure and instead was happy to leap into your arms, purring in elation. The kit seemed quite pleased with the feathers he added to his bow, likely having picked them himself.

"Clouds is so much fun, Mama!"

"I'm glad you had a fun time playing with Alistair today."

"I did, but Clouds said someone attacked you. Are you okay?"

"I'm okay. Rook is a good shot and an even better lookout, so I wasn't in any danger."

"I like Spooder!"

"I know you do, dear. I like him too."

The kit continued to ramble off about his day and you patiently listened to the excitable kit expound and chatter about how much he enjoyed. Though the day was only half over, he still had to tell you everything that happened because he adored you. Around you, your many guards waited for their own moment to be in the blessed spotlight of your attention. Perhaps they should try befriending Grim to earn your favor.

~•§•~

The evening was setting down and you stood out on the balcony of your room. It gave a lovely view of the Queendom and you couldn't help but admire the beauty of it all. Part of you was sad that the stars were somewhat blocked out by the lights of the bustling city and you longed for a moment beneath the stars.

Resting in your hands was the floating skull bot that Kalim had enchanted, a few songs playing in your head as the skull was dormant. Most of the songs were- oddly enough- slow trailing waltzes that would be best suited for a slow dance. Something about the Palace of Roses and the city lights had your mind focused elsewhere even with the execution looming overhead. The next day was going to be a bloody event indeed, with that kind and boyish Alicorn acting as the official headsman for the execution.

"Enjoying the evening?"

The smooth voice of Malleus drew your gaze over your shoulder as the Dragon approached. His outfit much like the others yet pursuing a certain air of regality that paired well with his ethereal beauty. He was a nocturnal creature of the night and it certainly was shaping up to be an auspicious evening.

"As well as I can."

"Are you worried for what tomorrow may bring?"

"Of course I am."

The Dragon leaned next to you against the railing and looked out at the gentle glowing lights of the city before him. Malleus had been a good ally to you and a very useful friend despite how clearly he was impacted by your aura. If you were going to have everyone you've ever met become obsessed with you, you would at least need to keep strong allies at hand.

"What troubles you? I will always be an ear to listen, should you need to lay your worries upon someone."

"I'm worried about everything. From outside poachers trying their luck, to an Overblot taking place during the height of the event. It seems like- no matter what I do- I am constantly in danger of some kind or put on some pedestal and expected to be some paragon of kindness. I can't always be the voice of reason among madness."

"It does seem like anything that can go wrong, will go wrong more days than not. You are a species others would kill to keep, and one many of us would kill to protect. I do wish this place were safer for you, especially given how much this country previously cared for the Humans among them. If it is of any comfort, we won't allow anything to happen to you."

You sighed, nodding and conceding to his words as you tried to keep your mind from running off with anxious stress. Naturally, you were well aware of your fragility compared to other species, but you hoped with your new weapon that you would be able to protect yourself from others. It was still nice to know that Malleus intended to keep you as safe as possible.

"It's just so hard to keep my mind off of it all, you know?"

Malleus stood in silence for a moment before he picked up the skull from your hands, setting it on the banister and turning towards you. You turned to face him as he caught your other hand, kissing the back gently as he guided you to place your first hand on his shoulder. He slowly began to sway with you as if in a small dance.

The enchanted skull seemed to sense the change in mood and began to softly play a slow rolling song similar to what had been on your mind before Malleus showed. He seemed to take the music in stride and began slowly leading you around the balcony to the gentle tune that turned rich and soulful. Something about the way his eyes gleamed in the dark seemed to enchant you as you allowed the Dragon to lead you slowly through the dance.

It became harder to focus on anything else excepting Malleus as your concern for the next day fell to the wayside. He was at least a very pleasant distraction from what was to come.

Each slow movement had you melting further into the Dragon's embrace as you trusted him to move you to the music. It was nice to forget about things for a while and slowly dance into unawareness with the powerful mage.

He even began to slowly try and hum with the tune of the song, as if he were enjoying the moment of time spent with just the two of you dancing beneath the moonlight. Slowly your eyes began to close as your head rest against his chest, listening to the Dragon hum and croon while he led you through the sweet dance. You didn't know exactly when you began to nod off in the Dragon's arms, but he was quick to bring you to your bed when you stopped dancing.

The last thing that occurred to your brain was the sensation of your clothes being magically changed to an outfit meant for sleep before you succumbed to the gentle embrace of sleep.

Outside of your sugar spun dreams of dancing to gentle music, the Dragon purred adoringly. His clawed hand gently dragging over the skin of your cheek as he smiled in response to your peaceful expression.

"May your dreams be pleasant, and your rest deep, my precious (Y/n). My most beautiful jewel..."

[gay-dorito-dust]

Gentle Jason my beloved, I love you so.

Jason was imposing in so many ways but gentle nonetheless.

You remembered watching him interact with children and find yourself smiling and your heart aching when he’s letting them climb all over him, or try to pull him this way and that way as though he wasn’t built the way that he was.

You loved how he’d play along with them as they grip his calloused hands, smiling softly when they talk his ear off about everything that interests them, showing genuine interest and asking questions just to see the kids smile knowing that an adult actually cared about their thoughts and interests.

You loved how he’d let them know how to get in touch with him if they were ever in trouble, never disclosing what level of trouble because you knew that it didn’t matter as Jason was naturally protective over children and the vulnerable, two specific groups that were often targeted by criminals and crime lords far too often for his liking.

You loved how Jason would stop in his steps to pet and love on the stray, malnourished animals that he comes across on the dirty streets of Gotham, his pockets filled with treats for them as he didn’t care about where they came from when he runs his fingers through their fur. Those strays will only get to experience kindness when it’s given and that’s rarely which only made you love Jason more when you saw just how big his heart is, he cares for those whom he sees himself in the most, and it made a few tears left your eyes as you watched the man you love show love that many had to you he didn’t posses.

Jason was the sweetest, most loving man you’ve ever met, a man with a heart too big for his rib cage and you loved him dearly for how he talks to children in a manner that doesn’t ignore the fact that they were smart in their own way, or how he spoke to animals with warmth and promises of affection as it rained down on the both of you.

You loved how Jason acted gentle towards you as well, how he’d gently guide you to bed when he seen that you’ve been up for far too long, or how he’d take care of you when your ill and would bury you under fluffy blankets; all the while making sure that you were taking your much needed medicine and helping you eat if you couldn’t find the energy to do so yourself.

You loved how his hold on you was strong but gentle at the same time, not in the way where he’s scared to hurt you, but more so in the way where he wanted to reassure himself as well as you that he was here for you and wasn’t going anywhere. He held you against his strong chest as you listened to his beautiful heart beat against your ear and smile, knowing that you were lucky enough to have a man as wonderful and as kind as Jason.

You just loved Jason Todd and you always would if he was this gentle and genuine all the time, your sweet angel who made himself look terrifying to keep others safe for their own sake rather then his own.

[revelboo]

I see that you have written for rumble, may I ask if you plan to do the same for frenzy if possible? (If you have I’m blind and didn’t see it- 😭)

Also I love how you write, there’s always so much detail!

-✨💜💫

Thank you! Rumble and Frenzy are sharing a human

Pretty much 🤣

Alcohol Eyes Pt 11

Rumble x Reader, Frenzy x Reader

• Neck craning so you can see the human in the giant blue alien’s hand staring down at you in surprise, it’s actually a relief to see another human. Because they look okay, not like they’re being held against their will and terrified. And the one that looks like a clone of Thundercracker is still laughing. Making it apparent none of the other giant aliens had a clue what your two were up to. And the one they’d called boss is cuddling that other human to his face like they’re a little kitten he’s found. Do the big guys keep humans as pets then? Wait. What if your guys are young those guys? Paling, you really hope you didn’t just corrupt a couple of horny, alien teenagers.

• Hooking his arm around you, Rumble stands his ground as Soundwave just stares down at him. While cupping Starscream’s human to his face. What exactly had they missed? Because, sure, the boss had been a bit soft on the Seeker’s pet human, but this looks like something else entirely. “You look a bit busy, so we’ll circle back,” Rumble says, nudging you towards Soundwave’s quarters. Is the boss fragging Starscream’s human? Can’t be. The Seeker doesn’t look like he wants to murder anyone. ‘You’re adults, right?’ You ask him and he almost misses a step. “Yeah. Why?”

• Offering Starscream one of your human hand gestures as he walks backwards after you and his brother, Frenzy grins when the Seeker abruptly stops Iaughing with a growl. “All in all, I think that went well.” Jogging to catch up and hook an arm around your other side as they walk away, Frenzy snickers when Thundercracker looks at the other two, back at him and just decides he’s done. Bending to set your stuff in the hallway and walking off with his hands thrown up. “Think our moving guy just quit.”

• “Why’d you ask if we’re adults? Don’t we act mature?” Rumbles asks as Frenzy hauls you closer to him with a laugh. ‘What did I just miss?’ Frenzy growls nipping at your neck and jaw as Rumble signals the door open. And you’re almost immediately set upon by Rumble and Frenzy sized alien animals. Talking alien animals. Apparently your guys have siblings. Or pets. A lot of them as you’re surrounded and they bombard Rumble and Frenzy in worried tones. And you’re realizing you need to start asking questions. So many questions. Because you really have no idea what you’ve agreed to by coming home with them.

• “Is the boss fragging Starscream’s human?” Rumbles asks Ravage. Hearing Lazerbeak laugh at that as his brother wings over to land on his shoulder startling you. And even Buzzsaw and Ratbat have come out of hiding even if Ratbat is quiet and sullen as always. Angry at the world. ‘Soundwave thinks we don’t know, but he’s not the only one keeping secrets, is he?’ Lazerbeak asks, head tipping to study you. ‘Secrets for secrets,’ Ravage adds, brushing against him and you, sharp denta bared.

Previous

[beatlblog]

#my mans was ready to do his and his trepanning#he would've been dead or arresred by like 25 if paul didn't have impulse control (via @pauls1967moustache)

#deserves more praise for his John-handling abilities (via @exhausted-think-bucket)

#only crime was extending his micromanaging to george (via @melllotune)

#i didn't choose the dogboy john life the dogboy john life chose me (via @eveepe)

#get that bitch an enclosure 😭😭😭 (via @loureeddyke)

#john is such a feral dog he need to be put on leash#who was it again that described him as a dog with rabies 😭#yoko and paul are actually v similar#micromanaged john’s life#while also sorta using him for achieving their target#im not saying that its a bad thing btw#reminds me of john’s be my baby cover#‘we’ll make them turn their head every place we go’ (via @lennon666)

#sighing the deepest sigh#he should have just been a leather pup (via @themagicalmysticalboy)

#the thing is#John doesn’t just let anyone ‘control’ or ‘manage’ him#quite the opposite#when yoko did it he became a walking skeleton who got on heroin#Paul was really the only one to have done it that I’ll agree was good for him#but Jesus fucking Christ can we pls as a fandom stop acting like paul is perfect with no flaws ?#it’s actually a bit concerning how many people flirt with the idea that John was nothing without him#and never forget that they are BOTH insane#Paul fortunately for him#knew how to handle and control his shit better (via @lennonsfag)

#Hamburg beatles would beat early Beatles (63-65) up (via @fearlessechoes)

#so fed up with beatles posting#but with the operation I’m running on this blog it seems like lying by omission to leave some gay stupid shit like this out#pride is OVER (for the beatles specifically) (via @iamsigningmylifeaway)

#what the fuuuuuck#John Lennon literally Paul’s bitch#who said that (via @80yearoldmanmoodboard)

#should have micromanaged even harder (via @protovulcans)

#he needed to be muzzled fr (via @spinnach)

#¿perdón? qué??????????????????? (via @biatels)

#John should have had a legal guardian#and I think for comedic reasons it should have been just a random guy named Steve (via @paulic)

#the way that this is Also Nashby. (via @lookoutjoe)

#prev in many ways nash and mccartney are the same person (via @tweeterwilbury)

#100% true#he had zero real world skills#just like gillian anderson btw (via @delinquentchoirboy)

#turns out John was putting himself on the leash already#wonder what kind of ‘show’ he put on#oh to have been a fly on the wall of that bar#J&P engaging in public petplay in the year of our lord 1960 (via @oneofthebeautifulpeople)

#being a beatles fan is being the“well actually...” person always (via @friends2go)

#they shouldve brought this back in 1969. that wouldve solved everything i think#beatles#also that john put the leash on himself and gave it to paul...... ok (via @unusable)

#yeah but was he a kitten or a puppy that’s the important question (via @austinedition)

#omg bastian was right (via @demon-donkey)

#and not even that worked (via @paulpropaganda)

#of course they'd do this in germany (via @normalbrothers)

#every new thing i learn about the beatles has me shaking my head like excuse me he did what#head in hands (via @angelontheatrain)

for me it tends to be I FUCKING KNEW IT

sorry but john lennon did indeed need to be micromanaged and people need to stop scorning paul for doing it like the second there were too many enablers around he started doing heroin

[loverboysturn]

˖ . ݁𝜗𝜚. ݁₊ cinderella!reader has a spontaneous moment of bravery but it all comes crashing down quickly

angsty. i’m sorry in advance!!!! this lowkey made me so sad to write lol :(

find all writings for this au here. asks & requests always open :)

you could do this, you had to do this.

your heart was pounding as you stared over at chris across the campus parking lot, he was standing alone which was a rare sight for him to not have someone by his side. this was your moment and you had finally had enough of hiding from him, you had fallen in love with him and a spontaneous rush of confidence taking over you was telling you that you now needed to do something about it.

you had thought about it so many times, how you would eventually confess everything to him, what you would say and how he would react. the idea of confessing everything to him, finally revealing yourself, had consumed your thoughts for months. and now, somehow, you were here, you couldn’t believe you were going to do this and you knew if your best friend was here she would tell you to stop, but she wasn’t and you didn’t have time for second thoughts. you had to go now, before you stopped yourself.

you started walking towards him, your legs moving before your mind could catch up.

as you reached chris, he looked up catching eye contact with you instantly. his gaze softening as he notices you in front of him. he pulled his earphones out from his ears and a smile snuck onto his lips.

“hey,” he says, his voice casual, but kind. “you good?”

“i—i’m—“ your mouth had gone dry and you could feel your hands shaking by your side, but this is it. you were so close, you just had to say it, you had to tell him. “i just came over to sa—“

before you can spit the words out, there’s a new presence to the side of chris.

the head cheerleader, his ex girlfriend.

“well, well, well, if it isn’t diner girl,” she smirks, her hair blowing in the wind, perfect and untouched. she was wearing her cheer uniform, looking immaculately put together, as always.

your stomach drops, and the confidence that had spontaneously rushed over you moments ago had completely disappeared in an instant.

“i didn’t know you two were friends,” she says with a slight tone of subtle sarcasm in her voice, “cute.”

you tried to find your voice to speak up, but your words were completely stuck in your throat, and all you could do was stand there, feeling so small and invisible.

before you could say anything, she spoke up again but this time it was directed to him as she brushed her arm against his, leaning against him. “some of the guys and cheer team are coming over to my place tonight, you’re coming. right?” she tilted her head and fluttered her eyelashes at him. “the guys told me that you wouldn’t miss it.”

“yeah, nate already told me about it. i’ll be there.” he responded to her, the words hitting you like a punch to the gut. he didn’t even hesitate, no second thought to her question.

her eyes flickered over to you, looking you up and down before she turned her attention back to him, “yay, see you tonight, babe.” she says, before strutting away, leaving you two alone again.

chris stands still for a moment, before looking over to you, “sorry about that, are you okay?” he smiles, “what was it you needed?”

you wanted to cry, your chest felt tight and you wanted to run from him… again. the moment you had felt before had gone now.

“actually, it isn’t important, just about the test we have next week.” you lied to him so easily, making your heart ache. “s—sorry that i came and bothered you.”

without waiting for his reply, you turned on your heel and walked away, the feeling of rejection weighing down heavy on your shoulders.

behind you, you could hear chris calling after you, but you didn’t bother to turn back.

what were you thinking?

[julietsf1]

Home Again - Charles Leclerc x Reader

summary: eight years, one city, and a thousand unspoken words—will a chance encounter in London bring closure, or is there more in store for Monaco's golden boy and the one who got away? (4.5k words)

content: reunion, slight angst, unresolved feelings, childhood friends

AN: another Charles one! I felt like these tropes really suited his vibe, I hope you enjoy!! :)

____________________________________

London always felt like a city of paradoxes - chaotic yet calming, detached yet full of life. As I sipped my cappuccino at a small café tucked away in Soho, I let my mind wander. The same questions had lingered in my mind over the years, growing louder the longer I avoided them. Was it a mistake to leave? Should I have fought harder to keep in touch with him? With Charles?

I shook my head. No, leaving Monaco had been necessary. It was beautiful, yes, but it was like living inside a postcard, picture-perfect on the outside but so painfully hollow within. Everyone was constantly posturing, trying to outdo the next person in opulence, charm, or connections. It was exhausting.

And Charles… he was Monte Carlo personified in so many ways. Stunning, magnetic, the kind of person who made you feel alive just by being in his orbit. But there was something raw and real beneath that glossy exterior, something I’d always seen, even when no one else seemed to. I loved him for it. And maybe, in a way, I hated him too - for thriving in a place that felt like it would suffocate me.

The faint chime of the café door opening pulled me from my thoughts. I glanced up, expecting some trendy Londoner or a tourist fumbling with their map. But instead, my eyes landed on a familiar face, one I hadn’t seen in nearly a decade. Arthur Leclerc.

“Y/N?” His voice was incredulous, his eyebrows shooting up as he stopped mid-step. He looked exactly the same, just a bit taller, a bit sharper around the edges. Still the same boy I remembered from childhood, though, with that mischievous glint in his eye.

I blinked, unsure if I was hallucinating. “Arthur?”

He grinned, practically bounding over to my table. “Mon dieu, it is you! I wasn’t sure at first, but… wow, what are you doing in London?”

I gestured to my half-empty coffee cup. “Living here. What about you? I thought you’d be… I don’t know, in Monaco or racing somewhere glamorous.”

Arthur slid into the seat across from me without waiting for an invitation, his grin widening. “I was here for a sim session, actually. But you, London? I thought you’d be in Paris or some other philosophy capital, writing about Socrates or something.”

I laughed softly. “Close enough. I came here for university, and I never left.”

“Eight years.” His tone was lighter, but his words carried weight. “It’s been eight years, Y/N. Do you ever go back?”

The question hit me harder than I expected. I took a sip of my coffee to buy myself time. “No,” I admitted. “Not since… well, not since I left.”

Arthur’s expression softened, though confusion lingered in his eyes. “You just… left,” he said gently. “No one really understood why. Charles especially.”

I looked down at my coffee, the words caught in my throat. How could I explain the weight of feeling like an outsider in a world I was supposed to call home?

“I just needed to go,” I murmured. “It wasn’t about anyone else.”

Arthur studied me for a moment, then nodded slowly. “I guess I never really got it, but… if it’s what you needed, then fine.” He paused before leaning forward with a small smile. “Come back. Just for the weekend, for the Grand Prix. I think it’d mean a lot to everyone. To Charles.”

I bit my lip, unsure how to respond. The truth was, I’d thought about going back a hundred times. But every time, I chickened out. Monaco felt like a ghost town to me now, haunted by memories I wasn’t sure I was ready to face.

“I don’t know,” I said finally. “It’s complicated.”

“It doesn’t have to be,” Arthur said simply. He pulled out his phone and started typing something before I could protest. “There. I signed you up as my guest. No backing out now.”

I stared at him, equal parts annoyed and touched by his insistence. “What if I had plans already?”

“Cancel them,” he shot back with a wink. “But seriously, Y/N, it’s time. Come back. Just for a weekend. What’s the worst that could happen?”

I sighed, knowing I’d already lost this battle. And maybe he was right. Maybe it was time.

…

Monaco hadn’t changed. Not really.

The same sunlit streets curved around the cliffs, the same pastel buildings clung to the coastline, their colors soft and warm under the Mediterranean sun. The harbor was still crowded with yachts that gleamed like polished jewels, reflecting the light off the water’s surface. It was all exactly as I remembered—beautiful in the kind of way that made you feel small and insignificant.

I wasn’t sure what I expected. Maybe cracks in the pristine perfection, signs that time had weathered the place the same way it had weathered me. But Monaco, ever the picture perfect place, refused to bend to time.

And for the first time in years, I didn’t resent it for that. The beauty I had once thought insincere now felt strangely comforting, like being greeted by an old friend who hadn’t forgotten you, even if you had drifted apart.

“Here we are, mademoiselle,” the taxi driver said, pulling up to the paddock entrance.

I took a deep breath and stepped out. The familiar hum of Grand Prix weekend surrounded me immediately - the roar of engines revving in the distance, the buzz of chatter from fans and team members, the faint tang of fuel in the air. It was overwhelming, yes, but also exhilarating. Nostalgia wrapped around me, equal parts warm and suffocating.

“Y/N!” Arthur’s voice rang out, pulling me back to the present. He was waiting just inside the paddock entrance, a wide grin spreading across his face as he waved me over.

I smiled despite myself and walked toward him. “Arthur,” I said, my tone teasing. “You’re not old enough to be drinking espresso yet.”

He laughed, pulling me into a hug that was warmer than I expected. “Eight years and you still won’t give me a break. Come on, let’s go.”

“Go where?” I asked as he led me into the paddock, his enthusiasm practically radiating off him.

“Everywhere,” he said simply. “It’s been years. You’ve missed so much.”

Arthur guided me through the maze of the paddock, pointing out everything with a mix of pride and excitement, as though I hadn’t grown up watching all of this unfold. But I let him have his moment, nodding along and laughing at his commentary.

“You look different,” he said suddenly, catching me off guard. “In a good way, I mean. More… I don’t know, serious. Like you’ve seen things. Learned things.”

I raised an eyebrow. “That’s a very poetic way of saying I look old, Arthur.”

“No, really,” he insisted, his expression earnest. “It’s like you’ve grown into yourself.”

The comment was unexpected, but it warmed me. “Thanks,” I said softly. “You’ve grown up too. A little.”

He grinned. “Don’t let Charles hear you say that. He still treats me like a kid.”

At the mention of Charles, my stomach twisted, though I tried to keep my expression neutral. Arthur must have noticed something, because his tone shifted, gentler now. “I know it’s probably weird, being back here,” he said. “But I think it’s good you came. I think… I think Charles will be happy to see you.”

I didn’t have the heart to tell him how wrong I thought he was. Instead, I nodded and let him lead me deeper into the paddock.

…

The paddock was chaos, as always. Media rushing everywhere, team members darting back and forth. But Charles couldn’t focus on any of it.

Because she was here.

He had only seen her for a brief moment, just a glimpse of her stepping out of a taxi and into the paddock. But it was enough to bring back everything; every memory, every laugh, every ache of missing her. She looked exactly like she did before, only prettier. 

It had been eight years. Eight years since she left without a goodbye, leaving him to wonder if he had done something wrong, if he had somehow driven her away. And now she was back, as though she had never been gone.

“Arthur,” he muttered, pulling out his phone. His hand shook slightly as he dialed.

His brother answered on the first ring. “Charles? What’s up?”

“What’s up?” Charles hissed, keeping his voice low as he stepped out of the chaos and into a quiet corner. “Arthur, why didn’t you tell me she was coming?”

There was a pause, then a sheepish laugh. “Ah. You’ve seen her already.”

“Yes, I’ve seen her!” Charles snapped, though the anger in his voice was undercut by the nervous energy bubbling beneath. “You should’ve warned me.”

“I didn’t think I needed to,” Arthur said, his tone annoyingly casual. “I thought you’d be happy. It’s been years, Charles. Don’t you want to see her?”

Charles ran a hand through his hair, leaning against the wall. “Of course I want to see her. I just… I don’t know what to say.”

Arthur’s voice softened. “You’ll figure it out. You always did with her.”

…

Arthur had been called away to a meeting, leaving me to wander the place on my own. I found a quiet spot near the Ferrari hospitality area, nursing a coffee and trying to steady the whirlwind of emotions in my chest.

Being back here was surreal, like stepping into a memory I wasn’t sure I wanted to relive. But at the same time, I couldn’t deny the comfort of it - the familiar sounds, the smell of the sea air mixed with fuel, the vibrant energy of race weekend.

I heard footsteps behind me and turned instinctively, my breath catching as I locked eyes with him.

Charles.

He stopped in his tracks, his expression a mix of shock and something I couldn’t place, something that made my chest tighten. For a moment, neither of us moved. The weight of eight years of silence hung in the air between us, heavy and unyielding.

Before I could say anything, he turned abruptly and walked away.

…

The roar of the engines drowned out everything else. I stood on the hospitality terrace, surrounded by fans who were shouting encouragement in a chorus of excitement. The energy was contagious, a reminder of why I had always loved race weekends, even when the rest of Monaco felt stifling.

Arthur had left me to sit with some of his friends, but I didn’t mind being alone. It gave me a chance to take it all in—the track, the sea of red Ferrari merchandise, the sun reflecting off the sleek cars. My eyes kept drifting to one in particular, the red number 16 that seemed to glide through every corner as though the circuit were made for it.

Charles.

I hadn’t seen him since he walked away from me in the paddock earlier. It shouldn’t have surprised me; after all, what could we have possibly said to each other in that moment? But it still stung, the abruptness of it, the way he looked at me like I was a ghost he wasn’t ready to confront.

I shook my head, trying to push the thought away. It didn’t matter. This wasn’t about him. It was about being here, about reconnecting with a part of my life I had left behind.

But as the race unfolded, I couldn’t stop my gaze from following him. Every lap, every overtaking move, every moment of brilliance - it was impossible not to be drawn in. Charles had always been talented, but seeing him now, so focused and in control, was something else entirely. It was breathtaking.

The crowd around me erupted as Charles crossed the finish line, taking the victory in a masterful final lap. People were cheering, waving flags, hugging strangers in celebration. I found myself smiling, caught up in the infectious energy of the moment.

But my smile faltered as I saw him step out of the car. The joy on his face was undeniable, but there was something else—something in the way his eyes scanned the crowd, as though he were looking for someone.

For a split second, I thought he might be looking for me. But then I shook my head, brushing the thought away. Charles had the whole world celebrating him right now. Why would he waste a second of it on someone who had been gone for so long?

Still, as he climbed onto the podium and lifted the trophy, I couldn’t help but feel that same strange pull I had always felt with him. It wasn’t just admiration or pride; it was I only felt with him.

As the celebrations spilled into the paddock, where the Ferrari garage was alive with champagne showers, laughter, I kept my distance, lingering near the back of the crowd as the team surrounded Charles, congratulating him.

Arthur spotted me and made his way over, a grin plastered across his face. “Pretty incredible, huh?” he said, motioning toward the scene.

I nodded. “He’s… he’s amazing,” I said, my voice quieter than I intended.

Arthur gave me a look, something between knowing and sympathetic. “You should come to the afterparty,” he said. “We’re all heading to Rimaldi later. It’ll be fun.”

I hesitated, the thought of being in a room full of people who knew Charles, who had been part of his world all these years, making my stomach twist. “I don’t know…”

“Don’t overthink it,” Arthur said, cutting me off. “It’s just a party. No pressure.”

I forced a smile, but the weight in my chest didn’t ease. “We’ll see,” I said, knowing full well I wasn’t going to go.

***

The party at Rimaldi was everything Charles had come to expect from these celebrations—loud music, overflowing champagne, and a sea of people he barely recognized. The restaurant’s cozy atmosphere had been transformed into a chaotic celebration, with glasses clinking and laughter filling every corner. Fans and acquaintances congratulated him as though they were old friends, slapping him on the back and offering toasts in his honor.

Normally, this was his element. He was good at this—the smiling, the handshakes, the polite small talk that came with being the center of attention. On any other night, he would have been content to let the noise and the crowd carry him, to let it fill the empty spaces he so often ignored. But tonight was different.

Tonight, no matter how many times he raised his glass or laughed along with a joke, he couldn’t shake the gnawing restlessness that had been with him all day. His mind kept drifting, pulled away from the party and back to the one place he couldn’t seem to avoid—her.

She’d looked the same and yet completely different. The years had softened some edges and sharpened others, but it was still her. Y/N, the person who had once been his closest friend, his anchor in a world that often felt overwhelming. He thought he had moved on from wondering why she left, why she cut him off, but seeing her again brought it all back in a rush.

He barely touched his drink, the glass sweating in his hand as he leaned against the edge of the bar. Across the room, Arthur caught his eye, a knowing grin on his face as he raised his own drink in a silent toast. Charles frowned and turned away, pretending not to notice.

“Charles! Congratulations!” A voice pulled him back to the moment. A well-dressed man, someone he vaguely recognized as a sponsor, clapped him on the shoulder. Charles offered a tight smile, exchanging a few polite words before excusing himself.

The truth was, he wasn’t really here. Not mentally. The louder the party grew, the more it grated on him, every laugh and cheer feeling like static in his ears. His thoughts kept circling back to the paddock, to the way her eyes had met his for that brief, electric moment. She had looked surprised, hesitant, but not angry. That was something, at least.

But then she had disappeared, and he hadn’t been able to stop replaying it in his mind—the way she stood there, so poised and composed, and then was gone, swallowed up by the crowd.

By midnight, he couldn’t take it anymore. The laughter and music blurred into background noise as he stood, shaking his head at someone offering him another drink. He muttered something about needing rest and slipped out through the side door, ignoring Arthur’s raised eyebrows as he left. His brother didn’t stop him, though, and Charles suspected Arthur knew exactly where he was going.

The streets of Monaco were quieter now, the city’s energy winding down after the race. Charles drove aimlessly at first, his hands tight around the steering wheel. The roads he knew so well blurred together as his thoughts raced faster than his car ever could.

He didn’t know what he was going to say. He didn’t even know if she would want to see him. But none of that mattered, because the one thing he did know, the one thought that consumed him, was this:

He needed to see her.

***

The knock at the door startled me.

I glanced at the clock on the bedside table—12:27 a.m. I had been lying on the hotel bed for the past hour, staring at the ceiling, trying to make sense of the day. Arthur’s invitation, the race, seeing Charles for the first time in years—all of it felt like too much, like I had stepped back into a world I didn’t belong to anymore.

Another knock, firmer this time.

I sat up, my heart racing. Maybe it was Arthur, coming to drag me to the afterparty. Or worse, maybe it was a staff member telling me something had gone wrong with my reservation. My stomach twisted as I padded across the room, hesitating before unlocking the door.

But when I opened it, it wasn’t Arthur or hotel staff standing there.

It was Charles.

He leaned against the doorframe, his hands stuffed into his jacket pockets, his hair slightly tousled by the wind. He was dressed casually—dark jeans, a fitted jacket that hinted at his frame—but there was nothing casual about the look in his eyes. They flickered between me and the floor, restless, as though he were trying to piece together why he was even here.

“Hi,” he said finally, his voice quiet but steady.

I stared at him, too stunned to respond at first. “Charles,” I managed after a moment. “What are you doing here?”

His shoulders dropped slightly, like he’d been holding his breath. “Can we go for a drive?”

I blinked, caught off guard. “Now?”

“Yes,” he said, his tone firmer this time, though not unkind. “I need to talk to you. And I can’t do it here.”

I hesitated, glancing back into the room like it held the answer. But there was no answer waiting for me, no excuse strong enough to keep me from following him. “Okay,” I said softly. “Let me grab my coat.”

The streets of Monaco were quieter now, the city winding down after the race. Charles drove with one hand on the wheel, the other resting loosely on the gearstick. His jaw was tight, his eyes fixed on the road, and the silence between us felt heavy, charged with everything unsaid.

I kept stealing glances at him, trying to read the expression on his face, but it was unreadable. It wasn’t anger exactly, but it wasn’t calm either. It was something in between—a tension I couldn’t quite place.

Finally, he turned onto a small road overlooking the harbor and parked. He shut off the engine but didn’t move, his hands gripping the steering wheel as he stared out at the lights reflecting on the water.

“Why did you leave?” he asked finally, his voice breaking the silence like a crack of thunder.

I swallowed hard, my hands twisting in my lap. “I didn’t know how to stay,” I said quietly. “Monaco… it wasn’t the same for me as it was for you. It felt fake, like I was living in a place where everything was about appearances and nothing was real. I couldn’t breathe there.”

He turned then, his gaze sharp and searching. “So you left without a word? Without even telling me?”

I met his eyes, feeling the sting of his words. “I didn’t think you’d understand.”

“Understand?” he repeated, his voice rising slightly. “Y/N, you were my best friend. I would have done anything for you, but you didn’t even give me the chance.”

The anger in his tone cut deep, but beneath it, I could hear something else—hurt. And that was worse.

“I didn’t mean to hurt you,” I said softly. “But I had to go. For me.”

Charles shook his head, running a hand through his hair in frustration. “Do you know how many times I thought about calling you? About flying to London to find you? But I didn’t, because I told myself that if you wanted to talk to me, you would.”

I clenched my hands together, forcing myself to hold his gaze. “I thought about telling you,” I said softly. “But I was scared. Scared that if I saw you, I wouldn’t be able to leave. And I had to leave, Charles. I didn’t know who I was anymore.”

“I would have let you go if that is what you wanted. I just wish I had known.” He said, looking deep into my eyes. 

I felt a lump rise in my throat. “It wasn’t that simple.”

“Even a text or a quick call would have made the difference, Y/N.”

“Then why didn’t you?” I asked, the words tumbling out before I could stop them. “You blame me for no contact, but you never reached out either.”

His jaw tightened, his hands gripping the steering wheel again. “Because I didn’t think you wanted me to,” he said finally, his voice quieter now. “You didn’t leave a door open, Y/N. Not for me, not for anyone.”

The anger in his tone cut deep, but beneath it, I could hear something else—hurt. And that was worse.

We fell into silence, the weight of our words hanging heavy in the air. My chest felt tight, my emotions raw and unsteady. I looked out at the harbor, the city lights shimmering like distant stars, and took a deep breath.

“Explain it to me,” he said, his voice quieter now, almost pleading. “Because I don’t understand, Y/N. I’ve spent eight years not understanding.”

My chest felt tight, the weight of everything we had been avoiding pressing down on me.

“I was scared,” I admitted, my voice trembling. “Scared that if I stayed, I’d lose myself. Scared that if I saw you again, I’d lose the courage to leave. And then… after your dad…” I trailed off, the memory too painful to finish. “I didn’t know how to come back after that.”

Charles’s expression softened, the anger fading into something more vulnerable. “You could have come to me,” he said quietly. “You should have come to me.”

I shook my head, tears pricking the corners of my eyes. “And what would I have said? ‘Sorry for leaving you when you needed me the most’? I couldn’t face that, Charles. I couldn’t face you.”

For a moment, neither of us spoke. The only sound was the faint hum of the city outside.

My chest felt tight, my emotions raw and unsteady, as though years of bottled-up feelings had burst open all at once, leaving me vulnerable and exposed. I turned my gaze toward the harbor, the city lights shimmering like scattered stars on the water, their soft glow blurring slightly as tears pricked at my eyes. The stillness of the moment contrasted sharply with the storm raging inside me.

Charles broke the silence, his voice soft but resolute, as though he’d been holding these words back for far too long. “It shouldn’t have been Arthur who invited you back,” he said, his tone laced with frustration and regret. “It should’ve been me. I should’ve been the one to call you.”

The honesty in his voice hit me like a blow to the chest. I turned to him, my breath hitching as his words sank in. The years apart had been a chasm between us, filled with missed chances and unspoken words, and hearing him acknowledge it felt like a bittersweet relief. My throat tightened, and I struggled to find my voice.

“I know,” I said finally, my voice trembling. “But you didn’t call me. And… neither did I call you. We both let it happen.”

Charles’s jaw tightened, and he looked away briefly, his profile illuminated by the faint glow of the streetlights outside. When he spoke again, his voice was quieter, almost fragile. “I didn’t know how to. After you left, I was confused. I didn’t want to admit how much it hurt. And then it just… felt easier to pretend I didn’t care.”

I let out a shaky breath, the tears I’d been holding back finally slipping free. “The second I got back to Monaco, all I did was look for you,” I admitted, my words coming out in a rush, like I had been holding them in for years. “Everywhere I went, I looked for you. You were everywhere - your face in the streets, your name in conversations, your memory in everything I saw. And yet… you were nowhere.”

I heard Charles inhale sharply, and when I turned back, his eyes were locked on mine, filled with an intensity that made my breath catch. Green and piercing, they were searching for something, some part of me I wasn’t sure I still had to give. Vulnerability. Hope. Regret. I saw all of it reflected in his gaze, and it was almost too much.

“I didn’t know if I wanted to see you again,” he admitted, his voice barely above a whisper. “I didn’t know if I could. But now that you’re here…” He shook his head, his expression softening into something raw and earnest. “Now that you’re here, I can’t imagine letting you go again.”

The space between us seemed to disappear in an instant. Charles reached out, his hand trembling slightly as he cupped my face, his thumb brushing against my cheek in a way that was both tender and desperate. His touch was hesitant at first, as though he was afraid I might pull away. But I didn’t. I couldn’t.

Then, before I could say anything, his lips met mine.

The kiss was soft at first, tentative, like we were both testing the waters of something so fragile it might shatter under the weight of our emotions. But it deepened quickly, carrying years of longing, frustration, and unspoken love. It was messy and imperfect, tears mingling with laughter, but it felt like home in a way I hadn’t felt in years.

When we finally pulled apart, Charles didn’t move far. His forehead rested against mine, his breath warm against my skin. He closed his eyes for a moment, as though grounding himself in the closeness between us, before murmuring, “I don’t want to lose you again. Not ever.”

My heart pounded, each beat echoing the promise in his words. I closed my eyes, letting the moment wash over me, before whispering back, “You won’t.”

In that moment, the weight of the past seemed to lift, leaving something lighter in its place. We weren’t perfect, and neither was this, but it was enough. It was us.

[bwat5-blog]

It Was Never Jinx's War

**Spoilers For Arcane**

I have written quite a bit about Jinx, and touched on this topic briefly, but I felt that it deserved more than my sarcastic blurbs. Today I wanted to talk a little bit about Jinx, and her being forced into the role of a revolutionary by her people and fans alike. So what do I actually mean?

I mean to address statements like these from fans:

Jinx should have lead Zaun in a civil war!

Jinx should have ripped Caitlyn apart!

The writers are coward for making Jinx apologize to Caitlyn!

What did they do to Revolutionary Jinx?! She was meant to lead the uprising!

I'm not going to spend time going through her whole story again. I have done so many times in various forms as have many others. And I have to assume if you are on Tumblr reading some grouchy nerd's rambling about Jinx, you already know her story. So first let's discuss one question.

Does Jinx hate Piltover/The Enforcers?

OBVIOUSLY. And she has every reason to. Growing up as a Zaunite means she grew up suffering under Piltovan oppression. And the Enforcers took her parent's lives. Take Silco and his teachings totally out of the picture and Jinx still has every reason to feel how she feels. I don't deny that at all. But feeling that way is not the same as being a violent revolutionary for her own reasons and choices. So let's discuss the moments from season 1 that created this false idea that the Jinx we know was fighting for her people's freedom with what she did.

SEASON 1

As A Kid:

It probably seems silly to most of you, it certainly did to me. But I have legitimately seen the example used that Powder was making bombs and had filled one with nails for the Enforcers to justify this idea. Listen folks, she was 11. I'm not saying she didn't want to help her family or wasn't willing. But equating that with wanting to be part of a violent revolution is foolish. In fact we see that childish (not said negatively just honestly) enthusiasm without consideration of consequence play out when she tries to help save Vander.

2. The Theft:

Okay. So this is her first real act as Jinx that I have seen attributed to her being a revolutionary for Zaun fighting the system. Most of the justification for this comes down to the simple fact that she stole from Piltover and hurt Enforcers. Jinx lights a building on fire, drawing Enforcers in using a fake child's voice, then blows it up killing six Enforcers and stealing the hex-tech gemstone. What does that mean?

Stole a source of power from Piltover that gives Silco and opportunity to study hex-tech

Killed Enforcers

Okay. I can see the revolutionary point for sure. Except for one problem. Jinx didn't do any of this for Zaun. Let's roll the tape!

Our reintroduction to Powder who has now become Jinx is the fight between Silco's people and The Firelights on Progress Day. During that incident Jinx sees a firelight that resembles Vi and loses control. This leads to conflict with Sevika.

Later, Sevika and Silco are discussing what happened. Sevika is angry:

Sevika: "She's a problem and we all know it" Silco shuts her down. It is then revealed Jinx has been listening the entire time and she talks with Silco: Jinx: "one of those firelight wackos was a girl with pink hair" Silco: "todays screwup will set us back weeks" Jinx: "I'm sorry" Silco: "I need to know I can rely on you..... Sevika will clean up todays mess" Jinx: "Sevika? That ogre couldn't clean a dust bunny with a blow torch" Silco: "Take some time" Jinx: "I don't need time" Silco: "Take it anyhow"

Jinx is quite visibly upset and leaves

We rejoin Jinx later in her hideout. She is upset, convincing herself it wasn't Vi, talking to the specter of Mylo, justifying the incident that it was just her getting confused. then she says some key dialogue here:

"Now, he thinks I'm weak...I'm not weak... and I'm gonna show him. Oh, I'm gonna show him. You'll see".

And the explosion and theft are how she does so. How she proves to her adoptive father that she isn't weak. And it works! It gives her the validation she is desperate for. When he first comes in he is the most outwardly angry with her we ever see him on screen.

Until she shows him the stone:

Silco values strength above all. We see him espouse this over and over. Jinx has certainly heard it plenty although unless I'm mistaken we don't see him preaching it directly to her until later. She is worried he sees her as lacking the most important quality to him, so she goes out and proves it and now she feels accepted and safe again. Not to mention the fact that her early childhood trauma left a very real mental scar in her regarding feelings of being weak/not ready/a Jinx. I mean come on, it isn't exactly subtle that the specter we see tormenting her more prominently than any is this fucker (calling the delusion that not the dead child. Don't yell at me lol)-

She didn't do any of this for Zaun. She did it because part of her is still a little girl that's terrified if she isn't strong enough she is going to be all alone.

3. The Bridge:

Alright moving on. The next big one that gets mentioned frequently is Jinx attacking the bridge. Again, I can see the argument to a point. Killing the leader of The Enforcers and reclaiming the stone. Definite points for the "Zaunite Revolution". Except for a few things.

She is watching the bridge when Vi says goodbye to Caitlyn & Ekko. Mostly just arguing with "Mylo" about Vi.

2. She doesn't look angry until she sees the stone. The stone that symbolizes Silco's acceptance and recognition of her strength, and therefore his love.

3. She doesn't attack when she sees the stone. she doesn't attack when Marcus shoots Ekko. She is overwhelmed by her mental illness and attacks when Vi "leaves her" again, running back toward the bridge after the gunshot.

4. The symbol of Silco's love is in jeopardy, and she feels like Vi is leaving all over again. Once more she is a little girl facing the terrifying prospect of being all alone again and it's quite simply too much. Look how big Mylo is over her.

I mean this just isn't subtle. This was not the act of a freedom fighter assassinating an enemy. This was the act of a mentally ill young woman losing control and unleashing violence in an attempt to hold on to what she is terrified to lose.

4. Abducting Caitlyn:

Not much to say here but it is worth mentioning as it frequently gets filed under the "Jinx = Oppressed, Caitlyn = Oppressor, so Jinx abduct and possibly torture Caitlyn = Okeydokey Artichokey!" crowd. This didn't have a damn thing to do with Zaun. Because of Silco and Sevika's manipulations, Jinx's history with Enforcers, and Jinx's mental illness she viewed Caitlyn as the one keeping Vi from her and she acted out jealousy, fear and rage.

5. Attack On the Council:

Ok. This is in the big one that is probably the most hotly debated. By now we all know the context here. Jinx has abducted Silco, Vi and Caitlyn to host her dinner party. Silco is now dead, and in a moment of "accepting" who she is Jinx strikes at the Council of Piltover, unknowingly during the very moment they are ratifying Zaunite independence.

Silco's words echo over the strike while the hauntingly beautiful "what could have been" plays. It is truly a moving moment and all sarcasm or nastiness aside let me say that I do understand how people are interpreting this scene the way they are.

Jinx sits in the chair seemingly accepting herself as the daughter of Silco and inheritor of his legacy

Vi blames herself for creating jinx. The camera cuts to Vi multiple times during the song.

Jinx gives the whole "I thought you could love me like you used to" speech. Onece again just piling onto Vi and implying Jinx knows who she is now.

Jinx is clearly remorseful for shooting Silco and striking at his enemies would be a logically fitting way to respond

However, it is not that simple. Jinx is not making the first strike for her people in the wake of her adopted fathers death. She is a grieving, enraged, and yes mentally ill young woman in the middle of a breakdown lashing out at a symbol of pain and loss in her world.

I recently wrote a short sarcastic little blurb about this and that was my bad. This topic deserves more. But someone responded that I was implying Jinx was not capable making plans or decisions in that moment because of her mental illness. That is not what I mean. What I mean is that Jinx's heart and mind are an open ragged wound in this moment, and she lashes out at something that has always symbolized loss and pain and anger. Smashing it down into a first strike for freedom is not only illogical based on narrative evidence, but robs the moment of what Jinx is really going through.

"What Could Have Been":

This song narratively takes us into Jinx's pov as this moment plays out. It is beautiful, and haunting. The key however, as we are hearing Jinx's perspective play out, is to remember that her mind is not well.

We have been watching her unravel more and more since the beginning of S1 A2. Think back to when she and Vi first reunite. She is clearly ashamed of what she has done with Silco. Put that up against her shooting at Vi even one episode later on the bridge.

2. She is still extremely fresh from the Shimmer procedure that even though it saved her life was horrific and painful to the point it could have killed her.

3. She abducts Caitlyn nude from her bathroom and tells Vi she be Powder again if Vi will just murder Caitlyn.

4. She kills Silco in the middle of a breakdown

5. Quite frankly. The whole "dinner party" itself. There is not a damn thing in the world about her behavior or mental state at this time that suggests she is level or even. Her sudden calm after killing Silco isn't a patricide induced clarity. It is a breaking.

She is angry, she is grieving, she is ill and she is afraid. She feels that Vi cannot love her anymore because of who she is and she killed the only other person she had. So she lashes out. And in so-doing actually obliterates her peoples chance of independence.

Intent:

Now I have seen the argument made that it doesn't matter what her reasons or intent were. Because ultimately her actions served Zaun. Did they though?

Blowing up the building and killing six enforcers caused the bridge blockade Her attack on the bridge almost killed Caitlyn, which all personal character bias aside, if she had successfully caused the death of a council woman's daughter Piltover would have gone nuclear. She also almost killed Ekko successfully who was actually a champion for Zaunites. Her attack on the council opens the door for Ambessa and kicks off the events leading to Caitlyn's strike team and the occupation. The most obvious and one that should be taken with a grain of salt given the extenuating circumstances. But Jinx was a part of Silco's operations. Piltover's neglect and oppression may have allowed bad men to rise up and take control, but Silco was their chief. He flooded the lanes with Shimmer regardless of the harm and Jinx played a part in that.

SEASON 2

Alright, moving into season 2. This is where people were angry and feeling that the show was throwing away Jinx's revolutionary arc. But as I've stated it is my belief that is never where her story was going to begin with. So let's dig into some points I feel lend themselves to this point.

Aftermath of Jinx's attack:

What is she doing in the wake of her first strike? Leading battle planning sessions? Nope. Wandering the streets while Chem-Barons rip Zaun apart. Why? Because she wasn't firing the first strike. She was breaking down. And now she is all alone. Her adopted father gone, his organization failing, her sister lost to her.

Ventilation Chamber Battle:

Alright so I see this battle mentioned as well because Jinx and Sevika let The Grey loose in Piltover in retaliation. I wasn't sure if I should discuss this or not, since some people like to pretend Jinx never did this and I don't want to confuse them. But better to be thorough.

As I'm sure you know this is the battle when Vi & Caitlyn finally confront Jinx & Sevika down in the pipeworks of Zaun. They all engage in a massive and brutal brawl to some truly outstanding music, and in the end Sevika detonates a series of charges that send the Grey up into Piltover all over the city.

I have spoken AT LENGTH about the hyperbole and nonsense the fandom has engaged in when it comes to The Grey and Caitlyn. I can assure you I'm not going to magically assign it some ultra-lethal quality just because Jinx is now doing it.

"Jinx was acting in retaliation against their oppressors for Caitlyn's strike team poisoning Zaun's air!"-- You get the idea

The issue of course is that this was not some strategic retaliation in Jinx's rebellion. This was intended to be her suicide and end Vi as well. Jinx wants to die here.

Hard to lead a rebellion when you intend to die at your sisters hands. However I will give Jinx partial credit if that makes anyone feel better. She was at least retaliating against Piltover as well.

Becoming A Symbol:

Alright. This is where we get into Zaun trying to force her into this box as well. Let's do a very quick rundown of events leading up to the occupation of Zaun under Martial Law:

1. Caitlyn leaves Vi after the battle and becomes the commander 2. Caitlyn and Ambessa's forces hunt Jinx throughout Zaun, cannot locate her. Place Zaun under Martial Law until she is caught and try to get Zaunites to turn on her 3. Zaunites make Jinx their symbol of resistance. Their flag to rally behind. Even the spy Maddie says "we made them desperate for something to believe in".

And what has Jinx been doing the entire time?

Which by the way. AS. SHE. SHOULD. She finally found some fucking peace and happiness. But she was not in any fashion out throwing Molotovs and getting arrested. She did not become the symbol of the rebellion because she earned it. She became the symbol because she's the one they had when they need something to believe in. Even when she frees all those people from prison she only does so because she is trying to rescue Isha. And by the way the show is not subtle about what this means for her:

She and Isha are living happily-

When Sevika comes in angry and slamming things and demanding Jinx consider what Silco sacrificed (aside from Jinx's second family of course) Jinx starts glitching and yells.

2. Jinx tearfully admits to Silco's chair she doesn't want to mess up what she has with Isha

3. When Isha is taken and Jinx has no choice but to rejoin the fight, the show is quite clear about the tone it sets for Jinx.

Pop Quiz class, does it seem like they are implying its a good thing?

Side Note:

Jinx has too many barbs, comments, taunts and so on to name regarding her feelings for Piltover. I didn't include them because… duh? She hates Piltover and she hates Enforcers. Again. That is not the same as being a revolutionary. Not to mention at the least in the context of her talking shit to Vi for putting on the badge, it should be noted that all you usually have to do is go a few words in either direction or consider the actual context and her clever jabs at her sister lose some of their luster.

"I busted half of Zaun out of prison while you were passed out in the bottom of a mug" INITIATING TRANSLATION FROM JINX-SPEAK TO REALITY….. "While you were in a self-destructive spiral that was probably going to kill you and caused among other things by my actions as well, I was chilling with Isha during the entire occupation until she went full feral gremlin and got arrested. I freed the others while I was there to get her also"

And that isn't hating on Jinx by the way. But people like to use all her clever little comments to really sell this whole image of her character and justify screaming about her not leading the massacre of Piltover or something at the end so it seemed worth mentioning.

Conclusion

So. When it is all said and done, why even touch on this? Because I think people so stuck on wanting her to be a revolutionary for Zaun are missing the point. Sure her feelings were there, but the actions she took were never for Zaun's freedom. That isn't her story, just like it isn't Vi's. People watched this show expecting everyone to follow traditional heroic journeys. But not every character is meant to become the leader on the throne. Sometimes, they are the long suffering victim of a system that doesn't really care about them, and although they can fight for and defend their people, their greatest victory is getting to live for themselves and their loved ones in peace.

Think about "Silco's" final speech to Jinx: Break free from these labels and restrictions. These "prisons". Walk away from the cycle because otherwise it will. not. stop. Like most of you I'm sure, I wanted to see Jinx and Vi together as sisters at the end of the show. And I have seen SO. MANY. comments saying it's bullshit that Jinx had to go off on her own so Vi could have a happy ending but these people are seriously missing the point.

Jinx not only gave Vi a chance at a happy ending, but she set off to find her own. She was never going to find peace in Piltover where no matter the circumstances, there were very real people living with the aftermath of her crimes. And she was never going to escape the shadow of Silco returning to Zaun, either being held to account for her part in his crimes or expected to lead their people. And that is to say nothing of the memories of everything she'd lost haunting every corner of Zaun.

I understand if her story wasn't what you wanted. We all had our own preferences and ideas and theories for how things were going to go. But by trying to force Jinx's narrative into a certain box and being angry at the parts that don't fit, you miss out on the story we were given.

A tortured but loving young woman who reclaims her soul, and sets off into the unknown to find her peace. Fulfilling the dream of a bright and inquisitive little girl who dreamed of better days.

*** Yall Tumblr had a seizure right at the finish line and the formatting got all messed up and I wasn't really able to fix it completely. Sorry if this looks weird***

[marigold-hills]

Coming here to humbly request my beloved wolfstar at prompt 41?

of course! I was so happy to see you request. It’s turned out a little longer than I expected, hope you enjoy!

❤️❤️❤️❤️❤️

“I’m not drunk enough for this,” Remus says because the truth - that he’s altogether too drunk for this - would make it stop.

They’re playing truth or dare, Marauders edition. To their left, little shot glasses spiked with Veritaserum James has been brewing in a hidden alcove behind his bed. To their right glasses full of their chosen alcohol. Remus has a cheap muggle whiskey he’d learnt to enjoy over the summer, nowhere as smooth as what they sometimes get in the Three Broomsticks but he’s fond of how it burns when he swallows.

He prefers not to examine this.

“Come on, Moonshine, truth of dare,” Sirius cajols from his spot, sprawled out as he is across the rug at Remus’ feet. Hair a tangled mess on the floor, silly little grin stretching his lips and eyes just that side of glassy from the posh gin he has swirling like golden freckles in his glass. He’s a mess. He’s beautiful.

“Truth,” Remus sighs, faux-put out. His last dare involved standing and hopping and he doesn’t think he’s got the coordination left for any more.

Peter’s asleep in the corner of the floor, head wedged underneath his four-poster. Now and then, he snores and tries to roll over. Each time the bed leg gets in his way and he bounces away, disgruntled sleepy little sounds not unlike Wormtail’s.

James had gone to get supplies from the kitchen. Ostensibly. By the way he eyed the door as Evan’s laugh rose from downstairs, Remus doesn’t think he’s really coming back.

He rather likes having Sirius’ attention all to himself, is the thing. A bad thing. Another thing he prefers not to examine.

Sirius nudges the shot of potion and Remus, still pretending to be so very against the idea, drinks.

It’s James’ very own take on Veritaserum. Not enough to make them babble away all their secrets, not enough to force them to answer against their will. Just that whatever they do say, should they choose to, can be absolutely verified as truth.

Just one way of many that James, an absolute lovesick fool he is, is actually remarkably clever.

Remus drinks the agreed upon dose (three sips) and closes his eyes against the sudden rush of floaty giddiness. It goes as fast as it came.

Sirius sits up from his sprawl, and he looks so much like Padfoot for a moment Remus has to fight himself from stroking his head. It’s an ok thing to do to a dog. Not to a man.

“You’ve been reading poetry,” Sirius says with that self satisfied little lilt he gets in his voice when he’s a few steps ahead of everyone else.

“That’s not a question,” Remus tells him.

“You’ve been reading love poetry,” and there he is, leaning forward so his chin rests on Remus’ bed, those eyes of his looking up through those lashes and even without the potion Remus would tell him anything he asked.

“You didn’t need to give me Veritaserum to discuss literature, Padfoot.”

The smile stretches. “You’re not reading your dreary sad poetry, or your creepy gothic poetry, or your too-much-description-of-the-mountains poetry. Not anymore. You’re reading about love.”

Remus freezes. Because of course Sirius would notice. He notices everything, always, without fail. “And your question?”

Sirius doesn’t look like he’s asking, his eyes have something in them like he already knows. “Who is it?”

A redundancy of words. Remus sighs. Drinks his drink - for courage, not for forfeit. “You already know, Sirius,” he says, trying to keep his voice still. “Don’t be cruel.”

Sirius pushes off the floor and climbs up onto the bed and into Remus’ lap, and that? He didn’t expect that. His hands are full of Sirius, keeping him steady so he doesn’t go toppling off.

They really are drunk. The both of them, bad as one another.

“Tell me anyway,” Sirius asks. It’s nothing like begging, maybe more like a command, but really it sounds like Sirius knows he would never be denied. There is no point in asking when the answer is already given. (With every breath and every shared cup of tea, every glance across a room.)

“You know it’s you, Sirius,” Remus tells him through the Veritaserum’s pushing, without really knowing he does.

Sirius pounces. They topple backward onto the bed, Remus spread out on the mattress and Sirius on him, across him, above him. A grin so wide his teeth show, pretty and white and perfect. He smells like the overly expensive gin he’s been drinking.

“If you kiss me because you’re drunk, I don’t think I’ll forgive you,” Remus tells him.

“How about I kiss you because I love you?”

And that? “That you should absolutely do,” Remus falters, “do you?”

Sirius grabs the nearest wand (it’s Remus’) and has his own shot glass float up to where he’s clearly unwilling to get off Remus even for a moment. He drinks the three sips. “I do,” he says, once he’s given the potion enough time to work.

It’s Remus, that kisses him first.  (List of prompts: here!)

[talkingaboutmybullshit]

quick unedited thing i wrote after i saw a bitches love me tiktok about Tim in the 90s. And kinda a response to a lot of fandom tim thinking he’s a loser that hasn’t dated or slept with anyone when canonically he’s had like 20 live interests.

“Why are you asking boy Virgin over here?” Jason said

“Jason don’t be mean,” Dick chided

“What because it’s true,” Jason flipped Dick off

Tim couldn’t hold back a snort.

“Why the hell are you laughing like you’ve gotten laid ever in your life?”

“Did you forget that him and Steph dated for a year,”

“I don’t think I was there for that? Is that why she hangs out around us because she dated the shrimp? She’s to cool for him.”

Tim made a so so motion with his hand “Officially for like a year ish. Then we kinda had this on and off thing for a few years after that. Though she wasn’t the only girl I got with during that time. I was actually dating another girl when I first got with Steph,”

“How the hell did you get not one but two girls interested in you?” Jason asked “How the hell did you even have time for that?”

“Look when I was Robin and in high school I had a lot more extra time than I have now,” Tim explained and then scrunched up his face at the memories “and that wasn’t one of my proudest moments,”

“Honestly I don’t know how you can even keep track of how many people you been with,” Dick rolled his eyes “I swear you were talking to another girl every week before you got with Bernard,”

“Oh I got a spread sheet,” Tim answered non chalently

“You got a whole ass spread sheet?!?” Jason said

“Yeah,” Tim at least looked sheepish

“Why?” Jason ask

“Well back in high school me and my friends were talking-“

“You have friends?” Jason asked

“Well back in high school at least I had a decent amount. Then I dropped out and went around the world looking for B. I kinda got out of touched with them. You know the normal post high school kinda stuff,”

“Totally,” Said the guy who died Freshman year of high school

“Anyways,” he rolled his eyes “They were asking me how many girls i slept with and honestly I didn’t know off the top of my head. So I went home, started a list. Then that kinda morphed into a spread sheet because that’s easier to manage than like a google doc. Then I was like well I have a spread sheet I can document like umm,” he looked away trying to figure out how best way to say it without being to crass “bases and stuff I got to. Then I kinda just kept up with it over the years. Started a guys data section too since bases work a little differently and-“

“You’re a freak, of course you have a spreadsheet about your sex life,” Jason said “forget I said anything and never answer questions about sex again,”

“Gladly,” Tim shakes his head wanting this whole thing to be over

“I’m surprised you didn’t know this,” Dick said “Not the spread sheet thing but Tim ummmm…”

“Apparently getting with everything that moves,” Jason answered

“Yeah that,”

“Hey!” Tim objected “I do not. Plus I think the worse of it was when Jason wasn’t around. I had more time when I was young,”

“Dude you’re still like 20,”

“Plus I got a boyfriend now so I’m settled downed. I’m busy with work and being a vigilante,”

“Never stopped you before,”

Tim cringed at that “ok high school me wasn’t the best but-“

“When the fuck did you get a boyfriend,” Jason, who just had his twentieth revelation about Tim that hour, asked

“Oh a while ago when I rescued him from this pain cult,” Tim waved him off “we were friends in high school and reconnected after that. Really I think he brings out the best in me-“

“Meaning he hasn’t gotten bored yet from a lack of adrenaline and gone on to the next person who catches his eye,”

Tim huffed “I do not want to hear any slander from the guy who fumbled Starfire,”

“You fumbled Superboy,” Dick said

“When did you even get Superboy?” Jason exacerbated by Tim’s way to messy love life. Maybe the spread sheet was necessary. Jason at least needed a time line to get this straight.

“There was nothing even going on there!” Tim said

Dick turned to Jason to answer this question “Superboy was Tim’s first gay situation ship,”

“Was not!” Tim fought back

Jason groaned accepting he opened Pandora’s box of Tim’s messy love life.

[finelinevogue]

talk to me

summary - aaron is vulnerable after his family is taken from him, only you are brave enough to confront him

pairing - aaron hotchner x bau-gf!reader

word count - ~1k [very angsty…not my usual happy writing]

“Why hasn’t he killed himself yet?”

The same question ran through your head over and over again, like it was some godforsaken lyric you couldn’t stop repeating.

Only it wasn’t a lyric.

It was something Hotch had said on a case today.

Granted it was about the unsub you were catching, but you couldn’t stop going over and over the double meaning to his words. You couldn’t stop wondering if that was Hotch’s cry for help.

You were currently driving to his apartment.

It was rough for you and Aaron right now.

Aaron getting stabbed was traumatic enough for you, but for Aaron to go through that as well as losing his family and all control? It was devastating.

You and Aaron had been together for over a year, making it work with being in a relationship whilst balancing his role as a dad. Aaron was doing the extreme best he could and you were so proud of him.

But you could see the emotional toll it had taken on him these last few weeks since the incident.

It was so clear that Aaron believed he was a terrible father and he was punishing himself for it.

You were really worried about him. You cared for Aaron a lot and it was heartbreaking to think that he was keeping such self deprecating thoughts to himself. He should know better.

You pulled up outside his apartment and quickly went into his apartment.

It didn’t take long to climb the stairs and reach his door.

You hesitated.

What if you were overthinking? What if he was actually alright and by you confronting him would just plant doubting seeds?

Swearing to yourself, you knocked.

A minute later and Aaron undid the latch and opened up.

“Hey?” He clearly wasn’t expecting you.

“Hey.”

“You coming in?” He opened the door wider.

“You’re not going to ask me why I’m here?” You questioned, crossing your arms over your chest accusatorially.

“Do I need to question why my girlfriend is visiting?” He furrowed his brows.

“You normally would,” You answered, “But you already know why I’m here.”

You pushed past him and walked into his apartment. This conversation was not meant for the listening ears of everyone on Aaron’s apartment floor.

He closed the door with a sigh and clicked the latch again.

Aaron came and stood near you, hands on his hips as he awaited your next move. You could tell by his body language that the direction this conversation was moving in was making him really uncomfortable.

Well that was fine with you.

“So…”

“So what?” Aaron looked down at his shoes before looking back at you.

“We promised never to profile each other.” You said.

“And yet here you are.” He challenged you.

Aaron was getting defensive and you hadn’t even started the conversation yet.

You knew that getting through to him would be hard but you sometimes forget how many solid walls and foundations this man has built around himself. One chisel at a time might not be enough.

“Don’t do this, Aaron.”

“Don’t do what?”

“Push me away!” You shouted, flailing your arms up.

“I’m not…” Aaron looked off to the side.

“Aaron. I know you better than you think I do. Don’t push me away when I’m trying to help.”

“I don’t need your help.” Aaron said bitterly, still not raising his voice. Sometimes his cold shoulder was worse than his angry tone. You’d seen strong-willed men crumble at their knees under Aaron’s glare.

“Stop being so stubborn.” You groaned.

“Well stop profiling me.” Aaron bit back.

“I’m not profiling you, Aaron. I’m simply being a good friend. I’ve noticed that my boyfriend is constantly sad and says things that make me… nervous - that’s not profiling.”

“Stay out of my head.” Aaron warned.

There was no going back from this.

If he broke up with you then so be it, but you weren’t taking any chances. Not when Aaron’s mental or emotional stability was on the line.

“What did you mean today when you said, ‘Why hasn’t he killed himself yet?’ Hmm?” You asked, crossing your arms over your chest.

Aaron shook his head, “I said stay out of my head.”

“Were you asking it about the unsub…”

“Don’t.” Aaron shook his head.

“Or were you asking about yourself?” You questioned the one thing that had been constantly on your mind ever since he’d said it.

“No.” Aaron shook his head, eyes tearing up slightly.

“Aaron, honey, it’s okay to be sad –.”

“I’m not sad, I’m devastated!” He shouted. It took every fibre of it being not to flinch and send the wrong message.

“Honey…”

“No. You want to truth? I’ve questioned what the point is anymore, of course I have. My son has been taken from me in the most cruel way possible and I can’t do a goddamn thing, so I’m sorry if I seem a little more sad than usual.” His words dripped with venom.

His breath was uneven and heavy after he’d finished, almost like he was holding himself back from letting out more.

“Is that it?” You said bravely.

Aaron’s gaze pierced yours. His honey eyes so focused that they had lost their spark.

“What?”

“You want to shout at someone? Then shout at me. You want to make someone cry? Then make it me. You want to punch a wall? I’ll stitch your hand up after. You want to cry? I’ll be here with the tissues.”

Aaron’s body physically deflated as you spoke.

You weren’t done yet though.

“You think that this is a burden you carry alone, Aaron. Well it’s not. Yes it’s your family that Foyet is targeting but you are not the reason that Foyet turned out to be the way he is. You are not solely responsible for his escape or any of his devious plans. So if you want to be devastated, then fine. In fact, I’d welcome you to show your heart on your sleeve for once. But don’t for one second think of doing something stupid. Not when I’m right here.”

Aaron dropped to his knees then head hanging low as his body shook from his tears.

You had hoped it would come to this. Not that you enjoyed seeing Aaron upset, but you appreciated seeing him be vulnerable with you.

It meant that he still felt safe with you.

“I’m sorry.” He kept repeating through his sobs.

You moved quickly to kneel on the ground in front of him, pulling his body into yours so you could hold him tight.

Aaron’s love language was physical touch, so physical touch you would give him. If he thought he was anything less than loved by you then you had failed as a partner.

“You’re okay. I’ve got you. It’s going to be okay.”

You kept reassuring him, keeping your hold tight on him whilst rubbing his back comfortingly.

<.><.>

[bonus]

You stayed on the floor with Aaron for over an hour.

He needed the time to cry and let everything out, whilst knowing he had someone next to him to keep him safe.

You had eventually both made it to bed.

Even though you didn’t have any of your work clothes here and your car was definitely violating parking rights outside, you couldn’t find it in yourself to leave Aaron. You didn’t want to leave him.

He was currently resting his head on your chest as he slept, his body breathing on heavily. You were sat up in his bed, stroking a comforting hand through his hair. His arms were wrapped tightly around you so you couldn’t be taken from him.

It had been a tough day, but you had reminded Aaron that there’s always a reason to keep going at the end of it.

[butts-bouncing-on-the-beltway]

Hey. I hear you. And I understand why you think this is an empathetic or thoughtful response to have to OPs point but I'm gonna push back just a bit.

For many people, that's WORSE actually than you taking the time to cultivate a healed relationship with your actual home-land. It can be DEEPLY disrespectful to the people forced from their land on your behalf to assert that your guilt and shame is enough to alienate you from that which was STOLEN from them.

My wife and I have this circular talk on occasion where she has to remind me sometimes "my entire history was taken from me and the closest I could ever come to having any of it back is guesswork and a semi-appropriative (in her experience of how this plays out for her, not an inherent judgement on others) relationship with the cultures that MIGHT be hers. We both have "stolen homes, genocide, and forced relocation" in our history, but where I get periods of record keeping and cultural exchange to anchor me to my past, my wife doesn't, and that was inflicted on her family ON PURPOSE by people like my OWN family ancestors. She has shared with me before how hurtful the idea of unattached alienation from the land can actually be for someone with nothing BUT connection to physical land itself to help her make meaning of her history, and even that is rarely accessible.

So if this is true, consider challenging it a bit. Why do you think that "two wrongs make a right" here where if you hate your people publicly enough you won't have to actually do the painful work of exploring and reconciling your relationship to land, power, and shared social connection? Why would you rather abdicate all responsibility for your relationship to these things than truly undermine the "us vs them" mindset on display in this kind of conversation?

You aren't more righteous for hating what your ancestors did, and OPs ask had nothing to do with your shame. Why did you feel it appropriate to center those things in a close-ended response that decentered the actual experiences being discussed in order to narrow the scope down to a black and white immaterial stance?

I understand these may feel like aggressive questions, but I am asking them with care and openness here, because I know I've needed that in the past when shame was blinding me to the ways I was being cruel or dismissive of the pain others chose to share with me.

the reason that white Americans going "I'm going to move to ___" during all this insults me so much is not bc I care whether they leave or go. I think it bothers me deeply bc it shows such a... Lack of attachment to the land that so so SO many people suffered and currently suffer for.

The indigenous peoples here were mass murdered for centuries for their own land. My people were brought here in chains for centuries, then bred like they were lower than animals, just to work this land. People of color here and abroad suffer just to maintain this place's spot in the global hierarchy.

A lot of BLOOD went into this soil that y'all's ancestors wanted so fucking bad, a lot of privilege (whether you want it or not) was built through so much suffering for you to have. And as soon as the going got tough, your only comment was "well, I wish I could settle somewhere else now". 😐 It just is truly a slap in the face, that y'all don't even care that much about what was committed for you to stand where you are.

And maybe if people acknowledged that privilege more I'd be less mad, but no. They claim to not even know 😭 like all right then

[bennysmiller]

I love your writing! Would you consider writing a short fic where you’re one of Santi’s friends and he sets you up on a blind date with Frankie? Bonus points for Frankie being kind of shy and adorable

Blind Date - Frankie Morales x Reader

Thank you so much for your request!! I really hope this is okay 🩷

I have a friend. He’s single. You’re single. You’re both recently out of long-term relationships. You can awkwardly return to the dating scene together. But seriously, I think you’ll like each other. How does that sound?

You laughed when Santi sent you that text. But two weeks later, you were pacing anxiously in your kitchen waiting for your cab to arrive. You’d partly agreed to the date to shut Santi up, because you knew he’d complain about your complaining if he’d offered you a way out of the single life and you’d refused, without even giving him a chance. Finding a good man was difficult, so it was worth trying, right?

The cab ride to the restaurant was painful, to say the least. You couldn’t help but question if you were doing the right thing, but Santi was one of the few people you actually trusted, and he wouldn’t have set the date up if he didn’t think you’d actually get along.

Five minutes. This Frankie guy was five minutes late. You tapped your fingers on the table, trying to distract yourself from the fact that he maybe got cold feet himself. But out of the corner of your eye, you see a little bit of commotion near the entrance of the restaurant.

A man has a bouquet of roses in one hand, and the other was messing with the soft curls on top of his head. He looked as thought he’d ran all the way there. He was frantically looking around and trying to catch his breath, while also explaining to the wait staff who he was there for.

Someone’s in trouble, you think to yourself. And then it hits you. Man who looks like he’s supposed to be on a date, also looks like he has turned up late to said date?

Then you hear your name. And a few curse words that he muttered under his breath in embarrassment. You look up, and it’s him.

“Shit. I’m so sorry. I couldn’t get off work. Then I realised I’d forgotten to get you flowers. I hope you like roses.” He said, as you stood up to greet him.

“Frankie? You’re fine. I mean, not fine as in handsome, just fine as in ‘you don’t need to apologise for being late’. Actually, you’re fine as in handsome too, but-“

Disaster. Two seconds in and it was a disaster.

He hands you the flowers and you thank Frankie, before gesturing for him to take a seat in front of you.

“Let’s start over, huh Frankie? We both screwed up there.” You say as you settle at the table.

“Sure, I could take a redo at that”, he laughs and he blushes a little when you laugh back.

You just looked so beautiful. Frankie wished Santi had warned him about that.

The rest of the date went better than either of you could have ever imagined. The chemistry was just as Santi had promised in his myriad of texts to you about it. He knew. He always knew. And you needed to thank him for this one.

Frankie was so pleased with himself, he had you laughing all night. Even in his truck, on the way home. The radio was on, the windows were down, and the conversation was flowing so effortlessly. It was a movie scene straight from a movie that the two of you had no idea was only the first part of many.

“I’d love to see you again,” said Frankie, as he admired the way you looked in the glow of your porch light. “If you feel the same, of course”.

“I feel the same, don’t you worry about that.” You smiled at him and kissed his cheek, which took the poor man by surprise. “Goodnight, Frankie”.

The look you gave him over your shoulder as you opened your front door would be thought about until you graced him with your presence a second time.

[utilitycaster]

Imo (as someone who didn't watch the finale, so I'm happy to be wrong), one of the bigger problems with the ending that isn't being discussed is that religions don't work like that. I'm not talking about cosmology or divinity, which people have already spoken on plenty, but the people who actually believe the beliefs.

There are people who believe their god was in some way mortal (Buddhists, some Christians), but they still practice the belief. I'm Jewish, and if it was definitively proven that God isn't real, I would still be a practicing Jew. The gods of Exandria becoming mortal would definitely cause schisms and theological debates, but the gods as concepts would continue to hold power regardless of their mortality or continued existence. Vasselheim would change, but it wouldn't be rocked to its knees.

Obviously, the cast has their own biases and thoughts on religion. That's understandable, but in a campaign and world that is increasingly about How Religion Amd Gods Shape Things, why is religion treated only as a plot point and not a dynamic of understanding the world, yaknow?

This is a hard question to answer since I think to truly give a good answer I'd need a thesis statement and several weeks of writing, but in short, as myself a practicing Jew and philosophically somewhere between weak and apathetic agnosticism I agree that Exandria as a setting did a good job of exploring individual faith/devotion to divinity, and a very bad job of exploring the concept of religion on an anthropological level.

I do think the fact that most of the people with whom I can have a conversation about this are either fellow non-Christians existing in a Christian dominated society; left-leaning Catholics from a rigorous intellectual tradition in the Protestant-dominated US; or people who left a more conservative Christian sect for a more progressive one and in doing so interrogated the nature of religion and faith is telling. I think if you were raised strictly Christian and either swore off religion entirely (the ex-Evangelicals who never unlearned lack of empathy/self-centeredness and simply applied it in a different direction) or were raised Christian but not particularly religious and live in a culturally Christian society in which that is the norm and thus you never had to see yourself as a person with an identity and a practice outside said norm, you are far more likely fail to adequately notice this as a problem with Exandrian worldbuilding.

Something that struck me as I thought about this (on my solo walks to and from synagogue today, no less) is that I am someone who for various reasons, academic, religious, and otherwise, has spent a lot of time thinking about the role of ritual in daily life. And the thing is, "ritual" has in many cases been coopted into a thing you do very much for yourself, often with a capitalist slant - self-care as consumption as ritual. (If you look up companies named Ritual, it's zero proof spirits and vitamins/supplements and takeout). It is individualist and is intended to soothe one's self.

Ritual is far more than that. Ritual is a sign of community. It is a means of remembrance. It is a reminder to look outside of yourself. We light candles on Friday night not for ourselves - indeed, we are prohibited from using them as a light source - but to welcome someone of something else. We blow the shofar to wake ourselves and our community up to what we can can change and do better.

Jester and Caduceus are in my opinion the strongest practitioners of ritual across campaigns, but both are from very small groups of practitioners. We meet many clerics and adherents, but their stories or their experiences with religion as part of daily life are largely untold.

And this is just about ritual, which is in many cases neutral or even positive, but as discussed there is no real hegemony - Vasselheim holds respect and serves as a vault for divine secrets, but outside of that has little political sway. Caduceus and Fjord do not answer to Hierophant Ophera. We also see very little of those theological questions or debates - one must imagine they occur, but it, like the world of ritual or religious service, feels oddly empty. There are temples, and there are keepers of those temples, but the temples always feel like they pop into existence for the PCs and vanish when they're not present. I remember during Campaign 2 there was a great discussion of how D&D offers a concept of religion without the need for faith in the unseen - the gods exist definitively - and it just feels like that's never been reflected meaningfully in the world of Exandria, and that wasn't really a problem with Campaigns 1 or 2 and it very much was with the concepts C3 attempted to tackle.

[foreveia]

director’s cut ⤨ tsukishima kei

⨭ genre; college!au, childhood best friends to lovers, fluff, minor angst like its there if u squint

⨭ pairing; tsukishima kei x fem!reader

⨭ word count; 17.3k

⨭ description; when you convince your best friend into being the male lead of your film project, you don't expect for it to make you question your whole relationship.

⨭ warnings; profanity, alcohol, smoking

⨭ a/n; this has been in the works for quite a while now and it is defff the longest fic ive ever written (not saying will ever write yet bc who knows), but i think i like it. i am a sucker for best friends to lovers, ESPECIALLY childhood best friends to lovers, so i hope u guys like it :)

one. 

The universe has a top-tier sadism kink, and its living proof is Tsukishima Kei. 

You know this to be a fact because 1) aside from his bachelor of science in anthropology, he’s pursuing a PhD in sarcasm and uses his learnings primarily to eviscerate your self-esteem, 2) The Umbrella Academy doesn’t come out with another season for another few months so your life choices have become the pinnacle of his entertainment, and 3) despite being your Bestie™ of twelve years, he still makes you beg for his benevolence, even if he does have the annoying habit of showing up when you need him most.

It’s deeply unfortunate that he’s all you’ve got, universe be damned. 

“Name your price. Cake? Head? Money? C’mon, just tell me what you want!”

Tsukishima peers at you over his laptop with disdain, the blue glow of his pirated PDF of The Communist Manifesto reflected in his glasses as he squints at you. His lips are pursed in annoyance, face scrunched up as he seemingly contemplates whether to put himself out of his misery or squash you to little smithereens. “What I want is for you to go away.”

True love, honestly. The golden standard for kindness and affection. A picturesque image of camaraderie. Lo and behold, everyone, your best friend.

“Oh my god, Kei, please,” you whine, hands clasped together as you look up at him through batted lashes. He doesn’t even flinch, looking completely unimpressed—how pretentious of him. “I’ll literally pay you whatever you want.”

The blond rolls his eyes, looking back down at his laptop screen as he briskly retorts, “I’m not a prostitute, idiot. You can’t pay me to star in your stupid movie.”

He ignores the several judgmental stares that turn in your direction at his response. You, on the other hand, are praying the library’s studious occupants don’t assume you’re a pimp preying on broke college students. 

In all honesty, you probably should’ve chosen a less populated spot than the library’s first floor seats in front of Crow’s Coffee, especially if you actually had any intentions to get work done. But with just a few months left until the end of second semester, you have way too many dining dollars left and not enough places to spend them; in this capitalist world, you refuse to let more money simply be pocketed by the greedy hands of the school. It’s how you managed to tempt Tsukishima out of the comfort of his apartment in the first place—with promises of free coffee and shortcake, courtesy of your four-star meal plan. 

“Technically, that’s a pornstar,” Yamaguchi supplies unhelpfully from his spot buried amongst stacks of math and science textbooks. He’s the only one of you who’s effectively completing his assignments because he won’t pass his classes unless he’s in constant fight-or-flight mode (you thank every deity you can think of that you weren’t born to be a STEM girlie). “You know you’ve got the time to, Tsukki.”

“Yeah, but I don’t want to,” he shrugs. You promptly deliver a swift kick to his shins. “Ow—well, now I really don’t want to.”

“Be honest, do you hate me?” you sniff dramatically, letting your head hit the table with a soft thud; Yamaguchi pats your head tantalizingly, as if you’re a fuckin’ child, and you want to scream at them both.

“Yes,” Tsukishima snorts, not even bothering to glance up. “It’s your own fault for being a film major.”

You shoot him a glare, but no threats come to mind because he’s sadly right.

Being a film major is basically being in a perpetual state of begging: begging your friends to star in your work, begging your professors for an extension because your lead decided to quit the night before shooting, and begging your parents for forgiveness because they didn’t send you to college to become a “professional movie watcher.” 

Sure, you get to watch artsy film-bro movies for homework, but you also spend half your time pulling all-nighters to finish scripts and survive solely off a diet of Shin Ramyun and its complimentary mushroom flakes. Tsukishima likes to tell you how you reek of constant desperation; you concur because no one has a real penchant for the arts these days. In a world where everyone dreams of being the next Spielberg, nothing is truly original, and you’re just barely holding on with the kind of boundless optimism that can only be fueled by sheer willpower. 

So here you are, offering bribes of cake, coffee, and cold hard cash, trying to convince your best friend—who has the emotional range of a teaspoon and the patience of a sleep-deprived toddler—to star in your magnum opus so you can pass the semester. You’d ask Yamaguchi, but he’s got civil engineering exams and an actual promising future to worry about. Meanwhile, your future, desperation and all, hinges on whether Tsukishima will stop being a pain in the ass for ten minutes and agree to be your leading man.

Luckily, because you’ve been #pairbonded for twelve years, you know exactly what buttons to push. You let out a sorrowful sigh, before loudly declaring, “Fine. I’ll just ask Shoyo then.”

That does it. Tsukishima’s jaw twitches, his fingers pausing over the keyboard; you know him too well because the mere thought of the red-head starring in your movie is enough to make Tsukishima reconsider his stance. You never did understand their beef, but Yamaguchi tells you that they’re just inverse idiots, which seems pretty likely considering they’re actually both easily provoked and highly competitive. He looks up from his laptop, irritation flashing in his eyes. “Absolutely not,” he says flatly, closing the lid of his computer with a decisive click.

Yamaguchi snickers, clearly sensing victory in the air. You, on the other hand, suppress your triumphant smile and put on your best wounded-puppy look. “But he’s so eager to help,” you say, your voice dripping with faux innocence. “He’ll do anything for me.”

There’s a moment of silence as Tsukishima contemplates this. His fingers drum lightly on the table, a sign that he’s weighing his options. And then finally, he lets out a long, suffering exhale, head rolled back in exasperation. “Fine. I’ll do it. But I swear to God, if this film ruins my life, I’m holding you personally responsible.”

“You already hold me personally responsible for most things,” you chirp, practically beaming with delight. “But thank you, Kei! You’re the best.”

Yamaguchi looks up from his mountain of textbooks with a bemused smile. “That was a quick turnaround. You’re like a married couple.”

“Only in spirit, ‘Dashi,” you purr, blowing him a playful kiss. The freckled boy pretends to catch your kiss and presses it to his cheek in a dramatic gesture; no wonder he’s your favorite. He really is such a sweetie.

“Stop encouraging her,” Tsukishima groans, pushing himself up from the table. “And stop saying things like that. People might believe you.”

“Wow, not you denying our love,” you scoff, sticking your tongue out at him. “I want a divorce.”

The blond ignores your threat. “I need air. Bye, Tadashi.”

He gives you an unimpressed but telling look, so you roll your eyes and promptly start packing up your things, shoving notebooks and pens into your bag haphazardly. The last things you do are run over to give your beloved ‘Dashi a light squeeze goodbye, swipe your laptop and Owala into your arms (because you are a broke college student who cannot afford to get a new laptop and your New Years’ Resolution is to be more hydrated), and skip to catch up with your friend, already halfway out the door. The evening air is a refreshing change from the stuffy library you’ve been in for hours; you’re sure if you had any free hands right now you’d bend over and grab a handful of grass, just for the sake of it. 

‘Tis is the life of a film major, you guess. You’re bitchless with a capital ‘B’ and spend the other half of your time with your equally bitchless friends. And all they do is abuse your dining dollars and mock your miseries in life, so honestly, it’s a good thing you’re in school to write and produce rom coms. You can live vicariously through them, at least.

But whatever. Pathetic love life aside, right now, Kei has agreed, and you’re already one step closer to a successful final project. 

two. 

The walk home with Tsukishima is as comfortable as ever, the silence between you two punctuated by the soft crunch of gravel under your shoes and the distant hum of campus life winding down for the night. He doesn’t pull his headphones on, but he also doesn’t start up a conversation; being alone with him is simply being able to exist. 

He’s walked you home everyday since the beginning of middle school, when his mom found out he hadn’t waited that day and you had walked home alone in the dark. From your bedroom window in the house next door, directly mirroring his, you had overhead her lecturing both him and Akiteru about the importance of manners—and to Kei’s credit, he’s dutifully picked you up after your classes and chores ever since, even if he grumbles the whole way home. For some reason, this habit carried over when you, him, and Tadashi committed to the same university, even if it meant standing outside a frat house at two in the morning because you got too fucked up to walk home on your own. You puked out half your stomach on his sweatpants, and he’d made you do his laundry for a month as punishment, but he still waits patiently at the café by frat row every time you get coerced to go out by your roommates. 

As you reach your dorm building, Tsukishima steps aside, holding the door open for you; you roll your eyes, but a smile tugs at your lips. “Such a gentleman, Kei. What would I do without you?”

He smirks, letting the door swing closed behind him as you head towards the elevator. “Probably get kidnapped or something. You’re too trusting.”

“The only person I’d let kidnap me,” you say dreamily, pressing the button for your floor with a dramatic swoop. “is Oikawa.”

You’re only half joking because Oikawa Tooru, the president of Sigma Epsilon Iota (SEI), is in fact extremely pretty and volunteered to be in your film last semester. You later found out that it was because he’s an astronomy major and thus felt compelled to star in your movie (which, yes, was titled Stars); he convinced you to spend many extra weeks in After Effects making sure the sky imagery looked ‘as perfect as him.’ He’d actually been a really good sport about learning his lines and cues, but you’re pretty sure neither you nor your 2014 Macbook Air would survive that experience again. 

“Right, fall for the guy who does keg stands at every party,” he drawls, his tone laced with sarcasm. “Smart.”

You huff and stick your tongue out at him, earning yourself a half-shrug and an amused snort. The elevator ride is brief, and soon you’re at your door, fumbling with your keys; as always, Tsukishima stops and stands to the side, waiting for you to invite him in, because again, manners. You turn to him with a playful grin. “You know, you don’t have to stand there like a sentinel every time. You can come in.”

He raises an eyebrow. “Is that an invitation?”

You laugh, pushing the door open and gesturing dramatically. “Oh, please, come in. Make yourself at home.”

Not that you had to tell him that. He slouched past you and kicked off his shoes as soon as you gave him the cue. He’s honestly just as relaxed here as in his own studio, already stretching and making himself comfortable on the couch with your favorite decorative pillow tucked under his head. 

You two have settled into a pretty comfortable routine. It’s a Friday night, so chances are that he’ll yank out his phone, scroll through his email. You’ll put something on the TV and he’ll critique it through mouthfuls of popcorn, only to have it ruin his appetite for whatever you end up ordering for dinner; later, if he’s tired enough, he’ll give up on the thirty minute drive home and collapse next to you in your Twin XL. It’s a mess of limbs and limited space, but you two manage—you always have. Your suitemates, Yukie and Kaori, have already texted that they’re bringing home Chinese takeout for four, so you decide against your usual snacks because your twig of a best friend needs actual sustenance.

Swinging by your room to drop off your bag and laptop, you take a pit stop in the kitchen on the way back to pluck two bottles of soju from the fridge. You toss him one; he catches it neatly and observes the flavor with scrutiny. 

“You hate strawberry,” he points out. “Why are you drinking this?”

You shrug, walking over to plop down on the couch by him. “Because it’s your favorite.”

His head is right up against your thigh because he’s too tall to fit on your shitty university furniture, even with his legs half-dangling off the armrest. You click through Netflix, nursing your drink with a slight pout until you make the executive decision to put on The Bachelor.

“Trying to prove you can love both me and Oikawa at the same time?” Tsukishima comments, watching the screen as he pops open the cap of his bottle. He’s referring to Ben telling both Lauren and JoJo he loved them in season 20; you lowkey love the series and he highkey loves the drama. There’s just something about people finding their supposed soulmates after knowing each other for like a month that really makes life entertaining.

“Don’t ever compare me to Ben,” you frown, because you think he was a massive asshole for doing that to JoJo and then not even picking her in the end. These bitches really be throwing each other under the bus. “You’re so mean to me.”

“You just bribed me with strawberry soju.”

“It’s not bribery if it’s out of love. Plus, I can tolerate it for one night,” you roll your eyes, taking a sip of the drink. “So, you wanna know what the film’s about or not?”

He looks at you over the rim of his bottle, eyebrow raised. “Do I have a choice?”

“Not really,” you grin, patting his head affectionately. “Okay, so, the film. It’s a romantic short about the progression of a college relationship. Like, from the first meeting to the final stages of being together. It’s dreamy, very aesthetic—y’know, all those soft hues and hazy shots. A smoking scene thrown in there somewhere.”

“Sounds like every other indie film ever made.”

“Shut up. This one’s different,” you insist, lightly tugging on a strand of his hair. “It’s got a great cast—Yachi’s playing the female lead.”

He nods, seemingly interested. “Yachi, huh? What’s my role, then?”

“The male lead, obviously,” you say, not even bothering to look away from the screen. The opening credits have just finished and you’re instantly sucked into the magical world of Malta; God, what you would do to be there right now instead of in your overpriced residence complex.

“Oh, great. Falling in love. My specialty,” he deadpans, taking another swig of his drink. “What do I have to do?”

You hum absentmindedly. “Learn the lines, cues, whatever. Yachi said she’s free tomorrow, so maybe we can get coffee with her in the afternoon and run through the working script?”

Tsukishima groans. “We already have to get started?”

“Yeah, there’s a lot to do,” you retort, giving him a gentle punch on the shoulder. He frowns up at you disapprovingly, and you mockingly frown back. “Get over it. You’re my main star.”

He shakes his head as you both watch the girls line up in knight costumes to compete in the episode’s extra-time competition. Modern television is truly unreal. “Why did I agree to this?”

“Because you love me.”

You flick your eyes from the TV to him, gauging his reaction. He’s rolling his eyes, of course, but the small smile and faint blush creeping up his cheeks tells you everything you need to know.

three. 

The prior night, your suitemates eventually came home with the promised takeout; Kaori even brought home boba orders courtesy of her friend Bokuto closing shift at the campus Broba Tea, so it’s safe to say you have the best roommates ever. 

Turnabout is fair play, so you and Tsukishima agreed to clean up—therefore, even after your suitemates retreated to their rooms, you two lingered behind in the living room, sorting away recyclables and compost into their respective places and watching your favorites get eliminated. Friday nights like this are nice: just you and your best friend, making three-pointers with empty soju bottles into the blue plastic bin. Even after you finished the season’s finale, you put on some nature documentary (courtesy of his Disney+ subscription, which he exclusively uses for National Geographic like a fuckin’ weirdo) and argued about which ugly fish looked more like each other the whole hour and forty minutes. You must’ve crashed no earlier than one A.M., but the specifics are hazy: you don’t actually remember falling asleep.

So the miserable blaring from your phone right now is truly, in short, cruel. Apparently, you forgot to turn off your alarm for your usual Friday 11 A.M. lecture last night, because you’re currently being rudely awoken at a completely unnecessary time on a Saturday morning. Groaning, you slap around the bed until your fingers find your phone, silencing the alarm. As you roll over, you find yourself face-to-face with Tsukishima, who’s occupying the other half of your twin XL bed, looking every bit as disgruntled as you feel. His hair is a mess, and there’s a faint crease on his cheek from your pillowcase; his arm is slung loosely over your waist as he grumbles and tries to hide his face from the light. He must’ve carried you to your bed after you dozed off on the couch.

“You’ve got to be kidding me,” he mutters. His voice is hoarse with sleep. “Why do you set alarms on days you don’t have class?”

“I forgot to turn it off,” you mumble back, burying your face in your pillow. “Sorry for waking you up.”

He sighs, rolling over onto his side and squinting at you as he makes out the hazy figure of your silhouette through his shitty impaired vision. “Move over. Your greedy ass is hogging all the space.”

Ah yes. Truly, a dreamboat. You roll your eyes, but scooch closer to the wall nonetheless; his grip tightens slightly around the curve of your back as you make space, and you can’t help but smile into your pillowcase. Despite his grumpy demeanor, there’s a warmth to his presence that you’ve grown to appreciate over time. 

“Better?” you ask, your voice muffled by your cotton pillow.

“A little,” he grumbles. He shifts closer, his body warmth seeping through the thin fabric of your pajamas.

You lay there in comfortable silence for a few moments, listening to the quiet sounds of the morning outside and the soft rhythm of his breathing. Your head kinda hurts; you haven’t woken up this early on a Saturday in forever. Maybe in another life, you’re born as one of those matcha latte girls who get up at 6A.M. for a run and have their lives sorted out by noon, but in this one, you love procrastinating and Netflix far too much to have yourself in order like that. Truly, you run off caffeine and spite and Google Calendar reminders—and as if on cue, your phone buzzes with a reminder about the meeting with Yachi. 

Tsukishima, recognizing the sound of the notification, leans over and hands you the device to read, giving you a minute before he asks, his voice soft to match the stillness of the room, “So, what’s on the agenda for today?”

“Crow’s with Yachi at one,” you murmur back. Normally, you’d be giddy to meet with your beloved angel of a friend (you would literally give Yachi your whole life), but truthfully, you don’t really want to get out of bed. Kei’s fingers, lightly tracing patterns on your back as he processes the information, feel so comforting and warm. You’re tempted to cancel and spend the day here, in bed, with him, but you know just as well as he does that you can’t.

“Right,” Tsukishima sighs. “Guess we should get up soon, then.”

“Mmm, in a bit,” you reply, savoring the warmth of the moment. “Just a few more minutes.”

He doesn’t argue, instead allowing the silence to stretch on comfortably. But eventually, it does slow. “We should get going, or we’ll end up being late,” he says, though he makes no move to get up.

You groan in response, but you know he’s right. 

“Fine,” you mumble, reluctantly sitting up. The room is still dim, the curtains drawn, and you glance over at Tsukishima, who’s also making an effort to get up; he grabs his glasses, neatly folded on your nightstand, and puts them on, blinking back into consciousness. He looks far too composed for someone who’s just gotten up, but of course he would be.

What a lovely, familiar sight. You hope this, these Saturday mornings with him, never end.

***

The campus is slowly waking up, students milling about, heading to the library or the better of the two dining halls, the one that serves freshly-made waffles on Saturdays. The other one only serves the world’s runniest scrambled eggs that’s held together with the most plasticky cheese, so even if it’s a ten minute walk further, it’s worth it.

You secure a table near the window; the dining hall overlooks the square and you like watching the way people narrowly dodge the campus seal. It’s a superstition that you won’t graduate if you step on it—and especially now, in the second semester when everyone gets pretty desperate, you gotta respect the grind. Tsukishima has already gone to order at the counter with your dining card, so you’re left alone to ponder about your impending project; you go over the working script in your head, running the lines and dialogue over and over. 

Your thoughts are interrupted when he returns with a tray loaded with waffles, two matching cups of coffee, and an extra serving of fruit for you—because he claims you need to eat healthier. You think he should eat more, period, but whatever.

“Wow, I’m impressed. Fruit? Did you find it hard to carry all this food without your arms falling off?” you tease, as he takes his seat across from you.

He rolls his eyes, picking up his fork. “Someone has to make sure you get at least one vitamin today.”

You stick your tongue out at him and dig into your waffles because you never wake up early enough on a Saturday to actually have them often. 

“When we finish eating, I need to go back and get my laptop,” you announce over a mouthful of waffle, ignoring the disgusted look Tsukishima gives you. “And then we’ll head to the library.”

“I am begging you to chew with your mouth shut,” he groans, throwing a well-aimed napkin at your face. You catch it with a dramatic flourish and quickly dab at your mouth, before you ball it and toss the napkin back at him; he ducks violently, almost knocking over his cup of coffee. You fight the urge to laugh at him and instead stab your fork into a piece of cantaloupe. 

“You need to eat,” you declare, promptly sticking the fruit in his direction. 

His eyebrows arch slightly as he glares at the fork held out toward him, but after a beat of silence, he leans forward and bites off the melon with a grumble. “Happy now?”

“Ecstatic,” you beam, popping a grape into your own mouth. “So, Crow’s at one. We can read for like, an hour? And then you’re free to go home and do whatever you do.”

“Study.”

“So boring,” you sigh. “Don’t you have any friends, Kei?”

He scoffs, sawing off another meticulous square of waffle. “I have you. That’s enough socializing for a lifetime.”

“Lucky me, I guess,” you roll your eyes. 

He smirks in response, taking a sip of his coffee. “Yeah, lucky you.”

four. 

After breakfast, you head back to your dorm to grab your things. Tsukishima scrolls through his phone, making an occasional snide comment about whatever nonsense he comes across on Twitter. You pack your bag with your notebook, laptop, and a few pens—desperation fuels organization, and you can’t afford to leave anything behind.

The walk to the library is filled with light-hearted banter, and soon enough, you spot Yachi waving at you from a corner table. She’s already got her laptop out, a notebook filled with neat handwriting open next to her, and you skip up to the table. 

“Hi baby girl,” you coo lovingly as you give your friend a hug. Tsukishima gives Yachi a polite nod before sliding into the seat across from her, leaving you to fill the middle one. “Thanks for meeting us before your shift.”

“Of course! I’m really excited about this project,” Yachi beams, her cheeks slightly pink from your affectionate greeting. “I’ve been reading over the script and it’s just so lovely. I can’t wait to get started.”

And this, everyone, is why you adore Yachi Hitoka with your whole heart. You would actually dropkick your best friend off the face of the earth for her, and that is not an exaggeration.

Tsukishima sighs, reaching into your bag to pull out your laptop; he settles it on the desk and pries it open for you. “Let’s get started.”

His impatience makes you roll your eyes, but nonetheless, you click to the latest draft of the script and slide it over for your Blondes™ to see. “Here’s what I’ve got so far,” you say, pointing at the section still titled SCENE 1 DARFGT :P from when you wrote the first six pages over the course of an all-nighter. “The first scene sets the tone for our whole film, and I’m thinking of having it outside the library, so get used to this café.”

“As if we don’t already spend half our time here,” Tsukishima deadpans, but he leans closer to the screen anyway. You watch the way both of them take in the script, their gazes fixed on the document as they read through the lines. 

He looks visibly relieved as he scrolls through the very short document; it’s a mess of director and action notes because you have a very specific vision in your head that you want to execute. “It doesn’t have much dialogue because I want it to be focused on the little details that show your initial connection,” you say as they near the end of the script. “Y’know, body language. The way you look at each other. Your expressions.”

Momentarily, you pause to read their reactions; you’re minorly concerned because acting is actually the hardest part of the job, even if memorizing dialogue does suck. Thankfully, Yachi’s eyes visibly light up, and she chirps cheerily, “I love that! It feels very natural and genuine; I think that’s beautiful.”

Her reassurance makes you kick your feet like Sofia the First because she says it in a way that feels completely real. 

Tsukishima, on the other hand, does not acknowledge this statement: he’s too busy raising his stupid eyebrow and smirking as he reads scene four. He drags his finger over the screen, where the line reads Interior - Dorm Room - Night. “Okay, first of all, very original,” he snorts. “But second, you volunteered my place without asking me? How very presumptuous of you.”

“Well, I have roommates,” you say, really emphasizing that last word because you want him to feel as stupid as he looks smirking like that (he looks very annoyingly pretty with his cat-like simper). You know he doesn’t actually care about the usage of his studio: he just loves seizing the opportunity to mock you.

Your internal irritation clearly goes ignored by him, because he just grins as he continues to blissfully dissect your script. “And ‘they kiss passionately’? Really going for the heartstrings, aren’t you?”

“It’s called intimacy, Kei. It’s a crucial part of developing the relationship on screen.”

Yachi, ever the peacekeeper, nods eagerly. “I think it’s really sweet. It’s important to show the depth of their connection. The close-ups will make it feel very personal.”

“Sure, whatever you say,” Tsukishima says, raising an eyebrow, his expression still amused. He gestures to the next few pages—blank sans the text DJEJSJSJDJ PAIN, because again, you spend a lot of time writing during deranged all-nighters. “But what’s with the cut to black right after? Did you run out of ideas?”

You bite your lip. “I haven’t finished the ending yet. I want to see how you two portray the characters and their chemistry before I decide how it concludes. It’s not just about the script; it’s about the emotions you both bring to the roles.”

“You mean you’re winging it.”

“Creatively winging it, yes,” you roll your eyes. “It’s a work in progress, and I trust you two to help bring it to life.” 

Tsukishima rolls his eyes, but there’s a hint of a smile tugging at the corners of his mouth. “Alright, I’ll give you that. But if I have to make out with Yachi and you cut it short, I’m going to hold it against you.”

Yachi blushes, but she’s smiling too. “I’m sure it’ll be great. We can practice and make sure it looks natural.”

“Thanks, guys,” you beam at them both, grateful for their willingness to dive into your project. 

As antsy as you were, the film’s got a lot going for it—Yachi is a sweet, earnest cutie pie and Tsukishima is… well, him, so their contrast will hopefully make for compelling cinema. And the word compelling is honestly enough—those three syllables are truly music to a film major’s ears.

***

By the time you finish at Crow’s, the sun has already dipped below the horizon, casting a dusky glow over the campus. Tsukishima predictably gets ready to walk you home; he shoves his hand in his jacket’s pocket and tries to look nonchalant, so obviously you tell him he looks stupid, to which he promptly flips you off. Rude. Some people just don’t know how to appreciate honesty.

Yachi’s already headed off to her shift at the café, so you two are left alone, navigating past other tables to the library doors. The evening air is cool, a welcome contrast to the warmth of the crowded café; you walk in companionable silence for a while, the only sounds being the rustling leaves and the distant chatter of other students.

He walks you to your gate, and you’re honestly about to just head inside, but you pause in your tracks because he deserves to hear it twice. 

“Kei,” you say softly, breaking the silence. “Thanks again. It really means a lot to me.”

He looks at you, his expression unreadable. “I know. That’s why I’m doing it.”

You blink up at him, momentarily thrown off by his directness. Tsukishima isn’t the type to say things he doesn’t mean—he’s never been one for flattery or unnecessary kindness. And yet, there’s something about the way he says it, the quiet certainty in his voice, that makes your heart do something stupid in your chest.

Tsukishima Kei cares about you. No matter how much he pretends otherwise, you know he’ll be there for you when you need it most. If twelve years have taught you anything, it’s that he’ll do it reluctantly, begrudgingly, but he’ll be there for you. 

He always has.

five. 

The first day of filming is, somehow, going smoothly.

You’re not sure if you should be suspicious of this. Typically, film shoots involve at least three things going horribly wrong within the first twenty minutes. A mic cutting out. A location suddenly getting overrun with people. A key actor arriving late because they forgot their costume at home.

But today? Today, things are working. The morning light is perfect, the sound equipment is cooperating, and most importantly, Tsukishima and Yachi are actually… really good together.

Which is a huge relief, because you were honestly half-convinced you’d have to wrangle the emotional chemistry out of Tsukishima with sheer force. But watching them run through the first scene on the bench outside the library, you realize you don’t have to do much at all.

He’s relaxed, leaning back with an elbow draped over the back of the bench, his eyes sharp and calculating as Yachi speaks; she’s perfect for the blushing, hesitant-but-artistic old soul character you want to portray and he takes to his role just as quickly. There’s something natural about the way they interact—the slight hesitations, the way he looks at her before speaking, the subtle smirk that plays at his lips when she nervously tucks her hair behind her ear.

It’s not forced. It’s not awkward. It’s just real.

You bite your lip, watching through the camera screen as Yachi delivers her next line, her voice soft, a little unsure. Tsukishima’s response is barely above a murmur, but it carries, even in the open air. The way he’s looking at her—that’s what makes it work. It’s the kind of gaze that makes people believe in love stories. 

Holy shit. This might actually be good.

“Cut!” you call, your voice a little breathless as you lower the camera. Yachi blinks up at you, a little startled, before breaking into a smile.

“Was that okay?” she asks, a hint of uncertainty in her tone.

“More than okay,” you say, grinning as you step over to them. “You guys are killing it.”

Yachi lets out a relieved laugh, cheeks pink. “Oh, thank god. I was worried I looked weird.”

“Nope. You look like the perfect indie film love interest.” You pat her on the shoulder before glancing at Tsukishima, who raises an eyebrow at you.

“What?” he drawls.

“You’re actually trying.”

He scoffs. “Yeah, because I’m not going to embarrass myself on camera.”

“Right,” you deadpan, smirking. “Nothing to do with the fact that you two have, like, the easiest natural chemistry I’ve ever seen.”

Tsukishima rolls his eyes, but you catch the way his jaw ticks slightly before he stands up, stretching. “Are we done here? Or are you going to keep talking?”

Impatient idiot. You snort and go to collect your camera and sound system, and together, you all head off to film scene two.

***

The second scene of the day takes place in the small, naturally-lit art studio on campus. It’s not often used, especially not on the weekends, now that the university’s built the big fancy modern art building in the north campus, but it’s perfect for this scene. You wanted something intimate, somewhere that made the world feel smaller, quieter, to parallel the deep intimacy of a relationship (wow, look at you talking like a true film bro). A space where the characters could be alone, even if they weren’t saying much.

Tsukishima sits at the table, his hands idly flipping through a sketchbook that’s just a prop, though you think it suits him weirdly well. Yachi’s holding a paintbrush, standing near the window, looking at a half-finished canvas, the soft glow from outside catching the strands of her blonde hair just right.

“Alright,” you say, stepping back behind the camera. “Tsukishima, this scene is mostly you watching her. Yachi, I want you to look like you’re lost in thought. You’re thinking about something big, but you’re not sure if you want to say it.”

Yachi nods, exhaling as she settles into place. Tsukishima just leans on his elbow, glancing at her through his glasses, waiting.

You call action. And for a moment, the room changes. It’s not just a studio anymore. It’s a quiet, suspended moment in time.

Tsukishima watches Yachi, and you can’t look away. The way his gaze lingers, not quite analyzing, not quite soft, but something in between. The way Yachi’s fingers trace the edge of the painting, distracted, unaware of the way he’s looking at her. The way they look so perfectly together, like halves of a whole, like something that’s meant to be.

It’s... breathtaking.

You swallow, suddenly feeling warm.

They’re good. Too good.

“Cut,” you say softly, your own voice sounding a little distant.

Tsukishima looks up at you immediately, brows slightly furrowed, like he’s searching for something in your expression. Yachi, however, simply exhales a breath of relief, breaking into a small laugh. “That felt really real,” she says, beaming.

“It was really real,” you admit, trying to shake the weird feeling creeping up your spine.

Wow, honestly. They must be some of the best actors you’ve ever met. If you didn’t know better, you would think they were actually in love.

six. 

The blinking cursor on your laptop is mocking you. 

It’s a tiny, relentless metronome ticking away the seconds, reminding you of your failure to move forward. You glare at the half-finished sentence on the screen, fingers hovering over the keyboard, willing your brain to conjure anything—literally anything—that makes sense.

You had an ending in mind—of course you did. The perfect, soft, cinematic conclusion to your film. A final shot drenched in golden light, delicate and lingering, like a whisper against a bruise. The kind of scene that settles into the chest like an old song or a half-remembered dream, stirring something deep and unshakable. The culmination of all those quiet, electric moments between your leads, woven together into something fragile and honest.

Except every single draft you’ve attempted so far? Complete garbage.

You groan and throw yourself back against your chair, rubbing your hands over your face in frustration. Why does this feel impossible? You should’ve known writing the ending would be the hardest part. You’re always better at beginnings—openings are easy. Openings are full of possibilities. But endings?

Endings mean making a choice.

And right now, you have no fucking idea what choice to make.

As if on cue, summoned by your misery, your door swings open without warning, and Yukie strides in like she owns the place. Which, to be fair, she practically does—she and Kaori have an open invitation to barge in at any time, and they use that privilege liberally.

“Please tell me you’re taking a break from that thing,” she says, nodding toward your laptop as she flops onto your bed. “You’ve been staring at it like it’s personally offended you.”

“It has personally offended me,” you mutter back, head caught between your hands, visibly in distress. “I’ve rewritten it like five times, and it still feels wrong.”

Yukie hums, but her attention drifts toward your open script document, skimming the words with the sharp, practiced gaze of someone who enjoys knowing things before you tell her. A beat later, her eyebrows shoot up.

“I still can’t believe you’re letting Yachi and Tsukishima film together,” she says, lips curving in a smirk.

You glance at her, confused. “Uh, yeah? They’re the leads? Kind of an important part of the whole thing?”

She rolls onto her side, propping herself up on one elbow, expression downright mischievous. “No, I mean… you don’t think it’s a little risky?”

You blink. “Risky how? Like existentially?”

Yukie snorts. “No, dumbass. I mean, don’t you think it’s easy for co-stars to catch feelings for each other? Like hello? Zendaya and Tom Holland broke the Spiderman-MJ curse cause of it.”

“Oh c’mon,” you scoff immediately. “Kei and Yachi? Please. He’s the human equivalent of a hazard sign, and she’s literally an angel.”

“And opposites attract,” Yukie sing-songs, wiggling her eyebrows like she’s just cracked some grand conspiracy.

“Not like that. It’s literally just acting.”

Yukie tilts her head, looking entirely too entertained by your dismissiveness. “You say that, but it’s not uncommon. You spend enough time pretending to love someone, and eventually, it stops feeling like pretending.”

You open your mouth to retort—but for some reason, your brain short-circuits. The words are there. They’re on the tip of your tongue. But they won’t come out. Because now you’re thinking about it.

Tsukishima and Yachi. Together.

It’s ridiculous, obviously. Tsukishima is sarcastic and emotionally constipated, and Yachi is sweet and nervous and actually respects people’s feelings. They make sense on screen, sure—chemistry is chemistry, and that’s what acting is for. But in real life? You can’t even picture it. Matter-of-fact, you shouldn’t even be picturing it.

And yet, something uneasy churns in your stomach, and you shift in your seat, suddenly feeling uncomfortable in your own skin. No, this is stupid. You’re overthinking. Yukie’s just stirring up unnecessary drama because that’s what she does when she’s bored.

“It’s fine,” you say, voice forcibly even. “They’re just acting. Besides, you really think Tsukishima of all people would catch feelings for someone just because of a film?”

“Mmm.” Yukie hums, neither agreeing nor disagreeing. “You say that, but you’re weirdly defensive about it.”

“I’m not defensive,” you snap, too fast, too sharp. A mistake.

Yukie’s smirk deepens, and you hate her for it. She swings her legs off the bed, stretching like a cat. “When you’re done pretending you’re not in denial, dinner’s ready,” she chirps, sauntering toward the door.

You roll your eyes. Classic Yukie. Your roommates are simultaneously your greatest strength and your worst influence; they know you inside and out, and unfortunately, that means they never let you run from your own feelings. They’ve been convinced for years that you’re in love with your best friend, which is laughable. Delusional, even.

And yet.

The thought lingers longer than it should, trailing after you like a shadow as you trudge to set for the first day of filming.

You tell yourself it’s just curiosity when you glance Tsukishima’s way. Just morbid fascination when you catch the way his gaze lingers on Yachi between takes. Just professional interest when you watch how his sharp, unimpressed scowl softens—barely, just a fraction—when she nervously stumbles over a line, and he mutters a quiet correction, his voice steadier than you expect.

It’s just good acting, you reason. Nothing more.

Because Tsukishima is your best friend. And that’s all he’s ever been, all he’s ever going to be. You tell yourself that, over and over and over again, trying to make it feel like the truth. But for some reason, despite all your effort, it doesn’t, and it bothers you in a way that it wouldn’t bother friends that are purely just platonic.

seven.

“You look like shit.”

You rub your eyes, very conscious of the fact that you’re sporting dark eye bags and a goofy-ass fit. Your hoodie is three sizes too big, your sweatpants have a suspicious stain on them from an unknown source, and your hair looks… actually, you don’t even want to talk about it because it really is that bad. You blink up at Tsukishima, who has somehow managed to find you after your afternoon lecture, looking disgustingly well-rested and put-together as always.

“Thanks,” you deadpan, shouldering your bag. “Great to see you too, Kei.”

Tsukishima rolls his eyes but doesn’t move out of your way. Instead, he tilts his head slightly, studying you with that keen, observational gaze of his. “Seriously. Are you okay?”

You pause, thrown off by his genuine concern—normally, he’d just mock you and move on, but there’s a sharpness to his tone today, like he actually cares. Maybe it’s because you’ve barely been outside in the last few days, much less seen him and Yamaguchi. Now that you’ve made it through over half of the film’s scenes, you’ve already started editing it together (arguably the worst part of being a self-produced film student: the excessive time spent with Adobe Creative Cloud). You hesitate, then sigh. “Just tired. I’ve been working nonstop, and I still haven’t figured out the ending.”

He lets out a long-suffering sigh, crossing his arms. “Why do you always do this to yourself?”

“I thrive under pressure.”

“You thrive off caffeine and bad decisions.”

“Same thing,” you mutter, rubbing your temples. “Look, I’ll figure it out. Eventually.”

Tsukishima doesn’t look convinced, but instead of pressing further, he reaches into his pocket and pulls out his car keys, holding them up with a lazy shake. “C’mon.”

You blink. “Huh?”

“You clearly need a break. Let’s go.”

You frown at him, confused. “Go where?”

“Does it matter?” he counters, raising an eyebrow. “I swear to god, if you go back to your dorm and stare at your screen for another five hours, you’re gonna lose whatever brain cells you have left.”

You open your mouth to argue, but you know he’s right. Your brain is fried, your eyes are starting to blur from staring at a screen all night, and you could really use some air. So, with a dramatic groan, you give in. “Fine. But if you take me somewhere boring, I’m jumping out of the car.”

“Noted,” he says dryly, shoving his keys back in his pocket before turning on his heel. “Now move it.”

***

The drive is familiar, comfortable. You don’t even ask where he’s taking you because, honestly, he’s right: it doesn’t matter. Being in his car like this feels natural, like muscle memory.

You remember when he first got his license, the first of you three to do so. Akiteru had gifted him a car to use once he did, an old but functional, clean and simple one, much like him. At the time, it had felt like the biggest deal—suddenly, Tsukishima had a ticket to freedom, and by extension, so did you and Yamaguchi.

You can still picture those early drives vividly: the three of you packed into the car, Yamaguchi in the passenger seat nervously checking the map while you sprawled in the back, shouting ridiculous directions just to mess with Tsukishima. He always acted like he hated it, threatening to pull over and leave you on the curb, but he never actually did. 

There were the late-night drives to nowhere, just because none of you wanted to go home yet. The ice cream runs in the middle of winter, sitting in the parking lot with the heater cranked up as you argued over movie rankings. The way Tsukishima always kept one hand on the wheel, the other fidgeting with the volume knob, adjusting it up or down depending on whether he was feeling indulgent or annoyed by whatever you were blasting through the speakers.

You remember one time, when a storm had rolled in suddenly and you got caught out in the rain on the way back from a late study session; he’d picked you up after you spam-called him seven times. Tsukishima pulled up to the curb in front of your house, the wipers barely keeping up with the downpour, but for some reason, instead of rushing out of the storm into your apartment, you’d just sat there for a while, listening to the steady rhythm of the rain against the car roof. He hadn’t told you to get out, hadn’t asked why you were lingering. He just turned up the music, leaned back, and let you stay.

The cityscape blurs past the windows as the car hums beneath you, the low rumble of the engine mixing with the sound of the playlist Tsukishima has quietly playing in the background. You recognize the song instantly—it’s from one of your old shared playlists, one you made together back in your first year of high school.

You glance at him, but he keeps his eyes on the road, one hand on the wheel, the other resting lazily against the gearshift. His sweater is vintage, made of a gorgeous dark green wool that you had been ecstatic to find when you first took him to your favorite thrift store back home; it looks good contrasted with his blond hair and fair skin. His usual stoic expression is softer in the evening glow, illuminated by the street lamps lining the road. 

God. Have his eyes always been able to capture the city lights like that? 

***

Tsukishima drives for what feels like forever, but when he finally pulls over, it’s basically where you started: an empty parking lot, outside of your favorite convenience store because they’re open late and always stock freshly-made to-go onigiri. It’s owned by a sweet old woman, so double points; you two have been coming here since the start of your freshman year. 

He throws the car in park and gives you a look. “You coming?”

You sigh dramatically but unbuckle your seatbelt, stepping out into the cool night air. The store’s neon sign hums quietly, casting a soft glow over the pavement.

As soon as you step inside, the familiar scent of warm rice and miso greets you, and you immediately relax. Tsukishima heads straight for the onigiri section, while you linger near the drinks, debating between a matcha latte and a cappuccino.

“You’re getting the matcha,” Tsukishima calls over his shoulder, barely even looking up.

You roll your eyes but grab it anyway, because yeah, he’s right. You join him at the counter, where he’s already placed two onigiri on the register—one salmon, one tuna mayo.

“You know my order,” you say, amused.

He shrugs, handing over his card to pay before you can argue. “You never change it.”

The words are casual, offhanded, but something about them settles deep in your chest. You look at him, at the way he’s effortlessly familiar with your habits, your preferences, your life.

And for some reason, that makes your stomach twist.

eight. 

You tear into your onigiri, letting the familiar taste of salmon and warm rice settle on your tongue. The quiet hum of the city surrounds you both as you sit on the hood of Tsukishima’s car, drinks resting beside you. The neon glow of the convenience store sign flickers in the periphery, casting long, gentle shadows over the pavement; the night is cool but not biting, the breeze rustling the stray napkins you’d forgotten beside you.

The conversation flows lazily, touching on everything and nothing at once—complaints about professors, Yamaguchi’s latest doomed tutoring attempts with Hinata, Tsukishima’s upcoming project on primate evolution that he absolutely does not care about. It’s easy, the way it always is, but there’s a weight pressing against your ribs, something you can’t quite name.

Then it slows. After a beat, you sigh, staring out at the dim glow of the streetlights. “I think I might change the ending.”

Tsukishima shifts beside you, glancing at you briefly before turning back toward the night sky. You don’t even have to specify: he knows what you’re talking about. “Yeah?”

“I wanted a happy one,” you admit, your fingers picking at a loose thread on your hoodie. “But I don’t know if it fits. Every version I write feels fake. Too neat. Too… easy.”

He’s quiet for a moment, taking a slow sip of his drink before shrugging. “Then don’t force it. If it’s not working, make it ambiguous.”

You scoff, shaking your head. “It’s not that simple.”

“It is,” he argues, stretching his long legs out in front of him. “People like things that feel real. If you’re struggling this much, maybe that’s your answer.”

You chew on his words, considering. Maybe he’s right. Maybe an open-ended conclusion is the answer—letting things linger, unresolved but full of possibility. But something about that unsettles you, like leaving something unfinished, like waiting for something that never comes.

And then, it clicks: how to leave it ambiguous without being unfinished. 

You exhale, pressing your phone’s power button and watching the screen light up, a blank notes app staring back at you. Your fingers hover over the keyboard before you start typing, the inspiration finally clicking into place. You can already see the scene in your mind—the way the light will filter in, the subtle expressions, the carefully chosen silence between words.

Tsukishima watches you with mild amusement, his lips quirking up just slightly. “Are you seriously writing right now?”

“Shut up,” you mumble, furiously typing. “You said something smart for once, and now I have to take advantage of it.”

He snorts. “You wouldn’t survive without me.”

You roll your eyes, but deep down, you know he’s right. The thought lingers, unspoken. How many times has he done this? Pulled you out of your own head before you spiraled, pushed you to do better, reminded you—without ever really saying it—that you aren’t alone?

The words on your screen blur slightly. Maybe it’s just the neon lights. Maybe it’s something else.

Then, softer, almost offhand, he says, “You know, if it’s really bothering you this much, maybe it’s because you want it to mean something.”

Your fingers still over your screen. The words sit heavy in the air, pressing down on you with a weight you can’t quite place. You look up at him, but he’s already turned back toward the city, his expression unreadable.

nine.

You think that you need a distraction. A long walk, or a snack, maybe. Or better yet, what you actually really want: a frontal lobotomy. 

Instead, you have filming.

Which is, honestly, the opposite of helpful when your current goal is to shove all of your weird, unwelcome, inexplicable feelings into the deepest recesses of your mind. It’s awful, but now that you’ve started to see your best friend in a whole new light, it’s really all you can think about. Therefore, you cope as you always have: running from your problems. You’ve been distant the last few days. You’re responding less, cancelling on your weekly study sessions, sprinting out of your lectures before he can catch up to you. You’ve even been ghosting Yamaguchi out of proximity. 

But you can’t do that today. Because today, you’re shooting one of the final sequences—the rooftop scene. The one drenched in soft intimacy, lingering glances, and unsaid words thickening the air between them. The one where Tsukishima and Yachi have to act like they exist in their own world, where nothing and no one else matters.

You try not to think about it too hard.

The rooftop set is perfect. The city sprawls beneath them, lights flickering like stars, a mirror to the actual night sky above. Yachi’s already in position, sitting at the edge, her posture relaxed but poised. Tsukishima is beside her, long legs stretched out, hands lazily resting on his lap. The camera is set up, framing them beautifully against the endless stretch of buildings and sky.

You call action, and for a while, it’s fine.

Yachi takes a slow drag of the cigarette (a prop one—she refuses to even come close to tainting her lungs), the smoke curling up between them. Her voice is soft, contemplative, as she delivers her lines. Tsukishima exhales smoke into the night, his face not particularly expressive but not detached. He’s… engaged. Focused. Too focused. There’s something in the way he looks at her that makes your chest tight, even though you know, know, it’s just acting.

Still, the words he says don’t feel like lines. Not when his voice dips just slightly, not when his eyes linger on her face.

“Maybe,” he says, his tone quieter than rehearsals, “but some moments leave imprints on our souls. They’ll last forever in our hearts.”

The air shifts.

Yachi leans her head on his shoulder. The city hums below them. The scene is exactly as you envisioned it, the kind of moment that pulls people in, that makes an audience believe.

And yet, it feels like you can’t breathe.

The worst part is that it isn’t even that bad—no, you get through the scene just fine. No one else notices the way your stomach churns, or the way your hands tighten around the back of the director’s chair. No one notices that the words aren’t just dialogue in your head anymore, that they feel… wrong, out of place, too much.

It isn’t until Tsukishima reaches out, without prompting, without direction, and brushes a loose strand of hair out of Yachi’s face that you realize you actually feel sick.

It’s not scripted.

The camera catches it perfectly, a soft, natural movement. The kind of instinctive touch that makes a scene feel real. Your breath stutters in your chest. And then, as if that wasn’t enough, he leans in slightly, pressing the briefest kiss to her forehead before pulling back, the ghost of a smile on his lips.

Not in the script.

Not in the goddamn script.

“Cut,” you say, too quickly, your voice tighter than you mean it to be. You clear your throat, forcing a neutral expression onto your face when both of them glance toward you. “That was—good. Really natural.”

Yachi beams, a little shy but pleased. “It felt nice, actually. He made it really easy to stay in the moment.”

You swallow down whatever the hell it is that rises up in you at that.

Tsukishima doesn’t say anything. He just watches you, sharp and unreadable.

Your fingers curl into your palm. “I think we’re done for tonight,” you announce, forcing a yawn into your voice like exhaustion is the reason you need to leave so badly. “I’ve got a migraine coming on, and we still have to film the passion scene this weekend.”

Yachi nods easily, already stretching out her legs, but Tsukishima’s expression darkens slightly.

“You sure?” he asks, low enough that only you hear it.

You nod quickly, avoiding his gaze. “Yeah. Just need sleep.”

He stands, brushing invisible dust from his jeans, and you know what’s coming before he even says it. “I’ll walk you back.”

“No!” you panic, waving your hands wildly. “Kaori’s picking me up.”

It’s a lie, an obvious one, but you don’t care. You grab your bag and sling it over your shoulder before he can question it. “I’ll see you guys later.”

Then you leave, practically sprinting out, before he can say anything else. Before you have to deal with whatever the hell this is, whatever it means.

Because if you stop to think about it, even for a second, you’re pretty sure you’ll break.

ten. 

Midway through your most recent homework assignment (dissecting the art behind the glorious film Cars—the best Disney movie out there, fight with the wall), your phone vibrates against your nightstand. The screen flashes the text message that’s popped up, but you don’t even need to check to know who it is: it’s a notification that you already know you don’t want to see.

(11:12 PM) kei :P: are you avoiding me?

You stare at the text, thumb hovering over the keyboard, your mind spinning with an answer that won’t sound like a complete lie. The problem is, you are avoiding him. You’ve been practically stonewalling him, dashing away inconspicuously whenever you know he’ll be nearby, and it’s getting obvious. He knows it. There’s no use pretending otherwise, but the idea of confronting it—confronting him—makes something anxious curl in your gut.

You sigh, flopping onto your bed, one arm draped over your eyes as you try to gather your thoughts. Your fingers type out a response before you can overthink it.

(11:15 PM) y/n: no? y/n: i’m j busy lately u know that

The three dots appear, then disappear. Reappear, then disappear again. He’s debating his response, and for some reason, that is terrifying. Then it buzzes.

(11:21 PM) kei :P: right.

It’s short. Barely anything at all. But you know him, and you know exactly what that one-word response means. He doesn’t believe you. He’s letting it go for now, but he isn’t letting it go entirely. The thought unsettles you more than you want to admit.

Your room feels suffocating suddenly, like it’s pressing in on you. You glance around, searching for something—anything—to keep your mind occupied, but all you find are pieces of him.

Tsukishima had helped you move in, so he has a fundamental part in the whole place already, but when you look even closer, he’s really in the details. There’s the framed picture on your desk from your high school graduation, his hand resting lazily on your shoulder as Yamaguchi beams from besides you. There’s a hoodie draped over your desk chair, long since stolen from his closet during a late night out that never got returned. There’s a battered copy of Normal People by Sally Rooney tucked into your bookshelf, its pages creased and worn from the way he always mindlessly flipped through it when he came over. 

It never seemed evident until now, when you’re trying so hard not to think about him, to not let him occupy a space that he’s so clearly always kept filled, but now that you see it, it’s simple: Kei has been a part of your life for as long as you can possibly remember. He’s always been there, from the very moment your family moved into the house next door to him when you were seven. He’s in your daily routine. If you turned on your phone right now, it’d open to a picture of you three; if you were to open Spotify, you’ll find your blend at the very top of your pinned playlists. 

He’s everywhere. He’s everything. Tsukishima Kei is worn into your very bones, into every single cell, written into every little part of your being. 

Your fingers tighten around your phone, and for a moment, you consider texting him back. Saying something real. Something honest.

Your gaze flickers to your desk, to the script sitting on top of a stack of notebooks. The ending you rewrote stares back at you, the words bold and final.

Scene 6 Exterior - Rooftop - Sunset Yachi returns to the rooftop, now alone. She sits on the edge, looking out at the city. The sun sets, casting a warm glow over everything. She takes out a cigarette and lights it, inhaling deeply. Cut to: Tsukishima, walking through the city streets, the sunset reflecting in his eyes. He pauses, looking up at the rooftop where Yachi is sitting. The screen fades to black. Text on screen: “We’ll be there at the end of the world, together as the stars go out.”

The moment your professor read it, she called it striking. Said it felt honest. That the ache in the words felt real, like someone had lived it.

But you didn’t just write it. You felt it.

Because if the world were ending, if the stars were truly burning out—there’s no question where you’d be. Who you’d be with.

And yet, here you are, running.

You inhale sharply, pressing the heels of your hands against your eyes.

With the weight of twelve years of friendship comes the obligation to not let it go to waste: you are terrified of what a confession could do. You can’t even imagine what a world without Kei looks like; you would honestly rather die than lose him. And well… admitting your feelings could very well mean losing him. 

Then again, you could very well lose him too if you keep ignoring him and running away. You just need to come up with some way to either 1) get over your feelings, or 2) explain to your best friend that you’ve suddenly started having inexplicable dreams about him and feeling the urge to kiss him. 

You mean, how hard could it really be?

eleven. 

Evidently, very difficult. 

You’re standing outside the door of Tsukishima’s flat for the first time in days, feeling like you might actually throw up. You have the horrible urge to cancel. Maybe you should turn around. Maybe you should fake food poisoning. Maybe you should suddenly develop an urgent need to flee the country.

But no. You can’t do that. This is your film, your project, your fucking grade on the line. You can’t just run away forever.

So you’re here. And you take a deep breath before you knock, because your heart is hammering like you just ran across campus, and it only picks up when the door swings open.

And then he’s there too—Tsukishima, standing in the doorway of his apartment, hair still damp from a shower, hoodie hanging loose on his frame. His glasses slide down his nose just slightly, and for a second, he just looks at you, eyes scanning your face, your posture, like he’s already found something off about you.

“You’re early,” he says, stepping aside to let you in.

You nod, stepping over the threshold, hyperaware of the way the air inside feels different—warm, his, thick with something you don’t have the words for.

“Wanted to set up before Yachi gets here.” Your voice is steady, detached, the way it should be.

It’s not a lie, not entirely, but it’s not the truth either. The truth is sitting in the space between you, glaring and heavy, pressing in like the weight of an oncoming storm.

He hums in response but doesn’t say anything else. Tsukishima doesn’t move, doesn’t drop his gaze. His arms are crossed, his posture lazy, but there’s something pointed about the way he’s looking at you—sharp, analyzing, like he’s cataloging every tell, every avoidance, every reason why you’re standing here instead of texting some excuse from the safety of your dorm.

You drop your bag near the couch and move to set up your camera, your hands moving automatically as you avoid his gaze. The apartment smells like him—coffee and citrus, faintly like that stupid expensive detergent he swears isn’t a luxury purchase but definitely is. The scent is so him, so familiar, that it makes your stomach flip.

And then he speaks.

“What’s going on with you?”

You freeze.

It’s not accusatory, not sharp, just… careful. Measured. Like he’s trying to get an answer without pushing too hard. Which, honestly, is worse than if he had just called you out directly.

You force yourself to keep your hands steady, adjusting the camera’s angle. “Nothing. Just busy.”

His eyes narrow slightly. “Bullshit.”

Your stomach twists. The air in the room shifts, thickens.

He’s always been quick. Always been able to pick apart your bullshit before you even finish spinning it, before you can even convince yourself it’s real. And now, with those gold-flecked eyes trained on you, burning through every excuse you try to build between you… well, you’re drowning.

His voice is steady, but edged with something dangerous. “I don’t know what your problem is, but if you think I haven’t noticed, you’re dumber than I thought.”

Your breath hitches in your chest.

For a second, you want to tell him. Everything. The thoughts, the jealousy, the confusion that’s been clawing at your throat for weeks. You hate that he knows you this well, that he can see through you so easily. You hate that he’s giving you that look, the one that says I’m waiting for the truth, waiting for you to finally be honest, and you hate, hate, that you don’t know what to say. 

But then, the door swings open. Yachi steps in, breathless and smiling. “Sorry I’m late!”

The moment shatters.

You exhale, stepping back, forcing a smile as you greet her, ignoring the way Tsukishima is still watching you. He goes still, expression unreadable. And then—just like that—his face smooths out, his posture relaxes, his hands sink into his hoodie pocket like nothing happened at all.

“Let’s get this over with,” he mutters.

You nod too quickly. “Yeah. Let’s start.”

If you want to make it through a whole scene of them making out for three minutes, you have to stop looking at your best friend. His amber eyes, under his layer of concern, confusion, and annoyance, are filled with hurt, and your stomach feels like it’s being ripped out, torn to fucking shreds, to see him like that. 

So you avert your gaze, stubbornly keeping your eyes on Yachi and your camera, and set up to film the scene.

***

The camera is steady. Your breathing, however, is not.

The apartment is dimly lit, the soft hum of music playing through the speaker, some indie song with melancholic chords that you once added to the shared playlist, long before this—before all of this—became something unbearable. It filters into the space like a ghost of a memory, like something familiar that you can’t quite place.

Yachi sits on the edge of Tsukishima’s bed, her hands folded neatly in her lap, waiting for direction, waiting for him. Tsukishima stands in front of her, tall and composed, his fingers flexing at his sides like he’s testing the weight of the scene before stepping into it. His shoulders are loose, his stance easy, his face unreadable. Too unreadable.

Too casual.

Like he’s trying to make it look effortless.

Like he’s making it look effortless for you.

Your grip tightens around the camera. The frame is perfect—low lighting casting long shadows, the soft golden glow from the bedside lamp catching on strands of Yachi’s hair, the curve of Tsukishima’s jaw. It’s intimate. Close. Exactly what you wanted.

It should be fine. This should be fine.

The scene is simple.

Close-ups of hands, of fingers grazing over fabric. Of a breath caught in the space between them. Of a moment stretched too thin, heavy with something unsaid.

And then, they kiss.

Your stomach lurches.

It’s instinct—the way your body reacts, the way something tightens in your chest like a vice, the way your nails press into your palm where you grip the camera. You tell yourself to look at the screen, at the framing, at the way their silhouettes fit together like pieces of a puzzle.

But you’re not looking at the shot.

You’re looking at him.

The way his head tilts slightly, the angle just right. The way his hand ghosts over the small of Yachi’s back before settling, fingers barely pressing into fabric. The way he moves slow, deliberate, like every part of him has been designed for this moment, like he’s meant to be here, kissing her, making it look real.

Making it feel real.

Your fingers tighten around the camera, but you don’t move.

The shot is perfect.

Tsukishima is slow, careful. One hand cups Yachi’s jaw, his thumb brushing lightly across her cheekbone, his other resting against her waist, anchoring her in place. He leans in, the motion seamless, practiced, lips pressing against hers with just enough pressure to make it believable.

Your chest feels like it’s caving in.

It’s nothing. It’s just a film. It doesn’t matter. He doesn’t care.

But you do.

The words sit at the back of your throat like acid, thick and burning, because this is what you wanted—this is what you asked for—and yet you can’t seem to convince yourself that you’re okay with it.

You should be focusing on the technicalities. On the way the lighting frames them, on the way the movement aligns with your vision, on the way Yachi’s fingers twitch against his hoodie like she’s nervous, like she’s fully immersed in the moment.

But all you can focus on is him.

The way his eyelashes flutter for half a second before he closes his eyes.

The slow exhale against Yachi’s lips.

The way his grip shifts against her waist—just slightly, just barely, like he’s grounding himself. Like he’s steadying his breath, like he’s trying to remember it’s acting.

Something inside you twists, sharp and visceral, something so wrong it makes your stomach ache.

Your fingers are shaking.

And then, the worst part: Tsukishima tilts his head further, deepening the kiss.

Your breath catches.

It’s instinctive, automatic, the way your entire body tenses. You barely realize what you’re doing until the words leave your lips, unbidden, a little too fast, a little too urgent.

“Cut.”

The word slices through the air like a blade.

Tsukishima pulls back immediately, blinking, like something had momentarily snapped.

Yachi exhales, touching her lips, a little dazed, but then she laughs, easy and light. “That felt really natural.”

Natural.

The word rings in your ears, cold and foreign, something heavy and nauseating settling in your stomach.

Natural.

You feel like you’re going to throw up.

Tsukishima is still looking at you. Not at Yachi, but at you.

His expression isn’t unreadable anymore. It’s something else—something unread, something searching, something sharp enough to make your skin burn under the weight of it.

You swallow, forcing your voice into something neutral. “Yeah. That was good. Really… natural.”

Yachi grins, stretching her arms. “I have to run—I promised Hinata I’d help him study tonight.”

You nod too quickly. “Yeah, yeah, of course. Go ahead.”

She gathers her things, slings her bag over her shoulder, completely unaware that the air in the room is thick with something else, something unspoken, something unraveling.

The door clicks shut.

You inhale.

You should leave too, right now. You should grab your bag, make up some excuse, and go.

But before you can even think about moving, a hand wraps around your wrist, and drags you back in.

twelve. 

The door clicks shut behind Yachi, but the weight in your chest doesn’t lift. If anything, it gets heavier, pressing against your ribs like an iron hand squeezing the air out of your lungs. You force yourself to breathe, force yourself to move, force yourself to not think about the way Tsukishima had looked at her, had touched her, had—

A hand wraps around your wrist.

You freeze.

Tsukishima tugs, firm but not rough, pulling you back before you can escape.

Your heart stutters.

“What the hell is going on with you?” His voice is low, controlled, but there’s something underneath it—frustration, confusion, anger.

You try to twist your arm away, but he doesn’t let go. His fingers tighten slightly, not enough to hurt, just enough to anchor you, to keep you here. You force yourself to look at him, to meet the sharp, burning gaze that’s demanding answers.

You swallow. “Nothing.”

His jaw clenches. “Try again.”

“Tsukishima—”

“No.” His voice cuts through the air, low and unyielding. “You’ve been acting weird for weeks. Avoiding me. Lying to me. Looking at me like I fucking killed your dog or something. Not even calling me Kei anymore. And then tonight—” He breaks off, exhaling sharply through his nose. His grip on your wrist doesn’t loosen. “What is your problem?”

The words sting, sharp and cutting, but the worst part is that he’s right. He’s right.

And you’re tired.

Tired of pretending it doesn’t bother you. Tired of biting your tongue. Tired of shoving down every ugly, twisting, unbearable feeling that claws at your throat.

So, suddenly, recklessly, you snap. “You! You’re my fucking problem!”

The words burst out of you like they’ve been waiting, desperate to escape, and suddenly, there’s no going back.

Tsukishima’s eyes widen—just slightly, just enough for you to see the flicker of shock before his expression hardens again.

“What?” His voice is sharp, almost mocking, like he’s daring you to say it again, to spell it out for him.

You rip your wrist from his grip, shoving him back a step. Your hands are shaking. Your heart is pounding.

“You don’t get it, do you?” The words come fast, breathless. “Do you even see what you look like? How easy this is for you?” Your voice wavers, thick with something too sharp to be just frustration. “How you can just— just kiss her like it’s nothing?”

His brow furrows. “It was a scene.”

“That’s not the fucking point!”

You shove him again, hands pressing against his chest, but he barely moves.

“I had to watch you,” you spit, voice cracking at the edges. “Watch you hold her like that. Watch you look at her like that. And I hated it, Tsukishima. I hated it.”

Something shifts in the air between you.

The anger is still there, but beneath it—something else. Something fragile and aching and real.

Tsukishima doesn’t speak. His lips part slightly, but no words come.

He’s staring at you, his expression unreadable, but his eyes—God, his eyes.

You inhale, shaking, your hands balled into fists. “I don’t know when it happened, or how, or if I’m just an idiot who took too long to figure it out, but I—” Your breath stutters. Your throat feels tight. Fuck, you shouldn’t be saying this. You shouldn’t be saying this.

But you do.

Because it’s too late.

Because there’s no running now.

“I love you.”

The words drop between you like stones in water, sinking deep, sending ripples through everything.

Silence.

You can hear your heartbeat in your ears, erratic and deafening.

Tsukishima stares at you. Gaping. Frozen.

Like the world just tilted on its very axis. Like the entire sky is tumbling down, like gravity is the sole thing keeping him on the ground. 

And then you panic.

“I—I didn’t mean—” Your voice shakes, your fingers twitch, you need to fix this, you need to take it back before you lose him, before you ruin everything—

But then he moves.

Fast.

His hands are on your face before you can breathe, fingers threading into your hair, tilting your head back.

And then he kisses you.

It’s not careful. Not controlled. Not measured, the way he was with Yachi.

This is something else entirely.

This is desperate. This is frantic. This is a storm breaking after years of tension, of longing, of something building between you that neither of you had the courage to name.

His lips crash against yours, stealing the air from your lungs, pulling a sound from the back of your throat that’s more relief than surprise. He kisses you like he’s been holding himself back for too long, like the second he let himself move, he couldn’t stop.

Like he’s been waiting.

Like he’s always wanted this.

The heat of his body devours you, swallowing you whole, pulling you under like a riptide you don’t want to escape. His hands slide down, fingers spreading against your waist, gripping tight like he’s afraid you’ll slip through his grasp. He tugs you forward, flush against him, so close there’s no space left, no room for doubt, no hesitation—only him, only this, only the way he’s holding you like he never intends to let go.

His mouth moves against yours with intent, deliberate and thorough, a silent demand, a confession with no words, just the press of his lips and the desperate, aching pull of his hands. He’s tasting, memorizing, mapping out every gasp, every shiver, every fragile part of you that has ever been his without either of you realizing it.

You make a sound against his lips, something caught between a sigh and a plea, and that’s all it takes—his grip tightens, his fingers pressing into your skin like he’s learning you by touch, like he needs you closer, closer, closer.

You melt into him. You break into him.

There is no hesitation when your hands reach for him, twisting in the fabric of his hoodie, clutching it like a lifeline, because you are terrified he’ll stop, that this will disappear, that he’ll come to his senses and—

But he doesn’t.

Because when you part, just barely, just enough to let air slip between you, Tsukishima chases after you.

His lips find yours again, softer this time, reverent, like he needs to remind himself that you’re real. That this is real.

That you’re not running anymore.

His forehead rests against yours, his breath uneven, warm, fanning over your lips in slow exhales. He doesn’t speak for a long moment, just lets the silence stretch, heavy and fragile and trembling with meaning.

Then, his voice—low, hoarse, something wrecked and beautiful.

“Say it again.”

Your heart stutters, something sharp and sweet twisting in your chest.

He pulls back just enough to look at you, amber eyes burning, raw with something you’ve never seen before, something almost pleading.

Your fingers loosen against his hoodie, but you don’t let go. “What?”

His thumb brushes over your cheek, his jaw tight, his gaze steady, searching yours for something unspoken.

“Say it again,” he murmurs, quieter this time.

Your throat is dry. Your world has shrunk to the space between you, to the way his hands still hold you, to the weight of his gaze pressing into you like an answer he already knows but needs to hear anyway.

You swallow once, then again. Then, soft but steady, you let it slip. “I love you.”

The way he exhales, sharp and shaky, is enough to undo you completely.

And then he kisses you again.

Slower this time. Deep. Intentional. Like he’s taking his time, like he wants to make sure you understand.

This isn’t a mistake. This isn’t something he can write off as an impulse, something fleeting or meaningless or careless. This is him. This is him choosing you.

He kisses you like he’s learning you, like he’s memorizing the way your breath hitches when he moves a certain way, the way your hands tremble when they slide up to cup his jaw, the way you—God, the way you kiss him back like he’s the only thing that’s ever mattered.

Like you love him, and you’ve always loved him.

Like he loves you, and he’s always loved you.

And maybe it’s too much, too late, too terrifying, but when you pull apart, he still doesn’t let go.

His fingers linger against your jaw, his thumb brushing over your lower lip, swollen from his kiss.

His voice is rough when he finally speaks.

“You’re a fucking idiot,” he snorts.

You laugh, breathless, and it comes out half-shaky, half-dazed. “Excuse me?”

He shakes his head, his lips curving slightly—soft, unbearably fond, annoyingly smug—but his eyes stay serious, stay warm.

“I love you too,” he says, just like that, like it’s simple. Like it’s easy.

And for once, it is.

thirteen. 

You wake up in a panic.

Your heart is a drum in your chest, erratic, wild, out of sync with the soft pre-dawn quiet of your dorm room. The weight of last night presses down on you all at once—the argument, the confession, the way Tsukishima kissed you like he’d been waiting, like he meant it, like he wasn’t going to let you take it back.

You squeeze your eyes shut, inhale sharply through your nose. It doesn’t help. The air is too thick, your limbs too restless, your thoughts too loud.

What the fuck did you do?

You sit up, shoving the blankets off you like they’re suffocating you. Your hair is a mess, the hoodie you slept in (not yours—his, fuck) twisted around you uncomfortably, but you don’t bother fixing it. The digital clock on your nightstand blinks 6:04 AM, and outside, the world is just beginning to wake.

You should be asleep.

You should be anything but this.

Blindly, you reach for your phone, thumb swiping over the screen to unlock it. The notifications hit you like a brick.

— 17 missed calls — 3 new voicemails — kei :P: pick up your phone — kei :P: are you serious right now — kei :P: we’re not doing this — kei :P: text me back

Your stomach lurches.

Your fingers twitch over the screen, hovering, hesitating, and then—fuck—you lock the phone and throw it onto your desk like it burned you.

You can’t deal with this right now.

Not now, not when you’re still caught in the aftermath of what happened, not when the ghost of his lips still lingers on your skin.

You need a distraction.

You push yourself up from the bed, dragging your feet to your desk, where your laptop sits untouched from the night before. The screen glows as it wakes, casting a pale blue light over your desk. You click open Premiere Pro, fingers moving on autopilot, pulling up the final cut of your film.

Something to ground you. Something to keep you from spiraling.

The editing timeline stretches before you, a mess of layered clips and audio tracks. The cursor blinks, waiting. You set it to the last scene you worked on—the rooftop scene, Yachi and Tsukishima against the night sky, the cigarette smoke curling between them like something ephemeral, fleeting.

You press play.

The footage unfolds in perfect clarity.

Yachi sits on the ledge, her fingers wrapped loosely around the cigarette, her expression thoughtful. Tsukishima is beside her, arms draped over his knees, his profile sharp against the neon haze of the city below.

She turns to him, voice soft, hesitant. “Do you think it’ll last?”

There’s a pause.

Then—his response. 

“As long as we exist, it will.”

You exhale sharply, the words hitting you harder than they should.

The scene plays through, Yachi taking a slow drag of the cigarette before exhaling toward the sky, the glow of the embers casting flickering light over her features. Tsukishima doesn’t look at her. His eyes stay forward, locked on something distant, something unseen.

Your fingers twitch over the keyboard, and without thinking, you hit the spacebar.

The scene rewinds.

You play it again.

“Do you think it’ll last?”

“As long as we exist, it will.”

A lump forms in your throat.

You rewind it again.

Again.

Again.

You don’t know why you keep watching it, why the words keep lodging themselves deeper and deeper into your chest.

Maybe because it doesn’t sound like acting. Maybe because you remember the way he said it, the way he delivered the line so effortlessly, so quietly, like it wasn’t a scripted moment but something real.

Maybe because it reminds you of last night.

The way he kissed you, the way his hands held you firm, like he was afraid you’d vanish if he let go. The way he told you, Say it again, like he couldn’t believe it, like he needed to hear it over and over to make it real. The way he looked at you when you did. The way you let yourself believe, just for a second, that everything you wanted wasn’t impossible.

Your breath hitches, sudden and sharp, and then— you’re crying.

It’s not dramatic. There’s no sobbing, no wretched gasps for air.

Just silent tears, slipping down your cheeks, slow and unrelenting, as the weight of it all crashes into you.

Because you love him. Because you’ve always loved him. Because you can’t remember a time of your life where you didn’t, and because you can’t imagine a time where you don’t.

And you’re terrified.

You don’t know how long you sit there, shoulders curled in, fingers gripping the edge of your desk like you need to physically hold yourself together.

The sun creeps through the window, light spilling over your room in soft golds and oranges. Outside, the campus hums to life—doors opening, footsteps in the hallway, distant laughter.

You should move. You should do something.

Instead, you hit play one more time.

“Do you think it’ll last?”

“As long as we exist, it will.”

The tears keep falling, and you don’t know why you’re crying anymore: whether it’s because you believe it, or because you don’t.

fourteen.

Your hands are shaking as you pull up your contacts list.

It’s barely past 6:30 AM, the sky still tinged with the last remnants of dawn, but you can’t stay here. The weight of your realization—your love for Tsukishima—is suffocating, curling around your ribs like something clawed and desperate, something that refuses to let go.

You need to talk to someone, and there’s only one person who will actually pick up at this hour. So you press the call button and wait.

The phone rings once. Twice. Three times.

Then, a groggy voice, scratchy with sleep but undeniably familiar.

“This better be good, or I swear—”

“I need you.”

A beat of silence.

Then, rustling sheets. A sigh. And finally.

“Where?”

***

The tiny café is quiet, still waking up alongside the rest of campus. The smell of freshly brewed coffee lingers in the air, mingling with the scent of vanilla and warm pastries. Sunlight filters through the floor-to-ceiling windows, casting golden rectangles onto the worn wooden floors.

You sit in your usual booth, hands wrapped around a steaming cup of tea, though you haven’t taken a single sip.

You barely register the sound of the door swinging open before a familiar figure drops into the seat across from you, yawning into his hoodie sleeve.

“You look horrible.”

You huff out a weak laugh, your throat still tight from earlier. “Good morning to you too, ‘Dashi.”

Yamaguchi stretches his arms overhead before slumping against the seat, blinking at you with the exhaustion of a man who has spent way too many nights buried under physics equations. He eyes you carefully, then his gaze flicks to the untouched tea in your hands.

“You called me before seven in the morning,” he says, running a hand through his messy hair. “Which means either the apocalypse is happening, or you did something monumentally stupid.”

You drag a hand down your face. “Both.”

His lips quirk up slightly. “Alright. Start talking.”

You open your mouth, but—where do you even start?

The confession? The kiss? The fact that you spent half the night crying over your laptop, replaying Tsukishima’s voice like some deranged, lovesick film major cliché?

Your hands tighten around your cup. “It’s about Kei.”

Yamaguchi doesn’t even blink. “Figured.”

You exhale, shaky and uneven. “I—I don’t know what to do.”

He leans forward slightly, forearms resting against the table, his expression turning serious. “Okay. Take it from the top.”

So you do. You tell him everything.

About the jealousy—the awful, gut-wrenching feeling that took root in your chest the second you saw Tsukishima kiss Yachi, the way it spiraled into something uncontrollable, something you couldn’t suppress.

About the fight—the way Tsukishima saw right through you, called you out, made you snap. The way you finally admitted the truth you’d been running from for so long.

And then, the kiss. The way he grabbed you, the way he pulled you in, the way he kissed you like he was starving, like he’d been waiting for this just as long as you had. 

And the way, afterwards, you panicked.

The silence stretches when you finally stop talking. You can’t bring yourself to meet Yamaguchi’s eyes.

“I left,” you whisper, shame curling in your chest. “I—I freaked out and left. And now I don’t know what to do.”

Yamaguchi doesn’t respond immediately. Instead, he reaches for his coffee, takes a slow sip, and then sets it down with a soft thunk. Then—finally—he speaks.

“You’re a fucking idiot.”

Your head jerks up. “Excuse me?”

He sighs, pinching the bridge of his nose like you’ve personally caused him actual, physical pain. “This is literally the worst case of mutual pining I’ve ever seen.”

“Mutual—?”

“Yes,” Yamaguchi says, exasperated. “Are you seriously telling me you didn’t realize he’s been in love with you since we were, like, fifteen?”

You choke on air. “What?”

He gives you a flat look. “Oh, come on. You think he just puts up with people like that? Have you met Kei? He barely tolerates most human interaction, but you? You’re different.”

Your stomach sinks.

Yamaguchi leans back against the booth, studying you carefully. His voice is quieter when he says, “Now he’s waiting for you.”

And suddenly, it all comes rushing back.

Like that summer when you were fourteen, sprawled on the grass in his backyard, swatting mosquitoes away while he read some ridiculous philosophy book he’d scoffed at but couldn’t put down. You had called him pretentious, poked fun at his stupid little annotations, and then—just when he was about to snap back—he had looked at you. Really looked at you. And for a moment, you couldn’t breathe.

Or the time in high school when he stayed up with you, sitting outside your house at two in the fucking morning, just because you had a nightmare and didn’t want to be alone. He didn’t say anything about it, didn’t mock you for it, didn’t act like it was a big deal. He just let you talk about stupid shit until you weren’t shaking anymore.

Then there was college. The night he drove across town just because you were too drunk to make it back to your dorm. The way he let you ramble about some stupid movie you had watched for class while he carried you—actually carried you—up the stairs because your legs had stopped working.

And then, of course, last night.

The way he kissed you like he had been holding himself back for years.

The way he whispered, Say it again, like he needed to hear it more than anything.

The way you had run.

Because maybe, deep down, you always knew.

Yamaguchi watches you, then exhales through his nose, shaking his head. “You love him.”

It’s not a question.

It's a fact.

And you know that, of course. You’ve always known that. But hearing it out loud—having someone else say it, no doubt, no hesitation—it does something to you.

Your fingers tighten around your cup.

“I love him,” you admit, voice barely above a whisper. “I love him, and I’m scared.”

Yamaguchi hums, tapping his fingers against the rim of his coffee cup. “Why?”

“Because if this goes wrong, I lose him,” you say, staring down at the caramel liquid in your cup.

He tilts his head. “And if it goes right?”

You swallow.

That’s the terrifying part.

If it goes right—if you actually let yourself believe in this, in him… then everything changes. You can never get it back. 

But then again, if you don’t, you’ll never move forward.

Yamaguchi leans forward, voice softer now. “Look, I get it. Kei is… a lot. He’s a pain in the ass. But you don’t have to be afraid of this. Not with him.”

You swallow hard. Your thumb hovers over his name on your phone. But you don’t call him.

Not yet.

Instead, you look at Yamaguchi, heart hammering, voice barely steady.

“What do I do?”

He smiles, small and knowing.

“Go to him.”

fifteen.

Your heart is pounding.

Your pulse is an erratic drumbeat in your ears, your breath uneven as you stand outside Tsukishima’s apartment at 7 AM like an absolute psychopath. The hallway is empty, most of the residents still asleep, because normal people do not show up at their best friend’s door at the crack of dawn after confessing their feelings, running away, and then ghosting them for a whole night.

But here you are.

You raise a fist to knock. Pause. Lower it.

Your mind runs through every possible thing that could go wrong. What if he’s still asleep? What if he’s awake, but he’s pissed? What if you just turn around and pretend this never happened and never speak to him again and maybe flee the country?

But no. No more running. You’re done with that.

You exhale sharply, grit your teeth, and knock.

There’s no response at first.

Then, a very loud, very irritated groan.

Footsteps. A thud as something (probably his knee) collides with something else (probably his desk), followed by a mumbled string of very colorful expletives.

And then, the door swings open.

Tsukishima is standing there, half-asleep and thoroughly unamused.

He’s not wearing his glasses, which is so much worse, because without them, he looks—soft. His blond hair is a complete mess, sticking up in every direction, and he’s wearing that stupid old hoodie that’s two sizes too big, the one you’ve definitely stolen at some point but returned because it stopped smelling like him. His sweatpants are loose around his hips, and his expression is pure murder as he squints at you.

“…The fuck?” His voice is rough from sleep. “It’s seven in the morning.”

You should probably say something. You should probably apologize. You should probably explain why you’ve lost your goddamn mind and decided to show up here like some dramatic main character in an early 2000s rom-com.

But instead, you go on your tiptoes, yank down him by his hoodie, and kiss him. 

It happens fast, and at first, he completely freezes.

Like full-body shutdown. His entire frame locks up, his hands hovering uncertainly, breath caught in his throat.

For one horrifying moment, you think you’ve made a mistake.

But then… then his hands find your waist. And suddenly, he’s kissing you back.

It’s slow at first, tentative, like he’s still processing this, still trying to believe it’s real. But then his fingers tighten against your skin, pulling you closer, and you can feel the exact moment he gives in.

The exact moment he stops thinking.

And God, you feel it everywhere.

The heat of him, the slow, deliberate press of his lips, the quiet, shaky exhale against your mouth before he tilts his head and deepens the kiss. He’s warm, solid, real, and for the first time in weeks, your head isn’t a tangled mess of doubt and fear.

For the first time, everything makes sense.

You pull away first, breathless, heart hammering.

His hands linger on your waist. He keeps his face close to yours, just centimeters away, and when he finally opens his eyes, they’re dark with something you’ve never seen before. Something raw. Something completely, utterly unguarded.

You swallow hard. “I—”

His thumb brushes over your hip, the smallest, barest movement.

You inhale sharply. “I’m sorry.”

Tsukishima doesn’t move. He just watches you, eyes sharp, unreadable. “For what?”

“For—” You hesitate. Your fingers tighten against the fabric of his hoodie. “For running. For taking so long to figure this out. For—”

He sighs, but there’s no real annoyance in it. His gaze softens—just slightly, just enough.

“You’re a dumbass,” he mutters.

You let out a breathless laugh. “I know.”

A pause. Then, he asks, “Do you wanna go for a walk?”

You blink up at him, caught off guard. “A walk?”

“Yeah.” Tsukishima shrugs, stepping back, rubbing a hand over the back of his neck. 

You raise an eyebrow. “Are you gonna walk me back to my dorm? Because I literally just dragged myself here for nothing if that’s the case.”

He rolls his eyes. “No, dumbass. I just—” He exhales, shoving his hands into his hoodie pocket. “Just wanna walk somewhere.”

Your lips twitch. “…How romantic of you.”

He scoffs. “Shut up.”

But he doesn’t deny it.

The air is crisp, the early morning quiet—the kind of stillness that only exists before the rest of the world wakes up.

You walk side by side, the distance between you not much, but enough. For a while, neither of you speak.

“I meant it.”

You glance at him. “Huh?”

Tsukishima doesn’t look at you. His gaze is fixed ahead, his hands still tucked into his hoodie, his jaw set. But his voice—low, certain—doesn’t waver.

“I meant it,” he repeats. “When I told you to say it again.”

Your breath catches. He keeps walking, staring straight ahead like this isn’t some life-altering confession, like he’s just casually commenting on the weather. But his hands are tensed inside his hoodie pocket. His shoulders are tight.

You swallow. “Kei…”

“I don’t like a lot of people,” he says bluntly. “I barely tolerate most people. But you—”

He stops walking. You stop too.

Finally, he turns to you, and God—his eyes. They burn, golden in the morning light, open and completely unguarded.

“You make me feel like I belong in a movie.”

Your breath stutters.

He exhales, shaking his head, voice quieter now. “And I fucking hate movies.”

A laugh bubbles up your throat, sudden and unexpected, and you can’t stop smiling.

He rolls his eyes. “Don’t make it a thing.”

“Oh, I’m absolutely making it a thing,” you tease, nudging him with your shoulder. “My grumpy, six-foot-four, emotionally constipated best friend just confessed he’s been hopelessly in love with me for years.”

His ears go pink. “I didn’t say that.”

“You did.”

“Shut up.”

You grin. “Make me.”

A pause. Then, he does.

This time, the kiss is gentler. No urgency, no desperation—just warmth. Just him. And as his hands settle against your waist, as your fingers curl into the fabric of his hoodie, as his lips move against yours with something quieter, steadier, you realize something very, very important.

For the first time in a long, long time—you’re exactly where you’re supposed to be.

With him.

But then, the moment stretches, and a thought occurs to you. An extremely essential thought.

You pull back slightly, blinking up at him. Tsukishima frowns. “What.”

You open your mouth. Close it. Then, after a beat, you blurt out, “So… does this mean we’re dating?”

His eyes flicker with something unreadable—half amusement, half exasperation. He doesn’t answer right away. Instead, his thumb brushes absently along your waist, his grip shifting slightly, like he’s still getting used to the fact that he’s touching you.

Then, flatly, he says, “I don’t know. Do you plan on kissing other people?”

“No?” You reply, your nose scrunching. 

“Then yeah.”

You stare. “That’s it?”

“That’s it.”

You gape at him. “Kei, you are the most unromantic—”

But then something flickers across your mind, something bigger, heavier. A thought that makes your stomach tighten, your fingers twitch against his hoodie.

You inhale. “Hey,” you say, softer this time. “How long?”

He watches you. “How long what?”

You swallow hard. “How long have you loved me?”

A pause. A long pause.

Tsukishima doesn’t flinch, doesn’t look away. But there’s something in his expression that shifts—something softer, quieter. His fingers tighten just slightly at your waist. And then, voice low, steady, like it’s the simplest thing in the world, he sighs.

“I can’t remember when I didn’t.”

Your heart stops. Your breath catches, your fingers clench around his hoodie, and God—what are you supposed to say to that? Because there’s no hesitation, no uncertainty. Just him. Just this. Just the reality of a love so deeply ingrained in the both of you that it has no beginning and no end.

You exhale—shaky, breathless. “You suck at romance, you know that?”

He rolls his eyes. “And yet, you’re still standing here.”

You laugh, bright and full, and before you can think about it, before you can overanalyze, you’re kissing him again.

It’s easier this time.

Because now, you’re sure. 

And maybe the universe really does have a thing for sadism, because somehow, against all logic, it made him your person. The same Tsukishima Kei who laughs at your mistakes and misfortunes, who calls you out for your delusions and idiocy, who makes fun of your collection of Smiskis and love of reality TV. But at the same time, this Tsukishima Kei would do anything for you, even if you have to beg and beg. This Tsukishima Kei has held you through the worst days of your life, has seen you at your lowest moments and stayed, has waited for you for years to see him the way he has always seen you.

And you think, feeling his hands tighten at your waist and his lips linger against yours like he’s memorising the feeling, that maybe, just maybe, the universe got this one right.

⨭ closing notes; i adore tsukishima kei so much. tbh i rly struggled w this work bc i had this concept fleshed out for so long and j cldnt execute it the way i wanted, but thank u to @kinaskorner for beta reading and for the reassurance <3 i hope u guys love this too!! if u made it to the end of this super long fic lol then thank u sm and i hope u have the loveliest day

[snails-and-tangerines]

Those are great points! Details like this, and whether the author takes the time to purposefully make a world make sense, can really make or break a reader's experience with the worldbuilding in a book.

If it's alright to add on to your post, OP, I think that a similar concept could also be applied to education? What gets taught at schools has changed a lot over time and it's different in different places. And, a lot of that depends on what professions people go into. A school that expects its students to grow up and go work on the nearby farms will teach very different things and have different standards than a school that aims for its students to become scientists. This has a ton of implications on characters and what they know.

But also, who even has access to schooling? Is it everyone? If it's everyone, are all children legally required to attend? Until when?

Are there different levels of quality and access to quality?

Who can teach? What requirements are there for the profession, if any? How many children is one teacher responsible for? Do they teach one age group (i.e. just 12 year olds), or is one person teaching all 34 kids in the village at once, from 5 year olds to teenagers?

How valued is education in society? Do you need to have gone to school to get a good job? Which kinds of jobs require it?

What is school culture like? Is it competitive? What are the school rules, and does someone make sure they're followed? How? Are there extracurriculars? Clubs? How are sports and the arts treated? Is there a mix of different types of kids (social status, race, culture, gender) or is it more homogenous? Is the school in a city, suburb, or more rural area? What items are banned, and do students bring them anyways? What items aren't banned that the average modern person would assume is (i.e. pocketknives and guns in a rural historical type of school)?

How much money does the school have to do its job? How well does it allot those funds? Are teachers buying their own supplies? In schools with bands and/or orchestras, are there school instruments or do students have to buy their own?

What do the parents expect out of the school? Is the school doing those things? How well? How does this affect the students?

[Obviously not all of these questions are relevant to every story, or even most, but there are a lot of people out there like me where most-to-all these things are actually necessary to think about for the types of stories they're trying to tell, so I figured it wouldn't hurt to share]

I'm working on and off on a fantasy series, and one of the things I really need to do is completely overhaul my assumptions of (and maybe even completely rewrite) its professional world as well as the education systems.

One thing I don't see show up as a consideration in worldbuilding a lot is what things are professionalized.

By that I mean how (and whether) certain activities or focuses are conducted in an organized, professional manner or treated as a career path or industry (often with set standards or training involved) rather than those that are treated primarily as hobbies or conducted in an ad hoc manner.

Standing armies, for example, are professionalized in a way that temporary armies or militias aren't. Being in the military is a profession that is organized and has specific standards and training and that clearly distinguishes between people who are or are not in the military. If we look at a lot of past wars, though, as well as many militias, being in the military was not a career for most people (especially most enlisted) and the time and effort between deciding to join and being on a battlefield was significantly smaller.

A professionalized military will generally be a stronger, more cohesive, more effective military--but it is also far more expensive to maintain, because as it is a profession the military servicemembers pull their salary from the military on a regular basis, and it takes away hands from other tasks such as manufacturing and farming.

Over the last few hundred years a lot of countries have seen (to varying degrees) professionalization of fields like firefighting, policing, pharmacology, emergency response, and search and rescue. In these cases, it reflects 1) a recognized need for a standing trained force that can respond quickly; 2) a recognized need for standards and credentialing; 3) the ability societally to have individuals who might otherwise be contributing to manufacturing or food production not do that indefinitely; 4) a dedicated ongoing effort to maintain standards, trainings, etc.; and 5) organizations (generally governments) that can pay for these services.

We also see the professionalization of other things, like youth sports--the push to treat youth sports as either primarily a system to develop professional athletes or a career on its own.

When you're doing worldbuilding, consider what roles would be treated in this professionalized manner, rather than those that would be viewed as temporary positions or conducted on an ad hoc basis.

Is there a standing professional military? How does the professionalization differ between officers and enlisted?

Is emergency preparedness, response, or recovery a professionalized field? Is the focus of that profession on planning? On search and rescue, triage, or other immediate response activities or coordination? On rebuilding following disasters? On managing grants, tax relief, or other monetary aspects of rebuilding?

Is pharmacology a regulated industry that requires training or credentialing? Is medicine?

Is firefighting generally conducted by individuals in the neighborhood? By private industry? By unpaid volunteers managed by a governmental or non-governmental organization? By full-time paid staff?

Are these positions generally a full-time job or an ad hoc/as needed job that can be called on? If it is an ad hoc position, what are the credentialing requirements to be put on the roster?