#the only characters still here from like. as far back as season 1 of the anime covers are denji and katana.

[ariays]

The Significance of Kitty & Minho Bookending Both Season 1 and Season 2 in XO Kitty

Yes, I'm here again with another analysis because why not?

So previously, I mentioned the term bookending. & I just thought that it would be nice to elaborate on that.

So firstly, what is bookending?

It is a storytelling technique where a narrative begins and ends with the same event, character interaction, setting, or theme. It is a method that is often used to create symmetry, reinforce themes, highlight character growth, or foreshadow key relationships.

Storytelling is rarely accidental—especially in romance-driven narratives like XO Kitty. One of the most deliberate yet overlooked narrative choices in both Season 1 and Season 2 is how Kitty and Minho’s relationship is bookended—they are the first and last people she interacts with in both seasons. This framing technique is often used to subtly highlight a relationship’s significance, and in this case, it strongly suggests that Kitty and Minho’s story was always meant to be a slow-burn romance.

When two characters are both the first and last interaction in a season, it’s rarely coincidental. It is to:

Signify that the relationship is central to the protagonist’s journey.

Showcase how much their dynamic has evolved over time.

Foreshadow their long-term importance to each other.

For Kitty and Minho, the fact that this happens in both seasons is a strong indication that their connection is not just a subplot—it’s one of the core emotional arc of the story.

So let us break it down:

Season 1: The Beginning & End with Minho

First Interaction: The first person Kitty physically bumps into at the airport on her way to Korea (signifying the beginning of her journey) is Minho. This is their very first meeting, setting the tone for their playful, sometimes antagonistic, but always high-energy dynamic.

Last Interaction: The season ends with Minho’s confession—a moment that completely shifts their relationship. And instead of rejecting him outright, Kitty smiles. It’s a small but telling reaction—if she truly felt nothing, there would be no hesitation.

& before people come up to say that the smile was only shown in Season 2 when they re-shot the scene...

This is a screenshot from Season 1 where you can see her slight contemplating smile (with About Love by MARINA playing in the background, mind you).

Why It Matters: The fact that Kitty’s first and last interactions in Season 1 are with Minho shows that he was always meant to be a significant part of her story. The show could have ended the season with anyone—Dae, Yuri, or even a solo moment of self-reflection. But instead, they chose to end with Minho’s confession. That’s not an accident—it’s intentional storytelling, subtly planting the seeds for future development.

Season 2: The Pattern Repeats—Minho Comes First & Last Again

First Love Interest She Sees: In Season 2, the first love interest Kitty locks eyes with is Minho. While Dae is technically present (standing right beside Minho), the camera deliberately focuses on Kitty looking at Minho. This is a classic storytelling technique used to subtly emphasize a character’s importance to the protagonist.

Last Interaction: Once again, the season ends with Minho and Kitty. But this time, things are even more emotionally complicated.

Kitty realizes her feelings for Minho, but she’s too scared to confess. She convinces herself that he has moved on, and the fear of rejection holds her back. Meanwhile, Minho is actively repressing his feelings. After his failed relationship with Stella and seeing Kitty’s complicated emotions regarding Yuri, he convinces himself that moving on is the only option. He even goes so far as to swear off relationships entirely.

Why It Matters: The fact that, once again, the season ends with Minho and Kitty means their story is still unfinished. No matter what happens in the middle, the narrative keeps circling back to them.

The Parallel to K-Drama Romance Structure

In K-dramas, the first person the protagonist meets in a new place often represents fate or destiny—and Kitty’s first physical interaction in Korea was with Minho at the airport.

The “first and last” interaction trope is often used to signal who the true endgame is—the person the protagonist starts and ends their journey with is usually their true match.

By structuring both seasons the same way, the show is subtly preparing the audience for their eventual romance.

The Parallels Between Season 1 & Season 2 (Between Minho & Kitty)

While XO Kitty explores multiple love interests, Minho and Kitty have scenes that directly parallel each other from Season 1 to Season 2. These mirroring moments serve as a way to track their emotional development and reinforce their importance to the story.

Season 1: Minho watches Kitty and Dae at the party → Season 2: Kitty watches Minho and Stella dancing at the ball.

In Season 1, Minho was unknowingly affected by seeing Kitty with Dae. In Season 2, Kitty experiences the exact same thing—showing that now she’s the one realizing her feelings.

Season 1: Minho sees Kitty in slow motion, feels attracted to her, then panics when he realizes it's Kitty and screams "NO!" in denial. → Season 2: Kitty sees Minho in slow motion—not once, but twice.

Minho’s slow-motion moment in Season 1 was a comedic way to show his growing attraction, but in Season 2, Kitty has two slow-mo moments of her own—this time, with much more emotional weight, showing her realization.

Season 1: Minho saves Kitty from the fire on her skirt. → Season 2: Kitty saves Minho from his family's reputation being tarnished by Stella's plans.

In Season 1, Minho literally puts out a fire for Kitty, protecting her. In Season 2, Kitty does the same thing metaphorically—protecting Minho from a social firestorm that could have hurt his family. Can I also add that both scenarios happened in similar settings? One is on stage while the other is back stage.

Season 1: Minho confesses, "I think I fell in love with you… a little bit… or a lot." → Season 2: Kitty has an inner monologue, "I have fallen for Minho… a little bit… or a lot."

This is the most important parallel. Minho was the first to confess his feelings in Season 1, but by Season 2, Kitty finally acknowledges her own feelings—mirroring his words exactly. The fact that her confession was internal rather than spoken aloud adds tension for the upcoming Season 3, setting up a major moment where she will have to verbalize it.

The Emotional Progression Between Bookends

Season 1 starts with Minho being dismissive of Kitty → Ends with him realizing his feelings and confessing.

Season 2 starts with Kitty locking eyes with Minho first → Ends with her realizing her own feelings, but being too scared to confess.

Each season follows a clear pattern, showing that their relationship is evolving step by step. The reason it hasn’t happened yet is because both of them have been in denial, not because the connection isn’t there.

Foreshadowing for Season 3

If Season 1 was about Minho realizing his feelings, and Season 2 was about Kitty realizing hers, then Season 3 will likely be about them finally acknowledging their love for each other and acting on it. Their bookended interactions and season-long parallels have been leading toward something bigger, and Season 3 will be the moment they finally break past their fears and come together. I think we can expect a major confession scene from Kitty—one where she has to face her feelings out loud, just like Minho did in Season 1.

In Conclusion

The bookending of their interactions in both seasons, paired with their direct scene parallels, is not a coincidence—it’s a deliberate narrative choice that:

Establishes Minho as a consistent presence in Kitty’s life.

Marks their relationship as a key focus of the series.

Shows their emotional and relational growth.

Foreshadows their eventual romance.

By structuring both seasons the same way—starting and ending with Kitty and Minho—and including multiple mirrored moments between them, the show is subtly telling us that their story isn’t just important, it’s inevitable.

This isn’t a random ship gaining popularity—it was always part of the plan.

[kuwupikaa]

I find it so so funny katana's one of the very few characters thats been around since the beginning. Mf is alive fueled by pure hate for chainsaw man and yknow what? I respect him for still being around.

[paintingpuff]

So with the terrible Minecraft movie trailer dropping,

I've seen a lot of people bringing up better stories in the world of Minecraft, like Story Mode or the books or the SMPs, but may I add another option that would be a way better use of your time and money than the Minecraft movie (esp cuz its free)?

Animation Vs. Minecraft

(Note: contains out of context spoilers for this series to give you a sneak peek of what's waiting for you)

There's a good chance you've seen the first video, since it's one of the most watched minecraft videos on youtube, made by the same guy who did Animation vs Animator.

But did you know that the stick figures pick the game back up and continue the series?

There are now three completed seasons packed with fun episodic content that naturally blossoms into a larger, engrossing story that amounts to /several hours of animated content/. It's got fun characters, gorgeous fight scenes, and even musical numbers, all told with next to no dialogue!

The whole thing is a love letter to Minecraft, with way more passion and knowledge of the game than WBS.

New episodes would show off the latest updates, like when the main characters explored the ancient cities and lush caves before they were officially released.

There are even homages to the Minecraft animation community, such as the episode featuring Monster School (my favorite part of this is the way they purposefully imitate the old janky animation in Herobrine's movements)

Not a fan of piglins always being villains? While there's certainly some bad piglins in this series (though I'd argue they're under duress), the main cast also befriends some, include this adorable piglin child.

Still not over Reuben's death from MSM? Well they've also got a pig (named Reuben by the community), and it both doesn't die, and occasionally does some badassery himself!

Speaking of the action, this series doesn't just reference minecraft's world and creatures: it expands on the mechanics and worldbuilding, creating avenues for some truly incredible action that can only be achieved within minecraft. It takes full advantage of the medium and world.

My personal favorite example of this is the team's expansion on the Lucky Blocks mod, exploring the idea of a "randomizer" power to its fullest extent.

The action scenes are the kind where you have to watch them five times over because each character is doing something completely unique and fun.

Here is all the episodes of season 1 compiled in one video to get you started, though there are also playlists out there:

All in all, this series is funny, gripping, and adorable, and is worth your attention far better than some corporate schlock.

[galactic-magick]

The Handsome Assistant: Viktor x Reader

Summary: You keep running into the handsome Dean's assistant, whom you find you have a lot in common with. You develop quite the crush, and things get a little messy when your friends find out about him.

Words: 3.2k

Warnings: some implied suggestive stuff, alcohol use

Author's Notes: Set before Season 1 Act 1. Just a warning, this is probably the most heavily self-indulgent of my Viktor fics so far. I’ve had ideas bouncing around my head for a long time about who I’d be if I lived in the Arcane universe, and I eventually just ended up taking inspiration from what I do in real life. So basically Reader works in human services and is similar to a social worker. I tried my best to write it in a way that makes sense even if you’re not familiar with that field.

Also, the roommate/friend characters are based on my besties irl, one of which is also my beloved tumblr mutual @ohboi , who has been dealing with my nonstop Viktor obsession for a long ass time now so shout-out to them lol. I wrote you living your dream in this fic as a way to apologize <3

-

It’s exhausting dealing with the powers of topside. There’s no sense of urgency here, no drive for real progress. You’ve attended meeting after meeting, maintaining composure every time they tell you your mission isn’t a priority, or that it will take decades to implement.

All you want is to help the struggling children in the Undercity. It’s what you’ve dedicated your life to, studying human services and psychology at the Academy and building your own grassroots group with a few others from your graduating class. You primarily advocate for better education, as the schools down there barely get any funding. The council doesn’t want to hear it, though, as it’s much easier to forget about the citizens below their feet.

It frustrates you beyond belief, especially since the first chunk of your life was spent in the Undercity. You lived the stark contrast between the two cities yourself, being granted countless more opportunities once your family moved to Piltover. It was sickening, and you felt so guilty with your new privileges when your friends back home still had none. But without those privileges, you wouldn’t have been able to attend the Academy and give back.

You resist the strong urge to scream after another failed proposal with the council. You prepared all of your points for weeks, fact-checking everything and making sure your ideas were plausible. The budget and statistics you wrote out projected exponential progress for both cities, as focusing on the new generation of Zaunites would encourage the next great minds and likely lead to collaboration on mutual issues. But of course, the council is not ready to contemplate such a future.

There was one factor that wasn’t usually there, though, a handsome young man sitting beside Professor Heimerdinger. He was furiously taking notes the entire meeting, looking back down at his journal anytime you made eye contact with him. Out of all the councilors, Heimerdinger seemed the most open to your ideas, but without a majority agreeing to cast a vote to actually change policy, nothing would happen.

You walk back down the long hallway, noticing someone in your peripheral vision.

“I’m sorry the council remains so stuck in their ways,” he says. “Trust me, I understand how hard it is to hold back your anger towards them.”

You turn your head, seeing the young man from earlier, “Who are you?”

“Viktor. I’m assistant to the Dean of the Academy,” he replies, leaning on a cane. “I quite liked your ideas. I think they could work.”

“I know they would work.”

You sigh, quickly realizing you’re projecting your feelings onto this stranger.

“Sorry,” you correct yourself. “I just don’t understand how they can just not care about the suffering down there. I’m from the Undercity, I’ve seen what’s happening there firsthand, and it’s only getting worse.”

Viktor’s eyes widen a bit, “I’m from the Undercity, too.”

“You’re from the Undercity and you’re the personal assistant to Heimerdinger?” you question, a bit shocked at the prospect.

“It’s really not that big of a deal, but yes.”

“What do you mean, not a big deal? I’ve never even met anyone else from the Undercity who got into the Academy.”

“I suppose we are a rare breed,” he says. “I imagine I never saw you there due to our differences in studies.”

“Most likely,” you shrug. “None of my classes were in the science halls, assuming that’s where you were.”

He smirks, “What makes you assume I studied science?”

“You just have that look about you.”

He laughs, “Well, you’re right. I guess I shouldn’t be surprised someone well-versed in analyzing humanity read me so quickly.”

“Don’t worry, you’re still mostly a mystery to me. I can’t read minds or anything,” you flash him a genuine smile.

There’s a beat of silence before he speaks again.

“I need to get back to my lab, but I do hope we cross paths again. I’ll certainly discuss your proposals more with Heimerdinger as well.”

“I’d appreciate that.”

He leaves in the opposite direction, his cane tapping the floor.

What an interesting twist of fate, meeting someone like you.

-

The second time you run into Viktor is at an Academy party a couple months later, something you both likely would’ve skipped if you could. It’s somewhat a recruiting event for new students, and several alumni were asked to represent their fields of study. It’s not that you mind talking with prospective students, but you know you’ll have to hold back a lot of your true opinions when doing so. If you go off about how the curriculum doesn’t cover enough about the issues in the Undercity, you’ll surely get a reprimand from your former professors. You could lose several connections and investors in your organization as well, something you’re not willing to risk. Instead, you keep a smile on your face, engaging in conversation politely and answering questions.

You notice Viktor sitting at one of the far tables, his eyes darting around the room. He has several contraptions set up, and occasionally people come up to ask him about them. He lights up when he speaks, his face making the cutest expressions.

You notice yourself staring, quickly turning your head towards something else.

That sconce on the wall looks nice, doesn’t it?

As the event slows down and the crowd shuffles out, you pack up your things and head to the door, glancing back at Viktor’s table for a moment. He’s looking right back at you, and your heels swivel promptly to go see him.

“Hey,” you say, shooting him a smile. “Nice to see you again.”

Shit, was he this handsome the first time you met him?

“You as well,” he nods, gathering up his own things scattered in front of him. “Did you find anyone to join your program?”

“A few, yeah. You?”

“Several. More than I expected.”

He huffs, soon realizing all of his tech and science displays were not going to fit in the one cart that was left.

“I can help you carry your stuff, the science wing isn’t that far from here, right?” you offer, shifting your things under one arm and grabbing some of his things with the other.

“You don’t have to do that,” he protests, but you’re already propping open the door and gesturing him to come along with a head tilt.

“I really don’t mind. Come on.”

You help him put things away in the different classrooms and offices, careful not to break anything. You’ve never been in this side of the school before, and it’s set up quite differently than the usual classrooms you were in. There’s much more going on than a usual lecture hall, tools and chemicals you don’t dare touch lining the perimeter. Viktor thanks you for your assistance as you finish getting everything in place, and you once again prepare to go your separate ways.

“Wait—” he says before you leave, pulling out his journal and flipping through it. “I wrote down a lot more notes that might be helpful for your project, I’ve been thinking about it a lot.”

He hands over the open page for you to read, and your jaw drops. It’s so detailed, every proposal you had broken down to its smallest pieces. He even laid out the budget and resource use and everything it would take to not only build and fund better schools in the Undercity, but also work on housing and overall infrastructure. He even has some theories scribbled on how to keep the air cleaner and fix problems with the fissures.

You can’t believe he’s been thinking about you and everything you said for all this time since you last met.

“Viktor, this is amazing.”

“I know it still may not convince the entire council, but I found your ideas quite inspiring. I hope my calculations can be informative.”

“They certainly are,” your fingers hover over the written words and numbers. “Thank you, Viktor.”

“Of course,” he grins. “I look forward to seeing what you accomplish.”

-

You find yourself running into him a lot more often after that, “accidentally” walking by each other’s offices at least once a week and talking long beyond what you probably should while working. Your soul feels so in tune with his, a phenomenon that surely shouldn’t be happening with someone you haven’t known very long.

Your conversations quickly progress to topics non-work related, his curiosity blooming with every little thing you share with him. Most days after work you simply can’t stop talking to each other, causing you to get home later and later until your roommates start to get nosy.

“I really have to go, Viktor,” you laugh, glancing at the clock that reads three whole hours past the end of your shift. You’ve been chatting about embarrassing Academy stories, reminiscing on both the stark similarities and differences between your experiences.

His eyebrows raise. “Shit, is it really that late?”

“Yeah,” you grab your bag with a sigh. “I’ll see you tomorrow?”

“Of course.”

-

“You already work too much overtime as it is! What’s so important that you have to stay late every single day?” one of your roommates, Eli, probes, clearly unsatisfied with the half-truth answers you’ve given so far. You don’t really want to tell the full truth just yet, that you’ve been talking with the most gorgeous man you’ve ever seen, and you don’t experience the passage of time whatsoever when you’re around him. That would sound ridiculous, especially since absolutely nothing will ever come of it. He’s a wonderful colleague, but you’d be foolish to ever expect anything more.

“There’s just a lot to do,” you finally say.

“You need a break, that’s what you need to do,” they emphasize. “How about we go down to The Last Drop tomorrow night? It’s been a while since we’ve seen our friends down there.”

You nod, “Alright, I’ll try not to stay late tomorrow.”

“You better not.”

They glare at you jokingly, and you let out a laugh and exhale of relief.

-

You finish up your notes for the day, whipping your head back and forth to check if the coast is clear. You know yourself and your own weakness—you certainly won’t get out of here on time if you run into Viktor for even a second.

But of course, like clockwork, his familiar tap on your leg with his cane greets you moments later, your heart fluttering to a discomposing degree. Him coming to see you is a routine now, and despite your promise to your friends you are aching to talk to him. You haven’t had a proper night out in months, why is it so hard to just leave?

If any of your racing thoughts are visible on your features, Viktor certainly picked up on them.

“Are you alright?”

“Yeah, just...long day,” you reply. “But my roommates are taking me out tonight, maybe that will wake me back up.”

“I won’t keep you long, then—”

He’s cut off by Eli calling your name, jaw dropped as they come towards you down the hallway.

“I knew there was something you weren’t telling me!” they chuckle in disbelief. “Working late my ass.”

“I was literally on my way home!”

“I just wanted to come check!”

Your face grows hot. It isn’t abnormal for your roommates to visit you at your job every so often, bringing you important documents you forgot at home or bringing you a treat on your birthday, but under the current circumstances you’re a bit mortified.

They reach out their hand, “I’m Eli, Y/N’s roommate. Who do you think you are?”

“Viktor.” he shakes it, surprisingly not appearing phased by their directness.

“Interesting,” they look him up and down, then turn to you. “So, he’s coming with us, right?”

“Oh, um...I didn’t ask—“

Viktor can’t help but smile at your flustered face.

“If I’m invited, I wouldn’t mind joining.”

-

“I can’t believe you.”

Mumbling under your breath, you enter The Last Drop. Viktor told you he’d meet you there in about an hour, which thankfully gives you some time for some drinks to numb your nerves.

“Look, I honestly don’t know why you didn’t just tell us about him. He seems like a good one.”

“It’s not like that,” you correct them. “He’s not into me like that. We just work on some projects together, that’s all.”

You order a drink from Vander at the bar, gulping it down a little too quickly.

“That kinda night, eh?” he laughs, pouring you another one before you have to ask.

“Yeah.”

You have a few more drinks and shots with your roommates and old Undercity friends, your mind and body entering such a daze that you almost forget Viktor is meeting you there later. You play games together and get teased about some of your adopted topside ways, and you even get back at Eli by pushing them to talk to Sevika, who they ogle at quite literally every time you come to this bar with them. It’s the kind of night where you can be free and careless, temporarily leaving your problems behind in favor of bad decisions.

You have to do a double take when you finally see Viktor arrive. He’s changed out of his Academy uniform, now dressed much more casually and much more like a Zaunite.

“It seems I’m a little late to the fun,” he observes.

“We’re just starting!” you beam, the drunk giggles taking over you.

“How many have you had?”

“I don’t know, like 7 or 8 maybe,” you shrug.

He lifts his cane against you and steers you away from the bar, shaking his head, “I think you’re done for tonight.”

“Fine,” you roll your eyes. “But not because you told me to, because I don’t want to throw up.”

He stays close to you while you stumble back to your friends’ table, chuckling at the slurred introductions you give him. They all accept him into their games and conversations instantly, and you quickly find out Viktor can handle his liquor a lot better than you. He puts all of them to shame, and they love finally having decent competition.

Your friends all whisper their approval to you throughout the night, even though you’ve repeatedly reminded them that nothing is going on. Although, you’re not really helping your case by zoning out every few minutes on his face.

“You have pretty eyes,” you say, staring until you realize what you just said out loud.

“That’s very kind,” he responds hesitantly. “But I’m sure your vision is a bit...tainted.”

“Alcohol doesn’t change color perception, dumbass.” you retort. “Besides, I’m sobering up a little.”

“Well then,” he smiles. “Thank you.”

You sigh, taking a sip of some water and glancing around the room. The bar is close to closing, and most of your friends have left.

“Have you seen Eli recently? I haven’t seen them in a while.”

He snickers, “You didn’t see them go in the back with Sevika?”

“They what?” you jump out of your seat. “Oh they’d better tell me everything.”

“I’m sure they will,” he laughs. “Do you need someone to walk you home, then?”

“Probably. Who knows how long they’ll be.”

-

The buzz has worn off quite a bit now, so thankfully you’re not tripping all over nothing and further embarrassing yourself. Viktor’s beautiful glow in the moonlight is more than enough to accomplish that, your gazes prolonging far longer than they should.

“Thank you for coming tonight, it was fun,” you say, fumbling for your apartment key in your pocket. “I’m sorry you had to see me like that, though.”

“Don’t apologize. It was very amusing.”

“Good.” you exhale. “Just ignore anything weird I said, okay?”

“I’m not sure that’s possible,” he smirks. “Now get some sleep. I’ll see you tomorrow.”

-

Sleep is certainly what you get, and the next morning before work is full of a head-pounding hangover and chaotic conversation. Your roommates Eli and Chanthou can’t stop laughing about everything that happened, and naturally you’re very nosy about the Sevika situation. Eli tells you every little detail of course, giddy and in disbelief that they managed to make-out with her all night.

“So? Are you guys going to get together again?” you ask on the edge of your seat.

“I hope so.”

“Looks like you both got what you wanted last night,” Chanthou adds.

“Guys, he just walked me home. That’s all.” You’re getting a little annoyed with the constant reminders that your little crush is not, in fact, reciprocated.

“You...don’t remember?” she looks at Eli, then cocks her head at you. “About halfway through the night you were all over him. We just assumed you guys finally confessed.”

You didn’t think you drank enough to blackout, but you definitely don’t remember whatever they’re talking about. Besides, if you really were doing that, why didn’t Viktor say something once you were sobered up?

And what, now you have to see him in the office today, having no idea what you said to him?

“Oh, fuck, guys. What exactly did I do?”

“I don’t know what happened after I went back with Sevika, but before I left you were sitting on his lap on the couch and playing with his hair—”

“WHAT?”

“Wow, you really don’t remember, do you?”

You groan, wishing you didn’t have to go in today. You have a couple important meetings though, so you’ll have to power through. You take some painkillers and grab your things, praying for the first time that you can get through the day without seeing Viktor.

-

Your headache refuses to lessen its throbbing for your entire shift, making the work you usually enjoy completely miserable. You snap at one too many co-workers and find yourself staring at the clock desperately. Why did you agree to drinking on a weeknight again?

Just as you dreaded, you run into Viktor outside, too obviously waiting for you to pretend to ignore him.

“Hey…” you avoid looking into his eyes. “How come you didn’t say anything about what really happened last night?”

“I...wasn’t sure you’d remember,” he confesses. “I suspected you blacked out when you said you didn’t remember seeing Eli leave. And I wasn’t sure you meant what you said anyway.”

“Please, Viktor. Just tell me what I said. All my roommates told me was I couldn’t stop touching you, which I am so sorry about—“

“N-No, don’t be. Everything was consensual, I assure you.” his face flushes. “You just told me you have feelings for me, that’s all. I was going to tell you last night too if you hadn’t said it first.”

Your eyes widen at his words, your heart threatening to leave your chest.

“But it seems you don’t remember, so I can still count this as making the first move, hmm?”

Shivers race down your spine as Viktor leans in, his fingertips grazing your cheek. His lips meet yours softly, your eyes fluttering shut as he presses deeper. His hand remains holding your face when he pulls away, scanning your expression for your reaction.

“I guess the feeling is mutual,” you chuckle, still a bit breathless.

“Quite so, darling.”

-

More Author's Notes: I have a bad habit of getting drunk around guys I like irl bc I literally can’t handle being around hot people sober so that's the inspiration for that situation lol. Also, a part 2 to this is already in the works, it'll be set during Act 1 and probably parts between 1 and 2.

[darkficsyouneveraskedfor]

Down Home 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as non/dubcon, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: The world's most famous heroes walk into a small town diner and change your life.

Characters: Bucky Barnes, Steve Rogers

Note: Because of this.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. Thanks to everyone who reads this one and thank you for all your energy.<3

Love you all to Jupiter and back. Take care. 💖

It’s a slow day. Every day is slow out in Tumble Down. The township’s name tells the whole story. Everything there is in decline. It’s hard to imagine there was ever a time when the people weren’t tiny and forgotten in the hubbub of the bigger world. Since the mines closed and the canning factory was outsourced, it feels even smaller. 

Smaller isn’t so bad. It’s simpler. You all know each other’s names and faces. You say hi and how are you and do what needs to be done. Simple is, simple as. 

You here there isn’t much to do in most small towns. Not for fun or for work. You’re one of the lucky ones. You got a job down at the diner in your sophomore year. It helped pay for your daddy’s new engine and since then, it keeps you all afloat in the rising waters of disparity as they close in on Tumble Down. 

You hum to the old radio that sits on the shelf you make sure to dust. The speakers crackle from time to time and the signal gets wonky in storm season, but the music’s never bad. It’s the classic stuff that always played in your mother’s kitchen. 

You wipe down another table. Not because it needs it, just because it’s something to do. The day has been long and listless. Even the breakfast rush was lower than usual. 

Darnell, the cook, whistles along from the back. Everyone knows he isn’t as mean as he looks. He just likes his space. 

As you go back to the counter and lean on it, staring at the ticking clock, a roar cuts through the distance. You blink and look up, narrowing your eyes at the dusty country road outside. Wind rustles through the tall wheat in the field opposite and the noise rumbles closer and closer. 

A man pulls in a motorbike. He’s going so fast that he has to circle the gravel lot before he can slow down. It’s not Lenny and his prized Harley but another man on a more modern-looking mount. Not far behind, another motorcycle zips through and the riders straddle their bikes as the survey the restaurant. 

You narrow your eyes. You probably need glasses but you make do. The last time you got your eyes checked, you didn’t have enough for the frames. 

The one man wears blue and red, an odd helmet on his head. Not a helmet at all but a sort of mask. The other man has dark hair to his chin and a beard to match. He’s all in black but his left arm shines with gold ripples. Not a sleeve, an arm, made of metal. 

“Oh my lord,” you murmur in shock, “Darnell!” You holler over your shoulder, “you’re not gonna believe this.” You turn to the window as he pokes his head around, “not sure I do myself. Tell me my eyes aren’t lyin’.” 

He looks above your head, an easy task for the mammoth cook. He hums and swirls around his spatula. “Thems those boys on the news. The one that was in the old war. Grandad’s battle.” 

“I’m not going crazy with boredom?” You bubble. 

He snorts. It’s as close to a laugh as you get from him. You spin back and hurry around the counter to grab a pair of menus. Still, you don’t want to seem too eager. You put down the menus and fiddle with a napkin holder instead. 

The bell over the door jingles and swipe up the menus and turn. You really can’t believe it’s them. Yet, as Captain America removes his cowl, you’re certain. They look just like they do on the TV. Even with your sight, you can tell. 

“Hello, fellas, how are you doin’ today?” 

The dark-haired one, the Winter Soldier, glances at the other, his cheek dimpling, “well... we’re... uh...” 

“We’re doing great,” Steve Rogers answers brightly. “Starving. You guys serve bacon? My buddy’s dying for some.” 

“Um, yes, sirs, yes. Can I sit ya down?” You ask, hugging the menus closer. 

“Please,” the Captain accepts as the other man stays silent and pensive, his eyes wandering down to the coffee stain on your apron. 

“Just here,” you sweep away and wave them on with you. You stop beside the nicest booth and lay down a menu on each side, “have a seat.” 

They do just as you bid. The blond puts his cowl on the table and unhooks the shield from his back to lay on the far end of the seat. He smooths back the sweaty strands of hair as his companion stretches his metal fingers. You sway nervously by the table, twitching as you remind yourself how to do your job. 

“Well, can I get ya started with coffee? You look beat from the road.” You beam with the smile Mr. Welk says could outshine the sun. 

“Not just the road,” the dark-haired one mutters as he rolls his shoulder. The one that connects to his real arm. “I’ll take one, please.” 

“Can I get an orange juice, please,” the Captain asks. 

“Course ya can. I’ll be right back. You have a look at the specials and give it a think,” you bounce and spin around. 

You go to pour the orange juice and a cup of black coffee. Darnell lingers by the window. He only ever really appears to put a plate up but he watches the new arrivals. 

You bring their drinks and step back, clasping your hands behind you. 

“Did ya need cream or sugar for your coffee, sir?” You ask. 

“Black’s fine,” he assures. 

“No need for the sirs. Steve, Bucky,” Captain America insists, “we’re off duty.” 

“Right, sorry about that, ssss...Steve,” you correct yourself. “You need some more time?” 

“Think I’m decided,” Bucky intones, “what about you?” 

“Set,” Steve confirms, “I’ll have the sunny side up with toast and sausage. Can I get some fruit on the side as well, please?” 

He hands over the menu and you take it as you hold your smile. Your cheeks ache. Not because you have to force it but because you can’t stop. This is the most exciting thing to happen in Tumble Down ever. If Darnell wasn’t there, no one would believe you. 

“Overeasy, bacon, extra bacon too, and some french toast, and uh... home fries.” Bucky offers up the second menu, “please and thank you.” 

“Alrighty,” you preen, “I’ll put your order in.” 

“Got it,” Darnell growls over the empty diner. 

“He’s got good hearing,” you giggle nervously as you look between the men. “Ummmm, sorry, I’ll leave ya be.” 

“You’re not bothering,” Steve assures. “I can see you’re dying to ask.” 

He gives a gentle smile. 

“Nah, oh, gosh. I’m sure ya get it all the time. I don’t wanna be one of those,” you put your hands up. “Really, you all look like you could use the peace and quiet.” 

“Well, actually, I’ve been stuck with this meathead for days,” Bucky scoffs, “so please, I’d love to hear someone else’s voice.” 

You laugh again. They’re funnier than you expect. They always look so serious on the TV. 

“What... what are y’all doing here in Tumble Down? It’s a bit far from... anywhere.” You ask sheepishly. 

“Tumble Down? Is that what it’s called?” Steve scratches his neck above his stained collar. “Well, we couldn’t get a signal so we’ve just been riding through. Saw the sign down the way and figured we’d get a bite.” 

“He’s lying. He was falling asleep on his bike,” Bucky teases. 

“Sure,” Steve shakes his head. “Only ‘cause I’m tired of you.” 

You giggle again, “I thought y’all were friends.” 

“Friends, partners, cursed with each other, have your pick,” Bucky snorts. 

“He’s playing,” Steve says. “Look, we’re boring. Despite what you think. We’re a couple of old men bickering with each other. What about you? What about Tumble Down?” 

“Ah, nothing really, sir. Steve,” you squeeze the menus tight at the edges. “Nothing going on since the coal law and that. Everyone’s all but run out. All but us.” 

“Just you? Your family?” Steve wonders. 

“Jesus, Steve, nosy much?” Bucky says over the brim of his mug. 

“Sorry. He’s right. Like I said. Crotchety old man. I talk to the pigeons.” 

You laugh again, “oh my, you are a hoot!” You slap your thigh emphatically, “I’m still my ma and pa. It’s just the three of us. They need help with the animals and that.” 

“Animals?” Steve wonders, his posture shifting towards you. 

“Chickens, cows. They got a farm. Was my grandpa’s. And his ma kept it going after he didn’t come home from... well, you’d know more about that time than me, I think.” You give a forlorn look to the floor. 

“Oh, I’m so sorry about your grandfather. Great grandfather,” he corrects himself. 

“Lotta good men gone,” Bucky mulls grimly. 

“Yeah, my great granny said as much. I wouldn’t know though, but I heard the stories,” you dare to look at them again. “Sorry to bring up the bad memories.” 

“Nah,” Bucky waves you off casually. “I got this nifty arm outta it.” 

“And I got a shield so, you know, not all losses,” Steve chuckles. 

“I s’pose,” you agree. “I’m gonna check on that food for ya. You good with your coffee?” 

Bucky raises the mug, “delicious.” 

You nod and turn with a swish of your skirt. You go up to the window and look over the ledge. “How’s it going, Darnell?” 

“Going. I’m happy it ain’t Raylene here. She’s got a mouth on her, don’t she? Them sort don’t deserve that trouble,” he tisks. 

“They’re nice. And Raylene is too. She’s just... Raylene,” you say, “can I help with anything?” 

“I don’t wanna be rude but I’m tired of tellin’ ya to stay outta my kitchen. You know the grill likes to spit,” he shakes his head. “You go, I’ll let ya know when it’s ready.” 

“Alright,” you back away and turn back. 

Steve and Bucky lean over the table, their voices low as they chat. As you move around behind the counter, they both sit up and the former clears his throat. You smile as you take the cloth from your apron pocket and wipe the already clean counter. 

As the radio buzzes, you hum without thinking. Stevie Ray Vaughan’s smoky voice mingles with the emotion plucked through electric strings. Your dad’s a big fan. He has old tapes with concerts on them and even went to one himself. 

The bell rings and you nearly jump out of your shoes. You turn and scoop up the plates as you thank Darnell. He grumbles that he’s going out to have a smoke; his code for having a Tootsie Pop by the backdoor. 

You bring the meals over to the table and set them down before the men. Their gazes make you sweat. It’s all a little more intense with no one else there. 

“Thank you,” Steve says and Bucky echoes him. 

“Not at all. Anything else? Water? Ketchup?” 

“It all looks great as is,” Steve says, “you got a nice voice.” 

“Oh, really? Ha, I was just humming out of tune. Sorry if I was too loud.” 

“Not at all,” Bucky picks up his fork as he leans forward. He tilts his head. “You know this one?” 

“Sure do. It’s Fleetwood Mac,” you answer. “One my all times.” 

He grins and nods as he looks at Steve. Steve watches you with a smile of his own. 

“Do you sing?” He asks. 

“Me? Only in my shower or to the chickens. They usually hide in the henhouse then.” You tinkle with laughter. 

“Ah,” Steve nods. 

“But if... if ya really wanna suffer, I could try it,” you smile, “but uh, you know, Stevie Nicks, she’s one of a kind.” 

“I’ve had worse,” Steve says. 

You look between him and Bucky. You chew your lip and think. You follow the song as you try to recognise which verse it is. You squint and perk up as you catch your place. 

“You just let me know when you’ve had enough,” you say before you start. Not only can you tell your pa that you met the super soldiers, you can tell him you sang for them. It’ll be a nice bit of excitement for the dinner table. 

[barblaz-arts]

I know you've been making a lot of art of it lately, but out of curiosity, what's your opinion on Hazbin Hotel in general? I'm referring to both the show and the fandom here. Just curious.

God. What a loaded question. Are you ready? Bcuz I'm fresh from Vaggie discourse on twitter and I have a lot to say.

I think that Hazbin Hotel seems worse than it is for people who know the fandom but haven't actually watched the show. Honestly, I think it's a fine show. It isnt super incredible and I'm not gonna sing praises about how deep and thought provoking it is or whether it's an artistic masterpiece. It never tried to be that and was never advertised as such(to my knowledge) anyway. I just had a lot of fun. Like, yeh sure the cussing in the dialogue can be a bit much, especially in ep 1, but there are different writers in other episodes, so it gets better. It can be super crude yeh, but I grew up watching things like the Scary Movie franchise and other dumb american movies (yes, i was too young for them. yes, i still watched them), so it's pretty tolerable for me. It also helps that Charlie is the main character. That's one of the main reasons why I watch HH but dont watch HB. It's probably a fun show, but without a sweetheart like Charlie to balance things out, I'd just get tired of the sex jokes and mean jokes.

Compared to my last hyperfixation, I think I have more things to love about Hazbin Hotel, believe it or not. With Netflix's Wednesday, I had already been an Addams Family fan for a while and hung on because I loved the family and eventually Enid and wenclair. The show itself was honestly meh... so far! I'll give season 2 another shot.

But with Hazbin Hotel, it catered to a lot of things I've always loved. Found family with a bunch of misfits? We didnt get to see it much bcuz of the fuckass 8-ep per season format we have nowadays, but its fine its there! The juxtaposition of a kind hearted woman in a harsh world? Love love Charlie for that, I watched the show in the first place because of her. A canon lesbian lover with a "fuck the world cuz my world is you" type of love for the protag? Fuck yes. How very Pearl-from-Steven-Universe of Vaggie. And the music? The music is soooo good. I didn't know the songwriter prior to watching, so I was nervous about the songs, but I knew most of the theater actors they cast(still cant believe Jeremy fucking Jordan is Lucifer) so I figured even if the songs are mid, at least the performances would be topnotch. And they were! But the songs were a pleasant surprise. Sam Haft did real damn well. I still listen to the soundtrack to this day.

The fandom, however, is probably the worst one I've been in. And I've been in a lot in my big age... Just... lacking media literacy, and based on the replies I get when I say something on twitter, it seems a lot of them lack reading comprehension and just plain emotional intelligence too.

There's a lot of criticisms about this show that I honestly think is fair. Pacing, character design, overuse of the F word, whatever. But in my opinion, claiming that Hazbin is a male-centered show is an unfair misconception that is mostly the fault of the fandom.

Bcuz, sure, the male characters are uber popular. Alastor, Vox, Lucifer, Angel Dust and the many web of ships they're involved in went trending every few business days. But come on now. How often does a fandom even have their main protag as the most talked about character? This has been going on for ages. Just because the boys have the most merch and fics and fanarts and thirsty fans doesn't mean that they had the spotlight for most of the show itself. It only meant that they were the ones the viewers paid attention to, in a fandom filled with people drooling over the next tumblr sexyman and toxic yaoi ship of the month.

But if you actually look back at what the show gave us so far, the boys didnt outshine the women. I actually think the women got to do more and be more as characters than the men did. Let's take a look at the male characters.

Alastor was not in all the episodes. In fact, he was MIA in two out of the eight episodes. In all the episodes he was in, he was a mere side character. His purpose in season one was to stir the pot and be the intriguing mystery that occasionally quips. But he was not the one whose deeper thoughts were explored and whose character and goals was challenged THROUGHOUT the show, merely alluded to at the VERY END of the season, which is hardly him taking the spotlight away from Charlie. If you merely looked at the fan content of him, you'd think he were a father figure to Charlie(or a love interest. whatever) and that he has developed a soft spot for the Hazbins deep down in that cannibal heart of his. But if you pay attention to the show, he never had even a meaningful one on one conversation with the Hazbins. The only time that happened is when (a)he threatened Husk's life (b)when he constantly mocked Charlie while she was down in the dumps and used this as an opportunity to manipulate her and (b)when he told Niffty watching the crew sure can "make one sentimental", even tho he had taken no prior opportunity to bond with them! There's no foundation for all the fandom's claims that he could be redeemed bcuz of a budding fondness for the group, but that's all you see of his fan content(aside from the horniness). I dont have any problem with his lack of an actual relationship with the Hazbins bcuz I believe redemption for him is not what the show is going for, but it's frustrating to see people interpreting it that way BUT not seeing how horridly developed it would be if that is the case, meanwhile they turn around and say that Vaggie and Chaggie as a ship "had terrible development".

Then we have the male Vees. Vox was only ever in episode two, and was essentially a youtube reactor in episode 8. He was in ep 4 but had no speaking lines. We only know of his obsession with Alastor and the toxic relationship he has with Val. Val, meanwhile, is merely shown as the sex obsessed fiend behind Hell's sex industry and Angel's abuse. They did what they needed to do with minimal screentime. It was fine, but that's IT. Despite what little CANON gave so far, you have hundreds of people writing essays and fics and fanarts about them being complicated characters. But to reiterate, this does not mean that they are bad characters or that they don't deserve the fame. But to say that these men are better written within canon than the women is such a bold statement when most of the depth they knew of these characters were lore drops given before the show and their own speculations as they dug into the shallow soil of what the show has so far.

I'm not gonna speak about Angel and Lucifer. Because I think they were characters who were legitimately well-explored so far.

Now onto the women. So many of them were given the opportunity to have their characters challenged or given the agency to push characters and the plot forward or give you intrigue about implications of what's to come for the characters and the plot. I've talked a lot about Charlie and Vaggie. So let me talk about the other, terribly underrated women of Hazbin.

Velvette and Carmilla were the ones who advanced the subplot in the war against Heaven. Because of Carmilla's love for her family despite being a demon, an angel was killed. It gave Heaven the excuse to escalate things, but it also gave Charlie hope later on in the season that they're not powerless. Carmilla was also the first demon shown to make selfless actions that is contrary to what is expected of demons, making it proof that Charlie's belief that demons deserve a second chance isn't unwarranted. She's an interesting character, as an overlord who hangs on to power but clearly has morals. But how often do you see people writing essays about her? Eating up the fact that she's a powerful overlord but would sacrifice anything for her daughters? If Carmilla were a man, hundreds of girlies would be drooling over the crime boss who has a soft spot for his daughters.

Meanwhile, Velvette got to demonstrate why exactly she's an Overlord despite being the youngest demon in there. She's calculating and observant. She gives off a haughty vibe and constantly boasts about how she's young and fresh, but she isn't naive. During that meeting, she paid attention to Carmilla and Zestial's relationship. In order to find out who killed the angel, she riled everyone up, and when she got the feeling it was Carmilla, she mocked Zestial so that Carmilla could slip up. By playing these Overlords who are older and more experienced than her, Velvette showed what exactly her asset was to the Vees and why she's a threat, something that Vox and Val have yet to be given the opportunity to do when they were busy eye-fucking Alastor and literally fucking Angel. But in fan content about the Vees, Velvette is almost treated as an after thought to the boys...

Then we have the Seraphs. Not only were their designs gorgeous, their dynamic and presence as characters had impact to the plot and main characters.

Emily is a much needed character to show that this story isn't meant to tell you that Heaven = bad; Hell = good. There is good and bad in both, and it is so important for the protags to know that they have an ally in Emily who represents the true virtues that heaven is supposed to uphold. And I love the confrontation she had with Sera when her own view of what's right and good was challenged. We got to see the strength of her character and started the seeds of what could be heaven's acceptance of Charlie's goals.

Sera is such an interesting character to me. She was also important to show that not all angels were sadistic like Adam and Lute, but not in the same way Emily was. I have no idea so far which direction this show would go with her. But I'm intrigued by the fact that she seems to be driven by fear, unlike Adam and Lute's cruelty. She knew Lucifer and was there when he was cast out for his disobedience. Whether everything she's doing is to prevent that from happening again remains to be seen, and I'm looking forward to this kind of subplot for her.

And then Rosie! I really really look forward to seeing more from her. Spoilers aside, something I barely see people talk about is how interesting it is that Rosie is every bit the leader that Charlie hopes to be. Rosie is able to be a respected overlord in her own faction without needing to sacrifice her love for showmanship and music and her positive disposition. When we were officially introduced to her, they show how she seems to care about actually taking care of her people, not JUST ordering them around, by talking to them personally and giving advice. That's exactly what Charlie wanted to do for her people, isn't it? The hotel to Charlie was what the emporium was to Rosie. They have a lot of similarities that could set up for Rosie to be the one to teach Charlie in becoming a leader. Now whether that's a good thing or a bad thing remains to be seen, but it is rather compelling.

So yeah! With all that said, I really dont think this show ignores its women at all. Just because a bigger part of the fandom gravitated towards the men doesn't necessarily mean its a misogynistic show so far. But if certain people are claiming that the women are badly written, then I hope they also own up to the fact that their blorbos are just as shallowly presented within the show, maybe even more so. Which wouldn't even be a bad thing! Since when did a show or character have to be amazingly written for a person to like them? That's just no fun at all. All I'm saying is... Fuck this fandom's double standards, hiding behind claims that it's the writing's fault when the problem is they couldn't be bothered to think about the women.

[tealvenetianmask]

We need some Barbie Wire Analysis . . .

Because for a character with maybe . . . 2-3 minutes of screen time, she sure has an outsized importance in the show. This is rivaled only by Tilla, who we know even less about.

Barbie gets the major callback in the last scene of Season 2. As other bloggers have pointed out, it could have been Fizz, who's a much bigger character so far. Fizz hated Blitz for 15 years, and they were able to finally reconcile-- even though 15 years is still a long time, that would have been, arguably, a more hopeful, comforting story for Stolas to hear.

But Barb, well, she's on his mind. She always is. "I miss her every day."

Barbie's absense, I think, is made more real by the way in which the show introduces her through photos, and she's never overtly mentioned in all of Season 1.

We're told that Blitz has a twin, that they performed together in the circus (or maybe after), and through her non-mentions, that something bad happened.

Then she's in the photo that makes Blitz finally break down at the end of Ozzie's.

I like how the twins mirror each other here. Similar eyes and face shapes, circus marks on their foreheads, pointy teeth, simple joy and enthusiasm. Whatever their lives were like at that time, they experienced it together, and there were good times.

Barb is central to Blitz's loss and his capacity for love.

We finally meet Barb in Unhappy Campers, and the way she's introduced . . . well. Unfortunately a lot of us were so disappointed that Blitz wasn't going to visit Stolas that we couldn't fully process what he was doing. When he first asked about Barb, my first reaction was "who?"

But that hasn't been Blitz's experience. He's just been keeping a major part of his day to day thoughts and feelings from us.

This nurse knows what's up. He's come back again and again to see Barb, and no taser can deter him.

It's such an obvious and central part of his life- missing Barb, trying to reconnect with her, that he seems honestly unaware that he's never told Moxxie about her at all.

It might feel like we're thrown into an emotional family confrontation out of nowhere, but Blitz has gone through years, potentially, of trying to get Barb to talk to him and being shut down. The hurt in his face, how it wears on him, and how he can't bear to give up hope. Well. It's all there.

So at this point, we still don't know Barb deeply. We only know what Blitz has told us, but more importantly, how he reacts to her absence, how he refuses to give up.

It tells us a lot about his stubbornness, the fine line he walks between resilience, hope, and just a pigheaded refusal to give up.

Maybe Barb is a part of why Blitz is like this. Maybe losing her taught him that some things are so important that it's worth never giving up, even if continuing to try is painful.

Maybe there will be a reconciliation, in part or in full.

But honestly, I also won't mind if a lesson Blitz needs to learn is that sometimes you do need to give up on someone you love. For that person's freedom to reinvent themselves. For your own sanity and contentment in life.

And if Blitz does let her go (at least of the practical fight to reconnect)? He'll think of her every day still.

[tizeline]

1-I've fallen in love with your Tiz Sep AU, especially how you made Mikey the problem child with the hardest redemption arc out of the 4, because normally it's not Mikey who gets that role (Cause he'll always be a sweet kid no matter what dimension or universe or faction he's in<3), so I'm really interested to see how Sep Mikey and Sep Donnie finally reconcile and become closer<3<3<3<3

I'm glad you're enjoying the AU :D! And I'm still trying to figure out how the events of the movie is gonna go down in the AU, but so far this is what I've come up with (though keep in mind this is subject to change)

So it's during season 2 that all that drama between Mikey and... basically everyone else in his family gets really intense, but he does end up mostly reconciling with Leo, Raph and Draxum during the season 2 finale (don't know the details yet, just that it's gonna happen). With that character development, Mikey also grows more accepting towards humans, he still doesn't like them but he's also not trying to destroy them all so that's something!

But Mikey and Donnie just can't seem to get along, in the time leading up to the invasion they're just stuck in this constant state of animosity. Raph and Leo certainly try to mediate, but it's almost like Mikey and Donnie don't want to get along. It's kinda one of those situations where it doesn't really matter why two people started fighting, cuz now they're been fighting for so long and about so many things that it feels impossible to even try to make peace.

So then The Foot get the Key, which in the AU happens because Donnie and Mikey can't stop fighting for two fricking seconds and they screw up the mission. And then each of them blame the other for the mission going wrong, which just gets worse when Casey Jr shows up and warns them about the Krang and goddam these two are being annoying. STILL! Despite their less than ideal relationship, they have started genuinely care about each other, and they both feel guilty about losing the Key, so when Mikey sees an opportunity of getting the Key back he goes for it (like canon!Leo did). And when Donnie sees that Mikey is about to get fucking skewered by the Krang, he jumps in front of his little brother and shield him with his own body (like canon!Raph did).

The story from here on out is not as thought out, but needless to say Donnie gets captured and "krangified". I'm kinda thinking that instead of the Krang just making him a soldier like Raph was, they instead hook Donnie up to the Technodrome or something? And after being freed from the Krang's control, maybe Donnie can still take control of the Technodrome himself to pilot it back through the portal. Cuz ya know, they still need a way to send it back into the prison dimension and the other turtles can't connect to the TD because of their hard shells. I did have an idea of potentially making April pilot the thing lmao, but I also have a headcanon that the only reason Donnie could pilot the TD at all was because he has some Krang DNA in him (empyrean), which April obviously doesn't. So Donnie will still probably be the one to send the TD back into the prison dimension.

In the AU, I imagine that Leo and Raph are still kinda dealing with the whole leadership-issue throughout the invasion haha. It's not nearly as dramatic and hostile this time around, don't worry! But I love the idea of Leo and Raph becoming co-leaders, only problem is that they're still trying to figure out what exactly that looks like for them. It not a huge issue when they're doing small-scale missions, but with how intense and stressful the invasion is, they're kinda struggling figuring out how exactly their dynamic should look like.

But back to Mikey, he obviously feels guilty as fuck over Donnie sacrificing himself for him and he's not handling very well. Mikey having lost access to his mystic powers is also really getting to him considering how heavily he relies on them. Leo's drama with Casey Jr in the movie is in the AU replaced with Mikey's drama with Casey Jr. Mikey is initially pretty cold towards CJ just because he's human, when Donnie gets taken Mikey decides to direct his hurt and anger at CJ because... well... he's human! And he didn't properly warn them about the Krang! So obviously it's somehow his fault that Donnie got taken! Somehow! It's very weird for CJ to interact with pre-character-development-Mikey acting like a petty brat about the whole situation, he's hurt by it but also quickly just grows very annoyed at Mikey's hostility towards him. And then we get That One Scene where CJ yells at Leo to get his shit together, except of course this time it's him yelling at Mikey haha.

Anyway, then Mikey DOES get his shit together, and he manages to help Donnie break free of the Krang's control by giving this big heartfelt speech about how he's sorry about how he has been acting and he wants to befriend Donnie and become real brother, you get it. But Mikey still feels guilty about everything that has happened, and to add on to that he still kinda has main character syndrome lol. Point is when Raph, Leo and Donnie all get knocked out of the fight and it's only Mikey against Krang One, he pretty quickly decides to sacrifice himself if it means defeating the Krang. It goes down pretty similarly to how Leo did it in canon, Mikey can fly so he lures Krang One into the prison dimension and is able to restrain him there long enough with his chains to convince CJ to close the portal.

So then the question is - how the HELL does he get out of there??? Mikey opened up the portal in canon, which is gonna be hard for him to do in the AU if he's being beaten within an inch of his life by Krang One haha. But I do think I've figured it out, so Leo and Raph at this point in the story have unlocked their Hamato Ninpo but Mikey hasn't, because their Ninpo is fueled by like... the connection to their family, and Mikey doesn't feel very connected to his Hamato ancestry before this obviously. But what if this is the moment where he doesn finally unlock his Ninpo! After both Donnie and Mikey proved their dedication to each other through their sacrifices, Mikey finally feels connected to the Hamato family. The way I imagine this scene is that it's not just Mikey creating the portal, his brothers are reaching out to him with their Ninpo and Mikey is able to reach back, even while in different dimensions. They're able to establish a familiar connection and because of that a litteral connection is formed through the portal, and Mikey is brought home.

Lastly I wanna talk about Donnie, specifically the uh. Injury he gets from the Krang when he shields Mikey. I actually drew this really quick sketch of that moment a while back but I never posted it here so I might as well do it now! It's not super gory or anything, but Donnie's shoulder got a little but fucking impaled and also there's blood so I'm putting it underneath the read more thing

Haha remember when I said this this AU was gonna stay mostly silly goofy? Teehee!

Anyway, I can't really decide if I wanna make Donnie just lose his enitre arm after this because lol. Lmao. But the reason Donnie doesn't like die from blood loss right after this moment is because the Krang goop is sealing up the injury, both when he first gets captured and interrogated, as well as during the time when he's under Krang control. After he's freed, he's mostly only able to help in the fight by piloting the Technodrome up partway through the portal, maybe he's able to like act as support in the fight against Krang One by using his Ninpo? But yeah no he basically gets benched as soon as his brothers get him back because he's still quite injured.

But look on the bright side, Mikey and Donnie both being on bedrest after the invasion gives them PLENTY of time to bond! :D Like sure, they showed how far they're both willing to go for each other during the invasion, but they've still got a lot of bad blood to sort out afterwards and them both being stuck in medbay kinda forces them to deal with their problems haha. So yeah, while the invasion is the catalyst for them making peace, it's mostly during their recovery that they properly bond with each other. (Prepare for B-Team cuddles, it WILL happen!)

And you asked about specifially when Donnie loses his immunity towards Mikey's puppy dog eyes, and I'd imagine it's during their recovery. Not only because they're growing closer, but also because his baby brother is INJURED and SUFFERING and to Donnie's horror he quickly realizes that he is unable to say no to Mikey now haha XD

HOOBOY that's basically everything, I still have to figure out a lot of the details, but writing this all down made me realize that I've figured out way more of the plot than I initially thought, so that's nice!

[stromblessed]

Mizu was wrong to let Akemi be taken because they both deserve better

First, a confession. When I saw this for the first time:

I was relieved. I knew that was what Mizu was going to say and I felt like it's what I would have said in that situation too.

When Akemi does this:

I cringed, because if we know anything about Mizu, it's that she (1) isn't quick to make friends (though to be fair, even though Akemi did try to kill Mizu, so did Taigen - multiple times! - and look how that turned out lol), and (2) doesn't take orders.

So when Akemi and Ringo and later Taigen get angry at Mizu, are they being unfair?

Sure, Mizu isn't obligated to treat Akemi - or Taigen or Ringo or anybody else - nicely, or to serve them, or to be honorable, or be a hero to them, or whatever. No human being is obligated to any other human being. We all have the choice to do whatever we want to anybody else. But the point of flawed characters in storytelling is the tension between those characters and their potential. Their growth into someone who can choose the higher, harder path, who chooses to be obligated to others, who chooses kindness and compassion.

Because Mizu's problem isn't revenge. Nobody is preaching at Mizu that revenge isn't the answer. Her circumstances do suck, her life has been incredibly unfair, she is marginalized, and as far as we and Mizu know for most of the season, she is a child born of violence and no one is saying that that violence doesn't deserve to be repaid in kind.

Mizu's problem is isolation. And the fact that she thinks she has no responsibility toward her fellow human beings, because her hatred of her own circumstances and her having no life outside of her quest devours everything else. This is a problem because it turns Mizu into the worst version of herself. A version that hurts the people who like Mizu, the people who care about her.

Practically, Mizu has just taken on an entire army almost by herself. She's hurt. She's exhausted. If she were to defend Akemi now, it'd be yet ANOTHER fight, this time against horsed and armored samurai.

But that's not the reason Mizu gives Ringo. Mizu's ability or willingness to fight isn't even on her mind. All she says is, "She's better off."

"She's better off" is Mizu deciding what's best for Akemi. Akemi's entire story is about her being a caged bird longing to fly free.

One after the other, every man and woman in Akemi's life makes her decisions for her. She has to grovel and smile prettily and lie through her teeth just for the chance to be heard. Mizu judges Akemi for being a rich princess who isn't being more grateful for what she has, all without understanding Akemi's situation, and without any curiosity for why Akemi feels the way she does. From Akemi's perspective, Mizu is just one more person (one more man!) in a long lineup who ignores Akemi's wishes and (casually!) makes a decision for her that impacts Akemi's life greatly.

In the end, even Seki concludes that Akemi should get to decide what's best for Akemi. What others think that Akemi SHOULD want does not matter compared to what Akemi wants for her own life. As Madame Kaji said - Madame Kaji, who despite calling out the weirdness of Akemi's situation as well as the childishness of her decision to run away - is the only person Akemi meets who doesn't try to make decisions for Akemi, but instead only challenges Akemi to work for and be worthy of what she wants - she needs to decide what she wants for her own fucking self, and then take it.

Mizu being born female does not make her automatically wiser for letting Akemi be taken, and it does not preclude her from having a hand in giving Akemi back to her jailers. A patriarchy that Mizu knows full well would stop Mizu from achieving her own goals if she didn't present as male.

Mizu is still understandable here. She just had to kill Kinuyo, a disabled girl sold by her father into prostitution, a girl in a situation so far beyond Akemi's worst imaginings that I can practically feel Mizu's world being rocked just by comparing them in her mind the way she most likely is. That still doesn't make it right for Mizu to let Akemi be carried off to be sold into marriage by her father against her wishes. Those "good options" Mizu thinks Akemi has don't exist, no more than they ever existed for Mizu. Akemi and Mizu both have to get creative, make the best of their circumstances, take dangerous risks, and break rules in order to have any control over their own lives.

Even on my first watch, when at first I thought that Mizu had made the right decision and that Akemi was being unreasonable, Akemi screaming Mizu's name while being dragged, LITERALLY DRAGGED, back to her father was haunting as hell.

Mizu had the power to help Akemi, and simply chose not to.

Mizu lets Akemi be taken, Akemi who has just begun to trust Mizu. Mizu calls Ringo weak and quickly - seemingly easily - turns her back on him. Mizu values her quest over Taigen's life, after Taigen has endured days of torture to protect her, and she not only risks his life in the process, but doesn't tell him that Akemi is engaged to someone else, or that she came looking for Taigen, or that she is in danger.

Mizu's sword breaks because it is too brittle. Too pure. Too singleminded. Mizu only melts down the meteorite metal when she mixes the metal with objects from parts of her life that have nothing to do with her quest. Objects from the people she cares about, and who care about her.

All I'm saying is - Mizu doesn't have to be a hero. But she is the better version of herself when she reaches out to help and connect with others. When she's just a decent, kinder human being. And I think that's what this story is telling us that we should want for Mizu.

[low-budget-korra]

The lies Arcane Fandom likes to believe

Okay, I've seen a lot of awful takes in other social medias but now they are getting here too and I just can't. So I will talk abt the truth a lot of the fandom chose to ignore. And I'm saying "the truth" because different from a lot of ppl, I've actually watched the show and paid attention to the scenes.

1. Jinx is the only one who has been traumatized

Half of the worst takes about characters like Vi or Caitlyn, wouldn't exist if ppl realize that Jinx WASN'T the only one who got traumatized. Vi spent 7y getting beat up in prison, without eating properly and confined in a dirt cell. And no, she is not the one to blame for the person Jinx became. Jinx has to be held accountable for that, just as much as Silco for feeding her paranoias and manipulating her for years.

2. Caitlyn was a evil character and manipulated Vi

Season 1 Caitlyn shows nothing but empathy and patience, y'all like to say Jinx was a revolutionary but s1 Caitlyn was a revolutionary. "Oh but she was rich, she can't be" oh my sweet summer child...

Anyways, she wanted to end Silco cartel - that was destroying Zaun. She even managed to get a council meeting to talk about this. She wanted to change things and she was acting towards this.

Then she got kidnapped naked, tortured for hours, didn't take the shot that would have saved her mother's life, her mother was murdered, the memorial ceremony was attacked and yet she REFUSED to follow the council's ideas to use full force and invade Zaun. Which led us to

2.1 Caitlyn used the grey against innocents

She DIDN'T. She said it herself that the plan was to capture Silco's goons and destroy the slimmer factories. And we see that in the Hellfire sequence.

So stop spreading that she was using the grey against innocents bc the people she used against it were Chembaroons who provoked a civil war on Zaun for power, and used children labor in its factories. They are far from innocents.

2.2 Caitlyn manipulates Vi

I don't even know where this fake news came from bc I've already watched Arcane 3 times, watch at least 4 reaction channels and a few analysis on yt and no one apart from some of y'all in fandom sees this. Jinx manipulates Vi way more than Caitlyn, for example, she is the one that makes Vi believe that her becoming Jinx is her fault.

3. Viktor and Jayce did nothing wrong

Jayce basically built a Chernobyl above Zaun just bc if Hextech goes bad, people from Zaun would be the ones suffering the consequences and not Piltover.

Y'all like to call Caitlyn a genocide (even tho we didn't see any kill directly from hr actions), when Viktor is literally the one willing to kill people in the thousands just because he believes it's the best call. "I want to evolve all those willing to" excuse me? Sir, what "evolve" even means in this scenario? Bc those "evolved" ppl became nothing more than marionettes with no control over their actions and completely brainwashed.

4. Caitlyn was a dictator, she knew everything that was happening on Zaun and did nothing

Caitlyn was actually a pawn in Ambessa chess, a face to Ambessa actions, a face to take the blame for. Noxus could not just simply invade Piltover and install an Martial Law without the support of a major house like house Kiramman.

Essentially what Ambessa did was promote Caitlyn, and hide behind her status. Because if any other Piltie house questions, she could be like "but I'm just here to support the Kirammans, I'm just doing what Im told"

We see in episode 4 that the Noxians are the ones dealing with Zaun's turf wars. Do y'all actually believe their reports on what's happening was legit? Of course not. Caitlyn made her decisions based on those false reports that she didn't even give two fucks about bc she was still too focused on tracking Jinx. That's why when she started to really see what was going on and questions Ambessa, Ambessa quickly pulls the "mom" card to push Caitlyn back into her web.

Sure, she was still powerful and privileged but she wasn't in full control. And the fact that a lot of the fandom dismisses Ambessa's manipulation shows how good at that she is.

5. Vi choose to have sex instead of helping her suicidal sister

Vi DOESN'T watch Arcane. She doesn't know how bad Jinx was and mind you, last time Jinx was acting weird she blew up things instead of being suicidal. We, the Audience, watch her whole journey and change. Vi only stayed with her for a short period of time and she was in a coma for days. She doesn't know what happened after Isha sacrificed and how much this affected Jinx.

"breaking the cycle" could mean a lot of things and if you listen to her words when Caitlyn arrives, you can see that she clearly thinks Jinx is out there abt to blow something. She is blaming herself for believing in Jinx change of heart and not sad for her being suicidal, this prob actually never crossed Vi's mind.

6. CaitVi was forced

I can't with this ""argument"" CaitVi is the couple that has been built since s1 😭. I take that sometimes they were toxic (like when Cait hit Vi) but to say they were forced...please use it 🧠

7. Silco was a revolutionary and a good father do Jinx

Sure, in the past. There's nothing glorious or revolutionary in running a cartel, having business with corrupted cops and child labor. "But he was getting money to his revolution" my ass. He spent 7y doing nothing but becoming more and more powerful while Zaun became like the Pride Lands when Scar took over. He only gets back to his revolutionary ideas when Jinx stole the Hextech gem.

His beautiful speech doesn't match his horrible actions.

The fact that so many ppl see him as this perfect father figure, is the reason so many ppl so easily fall into abusive relationships. Yes, he took care of her but at the same time, he isolated Jinx from her sister , fed her paranoia and instigated her violence tendencies. And it's so clear bc the moment he was no longer in her life, she started to get better in her mental health.

Anyway to finish this long ass post lmao, I want to say that you are free to dislike and hate who you want and what narrative choice you want. The only thing, that ain't that hard, is be fucking honest abt it. There's no need to create bullshit expectations over your hate, ignoring the CANNON.

[dindjarindiaries]

Omega and Crosshair's story in The Bad Batch season 3 mirrors Hunter and Omega's story in The Bad Batch season 1, but with Omega taking on Hunter's role and Crosshair taking on Omega's.

Something the show did really well in season 3 was prove just how far Omega has come, and how she's become so much like all her brothers in different ways. Personally, I see a lot of Hunter in her, mainly for the way she's always tried to emulate him ever since season 1. That's what started to lead me on this path to discovering that, in season 3, she takes on Hunter's previous role from season 1, especially where Crosshair is concerned.

As always with any analysis, this is a disclaimer that you may view these episodes in an entirely different way due to various biases, one of the most notable being based upon your own favorite characters and your own life experience. All I ask is that you read through carefully before chiming in with any counterarguments!

The basis of this analysis, or at least what clued me in to this, are these two moments, and the similarities of the stories Hunter & Omega and Omega & Crosshair have in seasons 1 and 3, respectively.

It's important to note straightaway that these two stories do not line up exactly the same. There are, rather, thematic similarities, and enough potential parallels that bring everything together just enough to show us how everything falls into place and brings season 1 full circle in season 3.

At the beginning of season 3, Omega and Crosshair are both imprisoned in the same place. Regardless, they're both being treated very differently. Omega has more of an illusion of freedom in having time on her own while she tends to her tasks. Crosshair, on the other hand, is either held in his cell or is actively being tortured/conditioned.

Metaphorically, this was also where Hunter (and the rest of the Batch) and Omega were in season 1, too. Hunter and the boys had the illusion of freedom in getting to leave Kamino and participate in missions, but they still had a duty to serve the Republic with no real choice ever being presented. Omega, on the other hand, was confined to Kamino, even kept hidden for the most part as Nala Se's lab assistant.

The dynamic between Omega and Crosshair shifts when Omega gets older. As I pointed out in this analysis, Omega's growth, and her shift into the role of Hunter, is made evident through the use of shadows when she talks to Crosshair in his cell. When she's younger, she looks as if she has Crosshair's marksman tattoo. When she's older, the left half of her face is concealed in a shadow, like Hunter's skull tattoo.

While this is showing Omega's growth by taking her from emulating the youngest of the Batch to the oldest, it's also foreshadowing how Crosshair is going to be taking on younger Omega's role, too.

It kicks off the strongest in episode 3, when it's time to make their escape. Omega insists on freeing Crosshair and taking him with her, despite him telling her that she should've left him behind—and that he wouldn't have thought twice about leaving her behind, either. But Omega refused to leave him behind. Why?

She's one of us. We're not leaving her there.

She learned that lesson from Hunter, who brought his entire squad back to Kamino just to free her from where she was being confined. Omega, now embodying Hunter's role, does the same for Crosshair here. She takes the risk to come free him and to make their escape together.

From then on, Omega actually calls a lot of the shots, if not all of them. Like Hunter, she's the strategist, guiding Crosshair but also considering and listening to his insight. Crosshair obeys, albeit more reluctantly than Omega used to obey Hunter—although she still used to protest if Hunter was sidelining her for her protection, so there are a few little similarities there.

(I would be remiss not to note here that the only glimpses we really get of Omega being a child again rather than the leader she learned to be from Hunter is when she's actually with Hunter. The face she makes when she runs to him during their reunion, melting into his embrace, snuggling Lula on the Marauder, leaning her head on his shoulder on Pabu... he's the safe space where she can fully relax and just be a kid again, because even if she's always gonna be Hunter for others, he's the only Hunter for her.)

After the reunion, we see Crosshair struggling at first to be back with his squad as their new history stands between them, mostly due to Crosshair's own guilt and hesitance and Hunter's desire to learn more and understand what happened. Because of their issues, Hunter doesn't have the established trust he needs yet to help Crosshair the way Omega can. That's why Omega, in a way, takes on the role Hunter used to have in Crosshair's life—at least, in this season.

Omega is very protective of Crosshair during this time, in a way that's reminiscent of how fiercely protective Hunter always has been of Omega. Of course, Crosshair is also very protective of Omega, too, and we also saw this with Omega regarding Hunter (and the others) in season 1. She was constantly worried about them when they were on missions without her, and that relieved way she says Hunter's name when she realizes he's alive after his shootout with Cad Bane will always get me.

The biggest thematic similarity between season 1 Omega and season 3 Crosshair, however, is their motivation, as far as the rest of the squad is concerned. Omega tries her hardest to earn their trust and their approval by training with her bow, strategizing, following orders, and more. Crosshair wants the same thing; he wants to regain the trust and approval he had from his brothers before everything happened. He practices shooting with his rifle and is frustrated when he can't protect them the way he wants to.

Just as Omega's past haunted her in the form of bounty hunters throughout season 1, Crosshair's past haunts him in the form of his hand tremor and CX-2. Omega's worst fear became returning to Kamino, and Crosshair's is returning to Tantiss. This is what they're trying to run from the entire season, despite the fact that all paths start to lead right back to those places.

Eventually, the Empire becomes a threat again, and escape becomes impossible for season 1 Hunter and season 3 Omega, respectively. Both of them give themselves up to protect others. Hunter orders Tech to leave him on Daro, while Omega insists on turning herself in to protect Pabu and her brothers. They both do so without fear, intent on either getting themselves out of their situation or depending on their squad to help them.

(Crosshair technically substituting for Tech here, too... I'm emotional.)

This is when we get the pinnacle of season 1 Omega's and season 3 Crosshair's arcs: they go back to the place they fear the most solely for the sake of their Hunter-figure. This action alone proves the growth they've done over the course of the story, as the trust, connection, and love they truly, deeply have for that person they look up to encourages them to be brave and to face their greatest fears to save them.

Season 1 Omega returns to Kamino for Hunter, and season 3 Crosshair returns to Tantiss for Omega. We all know that Omega is exhibiting peak Hunter behavior here as she looks after the younger children imprisoned with her to help them escape, but that's beside the point currently. We fast forward to their reunions, when the immediate threat is gone and the Hunter-figures realize what their Omega-figures sacrificed to save them.

Not only that, but they're also reminded that it was because of their own initial actions that the Omega-figures found the bravery and inspiration to conquer their fear. Season 1 Omega reminds Hunter that he had gone back to Kamino for her first, and season 3 Crosshair doesn't have to say anything for Omega to remember the way she risked her own escape attempt to free him from his cell first. They never gave up on each other.

I, of course, don't miss the significance of Hunter being in the latter scene when this all happens. Again, while Omega may act like Hunter to many others, only Hunter himself can take on that role in her own life. Here, Hunter gets to see how his actions when they first took in Omega have influenced her and, now, his youngest brother. It's such a heartfelt and rewarding full-circle moment, with Omega being the mend between these two formerly torn-apart brothers. It's such a large step ahead from where they were before.

The epilogue essentially becomes a lighthearted display of the similarities between Hunter and Omega. He stresses that he and his brothers want to keep her safe, and after reassuring him that she will be, she asks him to look over their other two brothers—proving that both of them are still protective as Hunter-figures over those they see as their Omega-figures. All the while, of course, they're protective over one another, too, even if it goes without saying.

Essentially, Hunter became who he had to be to take care of Omega, and Omega followed that example to take care of Crosshair. This is, in my opinion, probably why we didn't get as much Hunter and Omega in season 3 as we did Crosshair and Omega, but not for the reason many may think. It was because Omega was already in Hunter's role, and Crosshair was in Omega's role.

It's really sweet to see how full circle the story has come from season 1. Crosshair is getting the treatment and attention Omega got in season 1, but he's getting it from Omega herself, because that's what Crosshair really needed. Hunter couldn't be in that role anymore because of their own hurt—plus, their relationship is just different. Instead, we get to see what Omega learned being passed on as she grew, and how it ultimately helped to heal Crosshair and the rest of them.

If you enjoyed this analysis, here are some other ones I've done:

Hunter and Crosshair in "The Return"

Crosshair taking the shot in "The Calvary Has Arrived"

[pastorfutureletthembe]

I actually started this blog for one post only. The theory is that the story we are following is currently the 5th timeline.

I would need to watch the donghua again to find hints in the show itself but for now this post is exclusively about the content we keep getting served as fanservice. Now, people nowadays see this word as negative but in this particular case, we are evidently caught in an ARG (Alternative Reality Game), which is AWESOME.

For those who aren't familiar with the concept, it is basically a treasure hunt outside of the original media. For example, if you gather enough clues during your playthroughs of OXENFREE, you'll find the coordinates of an actual place where a real object, a gift FOR FANS was hidden. In the context of Link Click, I believe the rules and answers regarding the worldbuilding are hidden in plainsight for us to discover!

I will make different posts on the clues in lyrics, but for now we're gonna have a talk about VISUALS only. And boy, do we have THINGS to talk about

First things first, let's start with

>>>>> Promotional posters.

I'm opening this analysis with this particular one because it is the most relevant to current events. Black circles are V and white ones are IV. The huge clock is the background isn't supposed to be oriented this way for starters. One V is where XII should be, which could mean our journey starts here. The other V is between Cheng Xiaoshi and Li Tianxi, on the light side, while both VI are on the dark side. Every other VI on this artwork is a broken piece taken out of a quadrant except for the one on the right near Qiao Ling which is still part of the biggest piece.

It is interesting that we don't see any clockhands here, only the quadrant, and the only whole number is 5, ONLY on CXS's introduction.

Not so subtil, the mirror or "painting" is labeled 'V'. Lu Guang is also looking directly at US, viewers.

Probably five lines of five x but we only see 3, of which only the first one got 5x. Four diformed shapes can be seen at LG's left, under V/VI, which could be the four previous failed timelines. You might notice that LINK CLICK is written 5times. The clock says 00:05. Oh, familiar, isnt it?

As you can see, the V is a light in the darkess at Lu Guang's feet. it is a broken piece, though. The fact it is the enlighted one could mean two things. 1) It marks the spot, where we're currently at. 2) Hope. I would argue that until then Cheng Xiaoshi always died and now, at the end of season 2, Lu Guang is in the dark because he never went that far.

VI is there too, in complete darkness, blocked from view by a ring. There is something to say about VII being completely obliterated but I honeslty don't know how meaningful that could be.

>>> It is my understanding that if a character change the past, it breaks the timeline. Past changed, present and future cannot be the same ever again. It doesn't create a new timeline like in MARVEL, there is actually no going back from a changing node, it unravels this world. Either it already happened, allegedly because of Lu Guang, or will happen in the next season, we can suppose that Timeline VI is the actual doomed one. The fact Cheng Xiaoshi is trapped is relevant too. Destroying Present and Future would trapped him in the Past, hence Come back from the dive back in time.

>>>>> Dive Back in Time

There are many things to say about this one, but I'll keep it simple since it's already a long post. Let's start with something a bit out of topic: colors. Why? It actually indicates that LG isn't from the same timeline than CXS and QL. And I swear it would be useful at the end of this post.

Blue and Red are on the same plan, no matter if we're talking about RGB or CMYK, but Green and Magenta are not. It's like CXS and QL are anchoring LG in this reality, but Magenta is not supposed to be part of the mix. Primary colors in photography are Red, Blue and Green; not Magenta. Since we're talking about photography and this is not the original timeline, I think it is intended.

I'll leave the count of squares to you (spoiler: either 5 or 3 (I'll explain this one in another post) :D).

>>>>> Overthink

I recommend you read this glorious meta about this ending. I'll just "correct" mimicha on one point:

The way the hands are "cutting a piece" of the clock; just like in the promotional poster for Train Trail. It indicates 5. I'll also add this one:

If you look carefully, you'll see two words: TIME PARADOX. As said above, a paradox should NOT be possible with the rules LC gave us so far, but it could be related to the possible 6th doomed timeline. The "dark side" could try and make it happen. Just food for thoughts.

If you want more meta on OPs/ENDs, I recommend you also watch this glorious analysis. That's all I have to say for this one regarding the number 5.

>>>>> VORTEX

Not much to say, except for this "blink and you'll miss it" screenshot. If I missed anything, feel free to share with the class!

THE TIDES has, sadly, nothing to offer on this current topic!

>>>>> 3rd Anniversary: Surprising Click

Oh boy, do I have THINGS to say. Don't be surprised when I'll make another post about this Link Click monument haha. Note: 5 PVs were prepared for this anniversary. Coincidence? (I think not).

N O W A N D F O R E V E R

The only 5 clue I found is what looks like a clock with one hand going backwards, from X to IV, it appears while the chorus is playing. That might be a bit farfetched but I'd mention it for archives purpose anyway.

B R E A K

I won't be a smartass by pointing out BREAK is a five letters word but- okay that's infuriating of them if it is on purpose.

Most of it is obvious, the same logic applies, except for the cogs and hourglasses, we see four of each falling. Since LG's shadow/light goes from IV to V, it's safe to assume that those symbolize the four failed/achieved timelines. The ones left behind. I'll probably post something about cogs and hourglasses one day.

A last one, for the road:

S U R P R I S I N G C L I C K

You should take a look at this fan's brain! They did a wonderful work. I already had this part prepared so I'm still gonna share the obvious. Five mics ("time is like music"), and five letters (with photographs inside I'm guessing). Magenta and Green are very flashy in this one.

Oh, here are LG's five magenta squares from Dive Back in Time ;D

Four failed timelines/tasks, and... loading the first out of three chances. (Again, I can't address everything in one post, this one will have a long meta on his own, don't worry :D)

T R A I N T R I A L

Two occurances worth mentionning. Once again, V is the only timeline enlighted.

B U R N I N G P A L A C E

Many things are happening in this one but only one regarding our current meta. If you pay attention, you'll see it several times, while the chorus is playing:

x x x x x

Now, if you remember correctly, green is the exact chromatic opposite, the complementary color of magenta. They aren't on the same plan (primary vs secondary)/from the same timeline. Usually, they color Lu Guang but here, there is no magenta and no Lu Guang. With this in mind, could it be the paradox OVERTHINK warned us about? We can only assume Vein is from the same original timeline as LG. Red and Green are primary colors so yeah, we'll see.

That's all for today folks!

I had this brainworm eating at my life for weeks so I'm very happy that it is finally out there.

| Part 2 |

[frostbytemyrik]

Danny Phantom Required* Watching

*It isn't actually required. I know there are a ton of phans who have never even seen a single episode of the show, but it's a fun watch and I would recommend at least catching some.

Sorting the episodes into colors (with the first letter in parenthesis by the title for those who might be too colorblind to tell). Note that this is all just my objective opinion, and everyone is free to leave their own thoughts on this!

Green (G) - Introduction of an important character or major plot development, such as a new power for Danny or another major shift in the status quo. If you can only watch a few of the episodes, watch these.

Pink (P) - Introduction of a side character or minor plot development.

Red (R) - Introduction of a new character worth mentioning or other general status quo change, but the episode is generally considered to be...not great by most people. (But hey, nothing wrong with liking these episodes!) They'll be summarized at the bottom of each episode description for those who can't be bothered to watch them.

Blue (B) - Nothing important happens to the overall plot, but it's a fun episode that fleshes out the characters.

Season 1

Episode 1: Mystery Meat (R) - Establishes the show and its main characters: Danny, Sam, and Tucker, as well as a lot of other important characters such as the Fenton parents and Jazz, and minor recurring characters like Dash and the Lunch Lady. The writers are still getting their footing so the main trio is unfortunately among the flattest they get here.

Episode 2: Parental Bonding (P) - Introduction of Paulina and Dora, first look at Valerie, and most importantly, Danny's power to overshadow people. Fun episode in general, Tucker makes a weird comment at the start but this is one of Sam's absolute best episodes as a character. (Tucker and Sam actually getting to be fun characters instead of just "butt-monkey comic relief" and "selfish asshole" is rarer than I'd like, so I always like pointing out the episodes where they get some love.)

Episode 3: One of a Kind (G) - Introduction of Skulker, a recurring major antagonist, and his motivations.

Episode 4: Attack of the Killer Garage Sale (P) - Introduction of Technus, Ghost Master of Technology and Destroyer of Worlds, Manipulator of Machines, Lord of all Gadgetry, Wizard of Integrated Circuitry, Master of All Things Electronic and Beeping.

Episode 6: What You Want (P) - First appearance of Danny's Ghost Ray and introduction to Desiree and the Ghost Catcher (a Fenton device with an unfortunately rather...culturally insensitive name and design), explores Tucker and his relationship to Danny. I went back and forth between making this green and pink because I'm biased in my love for this episode, but it isn't necessary to comprehend later episodes. (If you can watch it, though, it's a lot of fun as we get to see how close Danny and Tucker are and how Tucker feels about Danny's powers.)

Episode 7: Bitter Reunions (G) - Formal introduction to main series antagonist, Vlad Masters, and his relationship with the Fentons and the ghosts of the Ghost Zone. (Antisemitism tw: Vlad has hired ghost hitmen that are vultures with Yiddish accents, hooked beaks, and fezzes. They thankfully don't show up anywhere else, as far as I can remember.)

Episode 8: Prisoners of Love (P) - Introduction to the Ghost Zone itself and Walker, a side antagonist. Shows Alicia, Danny and Jazz's maternal aunt who never appears again after this episode.

Episode 9: My Brother's Keeper (G) - Gives Jazz a focus and formally makes her a major player in the plot through a certain discovery she makes. Also introduces side antagonist Dr. Penelope Spectra.

Episode 10: Shades of Gray (G) - Valerie Gray, a background character from Episode 2, gets new motivations and becomes an important part of the series going forward.

Episode 11: Fanning the Flames (P) - Ember is introduced, and she hypnotizes the entire town to fall for her with her music. To keep Danny out of her hair, she makes him fall for Sam. Whether this episode is a Pink or a Red depends on whether or not that bothers you. (Racism tw: there's a sequence towards the end of the episode that shows people around the world watching Ember, and they're all very stereotyped appearances of Japanese, Eastern European, Arabian, and Indigenous Australian people. Thanks, Hartman.)

Episode 12: Teacher of the Year (B) - A fun episode with Technus. It does have some of that early 2000s "don't underestimate me because I'm a girl" stuff, but it's still a good episode with a lot of heart.

Episode 13: Fright Night (P) - Introduces Fright Knight. A Halloween special that has its ups and downs (eating underwear?) It's just really funny that an actual ghost, who has been to the maddeningly twisted and alien world of the afterlife, still can't scare anyone to save his life.

Episode 14: 13 (P) - It's a shame this isn't actually the 13th episode. Anyway, it introduces Johnny 13 and Kitty, while Tucker and Sam get to hang out without Danny while trying to solve Tucker's new run of bad luck and the fallout for his reputation.

Episode 15: Public Enemies (G) - Walker's back and he's making a major shift in the status quo: ghosts are confirmed to exist as he stages a major invasion of the town. Things don't go well for Danny, and the repercussions will be felt for well into the series. Also introduces Wulf, a ghost who looks like a werewolf, exclusively speaks Esperanto, and has the ability to tear the fabric of reality to create portals between Earth and the Ghost Zone. He's putting this power to use for Walker, but it's clearly not by choice...

Episode 17: Maternal Instinct (B) - Maddie notices her son is growing distant from her and tries to take him to a science symposium to bond with him, but disaster strikes and leaves them in the woods, with the only shelter available being...a cabin owned and occupied by none other than Vlad. Meanwhile, Jack tries to understand Jazz, who doesn't seem to want anything to do with him or ghost hunting. Lots of great character moments for the Fentons.

Episode 18: Life Lessons (B) - Danny and Valerie, arriving late to class because they both were out ghost hunting, get paired up in home economics class to raise a flour sack baby together. We get more insight into what Valerie's life is like after Shades of Gray, and she learns to get along with both Fenton and, temporarily, Phantom, after an excursion through Skulker's part of the Ghost Zone. As a B-plot, Tucker makes money babysitting other students' flour sacks while ignoring the one he has with Sam, and Sam tries not to get attached to the sack. It's not important to the plot AT ALL but I'd put this as a must-watch if I could. Alas, I made the rules and must follow them.

Episode 19: The Million Dollar Ghost (B) - A million dollars is placed on the head of the ghost boy, Public Ghost Enemy #1: Inviso-Bill, known to us in the audience as Danny Phantom.

Episode 20: Control Freaks (G) - The circus is in town! New villain Freakshow gets introduced, and he becomes important later. Kinda. Depending on how much you like a certain blue episode that comes on down the line. The trio go to this cool new goth circus, but there's a string of ghostly robberies in town and Danny has been acting strangely lately...

Season 2

Episode 1/21: Memory Blank (R) - Danny and Sam have a fight, Sam wishes she'd never met him, Desiree makes the wish come true and now Danny has no powers and neither he nor Tucker remember her at all. Sam gets him fried by the portal again to get his powers back, but this time with a new logo she designed slapped onto his chest. Really all that happens is Danny gets his logo. This can be skipped...if you wish. ;)

Episode 2/22: Doctor's Disorders (B) - There's a bug going around - literally - getting the kids at Casper High sick. Symptoms include sneezing, chills, coughing, congestion, and various ghost powers depending on the student. The only ones immune seem to be Danny (thanks to his ghost powers) and Tucker (wearing his new homemade cologne that smells awful in a different way to everyone). A new hospital opens up to treat them, but something fishy is definitely going on. ...But Tucker is afraid of hospitals. Great Tucker episode.

Episode 3/23: Pirate Radio (P) - Introduction to Youngblood, an occasional antagonist. A new radio program pops up, and every adult in town (and Jazz, who's 16 but sees herself as an adult) is enraptured by it and the one song that it plays on loop. Then one day, every single adult in town leaves behind a note that they're going on a cruise, and it's up to Danny to rally the teens of Amity Park to discover what's so fishy about the cruise and get their parents back.

Episode 4/24-5/25: Reign Storm (G) - The creepy castle in the Ghost Zone Danny accidentally freed Fright Knight from in Fright Night holds yet another secret: the coffin of the Ghost King, known as Pariah Dark, whose goal is to rule over the Ghost Zone and the human world with an iron fist. Vlad frees him hoping to snatch the powerful artifacts on him, but it backfires and now the King is free and follows the fleeing ghosts to Amity Park, which he promptly invades. Danny, Valerie, and various enemies including Vlad need to team up to seal King Pariah back within his sarcophagus and save both Amity Park and the Ghost Zone as a whole. Major status quo shifts happen here.

Episode 6/26: Identity Crisis (B) - Not my favorite episode, but I'm including it here because it was popular with the Phandom a decade ago. Danny gets tired of trying to balance his human and ghost lives, so splits himself in two using the Ghost Catcher that was introduced in Season 1 episode 6: What You Want. That also, unfortunately, divides his personality to two extremes; the human half ("Fun Danny") is lazy while the ghost half ("Super Danny") is an absolute ham of a superhero stereotype, and Tucker and Sam struggle to put their friend back together so he can stop Technus in a way only he can (and also because both halves are honestly really annoying them).

Episode 8/28-9/29: The Ultimate Enemy (G) - This is THE episode of all time. Maybe not the best episode, but it's great in its own right and, more importantly for this list, introduces another major status quo shift. It's also basically required viewing for the comic that came out last year (at time of writing), as that comic is a direct follow-up to this episode. Clockwork, a ghost that is essentially a deity of time, has a mission to eliminate the greatest threat to Earth and the Ghost Zone that has ever been before he comes into that role: a ghost named Danny Phantom. Danny comes face-to-face with a version of himself that caused a doomed future, and needs to fight to ensure that future never comes to pass.

Episode 10/30: The Fright Before Christmas (B) - The boy Danny Fenton, a Grinch to his core, finds the holiday season to be quite a chore. Into the Ghost Zone to blow off some steam, he accidentally causes a scene: the Ghost Writer's finished manuscript in ashes, and with Danny's indifference he clashes. He traps him in a book that warps space and time, and forces all events in his life to rhyme. You're in for a treat if you like all these rhymes, but if they annoy you, then don't waste your time. (This factoid may not matter to you, but this is where we learn of the Christmas Truce!)

Episode 11/31: Secret Weapons (R) - Jazz is overbearing, Danny doesn't like it, so Jazz decides to go to Vlad. The episode's latter half isn't bad, but it's R because Jazz's constant invasions of Danny's privacy and the repetitive thermos jokes grate on me. If you plan to skip, the thing that makes it a red episode is this: Vlad learns that Jazz is in-the-know.

Episode 12/32: Flirting With Disaster (G) - A lot of the more plot-relevant episodes in season 2 (and one in season 1) have been building romantic tension between Danny and Valerie, and here's where it comes to a head: they actually start dating! However, after some jealous stalking thorough investigating, Sam finds that there's someone pulling the strings, and manipulating their real feelings for each other to pull them together and get them out of the way... Valerie especially undergoes a lot of major character moments, and we learn a lot more about her as a person. One of my personal favorite episodes (and I don't just say that because I'm a Danny/Valerie truther) (the "engraved" ring and Sam being a stalker about it aren't great, but honestly I just try to ignore those parts. Yes, I know I'm biased).

Episode 17/37: Kindred Spirits (G) - While Danny's busy being an asshole to his friends leaving Sam and Tucker to take the blame for property damages during his fights, he finds a strange girl named Danielle (or "Dani") who claims to be his cousin and shares an eerie resemblance with him. The similarities go more than skin deep, as she quickly reveals that she's ALSO half ghost. Tucker and Sam warn Danny that there's something suspicious about the whole ordeal (in between being left behind to be blamed for collateral damage more times than I'm bothered to count right now), but when Danny winds up in trouble anyway, they still skip detention (that he got them in) to save him before it's too late. Danny's a dick, but despite that, it's still a good episode and we get introduced to Dani before her next appearance.

Episode 19/39-20/40: Reality Trip (B) - Freakshow gets the Reality Gauntlet: an off-brand Infinity Gauntlet that can warp reality to anything he desires. He gets Danny's secret revealed to the world, causing the government agency the Guys In White (from Million Dollar Ghost in season 1) to relentlessly pursue him. Luckily, thanks to knowledge Sam gained from a book on the gauntlet, the main trio manages to warp the gems to different parts of the United States, severely limiting Freakshow's power. Unluckily, Freakshow retaliates by kidnapping their parents and Jazz, forcing the three to go on a cross-country road trip to get the gems back to Freakshow and save their families while evading the law. No permanent shifts of the status quo, but one of my personal favorite episodes. It's a fun ride!

Season 3

Episode 1/41: Eye for an Eye (R) - A prank war between Danny and Vlad ends in Vlad becoming mayor and passing a lot of horrible laws specifically to spite Danny. The laws are undone by the end of the episode, but Vlad stays mayor.

Episode 2/42: Infinite Realms (R) - In trying to map out the Ghost Zone, the main trio end up meeting Frostbite: leader of a realm in the Zone known as the Far Frozen, filled with spirits that take the form of peaceful, yeti-like monster folk who revere Danny as the chosen one who defeated Pariah Dark. Frostbite is also keeper of the Infi-Map: a map that can take the user anywhere in the Ghost Zone. Now for the bad news: Vlad is here, he wants world domination now for some reason, and he wants the map to help him do it. Vlad steals the map, the trio needs to get it back. It's not the worst episode, but Vlad's villain decay is...tragic. Tl;dr: Frostbite is the leader of a tribe of friendly yeti spirits and keeps the Infi-Map, which can take the user to any point in the ghost zone.

Episode 5/45: Forever Phantom (B) - One of the only actually fun filler episodes in season 3. Introduces us to Amorpho: a ghost with the power to shapeshift into anything and anyone, who uses their power to cause mayhem for attention. They bite off more than they can chew when they impersonate Danny Phantom, however, and a Fenton device gone awry locks both Amorpho and Danny into the form of Danny Phantom. Wacky hijinks abound.

Episode 6/46: Urban Jungle (G) - Haha green. Like plants. Anyway, Danny has been cold lately. No matter what he does or where he is, he's consistently freezing. It gets worse: while Danny's in this weakened state, a giant plant ghost named Undergrowth takes over Amity Park and possesses Sam. Unable to fight the constantly-regenerating Undergrowth or to keep himself from freezing, he flees into the Ghost Zone to seek Frostbite's aid.

Episode 9/49: Frightmare (B) - Danny wakes up one night to learn, to his horror, that Nocturne, the ghost of dreams, has put all of Amity Park into a deep sleep to feed on their energy. He enters the dreams of his friends to wake them and get their help taking Nocturne down. A good episode for people who ship Danny/Sam, and a GREAT episode for people like me who like to pretend that all the episodes I left off the season 3 list were just bad dreams.

Episode 10/50: Claw of the Wild (B) - The students of Casper High are ending summer with a camping trip in a foggy forest. All seems normal until, one by one, campers go missing. Danny, Tucker, and Sam go investigating and find their ally Wulf, who seems to know something about the disappearances...

Episode 11/51: D-Stabilized (G) - Regarded by most as the final good episode of Danny Phantom. Dani had been on her own in the world since we last left her, but over time, her form has been getting unstable, causing her to be slowly melting into a puddle of ectoplasm. She tries returning to Amity Park to get help, but is now being hunted down by Valerie, who Vlad commissioned so he could melt Dani down and study her remains to make a superior clone. (Valerie thinks he's just going to keep her contained for the safety of Amity Park; she isn't informed of the cloning.) Valerie turns Dani in to Vlad, but Danny manages to form a shaky alliance with Valerie to get Dani back, since Valerie knows that Dani is half human.

Episode 12/52-13:53: Phantom Planet (R) - The only reason this is here is because the comic continues from where this episode left off. If it didn't, I'd suggest ignoring it entirely. Rapid-fire summary: an asteroid is about to hit Earth, Vlad reveals himself to the world and demands unquestioning rule over Earth (and one trillion dollars or something) in exchange for turning the asteroid intangible. Vlad can't turn it intangible since it's made of Ectoranium, an anti-ghost substance we never hear of until now. Jack leaves Vlad in outer space. Danny gets every ghost he knows to help him turn Earth intangible, it works somehow, and Danny reveals his secret identity to the world. Statues of Danny are built all over the world, Sam and Danny start dating, and Tucker becomes mayor of Amity Park. A bunch of other stuff happens too but it's all stupid. Valerie gets thrown into a dumpster on live TV and that's her only appearance besides clapping for Danny at the end. I'm still mad. Don't watch Phantom Planet.

The Comics

Book 1: A Glitch in Time (G) - Danny's life is perfect: his secret identity is out, and the world accepts him not just as a part of it, but as its savior. His parents and former bullies fight on his side now, he's in a committed relationship with Sam, and Amity Park seems to be at peace. There's just one problem: his powers are getting weaker by the day. Unbeknownst to him, there's another problem in progress: Dan Phantom, the evil future Danny from The Ultimate Enemy, is released and fuses with Clockwork, causing present Danny and those near him to experience unstable glitches in time. Vlad returns to warn Danny of the threat of Dan, and they all team up to venture into the depths of the Ghost Zone to find a way to stop Dan and get Danny back to full strength. Meanwhile, Jazz and Valerie hold down the fort at Amity Park, holding Dan off for as long as they can while the trio and Vlad search for answers.

Book 2: To be continued in 2025!

Danny Phantom can be watched on Paramount Plus, but if you don't have a subscription, there may be DVDs at your local library! Other people may also have resources on how to watch the show, so feel free to ask around!

Danny Phantom: A Glitch in Time can be found anywhere books are sold! Abrams Books Amazon Barnes and Noble Google Play Waterstones

[dragonfly0808]

TimeBomb (Fix-It?) Fic with a side of Zaun Revolution

The inspiration really hit today, I feel like I blinked and all of a sudden I had 7k of a new fic.

what is it about? Well…

Whilst I really enjoyed s2 of Arcane and I loved almost everything about it, I will admit there was one specific plot point I was really disapointed didn’t go anywhere and one character decision that I just couldn’t get behind.

First off; watching Arc 1/2 and especially episode 4 I was fucking pumped at the idea of a Zaun revolution plotline, and, since i watched the seasons back to back, I’ll be honest, watching episode 4 combined with the fact that in the opening credits we see Jinx waving a flag, my immediate thoughts were OH MY FUCKING GOD JINX IS GONNA LEAD A REVOLUTION AND FULLFILL SILCO’S DREAM OF AN INDEPENDENT ZAUN…

Obviously I felt like a clown when that did not happen

and then for the character decision… I’m not really a fan of the ‘you’re too far gone the only thing you can do now is sacrifice yourself for the greater good/to save someone’ character arc. Especially because I really wanted to see Jinx get better since, at the end of s1 her identity crisis is over, she choses Jinx and then I thought that maybe we could get maybe not a redemption arc but at least see her get better whilst staying partially chaotic

A part of me really likes what they did (up until her sacrifice) but a greater part of me is just- disappointed. Especially after the whole ‘No matter what happened in the past it’s never too late to build something new’ bit. It just felt a little cruel.

And i know of the Jinx is alive theory and I believe it but still- I just don’t like that this was the end for Jinx in Arcane, I would’ve loved to see her and Cait having to come to terms with both their crimes and what they allowed their respective grief to turn them into.

also Ekko didn’t deserve to end the series alone, not after everything he did and everything he gave up.

and so, with these two specific things in mind, pondering on it I found myself writing a little smth.

A fic that takes place right after the Stillwater breakout BUT- Jinx, Sevika and Isha escape before the Beast gets there AND Ekko returns from the alternate timeline early, pushing Jinx along with Sevika to convince her to be a part of the rebellion.

So far, I’ve got 7k words on this and I’m thinking on how to involve Vi (another thing is that I felt we should’ve gotten a bit more time with her) since, in my mind, the revolution of Zaun should’ve been led by Vi, Ekko and Jinx.

Ekko to represent the fight for the future and as the face of the Firelights.

Jinx to represent the fight for the present (since her arc would involve starting to heal and finding smth worth fighting for) and of course to also represent Silco and his dream

And Vi to represent the past (since a big part of her character is being stuck in the past) and Vander

Jinx and Vi get to right the wrongs of the past and join forces like Silco and Vander never got to! (Because why include that letter if nothing really came from it?) also, as a sister who’s had a lot of ups and downs with her big sister, I would’ve KILLED to get to see more of their new dynamic ‘Here’s to the new us’.

Also Isha lives because she deserved better and also Ekko gets to be her dad.

still unsure on how/if I incorporate Cait cause I LOVE her arc and would love to write her and Jinx/Ekko interacting

but yeah basically, this is a Timebomb fic with a heavy focus on Jinx becoming the leader of a revolution (since at first it’s more, Jinx is the symbol, Ekko is the brains. And maybe at some point it’s more like; Ekko is the heart, Jinx is the symbol/leader and Vi is the strength OR Ekko is the leader/brains, Jinx is the symbol/leader/face and Vi is the heart, you know cause- YOU HAVE A GOOD HEART DON’T EVER LOSE IT)

Also a big part of chapter 2 somehow wound up being a look into Sevika’s mindset and why she’s lowkey the biggest supporter of Zaun? So if you like Sevika I got you!

so uhh… yeah.

i’m thinking on the name and just to know what yall think, knowing what the focus would be what title do you think would work best?

Will prob start posting once I’ve got 5 chapters, which, if I keep up the pace will prob be in 2 or 3 days

also, should i tag it as Fix-It? Not sure if I should tbh

Here’s a few little peaks! A tiny part of Ekko convincing Jinx to be a symbol (that was a LONG scene)/Part of the speech that starts it all/Isha being adorable in the Firelight’s base

Ekko adjusted his coat on her, she hadn’t really noticed him getting close enough to do so, “I fought so long to make the undercity a better place, or to at least create a safe place in it, but I got so wrapped up in all the ways that we’ve been screwed over, failed, in all the ways that it wasn’t even half of what I’d dreamed of no matter how hard I tried that I was starting to lose hope. But seeing that world… it helped me realize that… no matter what happened in the past, it’s never too late to build something new.” 

Jinx forced herself to met his eyes, unsure of what to do under the weight of his soft eyes and the careful way he’d somehow gotten his hands in hers, stopping her from digging her nails into her palms.

“…someone worth building it for.”

Jinx felt something in her starting to crack, “I don’t know if I know how to build anything.”

“That’s alright,” he quickly assured her, his own eyes glittering with tears, “we can learn. This right here Jinx… this is our chance. I saw the murals, the posters, what you said back in the airshaft- if Piltover is targeting us… then maybe- just maybe, this could be our chance to bring all of the undercity together. To stand against Piltover, make them finally see us. I’m not saying we burn them to the ground but- we can fight back, fight for respect, for a seat at the table.”

Jinx took a step back, shaking her head, “I can’t- I’m not like you- I’m not a leader or- or some inspirational figure. They’re just desperate for anything to believe in. I’m not- I don’t deserve their faith.”

“But you’re the first to take a real stand in a long time. Sure it was an… explosive stand but a stand regardless. Directly against the Council, the people who have passed all the laws to try and make us less than them in the past. Who have had no trouble ignoring our struggles and claiming blissful ignorance when they screw us over. You have the chance to help bring people together. If we can stop killing each other over Piltover’s scraps and for territory… we can stand our ground. This could be the start of a rebellion. A revolution.”

“…I’ll screw it up. I always do.”

“You won’t… and if it does go wrong… it won’t be on you. We can do this Jinx, together.”

Jinx looked back out to the city line.

It’d been Silco’s dream.

To be recognized by Piltover. 

He hadn’t been able to bring Zaun together, sure, but everything he’d done had forced Zaun into progress… even if it wasn’t always in the best of ways. His biggest dream had always been of Zaun being it’s own nation.

It was the dream that’d been within his grasp, close enough to touch but that he had meant to reject in the end.

For her.

She’d bombed the Council as a way to honor him.

To finally show them all.

Everything had gone to shit the moment he was gone.

But now… now all of Zaun had a common enemy. 

There had been no singular group in Stillwater. Instead a coglamoration of Jinxers and Firelights and members from every gang Jinx knew of.

That meant that there had been no division at Sevika’s rally.

That for once, every part of Zaun had been open to the possibility of fighting for the same cause and had been promptly punished for it.

Jinx slowly turned back to Ekko.

Building something knew… he’d said Powder used her abilities to create instead of destroying… could she do the same?

Someone worth building it for… she thought of the hopeful look in Ekko’s eyes. Of the way the people of Zaun had, for a moment, embraced her, wrapping her in gratitude and misplaced but real hope as they passed by her. And of course, she thought of Isha, who deserved so much more than… this.

“I’m not saying I’ll be good at it… but I suppose I could give it a shot.”

Ekko reached out quickly, Jinx barely having time to flinch before he was tugging at her and-

Pulling her into a hug, all but crushing her against him, arms wrapped tightly against him.

She exhaled, falling against him, hiding her face against his chest.

They stayed like that for what was possibly an embarrassingly long time.

When she eventually managed to pull back, she turned away to wipe away her tears.

“So… how exactly does one start a revolution?”

—————————

“This is the time to stand together!” Ekko’s voice came as he stepped out from the crowd, wearing his firelight mask, going to take it off as he went to stand next to Sevika, “To leave aside the labels and separation and to work together, it’s the only way we’ll survive what’s coming next. Piltover wants us divided. They have always benefited from us killing each other, being at each other’s throats, fighting for territory and for their scraps. Not anymore! We need to stand together! To show them that we will not backdown! That they can’t invade our streets, our homes and expect us to just lay down and take it! That-”

“Where is Jinx?!” Demanded a voice, thought she couldn’t tell exactly where it came from.

Ekko sighed, casting a glance her way, waiting.

Jinx took a deep breath.

“Right here!” She called out as she went to take off her cloak, the people around her quickly going to clear a path as she sauntered on forwards, stopping next to Ekko for a moment before going to stand on the metal box Sevika had left on the floor, “You wanted to see me? Well here I am!”

Most of the crowd gathered around her, after a moment of stunned silence, started applauding, whilst some other looked like they wanted nothing more than to shake her and ask her what exactly her plan was.

Jinx glanced to Ekko, who gave her a quiet encouraging nod.

Welp, she didn’t really have anything to lose.

“Now… I don’t know much about leading, or about being some- revolutionary… but I do know about fighting. And I know about Piltover’s crimes.”

She recalled all of Silco’s sermones and every story and complaint he ever told her about all Piltover had and constantly took for granted.

This had never been her dream. But it had been her dad’s. And maybe it had started becoming her own the moment Isha had dropped into her life.

“I know that Enforcers have killed hundreds of us, a lot of times, for no good reason other than to show us that we are lesser than them, for us daring to stand up for ourselves, for doing what we gotta do to survive. That they have thrown dozens of us in cells without a trial just because they can. But the second we lay our hands on a single one of their precious Council members they suddenly have the right to invade our streets? To cry for justice to be delivered? It’s bullshit!”

A lot of them started nodding along, she could see the anger rising up in them.

——————————

Jinx took a deep breath before gently placing Isha on the railing, keeping a hand on the back of her vest, “Look at that kid. You like it?”

Isha’s eyes widened in a way that would’ve been comical if it weren’t heartbreaking. This was probably the first proper tree she’d ever seen.

Jinx set her down on the floor and the girl started jumping from foot to foot, clearly thrilled.

Ekko chuckled as he went to crouch down, “You see that platform to the right?” He asked as he pointed, Isha following before nodding, “That’s where the kids we have here play. We even managed to get our hands on some Piltover toys if you wanna go check it out. Jinx and I will be by the base of the tree if you need us.”

Isha hesitated, going to grab Jinx’s leg.

The girl had gotten a lot more confident since Jinx had first met her but it was obvious she had some anxiety about being apart.

Jinx went to crouch as well, gently running her thumb over Isha’s eyebrow before playfully pinching her cheek, Isha trying to act annoyed and push her away but smiling, “You should go kiddo. See if they got any good stuff. I’ll be right down there, I’m not going anywhere without you.”

Isha inspected her for a long moment before nodding along, adjusting her metal helmet as though it were armor before starting to make her way towards the platform.

“She seems like a good kid.” Ekko said.

“She is. She’s the best.”

[geekgirles]

"The Flower that Blooms in Adveristy Is the Most Rare and Beautiful of Them All": A Brief Amalia Analysis

I've been meaning to talk about this scene since the episode premiered, as I find it perfectly encapsulates Amalia's character and her development.

On the one hand, we have the fact that she's long outgrown the pampered, sheltered princess archetype she was introduced as and become far more mature and multi-faceted.

Over the course of the show, we've seen how Amalia evolved from a girl who ran away from her responsibilities because she felt stifled in her own home after her mother's passing, to a girl whose reason to break the rules was the sake of her kingdom, determined to save it from Nox. To the point she eventually grew into the Sadida Queen mantle and was ready to do whatever it took to ensure her kingdom's safety and well-being, from accepting to marry a stranger, to finally stepping up to the challenge and ascending to the throne to guide her troops to victory despite having just lost her brother and such heavy burden thrusted upon her.

All the while dealing with her own trauma, heartbreak and desires as she watched her father wither away, her best friend since childhood was far away living her own life, Armand and Aurora tried to pressure her into marrying, she was manipulated by Oropo into almost abandoning Yugo, and she likewise suffered because she couldn't be with the man she loved despite both of them wanting nothing more.

And on the other hand, that scene also shows how, while not necessarily the most powerful member of the Brotherhood of the Tofu, Amalia's versatility is second only to Yugo and maybe Adamaï's, as well as it once again shows how despite her powers' development not being as flashy as Yugo's, it's still notable and impressive.

In a way, you could say Amalia's character and power development are both subtle, yet a constant of the show.

Amalia's gone from summoning vines and using her doll to being able to overpower a Xelor demigod without help, use her powers to light up dark spaces (seriously, girlie can create literal light out of plants, how?!?!?), growing cotton plants from stone to keep her and her friends in touch, and season 4 has her become the team's weapons provider against the Nécromes; an ability that, as far as I'm concerned, only King Oakheart was able to do back in season 1 when he created a new bow for Evangelyne.

And it that weren't enough to prove how layered and multi-talented she is, there's her fight against the Sadida Nécrome itself.

Up until that point, except for a few punches here and there, Amalia's been mostly a long-ranged combatant, much like Eva, relying on her plants to fight. However, her summoning that wooden staff and using it to fight against the Nécrome shows that she's actually quite adept at hand-to-hand combat, too, especially when she moves with such grace and her strikes hold that much precision. Which at the same time means that not only Armand received training from the best masters around, so did Amalia.

This all comes to show Amalia is an example of the hardships she's endured slowly molding her into the person she was always meant to be, into the queen she was always meant to be. Grougal already said back in season 1 she had the heart of a Sadida Queen, her adventures were always meant to get her to that point.

Much like his adventures eventually turned Yugo both into the king his people longed for, and the one Amalia needed by her side. Everything they have been through together have led them to this moment, to the chance to stand together as king and queen, as husband and wife.

To stand together as one.

This is what Amalia had been preparing for her entire life. And I, for one, am proud to say, "All hail Queen Amalia."

[thechekhov]

Hey Chekhov! How do you start converting an AU idea from character sheets and mini comics into a plot outline for a full, continuous comic? Especially if the series you're basing it on isn't complete?

I've been following your white diamond Steven comics for years, and frankly, I love how it builds and continues the scaffolding canon laid to be something that is thematically still the same but also very unique. And I never thought I'll ever say this, but now I'm working on a canon-divergent AU with someone that's I think aiming to do something similar(continue the themes of canon but different). So I'll just like some advice, I suppose!

You might've answered something like this before, honestly, but I tried to dig a little and couldn't really find it.

Thanks, if you do answer this! I just want take the opportunity as well to say also that your comic and blog accompanied me through parts of my late teens, and I'm very grateful for you being a stabilizing influence during that time.

Thank you! I really appreciate you saying that, and I appreciate you respecting me enough to ask for advice.

As for your question...

Well, to be frank, I don't START with character sheets and mini-comics. In fact, for WD!AU, I didn't have any character sheets until I started season 2.

Think of your story as an aquarium. Your characters are fish.

Yes, they're important, but having a whole bunch of fish without any substrate, tanks, feed and WATER..... will not really make for a memorable aquarium experience.

The reality is that all stories should start with an end.

That's my personal approach, anyway.

What I mean is - you need to know the general idea for your story before you begin to write or plan it.

Let's try this:

1.Tell me about your story in THREE sentences!

Just three. Not long ones, just regular ones.

For my AU, @ask-whitepearl-and-steven, it would be:

"A young orphan runs away from home with a mysterious lady who seems more cryptid than human. He realizes that he's not human either - he used to be the ruler of an alien planet! He and the other aliens he meets decide to (REDACTED) (REDACTED) (REDACTED) and he (REDACTED) (REDACTED) (READACTED) (READ ANDCTED) (READ AND FIND OUT)."

YOU should know how YOUR story ends too! Even vaguely.

It helps if you know at what point you plan to lay down the pencil. Because if you DO know, you are always going to know which direction to walk in, even if the end is so far away it's beyond your line of sight.

It's true that when I began WDAU, I didn't have much information about White Diamond and white Pearl, because they had literally ONLY been introduced. I had to guess a lot of the details (like WP being Pink's originally) and what White would be capable of. And thankfully, my original intent for the story's end fit pretty well with what was later revealed!

But don't forget - you could also just fuck around with stuff! It's your story, after all.

And don't forget... to also look back!

2.Tell me WHY the story is happening in the first place.

There's a reason that the beginning of your story happens when it does. If there is no reason to start somewhere, then find a different place to start.

You should be able to tell me "We're picking up the story here because something significant has happened... and that significant thing happened BECAUSE...."

That 'because' is your main background information that should be revealed slowly throughout the story. In WDAU's case, we only have a few pieces of the puzzle. We know Greg's side. He know Earl's side. But there are still little bits and pieces missing! And they're all important for finding out WHY Steven ended up an orphan and WHY he is being followed by White Pearl (Earl) at the very start of the comic!

3.Tell me what the coolest and most interesting things to happen would be....and then write them!

I think this may be something that's rarely said out loud, but I will speak on the behalf of the people...

We should write the scenes we want to read. If you don't want to read the scene you're writing, then DON'T write it!

If you feel like you "have to" do a page and a half of 'lore' because you think it's traditional to have that 'explanation' about the location of your story, or the history of the species or whatever, you're simply wrong. There are other ways to reveal information aside from just forced paragraphs upon paragraphs of information that would make an SAT Reading Section sweat.

Instead, I recommend that you find the most exciting or hilarious way for the characters to discover the most important bits of info. Find a dramatic twist. Shove it into the narrative. Then, figure out what needs to happen to get there.

Ultimately, though, remember this: When you're taking advice from me or from others, don't forget to take advice from yourself, too! It's your story, after all. You know it best, and only YOU can figure out how to get it written.

I hope that helps at least a little bit! Writing it never easy, but it should still be enjoyable!