#the lost palace

[phsolomon]

Where I've Been - Writing Updates

Where I've Been - Writing Updates #Fantasy #TBOHS #CMCF #AMWriting #authors @buymeacoffee #buymeacoffee

The latest writing news from P. H. Solomon. Hey everyone! Just taking a bit of time to share some updates today. First, what’s happened – I’ve been dealing with my maladies for the last several months and making slow progress. There’s too much to discuss here other than saying I’ve gotten one diagnosis that got me into some therapy which is helping. I’ve also pursued some other treatments which…

[ganondoodle]

Empress and her Bodyguard.

(OCs, grey haired lady Zaphira she/her, demon Shargon he/they)

(also some details up close)

and this guy bc i find him funny

[c-rowland]

1x03 vs 1x05

[cdrama-action]

🍉SIGNUPS FOR CDRAMA GOTCHA FOR GAZA CREATORS NOW OPEN!🍉

We are a fundraiser event dedicated to creating fanworks in exchange for donations to the people of Palestine. Creator signup is now open for fanfic authors, fanartists, vid makers, and graphics/gif creators.

Once creator signups close, for small donations of at least 5.00-8.00 USD to Palestinian direct aid organizations, you will be able to receive a fanwork from one of these talented creators

CREATOR SIGNUPS OPEN: March 30th, 2024 to April 14, 2024

All creators welcome! Whether you can create for three or one hundred fandoms, we'd love to see you on board. Fanartists, fic writers, fanvid creators, and gif/graphic creators can sign up.

Please visit our CARRD HERE for more information on both how to create and how to donate.

Then, if you are a creator, go sign up here.

You can also follow our twitter here.

Inspiration is @SVSSSAction, @TGCFAction , and @MDZSaction on twitter.

We greatly appreciate you promoting our project, even if you can't participate yourself. As this is a multi-fandom event, we need all the plugging we can get. Thank you!!

-Cdrama Action Team

[taitavva]

Thus, Socrates says that "sophrosyne is something divine" (Carmides, 174b) and that "the sensible man is a philosopher" (Carmides, 174c).

[Enkrateia and sophrosyne in Plato: a comparative study of the dialogues Carmides, Gorgias, Republic, Politius and Laws - Juan Carlos Tellería Sebastián]

[shaylogic]

This. This moment right here. This is indicative of why Charles tried opening up more to Crystal earlier in the season. 30 years of this from Edwin.

I'm surprised he has that fantastic "I don't wanna be a bad guy" scene with Edwin shortly after this moment.

I think, because he tried to open up to Crystal in the bedroom scene and she turned it back to her and David, confusing kissing that then became "you're a cute distraction, but we should stay friends. . . for now". . .

I think he tried Crystal because Edwin wasn't working.

Then Crystal didn't work, so he pushes past this moment pictured above and tries again.

Edwin fares better that time, I think partially due to the things he's learned in the group dynamics since Crystal and Niko joined their friendship.

[niamh-writes-things]

hang on a sec, what if instead of dead boy detectives we had vampire boy detectives!

Edwin's circumstances of death would have to be different of course, but Charles can have the same but instead of chilling and waiting for him to die Edwin bites him.

as undead beings they can still see ghosts and all and therefore still try to help them. their reasoning is that they are trying to balance out the evil they do when biting people. they probably have a policy of only biting animals or proper bad guys like murderers and abusers and people who are dicks to women, and they probably steal from the hospital every so often. as much as i like my crazy murder guys, edwin and charles just arent like that, they would want to avoid biting people as much as possible and try to avoid it until they absoloutely have to.

this would make the dynamic with Esther really interesting. she would probably say something like "how are we any different, you feed on the blood of humans, killing them, and my snake feeds on little girls, killing them and giving me beauty!" and instead of an iron cane and an iron collar it's silver. when charles has to go into the snake pit he can just smell all the blood from the girls and he can have a mini crisis.

also they would probably have to rent a room because people can actually see them. jenny probably just thinks theyre fellow alternative people. niko and crystal would definately be a bit afraid, but warm up to them. the interactions with the cat king would have much more tension and stuff.

the story would probably get much darker as our boys actively kill people, but the threat of the knight nurse and edwin returning to hell wouldnt be there. it would probably be replaced with what if one of them is staked, or if we still want the night nurse, she's after them because they werent supposed to be turned, they were supposed to di and go to their seperate afterlifes and she's trying to trick them into goingt to their afterlifes anyway via some kind of magic or a deal with death or something. again with the show being darker, maybe when theyre on a case theres a guy whom was accidentally killed by his abusive father and charles goes a bit mental on him.

charles still gets his crisis because hey, his dad enjoyed inflicting pain on others and he feeds on blood which causes pain so are they the same? can he ever really be a good person as a vampire? is he a horrible person like his dad was?

OOOh and clothes! edwin can keep his outfit because he just isnt comfortable in modern clothes but charles probably embraces the campire aesthetic and goes even more punky than he already is

guys i'm gonna be honest i just really like vampires and i really like dbd and now i need to write a new fanfic

[pippin-katz]

Disturbing detail I noticed in episode 1:

It's a bowl of pacifiers in the Lost & Found Department. Idk if this is to indicate that they collect them from infants that die, or if they give them out like lollipops at a doctor's office. Either way, kinda fucked up lmfao 😬

[starlightseraph]

yes, save dead boy detectives. yes, save good omens. yes, continue sandman. but fucking fire neil gaiman first. have him renounce his royalties. the lump sum for the rights, the producer/writer salary, any residuals. if that doesn’t happen (and it seems unlikely), then don’t go ahead with the shows. don’t give him more money.

his backing out voluntarily or being forced out of financial benefit is a prerequisite for my willingness to support any of these projects in the future. i hope it is for you, too.

these shows and their accompanying works are dear to me. dbd is one of my favourite shows of all time. i want it to go on for so many reasons. but not at the price of funding an alleged predator. go was formative for one of my own writing projects, and it’s influence is seen in a lot of my writing. but i can’t in good conscience support go itself as long as he’s involved. sandman is brilliant and i’m fully emotionally invested. but i won’t invest financially unless he’s gone.

the other wonderful and talented people involved in these projects deserve to continue them. ng doesn’t. the casts, crews, other writers, and specifically terry pratchett, they deserve these things. the fans deserve them. we can make these our own, but only if neil is gone first.

[chunglesworth]

SNEAKY Kloktober day eleven… Inspired by ur culture… I’m from British 😁

[blueiscoool]

Rome’s 'Lost' Imperial Palace 'Domus Tiberiana' Reopens

Until recently a crumbling and off-limits ruin near the famous Colosseum, the Domus Tiberiana palace — built in the first century AD and beloved by Nero — hopes to once again take its place as one of the city’s top tourist attractions.

The ancient palace sits on Palatine Hill — the city’s oldest hill, overhanging Rome —from where imperial dynasties ruled for centuries. But over the years, the site fell into disrepair and in the 1970s, the Domus Tiberiana site was shut due to the structural instability of some of the ruins. The closure left behind what many Romans described as a “black hole” in the capital’s archaeological heart.

Now, after a six-year makeover, the palace has reopened its doors as a “diffuse museum,” with findings and frescoes scattered across the site to provide visitors with an insight into the palace’s ancient grandeur.

And it was grand. The Domus Tiberiana was Rome’s first imperial palace, built by the emperor Tiberius who combined and incorporated the pre-existing noble mansions built on the hill. Occupying over four hectares, the palace featured residences alongside large gardens, places of worship and rooms for the emperor’s Praetorian guard.

As the seat of Rome’s power and politics, Domus Tiberiana held a prime location, high above the Palatine and Roman Forums, offering its occupants a “balcony view of the city.” Over time, the Domus was embellished and enlarged by other emperors including Nero, who was crowned on its steps aged just 16, in 54 AD.

Alfonsina Russo, director of the Colosseum’s archaeological park (in which Domus Tiberiana falls) and lead archaeologist on the renovation, said that ancient antiquities, many exceptionally well-preserved, were unearthed during the project.

The artifacts — bright stuccos, frescoes, amphorae, potteries, looms, terracotta, and divinity statues related to the cults of Isis, Dionysius and Mithras — offer visitors a trip through time, said Russo.

“They make this place — formerly (inhabited) by aristocratic families, then Roman emperors — feel alive again,” she said. “There are seven exhibition rooms full of extraordinary finds, starting with those preceding the original construction of the palace when aristocrats lived in mansions before Tiberius subsumed them into the Domus.”

Among the newly-exposed and frescoes are some of the earliest paintings of lemons (considered an exotic fruit in Ancient Rome, as they hailed from the Far East) and a depiction of a gladiator, proving that the era’s gladiatoral games were appreciated by rich families, explained Russo.

The imperial palace remained in use until the 7th century, when it became the papal residence of John VII. In the mid-16th century, the aristocratic Farnese family — who were powerful local landowners — built the lavish Orti Farnesiani gardens on the site, adorning it with ornaments and sculptures of nymphs, satyrs and fauns.

“This monument speaks of history,” Russo added. “We have restored (Domus Tiberiana) to its past splendor, but more work lies ahead.”

Indeed, painstaking efforts have been made to blend old and new. A series of majestic, reddish-brown vaulted arches that greet visitors having been carefully reconstructed with the same materials as ancient Romans used in the past.

“What makes this revamped Domus unique is the architectural style,” said Russo. “We managed to use original materials to reinforce and strengthen the handmade 15-meter (50ft) tall front arches (which run alongside the palace’s) ancient paving.”

It has certainly caught the public’s attention. Since reopening at the end of September, Domus Tiberiana has attracted some 400,000 visitors, a “huge success,” said Russo, adding that she believes that this incarnation of the Domus Tiberiana offers visitors the most “evocative” visit in generations.

Archaeologist and scholar of ancient Rome Giorgio Franchetti saidN that, in the reopening of the Domus Tiberiana complex, Rome has “recovered a lost jewel.”

“The Palatine Hill has always been the stage of Rome’s power politics,” he said in an interview. “Tiberius likely chose this spot to build the palace as it was where his family residence stood. There aren’t many places like the Domus Tiberiana where you can really breathe the past.”

By Silvia Marchetti.

[breadmecoshy]

How many HK gijinkas do you have? Have you designed THK and Ghost yet??

Also hey your art looks amazing and you have some super creative and gorgeous designs, it's incredible, how do you even do it???? Your style makes them look even better too holy shit

Thanks for the question and the praise!

I have the gijinkas of the Dreamers and the Hornet (not very satisfactory, I didn't think much about them), Quirrell, Grimm and Saint, Collector and Marissa.... I can't remember any more, so that's probably it

I thought about the Little Ghost's gijinka before, but it wasn't good... So I've thought of Knight, Ghost and Kin (and little child Hornet) specifically for your request! (thanks for that, I need a boost for something high-quality) I hope I was able to convey how threatening this little child is

I had a problem with gijinkas vessels in the sense that I wasn't sure it made sense to make them human, but making them clots of emptiness was just boring. So now, apparently, the Pale King just like in damn Sparta dipped babies into the Void, and if they couldn't cope with it, threw them off a cliff or something

/which makes things worse, because now we are dealing not just with an Abyss of broken shards, but with the genocide of babies

The horns of the vessels in this interpretation are branches, like those of a White Lady, since she is their mother. (The Hornet has no horns, just a cap) We don't know how she gave life to the vessels in the game, but in the case of humans, she gave birth to them directly (she is the goddess of fertility and reproduction, so let's pretend that this is not terrible reproductive pressure---), so they have her features. But the facial features of all the kids are dad's, except for the eyes - the King's are light (and the Hornet's!), but the vessels are dark because of the emptiness. I think an ideal vessel should have completely black eyes, along with whites, since it does not need to move its eyes and look at the world around it. Just black chasms

[mydaylight]

I'm lowkey obsessed with Yongzheng telling Zhen Huan on his deathbed "The entire world was mine, but it will be yours soon" like... it's the ultimate admission that he's been beaten, he knows he will be dying soon and Zhen Huan will have everything, and even worse at this point he's pretty much certain that she cheated on him and Hongyan is not his kid but he's so utterly powerless it's impossible for him to strike back against her in any way... In a way he's partly responsible because he's the one who propped her up for so long in order to live his Chun Yuan fantasy, and he was just so arrogant and self centered he did not suspect her of being duplicitous until the very end. He exploited Zhen Huan for so many years, and it ended up being his undoing. It's such a powerful scene because you have this monarch and the woman he considered his property, and she's turned the tables on him, brought him on knees, and she's about to be handed everything he cared about, his dynastic power and his throne (via her sons), and there's nothing he can do about it. He thought he was using her but no, he was also being used and she doesn't care a wit about him. And also she was poisoning him to death. No drama ending will ever be as cathartic as that.

[dangermousie]

2023 End of Year Post - cdrama edition

Yes, we have a lot of December left, but I don't think anything else I want to check out will air before 2024 hits (it's cdrama so caveat is - you never know.)

This is only going to cover cdramas that aired in 2023; if I watched it but it was made in a different year, it's not on the list. This was a pretty good cdrama year, all in all.

DRAMAS WATCHED

(In order of liking from least to most as opposed to pure quality; I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list)

30 legend of twin flower - Not dignifying that drama with capital letters, as the only capital that should be associated with this is capital punishment - which is what watching this feels like.

29 Dominator of Martial Gods - sounds like a bdsm gay porn title. Would probably be better acted and written if it was.

28 Beauty of Resilience - you'd need a lot of said resilience to sit through this incoherent, barely acted mess. The thing that I remember the most other than my annoyance is all the jingly-jangly head gear on JJY. Perhaps they could have sold some of them and spent the money on a better script.

27 Divine Destiny - if you think you have too many brain cells and want to get rid of some, boy do I have a drama for you!

26 Wanru’s Journey - honestly it's probably tied with SEL - I mean it's worse but it has actors who are nowhere as well known and a fraction of SEL's budget. Still, this is a big fat nope. I will not say what I think of Aoi Rupeng's "acting" or I'd have to put money in the curse jar.

25 Snow Eagle Lord - Gulinazha's stone face, nonsense plot, terrible CGI. Take your pick as to why this is terrible.

24 Scent of Time - it was uneven but fun but then that ending was dumb enough to destroy the whole thing. Show me on the doll where common sense hurt you, makers!

23 Royal Rumors - Jeremy Tsui and Meng Ziyi are utterly wasted in this nothing trifle of a drama.

22 Legend of Anle - I had high expectations but alas. This is the drama version of color beige. There is nothing offensive about it but nothing good either. Mediocre actors are mediocre, good actors become mediocre, this is just a waste of our finite time on planet earth.

21 Romance on the Farm - it's not you, it's me in action. I can see why people would like this wholesome slice of farming family life, but it's tailored to trigger every one of my "nope" opinions.

20 Back from the Brink - if I were 12, it would be my favorite thing. I am not 12.

19 Journey of Chong Zi - objectively a terrible drama with plot holes the size of Mars and a leading lady whose face has apparently frozen when the wind changed. But I am a total sucker for the trope of upright shizun falling for his demonic disciple and going mental so here we are. Objectively, garbage, subjectively my precious!

18 Love you Seven Times - just call poor Ding Yuxi "Atlas," he carried this mess so hard.

17 Blooming Days - trashy dogblood harem fight fun throwback. It's not that great (and the fact that it was shredded doesn't help) but it's probably the last gasp of that genre for the foreseeable future, so I am grading on a curve.

16 The Starry Love - a fun fantasy where the secondary OTP stole the thunder but overall a really solid fantasy xianxia romance.

15 The Longest Promise - it could have been better - the secondaries were unbearable and there was too much of them and what they did with Alen Fang's character still gives me rage fits, but the main couple was impeccable and lovely and I rooted so hard for them.

14 Chang Feng Du/Destined - visually gorgeous, solidly acted, impeccable first half. Bland as hell second half. Win some, lose some.

13 Circle of Love - this drama is a nonsense trash heap on fire. After a typhoon hit it. It was also the most entertaining, addicting drama on this whole list.

12 Hidden Love - the sole modern on this list, this story has barely any plot but it made me care about the young, decent lovers so hard.

11 Choice Husband - starts out wacky, continues with angst and blood and happy ending. I loved it, but I've always had a soft spot for melo and schemers turning devoted.

10 Pledge of Allegiance - bromance, super solid acting, visuals, a really dark take on officials and the world. Insanely underrated.

9 Provoke - a truly fun Republican revenge and love tale, showing that short format can be wonderful.

8 Gone with the Rain - some of the secondary characters are rage-inducing (hi there, cardboard boy!) but the scheming, ruthless, vulgar FL is amazing and her slowburn with her age gap general who is delighted by her out-there-ness is great!

7 Wonderland of Love - Fei Wo Si Cun goes wholesome and the result is surprisingly entertaining. Battle couple, glorious visuals, a fast paced plot. It's the first Xu Kai drama I enjoyed in years (and he plays a rare cdrama ML it would be pretty neat to pair up with in rl.)

6 My Journey to You - that ending is infuriating (and I am OK with open endings if done properly) but what a visual feast, probably the most gloriously shot drama on this list, and that's a tough competition. Also it packs a hell of a lot of couples and familial and adversarial relationships into its slim running time; assassin lady won over by a gentle man is my favorite trope and so this is extra great.

5. Till the End of the Moon - the ending is a rage-inducing disaster for me, but this drama was the most incredibly emotionally intense, visually eye popping experience. It was deeply flawed but when it was amazing, it was like nothing else in its visuals, its characters and its narratives. It took insane risks; some paid off and some did not, but it was glorious.

4. Story of Kunning Palace - I don't often care for reverse harem stories but this one was such fun - the main OTP was glorious (strong FL, unhinged ML) but honestly everything about this was just so excellently done.

3. The Ingenious One - the most adult drama on this list. Smart protagonists, intelligent plot, emotions that felt true, this is a revenge and a mystery and found family and goes into so many directions you do not expect (Su Mengyu's PTSD after his first kill - that is something you never see in dramas, definitely not prolonged and profound - not like this.) If I was to say which drama was objectively the best on this list, as opposed to favorite, it would be this.

1 (tie) Lost You Forever 1 - this is an exquisite emotional jewel of a story about damaged people moving forward, with damage always present - their past informs their present and always will. The narrative about Xiao Yao and three very different men in her life makes me think that it's an equivalent of a neutron bomb going off right before the main narrative starts and now we are watching the survivors wander in the wreckage. This is very high fantasy setting but it's one of the most emotionally human narratives out there.

1 A Journey to Love - everything I ever wanted - assassins, ride or die adult OTP with genuine believable conflicts, great and complex secondaries, beautiful fights. Oh, and yeah Liu Shi Shi domming the hell out of every man in a ten mile radius, as she should.

FAVORITE DRAMA

It's a tie between Lost You Forever Part 1 and A Journey to Love. LYF1 is a bona fide art piece but it's only part 1 and who knows if part 2 will be any good (seeing the huge ep number cut, I have my doubts) and so it's incomplete. AJTL is an old school wuxia romance with incredibly competent, adult people in love and great cast of secondaries. I can't pick.

WORST DRAMA

romance of twin flower - this is a drama that should not exist. If I could hex everyone involved with it, I would. It's a terrible, stupid, shrill, badly acted drama to start with, but where it really is catapulted into stratosphere of horror is that is took my very favorite non-danmei web novel of all time, a smart and complicated tale with incredible protagonists and turned it into that barftastic abomination. Peng Xiao Ran kept making horrible drama after horrible drama but I kept giving her a chance because of Goodbye My Princess but after this disaster, I've had to accept GMP was a fluke and she is on my "if she's in it, I am out” list. Ding Yuxi is not that far yet (his performance in Seven Lifetimes was the one thing carrying that mess afloat) but he's on freaking thin ice. Anyway, I like to pretend this drama does not exist.

FAVORITE MALE CHARACTER

It was hard because there were so many I loved this year - Deng Wei's traumatized, gentle Seventeen from LYF1 (if someone told me I'd swoon and weep for a character played by Deng Wei, I'd have told them to examine their brains asap), Liu Yuning's incredibly capable, deadly, contained Ning Yuanzhou from AJTL, Zhang Linghe's unhinged Xie Wei from SoKP, Chen Xiao's schemer with a heart Yun Xiang from TIO.

But ultimately, it couldn't be anyone else but Luo Yunxi as Tantai Jin/Demon God/Ming Ye/Cang Jiumin in Till the End of the Moon. He was everything - a demon, a saint, a martyr, a monster, a tormented abuse victim, a savior, joyful, unhinged, smart, pitiable. It was the cdrama performance of the year for me. Luo Yunxi even in a mediocre role is impressive but in a complex (series of) role(s) designed for his strengths, he is a force of nature.

FAVORITE FEMALE CHARACTER

Xiao Yao (Lost You Forever Part 1). Once again, there were runner ups - Bai Lu's smart a little evil FL in Kunning, the gloriously unhinged assassin domme Liu Shi Shi in AJTL, Esther Yu's assassin longing for a different life in MJTY etc etc etc. But Xiao Yao's damaged, difficult, very self-aware woman stole my heart. I was skeptical going in because I haven't enjoyed a Yang Zi performance in a long time, but she was the wounded beating soul of this incredible drama.

NEEDS TO BE MURDERED

Where do we start? How about all of Seventeen's (LYF1) monster family? His brother, who tortured him for years physically and emotionally to such a degree his body is a horror map and his personality is permanently altered because "mommy liked you better." Psycho mother who created a situation where the kids were going to turn on each other and "let's get my grandson raped" grandma. Where is a well-placed meteorite when you need one.

FAVORITE SHIP

Xiao Yao/Seventeen, LYF1. Yes, a ship of characters played by Yang Zi and Deng Wei is my favorite. Leave me alone, I am on my tenth helping of crow already. They are both incredibly damaged, barely functioning survivors who find what they need in the other - he finds a savior and someone who sees him as a man and rebuilds himself around her and she finds someone who will always put her first and only, and subsume himself in her. Is it healthy? No. Does it make sense for them and is it making them slowly functional? Yes.

Runner up: Ren Ruyi/Ning Yuanzhou, AJTL - two adults, so competent, so chemistry full. She has so much damage and so little normalcy but is so strong and he is oddly gentle (in between murders) and incredibly self-reflective. They are each other's mirrors and I love them.

FAVORITE SECONDARY OTP

Su Mingyu/Ke Menglan, The Ingenious One - the idealistic merchant who wants to join jianghu until he sees its horrors firsthand and a slave entertainer who wants security but decides she wants him more. They are gorgeous and glorious and wholesome and I adore them.

Runner up: Liu Gong Quan/Ming Zhu, The Ingenious One - that drama was a shippy gift, especially impressive considering it wasn't even romance-centric. He's the officer who has to bring down her treasonous father but loves her. Delicious.

Another runner up is Chao Feng/Qian Kui, the angelic good girl and the scheming bad boy in The Starry Love. They stole the drama from the main OTP for me.

NOTP

Scent of Time endgame. What the hell was even that. It made NO sense.

FAVORITE SCENE

So many good scenes this year - Tantai Jin taking apart Li Susu in prison in TTEOTM, the OTP fighting in perfect sync and insane rhythm in the gorge battle in AJTL, Chen Ruoxuan's character stopping the execution in Pledge, Yan Lin's coming of age in Kunning, the poison/antidote "gamble" in MJTY, Cang Xuan detoxing in LYF1. But I think ultimately, me being who I am, my favorite scene is Xiao Yao kissing Seventeen's damaged, scarred knee to show he is in no way inferior for her. AAAAA!

In terms of pure jaw dropping visuals tho nothing will ever beat Ming Ye’s battle against the Devil God in TTEOTM.

BIGGEST CRUSH

Ning Yuanzhou, AJTL. He's sexy as hell (that height, that way he moves in battle) but he's also so incredibly competent, so adult, so self-reflective and so attracted to a woman for her strength. He also gets whumped on the reg. Anyway, my hormones are ready.

BEST SCENE STEALER CHARACTER

Gong Yuanzhi (My Journey to You) - I loved the unhinged, brocon poison boy. He was everything. Also Yan Lin (Kunning) - talk about sunshine; I totally got why all these people felt they needed to save him.

NEEDS A SEQUEL

My Journey to You - what the HELL was that ending?

NEEDS SCISSORS TAKEN TO IT

legend of twin flower - that is, stab it with scissors like it stabbed the novel until it's dead.

TOO MANY SCISSORS TAKEN TO IT

Till the End of the Moon - they clearly cut stuff to fit into the new regs about runtime and it made the last 1/5 rather abrupt. Gimme!

TROPE THAT NEEDS TO DIE

The emperor cannot be irredeemable. WTF, China, you are a communist country!

FAVORITE TROPE WE’VE SEEN A LOT OF

This is the year of a ML who yearns to be dommed by his FL. Long may it continue.

BIGGEST DISAPPOINTMENT

The Legend of Anle - the novel had a great plot, the cast were all actors I either enjoy a lot or somewhat and we got - whatever that soggy piece of wonderbread toast was.

BIGGEST GOOD SURPRISE

LYF1 - I only checked out to mock because nobody could explain the story to me and nobody in the cast did anything I like either ever or in years. And then I fell utterly and completely in love and had to eat so much delicious crow.

2023 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH

Ancient Love Song is the only one on that list. It looks really good, I just need to brace myself.

BEST NON-2023 DRAMA I’VE WATCHED IN 2023

The Imperial Doctoress - best slowburn and pining and glorious character development and adult leads.

MOST ANTICIPATED

Anticipating any nonaired cdrama is a mug's game but if they air, I will definitely check out all the Fox Matchmaker dramas, LYF2, JoL2 and The Last Immortal. If Prisoner of Beauty ever is allowed out of the vault (dubious), it goes on the list too.

[thelaithlyworm]

Daomu Biji Watcher’s Guide, May 2024

A few new entries have been popping up lately, and I’m always hopeful new fans will stumble into the pits and never leave so I thought I’d paste up a rough map.

(Obviously the best watching order, like the best reading order of Discworld or the Aubrey-Maturin books, is ‘whatever first comes to your hand’ but for the people who don’t like that…)

tl;dr:

Daomu Biji is a series about tomb raiding. Think Indiana Jones or Lara Croft but much, much longer. The protagonist Wu Xie is deeply in love with BFF1 Zhang Qiling, a hundred-year-old cryptid, and BFF2 Wang Pangzi, who was stolen in a raid from another book series. It’s comic, tragic, horrific, zany, prone to musings on life, love, desire, attachment, and has many, many piss jokes. (‘Journey to the West but modern’ is maybe the other comparison I’d make.)

Notes:

– This guide is not talking about “quality”. All of the adaptations have their own strengths and weaknesses and tone can vary a great deal, which is to say, if one of them doesn’t suit you it’s likely something else will.

– Wacky endings, and plot threads that disappear unfinished and get picked up a long time later, are as inherent to the franchise as the piss jokes.

– It’s common for the dramas to introduce characters and subplots a lot earlier than the books do. Sometimes we’ll see a character introduced ‘for the first time’ on multiple occasions and strangely familiar scenes. I’ll try to point out the biggest continuity clashes as I go.

The Soft Entry:

There are a few movies that are entertaining as standalones but will introduce various characters and background. I would recommend:

Escape from the Monstrous Snake + Mystery/Grave of the Abyss – two monster movies featuring Hei Xiazi, a supporting character. He’s a pragmatical mercenary who’s going blind in kind of a weird way, and goofy as hell when he isn’t tiptoeing over a vast abyss of existential dread. So many fun action scenes.

Time Raiders (2015) – so there are some textual clues that late in his career Wu Xie wrote this story as a memory-jogger for an amnesiac friend. The plot is a freewheeling wild ride which doesn’t directly match any book plot but introduces some major characters and how they relate to each other. It’s colourful and fast-moving. Enjoy, enjoy.

Conjuring Curse and Misty Creed are… theoretically set late in the series even if the actors look about twelve. Both work as stand-alone adventures, though Misty Creed is maybe a little deep in the lore. Again, colourful and fast-moving.

The Chronological Order

You could honestly start with most of these – they tend to come with a ‘what has gone before’ at the start or a newbie character that things get explained to. The only one I wouldn’t start with is Heavenly Palace in the Clouds, which is lovely but also the second half of a set and things won’t make sense if you haven’t seen Lost Tomb 2 first.

Lost Tomb 1 – a highly digestible 10-12 episode version of the Seven Star Lu Palace arc, ie. Baby’s First Adventure. Introduces A-Ning, Xie Yuchen, and Huo Xiuxiu early and a couple of og characters for Wu Xie to talk to instead of monologuing to himself. The restaurant scene at the end was raided from a later arc and you’ll see it again in Ultimate Note. A book character, Da Kui, was cut which is a small problem because how he died is a minor plot point discussed in Lost Tomb 2. 

Lost Tomb 2 – covers Raging Sea, Hidden Sands (underwater tomb) and Qinling God-Tree (weird bronze tree in the mountains) plus a whole lotta side stories and original content exploring the world and foreshadowing later plots. Mooostly in continuity with Lost Tomb 1 (see Da Kui above) and made as a set with Heavenly Palace in the Clouds – they share resources and a lot of actors, and some threads begun here are finished in Heavenly Palace.

Heavenly Palace in the Clouds – covers the Mt Changbai arc, a journey up a mountain to find a very old, very grand tomb. This was made so close to Lost Tomb 2 that LT2 borrows shots from Heavenly Palace and not the other way around, which is fascinating because it pointedly contradicts the last five episodes of LT2. It also brings forward some plotlines originally from the Tamutuo and Zhang Family Old Pavilion arcs (San-shu’s past in the underwater tomb, and the Huo Family videotapes) dragging some characters on-screen and forcing them to talk about their feelings, which they would clearly rather die than do. Given those plot-tweaks and the early, deliberate continuity clash, I’m tempted to call this a Canon Parallel Universe. Got some interestingly chewy character dynamics and luverly, luverly set design.

Mystic Nine – This is a prequel about Zhang Qishan – Fo-ye – and his peers, but later dramas expect us to know who Fo-ye was so I’m sticking it here. Kinda… picaresque? Lots of action scenes and Republican-era flavour and various factions jostling for power – kinda feels like an old-school wuxia story, only set in the 1930s with all that glorious Republican-era styling. Has some unfortunate cut scenes – the details of how Fo-ye recovered at his family’s house don’t make a lot of sense in the aired version, and there are a couple of missing fights in the penultimate episode. Shrug. Still a lot of fun. Comes with four side movies about supporting characters.

Ultimate Note – Covers the Tamutuo arc (a trip through the jungle) and two-thirds of the Zhang Family Old Pavilion arc (investigating Zhang Qiling’s past is like kicking a hornet’s nest). Very, very flirty and has some zippy-zip action choreography. Politely ignores Lost Tomb 1–Heavenly Palace continuity (Xie Yuchen is, once more, introduced for the first time, now with a romantically coded friendship arc) and brings in a lot of cameos from Mystic Nine and Sand Sea, which it was filmed after. Kinda tiptoes around parts of the book plot, which I suspect would be hard for anyone to film, re: Fo-ye’s actions in the 1960s. Fair warning, this ends on a cliffhanger. This is also where the Xinyue Restaurant scene appears again – two cakes!

Tibetan Sea Flower – If Tibetan Sea Flower ever airs, it will go here.

Sand Sea – Based on the Sand Sea novel. After Tibetan Sea Flower, Wu Xie goes into a bit of a decline and makes that the world’s problem. We the audience, plus Li Cu and Liang Wan, EDIT: a lovely doctor, are pretty much dropped in media res into a number of ancient conspiracies and complicated plots coming to a head in the manner of a boil. It’s weird; it’s messy; it’s mad fun. Like Mystic Nine, has a lot of factions jostling for power and colourful jianghu characters. We will, once more, see the Xinyue Restaurant scene. Also has some side movies.

Time Raiders – The textual hints that suggest Wu Xie wrote this, suggest he wrote it around Sand Sea-era, when his life was a bit complicated. I’m putting it after Sand Sea because I believe it caps a conversation that, ah, doesn’t quite make it into the drama. But notionally this is where it should go. Ah…. at one point, someone tells a story about an ancient ruler, King Mu of Zhou, who sought immortality from the Queen of the West in Tamutuo. The longer book conversation suggests that a) King Mu of Zhou engineered a “trap” for someone like Wu Xie to fall into in the future, and b) that Iron Mask Scholar, a villain from Lost Tomb 1, was an alias that King Mu of Zhou used in the Warring States Era. Which makes some of Iron Mask Scholar’s appearances in Time Raiders… interesting.

Reunion: Sound of Providence – sometimes known as Reboot. Having peaked in badassery in Sand Sea, Wu Xie has to consider what his life is going to be now, and also, he would like to track down a missing family member. So this was tweaked to make it more accessible to new viewers (so some parts of the back-story are not mentioned or conflated for simplicity) and that mostly works but I did find watching this first and then picking up the earlier dramas a bit of a mindscrew. Zhu Yilong is, however, a powerful draw and the rest of the cast sparkles. Probably best to think of Season 1 as two short seasons jammed together, which is to say, once the Warehouse 11 arc starts there are a number of characters who won’t reappear until Season 2. It’s a fun arc even so. Season 2 ends with a badass action scene and then a big party, which I think is a great way to end a story.

Escape from the Monstrous Snake, Mystery/Grave of the Abyss, Conjuring Curse, Misty Creed – these are all theoretically set around or after Reboot-era, though they can certainly be watched as stand-alones.

[lumi-of-the-universe]

Honestly fascinated by the way all three of the Dead Boy Detectives are people who just disappear.

Edwin’s death was ‘an act of God.’

Charles’ got covered up.

And Crystal was missing for weeks and no one knew.

That’s the thing that ties them together.