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endcant · 3 years ago

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aimless musings on subgenre, citypop, and internet subcultures

theres something very interesting about watching citypop become very mainstream in korea and watching that feed back into both western listeners’ opinions and also into the sometimes-cynical efforts of a variety of kpop producers

a lot of people in the youtube/kpop sphere talk about the growth of citypop as if it were a spontaneous wave that appeared out of nowhere with mariya takeuchi’s plastic love getting picked up by the youtube algorithm in like 2018 or whatever, but thats a very like online-ignorant view of the interaction between vintage japanese music and worldwide online EDM production. citypop has been used in future funk and vaporwave for almost a decade by now, and, as a result, a number of citypop songs took off on social media here and there before plastic love’s acceleration— dress down by kaworu akimoto is one of the big examples off the top of my head, but there’s likely many many more.

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“Plastic Love” by Mariya Takeuchi (1984). if you haven’t heard this yet, you’d better listen to it now. The video that first went viral was uploaded in 2017

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“Selfish High Heels” by Yung Bae, Macross 82-99, and Harrison (2014) is a popular Future Funk remixes of Dress Down by Kaoru Akimoto (1986)

people who haven’t been very aesthetically literate online over the years— musically or visually, since those things are tied in subcultures— treat things like they come from nowhere. there are ongoing subcultural conversations that lead to certain aesthetic choices, and when someone tries to cash in on a trend without understanding what the trend is, that leads people to call bullshit. calling bullshit is not meanspirited, in my opinion, because it very much is like somebody who can’t speak a language getting up in front of everybody and saying “hey, i’m fluent!” and then speaking some vaguely that-language-sounding nonsense. of course people who genuinely speak that language will be outraged instinctively. it feels like being mocked.

that’s why the difference between music producers picking up on a trend cynically and music producers picking up on a trend with earnest interest in that trend’s origins feels different, even if the producers are similarly distant from the original subculture that produced that trend.

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“Lady” by Yubin (2018) committed hard to the 80s JP citypop aesthetic, musically and visually, down to the sets, all fairly early in the major resurgence.

i’m sure that anyone with a passing familiarity with citypop and kpop can ascertain that not all kpop producers know what citypop is and what makes it citypop. all they know is that it is on-trend and they have to make it. not all kpop listeners know what citypop is and what makes it citypop. all they know is their idol said citypop as a buzzword in their little prepared statement. all this results in some interesting moments for me as a Music Fan, Online.

here is where i get to the thing that spurred this post: loona “did a citypop” for their japanese comeback. it doesnt sound like citypop.

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“Hula Hoop (Citypop Version)” by Loona (2021). It has very odd percussion rhythms and mixing for citypop, no real attempt at a citypop verse, and strangely sparse gestures towards citypop in the form of a few seconds of bass and some synthesized orchestral embellishments that were taken from the original mix …all in spite of a very disco-inspired melody that should have worked perfectly for citypop

this is not a very big deal, and im not mad about it or anything. when a kpop act i like gets saddled with an unfortunate B-Side track i dont tend to take it very hard. however, it did raise a little bit of musical discourse in the loona fandom— in the form of remixes.

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“hula hoop if it was actually a citypop song” by loonahatetwinks and Olivia Soul on youtube. this one has an original instrumental that is spot-on for contemporary k-citypop

My most favorite one of these remixes is a futurefunk remix by ZSunder, one of the very best LOONA fan producers. The fact that ZSunder thought to make a future funk remix at all speaks more to an understanding of the mutually supportive relationship between citypop and EDM genres than most kpop citypop producers or fanmixers seem to care to know about.

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“Hula Hoop (Future Funk Mix)” by ZSunder is futurefunk made and mixed with such love that it has the infectious summery energy of a polished, big-name future funk hit

in the comments of this video, some people seemed to get the citypop-future funk connection and some didnt. many did get it, don’t get me wrong! but also, its not all that surprising for some kpop-focused listeners to not know much about EDM subcultures and the reasons behind various trends among producers, since kpop as an institution tends to take influences from any genre and culture it likes and then decontextualize those influences by just having their names used as buzzwords in the blurbs the idols have to recite when variety show hosts ask them about their latest single. this isn’t a criticism of the genre or the fans really, it’s just a part of the kpop industry that is used to add shine to an endless firehose-like stream of polished pop tracks. there are some issues with using whole genres and subcultures with complex histories as buzzwords, but god help us if we ever want a pop industry to give its influences their dues.

anyway, the intention behind ZSunder’s future funk Hula Hoop remix happened to remind me me of why i love Yukika’s discography so much, especially the Soul Lady album. I’ve seen some reviews online baffled by parts of Soul Lady, because the album in general is an exploration of that relationship between citypop and modern/internet EDM. i’ve seen plenty of Soul Lady reviews especially baffled by pit-a-pet, saying something along the lines of “what’s with the modern-sounding dance track in the middle of a retro album?”, but i think that pit-a-pet is a futurefunk-inspired track, at least in the chorus. considering both that and the Chill Lo-Fi Interludes, it seems like estimate’s team put together Soul Lady for Yukika in a way that shows that they love citypop and understand the online-specific electronic music subcultures that led to citypop’s resurgence.

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“pit-a-pet” by Yukika (2020). the stacatto, bass heavy chorus is futurefunk enough, but the soaring orchestral part in the final chorus seals the deal for my interpretation.

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“All Flights Are Delayed (1 hour version)” by Yukika (2020). Estimate literally released an hour-long youtube mix of one of the Lo-Fi interludes on Soul Lady as part of their promotion, clearly inspired by “Lo-Fi anime beats to chill out to,” which is another example of online producers from around the world using Japanese samples as a focal point of their music

Estimate, in the end, is still a Kpop production company, just the same as BBC, so they have no inherent claim over citypop, but the way that their exploration of subgenres clearly comes from passion and interest on the part of their production staff makes it so that their work with Yukika rings true. on the other hand, i really appreciate Ryan S. Jhun’s work on LOONA’s JP comeback, as well as on Not Friends, but the citypop mix thing was so clearly an afterthought to the point where fans of Loona who like citypop seem mostly just irritated by the cynical-seeming attempt.

heres one last good modern kpop citypop MV that has nods to the internet culture that led to its revival in the form of the videography— vaporwave, future funk, lofi, and other internet genres along those lines tend to have videos consisting of looping anime and vhs clips. future funk in particular is known for this, especially since a lot of future funk music, esp early future funk, is just loops of very short, catchy segments of citypop and disco songs. it’s all about the loops

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“My Type” by Yoon JongShin ft. Miyu Takeuchi (2019). This song is so dedicated to the retro JP citypop sound that it’s almost beyond my personal taste. The singer, Miyu, was a headlining act at a seoul citypop festival and sang this song as part of her act (:

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this video of “Only One” by Conscious Thoughts (2015) has a looped clip as an example for comparison with My Type. it also has a pulsing sidechain compressor working in time with its drum beat in a way that is common for future funk and that i think is a good example for my pit-a-pet yukika comparison to future funk

i guess the takeaway here is that media is more and more online, and the creation and propagation of digital audio and video content has been in the hands of literally almost anybody who wants to do it for the past two decades thanks to garage band and fruityloops and audacity and tiktok and youtube and bandcamp and soundcloud and myspace and newgrounds and p2p file sharing and so on and so forth. and therefore like… as with all things, the consumer class more and more is also the creator class, and therefore every member of an audio-visual subculture will have the ability to discern what is and isnt made with knowledge of the audio-visual language of that subculture

#me using elder millennial phrasing for Loona Did A City Pop to imply how out-of -touch it is kfhajfhs #mine #music #long post #Youtube

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rainbowsky · 3 years ago

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Final round-up of fan fic asks

I've gotten a few more interesting responses to the fan fic discussion so I'm going to round them all up here. This will be my final post on the topic until/unless there's a dramatic new development, or a particularly notable response I want to highlight. Thanks to everyone who brought their thoughts and experiences to the topic. I hope everyone at least feels heard.

The biggest piece of advice that I would like to offer is for everyone to focus on what they love rather than what they hate. If we all did that, the world would be a better place. Alongside that, I'd like to remind everyone to please support authors whose work you like. It's so important. Give them a kudos, give them a nice comment, recommend their work to others. You never know what kind of grief and harassment they are dealing with to bring you these great stories, and our support means a lot.

This is in reference to previous posts here and here.

Anonymous asked:

With regard to fandom and fan fic issue, my years of experience being part of very large fandoms has led me to believe that big accounts are v important in facilitating and enforcing the general consensus of the whole fandom. Unless there will be big accs who'll remind everyone of being respectful & just not being a dick over other's preferences, nothing will change.

This is also the reason why I think certain solo fandoms have adapted weird and twisted narratives as their general fandom story because no big acc has tried to police them & and say hey pls be rational. Whether we like it or not, in a place where how far voices, ideas, tweets, posts get heard is based on the number of followers you have, big accs will have the power and influence in creating/curating/shifting the narratives.

So, if you want to know why your/our fandom thinks like this in general, look at what big accs are tweeting/posting, look at what ideas & values they follow, look at their preferences or how strongly they react to certain situations. it's taxing and toxic for big accs given the nature of social media these days, but it's also the reality of system, the more followers/audience you have, the more influence you will have.

So to anyone reading this I hope we all practice more restraint and reflection before we post anything. Remember that words, no matter what medium you write it in, will always carry weight.

So true. It is easy - even for myself who spends a fair chunk of time answering people's asks - to forget that people can sometimes be impressionable and what we say can influence people whether that's our intent or not. I get used to thinking of myself as a regular guy just doing my own thing when sometimes my thoughts and words go well beyond where I initially posted them.

I think it's important for us to be careful what we say, and it's equally important to be careful what we take from what other people say. Especially when it comes to big claims. Always get a second, third, fourth opinion and don't be afraid to ask for clarification if something doesn't sit right or sounds confusing.

It's also important to reflect on how our words and actions might affect other people's experience of fandom, and err on the side of 'live and let live' wherever possible. It's great to have our own preferences and to champion them, but we should try to do so in a way that leaves space for other people and perspectives.

The more unique perspectives and the more friendly, open dialog there is, the healthier the community will be as a whole.

There's nothing wrong with encouraging and guiding growth in the particular areas we are interested in, as long as it doesn't step on, oppress or attack those who are peacefully enjoying something different.

Anonymous 2 asked: bjyx fans attacking gdgdbaby for including zsww/lsfy dynamics in an event named bjyx then turning right around and attacking the zsww/lsfy event organizer for excluding bjyx? god, can you hear my facepalm and sigh of resignation and incredulity from over there? im genuinely not surprised that they're trying to drive an entire part of the fandom out by disgusting them (and me) with these immature tactics. i believe what im about to say next will sound quite bait-y and i respect your decision 1/?

should you choose not to post this. but i do know that it is not only me, in fact there are many out there, that is of this opinion. we just dont talk about it on twitter to avoid the potential mess it will bring lol. okay, here goes nothing. (do note that im talking about the majority here, not every single person is like this) so bjyx fans tend to be cishet females whereas zsww/lsfy fans are more diverse in terms of age and gender, and most of them are part of the queer community too 2/?

i would like to clarify that most of these zsww/lsfy fans are not dynamic exclusive (in the sense that they are friendly and interact with all ggdd fans) they just prefer to "identify" themselves as zsww/lsfy fans (on twitter specifically) just to form a distinction from bjyx fans who mostly are dynamic exclusive (as in; they do not consume non-bjyx content, and straightup refuse to interact with non-bjyx fans, often blocking them). as a result, id say that the zsww/lsfy communiy is way more 3/?

mature and respectful (after all, they're mostly queer people talking about a queer ship) whereas many problems in this fandom, such as the homophobia, adamantly insisting on "drawing lines" between dynamics, stem from the bjyx exclusive fans, comprised of cishet females who "may not know better". so, it is of no surprise to me that they're resorting to these immature tactics of calling gg unsavory names, and organizing retaliatory events with controversial topics in an attempt to "purify". 4/4

I trust that you have arrived at that theory through your own experience and observation. I haven't personally spent much time immersed in this stuff so I can't claim to have any real insight or expertise. If you say that's your experience of it, then at the very least that's how you've seen things up to this point.

I just want to say that I think we should always be careful about making assumptions about people's age, gender/gender identity, etc.

There are plenty of good reasons to avoid doing that; because those assumptions could be very wrong, because those assumptions are often laced with ageism, sexism, etc., because those assumptions - even when correct - might not be an accurate basis for the conclusions we draw.

But the primary reason I recommend avoiding those type of assumptions is because anything that enables us to clump a group of people together in our minds like that will tend to make them easier to demonize and dehumanize. They are no longer individuals who are each responsible for their own unique perspectives, they are now 'the X group' who is known for 'A B C series of easily attackable ideas or behaviors'.

If we attribute undesirable traits and behaviors to a group of people we feel opposed to in some way, that makes us feel more righteous and justified in behaving unfairly toward them, dismissing their humanity and warring with them. It's just risky behavior to engage in, even when it's well-intentioned.

There might actually be some truth to what you're saying. It could very well be that most of these people are young, inexperienced, heteronormative, etc. but if that's the case then we should try to use those traits to better understand and empathize rather than to better dismiss and discredit.

Just my two cents on that.

It can be really frustrating dealing with what feels like other people attacking us, trying to oppress us, etc. - especially when there are more of them than there are of us. In my experience the best solutions to that sort of problem are generally the ones that focus on what we are doing and want to do rather than what they are doing that we don't want them to do.

As I am always preaching, we can't control what other people say, do or think. The only thing we have any control over is what we say, do and think (and how we respond to what they say, do and think).

I have found in my experience that the moment I step out of a conflict mindset and instead step into a problem-solving mindset, everything starts to come together. I feel better, my outlook is more positive, I can begin to see solutions and allies rather than problems and enemies, and most of all, I become more focused on what I am doing than what others are doing.

So I would recommend everyone who is invested in resolving these conflicts focus on that. "How can we best showcase and encourage the types of stories we enjoy?" instead of "How can we stop these other people from doing things we dislike?"

Anonymous 3 asked:

Hello again! It’s anon #3 from the fanfic post. I really do appreciate reading your thoughts on various issues like this, so thank you for always taking time to write in depth. As for supporting without going to war, the simplest way has always been to just show appreciation for the creators, hype them up. Kudos are the easiest way on ao3 but comments in addition are great. This goes for all content—art, fics, vids..etc. Creators love to see and read how people react to their content. Sharing is also great, fic recs are very helpful, just be cautious with art and reposting though. Hope this helps a bit!

Thanks so much, Anon. I think this is excellent advice. And it's true that appreciation is great, but helping to expand the audience is also great. Recommending stories, pointing people to the pages/websites of artists we like (as opposed to reposting), sharing our own ideas and approaches, encouraging people to try new things... all of this helps build healthier communities.

And here's another one: WRITE! DRAW! CREATE!

I urge anyone with creative interests or talents to bring their voices to the community because we all can benefit from hearing from you.

Thanks again everyone for sharing your thoughts on this issue. I hope that over time we can all work in positive ways to improve the situation.

I think this subject has been well-covered now so I'm going to retire it for the time being. If anyone still feels they want to discuss it further please feel free to message me privately. Thanks.

#fan fiction #fandom reflections #ask

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pedros-mustache-main · 5 years ago

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when your love reaches me (iii)

summary: 1978 is decidedly not 2020. nor is your life ever the same when you meet a guitarist, curly haired, soft spoken, and true.

word count: 7.5k

warnings: angst, language, yearning for a man in his 70s (c’est la vie, i guess), over-describing a moment i’m very passionate about (sorry, not sorry! ten points to the person who can tell me what moment it is LOL)

a/n: wow—this gif? yeah, match made in heaven. thank you all so much for indulging me in this mini-series. i really am very proud of this silly little thing & i’m sad that it’s over because i enjoyed writing it so much. thank you to @im-an-adult-ish & @deacyblues for helping me work out the rough spots in this one. would love to hear everyone’s thoughts because i’m very ~emotional~ about this mini-series!! xoxo.

part i, part ii

in this final chapter: you must adjust because it’s not in your cards to be with him, is it?

you run your hands down your face, feel the ring on your finger catch along the end of your nose, and sigh. two months—two months without him. two months to adjust to world you once knew but happily left behind. two months to gather the pieces of the life which cruelly slipped through your fingers like water.

each day is the same. you rise early and take your coffee on the postage stamp terrace outside your flat. you watch the sun climb higher in the sky with each passing moment and let the warmth of your drink soothe the ache in your soul. you wash your breakfast dishes, mumble a good morning to rachel when she exits her bedroom to make her way to the shower, and dress for the day. you walk to campus if you have a class or take the underground to the museum if you have a shift. you come home, eat dinner, go to bed. repeat.

if rachel notices a change in you, she doesn’t say anything. in her mind, no time has passed between the morning where she asked you to come to the pub and the same evening you tumbled into the flat, drenched and sobbing.

but you—you’ve lost a year of your life. there’s no getting it back, and the only thing that proves it really truly happened is the ring on your middle finger, the necklace hanging by your heart, and the undeveloped rolls of film in your bedside table.

there are few words to describe the unbearable pain in your chest. anything and everything reminds you of brian: the whisper of the breeze in the autumn-heavy trees; the feeling of your warmest cardigan around your shoulders; the sound of someone laughing in the museum.

but there’s more:

the scent of cigarette smoke reminds you of roger. the sight of two friends ribbing one another in a grocery store reminds you of crystal. a colorful jacket makes you think of freddie, a whispered snide remark takes you back to john, and two girls giggling reminds you of giddy moments with anna.

around every corner you turn there’s a memory you cannot avoid, and it hurts—desperately, keenly, deeply.

so you push it all away and soldier on, quiet and downtrodden. it’s easier that way. maybe, if you forget, you can move on and make it through life without him.

six months after you’ve left brian behind, you’re approached by your boss at the museum with an opportunity you’d only ever dreamed of: the chance to create and prepare your own exhibit.

monica is firm when she offers you the south wing to reshape as your own. “blow this out of the water, [y/n], and there will be a job as assistant curator waiting for you after graduation. i want something fresh and exciting. think you can manage?”

you agree without hesitation.

for the first time in a long time, you can’t help but smile to yourself. this is your chance to put everything you’ve learned to good use, to put something tangible in your portfolio, to make a name for yourself.

you’re buzzing with excitement and have to practically hold rachel hostage as you spout your myriad of thoughts and ideas. she’s your sounding board, even if she doesn’t want to be, but she’s honest where it counts most, and you’re grateful for that.

she glances over the kitchen table, laden with open magazines, cutout photos, and history books. her brow puckers. “this is... really boring, [y/n],” she says with a cringe, looking up with her blue eyes and freckled face.

your shoulder droop. “that’s it? that’s all you have to say?”

she shrugs and reaches for a photo, inspecting it with a critical gaze. “i mean, ancient textiles might be interesting to you and maybe five other people, but it isn’t exactly blowing me out of the water.”

dropping to the seat across the table, you huff. “well, we’re a photography museum, rachel. it’s not like i can whip up a few outfits and put them on mannequins.”

“excuse me, but fashion design is just as artistic as curating a museum—if not more so.” she sighs and puts the photo of a thirteenth century chinese table linen on the table. “there must be something else you’re interested in? something that other people will like just as much?”

you don’t mean to, but you let your eyes trail to the camera sitting on on the tv stand. you’d left it there after your return, uncertain where to put it. sometimes you catch a glimpse of it out of the corner of your eye and then you remember the tubes of film in your bedroom, undeveloped and unseen.

rachel follows your gaze. “you know, you never told me where you got that.”

“it was a gift.”

“oh really? from who?”

you’re slow to answer. the truth sits on the tip of your tongue—the man i love, the man i was going to marry—but you bite it back. “my great-aunt. she left it to me... in her will.”

you aren’t sure what compels you to retrieve the six rolls of film from your bedroom, but you do. the tubes feel heavy in your palm and clang against the table as you put them down. rachel looks at them then back at you, waiting.

“she gave me these, too.”

“i didn’t know you had a great-aunt.”

“we weren’t close.”

“obviously you were close enough to get these things.” rachel lifts one of the tubes, turning it over in her palm. “wonder what the pictures are.”

“i’m not sure,” you lie. “maybe they could make an exhibit.”

“i think you’d have to develop them first then make that decision.” she rises from the table and shrugs on her coat. “i’ve got a date, so don’t wait up. and try not to let this consume you too much? you’ve been down and out lately. i think the work will do you good, but don’t let it take over, yeah?”

you nod and wish her well on her date. she leaves the flat in a flourish, leaves you to the tubes of film and the growing curiosity in your stomach.

you really should get them developed. if not for an exhibit, then for yourself. an entire year of your life is in those tubes, and you deserve to see the photos you’d taken to preserve that time.

it’s been six months. you’ve purposefully distanced yourself from anything and everything related to queen, be it a simple news story, a song on the radio, or any of roger or brian’s social media posts. it hurts to see them, to know that they’re so close yet so far away, that they have no idea what became of you all those years ago in japan.

still, it’s been six months. developing the film might be your first step toward a sense of closure. you don’t want to stay in your rut forever. though you’re comfortable with the idea that brian might be your great love and you’ll never find another, you know you can’t stay as you are, sullen and despondent. it’s like a break-up, really. you’re sad, heartbroken over the loss, but you know it’s time to step out of the hurt and into something different.

before you can stop yourself, you grab the rolls of film, your purse, and your jacket, and you head for the nearest photo shop.

a few hours later, you return with a heavy packet of freshly-printed photographs and a usb drive full of digital scans. there’s over two hundred photos to sort through, and you’ve yet to see one.

flipping on the light to your living room, you sit down beside the coffee table, a glass of wine at your side, the table cleared of any lingering books or empty teacups. before you open the packet of photos, you open your laptop and type your search into the search bar. if you’re going to quell your curiosity tonight, you might as well quell all of it, and you’re dying to know what happened after you left.

a simple internet search confirms what you already know: your presence within the group on the jazz tour did not alter any significant events. freddie still passed away, john still retired. a further search yields at least one previously nonexistent queen song written by brian may: “into thin air.” it was released in the album following jazz. you can’t bring yourself to listen to it, not yet. a deeper search unearths an interview brian gave a year or so after you left. the interview was published in a magazine editorial covering of each of queen’s band members and their lives when not on tour or recording. after freddie’s bit, there’s a photograph of brian at the top of a new page. he’s smiling, but he looks weary and he mentions you only once: “i was engaged for awhile, but that ended in an unfortunate circumstance, so to answer your question: no, i’m not looking for love. not right now, anyway.”

you close the laptop and lean back against the sofa. the ring on your finger feels heavy. your eyes fill with unshed tears, and you decide the photos can wait to be seen until tomorrow.

the packet of photos ends up sitting on the coffee table for two weeks before you invite your co-worker, shamik, over for wine and cheese and museum gossip. shamik is kind, a first-generation immigrant from india with personality to spare and an exuberance for all things american. he claims it’s his greatest curse that his parents brought him to britain as a baby instead of america, and it’s something he can never forgive them for. you’ve only interacted with shamik at work, but when you mention your exhibit project, he’s eager to offer his help. with no new ideas outside ancient textiles, you’re willing to take whatever advice or ideas he has.

sitting beside him on the couch, you spread your collection of papers and pictures on the table to explain your vision. he listens dutifully, nodding along, his eyes scanning the 3-d projection you’ve made of what the exhibit might look like once completed. when you’ve finished your spiel, he sets his wine glass down and nods to the packet of unopened photographs on the edge of the table.

“what’s that?”

you frown, shaking your head at the sudden turn in conversation. “sorry?”

he reaches for the manilla envelope. “oh, it’s hefty! what’s in here?”

you sigh and take the packet from his hands. it feels solid in your lap, like a brick. “photos from my great-aunt.”

he points to the sealed flap. “it’s unopened.”

“i haven’t gotten the chance to look through it yet.” setting the packet to the side, you raise your eyebrows. “well, what do you think? about the exhibit?”

“honestly? it’s dull. monica won’t be impressed.”

you throw yourself back against the couch with a groan. “what the hell,” you whisper. “i’ve got no ideas then.”

you know ancient textile photography would not be the most enticing exhibit, but it’s been an interest of yours for some time and would be easy enough to complete. shamik and rachel’s reactions do not bode well, you have to admit. having a job as an assistant curator right out of the gate would be beyond marvelous, and you desperately don’t want to screw it up with a boring first exhibit.

“let’s have a look at these pictures from your aunt!” before you can stop him, shamik reaches across your lap for the photo packet and rips open the top. “maybe that will spark some ideas?”

you lean forward, blush already rising to your cheeks as he pulls out the first picture. “oh no, shamik, i don’t know if—”

“holy shit!”

you shut your eyes, wincing.

“that’s fucking freddie mercury!” shamik grabs your shoulder, his fingers digging into your flesh. “did you know about this, [y/n]? that’s your aunt with freddie mercury!”

forcing your eyes open, you look at the photo trembling between his fingers. it’s a picture of you sitting beside freddie on the tour bus. (you think john took the photo in an effort to get you to stop taking photos of him when he was asleep while roger and crystal placed as many items on his head as they could before he fully awoke.) your head is against freddie’s shoulder, your eyes droopy with sleep. a lump rises in your throat, and all you can do is shake your head in feigned disbelief as shamik continues to shuffle through the photos.

“oh my god, your aunt was a groupie,” he cries, passing you another photo.

“i guess—” you clear your throat. “i guess she was.”

“you know”—shamik sets the pile of photos down and spreads them across the table, obscuring your vision of an ancient textiles display—“this would make a great exhibit.”

“shamik—” your voice is a warning, a sudden surge of anger rising in your chest, but he continues.

“no, really, [y/n]! there are so many photos here that tell such a cutesy little story. i mean, come on? freddie and this cat?” he lifts the photo in question. “it’s stuff people have never seen before from a totally different side of queen. it’s a fucking goldmine!”

“absolutely not,” you say. “i will not put my aunt’s personal affairs on display.”

“think of monica, [y/n]! think of the job!”

“no, shamik!” you stand from the table and drop your plates in the kitchen sink with a resolute clatter. “i barely knew my aunt, but i know enough to gather that her time with queen was private. she didn’t say anything about it until she died. that’s got to mean something, and i don’t want to air it all out for everyone to see and speculate and gossip about just for my own personal gain.”

you’re shouting, fists clenched at your sides, by the time you finish. shamik just stares at you, his face blank and unreadable. he glances down at a photo.

“she looks a lot like you,” he says, his voice even.

you huff and take the wine glasses from the table. “we’ve got strong family genes. now, please, i’d appreciate it if you just drop the whole queen thing. we can find some other idea.”

you gather the photos, shove them back in the folder, and toss the envelope in the nearest drawer you can find. the drawer slams shut, and you leave the photos there to gather dust.

you mull over shamik’s idea of an exhibit based on your photos for a month before you finally relent. monica’s riding your ass daily with questions about your progress. you need to get something down on paper for her to give to the contractors, so you begrudgingly type out a response to her most recent email:

monica,

i’ve landed on an exhibit topic at last. took me long enough, right?

i’ve recently come into possession of a series of photographs taken by my late great-aunt. turns out she was a groupie with the band queen in the ‘70s. my exhibit will be centered around those photos. i’m thinking the exhibit will be titled “queen: unfiltered.” do with that what you will. :)

monica, much to your dismay, loves the idea and sends you right to work on gathering and laying out your vision while she begins the necessary promotion.

it hurts at first—looking at all the photos you took, remembering the way you felt so unearthly happy during that year. you cry each time you sit down to sort out the best of the pictures. the ones which capture a moment of levity amongst the band or are particularly well-shot go in a pile on the left. the ones which didn’t develop well or are too intimate for you to ever consider putting on display go in a pile on the right. your bedroom floor is a mess of drafted captions written on slips of printer paper, photographs with notes scrawled along the back, and used tissues. more than anything, you wish you could step into the world behind those photographs. you want to be back there—with him, with them—until you grow old and gray. knowing you can’t, that you won’t ever see him again, tears you apart inside.

but it helps. the exhibit forces you to acknowledge the time you spent with brian, with queen. instead of leaving the photos in a drawer, they confront you everyday as you sit down to work, and everyday it gets a little bit easier to face your past. as the tears subside, you find yourself laughing whenever you find a new photo of roger’s antics. your heart doesn’t clench as much when you run across another photo of you and brian. you can smile now when you look at his face. he really was so handsome...

you go so far as to frame your favorite photograph of your time together and place it on your dresser. he’s got his arms wrapped around you from behind, his chin settled on the top of your head. you’re laughing, your hands folded on his arms, legs crossed as you tilt to the side. he’s making a face, his tongue stuck out at the camera, and every time you pass by the picture, you can’t help but chuckle.

you love him still. you’ll love him always.

with three weeks before the opening of the exhibit, the stress is starting to get the better of you. you’ve bitten your nails down to the quick, there’s heavy bags under your eyes from lack of sleep, and you can’t remember the last time you consumed something other than coffee. despite the stress, you feel lighter. working through the photos, laying them out in order, writing the captions, pouring over the faces of the ones you love so dearly—it’s all helped ease the burden in your heart. for the first time in a long time, you slip out of bed in the mornings with a newfound sense of energy and purpose.

life will go on. just as you did when you fell into the past, you will find a new future.

arms laden with exhibit proposals and mock-ups, you brush into your local coffee shop—pretty bird—intent on getting some real work done on choosing the final photographs before you send them off to be printed. you order your usual and take a seat by the front. the air which wafts through the open window at your side is warm with spring and rebirth, and you breathe deep, cracking open the lid of your laptop. you manage to pick a total of twelve of the seventy-six needed photographs before you’re interrupted.

“whatcha workin’ on?” matthew, barista extraordinaire and casual acquaintance, sits down on the bench across from you. he has his own cup of cold brew poised between his lips, and the piercing in his eyebrow wiggles as he moves his brow up and down.

“an exhibit for the museum,” you say, pausing to roll your tight shoulders. “it’s my first.”

“do tell!”

you explain, briefly, how to came to acquire your dead aunt’s photographs and the general theme of the showcase. he nods in approval then snaps as if he’s remembered something.

“hold on. stay right there. i’ll be right back.” he puts his coffee down, scoots off of the bench, and darts to the back of the coffee shop. you wait and listen to the sound of the birds twittering outside before he returns with a framed picture in hand. “i just learned about this,” he says, taking his seat again. “this building used to be a disco back in the 70s.” he hands you the frame and points to a collection of people in the middle of a disco bar. “that’s queen. they came here once and somebody had the smarts to take a picture.”

your hands shake around the photograph, eyes darting from one corner of the picture to another.

matthew keeps talking. “the place was called climax. can you believe that? the 70s were fuckin’ wild, mate.”

you nod, lips parted, and skim your fingers over the incredibly tall and recognizable form of brian in the center of the photo. you can see your shoulder, jammed between freddie and crystal, but the rest of your body is obscured. you lift your eyes from the frame and glance around the coffee shop, at the exposed metal beams and vaulted ceilings, at the disco ball still hanging in the center of the room.

makes sense now. why the building had felt so eerily familiar back then.

handing matthew the picture frame, you sit back in your chair. “wonder if my aunt ever came,” you say.

“maybe? sounds like she was in pretty tight. you know who you could ask?” you shake your head, uncertain of matthew’s question. “chris taylor. he was a roadie back then. he’s a regular here. comes in at least twice at week.”

you can’t stop the hand that flies to your mouth in surprise. you try to smother your gasp with a cough, but matthew still stares at you like you’ve sprouted another head.

“you okay?” he asks warily.

nodding, you take a sip of your drink. “yeah, yeah, sorry! wrong pipe.”

“so, do you want to meet him and ask about your aunt?”

everything in you screams to say no. it’s too dangerous. you will surely break the moment you see him. crystal became your lifeline apart from brian during that year. he was your brother, your partner in crime, the one who kept you grounded when things got too wild. just knowing that he’s frequented the same coffee shop as you for the last six months brings tears to your eyes. you could have run into him. hell, you might’ve already. still, you aren’t sure if you’d be able to make it through a proper meeting without spilling your guts and apologizing for the way you left.

“[y/n]?” matthew pulls you from your thoughts. “what do you think?”

you hesitate before shrugging. you speak before you can stop yourself, before the rational and reasonable part of you can take over. god, you need this. if it’s your only opportunity for true closure, you’ll take it. “if he’s up to it then... sure.”

matthew grins. “come in tomorrow. i’ll introduce you!”

that night you toss and turn. you’re plagued with anxiety. will crystal recognize you? if he does, what will he say? will he be angry? what if he tells brian and then—

your bedside alarm goes off just as you fall asleep. it’s a struggle to drag yourself out of bed, but you must. there’s closure somewhere around the corner, and if you just move your ass, you’ll find it. you have one class this morning then your meeting with crystal. you’re jittery by the time you leave class, but you chalk that up to drinking two cups of coffee before leaving your flat and one in class.

it’s drizzling as you make your way to the coffee shop. you hasten your steps, head bent against the rain and fingers curled around the strap of your bag. when you enter the shop, it’s nearly empty aside from a few lonesome students studying in far off corners. you can hear the faint thrill of music over the loudspeakers, but the blood that’s rushing to your ears blocks out most of the melody.

crystal’s already here, leaning against the counter, in conversation with matthew.

you stop in your tracks. he’s bald now, slightly pudgier with age, but he looks every bit as devilish as you remember.

you swallow past the fear in your throat and the anxiety in your veins and step forward. you voice wobbles when you speak. “matthew?” you direct your entrance to your friend because if you come right out and say crystal’s name, you will surely fall over in a puddle of emotion.

“there you are!” matthew jumps over the counter in one easy leap and lands to the floor beside you. he drapes his arm around your shoulders and motions to crystal. “[y/n], i’d like you to meet chris taylor. chris, this is [y/n], the girl i was telling you about.”

crystal’s staring at you through his blue-tinted glasses like he’s seen a ghost. his jaw has gone slack, his mouth opening and closing as he tries to formulate a sentence.

you shove your hand into the space between you. “nice to meet you, mr. taylor.”

looking between matthew and yourself, he gathers himself, clearing his throat, and shakes your hand. “you too.”

“should we sit?” you motion to the same table you occupied the day before. “i can buy you a coffee for your troubles.”

he shakes his head and lifts his cup. “already got mine.”

“all right, well...” you glance at matthew.

“do you want your regular?” he asks.

“yes, please.”

“comin’ right up.”

crystal follows you to the table and sits down, his movements slow. for a moment, you sit in silence and allow his eyes to roam your face. you can’t tell if he knows it’s you or if he thinks it’s just a coincidence. you want to reach out and take the hand he rubs across the bridge of his nose, but you fold your fingers in your lap.

“thank you for agreeing to talk with me,” you finally say.

“you aunt,” he starts.

“yes, my aunt.” you pull a photograph out of your bag. it’s one of the few you took with crystal all those years ago. he’s got you in a headlock, his opposite fist grinding into the top of your skull. you slide the picture across the table. “you knew her?”

crystal lifts the photo, inspects it, before putting it down. he sighs, shaking his head. “i loved that woman. broke my heart when she left.” his gaze lifts from the table. “you look like her, have her name too.”

you look away, out the window at the side. there’s bird fluttering in a puddle on the sidewalk, and you watch it for a moment before turning back to him. “i think my mother loved her a great deal. i didn’t get the chance to know her, though. we only just found these pictures recently.”

his eyes narrow. “i mean, you really look like her.”

you force a smile. “thank you. that’s kind of you.” shifting, you tap your finger on the table. “i know her leaving wasn’t exactly...” you struggle to find the proper word, but he jumps to assist.

“natural?”

“well, i was going to say easy, but—”

“she fuckin’ disappeared! excuse my language.” huffing, he drops back against his chair. “one minute she was there, the next minute she was gone. i swear, i’ve never seen anyone skip town that fast.”

“she didn’t say anything about leaving?”

“why would she? she was engaged! she had no reason to leave that i know of.”

“was she happy?”

“hell yes. her and brian—i’ve never seen two people more fit for one another. brian just about lost his mind trying to find her, but it was like she never existed. strangest thing.” he pauses to take a sip of his coffee, looking askance, before his eyes whiz back to yours. “oh my fucking god.”

you look up, fear sparking in your belly. “what?”

“[y/n]?”

you blink. your head feels dizzy with the way he’s looking at you, like he’s about to jump across the table and throttle you or hug you so tight your insides might squeeze out of your body.

“fuck,” he breathes. “it is you.”

“i don’t know know what you’re—”

“don’t play dumb with me!” he leans across the table and lowers his voice. “i was the one who got you that phony passport, remember? i always wondered why i couldn’t find your credentials. had to lie my way through it until i got the damn thing. you’re lucky everything was so lax in the 70s.” he shakes his head. “how’d you do it?”

there’s part of you that wants to deny, deny, deny.

but it’s crystal. you can’t lie to him any more than you already have.

“i had no choice in the matter,” you say plainly. “one minute i was here, the next minute i was there, and the next minute i was here again.”

his jaw works back and forth as he processes the information. “does brian know?”

“no—and i’d like to keep it that way.”

“i thought we might lose him after you left.”

you twist the ring on your finger. “if i’d had the choice, i would have stayed. i hope you know that.”

crystal nods. “yeah, i do.” he holds your gaze then motions to your bag. “so, this exhibit matthew told me about. you’re publishing all those photos you took?”

“yes. there are some pictures i’ve saved for myself, but my boss, monica, she got permission from the record label to go ahead with the others. it opens in three weeks.”

“i’ll be there if i can. i’d like to see those pictures.”

you smile, your first earnest smile of the day. “you feature many times.”

he ducks his head like an embarrassed schoolboy. “we were thick as thieves, weren’t we?”

“you and roger were thicker, but i’d like to think i had a part to play some of the time.”

he lifts his head and heaves a heavy sigh. “you know, when i said i loved you, i meant it. not in the way brian did. you were like a kid sister to me. i cared for you a great deal.”

before you can stop yourself, you slip your hand across the table to grasp his worn fingers. his shoulders shake on another sigh, and he lifts his opposite hand to wipe at his eyes beneath his glasses.

“oh, crystal. i’m so sorry,” you whisper. it hurts to see him cry, to know that you’re the cause behind his pain.

he waves your apology away, sniffing hard. “i’m just glad to know you’re okay. we thought you might’ve gotten picked up or—” he shakes his head and pats your hand over his, meeting your eyes. “you’re okay, though. that’s what matters.”

“will you really come to my exhibit?”

“anything for you, kid.” he thumbs the underside of your chin with a lopsided grin. “even after all this time, i’m putty in your hands.”

you grin and hand him a business card, which he tucks in the folds of his wallet. rising from his seat, he opens his arms and you practically trip into his hug. he holds you tight for the briefest of moments before pulling back. he pats your cheek.

“i’ll see you in three weeks, yeah? if i stay any longer i’ll end up a sobbin’ mess on the floor.”

you nod. “yeah. and, crystal?” he turns at the door. “don’t tell brian. please.”

he leaves without another word.

the day of the exhibit opening you are equal parts thrilled and a nervous wreck. everyone’s here—your family, rachel, shamik, even matthew. you haven’t seen crystal amidst the crowd mingling in the lobby, but you trust him to show. he’s always been reliable, and you doubt he’ll fail you now.

monica squeezes your shoulder as she passes you by in the staff hallway. “it looks wonderful, [y/n]. consider yourself hired,” she says and hands you a keycard. “i’m going to give you a piece of advice i got when i completed my first exhibit: go have a moment by yourself. look at your work, be proud of it. you deserve it.”

with trembling fingers and a racing heart, you make your way down the corridor to the south exhibit hall. due to a celebratory lunch with rachel the day before, you hadn’t gotten the chance to see the room in its final state. in retrospect, you’re thankful for the chance to see it for the first time alone. at least this way, if you cry, no one will have to know.

the door beeps as it unlocks, and you slip inside the room. you descend the handful of stairs which lead into the showroom floor and suck in a deep breath.

before entering the exhibit, there’s a wall to the side with a simple explanation written in a white font:

queen: unfiltered — this exhibit preserves and presents never-before-seen images of the popular band, queen, through the eyes of an unnamed woman who spent a year traveling the world on queen’s jazz album tour. her images are intimate yet distinctive and offer a personal glimpse into the lives of one of britain’s most well-known bands.

at the far end of the room hang four banners spanning floor to ceiling. the banners wave gently in the air blowing throughout the room, illuminated from lights on the ceiling and floor. each banner hosts an oversized photo of one of the band’s members in an image that best captures their personality. it took you hours to find the right photo for each man, but you stand by your choice for each one.

there’s john on the far left, head bent as he strums the bass across his knee. his lips are pursed in thought, a line of concentration on his brow.

there’s freddie next to him. he stands in a spanish alley way, cradling a stray cat in his arms. he looks serenely on at the camera, a rare moment of simplicity.

there’s brian sat in an overstuffed armchair, his gangly legs crossed, a book open on his lap. he has the corner of his thumb in his mouth, and if you squint you can see the edge of his tongue.

there’s roger on the far right. he’s smiling at the camera, his eyes bright with mischief and joy. there’s a party hat snug on the crown of his head, pulling the skin of his forehead taut.

on opposite sides of the room, two parallel rows of twelve photos hang in neat order. you decided to have every photograph in the exhibit printed in black-and-white and, in all, you painstakingly picked the forty-eight photos featured in their simple white frames. you walk along the wall, hands clasped at your waist, eyes running over the memories you hold so dear.

the afternoon crystal taught you ride a bike in barcelona: you’re sat on the handlebars after a hard fall, mouth open in a squeal of delight as crystal whips toward the camera.

roger and john tossing an apple back and forth in an ottawa grocery store: john’s smile is broad, the apple caught on film midair.

brian sitting on the floor of your hotel suite: there’s a tray of sushi at his feet, and he’s smiling at you, his hair wet from a shower.

freddie playing the piano in the airport in yugoslavia: he’d been so excited to see one, his shoes had slipped on the slick floor as he ran to it. he’d played dramatically, conducting those around him in a horrible rendition of “god save the queen.”

your eyes sting with tears as you glance about the room. you’re proud of your work. it looks good, professional and elegant, but more than that, you’re proud of yourself for the work you’ve done in mending your broken heart. though you will never live the life you’d once dreamed of, you will always have the memories—and that’s got to count for something.

when the double-doors open and monica ushers the first of the patrons in, you slip into the closest bathroom to wipe at the makeup smudged under your eyes. you’re happy, truly so, and you want to celebrate—celebrate both of your lives as they finally come together.

the room is crowded when you reenter, conversation and gentle laughter mingling in the air. you accept a tight hug from rachel when you see her and the congratulations of your parents. you can’t stop smiling, and you’re sure your face will hurt come morning, but it doesn’t really matter, does it?

your parents float away, hand in hand, and you find yourself alone in the center of the room, watching in awe as people you’ve never met look at your photos, at your memories, and nod in appreciation. your chest swells with an emotion you can’t place.

“i think this calls for a congratulations. you’ve outdone yourself, dove.”

you whirl on your heel, lip caught between your teeth in a poorly-concealed smile. “you came.”

crystal grins. the tie of his suit is rumbled and askew, and you reach out to straighten it. old habits die hard. “i said i would.”

“what do you think?”

“i think it’s fantastic. the lads would be proud.”

“maybe.” you shrug. “guess we’ll never know.”

“are you really so intent on staying hidden forever?”

you nod. “yes. it took everything in me to even talk to you. i don’t want to ruin their lives again by popping back up, especially because i’m not exactly old, am i?”

crystal laughs, shaking his head. “you must think you’re hot stuff if a simple hello could ruin a life.” his laughter fades into a simple smile. “now, i know you’re going to hate me and i’m willing to take that, but i did tell a certain someone about the exhibit.”

you can feel the blood drain from your face. “crystal, you didn’t.”

he winces. “i might’ve.”

you slap his arm and curl your fingers into his bicep. “you bastard!”

he holds up his hands in defense, decent enough to plaster a look of contrition on his face. “look, i didn’t tell him the context or what tipped me off. i just told him there was a new exhibit about queen and he was eager to come see. that’s all!”

you swallow hard, uncertain how to respond. “i—” your head twists back and forth in utter confusion. “i don’t know what to do.”

crystal’s face softens, and he nudges your shoulder. “go talk to him. he deserves that much, doesn’t he?”

you can’t argue with that.

giving crystal’s arm a grateful squeeze, your legs shake beneath you as you turn and see him—brian—across the room.

you don’t know how you didn’t see him before. even now, forty years later, he’s still unmistakeable: still tall, still gangly, but his hair has gone white and his strides are slower. the overwhelming urge to tear across the room and curl yourself around his back nearly overpowers you, but you shove it down and manage to cross the floor in slow, even steps. you keep your eyes glued to his back, your hands twitching at your sides. when you reach him and catch a faint whiff of his cologne, the same he wore all those years ago, you have to push back the tears that rise unbidden to your eyes.

you tap his shoulder. “dr. may?”

he circles around, as does his wife anita, her arm snug in his elbow.

brian blinks hard, his brow furrowed in confusion. for a moment, you let him stare at you as you stare right back. his eyes are the same. you’d thought they’d be different, but they aren’t. the realization stuns you silent.

anita glances between you both before smiling sweetly. “good evening, sweetheart,” she says, and her voice is so kind you can’t even summon the slightest bit of jealousy. “i’m afraid i didn’t catch your name.”

“oh, i’m sorry!” you laugh and find that smiling at anita isn’t hard. “my name’s [y/n] [y/l/n]. i created the exhibit. i thought i might come and introduce myself.”

“oh, how lovely!” anita claps her hands together. “what you’ve done is so beautiful, [y/n]. it’s nearly brought a tear to my eye.”

“that’s very kind of you, ma’am.”

“brian likes it too. don’t you, brian?”

he still can’t seem to formulate any sort of response. he’s frozen in place, and your heart lurches for him. to see the woman he’d once asked to marry him, the one so cruelly ripped away, while standing next to his wife... precisely why you never wanted to meddle in his current affairs.

finally, he seems to collect himself. he sucks in a deep breath and nods in agreement. “yes, i do. very much.”

“that means a lot,” you say, easing your smile back into place. “thank you.”

“i’ll leave you two to talk to for a moment. i see crystal hovering in the corner over there, and i’m sure you both have many questions for one another.” anita presses her hand on your arm as she passes. “lovely job, dear.”

she leaves, and you’re left alone with the greatest love of your life.

you wait for him to speak.

“you’re... alive?” it’s a question, not a statement.

“yes.”

“you’re the same age?”

“yes.”

“how did—” he shakes his head. “i don’t understand.”

“neither do i.”

his chin quivers slightly, and he looks away. “i thought you’d been taken or decided to—”

you dare to touch his arm. a spark jolts through your fingers at the slightest touch, but you hold firm. “nothing happened,” you explain. “other than nature righting her mistake.”

“i think—i think i need to sit down.”

“yes, of course. my office is down the hall. it’s quiet there.”

he nods and leans against your arm as you lead him down the hall. in the silence of your dimly lit office, he collapses to the loveseat beneath the window and drops his face to his hands. you hesitate in the doorway until he looks up. tears shimmer in his eyes, and you swallow hard, your smile wavering around the edges.

he stands then, crosses the floor, and cradles your face in his hands. “my god,” he breathes. “it really is you.”

with a laugh, you hold his wrists. “in the flesh.”

“how long’s it been?” his thumb works over your cheekbone and, though you know he should stop, you can’t bring yourself to step away from his touch.

“about seven months.”

he snorts. “try forty years.”

“you seem like you did well for yourself, though.”

he shrugs. “i suppose.”

“you’re happy?”

there’s a heavy pause before he says, “yes.”

“that’s all i want to hear.”

slipping out of his grasp, you put a modicum of space between you both. the air is thick with emotion, and your heart beats wildly against your chest. the love you thought you’d put to bed flares at the mere sight of him, even after all this time.

you drift your finger through the sand of your tabletop zen garden. “i told crystal not to tell you about me,” you admit.

“he didn’t—not in so many words.”

“i know. i’m glad he said something, though.” you pause, meet his gaze. “it’s so good to see you, bri.”

quiet falls over the room as he stares at you. you don’t squirm. you’re comfortable under his gaze, always have been.

“i hope you know i never stop looking,” he says. “even after anita, i kept trying to find you. just to know.”

“and i hope you know that i would do it all again in a heartbeat if it meant i got to be with you even for a time.”

your phone vibrates on the desk, skidding across your oversized calendar. you reach for the phone and flip it over before slipping it in the purse hung over your desk chair.

“i’ve got to go,” you admit, crossing to his side. “i’ve actually got a date.”

to your surprise, his eyes crinkle with amusement. “i’m happy to hear it.” he lifts a hand and smooths back the hair from the side of your face. he looks at you with all the love he did forty years ago, and you wish you could take a picture to remember forever.

but then you remember: you have dozens of photos at home, and it doesn’t seem too hard to let him go now. not after the work you’ve put into mending your heart. you can face this, face saying goodbye for good. you have to, for his sake and your own.

rising to your tiptoes, you place a hand on his shoulder and kiss the corner of his mouth—one last touch, for you both. you wind your arm around his neck and whisper in his ear, “i love you, brian may. i always will.”

he squeezes you hard against his body, sucking in a ragged breath. “i love you too, [y/n].”

dropping back to your heels, you huff a breath and smile wide. “well, i’d better go.”

“yes, you’d better. don’t keep the lad waiting.”

you bite the inside of your cheek, your hand lingering on his. “okay, well... goodbye, brian.”

he smiles, and it’s the loveliest sight you’ve ever seen. he brushes you cheek with the back of his hand, whispering, “see you later, love.”

dipping out the back of the museum, you walk down the street, purse slung over your shoulders. you think you’ll be able to sleep well for the first time in a long time tonight.

you hope he can, too.

~*~*~*

taglist: @bhmay @grigorlee @teenagepeterpan @just-my-sickly-pride @perriwiinkle @ubernoxa @anunknownnebula @coincidence-ithinknots-blog @captvinswaan @ineloqueent

#brian may #brian may x reader #brian may fic #brian may x you #queen #queen fic #queen x reader #j writes

129 notes · View notes

4lix · 4 years ago

Note

hello, i’m so happy you’re making a comeback. since you’re in the mood to write abt chan, may i request a best friends to lovers trope?

friends to lovers ★ bang chan ↳ gender-neutral. fluff.

okay so falling in love with ur best friend is a big L but its one u are more than willing to take for christopher bang

first things first, chan loves people with his whole mf heart.

whether its family, friends, or romantic interests

so when it comes down to him falling for his best friend? idk if he’d really realize it unless someone literally spelled it out for him, he’d just mistake his affection towards you as just the same kind of best friend love he has for ˙his group members

he’d never think much about the fact that most of his song lyrics these days were getting oddly too specific in detail about a certain someone

or how whenever he felt down his gut reaction was to call you up because the sound of your voice seemed to make everything better

or how he really really likes cuddling with you after long days of practice

and when you stop by the studio when he’s stuck on a track and just pull him to the couch to lay down for a while to get a break from staring at that damned screen, he’d instantly relax in your hold, sighing in content as your fingers twirled around his curls

and yeah his stomach is filled with butterflies and his ears are all red all that corny stuff but you’re his best friend and best friends cuddle sometimes too right?

best friends also feel the urge to kiss one another on the cheeks? perhaps sometimes they fantasize about what it would be like to kiss each other on the lips?

ok maybe not.

chan knew some of his thoughts were a bit odd. but you were really pretty so it was understandable. you were his safe place and the closest thing he had to home besides his members.

unbeknownst to him, you were honestly no better, a bit more aware of the fact that you could possibly be in love with the idiot but you were still in denial nonethless

whenever felix or hyunjin would tease you about your relationship with chan you’d feign disgust like he’s my best friend that’s weird! but your cheeks are red anyways and you’re kind of stuttering and hey is it hot in here or what-

when you had tough days chan would spam you with encouraging texts, a million obnoxious emojis, memes, just anything to make you smile and it always always worked, just the sight of a notification from chan always made you light up but that’s what best friends are for right?

friends make the world seem brighter, that’s all chan was to you, a friend.

and chan cared a lot about his friends, so it only made sense..

but unlike his other friends, you always got special treatment

he’d give you gifts for your friendship anniversary despite all the suggestive looks from his group members, kissed your forehead when bidding you goodbye and always sent you good morning and good night texts each and every single day

he’d go out of his way for you always and all of that just seemed normal, natural to him. because he loves with his whole heart and he doesn’t even realize it

he wouldn’t really come to terms with things until one of the members like screams at him to just stfu already because he won’t stop talking about you and he somehow makes everything about you and it’s driving them insane

they’d be like we get it you’re in love with y/n shut up already

and he’d just be a stuttering mess like !! no im not !! and yet his heart is racing in his chest and everyone looks at him with an unamused glare

changbin would be like “everything you’ve written these last few weeks are all about them-”

felix would chime in like “you killed your phone battery texting them all day and then used my phone to call them so you could talk for three hours straight.”

jisung is like “yeah and you bought like ten different gifts for your friendship anniversary but you gave me a set of socks for my birthday-”

huh wait maybe he is in love with you.

“those socks were knitted and really nice.” would be his only line of defense

the rest of the afternoon the members would just tease him about all his lovesick puppy habits that he was completely unaware of

like how his face lights up the moment you walk into the room

or how he can never go shopping without picking up something for you because hey y/n would look really cute in this!

and that he even mumbles your name sometimes when he’s sleeping lord help the boy

things kind of go to hell because now he can’t look at you without blushing and stuttering

he’s panicking because how the hell could he have fallen in love with his best friend who probably only sees him as a brother? if you liked him back surely you would’ve let him know by now, i mean if he was as obvious as his members said he was with his feelings there’s no way you weren’t aware of his infatuation with you.

but you were on the same boat really, to you, it seemed as though chan was affectionate with everyone, he smooched jeongin’s cheeks every now and then, and the socks he got for jisung’s birthday were kind of nice? you weren’t that special right? there’s no way chan could fall in love with someone like you anyways... right?

you knew him better than you knew yourself so his odd behaviour definitely did not go unnoticed even tho your sheer lack of brain cells prevented you from realizing why he was acting odd in the first place

the good morning and good night texts stopped, the spams of memes stopped, it was just radio silence for a few days and it was starting to freak you out but it was close to the deadline for the new album so he could just be stressed and you could just be overreacting

you figured you’d stop by the studio at like ass o’clock like always with some takeout for chan because you knew he never ate much when he pulled all nighters, you even threw in some of his favorite snacks and energy drinks, bringing your laptop with you to get some work done of your own hopefully

you did your signature knock on the door before entering but chan still jumped at the sight of you, weirdly startled by your presence, avoiding your eyes and only managing to cough and give you a tilt of a nod in greeting before gluing his eyes back to his computer screen

your first initial reaction is did i do something wrong :( and you intend to ask chan about it but he puts his headphones in and seems rather busy, you remind yourself again that he’s just focused on the new album he’d never purposefully ignore you.

you’ll ask him later, taking a seat on the couch, scrolling through social media mindlessly as your thoughts can’t seem to drift away from the boy across from you and how fluffy and soft his hair looks today.

after a good fifteen minutes pass, chan still hasn’t touched the food you brought which leaves you no choice but to annoy him to ensure he takes proper care of himself. calling his name multiple times to no avail, you tap the space bar, pausing the track before removing his headphones.

“channie, you can ignore me if you want to but i won’t let you ignore getting your vitamins and nutrients. i know you didn’t eat dinner. so eat.” he’s still not looking at you, just nods, clearing his throat awkwardly before turning over towards the takeout you brought for him and taking a seat at the couch.

you follow behind him, sitting right beside him. just a week ago you were here with chan laying on your chest, watching tiktoks of cats but now here you were, in the same spot but this time chan was silent, closed off. the complete opposite to his usual warm and bubbly demeanor.

he didn’t even bother to deny the fact that he was ignoring you, he just ate silently and fear starts to consume you because maybe chan really was upset with you?

before you figured he was probably just stressed and overly focused on the track he was working on but now it seems obvious he’s blatantly ignoring you, not even sparing a thank you for the takeout which was really unlike him. he always thanked you for taking care of him with tight hugs and sloppy kisses on your forehead. now he didn’t even look at you.

half of you was agitated that he was giving you the silent treatment instead of just being honest with you about whatever was bothering him but the other half of you really wanted to smooch his chubby cheeks filled with rice because wow he looked really really cute.

as annoyed with him as you were, you couldn’t help but appreciate his bareface, it was you favorite look of all, when he didn’t look like a famous idol, instead just a regular boy with blemishes and unruly hair in grey sweats and a hoodie.

a grain of rice hugged the corner of his lip, you fought back the urge to kiss it away. he was so unfairly attractive it made you want to punch him

you lean forward, reaching out to him to wipe the stray food away but he evades your touch, leaving your hand raised awkwardly out in front of you in rejection. now he didn’t even want you to touch him?

“did i do something wrong?” you didn’t realize how hurt you were by his silence, by his disgust of you, how he felt like a stranger these days. you kicked yourself inwardly for sounding so broken but the tone of voice seemed to strike something in chan because he finally met eyes with you for the first time in what felt like forever.

“w-what no not at a-all what makes you think that?”

“chan you’ve ignored all my texts for the last three days. you haven’t talked to me in nearly a week and now you can’t even spare a hello when i come in? you’re even avoiding my touch like i have the plague or something.” guilt washes over him immediately and he puts down the plate of food and looks at you with those brown eyes that are all sad and regretful and you forgive him before he even opens his mouth because you’re just that helplessly in love with the idiot

“i-i’m sorry. i didn’t mean to, really, i just have a lot on my mind right now and i just...” he turns to look away again but you place your hand to his chin, turning him forward to meet eyes with you again, he doesn’t shy away from your touch this time

“chan if i said something or did something wrong that bothered you, y’know you can always talk to me right?” you said earnestly, cupping his cheek in your hand, he leaned into your touch, humming gently. relief enraptured your heart, along with warmth

“you didn’t do anything wrong, i promise.” his eyes don’t leave yours, nor does his voice waver, so you believe him

“then why are you ignoring me?”

“because...” he tries to get the words out but his brain is going a mile a minute and you’re really close to him. you’re turned to face him, sitting criss crossed, knees bumping against his, he can feel your body warmth and it’s kind of sending him into overdrive

“because?” you urge him further, unable to help your lips from curling downwards in worry. he’s silent still, biting his bottom lip anxiously and you consider giving up for a moment but then he pulls your hand away from his cheek, instead holding it tight in his.

“i realized something. the guys, they made me realize some things.” he starts, eyes flittering past each and every single one of your features, admiring them silently to himself. how did it take him so long to realize he was in love with you? you were beautiful, his best friend, his whole heart, his muse.

earlier, his eyes were glued to the screen because he was rereading the words he’s written over the last few weeks and he couldn’t quite believe he wrote lyrics that were literally entirely about you and he had no idea, just assumed he had some new rush of creativity or something.

of course he was in love with you, he always been in love with you.

“yeah?” you rub your thumb over his hand slowly in an attempt to ease some of his anxieties. whatever it was he needed to tell you, it was clearly taking a toll on him, he was fidgeting, sighing over in over again and shaking his head trying to clear his thoughts. you felt a bit bad, perhaps you were prying too much?

“look i just–– i know we’re best friends, and the last thing i want to do is jeopardize that so if what im about to say makes you uncomfortable or something j-just forget it ever happened okay?” unknowingly, you hold in you breath, fear for his next words knocking the wind out of you.

“i... i like you. like like you, and- i don’t know how to deal with it so i’ve just been avoiding you and i’m sorry- wait why are you laughing?” his eyebrows are all furrowed and his cheeks are bright red and he’s squeezing your hand in confusion and you just look at him and just die of laughter

why were you laughing? you weren’t sure. maybe it was relief? joy? just pure utter love for the idiot in front of you?

“channie-” you attempt, but your laughter still has control over your lungs so you just cling to the boy helplessly, looking up at him with so much happiness in your eyes that he can’t help but feel a bit hopeful that maybe this laughter is good laughter?

“why are you laughing! i just confessed to you, put my heart out on the line and your response is laughter?” he’s smiling despite the confused tone of his voice, nudging you playfully but you pull him into you, shoving your face in the crook of his neck trying your hardest to get out the last of your giggles. with one last deep sigh, you prepare yourself to finally give him a proper response

“i’m sorry for laughing channie i’m just really happy. and relieved.” you finally pull away from him, resting your forehead against his, cupping his face once again in your hands.

“i like you too chan, i’ve liked you for a really really long time.”

the smile that lights up his face is one you’ll never forget, his eyes practically disappear, his dimples protruding through those precious cheeks of his and you can’t help the small laugh in happiness at the sight

“thank god i was actually losing my mind you know, changbin and jisung have been making fun of me all week, clowning me for being a lovesick puppy.”

“is that why they’ve been wiggling their eyebrows whenever i walk by-”

“unfortunately yes.”

“chan you should’ve just told me!”

“yeah well! i thought you saw me as like a brother or something!”

“what- no! i’ve literally been in love with you since the moment we met you idiot-”

“yeah well i’ve been writing songs about you for the last month, songs that you helped with and you didn’t notice a thing-”

at that you just :O bc realization hits u like a train n yea wait a minute he was pretty obvious..

he just gets all red again and then you smile at him and he’s smiling back at you and with the dopiest grin on his face he’s like

“can i kiss u..” and u dont bother to reply you just grab his cheeks and connect your lips with his

the kiss is kind of a mess tho bc you’re both just so ridiculously happy that you can’t stop smiling so yea its not a proper kiss but its filled with giggles and each time you pull away chan only leans forward to peck you again and again because he cant seem to get enough really and he’s just so elated that he can finally do this as many times as he wants

in conclusion chan loml<3

requests are open! :) ↳ notes: tysm for all the kind welcome back msgs ily all sm omg <3 i ended up combining two requests as they were a bit similar i hope thats okay hehe <3 also sry if this is sloppy this is my first post in a long time & im kind of rusty .. whew

#bang chan #bang chan x reader #bang chan scenarios #bang chan imagines #bang chan requests #stray kids

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aprito · 4 years ago

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hello <3 since i got these asks at the same time i decided to combine my thoughts on them in this post. yet another annoying sjw essay from yours truly on this blog

before i get into these i think i need to preface why im like. i guess overly hyperfocused on a certain unproblematic base (same age au / platonic canon) for them and avoid the ped0philic content like the plague lol

tw for pedophilia ment, rape ment if that makes you squicky. ALSO THIS IS LONG AND RAMBLY

as i’ve mentioned a couple times already, ive been into the ship since i was 12, back when it was very very common to not only post untagged (nsfw) canonverse content of the two in writing and in drawing but also non con and the like, so you can imagine how bad my first impression online was. thinking back on it ...as a child i found it disturbing but didnt really register how problematic it really was?? (i know, but i also lived in the middle of nowhere and had no one explain this to me)

skip to 2014 aka me coming back to naruto at 17ish and i had kinda become hyper aware of the fact that there was an increasing amount of people online who had come forward with explaining how fictional problematic content, mostly pedophilia, had been used to groom them into starting relationships with adullts. it was also a time where a lot of people didnt believe these victims, not registering how common it was for minors to be online friends with adults who had no boundaries and no qualms exposing them such content. not gonna get into my personal life here but i was lucky to not having gone through this myself. like... it kinda was my first time truly realising how fiction can EASILY be used to manipulate others irl (and yes i will not argue this, if you dont think fictional media can form and manipulate people’s opinions on attitudes, countries, cultures and virtues, pick up a book about the effects of propaganda media at least once please)

i, being young, still liking the dynamic but not really the romance, would point this out here and there in the fandom and get into fights with grown adults in their mid 20s who assumed i automatically hated the ship(s) and tried to restrict their freedom of speech or whatever, heard everything from the “age of consent doesnt exist in naruto” to the “sasori looks like a child what does it matter” despite people clearly playing on him being older and experienced. it made me so upset that people were just consuming all this content uncritically and exposing children to it tbh?? not really just sos but a lot of minor/adult ships in naruto in general. and thats where i sat down and thought, i do not want to be a grown adult talking down to children that point out how unsafe the fandom is. theyre absolutely right in drawing these boundaries and calling out adults who defend the uncritical consumption and creation of this content. i do not want to consume or create content that predators could use to groom minors, and i absolutely do want to let younger people in fandom know that i am respecting their comfort zones and want them to have a safe and fun experience. after all, naruto is not an adult show and i think a lot of people forget that!!!! i am not perfect in that regard but its something that i, at the age of 23, am very passionate about and strive towards to.

and i guess thats where same age au was born for me and i have been sticking to it ever since.

so finally we can move to the first question

aside from the fact that we both dont like canon sos, i dont think it would work out even if i wasnt prejudiced to it anyways. in all honesty, 35 year old canon sasori is not a redeemable character to me, given the fact that he’s easily amongst the cruelest villains in naruto (torturing and killing and taxiderming people for his own fun personal gain, never for a goal that served anyone but himself. how do you redeem having over 300 corpses in your backpack that you felt absolutely no remorse for killing). sasori was legit one of the only cruel villains that didnt had someone else pull the strings, which sends a clear message on kishi’s part, who absolutely loves to redeem villains LOL.

being that old, he obviously had already been very manifested in what he believed in, even if it was shakey, to the point where the first crack in that world view (sakura and chiyo protecting each other) immediately had him give up on his life all together. that, in my opinion, is not a man who’s going to know what healthy relationships would look like, regardless of it being romantic or not. 35 year old sasori to me has the same appeal as an expired can of tuna and he’s probably very happy 6 feet under. he’s supposed to be a failed gaara in that sense that he had no one to look out for him and therefore was never going to experience anything but a bad ending in life. its fine that hes dead honestly, it wraps up his short character development the best IMO.

adding to that, seriously, sakura was obviously interested in knowing why he was that way, and called him out for being seriously fucked in the head, but it’s weird to me that people assume she had any interest in actively rehabilitating him, let alone starting a serious romantic relationship with him. sakura who’s not only very, uhm, immature and straight forward when it comes to her romantic viewpoints also, as a big bootlicker, wouldnt soil her standing in the village by starting anything with a disgraced and far too gone criminal like sasori. shipping that version of sasori with sakura intimately is still going to set her up for a huge power imbalance that would be difficult to handle imo, even if she was the one in the fight ultimately exerting her power over him. i would still look at it and think damn she deserves better than having to play therapist for man like that lol.

additionally, even if you ignored all of this, you cant really ignore that sasori had already known her as a child, and that had been his first and most impactful impression of her. i dont think that sasori would look at 35 year old sakura and see her as a grown woman and not the little green girl she was in the fight. plus, you easily fall into predatory comparison territory between the “childish” and “womanly” and i have seen way too often in fic just being boiled down to her now being fuckable. a lot of of ships do this and i would just like to remind yall thats it not normal for adults to want to start relationships with children they have seen grown up or known as a child when they themselves were fully grown adults. therefore, maybe if sakura hadnt met sasori before it would be less of a problem? but that also obviously defeats the point of the dynamic and the reason he died in the first place. so yeah, it sounds kind of doomed especially if you were to make it romantic.

WHICH BRINGS ME TO THE SECOND QUESTION

let me preface this that im not fundamentally against age gaps, even if im not super interested in it. after all, colorblind had a 5 yr age gap (with sakura being 21), even if, say, i wrote similar fics today i probably would make it smaller lol. i think it can be handled well if both parties have enough life experience to deal with it, and the author is cautious of where the age gap starts, i think a 10+ year age gap would be fine in a scenario where the younger party (i guess sakura) was at least 25-27ish, meaning she has completed most of her most formative life stages and probably had been in relationships before, meaning she would be able to handle it without having to fear a huge power imbalance. the older the younger party is the less the age gap is going to matter tbh .TsukiHoshino and AngelOfDeath10 both handle age gaps in their fics really well imo, so i do not mind reading about them.

unfortunately, a lot of people in this fandom think making sakura barely "”””legal””””” (18, not even 20 which is hilarious to me because the source material is obviously japanese) because they both cannot stand her being past her “prime years” of being young fertile and fuckable to much older men as well as thinking a 20 year old is automatically old enough to handle that type of relationship. ive seen a lot of unironic takes that believe it will absolve them of callout posts if they throw around age of consent and “shes 18 now suckers!!!” enough lmfao. absolutely hilarious. aging a minor up without aging the adult down seriously reeks of predatory “cant wait until youre 18″ narratives and thats why i find it similarly disturbing as straight up pedo shipping.

ultimately, sasosaku is and will always be a inherently problematic ship in canon, which is why i think it should always be handled a little more responsibly in fandom spaces, ignoring or outright excusing the main problem factor, which is sasori, isnt going to convince anyone that the dynamic in itself is well written and interesting enough to explore in aus, like giving sasori the redemption most of us wanted him to have by aging him down to a point in time where he was still realistically going to allow being positively influenced, similar to gaara.

so really, what i think is well handled age gap and how most people handle age gap in the naruto fandom are two different worlds at times lol

tl;dr

canon shippers have never been anything but gross when i was younger and i didnt wanna be like that, even if youre “smart”enough to differenate, actual creeps dont really care and might use your content to blur the lines, sasori isnt rly redeemable so romantic canonverse realistically wouldnt make much sense and is still iffy, age gaps are fine if they are handled well, but given that the dynamic doesnt really need the age gap to still work im not that invested on making that an essential part of my shipping experience.

thank you for reading and hope this makes sense!

#nonitxt #meta #another hot take from me #but seriously if you're offended over these #unfollow me lol idc #defending predatory content is not a hill im gonna die on in this life

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misterbitches · 4 years ago

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i keep thinking about this and coming to more conclusions like both as an artist and me.

we always think first about the aggressor and not the victim. so, for example, with history 4 and yong jie what will their relationship look like now given the trauma? if they have no interest in fleshing this dude out and having him just be an annoying clingy little ugly bitch then acknowledge that pain and how it will affect them. it’s so easy for xing si to get over being raped? what about xing si’s relationship with his mother? what about the fracturing this does to the family when there’s an intense violation that was aided and abetted by the mother?

that would be far more fascinating trying to figure out and they could still have them be together if they so desperately need it but they can’t ignore everything. that means the trauma will permeate through every part of your life. it’s hilarious that so many fans say the portrayals are realistic because they are not. these shows do not have the time and many of the writers or producers do not have the care or prowess—or will have to cut things to please the state—to execute this. they expedite the healing process but we are left reeling.

in film school one of my teachers was always like, “what happens in the world when the film ends?” and this is something to ask. are we approaching it from: a man falls in love with his brother who raped him and the mother encouraged it and the shock and taboo of that or are we approaching it from a man is forced and trapped into a rship and stockholm syndrome and how that plays out. even if they stayed together even so it would give us more reason and understanding and then we see and know the foundation is built on nothing but darkness and may never recover. after this chapter ends there may be destruction; it’s possible because that’s how it all started.

but after this story ends, in the way it is presented, what will happen? it’s not just entertainment and that doesn’t mean it’s as big of a deal as i think it is even as i write these things. these are just things to keep in mind and things i think the younger viewers absolutely need to see. for themselves like as creative people and enjoying the media they consume and seeing what works and what doesn’t especially when a work serves a purpose. nothing is made for no reason so don’t expect it to be. to me i’m like: why was this made and what could have been better?

there is NO improvement which is why we run around in the same circles. the way to untangle that is being clear about the message and its faults. the audience can’t be clear about it if the show isn’t doing its job for a team of professional fucking writers trying to entice people by poorly approaching topics and leaving them empty handed. life is not as hollow as these things make it and yet we eat it up hook line and fucking sinker.

time and time again we see what these things must establish and how far they can push themselves. it isn’t until the material world gets better that we see a turn in the media but time isn’t linear. sometimes things are worse in years, sometimes things are better. these tropes last because they are a direct reflection of life and the failures in society. so of course it’s about the perpetrator and how they can get their prize but not how we can manage these things when there is a clear victim and we pretend like it isnt there under some sense of potential reform. 1. people do not need to be reformed in a story and that isn’t what this needs 2. is that compelling? 3. yes morally grey things exist but this is not morally grey when it is a violation adn that person’s action was not morally grey. there was a victim and he neeeds to be away from that victim. if he is going to stay we need to see the affects of him being there as real things and there is nothing realistic about that. in no fucking world would someone like xing si a grown adult fucking man be able to temper things that quickly as in the show. NONE. that shit lasts forever but we are supposed to see them kiss and be liek “aw wow morally grey” like what about him is morally grey in relation to xing si? specifically. whihc is the personhe will be with forever.

no it’s how do we get ourselves to see him and engage with him. you can engage with him or be enraptured sure but that doesn’t mean anything and it doesn’t mean the writers are even doing anything with it! i’m glad eveyrone can garner there own idk ideas or get what they want out of a work but what about the victims? what about the relationships? what happens when the story ends? what are dinners like? cos their lives don’t stop when it’s not being recorded (as in these worlds we are shown are always going to exist so they continue on even without us seeing it. so the characters don’t have a stop point we just usually see their happy ending and many times with shitty relationships it’s like why are we here now?) at this point it’s comical and it’s boring.

there’s a film i like with cameron diaz where she falls in love with someone who kidnapped her for a job. there’s no perosnal connection which really helps as well. he did it for a job, doesn’t know her, they fall in love. they get together at the end. that still affects her but it’s also way less psychological trauma then somoene stalking and grooming you and violating you and trapping you by direct action and constant manipulation. there’s no way to turn that around and it’s even worse when you try to with literally no other explanations. like who are these fucking characters and why should we even want them to continue to be here? yong jie could have even been a vehicle to help xing si like idk unpack everything in his brain in a helpful way even through his violation. they chose none of that lmao i could write a better fucking script and im a moron

why should we believe in their love? why should we believe in yong jie? why should we believe in any of these people when they don’t prove shit to us. they just exist. why is that interesting? why do we root for them? that’s certainly not something they even asked themselves cause they sure as shit don’t know. the writing here cannot make up its mind on its own morality and i think the idea of morally grey only works if you have a fucking idea of what you want to do not just throwing shit at a wall. and we feel something for these “morally grey” characters—frankly this term is also a mistake because it’s so much about good/bad and ignores history and peoples lives and what leads to events and it is a super WASP-y concept in its current iteration anyway with a belief that punity is justice when it is not. that is why i say get the fuck away from this dude instead of going to jail. we could see yong jie grow but FUCKING OUTSIDE OF XING SI.

aey from lovely writer is one where im like wow i feel so bad 4 u i think ur gonna like kill urself someone get this messy ass bitch some help. people hate this kid and they totally can! i feel bad for him! dont love him and maybe i wont even want the best for him but rn im like “omg i dont want u 2 die sir.”

i dont feel that way in many other shows. i feel fucking nothing for these men. not yong jie and not even the old guy from modc im just like ok you exist and i’m going to ignore you. there is nothing in my chest lmao. i look at them and feel cold, couldnt be drier, cos it’s stale and boring and trite and nothing new at all. it’s not realisitc and it’s not even entertaining. it’s just...there.

i mean it’s there with the reminder of “oh man i am not interested in your love story also isn’t your boyfriend like 40 and you’re 17? why do you like each other again? does this kid have parents? Wait, what’s happening? uhhhh am i supposed to like this? where are his parents? what’s gonna happen when he turns 23 and realizes how fucked up that shit is? can we see that?” and before u know it the sex on screen is over so that was just unpleasant all around.

and i cannot give u a single reason for so many couples why they like each other. like literally what on earth is there for the two of these people to be attracted to. at least one is being swayed by power but what’s the other one doing? oh nothing he just sucks? ok got it.

if we don’t approach it from a “how do we get people to like a shitty person or a person who does things that harms others” it continues on like this. questioning questioning questioning the comfortableness and never thinking about what the fuck the victim can do, what the fuck is even going on in their heads. and if they can’t do that then we go back to the question: what is the purpose of it? if the answr is “just because” then you have a failure on your hands and a lot of annoyed people. sorry not sorry

#history 4 #history 4: close to you #lovely writer #a thot

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tonysopranosfeverdreams · 4 years ago

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kinda sad but how do you cope with the weight of everything? :( its so painful. sending u love

You know the only things that have really helped me i think has been finding more ways to try and live in the present and keep my mind/body occupied enough for it not to stray to the scary and overwhelming stuff as much as possible when there's so much of it. None of this will cure or fix anything of course, but I think just listening to how you feel when you do/consume something and building little habits that incorporate doing the things that make you feel good into your routine. Even if its just been like, taking time in the morning to sit my cat before (remote) work and use a new flavored coffee creamer in my my coffee or like, it's a reminder of little things that are nice in daily life and that we can expend almost no energy to put yourself in a little brighter of a situation on a regular basis.

On top of that, I found myself mindlessly scrolling through media and social media but not really absorbing it like. All day every day and im still terrible abt it but I noticed I feel good if I engage with a movie or book or show and really process it and give it my full attention for like. The smallest amount of an episode or like I make myself read 25 pages a day now because I feel better when I watch something I find stimulating or like at least with a pretty actress or something and when I work my imagination a little bit reading than when I browse YouTube vlogs for hourse that I don't care about or whatever and hating myself for not engaging with content I find interesting and finding it even harder to make myself do anything bc i feel inexplicably guilty about it lol.

I also noticed I am more likely to come thru anxiety better if when I start getting really nervous at 3 in the afternoon I do a quick workout that I know well and enjoy rather than having 2 bottles of wine you know lol? Ive been obsessed with ballet barre workouts personally lmso. I guess trying to develop and hold myself to my weird routines has been really helpful and moreover gives you a sense of control and that at the very least you can adapt bring yourself little joys no matter whst.

Sorry this turned into a ramble, it was a really interesting question to reflect on.. I hope you find ways to make happinese and find lighter times soon too, sending my love 💓

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gizkasparadise · 5 years ago

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hey! just a fly-by comment to say i'm really enjoying all your kdrama posting, even though i get the feeling we have quite different tastes in kdramas. based on your general comments and the fact that i've only so far seen one of your A+ dramas and i didn't like it that much. however! i really enjoy the way you talk about shows. i feel like tumblr fandoms now talk about shows in a really analytical way and your posts remind of, like, livejournal 'pimp posts' from 10 years ago. it's great!

aww thank you!!! generally speaking i don’t watch/read things too critically and don’t have an interest or desire to do a discourse analysis on every piece of media consumed because im Too Tired for all that. stuff should be fun!!!!!!!!

also feel free to throw me some recs! the kdrama train can’t be stopped at this point

#asks!#kdrama #masriel

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ofshilohs-blog · 7 years ago

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heyho, hi ! i’m incredibly late jane ( pls just ignore that the accepted post says sylvia .. i was v insecure if u catch my drift ), twenty, she & her and from the glorious gmt+2 tz. along with being an avid dc & marvel fan, memes cause 90% of my laughs which .. is sad now that i think about it but Anyways ! you’re here for shiloh and not me ( mayhaps a little bit. here’s to hoping right. ) read below at ur own risk, you’ve been warned alright .. also if you want to plot just hmu or like this & i’ll im you later !

SHILOH HARTELL — wait, you mean the AMETHYST ? yeah, i’ve heard of HER before. they’re a TWENTY-ONE year old DANIELLE CAMPBELL lookalike and identify as DEMIGIRL. people often describe them as THE ARCANE of this island. i definitely agree, though. i mean, not to be rude or anything but shiloh can be kinda PEREMPTORY and PARADOXICAL, but everyone has their bad days. however, they’re also TRUSTWORTHY and DILIGENT, which makes people admire them so much. i guess what i’m trying to say is that they’re a true gem.

BACKGROUND ( TW: CAR ACCIDENT, COMA & ALCOHOL/SMOKING MENTION )

first things first .. you can click on each word to find shiloh’s bio & headcanons but i don’t want u to waste five mins of your life so i’ll try to cut it down to three. SKSKJ

besides that i’m actually kind of proud of this kind of social media page ?? so mayhaps look at it .. if u want.

really getting started now though

born april hartell in toronto in 1996, before her younger brother june was born one year later.

( for the sake of .. lbr everything i’ll just go on calling her shiloh bc otherwise it’ll be too confusing w/ april & shiloh ) in her early yrs shiloh used to envy june and the way their parents always preferred him, but fast forward to now and shiloh’s soo very glad they did. she taught herself numerous things she probably would have never considered if she wasn’t��“ignored” a good few months and even after she brought up being left out to her parents it continued.

when shiloh was twelve, her brother was diagnosed with copd or more commonly known as smoker’s lung, an obstructive lung disease which only caused the family dynamic to spiral down.

after the news sunk in the hartell’s did everything for their brother/son and during those times shiloh and june actually grew close. shiloh mostly took care of her brother when their parents went out or simply had to recharge. ( the next few sentences are from her bio bc it’s 2am n i’m tired bear with me plS ) nonetheless graduating was just as important as taking care of june. shiloh has been known as some kind of a contradiction during her school years, always being excessively studious and getting straight a’s while being surrounded by other popular kids due to being the cheerleading co-captain. at the time her schoolmates didn’t know anything about shiloh’s home life as she preferred to keep it that way. hanging out with them gave her a few hours of calmness, despite most of them trashing other people’s property or trying to set her up with the most basic but popular guy, until they realized she apparently had no interest in any form of relationship. but what no one, except for her brother, knew was that shiloh in fact had a friends with benefits agreement with some messed up guy from a local university. shiloh always told june it wasn’t serious in the slightest and she probably wouldn’t even talk to him if he didn’t have his own demons to deal with.

shiloh always blamed her father for june’s disease as it was caused by him smoking every day and having june next to him almost all the time. while shiloh never wanted to become like her father, years later she believes she did despite trying truly everything not to.

at age eighteen shiloh changed her name legally, now using april as a middle name and nickname for her parents to use. ( once again copied from her bio rip ) ever since graduating shiloh started making videos to compensate for the lack of other distractions, as she wasn’t interested in meaningless hookups anymore either. being exposed to even more knowledge and terms than before, the brunette found herself more and more.

while spiralling down due to constant pressure at home and online shiloh had weak moments of consuming too much alcohol which only caused to cloud her judgement. it was june’s eighteenth birthday when shiloh made a fatal mistake, driving while intoxicated caused their car to hit a tree and damage its occupants.

it wasn’t until one month later that shiloh woke up from a coma, as disorientated and concerned as ever. when she caught the sight of her brother without any severe injuries shiloh was finally able to breathe normally again, not realizing her heart rate went up significantly just moments before.

even though june always claimed the crash didn’t worsen his condition, shiloh kept blaming herself just like she blamed their father for what he did to her younger brother. during that time shiloh started seeing similarities between herself and him that didn’t even exist.

once again distancing herself from her family shiloh put out more and more videos. as she gained subscribers rapidly, shiloh decided to talk about her private life for the first time publicly, hoping it’ll help people in similar situations.

getting mostly positive feedback and encouraging comments, shiloh approached her family again. she tried making peace with her own mind about everything that happened in the past, almost promising herself to not act the same way ever again.

as june’s condition got worse year after year, it hit its lowest point in 2016. no temporary treatment helped and the family’s former inherited fortune shrunk every year after trying one high-priced experimental endeavour prior to another. shiloh and her family got closer during that time once again, but her parents also insisted on her being able to have a life on her own.

while applying to the closest car shop to become a mechanic, shiloh cut all ties to social media in the process after making one last youtube video explaining why.

as her family heard of the gem theory they believed it’d be for a good cause to set shiloh up for it. being skeptical at first, shiloh put more thought into it. what if it meant the money she’d receive could be used for yet another attempt at finding a cure for her brother, or even the organization itself developing one ? after a few tests shiloh was all too familiar with, the result of being a perfect fit for the project surprised her to a degree. while hoping to partake in the experiment for the sake of her younger brother, shiloh simultaneously didn’t want to leave her hometown for the very same reason. having a long talk with june, however, convinced shiloh to be a part of the gem theory. still being skeptical, she hoped for some kind of silver lining.

PERSONALITY ( TW: ALCOHOL & SMOKING MENTION )

as mentioned above shiloh is very eager to learn about basically everything. she always needs something to keep her occupied. as megan abbott once wrote there's something dangerous about the boredom of teenage girls and while the quote is only semi-fitting it definitely can be used to describe shiloh’s high school years, always fooling around and screwing up while maintaining this picture perfect kind of image as co-captain of the cheer squad and a straight a student.

contradiction has always been a big part of shiloh, balancing between two stereotypes if you will: nerd vs. popular kid, first born vs. being the “lesser” child, being incredible romantic vs. meaningless hookups, keeping all feelings in vs. letting them all out at once, not believing in anything that can’t be touched/seen vs. believing in aliens.

absolutely despises cigarettes, blunts and everything else that can be smoked.

believes that wearing glitter as highlighter takes her closer to the stars and aliens.

the only alcoholic beverage she regularly consumes is any type of red wine.

for the first time in her life, shiloh’s been away from her family for more than a month. while appreciating being able to live her own life, homesickness hits her a lot.

shiloh’s a very structured person, disliking chaos and things that don’t seem to make any sense. suffering from ocd especially intensifies the former along with spending up to an hour with things such as rearranging belongings again and again, something others probably wouldn’t even notice. back when shiloh did youtube videos those had to have a certain length as well, sometimes even having to be re-filmed.

being on the island gives shiloh a bad taste in her mouth more often than not with everything that happened. as she’s a person who doesn’t necessarily likes being observed after her online presence, shiloh’s reminding herself of the promise she gave her family of not returning without anything more than ever.

this was all soo v serious omfg. but have this little fun ig tidbit that the only meme shiloh’s familiar with is that snl sketch dear sister bc she used to love the o.c. which inspired it so have that. keysmash

WANTED CONNECTIONS

alrigHT this is not to toot my own horn bc Yikes ! MXALDKS but i’m best at brainstorming and rambling when it comes to connections but will try to add some general ones to this part later or tomorrow as in monday bc it’s already past 3am n i’m [ madison beer vc ] dead.

#⊱ ɪ ᴄᴀɴ'ᴛ ғɪx ᴛʜɪs ᴍᴇss ɪ'ᴍ ᴍᴀᴋɪɴɢ ┊ ooc.#gem:intro #this took an hour n isn't even as long as my usual intros .. i hate memeself.#also pls donut mind me being a flop and not being able to like intros / replying to starters till later

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