#the makioka sisters

[chuuyaszn]

What books by BSD authors (irl) are your favorites? :3

i loved classic lit even before i got into bsd lmao

personally i really love :

-The Setting Sun (Osamu Dazai)

-Grapes of Wrath (John Steinbeck)

-Crime and Punishment (Fyodor Dostoyevsky)

-The Makioka Sisters (Jun’ichirō Tanizaki)

[haveyoureadthisbook-poll]

[monstrousgourmandizingcats]

Wearing heliotrope? At a funeral????

[degenderates]

[whilereadingandwalking]

The Makioka Sisters by Jun'ichirō Tanizaki, translated by Edward G. Seidensticker, can be a bit of a slog. At 562 pages, this book tells the story of four sisters of an old, noble Osaka family. The main plot is Austen-esque: trying to get the 3rd sister, quiet Yukiko, married despite the high, almost snobbish standards of the old Makioka family, so that poor, modern, outgoing Taeko (affectionately called "Koi-san") can marry her long-time lover. As marriage negotiations continue to fall through for Yukiko, Taeko gets increasingly impatient, and older sister Sachiko worries that her behavior will bring ruin to the family name. I first, fittingly, began reading this book on the train from Osaka to Tokyo. It was covered by a flowery book cover I bought from a children's library on Nakanoshima island. Despite my best efforts, it took me more than a weekend to get through the hefty paperback.

Making Sachiko our central protagonist gives us an unreliable narrator in an intriguing way: her sensitive, traditional mindset leaves the reader both nostalgic and frustrated in turns. The book's biggest weakness was long, hefty paragraphs that could be repetitive from other sections. I suspect this comes from it being serialized and published in parts. I think the book would have benefited from multiple point-of-views. Sachiko is the perfect representative of the old family, but her actions were often snobbish and cold, and it would have been interesting to have her unreliability interrogated by having Taeko's point of view as well, here and there. Its biggest strength is to be read between the lines. Over the events of this book, which seem so couched in dated tradition and formality, loom hints of austerity measures and rumors that mark the impending shoe drop of Japan entering World War II. There's a sense (reinforced by the book's Japanese title, "lightly falling snow," which can refer to the falling cherry blossoms, a season of beauty short-lived and always destined to end each year) of impermanence around the entire book. This is a way of life about to be obliterated by world events. It's worth noting that the government actually stopped the publication of this book in 1943 because “The novel goes on and on detailing the very thing we are most supposed to be on our guard against during this period of wartime emergency: the soft, effeminate, and grossly individualistic lives of women.” All of this gives the novel a very specific wash as a frozen moment in time destined to be swept away. Its ending carries a sort of sadness to it: without spoilers, Sachiko feels confident that the future is set, but World War II is about to change everything for her family and country.

Even in the book itself, many holidays, festivals, and traditional arts and celebrations are being reeled back in light of the Second Sino-Japanese War. All of the book's readers during and after World War II would have recognized this acutely, and I suspect that feeling of loss and nostalgia for a traditional Japan (in all its good and bad) was a huge contributor to making this book a classic. As for the ending, the book's pacing was steady throughout, less like a flight (with a take-off, stabilization, and descent) and more like a train ride, straight across with a few interesting stops. The ending felt like getting off one stop before the train's final destination. Unceremonious, and it feels like the story keeps going straight ahead, but you're hurried off the train anyway. The events of the last three pages were large compared to a lot of others in the book that got entire chapters, and yet Tanizaki breezes over them and leaves us, it almost feels, mid-paragraph. I did like the bittersweetness he tries to leave us with, but the final sentence felt very low-energy for being the final words of a 500+ page book. Content warnings for misogyny, ableism, classism, mental illness.

[amostimprobabledream]

Finally finished this last week. Tbh I wasn't that impressed with it, sorry Tanizaki.

[monstrousgourmandizingcats]

Ichikawa is perhaps the only Tsuruko akgae in the entirety of the book's reception history.

Sasame-yuki aka The Makioka Sisters, 1983, Kon Ichikawa

[merriclo]

i know he’s a controversial character, but one thing i truly hope we see before BSD ends is a backstory for Jun’ichirō Tanizaki. it’s been said many times before and by many other people, but it really is one of the points i want to understand more.

obviously, both of the Tanizakis are rather mysterious in the grand scheme of things, with no backstory aside from being students, and.. this weird excerpt from the Untold Origins light novel.

(context: the members of the Agency are discussing ideas for Atsushi’s entrance exam.)

“Democratically, huh?” Yosano raised an eyebrow. “How about we do the same thing we did for Tanizaki? How’s that?”

Yosano glanced in Tanizaki’s direction, and he instantly turned pale, shaking his head.

“I—I don’t ever…want to be reminded of that again.”

When Tanizaki was new, he had to pass what could be called a very harsh entrance exam. However, it was so harsh that all of Tanizaki’s memories of that day ended up buried deep in his subconscious. Remembering what happened would only bring underlying trauma up to the surface.

his entrance exam was so harsh and genuinely traumatizing that any and all memories of it were pushed into the deep recesses of his own mind.

and, granted, a harsh entrance exam isn’t exactly new for the Agency. Kyouka barely didn’t die, Atsushi fully thought he was, and Dazai’s was over an act of domestic terrorism. but none of them were so traumatized that their own mind refused to acknowledge it. and despite all of this, Jun’ichirō describes himself as more of an assistant at the Agency, not an actual detective.

he’s also able to?? casually fly a helicopter??? it makes sense, given his natural aptitude for reconnaissance and stealth missions (see: his ability Light Snow, his adaptability, and his skill as an actor.) he’s not exactly confident in his flying skills (literally being called the “wimpiest in the east” by the manga,) but he’s good enough to be trusted with discreetly flying Atsushi up to the Moby Dick, a risky and essential part of the plan to take down The Guild.

we know that Jun’ichirō is a competent and useful member of the Agency, and it’s clear that the others think so as well. but he’s constantly putting himself down, describing himself as average and using his own supposed mediocrity as a way to make Atsushi feel better about himself.

his fears and self-doubt seem to nearly vanish entirely, however, when someone he cares for is put in harms way. we see this first when Naomi is shot by Higuchi, and later on when he hears of how Atsushi attacked Naomi and Haruno while under Yumeno’s ability. it’s also displayed when he manages to almost assassinate Mori during the Cannibalism Arc (a moment that is not talked about enough as it should be.) and, most recently, we see him freak out after the death of Kunikida, threatening to rip an actual God limb from limb.

this is also seen heavily in the Beast universe. (minor Beast spoilers ahead!! skip this paragraph if you don’t want them!!) Jun’ichirō is the first to fully support Akutagawa’s pursuit of his sister, and even tells him to abandon all morals and forget about his place in the Agency should his sister’s life ever be threatened. he’s also the one who follows Akutagawa into the Port Mafia headquarters, and the one to guard Kyōka’s unconscious body while he waits for Demon Snow to potentially assassinate her. Jun’ichirō even says “[Akutagawa] and I are similar.” after seeing all of his violent outbursts and reckless behavior.

his moral code is genuinely fascinating to me: he won’t hesitate to act in a way that’s commonly seen as immoral, so long as it preserves the Agency. he’ll stop at nothing to ensure the safety of those he loves, not even at his own death. considering this, in terms of reputation and completing their overall goal, Jun’ichirō is honestly kind of a liability to the Agency.

and that’s. honestly all we really know?

it seems like a lot, especially when i’ve rambled on for this long, but it’s really just five things: he has a sister, he was a student before he was a member of the Agency, his entrance exam was incredibly traumatic, he has self-confidence issues, and his morals are rather gray. again, five things.

almost every other member of the Agency has an extensive backstory. Kunikida’s is still rather unknown, but even then we have a good idea of what he was doing prior to Atsushi joining the Agency.

we know nothing about Jun’ichirō. i really do hope that we get to learn about his entrance exam, as well as what made him, and his sister by proxy, the way they are.

[acemarkey]

how fast do u guys think imgonna finish reading naomi

[antihetero]

why didn't anyone tell me that tanizaki's makioka sisters is a huge book 💀 I bought it in english (not my first language) because I tought I would be able to read it without any problems.

I read crime and punishment in my first language because I tought I would struggle too much if i read it in english...

[spacevoyage]

pls dont leave this in the tags

am starting Book 3 of “The Makioka Sisters” and istg Teinosuke is the real mvp

[fanciestgeckofella]

frankly im just watching bsd for the book reccomendations.

[monstrousgourmandizingcats]

Tagged by @mysticalsadgirl. Four favorite characters; which am I most like?

(An oddly sci-fi-as-opposed-to-fantasy-heavy lineup! I chose a mix of blorbos I talk about a LOT and ones I talk about somewhat less.)

Makioka Yukiko, Sasameyuki/The Makioka Sisters (here shown in the iffy movie adaptation from 1983); Laura Lee, Yellowjackets; Irulan Corrino, Dune (here shown in the iffy movie adaptation from 1984 to disambiguate the book version of her from the current movie version, since I find her most interesting in Dune Messiah, which Villeneuve has yet to adapt); Kira Nerys, Star Trek.

Open tag. Go ahead and tag me as having tagged you if you're interested in doing this one!

[yuafre]

"мелкий снег" иллюстрации

26 день - камера

таэко

31 день - ориентир

[monstrousgourmandizingcats]

#I know there’s a deep significance to the abruptness and banality but still#i thought my copy was damaged#and also ‘not all weddings are gay’#like I’m not even thinking about same sex weddings im thinking about all my female relatives who were forced into marriage#actually even a few of my schoolmates right now

(from OP)

it was such an experience realising that this was the very end of The Makioka Sisters. it was like someone slapped a pie into my face

[whilereadingandwalking]

Admiring Osaka roses while reading the Jane Austen–like tales of the Makioka sisters.