#the narrative twist at the end is kind of interesting but a bit too random….I feel like if that was more of the core concept it could have b

[aroaessidhe]

2023 reads // twitter thread  

A Song Of Silver And Gold

NA little mermaid retelling

a princess whose brother was killed by sirens disguised as a male pirate captain, on a mission to eradicate the bloodthirsty creatures

a disgraced siren cursed to be human joins her crew to steal her heart, and get revenge

[cloudmancy]

not to rekindle old discourse if you've moved on, but i was listening to you & @kindlespark's interview on the complicated women podcast / have enjoyed reading your fhjy posts and wanted to ask your thoughts on why the beginning of the season felt so promising to you? i enjoyed the premiere and the premise of the stresses of 11th grade/the rat grinders as foils, but as the season continued i started to feel disillusioned - it seemed less and less like an interactive/collaborative story (cassandra's death, fig's quest to rehabilitate ruben, the ratgrinders being really hard to find/interact with in general) and more of a tour through some unsatisfying callback easter eggs (i simply don't care about porter and it kind of felt like not even emily did). imo the ratgrinders were set up to fail as a narrative concept ever since the bad kids got mad at them for grinding and brennan just sheepishly grinned and shrugged at the camera, and while i share your disappointment that there was no coming together/addressing the root academic injustices that plagued both the bad kids and the ratgrinders, i don't think it was as surprising to me, as the season had already felt too filled with bits/joking around to be that dramatically tight - ironically, i think they got too bogged down in roleplaying scholastic tedium. i tend to come to d20 with a mindset of like, this is primarily a comedy and if they end up producing a satisfying narrative arc, great (and they certainly have achieved this in the past), but i don't think it's a coincidence that most d20 seasons are regarded as having unsatisfying endings - i think it's an incredibly hard thing to do in a ttrpg setting, even for professionals, especially so if their instincts are more towards comedy. they are great artists and improvisers, but evidently that doesn't mean they can't fail to cohere, and i think this season suffered from a lack of investment in narrative all around - brennan not being as flexible with the plot as he's been in the past, the players i think (some anyway) feeling a little tired of these characters and playing them as more chaotic/violent than usual (kristen's random nudism, fig's truancy, gorgug's hatred/bullying of maryann, fabian threatening to skin ivy). idk, i'm just rambling at this point - my overall message is that i'm in agreement that the finale was a letdown, but i'm curious as to how you thought the promising themes interacted with the story/performances in the earlier parts of the season, cause when i look back at it i don't see a unified vision, just some individually interesting pieces that never seemed to fit together, and i don't think i just feel that way in hindsight, but am open to other perspectives (disclaimer that obv this is all opinion and subject to debate)

here are sam's thoughts on it!

ok my thing is that 1) i love porter as a villain and i don't think the twist takes away from his character; i think brennan tied him to ankarna REALLY well and with genuine thought. the lore drop scene in the temple was genuinely chilling and very very cool to me and brennan clearly set up a lot of lore around it that was interesting and not just funny bc fig thought he was bad the whole time. i think porter is a great character and had the bad kids engaged with his philosophy of rage and not had ice feast completely nullify his threat he could've been a really compelling villain. 2) i genuinely had hope for the rat grinders because of brennan's insistence to make npcs like eugenia talk about them as foils, the fact that they used to be the high-five heroes, and the fact that he made them closer to unwilling participants than actual villains. seemed like genuine threads of complexity that the bad kids just didn't pick up on, but i also clearly was fooled bc that brennan didn't react to fig's attempts to convert ruben shows that he wasn't really prepared to have the final battle as anything but tbk vs trg 😭 i think the downtime system was actually really fun and effective at portraying both scholastic tedium while also embellishing the themes (rage tokens!!) 3) this probably wasn't made clear in the ep but i didn't expect d20 to write a perfect thematic story about addressing systemic injustices; i just wanted them to give me any kind of thematic acknowledgment in the battle at all and not just with ankarna. i am very aware that im always reading into the subtext of d20 seasons--that lament is more for the subtext that Could've Been. i agree with you about everything you've said wrt ttrpg settings and lack of narrative investment, but i had higher hopes because fhsy and tuc are so much better with their themes and the themes brennan appeared to be setting up seemed so… obvious to me…. it had me ignoring all the red flags 😭

[thehappyscavenger]

Books Read in March 2023

A Month in the Country by J.L. Carr

I liked but didn’t love this one and am a bit baffled tbh by its stellar reputation which includes a Booker nom and a movie. The book is about a man in his 20s who is a vet of the first world war who heads off to the country to restore a religious mural on the church wall. He meets and bonds with the usual cast of small town characters and finds himself emotionally better off at the end of it.

It was lovely but slight and I found myself wanting more. My favourite parts were the main character’s musings on the work he was uncovering and the artist himself and how they were communicating across time with one another.

The Beach by Alex Garland

I like Garland a lot as a filmmaker but I never read his debut novel. As part of my slow rolling effort to read books I own instead of just mindlessly accumulating them I gave this one a shot and liked it a lot. It’s about a young white British traveller who is obsessed with backpacking around and finding perfectly untouched Edens which (by force of his discovery) will eventually become trampled and gentrified. By chance he is left with a map and discovers the perfect beach but this doesn’t exactly go as planned.

This is pretty sly and clever and I liked it a lot. Garland manages to be subtly critical of his characters (who are re-enacting colonialism from a perspective of privilege basically) and shows how dysfunctional this group can be.

A nice snapshot of ‘90s travel culture as well. It simply doesn’t work like this anymore and it’s kind of funny to see how quickly travel has changed in only a quarter century or so.

The Annual Migration of Clouds by Premee Mohamed

This was a just okay novella about climate change dystopia. I could pretty much tell where it was going by reading it and it went there but the getting there was kind of fun. I thought it was nice and bold of Mohamed to leave so many unanswered questions but then I found out the book was getting a sequel which seemed kind of lame. Either leave it as a novella or make it one full length book. Breaking it into two just seems odd.

The Trees by Percival Everett

I think maybe Everett just isn’t a writer for me. The beginning of this bowled me over because he’s such a sharp, clever writer and I know juuuuust enough about American history to have been surprised by the twist about who the families at the centre of the mystery were but as the novel went on it sort of lost me. 

The book is a sort of whodunit thriller that gets a bit speculative. IDK there was something that just didn’t gel for me. I felt similar about Everett’s Too Much Blue which I read last year where I was impressed by the writing but not by what he was saying.  

The Passenger by Ulrich Alexander Boschwitz

This book gave me nightmares. Written and set just after kristalnacht it tells the story of a rich German Jewish man who basically finds himself travelling across Germany, unable to leave but unable to stay after the Nazis have mass arrested all Jewish men. The book was published in 1939 and what makes it even worse is that the audience knows what Boschwitz and the main character do not. That death camps and mass genocide are in the near future. 

Very short and simply written which adds to the devastation. The history is doing the heavy weight in this story and it’s heartbreaking. 

Heaven’s Breath by Lyall Watson

I’ve been reading this off and on since September which is yet another indication that non-fiction just maybe isn’t for me. I did like this book which is a natural history on wind. It’s not even very long and Watson is a beautiful writer who is clearly passionate about his subject matter. The problem is that there’s not really a narrative through line just lots of little random factoids. It’s a good book to slow read though and excellent for picking up and putting down. There are also like 300+ books referenced and I definitely want to check out some of those because they sound super interesting. 

[todayimgonnaplay]

Today I'm Gonna Play: Mega Man X: Command Mission (Gamecube ver.)

My first introduction to the Mega Man series wasn't from the games but rather one of the anime series: NT Warrior. I remember thinking the character designs looked really cool, and I loved sci-fi/robotic characters at the time too. (Robotboy on Cartoon Network anyone?) I did get into a few games on the GBA and PSP but I sucked badly. So I thought, if I can't get into one of their mainline games, maybe I can try a spin-off? (Apart from Battle Network) And that's how I found this. Never thought they had a proper turn based RPG so I thought to check it out and emulate it.

Right off the bat, I want to commend the character designs. I always felt like that was the series' strong point, but everyone looks great here. Zero is my favourite character in the entire franchise but this is one of the few times where X looks amazing, and maybe even moreso than Zero himself. I just cannot stop staring at his model with awe, it's just SO cool with the red and yellow accents, the use of sharp yet rounded shapes, and this red energy scarf emitting from his back. Another character's design I love is Marino. I usually don't pay much attention to the female characters (although Ciel, and some renditions of Roll are very pretty and cute!), but I'm absolutely in love with Marino's design where a female character looks cool for once. I think the only other character I can think of is Aile from Mega Man ZX, which I haven't played yet. If Marino appears in other games I would totally love to play them!

Overall gameplay loop is simple. Get into random encounters and go through doors or elevators to proceed, fight a boss and repeat. But I have to say that this game now has my favourite RPG combat system, beating Final Fantasy X. That's because it has similar features, such as being able to switch your party members at any time, as well as showing your turns. There are also some elements of the weapons and sub weapons having different attributes although they have stats too, so you can switch around a bit. Although the game doesn't have a nodal system like the sphere grid in FFX, it has something called a Force Metal which are kind of like stat boosters, except you can only hold a couple of them, and some party members can have even more limited slots, for some reason. The reason that this system is my favourite is that it has what I like about FFX, but also doesn't use a menu like traditional JRPGs to input your commands, and instead has 4 simple button presses: Attack, 2 smaller attacks using the sub-weapon, an ultimate attack powered by a gauge, and a menu shortcut to access items or to defend and flee. This makes the usual turn-based combat go a lot faster than having to wait for the animations to play out and repeat.

The music is also pretty catchy for the most part. Lots of electronic beats that still hold up to today. The ending song is also really neat yet very eerie too, which was very unexpected.

The story is alright. I'm not knowledgeable about Mega Man lore in general, but from my understanding there's a group of bad guys that were after mining sources of Force Metal and it's up to X and the others to track them down. Not a lot of groundbreaking narratives going on although it had some interesting twists, but it's okay enough to just follow along with it without focusing on it too much, even though it won't be something I would remember in the future.

I do have some drawbacks though. Since it's an old game and an RPG too, it suffers from random encounters or more specifically TOO many random encounters. Some segments had puzzle sections and I could take two steps and get an encounter! Understandably, this feature existed for technical reasons at the time. But if a game were to release today with random encounters included for any reason (such as the Pokémon franchise), it's crucial to keep a balance on the encounter rate because too much of it frustratingly breaks the flow of the game. I had to take multiple breaks from playing just from getting exhausted with the amount of enemies I was encountering. What's worse, is that the EXP rate is so low that it makes grinding an absolute pain to go through.

The level designs aren't too great either. Because the game mostly uses corridors to navigate, a lot of it is just going straight with some occasional turns. The second half tries to include some puzzles and a lot of backtracking, but the map design felt a bit awkward to navigate around. I mostly had an issue with 1 chapter, but the rest were okay to go through. I think it's hard to make corridor style levels interesting, save one game from what little I've played which was Persona 5 Royal (It is something I'll properly play in the future). A mix of puzzles, exploration, and not making areas too narrow would do well.

Overall, I think this game has a lot of potential that's being held down by its own weaknesses and can definitely be improved upon if it were to get a sequel, or at least a remaster to be ported to modern consoles.

[autisticandroids]

Okay so this was a while back but im preety sure you had mentioned an au of yours where dean is a serial killer and cas successfully stalks him but i don't think you talked about it more than that and i just really want to hear a bit more bc that idea sounds so tastefully fucked up

okay so. weeks later i finally end up answering this ask. it inspired this post btw. anyway spn is a show that's like. all about justifications, as i said in the post inspired by this ask. it's about having no choice and doing what you have to do. and like there is the phantasy embedded in it, a phantasy that is both indulged and punished. but most importantly it's justified. the monsters are super strong to show how brave our heroes are for fighting them, the main characters let out great wails of grief every time their lady loves are violently ripped from them (even though now they are free to do whatever they want), the narrative twists to show our heroes as correct whatever they do. the fantasy (of being allowed to enact violence, of being free from feminine "control," of being right) comes first. the material construction of the universe of supernatural comes afterward. whatever the fantasy is, the universe of supernatural will provide material conditions to justify its acting-out.

and what this means is that our protagonists, dean in particular, are constantly doing just horrific things, which in any other circumstance would be unconscionable. but the universe of supernatural provides justification for these acts. the point of my serial killer au which i think about so so so much is to ask the question: what if these justifications melted out from under their feet? what if dean was left holding nothing but a lie and the weight of everything he's done?

therefore, the premise of my au is such (under the cut because this baby is long):

john and mary winchester, in the mid seventies, joined a doomsday cult known as the men of letters. the men of letters were rather unusual for a doomsday cult, in that they believed that the apocalypse could be prevented by human behavior. this started as correct living, correct worship, yadda yadda, the kind of behavior and thought control that cults are known for, but with the justification of: if you don't do this, the world will end. eventually, this escalated to human sacrifice. the men of letters managed to untraceably kill two homeless people in the late seventies. but they eventually fell apart. however, a month after john and mary left the men of letters (mostly john's choice, mary still believed), mary died in a house fire. john took it as a sign from god that actually, the men of letters were right, and the world would end unless john himself did something about it. so he took some of the (intensely numerological) theology of the men of letters. and he worked out his own formula. and he applied it to the yellow pages. and started ritualistically killed people to prevent the apocalypse, with his two sons in the back of the car.

now, obviously, this is some kind of grief induced temporary madness on john's part, shaped by the mental abuse he suffered in the men of letters. but the thing is, once you've killed a couple of people to prevent the apocalypse. well. there's this thing called the sunk costs fallacy. john wasn't gonna question his own beliefs after that.

and he raised his boys to believe it, too, or at least he raised dean to. they didn't tell sam what they did until he was twelve, and sam didn't buy it, tried to call the cops on them several times but in the end, they always prevented him. eventually sam ran off to stanford, where he now lives under a cloud of guilt that he's too loyal to his family to rat them out.

john died a few years back of a heart attack, but dean is convinced it's because he messed up a ritual two weeks before it happened, so it pushed him further into this belief system.

dean's killings (and john's before him) are ritualistic and distinctive, obviously the same killer each time. but they happen anywhere in the united states, seemingly at random, there are inconsistent amounts of time between each one (sometimes as short as days, sometimes as long as years), and there is no particular victim profile. obviously, since our killers are following an arcane mathematical formula to make their choices for them, but the police don't know that.

castiel novak is an unemployed shut-in with a small inheritance which he's living off of, a cryptography degree, and an obsession with all things morbid. he spends most of his time on the reddit true crime forums, playing amateur sleuth. by complete chance, he happens to recognize one of the symbols frequently used in corpse displays by the so-called sioux falls satanic slaughterer (so named because the first time three of his victims were in the same part of the country, it so happened that they were all in sioux falls, south dakota. this was in the late eighties.) as being mostly only used by a little known cult group called the men of letters, which dissolved in the mid eighties.

he only notices this because, as a teen, he had a special interest in cults and fringe religious groups. the men of letters weren't a particularly notable or well known phenomenon; they were small, and a lot like every other cult that formed during the seventies cult boom. (no outsider ever heard about the human sacrifice; there were rumors, of course, but they were garbled, sensationalized, and mixed up with satanic panic fodder.)

(the men of letters' two sacrifices were nothing particularly romantic or fantastical. they first lured panhandler josie sands back to their compound with promises of food and a warm bed when she admitted she couldn't get a bed at a shelter, and was thinking of getting caught shoplifting just so she could be under a roof in the county jail. the men of letters' leader, a man who took on the name alistair, forced his inner circle to dress in the ceremonial black robes he had given them when he initiated them into his nearest and dearest, and which his wife had sewn out of old bed sheets and dyed black with home made oak gall dye. these robes still left black smudges on the wearer's skin occasionally if they sweated too much. josie was laid, bound, on the altar, a slapdash thing constructed over the course of two days from scrap plywood and a couple of milk crates. a rich red tablecloth purchased at macy's for $3.99 hid its ugliness and gave it grandeur. alistair attempted to kill the struggling miss sands by bringing a sharpened kitchen knife down on her bosom and piercing her heart, but, having never killed a human or even slaughtered an animal before, was unaware of the problem presented by the human ribcage. after rather ineffectually poking at the area beneath sands' bosom with his knife while she shrieked in pain and terror for about ninety seconds, alistair tried a different tack, and slit her throat, which worked just fine, and she bled out quite nicely. the second and final victim of the men of letters was a local vagrant named larry ganem, an older gentleman who walked with a limp. he was lured back to the compound in approximately the same manner as sands, but instead of being bound, he was fed stew laced with sleeping pills. even if alistair hadn't slit his throat, he wouldn't have woken up. it's actually arguable whether he was still alive at time of sacrifice; mary winchester (eight months into her first pregnancy), who, as a member of the inner circle, was in attendance, actually tried to take ganem's pulse as he lay on the altar (now covered by a different tablecloth; the red one had turned stiff with sands' blood and been subsequently burned) and found nothing, so it is entirely possibly only sands' death can be directly laid at alistair's feet, and ganem's is the fault of mrs. ellen harvelle, who prepared the laced stew. regardless, these two deaths are lessons in the nature of human evil: it is very rarely skilled, suave, or smooth. it's often slapdash, half-hearted, and just plain incompetent. but that makes it no less grisly. alistair may have begun to drink his own kool-aid, as it were, and escalated this far out of genuine belief that the apocalypse was coming and it was up to him to stop it, but it is far more likely that he sensed the imminent collapse of his little empire, and wanted to bind his subjects to him through the horrors of shared guilt, considering two lives a small price to pay for the continued loyalty of his inner circle. and the tactic worked: the men of letters didn't start to collapse in earnest until almost four years later. perhaps if alistair had continued the killings, the men of letters could have lasted for far longer, maybe even up until the present day. but it seems that alistair, a psychiatrist by training and unused to violence, simply didn't have the stomach for it. unlike, say, john winchester, who before his time with the men of letters had done a two year tour in vietnam, during which he had killed three living, thinking human beings with the american government's go-ahead.)

anyway. castiel is the first person, ever, to make the connection between the men of letters and the sioux falls satanic slaughterer. and once that connection is made, castiel begins to research the men of letters far more in-depth. and he notices something: the theology of the men of letters was intensely numerological, filled with patterns, significant numbers, and even spiritual equations.

castiel thinks of the seemingly random selection of the slaughterer's victims, and has an epiphany.

he cracks all his fingers, and gets coding.

six months. it takes castiel six months to discover an equation that could fit the slaughterer's pattern. it's complex, but also clearly based on several of the men of letters' holy numbers, and accounts for every single one of the killings. it also suggests that there should have been two or three more deaths scattered across the years, but more than likely those did happen, it's just that they weren't reported as part of the slaughterer's portfolio.

but much more importantly, castiel's model can also make predictions. there will be two killings, fifteen days apart, in a city seven hours' drive away, six weeks from now.

so castiel waits. and he books a hotel room. and two months later, he's waiting outside 217 oak street when a shadowy figure climbs up a tree and lets itself into the upstairs window.

dean winchester is feeling particularly all alone in the world when he breaks into maisey banks' home (217 oak street). his father has been dead for half a decade, and he hasn't spoken to his baby brother for twice that. it's not like this whole grizzly saving the world business makes him a lot of friends. so once he's done killing maisey (which is easy, she was ninety three and dying of cancer anyway. she doesn't even wake up when he slits her throat) and arranging her corpse in the appropriate manner, with prayers and sigils, he turns around. and sees a man standing behind him.

smiling slightly.

as he watches dean gut this old woman.

dean freezes.

the man takes a step forward.

"you're very attractive for a serial killer who's been operating since the eighties."

dean is silent.

"family business, is it?"

silence continues.

"i'm not here to report you to police. i'm just here to see if my algorithm worked right."

and dean finally breaks his silence: "what the hell is wrong with you?"

what's fun here is that dean knows (or rather "knows") that he isn't a serial killer. so he finds what cas is doing, this amoral serial killer stormchasing, morally repugnant. because cas has no way of knowing he isn't a regular serial killer.

there's also the fact that that cas proceeds to flirt with him. aggressively. and follows him back to his motel.

but the thing is that dean is all alone in the world. and as cas continues trailing him around, he starts getting, well, flattered. and feeling a little bit less alone.

it doesn't take very long before they fall into bed. even if cas is an amoral stalker with a fetish for what dean considers a distasteful yet necessary vocation.

so. they fall into bed. they fall in love. they make a little life together, in dean's big sexy car. dean tries to explain to cas that he's saving the world. that these people's lives are a necessary price to pay. and cas seems to listen.

of course, castiel doesn't believe a word of it. but he's found that he likes dean. really likes him. and he realizes that the collapse of dean's belief system would destroy him.

so he sets about becoming as complicit in it as possible.

even to the extent where, when dean is hit by a car and ends up into the hospital a day before one killing is meant to take place, castiel agrees to take on the job. (he doesn't actually kill anyone, obviously. but he does use his extensive skill with computers to create three fake newspaper articles which make it look like he has.)

but five years later, something goes wrong. really, really wrong. dean miscalculates the formula. and by the time he checks his work, the actual date of the next kill, as demanded by the formula, has passed. in fact, so have three others. and the world didn't end.

dean collapses. he hyperventilates. all those people. all those people. for no reason. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people. all those people.

cas seems totally unfazed. dean stares at him in shock. but cas just takes dean in his arms, and whispers in his ear: "oh, dean, i never believed in the equation. i love you no matter what you've done."

and dean buries his face in cas' chest.

[blockgamepirate]

Technoblade’s purpose in the political narrative of the Dream SMP

I can’t sleep so I decided to finally write the post I’ve been struggling with for literal months, except way more casual because I can’t be bothered anymore and also I’m sleep deprived.

So the thing is: to me the DSMP storyline has always been primarily political, probably because I was introduced to it through Wilbur who was definitely going for political, and also because I’m just generally interested in political narratives right now. Obviously I appreciate the character work and the personal relationship stuff, that’s what makes it more interesting than just dry allegory, but when it comes down to it, this story is about politics to me. So that’s the angle I’m going to approach it from.

Also not to spoil the conclusions here, but I’m an anarchist, that’s my lens.

(Obviously all of this is about rp from here on out unless otherwise specified)

Basically the situation as Techno joins the server is this: L'Manburg exists as an autonomous nation and is de facto independent although not officially recognised by the Dream SMP. The self-appointed president Wilbur Soot decides to hold an election and rig it in order to consolidate his power over the nation he founded and he gets his VP Tommyinnit to join in on the plan. Their scheme fails and they end up voted out instead. The new president, Schlatt, immediately establishes himself as an authoritarian figure and exiles Wilbur and Tommy.

A couple of points on what the election arc demonstrates:

1: the appearance of democracy can be used for distinctly undemocratic purposes.

2: even if the elections aren’t rigged, the electoral system could be massively flawed and end up favouring a party that in fact didn’t have the popular vote

3: even if the winning government (the coalition in this case) has the majority vote, that doesn’t guarantee that they’ll actually act according to the popular will.

4: the supporters of the losing parties basically just have to let the majority overrule their wishes, espcially since apparently L’Manburg doesn’t have an established role for an opposition, yikes. That’s actually a MAJOR oversight in the system but I’m not gonna go into that too much.

5: frankly as an anarchist I am just deeply cynical towards representative democracy, and just because you have a token appearance of choice and consent doesn’t mean that it isn’t a hierarchical and authoritarian system. And to be fair, from my point of view this applies even to so-called liberal democracies and progressive parties. Full disclosure: even if L'Manburg was the ideal example of a representative democracy (which it very much isn’t) I would still be opposed to it because I fundamentally do not believe in top down systems, even electoral ones.

6: despite all these flaws, all the characters seem to implicitly accept the electoral system as legitimate. There’s criticism against the actions of individual characters acting within the system, such as Quackity calling out Wilbur for trying to rig the election, but nobody is questioning the system itself.

So at this point I’m sitting there, watching all this go down, and thinking “man, this would be so much more bearable if there was an anarchist point of view being represented in the story.”

And hey, look who IMMEDIATELY SHOWS UP.

Okay, I’m not gonna lie, early installation Technoblade is not the best representation of anarchism. I was mostly rooting for him out of sheer contrarianism initially. I didn’t really even care if it would be another Killmonger/Magneto/Zaheer situation because I’m used to reading against the authorial intent when it comes to these things. Sometimes any representation is better than no representation, even with political ideologies. That’s not to say that him just straight up spouting this hobbesian notion of a “dog-eat-dog world” didn’t grate on me, obviously it did.

That kind of worldview of humanity needing authority in order to prevent chaos and conflict is literally antithetical to anarchism and is the favourite talking point of authoritarians, the least anarchist people there are. It’s literally what people use to argue AGAINST anarchism. I think it’s mostly because cc!Techno obviously wasn’t particularly educated on anarchist thought and was just basically having fun roleplaying with his friends at this point. Which is frustrating but fair enough I guess.

Cynical ideas about human nature are pretty deeply rooted in the mainstream, unfortunately, most people just consider it common sense. And like I said, it’s a huge talking point in the propaganda against anarchism.

(… even though in fact these arguments were originally used against proponents of representative democracy. Hobbes himself was very much a monarchist, the idea of letting normal people vote for their representatives would have been terrifying to him. Like surely the world would descent into a free-for-all war, all against all. Imagine letting commoners have OPINIONS, the horror.)

So yeah, that stuff was pretty ehhhhh. It was basically what I’d expected though: cc!Techno isn’t an anarchist and we just don’t get accurate representation from non-anarchists, ever. What I dared to hope was that Techno’s character would at least stay consistent about his opposition to ALL governments. I was pretty sure that he would, even though it seemed like the majority of the fandom at the time was convinced that he would switch over to Schlatt’s side or something. It would have been a really shitty twist, I would have ragequit immediately. I mean what would have been the entire point of his character then? He might as well have been a random mercenary. Why even have his character be an anarchist if you were just going to make him work for a government?

(ftr this is kinda my biggest problem with the Hypixel Skyblock revolution event lol, honestly I think that was a worse depiction of anarchism than early DSMP Technoblade. I mean the speech was good, but… still became a government official, tho. booooooooo, cringe)

And yes, I was rooting against L'Manburg, obviously, and I would have even if it had meant having to deal with another badly written anarchist villain character. I never understood why people saw L'Manburg as the good guys, they were nationalist and exclusionary and their whole existence was based on trying to scam people for money.

I mean they were definitely funny, they were great entertainers. I have no problems with people rooting for them because they’re fun to watch; I did that for a bit too. But people were starting to get really into the story and talk about Wilbur and Tommy, the corrupt politicians, and the country that literally excluded people based on nationality as the heroes, unironically, which was wild to me. And when Wilbur started his “villain arc” well: people called it a villain arc, as if he hadn’t been pretty much a bad guy from the beginning, constantly just out for money and power and taking advantage of the people around him and then pretending to be the victim when challenged. I mean yes he got worse, but I wouldn’t call it a villain arc, more like just a mental breakdown arc.

More importantly, to me L'Manburg represented so many things I hate about the status quo in real life, and seeing the fandom mostly unquestioningly accept it as good just pissed me off. Still pisses me off tbh. I mean, to be diplomatic I could say that I understand the emotional attachment and the way L'Manburg was built up mirrors a lot of how real nations are built and how they create a sense of patriotism out of symbols and a sense of honour and loyalty, and it’s actually really fascinating how it even works in a Minecraft roleplay. Says something about the human mind I guess. Doesn’t mean I have to like it though.

Anyway, I just wanted to see literally any kind of opposition to power, even if it had to come from a character that was unquestionably a villain, which I fully assumed Techno would be. Because political narratives so often just leave us out, or at best barely mention us. And even from a narrative point of view, adding an anarchist perspective to a political story just objectively broadens its scope and actually challenges people who are used to only arguing along the lines of conservative or liberal, welfare state or privatization, nationalism or multiculturalism, etc. Even if the original work dealt with it poorly, at least it would give me the excuse to rant about it on Tumblr, which is kinda why I revived my old Minecraft sideblog for this. (That and pig!Techno fanart.)

Also how can you have a story so fundamentally about power without its counterpoint: the rejection of power?

(Yes, Dream SMP as a whole is definitely a narrative about power, it’s a huge theme for Wilbur, Quackity, Dream, Eret and the Badlanders at least, as well as obviously the anarchist characters from the opposite direction.)

So yeah, the build up to November 16th for me was mainly about the anticipation for what Techno would do, how would Techno’s character respond to the seemingly inevitable formation of a new government. THAT was the point of interest for me, that was what I was the most invested in. Would we get an actual anarchist opposition as a new side to the conflict or would they just awkwardly drop that whole angle? Or even have him team up with Schlatt like a complete sellout? There was so much potential but I worried they might just waste it.

And I was right to worry since apparently in the original script Techno wasn’t supposed to do anything, he was just there to help fight Schlatt and witness the explosion along with everyone else.

And WOW that would have been so incredibly boring

Not even just from the political perspective, just talking about the narrative in general terms here: imagine November 16th without Techno’s plot points. Not only would it have been boring for Techno’s character but it would have been equally boring for basically everybody but Wilbur and Philza. An anticlimactic fight followed by a big explosion that pretty much everybody had seen coming already. Yes, the button room scene is dramatic and heartbreaking… for Wilbur and Phil. But nobody else was there to see it. For everybody else, it was just a big explosion. It would have been such a huge disservice to anyone watching the other POVs.

Techno’s intervention gave everyone an ACTUAL climactic fight, it allowed characters other than Wil and Phil to witness some actual drama happening and to participate in it, rather than just waiting around for the explosion, while also foreshadowing the explosion. Even better, it provoked SO MUCH discussion in the fandom AND gave a perfect hook for future conflicts to arise. Wilbur’s end was tragic but it was, at the time, final. L'Manburg would have still suffered a catastrophe but it would have been left with just the same exact antagonist as before: Dream.

And at this point Dream’s core goals had barely changed, just his approach was now different. Yes, that makes a difference for the plot, but it doesn’t really change much in terms of ideological conflict. Especially since there really isn’t that big of an ideological difference between Dream and Tommy, because arguably neither of them are particularly big on ideology in the first place, they just have conflicting goals and use different tactics to achieve those goals (well, the tactics aren’t always even that different *cough Spirit cough*).

Techno’s conflict with Tubbo and especially Quackity (and honestly most of the other characters in general) brings in so much more depth to the story, just by introducing another angle, not to even mention how much it brings to focus questions about power and violence. These are themes that exist in other characters’s storylines too but nowhere in the same way or as central as with Techno.

I’m getting kind of ahead of myself here, though.

The real twist of November 16th was the fact that Techno WASN’T a straight up villain, actually. It was a twist to me anyway, because with all my cynicism I just didn’t see it coming, I didn’t expect him to actually start making reasonable criticisms. I didn’t expect him to drop the hobbesian arguments entirely and start making points that actually sounded like anarchism.

I have to assume that cc!Techno must have seen some of the criticisms of his character and been inspired to adjust because the difference is pretty notable.

(Sidenote: I’m just forever kinda sad that Techno’s “I may seem like the villain here” monologue was cut from the video and most people never heard it.)

And I felt SO validated by the way, because it works so well in the story! Everyone is mostly content with the restoration of a status quo of some sort, Schlatt is gone, this is supposed to be the good ending, and then Techno calls them all out and turns the narrative around completely: This was just a coup d'état. This was just the previous political leadership retaking power by force. Why is everyone celebrating the same exact system that lead to Schlatt’s authoritarian rule in the first place?

What he does there is force the audience to question the narrative they’ve been presented so far, that they’ve accepted without a thought. It might not convince them, but they can’t just ignore it either.

Whatever you wanna say about the discourse around Techno on that day, in the ideological narrative THIS IS THE IMPORTANT PART. Not who betrayed who or when is political violence justified, that’s about personal relationships and morality and it’s mostly all more relevant to the aftermath than the event itself. In my opinion, the REAL point in the moment is that the characters and the audience were comfortable with the ending only to be presented with a completely new perspective on the events.

It also recontextualises the finale, including Wilbur’s actions! It’s a much more ambiguous end to the Pogtopia vs Manburg arc and to Wilbur’s original run as the head writer. Wilbur’s “even with Tubbo in charge I don’t think [that ‘special place’] can exist again” is vague enough to be dismissed as just part of his paranoia and internal conflict, but with Techno, there’s a concrete question: what if Tubbo, given the same powers as Schlatt, will turn out to be just a new Schlatt? And suddenly you have to wonder what Wilbur meant by his words too. And was all this foreshadowing something about L’Manburg’s future?

Okay I’ve only made it to November 16th and there’s so much more DSMP to talk about but the post is getting too long and I’m starting to lose my energy. Will I ever make a part two? No idea. But I’ll try.

Standard disclaimer: I’m not the spokesperson of anarchism, other anarchists might disagree with my reading

[black-rose-writings]

I read Ruin and Rising because I’m bored

And I also hate myself

Like with the last book, I have a vague idea of the plot and stuff from tumblr and fanfics. I will also be refering to Darkling as Sasha for most of this.

I am still Darklina trash and don’t particularly like Mal.

On a different note, I’ve finally moved for college, but the internet here is trash, so I’ll probably have a lot more reading time now, since most games I play are online and will crash without internet.

Before

Cool story. Let’s hope Alina stays a badass.

Who am I joking, I know how this ends.

Chapter 1

So far so good. I hate the Apparat, per usual. Alina’s there basically dying and that bitch can’t wait to see her do so.

Cult leader to the core this one. He probably hates that his figurehead is alive and also not brainwashed.

Cult leader doesn’t like swearing. How surprising.

My boy David is completely right. What kind of irresponsible dingus keeps centuries old books in a fucking wet-ass cave? (Or a tree for that matter *cough cough* The Last Jedi *cough, cough*).

Genya is fun to be around.

Oh, shit, let’s go.

Chapter 2

Jesus Christ, Alina, Zoya isn’t that bad.

This is one hell of a shitshow.

I live for this version of Alina. Badass. Scary. I want more of this Alina.

Chapter 3

Out of all the random little details from crappy smut fics, I did not expect Oncat to be from the books, lol.

Mal actually has a supernatural tracking ability. Like, literally, they put a bug into the pouch with gunpowder so he could make the shot. I guess this was kinda said before, but never this directly, right?

Alina’s merzost-skyping Sasha now, yay.

Alina is horny for Sasha boy. Yay.

Alina canonically has a praise kink. Nice.

I hate LB with all of my heart at this very moment. How dare she bait us Darklina people like this? How DARE she? (Shipbaiting is the worst, seriously.)

Yes, yes, yes. These two lines. That’s what their relationship is all about. They’re each others foils, the yin to the other’s yang and... ugh. I am Darklina trash to the core and this hurts.

Darklina: You have a terrible taste in men.

Alina: I liked you once.

My boy Sasha walked into that one.

Chapter 4

Alina is a Queen. And we love her.

David, my beloved, my spirit animal.

It’s surprising they can read it at all, given it’s been centuries. Have you ever tried reading medieval manuscripts?

Honestly, with a father that crazy, it’s no wonder Baghra’s a bitch. And I’ve seen it said somewhere that the books imply Ilya’s experiments are what caused Baghra to be a shadow summoner and you know what? I can see how you’d make that connection.

Why is there so few Tidemakers in the books? Waterbenders are useful. I want more waterbenders.

Alina picking up some habits from Baghra I see.

Ah, yes, we love an educated giant.

I’m starting to think Harshaw is a bit nuts.

Shut up, Hershey. Or at least share the weed with the class. I’m not here for this “He’s mean to you because he likes you”. I might believe that in like, elementary school, but yall are (more or less) adults. Jesus.

Well, that was a bombshell of a twist.

Chapter 5

Oh boy, we’ve got some trauma bonding for out merry band of misfits. Yay.

Adrik has a crush on Zoya. And she hates it, lol. Cut the kid some slack, he’s like 15 or something.

That reminds me, I have a four-leaf clover pressed in books from close to year and a half ago. Time flies.

They’re really diving into the Mal has supernatural powers, huh?

Ghosts, let’s go.

Alina “I’m so happy to be outside I start to shine like a fucking fairy” Starkov and Mal is entranced. He’s definitelly nicer now. I’m not forgiving him for all the shit he’s pulled before and for using the silent treatment way too much, but hey, at least he’s improving.

I am not a Zoyalina person, but like... gay? Please? Rivals to grudging allies to friends to lovers, 300k slowburn? Sounds more fun than whatever Mala dn Alina have going on, lol.

(I’m starting to realize I’m not as much a Darklina person as I am anti-Malina person, lol. Like, literally everyone has a more interesting dynamic with Alina than tracker boy over there. Malina is at best boring AF and at worst toxic, codependent and emotionally abusive, while also being boring AF at the same time. It has literally nothing going for it except God herself liking it).

I can see why Nadia is gay in the show. The book version of her definitelly has a crush on Tamar. Homegirl likes a woman, who can murder her with the flick of her wrist and honestly? Same.

Alina has some big “coming out of lockdown after a year” energy atm.

The cat is one of the most realistic characters in this thing, lol.

And since Tamar is also heavily queercoded, our lovely ladies make off into the night, flirting. Or maybe not. Let me dream, though.

At least Blade Boy is aware that his tattoo is stupid. To quote someone ranting about him on tumblr: He’s embracing his identity as a tool.

Oh, boy, this will be fun.

Evil soldier is horny for Mal. Saints, is there a woman in this book who isn’t horny for Blade Boy?

And here comes Niki to save the day.

Chapter 6

Niki saved the day.

Fiberglass? And David being David. Genya being in love with her nerd of a boyfriend.

Jesus Christ, this one crazy kid has moved the technology in this universe a whole century on his own. So, when is David going to propose to him?

Baghra hasn’t changed much I see.

Baghra’s about to drop some truthbombs, but no, we have to be rudely interupted because Genya’s rapist is throwing a fit.

Chapter 7

How does Mal sound? Is she gonna say the Blade boy sounds like her dad? I mean, I know voices are partially genetic, but it has been tens of generations between them, probably.

So, we’re finally taking Genya’s trauma seriously after all this time? Good. Better late than never, I guess.

I wish that regicide was already finished and I’m pretty sure that Genya does, too. Stop defending the fucking king, narrative.

David’s a nerd in all things I see.

Someone please just kill the king already. And the queen, too, for good measure.

Now that’s a romance.

Infodumping and listening to said infodumps is a legitimate love language, Alina. Let them nerd out over poisons.

Wait, has Alina never directly killed anyone before? I thought she did... hmmm.

And just like that, it should have been over. Ugh.

Somehow, Baghra is a better teacher now than she was before. She half feels like a completely different character.

Nevermind, she’s back at it.

Chapter 8

Holy shit, Nadia and Tamar are canon. They have canon gays here.

So, which one of them is gonna die?

Chapter 9

We arrive at that scene. The one, where they should have fucked.

Jeez, girl, get a hold of yourself. Life is short, fuck a villain.

In other news, Genya and David definitelly fucked.

Chapter 10

Poor David. He just wanted to know.

Damn... I never realized just how young Baghra was, when she killed her sister.

I’ve already made a post about this, but it really does strike me like Baghra has already decided to end her life at this point in the book.

Why is that whole “but what if we’re related” thing even in there?

Chapter 11

We love a suprise attack.

When did Sasha boy learn that trick?

Baghra really just did that. Oh boy.

Chapter 12

No, don’t kill the kid... ugh.

Emotiona support cat. She should be friends with Milo.

Porrige for brains. Oof.

So Nadia was the one, who got bees set on her in the book. Cool.

That’s a good question. Why was it never brought up to Alina, that other Grisha get blocks, too?

David already thinking of steampunk prosthetic for Adrik is honestly kinda sweet.

Chapter 13

Back home... kinda.

Is that really... you really care about Mal bonking the Grisha school mean girl over a year ago? Okay.

Chapter 14

Angst! Yay!

And more angst.

Chapter 15

Sasha really went “My mom killed herself to save you? Well, I’ll kill the closest thing to parents you have.”

Chapter 16

Nikolai’s alive. Kinda.

And these two have such a sibling energy, I can’t.

And then they fuck. Ew.

Chapter 17

Wait, wait wait... so Alina isn’t even the one to destroy the Fold?

Okay. That’s... weird.

Holy shit. That was...

So, Aleksander is dead. Mal isn’t. Someone else destroyed the Fold for Alina and now she has no powers.

Okay.

That’s a weird-ass ending.

Chapter 18

The gays survived, so that’s nice.

Genya made good on her promise of making Alina a ginger, lol.

After

What emotion is this supposed to give me? Cause all I feel is kinda sad.

[nurvuss]

I Watched the First Episode of Every New Spring 2021 Anime Airing on Crunchyroll

Hey, are you like me, and feeling like you're not getting the most out of your Crunchyroll subscription? Sure, there's stuff on there that you know you like. But whenever I look at the big long list of simulcasting shows, my eyes glaze over and I don't even know where to begin.

I wanted to change my habits and see if there were any shining gems that I should be watching. So, as per the title, I watched the first episode of every new Spring 2021 anime on Crunchyroll. And guess what? There’s a lot of crap! But indeed, there’s some stuff that’s worth your time.

Some clarification: I've only watched shows that began their first season in April 2021.

Backflip!!

Show Link

The Lowdown

As Futaba Shotaro comes to the end of middle school, his interest in baseball has begun to wane. Soon he notices the Ao High Boys Gymnastic Club and becomes enthralled, especially after seeing them perform. Once he learns they're down two members, he chooses to sign up and pursue the art of gymnastics. The club is also joined by Misato Ryoya, a star solo gymnast looking to expand his technique through teamwork.

Our Thoughts

Pretty formulaic shoujo sports anime: you've got your himbo, your thug, your ladies' man, your stoic guy, with Shotaro rounding out the cast as the shy and awkward audience surrogate. It looks wholesome enough, and the choreographed routines employ CG in a way that's quite convincing without being hideous.

Who It's For

Fans of  FREE, or Yuri!!! on Ice, or any similar shows about cute boys who succeed at athletic feats. 

Borscht Rating

Burning Kabaddi

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The Lowdown

Legendary high school soccer star Yoigoshi Tatsuya has given up on sports! That is, until he's blackmailed to join the high school kabaddi team, under threat of his online persona being leaked to the entire school. Although Tatsuya initially writes kabaddi off as stupid, the unexpected happens as he begins to have fun.

Our Thoughts

Kabaddi is kinda like competitive tag, or dodgeball but with your body instead of a ball. Burning Kabaddi is basically the shounen alternative to Backflip!! above, replete with nosebleeds, pratfalls, and dudes punching each other. The main cast don't seem to like each other very much; that probably changes as the show goes on but at first blush it's a dynamic I always find annoying.

Who it's For

Fans of Haikyuu!!? Maybe?

Borscht Rating

CARDFIGHT!! VANGUARD overDress

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The Lowdown

The newest series based on Bushiroad's collectible card game, featuring character designs by the beloved collective CLAMP. Petit middle schooler Yu-Yu just doesn't know how to say no. As his older students dress him in drag to use as live makeup practice, he suffers a panic attack and flees into the streets. After being accosted by a pickup artist, he's befriended by Megumi, who invites him to witness a Cardfight match at the local abandoned amusement park. However, Yu-yu is too shy to tell Megumi he's actually a boy…

Our Thoughts

What an unexpectedly weird concept for a show about a card game. Our hero spends the whole episode in drag, whimpering and simpering at the sight of any conflict. Then they show off the latest series of cards, which all seem to be giant buff knights with names like "Bad Steve" and "Violent Bruce". Your guess is as good as mine.

Who it's For

Cardfight!! lovers, Japanese gender studies majors, or the most desperate fujoshi. 

Borscht Rating

Cestvs: The Roman Fighter

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The Lowdown

The year is 54AD, and Nero has taken the throne as the youngest emperor of Rome. At the bottom of the population, Cestvs is a young slave training to be a colosseum boxer. Reluctant, his only choice is to fight or die.

Our Thoughts

Seeing Nero depicted as a gentle little twink is pretty funny. It's also pretty funny that the central character is named after a Roman boxing glove. The animation style transitions to some very uncanny CG when a major fight takes place, and I didn't like that one bit! This seems like a pretty average tournament anime but with a historical setting. It's currently unknown if any of these dudes are fucking each other. I'm gonna say probably.

Who It's For

The venn-diagram of Greco-Roman history buffs and lovers of tournament series?

Borscht Rating

Don’t Toy with Me, Miss Nagatoro!

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The Lowdown:

Hachioji Naoto is a nerdy, introverted student who spends his time studying and avoiding socialising. When pages from the fantasy manga he's drawing fall out of his bookbag, they catch the attention of a younger student named Nagatoro Hayase. Nagatoro begins to tease Naoto for his otaku interests and awkward demeanour, peppered with some suggestive flirting.

Our Thoughts:

What would you do if a younger girl flirted with you? Would you cry? Piss your pants maybe? Maybe shit and cum? Don't Toy With Me… attempts to barely conceal its BDSM fantasy with its comedic elements, but it's incredibly apparent as Nagatoro always wipes away Naoto's tears as a sort of aftercare. It's like a lighter, comedic version of Aku no Hana, but lacking any of the ponderings or danger that made that work so special.

Who It's For: 

People who search Pornhub for "bratty sister femdom".

Borscht Rating:

86 Eighty-Six

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The Lowdown

The Republic of San Magnolia and the Giad Empire, have been at war for nearly a decade. Using advanced military technology, the frontlines are fought by giant mecha drones called Juggernauts, controlled remotely by Handlers. Major Vladilena Mirizé is one of the military's most talented Handlers in the 1st District, and one who is constantly teased by her peers for the humanity and empathy she shows her squadron. The government line is that drone warfare has kept casualties to zero, but unbeknownst to the public these "drones'' are piloted by 86ers—the lowest class of citizens, forced to live in military internment camps in San Magnolia's 86th District.

Our Thoughts

This is incredibly my kind of thing. We've got a dual narrative being set up here: Vladilena as the kind, reluctant officer of a fascist regime, and the Bad Company-esque antics of her new ragtag squad, Spearhead. The first episode is split pretty evenly between the two, with each story converging at the end as Vladilena "meets" Spearhead for the first time through her comms station. It's an explosive and enticing first episode, and I can't wait to watch more of it.

Who It's For

Fans of Fullmetal Alchemist, Psycho-Pass, Gundam, or any number of anti-imperialist war stories.

Borscht Rating

Fairy Ranmaru

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The Lowdown

In a quiet corner of the city sits Bar F, a modest drinking establishment staffed entirely by five hot young men. Unbeknownst to the general population, these men are a crack team of fairies sent to the human world to gather the latent energy of "attachment". They do this by solving the problems of young women, taking their hearts in the process.

Our Thoughts

Hubba hubba, a little something for the ladies! It's Weiẞ Kreuz with a bar instead of a flower shop, fairies instead of assassins, and some pretty revealing outfits. There's definitely a little Persona 5 inspiration here too, from the punctuating phrase "Take your Heart!" to many of the visual cues. Make of that what you will.

Who It's For

Fans of Weiẞ Kreuz, slash fic authors.

Borscht Rating

Farewell, My Dear Cramer

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The Lowdown

Onda Nozomi was once the star player of her middle school football team. Completely unmatched, she no longer plays as there's no opponent she deems to be on her level. Meanwhile Suou Sumire far outpaces her teammates, causing her frustration. By a twist of fate, these two girls find themselves joining the scrappy Warabi Seinan High School FC as they begin to learn the value of teamwork and friendship.

Our Thoughts

I don't know sports. And I really don't know football. I had to look up what the title meant, and now I barely know who Dettmar Cramer is. I'm really not the best person to judge this, but it seems like a pretty good female-driven sports anime. 

Who It's For

Fans of Ace o Nerae! or other sports manga/anime about those ever burning bonds between young teammates.

Borscht Rating

Gloomy, the Naughty Grizzly

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The Lowdown:

Pitty lives with his pet Gloomy, a massive pink bear. Can a boy and a bear truly get along?

Our Thoughts:

This is a series of minute-long gag episodes in which Gloomy mauls Pitty and blood squirts everywhere. It's definitely meant to be a morbid parody of Sanrio or San-X; it might be a Rilakkuma parody in particular? Gloomy is the kind of thing you might laugh at if it came on in between shows, but it's pretty slight to go through the trouble of putting on.

Who It's For:

Gag anime fans with one minute to spare.

Borscht Rating:

Higehiro: After Being Rejected, I Shaved and Took in a High School Runaway

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The Lowdown

After a night of drinking in Tokyo, slovenly salaryman Yoshida encounters a teenage runaway sitting under a lamppost. She offers to sleep with him in return for letting her spend the night in his apartment. Yoshida refuses her offer but allows her to stay. The next morning the girl, Sayu, reveals she's travelled all the way from Hokkaido, sleeping with random men in return for lodging and money. Feeling responsible for her safety, Yoshida agrees for Sayu to stay indefinitely in return for handling household chores.

Our Thoughts

This is kind of the inverse of Koikimo (see below), but without a scumbag character and from a male perspective. It's not nearly as nauseating as that show, but it's still a fantasy about living with a busty teenage girl.

Who It's For

Libertarians.

Borscht Rating

I've Been Killing Slimes For 300 Years And Maxed Out My Level

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The Lowdown: 

Office lady Aizawa Azusa dies of overwork in her early 20s, and finds herself standing before a lecherous goddess. Allowed a wish as compensation for her untimely demise, Azusa wishes for an endless life of leisure. The goddess reincarnates her as a 17-year-old immortal witch in an RPG-coded fantasy world. Thrilled, Azusa lazes about, brewing potions for her neighbouring villagers, and kills a small amount of slimes each day to supplement her income. After doing this every day for 300 years, she inadvertently finds herself at Level 99. Her peaceful life is soon upended as adventurers and dragons come from miles around to challenge the legendary witch.

Our Thoughts:

I'm not really an isekai fan, and that goes double for series which aren't set in an RPG, yet use RPG mechanics. Levelling up, grinding stats, min-maxing, as if it's a part of the fabric of the setting. I don't get it. I like watching numbers go up as much as the next dork, but I don't need to watch numbers go up in absolutely every piece of media I consume. Just play a fucking video game, Jesus Christ almighty.

I thought this might be setting up a fun series in which a layabout is reluctantly called upon to undertake a dangerous quest, but I don't think that's what's going on at all. When the red dragon Laika wrecks Azusa's house, she transforms into a cute young girl and the two begin living together, teaching each other the pros and cons of hard work and slothfulness respectively. The trajectory of the series might be as laid back as its protagonist in the end, which, ultimately, would be fitting.

Who It's For:

Isekai fans, slice-of-life fans. The twain have met!

Borscht Rating:

Joran: The Princess of Snow and Blood

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The Lowdown

In alternative history Japan the Meiji Period continued well into the 1930s, and the ongoing Tokugawa Shogunate has brought technological prosperity to the nation through a magical energy source called the Dragon's Vein. Sawa Yukimura runs a bookshop where she lives with her little sister by day, but by night she's an assassin for Nue, the shogunate's secret police. As the terrorist group Kuchinawa deploys transforming beasts in an attempt to topple the shogunate, Nue springs into action with their own abilities.

Our Thoughts

There are a lot of concepts competing here, and a few too many flashy transformation sequences for my taste, but I'm really into it! Nue are made up of sex workers and street musicians, often overlooked and therefore easily able to blend in. There's a supernatural Standalone Complex vibe to how the team operates, and they're almost assuredly on the wrong side. Worth a shot!

Who It's For

Fans of alternate history science fiction, Ghost in the Shell: Standalone Complex, Demon Slayer.

Borscht Rating

Koikimo: Koi to Yobu ni wa Kimochi Warui ("It's Disgusting to Call This Love")

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The Lowdown

Amakusa Ryo is a womanizing salaryman concerned with nothing but his own base desires. As he slips on the train station stairs one morning, he's saved by the swift action of Arima Ichika, a kind-hearted high schooler. When it turns out Ichika is friends with Ryo's younger sister Riou, he decides she's his soulmate, and begins to pursue her no matter how many times she refuses him. Comedy ensues!

Our Thoughts

Yeah, OK groomer.

Alright look, Korikimo is written by a woman and told from Ichika's perspective, so this is obviously meant to be a lighthearted "older man" shoujou romance. As an older man, all I saw were the adventures of a paedophile and the teenager he's stalking. Fuck off.

Who it's For

There's probably other stuff like this, right? If you like that, here you go.

Borscht Rating

Let's Make a Mug, Too

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The Lowdown

After the death of her mother, Himeno and her father relocate from bustling Tokyo to quiet Tajimi City in Gifu Prefecture. The former salaryman opens a quiet cafe using the remarkable mugs made by his late wife, while Himeno follows in her mother's footsteps and joins the school pottery club. Although her first project ends in disaster, Himeno makes fast friends with the eccentric pottery enthusiasts who make up the club.

Our Thoughts

It's no Eizouken, but I guess it's probably not meant to be. I'm not a big iyashikei genre fan, but if that's your thing, you might enjoy the wholesome non-adventures of three girls trying to make a mug. It's worth noting these episodes are only about 12 minutes long, with the remaining runtime segmented into live action episodes where the voice actresses tour Tajimi and unconvincingly pretend to be interested in Gifu's famous mino-yaki pottery. I think this must be a tie-in with a local tourist board. 

Who It's For

People who enjoy stuff like Aria, actually.

Borscht Rating

OddTaxi

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The Lowdown

In a Tokyo populated by anthropomorphic animals, a solemn walrus named Odokawa spends his nights driving his cab around the bustling metropolis, spending his free time drinking with his pals. Odokawa soon finds his quiet life disrupted by a caper involving a missing girl, some crooked cops, and the animal yakuza. 

Our Thoughts

A deft blend of working class slice-of-life with mystery, cute animals, and striking visual design. OddTaxi might be the sleeper hit of Spring 2021.

Who It's For

Fans of existentialist film noir with absurdist comedy, Polar Bear Cafe, walrus lovers.

Borscht Rating

Osamake: Romcom Where The Childhood Friend Won't Lose

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The Lowdown

Suehiro Maruo Sueharu Maru has his heart set on Shirokusa Kachi, the hottest girl in school. When she begins dating a young actor, Sueharu confides in his childhood friend Kuroha Shida, who's openly in love with him and he rejected in the past. Kuroha suggests the two get revenge on Shirokusa by pretending to be in love. Will Sueharu fall in love with Kuroha for real, making her dreams come true?

Our Thoughts

Give me a fucking break.

Who It's For

I don't know and I don't care.

Borscht Rating

SD Gundam World Heroes

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The Lowdown

The newest instalment of the SD Gundam media-mix franchise. In a world populated by super deform mecha, a burning meteor lands in the middle of Captain City. From it launches a terrible mechanized beast: Naughty Lion. When the police are powerless to stop it, a crack team led by Zhuge Liang Gundam and Liu Bei Gundam sorties to bring Naughty Lion to justice. When the beast stops rampaging, it transforms into Sun Wukong Gundam, a youthful amnesiac mecha horrified at the destruction he wrought. The Three Kingdoms Gundams welcome Sun Wukong into the fold to make sense of this mysterious event.

Our Thoughts

I'm an 80s kid, I know a 30-minute toy commercial when I see one.

No, seriously though, I'm aware of SD Gundam's merchandising—they're cute designs, and I even used to have a bunch of the gum rubber mini figurines. I've played the SD Great War Super Famicom games, they're fun! This is a vehicle to get kids hyped up about the latest toys, which are...based on  a hodgepodge of Journey to the West and Romance of the Three Kingdoms this year? There's even a little SD Guan Yu Gundam with a big long beard!

I kinda wanted to like the idea of a bearded robot, but the mechas are super busy and overdesigned. I guess there's only so much you can do to make your next series of toys bigger and better, so these guys are all decked out in gold accents, capes, horns, and antlers, and half the time I couldn't parse what I was seeing.

I'm so glad I don't have to watch any more of this. 

Who It's For

Very, *very* young mecha fans.

Borscht Rating

Seven Knights Revolution: Hero Successor

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The Lowdown

Long ago, the Dark God Nestra ruled the world through fear. Standing against him were the Seven Knights, seven brave warriors chosen by the Light Goddess Serrass. With their powers combined, Nestra was defeated and the lands returned to peace. Hundreds of years later the wicked Physis Cult seeks to revive Nestra, summoning undead beasts to ravage the countryside. With the Seven Knights long dead, the Granseed Academy has risen to train the next wave of heroes to combat this threat. Using special cards, the students of Granseed are able to call upon the power of the Seven Knights to guide them in battle.

Our Thoughts

As soon as the opening started with its transforming heroes and lovingly depicted weapon cards, I realised this must be based on a mobile game. Indeed, this is based on a free-to-play gacha from Korean developer Netmarble. Even before I was able to confirm this, Hero Successor failed to draw me in, eschewing details on the nature of its world in lieu of a glamourised marketing push for its source material. What's here is incredibly slight, and likely to be of little interest to anyone who isn't deep into this game.

Who It's For

Seven Knights whales, I guess.

Borscht Rating

Those Snow White Notes

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The Lowdown

Sawamura Setsu mourns the death of his grandfather Matsugorou, a talented shamisen player who refused to pass his secrets on. Not knowing what else to do, he leaves his remote village for Tokyo, taking nothing but his shamisen along with him. Soon he finds himself wrapped up in the complicated life of aspiring actress Yuna and her scuzzy rockstar boyfriend Taketo. When Setsu opens for Taketo's band, he stuns the audience with the raw emotion of his playing. However, his heart is still tumultuous. 

Our Thoughts

An entertaining first episode of a speciality music series, which is the kind of thing I have a place in my heart for. I couldn't shake the feeling of some latent misogyny that suggested the role of a woman is to inspire a tortured artist, but I might be wrong. The final few minutes take a twist by introducing Setsu's weird, horny mother who seems to have her own personal SWAT team, and it looks like the series becomes a more conventional high school anime from episode 2 onwards. Don't know about that!

Who It's For

Fans of Kids on the Slope, Sound of the Sky.

Borscht Rating

Tokyo Revengers

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The Lowdown

Former delinquent Takemichi is unsatisfied with the way his life turned out, living alone in a paper-thin apartment and working a minimum wage job under a boss who doesn't respect him. When watching the news one evening, he learns that his highschool sweetheart Hinata was killed, alongside her little brother. On the way to work the next morning, Takemichi falls in front of an oncoming train and wakes up 12 years in the past. Armed with foreknowledge, he attempts to turn his life around and save his onetime lover.

Our Thoughts

This is drawing from a lot of sources; the whole train sequence is lifted straight from Gantz, while the story itself initially seems like a Life on Mars kind of deal. In fact, Tokyo Revengers sees Takemichi jump back and forth between the present and the past, seemingly making small changes until he achieves his desired outcome. It feels like a very video gamey depiction of time travel, and one that's not super interesting.

Who It's For

Steins;Gate fans, maybe? Delinquent manga (Shonan Junai Gumi, Crows, etc.) fans, maybe? It's pretty self-serious compared to any of those.

Borscht Rating

To Your Eternity

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The Lowdown

An immortal being in the form of an orb falls to earth and becomes a stone. Years pass, an ice age sets in, and a white wolf stumbles onto the tundra and dies. The orb, able to take the form of anything that leaves a strong impression on it, transforms into the wolf and slowly learns how to use its newfound ambulatory body. The creature treks back through the tundra where it meets a boy living alone, after the rest of his village left in search of a better life. The boy recognises the wolf as his beloved pet, Johann, and the two begin living together in the harsh, lonely wastes.

Our Thoughts

I'm being a little coy with the synopsis here, and there's a major shake-up at the end of this debut episode. This one's based on a manga by the critically acclaimed Yoshitoki Ooima (A Silent Voice), and it's a depressing, compelling, and exciting start to a series. Lots of potential here!

Who It's For

Fans of NieR, Fragile Dreams: Farewell Ruins of the Moon, Last Exile, Kino's Journey.

Borscht Rating

So, there you have it. I'm hoping this will be of use to anyone who experiences a similar sense of dread when faced with so many choices. Maybe we’ll do this again during the Summer 2021 anime season.

Also, please don't get mad at me if I'm snarky about your new favourite show! It’s just TV and I'm a big idiot anyway.

[mc-critical]

Hi darling, Idk if you talked about this before, but what do you think about Rumeysa (Mustafa's concubine)? Do you think they planned to make her Mustafa's wife untill the actress was changed? And also, if she would've become his wife, how do you think she'd act in comparison to how Mihrunnisa (queen) acted? We didn't really see a lot of her but I wanted to know what do you believe they wanted to do with her character

Hey, dear! 🤗 No, I haven't talked about Rumeysa in here. I'll cover the S03 one and the S04 one separately, because in practice, they're both very different characters.

I strongly dislike S03 Rumeysa as a character, to be brutally honest. She goes all good, nice and innocent, when secretly she's sneaky and even manipulative in order to fulfill her goals. The thing that annoys me the most is not necessarily her fixation on Mustafa and how she wants to get him, because after all, it's a harem and everyone wants to get him, but how nearly inexplicable her whole motivation is, in spite and outside of that.

I feel Rumeysa's arc could be split in two almost separate halves - her set-up in the harem (pre-E93) and her as a favorite in the harem. (post-E93). The most interesting things about her were precisely her set-up and backstory. The way she was sent to the harem, the way she was tied to signora Gabriella, the way both of them were about to reunite and when that happened, Rumeysa was just confused more than anything... The idea of sisters finding each other within these harem walls was fascinating, but that was seemingly dropped. I feel even from this point on that the show tried to make a case of a person who's been long in the harem and has lost the touch of a free life to the point of being afraid to leave, but her confusion on the signora and her refusal to go with her was the only part they pulled off. (not to mention they executed that concept much better with Sümbül!) Then begins the second half of her arc that went in another direction the writers didn't succeed to make me get. I didn't get why she wanted Mustafa so much. She said she wanted and appreciated Mustafa a lot and that was why she wanted to leave and this trainwreck began all of a sudden! That doesn't make any sense! She had no (or at least not pivotal) scenes with Mustafa before E93, she neither experienced a desire to get Mustafa, nor was it shown to the audience in any way before the convenient moment. Her build-up was never about Mustafa before then. Her arc was never about Mustafa before then. And yet Mustafa became the center of her character, to the point it's as if they were like: "let's have another woman for Mustafa, but this time with an even more overexaggerated you might think it was Turhan Hürrem-esque arc, so we can make her his full on woman!". She was paving her way through sneaky methods to the point of hypocrisy for no reason, she didn't even have much of a threat, either. Ayşe Hatun put pressure on her once in a while, but it felt understandable when she had a child from Mustafa and that, Rumeysa started acting this confident just like that. I get that in the harem you have to be sorta like that in order to survive, etc., but with Rumeysa that wasn't enough of a motivation! She seemed just fine under Mahidevran and taking care of Nergisşah before then, she could calm people down, what happened? And notice how in the second part of her arc these scenes were lowered to the minimum, or recontextualized, at the very least, so you can't buy anything with her anymore.

But wait, what if she always wanted Mustafa when she arrived? Then every moment of kindness she has shown, even to the little child, becomes even worse in retrospect, because it would either just suit her interest, either become a jarring contrast with what she has shaped up to be. But wait actually, that effect is achieved even without her arc being split in two halves! I would've sympathized with her much more if there was some additional motivation, like everyone else basically, but honestly, the harem excuse is all we could use with her and in her case, that just doesn't suffice, especially for such a big shift in storylines. And then after building up to a halvet, we had the halvet and it was over and left me very unsatisfied. (okay, that's probably because of the actress, but still)

She was screwed up spectacularly at best and downright horrible at worst. Her early concept was way too good to be left out like that and since that leaving out was maybe inevitable for the writers, they had to do this transition better and have the first half of the arc be focused on Rumeysa, as well as Gabriella, instead of making this whole line with her being Gabriella's sister she was searching for more of a plot twist than an organic build-up, because Gabi was the one click baited to want Mustafa! This character ended up being defined by her goal she was trying to fulfill and nothing else, not any redeeming quality whatsoever.

I think Rumeysa was the least suited woman for Mustafa, yes, even less than Fatma. Because if Fatma had some love for him and was genuinely trying to calm him down after Efsun at first, with Rumeysa we simply had steps to get him right from the start and an entire ordeal that wouldn't sit well with Mustafa. We didn't even know not only why she wanted Mustafa, but also what was it she had with Mustafa - was it love, was he just a vessel for her to rise in the hierarchy (that's probably it for me), what was next when he was all hers etc. We have no feelings, no insight here and Mustafa himself was only slightly intrigued at best. And even if she were there for the battle of the throne, she would definetly scheme even more actively than anyone else and that would seriously clash with Mustafa's desires. I don't think she would suit S03B Mustafa's level of maturity, either.

Yes, I would say S03 Rumeysa could very well be the endgame for Mustafa and become his wife if it wasn't for the actress leaving and stuff, because of how she was framed to succeed. This part of Rumeysa's arc existed in a vacuum, it was a tiny victory after a tiny victory due to sly thinking that she was always allowed to get away with somehow. Again, the way she was slowly, but surely getting her way reminded me of all the Hürrem-esque arcs in the series that did end up with these women becoming the total favourites and I wouldn't be surprised at the least if they kept that pattern of success with Rumeysa, since it was very present in her arc.

[While we're at it, I didn't get why Mahidevran believed her so much. On one hand, yes, character development, because, as seen with Mihrünnisa later, as well, Mahidevran no longer gets suspicious of the nature of these women and only intervenes when she sees a decision of Mustafa's regarding them that could potentially be dangerous for his future, coupled with the fact that Mahidevran values loyalty a lot and she has seen nothing but that with Rumeysa. But on the other hand... Mahi is usually so perceptive when it comes to women that could actually be problematic or dangerous for him and Rumeysa being the only exception then was as much character development and the chance of lowering her guard because of the calmer environment as it was.. way too convenient, since we saw Rumeysa was playing a game behind the curtain. Especially the situation when Rumeysa provoked Ayşe Hatun on purpose for Mahi and Musti to see and Mahi not listening to Ayşe or Fidan's warnings about Rumeysa, along with her fully adapting to the harem laws she was previously against and taking on her role as a Valide in Mustafa's harem, was almost like Plot Armor for Rumi similarly to how Hürrem acted accordingly when she saw SS listening to her in the candle mirror in E44, albeit in the opposite way. I view that as a clear recipe for narrative favor and I was appalled that it had to be with such a character.]

If S03 Rumeysa became his wife, I don't see her acting much like Mihrunnisa. First off, due to how her arc was framed, Ayşe Hatun would have very much stayed as an antagonist of hers (even though Rumi wouldn't view her as one in their confrontations) and would try to eliminate her in a secret, subtle and cunning way. While Rumeysa would definetly try her all to keep Mustafa safe and would try to win Mahidevran's support for the marriage the way Mihrunnisa did, Rumi would have more of an agenda of her own she would follow. I won't be surprised if she tried head down on the path to overpower them all in her influence of him, either. Mustafa and Mihrunnisa were partners more than anything, with the same ideals, aspirations and desires. They were very close in their way of thinking and how they would approach problems, that's why they had such a deep bond. S03 Rumeysa would get further and further away from Mustafa's personality as his wife and if the other S04 events are canon, she would probably indeed go and reveal Bayezid's marriage with Huricihan the moment Mustafa refused to and act herself instead.

S04 Rumeysa is barely there, but I like her a bit better. She is an entirely different character with her consistent worries for the future, her more caring and protecting nature and even Mahidevran's more "I'm fed up with all this" attitude to her. Even if we add S03 Rumeysa to the mix, we get at least more feeling out of her and what was she all about and we get some other contrasting facets of hers as a bonus: in contrast to Rumi calming Mahidevran down when Mustafa disobeyed SS's order in E91/2 (my favourite S03 Rumeysa scene, but it was also kinda ruined post-E93), now Mahidevran tells her not to worry so much. Thing is, S04 Rumeysa could very well work without S03 Rumeysa both because of the different actress and the different characterization that could only loosely recontextualize S03 Rumeysa at best, and since there was a time skip, some random concubine and favourite Mustafa slept with and she became pregnant wouldn't be out of the question at all. Yes, her death would probably have less impact that way, but nor could I ever bother with S03 Rumeysa, nor would it be weird because of her different dynamics, which made her look almost foreign in comparison. (that's not on the actress, both Rumeysas were great!) And it would be as impactful as it would've been for Mustafa and Mahidevran, because the loss of the child would be just as devastating for him and was still tied to the mirror of sin.

If S04 Rumeysa didn't die and became Mustafa's wife, I think their bond would be focused more on their future child than anything. Rumeysa would probably act similarly to S03 Ayşe Hatun, only in a more secure position, I see a lot of similarities there. I don't think their bond would be as deep, but they could have the chance to get close for a little bit. I see Rumeysa refraining from acting so much, because of her worrying for the consequences, but when that fear gets the best of her, she could take desperate measures.

[shreddedleopard]

Twelve-million more reasons Historia and Levi are part of the Endgame. With Pictures.

You can read the first post I made on this here:

10 reasons it would make narrative sense for Levi and Historia’s character arcs to end together.

(This is the mega-evolved version.)

Okay, I’m going to put this out there now, and before you judge me, please just read the posts. You don’t have to agree. This is just an idea. But it makes a stupid amount of sense, at least to me. So here's your fair warning (and now I'm being bold): If you don’t want to potentially be spoiled, Do Not Read On.

Here’s the Theory:

Historia Reiss will give birth to a half-Ackerman child, and together with Levi, from the ashes and ruins of the world Eren destroyed, they will welcome the dawn of a new age for humanity, where Ymir’s curse and the power of the Titans is extinct.

I know. I sound like some crazy, Rivahisu nut. Granted, I am, but I’m not mad enough to make a claim like this without a shit-ton of evidence, because it’s such a damn twist it feels like it can’t be true. But just humour me.

Here’s the theory, then we’ll look at why it makes sense and how it might have been foreshadowed. Please note: I have less clue how this will tie in to Eremika endgame, so I haven’t mentioned this as much, but obviously that will be the other very important side of this coin.

10 months ago (In Japan, full term pregnancy is counted as 10 months), at the banquet celebrating completion of the new railroad, Levi and Historia, having had 3 and a bit years to bond over their shared experiences and become close, may have gotten carried away together and shared one night of being a bit more than friends. She’s well into her 18th year at this point, just to clear that up. This resulted in Historia getting pregnant. Okay just stay with me; I know. I know. I sound crazy. But hear me out. So this pregnancy, contrary to the belief of the MPs and rest of the damn world, was the complete opposite of planned. Historia tells Levi, and Levi immediately panics. Because, to steal Kenny’s famous line, Levi thinks to himself ‘I can’t be some kid’s dad.’

 Levi does what he always does best, and shuts down into business mode, telling Historia she will need to cover it up somehow. Historia does as he asks, probably reluctantly, because she really has developed very deep feelings for him during the timeskip, and finds some farm hand to take the blame, likely saying she made a silly mistake with some random and the father doesn’t want anything to do with the child, and so she needs a father for the child not to be illegitimate. Which is her worst nightmare, because of course, that’s what she was. Levi watches the exchange hidden in that famous hood, feeling very conflicted, because although he cares about her, he thinks it best if no one knows that it was him that got the Queen pregnant, and of course, he’s duty bound, with a vow to fulfil, so he has no time to be worrying about a family. (Silly Levi!) 

How ironic this conversation would be if this theory were true. Remember, Historia was completely willing to eat Zeke if needed. Instead, she got pregnant, unplanned, nothing to do with any plot or selfish wishes, just the result of a spontaneous act of love by two people who’ve grown to care for one another a lot. ANYWAY.

Because we know Levi actually has a good heart, he feels immensely guilty for all of this; he's just a product of his upbringing and thinks he doesn’t know the first thing about families, so it's better for all involved if he not be. See where this is going? The old cursed history repeating? Making the same mistakes as our parents? Plus, Levi is bound by his duty. He is incredibly important to the military still, and he cannot just abandon this for any of his own selfish wishes. He’s supposed to be the one to vanquish the beast titan. 

Cue ten months of Historia looking hella depressed and hopeless, and Levi being even more of an asshole than usual to everyone, and not really wanting to say too much at all, as well as making some terrible workplace decisions (lol) poor boy be distracted.

Look at his face 😭

Yes Levi. A month. Which means Historia is now due and you’re still stuck with beardy, without a solution and pretty soon no reason for the MPs not to turn the mother of your child into a Titan.

That’s what that face is. I thought he looked a bit weird first time I read these panels 🤔 He didn’t know about the wine. We see that later. Anyway, I keep getting distracted, stop. I’ll come back to this.

But fear not; Levi will have a choice to make. 

So this is where it gets a bit more iffy for me, because I'm not sure how it would work, so this could be a way off, BUT. I believe it will come to light that the combination of Royal and Ackerman genes will somehow cancel out a person’s ability to turn into a titan and connection through paths, thus making them truly ‘free.’

The founding titan has the ability to change Eldian physiology, according to what Zeke learned from professor Xavier. 

EDIT: Okay so here’s where I’ve had to tweak this a bit in light of there latest chapter. So we just had Zeke in PATHS. With none other than our second resident genius, and as proclaimed by Eren, the saviour of humanity: Armin. What do our boys have a conversation about? Reproduction and the importance of the small moments in life - it’s these little moments which matter, regardless of the desire or need to recreate. Interesting how both the leaf and baseball link back to what their ideas of ‘family’ became. If Historia and Levi were to be in the same scenario in PATHS, what would their items be? What truly means family to them both? 

Perhaps Armin and Zeke realise what is needed to lift the curse of the titans - maybe a blueprint for genes which can cancel out the connection to PATHS and the founder? If only they had a child with a new type of Royal-Ackerman DNA which might fit the bill ... 

Here’s Levi’s moment. He, with Historia, has created such a child - completely by accident, because of one of those ‘moments’ that both Armin and Zeke mention - moments that are simply just about enjoying what you have with no sense of how it might relate to anything bigger - a real rarity for both of them, considering their roles and constantly being asked to think about the good of humanity as a whole. What a beautiful irony, that in the moment they chose to be selfish and, to use freckled Ymir’s own words, really live for themselves, they set a chain reaction in motion that would ultimately save humanity. 

Where does this leave Eren and Mikasa? Good question. I believe Eren will die once the curse is removed, because tragically he is the character that has been forced to choose humanity over his own personal relationships. As Isayama has said before, Eren is a victim of the story. Mikasa will be the last thing he sees, hence the original dream at the start of the manga, where he wakes up crying. Something like this. But probably a lot better. Yeah.

Out of the ashes of the old world, a new one will be built, but through Historia’s kindness and love, and Levi’s guilt and understanding of what was sacrificed in the past, society will not repeat the same mistakes. The final panel could be Jean holding his child, perhaps with Mikasa, if she ever manages to get over losing Eren. That would be vague enough so that Isayama was able to show it to us already without spoiling much. Or maybe Jean’s dead and it’s not him at all. I don’t know. 😭

Right. Okay. So now you’re going, sweet story, but uh, there’s no way Levi could be the father. He’s so much older. Isayama wouldn't write a moment of romance like that. Not with him and Historia. YOU’RE JUST CRAZY.

Well this is where it get’s interesting. LET ME SHOW YOU. It’s foreshadowed literally everywhere. Right under our noses.

There is so much symbolism.

Dedicate your heart to what? has been Levi’s question recently. What are they all fighting for? What is he fighting for? How will he give meaning to his dead comrades sacrifices? Is killing Zeke really the extent of it? Is vengeance the true meaning of their sacrifices? Or is it something a lot more hopeful?

The answer is shown to us in the opening credits. And the ending credits. Several times. 

Levi says so himself - he keeps messing fulfilling the vow up - why? Why is he so worried about killing Zeke? 

Eren has the same questions to consider. Which PATH is the right one to take - revenge and violence with the rumbling, or love ... with Mikasa. We are literally shown what their choices will be in two virtually identically designed panels, which I’ll show you. Tragically, Eren’s choice is taken from him. He is a victim to the story - he must chose the path that saves humanity. Levi and Eren have been bound together through the theme of choices, and taking the ones which leave you with the least regrets, throughout this entire manga.

The upcoming anime episodes literally plot out the timeline of Levi and Historia’s changing attitude to one another, and then Historia’s pregnancy, it’s just so cleverly subtle. Isayama even tells us when/ during what event her child was probably conceived by just dropping dates in from other, seemingly unrelated plot lines.

Zeke gives pointed comments to Levi constantly - every other line of his is either a different jab at Levi about Historia’s pregnancy, a veiled question, or a reminder that he’s under the pressure of a 10 month time limit to do something about him, or Historia will have to eat him once she’s given birth. We start to see Levi unravel because of this, and make mistakes over and over.

It’s in official art. It’s in the soundtrack. Its in music videos. There’s interviews from Isayama that, when read in light of these ideas, suddenly take on a whole new meaning.

Isayama even trolls us. He’s laughing in our faces, the madman. Like, gotchu 🤣 suckers. While we’re all on Reddit and Twitter like, ‘Levi’s character has become so stagnated! He’s making such poor choices or not giving anything to the plot at all. All that’s left for him now is to give up and die! Be at peace, your story is over.’ OOF. Or, ‘Historia has just been forgotten! She’s become such a pointless character. Isayama just got bored with her and sidelined her.’

I’m going to try and write stuff up in the rough categories below, but these might change. I’ll link them when I’m done, and then pin this post. I’m a bit of a rambler so heads up - this may take a while 😅

There’s also a ton of people I have to mention who have contributed to this - I didn’t spot it by myself. I’ll tag them in the finished post too.

Historia and Levi’s Miscalculation: A manga tale featuring the Jaeger Bros., Pt. 1

Historia and Levi’s Miscalculation: A manga tale featuring the Jaeger Bros., Pt. 2

Historia and Levi’s Miscalculation: A manga tale featuring the Jaeger Bros., Pt. 3

Ackerman-Royal Bloodline and Levi’s Choice Pt. 1

Levi’s Choice Pt. 2

Suns, Moons and Songs

Akatsuki No Requiem - Right theory, Wrong guy

The Farmer and The Cattle Farming Goddess, or WHAT’S IN A NAME.

Mistakes of our parents and breaking the cycle

Memories from the future & Levi’s Guilt

Watch this space. And hold on to your pants. If I’m right, I’m getting very drunk.

[shinylitwick94]

Shinylitwick's summer (SF/)Fantasy reads - Part I

As it turns out trying to complete the r/fantasy book bingo and not wanting to get into heavy reads this year meant that I spent most of my summer reading almost exclusively SFF, and I read a lot of it. I'm sharing my thoughts on these with anyone who might be interested in them. This covers books I read between july and the first week of september 2021. I'll be doing this in two parts because it would be too long otherwise.

As a reminder, these are personal thoughts, not professional reviews, so take everything I say with a grain of salt.

Without further ado:

Under Heaven, by Guy Gavriel Kay

By this point I think I can say pretty firmly I’m a fan of GGK. I just really enjoy his “alternate history with a dash of fantasy” stuff, and I like his writing and the fact that he’s so good at capturing that sort of bittersweet melancholy I’m a huge junkie for.

That being said, Under Heaven started off amazing, spent a lot of time in eh, and finished solid. I like it, but it’s my least favorite of his books so far. I think it essentially suffers from making promises it doesn’t deliver on. There’s a lot of stories which go nowhere, which I’m sometimes fine with, but I don’t think it worked here. Especially with the sister. I have very little familiarity with Chinese history, but from what I’ve read in other reviews, he stuck rather more closely to the history here than he usually does, which maybe limited his ability to maneuver his characters. Still, I would recommend it, if this is your style.

The Last Wish, by Andrzej Sapkowski

I’ve tried reading this before…in Russian. Don’t know why I thought that was a good idea (something about maybe a better translation?). Anyway, my Russian obviously wasn’t up to scratch and the books are polish anyway.

So, English translation it was. As many of you will know this is actually a short story collection, which is the first part of the Witcher book series. I’d already watched the tv show, and played a bit of the game, so some of the stories were new to me, and others weren’t.

I liked how the book highlighted the “twisted fairytale” aspect of some of these (e.g Snow White, Rumplestiltskin) – that didn’t really come across so well in the adaptations. I think altogether it was a fun and enjoyable read.

The Farthest Shore, by Ursula Le Guin (Book 3 in the Earthsea Cycle)

Ursula Le Guin made me cry again. I’ve been talking about Le Guin a lot recently, with a friend who’s read a lot of her nonfiction, but none of her fiction, while I’ve for the most part just read the fiction. She’s one of those authors who just seems to get it, and who knows how to use the genre to its full extent. Magic and dragons aren’t just a toy, but a tool to actually say something.

She does that across the board, of course, but Farthest Shore hit me harder than the other Earthsea books have, maybe because imho it’s the saddest so far. There’s a lot about death, acceptance, and time passing, and responsibility in this which I really liked. I feel like it manages to get its themes across in a way that is crystal clear, but not ham-fisted. I loved this book, I really did, but I feel like I will need to read it again in a few years, and I’m sure it will be a different read then.

One of many nice quotes:

“When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.”

The Black Company, by Glen Cook (Book 1 in the Chronicles of the Black Company)

This was sold to me as the granddaddy of grimdark fantasy, and I can certainly see it. It’s clearly influenced a lot of later fantasy authors (Erikson, Abercrombie, to some extent Martin). Yet somehow it manages to be less explicit, or graphic, than some modern grimdark. It can be pretty gross too, but it knows how to cut away when necessary and is usually smart about implying things. I also really liked the basic concept of following characters who work for the Dark Lord (or Dark Lady in this case). The characters themselves are interesting enough – in this first book we don’t go super in depth on a lot of them, but the ones we’re stuck with are decent, and the story holds. Still, I felt like this was more a worldbuilding book than a character book, if that makes sense. And I did like the world. It’s appropriately dark and petty and sucks, but hey that’s what we’re here for.

So overall, I enjoyed it and would recommend to anyone who is interested into the more grimdark side of fantasy. Stay away from it if that’s not your thing or you’re super squeamish.

(most of Tumblr dni I guess)

The Empress of Salt and Fortune, by Nghi Vo

This was a fun little read. I had no idea what to expect going in and I ended up enjoying it. The story follows a nonbinary monk as they go through the affairs of a deceased empress and in discussion with Rabbit, the said empress’s servant, learn her story. The story is mostly told by Rabbit and each section follows a particular object. I liked how that was set up and the way in which the whole picture was slowly revealed to the reader. It’s apparently been read as a feminist story and I can see where that reading comes from, and it was likely intentionally so. It wasn’t the most important part of this to me, but up to you to judge.

I will say though, and this is not the book’s fault, but mine, that reading a story where the POV character uses they/them pronouns was more confusing than I anticipated. I kept expecting there to be more of them at random points in the narrative, and having to backtrack to understand.

It’s a short nice read, but definitely something I feel more comfortable recommending to people here than irl.

Equal Rites, by Terry Pratchett (Discworld)

Not much to say here. Discworld is Discworld and can do no wrong, apparently. This might be one of my favorites so far. Loved Granny to pieces, it was fun, it was funny, it was thoughtful without being heavy. It’s the Discworld, what can you do.

The House in the Cerulean Sea, by T.J. Klune

This was pure tooth-rotting fluff, which I think I kind of needed to balance out my reading. It’s cute, it’s cheesy, it’s wholesome it owns it and is proud of it. It’s very LGBT friendly. It’s a good guys win, bad guys lose, discrimination dies today kind of thing.

I’m surprised it’s not bigger on Tumblr tbh (it’s not non-existent either, I checked, just smaller than expected; maybe it’s too nice?).

Anyway, I did like it, and I’m exaggerating just a little bit on the cheesiness. It’s a sweet little story about a character who would normally be played by Martin Freeman (if a bit chubbier) learning that there is more to life than Rules and Regulations and finding love and a family.

If that’s your sort of thing, give it a shot.

[mybg3notebook]

Loving your analyses of Astarion's behaviour and character so far! It has really reaffirmed in my eyes just how much of a bastard he really is. (I say that fondly, of course.) Do you have any thoughts on why the general reaction on tumblr has leaned so much towards woobifying him? After looking at his actual (explicit and implicit) morals in game it seems quite odd that some people are reading him as an edgy soft boi who just needs a hug from the right person to fix him.

Hello!

Thank you very much! I really enjoy seeing chars in a deep way. It makes me change my opinion on them, sometimes. That's why I like to do these analysis, even though it's a lot of work for a person who doesn't speak English as a native.

Lol, please, I won't be offended. Astarion is a bastard in the whole sense of the word, lol.

However, I find Astarion an interesting evil (evil neutral imo) char to explore the narration of “abuser who found a greater abuser”, with all the topics I talked about in those posts. I would feel a bit disappointed if Larian suddenly changes him into a man who always had a gold heart (because for that, you need to give hints, even in EA, and none of that has been seen so far).

An example of how this is done is with Shadowheart, she is evil and she supports a lot of cruelty that Astarion does too, but we got meta-knowledge (and not so much meta when we see her heavily drunk after killing the tieflings) that gives us enough reasons to believe she has some heart in her, despite Shar and her teachings. I do not support the idea of “she is a softie”, because she is not, but she doesn't have the same level of cruelty nor revels in murder so much as Astarion does. They represent different degrees of evilness. What plays in her favour is her face, which gives the idea of more softness than she truly has; the same happens with Astarion. Lae'Zel is less cruel than Astarion in general, with more logical reasons to be so because her brainwashed culture made her to be more pragmatic than a taster of cruelty, and yet, she receives a lot of more hate in the fandom... and it is clear to me why: she is not “beautiful” in the traditional white euro-centric standard sense.

And this is my point to answer your question (remember all this is personal opinion): I think there are many reasons why people woobify Astarion (not only in tumblr, but also in Reddit or in Larian Forums, it's a big part of the EA fandom).

First and foremost, I believe it's his appearance. If he were a bugbear or a goblin, few in this fandom would give a thought about his abuse, his pain, Cazador, etc. They would focus on his “bastard” side and leave it at that (again, Lae'Zel has this treatment). I want to make clear that I'm not questioning people's taste, everyone can like whatever they want to. I'm saying that, for me, there it proof enough to sustain this idea that Astarion is woobified because he is beautiful: when you read that a lot of people in this fandom never had an interest in Larian's previous games, or isometric rpgs, or even turn-based combat games (there are some people who are giving feedback against the game being a turned-based combat one! It's the nonsense because it's basically Larian's style), but they bought bg3 because they saw Astarion, even though they knew nothing about him.... All this, clearly, shows to me that a lot of people approached this game for only one char, for only his design (a big amount of them say it explicitly), and it is not far-fetched to know that people justify more easily beautiful villains than ugly ones. We can explore a lot of examples of this in many fandoms. People can love villains because they have real complex reasons to be so (like Loghain in DAO), but they also can like whimsical villains just because they are “hot”. I feel this is Astarion's case, he is a “beautiful villain” who apparently has always been evil. His reasons for his whimsical evilness is more like “it's always been in his nature”. Unless the family part has a different role in his backstory (mirror option) and it's not a mere line for a player to play a “good aligned” Astarion when picked as Origin. I don't like to read much about it in that scene because the game still doesn't have companion Tags; those options in the mirror can be there just for the player to pick, flavoured with each origin, but not necessarily the three of them are canon. This will be seen once we have the companion tags activated as it happened in DOS2.

What we can say for sure is that Larian knew what they were doing when they picked Astarion's design; they choose a dangerous white guy with white hair and evil alignment: an archetype that catches a lot of people in many fandoms.

Part of his woobyfication process has a deep root there, in my opinion. Again, if he were a bugbear, a goblin, a githyanki, a monster-humanoid... we would not have 90% of the EA fandom collapsed with his image, or Larian focused on him to the point that after 4 patches he had new scenes, lines, corrections, and development, while Wyll is still there, sitting in the bench of “the less developed chars” (with around 2k less lines than the rest of the chars, and his personal quest bugged since the first day). Yes, I don't like the preference on one single companion when I am seeing the “future Beast” (from DOS2) in Wyll.

Second, he is a vampire. Vampires are a great element in any fantasy narrative. You know you will have a lot of fans behind a vampire char. Not by chance Vampire The Masquerade is one, if not the most important product of White Wolf, which keeps still giving them a lot of profit despite being decades old. Vampires are always a good element of personal horror, of lack of control of your own body, and also an allegory of abuse, power, and rape. This concept of “being a monster without control” that they embody helps a bit more for the woobification.

Third, people tend to mix a lot headcanon with what a character gives us as canon. We can have a long useless discussion about which is more worthy: canon or headcanon, or about why one should or should not respect canon, but putting all that discussion aside, and considering the previous two points, I see that a small part of his woobyfication comes from the fact that people love denial and self-projection instead of analysing of what they are given (and let's be honest, we know in tumblr, reddit and others social networks, people lack of reading comprehension skills, which makes analysis all about self projection without a real effort in understanding the character's perspective. It's all about the player unilateral perspective. How can you analyse a char you didn’t play with or explored in all its paths? ).

So if their beautiful character is behaving in a way they don't want to, they start considering him “random” (I read this so much that confuses me, because Astarion has clear patterns for everyone who wants to see them, like the rest of the companions. He is not random, he follows pretty well all what I listed here, that list helps you to predict what he will disapprove or approve) so they end up filling this apparent “randomness” with headcanons and self-projections. Don't get me wrong, I don't despise headcanons, I love them, I have a lot of them and create with them. But I also like honest analysis and separate what I want from what I get from a company (to correctly give them feedback, otherwise I will be giving them my headcanons).

If you don't want an aspect of a given char, and you want to deny it, it's perfectly fine. Do it, it's your entertainment, but be honest with the fandom about it, acknowledge this is a personal denial you enjoy. And mainly, don't use headcanons and self-projections to attack the rest of the chars you don't like in their own tags. We know how aggressive some people in this fandom are, and it's a bit frustrating to see aggression without the slightest effort in understanding the character they hate.

There is also something sad to say, related to self-projection, that contributes to Astarion's woobyfication too: a lot of players are survivors of abuse who connect with him from trauma, and I can understand if denying his past is a way to help them to release any kind of pain or need for vengeance against their abusers. It's a natural and totally understandable projection. The woobyfication, then, ends up in an intense self-projection where they give to the char something that they needed because their own trauma.

This is why I would like Larian to give us other survivor chars that people can project onto, whose stories are really about survivors of abuse who were not evil in the beginning. Because I feel a lot of people approached Astarion as a narration of a “victim who will become a victimiser” or as a “bad behaved victim”, instead of what I think it's shown: an abuser who found a greater abuser (and his story is about punishment of the abuser and the concept of justice in a world which has none), so trauma survivors will end up with disappointment if they think Astarion is something similar to the representation of what they experienced. Plus, vampirism is never good to use as allegories of abusers/victims because the relationship Sire/Childe is too sick and twisted. So, again, this is a mere opinion from all what I've been reading since the game came out.

I hope Larian sticks to the narration they seem to follow with Astarion: an abuser who found a greater one, and now wants to become the next Cazador, and this woobifycation doesn't change the real potential of a dark deep story that I believe they want to give us: not every char is redeemable, and sometimes evilness is capricious. We had chars like these in bg1 and bg2 after all. 

[twinvictim]

your opinions on each of the post team silent games and a rating out of 10. hand 'em over

YEAHHHHHH FINALLY CATERING TO ME!!!

Uh really long post oops. for reference, my rating for the first 4 sh's are as follows

Sh1: 9/10 Sh2: 7/10 Sh3: 9/10 Sh4: 9.5/10

Silent Hill 0/Origins

overall score: 7/10

Alot of the games issues can of course be attributed to it being a psp game, and while i won't excuse everything bc of that, j have to be honest and say I think it had so much potential as a (very) late ps2 game. Not to mention, the game ON THE PSP functions as it should. (The ps2 port does fucking not tho..oops) ans you'll see that this is...a rarity post team silent.

The story has alot of potential, Travis as a character is interesting and sympathetic and j think his dynamic with alessa js super fascinating to dig into, both of them being abused children and there was alot of intrigue regarding his powers, the game feels like a smaller more watered down she, and for that I can't fault it too much. The weapons system isn't my favorite but the combat itself is reminiscent of 1 and 2 and I really like a good chunk of the monster design, there was clearly thought and care put into it, nurses and strughtjackets/lying figures be dammed. The unlockables are pretty cool though and alot of the environments look pretty cool for a psp game, hell i LOVE the theater level its super unique, I would love to see it in (actually functional) better graphics. I also think the puzzles are pretty solid, not hair pulling like sh1 even if they're not quite as clever as say sh3.

My biggest criticisms come from the reuse of sh1 characters (just alessa and Travis would've been fine, maybe dahlia and some more org characters would've been better) the bad ending being straight up bad writing. Not to mention they did the sh3 thing of "kill too many monsters and get the bad ending" which is...stupid. The foreshadowing of the butcher being? He's just kinda there, I like the lead up but it would be more interesting if the butcher represented something from those years between Travis' father dying and him being an adult. And while there's more replayability imo than sh2, it doesn't have difficulty sliders and that makes it kinda hard to come back to quite as often. Not to mention unlike sh1, 3or sh4 there's not as much horror focus and random events.

Overall, solid game its fun to play, very silent Hill and if you're willing to look past a few continuity errors and accept its a little different and slightly derrivitive at the same time, I like to say I had alot of fun with it and still do. (Maybe I just like Travis alot...idk)

Silent Hill: Homecoming

Overall score: 6/10

Once again most of the issues here are gonna be corporate fuck ups, but I'm also not gonna beat around the bush, this game isn't like...good. its bad actually. "But you gave it a 6/10?" Yeah bc its not NEARLY as bad as some other games I've.. experienced.

The negatives here are, many and vast, so let's run them down. Firstly the games performance is janky on console (ps3 at least) and abysmal/unplayable on PC, what with framerate issues that are detrimental to game play on pc and make the third boss impossible. That said on console it is completable and not even too terrible...usually. Scarletts boss fight however is terribly unbalanced and broken on all skews so :/. The combat is...functional but not anyone's favorite, it's difficult to use any actually strong weapon and you can pretty much strong arm ur ways through shit with just the knife (except scarletts first form..don't try it, it won't work) for some people this will be borening (not my opinion but w/e). Most of The puzzles...leave alot to be desired. I hate sliding block puzzles. Also no run button? At all?? No easy mode? Ok... also what is this.. wheel design for the inventory...im accidentally using my serum..what is serum also? And why is the item pickup noise like...bass boosted.

The character models look awful most of the time, and comically unfinished other times, some human models are just grotesque, (judge halloway, Adam shepherd, mayor Bartlett. .you get it) and yes...there are sexy nurses. Bc of course there are. (Whole ass out???) They did straight up have some terrible endings for this game (ph ending for one, the way you get the ufo? Hell the ufo ending is kinda boring. I like the in water ending here too but. Yeah.) the story has some, problems. To say the least.

However, while the performance is bad its not the worst I've played (on the ps3 once again..unplayable on pc) and I hardly noticed the framerate when I was just running around, I personally found the combat kinda fun, between trying to dodge accurately and still attack and not use all my health items (bc those and ammo are actually rare! Unlike some games...) it is kind of a challenge and reminds me of a much worse sh4. And hey, the health items both heal an understandable amount of health that i can easily read with a bar (unlike 1-3) and they're not a complete joke (unlike sh4...) i find the exploration really fun and sure the characters look shit but the environments are Fucking great. The church is one of my fav sections, short as jt might be and yes it stole the confessional scene but its pretty well written and acted I think. The monster design is pretty fucking rad too honestly, I like the schism, siam, I like the DESIGN of the needlers even if they make me so mad to fight, and hey the nurses and ph don't show up that much to be too aggregious. The boss monsters are also fantastic design wise, very unsettling and the boss rooms are interesting as well.

The story has problems but it also has alot of potential, the concept of people sacrificing ther children for silent Hill and being overcome by their own pain and guilt is pretty fucking cool, and alex is a good character they did a good job of giving him personality, ppl bitch about him being a soldier but a) he's not and b) soldiers are people too, and a sh game that could tackle toxic masculinity, be critical of the military, and also tackle abusive religeious parents is pretty intriguing, not to mentions themes of brotherly love that's complicated bc of how they clearly favored Josh . Sure, it misses the mark, but I like taking the potential and thinking about it bc its compelling to me. And like I said, i like alex alot.

Overall, bad game yes, but not the worst as it has enough good for me to honestly really enjoy it, besides it is pretty funny when it is bad. Don't play the pc port tho

Silent Hill Shattered Memories

Overall Score: 8/10

Unpopular opinion im sure but honestly? I find this game ALMOST on par with the team silent games. Its really that good, yes its a wii game, so this is my score taking into account the motion controls BTW.

For the good, man where do i start. Its BEAUTIFUL for a wii game and esp for a post team silent game, the graphics are nice and Constsitent, the environments are pretty and it has a pretty nice cold color pallet to contrast the warmer tones the series tends to skew towards. The acting and intrgrige are all on point and the WRITING is fantastic, its one of those games you play the first time not knowing the twist and play the second time picking up more and more clues and things that strengthen that twist so much more. Like sh2 its a simple story told in such a clever and interesting way that you'll probably be too invested to put it down, I beat it in one sitting in 6 hours bc i was so engrossed in the narrative. And the Puzzles man! The puzzles are phenomenal and fun to accomplish and there's even a little bit of variety in a few places on repeat playthroughs. The level of detail in this game is insane really, the things that change with the different psychology answers are pretty cool too and tho it all plays out relatively the same its still fun to see the different things you can get to happen. The gimmicks like the phone as an object, taking pictures, sneaking and zooming in, they're not too intrusive as to take away from the exploration or other game play but not completely useless and have some pretty fun Easter eggs too. The game plays sort of like a worse outlast with good puzzles and for that I do have to commend it. Oh and the fucking MUSIC is INCREDIBLE idk something ab this soundtrack has alot of heart put into it clearly.

Now, it's not perfect. The thing is, it is a WORSE outlast type game, in the running and hiding sense but well, the hiding is completely useless, its a run away game, which is ok, but I understand that people aren't gonna be a big fan of that when silent Hill has always balanced combat ad puzzles and exploration. The running segments are..aggravating, mostly bc its hard to figure out where to go, not to mention using motion controls that don't like to work half the time to fight the monsters off of you. Also, the monsters are not scarey in the slightest and the raw shock scream is actually enragaging if you've died one to many times, there's also...not really any penalty for dying. And once you're out for these running segments,there's no danger, no monsters, nothing to hide from despite having a hiding mechanic. Its not really a horror game more of a psycological thriller and I understand that the fact that its not horror can be disappointing. The psychology things might be a bit overhyped And yeah fine, the wii foreplay scene...well yeah its weird but it IS also funny as fuck.

That said, there's still alot thats good and alot thas unfair criticism lobbed at this game. Harry didn't have much of a personality in sh1 bc he's a ps1 character and sm really fleshed him out well, not to mention giving cybil some nice characterization, and they did some interesting things with dahlia and kaufmann. And Lisa.. well I'm gonna be honest I never found Lisa all that interesting in sh1..so it doesn't bother me that she's the way she is in this game. I know people hate the "horny" aspect of it but to be completely fair, YOU choose to make the game that way, don't answer in a sexual manner or look at boobs or anything else and you won't have an overly sexual game, its...literally that easy. Its given as an option for the play id they want to go for what is arguably another joke ending. (You cannot tell me sleeze and sirens is meant to be a real serious ending to the game. Cmon) and you can complain about the innacuuracies if you want but its a spin off, a retelling of the original game. Its not canon, and it didn't change the original game. It just took the ideas presented there and made them more human and lest fantastical, there's some supernatural elements but it takes a backseat to the human moments. And its honestly really cool.

Overall, great game, i reccomend it if you don't mind some slight jank with the motion controls and honestly? Look up directions on where to go for the running segments and you'll have a pretty good time overall.

Silent Hill Downpour

Overall score (so far): 7.5/10 *to be noted i haven't finished actually playing it yet but I know the basic plot and some of the details so I doubt it'll change

And so for the final silent Hill Game, I have to say, i don't think it deserves NEARLY the hatred it gets, there's alot about it that i find really cool and even fun and I think its a solid entry, a little better than origins in some parts and its downsides are both unfortunate and once again, mostly Konami's fault . That said, I'm also not gonna kid and say its a good game, just that I like it alot and we should be nicer to the last silent Hill game were probably ever gonna get.

Downpour has a pretty good, original story overall, there's alot to it, alot of intricacies and intrigue to it that honestly make it a pretty sold silent Hill game. Its different enough from the others to stand out but not super far removed from its themes and messages. I like that it doesn't try and lean into the cult aspect and tries to do something else with it, it doesn't try to explain silent Hill, but just use it to torment the characters, as it should be. There's tragedy ad human feelings here and some of them aren't the most...sensitive but they are pretty reasonable reactions id say. Playing as someone who's odds are stacked against him from the beginning as he's a prisoner is a cool way to open the game, someone convicted and you must discover if he is a good person or not. Themes of revenge explored more than in sh3 which is pretty cool. The environments look pretty nice, and i like the look of the otherworld, once again being unique with its cooler color pallet, but without the ice so it really feels like its own thing. The EXPLORATION is awesome with an actual open world which I think works well, there's alot to do in town (unlike sh1 and 0 on limiting hardware and 2 which just pretends you can explore to town but you cant) there's alot for cool little stories and sidequests to do, my favorite so far being the cinema (which has a section of ACTUAL fixed cameras like old Resident evils which is smth SH has never done and its super fucking cool!) And all the sidequess help strengthen murphy as a cheacter and argue for his innocence or complexites. The weapons system is pretty cool, picking up items and attacking with whatever you might find, finding cool Easter eggs with exploration and having fun noticing things. And it does honestly have the strongest side characters outside of SM. The puzzles are pretty solid and fun to figure out with some cool mechanics and the seperate difficulties is a great thing to bring back (actually done well like sh3) I also kind of like the method of triggering the night world/rain/monsters, and silent Hill really feels likes its constantly punishing Murphy, as it should. The music might not be Akira but its still pretty damn good, and fuck yall I like the Korn song, and you CAN press start and skip it yknow. (Thx tomm hewlit)

The negtitives tho, well they are there. For one it has the worst performance of any sh game outside of pc homecoming and like...the hd collection, the framerate like to shit itself alot lmao, its not usually detrimental bc I've played re2r with similar framerates but, yeah its not great. Not to mention while the models look better than hc they don't animate well or often at all, and the game has trouble loading in the models as fast as they should. The sound mixing could use...some work too, poor murph sounds like he's eating the mic. While I find the games exploration really fun, murphy also has the issue of not running very fast so it can be a little annoying to get back to a place you want to be when you can't run that fast, not to mention the loading times. The monster design is def the worst in the series, maybe on par w SM. Which is disappointing bc there's some pretty good moments here and there, but not nearly enough to make it scary and there's so much you can do with monsters with this premise. Also, the running sections in the otherworld are better than SM ad even more engaging than the brief ones in 2 and 3, but still, I'd prefer to do puzzles or fight a boss or smth. I will also say, the endings are, iffy while the main 2 endings are really good and Anne's bad ending as well as the joke ending are great, murphys bad endings are weird and ooc for the muphy you come to know in the game (even more so than Origins) plus, idk that the writers knew all that much about prison andbprison culture, nobody in a real prison would be mad ab Murphy killing a pedo (there's some racist implications here and there too which is. Unfortunate and disappointing. I like Howard and Robbie but they are a bit tropey, esp Howard) that said Anne is a compelling albeit unlikable character and thas pretty cool to see pulled off.

Overall, while it has downsides, I don't think Downpour is worthy of all the scorn it gets, this can have problems and you can point them out without disregarding the good parts and while it is unfortunate it doesn't run better and have some extras and didn't handle some things great, I still think its worth a playthrough, esp if you go out of your way to do the sidequests.

Bonus round

Book of memories is not a game I intend to play bc I don't wanna get a vita and can't imagine I'm missing much. It doesn't look bad pwr say but I'm not interested tbh

Fuck PT. :)

[lobster-mobster-aq]

I little thing I wrote on my thoughts on who I think the UA traitor is in My Hero Academia. 

The war arch in My Hero Academia is feeling like it’s coming to a close, and we still seem no nearer to finding out who the UA traitor is. It’s still just something we’re…reminded about every now and again, with no real progress being made on who it is.

People have their theories. Denki, Nezu, and Monoma seem to be the most popular candidates. Monoma because he’s an asshole, Nezu because that would actually be interesting for the plot and make sense, and Denki because…he has electricity powers so he could have been the one jamming communications during the U.S.J. arc.

The whole traitor thing has kind of gotten to the point that there aren’t a whole lot of people it could be without if feeling like the name was selected out of a hat. There aren’t any clues, this side plot isn’t developed, we’re just reminded about it here and there and that’s it. No fingers are being pointed. None of the characters seem to be taking that active of a part to find out who the traitor is. There’s a traitor, we know that. They’ve spied on the students but other than that nothing has been done to figure out who the traitor is.

If it ends up being a major character, it’s hard to imagine the motive will seem natural. If it’s a side character, it’s going to feel like a letdown. The fact that two of the most popular are Denki and Monoma affirm that. Denki and Monoma, two characters where it hardly makes sense. That is how few clues have been offered to us, the readers, that two characters who would make lack luster traitors, are the most popularly theorized to be the traitor.

Out of these three, the only one I kind of like is Nezu. Denki’s is based on one piece of evidence. That’s not much to go on. It would be boring if Monoma was the traitor. Oh, this side character we barely see that hates class 1-a is the traitor. Oh no.

Nezu, on the other hand, has a cannon reason to be resentful of heroes and the current powers at be. Honestly, he has a villain’s back story. It makes sense, and he would be in a good position to help the baddies. The show has also shown that he excels at manipulation and that he, um, kind of enjoys messing with people. It actually makes sense he would be the traitor.

Though, I still don’t love it. One of the reasons is because it almost seems a little…too obvious. Also, the couple of inner monologues where Nezu is like, ‘I must find the traitor to protect my students’ seem kind of weird if he’s the traitor. If he was saying these things out loud that would be fine, but he’s not, he’s weird if he’s the traitor. Why would he have inner thoughts about finding the traitor if he was the traitor? It’s possible Horikoshi just wasn’t thinking about it, which would be a bit sloppy, but all authors do things like that.

So at the moment it looks like right now I’m leaning towards Nezu. He’s is the only character who has motive, and it would be interesting if it turned out to be him. His betrayal would affect and impact the characters in a real way. Denki has no motive and who the fuck would care if it was Monoma?

Or, is Nezu the only one?

Most people when they try to figure out who the traitor is, go at it with a sleuth’s attitude. Who has motive and ability? But I would like to offer up a different approach.

Instead of looking for clues in the story, I’m going to think of this as an author.

Traitors can be a fun thing to throw into a piece of media. They can also be really hard. Make the traitor a character people really liked and had grown attached to, and there’s a chance a lot of people will be angry. Seriously, imagine how many people will be pissed if the traitor ends up being Denki. But, if you make the traitor a side character, you run the risk of the betrayal feeling boring. Sure, that character is a traitor, but it doesn’t feel like a betrayal to the reader/viewer. The traitor has to have some importance to the main characters at the very least. Even if the reader doesn’t know them well, if the main characters do the betrayal will affect the narrative of the story.

The best betrayals affect the way we thought about the story as a whole. Much like good plot twist needs to be more than something happening that we couldn’t predict. It needs to recontextualize how we view the story and the characters. The reason why Ray’s betrayal in The Promised Neverland slaps so much is because it makes us totally revise how we view that character and all his actions. It was a surprise betrayal, yet his motives make sense with who he is once we’ve learned what his motives were. And his betrayal affects how the other main characters act from then on out. If the traitor had been like Anna or something it wouldn’t have been nearly as good.

That’s why Monoma would be boring even though he has…not motive exactly but what he has is more than most characters. If the main characters were from class 1-b his betrayal would be interesting, but will any of the main characters really be that emotionally impacted if it’s Monoma? The answer is no.

And to be honest, at this point it will be hard to have it be someone in the main cast without their actions seeming contradictory. Ray’s betrayal happened pretty early on in the show/manga. If the manga had waited till like, half-way to reveal he was a traitor, it would have been hard to justify some of the things he did over the course of the story. Oh, he was just biding his time. No, it would have just felt like it was time for the traitor to be revealed. That’s why, as much as I like Assassination Classroom, Kaede’s betrayal kind of falls flat. It feels like it comes out of nowhere. She had no build up. She was just being there until it was suddenly time for her to reveal she was the traitor because it was time for that plot to happen. Yes, it recontextualized her character and what she was doing, but it didn’t feel relevant. Ray’s betrayal blew my mind because the story built up to it, Kaede’s betrayal made me go, “oh, so that’s what this character is doing now.”

And that’s why Denki’s betrayal would be lack luster. Even if they gave him a motive, I just kind of feel like it wouldn’t be a natural build up to the revelation. It would feel like it was simply time to move that part of the plot forward.

So are they any side characters where their betrayal would affect the main characters significantly enough? Are there any side characters where they would be in a position that would allow them to have access to the kind of information that he gave the bad guys? Are there any side characters who could have motives that would make sense or at the very least motives that wouldn’t seem to contradict what they’ve done in the past. A traitor that no one would have ever expected because we just can’t see their motives yet? A character whose betrayal would impact they trajectory of the story and the main characters yet hadn’t been involving themselves too much in the story line so it wouldn’t feel like the character was just hanging out until the plot was ready to deal with the traitor?

I do believe there is one such characters.

And his name is Naomasa Tsukauchi.

That’s right, All Might’s detective friend.

Before you say it, yes, as of right now he doesn’t have motive. But be fair, neither does anyone else really. Like, maybe Nezu has motive, (I don’t really count Monoma’s grudge against class 1-a, the manga has made it very clear that’s all it is,) but that’s it. And a bit of a monologue explaining Tsukauchi’s motive would feel less weird than the same thing for anyone else. Other than the fact that he’s a good guy and a bit of stickler for the rules, we don’t know too much about him.

Tsukauchi’s betrayal would devastate All Might. Midoriya may be the main character, but All Might is kind of the central theme of the show. All Might’s best friend being the traitor, much like Stain’s appearance, could radically influence the course of the story. Stain was in a handful of chapters, yet we’re still feeling the effects of his presence. Tsukauchi’s betrayal could be same way.

And oops, now the traitor is one of the few people who know the truth about the quirk All for One. That would already make him a more interesting character than nearly anyone else. What is he going to do with that information? Is he going to use it as a weapon? Tell someone he shouldn’t about it? Oh my this is getting interesting.

Also, if he were to suddenly be in the story more, it wouldn’t feel weird. He’s a detective, and All Might’s best friend. If an arc centered around the traitor were to suddenly pop up it wouldn’t feel weird at all if Tsukauchi was there. If they were needing to do some sleuthing, it would be more than natural. We could get to know him better in the context of figuring out who the traitor was, and it wouldn’t be like, “Okay, why are these two things happening at the same time?”. If Snipe was suddenly more involved in the story when the traitor thing kicked into high gear it would be a bit of a signal he probably has something to do with the traitor. Why involve Snipe all of a sudden? I mean, I guess it could just be a coincidence, but it seems kind of random. Tsukauchi being involved in any traitor sleuthing wouldn’t feel unnatural, and in the course of the story it would feel natural that he would be involved more.

But wouldn’t Tsukauchi being a traitor kind of contradict his rule following lover of justice stchick? Yes, one would think. But he’s leaked sensitive information to All Might in the past in the name of “doing the right thing” so obviously he’s willing to bend the rules for himself. And he doesn’t approve of vigilantism…but he admits he appreciates the Crawlers efforts (the Vigilantes spin off, in case you didn’t know.) We know he’s willing to bend the rules in the name of doing the right thing. Well, what if once we got to know him better we fully understood what he thought the right thing was? After all, he’s a detective, maybe he’s uncovered some things, things that the government and the police chief are keeping silent. What if he found out about Shirigaki’s back story, (the fact that a whole building was turned to dust must be in public record somewhere) but he’s told to keep quiet about it. The police and government kind of dropped the ball on that one, to be honest. We already know, in the context of My Hero Academia, the government will jump through hoops and cover up scandals in the name of keeping up appearances with the public. All in the name of moral of course. What I’m saying here is that it wouldn’t be that hard to come up with a believable reason he decided to help Shirigaki, as long as the story gives him a good reason for thinking helping Shirigaki would be true justice.

This leads into how you could go in so many directions with Tsukauchi’s betrayal. Does he realize now he made a mistake but is keeping quiet because he’s ashamed? Does he still fully believe he’s doing the right thing and still supports Shirigaki? Is he falling somewhere in between, believing that the currently power structure needs to be destroyed but doesn’t quite believe in the destroy-the-whole-world ideology? That third one has a lot of potential to be interesting, especially if his motive is because he found out about Shirigaki’s back story and he was told to keep quiet about it. Tsukauchi believes in justice, but right now those in power don’t, they care more about appearances. There’s just so many interesting ways Tsukauchi’s betrayal could go that I just don’t see for any of the other characters.

And this is what I mean by I’m approaching my theory as an author, not as a sleuth. I’m not trying to pick up on clues. I’m not picking apart the story trying to untangle a web that (the author) has created. I’m thinking about who would make the most interesting traitor. Whose betrayal could result in the most interesting consequences? Whose betrayal could fit in with the themes already being discussed and considered? Whose betrayal could make for interesting drama? Whose betrayal could be handled in a way that was timed well with a revelation that would feel relevant instead of random?

Whose betrayal would make for good storytelling?

The answer, is Naomasa Tsukauchi.

Read it here too!

[thickenmyblood]

I love how you really put a lot of thought into how you regard and read fanfic as well as how you respond to questions about how you feel aout it. Can I ask what are some parts/ideas in fics that really made you go wow, this is well planned or like I never would have thought about this or I forgot that this plot point and device were even a thing! I hope this makes sense

I love you, kind stranger. Thank you for reading my delirious posts and giving me the chance to scream about fics, which is always a pleasure. 

Note: If your fic is in this post and you don’t want it to be, let me know and I’ll take it down. 

Zeitnot by thereshaegoes

I love the idea of time travel, so when I read this fic’s summary I bookmarked it instantly. At first, I thought it was going to be eight chapters of Laurent waking up the day of the battle of Marlas, but the author really surprised me.

I loved that someone died at the end of each chapter (at first, at least) but what really made me go ‘oh’ is when Lauret realizes the Damen from “this new reality” is, in fact, his Damen! 

Damen not being with Jokaste was weird to me, but I shrugged it off as a personal choice the author had made. Then, when Damen was talking about abolishing slavery, I was still in denial. ‘Oh, well, some people don’t like to write Damen as a slave owner, which is cool’. And then, when the big reveal finally came, I was just… amazed. I literally put my phone down and went, ‘okay, this person really knows what they’re doing when it comes to writing’. 

I love the little plot twists. In my head, a plot twist most basic example is ‘oh, X is a traitor’ but… this? This is so much better.

Between the Shadow and the Soul by Anonymous

This work was… insanely refreshing, innovative, transgressive, and outrageously good. It does feature a lot of sex scenes, but at the same time, it felt like sex was the least important part of the story. I don’t know how to explain myself when it comes to this fic (and God knows I’ve tried) but… The sex scenes aren’t there just for the smut of it all, if that makes any sense. 

Auguste as a narrator is so unusual, and yet it made the fic so painful and enjoyable! I loved the way it left you wondering just how accurate his POV was. I loved the sex scenes with actual characterization. This author never, not even for one second, stopped focusing on the dynamic between Laurent, Auguste, and Damen. It could be argued that the Laurent/Auguste bit weighted more than the overall OT3 bit, but still… I had literally forgotten what sex scenes were for until I read this fic.

Sex scenes, especially in this particular work, are not parentheses in the story. They’re not there for the reader to take a break from the “actual plot” or “narration”. They are what holds the story together, and they’re opportunities for the reader to learn more about the characters

.

Cherry Wine by SteeleStingray

Yes, I’m back on my bullshit. Yes, I’m talking about CW again. But I’ll make it short because there is no way you don’t know how I feel about this work. If you don’t, check out this comment (which, by the way, is not even a fraction of what I wanted to say to the author when I read the fic). 

What I found innovative and made me go “is this allowed?” about CW is not the idea of an OT3, but rather this particular take on a relationship that consists of three people. I’ve read a few published books that feature similar couples (all of them suck, and when I say they suck I mean it) so I was very hesitant to read this because of that reason. 

Usually, when people write OT3 they pepper in a lot of stuff I don’t like to read about: extreme jealousy, misunderstandings, cheating, weird dynamics that feel stilted, awkward sex scenes where one of the three just sits in a chair and watches the other two like some voyeur from Juan José Saer’s stories. Guess what doesn’t happen in CW? 

Another thing I liked about this work is that it reminded me that themes in fiction aren’t limited to one specific work. This author really likes nicknames. At the time, when I had only read CW, I thought it was just a one-time thing. Turns out, it’s not. An emerald-coloured nightmare also features nicknames. I like this idea that you can tell who wrote something based on little details and narrative choices. It’s like the author is winking at you, going ‘ha, did you get it?’

Ink on Paper by deripmaver

I don’t usually like fics with non-linear narrative because I’m a lazy bitch who can’t keep up. I’d never really seen the point in using flashbacks, scenes from the past, or anything like that because my writing style (oh, fuck off, my writing style, who the fuck do I think I am) is more about references. And then I read this fic. And I was like, ‘okay, I’ve seen the light of not writing everything linearly like an idiot’. 

The Mannequin Gallery by marrieddorks

Yes, I realize I’m talking about all my favorite fics. I feel no shame.

This fic is a Modern AU. Everyone who has ever written a Modern AU knows that one of the trickiest parts is finding characters professions that make sense with who they are/what they like/what they’re good at. This story features Damen as an influencer. That’s it, that’s my whole tweet. 

It reminded me that even when you’re writing a Modern AU (or any sort of AU, really) it’s important to know what the essence of the characters you’re writing is. The way even Jord’s job makes sense… And how it feels like the author didn’t just steal the characters’ names and use them to create a random story (which is valid, too)... and… Okay, this has nothing to do with a plot twist or a narrative device but have you read this Nicaise? Have you? You haven’t read Nicaise until you’ve read this fic.

(and that's why) you're so beautiful now by iwasgonegonegone

This fic is 612 words. It has no plot. One of the tags reads, “listen they're in love and they're cute and that's all i have to say” and I… yes. This fic inspired me to write plot-less stories again. Not only that, it made me enjoy writing them. 

Lately, I’ve been talking to a friend of mine about a new pairing we both like a lot. We go back and forth for hours sometimes just talking about what they’d do, details about the worldbuilding, a billion ‘what-ifs’... and I love it. If one of us sat down to write a story based on all our conversations, it would be a character study fic. It would have, maybe, some plot to it, but… Plot would feel like an excuse to talk about their relationship. And I love that. I fucking hate plot, I hate it, and this… Yes. This fic is like a little slice of life. The author has mentioned before that they enjoy writing poetry (more than longer pieces of fiction) and this story reads like a poem. You know when you read a poem and you get this weird tingly feeling? Read this and feel that, you’re welcome.

The Life We Live by homewithyou

I’ve said before that I don’t go looking for mpreg. Sometimes, mpreg has come looking for me, and I’ve closed my door on its face. I read this fic mainly because I never pay attention to the tags on AO3 (healthy, I know) and I was too busy making myself toast to read the summary. 

I was five paragraphs in and this bit hit me like a fucking electric hammer to the head: “...which had been going haywire more often than not since the pregnancy began five months ago.” I was like, ‘wait, did I—am I reading—why am I—’ and then I just shut my mouth and continued reading. I’m glad I did. I’m glad I didn’t let my narrowmindedness stop me from giving this fic a try. I’m glad people out there are writing stories that they enjoy, about topics a few others would deem controversial. 

This also applies to the Lamen/Auguste fic I mentioned above. What’s the point of writing if you’re not going to take risks and be honest about what you like to write about? It takes honesty and commitment to write anything that strays from the norm. And so I’m glad this person posted this story, because it changed me in a small way (‘what if I shut the fuck up and read more mpreg instead of instantly clicking out?’).

This is another perfect example of how plot is poison and you don’t need it in your life (unless you enjoy poison. In that case consume the plot, write the plot, sniff the plot. And die). A morning in bed, just nuzzling and talking… living life… Again, this made me realize that you can say a lot about two characters just from a morning in bed. It made me want to write 25 pages of dialogue in bed (this and Manuel Puig’s book titled Kiss of the spider woman, which I recommend fervently). 

Plot? In this house? We don’t know her. You’re a strong, independent writer. You don’t need no plot.

For a more general response, I’d say that Steele’s worldbuilding is impeccable and made me look at the setting of stories differently. 

Foreshadowing is always amazing, but I haven’t read a lot of fics where it’s a prominent element (which is not to say authors aren’t good at it, I just don’t read enough fics to give you a good example of this). 

I really like oxymorons and when writers use funny adverbs. GallaPlacidia’s adverbs are to die for, so definitely check out her stories if you’re interested in that. 

I also love the way xlydiadeetz writes archs. She does this thing where she divides the story into different… timelines? archs? I… don’t even know. Amazing.

I hope this answer made sense. 

[glitchlight]

castlevania s4 thoughts

this is basically a live tweet thread but I didn’t live tweet it because a) spoilers for something fairly fresh and b) [ASSHOLE]’s name is all over this, as he was apparently fired after his role had wrapped up anyways.

the tl;dr for s4 and the whole of the series imo is “Incompetent Writing Well Executed” because there are frankly juvenile editing and pacing mistakes everywhere but the animation, voicework, and design are often exceptional.

i also think it’s constructive for creators to develop a strong editorial eye and to be able to see what the flaws in other works are, and what works well, a lot of my thoughts are specifically tied into that, and also criticism since I basically watched it because I have friends modestly interested in finishing it but not wanting to touch it because of [ASSHOLE]. this contains modest spoilers but a lot of the later plot details i refer to only obliquely.

-boy it doesn't feel great seeing [ASSHOLE]'s name as the first name on the title card. I get giving people their due in writing but you could've had a slighly longer title card to elevate the people who worked on it aside from [ASSHOLE] so we can celebrate them. -you could teach the first half of the first ep as what not to do in setting up plot threads it's that blatantly obvious -lenore and hector are basically different characters from s3 because [ASSHOLE] needed to introduce more intrigue to Carmilla's court. -Women need trauma to be villains hack shit. -must we introduce a morally grey androgynous woman of color badass who doesn't care about the deaths of her allies -fly demon becomes a character just cause people liked his scene lol hack shit -isaac remains easily the best and most interesting character in the series (aside from the problematic elements of his character) -fantasy "i'm blocking your number" scene is funny -Vampire Lady Hot -THEY GENDER FLIPPED GRANT??? -boy the animation budget for episode 4 got slashed for no reason?? it looks way worse than the preceding material. -cool st. germain's back and the girl he's into is literally a voiceless random badass-- the fourth such one this season? [ASSHOLE] is a hack but come the fuck on. - I personally liked the implications St. Germain was from a different physical reality than ours or at least a different timeline (such as with the triangular notebook, which I know was a real thing but serves a different purpose as shorthand in a series when it passes without mention like that) but him being from europe still is boring. - the library dimension is fun but would be less jarring if it weren't so visibly 3D in a series that ostensibly aims to be 2D - Yet Another Nameless WoC Morally Grey Badass Facilitating White Male Plot huh. - I get that we're doing a "St. Germain is of the same as Dracula" plot here and that "in service of love people do terrible things" but it's undercut by how much I hate St. Germain as a character and don't give a shit about him. - also, furthermore, i just straight up hate narratives that have to tell you a villain's motivations in detail by giving them perspective. it's hack shit.   - the infinite corridor is a weird plot element that doesn't really add anything to this story beyond a fabled otherworld and some cool aesthetics. -god lenore you interupted hector last season saying "the real people are talking" and now you care about him?? [ASSHOLE] is an idiot. - this entire series of fights is rendered toothless by remembering alucard can literally control his sword with his mind and is just holding it for plot convienence. - this scene of sypha and trevor both, separately, doing what they do best is a good scene. i've been critical of a lot but this is a good scene. - we're triggering the endgame now? like right now? Carmilla's been in one scene. Like I know the prior seasons have been criticized for being too much set up but this is literally set up into climax already?? - well here's where the money from episode 4 went. - You spent all that time in season 3 setting up the sisterhood and then didn't make them the villains of season 4 huh. Fuck off. That's so fucking stupid. - AND HECTOR AND ISAAC?? YOU HAVE FOUR MORE EPISODES YOU ABSOLUTE CLOWN - I am Russian I am Soldier - Soldier boy having the same rant as carmilla we get it vampires are bad -stock-child-laughing-soundeffect.mp3 - "Of course I'm insane!" "The fuck what now?" is actually a kind of fun line. - [ASSHOLE]'s writing style isn't so much a puzzle box plot, one of many moving parts intricately sliding together, so much as heaps of mud being flung at the page from a half dozen different hands. It all sticks together but it does so messily and only with great violence. - this is just a kaiju -Where did this second vampire army even come from, who the fuck is Dorgon or whatever? Was this written for Carmilla's army then got changed because that would make way more sense than this rando -Boy I'm not comfortable with this slur being thrown around even if it's usage is complicated. -the inversion of the invasion in dracula's castle hall is a nice touch. - they did the op as fight music thing. - ah damn this guy has the same fight gimmick as a character i was gonna do dope though - Sypha continues to have the best fight scenes which makes up for her not having a character arc this season in [ASSHOLE]'s eyes. - That plot twist is okay I guess but it's very funny that he talks like that. And says Fucked Up. - I can't believe that after one of the biggest critiques of season 2 was that there were a bunch of vampire fights with nameless voiceless vampires who don't matter and you don't care about, it ends the exact same way. at least the fights are weirder and better than the kind of lifeless scene in S2. - This trope is so common but still works. - This ending is, par for the course in this adaptation of Castlevania, rather anti-climactic - You had to make the shoutout, and i bet you felt so clever [ASSHOLE] - Is that finale worth it in the end. like hell yeah good animation but fuckin didn’t make a lick of sense. - that bit of cleaning up got me to cry but only because i'm a tender-hearted idiot. - this ending is far too tidy (Hack shit) and the sequel hook is bullshit dumbfuckery. - FEET