#the power of kate sharma

[somethingsketchy3]

so about those s3 spoilers…👀

ANYWAYS, yippee it’s done. my first, fully illustrated and rendered piece since *checks calendar* a long time. im good on anatomy, don’t ask me to draw backgrounds (yet)

the brain rot of them has gotten me through my spring semester of junior year and I simply CANNOT wait till I see them again. I’ll take whatever crumbs I can get from the season and draw out the rest on my own :)))

[sukibenders]

Bridgerton states from season one, through Simon and Lady Danbury, to season two, with the Sharmas, to Queen Charlotte, from the beginning episode to the end spelled out clear as day, that racism exists in this world and many of the characters of colors have been impacted by it in some way. And, supposedly, I'm supposed to believe that Marina, that Kate and Edwina, that they all had more privilege and power than Penelope? No, I don't think so, a lot of things aren't right with that statement.

[chenfordsbee]

I cannot stop gifing Kanthony in 3x01 even though they had like 3 scenes and 2 minutes of screentime together 😂 the brainrot is real! 🤎🤎🤎

[gloster]

TOP 10 FEMALE CHARACTERS

Tagged by the lovely @narcobarbies.

Top 10 Favorite Female Characters:

1). Titans Kory "Koriand'r" Anders

2). Bridgerton, Viscountess Kate Sharma-Bridgerton

3). Shadowhunters Isabelle Lightwood

4). Shadowhunters Maia Roberts

5). TVD's Bonnie Bennett

6). TVD's Katherine Pierce

7). Mighty Morphin Power Rangers, Kimberly Hart

8). ATLA, Katara

9). Legend of Korra, Asami Sato

10). Winx Club Musa, Flora, & Layla/Aisha (love all 3, so I count them as one)

Tagging @kila09, @dreamydrarry, @sebbies, @kayla-charmanderrr96, @eyelashesandentropy, @negrowhat, & @omgitsseddie

[im-me-he-says]

(Okay I wasnt going to post this but im actually pissed off.)

((TW INFERTILITY))

Dear Bridgerton fans who are unreasonably angry at Michael being Micheala in the new season,

You still have the book.

Let me bring up points that I've seen in arguments online:

1- "But her story is about infertility! Putting her with a woman changes everything!"

Queer women struggle with infertility too, in fact it can be very difficult for lesbians who wish to start families of their own as not everyone is able to adopt or find a sperm donor, and even if a sperm donor is found THEY CAN STILL HAVE INFERTILITY ISSUES.

Let me list off romance books that deal with cishet women and their infertility issues below-

Untamed Rose, Scandalous Mistress by Bronwyn Scott

The Devil in Disguise by Lisa Kleypas

The Friend Zone by Abby Jimenez

Thief of Shadows by Elizabeth Hoyt

What's Left of Me by Kristen Granata

Lord and Lady Spy by Shana Galen (this one is regency too)

A Secret Sorrow by Karen Van Der Zees

And many more if you google I just dont have all day.

(Extra point, in many of these books the women do not stay infertile and have a miracle baby...not only do many cishet women never get their miracle baby but lesbian couples literally cannot concieve)

And now let me list of books that deal with Lesbian women and their fertility issues-

.....

OH WAIT I COULDNT FIND A SINGLE ONE!!

This leads me to my next point.

2- Bridgerton is a love letter to minorities in romance.

As someone who is south asian myself, I have seen how western beauty standards and racism has treated women in our culture, literally go online and search up "which race would you not date" its disgusting.

I grew up only seeing white women be the desirable one in romances as did many others, you know what changed this for me?

Kate Sharma.

The international audience for Bridgerton especially with brown women of South Asian descent grew TREMENDOUSLY. We had a woman like us portrayed positively and seen as desirable, you guys genuinely do not understand how many brown women watch this show because of season 2.

If we had Kate, WHY should Lesbians struggling with infertility and Black Lesbians not have Francesca and Micheala.

3- "It should have been Eloise and Cressida!"

Why? Because Eloise is a loud mouthed feminist and Cressida is a mean blonde and they shared an understanding? Because theyre both white?

While I do want Eloise to be queer as well just think about that for a moment, while lesbian representation is scarce these days it is even scarcer for Lesbians who do not fit the norm...the mostly white, neurotypical, skinny, cis norm.

Genuinely think about how many times ypu have seen these tropes in wlw fiction, like sit and think about it.

Such as Black lesbians for example, you all are aware they exist right?

I want to reccomend this video by a sunny book nook which talks about how lesbians in a VAST MAJORITY of lesbian romance novels arent really...allowed to be complex characters and it would be some FANTASTIC insight for some of yall

In conclusion, you are allowed to miss Michael, but don't you dare say this takes away from her story, as it ties into the very aim of the show.

Thank you for reading.

[thekatebridgerton]

Kanthony mini Drabble that I thought up just for fun:

"Didi, if I tell you we have a problem, you won't be angry at me right?" Edwina mumbled as softly as she could, as they were getting ready for bed that night

Kate frowned " what is it Bon?" Edwina was a gentle young woman who rarely voiced dissatisfaction at all and tonight was supposed to be the night of her dreams

"I feel awful about this, especially considering how kind Lady Danbury and the Queen have been to me" Edwina looked around as tho she was looking out for any suspicious servants "But it's Viscount Bridgerton, the man I danced with... I simply don't like him"

"You don't?... great, I mean, I support you love, of course you don't" Kate sat with her in the bed and patted her hand "do you want to tell me why?"

"oh it wasn't anything he did, the man was perfectly amiable but he just looked at me like if I were a prop on a mantlepiece Didi, Edwina Sharma, another checkmark on his Todo list" Edwina groaned " I can't imagine such a man courting me "

"Oh dearest, if you truly don't like him you don't have to entertain him, nobody will force you to marry him" Kate counselled

"I can't exactly turn him away, he's the most elegible bachelor of the ton, everyone would think I'm insane" Edwina continued leaning on her elder sister "That's why you should get rid of him for me"

"Are you sure?" Kate was known to be heavy handed after all

"Yes, I may not be able to tell him no, but you can! Just drive him away and he'll leave me alone long before he finds out I don't like him" Edwina thought about it for a second "better yet, make him regret even trying to court me in the first place "

_-----------------

One month later

Edwina shook her head looking at her sister and the besotted Viscount glued to Kate's side " you know Didi when I asked you to take him out of my life I didn't mean for you to take him out for a special marriage license"

" I tried" Kate defended herself "I swear I did" trying to push the smirking Anthony away from her " Short of killing him myself he just wouldn't quit coming back"

"forgive her this once Edwina, it was all my fault" her new brother in law chuckled hugging Kate and placing his head on her neck "Kate truly did try her best to drive me away"

Edwina shook her head " And to think during the dinner with my grandparents we were so close to getting him to stop pestering our household"

Kate sighed " I know Bon, I Know"

Au in which instead of asking Kate to get along with Anthony, Edwina asks her sister to drive the man away because she doesn't like him, and Kate spends all the season sabotaging Anthony's life in various ways, until he clues in and starts pushing back against all her dirty tricks. Culminating in a game of pall mall where a sexually-frustrated Anthony decides the best way to finish driving Kate crazy for the rest of his life is to marry her. Leaving Edwina very disappointed at her sister's lack of success getting rid of the Viscount.

[jennifersminds]

yeah no i’m with the edwina anti’s girl what are you talking about?

[thepaperquillco]

Like, do they not know the meaning of slow burn?

We see this man’s bare ass fucking his mistress against a tree before we see his face.

[astrotruther]

Astro Observations

misc. (i)

⛔️ TW: mention of anorexia and drugging❗️

♡ Venus Square Mars may attract obsessive people. In particular, people who obsess over their looks or fetishize them in some way. Brooke Shields had a whole nation obsessed with her at the mere age of 12. Eugenia Cooney has infamously attracted hoards of anorexia fetishists with her content. People with this placement may have a higher risk of drastic weight loss or gain.

♡ Either I meet too many Capricorn Suns by coincidence or it's a rather common placement. One reasoning could be that April is an ideal month for marriage in many places, especially ones where it gets unbearably hot in June. Spring adds to April's allure. Traditional couples often conceive right after tying the knot, making the pregnancy due in Capricorn season.

♡ Lilith is associated with sexuality but people focus too much ONLY on that facet of it. Lilith is associated with many other things like power, revenge and how one becomes a social pariah.

♡ Planets at 0° may symbolize struggle. Lana Del Rey has Sun at 0°. The Sun represents our ego. She had many controversies in 2020 including the mesh mask and her Instagram rant undermining POC artists. Even after criticism, instead of apologizing, she remained defensive. I believe that planets at 0° provide a lot of room for growth if the individual is genuinely interested in self-improvement.

♡ Aries Moon (ruled by Mars) and Scorpio Moon (ruled by Pluto, traditionally by Mars) despite being similar are perceived quite differently by people. The sign of Aries gives child-like quality to the native. They come off as cute and their sarcastic remarks are perceived as good humor. E.g. Rihanna roasting Helena Bonham Carter's sense of fashion. Meanwhile, one eyeroll from a Scorpio Moon, and they may come off as hateful and jealous. My advice to Scorpio Moons who want to be in the public eye, please never put on the mean girl persona. Tap into your kind side, it'll be received in a positive way and you'll attract genuine support.

♡ Venus-Mars aspects symbolize beauty; the difference may lie in how people perceive it. Venus Trine Mars are often called cute. People with this aspect are well-liked and have a good reputation. These are the people who may never be cancelled due to the halo effect they have. No matter how massively popular they are, people won't be digging up dirt on them, which is also why very little is known about these people's personal lives. These people often become a household name due to that one iconic thing they did, even if they decide to adapt a lowkey presence afterwards. Let me emphasize this with an extensive list of examples:

✧ Nina Dobrev (The Vampire Diaries), Zayn, Leighton Meester (Gossip Girl), Adele, Kit Harington (Game of Thrones), Sabrina Carpenter, Tobey Maguire (Spider-Man), Kate Middleton, Mandy Moore (A Walk to Remember), Jackie Chan, Jenna Fischer (The Office), Ana de Armas, Josh Hutcherson (The Hunger Games), Constance Wu (Crazy Rich Asians), Rowan Atkinson (Mr. Bean) and Alan Rickman (Harry Potter) have this aspect.

✧ Taeyang being the only member of former K-pop group BIGBANG who's had no controversies (also managed to keep his relationship hidden for a long time before revealing it with a wedding announcement), Khloé Kardashian being the least disliked Kardashian/Jenner sister, Cardi B admitting to drugging and robbing men, starring in Hustlers that glamorized it, hitting her career peak with WAP the very next year really drives the point home.

✧ I've also noticed this aspect in almost all Bollywood IT girls of their time: Priyanka Chopra, Aishwarya Rai, Anushka Sharma, Ayesha Takia, Dia Mirza, Divya Bharti, Parveen Babi - all loved by the general public despite the media scrutiny and misogyny that prevails within the industry.

Click daily to help Palestinians🍉🙏🏽: https://arab.org/click-to-help/palestine/

[juju-or-anya]

It's hard not to find irony in the criticisms directed towards Eloise Bridgerton and the elevation of Penelope Featherington as a more genuine and hardworking figure in contrast with Eloise's supposed privileged circumstances and her discourse on feminism. Indeed, some voices have pointed out Eloise's feminism as something white and privileged, and while this is not without merit, it's akin to rediscovering what others have already noticed, akin to Christopher Columbus "discovering" America.

Understanding the context in which "Bridgerton" unfolds is essential. The series is set in Regency England, between 1813 and 1825. This historical period is marked by a highly stratified and conservative society, where women, especially those of the upper class, were relegated to traditional roles and lacked basic legal rights. In this context, any discussion of feminism must consider the unique limitations and challenges of the time.

It is true that Eloise Bridgerton, being part of a respected family in English nobility, embodies many of the characteristics associated with the white and privileged feminism of the time. However, this should not diminish the value of her role in advancing feminist ideas in her historical context. It is thanks to women like Eloise, who challenged social expectations and dared to question the status quo, that doors were opened for future, more inclusive feminist movements.

On the other hand, when analyzing Penelope Featherington's role in contrast with Eloise Bridgerton's, intriguing nuances worthy of a more detailed critical exploration are revealed. Although both come from upper-class families, Penelope's experiences differ significantly from Eloise's. In the society depicted in "Bridgerton," Penelope is portrayed as a more marginal figure, overshadowed by the prominence and glamour of the Bridgerton family. She is often seen in the background, struggling to find her place in a world where her social status does not put her at the center of attention.

Throughout the series, Penelope exhibits a distressing lack of empathy and solidarity towards other women. Instead of fostering unity and support among her peers, her writings are propelled by feelings of envy, resentment, and desires for revenge. Striking examples of this include her actions to publicly reveal Marina Thompson's pregnancy, intending to undermine her relationship with Colin Bridgerton, or defaming individuals such as Daphne, Edwina, and Kate Sharma, often with no apparent reason other than personal gain.

Penelope's behavior as Lady Whistledown sheds light on her complex nature and motivations. While it may represent an attempt to find her voice in a world dominated by more powerful figures, it also reveals a tendency towards manipulation and selfishness. Ultimately, her role as the mysterious chronicler is more than just a quest for identity; it is a reflection of the moral and ethical complexities underlying the society of "Bridgerton."

In summary, asserting that Penelope is more feminist and hardworking than Eloise due to her role as Lady Whistledown is, at best, simplistic and, at worst, deeply misleading. Both women, while privileged in their own right, have chosen different paths in life and have faced their own challenges. However, the narrative of Penelope as a morally superior and more genuinely hardworking figure should be questioned in light of her actions and motivations, which often reveal a lack of integrity and empathy towards her peers.

It's important to note that when Theo confronts Eloise, questioning her understanding of the real world and her privileged position, Eloise doesn't reject this criticism but uses it as a catalyst to seek greater understanding. Recognizing the validity of Theo's observation, Eloise actively seeks to broaden her horizons. She engages in conversations with Theo and John, seeking to break free from the bubble of privilege in which she has lived so far.

On the other hand, Penelope takes a different stance towards her own privileged position. Instead of acknowledging her situation and seeking to understand the realities of those less privileged, Penelope vehemently denies any suggestion that she also benefits from the system. Rather than accepting her position of privilege, she portrays herself as a victim, despite her actions suggesting otherwise. Ultimately, this divergence in attitudes between Eloise and Penelope highlights the complexity of individual perceptions of privilege and personal responsibility in an unequal world.

PS: The comment: "Penelope saved Eloise by writing that she hung out with radicals, she doesn't know what it's like to be grateful" is shit. Whose fucking fault is it that the Queen is on a crusade with torches and pitchforks, looking for blood and a rolling head? From Penelope because she doesn't know when to keep her hand still and stop writing, if it weren't for Penelope, the queen wouldn't think that Eloise is Lady Whistledown, Penelope wasn't looking to help Eloise, she was looking to save her skin.

[misstwentyynine]

I have watched and reblogged this scene an unseemly amount of times, but there is just something about that first frame and how you can literally feel their lips brushing against one another I AM UNWELL 🫠🫠🫠🫠

Request by @ifanybodyseesthis

[sukibenders]

Anthony doesn't get enough flack from this fandom if I'm being honest, like most of it is pushed onto other female characters while he gets the "he was struggling," excuse. And while he was struggling, there's definitely validity to that, he also should not have his actions (eg. playing with Kate's feelings, putting her and Edwina in a difficult situation, etc) excused because of that.

[agrippinaes]

period drama appreciation week 2024 | day 3: favourite costumes

lucrezia borgia in the borgias, season 2 episode 6: day of ashes queen victoria in victoria, season 1, episode 5: an ordinary woman elizabeth woodville in the white princess, episode 1: in bed with the enemy kate sharma in bridgerton, season 2, episode 5: an unthinkable fate catherine the great in the great, season 3, episode 4: stag elizabeth woodville in the white queen, episode 2: the price of power cherry dorrington in harlots, season 3, episode 6 elizabeth i in becoming elizabeth, episode 7: to laugh, to lie, to flatter, to face lucy wells in harlots, season 3, episode 2 anne boleyn in the tudors, season 1, episode 3: wolsey, wolsey, wolsey

[jackoshadows]

It's so confusing and weird that Bridgerton introduced in world racism both with Lady D and Simon in season one of the show and in Queen Charlotte and at the same time they also want the audience to accept that somehow Marina Thompson or the dark skinned Indian Kate Sharma has more privilege and power than Penelope Featherington?

Kate Sharma was also poor, so much more than the Featheringtons. She depended on Lady D to host them. The Sharmas were looked down on by the ton because Mary Sheffield married an Indian. The Sharmas were disowned and ostracized by the Sheffields.

Kate was also an unmarried spinster. No one was asking Kate to dance. As much as Kate wanted love and romance and to dance at a ball wearing pretty dresses, she got none of that. She was also the woman on the sidelines watching as others danced and fell in love.

Racism and colorism is also very much a thing in eurocentric notions of beauty considering the setting and characters of Bridgerton is 99% white.

We got so little of Kate's backstory, of who her parents where - we didn't even get their names!! - of the trauma (explained for both Simon and Anthony using flashbacks) that had Kate overlooking her own happiness for that of her sister.

Despite bragging nonstop about the diversity of Bridgerton the showrunners thought that the white Featheringtons needed more screentime in season 2 rather than the South Asian family.

And Kate was planning on going back to India and work as a governess to pay for her livelihood. Because, you know, there's more honest ways of being a 'working woman' than running the equivalent of the regency 'Daily Mail' dragging other women down. The modiste Madame Delacroix, Kate planning to teach and Sienna in season one are all working to pay a living. Black, brown and lower class women looking to alleviate poverty.

And considering how much harder Kate already had it as an outsider in the ton, it wouldn't have been easy with Penelope using her gossip rag to describe the unmarried Indian woman as ' a Spinster of a beast'. What did Kate do to Penelope to warrant this? Nothing. Just a way for Penelope to make money at Kate's expense.

That's the thing I dislike the most about the way the character of Penelope is written on the show - her victims don't deserve her vitriol and are often in much worse circumstances than her. From Kate Sharma to the unnamed seamstress who apparently lost all her customers because Penelope wrote falsely about their work in the her tabloid as a bribe for Madam Delacroix.

And I think that's what I find problematic about the writing of the show and even the discourse surrounding it - when characters like Marina Thompson (the poor black cousin who would have ended up destitute on the streets because of Penelope) and Kate Sharma arguably have it far worse than Penelope Featherington as per the show's writing and yet we are supposed to have the most sympathy for Penelope because her crush Colin didn't love her back and she's a curvy white woman?

I guess that's the difference between how I perceive this world and these characters as a woc and the majority white female audience for this show and it's such a huge disconnect for me. I guess this is also partly because the show has this badly written and 'strangely toothless racism' as Ash Sarkar beautifully put it. As in the racism is treated in this world as a little problem solved by handing out a few titles to black people instead of being a white supremacist ideology which treated black and brown people as inferior, serfs and slaves.

From what little we got from season 2, Kate Sharma definitely did not have it easy navigating the ton as a poor outsider and that certainly contributed to her poor choices. She is also put through the wringer, treated like the other woman, is miserable for several episodes, had to apologize again and again and nearly die before Edwina forgives her!

In contrast Penelope's actions have hurt so many and yet she gets a pass by both the show and a fandom that wants Colin to grovel before her because of a single offhand remark and because he didn't return her affections.

Also making it clear here that I am not comparing Penelope to the male characters who always get the better writing, flaws and all. I am comparing Penelope to the female characters of colour - Kate Sharma and Marina Thompson.

I mean, Marina Thompson gets so much vitriolic and sexist hatred for not having told Colin Bridgerton the truth of her pregnancy. How dare Marina hurt this privileged white man Colin Bridgerton. When she was desperate to not end up destitute on the streets or get raped by old white men. And yet Penelope gets a pass for hurting women like Marina and Kate.

It continues a trend of white female characters never being held to the same standard as female characters of colour. Daphne sexually assaults Simon in season one and that was not even addressed on the show. Male rape is apparently no big deal because Daphne wanting children is what's important. It's Simon who has to apologize and within one episode resolve his trauma and accept being a father. This is despite both Daphne and Penelope having more screentime and more writing that builds their character unlike the stick thin writing given to Kate Sharma in season 2.

So yeah, I will be checking into season 3 to watch the ten minutes we get with Kate Sharma since we got so little of her in her own season and it's so singular to get dark skinned south Indian characters in a period drama romance like this. It's just the way the writing on the show, the production and even the fandom treats it's characters, especially characters of colour has been disappointing to say the least.

[angrydemonfawnbaby]

maybe one day i will be over bridgerton season three and my hatred for penelope but that day is not today

i understand that the books are different and that book polin and penelope are not what their show counterparts are but i need book polin and penelope fans to take a step back and examine the absolute psychological horror of what show polin is.

genuinely there is something so insidious about a girl who meets a guy, believes it's love at first sight, and then befriends his sister. in fact, her ONLY friend is his sister. she spends years pining, sitting and staring out of her window so often that everyone in her life knows this is a common occurrence for her. a habit. she loves him, she wants to be with him, she wants to be a part of his family, and that family treats her well, they treat her with kindness.

and she tears them down. secretly. she uses her friendship with the daughter, her closeness to them, to prop herself up. to write vitriolic things about them, to cast shame on them, to bring their reputation into question time and time again. there is something so irredeemably manipulative about a girl who takes the secrets of those who trusts her and reveals them publicly when it best suits her--when she does not want the boy she loves to marry a girl who has been kind to her, a girl who considers her a friend, who has shared her anxieties and heartbreak. it does not matter that this girl would be a good wife, or that the boy truly cares for her, because this girl is not her. and she could've told the boy herself, but that boy is kindhearted and sensitive and good and he might still marry this other girl. and that is what is truly unacceptable, that is what can't be allowed to happen. so she destroys it, thoroughly. it does not matter who is caught in the blast.

it did not matter how this embarrassment would effect the family she claimed to love as her own, the family she wanted to be a part of. it did not matter that it would ruin marina, the only other person to consider penelope a friend. it led to marina nearly dying, it led penelope's own family being shamed and shunned. it did not matter, because to penelope, the only thing that mattered was that colin remained unmarried so that he may one day love her the way she loves him.

it did not ever matter that colin already loved her as a friend, because to penelope that was not a love worth having. not from colin, or marina, or eloise.

she does not care who she hurts. again and again. with daphne, with anthony and the sharma sisters, with her own best friend. eloise confides in penelope things that not only could destroy her reputation and that of her family, but things that could get her in trouble with the queen--views that are dangerous. and despite what she says, she does it to save herself first and foremost, to keep eloise from discovering her secret.

and when she thinks that the boy she loves will never return her interest, when he returns from his time away different from the boy she has spent years obsessing over from afar, she writes about it once more. to make herself feel better, to make him feel bad. for not loving her, for daring to try and change, for daring to be something he is not--something different from the boy she supposedly loves.

penelope actions as whistledown have shown her to be a callous, selfish, manipulative person. she understands that being whistledown means having power, admits it, and she has constantly used that power to destroy other women--regardless of how kind they were to her (marina), how much they trusted her (eloise), or if she even knew them at all (kate and edwina, the queen and her infant grandchild). she is a vicious and mean person on paper, with no loyalties to anyone but herself. her actions as whistledown are undefendable and cruel. and she is whistledown, they are one and the same.

i cannot see how anyone can look at the two and see anything to romanticize. she knows eloise would not want her in bridgerton house, rightfully so, but she goes to be close to colin, and then she invades his privacy by reading his journals. she continuously lies and crosses boundaries, but her eyes well with tears immediately after and so all is miraculously forgiven--nevermind that she will go home to write something cruel by candlelight later.

even their first kiss feels like a manipulation. a coersion. she begs, cries, pleads, claims she could die never having been kissed and she knows colin is a soft, sensitive boy. he was going to marry marina after a short courtship, convinced of love, he might've went ahead married her if he'd found out about the pregnancy privately because he is a good and kind man. so of course he will kiss her.

and then he proposes, and before they can go about it properly, before he can rethink it or back out--she publishes it in whistledown. so that the whole ton knows that she has finally won. she has succeeded in becoming a bridgerton. and she continues to lie to them all. she continues to lie to colin. she smiles and plays the role of the innocent girl next door, when she has been their primary antagonist force behind the curtains for years now.

even her declaration of love is said to distract, to protect herself, when he has discovered her secret, her true identity, and she can no longer hide. she shouts it at him, like it is meant to make everything okay, to make all of the bad things she's done go away.

and in a well written story, with well written characters, it would not. it would be seen for what it is. desperate. manipulative. but this season of bridgerton is a let down in many ways, and all of them are rooted in how the narrative has catered to washing away how horrible of a person penelope has been, instead of acknowledging it and moving forward with a true redemption arc.

so instead, we get to watch a gossiping mean girl who has spent years stalking and preying on one family in particular, manipulating her way into her happy ending with said family. and everyone just has to be gaslit into believing this is okay when it's not.

[mfshipbracket]

welcome to ghost mod's thought experiment, the m/f ship bracket bonus round where every single m/f ship from the original round is pit against reylo of the 97/3 #shreksweep infamy.

why, you ask? mostly cuz of this.

they're going from lowest to highest per the original rankings, starting off with our newcomers adam/eve. 9 polls per day will roll out on queue throughout the est evening from may 12th-18th! after polls are closed one week later, i will post the final rankings of who swept the hardest (or failed to sweep...)

all polls can be found under the #bonus round tag, and this masterpost also contains links to each specific poll. there is also a spreadsheet with current bonus round standings and stats from the original bracket if you like numbers. :)

disclaimer: not a reylo hater. i'm just ardently devoted to the bit

DAY ONE

1. Adam/Eve (The Bible) VS Kylo Ren/Rey (Star Wars) 2. Barbie/Ken (Barbie) VS Kylo Ren/Rey (Star Wars) 3. Branch/Poppy (TROLLS) VS Kylo Ren/Rey (Star Wars) 4. Hori/Kashima (Gekkan Shoujo Nozaki-kun) VS Kylo Ren/Rey (Star Wars) 5. Naegi/Kirigiri (Dangan Ronpa) VS Kylo Ren/Rey (Star Wars) 6. Fakir/Ahiru (Princess Tutu) VS Kylo Ren/Rey (Star Wars) 7. Jake/Amy (Brooklyn 99) VS Kylo Ren/Rey (Star Wars) 8. Sonic/Amy (Sonic the Hedgehog) VS Kylo Ren/Rey (Star Wars) 9. Vax'ildan/Keyleth (Critical Role/TLOVM) VS Kylo Ren/Rey (Star Wars)

DAY TWO

10. Barry Bluejeans/Lup (The Adventure Zone: Balance) VS Kylo Ren/Rey (Star Wars) 11. Westley/Buttercup (The Princess Bride) VS Kylo Ren/Rey (Star Wars) 12. Lucas/Max (Stranger Things) VS Kylo Ren/Rey (Star Wars) 13. Bella Swan/Edward Cullen (Twilight) VS Kylo Ren/Rey (Star Wars) 14. Kaz Brekker/Inej Ghafa (Six of Crows) VS Kylo Ren/Rey (Star Wars) 15. Zagreus/Megaera (Hades) VS Kylo Ren/Rey (Star Wars) 16. Greg/Rose Quartz (Steven Universe) VS Kylo Ren/Rey (Star Wars) 17. Orpheus/Eurydice (Hadestown) VS Kylo Ren/Rey (Star Wars) 18. Sans/Toriel (Undertale) VS Kylo Ren/Rey (Star Wars)

DAY THREE

19. Megamind/Roxanne (Megamind) VS Kylo Ren/Rey (Star Wars) 20. Inuyasha/Kagome (Inuyasha) VS Kylo Ren/Rey (Star Wars) 21. Mamoru/Usagi (Sailor Moon) VS Kylo Ren/Rey (Star Wars) 22. Anne/Gilbert (Anne with an E) VS Kylo Ren/Rey (Star Wars) 23. Mako/Raleigh (Pacific Rim) VS Kylo Ren/Rey (Star Wars) 24. Nancy/Jonathan (Stranger Things) VS Kylo Ren/Rey (Star Wars) 25. Wanda/Vision (Marvel/MCU) VS Kylo Ren/Rey (Star Wars) 26. Aragorn/Arwen (Lord of the Rings) VS Kylo Ren/Rey (Star Wars) 27. Rayla/Callum (The Dragon Prince) VS Kylo Ren/Rey (Star Wars)

DAY FOUR

X. Kylo Ren/Rey (Star Wars VS King Charles/Camilla (United Kingdom) 28. Anakin/Padme (Star Wars) VS Kylo Ren/Rey (Star Wars) 29. Anthony Bridgerton/Kate Sharma (Bridgerton) VS Kylo Ren/Rey (Star Wars) 30. Percy/Vex'ahlia (Critical Role/TLOVM) VS Kylo Ren/Rey (Star Wars) 31. Kyo/Tohru (Fruits Basket) VS Kylo Ren/Rey (Star Wars) 32. Batman/Catwoman (DC) VS Kylo Ren/Rey (Star Wars) 33. Tenth Doctor/Rose (Doctor Who) VS Kylo Ren/Rey (Star Wars) 34. Cassian/Jyn (Star Wars) VS Kylo Ren/Rey (Star Wars) 35. Joyce/Hopper (Stranger Things) VS Kylo Ren/Rey (Star Wars) 36. Aang/Katara (ATLA) VS Kylo Ren/Rey (Star Wars)

DAY FIVE

37. Mermista/Seahawk (She-ra and the Princesses of Power) VS Kylo Ren/Rey (Star Wars) 38. Robin/Starfire (DC/Teen Titans) VS Kylo Ren/Rey (Star Wars) 39. Tamaki/Haruhi (Ouran High School Host Club) VS Kylo Ren/Rey (Star Wars) 40. Mulder/Scully (The X-Files) VS Kylo Ren/Rey (Star Wars) 41. Glimmer/Bow (She-ra and the Princesses of Power) VS Kylo Ren/Rey (Star Wars) 42. Zuko/Katara (ATLA) VS Kylo Ren/Rey (Star Wars) 43. Steven/Connie (Steven Universe) VS Kylo Ren/Rey (Star Wars) 44. Han/Leia (Star Wars) VS Kylo Ren/Rey (Star Wars) 45. Beast Boy/Raven (DC/Teen Titans) VS Kylo Ren/Rey (Star Wars)

DAY SIX

46. Edward/Winry (Fullmetal Alchemist) VS Kylo Ren/Rey (Star Wars) 47. Peter/MJ (Marvel/MCU) VS Kylo Ren/Rey (Star Wars) 48. Katniss/Peeta (The Hunger Games) VS Kylo Ren/Rey (Star Wars) 49. Marinette/Adrien (Miraculous Ladybug) VS Kylo Ren/Rey (Star Wars) 50. Kim Possible/Ron Stoppable (Kim Possible) VS Kylo Ren/Rey (Star Wars) 51. Darcy/Elizabeth (Pride and Prejudice) VS Kylo Ren/Rey (Star Wars) 52. Roy/Riza (Fullmetal Alchemist) VS Kylo Ren/Rey (Star Wars) 53. Miles Morales/Gwen Stacy (Spider-Man: Into the Spider-verse) VS Kylo Ren/Rey (Star Wars) 54. Zelda/Link (Zelda Series) VS Kylo Ren/Rey (Star Wars)

DAY SEVEN

55. Twilight/Yor (Spy X Family) VS Kylo Ren/Rey (Star Wars) 56. Sokka/Suki (ATLA) VS Kylo Ren/Rey (Star Wars) 57. Hunter/Willow (The Owl House) VS Kylo Ren/Rey (Star Wars) 58. Chidi/Eleanor (The Good Place) VS Kylo Ren/Rey (Star Wars) 59. Ms. Piggy/Kermit (The Muppets) VS Kylo Ren/Rey (Star Wars) 60. Rapunzel/Eugene (Tangled) VS Kylo Ren/Rey (Star Wars) 61. Howl/Sophie (Howl’s Moving Castle) VS Kylo Ren/Rey (Star Wars) 62. Percy/Annabeth (Percy Jackson Series) VS Kylo Ren/Rey (Star Wars) 63. Morticia/Gomez (The Addams Family) VS Kylo Ren/Rey (Star Wars)