#the others are pretty straightforward when it comes to this

[therealcocoshady]

Kinktober - Day 23 - Cockwarming

Kinktober 2024 Masterlist

A/N : so, my first attempt at doing Kinktober taught me that one of the pros of using someone else’s prompts is that you don’t have to come up with them by yourself. Sadly, it has also taught me that one the con of using someone else’s prompts is that… well, you end up having to write things you’ve never tried before 🤣. Anyway, this is my attempt at writing something « cockwarming ». Shoutout to people on Reddit who shared their experience on various posts. Really couldn’t have done it without them 😅. Oh, and this is Dom!Marshall x Sub!Reader !

CW : Smut? - Cockwarming - Anxiety

It had been a couple of months since Marshall had agreed to show you more of what being a submissive entailed. He was a great teacher, willing to answer any question, offering detailed explanations, putting the emphasis on consent and safety. Obviously, this brought a shift to your friendship dynamic. You weren’t just buddies anymore. There was something deeper there, something based on trust and intimacy. Both of you had access to parts that each other kept hidden. In the past few weeks, Marshall had gotten to know your body like the back of his hand, as well as your mind. He was able to anticipate your needs, knew exactly when he could push you further or when it was time to hold back. And, in spite of the rigid structure inherent to the weekends you spent at his place, that the untrained eye would identity as some distance between the two of you, he had become some sort of safe place for you. Not only as a close friend but also as your Sir.

You’d had a really rough week at work. Not only was your boss even more of an asshole that usual, but you had been assigned to some big project that had you stressed out. The anxiety was paralyzing and the tension followed you home, too. Even out of the office, that thing remained on your mind. And for the first time, you weren’t sure you’d be able to last a whole weekend with Marshall. You had texted him a few days earlier, letting him know how you were doing (as part of your agreement). You had been pretty straightforward and expected him to cancel, but he seemed pretty adamant on having you come over as usual. And when you showed up, as soon as he opened the door, he took notice of how disheveled you look. Big dark circles, eyes glistening with exhaustion and a drawn out stance. It didn’t take a genius to tell you were a mess. You looked down, bowing your head as he had taught you, waiting for him to invite you in.

Contrary to what was usual, he pulled you into a warm embrace, one that reminded you of the ones you’d shared as friends who showed up for each other during hard times. You leaned into it, closing your eyes, though you had a hard time letting go of all the tension. He seemed to notice it and gave you a reassuring smile before kissing your forehead. « I know you had a rough week, » he said in a tone that with both firm and gentle at the same time. « You don’t have to worry about anything now. You’re here with me and I’m in charge ».

His tone did not leave room for argument or doubt. You nodded, anxiously hoping that he wouldn’t go too hard on you. He had never given you any reason to doubt the fact that he’d make your comfort and wellbeing a priority, but you were the one you didn’t trust. You weren’t even sure what your own limits were. Everything in your mind was blurry, noisy and messy. You took a deep breath and entered the house. And as was now usual, you put down your bags and knelt in the foyer, waiting for him to properly greet you and give you your instructions. He stood before you, his hand gently patting the top of your head. « Good girl. Welcome home. » he praised in that low voice of his. « You may go to your room and get ready. Your checklist is on the bed », he instructed.

You nodded and did as you were told. It was the same start every weekend : you’d kneel, he’d greet you and you’d go to make yourself at home in the guest bedroom next to his. Then, you’d take a shower, put on the clothes he instructed you to wear and read the checklist he had prepared in advance. Most of the time, it was the same thing : you were in charge of making dinner for the both of you, as well as doing some reading on submission. Some other tasks included helping him sort out his cassette collection or library. On occasion, if he had a specific event coming up, he tasked you with outfit recommendations. This time, however, the checklist was pretty brief : «Put on comfy clothes - No chores - Rest - Obey».

When you walked back downstairs, you found him on the couch, scrolling on his phone. He glanced and your direction and gave you a nod, signaling he was happy with your outfit choice. He gestured for you to have a sit and you noticed that a cozy blanket and a cup of herbal tea were waiting for you. « Figured you’d need this. Take a moment and have some tea. I’ll be right there. » he instructed. You settled onto the couch, wrapping the blanket around your shoulders and cradled the mug into your hands, the warmth seeping onto your skin. You took a sip, the comforting taste calming your nerves, and let out a small sigh. Normally, simply being in the house would be enough for your mind to go quiet but not this time. You closed your eyes and tried to focus on your surroundings, the comfy couch, the familiar smell… but you kept on replaying moments of the past week. Your boss yelling at you. Your colleague pressuring you about the deadline. Instinctively, your hands clenched around the mug. You felt Marshall’s hand in your back, rubbing comforting circles. None of you spoke for a while, before Marshall cleared his throat, signaling for you to look at him.

« This weekend, I want you to let go and rest, understood? », he said, his gaze meeting yours with quiet intensity. « You’ve been pushing yourself and now, I’m going to take care of you », he added. Your eyes softened at his words and, though you found yourself nodding, you were met with a surge of anxiety. You didn’t want to be a burden. And you didn’t want him to think you’d given up on your progression as a sub either. « Thank you, Sir. But you don’t need to-», you began. He silently raised an eyebrow, making you shut up instantly.

« Who am I to you right now ? » he calmly asked. « You’re my dom, Sir », you replied softly, looking down. « Which means you are…? » he asked again. « Your sub, Sir », you replied. « That’s right. You’re my sub. Mine. And I take care of what’s mine. » he said firmly, in a tone that didn’t leave room for you to second-think. You nodded and he cupped your face, his thumb gently brushing your skin. You finished your tea and he led you to the movie room where he put on a movie, in an attempt to distract you. He was sitting on the couch while you were at his feet, sinking into the soft carpet, your head resting gently against his leg. One of his hands was in your hair and his presence grounded you.

You enjoyed the movie, but it still wasn’t enough to put your mind to rest. Contrary to your habits, you were fidgeting, nervously biting your lip, the skin around your nails. Marshall kept on swatting your hand but you couldn’t stop, much to his exasperation. « Stop doing that », he scolded. « Sorry, Sir. Can’t really help it. », you apologetically replied, to which he rolled his eyes. « It’s stressing me out. And you’re going to hurt yourself.» he continued. « Sorry », you mumbled, without really stopping. He firmly grabbed your wrist and watched you intently. « Y/N » he said sternly. « It’s an oral fix- » you began, though he cut you off with a loud sigh. « Do you need me to help you with that ? »

You looked at him, trying to scan his face to make sure what he was implying. Your eyes traveled to his crotch, then back to his eyes. You were about to make a comment about him just needing to tell you to get on your knees if he wanted you to satisfy him when he clarified it. « Not asking for a blowjob » he said. You looked at him, slightly confused. « So, uh, what is it, Sir? » you asked with a raised eyebrow. « Just you, keeping it in your mouth. Ever heard of cockwarming? ». You nodded. You’d vaguely heard of it but you had never found it too appealing. In your opinion, it kind of lacked the fun of an actual blowjob and you didn’t quite see the point. « Some people like it. They say it’s soothing,» he continued. « We can give it a try if you want. It’ll be less disgusting than… you biting your nails or whatever ». You nodded after a couple seconds of consideration. Worst comes to worst, you’d find it disgusting and wouldn’t try it again. Plus, if there was anyone you trusted with this, it was him. And in the best case, it might actually work. « Words, doll » he ordered. « When it comes to anything like that, I’d rather have you verbally consent », he added. « I consent to trying it, sir », you said with a slight smile, finding it quite endearing, the way he always made it feel safe. He nodded, seemingly satisfied with the answer. « So, uh… I just… put it in my mouth and not move? » you asked. He chuckled and shrugged a bit. «That’s the idea. You can gently suck and lick if you feel like it, too» he nodded. « But is that going to be… enjoyable? » you asked again with a raised eyebrow. « For me? Yeah. It’s agreeable. Pretty intimate, too. Might be enjoyable for you too. Apparently, it does a great job satisfying oral fixations. You’ll tell me. If you don’t like it, we stop. And you know the safe words and moves anyway, don’t you ? » he said with a smile and you nodded.

He moved a bit on the couch, before lowering his pants and boxers, letting his cock spring free. It was in a semi-soft state in which, not to toot your own horn, you weren’t use to seeing it often. You almost found it unsettling, not seeing it fully erect. He gestured for you to come and you settled between his legs, comfortably curling up and wrapping your mouth around his dick. You looked at him for a few seconds, as if to make sure you were doing it right. He gave you a small nod and a reassuring smile, before running a hand in your hair. « Good girl », he praised softly. « Now, try and relax, ok? ».

Much to your surprise, you didn’t find it as weird as you thought you would. Sure enough, you’d never had a cock that wasn’t fully hard in your mouth, nor were you used to not doing anything to it once it was in. But it wasn’t nearly as uncomfortable as you expected. And it wasn’t disgusting either. In fact, he was right : it did do a good job at satisfying the oral fixation. As someone who had always been sort of « orally centered », there was something relaxing to holding him in your mouth. Soon enough, you let your mind wander, shifting your focus from work to your dom, who gently stroked your hair and neck. You instinctively suckled, not exactly on purpose, but you could hear Marshall humming lightly. You stayed like that for a while, enjoying the contact and intimacy of it, while the TV show played in the background. «All good, doll? », Marshall asked after a while. You let out a soft hum, your mind kind of elsewhere. He let out a soft chuckle and a « Good girl » escaped his lips. His fingers found the back of your head, stroking in soothing motions. You found yourself in some kind of meditative space, halfway between relaxation and submission. Finally. What you enjoyed the most. The point where the noise in your head went quiet and nothing outside really mattered.

You’d had enough conversations with Marshall to know what sub space was but you had never experienced it. In the back of your mind, you wondered if, perhaps, that was it. You were feeling both vulnerable and connected to your dom, your body feeling as if it were « floaty ». You were not exactly sure where you were, or how long you stayed like this and, frankly, you didn’t care. You felt serene, as if you were exactly where you belonged. Marshall’s fingers traced your scalp, your forehead, your cheek, grounding you, reminding you of his presence and him being in charge.

You could feel him twitch slightly in your mouth, hardening and softening at times. You went with the flow, instinctively shifting your position. At some point, however, it became too challenging for you to hold him in your mouth, to even breathe. It kind of took you out of your zone and you took it out of your mouth as you came to your senses. You looked at Marshall, who was seemingly zoned out. He gazed at you with a smile, his eyes full of silent praises. «All good, sweetheart ? » he asked in a low voice. You nodded, smiling at the sweet pet name. « All good. Thank you, Sir » you replied quietly. He cupped your face and let his thumb stroke your cheek. «There it is. That smile. Missed it. » he teasingly commented, making you blush. « So? I take it that you didn’t hate it? » he asked with a grin. « I didn’t » you agreed. « It was nice ».

« I’m glad » he hummed. « Wanna keep going? ». You lowered your gaze, noticing he was still fully hard. « Don’t think I’ll be able to hold it, Sir. Not like… this » you softly commented. He looked down and let out a chuckle. «Ah. Sorry. Side effect. » he replied with an unapologetic smirk before putting his boxers and pants back in place. « Means you’re a good girl », he added with a wink. You felt a familiar warmth through your body and for a second you wondered if he was aware of the effect his praises had on you. You let out an involuntary giggle before blushing and looking down apologetically. « Didn’t think you’d find me so funny » he said with a raised eyebrow. You shook your head, indicating it wasn’t that. He crossed his arms and stared at you. « Why don’t you share, then ? » he suggested with a smirk. « Before I punish you for laughing in my face », he added in a low voice. You looked at him and blushed slightly before tentatively explaining. « I, uh… I was wondering if it was an acronym, sir », you awkwardly replied, failing to hide a goofy smile. « An acronym? » he repeated, clearly not getting the pun. « Because it stands for me », you mumbled, trying not to let out the goofiest snort. He stared at you intently, sternly for a few seconds, before breaking character and face palming himself, letting out a loud chortle. « Oh Jesus Christ, Y/N » he sighed with a laugh. « Sorry » you giggled before looking down. He pulled you closer to him, wrapping an arm around your shoulders.

You exchanged goofy smiles, both of you enjoying the moments when your friendship bled into the dynamic. «If the bad jokes and lyric references are back, I think it means you’re feeling better » he chuckled. You nodded and gave him a sincere smile. « I do. Thank you Sir. You’re a good dom. And a great friend. » you said with a heartfelt gratitude. He chortled and nodded. « I mean, it’s nothing special. Friendly cockwarming. It’s a thing. » he deadpanned. You couldn’t resist playing into it. «Makes sense. I might remember that next time work brings me down and ask my office buddy for a friendly favor » you playfully replied. The humor in your voice was unmistakable but it didn’t prevent him from squinting and his eyes from going darker. « oh yeah? Anything you want to share, doll ? » he asked sternly.

You gave him a smile and shook your head. You were well aware of the rules : the whole dynamic was basically a friends with benefit arrangement and, if you wanted to date or be involved with someone else, you were free to, but it would mean his domination would become strictly platonic. « There’s no one else, Sir. » you hummed. «I’m all yours », you added in a whisper, though you knew he could clearly hear it. « Good. I like the sound of that. You’re my good girl » he praised in a low voice, his face inching closer to yours. « I like being yours, sir » you added under your breath. You saw a smirk form on his face and, without adding anything, he pulled you to him and his lips crashed into yours, sending jolts of electricity through your whole body. You thoroughly enjoyed him having such a primal reaction. And it was quite rare, too. Most of the time, your dynamic didn’t involved a lot of flirting and teasing. Kissing, too, was quite rare. That being said, you found it quite exhilarating.

His kiss was possessive, not leaving room for doubt. His hands moved to your waist, his hold on you feeling fierce and raw. Though you were used to letting him be in control, this time, you couldn’t resist responding eagerly. Your body melted into his, your lips soft and insistent against his. Marshall’s hand slid up to the back of your neck, his fingers tangling in your hair as he deepened the kiss, a quiet growl escaping his throat as he claimed you fully. It was empowering and intoxicating, noticing the way he reacted to your submission. And you’d be lying if you said you didn’t enjoy him being territorial. As your mouths parted, in order to allow for some much-needed breathing, you slightly pulled back, realizing that, regardless of how enjoyable it was, you might be overstepping. « Sorry, sir », you whispered before lowering your gaze. He shook his head and cupped your cheek before capturing your lips in another kiss, this one slower and deeper that had you surrendering, melting against him. The kiss deepened, your bodies pressed close as you lost yourselves in each other. You already knew he was rock hard, obviously, and you could feel it through the fabric of his clothes. You were slowly grinding against each other, as you let him take the lead and instinctively followed his movements. « What can I do for you, Sir ? » you asked as you bit your lip. Your desire had you feeling as if you were burning from the inside, and you were dying to have him telling you to get on your knees and get to work. He smiled and placed a tender kiss on your lips before shaking his head. « You’re not doing anything for me, this weekend. I’m taking care of you, remember ? » he reminded you. « What do you have in mind, Sir ? » you asked. « At least a couple of orgasms, and maybe some more friendly cockwarming. There’s more holes for us to try », he replied with a promising smile.

[tetedurfarm]

i promised y'all recipes but i forgor

it's ok im fixing it now tho

anyway. hi. hello. i eat a lot of rabbit. i am also blessed by god to be one of the few, the chosen, the descended from the acadians who were blessed with the ability to cook food that doesn't suck. you can trust me. màmaw cécil's ici.

just a fair warning though these recipes kinda assume you have basic cooking skills, and things are measured with the heart as my ancestors intended.

onward to the recipes

the tried. the true. the rabbit gumbo

one whole rabbit

half an onion

one package of andouille sausage (or other spicy pork sausage)

a bell pepper if you like

some okra if you like

some garlic

a jar of dark roux (savoie's is my go-to)

tony chacherie's

tabasco

filé

a good long-grain rice

debone the rabbit and cut into chunks, or pressure cook until it falls off the bones. you can also cook the rabbit IN the gumbo but this method takes a long time and is a PITA, but you do get all the good rabbit grease in the gumbo.

fill a large stock pot about 3/4 the way up with water and set to boil. add salt until it's salty to the taste. add about five to seven heaping spoonfuls of roux and let it dissolve while the pot comes to a boil.

while you wait, chop the onion and bell pepper into a rough dice and add it to the pot. i'm sure someone's màmaw will tell you what to do with okra, but i don't like it so idk. i just know some people put it in their gumbo. not me tho. tbh i don't even like bell peppers but it's traditional. anyway you can put some garlic in too. and tony's. lots of tony's.

cut the sausage into about quarter inch rounds and throw 'em in too. if you did not precook your rabbit, add it now. if you did precook, you can add it once the vegetables and sausage are cooked. around this time is also when i put the rice on.

once all the meat is done cooking, taste for seasoning and adjust as desired. it should be salty and a little spicy (or a lot, if you aren't a coward.) now all you have to do is wait for the rice to finish.

when everything is done, scoop some rice into a deep bowl (a soup crock is ideal) and pour gumbo over, making sure you get a bit of everything. top with tabasco to taste, and a healthy dash of filé.

some variety of sausage

1 - 2lbs of ground rabbit

soy sauce

garlic rice wine vinegar (if you can't find it, normal RWV works just add more garlic)

rubbed sage

garlic powder

minced garlic (if not using garlic RWV) (or if you just want it)

brown sugar

drizzle a little oil (i like using sesame oil) in a saucepan and put in ground rabbit. as it cooks, cut it up into small chunks with your utensil. once it's cooked, throw in all the rest of the everything and season with salt and pepper and a little msg if you got it. measure with your heart and taste as you go. you are shooting for a sort of savoury-sweet thing going on. it should be closer to a breakfast sausage in taste.

this goes really good in a dumpling, fried into a patty, or turn it into a white gravy with some milk and flour and put it over rice with creamed corn for a nontraditional but still delicious rice and gravy.

german rabbit stew

this one is just a link because someone else made it up but it's real good: https://honest-food.net/german-rabbit-stew/

alfredo mushroom rabbit pasta

roughly one cup per person's worth of cooked, shredded rabbit

as many portobello mushrooms as your heart desires

minced garlic

a jar of alfredo (or make your own i ain't your mom)

your pasta of choice

pretty straightforward. put your pasta on to boil (we like penne.) chop up your mushrooms and sweat them out in a saucepan. when they're cooked enough, toss in the alfredo, the minced garlic, and your rabbit. season with salt/pepper/whatever else you like to taste. when the pasta is done, combine pasta and rabbit mixture and enjoy

just the filling part of pei wei's lettice wraps but on rice instead

1lb ground rabbit

half an onion

garlic

hoisin sauce

teriyaki sauce

hot chili oil

green onion (grunion)

sesame seeds

short-grain rice

set your rice to cook. when it's almost done, roughly dice onion and set it to cook in a little oil (i like seasme for this.) when it turns translucent, add ground rabbit and garlic. once the rabbit is cooked, throw all the other sauces in to taste. it should be hoisin-forward, a little sweet and savoury. add some cayenne and more chili oil, maybe some gochujang, whatever, if you want more spice. eat it with rice and top with sesame seeds and grunions, i like some shichimi togarashi too sometimes. maybe a lil fried egg if you're feeling sassy.

i made this up from a dupe recipe for a lettuce wrap i liked at a restaurant so you could put it in lettuce too if you wanted. i just don't ever buy a whole head of lettuce.

weird midwestern chili

1-2lbs of ground rabbit

half an onion

garlic

one large can or two small cans of petite diced tomatoes

1-2 habañero peppers (or none if you're yankee)

some sort of stock or broth, or water and a bouillon cube

chili powder

sometimes corn is nice in this if you have it

pasta of your choice

i use my instant pot for this, but you can do it without one in a normal stockpot, it'll just take longer.

brown the rabbit in a little bit of oil with the pot on sauté. while you wait, chop up the onion, garlic, and papper. when the rabbit is browned, throw everything else in the pot besides the pasta. pressure cook for about 15-20 minutes.

in the meantime, set a pot of pasta to boil. we like farfalle.

when the chili is done cooking, season further to taste with more chili powder, cayenne, tony's, whatever you like. serve on the pasta. i know, i know, it ain't chili to me either, but that's what my friend's minnesotan family calls it and whatever it is, it's damn good so i forgive them.

rice that is dirty AND ugly

1-2lbs ground rabbit

half an onion

garlic i guess

about four or five rabbit or chicken livers

long-grain rice

tony's

set the rice to cook. brown the livers in some oil until they are just barely not-raw. then blitz 'em up in a food processer until they are mush. while you do this, brown some ground rabbit and onion and garlic if you want it in a saucepan. when it's browned, add the livers and just. stir it all together. does it look horrible? you're doing it right. season to taste once it's cooked through. add in rice and mix. i promise to god it tastes better than it looks.

for bonus points, mush dirty rice into balls and dredge in egg and seasoned cornmeal and deep fry or air fry until golden brown. ta da, your very own boudin balls.

i guess you can also run the mixture into a sausage casing for 'normal' boudin too.

('but what about the gizzards cecil' i have tried for years and i can't make gizzards palatable. they just end up weird and tough and i don't like the texture in the dirty rice. you know how to make 'em work, you go for it.)

mexican meatloaf that is neither mexican nor meatloaf

1lb ground rabbit

half an onion

garlic

one can of petite diced tomatoes

one can of whole corn

one can of pork n beans

(optional can of kidney beans or other bean you like)

taco seasoning

shredded yellow cheese

sour creme

tabasco

fritos

chop onion into a rough dice and put in a saucepan with a little oil. when onion is translucent, throw in rabbit to brown. when meat is cooked, thrown in everything that comes in a can, and the taco seasoning. i use about half a packet, but you can do to taste. once it's cooked, spoon over fritos and top with shredded cheese and sour creme. i like a dash of tabasco too.

absoutely a 'hear me out recipe' but if you like frito pie you will probably like this. most importantly, though, it makes a TON of food and for very cheap. excellent end of the month meal. also idk why it's called mexican meatloaf that's just what my mom named it and i'm pretty sure she made it up herself lol

rabbit jambalaya that makes my ancestors cry

approximately one half a rabbit's worth of shredded rabbit

one can of petite diced tomatoes

andouille or other spicy pork sausage

half an onion

bell pepper if ya like it

celery if ya like it

rabbit or chicken stock/broth

tony's

long-grain rice

if you are starting with a whole rabbit, either debone, chop into chunks, and cook, or pressure cook the rabbit until it falls off of the bone. set your rice to cook.

chop veggies and toss em in a saucepan with a little bit of oil or butter. sauté until soft, then add your tomatoes, broth, andouille, and rabbit. when it's all warmed through, add the rice in and mix. season with tony's, crab boil, cayenne, whatever, to taste. put some tabasco on that bitch before you eat, and enjoy.

(my ancestors cry because i'm cajun and traditionally we don't put tomatoes in our jambalaya. mais c'est bon, escuse-moi les anciens.)

creme cheese rabbit joes or whatever

one whole rabbit

one block of creme cheese

one packet of ranch seasoning

jar of pickled jalapeños

shredded cheddar cheese

your favourite burger bun

we use an instant pot, i guess you could probably do it on a stove if you had to but keep an eye on the liquid levels. pressure cook rabbit with half of the ranch seasoning packet and as much jalapeño juice as you want (it should have a kick.) when meat is tender, remove bones and drain liquid into another container (it makes a great stock if you want something with a little pizzaz.)

turn the instant pot on saute, and then put meat, creme cheese, cheddar cheese, jalapeños to taste, the rest of the ranch powder if you want, and as much jalapeño juice or the stock you just made until it's the consistency you want. it should be pretty creamy and a little gloopy. toast your buns, slop the goop on, and enjoy.

well these are the ones i can remember off top my head/that i actually eat regularly. we also make burgers and stir fry and curry rice and shit too, but those are like...y'know. don't really need a recipe for burgers and stir fry.

go forth and eat your fuckin animals

[thelampisaflashlight]

Lakeside

[This got longer than expected. Dew gets introspective with Rain.] Below the cut.

Dew lays sprawled out on the dock, legs dangling off the end just above the water, a hand thrown over his face to block out the sunlight filtering through the clouds, turning his head slightly when he hears Rain approaching and giving a little huff of acknowledgement.

"Feeling alright?" Rain questions, crouching down beside his friend, deliberately leaning over him to cast his shadow over his form.

"Not really, no." Dew mumbles, "I came out here to get some fresh air, but... I dunno. Head hurts from thinking too hard about bullshit, and I just... It's nice out here, cold, but nice. Calm, quiet..."

"Did something happen?" Rain asks, moving to lay down next to him.

"Ehn... Yes and no." he says, closing his eyes and letting his hand fall slack at his side, "Talked to Aether about some stuff... feelings stuff. We're good."

"But?"

"...When you..." Dew bites his lip, "D'you think Mount and me come off a-a certain kind of way?"

Rain rolls onto his side, propping his head up with his palm.

"Like, gay?"

"I mean, I guess that's what I'm..." Dew makes a grumbling noise in the back of his throat, "If I said that wasn't the case, what'd you think?"

"That you're not gay or that the two of you aren't an item?"

"See that's-" The other ghoul finally sits up, running a hand through his hair, "It's not that I'm NOT, ya know, into dudes I'm just... It's complicated, and, like, with Aeth, people thought we were a thing for a while but we weren't, and then with Mount, we're buddies and all, but he isn't into me like that, and he's not totally my type, and I just..."

Dew shakes his head.

"Why is it that when it's ME in these kinds of situations that people think I'm dating my friends?"

Rain shifts and sits up as well, shrugging, "Honestly, I couldn't tell you why. I guess, maybe, people see that you're happy or comfortable around someone and they just assume... You know. That you're into them, maybe."

"But they don't do it when I'm around Cumulus or Cirrus, now do they?" Dew points out, "Why's it only when I'm friendly with a guy?"

The water ghoul clicks his tongue.

"What?"

"Real talk?"

"Noo... Don't do this, come on-"

"Dew, I'm gonna have to level with you." Rain starts, placing a hand on his shoulder, "When you like a woman, it's obvious, yeah?"

"Yeah...?"

"When you like a guy... it's really, really obvious."

Dew scoffs, "No it's not-"

"The waiter at that restaurant in Spain, who you kept eyeballing all night."

"Now hold on, I just wanted free tapas-"

"That time that guy at the bar rolled up his sleeves and you almost passed out because all the blood rushed from your head to your-"

"Hey, that was objectively sexy-"

Rain snorts, "I'm not arguing with you, I'm just saying that compared to how you treat women -which, you know, you're respectful and that ain't a bad thing- you treat men more like... like something you wanna fuck, I guess... I dunno, I wanted to put it more eloquently than that, but that's pretty much the most straightforward way I could think to put it."

Dew tents his fingers, deep in thought.

"So what you're saying is that because I don't objectify women, but DO objectify men... people think I'm gay?"

Rain tilts his head and then shrugs.

"Are you saying you're not gay?"

"NO!" Dew shouts immediately, "I mean, no, but... maybe-Augh! I like both, I guess, I just... with women it's like... Women... ya know? And with men it's like... men."

Rain blinks.

"Jesus Christ..."

"Oi, no need for that kind of language now." Rain jokes, then clears his throat, "I kind of get what you're saying, I guess... You like women, you're attracted to them, but with guys it's more... physical, would you say?"

Dew makes a face and pinches the bridge of his nose between his thumb and forefinger, the tips of his ears turning a bright shade of pink.

"I mean, yeah... Yeah, that'd be..." he swallows, "When you put it that way, it just sounds so... Don't tell anyone I told you about this."

Rain mimes zipping his mouth shut.

"Your secret is safe with me." he says, "But, Dew, there's nothing wrong with liking men, even if your attraction to them is different from the kind you feel towards a woman..."

"Thanks..."

"No problem."

Rain leans back on his hands.

"Question though."

"If you say something stupid right now, I'll smack you like I did Aether."

"When you think about yourself with a guy-"

"...Are you seriously asking me if I'm a top or a bottom right now?"

Rain gives him a once over before meeting his gaze.

"I was actually asking what your type is, I can already hazard a guess as to-OW! YOU BIT ME-"

[mywitchyblog]

Hello! I’ve just read your post about respawning and permashifting and I love it! Though I have question about respawning since I pretty much adopted respawning other than permashifting like I used too mainly due to the fact I’m not coming back here. Like you said in your post, respawning can be consider in some cases spiritual, Particularly with planned reincarnations and all that other stuff relating to it. My whole thing is does it have to be spiritual? Like can just be something simple like permashifting where you just shifting with the intention of not coming back anymore while your typical stand in/version of you just stay behind and live our old life normally. I know this is kinda of dumb question but I just gotta ask cause I even though I do believe in some spiritual practices and concepts, I’m not that very spiritual.

Alright, babe, let’s get into it. So, does respawning have to be spiritual? Is there some universal rule that says, "Honey, if you’re respawning, you gotta bring out the incense and crystals"? Absolutely not. Respawning doesn’t have to be spiritual unless you want it to be.

Respawning and Spirituality: Is it Really That Deep?

People have been throwing “spiritual” around when it comes to respawning because, let’s face it, the idea of moving on to another life can sound mad ethereal. Like, there’s this whole vibe of leaving this world for another, so naturally, people connect that with concepts like reincarnation, the afterlife, higher planes of existence, etc. But, just because something has that “spiritual” ring to it doesn’t mean it’s inherently spiritual for everyone. That’s the gag with shifting and respawning: they’re blank slates. You paint them however you want.

Some folks see shifting as a deeply spiritual practice because it feels that way to them. They might associate it with reincarnation or even ascension, like they’re leveling up or tuning into a higher frequency of their being. Respawning, in that framework, is basically saying goodbye to this life on a soul level and fully embracing their DR as if they’re reborn. So yeah, for those people, it is spiritual. But, babe, that’s their lane, not yours.

The Scientific and Quantum Side of Respawning

Now, let’s talk science for a sec. Just because something sounds mystical doesn’t mean it can’t have a logical, no-nonsense explanation behind it. Some people look at shifting through a more scientific or quantum lens. Ever heard of the Many Worlds Theory? It’s this idea in quantum mechanics that every possible outcome and version of reality exists in some parallel universe. When you think about respawning through that lens, it’s not so much spiritual as it is a form of stepping into a version of yourself that exists in another reality. In that view, you’re not reincarnating; you’re just moving from one branch of existence to another, no more mystical than flipping to a different chapter in a book.

And if you vibe with that, guess what? Your respawn doesn’t have to feel any more mystical than changing your major in college. It’s just a choice. A powerful, badass choice, but still just a choice.

Your Perception = Your Reality

Let’s get into some tea: Your perception is what gives shifting and respawning their meaning. If spirituality feels like a stretch or just isn’t your thing, don’t force it. Respawning can be as simple or as profound as you make it. For example:

If spirituality clicks for you, you might feel that respawning is like a soul shift, a transition from one life journey to another.

If you’re more into the idea of science and self-determination, then respawning can be as straightforward as deciding, "I’m done here. Time to live my best life somewhere else."

The best part? Both interpretations are valid. Because respawning is a concept with roots in personal interpretation, it’s like water—it takes the shape of whatever container you put it in. Spirituality might make it feel like a river flowing into the ocean of another life, while science or logic might make it feel like stepping off one subway line and hopping onto another.

Does Leaving Mean Losing Yourself?

One thing I see sometimes is people worrying that respawning means erasing themselves. Like, if you’re leaving this life, does it mean you’re abandoning everything you were here? The answer is: only if you decide that’s the case. Just because you’re moving on doesn’t mean the essence of you is gone. You’re still you, whether you frame it spiritually, scientifically, or just pragmatically. Your DR self can carry every single memory, trait, or little quirk of yours if that’s what you want. It’s not about losing or erasing; it’s about expanding into something new.

Respawning Without the Woo-Woo

So, if you’re not into the spiritual stuff, here’s what respawning could look like for you:

Think of it as a permanent shift: You’re making the choice to stay in a different reality, while another version of you remains here, handling the everyday stuff.

See it as self-redefinition: You’re not necessarily shedding your soul; you’re just saying, “I’m choosing to redefine my existence in a way that works for me.”

Don’t worry about the ‘meaning’ too much: Sometimes, people get so caught up in “What does this mean for my soul?” or “Am I spiritually transforming?” when the simpler answer is just “I want a change, and this is how I’m making it happen.”

Why “It Has to Be Spiritual” is a Lie

It’s almost like someone saying, “To appreciate art, you have to be an artist.” Um, no, sis. You can experience art however you want, and the same goes for shifting. Just because some people feel a certain way doesn’t make it the rule. The only “rule” in respawning is what you set for yourself. If spiritual elements don’t speak to you, then they don’t belong in your practice. They’re just extras, like garnish on a plate. And let’s be real, sometimes the garnish just gets in the way of the main course.

You Define Your Own Shifting Journey 💅

Shifting and respawning are about self-determination, baby. You’re in control. Just like you don’t need to meditate in a cave or light sage to live your best life, you don’t need to approach respawning in a spiritual way if it doesn’t resonate with you. You can be as witchy or as no-nonsense as you want. Your approach to respawning is as unique as your fingerprint.

So, when it comes down to it, does respawning have to be spiritual? Absolutely not. Whether you’re burning incense, cracking open quantum physics books, or just winging it and saying, “Bye, Felicia,” it’s your shift, your rules. Take what feels right, leave what doesn’t, and own that choice unapologetically. 👑

So, here’s your final answer, darling: No, respawning doesn’t have to be spiritual unless you want it to be.

[darcytaylor]

I saw someone use occams razor to come to the conclusion that N is with JD and that L is with A. I think that it's a logical approach when speculating on things and now I have lost all hope in a lot of the theories. It makes me sad.

Applying Occam's Razor to relationships and dynamics that are already complicated doesn’t really work, especially with people (at least that is what I think). It can seem like it makes things clearer, but I think it can end up oversimplifying or misrepresenting what’s going on. Human connections are rarely that straightforward, especially in the public eye, where even the smallest interaction can be blown up and turned into something else entirely.

Do I think it makes sense in this situation that Nicola could be with JD and Luke could be with Antonia? Absolutely! But I also realize that I don’t know them, and people are more complicated than the simplest answer. (If you’ve read my post about my childhood, you’d understand a bit more why I can’t get behind Occam’s Razor when it comes to people.)

It’s totally understandable that people want to use logic to find patterns (I love logic and I love patterns), but when speculation becomes too simplistic - like jumping to conclusions based on a few moments - it misses the messier, more complex side of relationships. People are layered, and their connections don’t always fit neatly into a “logical” or "simple" box. So yeah, using Occam's Razor like this can be frustrating when they ignore all the nuances. Also, I'm pretty sure that when using Occam's Razor, just because you use the simplest explanation, doesn't invalidate all of the other ones. I think in this situation it's used incorrectly.

Relationships don’t really fit into the framework of a "model" in the way that scientific theories or explanations do - where Occam's Razor would work best. Occam's Razor suggests, when we have competing explanations, we should prefer the simplest one. But I think relationships are too complex for this approach to work effectively. Human interactions are layered with emotional, social, and psychological factors that don’t reduce neatly to "simplest" or "most probable." And then without knowing the individuals involved, our understanding is already compromised by layers of speculation and assumption.

At least you’re staying cautious and keeping an open mind. That shows you’re thinking critically, but not everything needs to fit the most “logical” or "simplest" narrative to be true.

[starlytenight]

Bro I love your stuff so much to the point where you single-handedly thrusted me into this fandom and got me hooked on MetaGala. I even started making OCs and AUs. So thanks for that!

Anyway, would Cypha eventually find out?

If it’s not too spoiler? Cause I would be pretty pissed if I had died and my spouse had basically sold his soul (although it kinda seemed like Necro already was somewhat owned by the dude anyway) to a death god to save me.

Aw, thank you! And oh my gosh, I am honored, haha! I hope you're having fun!! ^^

Ohoho... That is a bit spoilery, but... Not every secret can remain hidden forever...! :)

Currently having a partner in crime for the same thing now, neither of them exactly plan on either of their loved ones knowing what they've done to keep them alive.

Let's just say when one finds out... it's likely the other will too. They are pretty close friends, after all.

As for Morpho "owning" Necro, that is true to a degree.

When they separated, Morpho was very hands off and wanted to simply observe. He never ordered his other self to do anything until he pleaded for Sis' life. Since he didn't exactly have a soul of his own to give in return for such a request, the next best thing was effectively taking away his freedom.

Though as Morpho mentioned to Meta, he isn't exactly a cruel "master." He just needs occasional favors for his grand scheme. Both are free to do as they please within the boundaries of their agreement.

Especially now that they're basically staying obedient for their loved ones. Cypha/Sis and Galacta already belong to Morpho by virtue of their demises, but he's allowing their time alive to be extended at the cost of Necro and Meta's freedoms and Meta's soul when he passes on.

Should either disobey or fail their tasks, well...

You can guess what may or may not be taken.

[silhouettecrow]

365 Days of Writing Prompts: Day 216

Adjective: Pink

Noun: Peach

Definitions for those who need/want them:

Pink: of a color intermediate between red and white, as of coral or salmon; (of wine) rosé; (informal) (often derogatory) having or showing left-wing tendencies; of or associated with gay people

Peach: a round stone fruit with juicy yellow flesh and downy pinkish-yellow skin; a pinkish-yellow color like that of a peach; the Chinese tree that bears peaches; (informal) an exceptionally good or attractive person or thing

[3hks]

How to Write REALISTIC and SMOOTH Dialogue

In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!

*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***

>> Keep your characters in character:

Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)

Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!

>> Take the situation into consideration:

This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.

If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.

>> Don't take too long with their words:

Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.

If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.

*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***

>> Having a variety of dialogue tags:

This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!

Examples:

Beginning - She tilted her head, "What are you talking about?"

Middle - "Oh," he blinked, "I actually never thought about that."

End - "Wait up!" She exclaimed loudly, waving her hands around.

>> Using no dialogue tags to create a smooth conversation:

Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.

Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.

*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***

Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.

>> Pauses and stutters:

When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.

>> Filler words and slang:

Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!

Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!

*** CONCLUSION ***

Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!

If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!

Happy writing~

3hks <3

[capslocked]

PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless. 

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

-

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand. 

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

-

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.” 

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later. 

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs. 

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

-

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

-

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no? 

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

-

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details. 

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't. 

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough. 

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large: 

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

-

(The truth is: it doesn’t go like that at all.)

-

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask. 

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her. 

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

-

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit. 

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-" 

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind. 

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly: 

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.) 

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet. 

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her. 

You both do. 

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth. 

"Oh my fucking god." Karina can only gasp, jaw-slacked open. 

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused. 

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?” 

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.” 

She laughs at the premise. 

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

-

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath. 

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so. 

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate. 

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end. 

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god." 

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass. 

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong. 

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it. 

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks. 

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice. 

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

-

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave. 

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her- 

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.” 

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out- 

“Irene, look-” 

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside. 

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

-

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest. 

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

-

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright. 

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried." 

Karina reaches in. Lets her fingers graze yours. Her skin is cool. 

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

-

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh. 

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

-

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke. 

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics. 

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks. 

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her. 

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye. 

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm. 

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall. 

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts. 

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

-

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch. 

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-" 

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom. 

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets. 

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-" 

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation. 

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-” 

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

-

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that. 

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

-

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze. 

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

-

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

-

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

-

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between. 

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is: 

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

-

"Uh, are you kidding me?" you ask Irene. 

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

-

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

-

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct. 

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down- 

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that: 

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend- 

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

-

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:  

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place. 

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

[criminalamnesia]

ending 2 for tolerate it! this was my original idea for the ending!

I just wanted to clarify that I’m writing these two endings bc of the feedback I’ve received. The first ending is for those who wanted them to reconcile/make amends, and I wanted to give those readers some closure.

this ending is for those who want reader to be happy without him (which was my original idea lol). anyways I know a lot of people didn’t like ending 1 and that’s okay!! but here’s ending two, I hope you like it better :)

[ also, this takes place in between the time that reader leaves simon/price and the last line of part two! ]

part one here, part two here, ending 1 here

your friend graciously let you live with them for a few months while you got back on your feet.

you went to therapy. stopped crying whenever you thought of him or even his name. started taking care of yourself again.

you move out and find this cute little house. it’s small, cozy. you adore it, and your friend helps you move in.

you make it your own with colors and trinkets and pictures. there’s nothing in that house that serves as a reminder of your time with him. you’d gotten rid of all the pictures, all the gifts he’d bought you before things turned sour.

fuck him. he didn’t deserve to see your growth and your happiness. he didn’t deserve anything from you.

you get used to being on your own again. it’s nice. you don’t worry about a man who is halfway across the world. don’t worry about baking a cake for his return or setting up streamers. don’t worry about how damaged he’ll be when he walks through the door.

you’re happy. you love your job, your home, your friends. you treat yourself to coffee every wednesday afternoon, and that’s when you meet him.

you’ve ordered your coffee and are sitting at one of the cafe’s little tables, scrolling on your phone, when a man clears his throat.

you look up, and he’s got the kindest smile you’ve ever seen.

“hi,” he says, and you give a small smile as you click off your phone.

“um, hi?” you say, a little unsure of why he’s speaking to you.

“not to sound weird or anything,” he begins, and you give a small laugh.

“y’know, whenever someone says that, whatever they say next does tend to sound weird.”

he nods, that smile on his lips growing a smidge wider. “right. so, I guess this will be weird then, huh? but I’ve noticed you here every wednesday, and I just wanted to tell you you’re beautiful.”

you blush. you don’t think a man has ever been so straightforward with you, and although you do think it’s kind of weird, you try to just focus on the compliment.

but your guard is up. you don’t know him.

“oh, thank you. that’s sweet,” you reply, and he’s still looking down at you.

“can I sit?” he asks, which takes you by surprise.

“um, sure? I guess?” you say, and it sounds more like a question than a statement, but he’s sliding into the seat across from you.

he introduces himself, and you tell him your name. he says it’s pretty. you’re starting to think he’s coming on too strong.

but as the two of you begin to talk, you start to realize that’s just who he is. he’s a flirt, a flatterer, but it’s good natured.

it’s easy to talk to him. he keeps the conversation going, and he seems generally interested in what you have to say. it’s a stark difference from your last relationship.

but then he tells you he’s military, and your heart nearly stops.

“oh,” you say, a small frown on your lips.

“that an issue?” he says, and his tone is teasing. he doesn’t know— how could he? but your face says it all.

his brows furrow, and he gets serious for the first time since he’d sat across from you. he starts to reach for your hand, but decides against it. again, the two of you don’t know each other, and he’s aware of that.

“I don’t have a good track record with men in the military,” you tell him, trying to lighten the mood. he can tell something’s wrong, but he doesn’t push. he takes the bait, and you’re grateful. it makes you like him even more.

that’s why you end up talking until the place closes. the employees are practically shooing you out as you and the military man apologize profusely.

you’re on the sidewalk now, and he’s smiling at you. you find yourself smiling back.

“d’you mind if I get your number?” he asks.

as much as you enjoyed talking to him, you’re still unsure. you just recovered from everything that happened— are still recovering. you don’t want to rush into anything. so, you shake your head.

“if you’re serious,” you begin, looking up at him. “I’ll see you on another wednesday.”

he nods, a mischievous smile on his face. “im up to the challenge.”

you give a small laugh, then tell him goodnight. you turn and begin to walk towards your car, and you’re smiling like an idiot.

you don’t want to get you hopes up, but that little naive part of you— a part of you you’d thought was dead and gone— is making you. you try to stamp it back down.

next wednesday, you don’t see him, and you’re a little sad about it. you don’t see him the wednesday after that, either.

you don’t see him for a few months, actually. and after a few weeks, you’ve stopped thinking about him.

but then one wednesday, you’re sitting in that coffee shop, and there he is.

he’s wearing a short sleeve shirt, and you can see fresh cuts and scrapes along his arms. he asks if he can sit, and you oblige, gesturing to the seat across from you.

“sorry for disappearing on you,” he says, and you shake your head. he doesn’t owe you anything. you barely know each other.

“that day we talked, i ended up gettin’ deployed a few days later. didn’t have your number, so…” he trails off with a cheeky smile, and you grin as you roll your eyes.

“so im to blame, hm?” you say, and he nods.

“oh, absolutely.” he’s teasing, and you laugh.

“then let’s amend that.” you hand him your phone and he lights up. he taps his number in quickly before handing the phone back to you. you send him a quick ‘hi’ so your number will pop up in his phone.

“didn’t forget about you, though,” he says, and you blush. this man certainly has a way with words. “that’s why im here. glad to see you’re still a creature of habit.”

“is that a bad thing?” you ask, and he shakes his head.

“nah, I don’t think so.”

your phone chimes then. it’s one of your friends, asking you if you can come over. you type a quick reply and start to gather your things.

“leavin’ so soon?” he says, and you give a small nod.

“friend emergency.”

he nods. “understood. well, I’ll see you around then, yeah?” he smiling as he pushes himself out of his chair.

“you do have my number now,” you remind him. “we don’t have to wait on chance encounters.”

he hums in agreement. “that’s true, but I prefer face-to-face, y’know? especially since yours is so pretty.”

“you’re a flirt,” you tell him, but you’re blushing, and he chuckles.

“guilty.”

you bid him goodbye and walk towards the exit, your mind instantly shifting gears to your friend. you don’t think about the military man again until he texts you that night.

‘friend okay?’ he types.

‘all good.’ you respond.

he’s typing back for a good minute. the bubble disappears, then reappears.

‘if there are no more friend crises for the foreseeable future, and im not shipped off to fight bad guys, how about a proper date?’

you smile as you read the message.

‘sure.’ you respond, and he sends back a smiley face.

a first date turns into a second, then a third, then a fourth. they’re spread out over a year because of his job, but you don’t find yourself minding that much. he treats you so much differently than the last man did.

he eventually asks you to be his partner, and you say yes. of course you’re a little hesitant— things with your last military man started off good, too. but you feel like it’s different this time. he’s different.

you don’t know it, but every time he’s deployed, he talks his squad’s ear off about you. tells them you’re the most beautiful person he’d ever seen, and that you’re so funny. tells them he’s gonna ask you to move in with him.

but he never mentioned your name. maybe he forgot, or maybe he just didn’t want to share that piece of you with them.

“you never shut up about this lover of yours,” simon/price says one day while they’re eating in the mess hall. although they’re not in the same squad, they’re friends, and they happen to be on base at the same time. “no way they’re real.”

your man just grins and holds out his phone, showing off his lockscreen. it’s a picture of you with your head thrown back in laughter. he’d taken it on one of your dates.

simon/price’s face darkens almost imperceptibly before he masks it. that’s you. he hadn’t thought about you in ages, but he knows that’s you in that picture. now everything comes rushing back.

your lover doesn’t notice the other man’s expression shift. he doesn’t realize that the man across from him knows you.

you had told him more about the man who broke your heart, but you’d never mentioned his name. you didn’t want to risk him knowing him.

it’s a good thing you’d never mentioned the name, because if your lover knew, he’d punch him in the jaw.

the conversation eventually shifts away from you, and simon/price is grateful. your man is none the wiser.

when he gets back home, he asks you to move in. you tell him no at first. you’re still a little broken. he understands, and doesn’t hold it against you. he takes it in stride, and you’re grateful.

you don’t know how you got so lucky this time. you don’t know how this man, who was so understanding, so kind, so caring, had practically fallen into your lap. maybe it was karma from your last relationship.

the universe crushed you once, and to make up for it, they dropped this man into your life. whatever it was, you were thankful.

the second time he asks you to move in with him, you say yes. he helps you with everything, and the whole time he’s smiling like an idiot. even when you almost drop a shelf on his toe, or when you argue with him about where to hang a picture.

you two end the night eating take out on the couch and watching trashy tv. he decides right then that he’s going to marry you one day.

a few months after you move in, he tells you he wants you to meet his friends.

you’re nervous, but he reassures you it will all be fine. tells you that they’ll love you. so, you get yourself ready and then he’s helping you into his truck, and your leg is shaking the whole way to the bar.

he puts a comforting hand on your knee. gives you a dazzling smile.

“they’ll love you,” he tells you. you nod.

when you get to the crowded bar, he leads you by the hand inside. you’re towed along behind him, so you don’t see his friends until you’re standing right in front of the booth they occupy.

you scan their faces, and you don’t recognize any of them. you’re thankful— a huge weight has been lifted off your shoulders. he introduces you to them, and you fit in easily.

the night is going well until your man mentions simon/price’s name. he couldn’t know, you’d never told him. he was telling the story of how simon/price hadn’t believed him when he was talking about you.

the rest of his friends were laughing, but you were tense. he noticed immediately, shoulder nudging yours as he leaned down to whisper in your ear.

“you okay?” he murmured, and you nodded.

he could tell you were lying, but he didn’t push it. didn’t even bring it up again until the two of you were home.

“how do you know simon/price?” he asked you as you hung your coat up on the rack. you frowned as you turned to face him.

“he was the one I dated before you. the guy who broke my heart. the one I told you about, remember?”

your man goes silent. he’s looking at you, his fists clenched at his sides. he believes you. there’s not a doubt in his mind, even for a second, that you’re not telling the truth.

“I didn’t want to tell you his name,” you admit, taking a step towards him. “in case you knew him. didn’t want to make things complicated.”

he’s still silent, his eyes trained on you as you slowly approach. an expression you can’t name paints his face.

“I understand if you want to end things,” you tell him, and that gets him moving again. he’s shaking his head. “I don’t want to come between you and your friends.”

“fuck him,” he spits, and he reaches his arms out to you. you step into his embrace and take a shaky breath. “fuckin’ bastard. I showed him a picture of you, and he didn’t say anything. I was gonna invite him tonight, but he’s on assignment, and—” he inhales sharply as his hands rest on your back. “and now im gonna break his fucking jaw.”

you push yourself back, your eyes finding your lover’s. you shake your head. “it’s not worth it. besides, don’t make any enemies within your base. you’ve got enough of those already.”

you can tell he wants to argue, but he doesn’t. he nods after a moment. silence fills the room.

“we don’t run in the same circles, usually,” he tells you, his voice quiet. “known each other since enlistment. got assigned to different squads. kept running into each other, though. kept in touch.”

“you can still—” you begin, but he interrupts.

“no, fuck him. I can’t be his friend when he’s treated you like shit. fucker will be lucky if I don’t blacken his fuckin’ eye.”

you don’t say anything. you pull yourself back towards his chest, and he holds you tight.

you don’t say anything, but your heart swells. this man, the one in your arms, is everything that he wasn’t. he doesn’t tolerate you, he celebrates you. loves you unconditionally. communicates and compromises. doesn’t pull away.

that’s why, when he asks you to marry him a month later, you say yes without thinking. because you don’t need to think.

the ceremony is small. friends and family gather and celebrate the two of you. you laugh and dance and drink the night away with the love of your life by your side.

and you don’t think of the man that broke your heart anymore. don’t give him the time of day, because you’ve moved on to something far greater. you’ve moved on to what you deserve.

a few years down the road, when your husband has finally retired, you’re making your way down the road to meet him at the coffee shop that brought you together.

someone calls your name, and your blood runs cold. you know that voice, and although you haven’t thought about who it belongs to in years, you doubt you’ll ever truly forget it.

he’s calling your name from somewhere behind you. you don’t turn around.

instead, you pull open the door of the coffee shop, step inside, and smile when you see your husband sitting at the same table you’d met him at all those years ago.

——————————————————————

author’s note:

ending 2 is finally here! while writing this, I originally pictured the reader getting with Gaz/johnny; however, I wasn’t sure how that would turn out.

how would they still work with simon/price after knowing everything? how would you go so long without hearing about/meeting gaz/johnny’s squad mates?

I didn’t know, and that’s why I scrapped the idea. You can still picture them, though! but I thought it best to have the love interest someone kinda detached from the 141.

anyways, hope you enjoyed :)

[gyeomsweetgyeom]

⋆⭒˚.⋆ Self-On Kode with Jaehyun ⋆⭒˚.⋆

idol!Jaehyun x f!famous!reader

summary: you and Jaehyun are paired up for an interview. You should know what texting your boyfriend is like, right?

(cw: f!reader, famous!reader)

"Hi," Jaehyun greets the camera, "this is the perfect opportunity to catch up on some music." He settles into the plush pink chair while he fits the headphones over his ears.

His music begins to play while you enter the set and greet the camera which prevents him from hearing who his mystery partner might be. You pop your earbuds in and explain your screen name, "I chose Cupid because I like to set my friends up and help them in their relationships."

The camera cuts to Jaehyun who stares blankly at the camera, "I choose Valentine, because I was born on Valentine's day."

You settle into the chair and make yourself comfortable while your partner for the video begins messaging you. Whoever it is is very proper, uses all the right punctuation and is straightforward. Your eyes widen at the camera, speaking through the music playing through your earbuds, "is this an old man? Am I texting someone's grandpa?"

The staff bursts out laughing and you decide to text your exact question. Jaehyun's eyes widen and he can feel his ears heat in embarrassment beneath the head phones. He texts back with a slight pout on his face, "No, I'm not a grandpa."

You text back and forth for a while, talking about your hobbies, your MBTI, and just trying to make small talk. When you make a joke he doesn't respond with any laughs or emojis, when you try to make more conversation, he responds with short answers. You lean back in your chair, with a huff, "this person is not very fun. It has to be an old man. He doesn’t get any of my jokes!”

The staff prompts you both to send a picture of your home screens. You had recently updated it knowing that you were doing the interview and you and Jaehyun liked to keep your relationship private. Yes, it was known and public, but that didn't mean you were both open to sharing every little aspect, or really any details. Maybe one day you would both be open to sharing everything, but that day was not today.

You quickly take a screenshot of your screen which happens to be a couple folders of your apps and a widget of some picture you had found on Pinterest against the background of some flowers outside your favorite cafe.

Jaehyun perks up a little bit, "I think this looks familiar. I recognize the chairs and words on the wall, even though I can't really see it. Maybe it's one of the members?"

You study the picture sent to you with your brows furrowed as you zoom in and study the apps and the picture, "this looks so familiar to me. It looks like a restaurant in Jeju I was at a few weeks ago, I could be wrong. Let me ask."

The staff struggles to muffle their laughs at yours and Jaehyun's joint confusion. Of course, the pictures looked familiar to each of you, you were together, and had been to these places together.

You continue to text back and forth for a while, finally getting somewhere when he starts to show a little more personality and send some memes in response to your texts. He seemed to be a pretty funny guy, ultimately making you decide it was not an old man you were texting, just someone more proper and maybe old-er.

When it comes time to have you both send your recent food orders, Jaehyun pouts and furrows his brows as he studies the recent orders you'd sent him. There were 3 recent orders, 2 were for 2 people, and the last one was for a larger group. The orders looked familiar, one order for pizza and the other for ramen. It was food he had recently eaten and as hard as he tried to remember he couldn't remember who he had eaten the food with. His schedule had been so packed lately, everything was jumbled up in his head. "It has to be one of my members," he decides out loud.

You study the screenshot sent by "Valentine" while biting your lip, one of the orders was what you had eaten yesterday. A small voice in the back of your head was telling you it was your boyfriend, but he told you he was doing talk shows and variety shows today. This wasn't considered either right? Does he really text like this and you’ve never noticed? Surely, you know what your own boyfriend texts like, right?

You both continue chatting and whoever it is makes you laugh pretty hard at some points when your partner says something stupid or sends a dumb meme. You laugh especially loud, choking on your spit when he sends you a drawing of what he thinks you look like.

You have tears in your eyes and warm cheeks as you stare at a poor drawing of what looks like a boy, freckles, huge eyes, big smile. Your eyes dart from the screen of your phone to the lens of the camera, “wh- he thinks I’m a boy? This doesn’t even look like a person who actually exists!”

Jaehyun on his own side bursts out laughing after zooming in and looking at every detail of the picture, “there are wrinkles on this drawings face. And it’s bald. He thinks I’m an old man, so weird.”

As the time winds to an end you look at the staff behind the camera, somewhat shocked and saddened by the end. "Time flew by!" you scrunch up your face as you think, "I don't think I have a really good read on who it is. I think it's a man that's older than me and probably someone in the music industry since he related to so much. Maybe he's a dancer or producer of some kind."

On the other side Jaehyun is set on who he thinks it is, "it's one of my members, I know it. I think it's Jungwoo or Haechan."

You both stand and turn to face your partners. Upon catching sight of Jaehyun, you immediately scream and run behind the set laughing while screaming, "you told me you had variety shows today! Go home!"

Jaehyun bursts out laughing, hunched over as his cheeks flush, "you didn't tell me either! Get back here!"

Your voice comes out loudly paired with your surprised and embarrassed laughter, "No! I'm so humilated!"

The staff manages to get you both together for the ending conversation. The cameras start filming and you smack Jaehyun's forearm lightly, "you are a horrible texter."

"What did I even say?" He laughs in shock.

"I never realized how boring you are through words, you text like an old man."

Jaehyun answers the staff as they ask how you both possible couldn't pick up on each other through the texts. Jaehyun looks at the camera while he answers, his hand holding yours beneath the tall table, "I think texting is so boring and annoying. We call each other or video call. If we open our messages we use voice notes, we very rarely actually text each other.

You squeeze his hand under the table, eyeing him with a mischievous look, “who did you think I was? You thought I was a boy, who did you have in mind?”

Jaehyun rubs his free hand over his face, already regretting his guess, “before I tell you, you have to understand my thinking. Jeno and Chenle did one of these interviews together so I just figured it could be another member. I thought you were Jungwoo or Haechan.”

You guffaw, a shocked laugh leaving you as you pull your phone out and pull up the drawing he had sent you, “this is what Jungwoo or Haechan look like to you?”

“I’m not an artist! Well, not that kind of artist, but I think it’s pretty good. I even added teeth in the smile.”

“Babe, that’s creepy.”

“Who knew you were such an art critic all of a sudden?” He playfully asks with a bobble of his head.

The staff subtly tell you both to wrap it up, reminding you to take a selfie before ending the video. You catch the cues and smile at Jaehyun, “we’ve been together for a while now but I feel like I learned a lot about you today. You text like an old man, you can’t draw, and you have a horrible memory.”

“Hey! You didn’t know who I was either! The food orders didn’t give anything away?”

“We’re talking about this later,” you decide to reply as you lift your phone to take a selfie.

“Wait, lift it to this angle,” Jaehyun instructs as he gently moves your arm.

“Wow, so bossy,” you mumble jokingly as you snap the picture.

The screen goes black with the selfie of you and Jaehyun with matching bright smiles on your faces as yours and Jaehyun’s laugh transition into the ending of the video.

[lovingseventeen]

Hiii could you pls write about how seventeen gets their s/o to sit in their lap?? Thanks so much

svt getting their s/o to sit on their lap

a/n: i hope this is sufficient for my very delayed return (please).

seungcheol: 

✿ it's truly just second nature for him at this point

✿ he'll just casually guide you onto his lap and you don't really question it either

✿ say you're about to sit next to him on the couch

✿ as you're about to sit he'll just lightly pull your wrist in his direction and there you are

jeonghan:

✿ loves to rest his head on your shoulder when you sit on his lap

✿ the simplest "come here" and you're following

✿ he loves this because you don't even have to pay attention to him but he has all the access to wrap his arms around your middle

joshua: 

✿ pats his leg when you want to show him something on your phone

✿ "josh look at this thing i just saw-"

✿ immediately, he's sitting up and spreading his legs so you can walk in the space between them and sit on one of his thighs

✿ "let me see, pretty"

jun: 

✿ will gradually shift you onto his lap over time absentmindedly

✿ neither of you two really notice but you just wind up there

✿ you were watching a movie on opposite ends of the couch (which is fine) but now you're there??? (no one is complaining)

hoshi: 

✿ so annoying about it (i mean this in a loving way)

✿ why should you sit anywhere else when his lap is literally right there??

✿ even if you sat somewhere else without thinking about it he's jokingly scoffing "so you hate me"

✿ (it's okay, just go sit on his lap and peck his cheek and he's all giddy again)

wonwoo: 

✿ pulls you towards him by an article of clothing

✿ it could be your pants loop, the sleeve of your hoodie, or the back of your shirt

✿ he doesn't need to ask you twice :')

woozi:

✿ always asks for your opinion when he makes a new beat or writes new lyrics

✿ "i want you to listen to this" he says with a hand stretched out

✿ he likes to have you sit on his lap while he places the headphones around your ears

✿ he gently presses his forehead to your back as he waits for your thoughts

dokyeom: 

✿ perpetually wrapped around you anyway (his love language is physical touch)

✿ it doesn't take long when an arm around your shoulder as you're sitting next to each other moves to your waist

✿ then he figures this isn't close enough and he'll also maneuver you so you're eventually on his lap. he'll quite literally wrap his arms around your middle so he can move you

✿ "this is better" as he nudges his face into your neck

mingyu:

✿ will manhandle you if he has to

✿ you try teasing him just to see him get pouty and as you're trying to get away from him, he uses a little bit more of his strength to pull you towards him

✿ but as you're sat you feel him mumble against your shoulder "do you actually not want to?"

minghao:

✿ i think he's a pretty straightforward person

✿ a simple tucking your hair behind your ears and he's caught your attention

✿ "i want you closer" as he holds your arm to help you move

seungkwan: 

✿ dances around the subject instead of just telling you what he wants lol

✿ "did you know that sitting on wooden chairs is actually bad for your back? there's no cushioning"

✿ "oh really? should we order cushions then or-"

✿ "you could sit somewhere else"

✿ "but i need the table for my laptop and i get so lazy on the couch-"

✿ "then maybe you could just sit here" he offers, moving his chair back to welcome you. then it all clicks (he's a dork)

vernon: 

✿ also probably someone who just tugs you gently in his direction

✿ i don't think he'd need to use words for you to get it either

✿ even if you're standing around him doing anything else and you feel him lightly pull the back of your sweater you follow him without giving it much thought

chan:

✿ as long as you're in his vicinity he pulls you with him as he sits down

✿ both of you just came home from work? he's dropping himself down on the couch and you're coming with him

✿ has most definitely missed at least once and you both landed on the floor

[thegoogoomuckkk]

NOW PLAYING

BREAKFAST, LUNCH, & DINNER PT. 1

Starring: Choso Kamo, Kento Nanami, Kiyotaka Ijichi, Sukuna Ryomen, Toji Fushiguro

The JJK men tend to have a healthy appetite when it comes to you

Warnings! oral (f receiving), overstimulation, praise, face-sitting, fingering, male masturbation, ass-play, degradation

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Choso Kamo: Determined <3

Choso maybe does a little bit too much research. He’s heard that some women don’t necessarily like getting head as much as other things. He can’t fathom this because you sucking his dick is about the most pleasurable thing he can think of besides being stuffed inside your cunt. Regardless, he wants to do his very best to make sure this is as pleasurable for you as it is for him; he’s just so concerned he’ll do a bad job. & it makes no difference how much you assure him that “you don’t have to if you don’t want to, sweetie,” & that even if he does do a bad job, you won’t be upset. No, that only encourages him that he needs to make this as good as possible. So when he finally makes up his mind, he’ll let you know as straightforward as usual, probably a text that has you choking on your coffee at 10:00am: “I want to eat you out tonight Y/N.” Straight to the point, as usual. & of course you’re excited, but a swirl of nervousness begins coiling in your stomach. Last time he had his head between your thighs, he was there for hours. 

He doesn’t like it when you talk, especially coherently, that means he’s not doing his job. “Faster? But when I go faster with my cock you cry. . .” “It feels good right, baby? Am I doing good?” “Shhh, s’okay, know you can cum for me again, pretty girl, don’t you wanna cum? I love it when you cum on my tongue, just for me.”

He tries to praise you, mimic the sweet things you say to him when you’re jerking him off or riding his cock, but he’s almost as fucked out as you are, & the praise never seems to sound as good spilling from his lips as it does from yours—at least, that’s what he thinks. But his soft spoken, sweet words cause your cunt to pulse against his tongue, so he tries for you anyways; tries anything, because if it gets you off, makes you feel even a fraction as good as you make him feel, he’s more than willing to do it!

He’s the type to eat you out until he loses track of time, cumming in his own pants once or twice, he doesn’t even need to put his cock in you. & it isn’t until you’re cross-eyed, sweaty, voice hoarse, & crying for him that he even considers stopping. “Did it feel good?” If you had any energy, you’d smack him upside the head. 

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Kento Nanami: Generous <3

If you were to ask Nanami what his favorite thing to do in bed was, it would be–hands-down, without a doubt, easily—eating you out. Of course, he’s a service top until the day he dies, but it’s more than that; he genuinely derives pleasure from making you feel good. After a long day of work, he comes home exhausted, bags under his eyes, muscles sore, & you’re thinking what you could do to make him feel better: a nice shower, a massage, & maybe—if he’d let you—sucking his dick. You’re pretty pleased with yourself about this little plan until you’ve got him in the bedroom, heading to the bathroom to turn on the shower & he’s tugging on your arm, pulling you down on the bed & wordlessly working off your pants. 

“Kento? Don’t you wanna shower first?” 

He shakes his head, “need to taste you, sweetheart, need it.” 

He hooks his arms under your knees, pulling your legs up & over his broad shoulders, making himself comfortable, in for the long haul.

His favorite is when you’ve sat down on him, hands gripping the headboard, mindlessly grinding against his face, chasing your own pleasure, head empty.  You feel bad sometimes, sitting on his face, or grinding your cunt against him, squeezing your thighs around his head, pulling his hair, but if anything, this adds to his enjoyment of it. He could sit with his head between your legs for as long as you’ll let him, & you always let him because he’s just so damn good at it; you don’t have to tell him what you want, what you need, because he already knows. 

He sticks his tongue into your tight hole, relishing, moaning at the way it spasms around it, working a finger in alongside it, curling it up to that special spot that has you throwing your head back & whining his name. Sucking on your clit, almost meanly because he knows, he knows, how overstimulated you are, how it hurts so good. 

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Kiyotaka Ijichi: Desperate <3

“You-you taste so good, pretty girl, s’good, please, n-no, don’t gotta run from it,” he whines as you attempt to rock your hips up off the bed, obviously grinding his hips onto the bed, hoping you won’t notice. He’s just so eager, he needs you to cum against his face just one more time. He’s whining like a poor puppy when you pull on his hair. Pathetic moans fill the air, & you’re losing it because there’s no technique, no method to the madness, just pure, sheer, utter desperation. & he’s apologizing into your soaking cunt as he ruts into the bed through his orgasm, potentially gaining more pleasure from this than you. It was always so easy to make Kiyotaka feel good, just your moans of “more, more, so good, Kiyo” had him whining into your pussy, palming his sore dick through his boxers. 

What he lacks in skill, he makes up for in eagerness; eager is the perfect word for the way Kiyotaka eats you, tongue lying flat over & over on your slit, tongue slipping in & out of your puckering hole, thumb circling your clit constantly, overwhelming your poor cunt. 

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Sukuna Ryomen: Aloof <3

It was rare that Sukuna ate you out, not because he doesn’t like it, don’t get it twisted, but it’s so vulnerable of him, & he can’t fully control himself when he’s between your legs. He’s contrastingly gently, savoring every inch of you, alternating between sucking on your thighs, teasing you to no end, & assaulting your clit with his tongue & his fingers. He loves to have your hips in his hands, manhandling you how he wants, fingertips leaving bruises on your waist, growling when you whine out, “w-wait ‘Kuna, s’too much,” because “Isn’t this what you wanted in the first place?” 

Maybe you had wanted this, but you hadn’t expected him to go on for so long. You couldn’t remember a time when you’d seen Sukuna have any form of patience, barely even prepping you before bullying his cocks into you, but here he was, taking his time with you, not even worried about his own pleasure, too enchanted by your honeyed pussy, just begging for him. 

He’ll never tell you this, but his favorite time to eat you out is when you’re on your period; he’ll disguise it by saying that it makes your scent stronger, but really he just wants to ease your pain & make you feel better.

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Toji Fushiguro: Rug Muncher <3

God, he’s an asshole. Don’t get it wrong, he loves eating that sweet cunt of yours, but he also loves nothing more than teasing you. He’s got you on your knees, upper body resting on the sheets, pressing the chastest of kisses on your thighs, your folds, hands slowly gripping your ass, spreading it open for him, swirling his tongue around your puckered hole just above your pussy, pushing a finger in even though he knows you’re cunt is aching for him. He’ll get there. . .eventually. 

“Nghh—n-no, Toji, n-not there,” you whine, trying to pull away from his finger, but he just pushes it in deeper. 

“Not there? Where d’ya want in then, princess?” & fuck it, he knows where you want it, but he just can’t get over how perfect you are like this: needy, desperate, unabashed. You’re not afraid to beg for what you want. But he doesn’t give you time to ask. “You sure you aren’t just pretending not to like it? ‘Cause your pussy clenches every time I put my finger in here.” He laughs meanly, but then he’s sticking his tongue in your pussy, licking fat stripes front to back, spitting on it, shaking his head all up in it. Toji likes it when you give him messy head, & so of course he likes to return the favor.

You’re reaching down to rub your clit while he’s taking his sweet time getting you off & then he’s swatting your hand away because you’re gonna take what he gives you or get nothing at all.

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

no, your honor, i don't believe in writing ooc headcanons. . .

LOOKING FOR SOME MORE? MASTERLIST <3

LOOKING FOR SOMETHING SPECIFIC? ASK <3

[sky-chau]

Are LGBTQ labels confusing? Do you ever see a collection of words and think "aren't some of those antithetical or mutually exclusive?" Congratulations! You've run into a very interesting phenomenon that I'm about to break down to the best of my ability.

There's two major philosophies when it comes to labels, they don't have names to my knowledge so I'm gonna call them Reflective and Telegraph.

The Telegraph Label philosophy states that labels primarily function as a means of conveying useful information about one's self to others. It's telling others what pronouns, what parts and what genders that person has or is attracted to. This is usually pretty straightforward, the stuff someone interested in dating you would check before asking you out to avoid embarrassment.

The Reflective Label philosophy states that labels are primarily a tool for describing an internal experience. Putting words to feelings for the benefit of the self. This is how we get lables like stargender or autismgender. These aren't meaningfully useful labels that tell others what to expect physically or what pronouns to use. But that doesn’t mean they're useless. In the case of someone using autismgender, that label probably describes the internal experience of the ways a person's autism impacts their views on and performance of gender. Stargender likely explains not that they literally see themselves as a star but rather that their internal experience of their prefered gender performance makes them feel a way that reminds them of stars or stargazing.

And this applies to sexuality too. Boy lesbian might seem antithetical but ultimately that label isn't there to tell others anything. It's merely a comfort to have words to describe a mess of feelings and social dynamics.

And for clarification, anyone calling themselves a boy-lesbian probably isn't the cis male boogieman forcing lesbians who aren't interested in cis men to date them or else be labeled a bigot. That boogieman doesn't exist. A more likely explanation is that a nonbinary or trans person has a complex relationship with their changing gender that doesn't trigger a change in the way they see themselves in relationships and attraction thus causing them to keep or adopt the lesbian label despite the gender weirdness going on.

I see a lot of infighting about what people call themselves and whether or not certain combinations can even physically exist. And Y'know what? I don't think that's terribly productive. Neither philosophy is wrong. People are just using labels to address different root problems.

As aggravating as it might be for Telegraphers, you don't have to understand everything. Not everyone feels that they owe you the list of information you find useful, and their labels reflect that. And that's okay.

[primofate]

Genshin Angst Headcanons - Why the two of you broke up

Note: Had an unexpected free day! I haven't written in a while, please excuse the mistakes, if any.

Disclaimer at the end of the post

Warning: Some are pretty predictable. Each of them have their own issues, lore wise, so some are lore heavy. You might not agree with some of them, but its how I see it, so to each their own. Let me know what you think! Some are quite angsty. Some scenes it's you breaking up with him and some are vice versa. Didn't feel like writing Razor, Venti and Xingqiu.

Characters: Aether, Albedo, Alhaitham, Ayato, Baizhu, Bennett, Chongyun, Cyno, Dainsleif, Diluc, Gorou, Heizou, Itto, Kaeya, Kaveh, Kazuha, Lyney, Neuvillette, Scaramouche, Tartaglia, Thoma, Tighnari, Xiao, Zhongli, gn!reader

Personal Favourites in this work: Lyney, Itto, Kazuha

Aether

Sister issues. Enough said.

He realized he didn't have enough time to spare romancing with someone.

Somewhere along the way he felt guilt that he was enjoying his time with you while his sister went through some sort of villain origin story that seemingly turned her bad.

Top off all the adventuring, searching, solving problems for other people that he did...Where did that leave you, exactly?

"...I'm sorry, Y/N... I just... I don't think this is the right time for me to be together with you,"

Albedo

Contrary to popular belief it wouldn't be his lack of time or extreme focus on his alchemical experiments that would break the two of you up. He knows how to manage his time.

It was the RESULTS of experiments and his research that would put him away from you.

The possibility that HE or his world, was way too dangerous for you.

How many "Albedos" did Rhinedottir really create? Was there more than three? Perhaps four, five? And what happens when you come face to face with another Albedo?

"I'm afraid...There are far too many dangers surrounding myself... There are answers that I can't find...and perhaps that's the reason why my answer is to part ways with you,"

Alhaitham

Too much of a nonchalant attitude.

He expressed some kind of interest in you...but it's like... once in a blue moon. 95% of the time you're not sure if he's really into you. It almost seems like he's more into that book he reads all the time.

Simply just not good at expressing himself. Like, at all. Hides behind a "whatever works" and "I don't care about what other people think of me" attitude, unfortunately that seems to include you.

Is so straightforward that sometimes it hurts, but he's really just telling the truth through logical analysis.

will act like the breakup didn't hurt nor affect him at all. In turn it hurts you instead.

"I see. So you've had enough of me... And you only spoke up now? Pointing it out earlier could've diverted us from this path...If that's how you feel already I suggest that we stop seeing each other,"

"That's it? You're not even going to try and work it out with me?"

"What's there to work out? You've made yourself clear. You're not satisfied with the way I treat you, and I'm afraid I'm not going to change the way I act just for your pleasure... It'd be more meaningful for you to find someone who fits your criterias,"

Ayato

entering a relationship with a noble was not as easy as one thought.

It's not just about being together forever and feeling lucky because Ayato is rich and your whole life is set, it's also the not fitting in, the etiquette, the whispers from townfolk that you were too ordinary for him, the work that you needed to do if you were to become his wife.

All that was not really a big problem for you, but Ayato seemed not to know of your struggles, he was extremely busy, and when he wasn't, he seemed to think that everything was well and fine, since you were getting all your basic needs met and even more.

"...So I'm sorry, Ayato. This is just... All too much for me. I'm sorry,"

"...I understand. Forgive me, it seems that I've overlooked a lot of things...Perhaps it is as you say, that it'd be better for us to grow apart rather than grow together,"

Baizhu

because he is a ticking time bomb, no matter which way he looked it's not going to end well for both of you.

He either dies early or lives forever. In both scenarios he anticipates that the two of you are just going to be in a world of hurt.

Besides, he didn't mean to get so attached to someone in the first place, he knew his quest for immortality was long and arduous. You didn't deserve to walk that difficult road too.

While breaking up, will conceal the fact that he's only thinking of you and will possibly hurt you in the process.

"I'm sorry, but it's for the best. I ask that you continue going forward without me, there's no space for you in my... ideal future,"

Bennett

We all know it...it's his bad luck. However, it wasn't YOU who had a problem with it, it was HIM.

You understood that his bad luck was just some extended part of him, plus it's not like it was always bad, there were a lot of good times too. Plenty!

But the guilt ate him up whenever the two of you were stuck in a seemingly impossible scenario and predicament, brought on by his luck. He just had enough of it one day.

"I...I can't keep doing this to you every day! It's not fair..."

will be on the brink of tears before he even starts.

"Maybe it's better if you find someone else to adventure with, Y/N, sorry...!"

runs away before you can even get a word in.

Chongyun

Thinks he's not good enough in every aspect. It's really, seriously not about you. He thinks he's lacking in everything. Strength, maturity, experience, confidence.

So badly wants to stay with you but feels like he's not good enough and thinks that you're better off with someone else.

"D-Don't misunderstand... It's not because I don't like you anymore... I just...Please find someone else!"

Cyno

his bad jokes and TCG addiction. just kidding, you're not that shallow.

A lot of people are intimidated by him being the General Mahamatra because he gives importance to justice. While you, who had seen a bit more of him than other people had, it seemed more of an obsession to uphold the Akademiya's law and integrity.

This was not a big problem to you, you liked how he was serious at work.

Until one day when you were accused of plagiarising one of your papers and Cyno was the one sent to give you a first offense warning. The Akademiya knew of your relationship, that's probably why they sent him, to make it harder on the two of you.

Cyno didn't listen to your explanations on how it was an honest mistake, he still gave you the warning that you "deserved"

From then on it had just been different between the two of you, so it was really a mutual breakup. Or so you thought.

"...After that, I just realized that maybe this isn't the right time for us... We're both working for the Akademiya, we both take our jobs seriously...Unfortunately that seems to just be getting in the way of us...I think it's best if we stop seeing each other,"

"...I see." he pauses for a minute, as if tossing your words in his mind. "I...agree. Parting ways would certainly make work easier for both of us...it's the professional thing to do,"

Dainsleif

Has not moved on from his past.

Sure, everyone has their own baggage to carry, their own history to live through...but Dainsleif has heavier things than that. He seemed to wake up every day thinking of Khaenri'ah and the days long past. Was it regret? Nostalgia? Loneliness? You didn't know. You just knew that he wasn't really completely THERE with you in the present. Part of him still lived in the past.

When you explained that you felt like the two of you were not moving forward together and that it seemed like he wanted to go back to the past instead, he got offended.

"...My past is something that I carry forever, you'd claimed that you understood that," he starts.

"I do! But carrying it with you and letting it drag you backwards are two different things!"

He falters for a moment, only to leave you with his last words before turning away from you forever: "You will never understand, the weight that I carry,"

Diluc

is too guarded. You'd been friends for a long, long, long, long time before he decided he could let you in enough and be more intimate with you.

Even then everything was going at a snail's pace, though you were extremely patient with him.

The biggest problem with Diluc was that the two of you would progress one day, take a step forward, and then the next day it was like the two of you took two steps back.

Example: The two of you went out for a simple stargazing excursion late one night, it was nice and he had been incredibly affectionate. The next day he had trouble even meeting your gaze, and disappeared to do his work. It was also a little awkward during dinnertime. This scenario had happened more than once.

Hint: the closer he got to you the more afraid he became, thinking that he would one day lose you too.

"I...I can't. I love you but I...I've waited far too long. I'm sorry. I'm tired of this endless chase for you!"

He couldn't even say a thing. He'd wanted to ask you to stay, to wait for him a little longer, but he already knew how incredibly selfish that would have been. Instead, he grimaced, and looked away from your gaze, trying to find something worthwhile to say. There was only silence for a few moments.

"Goodbye Diluc," that's when you turned away.

Gorou

worships Kokomi too much and your insecurities just kept circling around in your head.

You know its his job. You know he isn't like that but the problem was YOU and not him.

Simply said you let your insecurity eat up the relationship between the two of you.

You couldn't bring yourself to say that you were jealous of the way he admired Kokomi so you broke up with him with another reason in tow.

Unfortunately, you're not a very good liar face to face so you did a butthole move and actually broke up with him through a letter. You just couldn't face him and tell him why.

All you mentioned in the letter was that you needed time to think and be away from him, and told him not to worry because it was your problem, not his.

Poor Gorou reread that letter over and over, trying to understand what went wrong.

Heizou

is just a natural flirt. You're not sure if he's doing it on purpose or not and you're not sure if he's even aware he's like that.

Anyway you'd seen him getting overly friendly (just another word for flirting) with a few other people a couple of times. You didn't let it get to you the first, fourth or even eighth time but you realized that he KNOWS that you're watching him do that.

So you confront him about it, but he claims that it's just his way of gathering information from others. People like to hear good things and some people are more susceptible to flirtatious comments so he resorts to that for his investigation sometimes.

You didn't really completely buy it and even if you did, it's not like this was healthy for your relationship. You just couldn't make yourself comfortable with it.

*You just chalked it up to the two of you being incompatible.

"I'm just not comfortable with that...I don't think I have to say sorry for how I feel but...I'm sorry anyway because I know you're just doing your job... It's probably best if we part ways here..."

"Is there any way to change your mind?" he genuinely asks.

You only give a lopsided smile. "You're a detective, I think you already know the answer to that,"

Yet he didn't stop you from walking away.

Itto

Kept breaking promises because he was too airheaded or too occupied doing something "stupid" with the kids or with his gang.

Pretty soon it just felt like you were an afterthought while everyone else in his life took precedent.

Got a ramen date? Oops, sorry! Got caught up looking for a strong onikabuto in the forest!

Needed his help to move some things? Gah, he was vandalising the bulletin boards, so he's running a bit late!

What's more you didn't actually mind that carefree, airheaded side of him...but it really got to you when he couldn't even seem to make you a priority. Not once.

He only realized that when he came running, late again, and stood face to face with a crying you.

"Hey sorry Y/N, I was just--...Why are you crying?!" is completely dumbfounded and clueless, mostly because when he came late, you had always shrugged it off with a smile on your face, or so he thought. This time you had a completely different reaction.

"I hate you...*hic* I hate you, I hate you, I hate you!"

Shocked beyond belief. It wasn't like you to just blow up like that, but he couldn't do anything except watch you turn and run away from him after that exclamation.

Kaeya

Sometimes you're not sure if he takes you seriously.

Recently, he's not where he says he is, you don't know why he doesn't just tell you where he is.

He said he'd be working late, but then you find out he's at Angel's Share.

He said he'll be at Angel's Share, but then you catch word from Jean that he's out on a late mission.

He said he's escorting a caravan to Mondstadt but he's actually on assignment in Liyue.

It came to the point where you altogether just stopped looking for him cause half of the time you couldn't find him. It's like he's avoiding you or something, which, actually, seems just about right since he's been so busy with "work"

It reached a breaking point when, for a week, you were unable to bring him the lunch you prepared...because he was not where he said he was going to be. It was starting to get annoying.

"I don't understand why you're lying to me! Why do you have to tell me you'll be at Angel's Share this afternoon when you're not? Do you realize you make me walk all the way there only to come all the way back with nothing achieved?"

"I'm sorry snowflake, that wasn't my intention," though he still chuckles despite knowing full well that you were about to turn away.

"You know what, let me know when you're ready to stop making jokes. Until then, don't bother contacting me,"

He just didn't expect you to actually walk away from him.

Kaveh

Entertains everyone and anyone. Naturally kind at heart, will stop for anyone in trouble...even that flirtatious man/woman who is clearly just pining for his attention.

No he doesn't quite realize this.

The same person had asked for his help at least 4 times now and all 4 times he had been happy to offer a helping hand.

The last straw was when he was invited into the stranger's house, they had apparently needed someone to help them move and re-arrange furniture and he did, working till almost dinner time.

You'd caught him right by the person's door, because Kaveh was actually honest and told you he'd be helping them today, but the person was clearly eyeing Kaveh rather flirtatiously.

"Come again next time," you heard the person say rather happily. Kaveh only replies with "If I have nothing else to do, I suppose,"

"Kaveh, they're coming onto you and you keep letting it happen!"

"I'm not certain what you're talking about...They just needed some help around their house, nothing suspicious happened at all. Even if there was, I won't let anything happen between me and a stranger!"

"Then STOP helping them!"

"There isn't anything wrong with lending a hand...It was a quick move of things, that's all,"

"How would YOU feel if I just went into someone's house and kept helping them "move" things?"

"...I would think that's nice of you,"

You actually threw your hands up. "Oh, forget it! You know what, for someone who LOVES helping others, you're not doing such a great job of helping ME," then walked away and never came back. "Good riddance,"

Kazuha

He's a wandering samurai. You knew what you were getting into but you didn't expect dating him to be so hard.

He was gone for weeks on end, and you were not getting on that boat with him. In essence the two of you were just not ready to follow each other to the end's of the Earth, and that was fair. The two of you were young.

Kazuha kind of saw it coming, whenever he visited you, you seemed less spirited and he had an inkling as to why. The time apart was just too much for you.

It was a rather clean break actually. A real mutual breakup that the two of you agreed on.

"...You could say it's just not the right time for us," you even managed to laugh under your breath and he did the same, though it was barely audible.

"...Mm. There are matters that you need to attend to here...and there are things that I need to do out there," he slowly stood up from his sitting position next to you and still gazed at you rather lovingly. "...Perhaps, in another world, you and I are bound together,"

You gazed back forlornly, "...Just not in this one, it looks like,"

Lyney

because he will always choose his siblings over you. Always.

Though that's not a bad thing because you also think that family is important...somewhere along the way you realized that family is the ONLY thing he had and saw.

Example: Lynette and you had gotten ill at the same time one winter morning. Perhaps it was the cold that was passing around Fontaine. Lyney had been so worried about Lynette, that he seemed to have forgotten about you for the next few days. In fact, Lyney didn't even realize that you caught the cold too. You had only heard from Freminet, who you happened to cross paths with, that Lynette was also ill.

You thought that incident was the end of it, but really it seemed that whenever Lyney wanted to hang out with you, Lynette had to be there too. You tried to understand...after all there's still that mystery of disappearing women in Fontaine.

The breakup was induced when Lyney completely forgot about your birthday, because Freminet's was around the same time as yours. You helped Lyney prepare everything for Freminet, and said nothing about your own.

You realized that there was nothing wrong with choosing family over everything else...but the problem here was that Lyney didn't even have space for you in the first place.

So you left without saying anything. You figured he'd get over it quick. You had even gone so far as to move away from the main city of Fontaine and out into another island, because what would you say if he found you? That you were jealous of his siblings? You weren't going to ruin a family like that and it wasn't right to make him choose...so you just left without a word.

Neuvillette

Had a whole brainrot for this man:

Part 1

Part 2

Scaramouche

surprisingly it's not his anger issues.

It's the way he wouldn't acknowledge your relationship. You wonder how you even got into one with him.

There's no public show of affection, but even behind closed doors it rarely happened.

You knew that he was going to be like that, and so you didn't mind it all that much.

It was getting a bit much though when, out in public, he would walk further in front of you and refused to walk next to you. When he pretended like he didn't even know you. When he didn't stop to help you even when another man had shown interest in you, bordering on uncomfortable.

The more time passed the more you simply felt unloved...but for some reason you still blamed yourself.

"...I...don't know. Maybe you find me undesirable, or just...unappealing. Maybe you're embarrassed of me or...or..." maybe you just didn't care in the first place, you thought to yourself.

There was a long silence. Of you turning your gaze away, of him still piercing into yours. And then...

"Tsk...don't waste my time...Leave if you want to leave, door's open,"

Tartaglia

This one is simple. It's his obsession for fighting plus his complete disregard for himself. It's a constant heart attack for you. At some point the anxiety is just too much for you to handle.

Imagine living every day just wondering if he's safe at the same time knowing that he just loves to look for trouble.

The foul legacy that you know of, he uses it with disregard as well, despite knowing that it wasn't good for him.

And there are even days where you know he was heavily wounded but didn't go to you, in an attempt to shield you from worry.

It's a constant battle trying to stay sane and unworried, until one day it all just becomes too much.

"...Nothing I say will change anything, Tartaglia. This is who you are...This is who you need to be..." you whisper while bandaging his knuckles. He lets out a short hum.

It was silent all up until you finished with his hand, you squeeze it gently. "...I love you but...I can't keep doing this to myself, I'm tired...more so than I have ever been before,"

He lets your hand slip away from his knuckles, and that was the last he saw of you.

Thoma

This one is also simple. He was always taking care of others and running errands for others that he sometimes just couldn't catch a break.

Just a classic case of not enough time for you since he had a job to do for the Kamisato Clan.

He knows it, and feels awful about it. So he's the one who makes the move.

"It hurts that I can't give you what you deserve, Y/N. This isn't it... You deserve more than this but I can't give you that and I'm sorry. Please look for the love that you deserve,"

Tighnari

Remembers everything. Can be critical of things you've done, specially if he thinks there's a better way to do it.

Simply said you just feel stupid in front of him sometimes.

He doesn't mean to, but he sometimes forgets to appreciate or give praise to the things that you do well and even if he does, it tends to be short lived compared to his constructive criticisms.

Pretty soon you felt like he only looks at the bad things you do, and never the good. Though he was really only trying to teach and guide you as an equal.

He in fact feels that you are one of the few people who can keep up educational conversations with him.

The problem is he kind of forgets that you're his lover, and that you would enjoy his praise and affection from time to time.

"Do you... Do you ever have anything nice to say other than 'good work' or 'great observation'?" the words were out of your mouth before you could hold yourself back. Sometimes it was tiring to feel like you weren't good enough.

There's a flash of surprise that crosses Tighnari's expression for a split second, before he recovers. "...Had I not been praising your work enough lately? My apologies... It has a lot of merits, I just thought that you wanted my opinion on how to make it better,"

You opened your mouth to say something, but closed it again right after to ponder on his words. Somehow even that had managed to make you feel embarrassed. It was here you knew that the problem also lied within yourself.

"...Sorry, Tighnari...I think I'll need some time alone,"

He obliges quickly and asks. "That's reasonable. When would you like me to come back?"

"...Let me rephrase that... I need some time away. From us."

Xiao

Unfortunately there's a lot of things wrong here... his lack of affection. His aloof personality. His dedication to his yaksha duties. Despite that he does actually try to be gentlemanly or respectful of you.

The worst of it is that he didn't know how to be in a relationship, in other words he just wasn't ready for one, or perhaps he would never be ready for one.

He didn't understand that humans craved companionship and sometimes touch. He didn't understand that meant having to favour you over others, sometimes even putting you first over his yaksha duties.

Worst of it all was when he shut himself off from you, sometimes for days on end, when his karmic debt was too high. He only really did it to protect you, but never realized how isolated that made you feel.

When you confronted him about it, he felt attacked. Hiding away was the only way he knew how to cope...why couldn't you understand that?

"Let me help you, Xiao,"

"I don't need your help!" his tone would make you wince and just like that he disappears into a billow of smoke.

You never returned to Wangshu Inn after that. If he couldn't let you in, there was no use trying to knock on his heart. Xiao being Xiao, never sought you ought again either.

Zhongli

He had experienced so many things and you had listened to many a tales from him.

This is what caused you to realize that you hadn't even experienced life at all, and yet here you were willing to tie yourself down to him.

It just didn't feel like it added up. Here he was with all this knowledge of the world and here you were who had never even stepped outside of Liyue. By no means were you stupid, but you felt that you could be better not only for him, but for yourself if you learned more.

There was just such a huge gap in life experiences, and though you never expected to get to his level (he was a God who had lived for a long time, you would never catch up to him) you at least wanted to see what was out there with your own eyes instead of through his stories.

He understood that wholeheartedly, and had no qualms in letting you go.

"You will always have a place with me, Y/N. No amount of lifetimes will change that,"

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Disclaimer: Relationships will always have some sort of problem along the way, maybe big, maybe small but I just want to reiterate that breaking up is not always the solution. Communicating is very important. So to those of you who like taking fanfiction too seriously, let it be known that this is just a work of fiction. I don't actually suggest breaking up with someone as soon as there is the slight indication of a problem (Just saw someone commenting on a similar themed post for Haikyuu that this wouldn't happen in the real world if both parties were mature... I mean, sure, but, idk, you must be fun in parties... it's called fiction for a reason...)