#the love unlimited orchestra

[gumis-song-of-the-day]

Gumi's Song of the Day

Bring It On Up by The Love Unlimited Orchestra

[oldshowbiz]

1975.

The Four Seasons go instrumental and cover Barry White's Love Unlimited Orchestra.

[cbjustmusic]

The #1 song from 50 years ago was with Love Unlimited with Barry White’s “Love’s Theme”, one of the few instrumentals to top the charts. ____________________ Love’s Theme Composer: Barry White

[priokskfm]

#FREEDOWNLOADS #FREEPROMO #RADIOCHART Love Unlimited Orchestra - High Steppin Hip Dressin Fella (My Grooves Edit - Afshin & Alex Finkin) Produced by Afshin & @alexfinkin for the My Grooves party @djoonclub www.fb.com/mygrooves Скачать: https://ift.tt/kTafR3p https://ift.tt/6V0jYoa

[djevilninja]

Love Unlimited Orchestra - Barry's Theme

[howardhawkshollywoodmusic]

3. Loves Theme by Love Unlimited Orchestra debuted Dec 73 and peaked at number one, scoring 1707 points.

The 40 piece orchestra was created by Barry White. They charted five times from this, their first, to 1977. Satin Soul also made the top 40 in 1975, peaking at number 22.

For several years it was used as the opening theme for ABC's coverage of PGA golf.

[taevisionceo]

Connecting… Christmas Holiday 🎄🎅🎁 09:37am Wed, Dec 27 Selecting random music…

Sync my "Home Station" with my YouTube channel … Winter

IT MAY BE WINTER OUTSIDE Barry White - Love Unlimited Orchestra Glodean James, Linda James, Diane Taylor

[theyhavetakenovermylife]

Some Of Your Children's Favorite Songs

Bayverse!Turtles x reader

A/N: Just a little something to give you an idea of what you and your mutant husband might hear blasting from your children’s rooms, and maybe even give you and idea of their ✨vibes✨, lol💚 Good luck with Marie btw😂

Warnings: Good music, hehehe. No fr, I listen to all of this.

Leonardo:

Romeo:

“Silent Running” by Gorillaz and Adeleye Omotayo.

“Demoni” by Joker Out.

“Look Who’s Laughing Now” by Benjamin Ingrosso.

“Nice To Meet Ya” by Niall Horan.

“IL DONO DELLA VITA” by Måneskin.

Marcello:

“Soldi” by Mahmood.

“MI FAI IMPAZZIRE” by BLANCO.

“Wa Dachte” by Viccens, Joost Klein and Kleine Crack.

“NEMISI” by Marracash ft. BLANCO.

“Stefania” by KALUSH and Kalush Orchestra.

Gerardo:

“Espresso Macchiato” by Tommy Cash.

“Buurman” by Joost Klein.

“I KNOW” by D1MA.

“Antwoord” by Joost Klein and gladde paling.

“(nendest) narkootikumidest ei tea me (küll) midagi” by 5MIINUST and Puuluup.

Valentina:

“Certified Pop Queen” by Nemo.

“Tout l’univers” by Gjon’s Tears.

“Beautiful Mistake” by Kristian Kostov.

“EVERY SINGLE DAY” by Felix Sandman.

“Mon amour” by Slimane.

Raphael:

Joan:

“Red Flag Parade” by MYDY.

“Out Of My System” by Louis Tomlinson.

“Blood & Glitter” by Lord Of The Lost.

“Girls Can Do Anything” by July Jones.

“Planetary Hearts” by UBLU.

Minerva:

“Teardrops” by Liam Payne.

“Colours of Your Love” by Conchita Wurst.

“Teresa & Maria” by alyona alyona and Jerry Heil.

“Det Modsatte” by Mumle.

“Is It Love” by Loreen.

Ragnar:

“DELILAH” by Mikolas Josef and Mark Neve.

“Simple Joy” by THE ROOP.

“Lowlife” by YUNGBLUD.

“Koullout liekki” by Benjamin.

“TANGO” by Tommy Cash and bbno$.

Donatello:

Galileo:

“Bla Bla Bla”, by Gigi D’Agostino.

“Freed from Desire” by Gala.

“Rhythm Is A Dancer” by SNAP!

“No Limit” by 2 Unlimited.

“Cha Cha Cha - Alan Walker remix” by Käärijä and Alan Walker.

Dorothy:

“My Heart Is Refusing Me” by Loreen.

“Eurostar” by Nemo.

“Mamma Mia” by ABBA.

“RELATIONS” by Felix Sandman and Astrid S.

“Shady Lady” by Ani Lorak.

Marie:

“We Got The Moves” by Electric Callboy.

"Friesenjung" by Ski Aggu, Joost Klein and Otto Waalkes.

“Romantika” by Brutalismus 3000.

“Ratata” by glade paling and Vieze Asbak.

“Buurman Uit Berlijn” by MCR-T and Joost Klein.

Michelangelo:

Sunny:

“Shut Up And Dance” by Sophie and the Giants.

“Fairytale” by Alexander Rybak.

“Brother Louie” by Modern Talking.

“Damdiggida” by KEiiNO.

“Stor Mand” by Tobias Rahim ft. andreas odbjerg.

Luis:

“Go Bananas” by Little Big.

“Give That Wolf A Banana” by Subwoolfer.

“Dancing Lasha Tumbai” by Verka Serduchka.

“Rouska” by Käärijä and Erika Vikman.

“Turn It Up” by Oliver Tree, Little Big and Tommy Cash.

[madamlaydebug]

Remembering Barry White, who was born on this day.

Sept.12, 1944 – July 4, 2003), He was an singer-songwriter, musician, record producer and composer. A two-time Grammy Award–winner known for his bass-baritone voice and romantic image, his greatest success came in the 1970s as a solo singer and with The Love Unlimited Orchestra, crafting many enduring soul, funk, and disco songs such as his two biggest hits: "You're the First, the Last, My Everything" and "Can't Get Enough of Your Love, Babe".

[surrealisticduvet]

Review: The Wichita Train Whistle Sings (1968)

We must begin with this excerpt from the album’s Wikipedia page:

“The album was made over a two-day session on November 18–19, 1967 at the RCA studios in Hollywood, and it featured the best musicians in Hollywood… including ten trumpets, ten trombones, ten saxophones, two drummers, five percussionists, four pianos, eight basses, seven guitars. Because it was the weekend, all musicians were paid double time and the session was catered by Chasens, the finest restaurant in Hollywood, and Nesmith provided an open bar, with the predictable result that most of the normally highly disciplined cadre of studio musicians were drunk by the time the session finished. It all cost $50,000. Nesmith explained to Hal Blaine that he was about to pay a similar sum in tax and he would rather spend it on the sessions and write it off than give it to the IRS.”

(Note: $50,000 in 1968 is worth upwards of $450,000 today. And that is not how tax write offs work? Maybe I'm betraying my line of work here but the things I would do to look at his bookkeeping files... ugh!)

This album is an instrumental orchestral recording of many of Mike’s early songs. Highlights include Carlisle Wheeling (the best example of this album being done right), Tapioca Tundra (if you thought the Monkees version was epic, imagine it with a full orchestra - it’s truly on another level), and You Just May Be The One (a very funky and fresh military parade inspired score - it may not be for everyone but it blew my mind a little bit so I love it). 

Favorite parts of the album:

It’s very clear that this was something Mike wanted to do and for that I am fond of it. He really wanted to appeal to a broad audience, and believed that incorporating many musical genres would bring people of all backgrounds and interests together (whether or not a full orchestra melded well with electric guitars and a twanging banjo is another question.) With the exception of some co-author writing credits, Mike wrote and arranged the whole thing. When he re-released it onto CD, it was recorded from vinyl, to retain the original quality which is a brilliant touch and I think it is worth more than if it had been remastered to keep up with the times.

Critiques: 

This is what happens when you give a 25 year old with big ideas unlimited fame and fortune and a plethora of yes-men who want to make a buck off of him. These were studio musicians, so they were very skilled and I’m sure professional, but the downside to studio musicians is that they don’t have the inherent group sound that a full-time band would have. Mike at this time was not a good enough producer to know what to look for and how to direct a group – I think if there had been someone like the Beatles’ George Martin hanging around, not afraid to push for quality, it would have been a very different album. That aside, there are some parts where the “vocal track” does not translate well into a single instrument affair (note the trumpets in Nine Times Blue which become repetitive.) Additionally, Mike betrays his true hippie nature by believing that an orchestra enthusiast will not be offended by a lively banjo solo, or that a folkie would pick this up just because their favorite picker was on board. Sometimes, genres do exist for a reason.

Conclusion:

Overall, you shouldn’t skip listening to this one, but I wouldn’t blame you if you didn’t revisit often. Personally, I’m a huge fan of the concept, I love the instrumental takes he added to later albums, and I wish he had released more in the same vein, but these are still gems. 

[poll-position]

Putting these in alphabetical instead of Top 12 order so not to skew the results.

[cutepresea]

symphony... symphogear live but with a full orchestra??

Ohh, that could be fun. I know Nana Mizuki did a few concerts with an orchestra though the only Symphogear song she did at any of them was UNLIMITED BEAT from XDU. I'd gladly take something like that with the full cast

Heck, it would be kinda cool even without vocals (though I would love to see the cast together again)