#the other characters don't really have names for the most part

[sweetiechenle]

halo 𖦹 haechan

pairing: non-idol!collegestudent!mean!haechan x afab!collegestudent!reader

summary: you know haechan is not good for you but you just keep coming back

warnings: mdni 18+ only, angst, hurt, barely any comfort, haechan is toxic and a liar and a manipulator, reader is :/ someone help them, sex scenes, cursing, mentions of drinking/smoking, name-calling (not the nice kind), this is a toxic relationship and if u relate to any of this pls remember help is out there! fiction ≠ reality, i do not believe he would act like this irl, he is just a character in my story.

♬⋆.˚ now playing .ᐟ 'halo' by cage the elephant

you knew i couldnt help myself i had to lay low

you never had trouble making friends, but after a while it felt like chore. mundane conversations made with strangers at school, your job, parties your best friend mark would drag you to occasionally. when you told mark you had the weekend off you knew you fucked up, he began to pled, almost getting on his knees to accompany him to this party 'the coolest people in class' were throwing was his words. you rolled your eyes saying 'i’ll think about it' that was wednesday and as friday crept closer you knew youd have to give him an answer soon.

drinking was never fun for you, always blacking out and throwing up somewhere, or worst, on someone, which mark and renjun would never let you live down. so, you became the designated driver, only when you felt like it. however, you still had fun hanging out with your friends drinking or not, mark never left you alone for too long and renjun would always dance with you when asked. you preferred seeing your friends outside of partying which was never a problem for anyone in your group, you wouldn't call yourself innocent, just someone who wanted a more calm environment.

'please come with me, it won't be fun without you' mark sat on the couch in your studio apartment. you stood opposite of him, right in front of the tv. rolling your eyes at him, he was looking around you trying to see his show playing. 'could you move?'

'could you be a little bit nicer? you're the one trying to get ME to do something' folding your arms you move to sit next to him. he sighed and threw his head up to look at the ceiling for a second, he turned off the tv and moved his body towards you. 'y/n would you please come with me to this party? I think there are a couple of people there who you would like actually…' he nudged you, 'jeno will be there, his friend is actually hosting it' you gave him a little smile at hearing your crushes name, but everyone liked jeno.

'hmm, while i don't think jeno would actually talk to me, i guess i have nothing else better to do with my time, just promise you wont leave me' you begged your best friend.

he smiled and took out his pinky finger, presenting it to you, 'i promise' you grabbed it with your own, sealing your fate for the weekend.

you hurried to get ready, opting for high-waisted jean shorts and a simple crop top, something cute to make you fit in, not to grab too much attention. mark was waiting for you on your couch, occasionally shouting out that you both needed to leave soon. finishing up your make up you told mark that you would meet him in the car. it was a deal that he would drive you both there and you would drive back, with him probably drunk and/or high. making your way downstairs and outside, saw him in the driver's seat, ready to take off. once you sat down he was already driving, 'why are we rushing? we actually have plenty of time to get there'

mark sighed, obviously nervous, “well I met these guys the other day and they seem really cool, i just don't want to blow it, you know?' you didnt 'i just want to be their friend, for all of us' you noticed how his knuckles were white gripping the steering wheel. in one of marks classes he was paired up with jeno, who was part of one of the most popular groups in the whole college, a group he wanted to be a part of, and when jeno invited him to a party he knew he couldn't fuck up his chances.

'mark, relax and just be yourself, i'm sure they'll like you. you're like the coolest person i know' you tried to reassure him. he rolled his shoulders back and loosened his grip, trying to clear his mind of anxiety, 'you know i'm nervous too' your words caught him off guard, 'the only person i'll probably know there is you, and maybe renjun if he shows up' he nodded realizing he wasn't the only one freaking out.

the car stopped outside of a little townhouse, you figured a couple of college guys lived there together, there was no way only one person could own something like that in a town so expensive. 'alright, i think this is chenle’s house' turns out only one guy did live there.

it was dark when you entered, and there was a lot of people already there. the music was alarmingly high, but if the person who lived here could afford it then they probably paid the neighbors not to mind too much for one night. you stood behind mark awkwardly, watching as he said hi’s to people you didn't know, he tried to introduce you to which you waved and gave a small introduction. that was until he found jeno along with some other guy, just the four of you in the small kitchen, it was unbearably hot and you wondered if they could see how red your cheeks were.

'y/n' mark started, you broke your gaze from the cherry cabinets and looked at your best friend, 'this is jeno and his friend haechan' you gave them a small small and wave trying to give your most confident ‘hi’. they were so cute, but your focus remained on jeno the most.

'it's nice to meet you, y/n' jeno said before his other friend could, who continued to stare at you, without another word the dark-haired male turned to your best friend, 'want to play beer pong?' you almost laughed telling him you'd come and watch later as mark turned to you for the okay.

when you came to watch them later (after asking multiple people where the table was for beer pong) you found it and mark was already chugging a beer with jeno by his side. giggling you told mark to slow down or he would be passed out within the next hour, jeno just smirked beside you, throwing his arms over the both of you as mark finished his drink. you stopped laughing as jeno yelled over the blaring music, 'we're just getting started my friends'. mark let out a laugh of his own which forced some laughter out of you, you looked from his face to across the table. you remembered him as jeno's friend, haechan, staring at you with pointed eyes and a thin lip, no hints of laughter.

'here drink this' mark said handing you a red cup with clear liquor swirling around, it smelled like alcohol and you grimaced but took it anyways, 'trust me, there's barely any vodka in there, it will help you wind down a little' annoyed by his statement you took a sip and closed your eyes, trying to keep it all down. he walked away to where jeno was, now sitting with a big group.

'not tasty enough? or would you prefer the wine worth hundreds of dollars we save only for goody-goody’s like you?' you turned at the unexpectant guest, raising your eyebrows at the comment. breath hitching in your throat finding jeno's friend, haechan, standing before you.

'excuse me?' you almost spit out the second sip you'd taken, not from the bitter taste but the way he spoke.

'you heard me, you don't have to drink it if you think you are too good for it' he lifted up his eyebrow in question, giving you a slight smirk.

his behavior confused you, but deciding to play along, 'it could be worse, but could be better' you said putting down the cup.

before you could leave, another man entered the room right behind haechan, he slapped his back, making the shorter man jump, 'sorry, he's an asshole'

you smiled in amusement and watched haechan turn to argue with the other boy, you left the room to find mark. you asked if he was ready to leave but he said something about the party just starting, rolling your eyes you asked if he could at least dance with you. he reluctantly agreed, getting up from the couch, he took your hand and led you to the dance floor. you had tried to get jeno's attention by sneaking looks at him, but obviously was a bad plan as he never took notice of your existence even in such a small place. you looked back at mark and to your surprise he wasn't there anymore but haechan, you stood ready to get away from him. he took your arm in his hand, “don't leave, let's dance” you hesitated, but to not make things awkward you agreed. trying to move along with the beat you felt him against you, getting closer. feeling his hot breath on your ear you shuddered, 'staring at jeno isn't going to make him want you… as if he would ever want anyone like you' turning towards him, he stared down at you like dry grass burning from the sun, you could tell something was up. before you could say anything else he grabbed your hips and turned so your back was now touching his front, he moved you along to the music. 'you think you're so innocent' he whispered, 'you should come upstairs with me, i can make you forget all about jeno' so that's what it was, you came to the conclusion that he was acting like this because he liked you(?) and was jealous. the puzzle was hard to put together in your mind, but before you could think another thought about it, the brown-haired boy was tugging you upstairs to an empty room.

it was dark and only the moonlight shone through the window, illuminating only small parts on his face. you noticed some moles and if the circumstances were different you'd comment on how cute they were. caught by surprise in a split second his lips were on yours, kissing you feverishly like his life depended on it, you tried to keep up with the speed, kissing him back almost instantly. he would move down to your neck and bite slightly making you gasp and moan, just as he said, making you forget all about jeno. you watched as his hand slid down your pants and into your underwear, you gasped as he played with you. suddenly embarrassed you hid your face in the crook of his neck, giving him little butterfly kisses as you tried to hold back your moans. 'do you like that?' he huffed in your ear, not stopping his movements. you nodded, whimpering as you tried to reach your high, 'use your words bitch' he hissed going slower to try and make you suffer.

'i like it' you muttered, he went back to his steady pace, going faster when he noticed your legs shaking a little, a couple seconds later you came on his fingers, coming down from your high you sighed and tried to catch your breath. he took his hand out of your pants and held his fingers in front of your face 'suck' he demanded.

'will you call me tomorrow?' you blurted, maybe he did like you and this was just his crazy way of getting your attention.

'no, now suck' he imposed. reluntantly you took his fingers in your mouth, cleaning yourself off of him. after you were done, he stood getting ready to leave you in the room, before opening the door he turned to you still sitting on the bed, 'i'll ask mark for your number'

he didn't call you the next day or the next week, you'd occasionally see him around campus, with his friend group, and sometimes even with mark. you didn't tell mark about what happened between the two of you at the party out of pure embarrassment. mark doesn't even remember leaving you on the dance floor, to begin with. you wanted to forget about haechan, and let him go, but there was something about that night the way he made you feel, uneasy but grounded at the same time. It was a feeling someone else would call you insane if you ever tried to explain it out loud.

just as you thought you were over it, a random text came through your phone on a lonely saturday night reading: 'it's haechan, wanna come over?' you knew you didn't have to go but you did anyways. getting in your car you clicked his address on your phone and drove straight to his apartment. he buzzed you into the building and you made your way upstairs, opting only to dress in sweats and a matching hoodie. he opened the door with a smile, something you weren't really used to seeing yet, but devilishly handsome none-the-less. he led you to his bedroom, a modest size. you moved to the end of the bed, playing with the strings on your hoodie, the air now becoming awkward. you felt a dip next to you and turned towards him, he leaned in for a kiss, much like the night a week ago. you silently complied, kissing him slowly.

he stopped halfway, 'why are you holding back? come on y/n don't act all innocent now, you were the one who asked me to text you,' you winced, he was right.

you faltered, trying not to look him in the eyes, 'i've never done anything like this before, like um… sex' the room felt big and you got smaller under his stare.

he let out a lifeless laugh, 'i'm going to ruin you' he said more to himself. the night ended with you in bed with him, nothing going further than foreplay as you told him you weren't ready yet, but he was willing to wait. haechan wanted to break your innocence, it became a mission to break your facade of someone who acted like they were too good for everyone around them, he knew that deep down you were no better than him.

'i like you y/n, but we can't be seen out together in public, you know mark is a part of our friend group somewhat, and if he finds out about us, i don't think he would like that too much, you know since he's your best friend and all' haechan explained as to why you couldn't tell anyone about your relationship, no way was he being sincere but you didn't have to know that.

you blushed 'I like you too, haechan' you took a mental note when your words made him smile, which just set your heart ablaze. 'yeah, i don't think mark would be too happy about us right now, maybe we should wait a while before we tell him' haechan smiled, getting you right where he wanted.

after a while, you left and went back home, giddy and feeling nothing but joy in your heart. a couple of nights a week it would be the same routine, haechan would call you to come over and you would end up in the same place, under him and in his bed. there was a handful of times you would go out to eat ramen at some random convenience stores outside of town, you never questioned him when he didn't hold your hand even when no one was around. sometimes he was sweet, cuddling into you in bed after an intimate moment or when he asked you if you wanted to stay and watch a movie. other times you'd get done in bed and he'd bluntly ask when you were leaving, you figured he was probably tired.

it didn't help that at times when you and mark would hang out with his new friend group, haechan would act like he never even knew you, but ‘it was for the best’ reminding yourself. it almost slipped to everyone while playing video games together and jeno was on your team, you both had gotten too invested in the game. hugging when you won and arms around you for comfort when you lost, to haehcan jeno was getting way too close for comfort. he continuously asked to switch partners, you thought it was cute, but it just made everyone confused as to why haechan wanted you as a partner so bad. your smile faltered when he answered 'she's terrible! obviously needs someone else to help her win, i think it should be me' his comment pushed a pin through your heart, so you didn't answer his call that night, but of course, you couldn't help yourself. after he texted continuously, trying to tell you it was the best way to get the others off of your backs and not to suspect anything, you agreed to go see him.

after months of back and forth with haechan, you were content with where you were with him. you were sitting in the library on campus one night, there were not a lot of students around, but it was a smaller school to begin with so at any given point there was never really anyone around. never being one to eavesdrop on other people's conversations, but when haechan's name was said multiple times between two girls sitting nearby, you just had to listen in. you couldn't make out exactly what they were saying but you stood up when you heard his name and the other girl squealing slightly when the other said 'texted'. before you could even think about it you walked to the end of their table, 'why are you texting my boyfriend?'

the girls were surprised by their sudden interruption of the conversation, turning to you with their mouths slightly agape. 'haechan? girlfriend? this can't be the same haechan we're talking about' she laughed. her statement just made you furious, you knew you were quiet with haechan but you trusted he wasn't talking to other girls. 'girl, stand up, he’ll fuck anything with two legs' the other girl said before turning back to speak with the other, ignoring you entirely. before leaving the second girl called out to you, 'sorry, he's an asshole!' you stomped outside, weight pulling you down as you heard that before, you called haechan with a heavy heart, explaining that you needed to come over.

once you made it to his place you started explaining 'that girls were talking about texting you' and that 'you trusted he would never do that'. he sighed, trying to get you to calm down, haechan guided you to sit on the couch in his living room, explaining slowly, 'first of all, we are not dating, i never asked you to be my girlfriend, second, i have not texted any other girls, they are probably just jealous, but you can not just go around and call us that to strangers!' he walked around in circles, pulling at his brown hair in frustration. you felt your heart break at his confession, how could you forget that he never asked you to be his girlfriend, so why would you go around and call him your boyfriend? you felt embarrassment and stupidity wash over you, it felt gross and sticky. standing up you walked to the door, he watched you take the knob in your hand, turning it, 'i understand' you left.

it was a week without haechan, and while you knew it was good for you, it felt so wrong. you hated it, trying your best to avoid him, yet he was the only thing you could think about. he tried calling you a couple times, and they would go unanswered, he texted you and everything. you ignored him as best as you could, it was until mark got involved. unbelievable, your best friend showed up at your door, saying he wanted to hang out and watch a movie and nonchalantly adding in the comment 'oh yeah, by the way, haechan asked me for you to call him'

you tried to act confused as to why, trying to get more information from mark, 'did he say why?'

mark looked just as confused as you did, 'no but he said it was important, he was kind of sad too, did you do anything to him?'

you scoffed, 'no i didnt, but i guess i should call him if it's that important' after mark left later that night you decided it would be now or never. you could never help yourself with haechan, no matter how bad you wanted to get away, he always found a way to pull you back in.

he picked up on the second ring, 'let me explain' you sighed and told him to go ahead, 'i didnt mean to upset you y/n, you see, i was going to ask you to be my girlfriend and i guess those girls had heard something around campus and got jealous'

you grew suspicious, 'what do you mean ‘heard something around campus’?'

'okay well i told jeno that we had been together for a couple of months and that i was planning on asking you, and i guess he told someone else. please y/n come over tonight and let me make it up to you'

you sighed… you really shouldn't, 'fine, ill be over in 10 minutes'

got so high, couldnt help myself. i lost my halo

'now mark still doesnt know about us, so you cant go around saying anything okay?' haechan was trying to convince you, as he peppered your neck in kisses, 'are you ready tonight?' he was desperate to get you to comply finally. he had been waiting months, usually, girls give it up way earlier but you took some breaking… love as haechan hated to call it. months of work just to break your innocence for him just to get some pussy. he would admit that he had fun trying to get you to bend at his every command, but when you ignored him it just made him want you more. he just couldn't help himself. it took him a lot of thinking but after this night, he wasn't done with you yet. He was so close and he wasn't going to stop now.

you sat infront of him, nervous at his question but you nodded, 'im ready' he gave you a devilish smile in return, planning to do something absolutely crazy to seal the deal. 'good, now just relax baby, i promise i'll make you feel good' you nodded, trusting him. after a while of kissing you got down on your knees in front of him, something you had done dozens of times. now it felt different, in the back of your mind you could hear the girl's voice from a week ago, 'stand up' you stared at his crotch, the bulge waiting for you. 'are you going to suck my dick or not?' he questioned, starting to become impatient, you looked up in a panic not realizing how much lost in thought you were. you unbuckled his belt and pulled down his pants, 'come on baby, you remember just like last time, remember how good you made me feel?' this wasn't good for you, deep down you knew it, but no matter how much he slipped the knife under your skin, you couldn't help it, and there was no going back now. looking up into his brown eyes staring down you nodded.

after he finished, he was hard again almost immediately, ready for what he worked so hard to accomplish, finally breaking your image, it was so sweet he could get high just thinking about it. the way you had defended him from cheating even when those girls were right. the fact that he never wanted to be your boyfriend but couldn't stand the fact of you leaving him, he was fucking crazy and tonight he planned something even more fucked up so he always has a tight hold on you.

you sighed as you laid on your back, waiting for haechan to get ready, feeling nervous as you watched him roll the condom over his dick. he moved to the bed finally and climbed on top of you, 'are you sure about this?' he double-checked, hoping you wouldn't back out now. the excitement almost getting to the best of him as he lined up with your entrance. you nodded and shut your eyes as he slid inside. while it hurt so bad, you felt so full. without even telling him he started to move and that's when it felt better, so euphoric. he continued to pound into you, and all you could do was moan into his shoulder, your brain feeling like mush from everything feeling, your body going through the trails of fire. 'I love you' he whispered and you could barely comprehend the words, deep down you knew he was lying but this was too good to fuck up right now, all you could do was kiss him.

you couldn't help yourself. you'd come back every time.

i lost my halo

[starvingnarcissistmusic]

I've had this drafted forever and I'm not entirely sure why I didn't post it. Oh well, better late than never!

MAL DU PAYS (the song) fun facts:

(Like the original post, spoilers for Act 5 ((and also 2hats)))

- Originally, after finishing the game, I wanted to write a song about Loop. They're one of my favorite parts of the game and I really loved their character, but I ended up scrapping that idea very early on, as I couldn’t really find a personal tie to anchor the song to me. While I did want to write a song about the game, I didn’t want to write something that didn’t resonate with me and my musical “mythos” in some way. It's a fan song, but it's also a Starving Narcissist song, and I felt it was important to strike that balance. MAL DU PAYS (Monophobia) only got released because I felt that it was something that fit into the larger body of my works even without the context of the game. So in the end, I chose to write about Siffrin, as I found them a lot more personally relatable. The final version, lyrically, is almost like I’m using Siffrin as a vehicle to write about my own feelings. Some lyrics are his, some are mine, a few are both of us, it’s a weird sort of style I’ve never really written in before.

I do have some leftover lyrics from the scrapped Loop version, though!

“There’s a you you’ll never be, across the cosmic sea / Who has everything you wanted, now it’s everything you need; is it over yet?”

- I think originally the song had a lot more of an exhausted vibe, but with most of the stuff I write, the tempo usually gets faster the more I play it. At some point in the writing process the song channeled more of a manic energy than I had originally intended it to. Loud and shouty is kinda just my default lol.

(The first ever demo for the song, recorded September 15, 2024. Features some slightly altered lyrics!)

- The title was also subject to change! I think for a while I was going back and forth on just calling it Homesickness, mostly because I was a little nervous that my song’s name was technically a late game spoiler. Half the reason I wanted to even write the song was because I thought MAL DU PAYS would make a great song title though, so in the end I just sucked it up and went with my gut. The alternate title was also not set in stone, I think originally I was considering just calling it Mania or Paranoia, but I thought those would be a bit generic. Eventually, I settled on Monophobia, because I felt it was apt in describing the song as a whole. I write a lot about loneliness, and Siffrin is afraid of being alone, so it felt fitting to name the song after the fear of it. (And also, a bit more superficially, I thought Monophobia made a better song title.)

- The song is the only Starving Narcissist song on a nylon string guitar, and it's also the second song in a completely non-standard tuning (third if you count ITWYW?, but that's just a half step down from standard). MAL DU PAYS (Monophobia) in DADF#BD, with a capo on 1.

- THIS SONG HAD SO MANY REVISIONS. I don't think I've ever had this many versions to a song ever. It got so bad that I made a specific folder just to hold all the different variations I had for the song. They're not all too different from each other, and they're all built on the same take of the song, but I was playing around with mixing and structuring and vocal layering and its a whole mess. Honestly, the fact that it's a song about a timeloop makes it probably the funniest song this could have happened to.

- And that's about it! To end off this little fun fact post, here's a little something I wrote for Genius (where lyrics for this song and all my others are posted! plus annotations I write! <3) about the song. The response to MAL DU PAYS (Monophobia) has been pretty wild, and I'm glad it managed to resonate with people, even some who don't even know the game it's about.

That's all. While I guarantee this year will probably be slower for Starving Narcissist, rest assured that I am working on stuff, just very slowly. There's a very low chance I'll ever do something as flagrantly self indulgent as this song, but whatever I do end up doing, I hope you're around to see it.

In the meantime, stream the song on spotify! or buy it on bandcamp! or even just go watch the lyric video i made for it (please i spent like a week on this)!

Thanks for everything, see you later <333

Happy one year anniversary to In Stars And Time! tldr; i wrote a song about it. if you wanna skip all the gushing and just listen to it, click here. (spoilers for act 5) If not, behold this big rambly mess of a thing i wrote:

So funny story, I kind of wasn’t planning on releasing anything for the rest of the year. The album wore me out, and the only other idea I had sort of fell through, so I was content on just letting the album be the only thing of note I would make in 2024.

… and then, in September, I played a little RPG called In Stars And Time. beat the whole thing over the course of three days, then spent the next couple weeks ravenously consuming all the fan content I could get my hands on. my friends have been forced to stare at my siffrin pfp every day for two months straight at this point and frankly i think they are tired of me talking about it.

i love the art, i love the story, i love the music, i love the characters, i love the world. siffrin sort of immediately became one of my favorite protagonists like,, ever. and it definitely did not help that i am also a scrawny forgetful person who has to regularly fight off the part of my brain that convinces myself that All My Friends Secretly Hate Me.

I’ve never really been so called out by a character before. The spiraling, the deflection, and the agony of being a stranger to yourself. the yearning for something you cant even name, because how could you? you cant even find the words on your tongue. not being able to tell anyone how you feel because its just easier to live with it, easier to let it eat you from the inside out then to bother anybody else. its easier to keep the mask on, stick to your lines, let the show go on.

all that hit just a bit too close to home. so i did what I usually do When Things Hit and wrote about it.

(like i said, spoilers for Act 5; It’s pretty devoid of context but they’re spoilers nonetheless)

MAL DU PAYS (Monophobia) is a song about cyclical burnout, self-estrangement, and homesickness. It’s half about Siffrin, half about me, but mostly it’s a rumination on loneliness and the hell that is the self.

Out now wherever you listen to music.

“How can you be homesick if nowhere is home?"

[doubledeadstudio]

Hey! Hope you’re having a great day

My question is that for any/ all of your games, do you have any cut content? As in like, events, concepts, characters, backgrounds, dialogue, etc etc that were originally meant to be in the game but for one reason or another was cut out from the final product? If so, why were they cut?

This question is deeply exciting to me, and the answer is: Tons and tons. (I won't mention the ones that could be spoilery about future plot developments.)

Reanimated Heart

Cut content:

I think the most memorable one is Black's HATE tattoo around his collarbones. As I developed the game, I started disliking the design, so I switched to seraph wings. A lot of people wanted it back, so I moved it to his abs.

Got a lot of complaints about the usage of "guy/dude" in a gender neutral way from women, lol. I just scrubbed most of those instances from the script now.

Florentin was supposed to be the 4th LI in Reanimated Heart. He was supposed to be the doctor that had the potion to reanimate Black. I still wanted to do something with him, so you got Pygmalion's Folly. (This was so early on that there isn't even concept art.)

Another early concept thing... You were supposed to be able to choose from three different backgrounds for the MC, like you were a former criminal, etc. I thought it was restrictive, so I cut it early.

Crux had a rotating last name for a while, hence why he didn't have a last name on the Itch page, lol. He's the kid of two OCs, but I didn't like the last name Knight for him? I didn't think it was fitting. I like the current one.

Vin's second romance scene was already pre-written. MC was supposed to have nightmares about him. I thought it was pretty unexciting, so I re-did it to the current one, which I'm extremely proud of.

Crux's third romance scene was supposed to be the "date", and he takes MC to an abandoned theme park. I then realized I didn't want to draw an abandoned theme park for one romance scene.

Crux's "date" scene was supposed to be him taking MC at a cafe and interrogating them and remembering all their answers in a really dynamic sort of way? I didn't think it was worth it to code, so I scrapped it.

I was going to do a point and click feature where random scenes would have something "hidden" in the background, and they'd be part of an easter egg hunt that your chosen LI will give you. That was too weird to code, so I scrapped it.

I got suggested an animal sidekick that gives you hints and stuff... I played with the idea for a bit, but decided it didn't fit the tone.

Content I might cut in the future:

Redoing the prologue. "Might" is an understatement. I'll be redoing it in a more simplified manner, which is easier to read.

I'm really thinking of cutting the MC character creator. Most of the complaints I get are from people demanding different, really specific skin tones. One of them even hatebombed my other games. Not great.

It's hard to get in contact with my programmer, so I'm thinking of lessening the item shop's presence in the future or redoing it entirely. It's sad to lose the beautiful current iteration, but I just don't know how to code it myself.

Might change the Chapter 1 title and art...

Another Rose in His Garden

Cut Content:

There was going to be a "Cheating" route with Abel and Calvin where you end up with Calvin, and he traps Abel in his office and start removing his body parts and replacing them with mechanical parts. That was a wild one, lmao.

Pygmalion's Folly

Cut Content:

Originally, I was going to have Emily specifically be a third ghoul... but I couldn't really justify that, honestly.

There was supposed to be a part where MC could call his police station by stealing his/Flor's phone, but I thought it was a boring ending.

There was supposed to be a vivisection sex scene but I couldn't justify it with the short time frame. Maybe the DLC?

[ghostbust3rs]

what cabin all marauders characters are in with explanation

James Potter- Apollo (do I need to explain) or dionysus because of his energy is also plausible

Sirius Black & Regulus Black- Ares/Mars because we all saw that lack of love he had for Clariess (just like Walberga) also Regulus is totally Roman and was most definitely betrayed by Sirius when he ran away to the Greeks

Remus Lupin- very basic but Minerva (Roman Athena) it also works because he could be the reason Sirius ran to camp half-blood (also idk how to relate anything back to him being a werewolf help because I think it's important)

Peter Pettigrew- Hermes (no not because of his trickery) but because he has a type of intelligence that hermes kids have

Lily Evans- Tyche (goddess of luck) I think she has this aura that radiates luck or the oracle because she is a muggle born

Mary McDonald- She's a hunter of Artemis. I don't really have an explanation but to me it makes sense or an Aphrodiate kid again no explanation just makes sense

Marlene McKinnon- Nike she just has that hyper energy and sarcasm of a daughter of victory

Dorcus Meadows- Lustitia (Roman goddess of justice) she just in my mind has this resting bitch energy that everyone can tell is apart of her personality so I feel like it fits or Hekate because she is magic

Barty Crouch Jr- he is either a jupiter kid or a Nemesis kid (what is her Roman name) why well for jupiter........he's a bad dad like his dad and Nemesis because we all saw how traumatized Ethan was it must be genetic or he's a Bacchus (Dionysus) kid (no explanation needed

Pandora Rosier- even though I head cannon Evan and pandora as siblings I have different ideas. So she is either a Ceres (demeter) kid because of how hippie I see her, a Pluto kid because people see her and Evan as off-putting, or hear me out a cupid kid. It makes no sense but it does the daughter of the God of love being able to predict your horrible break up an rebound everything she just stares at you is perfect, or she's the oracle (no explanation needed)(you could add the oracle part to any other head cannon)

Evan Rosier- okay evan is either a ceres kid because of how I can see him personally growing large venus fly traps to eat people, I can see him as a pluto kid not only because he's off-putting but also because of his fascination with death and things like that I see the community give him (also he's nico and pandora's hazel), I see him as a cupid kid in the way he tells heartbreak, but I can't see him as an oracle

+also ideas for this came from the song cult of dionysus so thank you TheOrionExperience

+also should I make this a fic like???? I have an idea

[martianbugsbunny]

Fairy Godmother ex Machina in TSATR and Why it Kinda Works

at this point the movie I'm talking about is OLD so like...I'm putting my thoughts under the cut more for the potential rambling than for spoilers bc I doubt there are many people out there going "wait no don't tell me!!!! I gotta see it fresh-brained" but I found it on accident and I really enjoyed it so I'm gonna talk about it

read on and enjoy!

the biggest cheesy plot contrivance in The Slipper And The Rose came right at the very end. it's a Cinderella movie, as you might've guessed from the title, and so it comes with some classic Cinderella tropes that have to be overcome by the characters:

A) One of the driving forces for the whole story is that Prince Edward has to marry for alliance, and about fifteen (? I can't estimate time) minutes from the end of the movie his father has conspired to exile Cinderella and coerce him into marrying the daughter of a king who's threatening to invade. if this alliance falls apart, there's going to be war and the entire reason it was so important in the first place is that Euphrania is too small to defend itself, so it will be destroyed if Edward doesn't marry the Princess.

B) It's not emphasized much, beyond the ball only having foreign royalty and home nobility (to round out the numbers) in attendance, but it's in the constitution of Euphrania that the prince can't marry a commoner, which Cinderella is.

What to do, what to do, what to do?

Enter the Fairy Godmother ex Machina. She points out to the king that because he is, in fact, the king, he can unwrite the part of the constitution that prevents Edward from marrying Cinderella; she says something to him along the lines of "absolute monarchs should act absolutely, it's very becoming," and the king agrees to do it. One problem solved, one to go. But it turns out that the Princess and Edward's cousin have fallen in Love At First Sight, as officially confirmed by the Fairy Godmother, who knows a thing or two about it, and their marriage will preserve the alliance because you apparently can't attack your in-laws in this universe. Both problems solved at once within the span of like five minutes! But to me, it actually didn't feel super obnoxious or contrived, even though it was very much contrived, and I'm gonna tell you why.

Earlier in the movie, while Edward is resisting the idea of marrying for alliance instead of love, his best friend John is having a similar crisis but kind of in reverse: he's in love with a noble lady who loves him back, but he can't propose to her because he's a commoner. Edward's solution, once he thinks of it, is to knight John on the spot without a second thought, because as a prince he can just do that. Thus, the king amending the law to allow Edward and Cinderella to marry is made acceptable by means of precedent. John sets the tone and makes the solution for Edward feel a lot less out of nowhere by being the recipient of similar royal grace first.

The other plot device is admittedly more noticeable, although it still has one redeeming quality. The cousin appeared just often enough in the rest of the movie that it would have been strange and maybe even disappointing if he hadn't had any kind of resolution, but as a side character, it's not like he was ever going to get any significant emotional nuance or depth in a storyline of his own. Thus, while instantly falling in love with the Princess and solving the second problem keeping Edward and Cinderella apart, the cousin actually get the closest thing to a satisfying ending for him. In fact, in my personal taste, the contrived feeling is a worthwhile tradeoff for not having to be disappointed that his character never had a point at all.

So there you have it! There was definitely some magical solving-all-the-problems-in-the-last-ten-minutes going on here, but once I stopped to think about it, it kind of comes out in the wash. Besides, I wouldn't be happy with Edward and Cinderella not having a happy ending. I'll take the hit on reality for this one.

[vi-is-badass]

No worries. I get that we're both writing essays while still having life responsibilities haha. I don't expect an immediate response.

I think everything you said about what you would have wanted makes a lot of sense and echoes many sentiments I've seen floating around online.

I enjoyed reading the hypotheticals presented. It's broad strokes but it makes it no less interesting and I think it points to just how at odds Viktor, Jayce, and Mel's storylines in season 2 felt with the momentum that season 1 built towards certain "inevitable" conflicts.

I actually think Ambessa is easier to tie into the conflict between Piltover and Zaun and Jinx and Caitlyn than the Viktor, Jayce, and Mel storylines. Jinx knows how to create hextech weapons and can be the key to what Ambessa wants, so in helping Caitlyn she helps herself. I was shocked that never became a plot point.

I would definitely have to think longer and harder to give my perspective on these what-ifs you presented, but you've given me a lot to think on and I find what you presented to be fascinating.

On a little side note: I will admit I'm a sucker for the Act 2 storyline between Jinx, Vi, and Vander-- like it's easily my favorite part of season 2-- because it's so intensely focused on what I love most about Arcane; The Vi and Jinx dynamic, the tragedy of their past, and how much "what could have been" hangs over them. It really takes a look at who they were before they lost their parents-- the core of their characters-- and how it informs who they are now. How trauma and hardship shaped the two of them and who they want to be vs who they were forced to become. It does a lot of heavy lifting to explore their characters and trauma in a quiet and subtle way that the rest of season 2 lacked, especially for Vi. So, I have a personal bias toward keeping it haha, but your presented structure makes sense.

I would definitely be up to beta read. I'll shoot you a message tomorrow about the possibility.

Back to Caitlyn again! (wow, we both have a lot to say about Caitlyn haha)

Yeah... there's a lot that just doesn't work with Caitlyn's arc. Again, it's a compelling arc on its face with a fantastic build-up (seriously the character writing for her in Act 1 might be the strongest in the season for me), but I think we both agree on where it fell short.

Now that you've mentioned Maddie I have a lot to say about her.

I definitely agree with the strange framing of their relationship. When I first saw Maddie with Caitlyn I had the same thought that you did about the nature of Caitlyn sleeping with a younger subordinate. That's something that I just knew wasn't actually going to be addressed due to time, but that actually brings me to a point about the relationship I learned later from interviews with Amanda Overton about why they chose to have Caitlyn have this relationship with Maddie: Caitlyn "dating" Maddie was supposed to be an extension of her desire to try and be the "perfect Kiramman heir" after her mother's death. Maddie is supposed to be the type of person her mother would have approved of her dating.

Again, this is an idea that on its face is very interesting. Caitlyn spent the entirety of season 1 chafing against her role in life. She didn't want to solely be the Kiramman heir and wanted to make a name for herself. It's part of what got her to fall for Vi. Vi treated her like any other person-- she didn't see her for her name-- and showed her a side of life everyone else protected her from. And Vi is the exact opposite type of person that Caitlyn would have likely been expected to date and eventually marry.

Now that her mother is gone she would embrace the Kiramman name and try to be the perfect heir she knows her mother wanted her to be, including dating someone closer to what her mother would have wanted.

I think this base idea could have been fascinating for act 2. Show Caitlyn trying to be a perfect leader, a perfect heir, a perfect daughter, while on the inside it's making her miserable. This isn't what she wants. It's not what makes her happy. That time with Vi did.

As an idea, this is incredibly interesting for Caitlyn's character and her relationship with Vi, but it absolutely does not come through in the finished product. Caitlyn's side of the story in Act 2 does not get across that this is what she's trying to do. It doesn't lead to a contrast between Maddie and Vi or some self-reflection on Caitlyn's part that would adequately convey this. That idea is clearly a victim of what was left on the cutting room floor and as a result it ended up being messy in its presentation and execution. (now was watching the reaction to Maddie's death at the LA premiere really fun despite this? Absolutely.)

I do think this idea is also muddled by the fact that she's a dictator, which is clearly not what her mother would have wanted if the "they deserve to breathe" line is anything to go by, and the fact that the relationship is (like you said) with her younger subordinate. It feels like they ultimately tried to stretch Cailtyn's story in too many directions for the time they allotted to it.

I wanted to note that I really like the suggestion you made about Vi playing a bigger role in Caitlyn's shift and having it happen over a prolonged period of time and I wholeheartedly agree with this idea.

I think that's what the confrontation between Vi and Caitlyn is supposed to be. Vi asks Caitlyn an armor-piercing question "Who decides who gets a second chance" and this forces Caitlyn to confront her actions and reevaluate how she's been seeing Jinx this whole time (an irredeemable monster). This is what's supposed to spur her change of heart and, at least in part, motivate her decision to let Vi free Jinx. Vi is meant to be a moral center, her good heart changing the people around her in Act 3, but it doesn't get the focus it needed for that to have the effect I think was intended. Again, it's a victim of time.

You definitely hit the nail on the head with your statements about Caitlyn’s arc and her relationship with Vi having an incredibly compelling backbone that was ultimately hampered by time constraints.

I think my issue with Vi not running after Jinx has more to do with the way it's framed. What she tells Caitlyn makes it sound like she believes that Jinx has gone back to her old ways and she was a fool to believe she'd changed and... I just don't get how she came to that conclusion after their interaction in the cell, especially when the end of that interaction is her asking Jinx what she's going to do (clearly concerned for Jinx) and Jinx responds "Break the cycle". I felt like there needed to be a scene or moment of Vi in the cell alone to get this change in perspective across to me. I can see what they were trying to do, I just think Vi was the biggest victim of the limited time in Act 3. I think the way you presented your point of view on the moment was what was intended, it just didn’t work for me and I acknowledge that’s a personal problem.

We both clearly had a lot of thoughts on season 2 that we needed to get out. I know this has helped me a lot. So many of these thoughts were stewing in my head with nowhere to go and getting them out has made it so I can focus on what I love about Arcane a lot more! So thanks for this! Hopefully, this was helpful for you too.

I actually think this video is really interesting. Not because I fully agree with it (there are a lot of points in the video I don't agree with and a lot that I do), but because I appreciate its intent.

I also fall in the same boat where I really liked the second season, but I didn't love it like I did the first and I appreciate that this is a video that wants to start a conversation. He wants to talk about why things didn't necessarily work for him, why it didn't seem to have the same impact as the first, and about how he wants to hear why those things might have worked for others.

So much discourse about this season has framed it as either the best thing ever, above any criticism, or the worst thing ever with no redeeming qualities and it's made it very frustrating and demoralizing to try and talk about it online.

I want to talk about how I loved aspects of this show and that I was also let down by certain aspects of the show as well, but anytime I try and talk about criticism it's rarely met with a genuine conversation.

I would love to hear how people interpreted things differently from me, why they felt that way, how it connected with them, because I feel like that's the purpose of stories. It's never going to resonate with anyone the same way and there may have been things I missed.

I also know I haven't always worded what I've wanted to say and my criticisms the way I want to get across what I mean. It has never been my intent to sound like I wasn't open to discussion, different interpretations, or counterpoints. I would like to actually talk more about this season and hear other people's thoughts as well.

[can-of-slorgs]

The other researchers are also here! (magical edition!)

[fdragon-art]

Day 75 - Rayner (unnamed background character from Helluva Boss S2 Ep5)

Did not expect to find this little guy here.

[libraryleopard]

Adult standalone urban fantasy novel

In an alternate version of present-day Vancouver inhabited by the reincarnated Knights of the Round Table and other figures from myth and folklore, a college student from an Arthurian family and a valkyrie both become entangled in a murder investigation

Gay autistic main character with anxiety; bi ace main character; M/M + F/F romances; Chinese Canadian trans girl side character

[velvetydream]

꒰ :🥀 [ Till death do us part ] ”♡ᵎ꒱ˀˀ ↷ ⋯

Summary : What if Alastors dear little darling wife, his partner in crime, the person he thought he'd never see again, turns up with Mimzy on the day of the visit of the big boss of hell.

Pairing : Alastor x fem! Reader

Word count : 1899 Words

Genre : Fluff , Drama , Angst

Warnings ➵ Mentions of death, you're shorter than

Vaggie, possessive Alastor, swearing

Prequel -> > The radio star lost <

a/n : I love this trope ngl, tried to not make him to much out of character, hope it worked.. T T

Also I'm rather new to Hazbin Hotel, so I say sorry if anythings seems wrong or out of character! ><

┌───────────────────────── ·  ·  ·  · ♡

The whole hotel was a bit chaotic right now, Lucifer himself would be visiting in just a bit and Charlie wanted everything to be perfect. Colorful decorations were hanging everywhere, a banner was hung up for welcoming the king of hell, how does one even welcome the king of hell into their hotel? Charlie was probably the most stressed of all, but Vaggie did her best to calm her nervous wreck of a girlfriend down.

The moment Lucifer stepped into the hotel was meant to make everything go down, Alastor and his Ego had somehow always a snarky remark against Lucifer. Charlie tried her best to keep them apart, introducing her other friends, before she announced how she would be needing his help. And again the banter between the king of hell and the radio demon started all over again. As if throwing insults at each other before wasn't enough already, now they were pulling at Charlie left and right, like two babies fighting over a toy.

But all things come to an end, which Charlie was thankful for right now, as Mimzy, apparently a friend of Alastor, which was interesting to know he even had any, came barging in with a grand entrance. As the woman now settles down at the bar, talking with the others, Alastor and Charlie took Lucifer on a walk around, Husker disappearing for a second too, but soon joining them at the bar again, a scowl on his face, but something else, undescribable behind his eyes.

A bang was heard through the whole hotel as the entrance door was slammed open and heard could be an angry voice. "MIMZY! You little bitch!" A demon, a slight bit shorter than Vaggie probably, walked in. A scowl evident on the face, as her eyes scan over the place, before falling on the woman she was looking for. "How dare you leave me in the shit like that?! You've got it coming if those sharks don't kill you, I certainly will!" Ignoring the questioning looks of Angel and Husker, you stomp over to the blonde, ready to yank at her hair, when suddenly a bit of debris was thrown through the window and landed beside you, barely missing you by a hair. "The fuck?" The demon's head craned around, looking out the window and there they were, those fuckers Mimzy was in debt to.

You didn't really have time to react much, as three people stormed into the entrance hall, all you could catch was a glimpse of red before the person ran outside, screams of the sharks could be heard, at least those were finally taken care of.

The loan sharks were gone and fought off quickly by that person, his voice now directed to Mimzy, your own eyes on her yourself with a scowl. She and that red demon apparently knew each other quite well, as Mimzy was walking to the door, you finally really looked at the demon. He had short red and black hair, ears sat atop his head, despite scowling Mimzy he was smiling, though a sinister smile it seems. His attire was almost completely red too, a cane was clutched in his hands, as he watched Mimzy walk off, you could only make out a small part of his face. The man seemed so familiar as if you had known him for a long time.. Your heart was running a mile right now, it was getting hard to breathe, and then...

"Thank you Alastor, really.." The long-haired blonde spoke up.. That name, it couldn't be right? Mimzy would've told you, she knew him, she would've definitely told you.. right? You must be mistaken right now.. Your eyes were fixated on the man called Alastor, the voices and sounds around you were all a mush, drowned out as your brain was going all around. Now that you could see his face, he definitely had some resemblance to him.. to your late husband, who had died before you. You were his assistant, his partner in crime, when the news hit you that he was shot, it broke your heart, but still, you continued on alone, killing. That's probably what also got you to hell, well sooner than later you were figured out and soon arrived here in hell.

"Yo smiles, this girly is gawking at you for minutes now." Slowly voices were coming back to you, the white spider beside you talked, pointing his thumb at you, the red-haired now meeting your eyes, his ears straightening and standing alert like the ones of a deer caught in headlight. What irony if he was your Alastor, the irony of dooming him with deer-like features, after getting shot assumed for a deer while hiding one of the many bodies. That day you decided to let him go alone, oh if you just hadn't done that, maybe you both would be alive or you would've at least arrived together in hell.

Alastor was taking slow steps to you, the smile on his face looking strained, yet it never disappeared, his hand was reaching out for you but stopped. Eyes moving over your form, taking in everything. Resemblance to his wife evident, but.. how did he never notice you before? Had he ever met you, walked past, maybe even taken a second glance but dismissed this feeling he has right now.

Swiftly he grabs your wrist, dragging you behind him, ignoring the calls of his name of the other residents, his mind plagued by one only thought, more like one only person.. you.

Stumbling behind him, his grip rather firm on your wrist, yet it felt comforting as if you knew he would never hurt you. Not in your lifetime and also not now in your afterlife. Eyes watching the back of his head, you were wondering what expression his face harbors right now. Was he happy? Was he confused? Disappointed? Maybe he knew where you were all this time but didn't want to meet you. No, he wasn't like this. He may have been distant sometimes while alive, but in the end, he was always a darling to you. Taking care of you, just as he vowed on your wedding day. A distant memory, yet one of the most beautiful ones you have.

A door was opened and as you were pulled inside, the door closed. Steps echoed through the room, you noticed a forest on the other side of the room, but that didn't rather faze you, eyes on him again.. and him only. "Al-" You were interrupted by laughter, the man before you was hugging himself, his arms around him, yet you still weren't able to see his face. "D-Do you know.. How often have I thought about you?!" His voice was loud, a static sound like from a radio accompanied it. One of his hands was tearing at his hair now. "That bitch never told me... I'll make sure to kill her for that.. She kept you from me.." The laughter got even louder, as if the man before you was going insane.

This behavior was nothing new to you, he used to be like this, high on adrenalin when another murder was successful.. Or when he was close to being figured out by the police and detectives, yet he always slipped away right through their incapable fingers.

"I always wondered what happened to you, if you grew old with someone new.." If you were able to see his face right now, you would be able to see the sinister yet possessive smile on his face, his eyes darting around the room.

This all ended in a second when he felt a soft hand on his. He knew this hand, he also knew the person it belonged to like the front of his pocket. "I would never, I carried on alone in your memories, yet I was never as skilled as you darling, so sooner than later they connected all the dots to me." A low chuckle could be heard again, the static radio sound calmed down again too. The tall man slowly turned around now, his hand engulfing your own, his fingers softly running over your own, before he linked them together. How he had missed this feeling, despite having a distaste for people touching him, you were different. Your touch felt warm, like the summer sun kissing his skin, it felt comforting.

"I've missed you mon amour.." His voice was soft, probably the softest it had ever been since he had arrived in hell. His hand guides yours up to his lips, as he closes his eyes and presses a soft kiss to the back of your hand, a smile, now softer, on his lips. He was never one for kissing you on the lips, he definitely favored kissing your hand, like the gentleman he has always been. "I figured with how you were talking seconds ago my dear.." A soft smile was creeping up onto your lips too, mirroring his own one. Red eyes open again, your hand still pressed to his face, but now he was rather holding your hand to his cheek. "Oh how I wished I could've stayed with you my darling, we would've been so successful.." Giggling at his words, with him at your side, you probably would have been going for a long time. "But who says we can't be successful now?" A smirk etched its way onto your husband's face, oh how he loved your daring little mind, always thirsting for blood. With you by his side again now, he would definitely be able to get everything done that he wanted.

"Shall we go back? I want to meet your friends properly." Wanting to pull away your hand, he softly gives you a tug, your head landing on his chest now. Wide eyes look the the side now, as you weren't really able to move, his arms having snaked around you and his chin resting on your head. This was unusual much physical contact, but figured that you hadn't seen each other for multiple decades he yearned for your touch just a slight bit. Your arms lying around him, embracing the hug. "Let's just stay here a few minutes more, we got enough time to introduce you to everyone down there but for now.. let me have you for myself." Nodding softly, your head rests on his chest, as your eyes close and you simply enjoy the presence of your dearly beloved husband.

"What do you mean 'married to smiles'?!" Angel, as he was introduced to you, shouted from his place on the couch now, staring at you flabbergasted. "We've been married for quite a few years before his death." Smiling you answered his question. Alastor didn't like all the attention you were getting, but sooner than later he would have you all to himself again when you two go back to his cozy hotel room or the radio tower. "So you two fu-" Angel wasn't even able to finish his question before he shut himself up as he noticed the look on Alastors face. This time he would've been dead for sure if he finished that question.

Overall everyone invited you happily into their little hotel family, it was amazing. Charlie immediately took a liking to you and if you're being honest she quickly was viewed by you like a daughter.

[ruins-of-gods]

Something that I think Warhammer 40,000 storytellers miss sometimes is the sheer scale of their setting. I mean, don't get me wrong - I love the big, dramatic clashes, the characters you can buy in mini form and their convoluted, interwoven lore, the dramatic combats against unstoppable foes across a thousand ruined worlds. But that's the top of the setting, as it were - the most powerful beings in the universe, all fighting for supremacy. And at ground level, the level of the ordinary person, are so many other stories.

Did you know that a Lunar-class void cruiser has a crew of 95,000? Nearly a hundred thousand people, aboard a spaceship five kilometers long. A city, flying through outer space to wage war. Many of those people are proper trained soldiers, fresh from some academy or veterans of long, grueling campaigns, and many more are pressed into service, begrudgingly laying their lives at their Emperor's feet. But, unless the ship is currently actively involved in a really bloody campaign, most of those people were born aboard that ship. Most of their parents were born aboard it. And their grandparents. And their great-grandparents. Lineages stretching back centuries, so far that the original soldier who came aboard has been forgotten. A lot of those people probably know, on some level, that they're aboard a ship flying through space - but a lot of them probably don't, and I guarantee you almost none of them understand what that means. This ship is their world. To look out the window means madness so often that they avoid it - not that windows are readily available anyway. Most of them probably barely even understand that they're fighting. All they know is that when the readouts on their analog instruments display like so, when they hurry to obey the blared orders through the klaxon, the Emperor is pleased with them. They were born into that world. When they were children they did smaller tasks the adults couldn't. Their entire existence was winding metal corridors, laid out according to some archaic design, any logic that might dictate their layout long since degraded after millennia of ignorant maintenance, lit only by emergency lights that have long since become the default. They learned how to read an angle readout or how to relay an order perfectly the way another child might learn history or math. When they grew up, their service was flawless, born of pride and ignorance, and when they grew old and died, their legacy was remembered until it was forgotten. Many were killed in battle, but who cares? They gave their lives to the Emperor - a name whose meaning they don't understand, but whose importance they believe in wholeheartedly, all but synonymous with the commanding officers up above.

Sometimes, the klaxons sound a specific command, and every person on board who understands what it means feels a deep, awful dread as they run to their battle stations. They don't know what a warp jump is. They don't understand they're going from one place to another by the fastest way available. All they know is that, for a time, the ship dips into hell. The corridors go wrong. Things and people might not be where or what they were before. Daemons stalk the halls, and must be killed by any who can hold a lasgun. The overcrowded berths, the little nooks that families find for themselves - they are not private anymore. They are not safe. Things drift through the shift that do not care about the laws of physics, but that delight in killing and torturing human beings. Vast energies shake the ship and tear parts of it away - their home, their world, their existence, the biggest thing they can imagine, assaulted by something bigger. Is it the Emperor's punishment for failure? Is this what battle is? What's going on? They don't know, and no one who does can be bothered to tell them. The dread of those who have seen this before is even worse, because they don't know how long it will be. It might be just a few hours. It might be days, or weeks, or months, or years, or decades. It might be centuries, as the captain of the ship goes hunting daemons deep in the warp - the officers live that long, after all, and have little care for those who don't. There will be people born in hell, who spend their entire lives fighting from the day they can stand, and who die in hell, as old age and need catch up to them and they curl up in a corner to perish. To them, it isn't even hell. It's just the world. The world is death and pain and cruelty, an infinite metal box through which monsters stalk, and sometimes you must run to a battle station and do as you're ordered to do. And sometimes, as they reach forty or fifty or even a ripe old sixty, the ship drops out of the Warp, and, for the final years of their life, they are granted a life of relatively safe service better than anything they ever hoped to dream of.

Those are the kinds of stories I want to see more of. Super-soldiers fighting each other is cool, yes, but I want to see this universe explored. I want stories from the perspective of those that keep the Imperium going, or the aeldar, or the tyranids, or anyone, really. There's just so much potential in this setting. It deserves it.

[tossawary]

One of my personal nitpicks for historical fantasy is a lack of servants, staff, subordinates, and... idk... subjects? Like, their absence is not... a total dealbreaker for me, depending on the situations the characters are in and whether or not I can just assume that other people are there in the background... but so many of the protagonists in historical fantasy stuff are higher-ranking (very often royalty), and/or have busy jobs, and/or have enormous houses that would necessitate having at least part-time staff.

Like, girl, you should have a maid! WHERE is your chaperone?! WHO is driving this carriage?! Where are your footmen? Are you trying to imply that a WEALTHY DUCHESS is taking a CAB?! You know that you probably have tenants, right? Where is your steward?! Where is your lawyer? Your accountant?! (Like, yeah, you're not going to have your lawyer living in your house, but you HAVE one, right???)

Or, man, you're supposed to be a military commander and you don't even have a single secretary?! Where is your SQUIRE?! (In the spirit of historical fiction, I am jumping wildly across time periods with every sentence here.) Man, I know you aren't looking after your own boots. Where are your GUARDS?! Who set up this tent for you?! Who is looking after your horse?! Who is making and carrying the incredibly valuable maps people are recklessly stabbing daggers into?!

SOMEONE has to be scrubbing these floors and delivering the mail and cooking the meals and doing laundry, and they're probably all DIFFERENT people! My dentist has at least three different receptionists and we can't even get ONE for our court wizard here? A sorcerer's apprentice to take notes? Someone like Sherlock Holmes could get away with just having a housekeeper and taking taxis, sure, but your character is supposed to be a KING?! Why is he answering his own front door? He's going to get assassinated. His SERVANTS should have SERVANTS.

Like, yes, I understand that a lot of servants in certain places at certain times were supposed to make their labor invisible, but there have always been servants who still had to interact directly with the masters of the house?! Yeah, there are potentially really messy ethics here, class divisions are bullshit, but I don't think that completely ignoring the reality that humans have ALWAYS been doing work for other humans is better than just including some well-paid and well-treated servants and employees? Because a complete absence of them, especially where logically for the worldbuilding there MUST be servants (and probably exploited servants, or worse, for some particular worldbuilds to work), often makes me think that your main characters just don't care enough to notice the "lower class" people or know their names.

Also, even Frodo Baggins had a gardener and Samwise Gamgee might be the best damn character in the story?! Sam saved the world?! Servants are PEOPLE. Servants are often the funniest and most interesting characters, tbh, with the most to say about a society and its workings (yes, Discworld is a very good book series, highly recommend), and also the joke of some romantic scene being carefully orchestrated by a stage crew of servants frantically diving into bushes to stay out of sight never gets old to me. Teamwork makes the dream work!

I don't want to gatekeep historical fiction, especially not historical fantasy, because the worlds don't necessarily have to conform to our own and may have magic and characters are often in very unique circumstances, but... sometimes I pick up a story and it's like... "Author, please tell me that you know there is a difference between a butler and a valet?!"

[zincbotted]

homestuck is getting crazy

[yanderedrabbles]

Yandere Actor

The Golden Age of Hollywood. Stars are born every day and you're desperate to become one. Thanks to @laboodanda for requesting this!

Yandere! Actor who's well established in the industry - his name on the Walk of Fame, his face on all the posters, his agents calling day and night with new offers.

Yandere! Actor who meets you on the set of his latest movie. You're barely even part of the main cast - just a side character with a few lines. But you sparkle.

You have that razzle dazzle in you that makes a true star.

Yandere! Actor who knows it's just a matter of time before you make it big. You've already got your foot in the door and all it takes is a lucky break.

Yandere! Actor who comes up to talk to you during lunch, winks at you and grins at the way you blush. You're in awe of him and it takes a second before you can answer his questions.

Yandere! Actor who's used to starstruck fans, to women who shriek when he looks their way. But, it's somehow new and endearing when you're the one looking at him like that.

He can hear the other extras rushing to your side when he leaves, babbling about how lucky you are that he talked to you, the big stars never notice the little fish.

On the final day of filming, he congratulates you on your first ever role and invites you to dinner to celebrate.

Yandere! Actor who takes you to a cozy restaurant in a quiet seaside neighbourhood. He doesn't want to be interrupted by fans, but he also doesn't want to be seen in public with you. At least not yet.

You really impress him. You know quite a lot about acting techniques, about getting into and maintaining character, about catering to the camera.

But it's clear you're still a rookie. There's a slight nervousness to you that veteran starletts don't have. It's alright - he'll train it out of you in no time.

Yandere! Actor who shares he milkshake with you and offers you his jacket when the sea wind starts to nip.

When he drops you off, he squeezes your thigh and says he'll talk to his agent about you, that there might be a role in his next movie for such a pretty little thing.

Yandere! Actor who sees the innocent, love struck look in your eyes and revels in it.

Pretty soon he calls you and tells you about a private audition with some studio execs.

"Keep your hair loose and wear that short sundress you wore on our date."

It should be friendly advice, so why does it sound like an order?

The audition is in one of the studio's offices. A room filled with big shot executives and egotistical directors. Men in suits who are high on their own power, their own genius. They've seen a thousand hopeful girls and to them you're no different.

The way they look at you makes you feel like dirt, like the most untalented person in the whole world. You would have walked out then and there if it wasn't for him.

Yandere! Actor who volunteers to read the lines with you. He winks and smiles at you and by just being there makes you feel so much better. And a few sentences in, you find your stride. Immerse yourself in the scene.

You're playing the part of a jilted lover, a woman who gave everything to her man and has her heart shattered when he leaves. In the final act, you grab his collar and look up at him with tears in your eyes, your voice shaking.

"Please, please don't go. I love you. I need you."

You raise one hand to his cheek, your fingers trembling. "Don't you love me too?"

Yandere! Actor who actually forgets his line.

You're looking up at him so weak, so vulnerable that his mind goes blank. His director calls out the line and he repeats it blankly.

"And...End scene!"

Yandere! Actor who doesn't look away from you even when the directors start clapping and you turn to give them a bow. You were so raw that it didn't feel like a performance. The tears, the desperate way you pulled at him... It felt so real.

It's only when his agent slaps him on the back that he manages to snap out of it.

The director is already grabbing your arm and insisting to the studio executives that he needs you in his next movie.

Yandere! Actor who comes up behind you and drapes his arms around your shoulders. You don't realise it but he's staking his claim, showing all these rich and powerful men that anything to do with you has to go through him. He grins at his agent.

"She's perfect, isn't she?"

The man lowers his shades and drags his eyes across your body.

"You need to clean up her look a little, but you were right. She's the perfect girl for you."

You feel like there's more behind their conversation, things they've discussed that you aren't privy to. But you don't have the nerve to ask.

On your way out of the studio, Yandere! Actor curls his arm around your waist.

"You're gonna be a lead actress soon baby. The execs want you in a few supporting roles first, just to get you used to the camera, but the director has his mind set on you."

You smile at him, a megawatt grin filled with the thrill of having your dream come true. It makes him feel like the centre of your world, makes him feel like a man.

You throw your arms around his neck and hug him. "I owe you! Thank you thank you thank you thank -"

He cuts you off with a kiss. And in that moment you really do feel like the luckiest girl in the world.

Yandere! Actor who slowly takes over your beauty routine. Who tells your hairdresser exactly what shade to tint your hair, exactly what shape to thread your eyebrows. Who buys you new clothes and tells you exactly how to style them.

You don't realise it, but he's shaping your look into something that compliments his own.

Yandere! Actor who almost invites you to his movie premiere until his agent advises against it. Who kisses you and apologises and says he'll bring you to the next one.

You understand, you really do. You're still relatively unknown and having you on his arm would just invite gossip. But it still stings watching him go to the premier on his own, his arm around his beautiful co-star. You go to bed that night with doubts nagging at your mind.

It's only when you hear him knocking at your door at three in the morning that your insecurities go silent.

Yandere! Actor who's still wearing his tuxedo from the red carpet. His hair falling out of its slicked back style as he dangles a bottle of champagne in front of you.

"Gotta celebrate with my girl."

He's barely three steps into your apartment before he's kissing you, his hands on your waist and dropping lower.

You try and push him away. Tell him it's your first time.

Yandere! Actor who nips at your neck. "Don't worry, 'm gonna be so gentle."

When you still try and slip away, he pulls back to look in your eyes. Despite the haze of alcohol, there's something piercing about the way he looks at you.

"How many girls can say their first time was with a Hollywood star?"

Yandere! Actor who let's his fingers climb higher up your thighs.

"I've been workin' so hard to make you an actress. Don't I get a reward?"

How are you supposed to say no to a man who holds your future in his palm? You nod your head just the slightest and he's back to kissing you, back to drawing you hands to his belt, back to growling in your ear.

Yandere! Actor who's a shameless liar. He isn't gentle with you at all.

Yandere! Actor who wakes up all groggy and hungover the next morning. Who pulls you closer to him and falls asleep again with his head on your chest. You look down at his dark hair and his chiseled features and for a little while, it doesn't feel like such a bad deal. Love him in exchange for a career.

And he is so easy to love.

Yandere! Actor who encourages the director to start filming your movie as soon as possible. A romance between a thief (you, in your very first lead role) and a jaded detective with a heart of gold (him, who's had so many lead roles he's lost count).

The schedule is gruelling and the director is a tyrant, but this is your big break. You give it everything you have. You learn the script inside and out, badger the screen writer until she discusses your character arc with you, follow the director around and beg him for tips.

Yandere! Actor who adores working with you. You're sweet and pliable and the chemistry between you is sizzling. Every scene with you makes him need a cold shower and a priestly intervention.

Yandere! Actor who pulls you into his trailer every chance he gets to "read lines." But it always ends with him holding you down and kissing you, claiming it's good practice for the camera.

"Character building," he pants from between your legs. "Just getting into the mindset."

Yandere! Actor who watches with satisfaction as the movie comes along. You remind him of himself when he just started, raw talent and a burning desire to please.

Yandere! Actor who is next to you every moment he isn't needed on set. Who gives you endless advice and makes you laugh with his stories about bad takes and wardrobe malfunctions.

Part of it is to keep an eye on you - there's a jealous bit inside him that thinks of you as his creation, your talent a reflection of his training - and part of it is to spark rumours.

It works exactly as he intends. Pretty soon the magazines and radio hosts are blabbering about a possible romance between him and his relatively unknown co-star.

Yandere! Actor who's determined to make this movie a success. On the premier night, he walks down the red carpet with his arm around your waist. When the cameras are at the height of their flashing, he takes your chin in his hand and kisses you.

The next morning, the papers are raving about it and the theatres are sold out before midday.

It's a critical and commercial success. Yandere! Actor who's high on the thrill of it. Who loves driving down Hollywood Boulevard and seeing you on the billboards, who loves having Hollywood's newest darling on his arm and in his bed.

But then the letters start coming.

Yandere! Actor who snarls at the piles and piles of fan mail you receive. Maybe, if it was all innocent praise, he could have accepted it. But most of the letters are absolutely filthy.

Men writing to you from all over the country, all over the world. Describing in detail all the things they want to do to you, all the ways they want you speared on their cocks. Men who promise to treat you so sweet you'd never want to leave them and men who threaten to whip you over their knee if you don't learn to say please when they fuck you.

Yandere! Actor who's never received mail with such perversion. His fans are mostly sweet young girls who timidly describe how nice it would be to find a man like him, to get taken to prom and courted.

Yandere! Actor who becomes suspicious of every man he sees. The gaffer that looks at you too long becomes the guy who promised to find you and fill your cunt with his come. The driver who holds your hand when you climb out of the car becomes the stalker who followed you home the other night.

Yandere! Actor who keeps his arm around you whenever you're outside. Who starts keeping his gun in the glove box of his car.

It's not only strangers he needs to worry about either. The studio executives keep pressuring you with stricter and stricter contract offers. The director wants you starring in a romance role with another man. Two dozen talent agencies are crawling over glass to try and sign you.

Yandere! Actor who tells you to let him handle the contracts and paper work.

"The bastards will try and trick you out of your money and your clothes. Trust me baby, I've had to deal with plenty of shitty deals. I don't want that for you."

Yandere! Actor who knows exactly how tightly binding a contract is. And it's no coincidence that the one he has you sign binds your career almost entirely to his. It ensures that the bulk of your roles are alongside him, that he has the final say in studio disputes, that he owns the rights to your name.

The studio executives might normally never sign a deal like that, but they're desperate to get you under contract. You're a blazing star and they aren't going to lose you to a competitor.

Yandere! Actor who drinks a toast to your success and kisses you infront of all those high flying executives. Despite all the attention and awards you've earned, you still look up at him with a blind sort of hero worship. He's the goal you've always aimed for, the standard you've tried to reach. To be his girl is still so dizzying you almost can't believe it.

In bed that night, Yandere! Actor thinks about proposing, about wifing you up. The wedding would be huge, generate massive press. His next big project with you is scheduled for half a year away. Maybe do a proposal during opening night? Or better yet, at the Academy Awards? Yeah, that would get cinemas sold out even faster than kissing you on the red carpet did.

Save the wedding for a few years down the line. When your career is more established and your image might need an upgrade.

You curl against his side and moan in your sleep, brow scrunched. Cute, naive little thing, aren't you? Hollywood would swallow you up and spit you out if it wasn't for him.

Yandere! Actor who kisses your forehead as you dream about cameras and lights and action.

"Don't worry baby, I'll take extra good care of you."

Yandere! Actor who's curated his image so carefully. Who wants a girlfriend who's light and talent make him shine all the brighter.

And who better than someone who owes him her career?

Extra!! Here's a short drabble I wrote when I was brainstorming the idea with @laboodanda

[cripplecharacters]

Where to Start Your Research When Writing a Disabled Character

[large text: Where to Start Your Research When Writing a Disabled Character]

So you have decided that you want to make a disabled character! Awesome. But what's next? What information should you decide on at the early phrase of making the character?

This post will only talk about the disability part of the character creation process. Obviously, a disabled character needs a personality, interests, and backstory as every other one. But by including their disability early in the process, you can actually get it to have a deeper effect on the character - disability shouldn't be their whole life, but it should impact it. That's what disabilities do.

If you don't know what disability you would want to give them in the first place;

[large text: If you don't know what disability you would want to give them in the first place;]

Start broad. Is it sensory, mobility related, cognitive, developmental, autoimmune, neurodegenerative; maybe multiple of these, or maybe something else completely? Pick one and see what disabilities it encompasses; see if anything works for your character. Or...

If you have a specific symptom or aid in mind, see what could cause them. Don't assume or guess; not every wheelchair user is vaguely paralyzed below the waist with no other symptoms, not everyone with extensive scarring got it via physical trauma. Or...

Consider which disabilities are common in real life. Cerebral palsy, muscular dystrophy, stroke, cataracts, diabetes, intellectual disability, neuropathy, multiple sclerosis, epilepsy, thyroid disorders, autism, dwarfism, arthritis, cancers, brain damage, just to name a few.

Decide what specific type of condition they will have. If you're thinking about them having albinism, will it be ocular, oculocutaneous, or one of the rare syndrome-types? If you want to give them spinal muscular atrophy, which of the many possible onsets will they have? If they have Ehlers-Danlos Syndrome, which one out of the 13 different types do they have? Is their amputation below, or above the knee (it's a major difference)? Not all conditions will have subtypes, but it's worth looking into to not be surprised later. This will help you with further research.

If you're really struggling with figuring out what exact disability would make sense for your character, you can send an ask. Just make sure that you have tried the above and put actual specifics in your ask to give us something to work with. You can also check out our "disabled character ideas" tag.

Here are some ideas for a character using crutches.

Here are some ideas for a character with a facial difference (obligatory link: what is a facial difference?).

If you already know what disability your character is going to have;

[large text: If you already know what disability your character is going to have;]

Start by reading about the onset and cause of the condition. It could be acquired, congenital, progressive, potentially multiple of these. They could be caused by an illness, trauma, or something else entirely. Is your character a congenital amputee, or is it acquired? If acquired - how recently? Has it been a week, or 10 years? What caused them to become disabled - did they have meningitis, or was it an accident? Again, check what your options are - there are going to be more diverse than you expect.

Read about the symptoms. Do not assume or guess what they are. You will almost definitely discover something new. Example: a lot of people making a character with albinism don't realize that it has other symptoms than just lack of melanin, like nystagmus, visual impairment, and photophobia. Decide what your character experiences, to what degree, how frequently, and what do they do (or don't do) to deal with it.

Don't give your character only the most "acceptable" symptoms of their disability and ignore everything else. Example: many writers will omit the topic of incontinence in their para- and tetraplegic characters, even though it's extremely common. Don't shy away from aspects of disability that aren't romanticized.

Don't just... make them abled "because magic". If they're Deaf, don't give them some ability that will make them into an essentially hearing person. Don't give your blind character some "cheat" so that they can see, give them a cane. Don't give an amputee prosthetics that work better than meat limbs. To have a disabled character you need to have a character that's actually disabled. There's no way around it.

Think about complications your character could experience within the story. If your character wears their prosthetic a lot, they might start to experience skin breakdown or pain. Someone who uses a wheelchair a lot has a risk of pressure sores. Glowing and Flickering Fantasy Item might cause problems for someone photophobic or photosensitive. What do they do when that happens, or how do they prevent that from happening?

Look out for comorbidities. It's rare for disabled people to only have one medical condition and nothing else. Disabilities like to show up in pairs. Or dozens.

If relevant, consider mobility aids, assistive devices, and disability aids. Wheelchairs, canes, rollators, braces, AAC, walkers, nasal cannulas, crutches, white canes, feeding tubes, braillers, ostomy bags, insulin pumps, service dogs, trach tubes, hearing aids, orthoses, splints... the list is basically endless, and there's a lot of everyday things that might count as a disability aid as well - even just a hat could be one for someone whose disability requires them to stay out of the sun. Make sure that it's actually based on symptoms, not just your assumptions - most blind people don't wear sunglasses, not all people with SCI use a wheelchair, upper limb prosthetics aren't nearly as useful as you think. Decide which ones your character could have, how often they would use them, and if they switch between different aids.

Basically all of the above aids will have subtypes or variants. There is a lot of options. Does your character use an active manual wheelchair, a powerchair, or a generic hospital wheelchair? Are they using high-, or low-tech AAC? What would be available to them? Does it change over the course of their story, or their life in general?

If relevant, think about what treatment your character might receive. Do they need medication? Physical therapy? Occupational therapy? Orientation and mobility training? Speech therapy? Do they have access to it, and why or why not?

What is your character's support system? Do they have a carer; if yes, then what do they help your character with and what kind of relationship do they have? Is your character happy about it or not at all?

How did their life change after becoming disabled? If your character goes from being an extreme athlete to suddenly being a full-time wheelchair user, it will have an effect - are they going to stop doing sports at all, are they going to just do extreme wheelchair sports now, or are they going to try out wheelchair table tennis instead? Do they know and respect their new limitations? Did they have to get a different job or had to make their house accessible? Do they have support in this transition, or are they on their own - do they wish they had that support?

What about *other* characters? Your character isn't going to be the only disabled person in existence. Do they know other disabled people? Do they have a community? If your character manages their disability with something that's only available to them, what about all the other people with the same disability?

What is the society that your character lives in like? Is the architecture accessible? How do they treat disabled people? Are abled characters knowledgeable about disabilities? How many people speak the local sign language(s)? Are accessible bathrooms common, or does your character have to go home every few hours? Is there access to prosthetists and ocularists, or what do they do when their prosthetic leg or eye requires the routine check-up?

Know the tropes. If a burn survivor character is an evil mask-wearer, if a powerchair user is a constantly rude and ungrateful to everyone villain, if an amputee is a genius mechanic who fixes their own prosthetics, you have A Trope. Not all tropes are made equal; some are actively harmful to real people, while others are just annoying or boring by the nature of having been done to death. During the character creation process, research what tropes might apply and just try to trace your logic. Does your blind character see the future because it's a common superpower in their world, or are you doing the ancient "Blind Seer" trope?

Remember, that not all of the above questions will come up in your writing, but to know which ones won't you need to know the answers to them first. Even if you don't decide to explicitly name your character's condition, you will be aware of what they might function like. You will be able to add more depth to your character if you decide that they have T6 spina bifida, rather than if you made them into an ambiguous wheelchair user with ambiguous symptoms and ambiguous needs. Embrace research as part of your process and your characters will be better representation, sure, but they will also make more sense and seem more like actual people; same with the world that they are a part of.

This post exists to help you establish the basics of your character's disability so that you can do research on your own and answer some of the most common ("what are symptoms of x?") questions by yourself. If you have these things already established, it will also be easier for us to answer any possible questions you might have - e.g. "what would a character with complete high-level paraplegia do in a world where the modern kind of wheelchair has not been invented yet?" is more concise than just "how do I write a character with paralysis?" - I think it's more helpful for askers as well; a vague answer won't be of much help.

I hope that this post is helpful,

mod Sasza

[kalims]

kiss your best friend | diasomnia

kiss your best friend and see how they react!

parts. one , two , three , four , five , six , seven

characters. malleus, lilia, sebek, silver

content. gender neutral reader as usual, mentions of murder by lilia's cooking, someone faints lol

note. finally last part after ten years /j

malleus

goes absolutely silent but his surprise is definitely there -> eyes widen, brows raise on a miniscule scale. you'd think the guy would be all lowkey about his joy but five seconds later and there are comical sparkles surrounding his face.

I mean. you had to formally confirm that you two were friends before, and you had off-handedly linked his name and best friend in the same sentence a few months later (he was bursting for like a week.) and now all that?

thrown away, nu-uh. you two are NOT friends no more, he doesn’t have a single care in the world. he's throwing the friends label off a cliff with his foot and skipping off with joy cause you just got upgraded to the next ruler of briar valley wink wonk.

or perhaps you'd like being referred to as his consort? he can always make the people refer to you as both.

if you're wondering why he's so silent all of a sudden; malleus: already thinking of how he'd decorate the castle when you move in with him. maybe... he can break down the wall to link your two bedrooms together—wait no he'd very much like to share the same room instead..

"child of man, do you prefer violet or green?"

"uh... green...?"

"excellent choice, you have my gratitude."

the thing you should be asking is 'why' because it's either the main color theme of your wedding or the gem he'd engrave on your ring (he's very happy it's green though, since it'd be a constant reminder of him.. oh he knows! he should get his a color of your eyes too—)

someone stop him.

lilia

spiderman kisses spiderman kisses spiderman kisses spiderman kisses

more knowledgeable than malleus about the level up of relationships so he doesn't jump from best friends to newlyweds immediately. actually he doesn't even need a label, if you're going around kissing him he's just gonna act like you two are a married couple without a confirmation on your status'

"darling, could you hand me the sugar?"

"lilia, I hope you know that you're supposed to use salt for the sauce not sugar." <- *passes the right bottle*

ignoring lilia's attempts on lives he acts pretty normal.

ahem, besides the fact that your first kiss on him has made him come to the conclusion that he can now incorporate kisses in your daily routine since you've already done it, so apparently that means he can too.

kiss him once, he kisses you thrice I guess. it's either the occasional jumpscare from the ceiling since he felt like reminding you of his love through a pack or the times you blink and feel a sensation against your lips without seeing anything cause his affection can be silent as it is loud you suppose.

pov student you were speaking to who definitely saw that but you didn't midst your blink: 😨—

"lilia are we dating."

"i suppose it would make us more official like you humans like, so of course~"

he just accepts it without any complaints, just announce you're spouses and he'll accept that too probably.

#chill

silver

if we have spiderman kisses surely we can have the sleeping beauty kiss?

sleeping beauty kisses sleeping beauty kisses sleeping beauty kisses sleeping beauty kisses

I reckon he would be a pretty light sleeper though the quantity of his sleep is more often than not so even though he accidentally passes out a lot he's really easy to wake. trained to be vigilant and all, courtesy of his murderous father (well, murderous through food?)

he knows the weight of certain things. a blanket draped over him, the feeling of something squirming on his shoulder—a squirrel, most likely. something on his head, a bird or some other critter. but this?

a light press on his lips, gone as quickly as it came. that, he isn't sure of. the animals don't tend to linger around his face so the unknown origin of it has curiosity opening his eyes.

and boy, he is trying to find every reason to not believe that you didn't peck him.

perhaps they touched it? he furrows his brows lightly, attempting hard at trying to avoid your gaze because he feels guilty at his first assumption, you're his best friend! you wouldn't do such a thing..

"did you touch my lips?"

"nah, is it fine that I kissed you?"

"..."

"..."

*passes out*

is he dreaming?

sebek

in what scenario will sebek even let you near him? hmmm.. I suppose being 'best friends' (he calls you self proclaimed, and that you guys aren't that close but still rages over someone and hits them with an essay why you're so much better than their insults) makes you more tolerable around to be closer.

totally not the fact that he might have a crush on you, which can't be right cause he can't be capable of having feelings for a *gasp* human!

scandalous. he knows.

raises a brow when you do anything but be discrete with your intentions of shuffling closer but he doesn't really double back, okay. he's getting a little concerned now when you continue getting closer, he takes a step back not because you're near or anything but this behavior is... just strange.

you're in his face already and before he can question (loudly) what in the seven's name you're doing before you just casually peck him on the lips?

WHAT IN TARNATION!

stiffens up immediately, his face looks like it's holding in a yell. maybe that's why it's getting so red? he's just standing there with shoulders so tense he looks like he's trying to seem big.

"..." WHAT JUST HAPPENED. DID THIS HUMAN JUST.. NO, WE ARE MERELY BEST FRIENDS—are we even friends.. NO! THIS IS THE MOST INAPPROPRIATE ACT TO COMMIT. THIS HUMAN NEEDS TO KNOW BOUNDARIES. I mean he enjoyed that and all—I mean what..

"why are you so quiet."

if only you knew.