#the long reign

[horizon-verizon]

Born in 67 AC, three years after Daella, Saera had all the courage that her sister lacked, along with a voracious hunger…for milk, for food, for affection, for praise. As a babe she did not so much cry as scream, and her ear-piercing wails became the terror of every maid in the Red Keep. “She wants what she wants and she wants it now,” Grand Maester Elysar wrote of the princess in 69 AC, when she was only two. “Seven save us all when she is older. The Dragonkeepers had best lock up the dragons.” He had no notion how prophetic those words would be. Septon Barth was more reflective, as he observed the princess at the age of twelve in 79 AC. “She is the king’s daughter, and well aware of it. Servants see to her every need, though not always as quickly as she might like. Great lords and handsome knights show her every courtesy, the ladies of the court defer to her, girls of her own age vie with one another to be her friends. All of this Saera takes as her due. If she were the king’s firstborn, or better still his only child, she would be well content. Instead she finds herself the ninthborn, with six living siblings who are older than her and even more adored. Aemon is to be king, Baelon most like will be his Hand, Alyssa may be all her mother is and more, Vaegon is more learned than she is, Maegelle is holier, and Daella…when does a day go by when Daella is not in need of comfort? And whilst she is being soothed, Saera is being ignored. Such a fierce little thing she is, they say, she has no need of comfort. They are wrong in that, I fear. All men need comfort.” Aerea Targaryen had once been thought to be wild and willful, given to acts of disobedience, but Princess Saera’s girlhood made Aerea seem a model of decorum by comparison. The border between innocent pranks, wanton mischief, and acts of malice is not always discerned by one so young, but there can be no doubt that the princess crossed it freely. She was forever sneaking cats into her sister Daella’s bedchamber, knowing that she was frightened of them. Once she filled Daella’s chamberpot with bees. She slipped into White Sword Tower when she was ten, stole all the white cloaks she could find, and dyed them pink. At seven, she learned when and how to steal into the kitchens to make off with cakes and pies and other treats. Before she was eleven, she was stealing wine and ale instead. By twelve, she was like as not to arrive drunk when summoned to the sept for prayer.

Fire and Blood, by George R.R. Martin, pg 315-316

[sakuravalelp]

Phantom letters - DPXDC PROMPT

The bats wake up one day to the internet going crazy; people around the world were getting letters from they're diseased loved ones. The reactions are mixed, from people being outraged for the "prank" to people crying in melancholy at getting closure.

All the letters have something in common: They're closed with a green sealing wax that had an stylize DP and the name Phantom beneath it. Posts about the cards were using the # Phantom Letters.

The bats are discussing the viral posts in the cave when Alfred comes holding a basket filled with letters, announcing they were left at the doors. The letters had the sealing wax that they recognize from the posts. Checking the cameras they can see how they glitch before the basket appears.

Alfred starts to distribute the letters that had only one destinatary. Letters from each Thomas and Martha to both Bruce and Alfred. Letters from each John and Mary to Dick. A letter from Catherine to Jason. A letter from the Drake's to Tim, and another one to Bruce.

Once they had calmed down enough from the shock, Alfred proceeded to read the shared recipients. From Thomas and Martha to "The grandchildren we never got to meet." From John and Mary to "the family that took our little Robin in." Letters from Catherine to "My little boys family." The letters were directed to people the deceased didn't get to meet.

As much as the mere existence of the letters tugged at their hearts, they decided to not read them until they verified that the handwriting actually belong to the ones it claimed. They checked each letter, and in the end confirmed the letters were in fact from they're lost love ones.

After much discussion, each person makes the decision to read they're own letters later in private, and they proceed to read the ones that shared recipients out loud. The letter mentioned specifics like names and events that the deceased shouldn't have been able to know, including they're vigilante abilities, which had them pause each time to panic a bit. But what was more interested were certain pieces of the letters that mentioned a Prince Phantom.

"Prince Phantom said to don't mention things past our death, but it wasn't a command, so we're hoping this won't be much of a problem." - John and Mary

"I still can't believe Prince Phantom is letting us do this, but I'm so glad." - Catherine

It finally paints the mystery in a more concerning light when at the end of Thomas and Martha's letter there is a call for help.

"We're sorry for ending the letter on a serious tone, but seeing the kind of job you all get involved in, we wanted to ask: Could you please help Prince Phantom? Phantom had asked us to not give information about this, but he's so young, and has already been hurt so much. Please, check on Amity Park, Illinois."

-_-_-_-_-_-_-_-

Meanwhile, team Phantom has decided that they needed to get the news about the GIW out of Amity and ask for help. Two problems:

the GIW blocks any technological attempt made.

People might be afraid to learn that ghosts exist and side with the GIW.

As a way to deal with the public image, Phantom opens a possibility that the death have never had:

"All afterlives are open to write letters to their love ones that are still alive today. Nothing that includes threats, and don't go talking about the anti-ecto acts or Amity Park yet, we're trying to ease people into our existence first. Also, I know you all check on your love ones when the veil is thin, but please keep the things you shouldn't know out of the letters if possible. If you want your letter to be sent in the first batch, make sure to deliver your letter before the week ends."

Letters are a good way to reconnect people with the death, they aren't digital, and the GIW won't be able to intercept letters if they're send through inter-dimensional portals. Two birds in one shot.

[hiding-under-the-willow]

Okay so I need someone who's better at landscapes and art style replication than I am to hop on this idea. because this man and his alien planet biome and storyline were made for the scavengers reign art style fr

[k-wame]

Jaime Lorente as Néstor & Joel Bosqued as Álex 📺MANO DE HIERRO (IRON REIGN) · S1·EP5 · Crime/Thriller

[klanced]

i miss the voltron fandom :( if it was 2017 again i would be seeing hundreds of fanarts on my dash right now of keith holding moo deng 💔

[akelafang]

Arthur: Finally some peace and quiet Leon: ...In fact, it's too quiet Arthur: Where's Merlin?! Leon: Where's Gwaine?!

[romanreigns]

[bancaishi]

did a quick redraw of this old piece from 4 years ago in honor of cecilsweep. i’m glad to see we all remember our night vale roots

edit: now with image description by @princess-of-purple-prose (thank you fellow tumblr citizen) as suggested so anyone who doesn't see the reblog can still get an id by clicking on the original post, for posterity.

[ID: Welcome to Night Vale fanart of Cecil, who's depicted as a thin man with short hair and glasses whose body is composed of outer space, like a double exposure. His skin is colored with splashes of purple and dotted with stars, and he has multiple extra eyes clustered around his main two. He's speaking into a mic while reading off a paper, and the background is a purple gradient which radiates from him in waves and is filled with stylized eyes. End ID]

[mugi-sktch]

(not depicted: Gojo passed out on the kitchen counter, hugging a bag of kale chips to his chest)

Happy Birthday Yuuta 💍

[theghostofdash]

"Long may he reign" Work in progress. Wanted to try giving a shot at painting Molly. I love his design so much. Rip. Made with @koiwatercolor

June 22 2019

[horizon-verizon]

Near year’s end, a shameful revelation came to light that shocked both court and city. The amiable and well-loved Ser Lucamore Strong of the Kingsguard, a favorite of the smallfolk, was found to have been secretly wed, despite the vows that he had sworn as a White Sword. Worse, he had taken not one but three wives, keeping each woman ignorant of the other two and fathering no fewer than sixteen children on the three of them. In Flea Bottom and along the Street of Silk where whores and panders plied their trade, men and women of low birth and lower morals took a wicked pleasure in the fall of an anointed knight, and made bawdy japes about “Ser Lucamore the Lusty,” but no laughter was heard in the Red Keep. Jaehaerys and Alysanne had been especially fond of Lucamore Strong and were mortified to learn that he had played them both for fools. His brothers of the Kingsguard were even angrier. It was Ser Ryam Redwyne who discovered Ser Lucamore’s transgressions and brought them to the attention of the Lord Commander of the Kingsguard, who in turn brought them to the king. Speaking for his Sworn Brothers, Ser Gyles Morrigen declared that Strong had dishonored all they stood for, and requested that he be put to death. When dragged before the Iron Throne, Ser Lucamore fell to his knees, confessed his guilt, and begged the king for mercy. Jaehaerys might well have granted him same, but the errant knight made the fatal error of appending “for the sake of my wives and children” to his plea. As Septon Barth observed, this was tantamount to throwing his crimes in the king’s face. “When I rose against my uncle Maegor, two of his Kingsguard abandoned him to fight for me,” Jaehaerys responded. “They might well have believed they would be allowed to keep their white cloaks once I’d won, perhaps even be honored with lordships and a higher place at court. I sent them to the Wall instead. I wanted no oathbreakers around me, then or now. Ser Lucamore, you swore a sacred vow before gods and men to defend me and mine with your own life, to obey me, fight for me, die for me if need be. You also swore to take no wife, father no children, and remain chaste. If you could shrug aside the second vow so easily, why should I believe that you would honor the first?” Then Queen Alysanne spoke up, saying, “You made a mockery of your oaths as a knight of the Kingsguard, but those were not the only vows you broke. You dishonored your marriage vows as well, not once but thrice. None of these women are lawfully wed, so these children I see behind you are bastards one and all. They are the true innocents in this, ser. Your wives were ignorant of one another, I am told, but each of them must surely have known that you were a White Sword, a knight of the Kingsguard. To that extent they share your guilt, as does whatever drunken septon you found to marry you. For them some  mercy may be warranted, but for you...I will not have you near my lord, ser.” There was no more to be said. As the false knight’s wives and children wept or cursed or stood in silence, Jaehaerys commanded that Ser Lucamore be gelded forthwith, then clapped in irons and sent off to the Wall. “The Night’s Watch will require vows from you as well,” His Grace warned. “See that you keep them, or the next thing you lose shall be your head. Jaehaerys left it to his queen to deal with the three families. Alysanne decreed that Ser Lucamore’s sons might join their father on the Wall, if they wished. The two oldest boys chose to do so. The girls would be accepted as novices by the Faith, if that was their desire. Only one elected that path. The other children were to remain with their mothers. The first of the wives, with her children, was given over to the charge of Lucamore’s brother Bywin, who had been raised to be the Lord of Harrenhal not half a year earlier. The second wife and her offspring would go to Driftmark, to be fostered by Daemon Velaryon, Lord of the Tides. The third wife, whose children were the youngest (one still on her breast), would be sent down to Storm’s End, where Garon Baratheon and young Lord Boremund would see to their upbringing. None were ever again to call themselves Strong, the queen decreed; from this day they would bear the bastard names Rivers, Waters, and Storm. “For that gift, you may thank your father, that hollow knight.””

Fire and Blood, by George R.R. Martin, pg 298-300 

[The Lucamore Strong Scandal]

[bunniebi]

outfits for the infamous ROs ^-^ (except O, Seb, E and LA... </3 but maybe in the future)

[k-wame]

Jaime Lorente as Néstor & Joel Bosqued as Álex 📺MANO DE HIERRO (IRON REIGN) · S1·EP3 · Crime/Thriller

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[ariadne-mouse]

@outquisitor I hope you're pleased with yourself. I know I am.

[romanreigns]