#the problem is the show is good. and that’s why it’s so bad. because it gets so good. but it’s bad.

[srslylini]

When I read the text and it said "At the center is Piltover" I genuinely knew everything I had to know about what happened in season 2.

And then he goes and talks about Zaun and the way it's portrayed? What.

"A society of thieves, smugglers and makeshift svengalis"?

The way this immediately tells us all we need to know about his views in this kind of social conflict. Who is the reason Zaun has no other choice, Linke? Why can't they do anything but steal? Why can't they live like the rich people in Piltover, Linke?

It's almost like the people who are rich and privileged, looking down on those who have no other choice, is EXACTLY the problem????

I thought they understood that rich people making themselves feel better, for example by calling (poor) people savages, is not actually the right thing.

In season 1, by the way, they showed the council doing crimes themselves and STILL making themselves feel better than those they deem less. If you remember it, they showed Jayce who was starting to get hated because he stopped the others from doing illegal shit. If you remember, they showed the council corrupting each others votes and fucking doing crimes.

I thought, and now this is totally on me, they fully understood that the privileged people had more than double the amount of blood money than those they deem "bad". I thought they also understood that the privileged people just have all the water in the world to wash the blood off and continue to act as if nothing ever happened.

So that's on me.

"The people of Piltover need to decide: Take back control of its city's underground by violent force and risk a civil war, or let Zauns dangerous evolutionary advances go their way"

eye twitching

I'm not even going there because what the FUCK. Dangerous? Evolutionary? Advances?

But do you know what the writers themself say with this? That they agree with Caitlyn.

They agree with Caitlyn on all, that also means they agree that there is "good ones in Zaun I guess", this means the first 3 episodes weren't actually setting anything up and that also means

"Vi is one of the good ones".

[habken]

Hi there!

I have been rewatching MHA and came across many accounts that support bkdk. So i wanted to ask you the following:

Bakugo wanted to kill Izuku on their first day and during the bomb test. He tormented him for over 10 years, insulted him, bullied him, tortured him. Because he has "promise" Aizawa never called him out on his toxic behavior, but threatened Izuku with expulsion all the tims, labeling him as "problem child". All Might never did anything, even after Bakugo states, that he wanted to kill Izuku. Bakugo never faced a consequence for his oppressive behavior, he even bullied his so-called BakuSquad. (He got himself captured by the league and only denied their offer becUse they were "losers") Meanwhile, Izuku clearly shows signs of PTSD, wincing everytime when Bakugo was near him. Bakugo used so many explosions on him, he should be covered in scars. It's clear that he is Hori's favorite. The MHA fandom is pretty toxic, we all know this. Bakugo's "character evolution" didn't make him a better person. He never really changed or helped Izuku. When he "moved out of instinct" he did so because it's "instinct", because he trained so much. He didn't care that it was Izuku, he didn't think about it. After the second/ third season, the other characters just didn't care anymore about his behavior towars Izuku. Aoyama's parents wanted Aoyama to have a quirk to prevent him from being left out of society, so basically to protect him from people like Bakugo. He was the most privileged person (hit the genetic lottery, intelligent and rich parents). But still, MHA clearly shows that if you feel insecure you can bully and torture and there will be no consequences. I love Todoroki and Izuku much more, because they at least help and support each other. Shoto had a terrible childhood, but he never turned into an abuser. He never turned into his father. Bakugo's "excuse" towards Izuku was just laughable (makes the whole Sasuke/ Naruto episode after their big last fight look like true cinema). In the end, the fandom (and Hori) support an abuser/victim relationship.

Why do you support bkdk?

Their relationship gives people a false sense of what a victim of abuse should do. MHA never took Izuku's pain and past seriously. They portrayed Bakugo as "tsundere" instead of showing the real consequences of being the abuser for over a decade. Kirishima showed how to behave if you feel "unmanly" or "inadequate". Bakugo in the MHA world was a racist the minute he found out that Izuku didn't have a quirk. He victimized himself and tortured Izuku because he thinks that the world revolves around him. Shouta from "A silent voice" shows how to seek redemption and forgiveness. Bakugo just wanted to be Nr1 hero, but never a good one who saves people.

MHA clearly shows that you can bully someone, torture someone, torment someone- and you will never have to face consequences. A spit-out "sorry" after 10+ years of bullying and right after insulting someone's mental state is enough to be forgiven.

jesus christ lmao

See I could rebute your long ass essay and give my reasons for liking the ship, but you don’t actually care about what I have to say. I’m not going to spend my time defending myself to someone who’s arguing in bad faith. I spent years defending the ship, getting hate comments and death threats, and I’m not ever doing that shit again.

If you want to goad me into defending a dumb shonen ship, pay me $50. Until then, fuck off. Go find like-minded people under the “bakugou faces consequences” tag on ao3

[notebooks-and-laptops]

I hate the viper as the black divine btw I hate it I hate it I hate it

And no, it's not because it's a bad idea.

It's because it's an EXCELLENT idea, and the idea that they intended it to be canon (or planned for it to be) is quite frankly an insult to such a complex idea. Especially in the game series that used to explore religion quite seriously and which has decided, in the game about Gods and potentially disproving faith, it no longer actually cares about faith (the MAIN THEME OF THE PREVIOUS GAME).

Like. Firstly narratively the Black Divine being Viper could have had such an impact because you could have built to it. You meet Viper, get to know him... simultaneously you're meeting various imperial chantry officials. Maybe these chantry officials are even aligned with Venatori. They keep alluding to the Black Divine but you never meet him until ACT 3 when it turns out...the black divine was the viper all along.

And one assumes the black divine would turn to a life like the Vipers because they don't think their office is doing any real good. That's!!! Really interesting!!! Someone decked in glory and power realises their own office is a sham that is doing no good not stopping slavery or Venatori and so works to do it from the shadows...that's interesting!!! And has something to say about systematic power structures and how changing a system from the inside can be damn near impossible.

Or maybe he does this because he DOESNT want to risk his seat as the black divine but feels immense guilt about how he's not actually helping the faithful poor in his city. He wants to cling to his power because he believes he can nudge history in the right direction if he does, but simultaneously knows that by not speaking out publiclly on slavery or poverty he's potentially dooming people to death and so needs to sooth his guilt by going vigilanty. Maybe there's an interesting question in there somewhere about living in two worlds and trying to maintain the status quo in one and destroy it in the other.

Also it DIRECTLY parrellels previous characters like Cassandra and Leliana and is a continuation of inquisitions themes surrounding what good can faith ACTUALLY accomplish for people (this even goes back to da2 and Anders)? When does faith break/why? What

Also because it's not explained, it's just kinda stupid. Does Bioware think that high ranking religious officials do nothing all day? They're not billionaires sat in a mansion popping into occasional meetings, they're public figures and political leaders of giant organisations who regularly have to be on show to the masses and to their own advisors. I won't believe that they not only a) have time to be batman AND b) they also have time to just...sit around in some room in the middle of nowhere to be a performative faction leader to the protagonist of a video game they don't know they're in.

Also. Are you telling me. The venatori were going to execute the FANTASY POPE??? And nobody cared??? They were going to publiclly execute the FANTASY POPE and the viper wasn't going to reveal himself and he wasn't going to be recognised and that wasn't going to cause problems? Are you kidding me?

Tblr; the idea that the viper is the black divine is such a good idea it makes me so angry they seemingly couldn't be bothered to actually put the time into it to make it interesting

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[sheep-from-rad]

How would the batfamily react if they found out that the singer/influencer reader was dating one of the villains?, imagine the reader has friends with benefits from the villains

(What kind of jokes do you like?)

Batman is so scary, even bullets are afraid to hit him. That's why they aimed for his parents. (sorry)

anon 🦌

Note: 🦌anon please send more jokes. After the Solmare announcement regarding the Obey me series, I am one push away from drinking every wine in my fridge.I’m gonna need more jokes (˃̣̣̥ᯅ˂̣̣̥) I don't give permission to have my fics posted to other sites, copied, or fed to AI. Thank you.

Masterlist 

divider by: @strangergraphics-archive and @strangergraphics. Please do support them ♡

You heard that? That’s the collective sign of every Batfamily member sighing in disappointment and collective glare towards Bruce. Like father like child, of all genes to be inherit you inherited his taste (ಠ_ಠ). Getting entangled with a villain is not something new in the Batfamily because they are either related to one (Cassandra, Stephanie, Damian) or romantically involved with one (Bruce with Talia, Poison Ivy, Catwoman and sometimes Harley. Dick with Catwoman II. And Jason with… you know what let’s not talk about Talia and Jason. That one is weird on all levels). 

If you’re romantically involved with someone who does not know Batman’s real identity then it’s not much of a problem. The family is just going to visit said enemy and scar them for the rest of their mortal life. It will be so bad they will just quit being a villain and leave Gotham all together. If you’re romantically involved with someone who knows Batman’s real identity, then it will be a chaotic event. Bruce is already fighting villains and now he’s fighting his blood pressure too. 

Riddler would be so smug about it. He would rub it in every Batfamily member’s face and would constantly drop your name in fights like ‘How would they react if you hurt me?’ or ‘Oh they will be mad if I come back bruised!’. Riddler would be so insufferable like the madman he is. If you’re dating Harvey Dent, you’re technically dating two persons (in most media depictions, Harvey is the same age as Bruce so let’s go with that one). His incorruptible part is basically filling every space that Bruce neglected to fill. He’ll teach you about legals and laws, tell you stories about their days and he protects you from those who dare to come close. His corrupted part, Two face, is kind of mean. He will never miss the chance to remind you of the potential parental issues you have. 

Headcanon that Harley will make it her mini mission to keep you away from Joker because let’s face it, Joker will not love you. He will only use you and break you like how he did to Harley. 

Honestly, it doesn’t matter if the relationship you have is good or bad. To the family it’s a parasite that needs to be terminated immediately before it grows. You’re grounded. You’re not allowed to go out alone. If you don’t live in the estate anymore, you will just randomly find your apartment sold to someone else and you’ll be taken back to the estate. No metahumans in Gotham rule but Damian already has the permission from Bruce to have the Titans stay for a while as reinforcements. Even Jason is patrolling more and everyday now he will make a report to the estate. 

During those days they were full on babying you to the point of infantilization. They’ll give you ‘the talk’ especially if you’re in a friends with benefits relationship with a villain and sometimes they’ll go so far into showing you every other person they had been with. They are not above poisoning the relationship too. They’ll show you expertly doctored photos showing their ‘infidelity’. Guilt trip you into reading old cases and gaslight you. You’re not in love with them, you were just manipulated into thinking that you are. 

But of course, what is a Wayne if not stubborn? Month of being grounded and being in heavy watch and you’re done. You already have their shifts memorized down to who checks on you at night. After hours once you’re certain that everyone is now asleep or busy on their patrols (or finished checking your room), you start acting out the plan of running away. You passed each security detail without triggering them, passed every room without alerting anyone, and passed Titus without waking him up. However before you can even reached the doorknob, you heard Dick and Jason behind you:

“Looks like someone took lessons from Catwoman” 

“You know we saw your lover today. We were going to let them go but I guess no one’s picking you up anymore” 

The next time you wake up, you are greeted by the fresh warm breeze and the sound of water hitting the shore. As you descended down the stairs, news about a villain going missing was on the headlines along with the date on the screen saying ‘Thursday’. It has been three days since you got caught by Jason and Dick and Tim just entered the door carrying take outs from Mad Yak cafe. You’re in Happy Harbor, far away from Gotham and your lover is missing. Was the no kill rule violated? You can only pray it’s not.

[idolomantises]

What do you think of The Owl House? Like, I liked and respect Dana a lot for what she's accomplished, but I also feel like everyone is just pretending that the show doesn't have any problems, as I felt that the cast was always very poorly developed from the beginning.

I like the show, I don't love it, but i think it's pretty good. TOH has a lot of really cool world building and lore, but I also found a lot of the characters really lacking. Three of my biggest annoyances were Luz, the characters having altered personalities after one episode and the underutilization of Luz's friends.

I think Luz is actually a great protagonist, my issue is when the show really loves to tease her as this flawed and morally complicated protagonist when... she isn't? any time she does something bad, its completely accidental. It's funny when the show first came out and people negatively compared her to Mabel because Mabel actually did make a lot of selfish and careless decisions that she had to grow from.

The show also had a bizarre habit of giving characters new personalities after their first appearance, and I think Amity is the worst offender of this. Her first appearance she's the generic mean girl bully, and this is used to create conflict and for Luz to befriend Willow. But then after that, all of a sudden she's super "cold" and keeps to herself, and the characters act like she's just the popular quiet girl? and then the show has the audacity to blame a lot of the bullying Amity did on her friends and parents. I have no clue why the flashback episodes portrayed it like Amity just watched as her friends bullied Willow, SHE was a part of that! Similar issue with Hunter. Introduced as a snarky brat, and then his next appearance he's incredibly angsty and depressed so the audience could sympathize with him. Willow and the Collector were also ones that stuck out to me, but it was a change that was subtle enough that I didn't notice.

I don't know why writers do this. I like it when your characters are messy and flawed, give them unlikable traits so we can watch them slowly be better people. Don't tell me someone is flawed and then don't give them flaws and don't tell me to sympathize with a character by just giving them a new personality.

I think everyone is pretty aware of how poorly utilized Luz's friends are but there are seriously so many episodes where I was like "why aren't Willow and Guz taking Amity's place". They really feel like a studio mandate.

Also Lumity is kind of boring but honestly, I don't really think its as big of a deal as some fans think it is. Lots of cartoons have straight couples that quarrel, get together and their relationship isn't the most compelling in the world, but its still pretty cute. If anything I do wish Amity would work through her issues more than have what little personality she had disappear when she dated Luz.

With your point about how fans handle criticism, admittedly I think part of the reason why people don't want to admit the show's problem is because Disney fucked it over MASSIVELY and it feels like punching down (at least to them). I think there's a very common mentality of "is it fair to criticize a show that never really got a chance to fully find its stride?"

But I also know this is just a massive problem with shows that have queer characters in general. There's just this prevalent attitude that if you have a problem with a piece of media that also happens to have queer characters, it means you're "ungrateful" or trying to insult it on purpose. Though personally, I think TOH fans are a lot better at handling and giving criticism.

[cushfuddled]

This article is going to make me disintegrate into a pile of cockroaches

Kind of refreshing

I don’t know whether to laugh or scream

1. What universe does this writer live in where it’s the UNCOMMON outcome for the male platonic soulmate protagonists to REMAIN platonic friends, to the point of it being a breath of fresh air to see two close male characters NOT declare their romantic love for each other or kiss or fuck by the end of the show

2. How do I get there

3. I understand some folks would like to see different kinds of fan content, but that doesn’t mean mlm shippers need to make less mlm content, and also—I cannot believe I have to say this—the fanbase ≠ the canon show. A fanbase “dominated by” (as if we’re some brutish occupying force thrust upon a ravaged underclass rather than…you know…some marginalized folks having fun with fictional characters?) mlm shippers does not mean the show itself is dominated by canon mlm couples.

4. Did you know you can skew toxic masculinity, model kindness and emotional honesty between men, AND canonize a gay relationship AT THE SAME TIME? :)

5. Oh, they can’t be GAY because then that’d reinforce the belief that kindness and emotional honesty makes you gay?

6. Question! :)) If the problem…is that boys are so terrified of being perceived as gay that they’d rather impale themselves upon the javelin of toxic masculinity…WHY is the solution always “show boys that love and vulnerability don’t make you one of those gross fags you’re so scared of” instead of. I don’t know. “BEING GAY ISN’T BAD. BEING GAY IS NORMAL. YOU DON’T HAVE TO BE AFRAID OF BEING GAY.” If boys don’t think being gay makes you a horrific little freak of nature…maybe they’ll be less scared to perform actions which might cause someone—a gay friend; a homophobic classmate; a random bystander—to perceive them as gay. Because SOMEONE will always make Assumptions. People are nosy. Some people are even staunchly, happily bigoted, regardless of how many male platonic soulmates they see Not Kiss on TV. Crazy, I know! 🤪

7. This writer doesn’t mean any harm, but their article feels like another pebble in a landslide of faux-progressivism (AKA homophobia in a rainbow hat). The implication that a brotherly relationship would better SeRVe sOciEty, or be the more TRANSGRESSIVE (??????) choice (against the overwhelming tidal wave of canon gay protagonists in fantasy shows, presumably)…makes me feel…SO supported as a queer person :)))! Thanks for shielding me from that hail-of-bullets canon gay romantic love, Arcane. Keep fighting the good fight!! 🫡

[inkyarcturus]

I think there’s two ways that Harry could react to this continued mistreatment, implosion or explosion. While I love a good implosion, I think that’s a lil too much angst for the night, so explosion it is >:D (I gave u some fluff at the end)

Harry’s jealousy starts getting the better of him. He starts screaming a lil louder, mouthing off more often, disobeying Severus more.

It starts slow with Harry muttering more insults under his breath, it becomes automatic whenever he sees Severus treating one of the other kiddos.

Then, he starts rolling his eyes, sighing, huffing, nearly stomping like a child whenever Severus does something. He recognizes how infantile it all is but he just can’t seem to stop himself.

Then he starts insulting him in his face, purposefully putting the wrong ingredient in while brewing, turning in poor work, coming in late to class more often than not.

At some point he stops thinking of this as retribution for the pain hes caused/missing Harry’s abuse, or as a way of protecting his friends, and instead starts seeing it as more a desperate cry for help.

A desperate “HEY LOOK AT ME!!! IM BEING A PROBLEM, WILL YOU HELP ME NOW?”

Throughout the entire time, Hermione is watching this unfold with keen eyes. She tries warning Snape, he does not listen.

It gets so bad he starts trying to get Ron and Nev to stop going to the lil check up meetings the Snape has for them throughout the year. He notices how much he’s changed and all it does is make the feelings feel bigger and worse. He is tearing everyone else apart and himself in the process.

Everything comes to a head when Snape catches one of his comments while helping Nev. Snape asked Nev to stay after class to check up on him. They had just got done with a potions class where the two of them partnered up together and their potion exploded, causing them to get harsh burns on their arms. Harry quickly hides that he was affected by the explosion.

Snape only asks Nev to stay after, not Harry. Harry stays anyways, stalling to watch as Snape grabs some burn ointment to help Nev.

“It doesn’t hurt THAT bad, it’s just some burns you don’t have to heal him.”

Fuck.

Snapes head snaps up at him and he glares.

Double fuck.

Harry winces at his own words, still pulling down his sleeves so the burns don’t show. He regrets it as soon as the words come out of his mouth. Cuz he has the same burns as Nev and he knows they hurt like hell, he knows his jealousy is what’s speaking.

Snape looks back at Nev, done applying the burn ointment and sends him off, voice soft. He forces Harry to stay back.

The argument is catastrophic. It includes Harry’s accidental magic going haywire, it includes screaming, crying, attempts at running and too many realizations to count on Snapes side.

While Harry tries to run out of the classroom, Snape grasps at his injured arm, causing him to yelp in pain. It’s the catalyst for Severus’s noticing. He pulls Harry back and pulls his sleeve back, revealing the burn. It’s quiet, it’s still as Severus is forced to confront his own negligence.

Then he moves, quickly as he can accioing a bottle of the burn ointment (a stronger dosage, of course potter was injured worse than Longbottom) he tries his best to calm the wriggling Harry in his grasp, softly shushing him as he puts on the ointment.

Harrys sobbing trying to deny it, screaming his frustrations over why Snape just couldn’t fucking see it dammit, it’s written in his mind, in his body, in his soul.

All the while Severus just continues to softly apologize for it all in hushed tones, continuing to apply the potions, not letting him run and hide from him this time. Because while Harry is right, in a way it was obvious the entire time, his body kept the score, but his brain just couldn’t seem to let anyone see the score board.

And in the end, It is not the best, but it is better. It is a start.

(Something something, Harry ending up on snapes lap sobbing his eyes out and Snape just letting him until he falls asleep, tension gone from his body as he finally feels safe and seen)

Tw: Child abuse

While I don’t envision Harry to be a particularly jealous person in the books, I can’t help but think about certain situations with Severitus where that emotion might come out.

I especially think about it when fanfics depict Severus as a protector for abused children in slytherin or Hogwarts as a whole. I think Harry seeing how Snape treats other children compared to him would enrage him.

Just seeing everything that he could have if things were just a little bit different, if he was sorted into slytherin, or if he just had a different father, or some other insignificant thing, he could have had the love, care and protection he always wanted. He could have had someone on his side who actually fought for him, was willing to do the hard stuff for him.

But he doesn’t just get jealous of how Snape treats other children, he gets jealous of the fact that Snape FINDS OUT about the other children’s abuse. He sees how easily Severus seems to pick up on other kids flinching, hiding injuries, or peculiar behavior, taking them aside after class within the first year, first month of school. Yet, after years of knowing him, Snape seems to have no clue. He sees that and can’t help but think why not him as well, he gets so so angry.

The anger and jealousy doesn’t stick however as he just ends up thinking maybe the way the dursleys treat him isn’t so bad, after all, if the number one person in the school for detecting abuse can’t see it, maybe it’s not actually abuse. And anyways, he should be grateful the other kids have someone to go to.

And somewhere deep down he thinks it’s his fault, because he has gotten rather good at covering up their tracks over the years. How can he blame the Professor when he purposefully hides the evidence?

Anyways hope yall enjoyed this rant :D

[firstkanaphans]

Bet if another company did 17+ BL/GLs they would sing their praises?

but since it is GMMTV thats bad and thats taking advantages of branded pairs and not letting actors improve

meanwhile some of their stagnant pairs got new and interesting plots that will show range from them, and toom them off the uni or let them try characters that are different from who they played before giving new dynamics

but sure the new lineup is bad cuz branded pairs are evil and force actores together and don't let them act

I am all for stirring shit up with the pairs, and maybe let actors try solo roles but they honestly at this point complain just cuz it is GMMTV and they are corporate evil

as if other companies don't do the same side eye

anyway this people are so boring, watch what you want and don't bother us

as we say here non cagarci il cazzo(don't google that)

I think the thing that bothers me most about this whole "The actors are never going to get better if they're only acting with the same people" argument is that this is not a problem specific to GMMTV—or even BLs. This is literally just how the entertainment industry works. How many years did Ellen Pompeo and Patrick Dempsey work together on Grey's Anatomy? What about Emily Deschanel and David Boreanaz on Bones? And yet no one has ever accused them of being bad actors because they were hired to work with the same partner over and over again. And Western actors don't even get a chance to change characters! Sometimes for decades. At least Thai artists are able to branch out and play different characters in different settings with different directors every year.

This idea that the people in charge of Thai media don't actually know what they're doing is incredibly racist. Just because they do things differently than you might be used to, doesn't mean it's wrong. And if you don't like it, you certainly aren't obligated to watch.

Would I like more mixing and matching of pairs? Sure. But that's not going to make GMMTV any money and they know this. The actors also know this, which is why they are fighting to stay together. They make more money and get more sponsorships with their partner. Perth Nakhun just released a whole YouTube video about this. If CPs are a deal breaker, Thai BL is probably not for you. And good riddance, honestly. I'm sick and tired of this argument.

[turbolezgooo]

Why ya'll hate on Cait and call her a dictator?

Well-written characters often have a story deeper than what you explicitly see them do or hear them say. Just because everything is set in a fantasy world, doesn't mean that characters are not affected by tragic events and the human condition.

First of all, Cait wasn't the one who made a police state. Ambessa and the council did that. Ambessa orchestrated the whole thing. Cait went along with it because she was turned around by grief. That shit messes with your judgment, but she was still trying to do what she and Vi agreed on. To focus on the real problem and prevent hurting innocent people.

Cait tried to control an unraveling situation AND literal warlord WHILE being inexperienced in how to deal with it, having a big ol' lesbian break up, AND dying inside.

You could see that when Cait argued to Ambessa that there are innocent people and there MUST be justifiable cause to arrest anyone. In Cait and Ambessa's interactions it's implied that Cait was getting in the way of Ambessa's agenda off-screen. She tried to keep something worse from happening because she does acknowledge the historical and current oppression of Zaunites.

This mirrors the way she offered Vi the badge to give her a voice in what happens to her sister if the enforcers caught her. The enforcers coming after Jinx was going to happen regardless of Cait. She took control by volunteering and taking precautions. See- While they did use gas, Vi would never agree to something that would permanently hurt the people of Zaun. The tactic gave them fewer chances of having to physically fight Zaunites who were just trying to defend themselves. Believe it or not, it was a controlled operation until grief got the better of Cait and things looked worse than it actually was.

The way that Cait deeply believes in equality in spite of a personal vendetta is why Ambessa sent Maddie to try and control her by 'filling' her hole (no pun intended). When Maddie attempted to have Cait stop the police state situation and withdraw, she did focus on Jinx at first but the second part of not wanting to make things worse was something she had a lot more to say about before Maddie interrupted. And Cait was right. What would have happened if she hadn't taken the role and played along? A puppet councillor or Ambessa herself would have been the figure head and do so much worse. Those people don't have the same perspective and understanding as Cait.

When Cait and Vi argue about listening to a war pig oink poison in her ear, she yells "I know!" as she throws a piece of war ship used in strategizing. You can tell her role was a strategic choice to have some control over the events that unfolded. That's why Vi didn't villinize her. Vi understood that Cait never really accepted anything Ambessa said. That's why she helped Vi at the commune. Cait was a double agent taking shit from all sides to stop worse things from happening.

She had grief and really crap options, but she always chose the lesser of the evils to try and stay true to who she really was. She even resigns in her argument with Vi, that she didn't put Jinx, her own mother's killer, in jail or punish her in any way. It's another example of her faltering in decision-making when overwhelming or unexpected things happen and it also tells us what she is. She's human. She doesn't make excuses for taking on an objectively bad role and making mistakes. When she said "We can't erase our mistakes.", she's also talking about herself. She takes responsibility and tries to do good. In the end, all she wanted was closure for her grief by having Jinx accept responsibility NOT by killing or abusing her or innocent Zaunites for that matter.

Imo there's a lot in Arcane that shows Cait as a flawed but inherently good person, and Vi absolutely knows it. They see each other warts and all. If you think CaitVi's lex scene was poorly written read this: https://www.tumblr.com/turbolezgooo/768190482340773888/bro-this-outrage-about-caitvi-relationship-in-s2?source=share

[gildeddlily]

season 2 started off beautifully. I was ecstatic at the end of episode three, for the simple reason that it had the same spirit as season 1. Vi feeling like she made a mistake so big trying to reach Powder instead of seeing Jinx and the danger she represented that the only way to fix that for her was to join her oppressors. Caitlyn destroying all the progress she'd made, unlearning what she'd been taught about Zaun by being with zaunites like Vi, the moment one of them killed her mother, and embracing her roots we can say, talking of bad blood and "I thought you were different"- showing that the internalised racism was always there ready to resurface the moment it had an excuse to. Caitlyn saying that her mother being killed by a teenager who's never dealt with her trauma and mental illness is the same thing as Vi's parents being killed by members of a military institution, disregarding everything she knew about the pain and abuse Vi went through because of the Enforcers. a "men get abused too" situation, in which one ignores the social and historical background of that type of violence to feel less sorry about it. they were perfectly well written, because they are things we see everyday. my father taught me as a child that black people crossing the Mediterranean to look for work in Italy were a good thing, and now that he's had problems at work with one he's started saying the opposite. a gay man I knew laughed at trans folks and said they made things worse for us, ridiculing them in the company of straight people to feel less threatened. (not the exact same thing as what happened to Vi, but you get what I mean).

those are real things, and Arcane has always been good at showing real things.

later on, episode seven, Jayce fell down. he landed in the deepest hole of Zaun, broke his leg, was forced to wear a brace to walk, suffered and had to claw his way back to the surface, to Piltover, in a strange metaphor of Viktor's journey and life (saw a post talking even more beautifully about this, will put the link here if I find it again), and once he met Viktor again, he told him his illness, his legs, he, were beautiful. not despite everything. because of it. and now he can understand him a little more. now he says "your imperfections are beautiful" and we can believe him, because he's not speaking from the perspective of a man trying to convince his friend to stop harming others. he's a man trying to make his partner see that he still loves him, now that he's finally understood him after years of trying to reach the truth and always being stopped by something, and that he understands him enough to know why he's harming others, and that he cares for him enough to think that he will be able to understand why it's wrong. it's Viktor accepting the inevitability of being seen by someone who went to hell and back to reach him.

those were fucking beautiful arcs. they were.

and then?

Vi saw Caitlyn become what she'd always said she wouldn't become, and there were no repercussions. Catelyn got to walk away and live all the same. she lost an eye to Ambessa, but it was no punishment for what she'd done. how many people did she harm? how many people did her actions have repercussions on? Vi shouted at her once, and then it was like it had never happened- which is still real, I guess. it happens everyday. but I didn't see any wish to make us see how that was wrong. I don't want to be told "this is wrong", I'm old enough and smart enough to understand this, but I also think I can see the difference between trying to show deeper meanings and not wanting to deal with difficult plot lines.

and Zaun? it was sad. pathetic. years of abuse were what, forgotten and then vanished in thin air because there was a common enemy? that, sadly, isn't real. it isn't. years or oppression can't be forgotten so easily, not by the oppressed, for one "glorious" fight. it's lazy. what started as a good depiction of reality turned into an american wet dream of big fights and sad sacrifice scenes and epic love stories that cross any difficulty, and economic and social difference. don't you dare say something against Caitlyn and Vi's ending, they went through all that, they deserve nice things. they do. many other people did. no one cared about them tho.

so.

epic failure. good soundtracks tho.

[fangsandfeels]

>Ok but he doesn't. He thinks he does. He thinks he has Rook all pinned down. It's why he doesn't expect Rook to escape the Prison of Regret but Rook does. Solas is convinced that all of his manipulation to get Rook to drown in regret is enough to keep them trapped in that prison. In his pride, he doesn't expect Rook to escape. He once again doesn't expect Rook to see through his final betrayal about the veil. He also doesn't expect Rook to have enough cards by the end to stop him (which is conditional based on what you do in the game)

I don't think that Varric was thinking that far ahead when he was hiring Rook. Hiring someone who can make decisions during high-risk situations and face the outcome is logical - you know that this person has the resilience necessary and won't back away from a challenging task.

However, to hire them because they're unpredictable and can potentially outsmart or outwit Solas? I don't think they were aiming that high or planning that far ahead. They just needed reliable people to hopefully intercept Solas before he sets his plans in motion.

Also, it's not uncommon for Solas to underestimate people. He woke up and decided that the beings living after the Veil deserved to go extinct because he saw them as terminally disabled due to their disconnect from the Fade - and only later was he forced to acknowledge them as people, which didn't dissuade him from his goals, just made him feel bad about what he was going to do.

He had flawed opinions about dwarves, Qunari, humans - and he still has them, but recognizes the Inquisitor as "one of the good ones" on High Approval. So, his pride has always been his weakness and the reason for his hubris.

The Inquisitor would have gotten out of the Prison of Regret, just like many other determined and strong personalities Solas knew personally - because they made as many, if not even more hard decisions as Rook did, and they didn't let regret stop them.

>Cassandra also spent time in the Hunterhorn Mountains north of Orlais, where she worked to rebuild the Seekers. For a time, the new Seekers remained reclusive, showing no interest in worldly affairs and working to a purpose few outside their order could guess.

"For a time" doesn't necessarily mean "for entire 10 years". Also, Seekers seeming reclusive and working to a purpose few outside their order could guess makes sense in the context of the Trespasser - if Cassandra decided to use the Seekers to assist the Inquisitor with searching for Solas, she isn't going to tell everyone and their mother about it.

Nobody knows what exactly Seekers are working on because nobody needs to know. Cassandra did learn a lot, and she learned how to be subtle. At least, had she been included in the plot of the Veilguard, there wouldn't have been any disconnect between the epilogue and her actions.

As for her not showing up in Southern Thedas due to political reasons, it would have been understandable, especially if there was a particularly intense geopolitical situation (I'm elaborating on this in the final paragraphs below). However, since Solas could be anywhere because of the Eluvians, she still can help in the regions she can go to.

>With Corypheus gone there is a power vacuum. A cult of fanatics don't just say "oh well, guess we'll go home now." According to Tevinter Nights (which the franchise being a mixed-media franchise has it's own problems), while a lot distanced themselves from the Venatori there were still a good number of loyalists who remained active. This leads to Aelia trying to fill in that role. She does gain a decent amount of support for it. Even when she's "captured" she has enough sway to escape prison and cause problems. Why? Because the Venatori's ideology is appealing to a lot of people in Tevinter even if they don't directly associate with the cult. However, with her "failure" we have another power vacuum present - so why is it "lazy writing" to have the emergence of another powerful mage that speaks like Corypheus and offer power similarly to what he did fill that?

First of all, yes, telling the story of the game in bits of other media is a horrible practice. Not all people are going to read them - so, it should be explained in the game. Not just by codex entries, but by the characters. I had no clue who Aelia was and why she was bad news - and Neve's vague explanations didn't make it any clearer.

Second, without Corypheus the Venatori lost their competitive differentiation, so to speak- their ideology wasn't any different from the general ideology of Tevinter, just a tad more honest and aggressive.

Yes, Tevinter is obsessed with the idea of its supremacy. Yes, it believes it deserves to rule the world and is working towards this goal.

Venatori are just too loud and messy about it, especially without an ancient god/demigod backing them up. So, if the Venatori can't serve the Tevinter's cause meaningfully or at least fall in line, the Tevinter's power would have either dismantled them (either forcefully or by destroying them from inside), just so they would stop causing so much ruckus and getting unwanted attention.

Alternatively, Tevinter would have exploited their zeal and fanaticism (for instance, encouraging their unethical magic research or even agreeing to finance their search for magisters like Corypheus) because despite being absolutely despicable Tevinter isn't stupid and it knows an opportunity when it sees one.

What I mean to say is that the game tries to show that the Venatori are the main reason why Tevinter is corrupt and not getting any better instead of showcasing how deep the problem goes and how it's much more complicated than "defeating a group of bad guys with an evil name"

>The supremacist ideology of the Venatori embody everything you're saying here. The examples you're giving are all part of the supremacist mindset. Hedonistic and power-obsessed ruling class? Yep. "Slavery is bad" and "we should treat non-mages as people" Those two concepts are directly against the supremacists ideology. We also do get some notes from Dorian doing just that Veilguard. The Venatori isn't just one shade of ugly, it's the embodiment of everything wrong in Tevinter. It's the supremacist ideology given form.

Then why make such a focus on the Venatori if the entire Tevinter is built on the ideas of supremacy? Why?

By making the Venatori solo bad guys of Tevinter, the writers washed their hands off the entire corrupt system of Tevinter established in the previous games - see, guys, magisters aren't that bad and the entire Tevinter society doesn't need a wake-up call, it were the Venatori all along. The Venatori are bad, Tevinter nobles practice slavery just because they're misunderstood and confused, and I guess Danarius, Hadriana, and all the slavers from Tevinter you had met before were just the Venatori in trench coats.

The reason why Tevinter refused to acknowledge the Venatori in the Inquisition was because of their cultish obsession with Corypheus and unsubtle aggressiveness, which didn't look good for their long-term ambitions and plotting.

It would have made more sense if the Venatori either became an official ruling party by the events of Veilguard (no coup needed) because a) they didn't meet any resistance from Senate or the people of Tevinter, b) they brought proof of ancient magisters actually existing, which gave magisters a huge ego boost and added quasireligious delusions to the Tevinter's program, c) Par-Vollen officially started its invasion (like it was promised in the previous games) by attacking Antiva, giving Tevinter the opportunity to be more active and aggressive (infiltrating Antiva by offering it "protection" from the Qunari, reintegrating Kirkwall under the guise of defensive measures), preying on the neighbor's desperation and vulnerability to its influence.

But instead, they're shown as that malicious cult that is officially opposed and rejected as if Tevinter somehow had an issue with their philosophy.

>Varric is the one tasked with forming a small team. It's his responsibility to form that team and onboard people and vet them. With the way it's framed in "The Missing" Varric had full authority to bring on whoever. He didn't need approval. They kept in touch via Charter and sent correspondence to the Inquisitor but there wasn't any need for approval.

That's the problem, especially considering that the group was going against Solas with his immense abilities and his network of spies. Bringing on whoever is dangerous. There should be at least reporting to the Inquisitor about new recruits because otherwise Varric had been putting himself in a stab-me-in-the-back situation for Solas' spies all that time.

>Given Varric's line to Neve at the beginning, Varric is upfront with the information: "I also told you he was an ancient elven god." Whether the person believes them is dependent on the person. Rook has been tracking Solas with Varric for a year or so. I think by now they've witnessed enough to believe Varric's information.

Having the information doesn't mean being prepared to face Solas - a guy who has been manipulating and doing psychological warfare long before the the Veil. Also, Varric gives a very one-sided perspective on Solas because he only knows him as his former ally. The Inquisitor gets to know a lot more about Solas - after all, they're the one he rants to during his High Approval scene at the balcony, they're the one he subtly confirms his chosen course of action with, they're the one who sees him leave after the Orb is broken, and they're the one to meet him again in the Trespasser. Varric doesn't have this information, he didn't see that side of Solas, so whatever information he gives to Rook is incomplete. Rook doesn't know what they're dealing with. Moreover, Rook doesn't need to know that Solas is sentimental - Rook needs to know that Solas is very good at lying and deceiving people and that he is ruthless.

It all could have been addressed within prologue dialogues, but all we got was Rook asking "So, when we find this Solas...then what?" - which sounded as if Rook joined the group just yesterday. As a result, Rook sounds woefully unprepared.

>You think they wouldn't let that stop them. I think they're smart enough to not continue to play an active part if any information they get or send off is information Solas is spoon feeding them. If their continued involvement would cause more harm then good then yea, I think they would take a step back. I think they would hand off the reigns to others.

The problem is: who are these others? The entire "there is a real elven god walking around and he wants to destroy the Veil" story is very hard to explain to anyone who hadn't been around during the events of the Trespasser. Dismissive and derogatory attitude towards the elven culture aside, people don't respond to the "gods are among us" claims well without proof. It's not the Blight, which is super hard to ignore. It's something new - and it's so challenging to everyone's religious ideas that engaging new allies would have required some thoughtful wording and messaging.

There is a reason the guys who believed that Andraste reincarnated into a dragon were considered lunatics in the DA:O. To find others who can handle Solas (while knowing what he is and bracing themselves for a tough challenge) would take time and effort - meanwhile, both Leliana and Josephine have the burden of knowing the threat, knowing it's coming. I can't honestly imagine them sitting on their hands and hoping that the Inquisitor finds someone.

Now, there could have been a wonderful way to keep them busy and not as involved without making it look odd. For instance, if Par Vollen officially declared war and started invading Rivain and Antiva.

In that case, Josephine would be fully committed to doing whatever she can for her country, while Leliana's presence will be crucial for a) the morale and safety (if Divine), b) working against Ben-Hassrath and gathering intel (if Sister Nightingale).

>They do find new allies through their journey.

We don't see them in the game.

>They do find people who have ample knowledge of magic and ancient history.

We don't see them in the game.

>This idea also continues to play out in Veilguard. We find someone who has connections.

There is only Neve who is more of a investigative journalist/freedom fighter who never dealt with gods, ancient magic or anything like that. She herself admits that she is way over her head.

>We find someone who has ample knowledge of the fade since that's what Solas was directly trying to manipulate.

Aside from Emmrich, there is nobody else available - and Rook employs him after Varric is out of commission, leaving Rook desperate for help and clues because they have nothing. That's the issue: there are no tangible results after the 10 years of search. Rook starts from the ground zero - even though they aren't supposed to.

>I do not think it implicitly means what you've interpreted it to. I think that's how you interpreted that and I think that's a valid interpretation of it. Unfortunately that's not where they took it. That's also now how I interpreted it. I think a lot of the fandom interpreted this in different ways and that leads to disappointment if their interpretation wasn't correct. I think that's what's happening to you here. I don't think Bioware not catering to your interpretation means "they don't care." or anything like that. I think it's just that what you predicted or assumed based on the information provided ended up being incorrect. Other people predicted it correctly. If anything this just means that the marketing team could have done better at setting expectations and making sure everyone was on the same page.

From my point of view, there are things that are meant to be interpreted differently by players, and that are part of worldbuilding that isn't up for interpretation. For example, the Warden can be absolutely merciless and cruel in their decisions - and their motivations depend on the player's interpretation (trauma, anger due to oppression, refusal to be kind to the world that screwed them over, simple assholery). Similarly, the Warden can be heroic and selfless - why are they like that is still up to the player's interpretation. However, the end goal doesn't change: Kill the Archdemon. It doesn't matter how evil or how kind the Warden is as long as they get the job done. They become the Hero of Ferelden regardless.

All the threats created or hinted at were never up to interpretation. Blights are extremely dangerous. The Mage-Templar war caused massive destructive disruptions across the Andrastian regions, leaving mages and templars particularly vulnerable to exploitation. The death of the Divine led to hysteria and massive crisis of faith, while the Breach and the rise of Corypheus led to the emergence of the Venatori and red lyrium zombies. And the characters always responded accordingly to the threats -- either because of their rank and calling or due to them having exclusive understanding of the problem and needing to be in the loop.

The ending of Trespasser implied that Leliana and Cassandra were sticking around, working with Inquisitor and following the Inquisitor's decisions (and certainly taking note of how easily Solas infiltrated their networks). For them to just bow out without any explanation or reason isn't the problem of interpretation - the game didn't deliver its own buildup.

>But Bioware can't just make whatever they want. Bioware is owned by EA (not just published through them. OWNED by them). Bioware has to pay people to make the games. They need to get the funding and approval from EA to do so. This means that no matter how passionate the team is, there's only so much they can do and EA gets a huge say in what that is. EA who explicitly stated earlier AFTER BG3 released that they don't think single player story based games are worth investing in. WHICH IS INSANE TO ME. EA had them start developing the game one way. EA had them change development midway. EA had them remove all multiplayer pieces. EA cut funding to Bioware forcing them to make cuts in staff.

I admit, I don't know whether it was Bioware or EA who decided to completely dunk on the elves and their entire arc in the Veilguard, make a clown show out of Qunari, destroy Loghain as a character and erase nearly the entire Southern Thedas - and then naively hope for Dragon Age series to get the next game.

I don't know whether it was the Bioware's love ruined by the EA (which definitely played the part in it because I know how soulless and greedy management can fuck up the production) or Bioware writing it all out of spite and then releasing the artbook so people could pay $75 to see the content and the story that never happened and will never happen.

The outcome is the same: there is no reason for me to give them money. If Bioware can no longer make it's own creative choices, I will no longer buy its games because it means rewarding EA for its abhorrent practices.

There is no point in believing in Bioware anymore and support it because if this is where EA is taking it, I'd rather let my favorite series die and be put to rest than see them twisted into the parody of their former selves.

I understand your point, but IMHO, the problem of Veilguard isn't that it's not perfect - it has been actively hurt by the choices and management, which is why it's the pale shadow of what it was supposed to be.

Moreover, I don't even know what the writing team thinks because they either lump reasonable criticism together with elon musk fanboys whining, which is downright insulting or carefully pat themselves on the back for the job done. I understand that EA may have made them sign some kind of BS contract that doesn't allow them to speak ill of EA and its decisions for 100 years or so, but even refraining from comments would have sent the message.

Right now, both behaviors create an impression as it's the players fault for having expectations and wanting the proper final of their story, instead of just consuming the content.

And that's just sad.

Bioware writing team has a comfy, sheltered life and it shows

I'm sorry, but how come that the only people Inquisitor sent to look for Solas were Varric and Harding? How come that the only people recruited in 10 years of pursuing Solas were Neve and Rook? Do the writers understand that this is NOT how a serious effort looks like?

What about Leliana? Divine or not, she is still Sister Nightingale with an immense spywork. You'd think she won't mobilize everything she has to track Solas and his followers?

What about Josephine? What, she decided "nah, I'm done" and didn't use any of her diplomatic talents and connections to let the Inquisitor's agents have access, permissions or information they need?

What about Dorian? As a political figure, you'd think he will be the first Minrathous contact for the Inquisitor allies, the one arranging things and providing insights?

What about Cassandra and her Seekers? Isn't she interested in stopping another world-ending threat?

What about Sera and her sabotaging potential? If she organized the group of people for performing vigilante acts, people who are her eyes and ears, how come nobody from her group is helping with the effort?

I get it why Varric takes part in it - he knew Solas, the Inquisitor trusts him and his judgement, but for the game to imply that all the responsibility was lumped on Varric's shoulders is fucking disgraceful. I get it writers, Varric is popular character, and you would use him as bait to your heart's content, but the context you've created implies that Varric might have been the only one to take the threat seriously, while the Inquisitor and the rest were doing God knows what.

Varric should have been handing the Rook information on all the contacts they can recruit, all the useful agents, all the people to work with, not tell them to ask Neve because she might know someone because detective (Neve is a good character, but the fact that people who were supposed to spend 10 years chasing Solas look up to her for finding them contacts is appalling).

"Oh, but all these people were in the previous parts and we don't want to mention previous parts because muh new players" - well, you shot yourselves in the foot. Maybe, just maybe, you should have AT LEAST cared more about the choices made in DAI.

Congrats.

[deesseshesca]

PAC : Am I the only 'main character' they’re vibing with ? (18+)

Honestly ... idk.

ALL READING ON SALE (70% OFF) (BLACK FRIDAY OFFER)

Pile 1

They are flamboyant individual . Babe they are not playing with you. They are not taking ‘’no’’ as an answer. Yes, they have a lot of options but all they see is you. You have no idea how tunnel vision they are about you. Is borderline obsessive.  Now the question is are they going to keep that energy when they have you ?

Am I the only 'main character' they’re vibing with ?

Yes. 

What’s the potential for drama vs. chill in this connection?

Drama 

Run. I know that type too well. They are going to do everything right until… they know they bag you. The fact that you are untouchable is actually what’s making them crazy. I feel like that person has a lot of experience. They fucked with a lot of people from all age range. Then there’s you. Mission impossible. I feel like y’all have a good relationship with dad, if not your dad card gets swiped. Y’all may have nobody in your DM. Nobody ever came your way to deal with you. You are sitting down looking at yourself  knowing you are not the problem. Face cards never decline, body is tea, nails stay done, you do your own hair. Especially the one that is dying their hair after a mental breakdown. You slay each color each time. It doesn't matter if you start the process at 2 am on a whim. You also do your own lashes or is a lash tech. Y’all also may be bald. Or you know  damn well that pussy is the goat. Even if you are a virgin. You know your cookie would have these man hooks like is coke. The second that someone is going to have a taste of it … they are going to lose their mind. You, them and I know you were never the problem. That’s why people keep saying they are intimidated by you because you look like you won’t take bullshit, you have your own motion and your money is long … so what’s up. Their dick in their pants … girl ! Anyway the only reason they want you is to prove to their lame friend group that they got an insane game. They are going to cheat on you, play in your face and make you feel so bad whenever you would want to discuss your feelings. You are too pretty for that mess … NEXT, THANK YOU !

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PILE 2

Am I the only 'main character' they’re vibing with ?

Yes.

What’s the potential for drama vs. chill in this connection?

Drama.

Is giving baby mama/daddy drama. The person you are dealing with is in love with you. They care for you, they show in  multiple ways. They keep texting you throughout the day. Always checking on you and the baby. Go to every appointment and even make sure you have more than enough money for the baby. They don’t just cover for the diapers, school books or clothes. They are paying for your hair, nails, clothes, food, and trip. Ask and they trick. They also like to spend time with you on a date without the kid. They love coming home and cuddling with you in front of a movie or one of your reality tv shows. They love touching you and making love to you. I feel like you want more. You want to be nastier. You want a pile 3 experience.  Your partner can’t see you under that light. Something about you being the mother of their kids now so everything changes. Back then y'all used to get down. You were doing splits on the dick, you were riding from the side, you were vocal because the speed they used to go was animalistic. The issue is he would give you  his left kidney but can’t be faithful for nothing. Not even God can come and ask that from him. They are out here clubbing and you are waking up lonely with a ‘’hey girly’’ text. You lost count of how many ‘’hey girly’’ texts you had. You stay with them because they are so loving and treat you like a princess. They are an amazing parent and you guys are a good team together but the cheating is insane. 

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PILE 3

Am I the only 'main character' they’re vibing with ?

No. 

What’s the potential for drama vs. chill in this connection?

Chill.

You know they are not only dealing with you and you don’t give a fuck. You are only there for the dick/pussy. They way they fuck is too good. You: I know ! Just  an insider; your boo thing is also dealing with his girl bff (yes… is time to have a gc meeting). Anyway you try all your sexual fantasies with them. Y’all love to use toys. He also buys you lingerie for some he also buys your weed or edibles. They will do what’s necessary to be in that wap and they quickly understand that you get nicer when you have a gift in your hand. They love to have their dick/strap come in and out of you. They love to have their fingers in your hole. Them: Is tight. Me: .. Sir/Miss please can I finish this reading in peace? You are the best they ever had. They love your face when you orgasm, they love to keep their face close to yours. They love swallowing your moans and kissing you. They love any position where they can hold you close. On the other hand, you prefer riding them, doing splits, teasing, giggling. You just like to feel and look like a pornstar that’s it. Y’all may film your experience and you act like is your personal Onlyfan. Ok Pile 2 gets nasty with it. Last insider: they would cuff you if you looked and acted like their bff because they are in love with your punani. I don’t even think you ever consider being with them. Just letting you know. So you don’t get dickmitize. 

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PILE 4 

Am I the only 'main character' they’re vibing with ?

Yes. 

What’s the potential for drama vs. chill in this connection?

Drama.

Pile 4 not y’all being the drama. Nah, zion do it, zion, zion. Out here looking around. Give your 4 walls a break and focus on me. (Not me rizzing up on the ipod (plz tell me you got that niche reference … anyway)). Your person is going through it. First you guys are recently single and you were in a confusing/toxic relationship. They were out here judging your body all the damn time. Telling you were too fat or saying they could not last long in bed because you were not pretty enough. Whole time they look like a drawing inspired by someone's drunk memory. The worst is y’all are gorgeous and you big tits are always sitting pretty. You have an hourglass figure and it is not about being slim or thick. Is about having a proportionate silhouette. Hair goals :  long and healthy have never been dyed. Y’all may have lip filler and is because of your ex but I think y’all recently took the filler out. Side note, y’all may look tall in your picture but you are actually very short.  Anyway your older brother bff is doing their best to keep their hands to themself. They have been crushing on you forever and everyone knows it except the brother and you. Like even the parents can sense a vibe. You love teasing them, maybe you guys started texting like y’all use too and there’s a lot of sexual double meaning. A lot of sexual tension between y'all. They are calling you little names and they claim they care for you. Have real feelings but you won’t allow yourself to fall for it. Because of your past and the fact that this is your brother bff… hello ! Stop giving them the fuck me eyes in family  settings. They already told you that but babe frl. Because next time they will pin you to a wall… I'm not joking. Relationship or not. You guys lowkey sext each other and you are always the instigator. You:want to see my new bras. Since they can’t resist … they expect just a picture of underwear nah is my girl milker in a beautiful colorful lace. Bye ! When they are drunk they love to text you and call you to sing their love to you . Everytime the next morning they come back nervous, hoping they did not  scare you off. Anyway Pile 4, I’m not the one to advocate for man peace but please put that man out of his misery. 

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[weepingtalecowboy]

If we take a look at the disaster Hyrules

It gets pretty clear that Hyrule's Hyrule has by far the least amount of problems

Like yeah no hate towards people who portray his Hyrule as a disaster but it really isn’t that deep

(I love the fanfics anyway and it is just fiction so people can do whatever they want … it just isn’t very realistic but still interesting)

There are enough settlements to avoid inbreeding (probably even having the most out of any Zelda game)

The forest population is not great but could be a LOT worse (it is not as bad as it could be … grass also helps with creating good places for trees to grow in and there is more then enough in adventure of link)

And the NPCs don’t hate him or anything they are just a bit weary (wanting something in return and not letting a random stranger into your house is basic common sense people)

They don’t hate him and give him clues if they know something…even letting him heal for free

Even the one village that wouldn’t let you in was fine with you the second you told them that you had buggo's permission

The monster might be a problem but certainly not the people

The whole game also showed no implications of food shortages or anything like that

No cursed soil , no cursed water (honestly I like to believe that Hyrule just thinks the water is genuinely cursed because he can’t swim)

No dying trees

And while you could say that there are no animals it also has be considered that it is a game that has trouble with interactions as a whole

They probably just didn’t bother with anything not gameplay related

Ganon was already dust and while Hyrule certainly was hunted down

If you stay in a town there is no interaction implying that monster are trying to destroy the town just because you are inside it

But also the same happens in any other Zelda game like obviously monsters are outside and spawn to beat you up (I know the disappointment of not getting into castle town in ocarina of time lol)

But that doesn’t mean that Hyrule has to live in permanent danger

Heck he can just live in the sole town to have a bridge so that even if monster try to get him they would not be able to cross

Even if the century that passed was the equivalent of doomsday or something…

Windwaker , Breath of the wild and even twilight princess also had disasters over 100 years ago (ocarina of time , the flood , calamity ganon )

In fact Breath of the wild recovered perfectly from absolutely annihilation and a loss of monarchy

And only twilight princess has canonical cursed land that affects the Flora and fauna

Why nobody portrays twilight’s Hyrule as having a very bad time with food and hunting will always be a mystery

His Hyrule essentially is Lorule 2.0

Windwaker has the canonically worst recovery of all timelines because the flood took lots of land to live on and to farm on

The entire sea has no fish and remaining people are very few in comparison to Hyrule’s twenty what towns

Like literally only having four settlements (rito included) is not a good thing

Having no hero spirit

No monarchy means nothing as we see in wild's Hyrule but peaceful anarchy with a few leaders in every settlement is not ideal

The goddesses also left

And so did their blessings

Like wind's ganondorf literally just wanted land lol no dominance because the remaining settlements are not worth it

And still the timeline where everything that could go wrong did go wrong still went and figured stuff out

And we have Spirit Tracks as proof that even this Hyrule was able of surviving

[soulfulazrael]

Haven't watched Mastermind episode (and wont), but will talk about stuff I saw from it and heard about it

So... I as you who follow my ramblings here probably know (all 2 of you probably). I do not watch this show anymore because I don't care about it's story. Apparently this new episode is BEST OF THE SEASON, but since rest of the season at best gave me a feeling of pure apathy and at worst INCREDIBLE disdain and lack of faith in humanity I say good middle ground is talking about pieces I saw because at this point I don't think I can stand watching this show for longer than 5 minutes at a time.

I make my own story for HB/HH so I will make some comparisons to my own story and plans... Maybe one day I will do bigger post about how my versions of Sins and other things look. No arts though... no talent on my part. Eh... Or maybe... Eh we will see. Probably not, but... Maybe... I dunno.

Comparisons will be mostly about Sins. And the thing I reference is a fic called Song for the Quiet Bird that for now is center of my AU where I make things of Hellaverse in my own way.

So first off. Stella moment. Probably the first thing I saw from it when I heard about it. When I saw that scene I was like: Wow. Actually proper moment where Stella shows more of a character and maybe nuance aAAAAAAaaaand the smirk...

You are amazing at failing every expectation aren't you HB? YOU KNOW SHE LE EVIL!? YOU KNOW SHE BAD!? YOU KNOW STOLAS GOOD!?

Yes I do. I am deaf from the amount of SCREAMING you are throwing at me about this every other minute. Thank you. I am not a 5 year old. She evil. What you do with it? Also apparently NOW she has a brain compared all other times besides season 1 where she had more of a peanut there? What is it? Also incest with her brother? Great... Keep on going with this. I am sure at some point even completely blind AND deaf people will understand how evil she and Andy Magic are. I sadly missed the part where I am supposed to find them interesting. But HEY at least it gives such a great explanation of why Octavia sees Stella as better parent than Stolas which is clearly shown in some of that promotional material... entire one scene... that is not a minute long even and has no dialogue between them. No chemistry or anything... Let's be honest though. For most fans that's probably enough. Just slap one or two scenes later of Andy Magic and Stella saying how bad Stolas is and you are golden... Fuck my life as it is not even a joke. Jesus.

Okay. Besides that... tragedy? I dunno. There is also SINS! Leviathan and Belphegor...

Well... that's just amazingly underwhelming. You know there is a problem when I cannot tell if a character is even meant to be someone special. Because what the Hell (get it? HELL!) is this? They look like about nothing Demons. They are barely more interesting visually than any other shmuck we saw in this world. Ozzie keeps being the best design out of all of them with most distinct and accurate one and I am starting to feel like it is only because Viv took years in making it before hastily making ones for everyone else. Seriously, would you even be able to tell they are meant to be important characters? Because they look like everyone else in this world.

Now funnily enough I have my own concepts for those in my AU. Not exactly more interesting visually as again... not an artist and it is still more concept thing as I keep figuring things out, but this is the current form I want to get them across. I think they do the job on some level in terms of what they are meant to be. One is Leviathan. It is... interesting to portray it with 2 heads... a reason for that kind of eludes, but who am I to judge? But I know in my version it will just honestly a large beast swimming across endless waters of Envy. A giant sea monster that keeps itself in a giant form among domes of Envy where cities are with immeasurable wealth and power, a creature meant to be envied. But also a creature that envies deeper than any other over the loss of their partner at the hand of God, not being able to be close with anyone or even be understood. A creature who's deep resentment and pain created entire Ring around them.

If I made a scene like that with 'sins' meeting I think it would be with a High Demon that serves as a high priest/priestess of the Leviathan faith. As all very high rank demons like Sins, certain Goetia Kings and other VERY important figures have their own religion that Hellborn MUST adhere to, in a way choose their deity and in this case it would be a Demon from said church of Leviathan that interprets them... cluelessly.

While Belphegor would not be much different as a creature that also is a larger than life being. But this one being like a giant, anthropomorphic crocodile like being similar to SCP 682, but more... static. Basically giant center point of a garbage heap that is Sloth in my AU. In some ways beautiful, but also incredibly toxic and dangerous to everything wasteland. Very bottom of Hell. Horrible place where you can be killed by some horrifying monsters with no real mind that prey on the helpless. As Belphegor itself (dunno if it even has gender) exudes aura of sloth where most Demons that come to sloth will be at some point forced to lay down and stay in place. "Bask under non existent sun" which is a term used in that version of Hell a bit to call someone lazy and it comes from that which can spell someone's horrid death.

Those are my ideas for those. But next one is the big boy himself. The Big S. Adversary. Satan.

He looks alright. Nothing you would not imagine a Satan to be. He looks dragon like, buff (even if he skipped leg day) and has funny horns of Imps. Also he has little therapist... which is funny because in my fic I also have a trial with the main judge there (in that case Lucifugus or Lucifuge Rofocale) who also has his own little therapist thing (alongside some other annoyances... and far more misery). It is funny how I guess both me and Viv kind of agree people in high political power in Hell would have their own therapist. In my version though he keeps them deep within the tower he resides in. But either way. Can't say his design or personality is something I did not see coming.

As for my version I will go with... yeah it will be quite different. Better or not. Your choice. A centaur like being that has 4 big arms, molten lava in his veins and skull on top of his body looking like a goat or dragon like being (still thinking on that). A demented monstrosity who's head went awry due to their perpetual rage who can now think of nothing, but drowning everything in so much blood that he will one day swim on that tide of gore to the Pearly Gates and smash them open in ultimate showing of their superiority over all of creation. Something his kin the Imps for the most part also believe and praise. A promise of sea of gore and glorious war. Not the kind of creature that would hold a trial. In that world it's more of a Lucifuge thing... or Lucifer if he is mood for jokes and tormenting some poor souls for their amusement.

Also I hear Stolas lost all his wealth and power over... NOT the shitty things that he did, just that he was forced to lie for the sake of I.M.P.... Eh... The avoidance of responsibility continues. Even when characters face consequences it can NEVER be over their own actions. It has to be something that can be proven wrong and goddamn will that probably be true with Via as well. Because let me tell you they are most likely going to make her be in the wrong for hating poor little Stolas baby and I hate it already. I know making assumptions is not good, but by GOD were they good at making those expectations of nuance low so far...

Actually what expectations? I don't watch this show anymore. But I am passionate about it's ideas... and that hurts me. A lot. I made this entire post because of those... and make a fic that has now few HUNDRED THOUSAND words. Damn. No idea if my version is better or worse... but it is one I prefer. It is different definitely. Even though in certain ways it's weirdly similar.

[kaoskuantico]

I'll answer by parts:

she was reclaiming that space

That's a weird statement and you're just repeating what the writers said just because they said so. First of all, they didn't address Vi's trauma at all, and maybe it's just me but doing it with sex is a weird way of doing it.

jinx literally told her to

That felt OOC, even at her lowest point. As Vi said, Jinx saved Caitlyn's life despite her not willing to do the same. So Caitlyn thanked her by keeping Jinx in that ISOLATED cell? She said other people took her in before she got the chance to react. Okay, BUT I have two points about this.

Why didn't Caitlyn free her after the shock?

WHO took Jinx? In the battlefield it were only Cait and Ambessa's army, and the latter stayed with Ambessa to bury the dead. So...Who?

“it wasnt the time or place” ok so then what is the time or place?

Maybe...Not in Jinx's cell? Not right after Jinx told Vi she was going to "break the cycle"? Vi already knows or should know her sister is suicidal, in the first Act she saw it firsthand. And all this without having a proper conversation between Vi and Caitlyn, not even an apology for what happened in Act I, not for making her lose her father, permanently now. Cait was manipulated but she still played a crucial role in all of that.

Amanda said it herself, it was meaningful for Vi to free herself or her trauma related to being locked up both physically and mentally

The writers can say whatever they want, but as I said in another post (click), they can't do X in the show and say Z in interviews, that's just bad writing on their part. If they wanted to make Vi reclaim her trauma in that way, they should've dedicated time to it, not making up things AFTER the show ended. They lost the opportunity to show it.

yall just wanna take ANYTHING away from lesbians i swear

The only ships I like are wlw so this doesn't even apply to me. And for other personal reasons.

they barely got any screentime this season after the writers built up their relationship and arc SO MUCH in season 1 can we just have this one thing….

Whose fault is it? You said it yourself. They didn't develop their relationship properly. They fight, they suddenly are okay, they have another small fight and then suddenly have sex in her suicidal sister's cell.

even just IN the show stop blaming the characters for being horny in a weird place like their lives are MESSY and so is their relationship, they both went through hell especially vi, let them have this.

I still think it's weird. All I'm asking is have the same scene but in a bedroom??? After the war at least????? Just change the time and place and we're all good.

but it was so powerful how quickly Vi understood that Cait was on her side and supported her choices

Look, when Caitlyn pulled away the first time I thought "good, she's realizing Vi isn't in the right state of mind, they'll talk things through" and then Vi just says she doesn't fucking care.

Such a wasted opportunity to make them TALK and repair their relationship. Vi called her out once and all Cait said is "I know". Okay girl, we know you know, but that doesn't erase anything you and Ambessa did.

All of this can be summarized as "Amanda said it!", but if Amanda (and the other writers) failed to show it to the audience, that's their problem. They can't fix it with interviews.

can yall stop saying caitlyn came in the cell to f ck with vi like VI INITIATED IT😭 she was reclaiming that space she was finally letting herself be happy, like jinx literally told her to

“it wasnt the time or place” ok so then what is the time or place? their city is at war lmfao they just indulged in this for a very short time (the scene was only 2:28 btw.) and they deserved to, the place isnt as weird as yall make it to be, Amanda said it herself, it was meaningful for Vi to free herself or her trauma related to being locked up both physically and mentally

yall just wanna take ANYTHING away from lesbians i swear😭 they barely got any screentime this season after the writers built up their relationship and arc SO MUCH in season 1 can we just have this one thing…. even just IN the show stop blaming the characters for being horny in a weird place like their lives are MESSY and so is their relationship, they both went through hell especially vi, let them have this.

that being said i still do believe the scene would’ve carried a little more weight even with a few more lines of them talking about it all, or even caitlyn just saying “you didn’t lose me” before rizzing her up lol but it was so powerful how quickly Vi understood that Cait was on her side and supported her choices