#the other half wants me to make this story canon

[frownyalfred]

Why is it so hard to find ppl that actually understand bruce? I am tired of either finding ppl that see him as an abuser or others that only love wfa version of him I am really tired of this like really I can't even join a Fandom without getting my favorite character not getting mischaracterized left and right 😔

I'm going to rant a little bit here, and I apologize in advance. This isn't really directed at you. But I'm kind of tired of this flavor of ask. I get it a lot -- half of these asks are praising me for having a "good" interpretation of canon, and the other half are blasting me for being too "fanon" and bending too much to fandom tropes in my posts and writing. And of course the nonstop WFA hatred in my inbox is tiring.

Be the change you want to see in the world. If you don't like what the fandom is doing to your blorbo, write him your way. But sitting at the edge of the playpen complaining about how someone else is playing with their toys isn't useful. And it's really getting annoying to me, as a content creator.

I'm also tired of the superiority some canon-adherents have over those who write/draw more fanon tropes. So many of you are SO bitter over the idea that fandom is "ruining" Bruce or your other Batfamily blorbo because how DARE they write your blorbo in that way that is so OOC. How DARE they! And yet, you sit on the sidelines and create bitchy tumblr posts about how those fandom participants are stupid, or ill-informed, or simply don't have the higher thinking ability to understand your blorbo like you do.

And yet. You don't write Bruce the way you "enjoy." You don't create content or share posts or promote those canon characteristics you so highly value. Instead, you write posts complaining about the others in this fandom and deride them for being stupid like adhering to canon strictly somehow makes you better than anyone else. You mock their acceptance of fanon tropes as canon as if there is required reading in this fandom, entirely dismissing the idea that the line between DC fanon/canon is confusing as hell on a good day, and ignoring that the natural progression of engaging in fandom is finding out -- sometimes on your own timeline -- what actually happened in canon. Especially when canon is so vast.

And guess what? At the end of the day, we are all on the fandom website(s). You're still reading fanfiction at the end of the day. Canon or fanon or some blend of the in-between, you are still a fan participating in fandom content in some way or another. And we are all equal in that respect.

We are all here to enjoy these characters. Fanfiction is a medium that allows us to further explore canon, yes, But it is also a way to explore the OOC, the what-if's, the out of character but fandom-fave ideas and tropes people want. The fact that OTHER people enjoy those things should never impact your enjoyment of fandom.

If you cannot handle someone else playing with the same toys as you, but playing with them in a way you don't like, you need to go back to preschool. And if someone won't give you your toy back, find another one. Write the story. Create the post. Build your own engagement from the ground up, finding likeminded people if you can. They are definitely on here.

But I get the impression that when people complain about fanon "ruining" fandom, what they're actually saying is "I'm upset that canon content isn't as popular as fanon content." And that, I can't help you with. We can't always change what other people love or want to engage with.

I'm sorry that this rant is blunt, but it's been simmering inside me for a while. I'm really tired of getting and deleting this ask 15 times a day. You will not find much sympathy on this blog for canon purism and the derision of fanon/fandom, and for that I apologize. But it's the truth.

I enjoy consuming content about both "fanon" and canon Bruce. I like the contrast and complexities. But I have seriously had to stop following a ton of blogs in the last year who don't create "canon" content anymore and instead spend their time complaining about other people in the fandom who are just enjoying themselves and creating their own content. It's incredibly disheartening and frustrating.

[italianpersonwithashippersheart]

Hey bestie, dropping by with a mea culpa. When Peaceful Property started, you expressed concern that GMMTV was inching toward a model of using bl pairs in shows that would avoid being explicitly gay but still draw on shipping fandom to be successful. Coming off The Trainee, which was not a bl but did have expIicitly queer characters and romance subplots, I wasn't sure the intentions were quite that dark for PP, but having now finished it and seen the way some in the production have interacted with shipper fans, I have to call it: you were right to be concerned. At no point was this show ever a bl and none of its principal characters are canonically queer, but they successfully leveraged the TayNew ship to have fans interacting with it as if it was in fact a gay love story, that idea and fan commentary was explicitly encouraged by the creators, and the show has been quite successful despite never actually delivering on all the TayNew bait. I'm definitely concerned that we might have somehow swung back around to queerbaiting being seen as acceptable and good, as long as it features popular branded pairs. I don't have any bigger thoughts to offer about how this should be addressed, but just wanted to come back and say you were valid for naming that!

Thank you. I didn't want to be correct. And I am still hoping to wrong about what this says about where GMMTV is going.

But I am not gonna lie, seeing the posts about the finale did regnite the massive fury I had at this project when it was first called a bromance. So I am going to use your ask as an opportunity to vent.

FOR THE RECORD: I am not mad at you, or at the people and mutual on my dash that have enjoyed the show and are claiming as gay out of spite. My anger is at GMMTV and at GMMTV alone.

THEY DID THIS SHIT TWICE ALREADY!!! Back to fucking back.

I know High Schoool Frenemy is being watched by like 5 people on tumblr. But it's doing well outside of tumblr. They are using bl style fanservice with the 2 main boys of that show. I have seen the shippy content and compilations along with the other bl couples. Not to mention people like Jojo saying those characters are the his new favorite ship on twitter.

AND I AM SO PISSED!!!!

I am glad you brought up TayNew because there is no doubt in my mind that they used TayNew for Peaceful Property as a test. They knew there could be backlash. They knew the bl fandom could have rioted. But they also knew that if it that rage would have been directed at TayNew not at the director, not the company but TAYNEW.

And I think TayNew knew this. Because they spend weeks on social media doing preintive damage control, I have seen the posts of them (or at least New) saying it wasn't going to be romantic. I don't think the two of them forgot how they were left to eat the shit alone over the bullshit backlash during the TayGun kiss situation with GMMTV doing fuck all for them.

And what pisses me off is that BL audience didn't even give a backlash. They eat that shit up like it was fucking icecream.

The BL audience is literally doing their job for them. They are taking a show with some gay subtext and running with it.

They are showing up for the fanservice (again broder audience outside of tumblr), and gleefully closing their eyes and ears and saying well I Think It's Gay.

What do you think Mega Corporation GMMTV is going to take from the success and no backlash? If the answear is anything but: We can produce half of the BLs as usual and make the rest Bromances, you have more faith in corporations then I do.

Because Bromances can be watched by non BL audiences as well. The BL niche is a big one, but it is still a niche.

And now they won't even have to bother inserting arguable quality gay commentary or struggles or homophobia. Or any gay kissing, no more workshops. No more worries about how effective these potential straight boys are going to be at playing gay. All they have to do is making them do fanservice, and they are great at training people for that. Or better yet, actually use one or two ships that have kissed before and done actual BLs.

Will they stop doing BL at all, obviously not, you gotta give the BL audience something to remind them they can still show boys kissing, and we have the Ex Morning and Jojo that will never actually stop making BLs and some gay shit. But if in the next line up we will more bromances, and eventually we get half BL and half bromances I wouldn't be surprised.

Of course maybe I am just pessimistic and cynical. Maybe the proto bdsm in the heart killers is enough to persuade people that I am totally wrong. I guess we will see about that.

Thanks again for the ask and the oppurtunity to vent a little. Again I don't fault anyone for enjoying this, it was design to get the BL audience watching.

I will personally be keeping with my own resolution and never watch another gmmtv show live ever again, maybe binge the few that sound interesting and that's it.

At least I can find comfort in the idea that that other companies do not have the same level of BIG cast of boys and big budget to do the same thing and follow in the bromance trend.

[sonkitty]

The Food Curse Part 2

On my Food Curse post, a couple of people referenced or sort of asked about the book.

My post was indeed focused on the show since I even said "season 1 and season 2".

But I had the time, energy, and curiosity, so I re-read the book again since I vaguely remember reading some posts discussing the matter when I was first reading a lot of Good Omens posts roughly a year ago.

Due to what I found when thinking about both the book and the show, I'll now designate the matter as a theory instead of just a head canon, for me.

This theory we're covering here isn't especially strong though. It's just strong enough by my own terms to be a theory due to how I play the games in the story.

You can still fit this food curse as a head canon into a reading of the book if you want. You just have to read between the lines. Or, you know, use basic willpower. But this post is about reading between the lines and "looking where the furniture isn't."

I'm about to play below, so as a reminder, I make mistakes and miss things, but here is where my play is for the moment.

...

The book has no ox rib scene from the Job minisode.

However, it does have this line stated by Aziraphale:

"Don’t you try to tempt me," said Aziraphale wretchedly. "I know you, you old serpent."

The implication here is that Aziraphale has been tempted by Crowley, and he knows what it feels like. We know among the things Aziraphale enjoys on Earth is eating. Crowley knows that too. He very well could have tempted Aziraphale into eating food, and Aziraphale is referencing that experience here.

...

In the book, when Crowley's starting to sense something is amiss with Warlock not having his powers, the story informs us this small thing happened in that talk with Aziraphale:

Aziraphale helped himself to Crowley’s slice of angel cake. "Well, he’s a growing boy. And, of course, there’s been the heavenly influence in his life."

Now this act is understandably, probably taken by most readers to mean that Crowley eats, or can eat if he wanted to.

But we're looking for a food curse and reading between the lines to find it. Do you see what that text doesn't say?

It doesn't say "half-eaten" angel cake. It doesn't say Crowley had taken a bite or two already. It doesn't say Crowley was remotely bothered that Aziraphale took his cake that he was still eating or going to eat eventually. It doesn't say he was so caught up in what he was thinking that he didn't notice Aziraphale took his cake. It doesn't say he meant for the cake to be for Aziraphale anyway.

If you add in the idea of the food curse and that Crowley tempted Aziraphale to eat and feeds off such a thing, then here's what just happened:

Aziraphale helped himself to Crowley's angel cake, so that Crowley could eat his damn angel cake.

...

You have to include the "damn" because that's the joke.

...

Later on, the story is setting the stage for what Crowley's flat is like before the other demons will invade it.

Crowley has a refrigerator filled with gourmet food "that never goes off." In the same general area in which this information is given, the narration is also alerting the reader that Crowley's flat does not look lived in because he doesn't actually live there. It's just some place he goes back to at the end of the day when he's in London.

Later in the story, the place he is implied to spend a good deal of time in, instead, is Aziraphale's bookshop.

Back to Crowley's own flat, we are not informed that Crowley himself actually eats this food that is in the refrigerator. We are informed Crowley didn't even know it was supposed to be plugged in, but that didn't matter. It worked anyway. We are further informed that Crowley has a computer that he upgrades because he thinks what the type of human he pretends to be would have. Take that idea and apply it to the food. He just assumes that's part of the job in pretending to be human, and his fridge with its long-lasting gourmet food isn't going to argue with him over it.

...

An eating temptation is outright given near the end of the book, much like season 1 of the show:

Crowley nodded gloomily. "Let me tempt you to some lunch," he hissed.

This time, we are told Crowley even went so far as to hiss, something he tends to do when he forgets himself, according to the book. Having a hiss with a temptation is a good reminder to the reader that he is the Serpent of Eden who was cursed to eat dust.

So, if Crowley eats indirectly from having tempted Aziraphale with food in the past, that still fits with the food curse idea.

The show adding the clues it did allows book readers to more easily fill in that gap, if they want.

The season 2 plate of Eccles cakes that disappeared is the only hint that this food curse might be important. Otherwise, it's just some extra thing you can find to give an extra layer, flair, atmosphere, whatever, to your own reading of the story.

...

Both seasons of the show give hints that Crowley can block out this feeding by folding his arms or crossing his legs.

In season 1, episode 2, at the cafe, Crowley has his arms folded and doesn't look to be feeding off Aziraphale eating as he did in episode 1 at the Ritz.

In season 2, Crowley looks very, very pleased as he feeds off Aziraphale eating food for the first time. Later on, he is reclined with his legs crossed and seems to no longer be feeding off Aziraphale even though Aziraphale is still eating. To see the legs crossed, you do have to make assumptions based on his position and the lighting. Crowley has had his fill of the food and is enjoying his drink.

...

Here is where my method of play could not help itself into letting this thing become a theory.

For that last visit to the Ritz in the book and season 1, there is extremely similar wording, even if not exact wording in the narration.

Here is the book:

And perhaps the recent exertions had had some fallout in the nature of reality because, while they were eating, for the first time ever, a nightingale sang in Berkeley Square.

Here is season 1 of the show:

Perhaps the recent exertions had had some fallout in the nature of reality, because while they were eating for the first time ever, a nightingale actually did sing in Berkeley Square.

In the show, once you look for this potential food curse, there is something notably different in how the scene is setup for this lunch.

Both of the characters have a plate with a napkin on it and no food. From the two earlier instances in the season, Aziraphale had a plate with food. Crowley had a cup with a drink and no plate for food at all.

We are also now meeting a Rule of Three. We have table meal #3 for Crowley and Aziraphale in season 1 of the show.

The show has taken some extra effort to demonstrate that even though God says, "eating," that neither supernatural being is actively eating food at this moment. They are, however, enjoying themselves and the atmosphere of being in the world.

So, let's consider the possibilities.

One possibility is that the "eating" being referred to is actually the eating of the atmosphere. That's why Aziraphale has no food on his own plate.

Another possibility is that Aziraphale is going to eat so much, Crowley has a plate. That's why there is so much food on the table.

Another possibility is that Crowley does have certain food preferences, and so he will be eating indirectly through how Aziraphale eats, but he is indeed going to indulge in what those preferences are. He usually doesn't and is content to just go with whatever Aziraphale eats, if he himself isn't already blocking it out.

Another possibility is that this moment is so incredibly special, Crowley will get to eat after all, just this once. The curse is briefly lifted thanks to those exertions on the fallout of reality with a singing nightingale. That's why he's given such an exceptional place-setting compared to everything you will ever see with this demon in both season 1 and season 2.

Now it's starting to look like a puzzle.

We take in the clues about the crossed limbs to block out the feeding and then notice that Crowley's legs are crossed in S1E6.

Due to how Crowley plays Earthly Objects in season 2, I know he is rather deliberate in his choices on his touches.

If the crossed limbs really do mean he's going to block out any feeding off Aziraphale, that means he is blocking out any feeding off of Aziraphale during this lunch. But Crowley himself still has a plate. Thus, he will indeed be eating food for this special occasion.

We're still not allowed to see it to be sure.

[batsplat]

do you have a favorite bit of motogp gossip that you either want to know is it’s true, or you just enjoy as a stand alone piece, no need for further investigation?

one of those where I initially stared at and like. lost all motogp knowledge in my brain. and then stuff did come back to me. this is all very much low hanging fruit and I'll add to it when I remember more interesting/quirky ones. BUT here are some things I want to know:

y'know how casey randomly suggests in his autobiography that valentino was sabotaged in the 2006 title decider? so, personally, I don't really buy this, because 'why' and also 'casey girl you are SO paranoid' - though, sure, if given the option I'd like to double check if valentino had a dud tyre (completely plausible) and also if somebody really deliberately gave him one (?? casey idk about this one). but what I'm REALLY curious about is... there's a change in his autobiography?? like I've seen this book excerpt float around online and the text is different from what's in my book!! mine's from the paperback version so I assume there may have been some edits for that, so that would make it the newer version... but like. this is a real editorial change. check this out:

version posted on the internet, from the hard cover edition???

version in my book, first paragraph is the same

But as soon as the lights went out Valentino was in trouble. I was one of six riders to pass him on the first lap and if you watch the footage you can see how much he is struggling to even keep up with us. His rear and front tyres were just not working together and on lap five the front inexplicably folded and he went down, right behind me. I couldn't help but wonder how he could be having such problems with his tyres. Could he really have been stitched up? It seemed so improbable, but I remember watching that race back in the motorhome that evening and thinking, Welcome to my world, mate.

this isn't 'gossip' because I haven't found anyone else who has spotted this, but like? that's a substantive change? if my one really is the newer one? ...?

let's set aside the fascinating insight you get into casey's knotty and at times bizarre valentino rossi complex with him adding the line "welcome to my world, mate" (oh my god. please just take him to dinner. I will crowd fund this I literally just need to be able to listen in. casey come on CALL him I NEED you to do the dinner thing, YOU suggested it not me). like we're not going to even touch that. but if my version really is the updated one, then he's kinda softened his stance, no?? "convinced he was stitched up" to "could he really have been stitched up"

what happened?? who wanted this change? casey? an editor? did dorna give casey a call? did some poor bloke from pr have to politely ask whether casey could please not state in his autobiography that the most popular rider ever had had a title stolen from him by the establishment?

(casey was talking about valentino's stolen tenth BEFORE it was popular. he did it even before valentino did, bless)

"there are a lot of commercial interests in the sport" also didn't make the jump to the 'new version', mind you. did Big America get to casey

come on you guys have to admit this is an odd change?? does nobody else thing this is weird??

okay fine moving on

Did Valentino Literally Curse Sete

(like. not literally as in did he curse curse sete, literally as in did he say it)

(though if he did literally literally curse curse sete, I suppose I'd also like to know that bit)

the commentators in 2003 brno say so and I'm inclined to believe them, but I need to double check whether sete and valentino really were partying on ibiza together right after that very painful valentino loss at the sachsenring. such a fascinating little detail, that's not something post-2004 valentino does I reckon

I mean, look, obviously a bunch of things from that time period I want to have fact checked. including valentino's friend hearing sete say in late 2003 that valentino wasn't going to be smiling so much after joining yamaha. classic bit of gossip, did it actually happen though

I've referenced this a few times before, but y'know how valentino said that marc's manager alzamora told him after sepang 2015 that marc had been angry at valentino for killing his title charge? I just want. to know. if this conversation actually happened. I don't think valentino would pluck a lie like that out of thin air, especially something so specific about somebody on marc's team, and he has known alzamora for decades but like. maybe almazora just said something valentino misinterpreted? I just find this such a bonkers thing from alzamora if it's true that I would like it confirmed for my own sanity, you know?

yeah look I would like to know if marc really did get casey kicked out of honda, obviously I've discussed this before and it's very he said she said but yeah it'd be fun to know the truth

this is literally peak gossip because I can't find a source for it but I swear a journalist did say it: the rumour is that marc blocked joan mir from joining honda in 2019. like, I'm only including this because I was explicitly asked for gossip as I just cannot find where it was said... but it is something that is. out there. and... again, just curious. like I buy it, but also it could be bullshit!

on a similar note, did he ever make clear to honda he didn't want either vinales or rinsy on his team circa 2016? was it just a vibe in the paddock or was this an actual demand from marc?

speaking of!! the whole thing about alzamora basically rigging the moto3 teammate situation between rinsy and alex marquez to ensure the latter won the title that year. what was that all about, how far did they go there

switching to valentino now. this doesn't quite fit the remit of the question because it IS something I've investigated. and my conclusion is basically a big *shrug*

did valentino block casey from joining yamaha in either 2005 or 2006, and did he attempt to block jorge?

there are completely contradictory sources on the timeline here that do make me feel like there's a chance yamaha was just fucking with casey at the very least in 2006 and valentino had fuck all to do with it, which a recent interview from casey did actually hint at too... he made it sound like maybe yamaha was just using him to try to drive down the price of another rider (which would then presumably be jorge)

I just want to know! and the thing is, it was a matter of open paddock discussion that valentino blocked casey (jorge explicitly references it in in 2007), but something doesn't quite add up between what jorge, casey, colin edwards, articles from the time and lin jarvis have said on the subject! my current pet theory is that valentino blocked casey in 2005 from joining the satellite yamaha team in 2006 (weirdly casey doesn't really imply valentino was responsible for this one in his autobiography, but whatever) but NOT in 2006 (casey does imply valentino was responsible here, you see my problem). and yamaha was fucking around with all four of valentino, casey, jorge and edwards in late 2006/2007. but. yeah. I have unanswered questions

the entire 'alex marquez blocked from yamaha' situation.... again. something is off there. you know the story from late last year about how he was blocked in 2019 from joining the petronas team in 2021? this completely threw me, because there was an entirely different story about this YEARS back in 2018!! I initially assumed the two stories were about the same event, but it can't have been! one's him being blocked in 2019 for 2021, one's him being blocked in 2018 for 2019

from the descriptions of both there's also no confusing them. the 2018 story has to be about the 2018 contract cycle because that's quite literally when it was published, and the 2023 story has to be about the 2019 contract cycle because it explicitly references the space fabio would create by moving to the factory team for 2021, which obviously wouldn't make sense before fabio's actual rookie season. like they have to be about different stories

and in that same 2018 story, marc said that back in 2016 lin jarvis told him no marquez would be joining yamaha:

again, this was in 2018!!

plus, he did say back in 2016 that he'd spoken to jarvis, which kinda backs up this is a conversation that did happen and marc isn't just misremembering the timeline/lying (the notion of marc joining yamaha in 2017 is fantastic, what an absolutely horrendous idea):

now what marc says in 2018 about his conversation with lin jarvis is very similar to petronas yamaha boss razali saying in 2023 that he'd been told by yamaha no marquez was allowed at yamaha. suggests that this is a thing that did happen!!

but again... razali was told that in 2019... after marc had already been told the same thing three years before that, and the exact same deal had already been blocked one year earlier... does nobody else think this is weird?? like, I'm not saying yamaha hq covered themselves in glory here, but is it not a little strange the satellite yamaha squad had basically almost signed a contract with the younger marquez again without checking in with yamaha, just ONE YEAR after this same contract had already been blocked???

again this isn't actually gossip because I'm apparently the only person going ?? about this but I'll say it: ??

kinda been annoying me since december last year, like I know it doesn't matter but I'm just curious about it! why's nobody else talking about the 2018 story!

idk my best guess here is that petronas yamaha was faffing about and playing weird games with the factory team, that the deal was never as likely to happen as they made it sound to the marquez camp. zero proof, that's me spreading rumours yeah... time to create some of my own unfounded gossip

(also of course I'm curious if valentino did have any actual involvement in this. like if lin jarvis was telling marc this in the year of our lord 2016, I'm assuming valentino didn't have to explicitly say to jarvis that 'inviting marc to the team for 2017' wasn't exactly high on his christmas wish list. it is interesting that marc frames it as jarvis making this about. like. all the marquez's way back in 2016, and again, would this really have been on valentino's radar at the time? that feels a bit...? alex marquez was thirteenth in that moto2 season? would certainly be very... thorough for valentino to already have had that particular talk with jarvis)

(mind u there's a fun moment in a 2019 presser where valentino is sitting between the two marquez brothers and the younger marquez is being asked about his contract situation, the implication being he'd had a motogp deal and no longer had a motogp deal. and he's answering and marc's doing his freak stare and valentino is Right There sitting between them... I <3 mess)

man did valentino actually ever fucking block anyone from joining his manufacturer #notmygoat. I still think he didn't know about jorge until the deal was basically done, had nothing to do with the younger marquez, at most blocked casey the one time but then yamaha wasn't actually seriously intending on signing casey in 2006 and was just using it as a play in their jorge negotiations, which.... idk. bit disappointing if true icl. I hope he blocked someone, I'll say it

(also. okay. I don't want to sound awful here because I do have a lot of sympathy for baby!casey but. ignoring the morality for a second, I do LOVE the idea that valentino blocked casey from getting a satellite yamaha seat fresh off his 250cc runner up season because it would conclusively prove valentino did ABSOLUTELY rate casey!! like he didn't even want casey to come close to being his teammate!! not even a sniff at his data!!) (genuinely this is the rumour I'm choosing to believe, I know there's a chance valentino didn't successfully block anyone and was just a complete flop but I want the 2005 one to be true. it really adds something to the rivalry idk... like ugh valentino saw how dangerous casey was proper early when much of the paddock wasn't yet convinced... cute)

moving on

there was a rumour in 2015 that valentino approached dani after aragon to complain about how sturdy his defence was, like moaning about denying him points and shit. now, there's exactly one article about this in marca that is the sole origin point for the rumour, and it says that valentino also interrupted a honda party after phillip island to complain to marc. this does not match up at all with anything either marc or valentino have said since then - and would mean you have to believe that marc wasn't actually blindsided by that presser... also feels a bit unlikely we would have heard NOTHING from any other source if vale was really gatecrashing a honda party

of course, neither dani nor valentino have spoken about this supposed post-aragon 2015 meeting either, not even when dani was kinda accusing valentino of hypocrisy during sepang 2015, but I suppose you could say maybe dani's just not the type of guy to bring it up again. however.... I do reckon occam's razor kinda applies here and if one of these stories is bullshit then they probably both are, plus it's not like marca is exactly a neutral source. still would love to be certain!! instinctively I don't really think that's valentino's style at all, but of course it'd be intriguing if the story were true because it'd be a sign of how 2015 kinda messed with him. but I still feel 2015 is more about him falling back on past tools he'd mostly discarded - rather than, like, acting wildly out of character, which again... well, this brings us back to how that kind of behaviour isn't really valentino's style. basically, I don't buy it, but that's kinda why I am so curious about it? because I feel like it would be really interesting and quirky if he had actually done that. does this make any sense

speaking of, again this doesn't really count because I did kinda investigate it last year.... but you know when valentino in that podcast referenced a conversation with marc around the time of sepang 2015, where marc stared blankly at him? I have a hunch about when that conversation happened, want to know if it's right. this also isn't really 'gossip' because this is a conversation I'm having with myself but

y'know when bez was injured on the ranch late-ish last year? a bunch of journalists pointed out how hush hush they were about what actually happened to bez - like they repeatedly drew attention to that because god knows THEY love some gossip lol. which probably means nothing, but I'm curious what the journalists' theory here is, like do they think it was an embarrassing injury?? OR. look. I suppose the conspiracy theory would be that pecco caused it (obviously accidentally!!) and everyone at the ranch knew it'd be a terrible look if they admitted that because of the whole title fight situation. call me casey stoner because those dots are not real and definitely have not been connected

okay, you know how there were rumours in the spanish tabloids bez said some real ugly stuff to marc at valencia last year, and bez didn't directly address it but freaked a little and did a sort of blanket denial that he'd said anything that bad? I don't actually think he did tbh, but again. would just like to check!

while we're already on bez, there was one report that the switch to aprilia was partly motivated by marc to factory ducati. again, not entirely sure I buy that this would factor into his thinking beyond the obvious 'this means the route to that factory ducati seat looks even more closed than it already did' angle'.... it's very much down my list of priorities but I'd quickly confirm/deny it if given the chance yeah

that's all for now lol

[cuteniaarts]

@katkastrofa, circa 40-ish hours ago: Hey, what if our newest bunch of OCs adopted a baby from one of the other brothel girls who knew she couldn’t afford to raise one? That would make for some fun shenanigans :D

Me, with a notoriously non existent sleep schedule, instinct of self preservation or concern for my poor wrist: Alright, bet. Watch how fast I can make you fall in love with this hypothetical baby >:)

Daneli as a gentle and loving caretaker-turned-adoptive-mother is something that can be So Personal, actually, and originally I was going to leave it at this quick sketch, but then I got carried away thinking about what this child will grow up to be like raised by this little gang of misfits, so…

Here she is!! A little older and so, so beautiful, I need more of her in my life immediately, she’s way too precious

And, because I wouldn’t be me if I didn’t also add a sapphic element to this absolute cinnamon roll, a small crack ship that I’m only half serious about for when she’s a little older still:

All in all, we may be getting impossibly far from canon, but I for one already cannot get enough of sweet darling Kumisai <3

(I fully drew three pieces from scratch in 9 hours I cannot feel my brain or my hands anymore send help)

[aeons-domain]

[waywardsalt]

anyways. holding linebeck gently

[junonreactor]

hm

[procrastinatingattorney]

seeing bad 3//h characters takes fueling my motivation to write fic lmao

[libidinous-weeb]

same with male writers who write all their female characters as the exact same girl with long hair and pale delicate skin whose sole purpose is to ensure the male characters can live happily ever after while making all of the male characters have diverse and interesting storylines that have major effects to the plot with paragraphs of descriptions about what they look like and how they think. btw.

male artists who draw every woman/slightly femme looking person with the same yassified disney elsa face while having the decency to draw men in different and interesting ways are not seeing the light of heaven. btw

[daincrediblegg]

no you know what I'm going to scream about the stuff I talked about in the tags of this post publicly

I'm tired of the well-meaning "don't feel bad if your work only gets 20 notes your genius is what counts and do it for you!" bullshit. I've had a good handful of friends who have straight up DEACTIVATED in recent months because their work was not getting reblogged AT ALL. No, it wasn't from lack of not being well-liked, no it wasn't from lack of trying to make sure it was getting out there to the people they knew would engage with it. It was because no matter how much they were praised privately for their work, when push came to shove, absolutely NOBODY reblogged it and gave it the audience that it was due, and I'm tired of people shoving the "unsung genius" narrative as an excuse for it. Nothing excuses that. And the boop event really proved that.

because I know given the opportunity, indiscriminately pressing a button (sometimes 10 thousand times, as I did) is not beyond this website's capability. y'all loved doing that. and look at what it wrought. nothing but love and affection and happiness. just from a couple of quick clicks of a little paw button. sure. nobody knew who you booped but the other person (which is how likes used to work on this website, btw). there was an element of anonymity to it. but that is kind of the core of this website that no other social media platform still has: the ability to be anonymous. and hyper-curating a blog on here like you might on twitter or instagram to project an image is simply not viable. and hey. you wanna know a secret: literally nobody cares what you post or whether it goes with the "theme" of your blog or not. yeah. I know. CRAZY concept in this day and age. but literally. I myself have reblogged things that have had nothing to do with whatever I am currently fixated by and you know what happened to my follower count? not a damn thing. in fact, I actively try to reblog things specifically BECAUSE it's my friends who made them (even though I'm not always good at KEEPING UP WITH HOW MUCH THEY POST @prismatica-the-strange will NEVER GO UNRECOGNIZED by me).

And you know what fucking sucks? I have to deal with this too. surprise right? you ever wonder why I reblog fics or art I post like 20 times the day that I post them? do you ever wonder why I ask about tag lists and beg for asks all the time? IT'S BECAUSE EVEN I GET LIKE. 5 LIKES ON THE THINGS I POST. AND THE REST OF THE REBLOGS ARE MINE SO I CAN MAKE SURE THAT PEOPLE WHO WANT TO SEE WHAT I MAKE GET TO SEE IT. and I say that knowing that I'm certainly not an unpopular blog, or an unpopular writer. I know that people love the stories that I create. Hell, half of the people that I've talked to about lady terror have told me that they consider her to be canon (AND EVEN SOME!! THOUGHT SHE WAS!!! WITHOUT EVEN HAVING WATCHED THE SHOW! WHICH IS STILL SO SO WILD TO ME!!!) But especially in the last 4 years (which really dates this phenomenon), my posts, no matter how well received they've been amongst people I've talked to about them directly, I still go into the notes and at least half (often more than half) are MY reblogs to make sure people saw what I posted. and it happens every single time, and I can't tell you how much it crushes me considering that it used to be that I would be able to post it only once, and people would reblog it sometimes even HUNDREDS of times.

It's not about popularity. it never has been. it's not about anxiety. or shifting website cultures. even if you lurk, the simple fact is, that if you want people to keep making what you love. you have to reblog. your theme won't suffer because you reblogged a fanfiction that you really admire. your posting won't be ruined because you reblogged some fanart from someone in a different fandom. really. I promise. and if people do unfollow you for that? who needs em. followers come and go but you should NEVER have to cater to them. on this website it has ALWAYS been the other way around. lean into it. make it yours. put stuff you ACTUALLY WANT to be seen and that you love and appreciate on your blog. no matter how old it is, how new it is, no matter how niche or off-theme it is.

so please. if you really want to show your appreciation for someone's work? you reblog. it's really as easy as that. check the tags. add some when you reblog if you like. but please for the love of god reblog. it's as easy as booping and even more rewarding for the people who you reblog from. if you want to let someone know that their work is genius and appreciate it? show it. reblog. then DM them if you're too nervous to say what you want to say but not in a public forum. but for christ's sake. REBLOG.

[faeriekit]

Health and Hybrids (XXV)👽👻💚

[I can't remember the original prompt posters  for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and the prompt made the one body horror meat grinder fic.]

🖤Chapter navigation can be found here🖤 Click to browse previous updates.

💚 Ao3 Is here for all parts 💚 (now featuring mediocre mouseover translations, only available on a computer)

Where we last left off... Tim pulls a fast one on Batman for their mutual benefit. Everybody giggles. Danny goggles.

Trigger warnings for this story:  body horror | gore | post-dissection fic | dehumanization (probably) |  my nonexistent attempts at following DC canon. On with the show.

💚👻👽👻💚

(Additional TW: I think this counts as a panic attack ngl)

On the one hand. The room Danny’s in has a killer view of the earth from the moon.

The wall is basically just one big window. Danny is also apparently permitted to mash his face into the glass and ogle the Earth from Space for as long as he wants until the stinky dad, whoever he is, finally emerges from the depths of the building.

Diana’s the only one beside him today. She looks nice—nicer than usual, in her armor and bright clothing rather than soft scrubs and hair net. She can push his chair without getting tired—she could probably fly and carry him too, if she had to, so. Danny’s maybe counting on her liking him if this stinky dad tries to be mean.

So. Diana (nice lady) and Danny (half-dead ghost boy) are quietly seated in a dim, peaceful board room, absorbing the early morning (?) space radiation when the door hisses open across the room.

In the doorway is a long, dark, shadow of a man.

…And the green guy!!

Okay, if the stinky dad man brought a friend to this meeting the same way Diana’s meant to supervise him, Danny feels like he’s been lawyered up for the sake of some kind of court trial. This is not fair. Danny wasn’t able to review his case with his legal representation before this.

Well. Danny fumes. Whatever. His lawyer is Diana, the most powerful living being he’s seen ever in his life, and she can totally kick the green guy’s ass. Hell, Danny could probably kick the green guy’s ass.

...You know. If he wasn’t. Sick.

The stinky dad guy looks a lot like the blob his kid drew him as. That’s kind of neat—his suit is all black with little to no variation, which sort of just washes out the colors Danny might have been able to see if his eyes were still good. He’s very quiet, which is nice, and he’s very not-trying-to-read-Danny’s-mind, which is even better.

The two sit. Danny’s already in a wheelchair, so he just lets Diana wheel him to the table. The lady sits beside him in the spinny office chair.

Hello, the green guy opens with, already toying with the edges of Danny’s aura.

Danny sends back an abundance of ass-kicking emotions.

…Alright then, the green man capitulates, the barest hint of bemusement quickly stifled.

Good. Danny is mean. He’s awake enough to be mad about other people touching his aura from any end of his personal bubble.

But then the green guy…says stuff to the dad guy? And it’s very? Quiet?

Explanations, the green guy says. The image of a sign language translator at a baseball game floats over to him, and—

…Oh. He’s translating. For Danny.

That’s…nice? Nicer than Danny expected, honestly? Most of the time, people are perfectly happy to misinterpret him. It was kind of the way of the world at this point. Getting blamed for stuff, getting accused of stuff…

Man. If they turn out to be indoctrinating him for secret war purposes, at least they’re going all in. Danny might actually. You know. Like it here. A little.

He squirms in his chair, and tries not to look at anyone in particular. Diana—the lady who’s been nice to him—makes as if to straighten his hair for him, and remembers at the last second that he doesn’t like to be touched.

And sure. Danny doesn’t want to be touched. By bad guys.

…But Diana’s been really nice to him, so. Maybe. He scratches at the back of his neck, and ducks his head down—and remembers to use his words. “Yes,” he consents verbally. He can’t make eye contact. But he can…let her. Brush his hair back. A little.

Diana asks something long and complicated—and the green guy presses an image of Wonder Woman asking permission, being kind, being gentle­—up against the edges of Danny’s awareness.

Danny nods at the floor instead of at the lady. It’s fine. She’s fine. It’s fine.

And her fingers carefully brush through the front end of his fringe, and Danny. Danny is so normal about it. He doesn’t even cry or anything. Not even in front of his friend’s stinky dad.

And she doesn’t do it like Mom did it. And she doesn’t ruffle his hair like Dad did.

But it’s. Nice. And she doesn’t pull.

…And she doesn’t hit.

Danny eventually leans back into his wheelchair. It’s a little bit embarrassing to be halfway in and halfway out, but. Whatever. The scary-looking-dad with the earsies on his helmet has his own teenager. He should understand what it feels like to get emotionally weird with your teen in a public place. If he doesn’t, well...he wouldn’t be a great dad, then, and his opinion would suck anyway.

Based on what Danny knows about the masked kid, Danny isn’t sure the guy would tolerate a bad dad. The teen seems kinda unhinged.

The man says something, and the green guy presses a number of translated feelings against Danny’s awareness: Greetings. Questions about Danny’s wellbeing. Curiosity, but not demanding.

“…Hello,” Danny says back, and. Waves.

The man waves back. He’s got little claws on his gloves.

…Like a cat? Is it to go with his ears? Danny wonders about the possibilities of the guy being cat themed. It’s possible, presumably.

So…they want to know how Danny’s doing? Danny shrugs, and he glances at Diana, since, you know, she could probably fill them in? She does speak their language. And she’s been here the whole time.

The lady leans in close to him, black hair falling out from behind her ear. “What do you want to say?” she whispers into her ear, hand covering her mouth from their watchers.

Uh. It’s up to…Danny?? Somehow??

Danny winces. “…Good?” he tries, unsure if the word he uses means okay or fine or well. “…Not…hungry?”

“Very good,” Diana agrees, a little louder. She looks proud. Being not hungry must mean a lot to her, then. It means a lot to Danny too—he can remember the sensation of his stomach rubbing against itself, friction pulling raw at his insides as acid ate at him.

It was. Bad.

It was bad.

Danny’s glad he’s not there anymore. Anyway, there’s a guy in the room who reads minds, and Danny doesn’t really want to share that memory with anyone ever; especially someone who could turn it back on him.

The stinky dad says something else, but he uses words too thick and long for Danny to understand. The green guy translates, pure conceptual recall brushing against Danny’s outer aura—Needs? Wants?

…Danny frowns.

Danny looks at Diana, who looks back at him. Wants, needs…? What?

“Do you need aniþing?” Diana whispers to him, which. You know. Mostly makes sense.

Does Danny…need anything? He has medical care, he has food, he has water, he has toys and brain teasers, even…he has people to hang out with, he has people who stretch his legs with him so that he can go back to normal…heck, he doesn’t even have to clean his own waste bag. There’s people who do that for him.

Like. What more could Danny ask for?

Danny shrugs. He just wants to heal up and run away. Maybe…maybe, if Diana is real and not just pretending to like him to keep an eye on him, she’d let him visit her later or something. Danny would do what Dani doe—did. What Dani…did. And he’d just go a bunch of places and come back when he wants to.

But. No. There’s nothing he really needs right now.

The pointy-eared guy and the green guy share a look and a couple quiet words. Danny flares his annoyance into the silence, but all he gets is a silent Apology/Apology, which isn’t answers.

Ugh. Danny leans over the arm of his wheelchair. This is kind of super boring; it’s more boring than it is frustrating, even.

The stinky dad guy says something else, and Danny feels the push and pull of something double ended tugging on the outer edge of his aura. Additional/information, giving/take?

Danny really wishes he’d brought a fidget toy or something. His nerves are ramping up but all he can do is contort his fingers together, feeling the strain in and the joints click as he pushes them together and twists them apart. They want…to ask him questions? No, they’re already asking him questions. They want Danny to…give them questions??

…Danny doesn’t really want to. Still, he probably…should.

“The…space station,” he says, using the wrong word for their big space building but not knowing the better one; “Is this…where…why is it?”

The black-caped dad grumbles something vaguely approving. A tablet pops out of the table—spooky—and the guy starts drawing on it, explaining all the way. The green guy simplifies more of the verbally complicated concepts for Danny as they go.

Anyway. So they’re in space because it’s their…job? Danny thinks? They do…fighting stuff. Which Danny knew. Because he’d seen them on the news.

But it looks like they do a lot of things—they clean up after storms, and chase regular bad guys and super-bad-guys instead of just big ones. And they stop bad aliens from hurting people on Earth.

The green guy shifts from a green-looking, pointy-headed, red-eyed form to a warm, brown, human skin tone. And even. Like. Human clothing.

Danny stares.

…And the guy immediately takes back his natural form, his body physically shifting and morphing, which, fair, but holy crap. He’s living, on Earth. He passes as normal, on Earth. No one snitches on him. No one’s selling him to the government for parts. No one’s trapping him in a cage and not feeding him.

This guy works here, and everyone lets him.

Danny shifts in his chair. He…he wants that. He wants that. He wants to pass as human and not have to worry about…about anyone getting rid of him. He wants to go back to school. He wants to hide, and never ever not ever be found by anyone or anything when he does.

“I want that,” Danny says. There’s no inflection. He feels dead. He is dead, but usually he doesn’t feel it. “What do I do for…that.”

Help/Searching/Finding? the green—alien—questions, but there’s nothing for Danny to find. He knows exactly where everyone he loves is—and unless they’re already fully formed in the ghost zone…

…Well. Danny has forever to wait and see if he’ll see his friends and sister again. Maybe he’ll find them again one day, in a world purely green and glowing.

He shakes his head.

The next question comes…softer. Gentler. The mental push feels more like a breeze than a gale. Friends…Home/family?

The question comes tinged with all sorts of sensations that Danny’s suppressed—warmth, security, happiness, oxytocin, fondness, pride and being the source thereof, warmth and love, love, love—

Danny’s sweating. He can’t stop. His hands are shaking faster than usual—he kicks the brakes off his chair with the heels of his palms, and jerks the wheels back, pulling away from the desk—

He’s halfway across the room before he hears the noise. It’s just. Noise. It’s Diana, carefully shushing the loud heartbeat churning in his ears, hands on his hand, trying not to cage him but trying to keep skin on skin contact. Her hand is on the back of his hand, and on his shoulder.

“It’s okay,” Diana whispers. Danny’s shaking. His whole body is shaking. “Shhh, sh sh sh. It’s alright, it’s okay.”

It’s not it’s not it’snoit’snotit’sNOT. His sister is dead. His friends are dead. His parents sold his captors the equipment to catch him and they didn’t care if he got hurt doing it and now they’re DEAD. They tore open his hometown down the middle just to catch him, they stole him—they took his dead parent’s things as tools to hurt him—they HURT HIM and there isn’t—he can’t—he can’t—

Something is holding him down, and Danny thrashes. He has arms, but they’re injured—he has legs but he needs a tail and he—and—

He cries into Diana’s arms, sobbing and wailing. It’s a miracle that the building stays together. She holds him tighter, and he cries even harder into her soft under-layers.

He wants to run away. He needs to run away. Someone is holding him, and he can’t even flicker through her the way he wants to; his core is already too strained just from talking.

Danny’s sick. He’s dying. He’s—

“Take a breath,” Diana whispers, calm and sure. She models it for him. Danny gasps in air. “Good. Lete it out slow. As bobbels in a straw.”

He tries to copy her he does and she’ll be so angry if he can’t do it right on the first try but she lets him try, over and over again, until Danny’s able to stop hiccupping and leaking tears and ectoplasm all over her and realize that she’s holding him like a baby. Like. Actually cradling him against his body armor.

…You know what. He’s too tired to even be embarrassed. Screw that. Danny leans all the way over her and goes completely limp. Someone else can deal with his him for a little bit.

She does. Diana just…holds him.

It’s nice. Mom and Dad used to do that for him, when Danny was still…more human, he supposed. More than he is right now.

Something else touches his hand. Danny looks blearily downwards.

The teenager’s dad gets to his knees and takes Danny’s hand—and he doesn’t need the translation to understand.

“I’m sorry,” the man says, over and over again. “I’m sorry. I’m sorry. I’m sorry.”

Danny blinks sleepily. What does his friend’s stinky dad have to be sorry for? He didn’t even do anything to Danny in the first place.

Danny won’t remember, afterwards, being wheeled back to his room for a nap. They must have wheeled him back, though, because the alternative is that Diana tucked him into bed like a baby, and that’s just kind of embarrassing to even think about for too long.

[godmadeaterribleerror]

No Love Lost Series Masterlist

Read on A03! - Listen to the Playlist!

Rating/Warnings: 18+ for canon-typical violence, swearing, mental health issues, mentions of rape/non-con, and sexual content.

Tags: Soldier Boy/Supe!Female Reader, enemies to friends to lovers, canon divergence, slow burn, smut, angst, fluff.

Series Summary

Three years ago you were normal, the only demons you had to fight were your own, and you the most you knew of Vought and the Boys were what you saw on TV. But then you met Homelander at a stupid party, and woke up the next morning in a cell.

After almost two and a half years of you being Homelander's little project, Soldier Boy was woken up only go rouge and be put back under. Somewhere in there, you escaped. And before Queen Maeve went underground, she told William Butcher about the Anomaly, a powerful supe who recently escaped Vought captivity and may have an agenda against Homelander.

One month later, the Boys found you.

You spend the next five months helping them best you can, though your control over your powers is weak and your fear of Homelander makes you useless in combat. But you get an idea. A stupid, dangerous idea that turns you into Soldier Boy's keeper, giving him a second chance to take down Homelander, you hanging over his shoulder, a threat should he want to go nuclear again. It's exhausting and frustrating, and you might kill him and yourself as soon as this is over, but you said whatever it takes.

And this is what it takes.

Author's Note

This story is non-canon compliant, with the two main differences being;

1) Butcher doesn't have brain cancer, because I said so.

2) All of Gen V didn't take place, because I don't want to deal with the whole supe-plauge thing. Also that's too many characters to keep track of squad.

Because of this, the story will start in a similar setting as s4e5, but with different events leading up to it, and will deal with similar themes and have similar events to the rest of s4, but at an inconsistent rate. If you have any questions about other, smaller changes I have made, feel free to ask!

Navigation Key

❤️‍🔥 = Smut

🚩 = Additional Warnings

Chapter List

Chapter 1 - Where Winning Looks Like Losing Chapter 2 - A New Kind of Tension Chapter 3 - You've Torn Your Dress 🚩 Chapter 4 - You Might Be The Same As Me Chapter 5 - Popped, Cool, and Ready to Go Chapter 6 - I've Been Searching for a Fortified Defense Chapter 7 - The Blinding Ultra-Violence 🚩 Chapter 8 - I Just Find My Way Back ❤️‍🔥🚩 Chapter 9 - Can't Cover It Up ❤️‍🔥 Chapter 10 - Lead Me To The Ark ❤️‍🔥 Chapter 11 - The Wolves or The Ocean Rocks Chapter 12 - While My Blood's Still Flowing Chapter 13 - The Terror of Knowing Chapter 14 - Choke on Sun Chapter 15 - I Found A Martyr ❤️‍🔥 Chapter 16 - Let It Flood ❤️‍🔥 🚩 Chapter 17 - Make My Chest Stir Chapter 18 - Something In The Static ❤️‍🔥 Chapter 19 - Don't Look Back 🚩 Chapter 20 - Forget to Fall Down Chapter 21 - Some Things You Just Can't Speak About ❤️‍🔥 🚩 Chapter 22 - I Stayed In The Darkness With You Chapter 23 - Wherever You're Going ❤️‍🔥 Chapter 24 - You'll Never Be Alone ❤️‍🔥 Chapter 25 - All I Know ❤️‍🔥 Chapter 26 - I’ve Loved Everything About You That Hurts ❤️‍🔥 Chapter 27 - Just A Shot Away 🚩 Chapter 28 - Something That I'm Supposed to Be (11/19) Chapter 29 - All My Bets On You (11/26)

Bonus Footage (Standalone Chapters)

Dying’s Up to Me - A Prologue. Takes place 6ish months before Chapter 1. 🚩 Back to Here - Request! They get horny at the dining table, and Butcher takes it personally. Takes place in Chapter 14. It's So Simple - You make Ben do icebreakers. He's a little bitch about it. Takes place in Chapter 14. Just Your Time - You give Ben internet lessons. Takes place in Chapter 14. As Much As I Do - Request! Ben finds you dancing, is immediately very normal about it. Takes place after Chapter 14 and around Chapter 15. Calling Your Name - Ben's first birthday awake isn't great. Takes place in Chapter 19. ❤️‍🔥 I Skip My Pride - You share some music with Ben over text. Takes place in Chapter 22. The Only Place That I Call Home - It's team game night, and everyone is sick of you and Ben's shit. Takes place in Chapter 24. ❤️‍🔥 Can't Help Myself - Request! Ben has a breeding kink, and you're incredibly horny, so it works. Takes place in around Chapter 24 and Chapter 25. ❤️‍🔥 Anywhere Else Is Hollow - A halloween special episode! Takes place in Chapter 25. It Was Smiling Down - A Ryan pov Chapter. Takes place between Chapter 26 and Chapter 27. A Call To Motion - Request! There's a lot of things you're good at. Sex with Ben is one of them. Takes place around Chapter 25 and Chapter 26.❤️‍🔥

[ceoofyearning]

half algorithm, half deity - (Mafia AU) Eris Vanserra

Pairing: Eris Vanserra x Fem!Reader (Rhysand’s Sibling)

Summary: You try to date other people, but in truth you’ve only ever wanted Eris Vanserra.

Tags/Warnings:

Explicit (18+, MINORS DNI), SMUT with plot, Angst, Modern Mafia AU, Established FWB, Mentions of past Tamlin x Reader (brief), Mentions canon typical violence, Mentions of minor character death (Rhysand’s mom and other sister)

Alcohol, Oral (M & F receiving), Rough but make it tender & loving too, Hair pulling, P in V, Overstim if you squint (please lmkif i missed anything)

Word Count: 6.5k

Links: Masterlist | My Art

Despite your father’s best efforts, you didn’t inherit your family’s propensity for violence. 

You drink your wine and remind yourself of that fact for the umpteenth time tonight. But if this male gives you another backhanded compliment or, Mother forbid, another unsolicited criticism, you might reconsider that fact. Rhys had made sure you knew how to gut a man in just three moves and you remember each precise stroke as effortlessly as a breath.

To dissuade yourself from such thoughts, you take another generous gulp of wine - your only saving grace as you listen to him drone on and on about his most recent business acquisition. For the past forty-five minutes, the man has managed to recount his entire genealogy, his academic history and recited what felt like an itemized list of all his professional accomplishments. This is supposed to be a date, you’re tempted to remind him, not a chance to whip out his dick and measure it. 

He has yet to ask you anything about yourself, of course, entirely preoccupied with stroking his damn ego. You’ve stopped trying after the fifth cycle of appropriately timed ‘ooh’s and ‘ahh’s, seeing he doesn’t seem to need you to continue his tirade. Your pointed glares and longing glances at your wristwatch remain unnoticed too. The number of drinks you’ve had seems to be an entirely different story, however. 

"You know, you should really slow down," he remarks, his sardonic smirk exposing a set of eerily straight white teeth.

“And why is that, exactly?” You ask before taking another long sip of wine with deliberate slowness. His jaw clenches ever so slightly, his smile little more than a collection of clenched teeth. 

“You wouldn’t want to be too drunk for later.” He makes a show of raking his beady eyes over your form. The predatory glint in his eye makes your skin crawl and your hackles raise in equal measure. 

“Bold of you to assume there would be a later,” you drawl, your eyes narrowing into slits, nostrils flaring in silent outrage. 

“Oh, there will,” he declares with an impressive amount of unearned confidence. “How else are you going to pay me back for this meal, sweetheart?” He says it as though it’s a given, like your body is something he’s owed for this paltry display. Fuck, if you don’t leave now, you’re sure you’ll end this night behind bars, probably charged with manslaughter. Rhys would get you out of it, of course, but he’d be incredibly smug about it and you couldn’t have that. 

The man makes another show of tracing his slimy gaze over your body, making a pleased sound in the back of his throat. “I must say, I wasn’t a big fan of the dress - too revealing to be classy, in my opinion - but I suppose it wouldn’t matter when it’s on the floor of my penthouse.”

You admit that you don’t try very hard to hold back a gag. Without even dignifying him with a response, you hail the waiter and gesture for the bill in the hopes that the expression on your face is enough to convey the urgency you feel. To her credit, it only takes her a minute to rush to the table in all black and white salvation, the bill in hand. 

With haste, you pull out the cash from your wallet and slam it down the table. It should be enough to cover everything, even the tip. You give the man one last scathing glare before you rise from the table. A fish out of water - that’s what he looks like, wide-eyed with his mouth opening and closing, probably on the cusp of claiming to everyone in the room that you’re crazy, that you’re overreacting.

Before he can do any of that you pivot sharply towards the exit, ignoring the man’s indignant sputtering. Your feet protest beneath you, your new stilettos digging painfully into your skin with every step. Only when you’re five blocks away from the restaurant do you let yourself slow to a stop. You press the heels of your palms into your eyes, undoubtedly ruining the makeup you spent such a long time putting on earlier that night. 

Suddenly, the dress you felt so confident in now feels suffocating. The fabric clings to your skin fat too tightly, constricting your every movement. The silken garment you had thought to fit you like a glove now surrounded you like a cage. You tug at the neckline, trying to find some relief, but the discomfort only intensifies.

Frustration bubbles in your gut as you collapse onto the nearest bench to catch your breath. You feel so stupid. Although you don’t want to admit it, you’ve been looking forward to a nice night out after an entire week of slogging through work. Instead, you ended up sacrificing what little free time you have to satisfy some asshole’s vanity. 

The city continues in indifferent chaos around you. The fluorescent streetlights overhead and the headlights of passing cars slice through the night. People bustle past, absorbed in their own lives, oblivious to your existence. At this moment, you’ve never felt more alone. 

Seeing Feyre and Rhys fall in love has been an eye-opening experience. You’ve watched them gradually find happiness in each other, watched them build a life together. There’s also Nes and Cass, Viv and Kal - all so utterly content, so in painfully love. It is a relief to know that love is possible despite the kind of lives you live. After what happened - your gun slotted in between those bright forest eyes, finger frozen at the trigger; the stumbling string of sorries, of depthless regrets; white marble tiles stained crimson by blood - happiness hadn’t seemed like a possibility. All you’ve had since then are inconsequential flings and ill-conceived dalliances, nothing that could lead to anything more.

It’s difficult to admit that you want something more.

But since you’ve started seeing other people, it’s only been a series of disappointments one after the other. What made basic empathy and human decency such a scarce resource these days? In all honesty, you’re starting to lose hope, starting to think that maybe that love just isn’t in the cards for you. 

You cared for Tamlin in your own foolish, fumbling way. He was solid ground, he was stubborn certainty. He clung to control so tightly that his nails left angry red indents on his palm. In many ways, you were his antithesis, his unmaking. He tried to be good but the both of you hadn’t been good for each other. Perhaps the two of you had been too lonely, too stubborn, too fucking young to realize not all forms of love were healthy.

Eris Vanserra is an entirely different matter. He came to you as a flicker of flame in the darkest night. He was a breath of fresh air - a lungful of ember and possibility - setting you alight from the inside out. More importantly, Eris understands you the same way one side of a coin knows the other. That, however, didn’t mean you could be together. 

Perhaps in some ways, knowing made the longing worse.

Your hand clenches around air, around the vestige of a memory you can’t seem to let go of. Your fingers itch to dial the same set of numbers you’ve deleted from your phone time and time again. You remember it anyway, though. Your mind has faithfully cataloged every memory of him - silky red hair brushing against your cheek, amber eyes crinkling in mischievous delight, arms wrapping around your body, making you feel safe for the first time in your life. 

Your body moves before your better judgment can catch up. Before you know it, the familiar set of numbers is staring accusingly at you from your phone screen. Droning rings of an outgoing call pierce the silence. On the third one, Eris picks up. 

“Firefly.” That word. You can hear the amusement in his tone. You refuse to acknowledge the hint of relief you sense there too, the note of near manic joy. It’s been months since you’ve last seen each other, since you told him that you needed something more - more than stolen moments, more than simply falling in and out of each other's beds only to be nothing but mere strangers come morning. 

You say nothing, trapping unsaid words behind teeth clenched so tightly it’s a wonder you don’t break your jaw. 

“Cat got your tongue?” Eris laughs, smooth, sensual, and utterly addicting. The sound sends a shiver down your spine. You fight the sudden urge to feel his lips shape the words with your own, to feel the vibrations of his laughter with the tips of your fingers. 

“Tell me where you are,” he tries again. You can hear him lean back on his office chair, undoubtedly working late yet again. To anyone else, he would’ve sounded perfectly calm. 

“I don’t know,” you sniff, fighting back the traitorous tears. “I’m near the Moonstone Palace.” It’s the overpriced restaurant you had been in earlier, the reason you’re going to have to struggle with rent this month. You could always ask Rhys, but you’ve long since divorced yourself from your family’s wealth.

Eris exhales, and you hear a suspicious amount of rummaging in the background. “Could you send your location to me?” He suggests, and you can make out the faint sound of a door opening and closing. 

“Okay.” It comes out as a resigned sigh. 

Before he hangs up, he makes sure, “Are you safe?”

“I am.” 

“Give me fifteen minutes.” 

Eris arrives in ten.

You’re slumped on the bench, clutching your purse to your chest as the frigid night air rushes past you. In your haste, you completely forgot to retrieve your coat before rushing out of the restaurant. But then, the low growl of an engine captures your attention. You turn to find a sleek black Benz gliding into view before coming to a halt right in front of you. 

The window rolls down to reveal Eris’s smug face, familiar and foreign all at once. His bright fiery locks, longer now, have been tamed into a braid behind his back. Loose strands frame his sharp features, highlighting the severity of his beauty. He looks paler than usual, freckles now barely visible across his cheeks. 

Eris grins, voice laced with far too much delight. “Didn’t I tell you, Love? You wouldn’t be able to stay away.” 

Your nostrils flare involuntarily, equal parts irritation and wry amusement warring in you. When he notices the redness of your eyes, however, his smile banks. The only reason you can tell he’s worried is because you’ve spent an inordinate amount of time learning his tells, mapping the meaning behind the slivers of genuine emotion that sometimes slip through his carefully constructed mask. You’ve got it down to a science, interpreting him the same way astronomers find reason in the depths of the cosmos.

Without another sly remark, he steps out of the car and slips out of his coat as he strides toward you. When he moves to wrap the garment around your body, you try to protest. “That won’t be necessary.”

“You’re freezing,” he insists before dropping the surprisingly heavy coat over your shoulders. The effect is immediate. Eris is a walking furnace most days and traces of his heat still linger on the cloth, thawing the ice that has gathered beneath your skin.

You groan in relief despite yourself, finally acquiescing and pulling his coat tighter around you. Eris smirks, and you shoot him a perfunctory glare in response. Thankfully, though, he doesn’t comment on the way you bury your face in the upturned lapels, inhaling a lungful of his cinnamon and woodsmoke scent.

“Fun night?” He asks once you’ve plopped down the passenger seat. 

“Obviously,” you reply, words thick with sarcasm. “I had the time of my life, really. Nothing like a date with another entitled, self-involved trust fund asswipe to liven up my Saturday night.” Eris looks entirely too pleased with this information. 

He shrugs. “Your dates can’t compare?” He shoots you a knowing look. You resent the implication, but can’t entirely deny it either. 

The truth of the matter is that you’ve never truly gotten over Eris. As brief as your explosive affairs may have been, the male has found a way to burrow beneath skin, to etch himself onto the surface of your mind. There is no washing him off you. In these last few months, all you’ve done is find fragments of him in faceless men. 

“Can’t compare to your arrogance, maybe,” you retort a beat too late.

 

“Oh Firefly, you know you love it,” the smug bastard shoots back smoothly. 

“You think you know me so well,” you grumble, crossing your arms defensively.

“Well enough.” Eris’s smile widens, a glint of amusement in his eyes. “Well enough to know those men you’ve found aren’t worth your time.”

You roll your eyes, trying to ignore the fact that he is at least vaguely aware of your failed attempts at dating. Embarrassment coils in your gut, betrayed only by the steadily rising flush of your cheeks. “Maybe one day I’ll find someone who doesn’t make me want to scream.”

“Maybe,” he agrees, a hint of mischief lingering in his eyes. “But where’s the fun in that?” He leans toward you, face hovering over yours. The intensity of his gaze feels dangerous, almost like a threat, a promise that he could easily tear down all your walls if he pleased. Memories flash - of him devouring your mouth with his own, of bare bodies intertwined on soiled sheets, of him greedily drinking in each moan from your mouth as you clench tightly around his length - playing on torturous repeat in your mind. 

“You’re insufferable, you know that?” Your breaths come short, voice trembling. Eris’s smile widens, canines glinting beneath the warm light - a well-honed predator to and through. 

Eris chuckles. “And yet, here you are.”

You sincerely can’t tell whether you want to clock him in the jaw or pull him down for a kiss. But then, in a rare show of mercy, Eris withdraws. He simply pulls your seatbelt down and fastens it beside you before turning back to the wheel. You release a breath you don’t realize you are holding. 

The engine roars beneath you and Eris begins to maneuver the car back onto the highway. You slump further down in your seat, only to have several objects dig into your ribs. You jolt up, patting down his coat for the offending items. In your search, you produce a stiletto hidden in the inner lining and a Glock 19 in one pocket. 

“Really?” You quirk your brow at him as you drop another knife on the car floor.

Amber eyes dart towards you for the briefest second, a ghost of a smirk on his lips, before turning his gaze back to the road. You don’t doubt Eris has more hidden on his person, maybe even in this car. 

“Can’t be too careful,” he replies with a shrug, his hand flexing on the wheel. You follow the movement with rapt attention, transfixed by the rhythmic contractions of the muscles beneath, by the faint blue of the veins that run in webs up his forearm. 

Eris, the bastard, catches your preoccupation with his body. Of course, he does. 

His smirk widens into a full grin, his eyes glinting with amusement. "Enjoying the view?"

You snap your gaze back to his face, feeling the heat rise to your cheeks. "Keep your eyes on the road," you remind him, stalling, trying to regain your composure. “Perhaps you should put up a show for me, and I’ll decide then.” 

Eris chuckles at the challenge, a deep, resonant sound that never fails to send shivers down your spine. 

The rest of the drive to your apartment is spent in comfortable silence, Eris content to leave you in your corner, brooding and bundled up in his coat. You lean your head on the window, letting your thoughts drift by at the same pace the scenery slips away from view. You don’t realize you’ve dozed off until you feel Eris tucking strands of your hair behind your ear.

“We’re here.” 

Your eyes flutter open, reality reluctantly coalescing into focus in front of you. There's an amused expression on the redhead's face as he watches you wake. A part of you is tempted to curl back into a ball, content to pretend at peace just a little longer. Eris has no such qualms, however. He undoes your seatbelt and tugs you out of the vehicle. His arms remain loosely wrapped around your waist, though, even as he closes the door to the passenger seat.

“I should go.” He is so close his hot breath brushes against your cheek, the scent of mint permeating the air between you. 

“You should.” 

But none of you move to part. Your hands remain tightly fisted on his otherwise pristine shirt, while his arms create a cage around you, his body pressing you against the cool metal of the car. 

“Why did you call?” Eris asks instead. His cheek rests on your temple, his nose buried in your hair like he can’t quite help but gravitate towards you. Your grip on him tightens the same way the sun pulls celestial bodies into its orbit, completely, inevitably.  

“You know why.” 

“Tell me anyway.” He pulls back just enough to look straight into your eyes, molten amber burning into you. 

“I want you.” You confess. I’ve only ever wanted you, your mind further supplies. His gaze is searching, as if scouring for all the ways he can turn over your words in his head if the new angles would reveal some hidden meaning.

“I want to forget.” You continue, tugging him down by the collar. He follows willingly and rests his forehead on yours. Lips hover over your own, breaths mingling in the scant space between you. His mask turns translucent. Joy, pain, and regret flash in quick succession across his face before you can even parse their meaning.

“As do I, Love.” 

The moment you step into your apartment, all traces of tenderness dissipate. 

Eris has you trapped between the wall and the firm line of his lithe body. He easily towers over you. With one thigh wrapped around his slim waist, only his firm grip on your hips and his thigh slotted between your parted legs keep you upright. Your remaining leg stands precariously on the tips of your toes, teetering dangerously in whichever current Eris pulls you in.

His mouth is latched onto your neck, leaving blooms of red in his wake. You should tell him to stop, tell him not to leave any visible marks. But all words and reason are lost to you when his teeth scrape against the sensitive skin in time with a particularly well-timed roll of his hips. 

“Eris!” You keen, clawing at his back in a vain attempt to find purchase. But there is no safe harbor to be found, not here. Eris is a force of nature. He is the living embodiment of wildfire, burning brightly, holding you so firmly, that it’s as though he intends to fuse your bodies together.

“What is it, Firefly?” He whispers the words against your ear, right before he catches your lobe in between his teeth. You can feel his lips curl against your skin. “What does my pretty girl want?”

“You.” It comes out as a demand, a desperate plea. 

“Use your words, love.” His movements settle into a languid pace, excruciatingly slow, pulling a whine from your throat. His single hand encompasses your entire jaw. Pads of his fingers press against the joint, his grip firm but gentle. Eris turns your face so you’re looking straight into his burning eyes. “Let’s try again, shall we? Tell me, how do you want me?” 

“I need your cock in my mouth,” you whisper your want against his lips, confessions you’d never be able to make in the light of day. Amber eyes roll back at the image your words evoke. Eris forces his eyelids shut as you continue to speak. “Then, I want to feel you inside me, fuck me into the mattress, until your name is the only word in my mind, until I can feel you for days after.” 

“Firefly.” With his face in the crook of your neck, he groans like you’re torturing him. You allow him a few short moments to gather himself - heavy heated breaths blown onto your nape - before tugging him by the hair insistently. His braid comes loose and a river of red falls in delicate curls over his freckled shoulders. Eris is an entirely different person when his head snaps up to meet your gaze.

“On your knees.” 

Electricity crackles through the air between you at the sheer command in his voice. Obediently, you sink to his feet, gazing up at him with wide hungry eyes. To his credit, Eris’s expression remains impassive, his ardor betrayed only by the tension in his jaw and the glint in his eyes. With his thumb, he presses down on your bottom lip. 

“Suck.” 

Your mouth parts to welcome him, until you feel the cool press of his signet against your lips, a welcome contrast. You swirl your tongue around the digit, bobbing your head for a few beats. Eris clenches his jaw, the pad of his thumb lightly digging onto your tongue as he pulls it out. You release it with a pop of your lips.

“Good.” 

Eris tilts his head, a silent permission to continue. While you gradually slip off his belt and undo the zip of his trousers, Eris gathers your hair in his fist. With a single push, his impressive length is revealed to you, long and heavy. Anticipation sparks in your chest, eager to feel his weight on your tongue.

“Go on then.” 

So you do. You flatten your tongue against the base of his cock, licking a stripe to the tip. There, you take the head into the wet heat of your mouth and suck. Eris makes an involuntary thrust, despite the tight leash he normally keeps around himself.

“Fuckin’ Hel,” he groans, grip now deliciously digging into your scalp. You moan your appreciation against him, and the male shudders in response. For a few moments, you simply alternate between lazily bobbing your head and swirling your tongue against him as best you can. Your hand twists in tandem to accommodate the remaining length of him. 

“You’re a damned tease,” he accuses. “A demon.”

With wide eyes, you blink innocently up at him from beneath your lashes. Eris scoffs, rolling his eyes, but allows the torturous cycle to continue. When you sense his movements grow more erratic, his muscles tensing beneath your palms, you slow your movements just in time to deny him his release. At the third time of doing this, Eris looks close to breaking.

“Enough.” He growls, the command reverberating through the silent room, through every fiber of your being. 

You still immediately, the intensity in his voice sending a thrill through you. He adjusts his grip on your hair, winding the strands around his knuckles and tugging lightly as if to test his grip. You groan at the bite of pain, your arousal dripping from you.

“I’m gonna fuck your pretty face now, Firefly.” He whispers with such disorienting tenderness. “Tap my thigh twice if it becomes too much, understand?” 

“Yes.” Your too-eager reply draws a lopsided smile from Eris’s otherwise stoic demeanor. “Please,” you add as an afterthought as you brace your hands against his thighs.

Eris tilts his head once more, and you take that as your signal to proceed. Your lips wrap around him, cheeks hollowing out, tongue curved around his length. His thrusts begin tentatively, but it doesn’t take long for him to find his rhythm. The head of his cock hits the back of your throat with each thrust, his firm grip on your hair directing each movement. You will yourself to relax, angling yourself to take him better, deeper. For a while, all your thoughts evaporate, your entire focus simply on breathing through your nose and watching the look of ecstasy unfold across his face. 

“You feel amazing around me.” Eris pants as he pushes impossibly deeper. You struggle to take him, throat spasming around him. “My good girl,” he coos, his thrusts stuttering. You groan against him when one stroke allows him to bottom out completely. Nose nuzzling the thin line of red on his lower stomach, tears bloom in your eyes. You look up, only to find him already gazing at you. His amber eyes were wide with want, transfixed at the sight of you taking him completely. 

“I’m about to come, Love. You’ll be a good girl and take it, won’t you?” A drawn out mhm is all the permission he needs. “Every. Last. Drop.” Each word is punctuated by a thrust. 

Then, on his final advance, Eris holds you there by the head until the very last moment, until the fire in your veins has spread into each lobe of your lungs. When you swallow around him, he chokes, rolling his hips into your mouth. Your fingers curl into claws against his thighs but you don’t tap out. He moves once, twice, then he’s gone. Eris allows you a bit of reprieve by retreating into your mouth as his length pulses the rest of his release onto your tongue. 

“Fuck.” He rasps. Then, with a single tug, he pulls you off of him and onto your two wobbly legs. Eris only gives you a few seconds to catch your breath before his mouth crashes against yours for a kiss. He groans as he tastes himself on your tongue. 

“So perfect for me, made to take me.” His hands roam your body as though eager to discover every square inch of exposed skin. This is Eris in his rawest form, you realize, all control turned into liquid flame in his hands. He practically tears your dress from your body, pushing down the silk until it pools on the floor. 

“Yesss,” you hiss, clawing at his shirt and shoving it off his broad shoulders. “Only you.” Heavy thunks follow soon after - the gun holstered at his side, the knife strapped to his thigh.

“I fucking love you.” He growls in between breaths. Without giving you a chance to reply, he sucks your bottom lip into his mouth, nipping at the raw flesh. 

You don’t even realize he’s corralled you into your room before he pushes you onto the bed. He pulls you to the edge by the ankle. Eris stands tall before you, rendered in sharp angles and steady lines, softened only by the warmth in his amber eyes. Then, slowly, he kneels between your parted thighs like a supplicant before their God and your body is the only conduit of worship he knows. 

“You okay?” He asks this while his head is pillowed on your thigh, as though he hadn’t just blown your mind. Eris, you’ve discovered, is a collection of contrasts - rough one second, and painfully tender the next. No amount of studying him could let you predict the direction of his passion. You don’t mind, though, you’d happily be carried away in his current.

“Perfectly.” 

“You remember your word?” He removes your stilettos, brushing over the raw skin where the straps have dug in.

“I do.” 

“Say it for me.” He lines your heels neatly at the foot of your bed. 

“Ember.”

“Good.” Eris begins his meandering path up your legs. A kiss on your ankle, lips ghosting over your leg. Once his lips reach your thighs, he starts to nibble and suck on your skin. The simple declaration of possession shouldn’t please you as much as it does, but it only deepens the pool of desire and anticipation in your gut. 

“Eris,” you whine, breathless, as he pauses at the seam of your thigh. His smirk only grows at your increasingly desperate pleas and the erratic movements of your hips.

“Use your words, Firefly.” Eris reminds you beatifically. “Tell me what you want.”

“Your mouth,” you begin, already struggling to form a coherent string of words. “Please?” 

“My mouth?” He asks, pretending to consider it. “But I thought you said you wanted my cock?”

His taunting jolts you out of your reverie, always rearing to meet his fire with your own. You come up to your elbows to level him a raised brow. “Well, you’re already on your knees, aren’t you?” Despite knowing you’ll pay for your words later, you try to inject as much bravado into your voice as you can. The effect is dulled by your obvious desperation though.

Eris chuckles, shaking his head as if in disapproval. “What to try that again, Firefly?” He blows a hot breath towards your core, the sudden sensation sending a jolt of electricity down your spine. “I’m sure you can do better than that.” 

You clench your teeth, a vain attempt to keep the pleas trapped within your mouth. Eris remains steadfast, of course, staring you down with obvious amusement. His lips travel a languid path, teeth teasing, mouth nipping, veering closer and closer but never close enough. This is a battle you’ve already lost from the start. 

“Please?” You grit out. “Can I please have your mouth?” 

“You’re a greedy little thing aren’t you?” Eris laps at the marks he’s left, just a few millimeters from where you want him to be. Practically vibrating with need, you dangle on the sharp edge of anticipation. The bite Eris plants on the soft flesh of your thigh is what pushes you off the precipice.

“Please,” you plead, each syllable dripping with need.  “Can I please have your mouth?”

“Well, since you asked so prettily,” Eris drawls, entirely indulgent. He places your leg over his shoulder and dives in. First, he runs the flat of his tongue over your flimsy thong, lapping at your slit. You shudder at the sensation, melting against the sheets as he continues.

“You taste divine.” He growls, the vibrations making you tighten around nothing. Then, closes his mouth over your slit and begins to suck. You throw your head back, heel digging into his back, hips arching towards the pull of his mouth. Your arousal seeps into the cloth. A heartbeat, a fraction of eternity, then Eris licks the lace greedily like a man starved.

“I can’t get enough of you.” He mouths against the fabric. You feel the truth of his words as surely as the growing flame in your gut. Then, he slides your undergarments down one thigh, keeping it wrapped around the other, a mockery of a wedding garter. Finally, his lips close around your clit as he slides one long finger in you, then two, scissoring them inside. You release a choked sob. His fingers are much thicker than your own, but the stretch is a burn you’ve been craving for far too long. 

“Fuck, Firefly, you’re so damn tight.” He murmurs against your skin. He begins thrusting his fingers in and out of you, making it a point to curl his digits in just the right spot. The precision of his movements is enough to drive you out of your mind. Eris shifts between murmuring sweet nothings against your heated skin and drawing precise circles around your clit.

At some point, Eris’s free hand finds yours, intertwining your fingers with his own. It doesn’t take long for you to climb that familiar high. Hurtling over the edge so fast, you don’t even realize you’re cumming until you’re overtaken by a wave of pleasure. It saturates your senses until the only thing that makes sense is Eris, Eris, Eris. 

He doesn’t stop. His fingers hit that torturous angle, while his tongue laps at your bud. “One more,” he demands and you whine in protest. “Just one more, Love.” 

“‘S too much-“ you try to say, but your words crack into a sob. “I c-can’t-“

“You can,” he coos. “My good girl, my lovely little Firefly.” The praise does more for you than his hands could. “Always so perfect for me.” 

Desire is a living thing inside you, an inferno building beneath your skin. You crush his fingers in your grip, while the other threads itself through his silken locks, needing something to anchor you unspool for him.

“Eris, I’m-“ your voice cracks, reality blurring around you as you spasm around him, hips gyrating, driven only by pure primal instinct. He groans, as though your pleasure is as good as his own. His fingers speed up, his tongue licking your bud to and fro with dangerous precision.

“Cum for me, Firefly.”

You do. You break into flames with his name on your lips, back bowing, eyes trained to the unseen sky. You barely even register when Eris climbs into bed with you, too preoccupied with reacquainting yourself with your body. Only when he pulls your pliant form over his chest do you meet his gaze. 

“Are you alright?” There is concern in his gaze, and you wipe the worry from his face as you run your knuckles over his cheek. 

“Perfectly.” An invisible tug calls you to dip your head and taste yourself on his lips. Eris licks the seam of your mouth and waits patiently until your lips part for him. 

Without breaking contact, you wrap your hand around his girth and begin stroking him to full hardness. Your tongues meet, and you relish the trace of your taste in his mouth. Once his cock is ready, you line him up with your entrance. 

You lower yourself onto him, slowly, inch by inch, until you’re fully on his lap. For a moment, you simply stay like that, with him seated deep within you, lips locked in a languid ebb and flow. When you begin to move, you do it together, rising and falling in question and answer to the other. You wonder if there will always be this constant compulsion to have Eris near, the need to feel his skin against yours, to feel his beating heart thump in step with your own. Somehow, against all reason, he’s managed to worm his way into your life, to make a home for himself within the chambers of your heart.

Eris becomes the ruined wreckage of a man as you slide off him up until only the tip remains, before slamming back down. Eris keeps his gaze on you as though he’d rather die than miss a single moment of this. He groans, meeting each and every single one of your movements. His one hand grips your hip, guiding and grinding, fingers digging into you. The other cups your breast, his thumb tracing over your nipple. When your thighs begin to ache, legs quaking, powered only by desire and desperation, Eris easily flips you over. 

“Harder,” you choke out, “deeper.”

“So demanding,” Eris teases but seems happy enough to comply. He places a pillow beneath your hips. You almost whine at the pause, but Eris doesn’t give you a chance. He begins with an unforgiving pace, pistoning in and out of you with abandon. The new angle is torture specifically designed to tear your remaining sanity into shreds. Your legs lock around his waist, hands clasped tightly with his own. His lips hover over yours, drinking in each whimper, each moan, like it's ambrosia and you’re the sole source. 

“Are you about to cum for me, Love?” Eris breathes. And you nod frantically.

“Tell me, Firefly, who’s making you feel good, hm?” He punctuates the sentence with a hard thrust that has your eyes rolling to the back of your head. 

“You are,” you rasp, convulsing around him as his cock nudges the perfect spot inside of you.

“My name,” he demands.

“Eris.” It comes out as drawn out moan, a plea, a promise.

“And who do you belong to?” The force of each slam has you seeing sparks, and when he begins to circle your clit with his thumb? You’re gone, utterly defeated and consumed by the flame. 

“You!” You scream, repeating his name over and over and over. 

“That’s right,” he purrs. Your thighs shake, back arching completely off the mattress. The world breaks apart around you, reality melting into a flash of blinding light. He slows down and fucks you through the throes of rapture, extending seconds into eons while you flutter around him. With one last grind of his hips, you feel his cock throb as he spills deep inside you. 

Eris collapses on top of you, surrounding you in his scorching warmth. For a long while, only your shared breaths exist in the silence. He nuzzles deeper into the crook of your neck, as though unable to help himself.

Eris doesn’t tell you he loves you again. He shouldn’t, for both of your sakes. But you feel it in the featherlight kisses he leaves over your shoulder, his gentle touch as he traces each curve, line, and ridge of your body. He does it with such ease, as though it’s an art he’s perfected through the years, through lifetimes. 

Instinctively, you begin to run your hands over his back, fingers running over the lattice of faded scars there. Anger is a flaming arrow through your chest. Beron is not an easy father to have. Eris, as the prospective heir to his empire, receives the brunt of his brutal scrutiny. What you’d give to have the opportunity to tear that old bastard’s head from his shoulders.

As if sensing your sudden agitation, Eris’s roaming hands become more insistent, kneading away all the tension from your muscles. “Relax,” he whispers against your ear. 

Although he rolls off of you, he doesn’t go far. Without letting you out of the cage of his arms, he curls beside you like a cat, each plane of your bodies perfectly aligned. With his head resting over your heart, a rumble of contentment escapes him.

It’s startling to think that to anyone outside of this room, Eris is a villain, as well-versed in savagery as his father. But you know him, seen parts of him the world would never know. You and Eris have always been two sides of the same coin. 

He understands what it’s like to endure and inherit a father’s rage, to house a mother’s bottomless grief, to be saturated with so much shame it steals your every breath. The two of you are so different and yet are hewn from the same ore, forged from the same fire. Although there are a multitude of reasons why the both of you can’t be together, it feels as though Eris is the only one who's ever truly seen you as you are. 

But self-denial is a circus act you and Eris perform with practiced ease. You’ve already fucked up before and it wasn’t you who ended up paying the price. No, it had been your mother and your sister. Their blood will stain your hands for the rest of your life. 

You won’t make that same mistake again. 

Two twined heartbeats, breaths released and taken in unison, Eris drifts off as your fingers card through his hair. You drink him in, long lashes fluttering as he flits into sleep, faint freckles like stars scattered over the ridge of his nose, and his face, for once, open and devoid of that familiar mask. You map its planes with the tips of your fingers, cataloging each detail and etching them onto the back of your mind. 

Eris will be gone come morning. He always is. The only proof of his presence would be the ache between your thighs and his scent still lingering on your sheets. But for now, though, he is yours, as fleeting as this moment may be. 

This is enough, you tell yourself. 

AN: hello this is my first smut fic in a while & this is a bit different from my usual thing so i was a bit nervous about posting this one. Let me know what you guys think!

Dialogue and banter aren’t my strong suit but i tried my best ;u;

This started as pwp fic but now there’s plot and I’m invested. I’ve got a few ideas and I kinda want to do a series of one-shots for these two.

English isn’t my first language. If you see any mistakes please let me know thru DM! Thank you 💙

[readerstories]

When You Touch Me - Wolverine x male reader x Deadpool 1/?

God I'm a sucker for a soulmate au. (AO3) (Part 2) (Part 3) (Part 4) (Part 5) (Part 6)

Warnings/tags: male reader, canon-typical violence, enemies to friends to lovers, eventual smut, slow burn

Wordcount: 2347

Summary: You’ve heard many stories about how people met their soulmates. Everyone crazier than the last, ranging from typical meet cutes, meeting with one of them at death's door, in war, meeting at your soulmate's wedding to another, and everything in between and outside of that. You had just never expected to add yours to the crazy list, meeting yours in a fight, only realizing after trying to kill each other for at least half an hour. And you certainly don’t expect to have another.

Other info: About this au - Soulmates find each other through touch, which establishes a mental link that lets feelings through, and if solid and built up enough over time, simple thoughts/words can also come through. Some bonds are purely platonic, about ⅓ in total. Multiple soulmates are not unheard of, but rare, more common with platonic soulmates. 

Quickly about the reader - mercenary/gunman/thug for hire. Great shot with pretty much any gun, has two knives as backup weapons, has fought with swords before. Looks wise he has hair and is shorter than Wade and Logan, but I try to keep no specific height in mind while writing. Has a few scars scattered over his body, but nothing specific as of yet. Does not want a soulmate, thinks it just leaves people vulnerable. Lives on his own in an apartment he owns and is content with his life.

All you were, really, was hired help.

All you were supposed to do was stand around and look scary with a few other tugs in a warehouse with high shelves stacked with crates, while your employer (a generous word for the drug dealer that hired you) met with another drug dealer.

It had gone tits up the second a man wearing a red and black spandex suit and katanas on his back of all things came crashing through a window.

You had dived for cover, because there are gunshots ringing out in the milliseconds after the glass shatters. You curse, reaching for your gun, with just one single 10 bullet magazine, because your stupid employer had insisted you only needed one when you asked for more. So to have something more you had your adamantium knives strapped to each thigh, hidden enough under your black joggers.

You curse under your breath, cause this is fucking awful. You hear gunshots over and over again, people are dying, wood from shipping crates are splintering, metal is hitting the floor. 

And there’s talking. 

Fucking talking.

“Come one guys, your aim is all off! Did none of you ever train on the neighborhood cats?”

Well, more like yelling. Because even though the warehouse wasn’t empty, it still had an echo. You are used to the loud sounds, it fuels your adrenaline as you peek out from behind the crate you are using as a shield.

The man, you are just going to call him Red for now, is flipping and bouncing between crates, avoiding any big hits. A few bullets graze an arm, but he doesn’t seem to take notice as his own bullets find their marks, bodies dropping around him. He’s nimble and quick about it, taking down guys from both sides with equal gusto, and you find yourself just watching him carefully. He’s almost elegant, light on his feet, and a jab or taunt spewing out of his mouth every few bullets. 

Careful not to alert Red or anyone else about your position, you shift, gun in hand watching him saunter over to your employer, the last man standing. Well, not really, since he’s down on his knees, begging for something incoherent while fat tears and snot roll down his face. 

“Newsflash asshole, I don’t care for your tragic backstory that the writer won’t let you talk about.” Red raises his gun, one last loud bang filling the warehouse before it’s quiet once again.

“Last fucking one, my counting skills once again making me win.” Red claps his hands together, before moving his hands to his hips, looking around the warehouse. “What a fucking mess.” He shakes his head, and you see your opportunity now that he thinks it’s all over.

You move up, pulling the trigger as soon as your gun is aimed right. Red doesn’t even get to turn before six bullets go through his chest, two through his throat, and the last two finding their mark in his skull. You shouldn’t use all your bullets on one target like that, but still you do.  Red drops like a sack of potatoes, and you draw a sigh of relief, lowering your gun as you too look around the warehouse. You’re glad it’s far away from anything else, because it should take at least a few hours before the cops are alerted, and by that time you would be far away from this warehouse that is by now covered in blood, bullet casings, and dead men.

Your earlier relief turns into utter confusion as you hear shuffling, and when you turn back towards where Red’s body is, you see him shake his head where he lays crumpled on the floor, and seconds later he’s on his feet with a groan.

“Okay, good shot whoever that was.” You gape, words slipping out of your mouth without meaning to.

“What the fuck.” Red’s head snaps towards you.

“Oh, there you are.” His voice is light, almost like he’s halfway into song. “I would return the favor, but I’m fresh out of bullets so this will have to do.” He pulls out the katanas strapped to his back. You grab your knives, managing, somehow by the grace of whatever runs this universe, to bring it out just in time to block both katanas that were coming at you in tight formation.

“Oh so you weren’t just happy to see me.” Red jokes, and though you can’t see his face under the mask, you are pretty sure he is grinning. You grunt, because there is no way for your brain to form words as you parry another attack from him, retreating.

You are in no position to attack, so all you do is stop his, and try to escape, backing off. Or rather, you try to, but Red is not letting up, so all you end up doing is walking backwards through the warehouse in a vague path between boxes and shelves as he attacks. 

He manages to get a few slashes here and there to connect, but they are shallow, just enough to draw blood and sting. One on your left arm, two on your right arm, three on your left leg. You wonder if amounts are on purpose. He seems to take it all as encouragement, laughing, keeping up his quick attacks. 

You don’t know you hold out, breathing heavy, arms and hands hurting with how you are clutching and shielding with your knives like your life depends on it. 

Because it 1000% fucking does, that’s why you manage.

Red finally lets up, just enough that you can create some space between the two of you. You don’t dare to actually turn and run, certain he has no moral code of cutting down someone from behind. So you just try to slowly create even more room between the two of you as you watch for his next attack.

“Oh I am having fun!” Red tries to clap, but he just knocks the hilts of his katanas together. “Though we are just a little unevenly matched here.” He sounds like he’s breathing just a little bit harder at least, even though there are no cuts next to the bullet holes riddling his suit. He tilts his head for a moment, then bends down, and then there’s a katana sliding over the floor, bumping into your boot. You look down at it, before looking back up at him.

“Come on, pick it up.” Shifting your knives into one hand, you keep your eyes on the white eyes of his mask as you bend down and pick up the sword. 

“Oh yeah, look at me during.” You ignore his comment, feeling the weight of the katana in your hand. It’s heavy, but perfectly balanced, feeling perfect as you spin it in your hand a few times, the hilt still warm from Red’s earlier hold. 

“Hot.” Red says as he twirls his second katana, mimicking you. Once more ignoring him, you put your knives back in their sheats. “Do you have them there to distract your enemies by making them think you are going to jerk off mid-battle?” You snort.

“No, they are there so they are more hidden, and more difficult to grab.”

“If you wanted my hands in your pants all you had to do was ask, baby.” You think Red is winking at you through the mask. You roll your eyes, taking a deep breath.

“Shut the fuck up.” With both of your hands on the hilt of the katana, you are ready to defend yourself from his first attack.

“Ohhh, you remind me of someone. I think the two of you would get along, he’s also a man of few words. Maybe I’ll let you live so you can meet him and fight him too, more material for my spank bank.” He definitely winks this time, then you are defending yourself from another attack from him. It pushes you backwards, again, but this time, you are able to attack back.

Though you can’t help but wonder if he’s letting you, just indulging you. Because you can feel how strong he is when you parry his strikes, you felt how strong he was when all you had was your knives.

It’s a dance, a dance he lets you participate in as you block, attack, block, attack, block. Redirecting his sword coming for your throat so it splinters wood instead of flesh.

“How did you learn to fight like this?” Wade asks, almost spinning as his energy is redirected away from your body. He is at least breathing a little heavier, and for some reason, you find yourself having a little fun, even though you think you know how this is going to end.

“I was a loser in high school. What about you?” You speak through gritted teeth, the sound of metal on metal filling the warehouse as you block another attack. You don’t even know why you ask him back, but it feels right.

“Something similar.” It’s still kinda hard to tell, but you think he grins under his mask as you attack back.

You do get a few cuts in, deep enough that it slices through his suit and the skin underneath, but it leaves you with little satisfaction as you see the cuts heal in seconds. Though at least his suit can’t fix itself, growing more tattered by the minute as new slashes and old bullet holes make a mess of it.

“So you are not just a pretty face, there’s some skills there.” You frown, anger flaring, and you are about to say something, but with a quick move that you have no opportunity to block, and that  truly demonstrates the difference between the two of you, he nicks you with just the tip of the katanta, just on the left corner of your mouth. You startle, but on instinct your tongue goes out to lick at the blood now sliding down to your skin. It just gives you more motivation to strike back, a big one that leaves behind what could almost be called a titty window on his chest, showing textured skin underneath.

“Ohhhh, freaky.” Red taunts, slicing your chest too, though your skin doesn’t heal when metal connects after slicing through your shirt like air. You curse, adrenaline causing your ears to roar, and the world to go a little fuzzy at the edges. You touch your chest, fingers coming back bloody, watching Red. Your own katana pointing towards the floor, ready, but down as you breathe heavily.

“Leaving yourself all open for me? You shouldn’t have.” Red coos, and that is what you are counting on. Letting him attack you straight on, thinking you have given up, so you can shove the katana through his skull, killing him again, and leaving you at least a few moments to high tail it out of there.

It’s what the plan is.

It does not work out like you intend it to.

It goes in a whole new direction.

Because when he comes close enough, you manage to get a hold on his shoulder, which gets you a hopefully not deadly slice over your abdomen for your efforts. You are moving quickly, seconds away from stabbing the katana through the bottom of his jaw. But then your fingers touch a bare spot on his shoulder where his suit had gotten torn, and there’s a sparkler going off in your brain, a sizzling sensation that settles in the back of your head as feelings of excitement, adrenaline, and happiness that are not your own speeds through your mind.

You gasp out loud.

You can’t help yourself.

Because you know what that was.

And there is no fucking way.

WHAT. THE. ABSOLUTE. 

FUCK.

Fucking no.

A soulmate.

You have a fucking soulmate??????

And this is how you fucking meet him????

In all of your turmoil, you have dropped the katana that was destined to go through Red’s skull. He is a few paces behind you, not immediately attacking, just watching you as you turn around in your now mostly frozen state.

“Wh-”

“Touch me.” Red blinks, owlishly even with the white eyes of his mask.

“Wow, so forward. You know, con-” 

“Shut the fuck up.” You march over to him, and in what seems to be confusion he lets you tug the glove of his hand that is not holding his katana. You interlace your fingers, the motion absurdly tender for the moment that is currently playing out. You see his eyes widen behind the mask, and you are sure his mouth opens and closes several times even hidden as it is.

“What the fuck.” The words are so soft out his mouth that you are not even sure he said them. Not that it matters, because a second later he is wrenching his hand back like you burned him. He runs past you, and you watch as he picks up his katana where you dropped it, and then keeps running after that brief slowdown, heading towards a door you hadn’t noticed while you were fighting. You startle yourself into action finally, following him, but he’s out the door before you can reach him.

On the other side there’s a hallway, and his back is quickly retreating, and all you feel is panic. You are not sure which of you it is coming from.

You try to keep up with him through multiple hallways, but he’s fast, getting out of the building before you do. It’s enough of a headstart that you only see backlights and hear the roar of a motorcycle speeding away.

You run over to where the cars you all arrived in earlier are parked, but of fucking course all tires are slashed. Not like you had any of the keys anyway, but they would have been easy enough to find in some dead man's pockets.

“Fucking MOTHERFUCKER!” You know he can’t hear you, but you hope Red feels your frustration through your bond as you punch the hood of a car, denting the metal.

(Part 2)

[lime-bloods]

I honestly didn't ever expect that I'd be in the position where I'd be using this blog not just to analyse what has come before in Homestuck, but to look toward the comic's future and do some real old-fashioned theorycrafting. but the time has come. so here goes; lime-bloods' Beyond Canon theories as of the July 6th 2024 update:

Vriska's Going to Hell

were all gonna help you! / whether you like it or not

a select few eagle-eyed readers already noticed that the sound used in last month's (Vriska: Figure shit out yourself.) is called "hell_tierwav". while it was easy to dismiss this as irrelevant composer shenanigans at the time, it's now become clear exactly what this was foreshadowing. whether it would be more apt to call this "Hell" or "Purrgatory" is probably up for debate - but whatever you call it, Vriska's been placed in a dimension seemingly tailored specifically for her personal torment.

while Vriska characteristically interprets the recreation of her childhood home as a symbol of how badass she was, the ghosts of her past - both literal, as the shades of the trolls she killed as Mindfang, and figurative, in the form of sprites wearing the faces of her dead friends - show us in no uncertain terms that Vriska's childhood home is the stage where traumas play out.

Erisolsprite puts it succinctly with his welcome to hell, but pay close attention to what exactly we're being welcomed to: this update ends on page 665. so as of this next update, we'll be starting on page 666.

Does Homestuck Have Hell?

the exact bubble of reality Vriska's currently found herself in seems to be an entirely new construction of the likes we've not yet seen in Homestuck - but that doesn't mean this kind of cosmic torment is without precedent. because while 666 is a number with Satanic connotations in the broader cultural context, it also has a very particular meaning of its own within the world of Homestuck. indeed, the latter half of the comic almost revolves around it, culminating in a climax in Act 6 Act 6 Act 6.

specifically, this repetition of a single digit is emblematic of recursive storytelling. to summarise what you can already read about in detail in my essay The World / The Wheel: when Caliborn is 'gifted' the Act 6 Act 6 supercartridge, which he is told is an "expansion" of Homestuck, it's a trick. there is no "expansion"; he's going to be trapped in a story that never ends because it keeps dividing into smaller and smaller versions of itself forever. the only way to truly beat the devil who trapped the heroes within a story is to trap him in his own story.

that's what Caliborn's "Hell" is, and that's also exactly what the Alternate Calliope achieved in Act 7 by creating the black hole which Vriska knocked Lord English into, ending Homestuck's story - something that Calliope even hints at in this very update, when she refers to the black hole as "containment"; not an accident, but a deliberately crafted prison. black holes are a symbol of recursion and regression; being sucked into one means being forced to live out your whole life over and over again, forever. so really, this is all we ever could have expected to happen when Vriska stepped into a black hole within a black hole! the presentation of the narrative even subtly hints at this; events in Beyond Canon that take place in the black hole are enclosed (in brackets), and now events that take place in a black hole-within-a-black-hole are contained within {curly brackets}, because you should always use a different kind of brackets to differentiate nested parenthesis from each other!

it is absolutely no coincidence that when Caliborn closes the curtains on his appearances in Homestuck, thinking he's won when really he's been condemned to a hell of his own making forever more, it's with a tribute to this exact same Sweet Bro and Hella Jeff strip.

IF YOU REMEMBER JUST ONE THING I SAY, OF SO MANY GREAT THINGS SAID BY ME, THEN PLEASE REMEMBER THIS. I WANTED TO PLAY A GAME.

So What Does That Mean?

one of Beyond Canon's central missions is expanding upon Homestuck's exploration of the relationships between author, text, and audience. as discussed above, a large part of Homestuck's thesis is the evil of forcing characters to live the same lives and the same stories over and over without the chance to grow or move on, and Beyond Canon picks up on this by placing Dirk in the position of trying to keep Homestuck going forever purely to appease its fans, while the Alternate Calliope continues to oppose this ideology. and while the alpha Calliope outwardly seems not to have taken a hard position on where she stands in this cosmic battle, the question posed by her device seems to be an entirely new one: can it actually be a good thing to regress, to return to ground that the story has already covered? can this path lead to something new, rather than merely stagnation?

it's so relevant that Vriska is being confronted with the crimes of her past, not only in the form of all the trolls she was personally responsible for killing but also in the form of the exact same punishment she condemned Lord English to with her heroism - complete with the herd of horses that are always present at Caliborn's demise! but where being condemned to an eternal cycle was fitting punishment for Caliborn, someone who refuses to break free of cycles of abuse and instead chooses to enact that same abuse on the world around him... if Vriska is someone who can break free of these cycles, who can change and become a better person despite what happened to her, will this punishment have the same effect? or, as Davepeta seems to believe, is forcing Vriska to reckon with her own past and traumas exactly what will allow her to break free of that cycle?

DAVE: [...] ill just be over here in the hyper gravity chamber training to beat lord english KARKAT: WE HAVE A HYPER GRAVITY CHAMBER???

it's hard not to be struck by the parallels in design and purpose between the Plot Point and Dragon Ball's Hyperbolic Time Chamber, and not just because of the Dragon Ball enthusiasts present on Beyond Canon's writing and art teams: albeit in typically Strider-bastardised form, the Time Chamber got a shoutout in Andrew Hussie's own Homestuck (see quote above), in a reference that was even picked up on by prolific theorist bladekindeyewear at the time. for the uninitiated: the Hyperbolic Time Chamber allowed its users to train for extended stretches of time, sometimes even spanning years, while a significantly smaller time period passed in the world outside - something that is actually true of real-life black holes! and with the Plot Point's own emphasis on time, represented by the hourglass included among its mechanisms, it seems to me that an essential part of making the 16-year-old Vriska ready for the trials ahead will be giving her the time to undergo the same growth her adult friends have experienced.

considering that Beyond Canon is already playing in the Ultimate Self space, where there are levels of power beyond merely the "god tiers", it also doesn't seem too farfetched to speculate that Vriska, forced to reckon with the fact that becoming a powerful Thief of Light isn't the be-all and end-all of personal growth, will take another leaf out of Dragon Ball's book here and ascend "beyond Super Saiyan". perhaps this is even the "hell tier" so cheekily alluded to in the Plot Point flash? certainly this kind of evolution would be the perfect way to challenge Dirk's belief that the Ultimate Self is the only logical final step for a character's development.

whatever the case, I believe we can take Davepeta at their word here. I don't think it's just a joke that by the end of this ordeal Vriska Serket is going to be fucking RIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIPPPPPPPPPED!