#the only thing he doesn't have in common with me

[callmecoke]

sugar baby headcanons!

CW: Mention of sex work, This is sfw generally but still deals with adult topics so proceed with caution.

Tf141 x reader

What you’ve realised about your favourite mystery account is that A) it's run by multiple people, and B) At least one of them is called Price.

You can’t exactly pinpoint who the rest are or how many, but you’ve managed to identify a few common themes when interacting with the account.

First, you know who Price is, and you can almost always tell it's him when he’s interacting with you. He’s the one you go to first regarding bills and fees you physically can’t pay. Within seconds, he transfers you the money and never lets you thank him for any of it. He also does his weekly check-ins to make sure everything is good. “Have you eaten?” “How’d you sleep?” “Did you take your meds last night?” That kind of thing. He’s also the one who calls you ‘Dolly’, a nickname he reserved for you. 

But you're also pretty sure this other guy (Simon) lurks in the chat when you’re streaming. He won’t ask questions; he just sends you random tips throughout the stream while he watches silently. He’s not as talkative as Price or the others, and that’s kind of how you know it's him. But you’ve realised that just because he’s quiet doesn't mean he doesn't want to talk. It’s quite the opposite. He enjoys hearing you talk about your life and day and silently rewards you. When you DM him, you even get a little conversation. Nothing more than money and a “Nice”, but still conversation nonetheless.

You know one other fellow spends most of his time in the livestreams and not in your DMs (Gaz). He’s the one who engages with you in conversation the most, asking endless questions about your life. And he always comes back on the next live stream, remembering everything you said in the last. He’ll want the update on that project you were working on for school or if that job interview went as well as you both had hoped. If you weren’t Live to complete strangers, you’d probably open up to him about stuff you’ve never told anyone.

Now…One more person shows up now and again, mainly in your DMs. Part of the service for the website is that people can pay you to take a selfie and give it to them. They can be dirty or completely innocent; it all depends on what you’re advertising. There’s this one person who rather frequently asks for pictures of you, especially those with you smiling. You know it’s a different guy from the others you’ve spotted because he’s the only one who's outright flirtatious with you. Initially, you were wary. A man spending a lot of money on pictures of your face and upper body just screams trouble. But you grew to trust the account, so when you sent them the image, you were surprised by how quickly he showered you with praise.

“Fuckin’ hell, you’ll give a strong man a heart attack walking around that gorgous.”

“Makes me wonder how cute you look in person.” “I’m surprised no ones come along and snatched you up all ready. Can’t complain though. Means I get more of you to myself.”

You’d be lying if you said there wasn’t a slight blush on your cheeks after reading his responses.

[mxflowercheck]

Not sure i can consider myself exactly bilingual, i didn’t grow up in English speaking setting, i learned it as a second language. But than i was in boarding school for two years and well, firstly a lot of terminology about school life was from English. Secondly our boarding staff used English with us on a daily basis. This resulted in almost everyone in school speaking runglish (russian + English) + casually switching to English because why not

So! Things that i and my friends have done / still do / have witnessed

• Often switch to English to talk about heavy topics or feelings. It’s a second language for all of us, so it kinda puts some..distance from all the emotions

• On multiple occasions i caught us all writing messages, where we spell an english word in Cyrillic and then switch to English fully

• Generally we often write English words in Cyrillic for various reasons

• We don’t notice that we code switch. On multiple occasions i said a very common for me phrase and my mother was just starring at me until i understood that the phrase was in English and i needed to translate

• Forgetting a word in both languages NEVER GETS OLD. BELIEVE ME. But usually it’s not something complicated, no, i can remember how to write deoxyribonucleic acid in both languages but forget the word “early”

• two years ago i tried learning Spanish. When we were writing essays in English class i wrote “trabajador” meaning “hardworking”. I knew something was wrong with it but i didn’t know WHAT. I didn’t understand until my teacher pointed it out for me

• I personally do not analyse English abbreviations. Sometimes i forget it has A TRANSLATION. Or a full version. Once i said “wtf” in front of my boarding staff and well it took me three shocked stares and a “ Valery!” to realise it’s not just a phrase with “what the hell” meaning but a swearing.

• *tries to speak English but fails because it’s too early* *tries to speak Russian but fails because brain demands that this setting needs ENGLISH*

• My first sports club, where not only the coach counted, but also the kids - aikido. We counted in Japanese. i haven't practiced Aikido for about three or fours years, but every time i do sports, i count in Japanese to myself

• Grammar? Spelling? Vocabulary. Oh no, what IS confusing IS PUNCTUATION. ESPECIALLY WHEN YOU'RE CODESWITCHING.

• at least one of my friends also spells difficult words while writing, but not with the correct pronunciation. we read them as if they're written in Cyrillic/pronounce every letter. It helps with not messing up the letter (for example when I write various i read it as ВЭРИОУС in my mind because I'm a) silly b) ADHD and often mess up the order of vowels when typing fast)

• OH ALSO - some of us (including me) don't have a stable accent. You watch Shelock - you''re British, you watch TikToks from a South American - you're South American. Or! Sometimes accents sticks to phrases and words :D. So it goes like

*speaking with one accent/neutral accent* *uses the Britishest accent in the world for ONE PHRASE* *continues normally*

• Dialects are the Death Of Us. My guy, i have NO fucking idea which pronunciation of "dance" is for UK and which is for America AND I LEARNED THAT WORD WHEN I WAS SIX!!!!

• interjections and sounds are ALSO confusing! You'd think we make similar sounds of surprise or joy or sadness. WE DON'T.

i keep adding things god help

anyway

• people can have different names for different languages! I don't consider my legal name (Lera) to be my deadname, i like it! but don't usually use it in English speaking spaces because...English doesn't have the sounds (it has similar sounds but still)...that are in my name...and it sounds VERY STRANGE

• same with pronouns btw! English doesn't gender verbs, adjectives, nouns, your way to point out gender is simple - pronouns. But in Russian words change depending on a gender ( he is clever - он умнЫЙ, she is clever - она умнАЯ). And the way words change for they/them pronouns doesn't sound right to me, so I don't use they/them for myself in Russian, only she/he! But i don't mind in English, because verbs, adjectives and etc don't change :)

im going to have a stroke

[readingiskeepingmegoing]

I have thoughts on the relationship of Acacius and Lucilla. 

I have thoughts on the relationship of Acacius and Lucilla. 

!!Spoiler Warning!!

If you haven't seen the movie yet, maybe swerve this one until you have.

I am in no way a writer, and this is essentially just a word jumble that fell out of my brain. Please be gentle with me.  

Massive thanks to @schnarfer and @jessthebaker for listening to me yell and sharing your thoughts with me. Your insights were invaluable.    We see Acacius and Lucilla deeply in love in the movie. But I think they came to this over time.     

In the flashback scene of Lucilla taking Lucius from the arena after Maximus and Commodus have died, it appears to be Acacius who is helping him onto the horse. So from this we can infer that the pair have known each other for a long time, and that Acacius is loyal to Lucilla, just as he was loyal to Maximus. It makes me wonder if Maximus had maybe sent word to him to protect Lucilla and Lucius. A role that Acacius take seriously and sees through to the end. 

  Lucilla is held in high regard by the Roman people and even called Queen, and that gives her power, but it also makes her dangerous to the incumbent Emperor/s, and keeps her in constant personal danger.    Acacius was trained by Maximus. He clearly remains loyal to him even after his death. The Emperor after Commodus would no doubt have been suspicious of him and anyone who had served closely with Maximus. If one General could defeat an Emperor, then why not another?     I see the Emperor initially using Acacius as Lucilla's jailer. "Keep her in line or we will know you are not loyal" sort of thing. While also making sure that Lucilla knew that she was being watched. Not even safe to confide in her maids.    There will no doubt have been a bit of resentment there, especially from Lucilla, who doesn't know what lengths Acacius is going to, to keep them both alive and as free as possible.    Acacius falls in love with Lucilla before she falls in love with him. He may have known about Lucilla and Maxmus's relationship. And it is easy to see why he would have been attracted to her. The Emperor/s probably would have noticed a change in how he is with her, how he looked at her and so the manipulation would have changed. "Do what we say or we will send your wife to you on the battlefield, wouldn't it be terrible if something happened to her on the journey to you?" 

During time away from war, Acacius and Lucilla may have found their relationship to be strained in the beginning. He will have been so much lower in rank that her, the only thing they would have really have had in common at the start would have been their love of Maximus. Over time cordiality will have grown between them, deepening to a mutual respect.    Acacius comes home from battle grievously wounded, and that is when Lucilla realises that she loves him. The Emperor/s send nurses to care for him, and she sends them all away and tends him herself, pouring all of her newly discovered love into healing him, calling on her childhood nurse who is skilled in the arts of wise women. And during this time they get to truly know each other and their passionate love grows in earnest.    

I also feel as though Lucilla will not have wanted more children. She will not have wanted to hand the Emperor/s more leverage over her, nor have wanted to see her children chewed up and spit out by what Rome becomes. So Acacius respects her choice and encourages her to get whatever contraceptive remedies are most effective from her nurse, so that he can be her husband in every way. 

  They clearly have no secrets, he knew that Maximus was Lucius's father. He did not hesitate to try to free Lucius at Lucilla's request. This, to me, makes his sacrifice in the arena more heartbreaking. He is trying to protect his beloved wife from losing her son again, and upholding his loyalty to the man who trained him.  

If you made it all the way to the end, thank you for bearing with the rantings and ramblings of a madwoman.

Tagging because you asked so sweetly: @ghotifishreads @jennaispunk @missredherring

@noisynightmarepoetry @schnarfer @jessthebaker

[me-owte]

Perfection

Sol being the perfect boyfriend. Is there anything that could be amiss?

SMUT SMUT SMUT SMUT SMUT SMUT SMUT SMUT SMUT MINORS DNI !!! Use of they/them pronouns for reader and no explicit genitalia is mentioned Pre-established relationship, Sol beats up a pervert in front of you

Sol was perfect, the most incredible boyfriend you could ever imagine having.

From spontaneous dates at cafes or the arcade- where all expenses are covered by him before you could even think about offering your own cash. To the daily meals meticulously home cooked to perfection. Hell, the way his lips would worship your skin in bursts of affectionate kisses never made you feel anything less than a god.

"You're too good for me," you whisper under your breath, tangling your fingers through his two toned hair. Sol embraces you, cuddled up on your couch as a movie you've forgotten about plays in the background.

You feel him smile into your collar, briefly pressing his teeth into your skin before pulling back. The look in his eyes, lovesick to an incredible degree, tells you everything you need to know about the way he feels. "No pumpkin, you're the one that's too good for me."

Before you can protest, he's back on your collar. You yelp at the way he moves your shirt down to gain better access to your skin. His piercing is cold as he moves around, biting and nipping on any surface he can find. Your hands ball in his hair, and you bite back a moan at the way his tongue runs over the curve of your neck. Through whispers under his breath, you hear him muttering praises, a common sound whenever you two are alone.

"You're perfect..."

"Someone like me-"

"I'm so lucky to finally have you..."

"I'll never let you go."

In the heat of the moment, his hand slips under your shirt. And you choose to ignore the implications of his words.

He was perfect, and that word isn't one that should be said lightly. Sol looked at you as if you personally hung every star in the sky. As if you were solely responsible for the sun rising every morning.

As if you were the only thing worth living about in this earthly life of his.

You're in the arcade. You're on the side of a crane machine, peering into the glass as Hyugo tries to control it for success.

"Wait, wait, wait! Move it to the left, you're too far right-" You say, pointing to the spot where the targeted horse plush lays. Sol had gone to the bathroom at the time, leaving you and your friend scrambling as you try to win a plushie for him before he could return.

A fist flies into the air, making contact with a guy you didn't even realize was there. Sol, behind you, heaves from the recoil, glaring down harshly.

"Huh-"

"You... fucking pervert." Sol points down, eyes glowing with fury, hands shaking.

The guy on the floor lifts himself up, and only then you realize a cracked phone lays beside him, open to the camera app. "What the fuck are you-"

Sol bends down, grabbing the man by the collar of his shirt. "I saw you trying to take a picture of their behind." The man's only response is a look of horror, realization that he'd been caught.

The bright lights of the arcade and scattered sounds of chatter override any attention that could've been brought to the scene. Sol brings his fist up once more, ready to throttle the man. "Hey, we're in public Sunny." The eerily calm voice of Hyugo slices through the tension, cutting through Sol's anger in a moment of realization.

"I oughta take you outside to deal with your shit-" He bites back, glaring at the trembling man.

"F-fuck this, go have your whore-"

"Don't you dare!" Sol's fist flies straight into the man's nose, pure anger in his gaze. He doesn't stop punching, and you grasp Hyugo's arm in anxiety.

"S-sol stop-" You say, looking around to see if anyone else notices the scene. Hyugo tries to stop him swell, moving forward to try and pry him off. Sol only lashes out, shoving his friend to the side.

"Not yet-"

Despite your pleads, he doesn't listen, punching and beating the man until he finds his punishment fit. When Sol finishes, you're shaking.

He reaches out to you with hands stained with blood that aren't his. When you flinch, his eyes go wide. "I-" He looks to the side, and you can't tell if it's due to shame or nerve. "I couldn't just let the guy go, pumpkin. H-how else do you expect me to react?"

You can't help the way you soften at his words, at the clear realization at what he had done shaking his core. You trust he feels bad, and you step over the unconscious body to reach out to him, hands falling to his shoulders. Hyugo moves behind you, grasping at the body to begin work on manipulating the scene.

You hold him and he all but collapses onto you, cries of shame muffled by your clothing. Blood smears on your back from his hands gripping your shirt.

"I-it's okay," You say, whispering softly into his ear. You put hand in his messy hair, patting it to try and give him some semblance of comfort. With a loud sniff, he pulls away and you expect tears to be running down his face.

The look in his eyes is nothing more than pure adoration and devotion.

He was perfect. From the top of his forehead to the tips of his toes, not a single part about him was flawed.

Not a single part.

His hips slap into yours with a passion you find yourself hard to keep up with. Heaving pants and choked back moans fill your bedroom as you're pushed flushed to the mattress.

Sol's cock fucks into you in all the right places.

Long enough to reach the deepest parts of you. The first time you took him in fully, it felt like ages before he finally bottomed out. Every time you stare at the outline of his bulge you blush knowing just how much of him had been inside you nights prior.

Wide enough to stretch you out deliciously with each collision of your hips. He always had to prep you before, stretching you out with his fingers and sometimes his tongue. Sometimes he'd get you to cum just from the foreplay alone.

Curved in such a way he targets that one spot that makes you curl your toes. As soon as he slipped into you, he wouldn't stop bullying that spot. Every thrust of his hips was more intense than the last, focused on driving you over the edge again and again.

"I- I love you," he moans out, pressing his body weight on top of you. His eyes roam over your pleasure filled face unable to constrain yourself due to just how good he was fucking you.

His hand slips between you, groping any exposed skin he can reach. From the curve of your thighs, to the rolls of your hips, to your nipples that rub against his cotton shirt with every movement.

"I love you-" he says with less shakiness, trying to steady himself despite losing his mind in the way you grip around him.

"My darling, my soul mate, my perfect perfect pumpkin," his rambling words barely make sense to your fucked out mind. He dips his head into your neck, biting down in a way that makes you scream.

Your hands run across his back, grasping at the shirt he's always refused to take off. Through the passion of his thrusts, he pushes your bodies together in an attempt to merge your souls into one.

"Sol- S-sol-!" You cry out his name, pushing his head further into your neck, encouraging the way he marks up your skin with proof of his existence. "I'm close, I'm close-" You chant in between gasps you can't control.

His hand moves to your jaw, gripping it tightly as he continues to lap at your neck. "Come for me darling, prove that you're mine-"

With that, you let go, holding him tighter than ever before as your vision goes white. Sol doesn't let up, continuing to pound his cock into you despite the sticky mess.

"Perfect, so perfect," His hips slow down to give you a brief moment of relief from the stimulation. He breaths in the scent of your mixed sex, going straight to his head as he circles his arms around you. Your brain is too fucked out to hear him, instead focused on leveling your breathing. "You're too good for me pumpkin... Too perfect for someone like me... How could I ever let you go now?"

You were perfect. To him, you could do no wrong. To him, you were all that was right in the world.

And now that he's got you in his grasp, he'd do anything to keep it that way.

THE SOL BRAINROT WENT SO HARD I HAD TO MAKE A NEW BLOG FOR YANDERE CONTENT 😭😭😭 Let me know if I should make more or send in a request eyes eyes eyes

First time writing smut like this... I wanted to show how even getting into a relationship with him, even if everything goes well, there's still that air of obsession and something being wrong.

Might explore the idea more but for now the desire for smut won LOLOL

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Play TKATB here!

[thesiltverses]

Who are the people who win the status quo in the TSV world?

In ours there are capitalists who have, for all intents and purposes, *won* the system — more money than they can ever sanely spend in their lifetimes, being able to afford any material luxury they ever so desire, beyond the reaches of mortal laws and jurisdictions, insulated from common political concerns by heinous wealth.

What does that look like in TSV? Someone untouchable by gods, maybe only hoarding the positive blessings with 0 negative effects, deflecting harms onto people lower down the food chain.

It feels like everyone in TSV is living precariously to me — walk by a coffee shop at the wrong time and you might get caught in a deity of sleep publicly-broadcast ascendancy. Who are the people completely immune from this? Is it only the gods themselves?

Well, I don't agree with the premise, I think; even the gods live precariously, for all their power, because they'll never be rid of their lousy insecurities and their implacable desire for attention and love, and because you cannot buy your way out of time, change, death, or your own fundamental incompleteness.

We don't present anyone within the TSV setting who's 'won' and lives in complete existential safety, because I'd argue that doesn't feel true to life or capitalism: our most powerful characters and entities remain hungering little things, expending a huge amount of energy on the desperate pretence that they aren't hungry and they aren't desperate and they aren't alone and they deserve to have the power that they have.

Anton Chigurh can claim to be some kind of inhuman agent of remorseless fate and then still get sideswiped by a random car. Our billionaires can buy themselves a governing share in the most powerful nation on the planet and yet remain a sad little twerp desperately and vainly hunting for reassurance from internet strangers that he's actually likeable and cool. And tomorrow any one of them may be wiped out by hubris, obstinacy or just bad luck, no matter how many preventative advantages or how much financial invulnerability they hold over the rest of us.

There's a consolation - even if there's not a huge amount of hope - in knowing that even the tallest trees do not grow whole within this walled garden, under this light.

[noxiatoxia]

I don't know if this is common knowledge, but Komaeda's talent in Japanese is not "Ultimate Lucky Student". It is "Ultimate Good Fortune" (or good luck).

I know the word "lucky" has connotations with being good luck, but "luck" itself seems neutral to me at least.

I think the fact Komaeda is praised for, and has his talent be centered on, his good fortune is a very important nuance. People only see the good that happens to him. People keep telling him what happens to him is "good luck". His parents dying and getting kidnapped end up being called "good luck" in the end. I think this reinforces his pattern of thought more than people just saying he has extraordinary luck (good and bad). It's a minor difference, but it adds a lot. I have been thinking about this for a little bit now.

Because of the fact it is good luck specifically, I wanted to find parts where Komaeda specifically talks about bad luck. Lines such as "my awful luck/dreadful luck..." doesn't make much sense in the context of his Japanese talent. It made me wonder if those English lines even existed or if it was a "Luke, I am your father" situation. I don't have either the English or Japanese script memorized.

I checked the Freetime Events because of this, and found an interesting thing. There's a number of mistranslations, or simply translation choices I don't really agree with.

The freetime events heavily misrepresent how often Komaeda uses the word "luck". He uses both 不幸 and 不運 an equal amount I'd say. Maybe the former more. The former means "misery" "sorrow" or "misfortune". The latter means "bad luck" or "ill-fortune".

Likewise, 幸運 means good luck, but it also means good fortune. It's the word used in his talent as I described above.

Now, that's not to say I think Komaeda's "talent" should not be referred to as luck, nor am I saying he should never use the word luck. I think good and bad luck is a perfectly apt English word to describe his experiences. I just think the English translation overuses it. It wouldn't have killed them to make him say "isn't that just awful" or "what a tragedy, right?" instead of "isn't that such bad luck?" every conceivable moment. Maybe I'm just nit picky.

Now, onto the free time events. I want to talk about them.

I'll be talking about them in order as they appear. Also, I am only going to talk about the 3rd event onward, after Komaeda's chapter 1 reveal.

Freetime event 3

A minor nitpick, but "friends" is not the word I'd use here. It's true you can translate it that way, but considering everything else about Komaeda, at this point in the game, he wouldn't readily call Hinata his friend. Especially considering the connotations that holds for him.

That's precisely likely why he, in fact, doesn't say "friend" in the Japanese text. He uses 仲間 which like I said, while can and does translate as friend when used in that way, it just means people of a common thread. Like, a group, I guess.

My TL:

Because we both share the common goal of seeking out hope!

Freetime event 4

This is a really bad translation IMO. Hope is never said once in the original dialogue. I don't know why they put it there.

My TL:

Hinata: It's pretty ironic that you got wrapped up in this shitshow considering your "Ultimate Good Luck". Komaeda: It's not ironic at all! This is no doubt just the beginning of the good things to come my way! Komaeda: Um, let's just say the "good luck" I was born with is a little less straightforward [than the name would suggest]... Komaeda: once this is all over, I'll be rewarded with good fortune of the highest caliber.

And though this next one isn't much of a "mistranslation", I want to offer an alternative translation that highlights my criticism of "overusing the words good/bad luck".

My TL:

Komaeda: The greater the misfortune I experience before hand...the greater the good that comes my way afterwards! It completely cancels out everything before it!

Freetime event 5

I sadly cannot find in-game pictures of this since it's one of the wrong dialogue choices, so here's the script file text for it instead (sorry)

I remembered this line in English specifically because I always thought it sounded weird for Komaeda to say - "It's rare to hear you give such a half-assed answer".

While not a mistranslation totally, I think the tone is a bit off.

I would write it more as, "Ah ha ha! That's quite the answer, Hinata-kun!"

It literally translates as "for Hinata-kun, that is a very suitable answer!" but it's clearly supposed to be teasing/sarcastic. So he means to say "oh, wow, Hinata-kun, you're answering with that?" but in a lighthearted tone.

Freetime event 6

Almost didn't include this because it's the mistranslation we all know and hate, but it's worth mentioning in case people don't know.

My TL:

Please, just one last thing...don't ever forget...that from the bottom of my heart, I love y...I love your hope that sleep dormant inside you.

Though he does just say "please, don't forget", he uses どうか which is a pretty polite turn of phrase for Komaeda. It also is a way to emphasize a request, as in please do this to the benefit of me.

He backtracks pretty heavily. The verb comes at the end in Japanese sentences, so giving an exact one-to-one would be hard, but I'll try to explain it.

ボクはキミを... キミの中に眠る希望を心から愛していると。

Boku wa Kimi wo... Kimi no naka ni nemuru kibou wo koko kara aishiteiru to.

の/no = possessive. Such as, "Lucy's cat" "David's car".

を/wo = verb particle. There's no real English equivalent but you use it to signify some verb is being done onto something. Such as, "I kicked the ball" ("ball wo kick") or "I pet the cat" ("cat wo pet").

は/wa = topic particle. Commonly translates as "is/am" but that is NOT what it means. It just signifies everything that comes after it relates back to what comes before it. It's most accurate to think it as "as for the topic of..." Such as, "my damaged car wa had to go into the repair shop." After wa, "had to go into the repair shop", you ask, "what had to go into the repair shop?" you can find the answer in the topic, which is before wa: my damaged car. (or... me no damaged car.)

So, with this knowledge, let's break down the sentence.

Boku = I/me.

Kimi = you.

So this would make Boku wa Kimi wo in it's most literal form: as for the topic of me (aka, speaking for me), I, onto you...

Then he trails off. wo becomes no.

I, onto your hope sleeping inside of you...

and then we return to wo:

from the bottom of (one's) heart, love [the hope sleeping inside of you].

One could easily see it as Komaeda quickly changing the wo to no to add extra steps to not make the confession so head-on. Because if we remove everything after no and just continue where the wo leaves off, we get:

Boku wa Kimi wo koko kara aishiteiru to.

As for me, I, from the bottom of my heart, love you.

Now...one could also read it as him not backtracking, but adding. Saying I love you and the hope that lies dormant within you. Both are equally plausible. Listening to the audio it can go either way, but the way he quickly and softly drops off when he gets to the first wo makes me feel like it's a backtrack. Or maybe the background music is just too loud haha.

Well, that's all I got for now.

[supremechancellorrex]

Nope, you can't trespass online. When you post something, anyone can respond. And I only engaged with you because I was initially curious why you'd want Katara to punch "Azula/Mai" which does give the impression that you see them as two sides of the same coin. I wondered if you were referring to Mai before getting together with Zuko or after, so I asked. Would you say curiosity killed the cat?

This is really going out on a limb. Mai never actually helped Azula capture Zuko, she's a part of Azula's team as the princess would habe demanded regardless (as we saw with Ty Lee), but it's speculation to say if she had run into Zuko what would have happened. I also want to point out this is pre their relationship, at best when she had a crush on him, and before she does develop as a person (even though you don't like that development). And, even with that, we can guess different things on what would have happened if Mai and Zuko ran into each other in Book 2, who knows? And if you're by chance referring to Ba Sing Se, Zuko returned to the Fire Nation of his own volition at Ba Sing Se. Mai can't be blamed for that either, if that is what you're indirectly referring to also.

You accused me of "miscontruing" you, so pot, kettle. As for the other thing, you say that if she were male, what she says "would absolutely be considered abuse". You say she tries "bullying" Zuko back into a relationship. You keep talking about how she allegedly says "nasty" things and deserved to be punched in throat by Katara and put her on the same level of Azula in the original post:

You are calling Mai an abuser (and also downplaying her good points as a tactic to feather that nest).

And I was willing to agree to disagree, but I changed my mind after another one of your responses. I might change my mind again. Although calling me "nasty" seems rather unnecessary. I just said that "nasty" seems to summarise what Mai is to you, meanwhile you seem to throw it directly at me like a slingshot like a stan would.

You did though. Seems like a Motte and Bailey argument on your end. And I could say the same of you. It honestly feels like you're making stuff up, from what Mai says being "considered abuse" to how Mai "helped capture Zuko" to how Katara "would hate Mai" to saying Suki and Sokka "have never been in a relationship and only met once" when that's not true by the point Suki is captured.

This is rather semantic. I can't say the Dai Li "peeing" line is exactly hitting. Seems in line with Ty Lee also praising Azula in that scene for her speech. As for ordering servants around, that is to cheer Zuko up, who was enjoying it initially, and she visibly deflates when it later doesn't work because he's concerned about the war meeting. And as for your other point, Zuko is in an abusive environment with Azula and Ozai, yes. Mai is too, considering she even says that she does "fear" Azula. This is why she initially, early on, acquieces to Azula quite easily when Azula says that unconvincing "braid" lie, only able to send her a dirty look behind her back. Over time this escalates to yelling "You want me to express myself? Leave me alone!" after Azula mocks her childhood trauma in the Beach. There are a number of indications that Mai herself felt trapped. Her parents shut down her opinions in her formative years for her father's political career, she was dragged to Omashu clearly without wanting to be there, she at best can only disobey Azula behind her back. Azula even says in Azula Alone (if we have to keep talking about the comics) how much her 'friends' should be grateful a princess gave them the time of day, so there is an unequal power dynamic where Azula is controlling, mocking and abusive. Mai and Zuko's situations aren't that different in ways, and they both resent their situations, which is another part of why Mai really doesn't have much hang ups choosing Zuko. They actually have something in common.

You can compare Azula and Mai, talk about "dark humor", but it feels rather pointless when they are so different, not just not on the "same level", fundamentally different.

Fallacious argument with a seeming tinge of condescension. We never see a scene where Mai attempts to kill Zuko, because it doesn't exist. If you reread my post, you would also notice I refer to Mai's role as a villain earlier and so I don't need to "admit" something as if I'm keeping something under wraps. As for your conclusions on how we should treat characters that were villains and never villains, that's your opinion of course but not a hard and fast rule in any way.

The writing is ridiculous. We can't just give Zuko a free card for bad comic writing, yet rip Mai to shreds for bad comic writing. It would be a double-standard, almost opportunist. I think the intentions of the writers of the original show and the writers of the comics don't synchronise, which makes all characters' actions in the comics dubious. "He wasn't a real threat" is ridiculous, but it's the sort of ridiculous I would expect of Gene Yang's reasoning considering. She beats them up and leaves in Rebound. She is on Zuko's side in the argument with her father, telling Ukano he should have been "grateful" to Zuko, being derisive to Ozai loyalists and then beats them all up. I very much doubt they wrote that finale scene with the idea Mai's a Tanke or Hitler Youth and that's what she's thinking, same with the scenes in the show finale. Mai also later supports Zuko against Azula and Ozai loyalists. Ukano complains about how he essentially hadn't managed to indoctrinate her to the "duties of Fire Nation Citizenship early enough" because she is not acting imperialist or fascist. Post-War Mai is definitely not a fascist, or even imperialist at this point, she is not baying to extend her country's border through colonisation or military force. She didn't even seem to really bay before really. She is against the New Ozai Society that wants to do so and thinks they should shut up. She has also spoken out against Sozin and Ozai in the Ashes of the Academy comic, saying "The less we uphold from Ozai and Sozin's reign, the better the Fire Nation will be".

Do I think the writing could be better at points? Sure, the show had flaws, the comics have giant holes. But I really can't find your specific opinion of Mai that impelling. But you can continue to believe what you feel. I feel I'm done with this conversation, so I actually won't respond beyond this point.

"I think Katara would get along with Azula/Mai because female solidarity!"

Cool. I think Katara would punch fascists in the throat.

[secondarysefikura]

I'm not going to go TOO in depth about this cause I don't think a lot of people really want me to ramble about political theory and such, but I think Shinra would have secretly been quite grateful for the terrorist attacks caused by Avalanche at the start of the game.

Why? Well it's about this little thing called diversionary war. Diversionary war is great for governments that have recently been involved in some sort of scandal, because it rallies the people who might have been very upset about said scandal around a common enemy. Think "celebrity flooding the news with some sort of fluff story to take attention away from the massive lawsuit they're in" type thing.

With that in mind, imagine you are Shinra. You have done your fair share of unethical things, but it's not really all that worrisome since everyone who knows about the bad things you have done either a: works for you and therefore can't whistleblow without incriminating themselves or b: is dead/being experimented on in a lab somewhere. Life is good.

But then one of your ex-employees, who happens to know about one of the really bad things you covered up AND who you have been experimenting on for a few years escapes. Well shit. If he whistle blows, others might follow suit. And the dead body he's dragging with him means he isn't exactly stuble, even if he's trying to hide. It's only reasonable to assume that he is going to try to let people know about all the things you have been up to.

And sure you managed to kill him, but that doesn't mean he wasn't at large for quite a while. Who knows what kind of public outcry might be brewing. If only something really terrible happened that would distract everyone from the bad things you've done and make everyone rally around you. If only...oh, Avalanche attacked? Well isn't that convenient. We now have public enemy number one to put any and all blame on.

[l-in-the-light]

About Trafalgar Law and his vitiligo

Feel free to ignore this post if you so wish, but I chose to speak up on this matter. I have seen so many fanarts that portray Law with his white skin patches, often looking like a dalmatian and it bothers me. Are you all aware that animal-like patterns for vitiligo are considered insulting? And you all might look at me weirdly now and ask "how can something so cute/wholesome/unique possibly be bothersome to anyone?!" Read further on your own risk, slight tmi.

Law's disease is of course fictional. Visually it looks the closest to vitiligo, but it has a lot in common with autoimmune skin diseases as well. I happen to know how it's like to live with a skin disease. Meds for my condition aren't really for curing anything, they just make the symptoms dimnish, but in return they leave white patches on my skin that are resistant to tanning for a long while (also those meds are very dangerous for your kidneys apparently if used too often, as a side note). Why would anyone use them? Well, because it's a hereditary skin condition: it never goes away and there's no way to cure it, those meds are literally the only thing that does anything. I just get lucky whenever symptoms aren't visible for some time until they inevitably come back anyway. And believe me, this isn't "wholesome", "cute" or "unique" to have discolored skin patches. You all probably have no idea (why would you have anyway, it's natural that you don't) how it's like in summer, when you go on a bus or tram, you wear a t-shirt because it's freaking hot and you can't hide under the clothes or you risk melting or fainting. And people see your discolored skin or red patches on your skin. You know how they react? They stare at your hands/arms and then they move away. That's the default reaction whenever your skin looks unusual. People would rather move away, just in case it's something contagious. They will also stare, a lot, and you can feel it's judgemental, even though my condition is in no way my own fault (or anyone else's who also has it), thank you very much.

That being said, I doubt Law would be happy parading openly with white patches visible on his skin. Most people wouldn't realize that's it's just a leftover from his old, cured disease. They would simply assume what people always assume: that it's something contagious. Evidence below, if you need it:

And Law's reaction to their reaction:

He doesn't look very happy, of course.

People would isolate him, avoid him and *stare* disrespectfully at him like he's a weird specimen, at best. Law would quickly learn to hide it under his clothes, long sleeves, long pants, gloves etc. No one truly wants to attract negative attention like this, especially not someone who already went through a lot of traumatic experiences, like Law. And sure, as a child he didn't really hide it:

But take into account those are the clothes he was wearing ever since Flevance happened. He didn't have any other clothes. As soon as he's accepted as part of Doflamingo's family he starts to wear different ones, and he covers up the spots on his arms by wearing long sleeves:

And oh boy, I can totally relate to that.

Sure, in ideal world, no one would assume Law has a disease just because his skin is discolored. But we're not living in ideal world. Some people, just like me, have hereditary skin conditions and feel bothered by fanarts that exoticize skin disease or skin disorder. Yeah sure, why does it matter, Law is a fictional character with fictional disease, right? But vitiligo is very similar to this and is a real condition which is part of life of real people. Those aren't freckles that are just cute and make you look unique (and some people might have freckles and still hate the extra attention drawn towards it, and it's valid if they feel like that!).

Just wanted to get that off my chest. I don't need sympathy for my disease, this is not why I wrote this post. I just wish people would realize that by drawing a vitiligo Law they're toying with a lot of emotional baggage there, please treat it respectfully. Maybe one day the world will be wholesome enough to think of it as normal (normal, not fetishized, ugly, contagious or exotic!), but I assure you it still doesn't. If you think it's just a "me" thing, check out this blog: https://www.tumblr.com/vitiligo-is-not-a-trend/765530242896003072 and many other posts of theirs. Not everyone with skin conditions might react the same way, but keep in mind people with actual vitiligo and skin diseases can and often will be really sensitive about it, and for a good reason.

Yes, that being said I also think it's wholesome if Luffy accepts vitiligo spots on Law easily like it's not a big deal, especially in comparison to the rest of the world which would fear him instead. It's definitely something Luffy would do. But that's completely different from fetishizing it. Please, you're stepping on a thin line here, tumblr.

[kseniyagreen]

Some thoughts about Li Lun's arc and the meaning of the drama.

Life is full of contradictions, and my relationship with FoF has its contradictions too. Not all moments feel right, especially on closer inspection. And this is actually a very common story with works heavily laden with the author's idea. Under this thought that the author wants to express, some plot lines inevitably bend and the character arcs are distorted.

But I want to point out one thing that - in my subjective opinion - is missed when people talk about the lack of development Li Lun's redemption arc.

The point is that Li Lun doesn't have a redemption arc because there shouldn't be one in the entire concept of the drama - not just Li Lun, no one has one. This drama is fundamentally not about redemption at all.

Li Lun's problem is not that he is wrong about people. He actually sees people quite accurately. In a sense, he sees the world more clearly than others - it's not for nothing that he has a "true eye". And that is his tragedy.

Because the message of the drama, clearly voiced in another context, is "he sees things with his eyes but does not see with his heart".

Having received the true eye, he gained the ability to see reality as it is - with the darkness of human hearts, with injustice, separation, the inevitability of death. But reality as it is is unbearable - that is why we dream, and that is why the theme of dreams occupies a central place in the drama.

The theme of the sea of suffering reminded me of a poem by Yosano Akiko:

"They told me that the road I took

would lead me to the Sea of Death;

and from halfway along I turned back.

And ever since, all the paths I have roamed

were entangled, and crooked, and forsaken."

Not only Li Lun, but all the characters from the very beginning are moving towards the sea of death, and this is the main content of the drama.

Having realized that reality has no meaning - what can you do? Stomp your feet and break toys like a child - what Li Lun did. Drown in despair and crawl towards the cemetery - what Zhao Yuanzhou did in the beginning. Adapt to this cruel reality to the point where you cannot die because you no longer really exist - what the main villain did and Li Lun tried to do.

Or you can try to create your own meaning in this meaningless world, contrary to laws and logic - which I see as the message of the entire Zhuo Yichen's arc.

So, returning to Li Lun, the point of his arc was not to atone for sins or sacrifice himself for the greater good. But to realize that there are still things that are important to him in this world, even if they are broken, and there are things that are more important than physical survival.

How organically and logically this line was drawn in the drama is a debatable issue. I must admit - I also miss something in Li Lun's line. As well as the fact that in general the drama often forcibly pulls the characters' lines under the cruel rule of this world "a demon can truly be himself and follow his heart only on the threshold of death." The authors sometimes didn't try hard enough to justify such a radical situation.

But I still love this drama - more like a poem than an adventure story. Poem about death and dreams and person's will that is trying to pull this impossible dream through the reality of death.

Sometimes, in order to wake up in reality, you need to accept the death of a dream. But if a dream becomes more valuable than reality, if you are ready to hold on to it at the cost of your physical existence - sometimes you die with it. But sometimes a dream lives on after you. And sometimes a dream shared with others changes the world a little and gives you a chance to survive in spite of fate.

[thegreatyin]

22, and also because it would be a cop-out to just ask the nice question, 25

22. your favorite part of canon that everyone else ignores

ever since i met the weird bat-obsessed painter guy from light fingers he's been an icon to me. just. what an absolutely batshit insane one-off character. like yeah there's a guy who literally worships the evil space bats, canonically, and Yearns™ for fires specifically, but y'know don't worry about it. he only appears for like 5 paragraphs in 2 storylets and after that he's literally never mentioned again. insane. i love it. why did nobody tell me about the mr fires stan guy

-

25. common fandom complaint that you're sick of hearing

i... wouldn't say i'm exactly sick of hearing it, because it is an extremely valid complaint and literally everyone is always and forever right to make it- and i'd say i even agree with them on it- but. sometimes the amount of vitriol people have towards the mr cards ending is a bit. um. Extreme. at least in my experience. from my perspective. idk, as a power ending guy myself, i totally get where those people are coming from, it's just. sometimes i stumble across a post complaining about how the HD power ending has gotten yet another tie-in and all of the guys who make having the robe their entire personality are really annoying and the OP is completely justified in complaining about all of it because it Does suck that it gets so many things every other ambition ending doesn't and it Does suck that those guys are like that. but also it all just makes me feel weirdly personally guilty for choosing the ending in the first place. like. sorry i got this and you didn't. i'd give it to you if i could. y'know? like damn, i'm part of the problem

idk. this part of the ask really got away from me. i'm not sure if it's even coherent or not. also i feel like i'm overcompensating but just because i'm an anxious little shit i just really do need to emphasize that complaining about the robe of mr cards getting the ""favoritism treatment"" compared to other ambitions is always and forever morally correct because it is a problem and i know if i didn't have it i would be complaining about it too. i just also see so much of it that sometimes it makes me feel guilty for choosing it at all. it's a pure anxiety/weird fandom imposter syndrome thing on my end. don't worry about it

[alexanderwales]

I finished the rest of Save the Cat almost in a single sitting, not because it was particularly riveting, but because I had time to kill, so this pseudo-liveblog is at an end.

Chapter 6 and 7 are basically the same, collections of small tricks and tips. Neither of them are terribly helpful, and all the tricks have terrible shorthand names like "Pope in a Pool". There's very little in the way of any thematic cohesion to these bits of advice, and no grand theory of the Laws of Storytelling emerges, in spite of the laws being invoked a number of times.

The advice itself is, I think, generally good:

give the reader something to root for early on to kickstart investment

spice up exposition with something entertaining

only one kind of magic per plot

don't tell a story that requires too much setup

don't tell a story with too many moving parts

include a ticking clock

have character arcs

keep the scope limited to the characters we care about

make the hero proactive

show, don't tell

make the bad guy very bad

the plot should go faster the further in it goes

use the whole spectrum of emotion

make sure each character has a distinct voice

make sure desires are "primal"

give characters something that makes them stand out

I don't endorse this whole list, and I especially don't endorse the way that Blake Snyder talks about them or the examples that he gives. And if I endorsed the list, then I would include a lot of caveats, and some general principles of storytelling that should be followed, rather than these specific pieces of advice, which are all conditional. Like ... okay, here's an example:

Exposition is a broccoli that the audience doesn't want to eat. There are very different ways of dealing with this, but we can start with "minimize exposition" as the first "law" of storytelling, and from there, we have different strategies:

Spruce up the exposition, making it into a mini-story, delivered in an entertaining way, so that people aren't bored.

Run something alongside the exposition so that people aren't bored, like sight gags in a comedy or an action scene in a thriller.

Have the exposition delivered through implication and clues, rather than stated outright, like having a character limp rather than explaining to the audience that they were wounded in the war. This is show, don't tell, and it's harder than it seems.

But while Snyder lays out some of this advice, it's all in different sections even though it's dealing with the same fundamental problem, and I'm not sure that he really understands that. If he does understand it, then he's not making that clear for the reader.

My thesis is that to understand storytelling, you want to understand root issues and classes of solutions. I have not written a book on writing, nor do I think there's a market for that, nor do I think I'm qualified, but it's the kind of thing that I would strive to deliver. There are a lot of writing problems that are parallel to each other, and there are a lot of structural elements that are mirrors of each other, so why not try to put it all together that way?

But Snyder makes basically no attempt to put even very related problems together, it's just little bits of advice to gnaw at the most common problems, and ... maybe that's fine, but it felt lazy to me.

Chapter 8 was the final chapter, and was mostly about trying to sell screenplays. This was irrelevant to me, but kind of interesting, and also made me feel like Blake Snyder is a better marketer and salesman than a screenwriter, and also maybe just got lucky to be working at a time when scripts were getting huge bidding wars for no good reason. The efficient market hypothesis gets clowned on again, I guess.

I'll probably write up some overall thoughts, a short review: I think I am unsuited to liveblogging because I go long. But the even shorter version is that I think I picked up a few things that were interesting to think about, and while Blake Snyder is a hack, he's an entertaining writer.

[inukag-archive]

Do you happen to have recommendations for stories where Kagome is feeling insecure about Kikyo and InuYasha comforts/reassures her?

Hello @serafeen - one Insecure Kagome fic rec list coming up! We aimed to give a good mix of long and short stories, but either way prepare to have some feelings felt.

Moonlight Reflection by tigerjade (K+)

[COMPLETE] Kagome has a dream about Kikyo and Inuyasha and doubts arise. She runs off in the night to be alone. Inuyasha suspects something is wrong and follows her, something that Kagome doesn't need, but Inuyasha is determined.

--

Darkest Before The Dawn by LunaKat (T)

A bad dream leaves Kagome shaken about deserving her happy future. Inuyasha reassures her of her place by his side.

--

Slipping by paynesgrey (E)

Kagome feels that her relationship with Inuyasha is slipping, even more so with Kikyou's frequent visits. She makes her fears known, and Inuyasha makes a move to reassure her.

--

Requiem by dolphingirl0113 (T)

[Oneshot] Inuyasha, what am I to you? Will you ever be able to see me without thinking of her? If Kikyou hadn't died, who would your heart have chosen?

--

When He Won't Say by Almandine-Azaleea (T)

An innocent mistake leads to a heart to heart between Inuyasha and Kagome.

--

To Walk A Mile In Her Shoes by Kanna37 (M)

Inuyasha runs off to Kikyou again, which results in another fight when he finally gets back - but this time, someone else is listening in, and decides to take things into her own hands. 

--

Weight Watcher by @clearwillow (T)

All it takes is one comment to completely wreck a girl's self-image. Sometimes it can take years to shake that comment and move on. For Kagome, help comes in the form of a foul-mouthed hanyou who tells it like it is... in about five minutes. Slight InuKag fluff. Set after episode 140.

--

Not Good Enough by Wolf Blossom (T)

Kagome sees Inuyasha and Kikyo and decides that perhaps there is no room for her in Feudal Japan. [ONESHOT]

--

The Deception by @fandomobsessions016 (E)

Kagome and Sango have just graduated college, and Kagome is set to return home… to the city. The city she left behind four years earlier. Almost as soon as she arrives and is unceremoniously reacquainted with her ex, Kagome realizes she’s made a mistake. Four years of distance and alleged personal growth have done nothing to tame her tumultuous heart or lessen her pain. Now, she has to confront her agonizing past while traversing through a myriad of emotions as she comes face to face with the very people she left the city to avoid; Inuyasha and Miroku. Thankfully, she has Sango by her side, as not all is as it seems…

--

The Warlord's Tribute by @omgitscharlie (E)

With a kingdom built upon the blood of his enemies, Inuyasha is the leader of the Taisho Clan. A vicious warlord who scours the lands for power and has made a name for himself amongst his rivals. Even as a hanyou, he is revered and looked upon as a king amongst the neighboring villages. Elders near and far come to give their offerings, one of them bringing a young woman with a fiery spirit. Another beauty to add to his ever-growing harem of women. Little does he know, she is more than he bargained for.

--

Behind The Silk Screen by @Eiennobasho (E)

When a twist of fate brings the common-born priestess Kagome to serve Inuyasha, Divine Emperor of Japan, will she be able to help him claim his place on the throne and bring order to their country? Or will court intrigues and their own burgeoning feelings tear the two and their nation apart? A historical romance set in Japan’s Heian Era.

--

Restless Emotions by EmberFalcon (T)

What would happen if Kagome couldn't take the pain? What would happen if Inuyasha actually HAD to choose who he loves more

--

Unexpected Destiny by @splendentgoddess (M)

After defeating their most dreaded enemy and purifying the jewel, Kagome discovers she's trapped in the past. Afraid now that Inuyasha only sees her as a substitute for Kikyou, can he get her to see what's been in his heart all along?

--

Wish For Me by Vesper_ness (M)

Everyone's aware of Kagome's feelings for Inuyasha. What everyone's not aware of is how emotionally invested she is and that the one thing she longs for is Inuyasha's happiness. That wish will be her biggest test of strength. A one-shot on how Kagome deals with Inuyasha's feelings for Kikyou after he goes to see her.

--

Body Language by Fenikkusuken (M)

Kagome still needs some convincing that Inuyasha doesn't see her as a replacement for Kikyo...Rated M for citrus content

Feel free to add your own recs in the comments or reblogs! Check our Masterlist of previous lists to see which topics we've covered.  Check our Submission Guidelines then send us an ask (here).

[artisticxlly]

Some (actually a lot) of my thoughts on Kagehina; the theme of soulmates

Disclaimer: I am still somewhat new to posting in this fandom. Someone might've posted these same exact takes already (I'm not well-versed in Kagehina analyses). This is just my pure brainrot (also unfiltered, so this doesn't have a ton of structure, just a collection of thoughts)!

As I'm getting more into this ship, there are a lot of things that make me emotional about them.

A thing some people point out when it comes to these two is that Kageyama's backstory is shown extremely late in the manga as a 'protagonist' (or at the least a very essential character). You can argue whether or not it's done well, but for me this is perfect to demonstrate a full-circle moment, as not only did Kageyama find this person that Kazuyo promised would find him, you as the reader only get to realise that now as well.

And adding onto that, in my opinion it also contrasts nicely with Hinata, as his backstory is shown from day one, it is one of the first things explored in the manga. It starts and ends with them, so to say.

About their backstories: As someone who is very much invested in Kageyama's whole arc of 'king of the court', here is a speculation of how he actually got to that point.

Maybe this is a bit obvious, but losing someone like Kazuyo is devastating. And at the time, Kageyama would struggle with making new friends. He always stands out in those flashback panels as someone who carries a passion for volleyball like no one else (at least for his childhood) e.g., he gets made fun of for not owning any video games.

At its core, that intense interest in volleyball is what connected him and his grandfather so deeply.

It makes sense for Kageyama to desperately dig his nails into that remainder of Kazuyo, to train more and more, chasing that feeling of connection to someone he was actively grieving.

And another point would be this famous panel:

"If you get really good". And Kageyama takes his word for it, because really, his grandfather would be one of the people he trusts more than anything. And he practices until exhaustion, until he can't, because he wants to have a relationship (no matter the nature) like that again, wants a deep connection that he gains through his passion for the sport. He wants someome to find him.

I think Kageyama would reach a point where the amount of time he invests into training would be both physically and mentally unhealthy.

And perhaps, that's what also leads to him having no compassion for the people who don't share the same fire as him on the court (which is honestly a bit of a common theme for Haikyuu and its characters). He'd probably doubt a person who is like what Kazuyo described exists.

And then Kageyama and Hinata meet for the first time one the court.

The first time you read the chapter, without knowing Kageyama's backstory, it's moreso framed that he is insensitive, a bit of a jerk too. You could even go as far as to interpret the line as "what have you been doing until now?!" as Kageyama thinking that Hinata should've just practised harder, especially when he later goes on to say that Hinata should get "better" if he truly wants to stay on the court for as long as possible.

When you reread the chapter after going through the whole manga though, these lines make a lot more sense, and - depending on your perspective - are a peek into just how taken Kageyama is when faced with someone who has an equal drive as him on the court.

"what have you been doing until now?!" turns into "why havent I met you sooner?" and "get better" turns into "get better (than me), so we can find each other again" (As Kazuyo promised Kageyama).

And actually, Kazuyo's promise doesn't become fully realised until they're both on the court again, now in different teams.

That's why the flashback to that line is used then, not when Hinata and Kageyama first bond together in Karasuno. Not when they make it to nationals. No, when they're in different teams, after you see Hinata go through a whole lot of development away from Kageyama, then the promise is finally fullfilled. You could argue back and forth which one of them ended up being "someone better" but the point is that they found each other again because of it. Doesn't even really matter that they're on different sides of the court.

That's their arc, at least if you focus on Kageyama's backstory.

In general though, they are characters that continue to parallel each other, over and over. The amount of which is honestly almost absurd.

One of the biggest ones is just how much time they invest into practicing. The manga makes it a point with both of them that the people around them don't have the same energy as them and get tired out while those two continue (like maniacs /hj).

I mean, they even like the gym for the same reason, they're fond of the smell (which makes me mushy I won't lie, these goddamn weirdos /aff).

Another one is that they both want to play as long as possible. During the first chapter of the manga, this whole theme drags through the whole chapter, as they both talk about competing to get to stay on the court longer than anyone else.

A last one, that I just find funny, is that their numbers are ALWAYS one apart and sometimes even the same as in previous teams, EXCEPT for their third year in high school.

Junior high 3rd year: 2 and 1

High school 1st year: 9 and 10

High school 3rd year: 2 and 5

Adlers/Msby: 20 and 21

National team (2021): 9 and 10

Ali Roma/Asas São Paulo: 20 and 21

Like it's not funny, how much these two share even before knowing each other. And yet, despite all the similarities, they don't immediately get along in the way you'd think. There is this weird tension where they meet, they immediately get into an argument, too. But there is nuance to it. Izumi points it out actually, that Kageyama took Hinata seriously. The rest of the people there didn't think much of Hinata and his team, and yet Kageyama seemed to have this 'innate' sense that Hinata wasn't someone you should underestimate.

And they fight again, when trying to get into Karasuno, when they're in Karasuno, etc. etc. But it's never them genuinely disliking each other, it's just bickering at most. And as you read along you grow very fond of that aspect of them.

Maybe it is an overused word, but I don't think you could make it any clearer that those two are written to be soulmates.

Anyways, those are my thoughts! I'm obviously not normal about them, but I hope someone else can agree with these takes ^^

[syndrossi]

if it’s official for Remorse AU (aka in which Rhea doesn’t die and is with the boys right before Crayne takes them and then Daemon and her get the boys back and the happy family go to KL together)

so, certain things that i wanted to discuss or add or question or whatnot:

Daemon being so afraid and paranoid that Rhea will one day end up taking the boys and running again, like it should be impossible, especially when they get to the Red Keep. but anything could happen and that terrifies him and does not do well to develop his relationship with his sons mother.

likewise, Rhea being afraid that now that Daemon is apart of the twins’ lives they’re going to go down a dark hole, except she sees what a committed father Daemon becomes. this fear mutates into a fear of losing them to the Targaryen side, especially when their eggs hatch. she’s not even really their mom (👀 or is she?) (depends the AU ig) so she feels them slipping, or at least Jon

once the twins are calmed about how she’s alive and happy to have her back, the dynamic of Jon alienating himself from her, the twins not-so- subconsciously preferring a specific parent because of different issues

Rhea’s treatment of Raymar reminding Jon of Catlyn

Daemon’s resemblance to Aerys for Rhaegar

Laenor shows up mid-way with Seasmoke on their route to KL and is suddenly brought before the most tense family he’s ever laid eyes on— and he lives in the Red Keep

Alicent thinking she could find common ground or even an ally or a friend in Rhea, both coming from bad forced marriages with children they just want to protect, only to be thoroughly disappointed when Rhea (surprising even herself) defends Daemon after Alicent insults him.

Rhea is with Daemon when he meets that cat and she takes the cat with her.

I think what would be very fascinating to me about this AU setup is the Jon+Rhea vs Rhaegar+Rhea dynamic. Rhaegar was able to idealize his relationship with Rhea to a degree because her last visit(s) were the ones where she finally let herself warm to Raymar. And then she died, which put her on a somewhat untouchable level for Rhaegar, especially since his feelings about Rhaella sort of got jumbled up in that too.

Here, though, she's alive and he's had more time to integrate those memories of Raymar's. How does he reconcile that? Does he distance himself over time? And you have sort of the reverse arc with Jon, where yes, there are strong Cat vibes to those memories of her treatment of Raymar, but she was quite loving toward / fond of him when they were growing up. So it gets similarly complicated for Jon because Jon Redfort has those position interactions with Rhea while Jon's wrestling with the unfairness of her treatment of Raymar originally.

And now that she's more open with both of them, does that change anything? Does that absolve the hurt before?

(Daemon, btw, FUMES whenever a hint of that damage shows. He can't even feel vindicated about their conflicted feelings toward Rhea because he doesn't want them to be sad/upset.)

LMAO at your Laenor bullet point because it's so painfully accurate. 😂

I think they can eventually get to a healthier place/dynamic, with time and love and remorse from Rhea, but it'll be a while. Things like Rhea defending Daemon will help, of course!

[avelera]

idk how to explain this but jayvik is giving the same vibes as dreamling. i just can't prove it.

Serious answer, they do match some of the Red Oni/Blue Oni tropes that are very popular with a lot of slash ships, including Hob/Dream, Jayce/Viktor, Newt/Hermann, and Kirk/Spock, where one is more passionate and governed by emotion and one is more remote and intellectual.

It's also very common for such ships to have physical characteristics that match these personality characteristics, like the "Red" Oni figure being physically larger, broader, and more imposing with a body that runs hot, with the "Blue" Oni figure being lean, pale, and cerebral with a body that runs cold (as we have seen over and over and over with these style of ships where one is presumed to "run hot" and the other is always cold, yes I am guilty of writing this too, it's a fun trope).

(Fandoms often tend to exaggerate these differences even further, make the height differences even more pronounced, the Red figure bigger, the Blue figure even more waifish, and often throw in a Masculine/Feminine angle to the differences which further remove the characters from their canon selves, but that is a raging pet peeve of mine for another day.)

But I would say, unique to Jayvik and Dreamling's similarities are things like Viktor ascending to become an Endless, Dream-like figure, able to touch the consciousnesses of uncountable lives, and in doing so becoming a solitary figure that only one person seems to be able to reach in his loneliness. And there is a similarity between Hob and Jayce with them being the more passionate, loud person of the two, who seems more grounded in the "physical" world and its pleasures.

Certainly when I write Jayce and Viktor I have to be careful not to dip too much into mannerisms and tropes I've been writing recently for Hob and Dream. For example, Jayce speaks informally about 80% of the time (and with poetic eloquence about 5-10% of the time, usually when talking about magic or higher concepts like morality), but he doesn't use the bloke-y British slang terms I ascribe to Hob. And Viktor speaks informally about 60% of the time, but he's not nearly so rigidly formal in his diction as Dream often is, and he sometimes uses English as a second language grammar, rather than purely formal grammar.

(I also borrow elements for writing them from my time writing Newt and Hermann for Pacific Rim, but that's mostly things like awareness around Viktor's disability, first practiced while writing Hermann, and the analytical way Newt and Hermann both talk applies to Jayce and Viktor as scientists first and foremost, but Jayvik lacks the Newmann bickering and they are actually very affectionate and in sync with each other from the start. It's been very rewarding to pull from some other ships I have more experience with to write Jayce and Viktor, and this ask gave me the chance to ramble about it a bit lol so sorry about the tangent).

But yeah I do think there's similarities, you're not imagining things. But personally I find the places where they are different from other Red Oni/Blue Oni style ships to be the most interesting parts about them.