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#the original idea for this was to also include some example blogs
mesetacadre · 2 months
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bogleech · 6 months
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Also going to finally make a pinned post for all my stuff:
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BOGLEECH - my tumblr blog is named after this website I created around 2002 and still update. Thousands of pages worth of content focusing on creature design as well as real biology. My review of the original Legend of Zelda monsters might be the most straightforward example of my articles. Links to some of the most popular content:
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POKEMON REVIEW ARCHIVE: - I rate and review each and every single Pokemon, in Pokedex order, on its merits as a creature design. I also do so as someone whose favorite animals are all parasites.
DIGIMON REVIEW ARCHIVE - same, but more chaotic.
CREEPYPASTA COOKOFF ARCHIVE - for several years I hosted a yearly writing contest before it grew too big for me to keep up with. There are over a thousand user submitted horror, fantasy, sci fi and surrealist stories here emphasizing unconventional, original ideas you seldom see from the "creepypasta" community!
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The original "MORTASHEEN" Monster Archive - since the early 2000's I've created and illustrated more than 800 creatures and counting for my own monster-catching world, now set for release as a tabletop RPG setting.
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AWFUL HOSPITAL: SERIOUSLY THE WORST EVER (page one): an interactive comedy-horror-sci-fi webcomic I started in 2014 about a medical facility that could maybe be better.
Some of my other internet stuff:
PATREON - constant work makes my patreon updates inconsistent, but the content backlog goes back years with a huge amount of exclusive art and writing. I try to put up new exclusive stuff whenever I can.
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ETSY - I design all sorts of original enamel pins like these, plus I sell zero-maintenance terrarium plants (just leave them in a jar!), original books and other things!
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COLOR THE ABYSS (available on the above etsy!) - a 30 page educational deep sea coloring book! Includes a few famous favorites like giant isopods and hagfish, but mostly focuses on less popular, often much weirder animals.
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UNBELIEVABLE BUGS - also regularly restocked in the etsy store, 30 of the strangest and most surprising arthropods most people have likely never heard of, illustrated by myself and @revretch, written for even the youngest kids to understand (but will likely teach you something new at any age)
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My Itch.io and Ko-fi - both sell digital versions of my books, including some creepypasta collections and my first novel, "Return of the Living," about a world of entirely ghosts suddenly dealing with the appearance of ghost-hunting monsters.
TWITCH CHANNEL - I now try to stream something at least monthly, sometimes weekly when possible, from horror games to books and art.
YOUTUBE CHANNEL - archives my twitch streams and other little things.
INSTAGRAM - look at pictures of my huge weird collection of toys and Halloween collectibles
BLUESKY - I'm going to put mainly just updates to my stuff on here. SEE ALSO:
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HUMANS-B-GONE - a science fiction animated series by my partner @revretch, about a world of kaiju-size, technologically advanced insects and arachnids to whom vertebrates like us are just pesky little "gubs." Also has a tumblr account @humansbgone FINALLY, HERE'S MY GUIDE AND RESOURCE TO MAKING YOUR OWN INTERNET WEBSITE IN A FEW MINUTES WITH NO KNOWLEDGE OF CODING
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feeder86 · 6 months
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Feeder 86: The Top Ten
Can you believe that the Feeder86 ‘Orginal Gainer Stories’ blog will soon be posting the two hundredth story? I thought of many ways to celebrate. But then I stopped and realised that I would probably be best using the time to address one of the questions I get asked about most frequently. Which of the stories do I personally like the most?
This was not an easy list to make as I very rarely go back to re-read my own work after I have finished editing and posting them. This is not because I do not like them, but because I always see bits that I want to change. Nevertheless, this project was the perfect opportunity to revisit a few oldies that I remember being very proud of at the time. 
Hopefully you will see this list for what it is: a glimpse into how I write, my motivations and drive; rather than just a self indulgent pat on the back for myself. Yuck!
So, with that being said, let us begin...
#10 The Feeders’ Formula: This tale certainly had to be placed into the list. After all, it is the one that kicked off ‘Original Gainer Stories’ all those years ago. There are many amazing examples of instant body weight transformation stories out there. I felt that I needed to write this one as my contribution to the genre. It went down well at the time. I swiftly wrote a Part Two, then followed it up with others (The Feeders’ Formation, The Feeders’ Formalities, The Feeders’ Foreclosure, The Feeders’ Forecast, The Feeders’ Former Years), becoming something of an ongoing saga in recent years; focusing on the different Feeders from that very first meeting. As a writer who sometimes struggles to find the ending, these are wonderful to write as they all have the same inevitable conclusion. There is also so much freedom to be had when you’re working with characters who are pretty much pure evil. I know so much more about the Feeders than I’ve ever written down, so it is great to tease out those little details with each new installment. The newest of these tales (The Feeders’ Foreplay) was the darkest yet, but seems to have provoked a very favourable reaction from many. Who knows what the Feeders may get up to next? I do! And you can find out too, once we start a whole new sweeps season of stories this April! Come with me into The Feeders' Fortress!
#9 Only One: Where do I start? Only One has my absolute favourite type of feeder. Ben is big, sexy and very in control. He’s one of those rare types of guys who always stays on top and is a step ahead of absoultely everyone he meets. Who wouldn’t fall for him? I certainly did! In fact, I loved him so much that I wrote an entire prequel for him (and none of you even noticed!) Check out Rewire if you want to see how Ben became the man we know and love.
#8 The Wright Boys: The idea of a weight gain that cannot be stopped or controlled is a tempting one for many. How much easier would it be if you didn’t have to second guess your choices or face the pressure to lose weight? This was the first tale of what I see as ‘The Curses’ saga that eventually bled into many other stories (including another one on this list!) and culminated in Wright vs Beckett. However, this story remains my personal favourite of these. If you’re a fan of looking for crossovers between my stories, these are some of the most explicitly linked. I followed it up with a spin-off tale (The Wright Boys: DNA), but continue to have ideas about how I could go back to these boys in the future. Watch this space.
#7 Making Monsters: The title of this story really does give away how I felt about it at the time. This is quite the saga, spread over into not just two, but three parts! It began as a story that was very similar to Blackmailed; a tale that I had written previously about a guy voyeristically enjoying seeing his friend fatten up her boyfriend. However, this story evolved even further for me, with Tommy’s love of eating and gaining weight being both his greatest love, and his biggest shame. His denial only heightened the tension for me, and, when he does eventually give in, the gains feel all the more satisfying as a result.
#6 The Pig Feed: It’s not easy to write a gainer story where there isn’t another character spurring the events along and encouraging things. In this tale however, that role is given to a very tasty and surprisingly addictive pig feed mixture that Steve gets himself hooked on. It’s a story that I really enjoyed writing and still feel very happy with. I have considered writing more stories around this interesting feed. However, I am yet to do so; deciding (for now at least) that things are perhaps best left as they are. But, feel free to let me know your thoughts on this.
#5 Farm Boy: Whether you grew up in a big city, or a small rural community, like Hayden in this story, we can all relate to having desires and attractions that those around us don’t understand. And, thanks to how well connected we are these days, we now know what it’s like to realise that you’re not actually alone, and the whirlwind of excited emotions that follow. I enjoyed writing this story because I, quite simply, fell completely in love with Hayden. As kinky as he was, he still retained that fresh faced innocence throughout. If any of my characters were destined to be together forever, I imagine that these two would be my top choice.
#4 Keeping a Crush: This is one of those stories that I wrote in a matter of hours, and I was so pleased with it when I was done. Getting the train to go to work is not necessarily something that many Americans have to do, and so the location had to be switched to the UK (quite refreshing, I thought!). For me, it’s one of those really rare instances where placing very solid restrictions on the structure of a story (In this case, having it all take place during the commute to and from work) and finding that it actually elevates the sexual tension and mood. All scenes take place in public settings. All conversations could, in theory, be overheard. These days, so many people meet online and flirt for weeks by messaging back and forth, before they even see each other for the first time. Nowadays, for better or for worse, the actual, real fantasy is finding a connection with someone you just see in the real world; perhaps with a person you literally just met on the way to work...
If you’ve not read this one, I really would highly recommend it.
#3 To the Max: Stories with a magical element to them are either loved or hated. However, I find that this tale walks that line very successfully. Ned gets his hands on a love potion and makes straight guy, Max, fall for him. I’m sure we’ve all been there with that fantasy! However, it is in the consequences of inviting someone into your life, someone that you actually know very little about, that the entire eroticism of this story is based. I won’t spoil it for those who have not read it, but believe me when I say that things soon start getting very interesting indeed…
#2 Tommy’s Two Hundred. Don’t recognise this one? Well, that's because none of you have read it yet. 
Now, I’m not just saying this because I want you all to come back for the two hundreth story, but this is genuinely one of my absolute favourites. For my big milestone stories in the past, I have written something specifically for that event (Wright vs Beckett, The Seven Feeders of Finn). However, this is just a tale that I adored writing and decided to hold back for you all, especially for this occasion. It’s a story of domination and submission within a fairly open, but very kinky, relationship. Strapping Hunter plays the part of a very controlling feeder, making me break many of my own rules and stretching my boundaries to the absolute limits. You’ll either love him, or you’ll hate him. That’s all I’m going to say…
Also, this story is going to be the first Feeder86 story that will be fully illustrated. It’s all thanks to the amazing talents of Spellwell9 who was given an advanced copy and asked to imagine the characters in four different scenes. I cannot wait for you to see this!
Put it in your diary. All will be revealed from Friday 5th April…
#1 F80 Control: This is perhaps a controvercial choice (especially as my #1). I have previously admitted that this story strays a little from its purpose of being a gainer story. In other words, I get very caught up in the background story that is being told. However, I feel that the science fiction genre is surprisingly underused in tales of weight gain. Yet, the combination of Aritificial Intelligence and submission seemed, to me, to be the perfect blend. It really is a beast of a story if you can follow it all the way through to its conclusion. 
With the advent of improved artificial intelligence software in recent years, I felt the time was right to develop the world further, with the addition of F80 Ctrl Alt Del; a spin-off tale set slightly before the main story. Then, unable to help myself, I followed this up again with another companion story, F80: Kidnap and Control. 
The reason I chose this universe as my favourite is because this is where I am happiest writing. With AI, I don’t need to consider the morality or motivations - I know exactly what their aims are and I can see multiple ways in which it will cause conflict with humanity (and their waistlines!) I would also love to write more for this world one day, and I even left a little unused subplot in the last story that I think would provide the perfect starting-off point for another chapter. Will I ever write it? Well, we’ll have to wait and see…
So, there you have it! The the complete list!
This was a much harder exercise than I expected when I first embarked upon it. Stories like: Jiggle the Jock, Meticulous, Rule Number One, Freaks, Leftovers I and II, Ethan: The Secret Feeder and, not fogetting The Consequences I, II and III all crept in and out of the list, unfortunatley missing out on the final cut. There are many, many others, of course. But this list cannot go on forever...
So, why not tell me which ones were your favourites? Feel free to write in the comments and post a link to any other stories that you have enjoyed from myself, or from other authors. Hopefully, if we all work together, this could become a great resource for people in the future, filled with signposts and reccommendations.  
Also, don’t forget the Feeder86 Contents page where you can find links and descriptions of all the 200 stories posted so far (as well as plot outlines for upcoming tales as well). Please continue to enjoy the vast catalogue of stories, and even have a go yourself! I love supporting the many new gainer fiction writers who contact me. So please do get in touch if you need advice, or to talk through your ideas. Let’s all encourage a whole new generation of people to get typing away! I’m sure you will cheer them on just as much as I will.
Thank you to everyone who supports the stories blog here on Tumblr. Keep checking in every Friday througout April for a whole new sweeps season to celebrate this milestone. Stories will include: Tommy's Two Hundred, Train for a Gain, The Feeders' Fortress and The 1% (a companion story to The 5%). For now, I thank you all for taking time out to sit and read the very bizarre tales that sprout from my mind. You are all wonderful.
Happy 200 stories!
Feeder86
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writer-ace · 2 years
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I watched the asexual and aromantic communities get eaten away at by exclusionists and proto-TERFs and queer people making fun of microlabels and people who talked about how they just wanted all of us to stop dividing ourselves so much and people who decided that the concept of the Split Attraction Model was homophobic and people who flooded the ace and aro tags with porn and--
Well, you get the point.
But now a lot of people on this site don't know about ace culture and modern history, so here's some stuff you should know about:
The Asexuality Visibility and Education Network (AVEN) was started in 2001 by asexuality activist David Jay as a forum and educational space about asexuality.
A Carnival of Aces, which is a monthly blogging carnival on ace topics, has been taking place since May 2011 and has included such topics as coming out, non-traditional relationships styles and polyamory, asexual education (which I hosted), and labels and microlabels.
The Split Attraction Model is one model for talking about sexual and romantic orientation that splits out those two orientations, allowing individuals to describe sexual attraction/orientation as distinct from romantic orientation (e.g., aromantic bisexual, heteroromantic grey-asexual). While this model is primarily used by people on the ace and aro spectrums, it can be used by anyone who wants to discuss or describe sexual orientation as being separate from romantic orientation.
The AVEN triangle (or asexuality triangle) is a black and white or greyscale triangle that originated from taking the Kinsey scale and extending it down into another axis to address/acknowledge the range of attraction between what's on the Kinsey scale (allosexuality) and no sexual attraction (asexuality). It's generally presented as white at the horizontal line at the top and then black at the point at the bottom, often with a gradation of shades of grey down to the bottom.
Microlabels are specific (sometimes very narrow) labels for sexualities, romantic orientations, and genders. While these are not aro- or ace-specific, they were often associated with those communities because there was a culture of having nuanced conversations about narrow definitions, often by people couldn't find something that fit their experience in the standard L, G, B, or T lexicon. Demiromantic/demisexual, cupioromantic/cupiosexual, and quoiromantic/quoisexual are all examples of micro-labels.
The ace ring, a black ring worn on the middle finger of the right hand (generally) is a symbol of asexuality that some ace people wear. It originated on AVEN in 2005 when people were looking for a symbol that was rather covert.
Cake has also been an ace symbol, mostly from the idea that ace people agree that cake is better than sex. It used to be common to see a drawing of a cake with the ace flag colors.
The ace of (heart/spades/clubs/diamonds) has at times been used as a symbol for different ace spectrum/aro spectrum combinations. Ace of hearts is generally agreed on as alloromantic asexual and ace of spades as aromantic asexual (aroace or aro/ace). Ace of clubs is sometimes for grey-romantic asexual and ace of diamonds sometimes for demiromantic asexual, but those are less common.
Dragons were also associated with the ace community, at least on Tumblr. I'm less certain where this one came from (theories include that they're mythological creatures the way ace people are seen to be or that it's because there were headcanons that Charlie Weasley was ace).
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purpurkatart · 3 months
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Hello! After having some time to get over my loss for the Pokemon TCG Illustration contest, I decided to write up a small blog entry about the process and include some WIP pictures. Feel free to look below if you want to read my ramblings on the process.
Idea Generarion-
So coming into this contest, I knew I wanted to make a mixed media piece. In terms of theming I chose something that not only reflected a “magical moment” for a Pokemon (in this case meeting a legendary Pokemon), but also a moment when playing the games myself. In fact this piece was inspired by my awe when I first encountered a box legendary in game, as before I thought my teacher was lying to me when he said you can catch the legendary on the box!
This is the concept sketch that started it all! At the time my main concern was getting ideas down and seeing how they looked. Thinking about things like how would the composition would look, how would the colours look. So on and so forth.
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I didn’t want to focus too much on the sketch and wanted to start making the physical object, so out of some cheap paper I started making a set up testing out size, scale, composition. I didn’t want to get too attached to the original sketches only to realise I couldn’t make it in real life… I went though a few drafts trying to get things right, slowly adding in aspects such as background objects and higher quality drawings.
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After completing the draft I bought the images back into procreate to experiment with colours. This is the point where I made the mistake of thinking I had plenty of colours to choose from, not realising I would be limited by what I could buy from various yarn shops. That or hope I could find the right colour online, but that was always a gamble. If I don’t stop talking about this now I’ll get sidetracked talking about how much I miss yarn shops…
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Anyways, I cut out the individual pieces that I would make within the background and used them as a guide for crochet assets. For this part I wanted to use different stitches to create textures such as the ripple stitch, bobble stich and some cable stitches, I feel bad as I never took any work in progress photo so of them. Let’s pretend you’re looking at a photo of a half finished crochet abstract shape.
Finally onto the main event, the Pikachu (and Suicune). The decision to make Pikachu a plush was based on what I would have liked to make for the 2022 illustration contest (if I wasn’t geographically challenged!!) Despite being British I decided it would be fun to make anyways, so I could experiment. I never got around to that but decided it would be fun to try for this edition.
Making the pattern was HARD! As I wanted Pikachu to have a unique pose, I had to work out different methods to plush i’ve made in the past which have been somewhat relaxed in their posing. I ultimately ended up making each part individually, pinning it together and then making adjustments as needed. It didn’t start out great however I ended up with this weird Pikachu shaped thing that did the job. Throughout this process I would regularly photograph it in the background to try and catch any issues early on. For example if the ground needed to be a different shape.
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Photographing the final price was interesting. I felt bad for my partner as I essentially turned my dining table into a mini photography studio! I spent several days waiting for different lighting opportunities and experimenting with different light. Marking down different camera angles to ensure I have all of my bases covered. I easily took over 100 photos to get the perfect shot! In the below photo you can see washi tape being used to rest out different positions for the sculptures.
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And that leads me to the peice! Even though i’m sad I didn’t make the top 300, I am pleased with the work I did for this piece (and my flygon entry too!). I’m glad I decided to experiment with ts peice and look forward to refining my methods in the near future!
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raguiras · 2 months
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Mionn's art & writing ship trade event
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(Click the art for better quality!)
I'm hosting an art & writing event centered around ships & duos (multifandom)!
🖤 REBLOGS ARE SUPER APPRECIATED
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I've recently reached 200 followers on this blog, 900 on my meme blog, and 100 on Instagram!! Honestly, I don't even know what to say... I feel so damn honored and am so grateful for the support!! 🖤🖤🙏
As a multi-milestone celebration as well as an event for the official Spade of Storms (Deuce x Allen) day, which is on the 27th of July, I decided to host a TRADE EVENT!!!
Basically, this event is going to be an open art/writing trade that's all about ships (or platonic duos).
The event starts on 7/23 (today) and lasts for rest of July as well as for the entirety of August. For every Allen x Deuce art/writing that I receive during this duration, you get one of your own ship from ANY FANDOM back!
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Why am I hosting this?
it's a way to thank everyone for three different follower milestones
a contest/DTIYS/raffle wouldn't promise that everyone gets something back, so I went for a trade event
the event allows me to post more about other canon TWST characters and draw them while not having to neglect Allen x Deuce
I wanna make new mutuals & friends, get to know more ships, and strengthen friendships with mutuals I already have!
Artfight is/was tons of fun, but I only do/did colored sketches there & ships are a tricky subject. Meanwhile, I'll do ANYTHING here!
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Basic information:
Make a drawing/writing/comic of Allen x Deuce. (Ideas can be found in this post's pink "starters for my ship" section.)
Post it on your blog, tag me in it, and refer to my event. (While posting is by far preferred — especially for bigger artworks and written stuff — you can also just DM it to me.)
In return, you'll receive a gift of the same type for your own ship from any fandom (OC x canon, canon x canon, OC x OC)! I'll DM you about the ship, so make sure that your DMs are open.
For example: If you submit a sketch, you'll get a sketch back. If you submit a fully shaded drawing, I'II make a fully shaded drawing for you, too. If you add a background, I'll (do my best to) do the same. If you write a drabble... You know the drill!
ANYONE can join, whether you follow me or not! However, new followers through the event are super appreciated!
EVENT TIME: July 23th (today) - August 31st
Anything submitted before or after this event duration will not receive anything back (unless we explicitly do a trade), but be held in high regard nonetheless!
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Rules:
The portrayal of Allen x Deuce must be shippy/romantic.
Please keep angst at a minimum unless it has a happy ending. Comfort is allowed.
Please DO NOT add your own OC or another canon character to the submission. Including them in the background as a wingman or something is alright, though. Additionally, any kind of romantic implications between Deuce and another character/OC are NOT allowed.
Please no NSFW. Harmless implications and slight spice are okay, but keep in mind that these characters are both minors.
AUs are very much allowed! All the previous rules apply here, too, and I'm willing to give an overview of some AUs via DMs.
Please no genderbending.
Please DO NOT draw Allen or Deuce as a standalone character. This is a SHIP event for a reason.
Please don't change their appearances too much, especially when it comes to the color schemes & body types.
Giving them different outfits — especially event outfits — is absolutely cool (yes, you can draw Allen in a skirt if you wanna), and changing their hairstyles is okay as long as they still look like themselves.
This is NOT A DTIYS event, so please DO NOT redraw one of my Allen x Deuce arts. Please come up with something original.
If you have any more questions, please DM me!
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What CAN you submit?
drawings // comics // writings // animatics
For drawings, anything from a quick sketch to an extremely detailed drawing with a background is allowed! You'll get something of the same quality back. The same also goes for writings/fanfics.
Animatics will receive a drawing in return.
What CAN'T be submitted?
Gacha videos // edits // memes
-> You can theoretically submit all of these and I'd appreciate them, but I wouldn't be able to give you anything back.
Memes refer to funny pictures that simply have Allen & Deuce's faces in them. DRAWN memes/meme redraws count as DRAWINGS.
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Starters for Allen x Deuce
Got no clue what to draw/write about?
Check out the few already existing Allen x Deuce posts on this blog for proper lore and facts.
Check @spade-of-storms for fun facts, shorter rambles and additional info.
In any case, you can't go wrong with simple fluffy, romantic scenarios! Dates, kisses, cuddles, whatever!
For information about Allen himself, please check my pinned post.
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Q&A:
I want to join the event, but I don't have any ship (OC x canon, canon x canon, OC x OC) you could draw/write about for me in return.
That's okay! In that case, I'll gladly draw/write about two separate characters or a platonic duo for you.
Can I do multiple submissions for this event?
Obviously, and every single one will be "revenged"!
Can I get something of another type/quality back? For example, can I get a fully shaded drawing for my sketch, or art for my drabble?
Unfortunately not, as I prefer to always give something of the same type back. There are only the following two exceptions that I AM willing to do:
you do a drabble/oneshot —> I do a sketch
you do any type of art —> I write a drabble/oneshot
Is there anything you refuse to draw/write about?
Deuce ships (other than Deuce x Allen). NSFW. Family x family. Minor x adult. Any ship considered to be problematic.
How do I tell you about the ship I want you to draw/write about for me?
I'll DM you after you post your event submissions.
Do you prefer to do OC x canon, canon x canon, or OC x OC?
I have a bias towards OC x canon and canon x canon ships. However, I'm willing to do any ship that's not problematic! In the case of OC x OC, I simply need you to provide information on two OCs instead of one only.
Will you do poly ships?
In order to keep things fair, no. But I could include the third party as a plush or chibi head.
I want to make Allen x Deuce content for you, but not receive anything in return.
That's also super appreciated anytime (and totally doesn't make me freak out /pos)! Simply share it as a gift and don't mention the event.
How long is it going to take you to finish your "revenge" on me?
It depends on the type of submission you make & what I'm giving you back. Some things can be done within a day while others may take much longer, but either way, you WILL get something of the SAME TYPE back & that's guaranteed.
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Personal notes:
My health isn't the best and I also have a job. Please be respectful and don't rush me nor get mad when I'm being slow.
Please do not start a discussion nor get mad at me if I refuse to draw/write about a ship I deem problematic & want you to pick another one instead. Preferably pick a ship that's by far NOT problematic from the beginning.
I'm unwilling to draw/write about any Deuce ships other than Deuce x Allen because I kin Deuce a ton and tend to feel uncomfortable with many of his ships, so please don't ask for any. I'm asking you to not start a discussion over this, either.
I won't post everything I make for the event on this blog. Sketches and writings will either be DMed to you or posted on one of my other blogs.
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That's it for now! If you have any questions, please do not hesitate to DM me.
And again, thank you so much for 200 followers!
♤ Happy trading! ♤
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hiddenhearthwitch · 7 months
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📚 Small Intro To Polytheism📚
One of the most frequent asks I receive is how and where to get started when it comes to polytheism. This is a fairly broad subject and I’ll try to be as general as I can for advice but I will include specific references for Norse polytheists as that’s my shit. This information can be used to help you find a pantheon or to help you pick deities to work with it. If you’d like to use it to pick a patron deity that’s super, if you want to worship 20 gods and not have a patron deity that’s cool too. You do you dude. Please keep in mind this is all reflective of my research and personal practice. 🌻
Picking A Pantheon/Deity
This really boils down to personal preference. You’ll read a lot of posts and books that tell you many different ways and it’s entirely up to you because it is your practice.  That being said, there’s a couple of different ways to go about it. 
Research! This is one of my favorite ways to delve in. There’s absolutely nothing wrong with reading the stories of multiple pantheons and picking on that calls to you. You can also talk to other devotees and see what they have to say about deities and their religions. It is important to keep in mind that some religions are closed so please do proper research!
For example, I wasn’t originally a Norse pagan. I read some stories and thought the Hellenic pantheon would best suit me. I reached out to Eros for a while but after feeling no real connection to the pantheon I continued my research! After reading up on the Norse pantheon I decided to reach out to them out. Obviously, I fucking loved it because here I am. Point being, you can pick a pantheon based on research and not some divine message or whatever. You are also more than welcome to try out a religion, decide it doesn’t suit you, and move on. 
Divination! You can use runes, a pendulum, tarot, etc.This can go a few different ways. You can write pantheon/deity names on separate pieces of paper, mix them up, and place them face down then ask the pendulum to pick. You can assign a deity/pantheon to each suit of cards or major arcana card or even do the same thing with runes. 
For example, this is how I found a devotion to Frigg and Hel. I asked if there were any deities who were interested in working with me and pulled the runes Hagalaz and Berkana which read as Hel and Frigg to me. I followed up with tarot cards and pulled Death(Hel) plus the Queen of Pentacles(Frigg).
Asking/waiting for a sign. This isn’t something I’ve personally done so I don’t have much to say on the subject. You can go about meditating, praying, doing a ritual, or whatever and essentially wait for a sign after. It can come via a dream, something you experience, symbols you see in your daily life, it’s pretty much up to your intuition to decipher it. If anyone has information they’d like me to add in here please let me know!
If there’s a god you’re curious about and don’t want to do any of the above it’s totally cool to just reach out and ask if they want to work with you. 
Idk How To Research
Same, tbh my keyword search game is weak. Anyways, good portion of us are looking up dead religions with little reliable resources. To give those curious about the Norse an easy head start here’s a compiled list of  books by yours truly(click me!!) . It’s important to take everything with a grain a salt of salt when doing research. In my experience a lot of the retold Norse sagas have been Christianized or written under heavy Wiccan influences. It’s a good idea to do research on the author before reading one of their books.
Other blogs! There are tons of great witches and pagans on tumblr that have information waiting for you. 💗 You can search their blog/tags for good references for books, websites, podcasts, etc. Plus lots of blogs are open to answer asks. If you don’t know where to start for searching it’s best to try things based around your interest like: “norse polytheist”, “hellenic witch”, “gaelic polytheism”, etc.
Media! How lucky are we that we live in the age of technology? Knowledge is right at our fingertips! There are countless documentaries, podcasts, and audiobooks on youtube full of information for different cultures and religions. I’d personally recommend almost anything by BBC, Myths & Legends, and World Mythology!
Books! I love starting on goodreads to find good books and trust worthy authors. They’ve had almost every book I looked up with bunches of different reviews so you can get varying perspectives. Check out your local library as well! A lot of city libraries have online databases now of all of their books so you can “check it out” online and read the PDF(personal fave). 
Feeling Lost Still?
That’s completely reasonable and your feelings are more than valid. It can be overwhelming and lot of information to soak up. Just do your best and take it at your own pace, there’s no rush to find a deity or pantheon. 💞 Below are a few other general concerns I hear a lot that I was hoping to address.
“I’m leaving a monotheistic(Christian, Catholic, Jewish, etc) religion and it’s giving me anxiety.” This is entirely common and almost expected in my opinion. I was raised Roman Catholic and my first year to two looking into polytheism riddled me with anxiety. I was constantly concerned that god would smite me down or I’d face an eternity in hell for worshiping false gods. While I can’t speak for everyone that fear was entirely erased for me when I found my gods. I’ve never felt so safe and strong and hopefully with time you can find the same in your gods!
It’s okay to want to learn more or to seek something more. I can’t tell you how to handle your anxiety but please know you’re not alone in that fear. There’s whole communities out there willing to support you and help you find your safe space(including me)!
“What’s UPG?” You’ll see a lot of posts, mine included, that mention UPG - UPG is Unverified Personal Gnosis. This is essentially someone’s personal thoughts and beliefs about a deity. For example, I associate Sif with hazelnuts. There’s nothing in the lore or any book that says that she likes hazelnuts; that’s just a personal opinion(aka a UPG).
“How do I reach out to the gods?” I have a lot of information on my blog about this topic although a lot of it is Norse specific. You can check out my beginner polytheist tag here and my beginner norse post/ask here.
Altar! This is my go to typically. Altars aren’t limited to the cookie cutter image that comes to mind(no hate though I have a few); one thing you can make a side blog dedicated to your pantheon/deity, make a small one in a tin can, or even make one in a video game like Minecraft or some shit. You can be as creative or as to the book as you want. It’s up to you.
Prayer! You can totally just sit down and be like, “Hey man wanna work on some shit together?”. While I’m not 100% that all gods would be down with you being that casual it’s still something you can try.😂 You can reach out to them by sitting down in a quiet space and meditating into prayer, praying in the car or in the shower, or just pray at the altar you set up if you did. Again, I can not reiterate this enough, it’s your practice, reach out to them as you please.
Do something personal! This is more like devotional work in my opinion. Let’s say you knit and you want to reach out to a creative or domestic deity, you can knit something as a devotional act to them and as a way to reach out. For example I pick up litter in honor of the Vanir and Jörð, or I play Skyrim for Thor and Týr.
Most importantly just be honest and up front with the god that you’re reaching out too. Considering that statement be honest with yourself as well. There’s no point going into a relationship with a god if you can’t be upfront, it’ll end up in nothing but grief.
“Can deities reach out through gods/signs?” They totally can. However, it is up to you and your intuition if a deity has and it’s not likely another witch will decipher that for you. Sounds, experiences, images, all have different meanings to each of us - they may show you something that’s very personal to you but would be mundane to someone else. Trust your instincts. However, please remember that not everything is magical, sometimes a raven is just a raven and not Odin.
✨Take everything you learn with a grain of salt. Including this post.✨
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alpaca-clouds · 8 months
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The DnD Lore Problem - Accessibility and Characters (and how BG3 might not help)
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You know what? I am gonna talk about DnD Lore and the accessibility of that lore. I talked about this exessively before. But to summarize that long blog very shortly:
Wizards of the Coasts currently makes the mistake of putting basically most DnD Lore behind a paywall, rather than offering official ressources. This leads to a lot of tables actually playing with their original worlds, rather than Toril/Faerûn, which in turn also means, that they are not spending money on official products. While my anti-capitalist ass things that the lore should be accessible just so that people can enjoy it, I also think that this inaccessibility actually costs WotC A LOT OF MONEY.
Today I want to talk about another aspect of this inaccessibility, that is kinda linked to some of the stuff I talked about before, but also is linked to the things WotC is currently not doing in terms of both Honor Among Thieves and Baldur's Gate 3. A thing, that also might not quite work with BG3, though.
See, the core problem of this inaccessibility is, that a) there is no official place where you can just get base information about the world and the timeline, b) this world has grown organically for about half a century, which lead to clutter, but also to the fact that things are at times showing their age.
I might actually make a post on the gods and religion in the world at some other point - but for now let me talk about something else: Extended universes and access points.
The Problem with Extended Universes
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Okay, let's talk about how a lot of the big franchises for the longest time have told their meta stories - including DnD - and how it kinda struggles to find its audience. The extended universe.
I am frankly not entirely sure what franchise has started this. I am assuming it was Star Trek? But that is just a guess. But at some point in the 60s oder 70s someone had the idea that: "Hey, we could totally give the fans more to chew on by making official tie-in comics and novels!"
And that was how it worked for very long. Like a lot of the big franchises had at times around 10 novels and comics (if not more) releasing per year that would just explore other parts of the universe and allow the very engaged fans to... well, learn more about the world. Now, I am not going to talk about all the drama connected to the Star Wars stuff, but if you know, you know.
DnD did this too. (As did a lot of the big TTRPG systems, like Shadowrun and WoD as well.) Having a lot of tie in stuff - in the case of DnD mostly novels - that told more stories on the world and also established like some big player characters within the world. Elminster Aumar is probably one of the best examples here.
Those established some characters that play a big role within the world and also told just more stories of those big world changing events. In the recent DnD history that would be stuff like the Time of Troubles, the Spellplague and the Second Sundering.
Now, here we have one big issue. And one issue where I am not entirely certain where it arose from. But the fact is: In recent years, people invest way less into those kind of books. This is just a fact.
It is the reason why those big universes went from publishing like ten novels a year to often not more than three. We saw that in the failure of the extended Universe Disney tried to pull off for Pirates of the Caribbean (though I will still maintain that another big problem was that they barely marketed that at all - hi, everyone, who did not know there were extended universe novels for PotC). We also saw that with League of Legends, who really, really tried to tell a lot more stories with short stories and then also some novels set in Runeterra, before finally giving up, because most people didn't care.
In terms of Dungeons & Dragons I can totally see that a lot of people will also say: "I do not care what some other people's characters do within the world." Buuuuuut...
Stories actually can help you understand the world. Which brings me to...
The Elminster Problem
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Okay, I do not know how to put this, but... If you look at the novels coming out for DnD literally half of them focus on either Elminster Aumar or Drizzt Do'Urden. Characters that have pretty much been around since the very beginning and. Look, I don't know how to put it but... It shows.
I am currently reading some of the newer novels and the fact is, that they do not really feel like fantasy books from the 2010s and 2020s. Because Elminster and Drizzt are very clearly characters originating in a very different time when stories were told very differently.
I mean, just look at Elminster. He is a wanna-be Gandalf character. He is from the early, early days of fantasy and... Look, I personally just really am unable to identify with a character like this.
And while Drizzt is a bit better as a character, but even he... How to put this delicately? They are both very much characters written by white cishet men for white cishet men. There, I said it.
I am noticing this a lot with reading Salvatore's books currently. Like, female characters are not overly sexualized, which is a plus. But they also very much exist most of the time in service to a man or at least in relation to a man. There is not a lot of female characters running around that have their own agency.
Which kinda leads to another thing. I actually saw this one brought up by one of those very cliché nerdy Youtube channels talking on DnD, who recognized the problem as well: There are basically two large groups of DnD players who barely intersect. One is the cliché nerds, the other is a largely queer and largely diverse group. And the youtube guy, who was very in the white cishet nerd group, suspected that actually the later group makes up more of the player base by now.
Buuuut... that is also the group who really do not get catered to by the canon lore so far. That was until 2023 with DnD:HAT and BG3 - both catering actually a lot to those groups.
Honor Among Thieves and the undermarketed books
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Okay, here is the thing: Honor Among Thieves had two novelizations (one for young readers, one for older readers) and two tie-in novels. One featuring Edgin, Holga, Forge and Simon before the stuff with Sofina went down. And the other featuring Simon and Doric taking place at the time while Ed and Holga are in prison.
I am honest: I really, really liked the Ed and Holga novel. It was super cute and charming and really gives a better understanding of the characters.
But of course once again there is the thing: The books - just like the Pirates of the Caribbean books - were super undermarketed. Like, most people I know off do not even know that there were books released. Heck, even within the actual active fandom there are again and again people who will be surprised that those books exist.
And... I actually also think that the books waste one big ass opportunity, by not at all tying into the broader lore. They are super self-contained.
And that is actually just a waste. Because the place were Edgin lived in? Yeah, that place was super affected by the Second Sundering. Heck, that might have had to do something with his troubles.
Why is that an issue? Well, because... there was not a lot going on there that was inviting you to further interact with the world and learn more abotu what is happening. For once, again, because I think it is a super fun and interesting world. But also, because... WotC wants to make money and is so bad at it, that it really boggles my mind.
See, here is the thing: They could've used those characters - that really are fun and sympathetic characters - to create an accesspoint into that world.
Alright, so what about Baldur's Gate 3?
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Which brings me to Baldur's Gate 3 and the thing that a lot of people have noticed: The other Baldur's Gate games - as well as some of the other games releasing around 2000 - had their own tie-in novels going into the characters, their background, but also what they were doing in the future.
Something that so far BG3 has not done, which some fans have already critized. Because a lot of people have actually gotten really invested into those characters. A lot of the kind of people especially who so far are underserved by a lot of the tie-in stuff: Queer and generally diverse audiences.
Like, I think there would be a lot of people, who totally would read a novel, about...
Astarion getting drawn into some sort of political intrigue in Baldur's Gate while serving Cazador
Karlach's time in Avernus
Some Adventure Wyll got dragged into while being the Blade of the Frontier.
Shadowheart going onto a mission for Shar (maybe together with Nocturne)
Whatever Gale was doing during the Second Sundering
Lae'zel's youth among the Githyanki
The Dark Urge and Gortash starting up the entire conspiracy
... whatever Halsin had been up to in his long live
Heck, people would eat that stuff up. And you could not only use it to worldbuild but also once more create some access into the world and what happened there. And they are kinda wasting a lot of potential by not bringing out those novels.
Of course, there is one big problem: BG3 makes it kinda hard to write about anything happening after the ending. Because as it is right now, someone is gonna be pissed if a novel set after the game does not go with the decision for a character they go for. Like, Ascended Astarion fans are gonna be pissed, if they go with Spawn Astarion - and the other way around. Same goes with every other character where you have those big decisions happening.
This is something they will have to tackle eventually if they plan on doing something with the characters in the future (no matter if we are talking Larian or WotC), but it is definitely an issue that just arises from the structure of the game.
Bonus of course is, that you just cannot define a canonical Tav. But without a Tav, you also gotta act as if the story of the game happened without a Tav, which still is not ideal. I am honestly not sure with how they are gonna deal with this on the long run.
Access via Characters
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Alright, but what is the actual issue here?
Well, basically there are two hurdles to overcome for the accessibility of the lore. The first is the physical accessibility - aka, what I talked about in the last long blog post. The second meanwhile is more related to making the lore engaging. And that happens through characters.
It is for me what happened last year. I actually tried to engage with the lore as the movie came out - but only when BG3, that tied a lot more into the actual lore was released I actually found proper access to the lore. Because I had concrete things I could now look for because the game hinted at so much both through characters and major story events happening.
Here is the thing: If you just have the lore on its own, it is about as engaging as reading a history book. Sure, as your local history nerd I find reading history books fun, but most people really do not want to read a history book to engage with a hobby.
People will however engage with stories and characters that interest them. Which is where we get back to the thing I talked about at the beginning: Right now most canonical novels and stories still cater to an audience that is male, cishet, white and also, let's be frank, definitely over 30 years old. Leaving behind a lot of potential fans that theoretically make up a big part of the player-base, but actually do not engage a lot with the lore for this exact reason.
Look. DnD right now is fairly close to being an actual mainstream hobby, due to the recent proliferation of formerly nerdy stuff. And yet WotC is bleeding money, especially in regards of DnD.
If you ask me, sure... DnD should go into public domain. But it doesn't. And given that there are so many creative, skilled people working on this - no matter how dumb Hasbro is and how shitty of an employer they are - I actually do want them to succeed. I have really become engaged with this world now. And I think it is a pity that they clearly do not know how to market this stuff.
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fandom-friday · 9 months
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The goal of Fandom Friday: provide a place where people can shout-out their favorite creators from the week, whether it’s a piece of fan art that made you smile or a fanfic that moved you. Drop a link to your favorite creations this week into my ask box along with what you loved about it, and I will give them a shout! It doesn’t have to be Star Wars either! If it’s on another website (AO3, Twitter, etc.), please be sure to state that as well.
This happens each week, so don’t feel like you’ve got to get out everything in one week. Just keep track of them throughout the week or send me an ask whenever you find something, and I’ll drop them all on Fridays (or throughout the weekend if I get a lot). The cutoff for each week is THURSDAY 12 PM (I’m in the Pacific timezone). Anything received after that will roll to the next week. A summary of the weeks’ recs will be posted at the end of the weekly queue, so check back here for all of the awesome fics and art! And be sure to go give the creations on that list some love (and don’t just share the ask responses I put out).
2024 Fandom Friday Weekly Summary Master List
Rules and additional details under the cut! PLEASE make sure you read the rules before sending something in. If your submission violates any of the rules, I will delete it.
Rules:
Please send submissions to my ask box (sending them all to one place makes wrangling them easier each week). In your ask, please include the creator’s handle, a link to their work/post (if links aren’t working for the ask, please DM me them), and what you loved about it!
Please ensure the link is to the creator’s original post and not your own reblog or repost of their work (if they’re on another platform). The idea is to drive people to visit the creator’s page!
The creation does not have to have been posted this week! It can be something older. Also, don’t worry about whether or not a rec is a repeat from a prior week. Just looking to celebrate things that made an impression on you this week, whether you’ve seen it before or not!
NSFW is alright! Just make sure you note it in the ask so I can flag appropriately! Since I’m including 18+ material, minors may not participate. 18+ posts will be tagged with NSFT/lemon/lemony lemon (trying to cover all my bases).
NO incest, underage, cl*necest blogs, master/padawan (or similar power dynamics), dub-con/non-con/rape occurring IN the fic (to include stalker/obsessive behavior fics). Also, no H*rry Potter. There are a few others that I also won’t share due to my discomfort with them (i.e., R*xsoka), so if you’re not sure, ask. Also, many of you submit multiple works at once, and that’s fine, but if one of those works contains something that violates the rules, I will delete the entire ask, so something to be extra careful about when submitting!
Submissions that deal with 18+ material or difficult/triggering topics (pregnancy, abuse, drug use, etc.) MUST BE TAGGED APPROPRIATELY.
If your rec involves spoilers from a show that’s currently running, please include that info in the ask so I can tag it appropriately (I will normally tag a few different ways, but I always use #<show title> spoilers if you need to filter (for example: Andor spoilers will be tagged #Andor Spoilers). I will stop tagging spoilers two weeks after the show stops airing.
You can submit GIF sets or edits, but please ensure you are submitting from the blog that actually created them. Wanted to add that caution since there’s been a lot of people stealing/reposting GIFs and edits in particular recently. So just be cautious.
Try to avoid commentary in your ask that might make others feel bad (“the only person who knows how to write XXX correctly…”). It’s important to be able to appreciate creators without making others feel bad, so let’s try to keep the commentary complimentary without being off-putting for other creators.
Self recommendations are allowed and encouraged! Shout out your own hard work! You deserve the recognition!
*Rules subject to change so PLEASE make sure you read them before sending something in. If your submission violates any of the rules, I will delete it.
**If you have any questions about any of the rules, don’t hesitate to DM me!In addition to sending me asks, I highly encourage you to go either leave a comment on and/or reblog someone’s work (tag me or use the #Fandom Friday tag if you do!). Let’s get the interaction back up on this website and show the creators that work so hard on their stuff some love!
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anonimityblog4000 · 4 months
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I actually hate having to post this, but
I feel like I have to post this in response to some recent drama stirring. I will cop to making an alt blog to post this because the hate around this has been virulent.
Recently this post has been shared regarding another artist creating locked tomb fan art
In this post which you should read they make the claim that the creator of these pieces 100% for certain created them with AI image generation software generating quite a lot of attention. The problem is that their supposed supporting evidence is INCREDIBLY flawed to the point of contradiction and nonsense. For example both of these cropped images
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are given as evidence of AI generation, claiming that the smudge is the result of AI failure and that the hand is CLEARLY ai generated…except that even a cursory examination and familiarity of what AI image generation ends up looking like would make it obvious that these aren’t AI hands and are just…normal hand drawn hands. As for the smudge we could easily explain that as the artist not noticing a mistake in one of their layers before posting, but we don’t know that. Except we do.
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Because if you were to look at the artists blog now you might notice they have made some corrections and small edits to the original piece and lo and behold…no smudge. Now here is where things get properly silly, instead of drawing the obvious conclusion from this that the artist being able to go in and fix the layers of their work means that they actually drew it THEY CLAIM THAT THE ABILITY TO DRAW AND EDIT IN THE EXACT STYLE OF THE PIECE IS FURTHER EVIDENCE OF AI.
WHAT.
I don’t think I need to point out to most people that AI image generation tools do not work that way and they certainly don’t allow you to make subtle targeted fixes and edits.
There is also a claim that the artist admitted to using AI to produce the piece which is a gross distortion of what they explained, the artist openly stated that they have tried using image gen tools to assist with their thumbnailing process. Let us be clear that thumbnailing is NOT producing any sort of final piece but is simply the process of brainstorming ideas and concepts. It’s seriously gross to flat out lie and claim the artist said anything different. Thankfully someone else screenshotted this so there’s actual evidence that accusations are being made that are straight up lies.
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It is also at this point we should take a look at some of the artists other publicly available work.
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I chose this selection because another accusation in the post that is hard evidence of AI is that because the posted pieces are “too different” in style from other earlier work posted on their blog, it should be fairly obvious how silly this is with even a small sample of what they have produced. This is an artist who obviously has the ability to work in a wide range of artistic styles and mediums but instead this is being used to claim they…can’t art? It’s also worth pointing the obvious that there are plenty of works in that artist’s portfolio in the exact same mucha style, including ones that are literally hand drawn on paper. Works that literally predate the availability of image generation software going back years. It is a complete farce to suggest this person CANT DRAW HANDS.
Frankly it is incredibly disappointing that the community is barraging this artist with insults and hate because of one persons incredibly flawed accusations. A person that I might add has deleted comments on their post that disagreed with them while at the same time castigating the artist for blocking them and deleting their post as evidence of their guilt.
While this isn’t conclusive in and of itself I’ll end with this.
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It’s more effort than the accuser went to before rallying a witch hunt against someone else.
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cripplecharacters · 2 months
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Hello! Your blog has been incredibly helpful for me, thank you for doing what you do
Disability is a core theme of the stories I make, so accessibility is one of my most important goals. For reference, I write books but my main project is a show that’s sometimes semi-animated and sometimes similar to visual novel style dialog.
Some of the things I’m doing now are subtitles and narration that’s baked into the show itself, sticking to a simpler style of writing, and making it free to watch. It’s one part practicality and one part frustration at being told these things “ruin the experience” for others. Now they’re a core part of the experience.
But those are just the things I find personally helpful, I only have my own viewpoint. My question is what are other things I can do to make my story more accessible?
Specific things I’ve been struggling with are showing nonverbal communication (The narration covers a lot of this, but not enough) and conflicting needs. I know some things will help some people but hurt other’s experiences (ie, subtitles) which is a really hard thing to navigate! So advice on that would be helpful
Thank you!
- @interroblog
Hello lovely asker!
So I'm gonna throw out some ideas here at the start and these are in no way me saying "You have to do this". No, just me tossing some ideas out and maybe they hopefully help! 😁 Let's try this.
First off you also mentioned that it's part of your style in the way you're animating as well. I think if it's your style that you shouldn't have to change that either. It's both something that is unique to how you choose to do things and it also aids in accessibility. You shouldn't feel pressured to change it because some people find subtitles or Narration annoying. It ultimately comes down to how you want to do it, so again here are some things I could think of.
So if the site you're hosting your show on allows you to have toggle on subtitles and audio descriptions I would do that. If not what you can do is when you put your animation through you can have multiple. Kinda like with certain shows or movies you have a version in its original language and a version that's Voiced over with another language. If you want to accommodate your audience perhaps you can have a version:
Without any subtitles or audio descriptions
With subtitles
With audio descriptions
With both the subtitle and the audio description
Granted going this route may be more work than just doing it all together (I'm not 100% sure, I don't know animation very well) but it's certainly an option. I think the process of rendering and saving it at the end (having to do it multiple times) and in regards to space may be an issue.
Another thing you can do is write up a description transcript for each episode so that people can look at it for reference. Some people use screen readers or braille displays that read over this information for them if you're worried about the text itself. Here's a good example of one done from a DeafBlind film done in the 60's at Perkins [Warning for typical 60's language regarding disability]. It usually includes what an audio description would just typed out.
Another thing you can do is see and look around for anyone who is fluent in the local Sign language that your show is in and see if anyone could record and interpret it for you too, if you want to have that option for people as well.
You could also do kinda like comics and Manga do where they mark the sounds/actions on the panel/animation it self.
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[Manga panel from the Manga "Shino-chan can't say her name"]
For instance in this manga panel there's no dialogue but the author gives us multiple cues which the translator also translates as well. There's the foot steps with the text getting bigger and bigger letting us know that the sound is getting closer and the direction, then in the next panel we have two exclamation points letting us know she's alarmed and aware. The text of the foot steps is now darker and bold and we see the streaks around the characters hands letting us know that she hurriedly wrapped up her box. Then we have the word "Sneak" in bold lettering against the wall where the character is pearing over.
Now I'm not sure what type of nonverbal communication your using so I'm gonna go over things a little vague.
Sign Language [Mostly in ASL because that's the sign language I'm most familiar with and can understand the most]
Here's two animations by @scoliwings and they're both in ASL and the way the person made them is with captions into the animation (also they're very cute and lovely). The show ThisClose also does this with their entire Pilot episode but then only does it with their ASL scenes moving forward in the series. The people who wrote and produced the show note that while they made the show surrounding the deaf community and about the deaf community they wanted the show to reach their hearing audience.
This scene that is with a translator has no captions whatsoever. While this scene between the two main characters using ASL does have captions. Then this one does have captions that go away when the characters communicate verbally.
This is a constant thing of multiple different medias is they kinda choose between which audience they want to pertain to. And whoever they choose, it usually ends up leaving the other out or not 100% involved usually at the fault of accessibility on streaming services/wherever the media is being hosted.
If someone Deaf/Hoh wanted to watch this show and there's no captions available on whatever platform is hosting it then it wouldn't be accessible to them. And if they are fluent in ASL, those parts have captions all the way through. For instance those videos on YouTube, not all of them are accessible because they don't have the toggle on Closed Captions. So the moments where there's characters who speak English and don't sign ASL, especially if the camera isn't on them when they're talking, it's just not accessible.
In the episode "Into the Mystic" on Supernatural, they introduce Eileen's character. This is the only episode that she uses ASL by itself, every other episode she is in uses SimCom and she code switches or uses English. Again captions are in the episode Everytime ASL is used except for scenes where she's signing in the background for instance this scene. From This Gifsets by @winchestergifs
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[Gif of Eileen from Supernatural. She's sitting across from an older woman on a couch and she signs in American Sign Language "You" while pointing at the older woman, then she forms her fists into a 'S' shape one on top of another and moves them to the right, she then finger spells "Bait".]
It's never translated, not even in the script or the transcript. Even while this show is targeting their hearing audience they still gloss over things like this. (I also want to note that me and Mod Rock spent a while trying to figure out the second sign and came up empty handed as well 😅)
Now when it comes to Audio Descriptions, it's usually "[Character name] signs [dialogue in Verbal Language]". If it's the first time introducing the character or the character is switching languages, then specify what Sign language off the bat, ASL, BSL, ISL (SEE, SSE,) etc. It's the same as in writing that you write the character dialogue followed by "[pronoun/character name] signed". The shows that I know of that have characters using Sign language and have Audio Descriptions is The Boys (kimiko's scenes), ThisClose also has them, Bridgerton (episode 1 scene in s3, it's one scene in BSL but it's there!), and I'm pretty sure Echo does too (it should, I'm looking at you streaming service) but I've yet to watch that last one. Listening to them might help you with getting a grasp of writing them if you have any signing characters.
Ex. Eileen signs in ASL "You sure you don't want both?"
Another thing with Sign language though is body language and expressions and even things like story telling are there also. So describing an action can give a lot of context of feeling and what is going on in the scene. Here's another ASL animation that is in the works and they go more in detail of how they are animating body motion, face expressions and such. Craig of the creek is an animated kids show that also has BASL and ASL in it (and I love how they go about the characters dialogue, the signs are so well animated, and the friend translating and the others learning for him too.)
There's also Pro-tactile & Tactile Sign language. Granted I've never seen or do I know of a show/movie/short with pro-tactile in it or Tactical Sign Language but if anyone were to do that the audio description would probably be like "[Character A] puts their hands over [Character B]. [Character B] signs [dialogue]". That would be for the Hand over method which is Tactile Sign Language.
For Pro-tactile, this involves other forms of communication such as back channeling, mapping, haptics. It should be translated much the same I believe because these certain elements of the language are used to portray emotional tone, contact/interaction, as well as directions.
Here's some examples of pro-tactile and tactile sign language since I know it's not largely known: (all ASL)
Pro-tactile: Video 1 (Captions & No Voice Over), Video 2 (Captions & Voice Over) and it goes further into specifics of Hand placement, Back channeling while Standing & Sitting, Video 3 (Voice over & Captions). Here's five vlogs in PTASL also, no captions or voice over so Fluency in ASL is needed.
Tactile Sign Language: I was having a hard time finding videos (for some reason) but Here is a segment in a video where they show it. Here is another short video too!
Of course you don't want to describe every movement when it comes to Sign language but you want to describe the base movement. If someones Tracking, (this is where a person holds the wrist area of the other person who is signing so that it's in their field of vision) you might describe that before the dialogue. "[Character] puts their hands over [characters] wrist" and so on and so forth.
Haptics/Mapping may also be very similar but they're mostly used in describing the layout of an area someone is in, directions to somewhere, how to navigate the surrounding area. This is gonna be just explaining how they are moving. The same can be said with Visual Vernacular. It's movement to describe something or to tell a story it's not Sign language but a movement of general understanding. Here is a video where an interpreter details Visual Vernacular alongside ASL. Here's the one without the voice over as well.
AAC
The movie Come Play is a horror movie centered around a non-verbal boy with autism who uses an AAC app on his phone. His device is the one where speech is generated from the different buttons that correlate with the words he clicks. I couldn't find an example of an audio Description for this movie anywhere but it might be similar to the next example.
The Boys again also has scenes with Kimiko where she uses her phone to communicate and such. And the audio description usually sounds like "Kimiko types on her phone, it reads [dialogue]". The only difference in Come Play would be that the Dialogue wouldn't be narrated because it's already done so by the AAC device in the movie, but subtitles would be needed.
Speechless gives a lot of examples between low-tech and high-tech examples. This scene in particular where all the characters are in one scene. The main character (JJ) uses a laser pointer and a word/alphabet board with the assistance of an aid. In this instance the aid reads aloud everything that JJ communicates. If you're one on one though, much like with sign language, you wouldn't really read aloud everything they say especially if it's a private conversation. Instead the pov would probably show the characters AAC method they use whenever they communicate. For the audio description it might be something along the lines of "[Character] points and says [dialogue]".
I've never seen other types of AAC in media so it would probably be the same when it comes to Audio Description when describing another method like print on palm. it might be something like "[character] grabs their hand and writes [dialogue]".
In the show In The Dark the scenes with braille are described as "[character] runs their fingers over the braille, it's read [dialogue/text]". And on that topic, In the show All The Light We Can Not See, it has a really (really really really) good basis of what an Audio Description should be like. It also has multiple featurettes and an audio introduction with it that goes more in depth to explain the costumes, settings, the characters, and other visual information that is often important but left out in the audio descriptions due to the pacing of the show/film.
Immersion was the goal, much like with the production of Romeo and Juliet in PTASL that was performed. Introducing your characters and settings in a little short animation before hand or at the begining as a little segment may be something you can do/consider.
This video details some other forms of communication that I may or may not have left out (Auslan & Voice over). Finger Braille (Video of one handed with translator), Lorm Method, Touch Glove alphabet Method, and some other methods I think can all be described relatively the same. You want to describe the base action of what they're doing (writing, pointing, typing, grabbing, lifting, touching etc) and then focus on their dialogue.
Also I don't use any form of AAC to communicate so if anyone who does finds error, please correct it. Or even if there has been a discussion on this before among the community please reiterate or link to it so we have first hand experience and voices as well.
Known problems with audio Descriptions
Here's a Small history and more in depth article written by someone who needs audio descriptions. They primarily talk about its lack of rush to be used in cinema and primarily the UK.
Describing everything but the characters race: I've heard that this is an issue specifically for Netflix that the audio descriptions are good but they never mentioned the race of the character which some people have made note about. (I don't know much about this I will say just I've heard it around here and there)
Here is a post that goes more into detail about Audio descriptions as well by @accessibleaesthetics. And here is an all around really Good source as well called The Audio Description Project.
Forgetting character entrances & exits: This is important because people need to know what characters are in the scenes. Much like in a play with stage directions you need to know who comes in and when they exit.
Over describing/under describing: I read a debate about the use of over describing and under describing when it comes to AD's. The example given was when describing facial expressions. Option one is to just say "[Character] is surprised". Option two is to describe the facial expression in all its little details "[Character] opens their mouth, their eyebrows raised and eyes wide". Under describing in general seems to be a issue but when it comes to things like body/facial expressions it's best to keep it simple and to the point for another reason that I list down below.
Forgetting small details: the audio descriptions of All The Light We Can Not See, and The Boys do a fantastic job of small details. For others some things are glossed over but then don't make sense later on in the scene. For instance, if the character picks up a knife and this isn't narrated but then the part of them stabbing another person is then, it's kinda like "Oh well I guess the character picked up a knife at some point" but the exact moment isn't specified. In this article, the person who makes Audio Descriptions tells that he had described someone as Smoking a cigarette when he was in fact smoking Weed. He says the reason he realized the difference is because these are two separate substances that change the perception of the character. The little details matter because of the implications and importance to who is doing it and why, when gathering all the information and understanding a character.
Misnaming/mixing up characters: The same article I listed right before also says how mixing up characters is an issue sometimes too.
For audio descriptions in general I think listening to a few different ones might help with getting a grasp on how to do them/better do them. AudioVault is one place that if you can't find audio descriptions of your shows or movies, they might have it there. In this instance, maybe listening to your favorite movies or shows with the audio descriptions on might help you. Most shows/movies that are original to Netflix have them, the same with other streaming services like Peacock and Amazon Prime.
I don't use audio descriptions a lot because my tinnitus makes it difficult but I sometimes turn them on (when available) to understand scenes that are confusing to me. Certain actions and how the cameras frame them don't make sense to me sometimes, or even I can't see because of the lighting of the show or movie and so I need to know what's going on. This brings us to that beside people who are low vision or blind, many other people use Audio Descriptions for different reasons too. The same points can all be made for people who use Subtitles/closed captions as well.
Issues with captions/Things that need to be more common with captions
Names: Some captions have the names of the characters next to their dialogue. A lot don't do this. I think it should be done because of many reasons but mainly it makes it easier to follow along for everyone who uses captions.
Tonal Cues: As I mentioned before Tonal Cues in Captions would be so very helpful for a lot of people.
Don't censor: Don't censor swear words, slurs, anything, write it as it's said. Unless it's actually censored in the audio (which is usually done for comedic reasons) then do that.
Lyrics/music/background sounds: So not only making sure to include the songs that are playing over certain scenes but also making sure to include the soundtrack and background music that is playing. Almost every movie and show uses music as an indication for tone, often times characters or certain situations have their own theme too. These are all important to note when writing captions. The caption writers of Stranger Things did amazing when it came to background noises, writing every creak and bang is important especially if it's being heard and reacted to by either the characters or the audience.
Include language changes: This has long been an issue when you're watching something in one language and then when they switch languages it just says "Speaking in [language]". Instead write out what they said in that language. So instead of "Speaking in Spanish", actually write out "Sana sana colita de rana". If the character knows what they're saying because they speak the language you can also put another set of subtitles under it translating it. If you're doing a sorta comedic scene where the audience needs to know what is said but the character doesn't, then do the same, write it out in the language "Ay dios mio!" And then under/above it put the translation "Oh my God!".
Include different speech patterns: If the character has a stutter write it, if they're slurring their words together write it.
Auditory/Visual Learners: Some people just do better retaining and understanding information when it's in an auditory form. For some people, they're able to retain information more by reading it rather than hearing it as well.
People Who Have Trouble With Social Cues: Okay so a continuation to the "Over Describing/Under describing" bullet points above. For people who have trouble reading body/facial cues, the audio descriptions help by describing it as The character is happy, scared, shocked, surprised etc. This is part of the reason why it's best to use those words instead of describing every movement that goes into a person's expression/body language. Like wise Closed Captions with Tonal Cues would also help and serve much of the same purpose but those are rarely ever seen (in my experience).
Help People Learn The Connection Of Words And Actions: a lot of people are always learning new languages and being able to connect the word to the action helps with the understanding of new languages. Again the same for closed captions, being able to look at how words are spelt while listening to them helps grasp a better understanding.
Overstimulation: For some people looking and listening to something at the same time can be too much and it becomes overwhelming. I know I often turn off the sound to a lot of movies I watch and just use subtitles because sometimes commotion/yelling especially in like action movies is a lot. For some people, a lot of visual movement and constant rapid actions can be overwhelming as well.
Dark Screens: As I mention, especially more recently in the media industry, things are a lot harder to see nowadays. The same can be said with dialogue and why a lot of people may opt-in for subtitles and captions because things are just so hard to hear now.
The Busy Bees: Some people just like to multi-task and much like an audio book, you can do something (chores, crafting, homework etc) while listening to the show and not miss any visual information. Multi-tasking also helps some people concentrate better on what they're working on too much like music helps some people.
People With Other Medical Conditions That Make Viewing Screens Inaccessible: If your having a migraine or headaches, a screen is the last thing you want to look at, and for some people, noise is a trigger for them. They're also a known trigger for many people with epilepsy/seizure disorders. People who have photophobia also may AD due to the light sensitivity. People with ADHD, autism, Prosopagnosia, Processing Disorders, and many many other things that I can't possibly list them all, all may use Subtitles or AD's for multiple different reasons.
Okay, that was a lot, got a bit long, but hopefully I covered everything! Things could be more organized but it works so hopefully this helps! I'm not very familiar with animation so anyone who is, please feel free to add on in a reblog to share a few tips and tricks!
~ Mod Virus 🌸
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ive been enabled so let me share some of my thoughts on how to get ur art noticed online
if u want Engagement on ur posts then i believe that its critical to make people care about ur art. the easiest way to do this is to appeal to something they already care about, like fandom, aesthetics/subculture, current events, having fun (people love humor!). a harder but perhaps more fulfilling route is to talk about ur own ocs and projects enough until people start caring about them too
theres an infinite amount of topics people care about out there so id suggest picking something u already care about urself and channel ur art energy there. trying to make art for the most popular things out there regardless own interests is an exercise in misery, id advise against it..! if im allowed to get superstitious for a moment, i do believe that even untrained eyes can tell whether a piece of art was fun to work on or a chore. and besides! if ur having fun then its easier to create more, and the more u create the more chances ull have at getting lucky and having a post seen :)
on a very related note, art is a way to communicate ideas so the quality of the idea being presented in a piece of art is paramount to how popular a post will be. what i mean by this is that technical skill isnt the primary determinant of a posts popularity. if all your posts are portraits of original characters then people will have a hard time connecting with your posts and theyll keep scrolling, even if those portraits are masterpieces! the major exception to this is probably other artists, who ive found usually have a greater appreciation for the technical side of art (we can only speculate as to why..!)
lemme finish by saying that making popular posts and being good at art are two entirely different skillsets, ive seen many incredibly skilled artists with jack shit for notes because they dont give people a reason to care about their stuff NOT TO MENTION its a huge game of luck whether a post will get seen. so dont go insane in pursuit of recognition!
(i dont want to make this post too long so ive included examples from my own art and their note counts with my analysis after the break)
hello and welcome to the extracurricular segment to this post :) i bring yall two pieces from my art blog @werewolf-artfriend:
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here we have a portrait of my fursona that im still proud of and a sketch suggesting "what if sniffers (from minecraft) were the size of mountains?" (let it be noted that the sniffer sketch was posted right during the minecraft mob vote = peak interest in the subject of sniffers).
the portrait at the time of writing has a crisp 30 notes, whilst the sniffer sketch has over 2000 notes. from the same artist, on the same blog, posted only a few months apart. i believe this is a good example both of the power of a piece of art having an interesting idea at its core AND of a piece appealing to the interests of the masses
this is of course just two convenient example posts, but i have experienced fan art of popular topics getting thousands of notes a couple of times now, amidst my other furry shit that these days get around 200-300 notes in comparison
this may sound like a really long winded way of saying "fan art make the world go round" but i just want to point out the nuances that
1) it matters what u make fan art of: if a fandom is small or dormant (waiting on new canon content for example) then clearly less people will be excited about the fan art you make. dont expect 10k notes on ur post if the average recent post in the fandom gets around 200 etc etc
2) it doesnt have to be fan art! ive also had some of my bird art get thousands of notes because people simply like birds :) and this applies to ANY topic people care about! the world rly is your oyster on this one
anyway i think ive started rambling dhgdjhgd thanks if u read this far! i hope i got my point across! and if ur feeling down about ur art not being seen then just keep at it okay! keep creating and keep having fun! keep sharing ur ideas and perspectives with the world and ur audience will eventually find u! i love you!
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coochellati · 2 months
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hi hi! Long time fan of your blog—and It’s really inspired me to write my own Bruno fic, any tips for a first time bruno writer?
HELLO!!! 💕
First of all, I just want to say thank you so much!!! Your kind words have made my day—no, my month. 😭🩷 AHHH I LOVE THIS QUESTION!!!
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Okay, so I have a big tip for writing Bruno, (or anyone, really,) and I learned it in Araki’s book, Manga in Theory and Practice. This is a technique he uses to make sure his characters are always acting “in-character.”
Every time Araki creates a new character, he fills out a character history sheet for them. It’s a basic sheet containing all sorts of important stuff such as their personality traits, dreams for the future, forming childhood experiences fears, etc., and he uses that sheet to figure out how his character would react to any given situation. In Manga in Theory and Practice, Araki includes a blank Character Sheet and an example of what a filled-out one may look like.
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(this isn’t actually the original Dio character history sheet—Araki lost the OG. This version was made from memory. I don’t know if the original was actually this blank.)
Since Araki hasn’t released one for Bruno, I decided to make my own.
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(This image is huge. HUGE. 6232 x 5519px!! Unfortunately, tumblr compressed it so you can’t read all the tiny writing :( can you tell I was an overachiever in school? Here’s a link to the uncompressed photo in Google Drive!!)
You are welcome to use this sheet if you’d like! (Anyone reading this is free to use it.) This sheet contains canon information as well as my assumptions/headcanons since Araki hasn’t given any kind of answer to some of these questions. You don’t have to agree with them. After all, everyone has their own interpretation of Bruno Bucciarati—this is just the way I see him.
Here’s how my process goes: whenever I put Bruno into a situation where I’m not sure how he’s going to react, I consult the character history chart.
For instance: what if Bruno is in a situation where he catches reader smoking weed?
This is something I haven’t always been sure as to what he’d do—I’ve changed my opinion on this multiple times. Weed is legal in many places, after all. However, after looking at my filled-out character sheet, I now have a more solid idea of how he could react.
Canon information: Bruno’s dad (his only immediate family) became injured because he witnessed a drug deal. (Which ultimately led to his death.) The way Bruno sees it, drugs killed his father. He also can get very worked up over matters that are personal to him, such as when Diavolo attempted to kill Trish, or when he caught Passione peddling drugs.
Using this information, I believe that Bruno is probably going to be very angry at reader, even if it is legal nowadays. It wasn’t very legal in 2001, and Passione likely trafficked weed on top of everything else. Sure, weed isn’t cocaine, but it was still a very stigmatized drug at the time.
(so yeah. Bruno would not be very thrilled about my love for Mary Jane… I’d quit for him. Also, this is just my assumption—it’s okay if you don’t agree with me. There are infinite ways to interpret a character, and your opinion is just as valid as mine.)
My advice to you is to fill out your own character sheet! Here’s a version that has no headcanons/assumptions if that helps :) (Unless you want to use mine, lol. But I know my word isn’t gospel, and you likely have differing opinions on him.) If you want to reword it entirely, here’s a full-res blank version!
Another reason I recommend this because you’ll really get to study his character. Being forced to think about his strengths/weaknesses, forming experiences, the relationships he has with others, or hell, even where he was born can really help form an idea of the character you’re writing. Through this exercise, I feel like I’ve gotten closer to Bruno. When it’s a character you love, filling this out feels like you’re spending time with them.
I’d also like to note that this character history chart is ever-evolving. As I continue studying Bruno's character, my opinions and mental images of him become clearer. It feels like I'm a sculptor carving a statue out of marble, gaining a more defined picture with each detail I learn. The sheet above reflects my view of him at this current moment in time, and it will likely change in the future.
Another tip I have for you relates to writing his dialogue. Bruno can be a little weird. For instance, he often speaks quite eloquently:
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He’s very self-assured:
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But then, there’s moments like this:
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I recommend studying his speech patterns. Hell, I’m always learning more about the way he speaks.
I’ll leave you with this: In the end, there is no “right” or “wrong” way to write Bruno. How you write him is up to you, and your interpretation is just as valid as anyone else’s. Don’t worry about what others may think about your version of him—just do what feels right for you. Write Bruno the way you see fit. :)
I hope this helps!!!! Don’t forget to have fun. 💕
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thanks for the ask!! <3
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sysboxes · 6 months
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Sysboxes FAQ
Responses to some questions we frequently get! This post is long, so full responses are under the cut, but here are the main questions this post addresses, in order:
What are userboxes and how do I use them?
How do you make your userboxes?
What styles/customization can I request?
Do you have a box for X?
When can I send in a request/When will the askbox reopen?
How many requests can I send in per ask or per user?
Is there any particular media you absolutely won’t make boxes for?
Why hasn’t a box been made for my request yet?
What does X term mean?
What is your syscourse stance/Why can’t pro/endos interact?
What are userboxes and how do I use them?
Userboxes are rectangular images, often with an image on the left and information about a person on the right. They were originally meant to appear on a Wikipedian’s user page to convey something about a person. To use our boxes, you can reblog them to your tumblr page and/or right click to save the image for later use.
We have seen people put userboxes in their intro posts, in a certain tag on their tumblr, in Discord and PluralKit profiles, on their SimplyPlural (this post explains how), or in exchanges with friends. We generally request that you credit sysboxes when using our userboxes.
How do you make your userboxes?
Different mods use different methods, like Canva and MS Paint, but our main method of making boxes is using yerich.net/userbox. In the box that says “Left Box (ID) Text”, enter the code “src=“yourpicturelinkhere” height=“45px” width=“45px”>”, replacing yourpicturelinkhere with your image URL. Customize your userbox using the rest of the options on the site. You can screenshot your box here, or you can go to htmleditor.com and paste the “Raw HTML” code from yerich. Then you can use HTML coding to mess around with size, font, and color before screenshotting your finished box.
What styles/customization can I request?
This post details a lot of the customization options you can request, like boxes vs. banners, different fonts, colors, and images, including hand-drawn art by mods. You can also request a specific mod do your box. Most mods are adults, but if you feel uncomfortable with a minor making your request, you are free to add that in your ask. Note that if you are requesting an image that contains someone else’s art, we must get permission from the artist to use the image for a userbox.
This being said, we are not infallible to making mistakes on the origins of an image. We do try to reverse image search when provided with an image in an ask, but if you notice your art in a userbox without having been asked permission for its use, please let us know so we can remedy the situation.
Do you have a box for X?
Please search our blog using a keyword for the box you’re looking for and possible variants on it. For example, if you’re looking for a box about food, try food, foods, eat, eats, and eating as keywords. If you’re looking for a box whose keyword is a common tag on our blog, try checking #hard to find tag on our blog for boxes. If you cannot find a box with these steps, we likely have not made one yet or whatever we do have is unlikely to fit your request idea.
When can I send in a request/When will the askbox reopen?
We let people know whether requests are open or closed in three ways: the box in our intro post, the title of the askbox itself, and a post when requests first open or close with the tag #sysboxes status update. When our requests are closed, please do not send any in for “when requests are open”; it will be deleted.
At any given time, we have hundreds of requests in our askbox. We try to keep requests open as long as we can, but even with a large number of mods, there is only so much we can do. We run this blog in our free time, while dealing with work, school, and mental and physical health issues. We do accept questions/appreciation while our requests are closed, but sometimes we save them to respond to when we clear the askbox, to look forward to later.
How many requests can I send in per ask or per user?
We don’t limit how many asks a single user can send in, but if possible, we prefer you send in multiple asks if you have multiple requests. We’ll still do multiple requests in one ask, but one request per ask allows us to more easily sort and number requests. It also lets us respond to when requests will be posted individually instead of waiting until every one is queued or posted to respond to a non-anonymous ask.
Is there any particular media you absolutely won’t make boxes for?
We are okay with requests pertaining to fictives from most media, as we understand they cannot control what source they introjected from. We will not make requests that express support for harmful media. As for media we won’t do requests for introjects from, we have decided not to make boxes pertaining to true crime or nazi introjects, for our and others comfortability. This is not a complete list, as different mods have different boundaries, but we try to honor requests whenever possible.
Why hasn’t a box been made for my request yet?
If you want to know exactly when your userbox will come out, send in your request off anon, and when we queue it, we will privately respond to your ask letting you know when to expect your box. Note our queue is very long.
We do not always do requests in the order we receive them. Some requests we must discuss or reword (for length, misinfo, etc.) before making. We do not make requests that incite hate/harassment, include misinformation (and can’t be reworded), include (specific) details that may endanger the user, or put us in the middle of heavy discourse we do not want to be roped into.
What does X term mean?
This is a userbox blog, and as such, we prefer you do not direct your questions about DID here. We are not professionals (and cannot diagnose anyone), and we recommend looking for credible resources. If you cannot find anything for your question or would like resources, some of the mods are ok with asks about things relating to DID on their system blogs. Mod blogs ok with these questions include @fromthewondersystem and @circular-bircular.
What is your syscourse stance/Why can’t pro/endos interact?
Individual mods fall across the syscourse spectrum (why circ is a mod), but this blog is overall anti-endo. In truth, we do not know nor much care whether it is possible to have a non-traumagenic system. We feel our system experiences are deeply informed by our trauma, and this is very different from endos’ experiences.
Additionally, mods of this blog have faced much harassment and harm from the pro-endo community, including being set back in recovery, misinformation, cultural appropriation, abuse, death threats, and doxxing. We are aware these issues extend beyond just the pro-endo community, but this is where we have most commonly found them. For these reasons, we do not want endos or pro-endos interacting with our blog or using our userboxes.
There are plenty of pro-endo userbox blogs already. We do allow syscourse-neutral/unaligned people to use our boxes - we are not here to force you to pick a side. People who are not pro-endo but allow pro-endos to interact with them may use our boxes, but we recommend noting that we are an anti-endo blog.
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koralinewrites · 3 months
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Hi !!! It’s so nice to see a new DL blog! 🥰 I wanted to ask how Laito would react to realizing he likes someone past lust, and being in a mutually loving relationship ❤️ (against the odds I know)
Thank you so much for the ask!! I’ve read the entirety of Laito’s romance route and manga through translations, and the first half of your question is answered in them. Therefore, the part about him realizing he’s in love is less headcanon and more ‘canon’ canon based on what is shown! 
**Also, sorry if you wanted more of a ‘fic’, I can definitely do that. This ask just unleashed the Laito brain rot I’ve been having, if you can’t tell from the speed at which I answered this-
Laito would start to realize his feelings early on, but automatically ignore them. To him, love, affection, and feeling good are all the same because of how he was… taught… by Cordelia. His idea of ‘love’ is that it’s just words people use to get what they want.
So Laito doesn’t like the idea of thinking of someone else as ‘special’, because why would they be? He’s used the idea of love to get what he wants before, and he doesn’t like the idea of someone else changing his perspective on that. He would try to convince himself that the feelings he has for said person were just because they gave him pleasure, even though deep down he would know the truth.
Because when Laito doesn’t like something, he ignores it’s existence. This is shown when he ignored the fact that he had earned Karlheinz’s powers in Lost Eden, because he didn’t want to acknowledge that he was related to that man.
It would ultimately take some major thing to happen to the person who he fell in love with for him to come to terms with what he’s feeling. An example of this would be Yui ‘dying’ in Laito’s route in More Blood, making him face that he missed her and she was more to him than just pleasure.
And even then, he would still be plagued by his trauma with Cordelia and such. He even recognizes this himself in Lost Eden, stating that he has to be killed and reborn to overcome everything. He would still have the memories of his trauma, but it wouldn’t have any emotional ties to him anymore.
This is where it gets more headcanon, once he gets into a relationship without his trauma holding him back.
He’s a genuinely very sweet man, but he’ll definitely have to be taught about boundaries. He’s still a pervert, reborn or not, because that’s just who he is.
He’s also more open with his emotions. Originally, he would keep a mask on 24/7, hiding what he feels. Now, though, he’s learnt to be more open because keeping it inside hurts everyone involved.
TEASING. This man loves to tease. Always and forever. Seeing his S/O’s face turn red in public because of something he did/said?? Yes please!!
On the flip side, he’s become more affectionate. Not like he wasn’t before, but he would start to hug just to hug without any sexual intentions. 
Imagining Subaru’s back hugs but with Laito instead-
ANYWAYS-
He’s sweeter, too. His words originally were nothing but empty promises, something he said just to get a reaction or pleasure. NOW, though…?
His words seem more sincere, like he genuinely means it when he says “I love you”.
And to end it all off, I shall include my favorite confession from one of the CDs. 
“Thank god...To think that for the longest time...I believed that I did not need something precious...or special to me...Yet right now, I can’t even phantom a life without you...That’s a huge change of heart...for me personally. So, please? From here on out, till forever. Or till your life comes to an end is fine as well... Stay with me, okay?”
Again, thank you for the ask!!!!
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voylitscope · 1 year
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Stucky Recs: Pride Edition
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So, the original plan was to do dystopias and apocalypses as the next theme. I actually started that post. It's sitting in my drafts. But then between work, moving, and other real-life stuff, I sort of ran out of days in May. Now it's mid-June. And since it is mid-June -- and since part of the whole point of these rec lists is the theming -- I thought I'd go for Pride recs instead.
We'll do dystopias in July.
I could have done a lot of different rules/qualifiers with this theming, but, for this time/post I went with, "actively has sexuality themes as a decently large plot point." I ended up with 12 fics.
Note: As part of my personal campaign to combat the persistent idea that every great fic in this fandom was written in 2015, I'm now marking recs of fics written post-2016 and recs of fics written post-Endgame.
Canon
🏳️‍🌈 Tin Soldiers | idrilka | Teen | 19,743 words
You know what's great? Fake pop culture, fake academia, and fake social media. This fic makes such good use of all of those things and is so smart about it. I love that this fic narratively sandwiches CA:TWS. So a large part of the point here is the public perception of Steve, and of SteveandBucky right before, during, and then after the events of CA:TWS, in a world where all of that is real. The way it's done is brilliant and feels so true and accurate to life. There is live tweeting and live reactions. There are news headlines. There's fandom culture and blogging. There are social media arguments. It's just so well done. There are a lot of fics that look, at least briefly, at the public perception/use of Steve's legend in some way, and a lot of them are fantastic. I'm just so especially of fond of this fic. There's a hyper-realism to it. Plus, it includes a scene of people live reacting to Steve spontaneously and bluntly coming out on CNN. It's some beautiful stuff.
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As Michelle Mbatha argues in The Anatomy of a Sidekick, “Barnes’ transition from a partner to a sidekick marks the point at which the relationship between Barnes and Rogers becomes that of a mentor and pupil, thus effectively prohibiting any potentially »unsavoury« readings of their partnership” (121). In this sort of dynamic, one which emphasizes the much more prominent age difference, there is, indeed, no place for any assumptions of queerness or any sort of code similar to that which permeated cinematographic works of the time, signifying penalizable, “forbidden” practices falling under the censorship guidelines (see also: The Celluloid Closet, 1995). Bucky, then, in taking his place as Captain America’s teenage sidekick, becomes figuratively castrated in order to appear effectively sexless and thus avoid any possibility of coding their relationship as queer.
Moreover, the insistence upon heteronormative and ultimately exclusionary interpretations of Rogers’ relationships with Barnes and Carter respectively, both in the comics and in biographical writings, comes from the need to reaffirm the image created by the American propaganda, which constructed Captain America to reflect the intrinsically jingoistic policies of the United States, to propagate the myth of American machismo and uphold the wholesome image of the American everyman at the same time.
🏳️‍🌈Let me be buried under your name | tempestaurora | Teen | 50,669 words | **Post-Endgame Rec**
Oh no. This one. So, sometimes, my notes on fics in my rec database have sensible things like comments about tropes or moments I definitely want to point out. Other times, well -- The notes on this one say, "DOG TAGS," and also, "OH GOD." Which is very helpful of me. To myself. But I will say more coherent words about it to all of you. I imagine that fics that have both wartime and post-TWS scenes are emotionally trying for us all, and this very painful, and very beautiful fic is certainly a good example of why. There is a heartbreaking quality to the wartime Bucky POV, the during Hydra captivity POV, and the post-TWS Bucky POV that has really stayed with me. Bucky's thought processes, and his descriptions of Steve at various points, especially, are so observant and vulnerable all at once. It's also all just -- Guttingly but wonderfully romantic.
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Maybe he’d read before the light died entirely. Steve had bought him a pulp novel at the market and Bucky had been working through it slowly, dragging out the story and making it last, to make the most of the pages. He’d likely read it three times over before trading it for something else, and even then he’d tell the story to himself – mythical, magical things he’d never even thought of existing; time travel and other worlds, aliens and laser guns and space ships, exploring the stars. His eyes fluttered shut, and he just listened to Steve’s breathing, to him drawing, to the birds outside the window. He’d more than once thought that he could live in this moment forever; that he’d be more than happy to live out the rest of his days just like this one, with Steve and a crummy apartment and a warm summer day. Screw marriage, kids, and a house in the suburbs – this was where Bucky pictured when he thought of home. This was what he’d be imagining on the cold nights in Europe. This was what he’d fight to come home to.
🏳️‍🌈We wear red so they don't see us bleed | unicornpoe | Teen | 2,161 words | **Post-Endgame Rec**
This is the most beautifully tense little fic. A canon-divergent-before-canon-starts fic (I never know how to classify those. If it's AU, but Steve and Bucky still move in together by like, 1939-ish... is it fully AU? Like, yes because them as childhood friends is important, obviously, but also -- in the grand scheme of overall canon -- sort of no?) that has Steve and Bucky sitting in jail cell doing this dance of little cues about each other. This is all little words and gazes and touches; there is a conversation under a conversation in this fic. They're having this casual chat as strangers in jail, except they're also having this whole second secret dialogue underneath it where they're trying to make sure they speak each other's language. Also? I adore this characterization. I love it.
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Bucky stands up and crosses the cell in two long strides, draping himself in clean lines along the section of free bench next to Steve; he pulls one leg up beneath him and stretches the other out, so that their ankles almost touch. Turned toward Steve as Bucky is, he can watch fully the sharp, barely-there movement of Steve’s eyes flickering down to their legs, and then back up to the wall across from them. He doesn’t turn to Bucky. It’s mostly silent in here. There’s a faint murmur of voices somewhere down the hallway, the quiet, steady tick of a clock hidden from view, the various noises of the men locked up with them—but other than that, nothing. “Where’d a guy like you learn to throw a punch like that?” Bucky asks finally, when he’s spent too long staring at the delicate, fucked-up line of this man’s profile, spent too long raking his eyes over and over again down the line of his feather-soft lashes. The corner of Steve’s mouth ticks up, just slightly, just a little bit.
Shrunkyclunks
💗I just met you (and this is crazy) | littlesystems | Explicit | 41,784 words | *Post-2016 Rec*
This is one of those fics that surprised me with just how much I liked it. I certainly wasn't expecting to dislike it, but I was not expecting to love it so much, either. It's a joy, though, just a total feel-good joy. It's a fic that has Steve and Bucky pretty instantly head-over-heals for each other, something I never ever object to, and the instant attraction works so well here. I think, too, so much of what I love about this one, is that they make each other so happy in it -- like the two of them truly just get dumber and happier and more in love with every 100 or so words of this fic. So then I get happier and happier as I continue to read it. Seriously, this fic is a joy in part because Steve's POV is so damn giddy and joyful about Bucky. I love that. It's good stuff.
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“You’re a person, Steve. And if people hurt you or take advantage of you, that’s not your fault, either. You should be able to go to a bar. You should be able to hook up with some guy. There’s nothing wrong with any of that. The fact that someone took pictures is the photographer’s fault. And the fact that newspapers decided to print it is the editors’ fault. And the fact that some fuckwad decided to lie for a quick buck is his fault. You may regret it, and that’s fine. But I don’t want to hear you blame yourself again. Got that?” Steve nods. His throat feels tight enough that he’s not sure he can speak. Bucky tips their foreheads together and they sit in silence, until Steve has naturally matched his breathing to Bucky’s - slow, deliberate, relaxed, and not geared up for a fight. Bucky kisses him softly, then.
💗The Voyager | notlucy | Explicit | 76,740 words | *Post-2016 Rec*
I am a sucker for the Steve and Bucky road trip fic. A very recently arrived in 21st century Steve on a road trip with a modern Bucky? All that time alone? In those motels? That might or might not have the right number of beds? This is a good trope that we should very much use forever. This fic is such a classic sort of road trip fic. Honestly, I've never been on any sort of proper, real road trip, but I'd like to think this fic feels like a road trip -- what they must feel like, anyway. There's such freedom in the storytelling here. There's a suspended sense of time in this fic. There's a way this fic rolls along with a pace that makes sense here, in this story -- it's a pace that definitely wouldn't work in all stories, which is exactly why it does, in this one. It's lovely, it's a little bit surreal, and it stays with you long after you finish it.
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“Wow,” Bucky managed. Words were difficult when faced with something so spectacular, the canyon spread out before them lit with the slow, smoldering burn of that deep, ancient glow. “Awesome,” Steve murmured, the word incongruous in his mouth. Bucky nearly poked fun, until he realized Steve meant it literally - what they were seeing was awesome. Smiling, he leaned his head against Steve’s shoulder before entwining their fingers, not caring a whit who might see them. Who might care. At that moment, Bucky wanted to tell the entire world, because he was in love. Except it wasn’t love. Strong like, maybe. Effortlessly increasing affection, sure. But not love. You couldn’t fall in love that fast. He’d only known Steve since May, after all. It was at most infatuation. Appreciation. Fascination. Bucky was a very level-headed person. It wasn’t love. But it was something.
Modern
🌈On The Back of a Raindrop | musette22 @musette22 | Explicit | 52,215 words | **Post-Endgame Rec**
Something I love to read in kid fics is any time that thing happens where it's not just Steve and Bucky acting like a couple without being together yet, but a group of people starting to act like a family unit in every single way -- except that no one has talked about that, or acknowledged it, and technically, someone is actually still the neighbor, or the babysitter, or, in this case, the gardener. I love that, and I love this fic, specifically. Featuring this sweetest and loveliest and healthiest family forming in a backyard garden over the months of a beautiful summer. It's so domestic, so intimate, and it happens so naturally over the course of this story. It makes everything feel so perfectly meant to be, so romantic, and so satisfying. Also! One of my database notes on this one is, "SARAH," because this is a fic with a very alive Sarah Rogers, and I love, love, love, Steve and Sarah's relationship in this fic.
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Now that he’s gotten to know him, seen him with the twins, has gradually watched Bucky’s tan deepening and bringing out the grey-blue of his eyes, Steve is so wildly attracted to him sometimes that it knocks the breath right out of him. It’s how he ends up sketching Bucky again on Wednesday, from his usual spot in the shade. He makes sure to make it a PG rendition this time, including Gracie and Miles as well, so that when later, Bucky asks him ‘Hey, whatcha drawin’?’, Steve can actually show him the sketch. Bucky is silent for the longest time when Steve hands over his sketchbook. For a moment, Steve almost panics, wondering if he accidentally forgot to draw Bucky’s jeans or something, but then Bucky looks up, a look in his eyes that Steve can’t quite pinpoint. “This is amazing, Steve. Could I… Would you mind if I hold on to it, maybe?” Steve blinks in surprise. “Of course, yeah. I mean, it’s not my best work. I could do you something better if you like.” “It’s perfect,” Bucky frowns, seeming almost offended Steve would suggest otherwise. “I love it.”
🌈One for Fiction | thepinupchemist | Explicit | 6,713 words |*Post-2016 Rec*
I very much enjoy a shrinkyclinky-ish modern fic where Bucky is a disaster about the fact that Steve, like, exists. I am just so here for this, and this very adorable fic is a top-tier demonstration of that. Featuring a Veteran-turned-librarian Bucky and a barista Steve, and a lot of awkward flirting. At a library! Also featuring a lot of Bucky being a disaster about Steve, but also a lot of Steve being like, "...have you? seen? or? met? yourself? You are definitely the catch here." It's cute. They're cute. This fic is cute.
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“Fun fact about the library,” Bucky went on, “As long as no one can see your computer screen, you’re allowed to look at porn. That’s protected under intellectual freedom.” Steve raised a brow. “Interesting.” They meandered back to Bucky’s display. The night, as far as nights went, was a quiet one for the library, and the cafe was a ghost town, but for the group of teenagers with bags of McDonald’s scattered across the table and AP History books open on their laps. “Where’d everyone get their pronoun pins?” asked Steve, as Bucky pushed his stepladder upright, collected his tape dispenser, and climbed back up to finish hanging the flag garland. “They make ‘em at one of our sister libraries,” Bucky said, “Have a pin press over there and everything. I’m picking up a couple of shifts for one of the ladies over there next week; you want me to grab you some?” See, Bucky used to be this smooth. He used to be this smooth all the time. Apparently, trauma and PTSD aside, he could still be smooth every once in a while. A pleased little smile tilted beautiful Steve’s beautiful lips. He said, “That would be awesome. Do they have pride ones, too? Like your rainbow?” Does Steve like men? Steve might like men. Be cool, Barnes. Don’t be weird.
🌈Wholesale Change | biblionerd07 | Mature | 83,320 words | *Post-2016 Rec*
You know how sometimes you're the captain of an NHL team, and you're very talented, but over the years you've gained a bad reputation? And so your people all but force you to do a The Bachelor-esq dating show? And you've been having a terrible few years and feel like your life is falling apart? And also you're bisexual and closeted because of the whole NHL thing? And also the camera guy on that dating show is your long-lost very attractive best friend? Who also used to play hockey? Look, this fic has a ridiculous premise. In the best possible way. It's a delightfully ridiculous premise. It's so much fun. There's literally a dating show. Steve gets mad about dating show manipulations and lies! And, you know, Steve definitely ends up selecting one of the dating show contestants. Steve definitely does not fall for Bucky instead! Steve definitely does not purposefully out himself on live TV. Steve absolutely follows the rules and sees the dating show contract through! Because as we all know, Steve Rogers follows rules and does what people with authority tell him to do. Always and at all times. So much fun. So delightful.
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“I’m so tired of lying,” Steve says. He almost sags with the weight of it all, now that’s admitted it. He was trying so hard to outrun it all. Outskate it all, maybe. But he’s been losing for a long time now. “I know,” Bucky murmurs. “I’m sorry. But I don’t think letting him tell the world is going to make you feel any better. You need to tell the truth on your own terms.” Steve sighs and leans his shoulder against Bucky’s. “I’ll talk to whoever I pick,” he says. They deserve that, at least. He doesn’t want to pick someone under false pretenses. Falser, anyway. “You won’t get much alone time,” Bucky warns. “But I’m sure you can find a way.” “Nothing gets in Captain America’s way when his mind’s made up,” Steve says in his cheesy commercial voice. It was a line from some ad campaign he did for a sports drink he didn’t even like. Bucky snorts. “I was thinking more about Steve Rogers,” Bucky says. “That asshole’s unstoppable.” And after a line like that? All Steve can do is kiss him.
🌈Songbird | chicklette | Explicit | 70,843 words | **Post-Endgame Rec**
I am very fond of this fic. It's music industry closeting -- but then planned sexuality revealing. Through lies. This is a fic that starts off with what should have been a one-night stand -- a great one, as one-night stands go, but a one-night stand. Except, pictures are taken of them very early the next morning, hugging, in front of Steve's apartment. And Bucky is very famous and very not out. Bucky's already got a damaged reputation and a host of other problems, and so his team decides that, actually, Bucky pretending to date some non-famous, pretty-faced, nice boy for a couple months might do his reputation some good. So, then, as you can imagine, being Steve and Bucky, the two of them spend the fic doing a very excellent, really great, just super good job, at sticking to having a formal arrangement. A no sex, no feelings, totally-just-a-business-deal-smile-for-the-camera-thing. They're total pros at it, okay? It goes so well for them. They definitely succeed. Just because, whatever, they quickly become friends and get close, it's totally still fine. They're definitely still doing really amazing at this, alright? They've got it under control. They're not going to crack on any of this. No sex. No not-for-the-cameras-kissing. No feelings. No one will cry at any point. Nope. They're So Good at this. Like I said, I'm super fond of this one.
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Steve smiles, his face going all soft and sweet, and it’s like a knife to Bucky’s heart. Ten more weeks, and someone else gets all those smiles. It’s a Goddamned shame, is what it is. His thoughts are uncomfortable enough that Bucky gets up and goes to the railing, looking back out over Manhattan. All the people there, living their lives, day in and day out. How many broken hearts is he looking at right now? How many people starry-eyed with new love? How many people, he wonders, comfortable in an old love, one that’s solid and still growing, deeply rooted, secure enough to be safe, but fresh enough to still bloom? “Penny for your thoughts,” Steve says, and Bucky tilts his head to look at him. “There’s a million love songs happening right now, just waiting for someone to write them.” “That’s awful hopeful, coming from you.” Bucky chuckles. “Nah, I was just wondering how many people we’re looking at right now with broken hearts.”
🌈Strong Saftey | queenmab_scherzo | Mature | 23,043 words
As a first note here, I will point out that this fic is a sequel to Targeting, and it is probably most satisfying when read with full context. But I really do think it can absolutely be read on its own. I really, really appreciate and love the way this fic handles Bucky and trauma. (the Targeting 'verse mirrors canon very closely, re: bad things happening to Bucky. Except that it's about college football.) Bucky's headspace here, and the way that then translates to his actual dialogue/actions is so, so well done. Plus, Steve and Bucky are preestablished in this fic, and it's healthy and lovely and romantic and makes me emotional-- Bucky is so hard on himself about everything, all the time, but he's got Steve, who is wonderfully loving and supportive. Also! Bucky befriends a cat. Also! Bucky legitimately has Steve saved in his phone like this: "Punk ❤️."
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"Vanilla latte, no whip?" the barista calls. Steve goes to the counter for his drink, but keeps his ears open. "I just wanted to tell you—I came out to my high school team last week. And, um. It's gone really well actually." "Wow," Bucky croaks. "Yeah, it just, I've been scared about it for a long time, but then you told the whole NFL, so I thought—yeah. I just wanted to say … thanks." From the corner of his eye, Steve can see them shake hands. "Wow," Bucky says again. He clears his throat a little. "Thank you. I mean, thanks for telling me." "I'm headed out to visit Oregon now, actually." "Football?" "Yeah." "Holy shit," Bucky says, candid as ever. "That's legit, man. Good luck." "Thank you." The kid starts to turn away, then adds: "For everything." When Steve goes back to Bucky's side, Bucky is staring into the paper bag at his donut. He sniffs, audibly.
"Are you crying?" Steve asks quietly. "No." Steve can't see his eyes through the sunglasses, but his nose is really red. It makes Steve smile. He doesn't press the issue.
🌈Rough Edges | sparkagrace @sparkagrace | Mature | 33,278 words | **Post-Endgame Rec**
Showmances and Rivals-to-Lovers on the Stars on Ice Tour! There's a lot to be excited about here. This fic is such a delight, truly. I love it. You know that post that goes, "What is a rival other than a crush you're mad about having?" Steve spends the first chunk of this fic so disproportionately angry at Bucky for incredibly minor things. Like standing in rooms or... skating. It's amazing. But then there is bonding and heart-to-hearts. Often on skating benches! And, as it turns out, those two being around each other a lot is, as always, a very, very good thing, in the long run. One that helps them both. Also! Becca texts Bucky lots of pictures of Alpine -- pictures from Alpine. Also! Bucky and Nat have a somewhat frighteningly intense friendship/skating partnership and it's all just so, so great.
Quote:
Bucky continues on the corner edges while Steve sorts through one of the color groups. He thinks he has enough to make up branches of the tree that was displayed on the front of the box. He likes it when he finds the pieces that fit together, it’s like his brain fires little electrons of glee when they slot into place perfectly. He tries not to think about the fact it’s the same feeling he gets sometimes when he and Bucky execute their twizzles in perfect synchronicity. The same way he likes the sound of their prop swords clashing when they’re choreographing their throne number. Everything seems to feel matched when he’s around Bucky lately, like they’re synced partners as much as he is with Maria or Bucky is with Natasha. Puzzle pieces. Bucky seems to be enjoying it too. The quiet as they work together to put together this puzzle that neither of them would have looked twice at if they weren’t desperate for a distraction. A distraction from his heartache, from Bucky’s boredom… from the way that Bucky keeps looking over at him, from how he wishes they were doing this under different circumstances.
🌈Right where we are | steveandbucky | Teen | 10,395 words
This is actually the first fic in a whole 'verse, and they're all super sweet and super lovely. I really enjoy the way this Steve and Bucky build their relationship. I love seeing them get to have happier lives where they just get to be good for each other and good to each other, and this 'verse's Steve and Bucky, who do their best to communicate and who are so so cutely smitten from the gate, are great for that.
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“Hi,” Bucky smiles again, wider this time and the effect it has on Steve is embarrassing, since he can barely get out a greeting in response. Bucky looks ten times better in person. His now longer hair parted in the middle, and he has a two-day-old stubble, looking gorgeous in a navy blue shirt and dark form-fitting jeans. “Fancy running into you here,” he says as he leans closer to be heard above the music. Steve gets a waft of cologne, a sharp and somewhat sweet scent that draws him in as he briefly leans in to speak close to Bucky’s ear. “I’m just here with some friends, I swear I’m not stalking you.” Bucky laughs heartily, ducking his head and crinkling his nose as he does. It’s the cutest thing Steve’s ever seen, and fuck if he wouldn’t spend every minute of every day trying to get Bucky to laugh like that again. “Didn’t think you were stalking me. But what a coincidence, huh?” Bucky says, still grinning. “Nice to finally meet you, Steve Rogers.”
Bonus:
So, this is WIP, and I haven't started reading it yet. But! From everything I know about it, it absolutely fits what I'm going for on this rec list. Also, I've loved every other fic by @zenaidamacrouras1 that I've read. So while I can't actually rec something without reading it, I did feel like this should be in this post somewhere:
Unpredictable Synchronicity | Zenaidamacrouras1 | Mature | 106,788 words (WIP)
Second bonus:
These are fics that 100 percent should/would be on this list, except that I literally just rec'd them in my Brooklyn stories post. They are wonderful for all reasons described in the Brooklyn post:
Three White Horses | magdaliny | Mature | 16,601 words
Not In The Answer But The Question |  aimmyarrowshigh @aimmyarrowshigh | Teen | 27,382 Words
Ill With Want | thedoubteriswise | Mature | 26,999 words
This turned into a very long post, but that feels fitting. Happy Pride! 🌈
Like I said, next up will be dystopias, apocalypses, etc.
More Recs
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