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capslocked · 8 months

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PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless.

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand.

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.”

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later.

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs.

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no?

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details.

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't.

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough.

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large:

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

(The truth is: it doesn’t go like that at all.)

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask.

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her.

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit.

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-"

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind.

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly:

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.)

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet.

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her.

You both do.

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth.

"Oh my fucking god." Karina can only gasp, jaw-slacked open.

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused.

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?”

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.”

She laughs at the premise.

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath.

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so.

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate.

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end.

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god."

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass.

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong.

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it.

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks.

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice.

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave.

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her-

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.”

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out-

“Irene, look-”

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside.

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest.

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright.

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried."

Karina reaches in. Lets her fingers graze yours. Her skin is cool.

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh.

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke.

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics.

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks.

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her.

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye.

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm.

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall.

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts.

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch.

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-"

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom.

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets.

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-"

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation.

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-”

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that.

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze.

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between.

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is:

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

"Uh, are you kidding me?" you ask Irene.

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct.

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down-

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that:

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend-

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place.

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

#karina smut #irene smut #aespa smut #red velvet smut #male reader smut #kpop fanfic #kpop smut

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luna-azzurra · 3 months

Text

Writing a Morally gray character

Think about their backstory, what shaped them into who they are? What do they believe in? And, most importantly, what pushes them to get out of bed every morning and keep going? These characters aren’t simple good or bad. They’re caught in the middle, in that murky, complicated space between black and white. That’s where they get interesting because they’re constantly wrestling with themselves, trying to figure out the right choice, or if the “right” choice even exists for them.

You need to show this internal battle. Imagine your character being torn between what they believe is morally right and what they actually want. This is where the real drama comes in, it’s like watching them juggle their principles with their desires in real-time. They’ll mess up, and they’ll make decisions that are sometimes questionable, but that’s what makes them human and relatable. One way to really highlight their complexity is by putting them in situations where there’s no clear answer. You know, those moments in life where everything’s kind of a mess, and you’re stuck trying to figure out what the hell you’re supposed to do? Your character should face situations like that. These gray areas create tension because readers won’t know which direction the character will go, and honestly, your character might not know either.

And don’t forget, growth is a huge part of writing a morally gray character. People aren’t static, they change based on what happens to them, and your character should too. Maybe they start off with a strong sense of morality but, over time, that starts to shift. Or maybe they start with shaky ethics and slowly become a better person as they learn from their mistakes. Growth can also go the other way, they could spiral downward, giving in to darker impulses. Either way, they need to evolve, just like people do in real life. That’s what keeps the story fresh and unpredictable. The last thing you want is a character that stays the same the whole way through.

Also, please, no stereotypes. A morally gray character doesn’t have to be a brooding anti-hero with a tragic past (unless that’s your vibe, but even then, switch it up). Give them quirks that make them unique. Maybe they have unexpected motivations, like they’re doing something shady for a cause they genuinely believe in, or they’ve got a weird sense of humor that throws people off. Whatever it is, make sure they feel like an individual, not just a copy-paste character we’ve all seen a million times.

Even when your character makes decisions that aren’t exactly clean-cut or heroic, the reader still needs to understand why. Show their vulnerabilities, why they doubt themselves, why they hesitate, and why they ultimately make the choices they do. It’s all about making them relatable, even when they’re walking that fine line between right and wrong. People might not always agree with them, but they should at least be able to see where they’re coming from.

And remember, every choice your character makes should have consequences. They don’t exist in a bubble. Their decisions should ripple out and affect not only them but the people around them. Maybe they make a selfish decision, and it ends up hurting someone they care about, or they try to do the right thing, and it blows up in their face. One last thing, just because your character lives in that gray area doesn’t mean they don’t have any sense of right or wrong. They might have their own personal code they follow, even if it doesn’t line up with society’s morals. Maybe they justify their actions in a way that makes sense to them, even if other people wouldn’t agree. It’s all about exploring that space where they’re not totally good, but not totally bad either. That’s where things get really interesting.

Think about where your character is going. Is their journey going to push them to become a better version of themselves? Will they fall back into old patterns and never really change? Or will they stay stuck in that moral gray zone, constantly torn between doing what’s right and doing what feels right for them?

#morally grey characters #writing #writer on tumblr #writerscommunity #writing tips #character development #writing advice #oc character #writing help #writer tumblr #writblr #morally gray #morally grey villain

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chosok-amo · 1 month

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TILL FOREVER FALLS APART

when you first joined jujutsu high, you probably never imagined being in relationships with two of the strongest special grade sorcerers. yet here you are, destined to spend the rest of your life with them. did you complain about it? absolutely not. this is simply the story of your life being in relationships with geto suguru and gojo satoru.

warning : age-up! satosugu, spoiled! fem reader, fluff, heavy / light angst, dark content, trauma mentioned, unprotected sex, threesome, overstimulated, suggestive, oral sex ( m & f receiving ), dirty talk, degrading, name-calling, pet names, poly relationship, anxiety, lots more.

[☆] : NSFW | REQUESTS ARE OPEN!

🖇️ YOU WILL BE BLOCKED! IF YOU'RE SPAMMING LIKE WITHOUT REBLOGGING!

☆ PRE RELATIONSHIP :

GENTLE LOVE

“loving you is the easiest thing,” he murmured against your skin, his voice low and comforting, as if he was sharing a secret meant only for you.

COLD ICE POPSICLE! ( ☆ )

satoru gojo, suguru geto, you and your friends sit in the back of the school building, smoking and talking, joint in hands. it was summer and heat waves swimming around freely, you eating some ice cream, licking and slurping while your eyes focus on your two friends, who knows that might not be the only thing you lick that day.

YOU WILL GO DOWN IN HISTORY AS THE WORLDS BIGGEST IDIOT

the first time you meet your senior, and you think they are the weirdest and most idiots person you've ever met, especially that special-albino looking kid, gojo satoru.

FALL APART? NAH, JUST MENTAL BREAKDOWN

gojo found you training in the middle of the night only for you to have a mental breakdown in front of him. so he brings you to geto's dorm room to calm you down, also for gojo to find behind geto's action on why he is so gentle with you.

☆ IN RELATIONSHIPS :

THE ONE WITH TWINS BOYFRIENDS

dating gojo and geto is always fun and games, but you know what's the most fun thing you could do with having two boyfriends? dressing them up like twins.

STARS AROUND SCARS

you were just trying to draw some stars on your boyfriend, not knowing simple things could be so hard when you have two needy boyfriends.

ALWAYS THE BRIDESMAID NEVER THE BRIDE (01) , (02) , (02.1)

the downfall of your relationship after suguru's moral compass went south.

THE ONE WITH THE PRANK

living with you is all fun and games. . . until you start pulling all of these harmless pranks on them.

CAN YOU HANDLE IT, BABY? ( ☆ )

you are sitting there in the living room, drowning under the tongue-tied make-out sessions before your other boyfriends walk in, happily watching the two of you while touching himself.

GOOD GIRL GO TO HEAVEN ( ☆ )

after a long day of assembling a lot of furniture and decorating your new house, they decided they want to test drive the new bed with you.

HUNTER GOJO

you and your two boyfriends just moved in together and decided to go shopping for some furniture and other stuff, and gojo satoru? he has another purpose: hunting for a perfect bed for sex and humiliated you. [ soon ]

TUTORIAL : HOW TO GET IGNORE BY YOUR GIRLFRIEND BECAUSE YOU'RE PISSING HER OFF WHEN SHE'S ON HER PERIOD BY GOJO SATORU.

you are on your second day of your period. your mood is bad, your stomach is killing you, and your boyfriend? he's an asshole who can't stop teasing you and makes you cry. [soon]

SLIPPING THROUGH MY FINGERS

it's been years since the hidden inventory incident, you and your two boyfriends already graduate and are working for jujutsu. . . but nobody knows your struggling, nobody knows how you're the only one who's stuck in 2006 while everybody moves on, not even your boyfriends, and when they do, it's already too late.

ONE TOO MANY

the first time you have an argument with your two boyfriends is because they've been ignoring you for weeks, so you return the favor.

SHUT UP, STOP IT! ( ☆ )

there is nothing better than make-up sex after you and your two lovely boyfriends, having an argument.

PAIN, SUFFERING AND JESUS

feeling like shit? feeling nauseous? you are having a fever? don't worry, your two amazing boyfriends are ready to take care of you!

HYPOTHETICALLY, UPS?!

you chuckle softly, your eyes twinkling with playful mischief. “hypothetically, you should propose to me properly,” you tease, enjoying the light-heartedness of the moment.

YOU AND YOUR INTRUSIVE THOUGHTS? 100 TIMES NEED A THERAPIST!

you and all of your disturbing intrusive thoughts definitely need a therapist because it scared the shit out of them.

IDIOTS AND SEAWEED

your two boyfriends got too protective over you, so what's better than to give them a little bit of seaweed and salt water?

HELP ME MAN!

you, their little girlfriend, scared the shit out of your boyfriends. they don't know why, how, them, the strongest jujutsu sorcerers in the modern world are scared of their girlfriend.

HIS TIP? IT WAS SUPPOSED TO BE MY TIP!

you just got your nails done, and geto is the one who paid for it. so as your way to appreciate his gesture you decided to get your nails color with the same color of his tip, which results in gojo's relentless jealousy.

NOT FOR SHITS AND GIGGLES

do you know what tea could affect your relationship? making you have an argument with your boyfriends because you thought they were overprotective and overbearing.

( COMING SOON! )

[ TAGLIST ] : OPEN

@junni-berry @fortunatelyfurrygiver @soraya-daydreams @diorzs @dancing--devils @iloveboysinred @holylonelyponyeatingmacaroni @cupcaketeddybehr @crocodilethesir @lemonnotade

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with-my-calamitous-love · 2 months

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PUT ON YOUR RECORDS AND REGRET ME

katsuki bakugou x reader

should you open the door after all he’s done?

part 2/3

a/n: ty for all the love on part 1 🤍

not saying this is a major vent based off of personal experience but im not not saying that

inspired by high infidelity

to say you didn’t always have suspicions would be a lie. you didn’t want to believe them. broken locks, shifty text messages, numbers you didn’t always recognize, and the slight feeling of him pulling away. you didn’t think he’d actually do it. and honestly, neither did he.

alcohol does crazy things to a person. and so when you, your boyfriend, and all his friends decided to go out to a bar to celebrate his birthday, you knew it wasn’t going to be a tame night. but you didn’t think you’d go home, alone and crying, the scent of whiskey lingering on your clothes.

he bent the truth too far that night. he came to you in the morning, his hangover evident by his eye bags and poor choice of clothing. he still smelled like alcohol from the night before.

and despite all that, you still listened. listened to his story about how he was whisked away in a drinking game with kaminari and kirishima, and bakugou was supposedly the only one sober enough to take the two guys home. that made a convenient explanation as to why he left you all alone with no ride home.

and pathetically so, you wanted to believe him. despite the radio silence from everyone the everyone the previous night, the smell of perfume on his shirt that smelled too strong to be yours, and the taste of someone else when he kissed your lips.

and for each day after that, you learned more and more the many different ways you can kill the one you love. the worst way is never loving them enough.

it started by your calls going straight to voicemail- each time he’d say that his phone died while he was patrolling. then constantly needing to call kirishima, the only other person who knows him like you do, desperately needing help to manage his emotions. the redhead had infinite patience for your boyfriend, and you were thankful for that- but you also wondered what haunted bakugou so much that he couldn’t go to you for.

he wanted to play the role of the good guy, even if it was just that- a role. he wanted to be who you deserved, even after he earned a big black stain on his morality after the crime he committed. he wanted things to just be normal, but it couldn’t. he was lying through his teeth and you both knew it, and yet couldn’t say anything about it.

until april 29th. exactly 9 days after his birthday. 9 days after what he did.

he breaks it off quick. he tells you that he’s not treating you right, that he’s a shitty boyfriend and a shitty person. that he needs to be a better person and that he can’t make you wait for him. and so, katsuki bakugou leave safe and stranded.

and in a way, he was right. being a shitty boyfriend, being everything you don’t deserve was only a part of it- he knew that if he stayed with you any longer, the guilt from the truth would eat him alive. so selfishly, he chose to preserve himself and to let you hurt. that might have killed him more.

you didn’t even bother to get your things from his apartment. in fact, you couldn’t get out of bed. because you kneel you were lied too yet you didn’t want to revel in the truth. the truth that katsuki bakugou wasn’t just a shitty boyfriend, he was a shitty cheating boyfriend.

you denied everything for the days to come. you hoped it was all just some twisted dream, and that what happened wasn’t really happening. that was all so until the day you got a visit from a certain redhead.

it was a normal day. you were lounging in your apartment, needing time away from all the heartache in the world. you treated your suspicions like a secret. maybe if you didn’t think about it, it wouldn’t have actually happened. as if simple denial could erase reality.

the sun is setting when your doorbell rings. when you answer, its kirishima. your heart sinks, wondering why he’d be visiting you directly. you wanted to hope for the best, but you didn’t exactly know what to expect.

the redhead grimaces when he sees the way he breaks your heart. he knows he’s doing the right thing, but he hates how the right thing is causing you so much pain. he explains to you the truth of that night, behind katsuki’s sudden break up. how it wasn’t just because he felt like he wasn’t good enough- what he did actually proved that fear. kirishima explains how bakugou got absolutely shit-faced drunk, and how he went home with who was not, in fact, you. he tries to salvage it, by saying that katsuki didn’t hesitate to cut her off, to tell her it was a mistake and that he shouldn’t have done it. he was also quick to tell his best friend how god damn unmanly it was for him to cheat on you. he says that he couldn’t take it anymore watching you being lied even during the split.

“i’m so fucking sorry, [y/n].” he concludes his confession, his red eyes looking into yours. he hates that this is happening. he loves bakugou, and by extension he loves you, and he can’t stand the idea of this happening to his two favourite people in the world.

you don’t say much as he leaves. what could you say, anyway?

katsuki bakugou had cheated on you.

✧.* ⋆.˚ ☾ .⭒˚ ✧.* ✧.* ⋆.˚ ☾ .⭒˚ ✧.* ✧.* ⋆.˚ ☾ .⭒˚ ✧.* ✧.* ⋆.˚

after your suspicions were confirmed, you finally mustered up enough courage to get out of bed. you went over to his apartment and quietly collected your things, your heart racing out of your chest just being in his presence. and of course, he tries to stop you. he knows you’ve learned the truth and it makes his stomach churn.

“fucking some other girl is one thing, but lying to me too.” you hiss, both of you wincing at the sound of your voice cracking under all the heart. his usual smart ass mouth is silent, knowing damn well he deserves the accusations. what hurts more is seeing the tears run down your face, dragging the mascara down your cheeks. “you told me it was for my own good. t-that you needed to work on yourself. not that you cheated!”

“…i didn’t wanna hurt you even more.” he finally admits, as if pleading guilty in front a judge. and you actually scoff.

“you coward.” you hiss.

“yeah, i’m a FUCKING coward, [y/n]! i know!” he raises his voice, but you’re too numb from the hurt to care. “i couldn’t live with myself! waking up next to you knowing i fucking betrayed you. i had to let you go. you deserved more than me!”

and honestly, you don’t know what to think. you’re so angry and hurt over the fact that he cheated on you, lied, and broke up with you all in the same month.

you could see the guilt eating him up from the inside. you could see how your tear stained face right now was killing him. his anger was like an anchor dug straight through his heart. you could see in his eyes he’s been wanting to tear his own skin off after what he did to you.

you hastily wipe your eyes dry, turning away from him and moving towards the front door. his legs that were glued to the ground finally move, catching your wrist just as your about to turn the door knob.

and you actually wait. you wait to see what he’ll say. you wait to hear all his shitty excuses, or even to taste his lips and taste something that isn’t you. deep down in your heart, you hope he fights for you. that he’ll fight to keep you around, to love you again.

what hurts the most is that he doesn’t.

“…get home safe, babe.”

you nod, eyes welling up again before exiting his apartment. the walk back down is silent, even as your good friend, shouto, opens the door for you. he drives you home, playing all the breakup songs he knows you love. he’s silent, but he knows its what you need right now.

once he pulls up to your driveway, he finally musters up the courage to speak.

“…i’m sorry, [y/n].”

his voice is so velvet, a stark contrast to your ex boyfriend’s. but honestly, everyones attempts to talk to you all seem futile. you sigh, looking over at your friend with tear stained eyes.

“you know the worst part?”

“whats the worst part?”

“…i think i still love him.”

and thats the worst part.

reminder that cheating is a horrible thing to do and love does not equal forgiveness. this is simply just fiction! 🪞

part 3 soon! 🪽

tags: 💿

@katsukified @theclassiccherry @the-dumpster-fire-of-life @kitkatlover015 @mia-luvs @mikestuffffs @sleepyk0dyz @blue-chup @sleepieenaps @devils-adversary @darling-eos @dilance-rock @jxstmxlly15 @suki0 @morganalatina21 @khadeejanaur @fictional-men-dum @pretty-sparkle-bomb @naladrawssss @whenanafallsinlove

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mo0nfairy · 1 year

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ᥫ᭡ . # ۫ , ⸺ THIS IS A LIFE, PART ONE !

summary :: in every universe, spiderman will inevitably lose the one thing that matters most to him: y/n l/n. miguel o'hara, peter parker, and hobie brown have all suffered through this story. they soon discover another version of you is alive, bound to fall in love with miles morales and to die abruptly. with the prospect of a second chance and a newfound obsession, these four men will do anything to keep you at their side.

chapters :: the masterlist.

word count :: 7.5k

content warnings :: yandere!miguel, yandere!miles, yandere!noir, yandere!hobie, reader death, gore/violence, murder, electrocution, fire, guns, alcohol, cigarettes, suicidal tendencies, kidnapping, stalking, physical restraint, child abuse/neglect, allusions to a child's death, physically abusive ex-boyfriend, infidelity, & torture.

──── October 17th, 2099 — Miguel O'Hara remembers the day the same way he will never forget you. August 24th, 1934 — Peter Parker remembers the day the same way he will never forget you. July 3rd, 2020 — Hobie Brown remembers the day the same way he will never forget you.

Y/N L/N. Miguel O'Hara, Peter Parker, and Hobie Brown will never forget them the same way they will never forget how it felt to lose them.

The inevitable fate of your demise is a cannon event for all spider-people. To love this person with every shred of their being only to live the rest of their lives without them; to love this person with all the might their body can contain only to let go of their hand in the end. It crushes their soul. Countless people are forced to live with the consequences of being bitten by a spider, not one had suspected it would be so detrimental.

Not when it is your life that has been taken.

Written in the stars is this destiny. How they will never love another again, but vow to be a hero and refrain a similar fate from falling onto anyone else. Many have been able to crawl out of the bottomless pit that is grief, but others have succumbed to the unforgiving anguish and let their life escape them. Just the way yours had. After all, what is life if you are not present? What is the point of living if there is no one there to patch up their scars and praise them for their heroic acts? There is no point, which leaves these three particular spider-people here. Their body is stuck in the past, reliving each moment with you up until they lost you forever.

October 17th, 2099. It was all his fault. Maybe if he hadn't let his violent tendencies toward anyone who isn't you slip through the seams, maybe if he had been more persistent in his reminders of how loved you are. Maybe if he had tried harder, Miguel O'Hara would still have you here at his side.

Miguel's attempts to make this sudden transition in your life as easy as possible turned out to be disastrous. He is not stupid; he knows this upbringing into this new lifestyle you claim to be "kidnapping" was blunt. He knew this, yet still, his plans on easing you through this change had collapsed right before him. Time had passed, and he naively assumed your fear had depleted, far too caught up in the sheer delight that came from holding you in his arms. Days and nights spent trailing his fingers down the expanse of your skin and kissing away the bruises his fangs had left upon your lips. This is a dream, Miguel always catches himself thinking.

And his sweet daughter, Gabriella. How she adored you so much. Even more so than her own father, he often joked. Coming home to find you both brushing the hair of her numerous dolls, baking treats that were rich with far too much sugar, or fast asleep on the couch while some whiny kids show plays on the television. His heart hammers like a fluttering hummingbird at the sight of you so soft and calm with his daughter. However, your guard then builds itself back up, brick-by-brick, faster than a gust of wind when he makes his presence known. In a way, Miguel found himself... jealous of Gabriella. That gentle and loving nature of yours, why couldn't he have it for himself? Why couldn't you give him some of that attention, even just a blink? What could that crybaby brat possibly have done to deserve such an amazing thing!?

No matter what kind of thoughts suffocate his mind, Miguel always tried to keep himself composed in front of you. With his tall, muscular physique, it makes sense why you are so intimidated by his appearance. If he were to ever let this satiating envy bleed through the bandaids, however, you'd certainly never open your heart to him. The prospect alone makes his chest tighten with dread.

And he had been so negligent towards his daughter, it only makes sense why she would turn to you. With how breathtaking, elegant, brilliant, electrifying you are, Miguel can understand why she loves you so much. Still, this does not refrain him from tightening his jaw whenever his daughter does something as trivial as hug you. That should be me with Y/N. Let me hold them, let me hold them, let me hold them like that.

It's his fault he had so frivolously expressed his envy through sharp gazes, a towering frame, and muffled shouts through the thin walls. It's his fault he never assured you these ugly emotions were never your fault, since you could never do any wrong in his eyes, after all. It's his fault he didn't drown you in even more heaps of affection, to further remind you of just how much he needs you.

It is his fault you are dead.

Overcome with drowsiness, Miguel heedlessly packs his daughters lunch for school that day. Despite how you are usually the one who does this task, since you have always adored looking after the little one, you needed your rest. And he was insistent on treating you with even more intensive care, all to prove that he is the right one for you. No one else. Meanwhile, Gabriella sits at the kitchen table with her backpack on, swinging her short legs back and forth. She is bright with full energy that contradicts her father's state in a comical manner.

"Y/N/N always cuts my food into cool shapes! Yesterday, they made my sandwich star-shaped!" Gabriella exclaims to her father with admiration.

The mere mention of your name from someone else makes Miguel freeze. A sudden surge of anger wraps around his lungs like a sheen layer of morning dew resting on Spring grass. You treat her with such attentive care, why can't he get any of that? What is so special about her that he doesn't have? What does he need to change about himself in order to get you to love him the way you so fatuously love her? Miguel casts his gaze across the counter and finds several bottles of cleaning products you must have forgotten to put away. So endearing, so adorable. An idea then sparks. While Gabriella continues to babble about how cool and amazing you are, Miguel finds himself considering something he will never be able to take back.

Just a dash of some drain cleaner in her sandwich and this problem will fade away.

"Y/N/N!" The sound of your nickname shouts through the air upon your arrival. Gabriella is more than elated to greet you, but your eyes remain locked on Miguel. In other circumstances, he'd be thanking the heavens above for this bit of attention you have given him. At this moment, however, there is a disturbed gleam of horror in your expression that makes his stomach twist with apprehension.

The energy is not directed towards Gabriella, as you caress her cheek and gift her that smile of yours that rivals sunlight. Miguel inadvertently rolls his eyes at the sight, envious as ever. As she continues to ramble to you about her success at a recent soccer game, you retrieve all the cleaning products and return them to their respective place underneath the sink. Not without shooting a burning glare at Miguel, however. Had he made his intentions that obvious? You wave him aside from his stance at the pink, glittery lunchbox and he obeys. Pretending to finish up his original efforts, you examine every snack inside for anything this crazed man may have tampered with.

"Good morning, button..." The nervous tremble in Miguel's voice doesn't tarnish the sheer adoration that seeps from his tone.

Your short response of "'morning" could barely be heard over the thunderous sound of his heart shattering. Yet again, you have broken his heart. And still, he will crawl back to you every time, aching for any inkling of your regard. Soon, you're saying your goodbyes to Gabriella and wishing her a wonderful day at school. Planting a quick peck to her cheek, Miguel's talons grow and dig crevices into the steering wheel while he waits for his daughter to join him in the vehicle. Oh, if only you could give him the same act of affection, he would never ask the universe for anything ever again.

And if only he had known how the rest of the morning would play out, he never would have left the house.

When Miguel finally pulls out of the driveway, giving you a quick wave that is not reciprocated, you let your guard down. You almost watched this man murder his daughter. Tears begin to form in your eyes as the revelation simmers like boiling water. With more time here, who knows what lengths he'll travel to?

Fortunately for you, with how occupied he was with his daughter and his own inner turmoil, he had entirely forgotten to lock the door to his office. The one place neither you nor his daughter were allowed to venture into. You were unaware of what is within the room or how anything inside could aid you in your attempts to escape. What you were aware of, however, is how paranoid he was in his efforts to keep you out of there. Peeling back the curtain and taking a fearful glance out the window, just to ensure this psychopath who claimed to be your soulmate wasn't lurking, you embark on your journey into uncharted territory.

Miguel had mentioned several times in his late-night talks with you about his job at Alchemax. His boring explanations about the technology he was working on there did wonders in lulling you to sleep. Now, seeing the scatterings of machinery that littered the room made you gasp from their futuristic appearance. One contraption had caught your attention, however. It seemed to be a current project, evident in the numerous tools and papers inked with equations littered around. Upon stepping closer to the contraption, a holographic screen sputters to life. You find several distorted, glitching files that all attain to you in some shape or form. Y/N's wish list, Y/N's checking account, and Y/N's security camera footage. Curiosity does spark, but with how swiftly Miguel is able to drop his daughter off and speed home to return to you, the time you had was not versatile.

If I can piece together how this gadget works, I may be able to call for help and get Gabriella and I as far away from this man as possible, you think to yourself.

The machine continues to stammer pathetically as if it were desperately chasing its own life. Trying to peruse through the technology to find anything useful, its poor performance prevented you from any fruition. In a fit of frustration, you pull your hand back and deliver a harsh smack! to the side of the machine. With how little time you have, you can feel your opportunity for freedom begin to fade away with every glitch that erupts. With one final, violent slam to the machinery, the metal borders protecting the numerous open wires inside fall, and a sudden wave of electricity surges through you. Your entire body goes rigid before you splat harshly against the ground. You are now left entirely lifeless, except for the electric shocks that cause your stiff form to twitch in response.

With that, your life was over. October 17th, 2099 — the day Miguel O'Hara inevitably lost the only thing that ever mattered to him.

August 24th, 1934. It was all his fault. Maybe if he had stayed with you more and neglected the city, maybe if he hadn't been so careless with expressing his love for you. Maybe if he had tried harder, Peter Parker would still have you here at his side.

Peter, too, attempted vigorously to make your transition to this new life with him as smooth as possible. At the very beginning of this new adjustment, hope had still plagued your mind. As days turned into weeks, soon months, the forest fire that was your persistence had slowly been snuffed out like an old candle. Now, all you can do is sit at the window seat of his apartment and just pray that someone will recognize your face. From the numerous missing persons' posters that were now left behind in dumpsters and rain puddles, you could feel your luck grow thin. Everyday looked like this, all with this lovesick maniac at your beck-and-call, deluded enough to believe this fantasy of being your doting partner to be reality. The amount of egg-creams you've drank is bound to make you vomit at some point.

At the end of the day, you had gotten what you had wished for. You were once a journalist, putting all your time into unmasking the famous Spiderman. The truth of his identity was now in the palm of your hands. However, there were far more consequences to this wish than you had originally anticipated. And Peter is overcome with guilt when he thinks back to how disastrous his efforts to give you his heart turned out.

It's his fault he had so carelessly exposed his acts of heroism through the stench of gunpowder and chunks of blood beneath his fingernails. It's his fault he didn't spend more time showering you in the affection you truly deserved. It's his fault he never assured you the inevitable fate of the bastards that hurt you was never your fault, just so you can realize that everything he does, no matter how calamitous, was all for your benefit.

It is his fault you are dead.

Slow dancing with you in the gentle haze of the moonlight peaking through the window, swaying along to some romantic melody echoing from the saloon across the street, amorous words that you'd hear from the lips of a poet whispered into your ear — this is where heaven is. This is all that he has ever dreamed of; this is all he has ever wanted for the two of you. This is what makes him happy.

"My heart is bleeding in your hands, dollface. It's all yours, I'm all yours." Peter's breath tickles your neck, the infatuation-stained harangue finally coming to an end as he continues to sway you along to the harmonies outside.

You often joke to yourself that you could stab Peter in the heart, give him even just a sliver of the turmoil he has forced into your life, and he would still give you a smile with blood painting his teeth and that revolting gleam of pure, unadulterated devotion in his eyes. With this devotion, however, comes dark, dark side effects. This was not a surprise to you, considering how you've been locked up like a bad dog for these past several months. Still, when you inhale and the sharp odor of iron poorly masked with bleach overwhelms your senses, you find yourself taken aback.

The clamoring sound of the bolts to your prison cell your captor claims to be your love den being unlocked brings you out of your thoughts. When the door opens and Peter walks in, all you see is a euphoric, hopelessly-besotted partner. With the sudden stench that is still heavy in the air, however, you feel a new, sudden sense of dread with his presence. He is elated to see you, as he always is. An impassioned kiss to your lips and an ardent compliment are essential to your everyday encounter with the man you thought once to be a superhero. Sometimes, a gift of fresh, blood-red roses may accompany him in his attempts to woo you further, as well.

Through the whiff of cigarettes sitting on his trench coat when he envelops you in a much-needed embrace after his long day of work, you sense something else. The tang you had inhaled from outside the bedroom is now stuck to his form, nestled beneath the aroma of late-night brume and smoke. You force a gag down your throat and reciprocate the affection, trying to push your suspicions to the back burner in your mind. The rest of the evening is like any other: listening to some tunes from the radio as the two of you play a card game, all that Peter deems as a "romantic date". Your winning strike against him (he always lets you win, but he won't tell you this) falters when your brain can't help but wonder what he was so occupied with outside that door.

As devastating and exhausting as the truth is, coming to terms with reality is the only chance you have of returning to the life you once had. Hoping he'll wake from his delusions and let you off your leash is nothing more than a pipe dream, you realize. If you want freedom, you'll have to take it by the neck and claim it as yours. So, as the hours of the night fade into dawn, you conjure a plan in your head while the man beside you snores in a deep slumber (not without a few sleepy mumbles of flattery for you, though).

The scheme you had so flawlessly crafted was quick, simple, and easy. You would do something you have never done before: initiate affection with Peter.

This was your ploy: fulfill all the fantasies his lovesick brain was infested with and watch with a newfound sense of hope as he forgets to lock the door, too dazed from the pleasure your sweet attitude had brought him. And it worked marvelously. Not only did this man forget to lock the bedroom door, he had entirely forgotten to lock the front door of the apartment altogether. The prospect of this mistake being a test of your loyalty lingers, but when you watch through the window as he swings away from building to building, you let out a roar of laughter.

After your fit of hysterics, a smile sits on your face as you tread to the front door. Something stops you in your tracks when your hand hovers over the doorknob. When you leave, you will have nothing but months of memories to defend yourself with. Who are the authorities going to believe — you, a mischievous journalist, prone to bending the rules for a good headline, or Peter, the famous superhero, notorious for his restless efforts to save the city? Despite the freedom you have dreamed of being right in your palms, you step away from the door. Instead, you look around for any evidence deemed beneficial. Whatever can put him under the negative limelight is satisfactory to you.

No stone was left unturned in the apartment, all besides a single door at the end of a long corridor. The night before, Peter had been so frantic with his time inside (all in order to get back to you sooner) that he was sloppy with his efforts in cleaning his mess. The spilled bleach he had accidentally knocked over was still lying in a puddle; the nauseating scent of fresh blood still satiated through the air like a fragrance. And lastly, the latch on the door had been left unlocked.

Without so much as a second thought, you enter the room and let your curious eyes soak in the sheer horror that resides within.

A metal chair rests in the middle of the room, leather straps tightened around a body that sits motionless. Two tables are located on the sides of the room where all sorts of gut-wrenching tools reside. And there is blood everywhere. What was once a second bedroom for buyers of the apartment has now been morphed into a torture chamber of sorts.

The person restrained in the chair, you weren't sure if they were even alive. Everything is drowned in so much heaps of red, attempting to use your mere first-aid knowledge is impossible. What is most perceptible, however, is the way their eye had been forcefully torn from its socket. It resembles a runny egg how it causes bodily fluids to cascade down their face. The amount of flesh on their body that had been torn asunder, the gag in their mouth that was oozing with tears and saliva, the gushing blood that continues to hastily seep from infected wounds. Everything makes your eyes blur and your stomach churn with nauseau.

With the career you once had as a journalist, you've seen some disgusting sights. Sneaking onto crime scenes from a brawly saloon fight gone too far or snapping pictures of the result of Spiderman's "heroic" acts to save citizens, you've become desensitized to gory scenes. But, this. This wasn't like anything you have ever seen.

"Y/N?" You hadn't realized how deafening the silence was until the poor victim is able to speak out.

With one eye practically staring daggers into you, the revelation hits you like a train. That voice, that eye. This is no other than the man you had called your boyfriend before this mess had snuck into your life. Or, ex-boyfriend, as you'd prefer to refer to him as. The status of your relationship was left a mystery after the night he had come to your home drunk and reeking of someone's perfume. Your insistent demands for him to sober up and inform you of his recent whereabouts earned you a harsh slap across the face. With a loud shout of how much of a “shitty partner” and "piece of cityside trash" you are, the person you thought to be the love of your life storms out of your home. Never to be seen again.

Hastily, you unclasp the restraints that left his skin numb and bruised. With how malnourished he had become from his time spent here, it was fairly easy to support his weight. You swing his battered arm around your shoulder and help him stand on his emaciated legs. After only two steps, he pushes you off of him harshly with what little strength his body was able to garner. His attempts served well, as you feel your stomach hit a table adorned with blood-stained utensils that make you sick to imagine how they were used.

"You... How could you...?" As his weak voice fills the air, you feel your stomach fold into itself. Does he think you did this?

Opening your mouth to begin stammering your way through what you intended to be a thorough explanation, a loud bang! then pervades the air. Without a second to process his actions, the man grasped the pistol left on the table and pulled the trigger. A stream of smoke now stems from the barrel. The betrayal, the aversion, and the debility in his expression tell you everything you need to know. You were so close to the finish line that would grant you freedom, but when you shift your gaze down, you're devastated to find a bullet hole protruding through your chest. You then slump to the ground and your killer falls not long after you, the act of merely standing too much for his abused body.

With that, your life was over. August 24th, 1934 — the day Peter Parker inevitably lost the only thing that ever mattered to him.

July 3rd, 2020. It was all his fault. Maybe if he had been more attentive to your safety, maybe if he hadn't exposed how soul-crushing the love he has for you is. Maybe if he had tried harder, Hobie Brown would still have you here at his side.

As opposed to the others, Hobie did little to ease you into this new life with him. The transition was curt, violent. With you as a bartender, drunken customers are most certainly not a rare sight. However, when you rejected a man who had one too many drinks and he reacted with violence, it caught you off-guard. And Hobie, the lead singer of the band that consistently played at your bar, had become blind with rage. Through the mess of the blood on your head when the beer bottle shattered against you and the apple-red matter staining Hobie's guitar as he smashes it relentlessly into the man's skull, these events somehow landed you where you are now.

An abandoned building on the outskirts of town, that's where you had woken up. The debris around the room was masked with string lights and band posters adorning the walls, as well as a rickety bed frame scarcely supporting a lone mattress. With bleary vision and an even fuzzier head, you gain consciousness abruptly. You find yourself on the bed with thick, itchy blankets draped around you, clothes that certainly do not belong to you on your body, and spiky belts used to restrain your limbs. Barbed wires and decaying planks of wood board the windows; the lack of passing cars and loud pedestrians outside cause you to worry about how far you are from the lively city you called home.

A lanky figure makes their presence known, dressed in those all-too-familiar garbs. Spider-Punk, the man you'd always see performing at your penurious bar, despite how widespread their band was. Much to your shock, his large hand finds the trim of his mask before tearing the garment off. Beneath is a gorgeous face embellished with piercings and a wild head full of hair. Large, wet eyes overwhelm you. And there is only one discernible trait you could read clearly through his expression: desire.

The way your plump body pools from the hems of the small clothing he dressed you in from his closet, fuck. Hobie has thought of this moment plenty of times — finally being able to take you away, just the two of you. He swore up and down he'd keep his fervid cravings at bay. But, when you're truly here in front of him, looking like that. He has to dig his long nails into his palms to physically restrain himself from lunging for you like a feral animal in heat. God, you look too fucking good.

From here on out, the relationship you have with Hobie sprouted into something only you would call treacherous, something only he would call rapturous. Being trapped within the small expanse of this grimy room, your new life has shown how perceptibly different your reactions are from one another. You are entirely dumbfounded at these new circumstances you've been forcefully thrust into. Meanwhile, Hobie attempts to put space between you both to avoid giving into his irresistible hunger. Though, it doesn't take a genius to notice how his hands always find their way to your naked skin and how his eyes linger on the intimate parts of your body. And it most certainly doesn't take a genius to notice the sheer terror and confusion stuck to your expression.

The discomfort the residence brings does little to ease you, as well. How your body is restricted against the firm mattress has your limbs aching with cramps. Your neck throbs from no support, considering the lack of pillows. But, Hobie always remarked that his chest is more comfortable to lay on, anyway. His clothing reeks of alcohol from the numerous bars and parties he’s attended, but also from the expensive perfumes, lotions, as well as the skin and hair products he received from his time being a runway model. The scent now clinging to your skin fails to bring you any of the tranquility he wished you would feel. Meals shared between you two were often dowsed in grease and cheap in flavor. Your captor never put much effort into making your dinnertime together anything reminiscent of a romantic date in Italy or something along those themes. He would much rather eat something else for dinner, after all.

This is what life looked like for the next several months. Records spinning and filling the air with headache-inducing songs he says he had written about you; Polaroid pictures scattered around the room that display different variations of the same scene: you sitting pretty with Hobie's hands and lips all over you. Never, never, has this man ever felt so much bliss in his entire life. He has always preached about how the idea of "love" is nothing more than propaganda meant to earn greedy, capitalistic companies more money with their cheesy movies and Valentine's Day garbage. When you entered his life in all your glory, however, he was ashamed to put his pride aside and admit those irritating pop songs may have been correct.

"I don’t need nothin’ else. 'Long as I have you here, birdie." He fidgets with the necklace he had given you that was currently draped upon your neck. His lucky guitar chip is swung upon the chain, since it always belonged to you, anyway. You will always be his muse.

With how carelessly he let himself be swathed in the warm blankets of love, how carelessly Hobie had let you slip from his fingertips.

It's his fault he had so frivolously expressed his protective nature through blood-stained bar floors and constricting arms encompassing your body. It's his fault he never assured you these conflicts weren’t your fault, it was only the monsters outside who wished to separate true love. It's his fault he had disciplined himself so heavily for his big heart, fearful of losing self-control with the love of his life.

It is his fault you are dead.

You regret not tallying the days you've spent locked up in this birdcage. Carving lines into the deteriorating walls to represent the slashes this new life has left in your sanity. It feels as if lifetimes have tread by you, the same day repeating itself like your own personal nightmare. Mere months have gone by and unbeknownst to you, the sweet escape you so despairingly crave is sitting upon the horizon. The circumstances of your freedom were the absolute last thing you had wished for, however.

Hobie’s history of being a heartthrob and heartbreaker were no secret to you, but his newfound loyalty to the innocent person he had taken from their previous life was even more evident. All the possessive, delusional fans that were convinced they'd marry their favorite singer, it was just so easy for Hobie to indulge in some casual fun before leaving them behind in his dust. As the story of all Spider-People goes, however, Y/N L/N is the tool that throws this man into a whirlpool of enamoring disarray. Embracing this newfound happiness was exhilarating for him, but Hobie was so dazed from it, he never had thought that karma would slither itself between you two.

A certain groupie, wholly convinced she and Spider-Punk are soulmates, was devastated to see how carelessly the love of her life abandoned her. Her mind had sprinted to all sorts of gut-wrenching conclusions. Am I not enough? Is he moving on? Is there someone else? Her worst nightmare materializes into reality when she stalks behind his tall figure and follows him to a building one late night, an odd pep in his step as he enters. What she assumes is just another exclusive club location with more taboo forms of partying, she is left stunned when she catches sight of what sights lie within.

The man of her dreams is found in the depths of infidelity. Through the crack of a rickety door coated with locks, there he was. Chest pressed against the back of someone else, who was sound asleep beneath an array of blankets like a baby in a crib. With his arms locked around them like a lifeline, Spider-Punk presses long, intimate kisses to their face. The words she had begged to hear from him, he was so frivolously drowning this stranger in such, despite their unconscious state. Every syllable was dripping with lust and smitten-induced hysteria. Tears brim in her eyes from how desperately she covets to be you in this moment.

With a shattered heart and a festering rage, she comes to the conclusion of what she must do. She will take him back, no matter what it takes.

Rarely did Hobie ever leave the expanse of your room, he wanted to stay with you forever. When he did, however, it was for some quick cash at yet another gig he and his bandmates had landed. Singing his lungs out, knowing every lyric revolves around the one waiting for him back home — you have brought him ecstasy he still cannot fathom the sheer weight of. A Friday night like no other, Hobie would spend the evening beneath the blinding spotlights, drinking the hours away, before returning home and cuddling with the only reason he chooses to live.

Through the barricaded windows and doors, a sudden stench of what appears to be smoke invades your senses. A big city like this, something along these lines is nothing out of the ordinary. After all, you were so thrilled to finally be granted a night to yourself, anything that would jeopardize this gift from the universe is seen as insignificant. When the heavy smell becomes more perceptible and the unmistakable sound of fire cracking gets louder, you feel dread tickle down your spine. The fear settles into your bones before you can think of a logical way to escape. Hobie did everything to ensure you wouldn’t leave his side, after all.

Air soon becomes precious, your lungs begin to squeeze, your skin is burning with scorching pain. It brings you the hell you had carelessly thought you felt before. A final cry of help into the suffocating air and you feel your life begin to fade. Meanwhile, the lost groupie stands near the entrance, holding back a satisfied smile. An onslaught of concerned pedestrians and firefighters accompany her. And Hobie was still far away, alcohol heavy in his system and the joy of returning to you seeping through his body like a drug. So blissfully unaware of what awaits him when he comes back to the place he had called home only with you.

With that, your life was over. July 3rd, 2020 — the day Hobie Brown inevitably lost the only thing that ever mattered to him.

The effects your departure has left on these men are all nothing short of disastrous. No longer do they have the vibrant, loving souls they once held. Day by day, they are dragging the dead carcass that is their own body, suffering through every second and hoping it will be their last. The paths your death have led these three are unique from one another, but they all find themselves in one specific space. Spider-HQ, within Nueva York on Earth-928. The story the multiverse has written for them had so selfishly taken their happiness away from them. Taking the pen for themselves and creating the most beautiful fairytale where you are alive and back in their embrace is the only purpose they now have.

Now, Miguel O'Hara stands at the office he earned from becoming the leader of this society. Upon the various monitors displayed around him are scenes taken from numerous different universes. Lethargy sits like bags of bricks beneath his eyes, slowly blinking as he ensures no minor mistake is present. If the multiverse were to crumble, his sole objection to save the only important person in Spiderman's life will fall with it. When he verifies all is well on Earth-1610, something perceptible then catches his gaze and he does a double-take. Any sign of fatigue within him is snatched out of his body, leaving him more awake than ever before.

Within this universe, Miguel finds you.

Before, these universes have only displayed the effects your death has left on all the spider-people. Today, however, is the first time he has seen you alive since the day he lost you. Lyla snickers and accuses him of having a cute, teenage-like crush when she takes notice of the sheer captivation in his expression. Little does she know how much history lies in your mere face. It is heart-crushing, how much the simple sight of you enjoying a cup of coffee (with one too many sugars, as he knows you've always preferred) has such catastrophic effects on him.

Piles of schoolwork are scattered around your desk, covered in information adhering to your current college major. Even with your lack of sleep, school-induced annoyance, and general exhaustion over everything in your life, Miguel has never seen something quite as breathtaking as you in this moment. An epiphany sprouts in his brain as quickly as the sight of you caused his soul to blossom, just like it did all those years ago.

Maybe he can stop it. Maybe he can get you back.

Your death is inevitable, and even though Miguel was aware of this, dread still pervades his stomach at the prospect and churns with his breakfast. What really makes him shudder is when he reads through the cannon events assigned to you. A flare of jealousy ignites within him when he finds an unfamiliar name in the midst of your story.

Miles Morales, the Spiderman you are meant to fall in love with. What good is he? He's just some stupid kid, what more could he possibly do that Miguel can't? Why would you choose this loser when he can give you everything you have ever wanted!? In a sudden fit of rage, he grasps hold of whatever matter was closest to him and uses all the strength within his muscular arms to hurl it across the room. His chest heaves with infuriated huffs; his claws slice into the meat of his palms. He is enraged, yes, but he is mostly devastated that the beautiful face on his screen will soon meet their inescapable demise.

Not only will he do everything in his power to stop your death, but Miguel also vows to put his blood, sweat, and tears into ensuring you do not fall for this boy. Additionally, he will formulate a plan to bring you back into his arms without destroying the multiverse as a whole. With that being said, this does not change how reality on Earth-1610 continues to play out in front of him. It’s like a television show; a show he'd give a 1-star rating out of sheer pettiness.

In his last year of high school, Miles Morales' life was thrown into a tornado when his parents enrolled him in a new school to finish his last semester. And the 18-year-old boy absolutely dreaded this. New people, new location, new clothes that poke and jut at his skin uncomfortably. With the hefty responsibility of being Brooklyn's sole hero and hiding this truth from his loved ones, this sudden alteration in his environment does not relieve any stress. Swiftly, Miles conjures a plan to convince his parents to send him back to the way his life once was. Slack off, play dumb, and bring home report cards that are absolutely atrocious and his parents will have no choice but to give their son what he wants.

However, this is not what happened. Much to Miles' dismay, the grand idea his parents had was to not let him continue his education comfortably. Instead, they hired a tutor to aid him through his final months of high school.

Rio and Jeff had invited this tutor for dinner at their home, which Miles had flaked on entirely. Mostly due to his duty as Spiderman, but partially from how sour he was about the state of affairs. When he returned home, their anger was practically palpable. However, this disappointment soon shifted into a long, insufferable tangent about how marvelously smart, mannerly, and kind this tutor was and how embarrassed they were because of him. That Saturday, he was expected to join this tutor in the school's library or his parents may consider grounding him once again. Miles has to refrain from rolling his eyes at their never-ending lecture.

March 11th, 2023. It will be all his fault. This day is the day Miles Morales will inevitably meet the only thing that will ever matter to him.

To earn some extra support through your time in college, you had decided to take up tutoring in your free time. The myriad of students you had met all possessed the same attitude — the kind of attitude you'd expect from teenagers whose parents forced them to do schoolwork in their free time. Miles fit this category well, at first. And how your situation developed, it was oddly refreshing to finally meet someone who isn't repudiating every second with you.

15 minutes late, open backpack spilling with paper, tie loose around his neck, the student most certainly made his presence known when he stumbled into the silent library. Attempting to fix his untied shoelaces, you rush over to help him and save him from any further embarrassment he was already enduring. You are able to catch the folder that had tumbled out of his bag before it hit the ground, to where he mumbles a quick "thanks" in response. His gaze is still locked to the strings of his shoes he was attempting to tie together as swiftly as possible. Nearly tripping, Miles makes it to the table you had once organized thoroughly, but was now cluttered with everything this boy had thrown onto the surface.

Oblivious to you, the boy whose parents described as having a "heart of gold," was doing everything in his power to appear as rude and ill-mannered as possible. Deliberately arriving late, making a fool of the two of you, messing up the neat array of lesson plans and pencils you arranged. Anything to convince his parents to send him away from the nightmare that is this school. This plan of his was seized from his mind like a rug pulled out beneath his feet when he finally turns his shoulder and shifts his attention to you. What Miles expected would be the slowest, drawn-out hour he's ever experienced would actually be the most exciting, life-beaming 60 minutes he’s ever experienced.

Your voice sounds like honey as you introduce yourself to him. And that heart-stuttering smile of yours works wonders on him. Miles had already known your name, but hearing it from your mouth made him think he was listening to a symphony of angels. Since the last few stages of high school are stressful for everyone, you decided to cut him some slack and offer a kind hand for him to shake. All thoughts of his old school and the comfort it brought are all eradicated as he stares into your soul with those wide, bambi-brown eyes. After months in this new environment, you must be a gift the universe sent to compensate for all the misery he has endured. And fervently, Miles accepts you as the best gift he has ever received.

"I'm Spiderman." His mouth moves before his brain can compute. Your brows furrow in response, scrutinizing the confession for some sort of punchline.

“I mean- shit, uh… I mean, I’m Miles... You-You know, like- kilometers, yards, feet. Except, it's Miles this time... Y-... Y'know?"

His relentless stammering to try and prove himself worthy of your time while also acknowledging he accidentally told you his deepest secret earns him a quick giggle. And the sound bouncing from your lips is nothing short of paradisiacal, especially when he is the cause. A sudden wave of silence then rests between you both. You, laughing nervously to lighten the awkward tension. Miles, entirely flabbergasted at how he could have ever wanted to miss out on something as profoundly magnificent as this. His mind runs rampant while his wide eyes remain locked on your averting ones. Do it, do it, do it. Just do it already, Miles!

He pulls his hands up, your eyebrows furrowing once more trying to consider his intentions. He then lands his touch upon your shoulder.

"Hey..." Miles' voice drops several octaves, a fiddly excuse of a smirk forms on his lips, and he squints his twitching eyes that still hold the same crazed wonder they've had since they first landed on you.

"Hi...?" Your response expresses nothing but sheer confusion, not your face burning from the attention like Miles had initially strived for.

Wrapping your hand around his, your mere physical touch sends flares of electricity down his skin. Goosebumps bloom across his arms and his entire body halts in place, tense with shock and nerves. In an attempt to forcefully remove his hold on you, you're startled to find how he is now stuck to your hand. As if he had lathered his hand in heaps of glue before touching you, the efforts you took to get this boy off of you only resulted in your skin painfully stretching.

So enveloped in the way his heart lurches from holding your hand, a sudden, hushed whimper of "you're hurting me!" and Miles feels a gasp involuntarily escape his throat. Attempting to pull away from you, as much as he wishes not to, only intensifies your pain. What had Peter told him to do when this happened? Oh yeah, just relax! But, how on Earth can he possibly relax when your hand is in his!?

People are staring, exclaiming in annoyed distress over their interrupted study time. You're trying to piece together how Miles had managed to cement his hand to yours and why he refuses to let go of you. Meanwhile, Miles is apologizing profusely for inadvertently harming you, while also soaking in how rhapsodic it is to have your hand in his. He knows he has fully fallen into oblivion when the prospect of letting go of you hurts him more than the relentless pull and twist of his flesh.

So much for first impressions, right?

⁺ 🎧 , 🪷 you are currently listening to . . . ⁺ 🪺 , 🎵 ꪆ

❝ MANY LIVES THAT COULD HAVE

BEEN ENTANGLED FOR ETERNITY . . . ❞

gif credits :: miguel, miles, peter, & hobie.

tag list :: @honey-beeuwu, @hex-touchstarved, @thel0v3hashira143, @cailey1011, @mickxxstxvxns-blog, @flaming-vulpix, @puthypirate42069, @dolliemoons, @mikalovesnoodles, @explosiongamora, @thegalacticnacho091, @brinleighsstuff, @shinsou-hoetoshi, @uselessbutinteresting, @amortentor, @fried-milkfish, @officiallypoopoo, @lu-lupe, @belladonnashifter, @forgottenbynature, @marooseshawnash, @gothika-spacech1k, @funtimefoxybae, @ethnicbratz, @painpainflyaway, @shadepelt4673, @vivacioussaint, @palepettycharmer, @rqdior, @clownwiki, @clever-username96, @bisoudoll, @darlingdontwe, @naiomiwinchester, @weskennedysgirl, @chubbuart, @simpfo, @neytirisarrow, @leilani04, @lizzymizzy-blogg, @sublimesoulmagazine, @minimari415, @hcmay, @jinuaei, @altusha, @daisygirlll, @boredwithlifeatthispoint, @islandgyal06, @the-hufflebird-girl, @laucoeurs, @nepherawinchester18307, @tiredao3reader, @decadentlawyerapricotcowboy, @kitisb0red, @gabiacee, @reneuv, @letmegetthestrap, @krentkova19, @ayupfrogg, @vita-nire, @emmbny, & @realifezompire

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luxurychristmaspudding · 9 months

Text

Pickup Truck

summary: frankie hates your boyfriend. in fact, everybody does. but he’s willing to give him a chance. you’re his best friend, after all. until frankie discovers something he can never forgive.

pairing: frankie morales x f!reader

ratings/warnings: 18+. MDNI. this fic contains allusions to, but no descriptions of, domestic abuse. please do not proceed if you know this will upset you.

frankie's pov. no lady and no baby for our boy. drinking, violence (against pos bf), angst, lots of hurt, allusions to dv. comfort, fluff. frankie to the rescue. unprotected p in v (wrap it irl!). oral, f receiving. creampie. bad spanish (again). kings of leon references. happy ending, of course.

wc: 9.8k

an: whew, this was an emotional one to write. but i hope a good love comes to all of you in time, no matter where you are at the moment. and if you already have it, may it always keep you safe. lovely divider from @saradika.

Frankie really doesn’t like your boyfriend.

Scratch that. Nobody does.

Nobody really knows where you found him, either. A sweet, smart girl like you, moved back to your small town from your big city life, and it looks like you picked up the very first guy who sidled up to you in a grimy bar.

Which, if you’re really honest, is exactly what happened. Because he was nice at first. Real nice. He was charming and sweet and interested - he bought you drinks all night and didn’t push to come in when he walked you home. You went for dinner a few times, and sure, he could be a little rude to the waitstaff, but it was only because he was so focused on you. He bought you flowers and took you for rides, and sure, sometimes he’d come home far too drunk after seeing his friends and get a little too close, a little too loud, but he always apologised.

And sure, he sometimes made you cry, but he always made it up to you. Sweet promises, small gifts. And he'd never laid a finger on you.

Not until last week, anyway.

You don’t know what to do. You don’t know who to turn to. The thought of it makes you so sick you have to lock yourself in the bathroom at work. How did this happen? How did it turn so sour?

And how do you get out?

Walk you home to see

Where you're livin' around

And I know this place

Frankie walks you home from the bonfire. He always does.

It’s his favourite moment of the night.

He gets to have you all to himself. Gets to watch your cheeks cool in the night air, watch as the blush from the heat of the fire subsides. Your giddy, wide eyes, your tipsy babbling about stories which had been swapped over the flames, picking out particularly scandalous details for you two to giggle about before doubling over into breathless laughter over something Benny had said.

He likes to hold your elbow, your hand, as you catch him in your amusement, gripping onto his bicep. He loves to lose himself in this little pocket of time with you.

He loves the sparkle of the stars, the glow of the streetlights as they light your features.

Frankie loves you.

And he’s so glad you’ve moved back from your life in the big city to come and be around your real friends again. So glad that you’ve all found your way back to each other. Tonight has left him with such a mellow tingle in his bones that he finds he can’t stop smiling at you, looking at you, on your walk home.

Bonfire nights have always been your monthly hangout, a time when you can be sure you’ll get the whole gang together. There used to be more of you through highschool, and still a fair few during college. It dipped when the boys joined the forces, when people moved further east and further north. But eventually Frankie, Benny, Santi, and Will had come back. Jessa, your other best friend, had returned too. A few others coming and going - Lily, Marcus, Maggie - also back and forth from their new homes to their old ones. And then eventually folk had just… settled.

Frankie felt like he was one of the last, like he was maybe the one finding it the hardest, retired to a life of civvy duties. Unable to hold down a girlfriend, struggling to stick at a job, sofa surfing around friends’ places. He was still flying whenever he could, but then this coke allegation happened, and it was like the world was finally swept from under him.

You were the first person he had called, the first person to talk him down from his panic, that debilitating squeeze around his heart when he thought about the future. The first person who made him feel like it would be okay.

So of course his joy when you had come back had been immeasurable. Maybe this time, he’d thought.

And then you’d met Tanner.

He’s pulled from his thoughts as you drag your hand out of his, skipping a little further up the dark street until you reach a corner. Frankie watches as you spin on the spot in the quiet neighbourhood, gesturing down the pathway before you.

‘This is me.’ You say.

But you don’t turn to keep walking. You watch him, a small, excited smile on your lips. Like you’re waiting for him to work it out.

Frankie drags his eyes from you, away from thoughts of your new boyfriend, to look up and down the street you’ve led him to, and for a second he is pulled beneath the ebbing flow of memory, towed with the riptide of things forgotten.

This is his grandmother’s street. Was his grandmother’s street.

The cracked concrete, the peeling paint of the porches. The weeds, the flowers, the smell.

He breathes your name like you’re the only thing tethering him to the now.

Breathes your name through the bright, sunny flashes of his childhood. His mama bringing him here with his brother, his papa swinging him by his legs in the flower-riddled front garden. Cartoons in the ripe heat of the afternoons, him and his cousins stuffing their faces with Guagitas and Frugele until they’d made themselves sick while the younger siblings napped in the sunbeams of the bedroom next door. Cycling over on his bike after school to sit at her kitchen table to do his homework, letting her fuss over him - his height, his friends, his grades, girls -

A skinnier, younger Frankie stopping by his abuela’s house with you to pick up her up for his nineteenth birthday party, along with her homemade tamales, her chiles rellenos, and specially made pumpkin sopaipillas for later on. The way you had chatted to her, natural, easy going, how you had made her laugh, her eyes sparkle. How, when you had taken some of the plates to the car, his abuela had pinched his cheek. I like her, she’d said, Será tuya algún día, mm, mijo? And Frankie had flushed bright red, batting her arms away as she chuckled at him. He had hidden in the back bedroom when you came in from outside, and listened a little longer to your conversation as he waited for the heat of his face to die down. When he reemerged, you had helped his grandmother into her shoes, her cardigan, and kept ahold of her arm until she got into Frankie’s beat up old car. At the end of the night, his abuela had kissed both your cheeks several times, rocked you back and forth in a hug, and clapped her hands as she said how she looked forward to seeing you again.

When you came home from college every summer, you’d have tea with her in her garden. She always asked Frankie about you, about how you are doing. When he told her you were coming home, she’d been so excited. Quizás este sea el momento? She’d said to him, squeezing his hand. He’d smiled, his heart quietly full of hope. Tal vez, abuela, he’d said.

When he called you two weeks later, his voice weak from crying, to tell you that she’d passed, you had been heartbroken. And it seemed like her wish, the red thread she’d seen between the two of you, had been snipped, too.

Pour yourself on me

And you know I'm the one

That you won't forget

Frankie likes to listen to you talk, because he’s never much been one for talking.

He supposes you just bring it out of him, though. Because here on this street, in the moonlight, he tells you more about his grandmother. You spend hours walking up and down the pavement as he recounts every story he can remember; him and his brother, his parents, aunts and uncles, cousins. Birthdays, weddings, funerals. The street comes alive with the ghosts of people, the spectres of feelings. You and Frankie talk of growing up. Of falling in love. Of each other.

Your small, well-loved house is half way down the street, four up from his abuela’s. It does something strange to his heart to have two of his favourite people, who loved each other in their own ways, so close but so far away.

Your fingers hold his wrist as he shows you a scar on his palm from eating shit on his bike when he was eight, and when he looks up, your eyes are shining under the streetlights. There is a glint of moon in your teeth, and a shocking want so clear on your face, but when he meets your eye there is suddenly hesitation, a realisation, a shuttering. Frankie stops his story. There is a moment, and then it slips away like sand.

You shiver, chilled all of a sudden, and wrap your arms around yourself. Frankie tries not to look too hard at the goose bumps blossoming on your bare skin, tries to fight off the urge to kiss the little raises until you’re warm again under his touch.

‘Cold?’ he asks, and you smile back up at him. God, his heart.

‘As a hole,’ you giggle, and he feels himself smile goofily back at you. ‘We gotta warm up.’ You say, and then freeze.

It takes Frankie a little while longer to hear the inadvertent invitation in your words.

Boyfriend. Boyfriend.

You both stand on the porch, frozen, like some great frost has swept over the land. If Frankie squints, he can imagine the glitter of your eyeshadow, now fallen, dusted on your cheeks, is a collective of tiny constellations of ice.

Your body is wracked with a shiver again, but when Frankie looks you in the eye, you’re burning up from the inside. He swallows.

If he could only make the steps towards you. If he could only will his heavy feet to move, if he could summon his nerves to do exactly what his brain says, he would already be in front of you. He would have your face in his hands, be able to look into your eyes to see that deep, hidden want again, and kiss you. Again and again and again, and he wouldn’t stop, because things like that shitty boyfriend of yours wouldn’t matter anymore.

No. The whole world would be glitter and stars and constellations of ice crystals.

And then you blink, smile softly, and wish him a goodnight.

When he can finally lift his foot to move, your door is already closed.

And in your denim eyes

I see that something's awry

And I see you’re weak

You don’t see Frankie for a while after that, always finding a way to brush off his attempts to hang out.

At first he doesn’t worry too much about it. You’ve just moved back - you have a new job, a new place, new friends to get to know. Tanner.

Frankie finds other things to do. He gets business cards made up for the flying school he’ll be setting up next month. He pilots people across the state, sometimes across the country. He sees the boys for drinks, even sees Jessa for a coffee. He starts to worry when they say their texts have gone mostly unanswered, and they haven’t seen you either.

It must be why he turns up on your front step one day, a six pack in hand.

You open the door on the second ring of the doorbell, and Frankie finds himself rendered speechless. You look… different.

Tired and wary, a little thinner. And when he gets you chatting, you say you haven’t really been anywhere, done anything. You’ve been settling in, getting used to it. You have two beers each, but you seem on edge, like you’re waiting for a knock on the door. And then Frankie asks about Tanner, and your eyes linger on the entryway a little longer.

‘Yeah,’ you say, ‘He’s okay.’

Frankie’s jaw twitches, his stomach clenching uncomfortably.

‘Just okay?’ He asks.

Because you should be excited. You should be gushing and giddy and falling in love. But you’re not.

‘Yeah,’ you shrug. ‘He’s good.’

There’s something in your eyes. Something which shrinks away, skitters back. Something drained, something sapped of life, of energy. Hurt, maybe. Fear, perhaps.

When Frankie thinks back now, he knows he should have pressed you harder. Maybe should have taken you to his, made you talk a little more for a little longer. Away from Tanner, the threat of his presence. But he didn’t. He didn’t.

And he hates himself for it.

When he comes around

I see you're fixin' to shine

And my face won't speak

When Frankie next sees you, you’ve had a hair cut, and there are deep, dark bags under your eyes. Both of these things worry him equally.

Your beautiful hair that you’d been growing out since you were young, hair that you swore you’d never cut shorter than it was in seventh grade, when your mum had to chop it into a bob after you got gum caught in it. And here it is now, much shorter.

Jessa says she likes it, and you give her a watery smile, a weak thank you. She asks where you had it done, when. She asks if you like it, and you shrug. You say you’re trying something new. You say Tanner likes it.

Over your shoulder, Frankie exchanges a look with Santi.

You’re quiet the whole time you're at the bar. Far too quiet, so far from the bubbly conversation you usually hold, your loud cackle, your bent-double amusement. Your affection for your friends - the hands on knees, arms around shoulders, kisses pressed to cheeks. It’s hardly there.

Frankie offers to walk you home, but you wave him off kindly. Tanner’s picking me up, you say, he’s probably outside. Jessa frowns at you.

‘Are you sure, babe?’ She says. ‘It’s not even late yet.’

You smile and nod at her, gather your stuff to go. Jessa catches your arm.

‘We’re still on to go shopping Saturday, though - right?’

You smile at her, the first warm one you’ve mustered all night.

‘Of course,’ you say, ‘I’m looking forward to it.’

When you stand to leave, you hug everybody goodbye. Tightly, for longer than usual. Frankie doesn’t give you an option when he walks you out to Tanner’s car. The smug prick is hanging out the driver’s seat window. He watches Frankie as you walk up, hostile, threatening, arrogant, and somehow still ridiculous. And, Frankie thinks cruelly - ugly.

Frankie pulls you into his arms a few steps away from your boyfriend. He kisses your hair, and you sigh.

‘Have a good time on Saturday,’ he says softly. You twitch a smile at him.

‘Thank you, Frankie.’ You say before stepping back and walking to open the passenger door. As you climb in, Tanner winks at him.

‘Gettin’ a new one tomorrow,’ he says, stupid fucking grin on his face. ‘New car. Exciting stuff. Anyway, better get this one back,’ he says, squeezing your knee a little too hard. You don’t look at Frankie, something like humiliation colouring your cheeks. ‘See you around, Frank.’ Tanner says.

Frankie steps back from the car as it glides forwards, and he watches it disappear up the street.

Deep anger burns in him. And a kind of fear. It crawls over his skin, cooling the sides of his neck. His heart churns uncomfortably in his chest.

He tells your friends about it when he returns to the table. And they form a plan. Jessa texts you a time she’ll pick you up on Saturday. You say you’re excited again, you need some new clothes.

But Frankie knows Jessa won’t take you shopping.

No, she brings you here, to the beach, to the bonfire. To him, to Santi and Benny and Will. Because they’re worried.

So worried, they tell you.

They sit you down in one of the chairs around the fire, and they explain why they’re worried. They tell you they love you - so much - and they just need to know if you’re okay. Because they can help. They want to help, want you out of this, because he’s not good for you. The silence, the hair, the clothes you were going to buy. They tell you they hate the way he doesn’t let you speak, how he speaks to you. And you are so quiet through all of it, Frankie begins to get more worried. He speaks to you gently over the fire, but you can’t meet his eye. He tells you his worries, their love for you again. He swallows down his own confession, anything to make you see. How they don’t want you pushed closer to him, want you to be pulled closer to them instead.

But your eyes are so vacant, so far away, that Jessa leaves her deckchair next to you to sit on the burned up log closer to you on your other side. She takes your hands, and you finally, finally look at her. You open your mouth, and you say so quietly -

‘You’re right. You’re right.’

It feels like the biggest gulp of oxygen Frankie has ever taken. He feels lightheaded from the relief, from the knowledge. They were right, they were right, which is a terrible, terrible thing.

Will clears his throat, and Frankie looks at him to see similar thoughts flicking over his face like film reel. He licks his lips, opens his mouth, and -

Hate to be so emotional

I didn't aim to get physical

But when he pulled in and revved it up

I said, ‘You call that a pickup truck?’

And in the moonlight I throwed him down

Kickin', screamin' and rollin' around

A little piece of a bloody tooth

Just so you know I was thinking of you

Whatever Will is about to say is cut short by the sweep of headlights over the brush near the dunes.

A beat up old pickup truck bumps up the track and pulls up alongside Will’s Ranger. The driver’s side window slides down, and Tanner’s face emerges from the gloom. He revs the engine loudly, making you and Jessa jump. A sick feeling curls in Frankie’s stomach as he watches him, this piece of shit who’s been so busy crushing you down.

Tanner leaps out of the truck, and slams the door. Frankie looks over at you, visibly panicked on the other side of the fire. How the fuck did he find you?

‘Hey baby,’ Tanner says, sickly sweet as he strolls towards you, ducking to press a kiss to your unresponsive mouth. He turns to the rest of the group, eyes skating over Will and Ben until they land on Frankie. Tanner steps towards him, offers his hand.

‘Good to see you again, Frank,’ he says, ‘Told you I’d be getting a new ride.’

Frankie stares at his hand. He takes a deep swig of his beer, breathing deeply before looking Tanner in the eye, refusing to shake it.

‘I’m surprised to see you.’ He says to the dirty-haired man.

Tanner tries his best to appear unfazed, but there’s a glimmer of something hot behind his eyes.

‘’Course man, wanted to show off the new pickup.’ He says, grinning broadly. He looks around again, eyes falling hungrily on Jessa. She shifts uncomfortably on the log, rearranging her body so there’s less for him to look at. A deep heat begins to rise in Frankie’s chest.

He glances again at the ancient car that Tanner’s driven up in. The front bumper almost hanging off, the red paint aged and scratched, bumps caved in all up the sides, the roof sagging.

‘You call that a pickup truck?’ Frankie says lightly. Tanner narrows his eyes at him, angry, before he catches the sound of Santi’s laugh.

He whirls around to the other man and spits -

‘Who the fuck are you?’

Frankie almost laughs, too. Almost.

Pope spreads his hands. He looks up at him through his brows, a glint in his eyes that Frankie is violently familiar with. You must notice it, too, because you clear your throat and say -

‘Santi’s one of my friends.’

Tanner doesn’t even look at you. Just keeps staring at Pope.

The moment seems to last an eternity. Frankie feels like he’s watching everything through sludge, like he’s in someone else’s dream. His whole body is on edge, vibrating, ready to lunge - he’s just not sure at who. He looks between the two men before he catches your eye through the flames. The adrenaline in Frankie’s heart gutters at the look of panic in your eyes.

Please don’t let them do this. Please help me stop it.

Frankie glances back to Pope, and says, so softly only he can hear it -

‘Pope.’

And Santi immediately looks away, taking a swig of his beer.

Tanner stands there still, clearly baffled at Santi’s sudden lack of interest. Then he turns to the rest of the group like a petulant child, a toddler who has been ostensibly robbed of its favourite toy.

‘It’s a good truck,’ he says, before turning to you. ‘Ain’t it, baby?’

You hum your agreement as Tanner scoops a beer from the pile by Will’s chair, shucking off the top with his teeth. Jessa looks away, disgusted. He settles himself in the deckchair at your side.

‘Y’aint allowed to touch it, of course, sugar,’ he says to you, before laughing into his bottle. ‘Ruin everything you come into, anyway. Root of all my problems, ain’t ya?’ Tanner takes a pull of his beer. The group is silent around him. Around you. Tanner notices.

‘Boy, fun bunch you are.’

You look at him through your eyelashes.

‘Baby, that’s enough.’ You say as softly as possible, and Frankie cringes at the pet name.

Tanner looks at you sharply. Dark, furious. It’s in the pinch of his jaw, the anger at what you’ve said so obviously rolling around in his skull.

Frankie hates him for it. And he hates that he hates him for it. There are already so many things he hates him for, but he’s so fucking stupid it’s almost funny. Not your equal in any way. In kindness, in conversation or in intellect. And not even willing to try. To learn. For you. Just trying to dumb you down instead, squash you into smaller, more digestible bites to chew on.

When it comes down to it, Tanner has nothing smart to say back. He just pushes a short breath from his nostrils and mutters out a little -

‘Well, well, well.’

Then he flexes his fingers against the chair, and you flinch.

You flinch hard, your brows coming together, chin scrunching, waiting for the blow to land. And when it doesn’t, your eyes flicker open slowly. Hollow, bereft, drained and dim.

Tanner hasn’t noticed, but everyone else has.

The awful unveiling of your last secret.

Frankie forces the bile down his throat. His head swings forward to the ground of its own accord, a faint, resonant ringing in his ears. When he looks at his hands, they aren’t his own. In fact, he recognises no part of his body as the ringing gets louder, as he gently places his beer bottle on the floor. When his eyes leave the dirt, the mix of faces around the fire are all mirror reflections of each other. Horror, disgust, grief. Grief that this is what you hid from them, this is what they have taken too long to pull you from. The burning building splintering around you, your shell of a body immovable in the middle.

You won’t meet his eye. You won’t meet anyone’s eye as your hand shakes around your bottle. Jessa notices. She stares at your trembling fingers for too long, but she can hardly say anything. None of them can. Her eyes shine like beacons from her seat, wet with tears. Frankie sees her bottom lip quiver, her chin dimple. And then she swallows, swallows again, and reaches for your hand.

You flinch again, softer this time, and Frankie is sure everyone around the fire - everyone in the town, the world, must hear his heart crack. Because he feels it so keenly, so deeply, that it takes the air from his lungs. His breath is caught in his throat, and no matter how hard he tries to draw it, it seems impossible to claw it down. He’s drowning. He’s drowning right here in front of everybody, and it makes it all the worse to know that this is how you must feel. Every damn day.

Come on, he hears Jessa say, Let’s go and get another drink. And through the dark swirling of his mind he watches the two of you stand slowly and disappear towards the back of Frankie’s truck. He waits until Jessa has you hidden from view, her arms around your hunched back as you bring your hands to your face - crying - and that’s when the thread snaps.

Frankie gets to his feet, slowly.

Pope and Will watch him. Benny is still staring at Tanner.

Tanner looks up at him, chin jutted out, smirking as Frankie approaches.

He’s challenging him. He’s waiting for a war of words, for the shouting to begin, for the insults, the observations to fly.

He expected the wrong war from a soldier.

The first punch sprawls him out of his seat. It makes a satisfying cracking sound, and the first trickle of blood starts to bleed from behind his lip.

Then Frankie kicks him. He kicks him hard in the ribs, making sure he doesn’t have enough time to recover from the punch to deflect Frankie’s boot.

Tanner clutches at his abdomen, wheezing, gazing up at Frankie with bewildered eyes. Fucking coward.

Frankie grabs him by the front of his shirt, pulls him upwards. He has nothing to say to him, but the fury he feels, this deep, endless, swirling pit of rage, he lets him see. He lets it fill him from the soles of his feet all the way up through his eyes, and he lets it bleed out. He lets the blackness flood the ground. He lets Tanner watch it, lets it petrify him, and then Frankie swings again. Tanner takes it on his chin this time, his jaw snapping closed, and when it goes lax, a couple jagged bits of tooth fall out. Frankie grunts in satisfaction and swings again, again, until blood spouts from Tanner’s eyebrow and his cheek begins to bruise and swell. Frankie breathes deeply, in rhythm, doesn’t even feel it when Tanner manages to land a lucky punch to his eye socket. He plants a knee into the other man’s crotch, lands him an elbow to the back of his head when he keels over, and then shoves him to the ground. Frankie gets on the floor with him, raining blows down on Tanner’s body, his face. He’s methodical about it, a punch to each eye, the crack of the cunt’s nose, one to either side of his mouth, then bloodying up his jaw. He’s aware, somewhere, that Tanner is screaming. Strangled, gargling sounds trying to claw up his throat. And then he’s aware of two pairs of hands around each armpit, dragging him away, pulling him up. Will is saying something in his ear, that’s enough, Frankie, alright now, and Benny is speaking, too, panicked - you’ll kill him, Fish, come on man.

Frankie blinks, really looks at Tanner where he lays bleeding on the dirt. His eyes already swelling, a couple more teeth scattered on the ground next to him. His face different shades of red and purple, a mess of a man, and Frankie is pleased. He could keep going. He wants to see him bleed much, much more. Will and Benny keep their grip on him.

‘Leave,’ Frankie growls, low, without a quiver in his voice. ‘And don’t you ever come back. You ever look at her again, I’ll gouge out your fuckin’ eyes. You ever touch her again, I’ll break every bone in your body. I’ll make sure they don’t find anything left of you.’

Tanner doesn’t say anything, which must be the only smart thing he’s ever done in his life. But he still doesn’t move.

The four men watch him for a moment, the silence heavy, broken only by the crackle of wood and Tanner’s heavy, wet breaths.

Then Benny lets Frankie go, steps forward and picks the man up by his collar, swinging him around to the direction of his truck. He throws him down on the dirt.

‘Move,’ he spits. ‘Get out of here. And if you have the courage on the way, wrap your fucking truck around a telephone pole.’

Tanner finally has the good sense to crawl over to the vehicle. He hauls himself up the scarred body work before creaking open the driver’s door and slipping inside. The truck sputters to life, yellow bulbs flooding the bonfire site again before it quickly backs away, turns, and drives off. Frankie watches its blinking red brake lights until he’s sure the cunt is gone, and then he turns around.

You’re stood with Santi’s arms wrapped around you, back from the fire where Tanner’s blood is drying. Pope strokes your hair, squeezes you tightly as your body shudders. And Frankie can only stare.

Minutes might have passed. Hours. And Frankie is terrified. Terrified that he’s scared you, broken you, pushed you away. And then you turn your face on Pope’s chest, moving your head from shoulder to shoulder, and you’re looking at him. Eyes red-rimmed and raw, face flushed and damp, and it’s like Frankie’s trance breaks.

Frightened, he takes a step forward. He breathes your name.

‘I’m sorry,’ he says, and you shake your head. Fuck. What has he done? What has he allowed himself to do? ‘I’m sorry, querida, please - I know, I know -’ but what does he know? He looks to Santi, pleading for help, and the man offers him a small smile as you step out of his arms.

Through a fog, you come towards him. Your chin wobbles. Your eyes swim. You’re a little wide-eyed, a little shocked. And something else, something beyond his reach.

You get to him, and your arms make their silken way around his middle as you begin to cry. Hot tears stain the front of his shirt, and he cradles you to him, holding your skull gently, enveloping your abdomen. A loud sob looses from your ribs.

‘I’m sorry,’ he whispers, ‘I didn’t mean to scare you.’ You wrap your arms around him tighter, press your nose into his sternum.

‘I’m not scared of you, Frankie,’ you sob into his chest. He clutches at the back of your head, holds you even closer, strokes your hair. When you speak again your voice is higher, strained with your tears. ‘I could never be scared of you.’

The sting in Frankie’s throat becomes hot, burning. He doesn’t know whether to pull you impossibly closer or to push you away, to run as far as he can from your broken, heaving body in his arms. Because what he’s done should scare you. It should. He’d lost all control. The only thing he’d been able to see, to feel was his all-consuming, depthless fury. And Tanner’s face as it splintered, bloodied, swelled. And he’d wanted to keep going, until there was just pulp. No nerve endings, no teeth, no eyes, no mouth, no body that he could ever hurt you with again. He doesn’t want you to hurt any more.

‘I’m sorry,’ he whispers into your hair.

Trembling misery

And as cold as a hole

I hug your bones and skin

Frankie holds your hand the whole way home, the drive passing in a dazed silence.

You still don’t talk when you get to his place, when he unlocks the door, lets you in, and locks it behind him. You take his hand in the quiet cool of the house, lead him upstairs. He follows, slowly, sore, exhausted. Trying to process it all.

When you reach the landing, you turn on the bathroom light, and he trails behind you. He stands propped against the sink as you dig around in his medicine cabinet, finding wipes and bandages and anything else you think might be useful. You take Frankie’s hand again, examine his bruised, bleeding and swollen knuckles with solemn eyes. You are so gentle, twisting his hand in the light, inspecting. You look over it for a while, and Frankie watches you. When you reach for an antiseptic wipe, your hand is shaking.

Frankie winces silently when you start to dab at the blood on his knuckles, cleaning it away with minute swipes. You chase the dried rivulets of blood down his fingers, over his palm. The scar there from when he ate shit riding his bike.

‘I’m sorry,’ he says. You ignore him, breathing shallowly as you inspect his hand, holding his wrist, cleaning blood which is no longer there.

‘Might be a hairline fracture or two,’ you say, distant. ‘I won’t bandage it, gonna let it dry out first. But you’ll need to rest it. And we’ll need to ice your eye.’

‘I’m sorry,’ he says again, into your hair. You shake your head, and the light catches the different colours in every strand. Frankie’s throat tightens.

‘Please stop apologising.’ You whisper.

A shaky breath pushes itself from between Frankie’s lips.

‘No, querida,’ he says softly, ‘It wasn’t right. Shouldn’t have done it. And I shouldn’t have let you see -’ he swallows thickly, throat bobbing. He looks over your head at the white tiles behind you as your grip on his wrist tightens. You still don't look up at him. ‘But it’s not how you treat someone you love. Not how it should be. Should be protecting them, treating them right, loving them the way you love -’ him. He cuts himself off, because he realises as he says it he’s wrong. So wrong.

Right to be like you in your gentleness. In your care, your touch, your tenderness, your loving. But Tanner deserved none of those things. He didn’t deserve your faith, didn’t deserve your protection or your silence either. None of it.

He closes his eyes.

An image of you flickers through Frankie’s mind. Your fingers on his wrist as they are now, your eyes shining under the streetlights. The glint of your teeth, and the want so clear on your face, then the hesitation, the fear, the shuttering -

And if only he had kissed you then. If only you had taken him inside. He could have shown you what it was supposed to feel like. He could have saved you from the hurt, the fear which lay ahead.

There’s a splash of warmth on the pale skin of the underside of his forearm, and he opens his eyes again. You’re still hunched over his hand, but your movements have stilled. Frankie waits, confused, before another warm drop lands on his arm and you hiccup a sob out. He whispers out your name, and you turn your face up to him, devastated.

Frankie’s face crumples, and your grip on his wrist loosens enough for him to lift his hands to your face and cup your cheeks.

‘I’m sorry,’ he says, ‘I’m so sorry. I shouldn’t have said it. I wasn’t thinking -’

‘You think I love him?’ You croak.

Frankie’s jaw works around his next sentence, his next thoughts. He tries to process what this means. That look in your eyes, your tears, your implication. His lips move, but no sound comes out.

‘I don’t love him, Frankie,’ you choke, ‘I don’t. Christ - I don’t think I ever did, I never could -’ you suck in a deep, stuttered breath. ‘I’ve never - never hated anyone more. I couldn’t stand him, couldn’t have him near me, couldn’t have him touch me -’ Frankie flinches at your words. ‘But I was so scared. And embarrassed. I didn’t know how to leave - I didn’t know how to tell anybody about what was going on. I was terrified of what he’d do. To me, to you guys, if he found out I’d spoken about it. And he made it so hard for me to see you, so hard for me to get away.’ You sob now, panic and relief forcing out your words. ‘I thought - wherever I go, he’ll find me. He’ll track me down, and he’ll bring me back - and somehow - somehow that was worse than if he tracked me down and - and - I don’t know, killed me or something -’

Frankie’s eyes shutter. He can’t even follow your thought, so awful is the image, the gaping emptiness. He pulls you close, he lets you cry. Curled into his chest, your body wracking with tears, shaking, tense and uncontrollable, the sounds you make rooting in his brain. They file themselves away in a box where very few things go. Deployment. Tom. The darkness after his investigation. You break and break in his arms, and it’s all he can do to hold the pieces of you together. To press kisses to your head, breathe in the smell of your hair, rub his hands over your back, cradle you like a child.

He doesn’t know how long the two of you stand there for. He waits until you stop sobbing, stop crying softly, stop hiccuping, stop sniffing. He waits for a few more minutes in the silence, too. And when he pulls away, he presses a long, sweet kiss to your forehead.

You blink up at him through red, swollen eyes.

‘You’re safe here.’ He says, and you nod.

‘I know. Thank you. For - everything.’ You say thickly. Frankie swallows, nods. You know it all anyway. Any time, for however long you need.

He pads downstairs to get you a glass of water, and while he’s pouring it, he can hear you blow your nose, wash your face. Somehow, they are the most perfect sounds in the world.

Crackling wood’s gone white

And my eye swole up now

I can see the light

Frankie gives you one of his sleep-stretched t-shirts and an old pair of shorts for you to wear to bed.

The clothes dwarf you a little, and he can’t wipe the small, thrilled smile from his face, even when he looks away. You look fucking adorable.

You giggle at him every time you see it, your little what? only making him smile harder. It stretches his mouth until it hurts and his cheeks start to cramp up, squishing his swollen eye. Stop he tries to say, but it comes out as an equally breathless huff of laughter - and that only makes you giggle more. So much so that he sweeps you up into his arms to stash you under the covers, and you laugh even harder as he tucks the sheets in tight around you, just like his mama used to do when she wanted him to stay put.

He looks down at you from the side of the bed, hands on his hips, and you laugh back at him - eyes shining, mouth open in wide hoots of delight, your hands coming up in a desperate attempt to contain yourself. He points a finger at you.

‘You need to calm down,’ he says, voice tight with bridled amusement. ‘It’s bedtime.’

But you cackle back at him, this glorious puddle of sunshine in his bed, only howls of laughter for a response. Unable to help himself, he returns your joy, turning off the bedside lamps to slip in beside you.

In the darkness, your snorts subside into ragged breaths, and you turn on your side to look at him. You study him as though you never want to forget a single line on his face; such warmth, such affection in your eyes that Frankie’s whole body swells and lifts.

You take his hand beneath the sheets and hold it between your faces, smiling softly at him.

The first and only girl he’s really ever loved. This brilliant, fierce, bright, intelligent woman damped down by the waste of fucking space who had bled by the fire. At the thought of it, Frankie feels his heart fall out of his chest, down through the floorboards, and plummet towards the middle of the earth.

And finally, he begins to cry.

He tries to stop it, he really does. It’s selfish, he thinks, so awful and selfish to cry in front of you when it’s you who should be wrapped in his arms, swept away by emotion again if you needed to be, safe and warm and unworried, never having to fret about anything again.

But he can’t stop it. It comes out in great shuddering breaths - pained, wracked sounds slipping past his lips, and he can’t help it. He tries to gather them in his hands to shove them back in his mouth, tries to scoop them in his arms and press them back into the caving ache of his chest, but he can’t.

When Frankie was a child, he saw his dad cry once. Only once, and exactly like this, after his father’s brother was killed in a car accident. He had seen it through a crack in his parents’ bedroom door, and it had hurt him. It had wounded him, as a child, to see his father break with such grief, such pain, such emptiness, and to know there was nothing he could do about it. And now, he is split into those two people - younger self, older self - as he thinks of you lying next to him on the bed. This person who he loves so much, who is now so full of the knowledge of the worst parts of living, wound up so tight within you that you let it settle, let it unfurl around your bones. He sees your hurt, your grief, your pain refracted around him tenfold, and he hurts with you. He sees you as the boy he once was, this poor creature looking in at a heart breaking, as he has unknowingly watched yours break for months.

And he’s so sorry, he doesn’t think he’ll ever be able to stop saying it.

But here you are, still, performing the ultimate act of kindness. Comfort.

He feels the mattress move as you slide closer to him, and then your hand is on his back, swooping in gentle movements. He feels the scrabble of your fingers under the ribs he has pressed into the bed, the pressure of your arm moving under him so you can hold him properly. Frankie sobs harder, but he opens his body to you. You press closer to him, burying your face in his neck, and he breathes you in as he cries. Your scent is here, you are here. And like you heard him, you whisper -

‘It’s okay, Frankie. It’s okay. ’M here. I’m safe.’ And this realisation allows a little more air, but it doesn’t make Frankie’s guilt, his shame any better. But you’re right, he knows it. And somewhere in his crying, this turns his gasps to tears of relief. Softly, you retract your arms from around him.

You take his hands away from his face, and kiss the palms. You kiss each fingertip, each bruised and cracked knuckle. You lean forward and press a kiss to each tear, each trail of saltwater on his face. And you are so beautiful in the moonlight. Soft and wide eyed. Safe. Kind, always kind, and full of understanding. Frankie sees now that you have been crying against him, too, your eyelashes cloyed with tears. Sees his thoughts in your eyes as though you have had each of them zip to you through the air. When you were a child, you saw your dad cry once. Only once, and exactly like this, after…

A smile breaks through your eyes, chasing away the remnants of tears, glazing down, softening your lips.

And Frankie doesn’t think this time. His feet don’t fail him. He doesn’t think of stars or glitter or constellations of ice crystals. He just kisses you. And kisses you and kisses you and kisses you. And he doesn’t stop, because nothing else matters anymore.

You’re safe. You’re warm. You’re in his bed.

You’re here.

You tip your head back, deepening the kiss, licking into Frankie’s mouth. He gives in so easily to you he’s almost ashamed. But then your fingers clutch at him, ball at the bottom of his shirt, tangle in the thick of his hair, and all his thoughts are forgotten. He feels you slip a soft, strong leg over his, pulling him forward. You groan against him, and Frankie’s cock twitches. You feel it, you must do, as you pull your body closer to him, tight against him. Frankie is so lightheaded he doesn’t know where his hands are, what they’re doing - and when he concentrates, he finds them skating over your back, squeezing the tension out of the back of your neck, gripping your hip.

He moans against you as you rock your hips over his thigh, as he feels the heat of your sex against his skin. He feels like he’s on fire.

You slip a hand under his sleep shorts and palm him, brushing his silken length with two fingers, feeling him grow harder, thicker against you. You take him in your hand, pump him once, twice with the perfect grip, the perfect speed, like you were made for him. He’s gasping against you, panting as you suck his lower lip into your mouth.

‘Baby,’ he groans, breathless, ‘We don’t have to. We really don’t -’

You look up at him through gorgeous, glazed eyes.

‘I want to,’ you say, ‘Do you?’

Dangerous, dangerous question.

Frankie tries to shake his head, look away, think of anything but the tight fist of your fingers around his cock.

‘I do,’ he says, ‘I do. But I don’t think - this is the right thing -’

You loosen your grip, draw away from him. His body aches with a shudder.

His eyes flick back to yours again - confused, hurt - fuck, he can’t do that to you, ever -

‘I - I don’t want to take advantage of it - of you,’ he says. Your eyelashes flutter against your cheeks as you look down the sheets towards your toes. His jaw tightens. ‘And - and I don’t want this to mean - different things for us. I don’t want it to ruin what we have.’ Frankie breathes out heavily through his nose. He has to tell you now. He has to. ‘I don’t want it to mean different things, because I love you. I always have. And if we do this, if I have you even just for a night, I - I’ll never recover from it.’ Tears spike in his eyes again. He tries to smile. ‘You’d ruin me. And I don’t think I’d ever forgive you for it.’

Your breath hitches in your throat, and Frankie watches as your eyes flit back up to his. They search his face, the dribble of his barely-shed tears, the slope of his sad smile. You bring a hand up to cup his cheek, running your thumb over his scraps of beard. He closes his eyes.

‘What you said earlier,’ you begin. Frankie swallows. He waits for the blow of rejection. ‘About me - about me loving him.’ He opens his eyes slowly to find yours, bright and clear. Something begs to bubble over in them. Something golden and warm. ‘You were wrong - obviously. And I couldn’t tell you truly why, because I was afraid. So afraid of pushing you away, even though I think that’s all I’ve ever done. I’ve never thought I was worth it, Frankie. I don’t deserve you. And I am terrified of how much I love you.’ You beam at him, eyes bubbling over with that thing - love - ‘I love you,’ you say simply, like it’s not the most beautiful thing he’s ever heard.

A stunned little laugh ripples up his throat, and you copy it. He grips your face in his hands, and kisses you again, again, again.

‘I love you,’ he says.

‘I love you, too,’ you giggle.

‘And you are,’ he presses to your lips, ‘You are absolutely worth it.’

He rolls over on top of you, and begins to kiss your jaw, nipping at the skin there, before moving down your throat. He kisses you with a hot, open mouth, sucking marks into the sensitive skin at your pulse point. Mine, he groans, and you whimper against him, rubbing your thighs together.

Frankie pushes your shirt up - his shirt - so he can bite at your chest, press kisses to every bit of exposed skin. Every single part of you that deserves to be loved, every single place which has so far been unknown to him. He sucks each nipple into his mouth, delighted when you keen beneath him, panting, please, please Frankie, before he sinks lower down, peeling his shorts away from you to expose your glistening cunt.

He groans, unable to take his eyes away from it as he leans forward, pressing his body into the mattress to lick a stripe from your asshole to your clit.

‘Frankie -’ you groan down at him as he begins to work at you, sucking and licking, nipping at your thigh before slipping his tongue into your hole, swiping and tasting everything you’re giving to him. He grinds himself into the mattress, hissing at the relief, the uncomfortable weight of his cock dragging below him.

‘Taste so good, baby,’ he tells you, and he doesn’t think he ever wants to taste, wants to smell anything else ever again. All he can do is eat at you, breathe you in, until you’re begging him -

‘Frankie, your fingers - please -’ And he flexes his hand at your hip before brushing a fingertip against your entrance and gasping at the pain.

You try to bear down towards him, but he rips his hand away, lifting his head towards you.

‘Can’t,’ he gasps, and you mewl, bucking your hips up to his face, desperate. ‘Hand’s fucked,’ he says, and you still your movements before beginning to laugh again. It’s loud and from your belly, and it's bizarre. But Frankie gets it. He gets it, and he giggles too. He doesn’t try to fuck his broken knuckles into you, but he does try to continue lathing you with his tongue. You’re making it pretty fucking difficult, though.

‘Stop laughing,’ he huffs against your clit, ‘I’m trying to make you come.’

‘Okay,’ you say, gasping for air, ‘Okay. I’m sorry. I’m very sorry. You’re doing really well, by the way.’ But this only makes him laugh. He groans, leaning his forehead against your inner thigh. ‘This is impossible.’ He pouts.

‘Nooo,’ you cry, leaning up on your elbows to pout down at him. ‘Please, baby. I’ll be good. I’ll be so good. I won’t laugh anymore.’

‘Promise?’ He says. You hold out your pinky to him.

‘Pinky promise.’ You say.

Frankie stretches his hand out to you and tries to extend his pinky. He winces at the sharp pain which shoots from the movement, and grunts at you, your eyes sparkling with mischief.

‘You bastard,’ he says, trying and failing to hold his smile, ‘You knew I wouldn’t be able to do that.’

‘Just keeping you on your toes,’ you grin, and then before you can make any more smart remarks, Frankie resumes his ministrations, lapping and tonguing at your clit, your hole, mouthing hot, wet kisses to your pussy. He shakes his head from side to side, running your bud in tight, hard little circles until you’re a moaning, whimpering mess beneath him. Your hips buck unconsciously, and Frankie hooks both his arms around your thighs to hold you down, flattening his hands against your belly to keep you firmly in place. He reaches up to twist at your nipples and you gasp.

‘God, Frankie, tongue feels so fucking good -’

He can feel you begin to pulse against his chin as your whines get higher in pitch, and he groans as you twist handfuls of his hair.

‘Come on, baby,’ he says, ‘Give it to me. Wanna see you come, querida. Wanna taste it. Come on my face.’

And you do, the sensation of it arching your back tight like a bow, a strangled moan cutting off into the ceiling.

‘Fuck, Frankie, fuck -’ as he drives you through it, nodding and murmuring against you as you try to wriggle free, squealing in protest until you manage to twist a leg and set a foot against his chest, pushing him off.

‘Fucking - hell -’ You pant, and Frankie grins down at you, smug.

‘Good?’ He asks, quirking an eyebrow.

‘Oh, fuck you, Morales.’ You laugh, pulling him in for a sloppy kiss, moaning when you taste yourself on him. Your tongue explores every part of his mouth, every crevice behind every tooth, like you can’t get enough of him. Like there'll never be enough of him. ‘Now fuck me.’ You whisper.

And Frankie does not need to be told twice.

He rips his shirt up and off his back, shucks his shorts down his legs, and squeezes himself tight as he can in his left hand. He ruts into his palm, thumb swiping to slick his heavy beads of precum down his length.

‘Ready?’ he asks, looking down to find you staring wide-eyed at his cock. It twitches under your gaze.

‘What?’ He says, and you shake your head in quiet disbelief and amusement. You lift your eyes back to his face, and they are so dark with arousal he almost melts into the mattress.

‘Nothing,’ you shrug. ‘Just somehow never believed Pope and the boys when they said it was like two coke cans put together.’

‘Jesus Christ.’ Frankie laughs, his face pulling tight with a grin as he lines himself up at your entrance, swilling the head in your arousal.

‘I mean, what if it doesn’t fit?’ You babble, and he shakes his head.

‘It’ll fit, baby,’ he says. ‘We’ll make it fit.’ Then he sinks the first inch in, and just waits. He waits and watches you, watches as your mouth falls slack, all the smart things coming out your mouth grinding to a halt. He throbs at how tight you are around him, at how you clench already, trying to suck him in further. And fuck, you are so wet.

‘You okay, querida?’ He asks through gritted teeth.

You manage a nod, a broken whine escaping you.

‘Move Frankie, please baby -’ you beg, and he groans as he pushes further inside you, watching the obscene stretch of your pussy around him, the way it pulses, the way it gets wetter and warmer and tighter around him. When he bottoms out, he feels the hot rush of his orgasm leap towards him a little too quickly.

‘Fuck, baby,’ he breathes, closing his eyes just to make sure he doesn’t come right away. You squirm beneath him, canting your hips up, trying to fuck yourself. Frankie grips you, gritting his teeth. ‘Stay still,’ he hisses, flushing a little. ‘God, fuck, please - just for a minute.’ He opens his eyes to find you watching him, your bottom lip caught in your teeth. His eyes glaze down your body - his t-shirt bunched up around your chest, perfect tits, perfect belly, and your sweet, sopping cunt split open on his cock.

He groans again, slipping out, watching as he retreats, soaked by you, before pushing back in. A high pitched whine leaves your lips, and you twitch your hands up to play with your tits. Frankie doesn’t think he’s ever seen something more sexy in his life.

‘That’s right,’ he says, ‘Keep playing with yourself like that, gorgeous. Look at you.’

So you do, looking up at him with doe-eyes as he fucks into you, soft at first, letting you adjust before quickening his pace, readjusting his angle, feeling you leak around him. His balls slap against your ass loudly, and you keen up at him, eyes wide, begging for something as you tighten like a coil around him, something you can’t quite voice. But Frankie knows.

He swipes his thumb against your clit, and your eyes roll into the back of your head, your back arching again. He groans at the sight, and works the bundle of nerve endings in tight circles, faster and harder, harder and faster, until you’re gripping him so tight he thinks you might push him out.

‘Come baby, come,’ he pants, ‘Please, querida, need to feel you - need to feel you soak me. Need you to come for me, come on this cock, baby, please -’

And he groans, long and loud as you clench and pulse around him, milking him, pulling him impossible deeper - fuck, Frankie, oh my god, feels so fucking good - the delicious pressure at the base of his spine at breaking point as he fucks you through it, as he pants and gasps -

‘Come, Frankie,’ you plead, ‘Please - want you, need you -’ and he spills himself deep inside you, hips stuttering, eyes clamping shut, overwhelmed and short circuited. He’s never known it could feel like this - good to the end of every synapse - and he’s fucking it in with three long thrusts, pulling out slowly just to watch it dribble out of you as he twitches against his thigh. He thumbs your clit just to watch you seize and sigh against him, then sits back on his knees to look at you.

‘You are something else,’ he says in disbelief.

You smile lazily at him.

‘Ain’t so bad yourself, Morales,’ and he laughs, throwing himself down next to you, kissing anywhere he can. I love you, I love you, I love you. Safe.

You lay there for a while afterwards, just feeling each other, calming your ragged breathing. Eventually, Frankie rises from the bed to grab a washcloth, coming back and swiping between your legs tenderly, gently, before collapsing back into bed and pulling you into his chest.

He feels like he’s in space, and he tells you as much. He spills secrets like a child at a sleepover. He tells you about the glitter and the stars and the constellations of ice crystals. You match him with a galaxy of feeling spanning the time he’s known you. And he feels that this is a dream, this love which floats like a nebula within the bed. He tries to keep his eyes open for as long as possible, even as you sleep. And even when he does drift off, he dreams of you. He dreams of you sparkling with stardust, waiting for him with your arms open.

When he wakes the next morning, you’re still there. Safe, soft and warm against him, furled into his ribcage, heart beating against the hand that’s pressed against your chest.

Everything’s okay. That red thread still intact, after all.

When the sun rises, bloody and mild, it’s never been so sweet.

A little piece of a bloody tooth

Just so you know I was thinking of you

#pedro pascal fanfiction #frankie morales #frankie morales x reader #triple frontier #pickup truck #kings of leon #Spotify #pedro pascal x reader

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