#the post goes on to completely miss the entire point of the series.

[djevelbl]

I went back to rewatch the guy's (Frostbyte Freeman on yt, btw) video - more specifically, the part where he talks about Whitepine - to see if I'd misinterpreted anything, taken his words out of context in a bout of misdirected anger and a sense of offense at his opinion, had completely missed the point by nitpicking some obscenely specific issue as a gotcha! moment, anything, really. It feels bizarrely weird, I guess, to be so hung up on this random dude's words, vague-posting about it on a platform I'm not entirely sure he's even on or not (it's a toss-up, really) and going slightly off the rails in anger at his (perceived, of course) stupidity; so, I went back to hear his opinion on the series again, especially when in contrast to the other two. Kinda to say one last thing, and then let the topic die. The thing is, he never spoke of Whitepine's story - it was always the artistic intention, the clear love put behind its creation, the color palette, the cinematography. Never the story. Which, y'know, you'd expect would be the point of discussing minecraft storytelling? And he hides behind calling the process of explaining Whitepine and its nuances as "doing it a disservice" - well, I don't give a fuck about "doing it a disservice", because if you're doing a video essay on the fucking topic of minecraft STORYTELLING you better be ready to talk about the fucking STORY, GENIUS; so, what's Whitepine's story? ... Kinda hard to say. The wiki says it is: "a minecraft series developed by IvoryTV and posted on YouTube, where a newly hired maid is tasked with taking care of the members of the Hemlocke Family and to prioritize their every need. However, what was suppose to be a normal job turned disastrous as the maid's next day was struck by the tragedy of a murder case in the Whitepine Estate." Which is true, the story is a period drama and a murder mystery - Frosty over here decides to use different words, however:

"Whitepine is a 2024 period drama serial written and directed by IvoryTV. It is the story of a mysterious young woman (maid) assigned to work for a wealthy manor that is, if not literally, then figuratively haunted by shadows of the past - hers, and everyone else's."

Personally I find that interesting cuz like, while it's implied that's the case (in terms of the "shadows of the past" comment) I have no idea where in the fuck he got that from - except maybe he came up with it?? He's SO wordy oh my god, half the time I didn't get what tf he was talking about. My point is: he could've used the official description, he could've omitted mentioning the murder if he was OH SO INSISTENT on not spoiling anything, yet instead uses a description that puts more emphasis on aspects of the series BARELY EVEN EXPLORED RIGHT NOW instead of on the oh idk FUCKING MURDER???? He goes around willy-nilly speaking of certain aspects of the story while willfully concealing others in the name of "not spoiling the experience".

And my biggest problem with the inclusion of Whitepine as one of the three different stories he wanted to comment on, is the fact that Whitepine is barely starting - it doesn't have enough of anything right now to call a story beyond the first foundations of it, and no matter how pretty it looks or how beautiful the songs are, if your story has no, well, story then it doesn't matter. It's empty. I don't say this as a critique to the series itself - again, barely starting; I don't like punching under the belt - but more as a critique to the tunnel vision that Frosty was exhibiting as he wrote the script out; doesn't it make you wonder if, at ANY POINT of his video creating process, he read over the Whitepine section and thought "hm. is it appropriate to talk about a series with only 2 episodes (as of making that video) and not a lot of story, bc I think it's pretty?" cuz I sure as all hell wished he did

I just. what was the point? Whitepine doesn't have enough story right now to be thrown into an analysis with stories like Unstable Universe (which is WELL underway) and Parkour Civilization (which is LITERALLY FINISHED), and do it justice - it has its character moments and beautiful music, it has its great cinematography and intriguing mystery, but story? No. Not right now. And it's just because it was started a few months ago - I'm sure that in time it's gonna be the next best story that has ever been recorded in Minecraft, no doubt. But until that happens: if I ever see this guy on the street I'm giving him the london treatmen, if you will /j

Also just finished watching a video that made me ACTUALLY ANNOYED at the guy who made it and like. ok if you don't want a story told through Minecraft that is made through the lens of content creation in ANY capacity then don't??? watch stories told through Minecraft????? Cuz like. they're mostly like that; even parkciv which is still good IS done through a content creation viewpoint — either as a parody on the medium it was being told through (scripted Minecraft content/Minecraft storytelling) or just as a result of telling the story and like. needing to pay the bills or whatever is a bit up in the air I guess BUT STILL. don't sing praises to a series that's GREAT in all cinematography aspects that JUST SO HAPPENS to be told through Minecraft all the while you're saying "oooh Minecraft storytelling shouldn't be scared of being called cringe just bc it's embracing roleplay to tell it's narrative, it shouldn't pretend to be non-scripted when it so clearly is" which true, JUST TO THEN critique parkciv for...

*checks notes*

... Embracing its medium AND its limitations to tell its story, JUST bc it didn't necessarily strive to be groundbreaking??? What??????

From what I understand, the series the guy was singing praises to like it was his own child at the local school's dance recital, Whitepine (which I'm currently watching so I'll just come back to this once I've finished — let's see if I'll eat my words [doubt it]) is GREAT in terms of visuals, audio and the likes — it obviously takes great care in forming its atmosphere and from the little I've seen the youtubers are genuinely being actors, not just their normal selves masquerading as characters (something that, admittedly, happens A LOT in scripted Minecraft content/Minecraft storytelling like SMPs or solo series [I'm looking at you, later half of the DSMP]). But it isn't Minecraft storytelling — in my opinion, at least.

Minecraft storytelling implies that it includes Minecraft and its mechanics in some way, shape or form that becomes impactful to the story that is being told — it isn't just a REALLY good story that just so happens to use Minecraft as its movie set. This, ultimately, is why I think the guy was wrong — not necessarily in the idea that the stories he critiqued had more room to grow (which parkciv at least does. I haven't watched ParrotX2's Unstable Universe videos and I don't really plan to; they're not my thing) but in what "Minecraft storytelling" should strive to be.

I have a vivid memory — trust me, this is related — of when I was younger (they say, like she's an octogenarian instead of not even being halfway through his lifetime. anyway) having played Minecraft Murder Mystery with my friends in the playground bc I really REALLY liked Gona89's video series on it. This is like, not really the same storytelling but they did have a sort of story — the chemistry between the youtubers felt like watching a series of characters interact with one another, and certain jokes from one video would seamlessly move into the next as well.

And y'know what? IT DIDN'T FUCKING WORK — playing the thing in the playground, that is. Because the thing wasn't made for that; stories have their medium of expression because they're tailored to it, or the medium is tailored to that story — if your Minecraft story can be told perfectly fine when divorced from its primary medium of expression (Minecraft), then it's LITERALLY not a Minecraft story: it just happens to use the game as the backdrop

... Kinda like The Lego Movie: a lot of the mechanics within the movie CANNOT be divorced from lego that easily BECAUSE it's a fucking LEGO MOVIE — partially related but not really the point of this rant: this is why A Minecraft Movie's trailer fucking FLOPPED. It showed absolutely NO POINT in being made bc it's NOT a Minecraft movie (pun accidentally stumbled upon but I shall confidently roll with it, actually), instead it JUST SO HAPPEN to use the videogame as its set.

TLDR: IF YOUR STORY DOESN'T INCLUDE MECHANICAL ELEMENTS THAT ARE INTRINSICAL TO THE GAME YOU USE TO TELL IT, THEN SAID GAME IS JUST THE FUCKING SET. IT'S NOT A MINECRAFT MOVIE JUST BC IT HAPPENS TO BE RECORDED IN MINECRAFT FOR FUCK'S SAKE

[strangerous]

yall will do anything except give a talented woman credit

[missmonsters2]

Mirror, Mirror | One

Please do not copy, repost, or translate my work anywhere else.

Pairing: Wanda Maximoff x Fem!Reader

Summary: The thought of something more had never really crossed Wanda's mind when it came to you. Best friends for 10 years and there hasn't even been one instance of accidental sexual tension. You're her best friend, that's all—until someone points out that you obviously have a very specific type when it comes to dating.

Warnings: best friends to lovers. shenanigans. jealousy, jealousy. sexual tension. pining. yearning. sexual thoughts. spicy (tumblr's version). stupid steve. neurotic nat. brat & stinky. bug as in shutterbug.

*explicit version will only be available on Ao3 & will be posted there after series is completed*

Note: i'm back!!! Nothing like coming back and posting a mini series. Enjoy this superior trope. Updates will be on Tuesdays! As you can see, we're trying something new with explicit content lol 😬

Reminder there's no taglist but you can follow my library blog for notifications 💘

Series Masterlist || Library Blog || AO3

Count: ~4.1k

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It's strange how sometimes a single sentence can change someone's entire life. 

Wanda's thought about what sentences could change her life—usually, they're morbid and depressing.

'You have cancer.'

'Someone you love has died horrifically in an accident.'

'Your cat actually finds living with you miserable and would prefer the dangers of living in the streets.'

Never in a million years would Wanda ever think it'd be, 'Hey, have you ever noticed how your best friend exclusively only dates girls who look like you?'

And don't get Wanda wrong. It wasn't a morbid or depressing change; it was just...a change. An irrevocable change because now, Wanda couldn't stop thinking about it or noticing it. 

This was all Steve's fault. 

Because if someone like Stupid Steve could notice something like that, it had to mean something, right? But as Wanda remembers about the past girls you've hooked up with and brought around, she doesn't know what to make of it.

A part of Wanda wishes she had never talked to Steve that night at the bar. 

"Where's Vis?" Steve asked, looking around.

"With Tony playing pool, I think," Wanda shrugged. She doesn't particularly keep track of where her on-and-off boyfriend goes. She thinks they might be on an off-period right now, anyway. 

"And where's—oh, nevermind, there she is," Steve started to say but cut off when they both saw you across the bar talking with the bartender, flirting over drinks—which were probably free if Wanda could guess. 

Wanda's slightly annoyed because it's been a long week without seeing you, and Wanda's been used to seeing you almost every day for the past several years of her life. But you've been gone on a work trip this week for a wedding shoot and only came home just a little after lunch and needed an immediate long nap before tonight's get-together. 

That meant Wanda was sorely missing out on best-friend time, and now you were off flirting shamelessly with the hot bartender. Wanda's rooting for you, make no mistake. The bartender is definitely easy on the eyes, luscious hair, and lips—something Wanda knows you're weak for. 

Plus, Wanda's worried you're not anywhere near getting close to settling down. She wants you to be in a happy, fulfilling relationship. But she supposes she's in no position to talk herself. 

Wanda loves Vision without a doubt, but their relationship is definitely chaotic, and Vision keeps pushing for something more serious now that they've been dating (sporadically) for a long time. She's been considering it in her downtime and thinks it might make sense as the next step.

Best friends do everything together, right? So, maybe if Wanda decided to take the next step in a serious relationship, you'd find someone to commit to seriously as well. 

Then, both of you could get married at the same time. Then, they could buy a house in the same neighborhood right next to each other. There'd be endless double dates and vacations together. Wanda wouldn't have to miss you.

But first, Wanda needed to regain lost best-friend time, one-on-one style.  

"Hey, you know what I just noticed?" Steve said, breaking Wanda's drifting thoughts. 

"What?"

"Bug—" 

Wanda makes a face at your nickname. Granted, it was Wanda's fault you ended up with it back in your first year of university. You never let her forget it, especially now that you're a professional photographer.

"—over there has a very specific type she goes after for girls," Steve mused, sipping his whiskey before continuing. "I mean, they always have green eyes and brunette—wait, that's not true. She had two red-headed girlfriends in our last year of university. They still had green eyes, though." 

"Oh," Wanda said, unsure what to say since she's never paid attention to the girls you were dating. On average, they were a brief fling, and only a few lasted longer than half a year. "I guess so?"

Wanda distantly thinks about how she dyed her hair auburn in her last year of university because she was looking for a change that year and Natasha was insistent that she'd look amazing. Wanda recalls you were a fan of the look.

"Yeah," Steve nodded along. "Ironically, they always look like you in some way. Check out that bartender now—long, wavy-haired brunette with green eyes. She's got thick, long lips and even does that dark eye-shadow makeup thingy like you."

Steve just laughed it off, finishing his drink, thinking nothing more of it before he started talking about Bucky.

But it was like something clicked into place in Wanda's brain. A daunting realization that she was wholly unprepared for and not equipped to do anything about. 

Wanda watched as the bartender clocked off for the night and dragged you into a corner booth, drinks in hand. It gave Wanda the perfect view that the bartender wore many rings just like she did. 

In the poor privacy of the dimly lit corner booth, there was a staunch and needy kiss from the two of you, and Wanda swallowed roughly. 

From here, if you were none the wiser, Wanda could be easily mistaken for the girl in the booth with you. 

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Sometimes, Wanda believes she's just being absolutely ridiculous. So what if you go after girls who share the same features as her? That didn't have to mean anything. You've always told Wanda she was beautiful, and it was perfect how you said it. 

It didn't feel insincere or creepy. It felt good to know her best friend thought she was absolutely gorgeous. But just because you thought she was beautiful doesn't mean you harbored secret feelings for her. 

You'd be insulted if you knew Wanda had ever thought that. She'd just be another one of those girls Wanda's seen you humble on multiple occasions when they found out you dated women, and they were worried you might have a crush on them. 

But then, Wanda couldn't stop thinking she actually might be one of those girls because then she'd think about if you didn't consider her like that, it wasn't about her looks but something about her personality that wasn't your type. 

And what could that be?

Wanda thought long and hard, trying to remember the girls you've introduced her to. 

Sometimes they were funny, and Wanda was funny. She made you laugh all the time. She specifically remembered one time in high school when she made you laugh so hard you peed your pants just a little. 

Sometimes they were intellectual, and while Wanda didn't have an IQ of 160, she did fairly well academically and was on the right track in her career. 

Sometimes they were charming, and Wanda was the type where she got more charming the more you got to know her. 

So, Wanda just doesn't understand. She's nowhere further with her thinking ever since this weird information has been bestowed upon her.

Maybe it all just means nothing. You just didn't feel that way about Wanda despite the type of girls you dated suggesting otherwise. You didn't need a reason for it, and maybe the fact you only felt friendship for her was the reason. 

"Wanna order pizza in tonight?"

Wanda turns her head from the tv and notices you've put your book down. "Hm, not really. We had pizza last week," Wanda shakes her head. 

"How about that Greek place that just opened up on Willington Ave?" You suggest. "Pretty sure I heard you grumbling about wanting Greek food earlier this week."

"I was not grumbling!" Wanda scoffs but smiles when you raise your eyebrow at her. "Okay, I was grumbling a little."

You snicker as you pull out your phone to order delivery. "Oh, sweet golden best friend of mine, whatever shall you do when you get married to Vis, who hates Greek food. Do I foresee a life of Greekless cuisine? Oh, the suffering you'll go through!"

"I don't need him to like it," Wanda slaps your arm, sticking her tongue out before she cuddles you. "I have you to eat it with."

You laugh unabashedly, a sound that Wanda's accustomed to hearing the joyful sound. "Better hope the person I marry also hates Greek cuisine. I don't know if I can live a life of eating double the Greek food. I love tzatziki sauce, but if I grow to hate it from eating it too much, I will make you suffer the consequences of that."

Your voice trails off as you focus on ordering food, unable to see the cogs in Wanda's head turning. 

It's all so easy. There's no tension, no electric vibes happening. Just best friends enjoying the banter and making plans to eat. 

It was all in Wanda's head, right? You're her best friend, so of course you'd know everything about her. 

The right type of friendship is fulfilling and soul-connecting, and that's what Wanda has with you. When you have a one-in-a-million connection like that, the line between friendship and romance is thin, isn't it?

Wanda hates Steve. She'd never think about this if it wasn't for Stupid Steve. She can hear his dumb laugh, blissfully ignorant about the observation bomb he dropped upon her. 

"Do you wanna get ice cream after?" You ask, throwing your phone to the side. "I'll even treat you to the gelato despite knowing I'm going to suffer through your crazy farts later."

"Oh my god, I'm going to trap you under the blanket with it just for that!" 

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Within two months, Wanda forgets about it. Forgets, as in that she decides to drop it (let it linger in the deep depths of her brain that she refuses to acknowledge), and resolves that Steve has no brain cells and has no idea what he's saying. 

"Have you seen my strapless black top?" Wanda shouts from her room with the door open. "The one with the v-shaped front!"

"In your closet!" You yelled back from the living room, not taking your eyes off your phone. 

"I can't find it," Wanda whines, and she hears you sigh as you get up. The footsteps approach her room, and she finds you standing at the door with an unimpressed look.

"I don't want to hear it," Wanda sniffs. 

"Hear what, brat?" You say with a brow raised before you start rummaging through her closet. The nickname was a joke you started that Wanda was entirely a spoiled person, exhibiting bratty behavior at times. "That I'm not gonna be your roommate forever, so you need to learn to fold it yourself before putting it away?"

Wanda makes grumbling noises that are mostly nonsensical but smiles when you pull out the top she was looking for. 

"You are the apple of my eye, stinky," Wanda grabs the top from you before she runs into her washroom to briefly change into it. 

"A match made in heaven, yeah, yeah," you roll your eyes with good humor. "Hurry up, Natasha will kill us if we're late for Yelena's birthday. They're on an upwards mend in their relationship, so she's been so unbearably uptight lately to make sure nothing goes wrong."

"I know, I know," Wanda mutters, carefully pulling the top over her head to not ruin her makeup. 

"Alright, I'll hail us a cab, meet me outside."

"Wait, wait!" Wanda calls out. "I need help putting on my necklace."

You chuckle, walking back just as Wanda steps out of the bathroom with the delicate necklace she wants to wear. 

"Alright, alright, relax," you tell her. "Your accent gets really strong when you're stressed."

"You're stressing me out by rushing me," Wanda scrunches her nose even though you can't see it. "I'm also stressed knowing that you have to rush me, or I'll spend the party getting lectured by Natasha."

Wanda's voice comes out husked with the accent, something she's struggled between hating or loving, but mostly loving since you've expressed how lovely it is.

You grab the necklace from her hand, and Wanda moves her hair out of the way. The routine of it all starts to bleed the tension out of her shoulders. 

Then, that horrible Stupid Steve Sentence kicks into her brain. 

 It's only as you put your arms over, placing the necklace against Wanda's chest, and focusing on trying to get the clasp in. Wanda can feel your warm breath against her neck, summoning goosebumps along her arms. You're so close, and she can feel the heat of your body radiating onto her, your fingers just barely brushing against her.

The tension comes suddenly, squeezing inside her chest as her breathing slows and shakes. Her body warms in an unexpected way. 

"Ah, got it," you say, but Wanda can only focus on your voice and breath on the shell of her ear. "Cute necklace but the clasp is so annoying."

You pull away and start walking off. "C'mon, I bet if we tip our taxi driver an extra $20 bucks, they'll speed and we can pray we're on time."

Wanda's left standing there, knowing she probably sounds like she's fresh out of Sokovia with how stressed she is. Her right eye twitches.

Was that...Wanda gulps. Was that sexual tension?

And was she the only one who felt it?

Fuck.

She's going to kill Steve.

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷ 

Natasha's absolutely neurotic when they arrive. It's just a simple backyard party, but it almost looks like a wedding venue with all the catering and flowers. 

Wanda's pretty sure Natasha's only being like this because she's overthinking about whether to cling to Yelena or give her sister some space to mingle with others. She seems to be sizing up Kate, who Yelena might be seeing, but it hasn't been confirmed. 

Yelena looks between exasperated with Natasha and secretly happy about the entire thing. Wanda can sympathize with her. After all, she's also a little sister, and Pietro can also be way too overprotective. Sometimes she's glad he's abroad in Europe for work while she remains in New York, but she misses him more often than she admits. 

"Alright, alright, Natasha," you groan, and Wanda's mind slips back into the conversation. "We're 3 minutes late, relax, will you? Damn, are you always gonna be like this until you and Yelena get back into whatever sibling bond you had before? Hope you're just like this with us because otherwise, you're gonna scare away all her friends, and she's going to hate you."

"Oh my god, do you think she'll really hate me?" Natasha bites her bottom lip in worry while looking around at all the people that they can only assume she's nagged about being late or whatever mishap. 

"Oh, man," you sigh, putting your hand on her shoulders before pushing her towards the bar. "You need some drinks and maybe some desserts in you."

Wanda's about to follow you when you turn around and nod your head in a different direction. She looks over and sees you're nodding toward Vision.

"You should go say hi to him," you tell her. "You've been complaining about not seeing him all last week, even though I don't know why you guys won't just FaceTime, but I digress. Come find me later, or I'll find you after."

You look over at Natasha, who's peering on her tippy toes to see if she can find Yelena.

"And, hopefully, I'll have ditched this nutjob," you whisper conspiratorially and laugh when Natasha turns around to smack your arm. 

"I heard that!"

Wanda chuckles as you walk off with Natasha while she turns and heads toward Vision. Despite how she was complaining about not seeing Vision last week because she did miss him, her expression was sour as she made her way toward him. 

Vision spots her immediately and waves at her with a warm smile. Wanda feels herself somewhat loosened at his expression. They'd also been friends a long time before they started on-and-off dating, so at the very least, she does miss his easy friendship. 

"Hey," Vision hugs her, slightly rubbing her back before he pulls away but keeps his arm around her. "It's been a while; you look lovely."

"Thanks," Wanda smiles with a shrug. She looks around and sees he's standing with Tony and Pepper. "How are you guys?"

"Could be better," Tony sighs dramatically. "Natasha won't let me do any of my cool party tricks as if I'm going to ruin her little sister's party. If anything, I could make it the party of the century!"

Pepper rolls her eyes good-naturedly. "We were just talking about how we're thinking of going to the Bahamas for vacation in December and escaping the cold. We've invited you and Vision along since it's been awhile since we've all gone together. Of course, we can also invite Bug and Natasha."

"Oh," Wanda says for a lack of anything else to say. She doesn't know how to feel about it, but she peers over at Vision, who's just smiling at her and looking eager about it. 

"I need another drink if I'm going to suffer through this party," Tony sighs. "Maybe I can convince Yelena instead!" He grins, dragging Pepper along, and they walk off together. 

"So, what do you think?" Vision asks when they're alone. "I didn't want to reply on your behalf since I wasn't sure, but I think it'd be good for us. I've missed you," Vision pauses as if he's about his next words but then says, "a lot."

"Yeah, me too," Wanda starts to say, but then her brain gets all haywire because it feels like a lie. She did miss him, but did she miss him a lot? "I think."

"You think?"

Wanda wants to smack her forehead because she didn't mean to say that out loud. "I mean, I was complaining a lot that I haven't seen you in a while all last week."

"Yeah, work has just been overwhelming. I get so tired after work, I just can't keep up with the texting or calls."

But you can, Wanda thinks. Granted, you're her roommate, so it's easier. But even when you have to go on work trips, you regularly text her no matter what time and squeeze in a quick call, even if it's just to say goodnight. 

The entire thing makes Wanda bite her tongue because why was she even thinking about that? That was completely irrelevant to Vision. 

Then—because as if just thinking about you wasn't enough—her eyes trail across the room, and the scene before her makes Wanda even more confused about her feelings.

You're standing there with Natasha at the bar, but it looks like Natasha's calling someone over to introduce you to them.

Another brunette with long, wavy hair, like she just had a blowout done. Wanda's not 100% sure from this distance, but she has an inkling that the brunette also has green eyes. She's wearing a white halter top and wide-legged sage green pants. She wears a lot of rings, but her makeup is lighter and more summery compared to Wanda's darker, smokey eye makeup.

In short, this woman was the clean girl aesthetic version of Wanda. 

And you look interested. 

This was ridiculous, Wanda fumes, feeling her stomach sink and cheeks flare hot in anger. As quick as the anger came, it dissipated.

Why was she so angry?

She feels betrayed, and her thoughts are turning very ugly. Wanda is definitely not being a girl's girl right now with how much she's thinking she's better than the girl in front of you. 

But that just makes everything so much more confusing. 

"Wanda?"

Wanda turns her head back to Vision. He looks concerned, and even when his eyes trail toward what Wanda's staring at, there's no additional reaction. He's not upset that she's staring at you, and that has to mean something, right?

It must mean there was never a concern about how Wanda might've felt about you. Sure, there were a few things Wanda couldn't be without, and you were one of them, but nobody can't be without their best friend. 

No one had ever blinked twice about you and Wanda.

Except now.

And that person was Wanda herself. 

The more Wanda thought about the entire thing, the more she became curious. The idea of you dating people who looked like Wanda was intriguing. She wanted to ask questions but didn't know what to ask.

It might mean nothing, but it also might mean something. 

And if it does mean something, Wanda wants to know what exactly it is. 

Therefore, Wanda needs nothing in her way to find out the truth and exactly what she wants, regardless of the answer. 

This was insane, wasn't it? Wanda's always been ambivalent about dating women. She's never gone out of her way to try it since she had Vision. Never mind entertaining thoughts about dating her best (girl)friend. And now, she was giving everything up in the pursuit of finding out what it could mean that her best friend was dating her lookalikes—and why she cared.

Wanda doesn't even know what she'll want to do with that information. 

Wanda looks at Vision, peering at his features she's always found handsome. When she thinks back, she's not even sure why she complained to you about how she hasn't seen or heard from him lately. She hadn't even gone out of her own way to do something about it.

"I'm not going on the trip. I don't think I actually missed you like that."

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The girl introduced to you was named Raye, Natasha's coworker that recently moved from Nashville. It was also confirmed she has green eyes, though they had specks of brown in them. She was a southern belle with a bold attitude, witty, and a wicked sense of humor. All in all, undeniably charismatic. 

At least, that's what you told her in private because all Wanda could feel was unrestricted aggravation with the other girl. The southern twang made Wanda's eye twitch, mostly because she knew you were head over heels for accents.  

"And then before I knew it, I was panicked and more lost than a blindfolded turkey on thanksgiving!"

You burst out laughing while Wanda's expression is stony, but when you look at Wanda, she forces a smile on her lips.

"Hahaha," Wanda dryly let out. "So funny."

But it wasn't. What the fuck did that even mean?

Raye continues to talk while you listen with rapt interest, and Wanda takes the time to observe your features in a way she's done many times before but with a different mindset. 

Your lips are curved in a smile, glistening from your chapstick. They're shapely, and they look soft. It rivals her favorite feature of yours, which is your eyes. They've always been so expressive with her, and Wanda's been around long enough that she knows what every expression means. She can tell when they glint with mischievousness or are soft with immense compassion and empathy. 

"So, what did you think of Raye?" You ask Wanda as you leave the party.

"She's cool, I guess," Wanda answers nonchalantly. 

The rest of the party was excruciating between Raye constantly hanging around you and Wanda also being too nervous to be alone with you. 

"Really cool," you sigh with a grin. "Glad I got her number. It's been a while since I've met someone so funny."

Was she funny, though? Wanda wonders.

"Funnier than me?" Wanda finds herself asking.

"No one could be funnier than you, brat," you smirk. "I almost peed myself laughing again when you almost knocked off Yelena's cake. I thought Natasha was about to enter into a coma." You snicker while Wanda rolls her eyes with a smile. 

"Glad I can always give you the biggest laughs, stinky."

Wanda glances over at your face, recognizing the excitement by the brightness in them. It's just another reminder that, as your best friend, she knows you like the back of her hand. 

But lately, when Wanda watches you pick up girls, she can tell when they're heady with desire. That look hasn't been directed at her, and Wanda wants to know what it'd be like if it were.

Wanda recalls the night you kissed the bartender and imagines if it had been her instead. She pictures your hand sliding across her jaw and cheek while your other pulls her closer at the waist. 

It's horrifying when a slow pit of arousal builds in Wanda's gut and...other regions. It feels utterly frightening and wrong like she's betraying the friendship for having and then reacting to such thoughts about you. 

But there's another part—the part that tells Wanda there's nobody in this world that she loves more than you. The mere idea of ever being apart from you was unfathomable. Wanda could and has endured so many things, and it would always be okay as long as she had you. 

So, knowing that Southern Belle Raye has the potential to be more than a one-night stand to you, Wanda realizes that she has a very small window to not only come to terms with her newfound feelings but also act on them as well. 

If this didn't go well, Wanda would definitely murder Steve.

PART TWO

[phoenix-fell]

Anti-Bumbleby criticisms answered with BB analysis - Big post

As expected, as Bumbleby gets more attention from the show, the anti-BB crowd have surfed in on their tidal wave of bitter lemons. So, I’d like to put my degree, job and training to use and compile my thoughts down in one place - a one-stop shop if you will - it’s long and will be largely unfiltered as I tackle the weirdest and most common criticisms and BB analysis. (I kinda miss Bumbleby analysis Megaposts, I might make one sometime to go alongside this as a point of reference as most I’ve seen end around Vol 6).

TIA for anyone who actually takes the time to read my ramblings and please feel free to give your thoughts/analysis and I’ll edit it in. FIRST EDIT - 8th Mar 2023 presenting labels and sexuality in Remnant - 4th from end.

Credentials: Double major 1st class grad in Literature and Creative Writing, specialising in fairy tales and WLW representation in media. Recipient of dissertation award exploring character psyche and the presentation of psychological themes. Literary critic, writer and content specialist. 

Let’s start off with a cracker from Reddit!

“Why couldn’t the BB scenes be more of a background thing? Why do they need to focus on them like they’re a main plot or something?”

Is... Is it stuffy under all that homophobia? I could easily rhyme off a string of sarcastic quips like ‘gee, I wonder why, it’s almost like it’s important to the development of two of the main characters or something.’ But it’s so lost on some people that I’mma spell it out:

We’ve seen Blake and Yang’s trauma painted across the screen from ‘Burning the Candle’ when Yang first confesses her abandonment issues, to the White Fang / Adam arcs that gave us a picture of the abuse Blake has endured - not just as a Faunus, but from her partner (“Adam used to get into my head, make me feel small.”), right through to their separation that dealt with their respective issues with running away/being abandoned and the shared trauma which has tied them both together indefinitely. They’ve been apart, they’ve repaired their relationship, they’ve grown together. In a current volume that’s so inherently focused on character’s individual development, seeing Blake and Yang together was almost inevitable as they’ve been so completely involved in one another’s development throughout the entire series. This is without going into their fairy tale allusions that tie them together which I’ll go into further down or the references to Yin/Yang and numerous romantic tropes that show how integral they are to one another’s characters. Contrary to belief, it’s not romance for the sake of romance - in this instance, the romance very much strengthens their development individually.

Asides from all of this, it was decided from the very beginning that Yang would lose her arm (foreshadowed in the Yellow trailer). The moment they decided that Yang would lose her arm protecting Blake, was the moment a decision was made to invariably tie these two narratives together on a very fundamental level.

But also, don’t clown yourself into thinking you’re not a homophobe if you think any LGBT content belongs in the background whilst also rejoicing any onscreen developments between straight ships.

“If BB was meant to be a thing then they wouldn’t have had Sun as a romantic interest.”

Is there a universe where love triangles and bisexuals are a foreign concept?

But in all seriousness, I think that certain corners of fanbases seem to struggle with any concepts that are non-linear; something I often see with anime. By ‘linear’, I mean: love interest introduced > build up > canon > together forever. As opposed to ‘non-linear’; a character that goes on their own journey of discovery and, through which, has more than one interest and path over time and has the ability to change their mind. The show was never a ‘romance’ as a primary theme; it’s an action/adventure which has some romantic subplots. But to honest, Blake changing her mind shouldn’t really be this much of a shock to the fanbase given that our FIRST ever interaction with Blake, in her TRAILER, is her changing her mind about her partner (and first romantic interest) and deciding to pursue a new journey. A scene which is actually referred back to in the Season 6 opener when Blake uncouples the train and sees what she believes to be a hallucination of a hooded Adam on the opposite carriage, foreshadowing the importance of that original decision later in the series (“you didn’t leave scars, you just left me, alone”). 

The arc that follows Blake thereafter is inherently tied to Adam (amongst other important themes), who is predominantly based off Gaston and the rose (or curse of the rose) from Beauty and the Beast. Blake and Yang are interchangeably alluded to as both Belle and the Beast throughout their character arcs from as early as the Red Trailer: “Black the beast descends from shadows / Yellow beauty burns gold.” and as recently as Blake describing Yang to the Hunter Mice in Vol. 9 Chapter 1. I can rhyme off these allusions until I’m blue, but again, I may save this for a master post.

The story that Blake is based on is a love triangle - she was never meant to have one set path from the beginning and romantic interests were always meant to play a huge part in Blake’s story/development; she was always going to have a romantic decision to make after conquering the curse / Gaston. Blake being haunted by her first romantic interest is foreshadowed in the ending of her trailer and first referenced in her conversation (with Yang) at Mountain Glen, and becomes an undeniable path of exploration once Yang loses her arm to Adam at the end of Volume 3. Let it be noted that Sun was present when Yang announced she was going to find Blake at the Battle of Beacon - a decision was made here for Yang to be the one to lose her arm protecting Blake, as was Adam’s poignant promise to take away everything Blake loves - “starting with [Yang]” or, otherwise, the solidifying of this romantic subplot. Which, again, is called back to with the infamous line: “What does she even see in you?” besides the obvious subtext, it’s setting the stage for these parallels between Adam and Yang, past and future, the previous love interest identifying something in Blake that used to be reserved for him, now directed towards Yang.

This season began with Blake declaring that Yang “seems scary, but isn’t”. Because, once Belle knows the Beast isn’t scary, she allows herself to fall in love (conveniently, this is said whilst walking through a fairy tale).

I could go into a big post about romantic foils and the ways in which Yang, Adam and Blake are all foils to each other but I might make a separate post instead for anyone new to the FNDM. Either way, I feel it’s worth mentioning as it’s Blake who directly compares Yang to a past love interest who was designed with semblances and characteristics that mirror each other. Point being, no one should be shocked that Blake has multiple interests given the character and fairy tale she’s based off and heavy allusions where Yang is concerned.

“Oh yeah, because Yang ‘literally purred at guys in their underwear’ Xiao Long and Blake ‘literally kissed a boy’ Belladonna are clearly bisexual because of [insert out of context reasons]” and “yes but Monty said...”

1. You mean... the one, and only one scene in 9 entire volumes where Yang shows any interest (albeit jokingly) in a guy, and the literal scene directly before she sees Blake from across the crowded room and proceeds to never express interest in men again? (Ignoring the very obvious implied trope here). And, in fact, only expresses interest in a woman from this point onwards? This is your frame of reference? Personally, I find it quite lovely that Yang’s perspective is never the same from the moment she sees Blake. Asides from this, while ‘bisexual’ is the label that these guys have gone with, Yang’s sexuality hasn’t been confirmed outside of being sapphic - it’s not outside the realm of possibility that she is, in all likelihood, lesbian. It’s important to note here that any young character expressing an interest in a man would not invalidate that same character being a lesbian. In fact, if we apply this to real life, it’s not uncommon for people not to realise that they’re queer immediately (I myself didn’t until I was 21). But in the opening episodes of the series especially, I’d very much chalk this up to writers exploring the characters.

2. As for Blake - there are, from what I remember, three kisses in the entire show so far. The one between Jaune and Pyrrha - on the lips after prolonged romantic allusions between the two (their romance is explicitly referenced by Nora - “practice what you preach, Pyrrha.” - almost fitting that it’s Nora to call out the Bees in Season 7 - A Night Off, no? Neat little parallel for y’all). The one between Ren and Nora after trying to work out the status of their romantic relationship - again, on the lips. And the one where Blake says goodbye (and thank you) to Sun by kissing him... On the cheek. (So hot, I know). Which is immediately followed up with Sun telling Neptune “it was never about that”. One of these is not like the other, can you guess which? I’ll wait.

As for referencing Monty - I could go on all day about this one, and the quote most notoriously used is ‘they’re a sisterhood’. Firstly, let me just say that I find it disturbing that anyone would use the show’s deceased creator as ammunition, whilst also disregarding his other comments on LGBT rep - specifically, ‘maybe there are LGBT characters there now / they’re just kids rn and figuring it out / it needs to be earned’. But also, it’s really disturbing and egotistical that anybody would pretend to know what Monty wanted better than the crew he handpicked, worked with, collaborated with and was friends with (special mention to the fact that his own brother is one of the cast). If you truly want to honour his legacy, then show respect to the people he put his trust in.

“I don’t have an issue with BB, but why does it always have to take away from Yang’s moments with Ruby?” / “All Yang’s feelings for her sister transferred to Blake.”

One from the hall of fame. The age old question of ‘can a girl have a romantic partner and still care about her family?’ I wish this wasn’t a serious question, but there are actual sides of the Fandom that seem to think that Yang’s forgotten about her sister that she raised because she has feelings for someone and that the sole purpose of Yang’s existence is to be her sister’s keeper.

I’mma address this on 3 fronts. 1 - Logistically, the episodes for RWBY, excluding the intros, are 15-20 mins long currently and typically oversee several different storylines particularly as the cast grows larger, leaving us with... What? About 5 minutes of team RWBY interactions? It’s not a lot of time to pack in character development, relationship development, plotline, strategy etc. so often if they’re wanting to develop more than one relationship, they will alternate between putting these themes in the background (such as the yellow in Blake’s sword, references from other characters etc.) and foreground, and some developments have to be shoulder-to-shoulder to fit them in. This isn’t an indicator of how much one character cares for one another and is more a demon created by people’s perception of how they ‘think’ a protective sister should act.

Additionally, it should be noted that Yang fawning over Ruby and not allowing her to develop other relationships outside of her sister, would actually offer us nothing from a development perspective for both Yang and Ruby’s characters and would, instead, steer these two strong female characters down a path of co-dependency. 

2 - It feels like a very easy excuse for Anti-BB folk to throw out there, conveniently forgetting how great of a sister Yang actually is (contrary to the number of RWDE videos I’ve seen arguing otherwise, as this is an essay I could write in itself). These very often take isolated incidents out of context and conveniently forget important information like Yang 1. Literally sacrificing herself twice to protect her sister 2. Sacrificing her entire childhood to raise her sister and 3. Importantly, the fact that Ruby is her (self-sufficient) Team Leader needs to be factored into their dynamic, as Yang gives her space to find herself as a leader and steps in when her sister actually needs her - not when the audience thinks she does. People hear ‘protectiveness’ and seem to think that this should mean that Yang should be overbearing. 

3 - Anyone who says this doesn’t have siblings. I have older and younger siblings and, having largely raised my younger sibling, I can safely say that I still love them even when I’m in a relationship. I also feel extremely secure in arguing/disagreeing with any of my siblings because I inherently know they will still be there at the end of the day - a sibling love goes deep (referencing ‘Fault’ from Volume 8). However, in a romantic relationship that is not established and very new... you will feel insecure, that’s normal, it doesn’t have the luxury of established stability that siblings do, and therefore you will overtly express more anxiety about this as a result. It’s a very strange concept that if you have a sibling, you need to give them all of your attention and ignore any love interests. Yang has gone through her own traumas, she has every right to care about others, heal herself, and have a life that isn’t defined by being a caretaker for her sister. ESPECIALLY as she already gave up her childhood to fulfil this role, unselfishly AND as the person she’s bonding with is best poised to understand Yang’s trauma. Yang as a character deserves to receive the love she constantly gives out. Again, this is a demon born from the fact that it either doesn’t reflect the relationship commentors have with their siblings, or the fact that they’re *imagining* how that relationship should be.

Bonus picture below: Yang putting aside her anguish for Summer Rose, who she considered to be her mother, to prioritise comforting her sister about that same loss.

“I hate BB shippers because they pass off BS interactions as platonic. BS made more sense, there was no build-up to BB until Vol 6 and they let the BS build-up go to waste to force BB.”

First off, there’s nothing wrong with BlackSun as a ship. Shipping shouldn’t be dictated by canonicity and people have the right to ship it and to their opinions. And while a few of these seem to have referenced BS, I don’t actually think that BS shippers are at fault for the hatred coming this way, but rather that the ship seems to get used as ammunition from the Anti-BB crowd - to summarise, Anti-BB and BS shippers are not synonymous. I personally don’t ship BS, but I do enjoy the debate and actually think that Sun is a very important part of Blake’s development and arc. There did seem to be some form of mutual attraction between Blake and Sun. Had they gone down that route, I wouldn’t have hated it, I just never felt excited by it, which seems to be a large consensus amongst BB fans. An appreciation whilst feeling there was a better alternative.

Believing all the development between Sun and Blake was ‘wasted’ is also very closed-minded given how much he helped Blake in the White Fang arc and also disregards the importance of their friendship. BS has the potential to be one of the best and most supportive friendships in the series, I stand by that.

That said, I don’t think it’s entirely wrong to acknowledge that a lot of (not all) interactions between BS were platonic from Blake’s pov while Sun’s feelings were more explicit. The only real hint I saw of Blake reciprocating was a blush at the Vytal festival. Maybe the dance at a stretch, but there’s hints at both BS and BB and I will fight you on it. Now, it might be a question of timing; Adam was still a prevalent threat during this time which will have been weighing on Blake given the resurgence of the White Fang, and is clear when Adam rocks up seeking vengeance in Volume 3. For this reason, I honestly think it would have been disingenuous to have explored Blake in a full relationship with anyone at this point given these loose ends, and Blake undergoes a lot of development over volumes 4-6 as a direct result of this.

Additionally, if BB didn’t begin until Volume 6 then that means that BS had 4-5 volumes to happen - 2 of which where they were in their own arc, separated from the main cast. It didn’t happen. What happens instead is Blake’s guilt over Yang weighs heavily on her while she deals with her arc and Sun helps her come to terms with this, ultimately redirecting her back to her team, and Yang, while Sun’s interactions with her become increasingly platonic from his side.

Lastly, the only way you don’t see build up for BB, is if you actively will yourself not to see build-up. If you replace Blake and Yang’s moments with Sun, I don’t feel there’d be any misunderstandings on how these moments are supposed to be interpreted. Take off the hetero goggles, and we’re cool. 

But on a sidenote and personal pet peeve of mine, the cries of ‘BB is forced while BS had build-up’ will forever irritate me - BB has a slow burn, a full arc, developed from a friendship and partnership as well as several tropes and allusions without going into too much detail. BS, firstly, never ended up happening, but it starts when Sun runs past, winks at Blake, magically knows she’s a faunus, then proceeds to follow around a girl he doesn’t know for two days who, at his own admission, didn’t speak that whole time. But... BB is forced? I’d say it’s subjective, but logic defies when this is the barometer for a natural introduction of a romantic pair.

“BB is ‘queerbait’”

Let’s address the ‘Goliath’ in the room, shall we? ‘Queerbaiting’ gets thrown around like a reflex at the moment by pseudo-fans who I don’t believe actually know the gravity of their statements or the meaning behind the word. I often see this slur paired with BB being strung out to keep the shippers watching. Now, there’s an essay in itself that could exist in this section, but are people really still clowning themselves that a show that’s explicitly shown that it wants to have queer representation in the cast and foreground is ‘queerbaiting’ it’s audience? Even weirder for me is the part of the FNDM saying that it’ll be baiting if they make BB canon. Please stop this nonsense and do some research.

Now, one thing I would like to tackle is that, sadly, some will still see pairings on the show through heteronormative glasses, so let me use that here. If the pair were a m/f couple and had several seasons of development and increasingly intimate moments, there would be no doubt in anyone’s mind that 1. It was heading in the direction of canon and 2. That it was a slow burn romance that’s building to its’ climax. Interestingly, the show actually does use the hetero goggles to frame BB on several occasions by paralleling this budding romance with several straight ships such as Arkos and Renora. Why? Because this is a narrative technique often used by writers to frame LGBT romances to separate them from ‘just friendships’ and, let’s face it, use an unconscious heteronormative bias to their advantage.

“BB is badly written, they barely interacted in volumes 1-3 then didn’t speak for two volumes.”

Tickle me pink. Volumes 1-3 are a very strange reference point for ‘in-depth’ development between characters. Crumbs, sure. The odd scene, absolutely. But let’s be real here - the show started as a low budget web series with an onus on cool fighting scenes and, most importantly, the episodes were around 5 minutes long whilst entertaining teams RWBY and JNPR, the White Fang, the Vytal tournament and several other plots. Nobody particularly interacted much but the writers did the best they could with what they had and the rest is left to us, the audience, to interpret that relationships are developing off-screen. Though from a critique POV in the interest of fairness, I would say the current season is a breath of fresh air by re-focusing the plot on the central characters as I think the show can sometimes be guilty of taking on too many plotlines.

As for volumes 4-5, while they’re in different continents, it’s obvious that they’re prevalent in each other’s arcs. Whether it’s Yang admitting she’s struggling with Blake’s abandonment - in the same episode the first lesbian character is revealed confessing their feelings to Blake (sidenote, all of team RWBY left Yang, and it’s Blake she’s mad at, this was always meant to be framed differently to her other teammates and IMO the struggle they go through is meant to frame the characters coming to terms with the depth of what they mean to each other), the parallels of them both getting onto the ship (named ‘Pride’ - wink wink), or Blake actively struggling to talk about Yang, yet referencing it when Sun is hurt (“Not again!”) showing it’s at the forefront of her mind. All of which culminates in their reunion in the Vol 5 finale.

Is it the best writing ever? No, nothing’s perfect. But they do explicitly use parallels throughout the series to drive the narrative forward as a foreshadowing tool to strengthen subplots.

“Blake being bisexual makes no sense - she was interested in Sun, it just seems so out of the blue, she and Yang just seemed like friends to me.”

Funny, because she and Sun seemed like friends to me too.

There are so many things I wanted to fire back at this, from the insinuation that if a woman first shows interest in a man then it’s out of the blue that she’s bisexual now that she’s showing interest in a woman... Like, how do you think it happens for bisexuals IRL?! Did you want her to burst onto the scene in Volume 1, announce she likes men and women, and then express explicit simultaneous interest in both of them? Start a harem? Proposition a throuple?

This particular take amuses me most of all as someone who is very openly bisexual. Yes, she and Yang seemed like friends. Great friends, in fact. That hold hands and blush and want to spend all their time together. And check each other out when the other isn’t looking. And make excuses for casual physical contact and flirt and giggle like a couple of giddy teenagers. Just like me and my ‘best friend’ did, before I realised I was bi. I’m sure that a lot of people thought it came out of the blue for me too. Blake being oblivious to being bisexual until it becomes too obvious to ignore is actually a very realistic scenario.

Bonus headline - just because you don’t understand/identify with something, doesn’t mean that it’s not good representation or realistic. I feel it’s also important to mention Blake’s VA, Arryn Zech, is bisexual and has spoken numerous times on the matter. The reason I bring this up is because it’s clear that the way in which the bisexuality of her character is presented on the show is actually something that’s incredibly important to Arryn - because good representation is significant. 

Presenting labels and sexuality on Remnant: A Theory and - “BB is a terrible representation of LGBT and your critique ignores the female and LGBT people that have spoken out against it.”

They say, to someone who is both female and LGBT. Credit to the Anon who charged into my inbox to accuse me of the above - hope you enjoy. Now, there’s a couple of things I’d like to cover before I go into how sexuality is perceived in-universe. The first is that if you use this argument against someone who is queer without seeing the belligerent hypocrisy of your statement, please check yourself as, clearly, you only care about LGBT voices on representation when it aligns with your own rhetoric and ready to dismiss any narrative to the contrary from that same community.

Secondly,  the queer/LGBT community is a vast and vibrant community of *individuals* with their own opinions and own voices. I didn’t nominate anyone to speak on my behalf, just as I don’t speak on the behalf of the rest of the community. Moreover, any art is open to interpretation. My opinion does not override theirs, nor does their opinion erase my own. And, believe it or not, it’s quite possible to have two or more differing opinions within one community without being at war with one another. I respect their opinion, just as I hope they respect mine.

We clear? Great. Onto the analysis! Huge shoutout to @crimsonxe​ for the brilliant discussion and assistance with the analysis in the comments that helped me construct this section! You’re awesome.

Let’s dive in with the headline - Homophobia doesn’t appear to be an issue on Remnant and labels don’t appear to exist, in the sense that it doesn’t appear anywhere in-universe. Now just to pre-emptively disclaimer: this may change, but in 9 volumes and however many supplementary materials, we’ve not heard any labels or had any representation of this type of discrimination. If that changes, I’ll happily remove this. 

So why is this important, you ask? Ultimately, when you take away the inherent ‘fear’ that a lot of the LGBT community face IRL along with prevalent ignorance towards the community and society’s insistence on labelling sexualities and gender identity, it creates a world divorced from our own and is, from a narrative point of view, a double-edged sword. On the one hand, it allows the characters to explore themselves in a non-discriminatory environment that is inherently more fluid and free, whilst the audience will inevitably want to compare that to their own experiences. But we can’t - not properly - due to the still very real stigma and discrimination that exists in our own world. Instead, what we see are characters who express an interest in other characters and find other ways to allude to their preferences or identity. A prime example of this would be May, canonically a trans character, who does not use this term in-world but instead says, “To the Marigolds that meant I wasn’t their son, and I made sure everyone knew I wasn’t their daughter.” This is a theme that is poignantly reflected in the accompanying media for the series - such as the books; for instance, Coco, canonically lesbian, referring to “breaking the hearts of many women.”

How does this tie into the relationship with Blake and Yang? Glad you asked. If you bear in mind that Remnant has a very fluid outlook on sexuality and more of a ‘love who you love’ ethos which is blind to gender norms, it immediately subverts the assumption that interactions between m/f are romantic while f/f are platonic. It’s an open field, if you will. BB is a steady build from partner/best friend (though I’d argue that at least Yang had an immediate attraction, with Blake figuring herself out) with interactions that become increasing more intimate. Eye rolls and jokes become winks and innuendo (“I love it when you’re feisty!”), nudges become intimate hugs (Burning the Candle), become hand-holding (it isn’t coincidence that these two have held hands more than any other pair in the series), becomes pining, blushing, forehead touches (BB and Renora - remember those parallels), which evolves into flirting and... More. And yes, some of their interactions will still resemble the friendship they built their foundations on. But in a world where labels don’t exist, that journey from friend-to-lover is much more subtle and embedded in a gentle upwards curve of increasing intimacy.

“BB is only happening because the horrible BB fans demanded it, the show caved and gave in to the toxic fanbase, it wasn’t planned from the beginning.”

I’ve seen this in so many places, like a broken record. I have no doubt that there are BB fans that are fanatical, and I’d never justify the behaviour of any so-called fan that resorts to death threats or violence in any way. I’m hoping this surely must be a minority that has, hopefully, shrunk over the years as the audience has matured. However, this also really isn’t how shows work... 

As many have pointed out in recent weeks, the show would be a very different landscape altogether if CRWBY were, in fact, that easily swayed by fans; namely, I’m thinking of Clover/Qrow, Pyrrha, Penny etc. While I don’t doubt that show-makers pay attention to the fanbase where needed and where it’ll be beneficial (seeing how fans react to developments, if allusions are clear etc.), sending death threats or whatever is actually much more counterproductive than anything else. But also... You’re not on the crew, you’re not part of those discussions. I feel confident that Miles, Kiersi and Kerry aren’t writing BB content with a gun to their head.

Lastly, the ‘it wasn’t planned from the beginning’ war cry is a tale as old as time. Like Beauty and the Beast. (See what I did there?) Asides from the fact that 1. Yang and Blake were actually the first created out of the team, and made with each other in mind, regardless of in what context (check out the original character designs/concepts) 2. Even if it wasn’t planned from the beginning, what difference does it make? There are tonnes of examples where the writers have felt the chemistry between two characters as the story’s gone on and decided to put them together (case-in-point from outside the anime world.. Chandler and Monica from Friends). In fact, while some writers like to plan every element of their plot from the beginning, there’s a great many writers who allow the characters to steer the plot as they grow - especially arcs with romantic undertones. The series was made predominantly for the action - it’s not a romantic series, so if they didn’t plan it from the beginning that wouldn’t be unusual, especially given that the episodes of the first few volumes are literally 5-10 minutes long. But regardless of whether the romance of the two was planned or not planned, it does not make it any less meaningful.

But let’s be real, the issue at heart isn’t that they weren’t sucking face in the first 3 seasons, it’s that they thought Blake would be with a guy, and she chose a girl. To which I say... Get over your bruised ego, and move on.

“BB fans deserve the hate they get because of x, y, z and cos it has toxic shippers.”

And you’re... Not... Toxic? If you’re an Anti-BB shipper and go out of your way to stalk and comment on BB tags/accounts just to harass shippers etc, then are you any better than the toxic fans you supposedly hate? To me, following BB tags and looking at BB content whilst being an Anti-BB shipper is so weird, why you trying to hurt your own feelings?

Also, saying that innocent shippers who are just living their best life should bear the burden of the toxic FNDM, is literally the definition of tarring everyone with the same brush. Some of us just want to eat our crumbs in peace, and from our POV, you’re the toxic ones being disrespectful. Bonus point: others being toxic does not give you licence to be hateful to anyone you come across that doesn’t agree with you.

“I’m no longer watching the show cos it’s trying too hard to be ‘woke’”

This ain’t an airport, you don’t need to announce your departure. But since you are, if your issue is the gay representation in the show then wake up and look around... We’re everywhere. The show is literally just reflecting the diversity you see day-to-day; but you keep sipping that haterade, my dude, we’re here to stay.

[always-a-king-or-queen]

there are literally so many reasons why we don't need a third Narnia adaptation

first of all, while they might not be the most accurate, the Disney movies are actually so good and, in my opinion, still manage to capture the heart and soul of the series and what it's truly about. The characters are each perfectly portrayed; the Pevensies act like actual siblings and yet love each other dearly and would die for each other even through all the petty arguments; the music creates perfect atmosphere and emotion and never fails to make me tear up or get shivers down my spine; and the CGI is honestly just absolutely stunning.

I really do not feel like we need another adaptation by Netflix.

Especially not through Netflix.

Netflix has already been known to mess up so many shows and movies by completely changing the source material or adding in unnecessary things that completely take away from the purpose of the story. I can already see them warping Narnia into something that barely even resembles the books, that strips it of its purpose and simply makes it about a fantasy world, nothing more. I've already seen posts saying that the new movies just can't end the way the books end, that heaven must be explained away, that Susan never forgets and falls down a dark path, that the faith aspect must be taken out so as not to offend new viewers.

Here's the thing.

If you take faith out of Narnia, you remove the very heart of the series. you remove the entire purpose. Because Narnia is entirely about faith, and trust, and Someone greater than yourself who sacrifices everything to save your own traitorous soul. the Disney movies did not shy away from portraying this faith as openly as possible. if anyone was offended, I've never seen proof. I have seen many nonbelievers talk about how much they were affected by Aslan's death, which goes to show that you simply don't have to be Christian to understand what Narnia is about, and to love and enjoy it.

So if these new remakes remove the faith aspect, then what is the point? four siblings go to a magical land and save it from a witch and befriend a talking lion with nothing special about him and live there as kings and queens and return home and live happily ever after? there is no sacrifice, there is no "he's not tame, but he is good," there is no creation, there is no redemption, there is no last battle, there is no "in your world, I have another name", there is no sister straying down a dark path because she has forgotten how to hope, and then returning because her story is unfinished and the road to heaven is paved with flowers that symbolize her name.

so then, what are you left with? Aslan is just a talking lion, nothing more. the stone table never cracks, the sun never rises. "That by knowing me here for a little, you may know me better there" is forgotten entirely, because why would Aslan exist in our world if he is merely a talking lion in Narnia? Aslan's country is changed to be something else, and there is nothing about how Aslan suddenly no longer looks like a lion, and how the things that happened after are more great and beautiful than can be described. Edmund's life is never threatened because of his traitorous deeds; Aslan never offers his own life in place of a guilty boy, is never killed, is never resurrected.

the very core of Narnia is removed, and what you are left with is emptiness.

sure, it might make for a good fantasy story nonetheless. you might still have sweeping views and epic music and an intriguing plotline, but something will always feel like it is missing. like there is an empty hole, desperately needing to be filled.

of course, I don't know that all of that will happen; it's just speculation at this point. But I am fairly sure that it is safe to predict these upcoming movies as such. I highly doubt the producers will want to include the faith that shapes Narnia, because according to them, having a faith aspect means less viewers since too many people would be offended.

but if only they would look at the already wonderful existing adaptations, they would know that is simply not the case.

[sundrop-writes]

why did you delete careful?

i went to go re read and its gone 🔫🔫

Just to clarify for everyone - yes, I did delete it from Tumblr. My series Careful (Spencer Reid x Fem!Reader) - has been completely scrubbed from Tumblr, aside from reblogs by other people that I cannot delete.

Why did I delete it? Honestly, the tone of your message really drives home why I deleted it - entitlement from readers, a general unkindness toward me and this work that I have put hundreds of hours into. People being rude in the comments and blatantly misunderstanding the work because of a fanon acceptance of babying Spencer to the point of emotional incompetence and absolutely smooth flawlessness. (So having me prod at his flaws in the fic makes me worthy of such harassment.)

I really wanted to drive home the fact that you are not entitled to fanfiction. Fanfiction is a privilege.

I deleted it because I wanted to make a point: fanfiction is free, and you cannot treat it with the same harsh, unhinged criticism that you would with a piece of media that you paid for. (Especially because fanfiction authors are directly reading your comments, while TV producers/writers and movie producers/writers are not.) If you do not like something in a fanfic that you're reading, click away and forget about it - don't comment on it.

And I really hope that me deleting this fic and people 'missing' it will cause people to take a step back and self examine so that they are kinder and more thoughtful the next time that they comment on a fic.

Writers use their free time to work hard on fics, and there is a huge amount of stress that goes into getting an idea down on paper, making it coherent, editing it - even something like making fanfic covers to embellish our fics to make them more enticing to read. There is a lot of hard work and stress that goes into a fic before it's even seen by anyone, so I don't need the added stress of rude comments, entitled people, and the passive-aggressive 'this is good, but-' comments that people constantly bring to the table.

I really, really loved Careful when it was in my drafts. I was so excited to post it for everyone to see - but after posting it, the comments I received made me resent the fic so much, made me question my entire creative process as a writer, and made me really bitter toward the fictional characters I was writing about, but when I went into the fic, I had nothing but genuine enthusiasm about them.

Making someone develop a deep, vile resentment (bordering on hatred) toward their own fic is really something else. And it made me realize that people don't deserve to read that fic in order to comment on it.

It will not be reposted to Tumblr, but it is still on AO3 - and that is very purposeful on my end, because all my fics are archive locked, so fewer people can see them and read them. I was considering deleting it off every website altogether, but AO3 is an archive for a reason. I may orphan it on AO3 later -or I just hope that I can write enough works that I am proud of and that I love in order to bury it deep in my catalogue so that I don't have to look at it or think about it anymore.

If you really want to read it, go find it there. If you don't have an AO3 account - then idk what to tell you.

Just be kinder and more thoughtful when commenting on fics. And please, learn to support writers in other ways - actually reblog their work instead of just lingering with a blank blog, go back and read older fics on their masterlist, engage with them.

And if you already do these things, this message is obviously not for you. If me saying this pisses you off, then this is probably for you.

[mcybree]

On 3l!Jimmy and guilt and FH and various tangential things: a post that got out of hand and morphed into something completely different by the end. Enjoy?

I read a good Jimmy analysis post a while back on how important Jimmy’s pride is to him, and how he’ll back himself up when no one else will, often to his own detriment. And this is such a key part of his character, right. Jimmy doesn’t often withdraw or get all nervous and shy when bad shit happens to him, he gets louder and angry and all riled up about it. He projects his insecurities outwards and then picks battles over anything he perceives as an insult.

So it is strange how that seems to be… almost missing in third life. In that series specifically, he withdraws more often than not, he fears making independent decisions, and he makes concessions he typically would rather make a stupid hill to die on than consider:

Joel and Martyn tell Jimmy they feel lied to, and Jimmy is quick to ask how he can make it up to them, agreeing to give them cows for free. Jimmy is threatened by Grian and Scar into giving up his diamond chestplate and he folds easily, then goes home to tell Scott he just “wasn’t thinking.” Jimmy gets blown up by Grian’s tnt trap and says the walls around the flower valley need to go up, he says he’s never leaving his house again, and after it’s all settled he’s afraid to even walk home without Scott.

Honestly the only time he ever picks a fight in true Jimmy fashion is in Episode 1 with Martyn over some stupid sign placement, and then with the red army negotiations when he burned the banner— but that, notably, wasn’t a personal pride thing! It was a very Jimmy way to go about it, but he got defensive because he thought they were going to hurt Scott, and spitting in their faces was the best way he knew how to protect him (as this is how Jimmy typically protects himself).

He’s just very tame, overall. Defanged. He doesn’t stand up for himself like he usually does.

And yknow. If I had to take just. A personal guess as to why that is. I think the difference primarily stems from 3l!Jimmy’s tendency to take on personal blame for things that aren’t even his fault. A Jimmy character feeling bad about the things he’s done isn’t new, he often does do regrettable things, but what sets 3l!Jimmy apart is that he excessively self blames for what are often unsubstantiated reasons.

Grian’s tnt trap triple kill (emphasis on Grian’s) is the most dramatic example. After Jimmy accidentally activates it, he repeatedly stresses just how bad he feels about it, and apologizes to skizz directly, telling him he feels like he’s “ruined everything.” Jimmy blames himself entirely for this incident, to the point where it allows for him and Scott to team up with desert duo, who DIRECTLY SET UP the trap and OUTRIGHT TOOK CREDIT FOR the kills, in the next episode without even a mention of caution or bitterness. This is irrational; if Jimmy were to ask any given person if they genuinely think the deaths were ENTIRELY his fault, I don’t think anybody would seriously say that it was.

Except for Scott. Scott would say it is, and that’s the issue. He did say it, actually, first implying it (“Jimmy I told you that we needed to shoot it from a distance!”) but then outright telling him (“You killed two people!”)*. Scott later backpedals a bit, telling Jimmy that it was Grian and Scar who gave him the loaded gun, and it wasn’t him that brought it. While nice, that sentiment was seemingly too little too late.

* (both of these are said in the scene at about 25:33, ep4 of Scott’s pov in case anyones curious. assuming my timestamps from a year ago are correct if theyre not lmk. I also have rough timestamps for like everything else referenced in here in one big document so if anyone needs them feel free to ask)

This is all to say: I think Jimmy’s self blaming tendencies and, by extension, his unusual lack of self confidence this season are a result of his relationship with Scott. While the TNT trap incident was the catalyst for those feelings being brought so front and center, I believe that Scott created an environment which normalized Jimmy taking on personal blame for things aren’t his fault beforehand, or at the very least disproportionate amounts of it (so when he legitimately fucks up and makes a disastrous mistake, it’s the only thing he thinks to do). Primarily because Scott, himself, blames Jimmy for a lot of things, but also because Jimmy doesn’t understand the motivations behind a lot of how Scott treats him, and has to retroactively fill in the blanks with what makes sense. Full transparency: I am staking this ladder claim on both his undying admiration for Scott seen throughout the entire series that would require a thought process like this to support, and one (1) interaction between him and Martyn in episode 1. However, I’d still argue it’s a significant interaction.

MARTYN: I just seen you get slapped around, like what’s- what’s going on?

JIMMY: I just- Y’know- just. well we’re living opposite each other…

MARTYN: Are you happy living with Scott?

JIMMY: WE’RE LIVING— We’re living opposite each other! And he builds fantastic. And mine just looks like- I’m just not a builder, y’know? Just not a builder.

And. Personally. To me. Answering “What’s going on?” with “I’m just not a builder” in regards to Scott pushing him around implies that Jimmy made a connection between him being a bad builder and Scott’s reaction. In reality, Scott “slapped him around” because Jimmy showed up too early for a deal that he didn’t know about. But Jimmy doesn’t accept that as the reason, and instead traces it back to a personal fault, something he will go on to make a habit of until he dies in the desert.

After all, it becomes very easy to explain away various mishaps and misfortunes as “oh I’m just not a builder” or “oh I must not have been thinking,” when Scott’s favorite activity is implying Jimmy is incompetent and can’t be trusted to do anything on his own. (Some fun scott quotes being “why do I let you do things” “as long as we dont let jimmy do anything we’ll be fine,” and most directly, “see that’s why I said, ‘I dont trust Jimmy with anything’ because he’s incompetent”)

And it’s funny, right? Because Jimmy isn’t one to just let people put him down like that. When other people in other series tell Jimmy that his house is ugly, Jimmy will defend it with pride and stand up for it twice as much to compensate. But when Scott calls his house ugly, he tells Scott to stay put while he quickly runs to try and fix it, and then hurries back to ask if it’s better. Because he admires Scott, he never stops admiring him, he’s always expressing that (“you’re good at everything” “you’re full of good ideas, aren’t you?” “how are you such a good builder?”). And he doesn’t get defensive when Scott says these things, not in the same way— He tries to, but it comes across more desperate than anything (“say something good about me!”) because he places Scott on such a high pedestal and yearns for that approval. Scott is different.

This is how, despite all odds, it gets to him. And it changes how Jimmy perceives himself. Scott doesn’t trust Jimmy not to fuck up any given task, so Jimmy doesn’t trust himself in later episodes, especially post-Dogwarts explosion. The cake scene, while admittedly a very cute moment (so I do hate to cite this here but it’s a good example), works because Scott left a cake in Jimmy’s room without saying anything, and knew that the first thing Jimmy would do is get scared and come get him. Because that is the first thing 3l!Jimmy thinks to do when he’s scared! And it’s entirely unsurprising how it got that way! In the very first episode, Scott tells Jimmy that if it wasn’t for Scott finding him in the beginning, he would’ve been the first to die. It’s generally a joke to point to fh and go “Jimmy is like Scott’s pet lol, Jimmy is like a lost puppy without Scott” but there really is some truth in that, and I find that to be somewhat haunting considering Jimmy takes so much pride in his independence usually. Jimmy’s hesitance towards making independent decisions can also be traced back to Scott finding Jimmy’s independent decisions inherently frustrating but that’s already part of the FH dissection essay I have in my drafts and this post is long enough already. There’s also a whole other discussion to be had about how Scott’s say is the final say no matter what and Jimmy knows that which further deincentivizes independent decision making (REPEATEDLY POINTS TO “I’ll try and sweet talk him, but if he starts hitting me, what can I do?”) but that is also for the essay

I dont know where I was going with this. I think I made my point in the third paragraph but I feel lots of things about these characters and have lots to say so as I kept writing I got more and more emotional and now I think I’ve driven my little block people shaped autism car into a brick wall. I think I’m going to go throw up and then let the earth reclaim me. yeaj that sounds good

TL;DR: girl I dont even know

[mixelation]

wait hold on. i figured out the best* way to deal with jiraiya subconsciously writing his teammates fucking in reborn au

*best, as always, means funniest

okay, so. tori is trying very hard to go back to her old fannish ways wrt icha icha. the PROBLEM is that she's "too young" for it. kushina sees no problem with a young girl exploring her sexuality via dumb novels and loans her copies, but basically everyone else gets super fucking weird when she tries talking about it to them.

tori: hey did you see the new fan comic strip in-- (KAKASHI SLAMS HIS HAND OVER HER MOUTH)

kakashi: (nervous laughter) why does a kid know about that???

the konoha fanclub won't let her in. she's tried a henge a few times but there's enough ninja in the club she gets caught. she has to do a lot of convincing and sweet talk to buy fanzines or her own copies of the books. she meets jiraiya and even he is like ".....why don't you look me up again when you turn 18" and then kushina attempts to murder him

so she turns to OTHER franchises to look at. rpf. bad tv. itachi's library of completely stupid paperbacks. in fact, i realized this Solution because i was looking through old posts and one was talking about a book series about a kunoichi turned into a cat and then adopted by the missing-nin she was assigned to murder, which for some reason i named "kitty girl stabby ninja." it's PG-13 rather than E, so tori reads the first book of what is allegedly itachi's favorite series and then attempt to talk to him about it, and he's............ bad at it. like he's just bad. at conversation??

not to be deterred, tori is like "okay, fine, THIS is my fandom now and i'm going to start a book club" and itachi is just of like "okay?" and she goes to deidara first and then kakashi and then some random icha icha fan club people she barely knows because she doesn't have real friends. all of them are like "that sounds completely stupid" and she's like THAT'S THE POINT. then the whole idea gets completely out of her control because kushina finds out and wants to join as a team thing and tori is like NO, NO COMMANDING OFFICERS AT THE FUN SOCIAL EVENT-- but somehow they end up at kushina's house and so the goddamn hokage is also there. smiling. with snacks. the two normal people tori tried to pull from her failed forays into the icha icha fandom bail because would you willingly go talk to your hokage about a stupid as fuck romance novel for teenagers? while other famous ninja like kakashi and itachi* are there, judging???

*don't try to explain to them uchiha itachi is the source of the club or that kakashi likes icha icha for the romance and not the raunchy parts and barely needed convincing to read the catgirl romance book, it will confuse them

toward the end of the inaugural meeting deidara asks tori if people still hate her fics and minato is like "if you want writing tips, i can invite jiraiya to the next one :)" and tori is going to kill both of them. yes, even the hokage. maybe ESPECIALLY the hokage. she doesn't even really LIKE stupid kitty girl stabby ninja she just wants to do fun fandom stuff okay!!!!

jiraiya shows up at the next meeting anyway because he wants to "scope out the competition" and he makes a very dramatic speech analyzing why ninja romances appeal to civilians and how he's very cleverly using his spy skills to infiltrate civilian spaces and figure them out psychologically--

itachi, sounding genuinely confused: i thought all your plots and characterizations were just projections of your complicated relationship with Tsunade-hime and Orochimaru

Jiraiya: (SHOT DEAD)

jiraiya has to leave immediately to go rethink his entire life and maybe drink himself to death, but tori is touched itachi apparently listened to her at some point u_u

[mh-dreamscape]

Fun fact brought to you by a marine biologist/marine affairs major!

Part 3: Creature from the Black Lagoon Edition!

Sooooo I ended up getting her and when I finally got to look at her details up close, I got inspired to do another one of these! Now that I’m graduated, I’ll most likely be taking her out of the box at some point! This will also be a little bit of a review too!

In my previous post, I rated her a 9.7/10 because I was confused by some design choices, like the harpoons in her heels. I feel that would’ve looked better with some type of shoe unless her feet are supposed to be like boots? Anyways, I’ll be going from head to feet with aquatic biology and my feedback!

The Fin Headpiece:

Most fins have multiple lines or filaments like that and tend to start with either a darker color or color that matches their body on the inside. That color starts to fade out the further on the fin we go because the material is a lot thinner. They can appear to have a sheen look sometimes because they can be shiny and reflect light a little!

The Face:

Probably the most informative part, the face has many qualities to it! Makeup? Iconic. Flawless. The only thing I might change about it is maybe a not-as-bright lip color, but I think I feel that way about many designs and might just be a personal preference so I’ll let it slide. Aquatic factors? To. The. MAX!

Unless a fish has a protruding lower jaw, they don’t typically have an upturned smile. Body shape and mouth position can be linked together too. Bottom feeders, like catfish and sturgeon, are usually wider and flatter with an inferior mouth or a mouth that’s toward the bottom of their face or completely under it. Fish with superior mouth types (“a” in the picture and towards the top of the body) and terminal (“b” and towards the middle). As you can see, either way, the fish will have a downturned mouth and I just love that quality on this doll. This follows with her nose as well! Her nose does stick out like a normal monster high doll. It’s flattened a bit and has wider nostril sides which goes along with the snout on fish.

Now, I know most of her design is literally based on the Creature of the Black Lagoon so I’m probably just listing facts about him too, but let’s talk about the sides of her face, the part I highlighted the most in this 3/4 perspective!

Probably the most prominent features on her head sculpt: Gills! They generally follow the rules of anatomy having the the arches and filaments, but she is missing an operculum, which is a protective covering for the gills made by a series of bones. This doesn’t mean she’s entirely inaccurate though as only bony fish have operculums!

The Hands:

While it isn’t related to fish much, I wanted to admire her hands too! On Mattel’s page for her, they mentioned amphibious a couple of times so I thought I should show that. This is a comparison to frogs hind leg and foot (I couldn’t find a good picture of a “hand” or front leg).

The Body/Clothes:

As mentioned above, this piece was called “Pearlescent amphibious body armor” and while it does resemble a frog-like skeleton a bit, I felt it looked more like a fish! The top part that rests on her shoulder reminds me of the head portion of the skeleton.

Now, let’s take a look at her tail/fin which I believe is made of some type of tulle, but please correct me if I’m wrong! I don’t know much about fabrics.

The way the tulle sticks out in the first set of body pictures (middle one) reminds me of a caudal peduncle which as described in the picture above, connects the main body and the caudal (tail). The way the tulle is spread, it looks like it would be a truncate tail. Tail shapes are connected to the maneuverability and speed of a fish and each in the third picture shows how they could work. I know it probably doesn’t lay that way when she’s taken out of the box, but it was a cool design choice!

The Feet/Shoes:

I haven’t taken her out of the box yet, meaning I don’t have any good pictures of her feet or the stand so I’m using the stock photos from Mattel’s site. The fins follow fish biology with them being a lighter or different color and the tops and bottom of her feet/shoes resemble a more amphibious or reptilian nature. Taking a closer look at it, I can now see that the harpoon is attached to a rope that wraps around her ankles! I wish they colored it differently so we could distinguish that (or maybe I was the only one who thought they just stuck harpoons in her heels lol). After finding that out, I don’t have much complaints. I think it’s kind of cool they made the feet into boots!

The Stand:

I adore the stand! I love when stands can add a bit of background or a pop of color to the doll! The kelp/seaweed was a great idea to hold her up and there’s detail on the sea floor as well! My only tiff is that I don’t quite know how stable this will be. With the usual stands, the clamp in the back holds their waist up while the bottom gives their feet something to rest on. It makes it stable in general posing of dolls. These pictures show her feet barely resting on it and I’m sure you could probably stretch her one foot out to land on the higher part of the terrain, but it wouldn’t quite look as good as the stock.

I tried making a quick edit of another way to keep the pose. I originally wanted it to be a harpoon and harpoon gun but I felt that was sort of off brand with Mattel and Monster High so I instead lifted that anchor from the terrain, colored it differently to look like it was covered in algae, and rested it in the seagrass! The only drawback would be that it requires a bit more plastic for each stand and may make it a little more clunky. Like I said, I haven’t taken her out of the box yet so I don’t quite know how stable the original stand is, so this is more so brainstorming!

Overall:

Making this post made me glad I got her and appreciate her design more. I got her about a month before graduating and it seemed fitting for my final doll delivered at college to be one that’s similar to my major (er I guess I should start saying degree now huh 😅)! I know this was such a long post and I’m sorry for it but I figured combining my “Fun Fact” series and an observational review of her in-person would be great! Her rating still stands at a 9.7/10!

What do you guys think? Do you like her design? What’s your favorite or least favorite part? What would you change about her? Should I keep doing this series??

[harukamitsuki]

I'm procrastinating writing at the moment, so I decided to create a list of the things I hate about Voltron, a show I can't help but love and rewatch 200+ times. I mean. I've been pretty damn vocal about one thing in particular, but I should probably remind people I hate other things too so...

This list will be long, so read more under the cut!

1 - Okay, let's just get the obvious one out of the way: Lance. Reasons why can be seen here, here and here. The first link really goes into the details, the second one is more confusion as to why people think Lance is treated the worst, and the last is more why Lance would be horrible as Black Paladin. MOVING ON TO NEW POINTS!

2 - The ships. Specifically... ahem... Klance, Sheith, Allurance, Lotorance (Lotor/Lance), Shidge (Shiro/Pidge), Shance (Shiro/Lance). Those, in my opinion, are the top offenders. I've explained my grievances with Sheith in a post here. It's not that it's paedophillia, it's the bond. As for the rest, while I dabbled a bit in Klance and Allurance in the aforementioned posts against Lance, I've yet to actually explain.

First of all, the fans are awful. Tip: If you keep trying to force people to like your ship instead of letting them get to their own conclusions, they're just going to hate that ship even more. This isn't a Voltron-specific thing, but it's still rampant.

Second of all, Lance doesn't treat either of them well. He's constantly antagonising Keith, even when Keith stops biting back in season two. The closest he gets to respecting Keith is telling him to suck it up when he's upset that the Black Lion chose him. Keith does try to be amicable to Lance, but it doesn't work because Lance is always picking a fight.

And Allura. Lance is constantly ignoring her boundaries and invading them. There isn't a single moment where they're alone together and they feel like friends, much less pining, before season seven. The only time is when Allura encourages Lance to take up Red, and he didn't even notice she was upset that Red rejected her. In fact, Lance just keeps talking about himself and how he was rejected, ignoring how Allura was rejected twice, and by the Lion her father piloted. Allura also never reacts well to Lance's flirting, always ignoring him and frowning when he does. If Allura, at least, used to laugh at his terrible attempts at flirting, maybe I could try to believe it.

Third, general grievances with these ships.

Lotorance. Lance hated Lotor from the get-go. They barely have a scene together without Lance glaring at him. If they shared some sort of chemistry outside of Lance hating him from afar, and if the writers didn't make Lotor a twist villain for no reason, then maybe. As of now, I only like it as a complete crack ship.

Shidge. Pidge is fifteen. Shiro is twenty-five. You do the damn math.

Shance. I can definitely see Shiro being Lance's bi awakening, if I believed canon Lance was bi. (Canon Lance was straighter than a chopping board, but fanon Lance is a walking bi flag). But them being together? Ignoring that Lance is 17 and Shiro is 25, if you can do that, it wouldn't feel like a healthy relationship. Lance is blinded by hero worship and, from his canon personality, he likely wouldn't realise if Shiro isn't faring well or would just constantly pile his troubles onto him without thinking about if Shiro could handle it. So, yeah, don't like this ship.

So, yeah. I don't like any of the popular ships, which is surprising. I don't hate all of them. I do like Kallura, (should have been canon), and Shallura, (surprising, because I really do like gay!Shiro), and Shunk, (who doesn't, honestly?). But I tend to prefer the nicher ones. Katt (Keith/Matt), Heith (Hunk/Keith), Hance (Hunk/Lance)...

3 - The writing. Usually, I would respect the writers because it's hard as fuck to plan and write an entire series, but they just kept missing. They would set up so many interesting plots and ideas, only to do absolutely nothing with them. This, in and of itself, is not enough to make me lose respect, but that's not all. Plot holes, terrible escalations, too slow pacing, (slow burns are good - great, even - but not when things are supposed to be happening), horrible romances... It's to the point where, for a long while, I avoided the show and only read the fanfiction. There are so many people who don't watch the show, only exposed through fanfiction and social media posts, because the writing just isn't good.

The writers get things right few times. I'm sorry, but if your entire job is to write a coherent, well-thought out story, why did they do such a bag job at it? I'll tell you why - they let the fans control what they did. Shiro was never supposed to come back. He was supposed to die at the end of season two and never come back, but the fans wanted him back so guess what? The writers brought him back! In doing so, they cut right into Keith's character arc and made him go through it off-screen. The fans built Lance up as the main character and fan-favourite? Well, the writers just decide to hand him everything. Reward him for being the fan-favourite and then ruin his character by never making him work for what he got.

The writers decide to pull a J.K.Rowling and went 'aw, yeah, Lance is bisexual!' despite him never showing an interest in a guy throughout the entire show, other than being a big fan of Shiro. They throw in gay!Shiro at the literal last minute with some background character who only ever had one line. Thanks, DreamWorks. It's not like you could've just let Adam live so Shiro could be going home to SOMEONE.

Unexpected things always happen. An actor being unavailable, a sudden irl event making it so the episode you planned would appear tone-deaf, the joke you wrote was less funny and more offensive... So on and so forth. Sometimes you have no choice but to change what you have planned because delaying it would just make the studio and the fans mad. Just... TRY to make it make sense. And don't fold to the fans, dammit. Shiro should have stayed dead because he just doesn't do anything when Allura and Keith saved him. The main character should have stayed as an ensemble, rather than pushing Lance as the central focus, because it would have left less reasons for me to hate Lance and give other, specifically Hunk, the development they deserved.

The show also never adresses traumatising shit, (*cough cough* Keith's sacrifice attempt *cough cough*), but that can be forgiven because it was aimed at children. I do, however, like that LM corrected an interviewer when they asked about Keith 'attempting to kill himself'. It was quickly corrected to 'sacrificing himself' because that's what it was! I'm sick of people acting like he was suicidal because he wasn't. He was actively scared of what he was going to do, i.e. sacrifice his life for everyone's sake. He tried to do it for the greater good. Would you call one of the many who died during wars suicidal? No. You would call them noble and heroic for their sacrifice, because that's what they are. That is what Keith was trying to do. He saw the only way out and decided one life in exchange for the many is a damn good deal and took it. Saying he was depressed and suicidal is undermining the actions he took.

So, yeah. In my eyes, the writers did two good things. Correcting the mistake belief that Keith was suicidal, and creating this shit-fest of a show. (God, I love/hate Voltron).

4 - How Pidge is treated by the fandom. Pidge is so mean. She's rude and callous and selfish and that's okay. What's not okay is acting like these traits make her a queen. She's rude, fine. She's callous, fine. She's selfish, fine. She's incredible for this? Um, no? Stop treating her like she's just sassy. She's mean. I mean, not long after Shiro's death/disappearance, she calls Keith, who is mourning Shiro so deeply, a 'loner'. Without even getting to know him. She just deems him a loner, even though Keith is just so genuinely kind?

Don't get me wrong. I love Pidge. She's great and she's an absolute joy to write. I admire her tenacity in trying to find her missing family members while also able to put the universe before them. Watching her break down about Matt when she thinks he's dead is so utterly heartbreaking because I really did like her.

But acting as if she's perfect because of this? No way.

(Also, I refer to Pidge as 'she/her' only in these posts. I much prefer gender neutral or trans Pidge.)

5 - Hunk's treatment. He deserved SO MUCH BETTER! This sweet, precious boy. He's the only one who reacted approppriately to becoming a child solider. He's an anxious, terrified kid and he's still able to swallow that fear and fight on because there are people, people like Shay, who have no idea what freedom means and if the sky is blue.

He's the only one who has to find and fight for his family when they get back to Earth, which makes me sad. Very sad. He cares so much about his friends. Even if he's scared, he'll still put himself in danger for them.

But the narrative treats him like garbage, reducing him to the comedic, fat joke, while Lance never treats him like a best friend. He deserved so much more than what he was given.

6 - The people in charge were so obsessed with doing every character dirty. They wanted to keep Shiro death, wanted to kill Keith after admitting to not knowing where they were going with him, tried to kill Hunk who did nothing wrong to deserve this, and actually killed Allura off when they realised Allurance would not work in the long-term because Lance would not be able to part from Earth for so long while Allura would not be able to stay confined to Earth at all.

7 - Lance fans would hate him if he was white.

[the-sky-queen]

Avatar the Last Airbender theories I had that turned out to be false

So unlike literally everyone else, I didn't grow up with ATLA and discovered it sometime when I was in high school. Can't remember exactly when. Because of this, I created a few theories as I was watching for the first time, trying to predict where the show would go. All of these ended up being completely wrong, but they're fun, so I thought I'd share them!

Zhao becomes the Firelord

Sooooo funny story with this one. I actually had two exposures to ATLA before I actually watched it and one of them was THE SERIES FINALE. I didn't see the whole thing, but I did catch a huge chunk of the ending. So before I even started watching officially, I knew Zuko was gonna be a good guy, which is why I never gave up on him. XD This also means that I got to see Ozai's FACE.

Ozai doesn't show his face in book 1, and by the time I started watching, I'd forgotten what Ozai's voice sounded like. I also had very little idea of who I'd seen Aang fighting in the finale was in the first place. So I kinda took one look at Zhao and said "YES. HIM." The theory went like this:

Zhao slowly climbs the ranks of the Fire Nation over the course of the series, growing more and more power hungry as time goes on. Eventually, he gets to the point where he overthrows/assassinates Ozai and becomes the new Firelord. Aang has to fight him in the finale and Zuko has to take the throne that's rightfully his back.

Imagine my disappointment when Zhao got eaten in the book 1 finale. XD I was so convinced of this theory that I didn't even believe he was really gone for a looong time after this.

2. Zuko is a Double-Bender

Remember the Blue Spirit episode? Of course you do. Well, there's this split second clip as Zuko's rescuing Aang where he picks up a bucket of water and splashes it on a guard or something. I completely missed the bucket on my first watch of this episode and concluded that whoever this Blue Spirit guy was, he was a Water Bender. I then proceeded to get my mind absolutely BLOWN when I realized the Blue Spirit was actually Zuko. I started going crazy with theories that Zuko was secretly a Fire Bender AND a Water Bender. Hence, a Double-Bender. I asked a friend about this theory of mind and she sadly debunked it for me. However, this is still my favorite ATLA theory to this day and I have an entire AU centered around it. One day I'll get around to actually writing it.

3. Jet is a major recurring character

So the other time that I got ATLA spoilers before watching it was when I accidentally half-watched most of Jet's introductory episode. The friend I was with at the time groaned in annoyance at Jet, leading me to believe that he showed up A LOT and he was the worst thing this show had to offer. I fully expected Jet to pop up ALL THE TIME and make a nuisance of himself. I was relieved to discover he doesn't come in nearly as much as I thought he would.

4. Ba Sing Se stuff

Rapid fire round! I thought a lot of things about everything that happened in Ba Sing Se:

Team Avatar all get brainwashed by the Dai Lee except for like Sokka or someone, who then becomes wanted by the entire brainwashed city and has to figure out how to reverse all this.

Zuko happily lives out the rest of his days with Uncle Iroh at the tea shop and never runs into Team Avatar again.

5. Azula alone

Team Avatar frees the entire city of the brainwashing. Specifically Joo Dee.

Yeah, I thought all of Ba Sing Se was brainwashed, not just some people.

I was 100% convinced that Mai and Ty Lee were going to betray Azula at some point during book 2 and then join Team Avatar. I guess this kinda happened? Kinda?

Aaaaand this is all I can think of for now. I'll make another post if I think of more theories I had, but this is about it. :)

[trashcanwithsprinkles]

Now that CN is over I need more fics to read (I say as if I'm not in the middle of rereading CN and plan to reread ITYSG(AINLY) again because I'm literally obsessed with your fics). Do you have an recs? Also what's your favorite fics/comfort fics (you can include your own)? I always find it interesting to know what the authors of my favorite fics like to read when they aren't writing.

other than my other fics (babysitting in the apocalypse is my other zhongchi fic), i do have a some zhongchi recomendations! sadly i cannot actually go to my bookmarks atm nor provide direct links. i also don't really remember the authors' names of most of them? and you'd have to like.... save them for later, what with ao3 being down and all;; but here are some off the top of my head if you want to get planning:

(once ao3 gets back up i'll update this list with proper links and the authors' names and maybe more recomendations since i do have many more i just can't remember,,)

○ entirely out of spite by Bgtea - i generally assume everyone's already reading this one given how big it is (and how it was kind of my inspiration for cyanide even tho i never said it), but if you're not, holy shit are you in for a good one. literally anything bgtea makes is wonderful. this one is an au based on the premise of a different story, but you don't need any knowledge whatsoever of it to enjoy and understand eoos (tho consider it if you like the premise, bc it's also really good). the rundown is- a mondern ajax dies and wakes up in the body of tartaglia, the antagonist of genshin impact, a game he'd been playing before kicking the bucket. he is tasked by a weird isekai-anime looking menu to fill in the shoes of the antagonist or else, but he's not technically stopped from altering the story just a tiny bit or being ooc, so he goes about trying to play the tartaglia role without meeting the same end as tartaglia (who dies ingame). it's such a good fic i cannot recommend it enough - it's not complete yet, but the wait for each chapter is more than worth it, and bgtea always does an insane amount of research for everything they post.

○ literally any other zhongchi fic by Bgtea. there's this short one about pulcinella or capitano (i can't remember, it might've been pantalone) selling pictures of childe to increase morale in the fatui (something something pr strategies), that one is hilarious. there's another one about zhongli getting stuck as a dragon and childe taking care of him as the world slowly goes to shit from rex lapis being missing (a comment pointed out it might be called "ajax' adventure with dog-lizard" and it sounds about right for me). another one they have is the autumn winds are sighing i think. that one was posted WAY back, some of the info is a bit outdated, but it's still so, so good. i can't remember what it was all about, but i do remember it involves zhongli going to snezhnaya to meet childe's siblings. the pining and tension on that one is off the roof. i should read it again,,,

○ after everything by Amanveth (i think that's how their username is written,,) - literally palate cleansing fluff. there's really good angst as well but it's overall just very sweet and soft, very much a feel-good fic. it's about zhongli and childe going back to being friends after the events of the archon quest and slowly realizing they're in love. it's still ongoing but it updates shockingly fast, and it's a nice little thing to read before going to sleep.

○ the white cicada society by clementinesgulag. still ongoing i think, but i have paused reading it for reasons unrelated to the fic itself, so i can only really atest to the frist arc of it? but holy fuck is the first arc good. the angst is godly in this one, and i'm always a sucker for a good horror mystery. this one is about the gritty and slow reconciliation of post-archon quest zhongli and childe as they investigate a series of awful murders and terrifying paranormal shit (i'm pretty sure) going on in the city. (it might be revealed to not be paranromal later in the fic as that partiuclar plotpoint hadn't yet resolved when i paused it at the end of the first arc, but i wouldn't know. wouldn't make it any less good if it wasn't tho)

○ death became him by Merianon. also still ongoing i think, but part of the many fics i have paused reading for reasons unrelated to them (i have... way too many saved,,,). this one is about childe going back in time after dying and waking up as a god, and the fic starts there, so it's about how the events of the game go with childe as a god and not in the fatui. i can't remember all that much about it tbh, but i remember i really liked it, the concept was so interesting. i'm waiting for it to end.

○ a sight for sore eyes by ToumeiKyoudai. still ongoing afaik, but i paused reading it as of very recently (again for reasons outside of the fic). this one is the events of the game except childe is legally blind. you have no idea how interesting and hilarious this fic is, the premise is so simple but it's so nicely executed. i can't really say all that much more about it since it's basically just that- it's a retelling but childe's blind. and he's so fucking funny. it's all so fucking funny, and the worldbuilding is stellar, and i just really really like it i can't explain why exactly. it's not a comedy! but fuck it's so entertaining.

i have so many more that i wish i could put here but i'm not 100% confident in their titles nor which fic was which (happens when you have a ton bookmarked but have paused reading a lot of them), so i don't want to risk saying this fic is one thing when in reality it's something else completely different,,,

these last two i put below for reasons i'll explain in each of their blurbs, but they're still as recomended as those above!

○ lungs full of roses, by SecretlyACatLady. if this is the title (and i'm 99% certain it is, but i can't check), then this is hands down the BEST hanahaki angst i've ever read. i'm not kidding. this one is very specific in its angst tho, and i gather likely not what everyone is looking for in a hanahaki fic, but holy fuck. basically childe gets hanahaki here but knows he cannot afford to have anyone find out he has it (bc fatui) and also not that he died from it, i think? might be mistaking that particular plotpoint for another fic. anyway- he leaves liyue but zhongli goes to look for him bc he's confused and just wants to apologize for the whole tsaritsa's contract and all. it gets out of hand real quick when the ppl of mondstadt try to help by acting as pushy wingmen and it's so GOOD holy fuck. i've never liked when other characters try to push the main pair together and act all 'just kiss already we all know!' around them, and seeing it backfire as horribly as it could if it were a realistic scenario (tho enhanced bc childe) is so incredibly satisfying. the reason why i put it down here is 1) i'm not 100% sure that's the title and 2) if it hasn't been abandoned, it's been in hiatus for a while now. which is hearbreaking, but it's also such a good fic that i'd honestly recommend it regardless if only for the angst at the start. but i understand not everyone is in for something like that if it doesn't resolve/likely won't resolve (idk if it's abandoned tho but i understand that if a fic takes too long to update, people will fear the worst). so yeah,,

○ non-playable character, by Jouicifer. this one is here exclusively because i'm a sucker for horror mystery - it doesn't mean the zhongchi isn't good, but it's not as prevalent in the plot as in white cicada (another horror mystery), so i can't exactly put it with the other more zhongchi-centric fics? not that the zhongchi isn't here, but. hard to explain. this one is also hard to explain in general, i'm not sure if it's based on the premise of another story or if this is a highly-secific trope/sub-genre in china (i think?), but the author refers to it as 'unlimited flow', so look it up if you want to be sure. either way, much like with eoos, it doesn't matter if you know anything about whatever that might be to enjoy and understand the story. the rundown is childe and a bunch of other people are players in this sort of virtual-reality scenario hopper, where they get put in 'games' with other players where they can die (tho idk if die die irl as well). basically, in the newest scenario they get thrown into, it's a horror murder mystery about a haunted mansion, and their guiding npc is zhongli, whom childe has met in another scenario and whom he is an absolute simp for. god idk how to explain it, it's just so good; but you need to be there for the plot first and the ship second. the ship is there! it's just the plot takes presedence. but holy fuck is the plot good. the reason why it's down here, like lungs full of roses, isn't bc of the plot or the ship being secondary, but... well, it's also been in hiatus for a long while now. to this fic's credit in particular, it was in a long hiatus before, but updated! out of nowhere! and then it went into its current hiatus, so. again, i understand people don't like that, but i'm a patient person so i'm willing to keep it in my bookmarks for as long as it takes (and forever if it gets abandoned). it's just THAT good. and since there's not much horror murder mystery in this fandom (or in fics in general), i'll take whatever i can get. the mystery is good in this one, so it helps.

(edit: added some authors and a fic title, thank you archon-of-chaos and redwormonastring!)

[a-caterpillars-world]

So. I finished Homestuck.

Reading Homestuck in 2024, over a decade since it started, was definitely an experience. There was a lot that i was spoiled for, but a lot that took me by surprise, even though "spoilers" are just about everywhere. I'm glad I was able to go in blind, there's a lot that wouldn't have felt nearly as impactful had i known about it beforehand. I'm not great at just directionless rambling, so I'll organize it in the form of an FAQ of a sort, under a read more since I'm expecting this to be a longer post.

Did you enjoy yourself?

Honestly, yes. I know Homestuck has a kind of negative reputation, and now that I've finished I can certainly see where it comes from, but even considering all of that I can't say I had a bad time. I think Homestuck has a lot to love, even if there's also a lot to hate. Personally I think there's several elements and characters of Homestuck that deserve a better rep, there was a lot I read that was very funny or very narratively compelling even through all the obvious flaws. I had a good time, I don't regret picking up Homestuck.

Do you plan to read anything else related to Homestuck (eg Homestuck 2)?

Maybe! I'm not entirely sure how much I'm missing out on, or how much the various side stories impact the main canon. If one of them seems particularly interesting to me, I'll look into it, but right now I'm good. I'm not even entirely sure how deep the Homestuck rabbit hole goes, though I suppose I could look it up and find out for myself.

Do you have any favorites/what do you think about [character]?

This is a hard question to answer, as Homestuck is a series with a loooot of characters to talk about. If you want to know a more in-depth opinion on your favorites, send me an ask! I love conversation and even since I started my liveblog I've been open to asks being sent in even if we've never spoken. Maybe I'll make a tierlist to organize my favorites, that could be fun.

Should I read Homestuck?

It depends. Homestuck can be a very good and interesting story at times, but a lot of what makes it a great story is hidden behind layers of questionable-at-best humor and casual ableism. I think if you can approach it as it is and understand the flaws inherent to it, it's definitely worth at least checking out. And then if it isn't for you, then it isn't for you, but it did end up being for me so take it as you will. Even if you're just looking at it as a part of internet and webcomic history, I think it's not a waste of time to give it a read. Via the downloadable archive though, not the browser version. Homestuck suffered greatly from the death of Flash, so it's best to read on a version that can better support all the unique elements it utilized without much risk of it crapping out on you (like it did to me, in several key points including the finale.) I also recommend reading with a friend, preferably one who's read Homestuck before so you can talk about things as they come up naturally.

Final thoughts

Homestuck is a fascinating piece of internet history. It's a near-perfect capture of the humor and culture of the late 2000s and early 2010s, largely dependent on a web service that is now entirely defunct. Were it not for the actions of archivists and fans, it's entirely likely we could've lost massive chunks of an incredible piece of webcomic and fandom history. It certainly isn't for everyone, its flaws have been talked about with regularity by essayists and internet historians with the whole spectrum of opinions on it. Even with its flaws, though, it still puts together a quite lovely story, with several compelling characters and scenes that grab your attention and hold it tight. Not only do I not regret reading it, but I completely understand how Homestuck created such a storm of a fandom especially when it was being actively updated. I'm glad I read it, in the end. It brought me a lot of joy in the best moments, and even at the times when I was most frustrated with the story I can't say there was ever a point where it was too much for me. Thank you to everyone who stopped by to check on the liveblog, whether you're one of my friends or a stranger checking in from the Homestuck fandom. It has certainly been an interesting ride, and I'm glad that I got to take it, even if I am in fact several years late to the party. Until next time, everyone!

[seandwalsh]

I would like you to give me some clarifications(if you can, of course) - I follow you on Reddit(and also the Mario verse project)*recently*; I noticed a post that was making fun of this project and I went to the comments section, and in one of the first comments to appear, these are the replies to it(yeah, I don't agree with his mindset about the series). I took some screenshots before they were disabled, and if you *could* clarify them for me(who is still a beginner in Mario Lore), I would be grateful.

I would be happy to clarify! I’m not trying to cause drama with this, but given there is a minor history here I should explain a couple of things. Just for context on the sort of source Slade Lucas is; They’re someone I’ve interacted with quite a few times and they generally tend to deny basic facts based on what they personally like or dislike. For example, they refused to acknowledge that the Mario Kart 8 Deluxe - Booster Course Pass courses were ported from Mario Kart Tour. This also generally applies to their perspective on Mario lore. They write off any evidence they don’t like completely arbitrarily, constantly move the goalposts in any conversation and make up pseudo-arguments that don’t really mean anything when you try to inquire about them further (“Toad himself is a character that they try to use in so many ways that he alone breaks the idea of there being a consistent canon.”, anyone can see that this is ridiculous).

This is not an attack on their character, but similarly to when I used to respond to MatPat it’s important to understand why people make these types of flawed arguments. In any case, I’m going to debunk them piece by piece.

“But just because they bring something back and it is canon to one game, it doesn't mean it is canon to all games.”

Perhaps I’m missing some context but I’m not quite sure what they’re trying to say here. Obviously when a game references another game, those games are intended to share a canon - and every Mario game references other Mario games, prompting a web which connects essentially every Nintendo-published Mario game to each other. This is what Mario fans use as the basis for canon.

Not everyone is interested enough in or pays enough attention to the Mario games to see the patterns and lore they’re building, but to deny its existence outright entirely is incredibly silly.

Mario, of course, has been from the Mushroom Kingdom and grew up in what we now call New Donk City since at least the mid-90s with Donkey Kong (Game Boy) and Super Mario World 2: Yoshi’s Island. He had no officially disclosed backstory within the canon before that point and was certainly never stated to be from any real world country in the games themselves.

Captain Toad is obviously not Toad and never has been. Captain Toad first appeared in Super Mario Galaxy, while the main Toad first appeared in Super Mario Bros. (and was first singled-out in Super Mario Bros. 2 (USA)). There are several developer statements that prove this, as well as several descriptions.

That's right. We've made use of the technology cultivated through Super Mario Galaxy, and characters like Rosalina and Captain Toad, who came about through those games play a new role.

[Source: Yoshiaki Koizumi, Director of Super Mario Galaxy and Producer of Super Mario 3D World, Iwata Asks, November 2013]

Taking a cue from Mario Galaxy, there are games called "Captain Toad's Adventure," in which Captain Toad appears with his memorable little tune that goes "ta-dada-da-, ta-dada-da-".

[Source: Koichi Hayashida, Director of Super Mario 3D World, Iwata Asks, November 2013]

What is he Captain of, exactly…? Have you played Super Mario Galaxy™ on the Wii™ console? Well, during the events of that game the Toad Brigade was founded, with Captain Toad as its leader. Rumours that Captain Toad is the least reliable of the bunch are completely unfounded!

[Source: What They Say about Captain Toad, Page 5, Digital Manual of Captain Toad: Treasure Tracker, December 2014]

By the way, Captain Toad is actually not the same Toad as the Toad who's playable in games like Super Mario Bros. 2 and Wario's Woods.

[Source: Koichi Hayashida, Producer of Captain Toad: Treasure Tracker, Miiverse, December 2014]

[Super Mario Galaxy is the] First appearance of Captain Toad!

[Source: Super Mario Galaxy Fabulous Firsts, Official American Super Mario 3D All-Stars website, September 2020]

iJustine

…I was wondering, is Captain Toad the same Toad from the original Super Mario Bros.? How many Toads are there?

Shigeru Miyamoto

[…] So Captain Toad, y’know, appeared in Super Mario Galaxy and there were other Toads in that game too, but I think maybe Captain Toad is just a normal Toad who just happens to be wearing those captain-type clothes. (laughs)

[Source: An exchange between Shigeru Miyamoto and iJustine, Director of Super Mario Bros. and YouTuber, respectively, YouTube, December 2014]

Illumination did whatever they wanted with the story of The Super Mario Bros. Movie. Characters were merged or otherwise completely altered left and right, such as Donkey Kong the First and the modern Donkey being treated as one and the same despite having always been different characters in the games.

The main Toad has appeared in Super Mario Bros., Super Mario Bros. 2, Super Mario 64, Super Mario 3D World and Super Mario Run. He’s also mentioned in the manual of Super Mario Bros. 3, with several other potential appearances in main series games. That’s a better track record in the main series than a lot of characters, and with his appearances in spin-offs such as sports games, Mario Party games and RPGs Toad is a prolific and well-defined character. He’s a brave hero through and through, he’s selfless and he’s a long-time friend of Mario. While his spots are sometimes blue, they’re usually red and he consistently wears a blue vest.

Captain Toad is almost the complete opposite in terms of characterisation. He’s cowardly, he’s motivated primarily by his own greed and he barely knew Mario (if at all) before Super Mario Galaxy. He always wore red, separating his design from the main Toad’s.

Space Junk Galaxy does have an atmosphere, as does every Galaxy in the Super Mario Galaxy games as well as the moon in Super Mario Odyssey and Paper Mario: The Thousand-Year Door. As Slade Lucas point out, Super Mario Galaxy and Super Mario Odyssey, have breath meters, clearly demonstrating that Mario needs air and therefore has air in the areas he visits throughout those games. The atmosphere might be a little thinner in certain areas, but it’s definitely present. Mario cannot breathe in the void of space as shown in Super Paper Mario and even with things like the REXA Toads in Mario Kart 8. This is just wasn’t thought through on Lucas’ part.

Whether or not Mario has an air meter in any given game is simply a matter of gameplay and says nothing about whether Mario can or needs to breathe in-universe. We know Mario needs oxygen and holds his breath while underwater thanks to dialogue and animations. In older titles, it was not possible to implement an air meter for underwater levels. This has been carried over into many newer linear titles to allow for more simple level design. In-universe, however, Mario can never breathe underwater. In fact in Super Mario 3D World we can clearly see Mario and the others holding their breaths when underwater despite the lack of an air meter. A game deciding to not have an air meter for the sake of fun and accessible gameplay says nothing about in-universe lore or canon. Nobody in their right mind would consider that a lore inconsistency, especially not a game developer.

Koopa Troopas walk on all fours and can learn to walk on two legs, as is stated in Mario Superstar Baseball (translated from Japanese):

[Koopa Troopa is] A member of the Koopa clan, familiar to the Mario series. He can protect himself by putting his hands and feet inside his shell. Long ago, he couldn't even stand up wearing shoes, but after hard work, he's gone as far as being able to play baseball. He can do anything with skill, but since he's a turtle, he's slow on his feet.

We’ve seen Koopas who walk on all fours stand up in Mario Bros. and Game & Watch: Super Mario Bros. artwork. It appears shoes help Koopas stand upright, which explains why whenever we see them waking on all fours they aren’t wearing them. Clearly this isn't an inconsistency but rather a feature of the worldbuilding.

The Koopalings were retconned. Many people do not like this change, but that’s not an inconsistency. It’s not something they’ve gone back and forth on, it was a change they made a couple of decades ago to allow them to exist while considering newer lore. Explicit retcons like this are made for the sake of consistency and only prove that they’re considering an overarching narrative that needs consistent worldbuilding throughout these games.

In short, Slade Lucas bases their “inconsistencies” on personal bias, a lack of knowledge, gameplay mechanics and things literally done to make things consistent. Their arguments do not hold up whatsoever. Thank you for bringing your concerns to me, and I hope you found this response helpful!

[briarborealisart]

LET'S TALK ABOUT THAT AFTER CREDITS SCENE

it was all on a tape. all of it. every single part. a black, gloved hand pulled the tape out and that was it. the story was over. complete. 7 more generations to go.

was it hetch? i don't think so. i think it was The Founder. if the founder was the one who told hetch to run the experiments... of course they'd be watching

generation loss is a term that means the loss in quality or accuracy as we transfer information between storage types. what does this mean in the context of the show? we the viewer (and ranboo, too) were missing key points of information during the entire show. the end credits scene implies the whole thing we saw was being taped. im so excited to see what the next generations are going to look like, because the name implies reality is going to decay more and more as each one goes on

and also. you know what? the very beginning and the very end of the series had that red wire animation. the opening countdown to episode one had the wire animation, and then we traveled down the wire until we reached the post credits scene. guess where else we see that animation? Connected. the promo/trailer video. GOSH. this has so many implications. we're being connected to something outside, and that something outside is recording it and putting it on tape.

the Connecting... trailer description says "FROM ONE TO ANOTHER" in binary. so???? "another" implies the entity(ies) sending and receiving the signal share some quality or group identity.

and in the showfall media trailer? where the red text says "where is this signal going"? implying red hacked into the connection, rather than being a part of the show? "it already found him [ranboo]. it got everyone. everyone but me." COME ON. there's so much going on here that we don't understand. so many players and pieces that have only been hinted at. find and kill the founder has been our task since t_1 and we just now barely know they exist. and might be watching everything. and recording it.

so much to unpack from just a few seconds of after credits scene and im SO excited to see where we go from here

[jasonscaramel]

i guess only the stars would know the truth - chapter three - jason todd x reader

series summary: you transfer into gotham university's journalism program. simultaneously, people are going missing in gotham at record rates. it's only a matter of time before your curiosity gets the best of you.

words: 3.4k

cross-posted on ao3 | series masterlist

In comparison to how early you usually are, you’re running really late.

The first few weeks had lulled you into a false sense of security, and now you’re floundering a little. It’s like your workload has picked up tenfold, so the adjustment period has gotten a little bit longer. You’re not behind, just struggling to keep equilibrium. It’ll pass, you know it will, but you still feel like the epitome of flustered as you speed walk the remaining distance to campus.

You thankfully are only a few minutes late to class, giving Tim a sympathetic smile as you settle in.

“You didn’t really miss anything. She’s about to explain the group project,” Tim whispers in your direction, and you lean in to whisper back.

“Right on time. Thanks.” He nods in reply, and your attention goes back to the professor.

So you sit, willing your beating heart to settle as you listen to the professor outline the parameters of the project. A pitch presentation, which is easy enough. Just a quick turnaround time. That does mean, however, that you’ll a) need a partner and b) need to work on this outside of class.

You’re thankful that you’ve befriended Tim because now you have a built-in partner. You wonder what he’ll suggest for working outside of class. There are plenty of spaces on campus to go, but you wouldn’t exactly have peace and quiet. You’re not exactly ready to offer up your apartment, either, so you’re not in the position to be picky.

Out of the corner of your eye, you see Tim slip you a piece of paper. You grab it and slide it closer.

Wanna work together?

You can’t help your grin as you write back a yes!

Tim slides the paper back over so he can scribble for a moment.

My place later ok?

You nod, and he takes that as confirmation enough and wads up the small scrap of paper. You both return to listening to the lecture.

//

“God can she talk,” you mumble under your breath as you exit the class, Tim trailing behind you. He laughs in agreement, dodging a few people walking in the opposite direction to lead the way.

“No kidding. Alright, follow me. Cars waiting.” He began walking through the sea of people before you could ask any more questions, so you did your best to keep up with him.

When you get to the carpool line, you wonder what kind of car you’re about to get into. What you’re not expecting is Tim to make a beeline for the nicest car in the entire parking lot that had a hired driver sitting in the front seat.

As you began the drive, you realized there was no walking to Tim’s house. It made for a pretty long drive from campus, tucked away from the city.

You also realized that “house” is a complete understatement.

As the car pulls up, you begin to understand why you’re in a goddamn town car. The place is giant; Tim is loaded. Like, more money than god loaded. You’re trying not to stare or let your jaw hang on the floor, but it feels a bit involuntary at this point. You don’t think you’ve ever seen so much wealth in one space. This place rivals the castles you’ve seen on television.

Thankfully, Tim seems to be understanding, giving you a small, tight-lipped smile as the car is put in park. You pause, waiting for Tim to make the first move. He throws open his door and you follow suit, hoping to whatever god out there that you don’t make a total fool of yourself once you go inside.

The thought doesn’t leave you as he opens the door to the… mansion. If you thought the outside was extravagant, the inside is ostentatious. As you follow Tim through the hallways, you note that any one piece of decor in this home would pay off your rent for a good two years.

This is nuts.

“We’re, uh, gonna work in the library. That cool with you?” Tim asks, stopping by a set of shut double doors. You nod, not trusting your voice, and haul open one of the doors. He leads you to a large table surrounded by even larger bookshelves, putting his stuff down before returning to the doors. He props one of them open as you settle in, pulling out your old Macbook to get started.

“You know…” Tim sounds hesitant, and you look up at him, urging him to finish. “It’s okay if this is all… strange to you. I didn’t exactly prep you beforehand.”

A large breath of air escapes you in a dramatic sigh. “Oh, thank fuck. Seriously, dude, I’m not trying to be an asshole or anything, I’ve just never been somewhere this… fancy.”

Tim chuckles, and you can’t help but join him. It doesn’t feel like he’s making fun of you; it feels like he understands where you’re coming from. “No, don’t worry. You’re not being an asshole. I kinda forget you’re new around here, that’s why I didn’t explain anything.” He takes a deep breath, steeling himself for what he’s about to say next.

“I, uh, was the same way when I got here. I’d never seen anything so… extravagant. It-”

“It’s kinda irritating, isn’t it?” Tim is cut off by another man’s voice, and your head whips up to find the source. An extremely tall, broad-shouldered, gorgeous man stands leaning on the doorway, a cheeky smile on his face. A scar frames his pretty face and striking green eyes, and as your eyes trail further you see long sleeves that cover most of his tanned skin. Jesus, what is in the water at this place? You can’t seem to find your voice, so Tim speaks for you.

“Jason, we’re doing a group project, can you—”

Jason, a cocky smile still plastered on his face, holds up his hands in surrender as he interrupts Tim. “Not here to bug you. Swear. Just came to grab something.” He disappears behind a bookshelf, reappearing only moments later with two books held in one of his pretty, giant hands.

Not like you’re staring, or anything.

“Good to meet you, by the way.” He walks over to the table, extending his free hand out to you. “I’m Jason.” You reach for his hand, shaking it and giving him your name in return. The smile on his face only brightens, your hands refusing to let go.

Tim clears his throat, and you’re both reminded that he is, in fact, in the room with you. You drop Jason’s hand as your face grows hot. If possible, his smile grows.

“See ya later.” Jason waves on his way out, and you secretly hope you run into him again before you leave.

It was hard to focus after that. Tim didn’t say anything further about Jason, so you didn’t ask. Even though you had lots of questions. Eventually, you were able to get into a groove, knocking out a good bit of your project before it got too late. You had another week to get it done, but it was nice to get a chunk of it out of the way ahead of time. Now that it was late, however, you were starving. And your stomach immediately ratted you out by growling obscenely loudly with no warning.

Tim laughs, closing his laptop and pushing it further away from him on the table. “Yeah, it’s probably a good time to call it quits. Let’s go see what Alfred’s cooking.”

You don’t question who Alfred is despite desperately wanting to; you just put your laptop in your bag, throw it over your shoulder, and follow Tim.

He again leads you through the winding hallways of his home, and the further you get, the more you can smell something absolutely delicious cooking in the kitchen.

“Alfred, I—oh.” Tim stops in the doorway of the kitchen, and you have to slam on the breaks behind him so you don’t run into his back. There at the stove stands Jason, stirring something in a ridiculously large steaming pot, something out of a restaurant kitchen. You wonder how many people they need to feed.

“He ran to the store, we’re out of paprika. I don’t know if your friend likes chicken and dumplings, but there’s plenty.”

They both look over at you, and you briefly panic at the attention. When you don’t speak, Tim does for you. “Or we could go to the diner. Your choice.”

“We can stay here. I haven’t had chicken and dumplings in years.”

A grin fights its way onto Jason’s face, and he motions for you to come closer. You slowly shuffle closer to the stove, Tim not far behind you.

“Yeah, this is your thing, right? Tim said you transferred in from down south. Mind stirring for me?”

You grab the wooden spoon from Jason, subtly trying to watch him as he walks over to the pantry. “I mean, cooking isn’t my thing. But southern food definitely is. The lack of gumbo up here is frightening.”

They both snort out a laugh, and you’re suddenly reminded that Tim is still here, sitting on the counter next to the industrial-sized pot you’re stirring. It smells divine—like your grandmother's cooking. Whoever this Alfred is—he’s already a 10 in your book.

“Maybe you could teach me how to make it,” Jason proposes, returning from the pantry with a can of Tony’s and a huge pepper grinder. He moves into your space, hip-bumping yours to urge you just a bit out of the way. You keep stirring as he seasons the food, attempting to gauge Tim’s reaction without him noticing.

Too bad when you look up, Tim’s already looking at you, a small smile on his face. You return it stiffly before refocusing on the task in front of you. You hope whatever’s going through his head is positive.

“Yeah,” you finally find your voice. “That’d be cool. You’re already halfway there, using Tony’s. My grandmother would be proud.” You snort at the idea, and Jason gives you a soft laugh.

“I had a good teacher. Alfred is the best cook I’ve ever met.”

“He’s right,” Tim finally buts in. “Jason might be a good cook, but Alfred taught him everything he knows.”

“All I heard was I’m a good cook. Thanks, Timmo.” The grin on Jason’s face is contagious, you can’t help but return it. Tim even smiles despite himself.

“That compliment doesn’t leave this room. In fact—”

“Alright, boys, if you're going to argue, please do so outside of my kitchen.” An older man cuts Tim off from the doorway, a large paper bag in his hands. You feel Jason move around you as he approaches the man, taking the bag from him and over to the pantry.

“We’re not arguing. Tim finally admitted I’m a good cook.”

“Only thanks to you, Alfred.” Tim admits as he watches Alfred approach you and the stove. “That’s my friend from marketing class,” Tim gives Alfred your name. “We were working on a group project.”

“Pleasure to meet you. I see they put you to work immediately after.” You share a chuckle, and he motions for you to hand over the wooden spoon. You do it easily, and he gives you another warm smile and nods. “You’re free to go.” He jokes.

“It’s all good—I didn't mind.” You say.

Alfred, seemingly holding back a smile, says, “Then why don’t I put you all to work and get you to set the table?”

You follow Tim and Jason into the dining room, but they refuse to let you do any of the work setting the table. The dining room, just like the other rooms you’d seen here, was large and incredibly ornate. A crystal chandelier, a large wooden table that looked big enough for a small army, and more chairs around it than three times your average dining table.

Another thing about a house this big is that sound tends to carry. That’s why you jumped when you heard the front door slam shut. You hear Alfred greet someone, and then footsteps heading for the dining room. When you look over, you see two women standing in the doorway, smiles on their faces.

“Alfred says foods ready. Oh! Tim’s friend!” The blonde makes her way over to you, throwing her arms around you in a hug. “Hi. I’m Steph.” She pulls away to motion at the woman she came in with. “That’s my girlfriend, Meg.”

“Hi. Nice to finally meet you.” Meg says, and the confusion on your face must be evident because she laughed before continuing. “Steph and I have weekly double dates with Tim and Bernard. They tell us everything.”

“Its true. Baby, wait.” Steph says and races to pull out a chair at the table for her girlfriend before sitting beside her. “Nothing but good things about you though. Journalism, right?”

You nod before scanning the table, trying to figure out where to sit. Jason, standing behind one of the chairs, taps on the table at the spot between him and Tim and across from Steph. With the weight of that off your shoulders, you move around the table and answer. “Yeah, it’s a great program. It also seems like I’m in the right city, considering all the stuff that goes down here.”

You sit down and watch as Tim and Jason sit next to you in unison. The latter snorts. “No fucking kidding. It seems like every time I turn on the news shit gets worse.” Jason says, adjusting in his chair.

“You’re not lying.” Meg pipes up. “There’s been I think fourteen disappearances in the span of… what? Two months? I’m not an expert, but that seems like a lot.”

The group murmurs in agreement but no one really knows what to say at that, because she’s right. It’s definitely weird. The lull in conversation is quickly broken by Alfred bustling into the dining room, Dick, and a younger boy in tow.

You’re introduced to the younger boy, Damian, as dinner is served, and find yourself observing the meaningful chaos around you. He doesn’t speak much, but you can’t blame him. There are a few empty seats, and you have a feeling that someone usually fills them, but no one seems upset. Just content at the company they do have.

Jason keeps asking you questions. Whispers, barely discernable even to your own ears. Asking whether or not you like the food, if all of this is too much for you. Despite his rough, cocky exterior, he seems like a genuinely kind soul. You hope you get to see more of him in the future; something about him makes you want more.

//

After saying your goodbyes to the majority of the group after a long, delicious dinner, it’s just you, Tim, and Jason heading toward the front door.

“I’m gonna go pull the car up.” Tim says, ducking out the front door and shutting it behind him. You watch him go before Jason speaks, commanding your attention.

“Could I, uh—could I get your number?” Despite how big and scary Jason might seem at first glance, you wonder how anyone could ever think that after getting to know him. You’ve only known him for the one evening, but you already feel like you can trust him. There’s something about him that seems magnetizing; his energy is safe, comforting, and inviting. How could you refuse him?

“Yeah. Of course.” You can’t help your grin when he hands you his phone and lets you type in your number. “Text me anytime. I’m never off my phone longer than… well, maybe a lecture.”

It’s his turn to grin as he pockets his phone. “Where there’s a will there’s a way, sweetheart.”

Your stomach flutters, and you wonder when the last time you had butterflies was. High school? Ever? Not like this.

“Oh, there’s a will, so…” You trail off when you hear Tim honk outside. “Later, Jason.”

“See ya, sweetheart.”

You rush to the car, face warm with excitement, desperate to outrun the sudden rain even if it isn’t possible. Thankfully Tim doesn’t seem to mind when you sit in the passenger seat soaked from the rain.

“Where to?” He asks, and at first, you freeze. You’ve seen where he lives, it’s only… well maybe fair isn’t necessarily the right word. But it feels like you can safely give up your bit of information now that you know his.

Only, the issue is, your place is decidedly not anything like his. And it’s not a bad thing, as your place is pretty damn good for the price, but it’s definitely something you’re beginning to worry about. It’s Tim, though. He’s been very kind to you since the beginning, and there’s no evidence that he’d use this as an excuse to be an asshole. So, you give him your address.

“Oh, cool. Roy lives there. I’ll have to introduce you sometime.” Your nerves settle; you’re so grateful to have met this guy. He puts the car in drive, windshield wipers on full blast as he drives you through the city. It’s a peaceful drive, most of the traffic having already died down by now. You sit in a comfortable silence, occasionally answering whatever questions or comments Tim throws your way.

He drops you off at the front door with a goodbye and a wave, promising to text you when he gets home. As you make your way up and into the stairs to your apartment, you feel your phone buzz. You grab your laptop and plop onto your couch before reading the message from an unknown number.

Unknown: Hey, it’s Jason. You make it home okay?

You: Sure did! It was really nice meeting u btw

As you wait for him to respond, you save his number on your phone. Loading up your laptop, your mind goes back to what Meg said earlier at dinner. Fourteen people in two months. That’s definitely not normal, even by Gotham’s standards. What the hell is going on here?

When it comes to research, you’ve always found the starting point to be the most difficult. Where do you begin? What do you start with? You figure you need to start somewhere. As you search Gotham missing persons in Google, your phone vibrates.

Jason: I really enjoyed meeting you too. You should come back to the manor soon.

You: Well Tim and I still have that project soooo…

Jason: Perfect.

You: :) Goodnight. Hope u sleep well

Jason: Night, sweetheart. Hope you do too.

And suddenly, the feeling of butterflies returns. You wonder if this is just his personality or if he’s just baseline flirty. You really hope not, you’re not sure your heart can take it. Something about him just makes you want to know more. You’re not sure if it’s the fact that he seems to be a caring, nice, intelligent guy, or if it’s the fact that he’s drop-dead gorgeous. Neither hurts, you’re sure about that.

Before you hit the hay, you’re determined to save a few good articles to begin your research tomorrow. Your professor canceled this Tuesday’s class a week prior, so despite your workload, you’ll have enough time to work on a personal project.

You save a few links into a Word document before adding Gotham Gazette into the search bar. Maybe, if Dick ever came through with that contact, you could ask her to point you in a better direction.

After saving a few seemingly interesting sources, you shut your computer with a yawn. Before moving here, you could stay up until two a.m. no questions asked. Now, you’re lucky to get past 11. You blame all the walking; your hometown was definitely not walkable.

You pour yourself a glass of water from the filtered pitcher in the fridge before moving to your bedroom to put it on your side table. Heading into your bathroom, you stare at yourself in the mirror before willing yourself to do an abridged version of your nighttime routine. After piling into bed, you heave a deep sigh.

You feel good. Now on the outside, thanks to skincare, but mostly on the inside. Something about being around everyone tonight made you feel welcomed in a way you haven’t since you arrived in Gotham. It had been a rocky (almost) month, but you finally feel like you’ve carved a place out here.